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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An accidental used to indicate that the note is to be raised two half steps
Double Bar Line
Bar Lines
Tie
Double Sharp (X)
2. Refers to the beat being divided equally into 2 parts
Dot
Simple Meter
Soprano
Polyphonic
3. A scale with a different pattern of whole & half steps from major or minor
Alto
Timbre (Tone Color)- Waveform
Church Mode
Cut Time (¢)- Alla Breve
4. A combination of overtones that clash or are out of tune with each other
Dissonant
Rhythm
Half Step
Scale Degree
5. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Major Scale
Meter
Aeolian Mode
Tenor
6. The length of time sound of silence occurs
Flat (b)
Dynamic (Amplitude)- Waveheight
Beat
Duration
7. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Syncopation
Submediant
Mediant
Simple Meter
8. Multiple lines of melody being sung at once
Beat
Subdominat
Pitch (Frequency)- Wavelength
Polyphonic
9. Scale degree 3; halfway between the tonic & dominant
Subtonic
Neutral Clef
Double Flat (bb)
Mediant
10. Scale degree 7; Leads up to resolution of tonic
Ionian Mode
Measures
Grand Staff
Leading Tone
11. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Downbeat
Grand Staff
Anacrusis
Dominant
12. An accidental used to indicate that the note is to be lowered two half steps
Double Flat (bb)
Submediant
C Clef
Ledger Lines
13. Scale degree 2; prefix 'super' meaning above the tonic
Supertonic
Tonic
Mediant
Compound Meter
14. A beat before the first measure or a pick-up beat
Simple Meter
Scalar Variance
Anacrusis
Aeolian Mode
15. Refers to the shape and form of the sound wave as it moves in distance & frequency
Submediant
Tonic
Timbre (Tone Color)- Waveform
Scale Degree
16. A symbol that extends the value of a note by half the original value
Leading Tone
Dot
Aeolian Mode
Lydian Mode
17. A symbol which means the song has a two two time signature
Scalar Variance
Mediant
Cut Time (¢)- Alla Breve
Lydian Mode
18. A recurring pulsation that divides music into units of time
Beat
Blues Scale
Scalar Variance
Double Bar Line
19. The body of a note
Subdominat
Rhythm
Note Head
Aeolian Mode
20. The first beat of a measure & it corresponds with the movement of conductor's hand
Relative Minor
Dot
Double Bar Line
Downbeat
21. A major church mode with a raised fourth
Common Time (C)
Timbre (Tone Color)- Waveform
Lydian Mode
Scale Degree
22. Two lines that signal the end of a section of music
Asymmetrical Meter
Tetrachord
Timbre (Tone Color)- Waveform
Double Bar Line
23. The distance between one wave and the next
Scale
Timbre (Tone Color)- Waveform
Pitch (Frequency)- Wavelength
Major Scale
24. Vertical lines that divide the staff into measures
Double Sharp (X)
System
Natural Minor Scale
Bar Lines
25. An accidental used to indicate that the note is to be raised a half step
Subdivision
Tie
Sharp (#)
Major Scale
26. A symbol used to extend the value of a note by connecting it to another note
Tie
Submediant
Key Signature
Syncopation
27. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Staff
Subtonic
Pure Minor Scale
Mediant
28. Series of duration of sound and silence
Rhythm
Key Signature
Measures
Pentatonic Scale
29. Meters that have beat units of unequal length
Asymmetrical Meter
Hemiola
Anacrusis
Whole Step
30. A scale containing 7 notes with no second or sixth degree
Blues Scale
Scale Degree
Tenor
Raised Submediant
31. Moderately high female voice; clef is on the second line
Mezzo-Soprano
Scale Degree
Monophonic
Supertonic
32. The use of all three minor forms within a composition
Scalar Variance
Double Sharp (X)
Dissonant
Diminished Scale (Octatonic Scale)
33. The speed of a beat
C Clef
Tempo
Articulation- Envelope
Dorian Mode
34. The maximum extent of a vibration measured from the position of equilibrium
Leading Tone
Dynamic (Amplitude)- Waveheight
Common Time (C)
Harmonic Minor Scale
35. A major church mode with a flatted seventh
Whole Tone Scale
Mixolydian Mode
Leading Tone
Aeolian Mode
36. Consists of two whole steps and a half step
Diminished Scale (Octatonic Scale)
Polyphonic
Tetrachord
Measures
37. A scale with a WWHWWWH step pattern containing two tetrachords
Major Scale
Articulation- Envelope
Blues Scale
Pitch (Frequency)- Wavelength
38. Multiple staves connected by bar lines - a bracket - or a brace
Ledger Lines
Subdivision
Meter
System
39. Division of the beat into 2 or 3 equal parts
Neutral Clef
Subdivision
Sharp (#)
Pure Minor Scale
40. A minor church mode following the natural minor scale
Cut Time (¢)- Alla Breve
Simple Meter
Melodic Minor Scale
Aeolian Mode
41. Low male voice; clef is on the fifth line
Enharmonic Equivalent
Double Bar Line
Locrian Mode
Baritone
42. Another name for a note using the opposite accidental
Enharmonic Equivalent
Flag
Common Time (C)
Scale
43. Combines treble and bass clef into one staff
Asymmetrical Meter
Grand Staff
Chromatic Scale
Pitch (Frequency)- Wavelength
44. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Cautionary Accidental
Mixolydian Mode
Dorian Mode
Articulation- Envelope
45. An ordered collection of pitches in whole and half step patterns
Dynamic (Amplitude)- Waveheight
Monophonic
Dominant
Scale
46. Each step of a scale
Leading Tone
Major Scale
Syncopation
Scale Degree
47. Scale degree 1; the tone on which a scale is built
Tonic
Blues Scale
Lydian Mode
System
48. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Pitch (Frequency)- Wavelength
C Clef
Dynamic (Amplitude)- Waveheight
Simple Meter
49. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Tempo
Major Scale
Locrian Mode
Subtonic
50. Low female voice; clef is on the middle line
Lydian Mode
Stem
Alto
Double Flat (bb)