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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Refers to the beat being divided equally into 2 parts
Ledger Lines
Simple Meter
Polyphonic
Key Signature
2. An accidental used to indicate that the note is to be lowered two half steps
Double Flat (bb)
Monophonic
Hemiola
Measures
3. Low female voice; clef is on the middle line
Stem
Meter
Alto
Whole Tone Scale
4. A stick drawn on all notes that are shorter in value than a whole note
Diminished Scale (Octatonic Scale)
Cut Time (¢)- Alla Breve
Final Bar Line
Stem
5. The first beat of a measure & it corresponds with the movement of conductor's hand
Downbeat
Chromatic Scale
Rhythm
Lydian Mode
6. A beat before the first measure or a pick-up beat
Leading Tone
Anacrusis
Measures
Mezzo-Soprano
7. Refers to the shape and form of the sound wave as it moves in distance & frequency
Cautionary Accidental
Timbre (Tone Color)- Waveform
Double Sharp (X)
Dynamic (Amplitude)- Waveheight
8. The length of time sound of silence occurs
Tenor
Relative Minor
Pure Minor Scale
Duration
9. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
System
Chromatic Scale
Staff
Flag
10. Consists of two whole steps and a half step
System
Scale Degree
Tetrachord
Double Flat (bb)
11. Scale degree 6; Halfway between subdominant & tonic
Melodic Minor Scale
Mezzo-Soprano
Hemiola
Submediant
12. Multiple staves connected by bar lines - a bracket - or a brace
Dominant
System
Baritone
Note Head
13. The body of a note
Pure Minor Scale
Subdivision
Note Head
System
14. A scale with a WWHWWWH step pattern containing two tetrachords
Tie
Major Scale
Bar Lines
Dynamic (Amplitude)- Waveheight
15. A major church mode with a flatted seventh
Minor Pentachord
Pitch (Frequency)- Wavelength
Tempo
Mixolydian Mode
16. Indicates the end of a piece of music
Final Bar Line
Key Signature
Natural Minor Scale
Pure Minor Scale
17. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Key Signature
Note Head
Ledger Lines
Final Bar Line
18. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Double Sharp (X)
Grand Staff
Syncopation
Compound Meter
19. Refers to the beat being divided into 3 parts
Leading Tone
Subtonic
Compound Meter
Duration
20. A scale containing 7 notes with no second or sixth degree
Double Sharp (X)
Melodic Minor Scale
Compound Meter
Blues Scale
21. Scale degree 3; halfway between the tonic & dominant
Mediant
Common Time (C)
Dynamic (Amplitude)- Waveheight
Tie
22. The distance between one wave and the next
Articulation- Envelope
Asymmetrical Meter
Pitch (Frequency)- Wavelength
Subdominat
23. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Mezzo-Soprano
Scalar Variance
Subtonic
Lydian Mode
24. Major and minor scales that have the same pitches & key signature
Relative Minor
Pure Minor Scale
Baritone
Timbre (Tone Color)- Waveform
25. A scale containing 5 notes containing no half steps; C D E G A C
Hertz
Pentatonic Scale
Blues Scale
Subdivision
26. The use of all three minor forms within a composition
Enharmonic Equivalent
Scale Degree
Scalar Variance
Relative Minor
27. The unit of measure for frequency or the rate of vibration
Whole Step
Tetrachord
Pitch (Frequency)- Wavelength
Hertz
28. A symbol used to extend the value of a note by connecting it to another note
Stem
Articulation- Envelope
Tie
Mixolydian Mode
29. A single line of melody
Mezzo-Soprano
Tempo
Monophonic
Tetrachord
30. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Flag
Subdominat
Subdivision
31. Unit of space in between bar lines
Measures
Hemiola
Neutral Clef
Note Head
32. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Scale
Enharmonic Equivalent
Locrian Mode
Subtonic
33. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Anacrusis
Stem
Dynamic (Amplitude)- Waveheight
Cautionary Accidental
34. An interval that consists of two half steps
Scalar Variance
Whole Step
Subdominat
Hemiola
35. Vertical lines that divide the staff into measures
Blues Scale
Leading Tone
Bar Lines
Aeolian Mode
36. Two lines that signal the end of a section of music
Double Bar Line
Downbeat
Flag
Harmonic Minor Scale
37. A recurring pulsation that divides music into units of time
Beat
Meter
Cautionary Accidental
Mixolydian Mode
38. A minor church mode following the natural minor scale
Mezzo-Soprano
Supertonic
Aeolian Mode
Tempo
39. An ordered collection of pitches in whole and half step patterns
Common Time (C)
Note Head
Relative Minor
Scale
40. A major church mode with a raised fourth
Mezzo-Soprano
Cut Time (¢)- Alla Breve
Lydian Mode
Double Sharp (X)
41. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Final Bar Line
Pure Minor Scale
Blues Scale
Subtonic
42. A scale with a different pattern of whole & half steps from major or minor
Dorian Mode
Blues Scale
Ionian Mode
Church Mode
43. A symbol that extends the value of a note by half the original value
Blues Scale
Common Time (C)
Natural Minor Scale
Dot
44. A clef used for pitch-less or rhythm instruments
Neutral Clef
Timbre (Tone Color)- Waveform
Relative Minor
Lydian Mode
45. A symmetrical scale with all pitches spaced a half step apart
Dot
Half Step
Syncopation
Chromatic Scale
46. Scale degree 1; the tone on which a scale is built
Dorian Mode
Minor Pentachord
Tonic
Lydian Mode
47. Lines written when the note goes above and below the staff lines
Cut Time (¢)- Alla Breve
Ledger Lines
Scalar Variance
Bar Lines
48. Division of the beat into 2 or 3 equal parts
Cautionary Accidental
Phrygian Mode
Meter
Subdivision
49. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Syncopation
Tonic
Hemiola
Church Mode
50. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Dominant
Whole Step
Dynamic (Amplitude)- Waveheight
Scalar Variance