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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
C Clef
Polyphonic
Tetrachord
Syncopation
2. A scale containing 7 notes with no second or sixth degree
Ledger Lines
Dominant
Blues Scale
Tempo
3. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Rhythm
Articulation- Envelope
Staff
Chromatic Scale
4. An accidental used to indicate that the note is to be lowered a half step
Flat (b)
Neutral Clef
Note Head
Lydian Mode
5. A minor scale containing a minor pentachord followed by a raised seventh
Harmonic Minor Scale
Syncopation
Cautionary Accidental
Asymmetrical Meter
6. A symbol which means the song has a two two time signature
Bar Lines
Cut Time (¢)- Alla Breve
Dynamic (Amplitude)- Waveheight
Common Time (C)
7. Vertical lines that divide the staff into measures
Church Mode
Bar Lines
Tetrachord
Pitch (Frequency)- Wavelength
8. An ordered collection of pitches in whole and half step patterns
Scale
Dissonant
Aeolian Mode
Compound Meter
9. A single line of melody
Dot
Staff
Monophonic
Duration
10. Lines written when the note goes above and below the staff lines
Cautionary Accidental
Double Flat (bb)
Ledger Lines
Locrian Mode
11. The speed of a beat
Double Bar Line
Dorian Mode
Tempo
Hemiola
12. A major church mode with a raised fourth
Syncopation
Timbre (Tone Color)- Waveform
Church Mode
Lydian Mode
13. A recurring pulsation that divides music into units of time
Flat (b)
Subdivision
Bar Lines
Beat
14. An artificial scale containing 6 notes that are all a whole step apart
Chromatic Scale
Double Flat (bb)
C Clef
Whole Tone Scale
15. The length of time sound of silence occurs
Minor Pentachord
Dynamic (Amplitude)- Waveheight
Duration
Pitch (Frequency)- Wavelength
16. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Hertz
Locrian Mode
Measures
Melodic Minor Scale
17. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Melodic Minor Scale
Timbre (Tone Color)- Waveform
Dot
Subtonic
18. A symmetrical scale with all pitches spaced a half step apart
Melodic Minor Scale
Chromatic Scale
Supertonic
Phrygian Mode
19. Scale degree 7; Leads up to resolution of tonic
Timbre (Tone Color)- Waveform
Leading Tone
Pentatonic Scale
Flat (b)
20. A symbol used to extend the value of a note by connecting it to another note
Monophonic
Tie
Locrian Mode
Pentatonic Scale
21. Consists of two whole steps and a half step
Tetrachord
Dorian Mode
Blues Scale
Cautionary Accidental
22. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Bar Lines
Double Bar Line
Meter
Mixolydian Mode
23. A beat before the first measure or a pick-up beat
Compound Meter
Hertz
Diminished Scale (Octatonic Scale)
Anacrusis
24. An interval that consists of two half steps
Hemiola
Raised Submediant
Dynamic (Amplitude)- Waveheight
Whole Step
25. A stick drawn on all notes that are shorter in value than a whole note
Stem
Consonant
Hertz
Measures
26. Scale degree 6; Halfway between subdominant & tonic
System
Hertz
Scale
Submediant
27. Scale degree 1; the tone on which a scale is built
Sharp (#)
Minor Pentachord
Leading Tone
Tonic
28. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Raised Submediant
Subdominat
Tie
Asymmetrical Meter
29. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Note Head
Common Time (C)
Key Signature
Flag
30. Multiple lines of melody being sung at once
Scale
Polyphonic
Articulation- Envelope
Hertz
31. An accidental used to indicate that the note is to be lowered two half steps
Double Flat (bb)
Ledger Lines
Whole Step
Anacrusis
32. A scale containing 8 notes that alternate a whole step & half step apart
Tonic
Locrian Mode
Diminished Scale (Octatonic Scale)
Dominant
33. Each step of a scale
Raised Submediant
Locrian Mode
Scale Degree
Monophonic
34. Consists of 3 elements: attack - sustain - and release
Stem
Relative Minor
Sharp (#)
Articulation- Envelope
35. Scale degree 2; prefix 'super' meaning above the tonic
Locrian Mode
Tie
Articulation- Envelope
Supertonic
36. A scale with a different pattern of whole & half steps from major or minor
Scalar Variance
Dominant
Polyphonic
Church Mode
37. Moderately high female voice; clef is on the second line
Whole Tone Scale
Mezzo-Soprano
Submediant
Grand Staff
38. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Meter
Flag
Grand Staff
Raised Submediant
39. Unit of space in between bar lines
Diminished Scale (Octatonic Scale)
Half Step
Measures
Stem
40. The smallest interval between two notes
Half Step
Mezzo-Soprano
Scalar Variance
Ionian Mode
41. Series of duration of sound and silence
Double Sharp (X)
Hertz
Rhythm
Tenor
42. Meters that have beat units of unequal length
Scalar Variance
Timbre (Tone Color)- Waveform
Double Sharp (X)
Asymmetrical Meter
43. The use of all three minor forms within a composition
Articulation- Envelope
Scalar Variance
Pentatonic Scale
Harmonic Minor Scale
44. Refers to the beat being divided equally into 2 parts
Simple Meter
Tempo
Pure Minor Scale
Hertz
45. Low male voice; clef is on the fifth line
Asymmetrical Meter
Simple Meter
Articulation- Envelope
Baritone
46. Indicates the end of a piece of music
Harmonic Minor Scale
Pitch (Frequency)- Wavelength
Final Bar Line
Dorian Mode
47. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Measures
C Clef
Enharmonic Equivalent
Dominant
48. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Whole Tone Scale
Tonic
Hemiola
Dot
49. A combination of overtones that clash or are out of tune with each other
Ledger Lines
Dissonant
Syncopation
Anacrusis
50. The distance between one wave and the next
Tenor
Dissonant
Rhythm
Pitch (Frequency)- Wavelength