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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The use of all three minor forms within a composition
Measures
Articulation- Envelope
Scalar Variance
Tie
2. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Flat (b)
Subtonic
Ionian Mode
Dynamic (Amplitude)- Waveheight
3. Major and minor scales that have the same pitches & key signature
Baritone
Ionian Mode
Relative Minor
Locrian Mode
4. A symbol which means the song has a two two time signature
Flag
Hertz
Measures
Cut Time (¢)- Alla Breve
5. A symbol used to extend the value of a note by connecting it to another note
Rhythm
Subdominat
Tie
Harmonic Minor Scale
6. Unit of space in between bar lines
Scale Degree
Subdivision
Ledger Lines
Measures
7. Vertical lines that divide the staff into measures
Diminished Scale (Octatonic Scale)
Subtonic
Bar Lines
Key Signature
8. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Scale Degree
Pentatonic Scale
Locrian Mode
Tonic
9. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Grand Staff
Natural Minor Scale
Syncopation
Articulation- Envelope
10. Two lines that signal the end of a section of music
Measures
Harmonic Minor Scale
Baritone
Double Bar Line
11. Meters that have beat units of unequal length
Whole Tone Scale
Dominant
Sharp (#)
Asymmetrical Meter
12. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Neutral Clef
Mixolydian Mode
Flag
Dissonant
13. An accidental used to indicate that the note is to be lowered a half step
Ionian Mode
Beat
Common Time (C)
Flat (b)
14. Consists of two whole steps and a half step
Major Scale
Tetrachord
Supertonic
Half Step
15. Refers to the beat being divided into 3 parts
Cut Time (¢)- Alla Breve
Whole Tone Scale
Compound Meter
Lydian Mode
16. A minor church mode with a raised sixth
Lydian Mode
Dorian Mode
Supertonic
Beat
17. A minor scale containing a minor pentachord followed by a raised seventh
Locrian Mode
Whole Step
Harmonic Minor Scale
Scale Degree
18. A beat before the first measure or a pick-up beat
Anacrusis
Timbre (Tone Color)- Waveform
Half Step
Alto
19. Indicates the end of a piece of music
Lydian Mode
Final Bar Line
Dissonant
Scale Degree
20. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
C Clef
Rhythm
Note Head
Major Scale
21. A minor church mode with a flatted second
Meter
Mixolydian Mode
Phrygian Mode
Scalar Variance
22. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Church Mode
Submediant
Pure Minor Scale
Mezzo-Soprano
23. Refers to the shape and form of the sound wave as it moves in distance & frequency
Flat (b)
Half Step
Timbre (Tone Color)- Waveform
Submediant
24. A clef used for pitch-less or rhythm instruments
Neutral Clef
Scale Degree
Dot
Scalar Variance
25. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Mixolydian Mode
Double Bar Line
Leading Tone
Staff
26. Division of the beat into 2 or 3 equal parts
Subdivision
Articulation- Envelope
Dynamic (Amplitude)- Waveheight
Beat
27. The higher female voice; clef is on the first line
C Clef
Tetrachord
Harmonic Minor Scale
Soprano
28. A symbol that extends the value of a note by half the original value
Cut Time (¢)- Alla Breve
Compound Meter
Dot
Tie
29. The first beat of a measure & it corresponds with the movement of conductor's hand
Downbeat
Dissonant
Pentatonic Scale
Monophonic
30. Scale degree 3; halfway between the tonic & dominant
Scale Degree
Mediant
Simple Meter
Tempo
31. The speed of a beat
Polyphonic
Common Time (C)
Neutral Clef
Tempo
32. A major church mode with a raised fourth
Consonant
Lydian Mode
Cautionary Accidental
Tetrachord
33. Consists of 3 elements: attack - sustain - and release
Flag
Double Sharp (X)
System
Articulation- Envelope
34. A minor church mode following the natural minor scale
Anacrusis
Alto
Flag
Aeolian Mode
35. The length of time sound of silence occurs
Soprano
Duration
Final Bar Line
Sharp (#)
36. An accidental used to indicate that the note is to be raised a half step
Supertonic
Mezzo-Soprano
Sharp (#)
Harmonic Minor Scale
37. Another name for a note using the opposite accidental
Articulation- Envelope
Ionian Mode
Melodic Minor Scale
Enharmonic Equivalent
38. A scale containing 8 notes that alternate a whole step & half step apart
Soprano
Flat (b)
Compound Meter
Diminished Scale (Octatonic Scale)
39. A scale containing 5 notes containing no half steps; C D E G A C
Church Mode
Simple Meter
Pentatonic Scale
System
40. An accidental used to indicate that the note is to be raised two half steps
Double Sharp (X)
Diminished Scale (Octatonic Scale)
Flat (b)
Final Bar Line
41. A scale containing 7 notes with no second or sixth degree
Monophonic
Half Step
Blues Scale
Tonic
42. The maximum extent of a vibration measured from the position of equilibrium
Diminished Scale (Octatonic Scale)
Dynamic (Amplitude)- Waveheight
Polyphonic
Simple Meter
43. A stick drawn on all notes that are shorter in value than a whole note
Church Mode
Chromatic Scale
Stem
Hemiola
44. The distance between one wave and the next
Pitch (Frequency)- Wavelength
Harmonic Minor Scale
Blues Scale
Tonic
45. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Locrian Mode
Submediant
Flat (b)
Meter
46. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Phrygian Mode
Raised Submediant
Stem
Sharp (#)
47. Scale degree 7; Leads up to resolution of tonic
Duration
Mezzo-Soprano
Leading Tone
Tetrachord
48. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Chromatic Scale
Tie
Aeolian Mode
49. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
System
Articulation- Envelope
Supertonic
Dominant
50. An ordered collection of pitches in whole and half step patterns
Beat
Neutral Clef
Scale
Scalar Variance
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