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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A minor church mode following the natural minor scale
Cautionary Accidental
Measures
Aeolian Mode
Dynamic (Amplitude)- Waveheight
2. Scale degree 6; Halfway between subdominant & tonic
Submediant
Stem
Tenor
Consonant
3. A major church mode with no accidentals
Dynamic (Amplitude)- Waveheight
Bar Lines
Ionian Mode
Stem
4. The speed of a beat
Church Mode
Whole Tone Scale
Tempo
Pentatonic Scale
5. Multiple lines of melody being sung at once
Tie
Subtonic
Major Scale
Polyphonic
6. A scale with a different pattern of whole & half steps from major or minor
Articulation- Envelope
Dot
Church Mode
Submediant
7. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Melodic Minor Scale
Meter
Sharp (#)
Raised Submediant
8. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Cut Time (¢)- Alla Breve
Pure Minor Scale
Consonant
Stem
9. The first beat of a measure & it corresponds with the movement of conductor's hand
Raised Submediant
Mediant
Enharmonic Equivalent
Downbeat
10. An interval that consists of two half steps
Whole Step
Stem
Cut Time (¢)- Alla Breve
Dominant
11. Series of duration of sound and silence
Whole Tone Scale
Tetrachord
Anacrusis
Rhythm
12. Refers to the shape and form of the sound wave as it moves in distance & frequency
System
Phrygian Mode
Timbre (Tone Color)- Waveform
Raised Submediant
13. An accidental used to indicate that the note is to be raised a half step
Subtonic
Sharp (#)
Submediant
Scale
14. Scale degree 2; prefix 'super' meaning above the tonic
Tie
Supertonic
Subdominat
Locrian Mode
15. A major church mode with a raised fourth
Key Signature
Dynamic (Amplitude)- Waveheight
Tie
Lydian Mode
16. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Common Time (C)
Asymmetrical Meter
Duration
Subtonic
17. A combination of overtones that clash or are out of tune with each other
Cut Time (¢)- Alla Breve
Tempo
Scale
Dissonant
18. Consists of 3 elements: attack - sustain - and release
Articulation- Envelope
Chromatic Scale
Raised Submediant
Tonic
19. A symbol that extends the value of a note by half the original value
Baritone
Monophonic
Articulation- Envelope
Dot
20. A symbol which means the song has a two two time signature
Mediant
Subdivision
Baritone
Cut Time (¢)- Alla Breve
21. Lines written when the note goes above and below the staff lines
Neutral Clef
Flat (b)
Ledger Lines
Timbre (Tone Color)- Waveform
22. A minor scale containing a minor pentachord followed by a raised seventh
Mezzo-Soprano
Major Scale
Harmonic Minor Scale
Pure Minor Scale
23. A symbol used to extend the value of a note by connecting it to another note
Mixolydian Mode
Final Bar Line
Tie
Baritone
24. A minor scale containing the same pattern as the pure minor scale
Natural Minor Scale
Phrygian Mode
Stem
Double Flat (bb)
25. Indicates the end of a piece of music
Mezzo-Soprano
Bar Lines
Final Bar Line
Baritone
26. Two lines that signal the end of a section of music
Double Bar Line
Compound Meter
Soprano
Common Time (C)
27. Each step of a scale
Double Bar Line
Flag
Scale Degree
Tenor
28. High male voice; clef is on the fourth line
Relative Minor
Tenor
Timbre (Tone Color)- Waveform
Stem
29. Scale degree 4; prefix 'sub' meaning below the dominant
Flag
Subdominat
Melodic Minor Scale
Dorian Mode
30. The first five notes of every form of a minor scale; same as minor except for flatted third
Minor Pentachord
Flag
Cautionary Accidental
Submediant
31. The use of all three minor forms within a composition
Timbre (Tone Color)- Waveform
Staff
Tonic
Scalar Variance
32. An accidental used to indicate that the note is to be lowered a half step
Subdivision
Flat (b)
Whole Tone Scale
Grand Staff
33. The body of a note
C Clef
Beat
Syncopation
Note Head
34. Refers to the beat being divided into 3 parts
Hertz
Meter
Cut Time (¢)- Alla Breve
Compound Meter
35. An accidental used to indicate that the note is to be raised two half steps
Relative Minor
Melodic Minor Scale
Double Sharp (X)
Enharmonic Equivalent
36. Moderately high female voice; clef is on the second line
Mezzo-Soprano
Timbre (Tone Color)- Waveform
Beat
Diminished Scale (Octatonic Scale)
37. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Melodic Minor Scale
Grand Staff
Dominant
Enharmonic Equivalent
38. A minor church mode with a flatted second
Downbeat
Ionian Mode
Simple Meter
Phrygian Mode
39. Unit of space in between bar lines
Common Time (C)
Measures
Pentatonic Scale
Dynamic (Amplitude)- Waveheight
40. Another name for a note using the opposite accidental
Bar Lines
Enharmonic Equivalent
Tonic
Consonant
41. A symmetrical scale with all pitches spaced a half step apart
Chromatic Scale
C Clef
Asymmetrical Meter
Dorian Mode
42. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Asymmetrical Meter
Meter
Whole Step
Note Head
43. Major and minor scales that have the same pitches & key signature
Locrian Mode
Tetrachord
Major Scale
Relative Minor
44. Consists of two whole steps and a half step
Submediant
Tetrachord
Duration
Chromatic Scale
45. A recurring pulsation that divides music into units of time
Meter
Beat
Double Flat (bb)
Dominant
46. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Lydian Mode
Mixolydian Mode
Major Scale
Staff
47. Low male voice; clef is on the fifth line
Simple Meter
Subdivision
Baritone
Lydian Mode
48. The distance between one wave and the next
Melodic Minor Scale
Whole Tone Scale
Cut Time (¢)- Alla Breve
Pitch (Frequency)- Wavelength
49. Meters that have beat units of unequal length
Subdominat
Asymmetrical Meter
Meter
Supertonic
50. A scale with a WWHWWWH step pattern containing two tetrachords
Baritone
Neutral Clef
Supertonic
Major Scale
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