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CSET Literature - 2

Subjects : cset, literature
Instructions:
  • Answer 50 questions in 15 minutes.
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  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Type of folk tale - Abound in every culture - In most cases - the animal characters are clearly anthropomorphic and display human personalities






2. The methods involved in telling a story; the procedures used by a writer of stories or accounts - A general term that asks you to discuss the procedures used in the telling of a story. - Examples of techniques used are point of view - manipulation of






3. Hero/heroine - One of the main characters of a literary work - Usually in conflict with the antagonist (villain)






4. The actual definition of the word. Not figurative; accurate to the letter; matter of fact or concrete.'Winter's end' is the end of winter.






5. The devices used in effective or persuasive language - Most common examples include contrast - repetitions - paradox - understatement - sarcasm - and rhetorical question.






6. An allegorical story designed to suggest a principle - illustrate a moral - or answer a question.






7. The repetition of usually initial consonant sounds in two or more words or syllables.






8. Fairy tales - legends of all types - animal folk tales - fables - tall tales - and humorous anecdotes






9. The images of a literary work; the sensory details of a work; the figurative language of a work. Imagery has several definitions - but the two that are paramount are the visual - auditory - or tactile images evoked by the words of a literary work and






10. The implications of a word or phrase - as opposed to its exact meaning (denotation).






11. A play with a serious content and an unhappy ending. (Shakespeare's Hamlet - Miller's Death of a Salesman.)






12. Exposition - Rising action - Climax - Falling action - Denoument/resolution






13. The ordinary form of spoken or written language - without metrical structure - as distinguished from poetry or verse






14. Evoke events of a time long past - Generally concern the adventures and misadventures of gods - giants - heroes - nymphs - satyrs - and larger - than - life villains - all entities that reside outside of ordinary human existence yet are entwined in o






15. A fictional narrative in prose of considerable length - Styles include picaresque - epistolary - gothic - romantic - realist - and historical ren have mastered the mechanics of reading - between ages 9 and 12 - they are prepared to sustain the more d






16. The introduction of setting - main characters - and conflict.






17. A composition that imitates the style of another composition - normally for comic effect.






18. Usually concrete objects or images that represent abstract ideas; something that is simultaneously itself and a sign of something else. For example - winter - darkness - and cold are real things - but in literature they are also likely to be used as






19. A figure of speech in which something is described as though it were something else. A figurative use of language in which a comparison is expressed without the use of a comparative term 'as -' 'like -' or 'than.' - 'The black bat night' rather than






20. The images - sensory details - and figurative language of a literary work; words or phrases that appeal to the senses. The visual - auditory - or tactile images evoked by the words of a literary work and the images that figurative language evokes.'Th






21. Deliberate exaggeration for effect; overstatement.Self - conscious - without the intention of being accepted literally.'The whole world's problems are on my shoulders.'






22. Look for: - Important literal sensory objects and images? - The similes and metaphors of the poem. In each - exactly what is being compared to what? - A pattern in the images - such as a series of comparisons - Also be able to discriminate between th






23. A speaker's authors - or character's disposition toward or opinion of a subject. (Hamlet's attitude toward Gertrude is a mixture of affection and revulsion - changing from one to the other within a single scene.)






24. A speech in which a character who is alone speaks his or her thoughts aloud (Hamlet's 'To be - or not to be' and 'O! What a rogue and peasant slave am I') - A monologue also has a single speaker - but the monologuist speaks to others who do not inter






25. An author's account of his or her own life.






26. Type of folk tale - Narratives that often include creation stories and explain tribal beginnings - May incorporate supernatural beings or quasi - historical figures (e.g. King Arthur - Lady Godiva) - Told and retold as if they are based on facts; alw






27. The special language of a profession or group - The term usually has pejorative associations - with the implication that it is evasive - tedious - and unintelligible to outsiders.






28. A combination of opposites; the union of contradictory terms. (Romeo's line 'feather of lead - bright smoke - cold fire - sick health' contains four examples of the device.)






29. The arrangement of materials within a work; the relationship of the parts of a work to the whole; the logical divisions of a work. - The most common principles are series (A - B - C - D - E) - contrast (A vs. B - C vs. D - E vs. A) and repetition (AA






30. A figure of speech in which intent and actual meaning differ - characteristically praise for blame and blame for praise; the use of words to suggest the opposite of their intended meaning. A pattern of words that turns away from direct statement of i






31. A technique in which the narrative moves to a time prior to that of the main story - Can make a story more interesting by giving it depth






32. A figure of speech in which intent and actual meaning differ - characteristically praise for blame or blame for praise; a pattern of words that turns away from direct statement of its own obvious meaning. The term irony implies a discrepancy. In verb






33. The mode of expression in a language; the characteristic manner of expression of an author. - Elements/techniques include diction - syntax - figurative language - imagery - selection of detail - sound effects - and tone.






34. The manner in which an author expresses his or her attitude; the intonation of the voice that expresses meaning. - Described by adjectives - May change from chapter to chapter or even line to line - May be the result of allusion - diction - figurativ






35. A poem having 14 lines - usually in iambic pentameter - and a formal arrangement of rhymes.






36. A figure of speech using indirection to avoid offensive bluntness - such as 'deceased' for dead or 'remains' for corpse.






37. Word choice; any word/detail that is important to the meaning and effect of the writing.






38. Narrative - dramatic - lyric






39. The management of language for a specific effect - In a poem - the planned pacing of elements to acheive an effect. Example: the rhetorical strategy of most love poems is deployed to convince the loved one to return the speaker's love. By appealing t






40. Understand the meaning of all the words in the poem - especially words you think you know but which don't seem to fit in the context of the poem. - Understand the grammar of the poem. - Beware of skewed word order (i.e. a direct object before the sub






41. The event or events that allow the protagonist to make his or her commitment to a course of action as the conflict intensifies; the complication of the plot.






42. A figurative use of language that endows nonhumans (ideas - inanimate objects - animals - abstractions) with human characteristics.






43. Prose narratives that follow traditional storylines that arise from oral traditions in histories - As old as language - Adapt from culture to culture - Original author is never known - Arise through the process of recombining traditional elements (mo






44. A statement that seems to be self - contradicting but - in fact - is true. (The figure in a Donne sonnet that concludes 'I shall never be chaste except you ravish me' is a good example of the device.)






45. The vantage point of a story in which the narrator can know - see - and report whatever he or she chooses. The narrator is free to describe the thoughts of any of the characters - to skip about in time or place - or to speak directly to the reader.






46. Can mean the mood or atmosphere of a work or a manner of speaking - but its most common use as a term of literary analysis is to denote the inferred attitude of an author - Author's attitude may be different from that of the speaker (usually the case






47. Not figurative; accurate to the letter; matter of fact or concrete.






48. The theme - meaning - or position that a writer undertakes to prove or support.






49. Shorter novels are called ___________






50. Be able to see the point of the poem - Define what the poem says and why. i.e. A love poem usually praises the loved one in the hope that the speaker's love will be returned.






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