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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Multiple lines of melody being sung at once
Subdominat
Polyphonic
Pentatonic Scale
Minor Pentachord
2. A major church mode with a raised fourth
Natural Minor Scale
Grand Staff
Lydian Mode
Supertonic
3. An accidental used to indicate that the note is to be lowered a half step
Flat (b)
Tempo
Monophonic
Dominant
4. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Final Bar Line
Flag
Scale
Note Head
5. Division of the beat into 2 or 3 equal parts
Measures
Bar Lines
Alto
Subdivision
6. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Melodic Minor Scale
Locrian Mode
Tetrachord
Hemiola
7. An artificial scale containing 6 notes that are all a whole step apart
Whole Step
Duration
Whole Tone Scale
Blues Scale
8. Refers to the beat being divided equally into 2 parts
Phrygian Mode
Simple Meter
Subdominat
Leading Tone
9. Scale degree 7; Leads up to resolution of tonic
Supertonic
Leading Tone
Phrygian Mode
Blues Scale
10. Refers to the shape and form of the sound wave as it moves in distance & frequency
Alto
Timbre (Tone Color)- Waveform
Stem
Tetrachord
11. A scale with a different pattern of whole & half steps from major or minor
Harmonic Minor Scale
Grand Staff
Church Mode
Melodic Minor Scale
12. Unit of space in between bar lines
Subtonic
Hertz
Measures
Scalar Variance
13. An accidental used to indicate that the note is to be raised two half steps
Subdivision
Submediant
Double Sharp (X)
Blues Scale
14. Scale degree 1; the tone on which a scale is built
Tonic
Phrygian Mode
Double Flat (bb)
Pure Minor Scale
15. A scale containing 7 notes with no second or sixth degree
Blues Scale
Meter
Rhythm
System
16. Series of duration of sound and silence
Simple Meter
Rhythm
Locrian Mode
Key Signature
17. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Pure Minor Scale
Natural Minor Scale
Double Bar Line
Tie
18. A stick drawn on all notes that are shorter in value than a whole note
Chromatic Scale
Stem
Pure Minor Scale
Mezzo-Soprano
19. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Cautionary Accidental
Relative Minor
Compound Meter
Dissonant
20. A combination of overtones that clash or are out of tune with each other
Dissonant
Cut Time (¢)- Alla Breve
Natural Minor Scale
Hemiola
21. An interval that consists of two half steps
Dominant
Double Sharp (X)
Whole Step
Timbre (Tone Color)- Waveform
22. A symbol which means the song has a two two time signature
Asymmetrical Meter
Cut Time (¢)- Alla Breve
Harmonic Minor Scale
Tetrachord
23. Another name for a note using the opposite accidental
Key Signature
Tie
Dorian Mode
Enharmonic Equivalent
24. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Dominant
Downbeat
Scalar Variance
Scale
25. A scale containing 5 notes containing no half steps; C D E G A C
Pentatonic Scale
Supertonic
Church Mode
Downbeat
26. A clef used for pitch-less or rhythm instruments
Neutral Clef
Pitch (Frequency)- Wavelength
Hertz
Whole Tone Scale
27. A minor church mode with a flatted second
Dorian Mode
Submediant
Phrygian Mode
Grand Staff
28. A minor scale containing a minor pentachord followed by a raised seventh
Whole Step
Locrian Mode
Harmonic Minor Scale
Final Bar Line
29. The length of time sound of silence occurs
Flag
Common Time (C)
Duration
Monophonic
30. Scale degree 3; halfway between the tonic & dominant
Mediant
Phrygian Mode
Key Signature
Anacrusis
31. A symbol used to extend the value of a note by connecting it to another note
Tie
Double Flat (bb)
Tetrachord
Flat (b)
32. The distance between one wave and the next
Duration
Baritone
Soprano
Pitch (Frequency)- Wavelength
33. An accidental used to indicate that the note is to be raised a half step
Hertz
Half Step
Whole Tone Scale
Sharp (#)
34. The first beat of a measure & it corresponds with the movement of conductor's hand
Downbeat
Dissonant
Neutral Clef
Chromatic Scale
35. Scale degree 6; Halfway between subdominant & tonic
Tonic
Cut Time (¢)- Alla Breve
Submediant
Hemiola
36. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Ledger Lines
Dot
Raised Submediant
Aeolian Mode
37. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Whole Tone Scale
Hemiola
Key Signature
Melodic Minor Scale
38. Meters that have beat units of unequal length
Articulation- Envelope
Dominant
Mezzo-Soprano
Asymmetrical Meter
39. A scale with a WWHWWWH step pattern containing two tetrachords
Consonant
Major Scale
C Clef
Downbeat
40. Refers to the beat being divided into 3 parts
Dominant
Compound Meter
Anacrusis
Flat (b)
41. Low male voice; clef is on the fifth line
Phrygian Mode
Stem
Church Mode
Baritone
42. A major church mode with a flatted seventh
Rhythm
Pure Minor Scale
Dynamic (Amplitude)- Waveheight
Mixolydian Mode
43. A recurring pulsation that divides music into units of time
Stem
Relative Minor
Sharp (#)
Beat
44. Moderately high female voice; clef is on the second line
Note Head
Common Time (C)
Tonic
Mezzo-Soprano
45. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Simple Meter
Subtonic
Beat
Dot
46. A beat before the first measure or a pick-up beat
Hertz
Tetrachord
System
Anacrusis
47. The smallest interval between two notes
Half Step
Hemiola
Dot
Measures
48. High male voice; clef is on the fourth line
Consonant
Church Mode
Tenor
Tie
49. Scale degree 4; prefix 'sub' meaning below the dominant
Final Bar Line
Subdominat
Ionian Mode
Articulation- Envelope
50. The higher female voice; clef is on the first line
Simple Meter
Alto
Subdivision
Soprano