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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The speed of a beat
Asymmetrical Meter
Consonant
Mezzo-Soprano
Tempo
2. The maximum extent of a vibration measured from the position of equilibrium
Grand Staff
Monophonic
Tempo
Dynamic (Amplitude)- Waveheight
3. An accidental used to indicate that the note is to be lowered a half step
Asymmetrical Meter
Bar Lines
Flat (b)
Syncopation
4. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Diminished Scale (Octatonic Scale)
Raised Submediant
Cautionary Accidental
Flat (b)
5. A major church mode with a flatted seventh
Measures
Double Sharp (X)
Mixolydian Mode
Enharmonic Equivalent
6. Meters that have beat units of unequal length
Alto
Mediant
Grand Staff
Asymmetrical Meter
7. High male voice; clef is on the fourth line
Tenor
Duration
Timbre (Tone Color)- Waveform
Flag
8. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Ledger Lines
Sharp (#)
Subtonic
Dissonant
9. The use of all three minor forms within a composition
Scalar Variance
Scale
Polyphonic
Compound Meter
10. Combines treble and bass clef into one staff
Tonic
Major Scale
Subdivision
Grand Staff
11. Multiple lines of melody being sung at once
Ledger Lines
Dorian Mode
Minor Pentachord
Polyphonic
12. Low male voice; clef is on the fifth line
Mixolydian Mode
Articulation- Envelope
Whole Step
Baritone
13. Scale degree 4; prefix 'sub' meaning below the dominant
Alto
Locrian Mode
Church Mode
Subdominat
14. Two lines that signal the end of a section of music
Double Bar Line
Soprano
Pentatonic Scale
Grand Staff
15. Multiple staves connected by bar lines - a bracket - or a brace
System
Pitch (Frequency)- Wavelength
Consonant
Hemiola
16. Scale degree 1; the tone on which a scale is built
Harmonic Minor Scale
Sharp (#)
Major Scale
Tonic
17. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Scale Degree
Dominant
Meter
Key Signature
18. A scale with a different pattern of whole & half steps from major or minor
Church Mode
Blues Scale
System
Final Bar Line
19. An accidental used to indicate that the note is to be raised two half steps
Double Sharp (X)
Mixolydian Mode
Meter
Blues Scale
20. Scale degree 3; halfway between the tonic & dominant
Mediant
Scalar Variance
Raised Submediant
Bar Lines
21. Series of duration of sound and silence
Sharp (#)
Tonic
Mezzo-Soprano
Rhythm
22. A scale containing 8 notes that alternate a whole step & half step apart
Neutral Clef
Flat (b)
Diminished Scale (Octatonic Scale)
Tie
23. An ordered collection of pitches in whole and half step patterns
Scale
Articulation- Envelope
Measures
Supertonic
24. The first five notes of every form of a minor scale; same as minor except for flatted third
Simple Meter
Mediant
Minor Pentachord
Double Sharp (X)
25. A minor church mode with a raised sixth
Harmonic Minor Scale
Scalar Variance
Cautionary Accidental
Dorian Mode
26. Each step of a scale
Scale Degree
Subtonic
Natural Minor Scale
Double Bar Line
27. A major church mode with no accidentals
Ionian Mode
Cut Time (¢)- Alla Breve
Tonic
Ledger Lines
28. A symbol used to extend the value of a note by connecting it to another note
Consonant
Tie
Compound Meter
Locrian Mode
29. A symbol that extends the value of a note by half the original value
Church Mode
Subtonic
Dot
Tonic
30. The first beat of a measure & it corresponds with the movement of conductor's hand
Scale
Downbeat
Rhythm
Subdominat
31. Consists of 3 elements: attack - sustain - and release
Articulation- Envelope
Compound Meter
Double Bar Line
Stem
32. Consists of two whole steps and a half step
Hemiola
Tetrachord
Pure Minor Scale
Dominant
33. The unit of measure for frequency or the rate of vibration
Hertz
Diminished Scale (Octatonic Scale)
Polyphonic
Dot
34. A major church mode with a raised fourth
Scale
Subdivision
Lydian Mode
Consonant
35. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Duration
Tetrachord
Whole Step
36. Major and minor scales that have the same pitches & key signature
Diminished Scale (Octatonic Scale)
Relative Minor
Dorian Mode
Mediant
37. A combination of overtones that clash or are out of tune with each other
Sharp (#)
Hemiola
Note Head
Dissonant
38. The body of a note
Mezzo-Soprano
Double Flat (bb)
Note Head
Downbeat
39. Scale degree 6; Halfway between subdominant & tonic
Subdominat
Submediant
Half Step
Supertonic
40. Refers to the beat being divided equally into 2 parts
Common Time (C)
Simple Meter
System
Tie
41. Scale degree 7; Leads up to resolution of tonic
Natural Minor Scale
Downbeat
Leading Tone
Melodic Minor Scale
42. A minor church mode following the natural minor scale
Raised Submediant
Aeolian Mode
Double Bar Line
Soprano
43. Lines written when the note goes above and below the staff lines
Polyphonic
Common Time (C)
Ledger Lines
Hertz
44. A single line of melody
Compound Meter
Downbeat
Monophonic
Measures
45. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Tie
Tetrachord
Half Step
Flag
46. The length of time sound of silence occurs
Ledger Lines
Simple Meter
Leading Tone
Duration
47. A stick drawn on all notes that are shorter in value than a whole note
Scale Degree
Cut Time (¢)- Alla Breve
Stem
Ionian Mode
48. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Leading Tone
Tonic
Staff
Diminished Scale (Octatonic Scale)
49. A symbol which means the song has a four four time signature
Tie
Ledger Lines
Final Bar Line
Common Time (C)
50. The distance between one wave and the next
Minor Pentachord
Chromatic Scale
Pitch (Frequency)- Wavelength
Dorian Mode