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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The higher female voice; clef is on the first line
Stem
Scale
Soprano
Subtonic
2. A clef used for pitch-less or rhythm instruments
Syncopation
Neutral Clef
Chromatic Scale
Timbre (Tone Color)- Waveform
3. Low female voice; clef is on the middle line
Compound Meter
Alto
Ionian Mode
Pure Minor Scale
4. A major church mode with a raised fourth
Lydian Mode
Aeolian Mode
Tetrachord
Consonant
5. Refers to the beat being divided into 3 parts
Compound Meter
Scale Degree
Cautionary Accidental
Monophonic
6. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Major Scale
Meter
Soprano
Staff
7. A scale with a WWHWWWH step pattern containing two tetrachords
Whole Step
Major Scale
Consonant
Relative Minor
8. An accidental used to indicate that the note is to be lowered two half steps
Baritone
Major Scale
Double Flat (bb)
Stem
9. Each step of a scale
Double Bar Line
Tie
Scale Degree
Church Mode
10. Series of duration of sound and silence
Leading Tone
Measures
Rhythm
Dorian Mode
11. A symbol which means the song has a two two time signature
Note Head
Whole Step
Cut Time (¢)- Alla Breve
Sharp (#)
12. A symbol that extends the value of a note by half the original value
Church Mode
Soprano
Dot
Enharmonic Equivalent
13. The smallest interval between two notes
Locrian Mode
Mezzo-Soprano
Syncopation
Half Step
14. The unit of measure for frequency or the rate of vibration
Tetrachord
Measures
Hertz
Subdominat
15. A minor church mode with a raised sixth
Phrygian Mode
Dorian Mode
Anacrusis
Dominant
16. A minor church mode following the natural minor scale
Note Head
Aeolian Mode
Raised Submediant
C Clef
17. A combination of overtones that clash or are out of tune with each other
Common Time (C)
Meter
Dissonant
Staff
18. Vertical lines that divide the staff into measures
Double Flat (bb)
Bar Lines
Soprano
Sharp (#)
19. Unit of space in between bar lines
Measures
Articulation- Envelope
Tonic
Raised Submediant
20. Major and minor scales that have the same pitches & key signature
Relative Minor
Supertonic
Whole Step
Mixolydian Mode
21. A recurring pulsation that divides music into units of time
Beat
Cautionary Accidental
Polyphonic
Common Time (C)
22. A minor church mode with a flatted second
Hemiola
Tempo
Dominant
Phrygian Mode
23. Combines treble and bass clef into one staff
Tetrachord
Subdominat
Grand Staff
Articulation- Envelope
24. A major church mode with a flatted seventh
Anacrusis
Pentatonic Scale
Mixolydian Mode
Pure Minor Scale
25. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Subtonic
Blues Scale
Key Signature
Leading Tone
26. Consists of two whole steps and a half step
Locrian Mode
Tetrachord
Chromatic Scale
Scale Degree
27. An accidental used to indicate that the note is to be raised a half step
Dorian Mode
C Clef
Mixolydian Mode
Sharp (#)
28. The first beat of a measure & it corresponds with the movement of conductor's hand
Scale
Asymmetrical Meter
Downbeat
Bar Lines
29. An accidental used to indicate that the note is to be raised two half steps
Double Sharp (X)
Subtonic
Minor Pentachord
Compound Meter
30. A scale containing 7 notes with no second or sixth degree
Blues Scale
Sharp (#)
Dissonant
Polyphonic
31. The use of all three minor forms within a composition
Duration
Note Head
Scalar Variance
Mixolydian Mode
32. Scale degree 1; the tone on which a scale is built
Hemiola
Harmonic Minor Scale
Relative Minor
Tonic
33. The distance between one wave and the next
Pitch (Frequency)- Wavelength
Major Scale
Final Bar Line
Scale Degree
34. Another name for a note using the opposite accidental
Half Step
Mediant
Enharmonic Equivalent
Mixolydian Mode
35. A minor scale containing the same pattern as the pure minor scale
Polyphonic
Ionian Mode
Natural Minor Scale
Bar Lines
36. Two lines that signal the end of a section of music
Blues Scale
Alto
Dorian Mode
Double Bar Line
37. Indicates the end of a piece of music
Final Bar Line
Dominant
Dot
Blues Scale
38. The speed of a beat
Tempo
Dominant
Tonic
Cautionary Accidental
39. Moderately high female voice; clef is on the second line
Chromatic Scale
Mezzo-Soprano
Tenor
Staff
40. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Stem
Note Head
Pure Minor Scale
Enharmonic Equivalent
41. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Stem
Dominant
Minor Pentachord
Sharp (#)
42. Scale degree 4; prefix 'sub' meaning below the dominant
Pure Minor Scale
Subdominat
Tenor
Mixolydian Mode
43. Multiple staves connected by bar lines - a bracket - or a brace
Church Mode
Rhythm
Monophonic
System
44. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Tenor
Subtonic
Hemiola
Pure Minor Scale
45. Meters that have beat units of unequal length
Scalar Variance
Scale
Dynamic (Amplitude)- Waveheight
Asymmetrical Meter
46. A scale containing 5 notes containing no half steps; C D E G A C
Pentatonic Scale
Tenor
Tonic
Duration
47. Low male voice; clef is on the fifth line
Dissonant
Neutral Clef
Baritone
Meter
48. Scale degree 2; prefix 'super' meaning above the tonic
Supertonic
Natural Minor Scale
Subtonic
C Clef
49. Multiple lines of melody being sung at once
Staff
Pure Minor Scale
Polyphonic
Melodic Minor Scale
50. An interval that consists of two half steps
Whole Step
Timbre (Tone Color)- Waveform
Harmonic Minor Scale
Duration
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