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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Scale degree 7; Leads up to resolution of tonic
Stem
Pentatonic Scale
Syncopation
Leading Tone
2. Refers to the beat being divided equally into 2 parts
Mediant
Simple Meter
Neutral Clef
Double Sharp (X)
3. The distance between one wave and the next
Consonant
Pitch (Frequency)- Wavelength
Note Head
Anacrusis
4. Combines treble and bass clef into one staff
Blues Scale
Tenor
Grand Staff
Sharp (#)
5. A combination of overtones that clash or are out of tune with each other
Ledger Lines
Harmonic Minor Scale
Stem
Dissonant
6. A symbol that extends the value of a note by half the original value
Timbre (Tone Color)- Waveform
Tempo
Note Head
Dot
7. A scale with a WWHWWWH step pattern containing two tetrachords
Lydian Mode
Stem
Major Scale
Tie
8. Consists of two whole steps and a half step
Chromatic Scale
Church Mode
Duration
Tetrachord
9. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Chromatic Scale
Locrian Mode
Blues Scale
Alto
10. A minor church mode with a raised sixth
Dorian Mode
Dominant
Harmonic Minor Scale
Scale Degree
11. A symbol which means the song has a two two time signature
Mixolydian Mode
Subdominat
Anacrusis
Cut Time (¢)- Alla Breve
12. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Monophonic
Key Signature
Alto
Stem
13. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Tie
Mixolydian Mode
Syncopation
Anacrusis
14. Lines written when the note goes above and below the staff lines
Flat (b)
Downbeat
Alto
Ledger Lines
15. Vertical lines that divide the staff into measures
Raised Submediant
Whole Tone Scale
System
Bar Lines
16. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Hertz
Dominant
Pentatonic Scale
Double Sharp (X)
17. Moderately high female voice; clef is on the second line
Polyphonic
Enharmonic Equivalent
Mezzo-Soprano
Tetrachord
18. The smallest interval between two notes
Stem
Phrygian Mode
Dorian Mode
Half Step
19. An interval that consists of two half steps
Whole Step
Diminished Scale (Octatonic Scale)
Flat (b)
Dissonant
20. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Staff
Alto
Pure Minor Scale
Pitch (Frequency)- Wavelength
21. The first beat of a measure & it corresponds with the movement of conductor's hand
Dot
Grand Staff
Downbeat
Bar Lines
22. Multiple staves connected by bar lines - a bracket - or a brace
Scalar Variance
Tonic
System
Natural Minor Scale
23. A combination of overtones that sound pleasant together
Dynamic (Amplitude)- Waveheight
Compound Meter
Consonant
Timbre (Tone Color)- Waveform
24. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Natural Minor Scale
Neutral Clef
Simple Meter
Cautionary Accidental
25. Low male voice; clef is on the fifth line
Minor Pentachord
Diminished Scale (Octatonic Scale)
Baritone
Tonic
26. A recurring pulsation that divides music into units of time
Pitch (Frequency)- Wavelength
Tie
Rhythm
Beat
27. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Flag
Enharmonic Equivalent
Church Mode
Cut Time (¢)- Alla Breve
28. A minor scale containing a minor pentachord followed by a raised seventh
Consonant
Harmonic Minor Scale
Double Flat (bb)
Simple Meter
29. Scale degree 1; the tone on which a scale is built
Tonic
Ledger Lines
Ionian Mode
Dot
30. A scale containing 5 notes containing no half steps; C D E G A C
Church Mode
Compound Meter
Pentatonic Scale
Pitch (Frequency)- Wavelength
31. Multiple lines of melody being sung at once
Syncopation
Diminished Scale (Octatonic Scale)
Polyphonic
Raised Submediant
32. A scale with a different pattern of whole & half steps from major or minor
Church Mode
Double Flat (bb)
Soprano
Tie
33. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Common Time (C)
Double Flat (bb)
Flag
Melodic Minor Scale
34. The use of all three minor forms within a composition
Scalar Variance
Stem
Ionian Mode
Mezzo-Soprano
35. An accidental used to indicate that the note is to be lowered a half step
Flat (b)
Pentatonic Scale
Asymmetrical Meter
Timbre (Tone Color)- Waveform
36. A major church mode with no accidentals
Ionian Mode
Alto
Cautionary Accidental
Double Bar Line
37. An accidental used to indicate that the note is to be raised a half step
Scale
Dorian Mode
Leading Tone
Sharp (#)
38. Series of duration of sound and silence
Rhythm
Beat
Tenor
C Clef
39. The higher female voice; clef is on the first line
Dorian Mode
Soprano
Scale
Harmonic Minor Scale
40. The unit of measure for frequency or the rate of vibration
Church Mode
Lydian Mode
Subdominat
Hertz
41. Refers to the shape and form of the sound wave as it moves in distance & frequency
Dominant
Timbre (Tone Color)- Waveform
Submediant
Leading Tone
42. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Polyphonic
Pure Minor Scale
Staff
Measures
43. A symbol used to extend the value of a note by connecting it to another note
Flat (b)
Monophonic
Common Time (C)
Tie
44. Scale degree 3; halfway between the tonic & dominant
Timbre (Tone Color)- Waveform
Neutral Clef
Mediant
Subtonic
45. Consists of 3 elements: attack - sustain - and release
Mixolydian Mode
Tie
Articulation- Envelope
Pitch (Frequency)- Wavelength
46. Meters that have beat units of unequal length
Dynamic (Amplitude)- Waveheight
Measures
Asymmetrical Meter
Aeolian Mode
47. The body of a note
Note Head
Bar Lines
C Clef
Syncopation
48. An ordered collection of pitches in whole and half step patterns
Cut Time (¢)- Alla Breve
Alto
Scale
Double Bar Line
49. An accidental used to indicate that the note is to be raised two half steps
Dot
Double Sharp (X)
Scale
Baritone
50. A beat before the first measure or a pick-up beat
Church Mode
Anacrusis
Ionian Mode
Natural Minor Scale