SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A clef used for pitch-less or rhythm instruments
Dorian Mode
System
Stem
Neutral Clef
2. A recurring pulsation that divides music into units of time
Polyphonic
Beat
Cautionary Accidental
Whole Tone Scale
3. Low male voice; clef is on the fifth line
Baritone
Mixolydian Mode
Beat
Double Flat (bb)
4. The smallest interval between two notes
Chromatic Scale
Half Step
Double Bar Line
Diminished Scale (Octatonic Scale)
5. A beat before the first measure or a pick-up beat
Anacrusis
Dissonant
Stem
Whole Step
6. Scale degree 7; Leads up to resolution of tonic
Leading Tone
Alto
Melodic Minor Scale
Syncopation
7. A minor scale containing the same pattern as the pure minor scale
Simple Meter
Natural Minor Scale
Grand Staff
Tetrachord
8. A stick drawn on all notes that are shorter in value than a whole note
Blues Scale
Stem
Anacrusis
Flag
9. Moderately high female voice; clef is on the second line
Whole Tone Scale
Double Sharp (X)
Mezzo-Soprano
Half Step
10. Scale degree 1; the tone on which a scale is built
Tonic
Meter
Common Time (C)
Scalar Variance
11. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Melodic Minor Scale
Timbre (Tone Color)- Waveform
Note Head
Scale
12. Each step of a scale
Duration
Articulation- Envelope
Phrygian Mode
Scale Degree
13. Division of the beat into 2 or 3 equal parts
Lydian Mode
Tenor
Subdominat
Subdivision
14. A scale containing 7 notes with no second or sixth degree
Duration
Blues Scale
Cut Time (¢)- Alla Breve
Final Bar Line
15. Indicates the end of a piece of music
Relative Minor
Final Bar Line
Tempo
Articulation- Envelope
16. A major church mode with a flatted seventh
Articulation- Envelope
Chromatic Scale
Mixolydian Mode
Subdivision
17. Two lines that signal the end of a section of music
Dominant
Staff
Simple Meter
Double Bar Line
18. Scale degree 2; prefix 'super' meaning above the tonic
Lydian Mode
Cautionary Accidental
Tenor
Supertonic
19. The body of a note
Dorian Mode
Consonant
Natural Minor Scale
Note Head
20. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Scale Degree
Hemiola
Dominant
Tetrachord
21. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Beat
Hemiola
Sharp (#)
Phrygian Mode
22. An accidental used to indicate that the note is to be lowered a half step
Rhythm
Timbre (Tone Color)- Waveform
Flat (b)
Lydian Mode
23. The unit of measure for frequency or the rate of vibration
Phrygian Mode
Lydian Mode
Articulation- Envelope
Hertz
24. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Subtonic
Harmonic Minor Scale
Relative Minor
Aeolian Mode
25. Multiple staves connected by bar lines - a bracket - or a brace
System
Common Time (C)
Double Flat (bb)
Mixolydian Mode
26. Another name for a note using the opposite accidental
Enharmonic Equivalent
Anacrusis
Key Signature
Double Bar Line
27. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Monophonic
Soprano
Cautionary Accidental
Relative Minor
28. An interval that consists of two half steps
Tie
Staff
Beat
Whole Step
29. Series of duration of sound and silence
Rhythm
Mixolydian Mode
Aeolian Mode
Blues Scale
30. A single line of melody
Monophonic
Diminished Scale (Octatonic Scale)
Tempo
Church Mode
31. Refers to the beat being divided equally into 2 parts
Simple Meter
Melodic Minor Scale
Mezzo-Soprano
Phrygian Mode
32. Combines treble and bass clef into one staff
Mixolydian Mode
Mediant
Tempo
Grand Staff
33. A symbol which means the song has a four four time signature
Neutral Clef
Common Time (C)
Duration
Dynamic (Amplitude)- Waveheight
34. The higher female voice; clef is on the first line
Final Bar Line
Neutral Clef
Mezzo-Soprano
Soprano
35. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Locrian Mode
Cautionary Accidental
Scale Degree
Enharmonic Equivalent
36. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Double Bar Line
Dominant
Subdominat
Syncopation
37. A scale containing 8 notes that alternate a whole step & half step apart
Scalar Variance
Relative Minor
Minor Pentachord
Diminished Scale (Octatonic Scale)
38. Major and minor scales that have the same pitches & key signature
Relative Minor
Cautionary Accidental
Ledger Lines
Dorian Mode
39. Lines written when the note goes above and below the staff lines
Ledger Lines
Common Time (C)
Hertz
Major Scale
40. A combination of overtones that clash or are out of tune with each other
Common Time (C)
Aeolian Mode
Dissonant
Whole Step
41. A symmetrical scale with all pitches spaced a half step apart
Raised Submediant
Dorian Mode
Chromatic Scale
Ionian Mode
42. A scale containing 5 notes containing no half steps; C D E G A C
Raised Submediant
Hemiola
Meter
Pentatonic Scale
43. A major church mode with a raised fourth
Cut Time (¢)- Alla Breve
Staff
Mediant
Lydian Mode
44. Consists of 3 elements: attack - sustain - and release
Beat
Staff
Articulation- Envelope
Church Mode
45. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Beat
C Clef
Grand Staff
Tetrachord
46. Scale degree 3; halfway between the tonic & dominant
Mediant
Subdivision
Staff
Phrygian Mode
47. Meters that have beat units of unequal length
Tetrachord
Hertz
Dot
Asymmetrical Meter
48. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Meter
Cautionary Accidental
Anacrusis
Subdivision
49. The distance between one wave and the next
Cautionary Accidental
Tonic
Bar Lines
Pitch (Frequency)- Wavelength
50. Vertical lines that divide the staff into measures
Tie
Pure Minor Scale
Bar Lines
Consonant