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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Scale degree 4; prefix 'sub' meaning below the dominant
Subdominat
Pure Minor Scale
Scalar Variance
Subdivision
2. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Locrian Mode
Subtonic
Tetrachord
Hemiola
3. An interval that consists of two half steps
Whole Step
Relative Minor
Locrian Mode
Scalar Variance
4. Division of the beat into 2 or 3 equal parts
Subdivision
Double Bar Line
Downbeat
Neutral Clef
5. Vertical lines that divide the staff into measures
Measures
Asymmetrical Meter
Leading Tone
Bar Lines
6. Consists of two whole steps and a half step
Melodic Minor Scale
System
Tetrachord
Timbre (Tone Color)- Waveform
7. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Relative Minor
Subtonic
Key Signature
Leading Tone
8. Meters that have beat units of unequal length
Chromatic Scale
Asymmetrical Meter
Rhythm
Natural Minor Scale
9. Low female voice; clef is on the middle line
Staff
Key Signature
Mixolydian Mode
Alto
10. Scale degree 6; Halfway between subdominant & tonic
Key Signature
Submediant
Major Scale
Sharp (#)
11. Combines treble and bass clef into one staff
Hertz
Grand Staff
Timbre (Tone Color)- Waveform
Dot
12. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Measures
Meter
Tetrachord
Anacrusis
13. Two lines that signal the end of a section of music
Subdominat
Anacrusis
Alto
Double Bar Line
14. A clef used for pitch-less or rhythm instruments
Staff
Baritone
Neutral Clef
Dynamic (Amplitude)- Waveheight
15. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Tonic
Timbre (Tone Color)- Waveform
Staff
Anacrusis
16. Moderately high female voice; clef is on the second line
Double Bar Line
Syncopation
Mezzo-Soprano
Natural Minor Scale
17. An ordered collection of pitches in whole and half step patterns
Soprano
Dominant
Baritone
Scale
18. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Pure Minor Scale
Scale
Note Head
Minor Pentachord
19. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Harmonic Minor Scale
Cautionary Accidental
Hemiola
Pitch (Frequency)- Wavelength
20. A combination of overtones that sound pleasant together
Submediant
Monophonic
Diminished Scale (Octatonic Scale)
Consonant
21. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Syncopation
C Clef
Tenor
Chromatic Scale
22. A symbol which means the song has a two two time signature
Hertz
Supertonic
Cut Time (¢)- Alla Breve
Subdominat
23. A major church mode with a flatted seventh
Timbre (Tone Color)- Waveform
Polyphonic
Mediant
Mixolydian Mode
24. A scale containing 7 notes with no second or sixth degree
Phrygian Mode
Blues Scale
Hertz
Consonant
25. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Ledger Lines
Dominant
Minor Pentachord
Polyphonic
26. A minor church mode with a raised sixth
Compound Meter
Subdominat
Dorian Mode
Beat
27. A symmetrical scale with all pitches spaced a half step apart
Scale
Chromatic Scale
Compound Meter
Cautionary Accidental
28. A stick drawn on all notes that are shorter in value than a whole note
Scale
Stem
C Clef
Cut Time (¢)- Alla Breve
29. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Cautionary Accidental
Aeolian Mode
Lydian Mode
30. Scale degree 3; halfway between the tonic & dominant
Mediant
Mixolydian Mode
Supertonic
Submediant
31. An accidental used to indicate that the note is to be raised two half steps
Subdominat
Compound Meter
Double Sharp (X)
Alto
32. Refers to the beat being divided equally into 2 parts
Blues Scale
Pitch (Frequency)- Wavelength
Subdivision
Simple Meter
33. A major church mode with no accidentals
Asymmetrical Meter
Monophonic
Double Flat (bb)
Ionian Mode
34. A minor church mode following the natural minor scale
Scale Degree
Aeolian Mode
Mixolydian Mode
Baritone
35. Each step of a scale
Church Mode
Final Bar Line
Scale Degree
Subdominat
36. The distance between one wave and the next
Downbeat
Pitch (Frequency)- Wavelength
Stem
Note Head
37. Major and minor scales that have the same pitches & key signature
Blues Scale
Enharmonic Equivalent
Relative Minor
Mediant
38. A scale containing 8 notes that alternate a whole step & half step apart
Note Head
Timbre (Tone Color)- Waveform
Harmonic Minor Scale
Diminished Scale (Octatonic Scale)
39. The first five notes of every form of a minor scale; same as minor except for flatted third
Dynamic (Amplitude)- Waveheight
Submediant
Minor Pentachord
Hemiola
40. Refers to the shape and form of the sound wave as it moves in distance & frequency
Neutral Clef
Timbre (Tone Color)- Waveform
Tie
Ionian Mode
41. The length of time sound of silence occurs
Whole Tone Scale
Duration
Pitch (Frequency)- Wavelength
Scale
42. A minor scale containing a minor pentachord followed by a raised seventh
Rhythm
Meter
Harmonic Minor Scale
Bar Lines
43. A recurring pulsation that divides music into units of time
Simple Meter
Beat
Blues Scale
Hertz
44. Another name for a note using the opposite accidental
Common Time (C)
Enharmonic Equivalent
Relative Minor
Mixolydian Mode
45. A symbol that extends the value of a note by half the original value
Pentatonic Scale
Dot
Phrygian Mode
Subtonic
46. A single line of melody
Key Signature
Monophonic
Common Time (C)
Staff
47. Multiple lines of melody being sung at once
Whole Tone Scale
Scale Degree
Diminished Scale (Octatonic Scale)
Polyphonic
48. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Raised Submediant
Hemiola
Articulation- Envelope
Neutral Clef
49. An accidental used to indicate that the note is to be raised a half step
Enharmonic Equivalent
Sharp (#)
Church Mode
Natural Minor Scale
50. The higher female voice; clef is on the first line
System
Tonic
Pure Minor Scale
Soprano