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Test your basic knowledge |
Animation
Start Test
Study First
Subject
:
it-skills
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A simple toy used in the Victorian era. It is a small circular disk or card with two different pictures on each side that was attached to a piece of string or a pair of strings running through the centre. When the string is twirled quickly between th
Snow White and the Seven Dwarfs
Thaumatrope
Story Arcs
Humorous Phases of Funny Faces
2. In typography - it is the process of uniformly increasing or decreasing the space between all letters in a block of text.
Secondary action
Pose-to-Pose
Tracking
Squash and Stretch
3. This is a silent cartoon by J. Stuart Blackton released in 1906. It features a cartoonist drawing faces on a chalkboard - and the faces coming to life. It is generally regarded by film historians as the first animated film.
Steamboat Willie
Anticipation
Humorous Phases of Funny Faces
Appeal
4. Renderings of a character standing in multiple positions including facing front - 3/4 front - profile - 3/4 rear - and rear.
Overlapping action
Fantasmagorie
Post-synchronous sound
Turn around
5. Acknowledged by people everywhere as having some deep or central relevance to everyone. They might have to do with life in general - human nature - faith - courage - basic life transitions - love - loss - and any number of other things.
Slow in and Slow out
Secondary action
Pre-synchronous sound
Universal Theme
6. An English photographer who spent much of his life in the United States. He is known for his pioneering work on animal locomotion which used multiple cameras to capture motion - and his zoopraxiscope - a device for projecting motion pictures that pre
Persistence of Vision
Muybridge (9 April 1830 - 8 May 1904)
Malias (8 December 1861 - 21 January 1938)
Magic Lantern
7. Most natural action tends to follow an arched trajectory - and animation should adhere to this principle by following implied "arcs" for greater realism. This can apply to a limb moving by rotating a joint - or a thrown object moving along a paraboli
Staging
Arcs
Straight ahead action
The Illusion of Life
8. Voices - music - and key sound effects that are recorded before the animation is produced.
Anticipation
Post-synchronous sound
Story Arcs
Pre-synchronous sound
9. Used to prepare the audience for an action - and to make the action appear more realistic. A dancer jumping off the floor has to bend his knees first; a golfer making a swing has to swing the club back first. The technique can also be used for less p
Follow Through
Newton's 3 Laws of Motion
Snow White and the Seven Dwarfs
Anticipation
10. This principle means taking into account forms in three-dimensional space - giving them volume and weight. The animator needs to be a skilled draughtsman and has to understand the basics of three-dimensional shapes - anatomy - weight - balance - ligh
Kinetoscope
Flip book
Solid Drawing
Snow White and the Seven Dwarfs
11. The predecessor of the modern day projector. It consisted of a translucent oil painting and a simple lamp. When put together in a darkened room - the image would appear larger on a flat surface. Some slides for the lanterns contained parts that could
Blocking
Solid Drawing
Slow in and slow out
Magic Lantern
12. This is when the animation is created first - then audio is added later. Sound effects are used to complement the spatial and temporal settings established by the visuals.
Post-synchronous sound
Universal Theme
Straight ahead action
Newton's 3 Laws of Motion
13. The movement of the human body - and most other objects - needs time to accelerate and slow down. For this reason - animation looks more realistic if it has more drawings near the beginning and end of an action - emphasizing the extreme poses - and f
Slow in and Slow out
Theatre Optique
The Enchanted Drawing
The Illusion of Life
14. Where a character starts to move and parts of him take a few frames to catch up.
Pre-synchronous sound
Sullivan (2 February 1887 - 15 February 1933)
Drag
Tracking
15. An animation technique in which key poses are created to establish timing and placement of characters and props in a given scene or shot.
Follow through and overlapping action
Blocking
Animation
Story Arcs
16. A book with a series of pictures that vary gradually from one page to the next - so that when the pages are turned rapidly - the pictures appear to animate by simulating motion or some other change.
Secondary action
Flip book
Exaggeration
Persistence of Vision
17. Helps render movement more realistic and gives the impression that characters follow the laws of physics. Exaggerated used of the technique can produce a comical effect - while more realistic animation must time the actions exactly to produce a convi
Follow through and overlapping action
Slow in and Slow out
Anticipation
Keyframe
18. Adds more frames near the beginning and near the end of a movement - and fewer in the middle - to make the animation appear more realistic. This principle applies to both characters moving between two extreme poses and inanimate - moving objects.
Slow in and slow out
Theatre Optique
Humorous Phases of Funny Faces
Flip book
19. The classical definition - employed by Disney - was to remain true to reality - just presenting it in a wilder - more extreme form. Other forms of of this technique can involve the supernatural or surreal - alterations in the physical features of a c
Exaggeration
Pre-synchronous sound
Straight ahead action
Drag
20. A French illusionist and filmmaker famous for leading many technical and narrative developments in the earliest days of cinema. He was a prolific innovator in the use of special effects - accidentally discovered the substitution stop trick in 1896 -
Blackton (January 5 - 1875 - August 13 - 1941)
Malias (8 December 1861 - 21 January 1938)
Slow in and slow out
Multi-plane Camera
21. They have a beginning (setup) middle (conflict) and end (resolution). Oftentimes - in the end the character achieves the goal and better understands themselves.
Pose-to-Pose
Story Arcs
Sullivan (2 February 1887 - 15 February 1933)
Timing
22. Two different approaches to the actual drawing process. One draws out a scene frame by frame from beginning to end. One involves starting with drawing a few key frames and then filling in the intervals later. One is best for creating a more fluid - d
Follow Through
Slow in and slow out
Straight ahead action and pose to pose
Kinetoscope
23. A spinning disc attached vertically on a handle. Around the center of the disc a series of pictures was drawn corresponding to frames of the animation; around its circumference was a series of radial slits. The user would spin the disc and look throu
Non-synchronous sound
Timing
Follow Through
Phenakistoscope
24. A 1937 American animated film produced by Walt Disney. Based on the German fairy tale by the Brothers Grimm - it is the first full-length cel-animated feature in motion picture history - the first animated feature film produced in America - the first
Snow White and the Seven Dwarfs
Sullivan (2 February 1887 - 15 February 1933)
Exaggeration
Starevich (August 8 - 1882 - February 26 - 1965)
25. The earliest elementary form of this device was created in China around 180 AD. The modern device was produced in 1834. The device is essentially a cylinder with vertical slits around the sides. Around the inside edge of the cylinder there are a seri
Zoetrope
Pre-synchronous sound
The Illusion of Life
Blackton (January 5 - 1875 - August 13 - 1941)
26. The tendency for parts of the body to move at different rates (an arm will move on different timing of the head and so on).
Zoetrope
Starevich (August 8 - 1882 - February 26 - 1965)
Overlapping action
Mutoscope
27. The speed of an action gives meaning to movement - both physical and emotional meaning. The animator must spend the appropriate amount of time on the anticipation of an action - on the action - and on the reaction to the action. If too much time is s
Starevich (August 8 - 1882 - February 26 - 1965)
Timing
Muybridge (9 April 1830 - 8 May 1904)
Theatre Optique
28. 1.) The velocity of a body remains constant unless the body is acted upon by an external force. 2.) The acceleration (a) of a body is parallel and directly proportional to the net force (F) and inversely proportional to the mass (m) - F = ma 3.) The
29. An American animator. He was a pioneer in the development of the animated cartoon. He brought such animated characters as Betty Boop - Koko the Clown - Popeye - and Superman to the movie screen and was responsible for a number of technological innova
Fleischer (July 19 - 1883 - September 11 - 1972)
Solid Drawing
Sullivan (2 February 1887 - 15 February 1933)
Follow Through
30. A 1928 American animated short film produced in black-and-white by The Walt Disney Studio. The cartoon is considered the debut of Mickey Mouse. The film is also notable for being one of the first cartoons with synchronized sound.
Steamboat Willie
Anticipation
Follow through and overlapping action
Newton's 3 Laws of Motion
31. In typography - it is a slight projection finishing off a stroke of a letter.
Serif
Mutoscope
Multi-plane Camera
Straight ahead action
32. In typography - it refers to the distance between the baselines of successive lines of type.
Appeal
Magic Lantern
Leading
Pose-to-Pose
33. One of the first filmmakers to use the techniques of stop-motion and drawn animation.
Follow Through
Phenakistoscope
Kinetoscope
Blackton (January 5 - 1875 - August 13 - 1941)
34. A silent film made in 1900. It was directed by J. Stuart Blackton.
Pose-to-Pose
The Enchanted Drawing
Disney (December 5 - 1901 - December 15 - 1966)
Phenakistoscope
35. A special motion picture camera used in the traditional animation process that moves a number of pieces of artwork past the camera at various speeds and at various distances from one another.
Kinetoscope
Overlapping action
Multi-plane Camera
The Enchanted Drawing
36. An animation technique to make a physically manipulated object appear to move on its own. The object is moved in small increments between individually photographed frames - creating the illusion of movement when the series of frames is played as a co
Follow Through
Sullivan (2 February 1887 - 15 February 1933)
Stop motion
Universal Theme
37. Considered the most important principle. Gives a sense of weight and flexibility to drawn objects - In realistic animation - the most important aspect of this principle is the fact that an object's volume does not change when the effect is applied. I
Appeal
Turn around
Squash and Stretch
Solid Drawing
38. An early motion picture exhibition device. Though not a movie projector—it was designed for films to be viewed individually through the window of a cabinet housing its components—it introduced the basic approach that would become the standard for all
Steamboat Willie
Drag
The Enchanted Drawing
Kinetoscope
39. In this type of animation - the animator plans his action - figuring out just what drawings will be needed to animate the scene. This is used for animation that requires good acting - where poses and timing are important.
Mutoscope
The Illusion of Life
Pose-to-Pose
Blackton (January 5 - 1875 - August 13 - 1941)
40. An 1908 French animated film by Amile Cohl. It is one of the earliest examples of traditional (hand-drawn) animation - and considered by film historians to be the first animated cartoon.
Newton's 3 Laws of Motion
Staging
Magic Lantern
Fantasmagorie
41. This is an acclaimed book - 1981 - by Ollie Johnston and Frank Thomas. It is widely considered to be one of the best books ever published on the topic of character animation.
Slow in and slow out
The Illusion of Life
Non-synchronous sound
Multi-plane Camera
42. An American film producer - director - screenwriter - voice actor - animator - entrepreneur - entertainer - international icon - and philanthropist - well-known for his influence in the field of entertainment during the 20th century. Along with his b
Disney (December 5 - 1901 - December 15 - 1966)
Thaumatrope
Overlapping action
Follow through and overlapping action
43. A Russian and French stop-motion animator who used insects and other animals as his protagonists.
Cohl (January 4 - 1857 - January 20 - 1938)
Starevich (August 8 - 1882 - February 26 - 1965)
Tracking
Sullivan (2 February 1887 - 15 February 1933)
44. A moving picture show presented by Charles-Émile Reynaud in 1892. It was the first presentation of projected moving images to an audience.
Straight ahead action
Theatre Optique
Blocking
Follow through and overlapping action
45. The most important principle is this - the purpose of which is to give a sense of weight and flexibility to drawn objects. It can be applied to simple objects - like a bouncing ball - or more complex constructions - like the musculature of a human fa
Turn around
Malias (8 December 1861 - 21 January 1938)
Exaggeration
Squash and Stretch
46. A French caricaturist who made "Fantasmagorie" which is considered to be the first fully animated film ever made. It was made up of 700 drawings - each of which was double-exposed - leading to a running time of almost two minutes.
Anticipation
Cohl (January 4 - 1857 - January 20 - 1938)
Pose-to-Pose
Tracking
47. The rapid display of a sequence of images of 2-D or 3-D artwork or model positions in order to create an illusion of movement.
Staging
Fantasmagorie
Animation
Phenakistoscope
48. The phenomenon of the eye by which an afterimage is thought to persist for approximately one twenty-fifth of a second on the retina.
Squash and Stretch
Disney (December 5 - 1901 - December 15 - 1966)
Follow through and overlapping action
Persistence of Vision
49. In a cartoon character this corresponds to what would be called charisma in an actor. A character who has this characteristic is not necessarily sympathetic — villains or monsters can also be appealing — the important thing is that the viewer feels t
Snow White and the Seven Dwarfs
The Enchanted Drawing
Appeal
Slow in and Slow out
50. It is called this because an animator literally works directly from the first drawing in the scene. This process usually produces drawings and action that have a fresh and slightly zany look - because the whole process is kept very creative. This tec
Straight ahead action and pose to pose
Straight ahead action
The Enchanted Drawing
Universal Theme