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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The length of time sound of silence occurs
Whole Step
Chromatic Scale
Asymmetrical Meter
Duration
2. A symbol which means the song has a four four time signature
Note Head
Common Time (C)
Double Bar Line
Stem
3. The use of all three minor forms within a composition
Scale Degree
Scalar Variance
Articulation- Envelope
Phrygian Mode
4. The distance between one wave and the next
Natural Minor Scale
Tetrachord
Subdivision
Pitch (Frequency)- Wavelength
5. A scale containing 8 notes that alternate a whole step & half step apart
Church Mode
Locrian Mode
Subtonic
Diminished Scale (Octatonic Scale)
6. A scale with a different pattern of whole & half steps from major or minor
Bar Lines
Blues Scale
Asymmetrical Meter
Church Mode
7. An accidental used to indicate that the note is to be lowered two half steps
Double Flat (bb)
Syncopation
Rhythm
Mixolydian Mode
8. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Sharp (#)
Key Signature
Aeolian Mode
Staff
9. A major church mode with a flatted seventh
Mixolydian Mode
Subdivision
Harmonic Minor Scale
Major Scale
10. A symbol which means the song has a two two time signature
Timbre (Tone Color)- Waveform
Cut Time (¢)- Alla Breve
Pure Minor Scale
Common Time (C)
11. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Submediant
Lydian Mode
Mezzo-Soprano
Staff
12. A symbol used to extend the value of a note by connecting it to another note
Anacrusis
Tie
Simple Meter
Minor Pentachord
13. A combination of overtones that clash or are out of tune with each other
Dissonant
C Clef
Mixolydian Mode
Pure Minor Scale
14. The first five notes of every form of a minor scale; same as minor except for flatted third
Minor Pentachord
Pitch (Frequency)- Wavelength
Double Sharp (X)
Cut Time (¢)- Alla Breve
15. A major church mode with no accidentals
Hertz
Rhythm
Minor Pentachord
Ionian Mode
16. A single line of melody
Monophonic
Dominant
Relative Minor
Double Flat (bb)
17. A symmetrical scale with all pitches spaced a half step apart
Dissonant
Chromatic Scale
Tetrachord
Subdivision
18. Combines treble and bass clef into one staff
Grand Staff
Common Time (C)
Consonant
Tie
19. High male voice; clef is on the fourth line
Sharp (#)
Submediant
Meter
Tenor
20. Scale degree 7; Leads up to resolution of tonic
Final Bar Line
Leading Tone
Common Time (C)
Double Flat (bb)
21. Division of the beat into 2 or 3 equal parts
Common Time (C)
Dynamic (Amplitude)- Waveheight
Polyphonic
Subdivision
22. The first beat of a measure & it corresponds with the movement of conductor's hand
Tempo
Downbeat
Dorian Mode
Duration
23. Consists of two whole steps and a half step
Chromatic Scale
Tetrachord
Pitch (Frequency)- Wavelength
Syncopation
24. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Bar Lines
Locrian Mode
Mediant
Grand Staff
25. Another name for a note using the opposite accidental
Hemiola
Enharmonic Equivalent
Subdominat
C Clef
26. Low male voice; clef is on the fifth line
Leading Tone
Neutral Clef
Double Bar Line
Baritone
27. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Melodic Minor Scale
Dissonant
Flag
Ionian Mode
28. An accidental used to indicate that the note is to be lowered a half step
System
Simple Meter
Flat (b)
Relative Minor
29. A stick drawn on all notes that are shorter in value than a whole note
Subdominat
Scale Degree
Chromatic Scale
Stem
30. An accidental used to indicate that the note is to be raised a half step
Melodic Minor Scale
Monophonic
Sharp (#)
Scale
31. An ordered collection of pitches in whole and half step patterns
Scale
Hemiola
Anacrusis
Enharmonic Equivalent
32. The body of a note
Locrian Mode
Tetrachord
Dynamic (Amplitude)- Waveheight
Note Head
33. Unit of space in between bar lines
Measures
Harmonic Minor Scale
Whole Step
Dissonant
34. The maximum extent of a vibration measured from the position of equilibrium
Hertz
Note Head
Dynamic (Amplitude)- Waveheight
Chromatic Scale
35. Scale degree 3; halfway between the tonic & dominant
Hertz
Locrian Mode
System
Mediant
36. Meters that have beat units of unequal length
Note Head
Supertonic
Asymmetrical Meter
Locrian Mode
37. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Stem
Beat
Subtonic
Tie
38. The unit of measure for frequency or the rate of vibration
Dissonant
Final Bar Line
Hertz
Cautionary Accidental
39. A recurring pulsation that divides music into units of time
Whole Tone Scale
Lydian Mode
Duration
Beat
40. A major church mode with a raised fourth
Scale Degree
Lydian Mode
Phrygian Mode
Final Bar Line
41. A symbol that extends the value of a note by half the original value
Dot
Subdominat
Dominant
Consonant
42. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Scale
Dot
Pure Minor Scale
Pentatonic Scale
43. A minor church mode following the natural minor scale
Key Signature
Aeolian Mode
Rhythm
Ledger Lines
44. Moderately high female voice; clef is on the second line
Duration
Sharp (#)
Mezzo-Soprano
Staff
45. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Flag
Syncopation
Pitch (Frequency)- Wavelength
Leading Tone
46. Low female voice; clef is on the middle line
Raised Submediant
Aeolian Mode
Church Mode
Alto
47. An interval that consists of two half steps
Grand Staff
Stem
Whole Step
Pure Minor Scale
48. An accidental used to indicate that the note is to be raised two half steps
Bar Lines
Asymmetrical Meter
Double Sharp (X)
Subtonic
49. Scale degree 4; prefix 'sub' meaning below the dominant
Subdominat
Sharp (#)
Syncopation
Phrygian Mode
50. A scale containing 5 notes containing no half steps; C D E G A C
Sharp (#)
Pentatonic Scale
Articulation- Envelope
Mixolydian Mode