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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The higher female voice; clef is on the first line
Pentatonic Scale
Soprano
Flag
Scale
2. A combination of overtones that clash or are out of tune with each other
Harmonic Minor Scale
Sharp (#)
Dissonant
Syncopation
3. The maximum extent of a vibration measured from the position of equilibrium
Tetrachord
Scalar Variance
C Clef
Dynamic (Amplitude)- Waveheight
4. A clef used for pitch-less or rhythm instruments
Double Flat (bb)
Phrygian Mode
Scalar Variance
Neutral Clef
5. The smallest interval between two notes
Ionian Mode
System
Dorian Mode
Half Step
6. A symbol which means the song has a four four time signature
Ionian Mode
Tie
Mezzo-Soprano
Common Time (C)
7. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
C Clef
Locrian Mode
Soprano
Duration
8. A scale with a WWHWWWH step pattern containing two tetrachords
Aeolian Mode
Staff
Major Scale
Ledger Lines
9. A recurring pulsation that divides music into units of time
Beat
Double Sharp (X)
Locrian Mode
Tie
10. Meters that have beat units of unequal length
Lydian Mode
Monophonic
Asymmetrical Meter
Whole Step
11. A major church mode with no accidentals
Tenor
Ionian Mode
Major Scale
Soprano
12. An accidental used to indicate that the note is to be lowered two half steps
Monophonic
Double Flat (bb)
Syncopation
Church Mode
13. A minor church mode with a raised sixth
Half Step
Double Flat (bb)
Dorian Mode
Diminished Scale (Octatonic Scale)
14. An artificial scale containing 6 notes that are all a whole step apart
Articulation- Envelope
Dorian Mode
Whole Tone Scale
Duration
15. The body of a note
Cut Time (¢)- Alla Breve
Note Head
Minor Pentachord
Dissonant
16. The unit of measure for frequency or the rate of vibration
Hertz
Submediant
Stem
Compound Meter
17. An interval that consists of two half steps
Monophonic
Baritone
Melodic Minor Scale
Whole Step
18. A scale with a different pattern of whole & half steps from major or minor
Church Mode
Sharp (#)
Tie
Staff
19. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Subdominat
Beat
Locrian Mode
Mixolydian Mode
20. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Church Mode
Cautionary Accidental
Flag
Polyphonic
21. Multiple lines of melody being sung at once
Subdivision
Common Time (C)
Polyphonic
Church Mode
22. A symbol which means the song has a two two time signature
Cut Time (¢)- Alla Breve
Note Head
Anacrusis
Scale Degree
23. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Downbeat
Beat
Tempo
Subtonic
24. Division of the beat into 2 or 3 equal parts
Subdivision
Whole Tone Scale
Measures
Duration
25. Refers to the beat being divided equally into 2 parts
Stem
Pentatonic Scale
Ledger Lines
Simple Meter
26. The distance between one wave and the next
C Clef
Pitch (Frequency)- Wavelength
Subtonic
Dot
27. A minor church mode following the natural minor scale
Submediant
Aeolian Mode
Major Scale
Flag
28. Scale degree 3; halfway between the tonic & dominant
Dot
Mediant
Bar Lines
Tetrachord
29. A scale containing 5 notes containing no half steps; C D E G A C
Locrian Mode
Subdominat
Pentatonic Scale
Scalar Variance
30. Another name for a note using the opposite accidental
Pitch (Frequency)- Wavelength
Scalar Variance
Tetrachord
Enharmonic Equivalent
31. Indicates the end of a piece of music
Final Bar Line
Hemiola
Phrygian Mode
Measures
32. Low female voice; clef is on the middle line
Common Time (C)
Cautionary Accidental
Alto
Bar Lines
33. The speed of a beat
Natural Minor Scale
Bar Lines
Syncopation
Tempo
34. Consists of 3 elements: attack - sustain - and release
Minor Pentachord
System
Articulation- Envelope
Final Bar Line
35. An ordered collection of pitches in whole and half step patterns
Ledger Lines
Diminished Scale (Octatonic Scale)
Final Bar Line
Scale
36. The length of time sound of silence occurs
Whole Tone Scale
Chromatic Scale
Duration
Simple Meter
37. Multiple staves connected by bar lines - a bracket - or a brace
Minor Pentachord
Hemiola
Natural Minor Scale
System
38. Refers to the beat being divided into 3 parts
Whole Step
Compound Meter
Tempo
Measures
39. Unit of space in between bar lines
System
Timbre (Tone Color)- Waveform
Measures
Common Time (C)
40. The first five notes of every form of a minor scale; same as minor except for flatted third
Minor Pentachord
Supertonic
Sharp (#)
Scale Degree
41. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Hemiola
Dot
Phrygian Mode
Submediant
42. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Mixolydian Mode
Subdivision
Melodic Minor Scale
Staff
43. Vertical lines that divide the staff into measures
Mixolydian Mode
Mezzo-Soprano
Consonant
Bar Lines
44. Lines written when the note goes above and below the staff lines
Ionian Mode
Simple Meter
Baritone
Ledger Lines
45. A single line of melody
Melodic Minor Scale
Monophonic
Bar Lines
Scalar Variance
46. Scale degree 7; Leads up to resolution of tonic
Tetrachord
Church Mode
Sharp (#)
Leading Tone
47. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Anacrusis
Rhythm
Pure Minor Scale
Key Signature
48. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Meter
Tempo
Double Sharp (X)
Downbeat
49. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Locrian Mode
Alto
Staff
Cautionary Accidental
50. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Pitch (Frequency)- Wavelength
Tonic
Stem
Syncopation