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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Scale degree 6; Halfway between subdominant & tonic
Common Time (C)
Double Bar Line
Dynamic (Amplitude)- Waveheight
Submediant
2. Scale degree 3; halfway between the tonic & dominant
Mediant
C Clef
Monophonic
Pure Minor Scale
3. Multiple lines of melody being sung at once
Duration
Half Step
Timbre (Tone Color)- Waveform
Polyphonic
4. A minor church mode with a flatted second
Timbre (Tone Color)- Waveform
Diminished Scale (Octatonic Scale)
Phrygian Mode
Church Mode
5. Refers to the beat being divided into 3 parts
Subtonic
Double Flat (bb)
Compound Meter
Natural Minor Scale
6. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Mixolydian Mode
Soprano
Stem
Dominant
7. Meters that have beat units of unequal length
Downbeat
Harmonic Minor Scale
Asymmetrical Meter
Compound Meter
8. A single line of melody
Monophonic
Aeolian Mode
Dorian Mode
Subdominat
9. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Alto
Mezzo-Soprano
Note Head
Syncopation
10. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
C Clef
Whole Tone Scale
Raised Submediant
Flag
11. The length of time sound of silence occurs
Mediant
Chromatic Scale
Scale
Duration
12. A major church mode with a flatted seventh
Pure Minor Scale
Mixolydian Mode
Tie
Bar Lines
13. High male voice; clef is on the fourth line
Alto
Tenor
Common Time (C)
Polyphonic
14. Each step of a scale
Anacrusis
Phrygian Mode
Alto
Scale Degree
15. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Key Signature
Tenor
Mixolydian Mode
Locrian Mode
16. Moderately high female voice; clef is on the second line
Mezzo-Soprano
Tie
Hertz
Melodic Minor Scale
17. A symbol that extends the value of a note by half the original value
Note Head
Dot
Syncopation
Rhythm
18. An interval that consists of two half steps
Whole Step
Anacrusis
Diminished Scale (Octatonic Scale)
Scale Degree
19. A beat before the first measure or a pick-up beat
Anacrusis
Hertz
Dominant
Raised Submediant
20. The distance between one wave and the next
Minor Pentachord
Dominant
Pitch (Frequency)- Wavelength
Note Head
21. Multiple staves connected by bar lines - a bracket - or a brace
Subdominat
Chromatic Scale
Double Flat (bb)
System
22. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Key Signature
Duration
Syncopation
Rhythm
23. An ordered collection of pitches in whole and half step patterns
Flat (b)
Submediant
Scale
Anacrusis
24. A stick drawn on all notes that are shorter in value than a whole note
Stem
Diminished Scale (Octatonic Scale)
Articulation- Envelope
Grand Staff
25. An artificial scale containing 6 notes that are all a whole step apart
Cut Time (¢)- Alla Breve
Monophonic
Lydian Mode
Whole Tone Scale
26. A minor scale containing the same pattern as the pure minor scale
Natural Minor Scale
Subtonic
Downbeat
Cut Time (¢)- Alla Breve
27. Major and minor scales that have the same pitches & key signature
Staff
Grand Staff
Relative Minor
Cut Time (¢)- Alla Breve
28. Consists of two whole steps and a half step
Tetrachord
Flat (b)
Whole Tone Scale
Tenor
29. Unit of space in between bar lines
Enharmonic Equivalent
Measures
Scale
Flat (b)
30. A minor scale containing a minor pentachord followed by a raised seventh
Harmonic Minor Scale
Meter
Dynamic (Amplitude)- Waveheight
Dot
31. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Staff
Tonic
Aeolian Mode
Timbre (Tone Color)- Waveform
32. Indicates the end of a piece of music
Note Head
Final Bar Line
Compound Meter
Articulation- Envelope
33. A major church mode with no accidentals
Dominant
Measures
Whole Step
Ionian Mode
34. Scale degree 1; the tone on which a scale is built
Tonic
Pentatonic Scale
Bar Lines
Tie
35. A recurring pulsation that divides music into units of time
Duration
Beat
Anacrusis
Simple Meter
36. An accidental used to indicate that the note is to be lowered a half step
Dot
Subdivision
Flat (b)
Measures
37. The maximum extent of a vibration measured from the position of equilibrium
Articulation- Envelope
Dynamic (Amplitude)- Waveheight
Chromatic Scale
Raised Submediant
38. Consists of 3 elements: attack - sustain - and release
Ledger Lines
Asymmetrical Meter
Articulation- Envelope
Harmonic Minor Scale
39. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Dot
Pure Minor Scale
Subtonic
Enharmonic Equivalent
40. Scale degree 2; prefix 'super' meaning above the tonic
Melodic Minor Scale
Staff
Neutral Clef
Supertonic
41. A minor church mode with a raised sixth
Double Flat (bb)
Tetrachord
Submediant
Dorian Mode
42. A scale with a WWHWWWH step pattern containing two tetrachords
Dorian Mode
Church Mode
Major Scale
Minor Pentachord
43. A major church mode with a raised fourth
Natural Minor Scale
Meter
Lydian Mode
Diminished Scale (Octatonic Scale)
44. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Flat (b)
Cautionary Accidental
Note Head
Scale Degree
45. The smallest interval between two notes
Tie
Half Step
Supertonic
Final Bar Line
46. The speed of a beat
Tempo
Dorian Mode
Syncopation
Raised Submediant
47. Two lines that signal the end of a section of music
Tenor
Tempo
Melodic Minor Scale
Double Bar Line
48. The body of a note
Locrian Mode
Hertz
Note Head
Supertonic
49. Refers to the beat being divided equally into 2 parts
Key Signature
Simple Meter
Pure Minor Scale
Dot
50. Low male voice; clef is on the fifth line
Ledger Lines
Dorian Mode
Baritone
Double Sharp (X)