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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A minor scale containing a minor pentachord followed by a raised seventh
Rhythm
Flat (b)
Mixolydian Mode
Harmonic Minor Scale
2. Vertical lines that divide the staff into measures
Simple Meter
Soprano
Scalar Variance
Bar Lines
3. An ordered collection of pitches in whole and half step patterns
Duration
Flag
Scale
Tetrachord
4. The first beat of a measure & it corresponds with the movement of conductor's hand
Scale Degree
Downbeat
Consonant
Flag
5. The body of a note
Double Flat (bb)
Note Head
Aeolian Mode
Asymmetrical Meter
6. A symmetrical scale with all pitches spaced a half step apart
Whole Step
Aeolian Mode
Duration
Chromatic Scale
7. Refers to the beat being divided into 3 parts
Melodic Minor Scale
Lydian Mode
Compound Meter
Flag
8. An interval that consists of two half steps
Dissonant
Whole Step
Lydian Mode
Minor Pentachord
9. A major church mode with a flatted seventh
Syncopation
Double Flat (bb)
Mixolydian Mode
Bar Lines
10. A scale containing 8 notes that alternate a whole step & half step apart
Half Step
Diminished Scale (Octatonic Scale)
Melodic Minor Scale
Scale
11. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Supertonic
Raised Submediant
Flag
Final Bar Line
12. A scale with a WWHWWWH step pattern containing two tetrachords
Phrygian Mode
Tonic
Major Scale
Hemiola
13. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Submediant
Grand Staff
Locrian Mode
Tetrachord
14. An accidental used to indicate that the note is to be lowered a half step
Flat (b)
Final Bar Line
Whole Step
System
15. A symbol which means the song has a two two time signature
Cut Time (¢)- Alla Breve
Grand Staff
Downbeat
Cautionary Accidental
16. A scale containing 5 notes containing no half steps; C D E G A C
Major Scale
Pentatonic Scale
Articulation- Envelope
Cut Time (¢)- Alla Breve
17. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Stem
Consonant
Flag
Subtonic
18. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Double Bar Line
Staff
Consonant
Mediant
19. Consists of 3 elements: attack - sustain - and release
Double Bar Line
Articulation- Envelope
Cut Time (¢)- Alla Breve
Tenor
20. Moderately high female voice; clef is on the second line
Ionian Mode
Tonic
Cut Time (¢)- Alla Breve
Mezzo-Soprano
21. Low male voice; clef is on the fifth line
Anacrusis
Baritone
Grand Staff
Raised Submediant
22. A single line of melody
Monophonic
Final Bar Line
Pure Minor Scale
Pitch (Frequency)- Wavelength
23. A clef used for pitch-less or rhythm instruments
Neutral Clef
Key Signature
Enharmonic Equivalent
Half Step
24. A stick drawn on all notes that are shorter in value than a whole note
Stem
Submediant
Sharp (#)
Scale Degree
25. A scale with a different pattern of whole & half steps from major or minor
Dissonant
Tie
Grand Staff
Church Mode
26. Scale degree 6; Halfway between subdominant & tonic
Submediant
Key Signature
Leading Tone
Flat (b)
27. Scale degree 1; the tone on which a scale is built
Subtonic
Tonic
Tempo
Lydian Mode
28. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Hemiola
Baritone
Mezzo-Soprano
Flat (b)
29. A symbol that extends the value of a note by half the original value
Timbre (Tone Color)- Waveform
Dot
Cut Time (¢)- Alla Breve
Soprano
30. The maximum extent of a vibration measured from the position of equilibrium
Articulation- Envelope
Subdivision
Dynamic (Amplitude)- Waveheight
Harmonic Minor Scale
31. The use of all three minor forms within a composition
Double Flat (bb)
Scalar Variance
Scale
Subdominat
32. Combines treble and bass clef into one staff
Sharp (#)
Stem
Grand Staff
Key Signature
33. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Alto
Flag
Key Signature
Raised Submediant
34. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Ionian Mode
Subdivision
Key Signature
Note Head
35. A beat before the first measure or a pick-up beat
Grand Staff
Subdominat
Anacrusis
Submediant
36. Two lines that signal the end of a section of music
Double Bar Line
Dissonant
Locrian Mode
Dynamic (Amplitude)- Waveheight
37. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
C Clef
System
Double Flat (bb)
Timbre (Tone Color)- Waveform
38. Indicates the end of a piece of music
Chromatic Scale
Scalar Variance
Double Sharp (X)
Final Bar Line
39. A major church mode with a raised fourth
Flag
Pentatonic Scale
Lydian Mode
Staff
40. The higher female voice; clef is on the first line
Baritone
Submediant
Soprano
Stem
41. Scale degree 4; prefix 'sub' meaning below the dominant
Double Bar Line
Scale Degree
Articulation- Envelope
Subdominat
42. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Ledger Lines
Mixolydian Mode
Common Time (C)
43. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Subtonic
Harmonic Minor Scale
Meter
Simple Meter
44. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Ledger Lines
Pure Minor Scale
Aeolian Mode
Flat (b)
45. Refers to the beat being divided equally into 2 parts
Tetrachord
Soprano
Hemiola
Simple Meter
46. The smallest interval between two notes
Ionian Mode
Meter
Half Step
Tonic
47. Lines written when the note goes above and below the staff lines
Baritone
Simple Meter
Ledger Lines
Common Time (C)
48. Scale degree 7; Leads up to resolution of tonic
Leading Tone
Cut Time (¢)- Alla Breve
Tempo
C Clef
49. Multiple lines of melody being sung at once
Double Flat (bb)
Polyphonic
Minor Pentachord
Note Head
50. High male voice; clef is on the fourth line
Articulation- Envelope
Pure Minor Scale
Tenor
Melodic Minor Scale