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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Staff
Raised Submediant
Dominant
Double Flat (bb)
2. A clef used for pitch-less or rhythm instruments
Pitch (Frequency)- Wavelength
Tempo
Beat
Neutral Clef
3. A minor church mode with a flatted second
Phrygian Mode
Diminished Scale (Octatonic Scale)
Tempo
Dominant
4. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Mixolydian Mode
Monophonic
Compound Meter
Staff
5. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Dynamic (Amplitude)- Waveheight
Cautionary Accidental
Leading Tone
6. Lines written when the note goes above and below the staff lines
System
Polyphonic
Natural Minor Scale
Ledger Lines
7. Another name for a note using the opposite accidental
Enharmonic Equivalent
Hertz
Scale Degree
Whole Step
8. The speed of a beat
Key Signature
Tempo
Stem
Staff
9. A beat before the first measure or a pick-up beat
Measures
Flat (b)
Timbre (Tone Color)- Waveform
Anacrusis
10. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Flag
Phrygian Mode
Common Time (C)
Simple Meter
11. Vertical lines that divide the staff into measures
Locrian Mode
Whole Tone Scale
Bar Lines
Scale
12. An accidental used to indicate that the note is to be lowered a half step
Flat (b)
Hertz
Dot
C Clef
13. Consists of 3 elements: attack - sustain - and release
Articulation- Envelope
Tetrachord
Chromatic Scale
Melodic Minor Scale
14. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Meter
Hertz
Common Time (C)
Ionian Mode
15. Moderately high female voice; clef is on the second line
Mezzo-Soprano
Enharmonic Equivalent
Church Mode
Soprano
16. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Pure Minor Scale
Raised Submediant
Dominant
Grand Staff
17. The unit of measure for frequency or the rate of vibration
Dominant
Key Signature
Baritone
Hertz
18. Division of the beat into 2 or 3 equal parts
Subdivision
Melodic Minor Scale
Submediant
Tetrachord
19. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Raised Submediant
Tonic
Melodic Minor Scale
Beat
20. An ordered collection of pitches in whole and half step patterns
Double Flat (bb)
Relative Minor
Church Mode
Scale
21. Scale degree 3; halfway between the tonic & dominant
Mediant
Supertonic
Rhythm
Leading Tone
22. A combination of overtones that clash or are out of tune with each other
Half Step
Duration
Cautionary Accidental
Dissonant
23. A scale with a different pattern of whole & half steps from major or minor
Church Mode
Dissonant
Staff
Bar Lines
24. A scale with a WWHWWWH step pattern containing two tetrachords
Soprano
Major Scale
Lydian Mode
Timbre (Tone Color)- Waveform
25. Scale degree 2; prefix 'super' meaning above the tonic
Blues Scale
Key Signature
Supertonic
Cut Time (¢)- Alla Breve
26. An accidental used to indicate that the note is to be lowered two half steps
Double Flat (bb)
Polyphonic
Neutral Clef
Locrian Mode
27. A major church mode with a flatted seventh
Common Time (C)
Mixolydian Mode
Flag
Dorian Mode
28. The use of all three minor forms within a composition
Scale Degree
Staff
Scalar Variance
Half Step
29. Consists of two whole steps and a half step
Final Bar Line
Tetrachord
Submediant
Asymmetrical Meter
30. A symbol which means the song has a two two time signature
Polyphonic
Lydian Mode
Scalar Variance
Cut Time (¢)- Alla Breve
31. A symbol which means the song has a four four time signature
Syncopation
Beat
Enharmonic Equivalent
Common Time (C)
32. High male voice; clef is on the fourth line
Tenor
Timbre (Tone Color)- Waveform
Whole Tone Scale
Ledger Lines
33. A combination of overtones that sound pleasant together
Common Time (C)
Double Bar Line
Whole Tone Scale
Consonant
34. Low female voice; clef is on the middle line
Alto
Neutral Clef
Baritone
Measures
35. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Flag
Anacrusis
Double Bar Line
Hemiola
36. Scale degree 4; prefix 'sub' meaning below the dominant
Dissonant
C Clef
Enharmonic Equivalent
Subdominat
37. A scale containing 7 notes with no second or sixth degree
Blues Scale
System
Tie
Tetrachord
38. Unit of space in between bar lines
Scale
Measures
Minor Pentachord
Syncopation
39. A minor church mode following the natural minor scale
Harmonic Minor Scale
Aeolian Mode
Submediant
Minor Pentachord
40. A minor scale containing a minor pentachord followed by a raised seventh
Phrygian Mode
Harmonic Minor Scale
Chromatic Scale
Dorian Mode
41. Multiple staves connected by bar lines - a bracket - or a brace
Dynamic (Amplitude)- Waveheight
Dorian Mode
Hertz
System
42. A scale containing 5 notes containing no half steps; C D E G A C
Major Scale
Staff
Pentatonic Scale
Lydian Mode
43. The higher female voice; clef is on the first line
System
Tempo
Subtonic
Soprano
44. The length of time sound of silence occurs
Pentatonic Scale
Scalar Variance
Duration
Syncopation
45. Refers to the shape and form of the sound wave as it moves in distance & frequency
Lydian Mode
Enharmonic Equivalent
Neutral Clef
Timbre (Tone Color)- Waveform
46. Indicates the end of a piece of music
Tetrachord
Grand Staff
Mediant
Final Bar Line
47. A recurring pulsation that divides music into units of time
Locrian Mode
Beat
Common Time (C)
Bar Lines
48. A major church mode with a raised fourth
Stem
Subtonic
Duration
Lydian Mode
49. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Syncopation
Beat
Stem
Dominant
50. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Subdominat
Pure Minor Scale
Grand Staff
Relative Minor