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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The body of a note
Tie
Ledger Lines
Note Head
Simple Meter
2. Another name for a note using the opposite accidental
Dominant
Enharmonic Equivalent
Tempo
Half Step
3. An accidental used to indicate that the note is to be lowered two half steps
Double Flat (bb)
Asymmetrical Meter
Raised Submediant
Mezzo-Soprano
4. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Double Sharp (X)
Timbre (Tone Color)- Waveform
Mixolydian Mode
Melodic Minor Scale
5. A major church mode with a flatted seventh
Mixolydian Mode
Melodic Minor Scale
Tonic
Dorian Mode
6. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Relative Minor
Mezzo-Soprano
Pure Minor Scale
Supertonic
7. Refers to the beat being divided into 3 parts
Tonic
Anacrusis
Compound Meter
Whole Step
8. Scale degree 1; the tone on which a scale is built
Scalar Variance
Scale Degree
Tonic
Minor Pentachord
9. A minor scale containing the same pattern as the pure minor scale
Natural Minor Scale
Subdominat
Flag
Measures
10. A symbol which means the song has a four four time signature
Common Time (C)
System
Melodic Minor Scale
Tonic
11. The unit of measure for frequency or the rate of vibration
Anacrusis
Double Flat (bb)
Melodic Minor Scale
Hertz
12. Combines treble and bass clef into one staff
Dot
Monophonic
Tetrachord
Grand Staff
13. The use of all three minor forms within a composition
Natural Minor Scale
Scalar Variance
Ledger Lines
Dot
14. Meters that have beat units of unequal length
Hertz
Natural Minor Scale
Asymmetrical Meter
Stem
15. Multiple staves connected by bar lines - a bracket - or a brace
System
Phrygian Mode
Major Scale
Supertonic
16. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Dot
Harmonic Minor Scale
Duration
Syncopation
17. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Chromatic Scale
Pitch (Frequency)- Wavelength
C Clef
Polyphonic
18. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Pure Minor Scale
Enharmonic Equivalent
Staff
Leading Tone
19. A symmetrical scale with all pitches spaced a half step apart
Chromatic Scale
Cautionary Accidental
Dominant
Stem
20. A minor scale containing a minor pentachord followed by a raised seventh
Dorian Mode
Double Flat (bb)
Mediant
Harmonic Minor Scale
21. A symbol that extends the value of a note by half the original value
Dot
Duration
Tonic
Relative Minor
22. A combination of overtones that clash or are out of tune with each other
Dissonant
Chromatic Scale
Neutral Clef
Harmonic Minor Scale
23. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Enharmonic Equivalent
Chromatic Scale
Alto
24. A symbol which means the song has a two two time signature
Measures
Scalar Variance
Submediant
Cut Time (¢)- Alla Breve
25. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Dynamic (Amplitude)- Waveheight
Stem
Locrian Mode
Relative Minor
26. A scale with a different pattern of whole & half steps from major or minor
Church Mode
Syncopation
Dot
Raised Submediant
27. The first five notes of every form of a minor scale; same as minor except for flatted third
Supertonic
Chromatic Scale
Minor Pentachord
Simple Meter
28. A major church mode with no accidentals
System
Ionian Mode
Subdivision
Locrian Mode
29. Refers to the beat being divided equally into 2 parts
Simple Meter
Tonic
Major Scale
Hertz
30. The higher female voice; clef is on the first line
Soprano
Articulation- Envelope
Ionian Mode
Rhythm
31. The smallest interval between two notes
Articulation- Envelope
Half Step
Tempo
System
32. Low male voice; clef is on the fifth line
Baritone
Scale Degree
Relative Minor
Anacrusis
33. A beat before the first measure or a pick-up beat
Subdivision
Ionian Mode
Anacrusis
Scale Degree
34. Moderately high female voice; clef is on the second line
Note Head
Major Scale
Mezzo-Soprano
Melodic Minor Scale
35. A clef used for pitch-less or rhythm instruments
Pitch (Frequency)- Wavelength
Neutral Clef
Downbeat
Mixolydian Mode
36. High male voice; clef is on the fourth line
Bar Lines
Asymmetrical Meter
Ledger Lines
Tenor
37. An accidental used to indicate that the note is to be lowered a half step
Measures
Tie
Flat (b)
Dynamic (Amplitude)- Waveheight
38. Multiple lines of melody being sung at once
Duration
Polyphonic
Compound Meter
Common Time (C)
39. A scale with a WWHWWWH step pattern containing two tetrachords
Neutral Clef
Major Scale
Dominant
Lydian Mode
40. Series of duration of sound and silence
Leading Tone
Mezzo-Soprano
Rhythm
Whole Tone Scale
41. Division of the beat into 2 or 3 equal parts
Asymmetrical Meter
Subdivision
Note Head
Mixolydian Mode
42. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Dominant
Cautionary Accidental
Polyphonic
Melodic Minor Scale
43. A minor church mode following the natural minor scale
Dominant
Scale Degree
Consonant
Aeolian Mode
44. An accidental used to indicate that the note is to be raised a half step
Whole Step
Sharp (#)
Stem
Flat (b)
45. Two lines that signal the end of a section of music
Double Bar Line
Sharp (#)
Mixolydian Mode
Harmonic Minor Scale
46. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Submediant
Neutral Clef
Subtonic
Dissonant
47. A combination of overtones that sound pleasant together
Relative Minor
Consonant
Monophonic
Melodic Minor Scale
48. Lines written when the note goes above and below the staff lines
Pentatonic Scale
Hertz
Double Flat (bb)
Ledger Lines
49. Consists of 3 elements: attack - sustain - and release
Double Flat (bb)
Major Scale
Articulation- Envelope
Blues Scale
50. The distance between one wave and the next
Pitch (Frequency)- Wavelength
Locrian Mode
Church Mode
Consonant