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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Low male voice; clef is on the fifth line
Common Time (C)
Blues Scale
Baritone
Alto
2. An accidental used to indicate that the note is to be raised a half step
Pure Minor Scale
Sharp (#)
Pentatonic Scale
Double Bar Line
3. Unit of space in between bar lines
Flat (b)
Major Scale
Measures
Double Bar Line
4. Moderately high female voice; clef is on the second line
Mezzo-Soprano
Scale Degree
Stem
Tonic
5. Scale degree 1; the tone on which a scale is built
Flag
Compound Meter
Beat
Tonic
6. High male voice; clef is on the fourth line
Tenor
Church Mode
Whole Step
Scale
7. A scale containing 8 notes that alternate a whole step & half step apart
Bar Lines
Stem
Dynamic (Amplitude)- Waveheight
Diminished Scale (Octatonic Scale)
8. A scale containing 7 notes with no second or sixth degree
Blues Scale
Church Mode
Syncopation
Mixolydian Mode
9. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Scale
Church Mode
Raised Submediant
Key Signature
10. Each step of a scale
Sharp (#)
Asymmetrical Meter
Scalar Variance
Scale Degree
11. An accidental used to indicate that the note is to be lowered a half step
Whole Tone Scale
Flat (b)
Double Flat (bb)
Mediant
12. A stick drawn on all notes that are shorter in value than a whole note
Dorian Mode
Stem
Scale
Syncopation
13. A minor church mode following the natural minor scale
Dot
Hertz
Aeolian Mode
Syncopation
14. Refers to the shape and form of the sound wave as it moves in distance & frequency
Ionian Mode
Whole Step
Timbre (Tone Color)- Waveform
Supertonic
15. Vertical lines that divide the staff into measures
Relative Minor
Double Sharp (X)
Bar Lines
Timbre (Tone Color)- Waveform
16. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Dorian Mode
Submediant
Key Signature
Staff
17. A scale with a different pattern of whole & half steps from major or minor
Church Mode
Measures
Monophonic
Double Bar Line
18. A combination of overtones that sound pleasant together
Polyphonic
Major Scale
Consonant
Leading Tone
19. The length of time sound of silence occurs
Soprano
Mezzo-Soprano
Double Flat (bb)
Duration
20. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Leading Tone
Asymmetrical Meter
Double Sharp (X)
C Clef
21. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Monophonic
Dominant
Mediant
Key Signature
22. Division of the beat into 2 or 3 equal parts
Hertz
Subdivision
Church Mode
Simple Meter
23. An interval that consists of two half steps
Whole Step
Tie
Whole Tone Scale
Dot
24. The body of a note
Subtonic
Compound Meter
Note Head
Sharp (#)
25. A symbol which means the song has a four four time signature
Dorian Mode
Major Scale
Common Time (C)
Diminished Scale (Octatonic Scale)
26. Scale degree 7; Leads up to resolution of tonic
Tonic
Pitch (Frequency)- Wavelength
Leading Tone
Syncopation
27. A symbol that extends the value of a note by half the original value
Dot
Tetrachord
Ledger Lines
Final Bar Line
28. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Neutral Clef
Meter
Simple Meter
Final Bar Line
29. A symbol which means the song has a two two time signature
Flag
Asymmetrical Meter
C Clef
Cut Time (¢)- Alla Breve
30. Multiple lines of melody being sung at once
Polyphonic
Whole Tone Scale
Final Bar Line
Hemiola
31. Two lines that signal the end of a section of music
System
Compound Meter
Double Bar Line
Note Head
32. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Anacrusis
Dominant
Lydian Mode
Bar Lines
33. Major and minor scales that have the same pitches & key signature
Asymmetrical Meter
Cut Time (¢)- Alla Breve
Relative Minor
Common Time (C)
34. A minor scale containing a minor pentachord followed by a raised seventh
Measures
Tetrachord
Double Bar Line
Harmonic Minor Scale
35. A major church mode with no accidentals
Raised Submediant
Double Bar Line
Phrygian Mode
Ionian Mode
36. Scale degree 4; prefix 'sub' meaning below the dominant
Whole Step
Pitch (Frequency)- Wavelength
Subdominat
Raised Submediant
37. An artificial scale containing 6 notes that are all a whole step apart
Polyphonic
Enharmonic Equivalent
Whole Tone Scale
Note Head
38. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Anacrusis
Hemiola
Dominant
Subdivision
39. Series of duration of sound and silence
Rhythm
Flag
Dominant
Ionian Mode
40. Refers to the beat being divided equally into 2 parts
Mediant
Dorian Mode
Double Flat (bb)
Simple Meter
41. The first beat of a measure & it corresponds with the movement of conductor's hand
Subdominat
Pentatonic Scale
Ionian Mode
Downbeat
42. The smallest interval between two notes
Duration
Key Signature
Alto
Half Step
43. The unit of measure for frequency or the rate of vibration
Tempo
Enharmonic Equivalent
Hertz
Bar Lines
44. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Whole Tone Scale
Pure Minor Scale
Dynamic (Amplitude)- Waveheight
Harmonic Minor Scale
45. A major church mode with a flatted seventh
Anacrusis
Mixolydian Mode
Lydian Mode
Pitch (Frequency)- Wavelength
46. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Pure Minor Scale
Rhythm
Chromatic Scale
Syncopation
47. The speed of a beat
Double Flat (bb)
Alto
Lydian Mode
Tempo
48. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Soprano
Dynamic (Amplitude)- Waveheight
System
Subtonic
49. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Cautionary Accidental
Dominant
Diminished Scale (Octatonic Scale)
Chromatic Scale
50. A major church mode with a raised fourth
Lydian Mode
Downbeat
Meter
Whole Step