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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Scale degree 3; halfway between the tonic & dominant
Mediant
Harmonic Minor Scale
Duration
Scale Degree
2. Another name for a note using the opposite accidental
Neutral Clef
Pentatonic Scale
Mixolydian Mode
Enharmonic Equivalent
3. Indicates the end of a piece of music
Flag
Dissonant
Final Bar Line
System
4. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Key Signature
Dissonant
Melodic Minor Scale
Scale
5. Scale degree 4; prefix 'sub' meaning below the dominant
Subdominat
Subtonic
Natural Minor Scale
Beat
6. A minor church mode with a flatted second
Pure Minor Scale
Hemiola
Phrygian Mode
Subdominat
7. Each step of a scale
Tetrachord
Dominant
Scale Degree
Compound Meter
8. A minor scale containing the same pattern as the pure minor scale
Blues Scale
Pentatonic Scale
Soprano
Natural Minor Scale
9. Vertical lines that divide the staff into measures
Beat
Bar Lines
Subdivision
Dominant
10. Consists of two whole steps and a half step
Key Signature
Consonant
Hemiola
Tetrachord
11. A scale containing 8 notes that alternate a whole step & half step apart
Diminished Scale (Octatonic Scale)
Bar Lines
Staff
Mixolydian Mode
12. Combines treble and bass clef into one staff
Grand Staff
Double Sharp (X)
Raised Submediant
Cut Time (¢)- Alla Breve
13. A beat before the first measure or a pick-up beat
Anacrusis
Double Flat (bb)
Hertz
Monophonic
14. Two lines that signal the end of a section of music
Scalar Variance
Supertonic
Polyphonic
Double Bar Line
15. A scale with a WWHWWWH step pattern containing two tetrachords
Relative Minor
Supertonic
Flat (b)
Major Scale
16. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Blues Scale
Chromatic Scale
Dominant
Flag
17. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Flag
Ionian Mode
Subtonic
Diminished Scale (Octatonic Scale)
18. An interval that consists of two half steps
Ledger Lines
Tempo
Lydian Mode
Whole Step
19. An accidental used to indicate that the note is to be lowered two half steps
Double Flat (bb)
Key Signature
Dynamic (Amplitude)- Waveheight
Staff
20. The speed of a beat
Tempo
Key Signature
Hertz
Half Step
21. Series of duration of sound and silence
Flag
Simple Meter
Rhythm
Measures
22. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Rhythm
Hertz
Subtonic
Neutral Clef
23. The first beat of a measure & it corresponds with the movement of conductor's hand
Flat (b)
Dot
Downbeat
Syncopation
24. The body of a note
Articulation- Envelope
Staff
Alto
Note Head
25. An accidental used to indicate that the note is to be raised two half steps
Relative Minor
Double Sharp (X)
Chromatic Scale
Dissonant
26. A symbol which means the song has a two two time signature
Sharp (#)
Minor Pentachord
Cut Time (¢)- Alla Breve
Relative Minor
27. The unit of measure for frequency or the rate of vibration
Beat
Leading Tone
Hertz
Bar Lines
28. A symbol that extends the value of a note by half the original value
Polyphonic
Tonic
Beat
Dot
29. A minor church mode following the natural minor scale
Grand Staff
Articulation- Envelope
Aeolian Mode
Leading Tone
30. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Locrian Mode
Beat
Measures
Rhythm
31. Division of the beat into 2 or 3 equal parts
Pentatonic Scale
Subdivision
Relative Minor
Stem
32. A major church mode with a flatted seventh
Dorian Mode
Grand Staff
Scale
Mixolydian Mode
33. A major church mode with no accidentals
Dynamic (Amplitude)- Waveheight
Cautionary Accidental
Meter
Ionian Mode
34. Low female voice; clef is on the middle line
Pentatonic Scale
Hertz
Flag
Alto
35. The higher female voice; clef is on the first line
Syncopation
Enharmonic Equivalent
Soprano
Pure Minor Scale
36. Meters that have beat units of unequal length
Bar Lines
Asymmetrical Meter
Duration
Tetrachord
37. A recurring pulsation that divides music into units of time
Beat
Sharp (#)
Dissonant
Tie
38. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Melodic Minor Scale
Final Bar Line
Duration
Natural Minor Scale
39. Scale degree 7; Leads up to resolution of tonic
Subtonic
Neutral Clef
Flat (b)
Leading Tone
40. Refers to the beat being divided equally into 2 parts
Anacrusis
Simple Meter
Consonant
Compound Meter
41. A symmetrical scale with all pitches spaced a half step apart
Cautionary Accidental
Chromatic Scale
Final Bar Line
Note Head
42. A combination of overtones that clash or are out of tune with each other
Dissonant
Submediant
Bar Lines
Aeolian Mode
43. Moderately high female voice; clef is on the second line
Meter
Pentatonic Scale
Hertz
Mezzo-Soprano
44. The use of all three minor forms within a composition
Articulation- Envelope
Double Sharp (X)
Scalar Variance
Sharp (#)
45. A scale with a different pattern of whole & half steps from major or minor
Church Mode
Final Bar Line
Dissonant
Meter
46. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Meter
Phrygian Mode
Enharmonic Equivalent
Tenor
47. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
System
C Clef
Pitch (Frequency)- Wavelength
Stem
48. Major and minor scales that have the same pitches & key signature
Duration
Chromatic Scale
Relative Minor
Tetrachord
49. A stick drawn on all notes that are shorter in value than a whole note
Timbre (Tone Color)- Waveform
Stem
Pitch (Frequency)- Wavelength
Tetrachord
50. High male voice; clef is on the fourth line
Phrygian Mode
Downbeat
Articulation- Envelope
Tenor