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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A combination of overtones that clash or are out of tune with each other
Duration
Pure Minor Scale
Dissonant
Phrygian Mode
2. Scale degree 1; the tone on which a scale is built
Relative Minor
Staff
Church Mode
Tonic
3. Scale degree 3; halfway between the tonic & dominant
Whole Tone Scale
Mixolydian Mode
Alto
Mediant
4. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Downbeat
Duration
Blues Scale
5. The maximum extent of a vibration measured from the position of equilibrium
Polyphonic
Double Bar Line
Dynamic (Amplitude)- Waveheight
Subtonic
6. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Whole Step
Melodic Minor Scale
Meter
Dot
7. Multiple staves connected by bar lines - a bracket - or a brace
System
Grand Staff
Tempo
Beat
8. A scale with a different pattern of whole & half steps from major or minor
Mixolydian Mode
Dynamic (Amplitude)- Waveheight
Church Mode
Simple Meter
9. A major church mode with a flatted seventh
Mixolydian Mode
Whole Step
Raised Submediant
Measures
10. Refers to the shape and form of the sound wave as it moves in distance & frequency
Half Step
Double Bar Line
Anacrusis
Timbre (Tone Color)- Waveform
11. Lines written when the note goes above and below the staff lines
Subdominat
Tonic
Ledger Lines
Simple Meter
12. A stick drawn on all notes that are shorter in value than a whole note
Subdivision
Pentatonic Scale
Duration
Stem
13. A recurring pulsation that divides music into units of time
Church Mode
Bar Lines
C Clef
Beat
14. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Key Signature
Note Head
Tetrachord
Supertonic
15. A major church mode with no accidentals
Ionian Mode
Pentatonic Scale
Harmonic Minor Scale
Consonant
16. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Scalar Variance
Mediant
Syncopation
Supertonic
17. Meters that have beat units of unequal length
Half Step
Dominant
Asymmetrical Meter
Tenor
18. Low male voice; clef is on the fifth line
Double Bar Line
Subtonic
Baritone
Whole Step
19. A single line of melody
Beat
System
Mediant
Monophonic
20. A symbol used to extend the value of a note by connecting it to another note
Chromatic Scale
Timbre (Tone Color)- Waveform
Dissonant
Tie
21. Another name for a note using the opposite accidental
Enharmonic Equivalent
Double Bar Line
Syncopation
Scale
22. Vertical lines that divide the staff into measures
Beat
Monophonic
Bar Lines
Relative Minor
23. Each step of a scale
Scale Degree
Subdominat
Alto
Flag
24. Combines treble and bass clef into one staff
Grand Staff
Stem
Lydian Mode
Scalar Variance
25. A minor church mode following the natural minor scale
Whole Tone Scale
Aeolian Mode
Syncopation
Blues Scale
26. Refers to the beat being divided equally into 2 parts
Subdivision
Simple Meter
Dominant
Stem
27. Moderately high female voice; clef is on the second line
Mezzo-Soprano
Beat
Double Flat (bb)
Harmonic Minor Scale
28. The higher female voice; clef is on the first line
Soprano
Double Bar Line
Submediant
Half Step
29. The distance between one wave and the next
Tie
Major Scale
Pitch (Frequency)- Wavelength
Simple Meter
30. Scale degree 6; Halfway between subdominant & tonic
Submediant
Neutral Clef
Subtonic
Mezzo-Soprano
31. A minor church mode with a raised sixth
Syncopation
Pitch (Frequency)- Wavelength
Dorian Mode
Polyphonic
32. The smallest interval between two notes
Half Step
Church Mode
Leading Tone
Ionian Mode
33. An accidental used to indicate that the note is to be raised two half steps
Double Sharp (X)
Measures
Scalar Variance
Subdominat
34. An accidental used to indicate that the note is to be lowered a half step
Cautionary Accidental
Compound Meter
Flat (b)
Articulation- Envelope
35. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Compound Meter
Neutral Clef
Mediant
Dominant
36. A minor church mode with a flatted second
Phrygian Mode
Downbeat
Double Sharp (X)
Scale Degree
37. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Church Mode
Cautionary Accidental
Supertonic
Raised Submediant
38. The first five notes of every form of a minor scale; same as minor except for flatted third
Diminished Scale (Octatonic Scale)
Minor Pentachord
Submediant
Consonant
39. A clef used for pitch-less or rhythm instruments
Neutral Clef
Blues Scale
Mezzo-Soprano
Enharmonic Equivalent
40. A symbol that extends the value of a note by half the original value
Church Mode
Blues Scale
Dot
Flat (b)
41. A minor scale containing a minor pentachord followed by a raised seventh
Alto
Harmonic Minor Scale
Diminished Scale (Octatonic Scale)
Dominant
42. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Articulation- Envelope
Subdivision
Flag
Dominant
43. A scale containing 8 notes that alternate a whole step & half step apart
Enharmonic Equivalent
Scalar Variance
Diminished Scale (Octatonic Scale)
Meter
44. An interval that consists of two half steps
Whole Step
Duration
Aeolian Mode
Scalar Variance
45. A symbol which means the song has a four four time signature
Key Signature
Rhythm
Harmonic Minor Scale
Common Time (C)
46. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Half Step
Subtonic
Mezzo-Soprano
Bar Lines
47. A minor scale containing the same pattern as the pure minor scale
Natural Minor Scale
Dorian Mode
Subtonic
Syncopation
48. An accidental used to indicate that the note is to be raised a half step
Final Bar Line
Double Bar Line
Sharp (#)
Asymmetrical Meter
49. Multiple lines of melody being sung at once
Mixolydian Mode
Measures
Polyphonic
Note Head
50. Major and minor scales that have the same pitches & key signature
Relative Minor
Flag
Tonic
Lydian Mode