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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A major church mode with a raised fourth
Double Flat (bb)
Lydian Mode
Raised Submediant
Leading Tone
2. Major and minor scales that have the same pitches & key signature
Relative Minor
Articulation- Envelope
Pitch (Frequency)- Wavelength
Melodic Minor Scale
3. An accidental used to indicate that the note is to be lowered a half step
Baritone
Raised Submediant
Flat (b)
Stem
4. The use of all three minor forms within a composition
Scalar Variance
Dissonant
System
Common Time (C)
5. Division of the beat into 2 or 3 equal parts
Key Signature
Relative Minor
Hertz
Subdivision
6. An accidental used to indicate that the note is to be raised two half steps
C Clef
Key Signature
Beat
Double Sharp (X)
7. An interval that consists of two half steps
Mediant
Monophonic
Dominant
Whole Step
8. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Staff
Hemiola
Enharmonic Equivalent
Melodic Minor Scale
9. Multiple staves connected by bar lines - a bracket - or a brace
Scalar Variance
System
Locrian Mode
Mezzo-Soprano
10. A combination of overtones that sound pleasant together
Grand Staff
Alto
Pitch (Frequency)- Wavelength
Consonant
11. The first beat of a measure & it corresponds with the movement of conductor's hand
Subdominat
Downbeat
Church Mode
Tetrachord
12. Scale degree 6; Halfway between subdominant & tonic
Melodic Minor Scale
Lydian Mode
Supertonic
Submediant
13. A stick drawn on all notes that are shorter in value than a whole note
Harmonic Minor Scale
Whole Step
Stem
Measures
14. The length of time sound of silence occurs
Duration
Harmonic Minor Scale
Stem
System
15. A minor church mode with a raised sixth
Pitch (Frequency)- Wavelength
Subdominat
Dorian Mode
Relative Minor
16. Moderately high female voice; clef is on the second line
Cautionary Accidental
Double Sharp (X)
Mezzo-Soprano
Syncopation
17. A scale containing 5 notes containing no half steps; C D E G A C
Pentatonic Scale
Tonic
Phrygian Mode
Staff
18. A symbol that extends the value of a note by half the original value
Alto
Supertonic
Dynamic (Amplitude)- Waveheight
Dot
19. A clef used for pitch-less or rhythm instruments
Subdominat
Neutral Clef
Scalar Variance
Tetrachord
20. A combination of overtones that clash or are out of tune with each other
Phrygian Mode
Double Flat (bb)
Mezzo-Soprano
Dissonant
21. High male voice; clef is on the fourth line
Sharp (#)
Dorian Mode
Tenor
Pentatonic Scale
22. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Subtonic
Supertonic
Baritone
Hertz
23. A scale with a WWHWWWH step pattern containing two tetrachords
Major Scale
Cut Time (¢)- Alla Breve
Pure Minor Scale
Dissonant
24. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Minor Pentachord
Hertz
Dorian Mode
C Clef
25. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Timbre (Tone Color)- Waveform
Mixolydian Mode
Meter
Downbeat
26. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Dominant
Key Signature
Dorian Mode
Rhythm
27. The maximum extent of a vibration measured from the position of equilibrium
Double Flat (bb)
Dorian Mode
Dynamic (Amplitude)- Waveheight
Sharp (#)
28. Low male voice; clef is on the fifth line
Baritone
Dominant
Subdominat
Scale
29. The first five notes of every form of a minor scale; same as minor except for flatted third
Minor Pentachord
Dissonant
System
Dorian Mode
30. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Whole Step
Hemiola
Subtonic
Double Bar Line
31. A minor church mode following the natural minor scale
Tetrachord
Ionian Mode
Aeolian Mode
Asymmetrical Meter
32. The distance between one wave and the next
Phrygian Mode
Scalar Variance
Supertonic
Pitch (Frequency)- Wavelength
33. A symbol used to extend the value of a note by connecting it to another note
Consonant
Double Sharp (X)
Dissonant
Tie
34. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Monophonic
Raised Submediant
Scale
Major Scale
35. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Half Step
Dissonant
Flag
Common Time (C)
36. An accidental used to indicate that the note is to be lowered two half steps
Minor Pentachord
Double Flat (bb)
Melodic Minor Scale
Scale
37. Each step of a scale
Dominant
Leading Tone
Scale Degree
Monophonic
38. Meters that have beat units of unequal length
Asymmetrical Meter
Dominant
Ionian Mode
Duration
39. A beat before the first measure or a pick-up beat
Lydian Mode
Chromatic Scale
Anacrusis
Dominant
40. Vertical lines that divide the staff into measures
Bar Lines
C Clef
Mixolydian Mode
Final Bar Line
41. A scale containing 8 notes that alternate a whole step & half step apart
Dynamic (Amplitude)- Waveheight
Relative Minor
Double Bar Line
Diminished Scale (Octatonic Scale)
42. The body of a note
Monophonic
Articulation- Envelope
Flat (b)
Note Head
43. Scale degree 3; halfway between the tonic & dominant
Mediant
Ionian Mode
Mezzo-Soprano
Duration
44. A major church mode with no accidentals
Ionian Mode
Lydian Mode
Scale
Beat
45. Refers to the beat being divided into 3 parts
Compound Meter
Monophonic
Cautionary Accidental
Dominant
46. A symbol which means the song has a four four time signature
Anacrusis
Common Time (C)
Hemiola
Minor Pentachord
47. A minor scale containing the same pattern as the pure minor scale
Relative Minor
Double Sharp (X)
Natural Minor Scale
Phrygian Mode
48. Indicates the end of a piece of music
Final Bar Line
Whole Step
Scalar Variance
Meter
49. Scale degree 2; prefix 'super' meaning above the tonic
Supertonic
Hemiola
Meter
Soprano
50. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Major Scale
Scale Degree
Cautionary Accidental
Tie