SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Scale degree 2; prefix 'super' meaning above the tonic
C Clef
Key Signature
Grand Staff
Supertonic
2. The first five notes of every form of a minor scale; same as minor except for flatted third
Chromatic Scale
Minor Pentachord
Flat (b)
Final Bar Line
3. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Articulation- Envelope
Meter
Subtonic
Cut Time (¢)- Alla Breve
4. A minor scale containing the same pattern as the pure minor scale
Hemiola
Mezzo-Soprano
Note Head
Natural Minor Scale
5. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Flag
Whole Step
Staff
Raised Submediant
6. The distance between one wave and the next
Common Time (C)
Consonant
Mixolydian Mode
Pitch (Frequency)- Wavelength
7. The maximum extent of a vibration measured from the position of equilibrium
Dynamic (Amplitude)- Waveheight
Half Step
Tenor
Submediant
8. Refers to the shape and form of the sound wave as it moves in distance & frequency
Cautionary Accidental
Subdominat
Timbre (Tone Color)- Waveform
Pitch (Frequency)- Wavelength
9. The higher female voice; clef is on the first line
Soprano
Alto
Rhythm
Blues Scale
10. The use of all three minor forms within a composition
Scale
Scalar Variance
Scale Degree
Common Time (C)
11. The speed of a beat
Tenor
Blues Scale
Tempo
Monophonic
12. Each step of a scale
Whole Tone Scale
Whole Step
Scale Degree
Natural Minor Scale
13. A scale containing 5 notes containing no half steps; C D E G A C
Tenor
Natural Minor Scale
Pentatonic Scale
Syncopation
14. A minor scale containing a minor pentachord followed by a raised seventh
Tie
Supertonic
Harmonic Minor Scale
Phrygian Mode
15. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Articulation- Envelope
Double Sharp (X)
Cautionary Accidental
Double Flat (bb)
16. A symbol which means the song has a two two time signature
Cut Time (¢)- Alla Breve
Aeolian Mode
Scale Degree
Dominant
17. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Supertonic
Submediant
Flag
Beat
18. An accidental used to indicate that the note is to be raised two half steps
Raised Submediant
Melodic Minor Scale
Half Step
Double Sharp (X)
19. A combination of overtones that sound pleasant together
Rhythm
Consonant
Leading Tone
Pure Minor Scale
20. A scale with a WWHWWWH step pattern containing two tetrachords
Common Time (C)
Whole Step
Major Scale
Meter
21. A symbol that extends the value of a note by half the original value
Dot
Tonic
Leading Tone
Diminished Scale (Octatonic Scale)
22. Series of duration of sound and silence
Rhythm
Beat
Asymmetrical Meter
Locrian Mode
23. A major church mode with a flatted seventh
Compound Meter
Double Sharp (X)
Dorian Mode
Mixolydian Mode
24. Low male voice; clef is on the fifth line
Beat
Baritone
Chromatic Scale
Subtonic
25. Unit of space in between bar lines
Tie
Subtonic
Measures
Staff
26. A single line of melody
Ledger Lines
Monophonic
Subdivision
Timbre (Tone Color)- Waveform
27. A major church mode with no accidentals
Note Head
Ionian Mode
Baritone
Flat (b)
28. Scale degree 7; Leads up to resolution of tonic
Leading Tone
Final Bar Line
Sharp (#)
Mezzo-Soprano
29. Scale degree 4; prefix 'sub' meaning below the dominant
Subdominat
Pure Minor Scale
Meter
Locrian Mode
30. A minor church mode with a raised sixth
Dorian Mode
Scalar Variance
Sharp (#)
Rhythm
31. A beat before the first measure or a pick-up beat
Submediant
Anacrusis
Relative Minor
Phrygian Mode
32. An accidental used to indicate that the note is to be lowered a half step
Duration
Flat (b)
Subtonic
Measures
33. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Compound Meter
Syncopation
Tenor
Locrian Mode
34. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Downbeat
Timbre (Tone Color)- Waveform
Pure Minor Scale
Meter
35. Another name for a note using the opposite accidental
Enharmonic Equivalent
Pitch (Frequency)- Wavelength
Alto
Half Step
36. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Ionian Mode
Dot
Measures
Subtonic
37. Scale degree 3; halfway between the tonic & dominant
Dot
Timbre (Tone Color)- Waveform
Mediant
Tonic
38. Division of the beat into 2 or 3 equal parts
Subdivision
Measures
Aeolian Mode
Hemiola
39. Meters that have beat units of unequal length
Meter
Alto
Neutral Clef
Asymmetrical Meter
40. The unit of measure for frequency or the rate of vibration
Submediant
Hertz
Tonic
Flat (b)
41. An interval that consists of two half steps
Mediant
Ionian Mode
Whole Step
System
42. A stick drawn on all notes that are shorter in value than a whole note
Downbeat
Enharmonic Equivalent
Stem
Consonant
43. Scale degree 1; the tone on which a scale is built
Supertonic
Scale Degree
Articulation- Envelope
Tonic
44. The smallest interval between two notes
Half Step
Cautionary Accidental
Monophonic
Final Bar Line
45. A symbol which means the song has a four four time signature
Common Time (C)
Church Mode
Measures
Subtonic
46. A symmetrical scale with all pitches spaced a half step apart
Scale Degree
Chromatic Scale
Dorian Mode
Rhythm
47. Indicates the end of a piece of music
Final Bar Line
Key Signature
Dissonant
System
48. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
C Clef
Anacrusis
Staff
Common Time (C)
49. Vertical lines that divide the staff into measures
Bar Lines
Tie
Cut Time (¢)- Alla Breve
Note Head
50. A scale containing 7 notes with no second or sixth degree
Blues Scale
Note Head
Tonic
Dominant