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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Key - fill - back
Three point lighting
Score Mixers
Pitch
Smaller Wavelength =
2. The equivalent of quotes in a story - Person speaking on the screen
Bites (Sound Bite)
The greater the size of the aperture opening...
Performance Continuity
Condenser Microphone
3. tinted blue - 5500 degrees Kelvin - outside lighting
Daylight
Flat
Aperture
Dynamic Range
4. Uses a diaphragm - Robust - NO power required - Not so efficient
MIDI
Dynamic Microphone
Shorter focal length =
speed of sound in air
5. The sound made by the differing frequencies
Pitch
Loudness measurement
incident and reflected
Reverb
6. The equivalent of quotes in a story - Person speaking on the screen
OMF - Open Medium Framework
Timing Sheet
Bites (Sound Bite)
Three-to-one Rule
7. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Cutting-on-Action
Shorter focal length =
Establishing Shot
Frequency
8. Focal length divided by aperture
How do you fix Room Tone?
Room Tone
speed of sound in air
Formula for figuring the f-stop
9. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Timing Sheet
incident and reflected
wild sound
Sweetening
10. The sound made by the differing frequencies
Flat
OMF - Open Medium Framework
Nats
Pitch
11. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Color temperature of Tungsten light
Turn-over Frequency
Stand-up
Track
12. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Audio Mixers
Tungsten Light
Daylight
Male end
13. Hertz (Hz)
Timbre
Tungsten Light
Frequency Measurement
Establishing Shot
14. Manipulating frequencies. - Important to radio and musical recording - not film.
Bites (Sound Bite)
Proximity Effect
focal length of a wide angle lens
Spotting Sheet
15. 3200 degrees K
Color temperature of Tungsten light
Omnidirectional Microphone
Score Mixers
Classic Hollywood Editing
16. Attaches to the microphone
Female end
Spatial Continuity
Daylight
Focal length
17. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
incident and reflected
Atmospheric Continuity
Timing Sheet
Male end
18. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Distortion
Focal length
OMF - Open Medium Framework
Master Scene Shooting Method
19. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Foley
Frequency
Double system sound
Physical Continuity
20. Small image - long focal length
Technical Pictorial Continuity
speed of sound in air
Nats
focal length of a close up lens
21. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
How do you fix Room Tone?
Distortion
Color Temperature of Daylight
AGC
22. The width of the band of frequencies as specified by the frequencies at each end
Establishing Shot
Band Width
Timbre
3 Pickup Patterns
23. 20 HZ to 20000 HZ
Technical Pictorial Continuity
3 Pickup Patterns
Timing Sheet
Range of human hearing
24. tinted orange - 3200 degrees Kelvin - Studio lighting
Amplitude
Tungsten Light
Formula for figuring the f-stop
Focal length
25. A recording of the general ambience of the place where the dialogue is being recorded
B-Roll
Proximity Effect
Sweetening
Room Tone
26. Record all the music in a control room
Score Mixers
Timing Sheet
Audio Mixers
Performance Continuity
27. 3200 degrees K
Spatial Continuity
Score Mixers
Color temperature of Tungsten light
The greater the size of the aperture opening...
28. Middle point of the haystack
Turn-over Frequency
Light is a form of...
OMF - Open Medium Framework
Directional Microphone
29. Manipulating frequencies. - Important to radio and musical recording - not film.
Classic Hollywood Editing
Server
MIDI
Proximity Effect
30. Lighting instrument that has a lens on the front
The greater the size of the aperture opening...
Cut-in
How do you fix Room Tone?
fresnel
31. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
The cheapest part of movie making
Cut-in
Male end
MIDI
32. An actors performance should be consistent from shot to shot
Frequency
Performance Continuity
Band Width
Band Width
33. Name - agency - and role
slating an audition
Timbre
3 Pickup Patterns
RCA Connector
34. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
3 Pickup Patterns
Foley
Match Cut
Cutting-on-Action
35. Isolates a particular character or action
Proximity Effect
The cheapest part of movie making
Close-up
Sweetening
36. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
Master Scene Shooting Method
Loudness measurement
Omnidirectional Microphone
ADR (Automatic Dialogue Replacement)
37. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
focal length of a close up lens
Classic Hollywood Editing
Non-linear Editing
Focal length
38. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Flat
DAT
f-stop vs. depth of field
Condenser Microphone
39. Focuses on an element that appeared in the previous shot
Room Tone
Cut-in
The greater the size of the aperture opening...
Match Cut
40. Sound must appear to be coming from the picture
Track
Sound Presence
The greater the size of the aperture opening...
f-stop vs. depth of field
41. 800 mph or 1000ft per second or 1 foot per millisecond
Nats
Bidirectional Microphone
speed of sound in air
B-Roll
42. The more light reaches film
f-stop vs. depth of field
Match Cut
OMF - Open Medium Framework
The greater the size of the aperture opening...
43. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
B-Roll
Overlapping Action
Sound Waves
Sound Perspective
44. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
Foley Setup Sheet
a shot marked OS to Sally
Frequency Measurement
Room Tone
45. Focal length divided by aperture
The cheapest part of movie making
Flat
3 Pickup Patterns
Formula for figuring the f-stop
46. tinted orange - 3200 degrees Kelvin - Studio lighting
Direct Sound
Atmospheric Continuity
Dynamic Range
Tungsten Light
47. Distance from the center of a lens to the place where the parallel light will be focused
Focal length
Flat
Timbre
Three point lighting
48. Uses a diaphragm - Robust - NO power required - Not so efficient
Shorter focal length =
Sound Waves
DAT
Dynamic Microphone
49. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
MIDI
Range of human hearing
Match Cut
Spotting Sheet
50. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Server
Timing Sheet
Proximity Effect
Audio Mixers