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Test your basic knowledge |
Animation
Start Test
Study First
Subject
:
it-skills
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. In a cartoon character this corresponds to what would be called charisma in an actor. A character who has this characteristic is not necessarily sympathetic — villains or monsters can also be appealing — the important thing is that the viewer feels t
Drag
Appeal
Praxinoscope
Magic Lantern
2. An early motion picture exhibition device. Though not a movie projector—it was designed for films to be viewed individually through the window of a cabinet housing its components—it introduced the basic approach that would become the standard for all
Kinetoscope
Thaumatrope
Mutoscope
Arcs
3. It is called this because an animator literally works directly from the first drawing in the scene. This process usually produces drawings and action that have a fresh and slightly zany look - because the whole process is kept very creative. This tec
Squash and Stretch
Non-synchronous sound
Straight ahead action
Exaggeration
4. An animation technique in which key poses are created to establish timing and placement of characters and props in a given scene or shot.
The Enchanted Drawing
Stop motion
Starevich (August 8 - 1882 - February 26 - 1965)
Blocking
5. An early motion picture device that provided viewing to one person at a time. Worked on the same principle as the flip book. Quickly dominated the coin-in-the-slot "peep-show" business.
Post-synchronous sound
Magic Lantern
Sullivan (2 February 1887 - 15 February 1933)
Mutoscope
6. The most important principle is this - the purpose of which is to give a sense of weight and flexibility to drawn objects. It can be applied to simple objects - like a bouncing ball - or more complex constructions - like the musculature of a human fa
Turn around
Squash and Stretch
Steamboat Willie
Persistence of Vision
7. A sound-track or music that has not been carefully timed to fit the picture. Music and animation are both "time arts" and will thus eventually synchronize at random points.
Non-synchronous sound
The Enchanted Drawing
Newton's 3 Laws of Motion
Steamboat Willie
8. A 1928 American animated short film produced in black-and-white by The Walt Disney Studio. The cartoon is considered the debut of Mickey Mouse. The film is also notable for being one of the first cartoons with synchronized sound.
Stop motion
Steamboat Willie
The Enchanted Drawing
Drag
9. The predecessor of the modern day projector. It consisted of a translucent oil painting and a simple lamp. When put together in a darkened room - the image would appear larger on a flat surface. Some slides for the lanterns contained parts that could
Praxinoscope
Blocking
Magic Lantern
Pose-to-Pose
10. In typography - it is a slight projection finishing off a stroke of a letter.
Serif
Fantasmagorie
Sullivan (2 February 1887 - 15 February 1933)
Praxinoscope
11. An animation technique to make a physically manipulated object appear to move on its own. The object is moved in small increments between individually photographed frames - creating the illusion of movement when the series of frames is played as a co
Follow Through
Starevich (August 8 - 1882 - February 26 - 1965)
Fleischer (July 19 - 1883 - September 11 - 1972)
Stop motion
12. An American animator. He was a pioneer in the development of the animated cartoon. He brought such animated characters as Betty Boop - Koko the Clown - Popeye - and Superman to the movie screen and was responsible for a number of technological innova
Fleischer (July 19 - 1883 - September 11 - 1972)
Keyframe
Pose-to-Pose
Follow Through
13. An American film producer - director - screenwriter - voice actor - animator - entrepreneur - entertainer - international icon - and philanthropist - well-known for his influence in the field of entertainment during the 20th century. Along with his b
Squash and Stretch
Disney (December 5 - 1901 - December 15 - 1966)
Persistence of Vision
Praxinoscope
14. Considered the most important principle. Gives a sense of weight and flexibility to drawn objects - In realistic animation - the most important aspect of this principle is the fact that an object's volume does not change when the effect is applied. I
Universal Theme
Straight ahead action
Disney (December 5 - 1901 - December 15 - 1966)
Squash and Stretch
15. A French caricaturist who made "Fantasmagorie" which is considered to be the first fully animated film ever made. It was made up of 700 drawings - each of which was double-exposed - leading to a running time of almost two minutes.
Cohl (January 4 - 1857 - January 20 - 1938)
Universal Theme
Newton's 3 Laws of Motion
Leading
16. One of the first filmmakers to use the techniques of stop-motion and drawn animation.
Blackton (January 5 - 1875 - August 13 - 1941)
Stop motion
Praxinoscope
Turn around
17. Separate parts of a body will continue moving after the character has stopped.
Follow Through
Muybridge (9 April 1830 - 8 May 1904)
Slow in and slow out
Animation
18. In typography - it refers to the distance between the baselines of successive lines of type.
Leading
Tracking
Follow Through
Anticipation
19. Adds more frames near the beginning and near the end of a movement - and fewer in the middle - to make the animation appear more realistic. This principle applies to both characters moving between two extreme poses and inanimate - moving objects.
Arcs
Slow in and slow out
Serif
Thaumatrope
20. Voices - music - and key sound effects that are recorded before the animation is produced.
Phenakistoscope
Pre-synchronous sound
Arcs
Anticipation
21. A book with a series of pictures that vary gradually from one page to the next - so that when the pages are turned rapidly - the pictures appear to animate by simulating motion or some other change.
Cohl (January 4 - 1857 - January 20 - 1938)
Solid Drawing
Flip book
Universal Theme
22. The movement of the human body - and most other objects - needs time to accelerate and slow down. For this reason - animation looks more realistic if it has more drawings near the beginning and end of an action - emphasizing the extreme poses - and f
Exaggeration
Staging
Slow in and Slow out
McCay (September 26 - 1869 - July 26 - 1934)
23. Acknowledged by people everywhere as having some deep or central relevance to everyone. They might have to do with life in general - human nature - faith - courage - basic life transitions - love - loss - and any number of other things.
Slow in and Slow out
Disney (December 5 - 1901 - December 15 - 1966)
Universal Theme
Leading
24. 1.) The velocity of a body remains constant unless the body is acted upon by an external force. 2.) The acceleration (a) of a body is parallel and directly proportional to the net force (F) and inversely proportional to the mass (m) - F = ma 3.) The
25. A moving picture show presented by Charles-Émile Reynaud in 1892. It was the first presentation of projected moving images to an audience.
Theatre Optique
Slow in and Slow out
Slow in and slow out
Anticipation
26. Helps render movement more realistic and gives the impression that characters follow the laws of physics. Exaggerated used of the technique can produce a comical effect - while more realistic animation must time the actions exactly to produce a convi
Follow through and overlapping action
Flip book
Magic Lantern
Mutoscope
27. Used to prepare the audience for an action and to make the action appear more realistic. For example a dancer jumping off the floor has to bend his knees first; a golfer making a swing has to swing the club back first. For special effect - can be omi
Cohl (January 4 - 1857 - January 20 - 1938)
Anticipation
Slow in and Slow out
Steamboat Willie
28. A Russian and French stop-motion animator who used insects and other animals as his protagonists.
Starevich (August 8 - 1882 - February 26 - 1965)
Follow Through
Tracking
Flip book
29. Directs the audience's attention and makes it clear what is of greatest importance in a scene. Presents the idea in a complete and unmistakable method. Keeps the focus on what is relevant and avoids unnecessary detail.
Universal Theme
Keyframe
Staging
Exaggeration
30. Where a character starts to move and parts of him take a few frames to catch up.
Snow White and the Seven Dwarfs
Appeal
Non-synchronous sound
Drag
31. This is a silent cartoon by J. Stuart Blackton released in 1906. It features a cartoonist drawing faces on a chalkboard - and the faces coming to life. It is generally regarded by film historians as the first animated film.
Turn around
Universal Theme
Humorous Phases of Funny Faces
Overlapping action
32. Adding these to the main action gives a scene more life - and can help to support the main action. A person walking can simultaneously swing his arms or keep them in his pockets - he can speak or whistle - or he can express emotions through facial ex
McCay (September 26 - 1869 - July 26 - 1934)
Solid Drawing
Secondary action
Fleischer (July 19 - 1883 - September 11 - 1972)
33. The earliest elementary form of this device was created in China around 180 AD. The modern device was produced in 1834. The device is essentially a cylinder with vertical slits around the sides. Around the inside edge of the cylinder there are a seri
Stop motion
Zoetrope
Flip book
Slow in and Slow out
34. This is an acclaimed book - 1981 - by Ollie Johnston and Frank Thomas. It is widely considered to be one of the best books ever published on the topic of character animation.
Non-synchronous sound
Follow through and overlapping action
The Illusion of Life
Staging
35. This principle means taking into account forms in three-dimensional space - giving them volume and weight. The animator needs to be a skilled draughtsman and has to understand the basics of three-dimensional shapes - anatomy - weight - balance - ligh
Fleischer (July 19 - 1883 - September 11 - 1972)
Blocking
Follow through and overlapping action
Solid Drawing
36. The rapid display of a sequence of images of 2-D or 3-D artwork or model positions in order to create an illusion of movement.
Universal Theme
Flip book
Animation
Anticipation
37. A special motion picture camera used in the traditional animation process that moves a number of pieces of artwork past the camera at various speeds and at various distances from one another.
Multi-plane Camera
Story Arcs
Exaggeration
Thaumatrope
38. In this type of animation - the animator plans his action - figuring out just what drawings will be needed to animate the scene. This is used for animation that requires good acting - where poses and timing are important.
The Illusion of Life
Pose-to-Pose
Snow White and the Seven Dwarfs
Praxinoscope
39. A 1937 American animated film produced by Walt Disney. Based on the German fairy tale by the Brothers Grimm - it is the first full-length cel-animated feature in motion picture history - the first animated feature film produced in America - the first
Snow White and the Seven Dwarfs
Arcs
Turn around
Keyframe
40. The classical definition - employed by Disney - was to remain true to reality - just presenting it in a wilder - more extreme form. Other forms of of this technique can involve the supernatural or surreal - alterations in the physical features of a c
Straight ahead action
Fleischer (July 19 - 1883 - September 11 - 1972)
Exaggeration
Snow White and the Seven Dwarfs
41. An 1908 French animated film by Amile Cohl. It is one of the earliest examples of traditional (hand-drawn) animation - and considered by film historians to be the first animated cartoon.
McCay (September 26 - 1869 - July 26 - 1934)
Secondary action
Humorous Phases of Funny Faces
Fantasmagorie
42. The tendency for parts of the body to move at different rates (an arm will move on different timing of the head and so on).
Humorous Phases of Funny Faces
Overlapping action
Tracking
Anticipation
43. The speed of an action gives meaning to movement - both physical and emotional meaning. The animator must spend the appropriate amount of time on the anticipation of an action - on the action - and on the reaction to the action. If too much time is s
Cohl (January 4 - 1857 - January 20 - 1938)
Timing
Overlapping action
Arcs
44. A drawing that defines the starting and ending points of any transition.
Steamboat Willie
Universal Theme
Persistence of Vision
Keyframe
45. An English photographer who spent much of his life in the United States. He is known for his pioneering work on animal locomotion which used multiple cameras to capture motion - and his zoopraxiscope - a device for projecting motion pictures that pre
Sullivan (2 February 1887 - 15 February 1933)
Magic Lantern
Slow in and Slow out
Muybridge (9 April 1830 - 8 May 1904)
46. An American cartoonist and animator. His pioneering early animated films far outshone the work of his contemporaries - and set a standard followed by Walt Disney and others in later decades. His two best-known creations are the newspaper comic strip
Theatre Optique
Follow Through
Pre-synchronous sound
McCay (September 26 - 1869 - July 26 - 1934)
47. A simple toy used in the Victorian era. It is a small circular disk or card with two different pictures on each side that was attached to a piece of string or a pair of strings running through the centre. When the string is twirled quickly between th
Muybridge (9 April 1830 - 8 May 1904)
Thaumatrope
Slow in and Slow out
Arcs
48. Used to prepare the audience for an action - and to make the action appear more realistic. A dancer jumping off the floor has to bend his knees first; a golfer making a swing has to swing the club back first. The technique can also be used for less p
Mutoscope
Anticipation
Stop motion
Story Arcs
49. They have a beginning (setup) middle (conflict) and end (resolution). Oftentimes - in the end the character achieves the goal and better understands themselves.
Story Arcs
Squash and Stretch
Blocking
Straight ahead action
50. This principle's purpose is to direct the audience's attention - and make it clear what is of greatest importance in a scene; what is happening - and what is about to happen. Johnston and Thomas defined it as "the presentation of any idea so that it
Fantasmagorie
Exaggeration
Pre-synchronous sound
Staging