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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A beat before the first measure or a pick-up beat
Final Bar Line
Anacrusis
System
Subtonic
2. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Flag
Dynamic (Amplitude)- Waveheight
Subdominat
Pure Minor Scale
3. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Tie
Half Step
Raised Submediant
Scalar Variance
4. A symbol which means the song has a two two time signature
Subtonic
Tonic
Pitch (Frequency)- Wavelength
Cut Time (¢)- Alla Breve
5. A scale containing 8 notes that alternate a whole step & half step apart
Major Scale
Natural Minor Scale
Subdominat
Diminished Scale (Octatonic Scale)
6. Refers to the shape and form of the sound wave as it moves in distance & frequency
Tie
Timbre (Tone Color)- Waveform
Scale Degree
Subdivision
7. A symbol which means the song has a four four time signature
Sharp (#)
Common Time (C)
Pure Minor Scale
Alto
8. A clef used for pitch-less or rhythm instruments
Neutral Clef
Compound Meter
Tempo
Rhythm
9. Meters that have beat units of unequal length
Asymmetrical Meter
Lydian Mode
Major Scale
Scalar Variance
10. Consists of 3 elements: attack - sustain - and release
Ionian Mode
Cautionary Accidental
Scalar Variance
Articulation- Envelope
11. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Flat (b)
Subtonic
Relative Minor
Tetrachord
12. Two lines that signal the end of a section of music
Double Bar Line
Phrygian Mode
Dissonant
Whole Tone Scale
13. Scale degree 7; Leads up to resolution of tonic
Subdominat
Tempo
Leading Tone
Grand Staff
14. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Bar Lines
Rhythm
Flag
Lydian Mode
15. Vertical lines that divide the staff into measures
Consonant
Bar Lines
Enharmonic Equivalent
Raised Submediant
16. The length of time sound of silence occurs
Monophonic
Leading Tone
Whole Step
Duration
17. A minor church mode with a flatted second
Beat
Phrygian Mode
Downbeat
Common Time (C)
18. A stick drawn on all notes that are shorter in value than a whole note
Anacrusis
Stem
Submediant
Lydian Mode
19. Multiple staves connected by bar lines - a bracket - or a brace
System
Cautionary Accidental
Half Step
Final Bar Line
20. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Key Signature
Timbre (Tone Color)- Waveform
Cut Time (¢)- Alla Breve
Soprano
21. A major church mode with no accidentals
Dominant
System
Dissonant
Ionian Mode
22. The higher female voice; clef is on the first line
Raised Submediant
Soprano
Mediant
Blues Scale
23. A combination of overtones that clash or are out of tune with each other
Baritone
Double Flat (bb)
Dissonant
Natural Minor Scale
24. A scale containing 7 notes with no second or sixth degree
Subdominat
Soprano
Rhythm
Blues Scale
25. The speed of a beat
Ionian Mode
Phrygian Mode
Tempo
Raised Submediant
26. The first beat of a measure & it corresponds with the movement of conductor's hand
Final Bar Line
Scale
Soprano
Downbeat
27. A minor church mode with a raised sixth
Aeolian Mode
Downbeat
Dominant
Dorian Mode
28. The body of a note
Scale Degree
Rhythm
Bar Lines
Note Head
29. The distance between one wave and the next
Key Signature
Scale
Baritone
Pitch (Frequency)- Wavelength
30. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Enharmonic Equivalent
Syncopation
Hemiola
Flag
31. Scale degree 3; halfway between the tonic & dominant
Ionian Mode
Mediant
Hemiola
Whole Tone Scale
32. Unit of space in between bar lines
Subdominat
Measures
Whole Step
Compound Meter
33. Lines written when the note goes above and below the staff lines
Enharmonic Equivalent
Ledger Lines
Tonic
Aeolian Mode
34. A single line of melody
Grand Staff
Staff
Final Bar Line
Monophonic
35. Consists of two whole steps and a half step
Church Mode
Hemiola
Leading Tone
Tetrachord
36. An artificial scale containing 6 notes that are all a whole step apart
Baritone
Leading Tone
Lydian Mode
Whole Tone Scale
37. The smallest interval between two notes
Dorian Mode
Double Sharp (X)
Whole Tone Scale
Half Step
38. A symbol used to extend the value of a note by connecting it to another note
Tie
Locrian Mode
Beat
Cut Time (¢)- Alla Breve
39. A major church mode with a flatted seventh
Bar Lines
Dynamic (Amplitude)- Waveheight
Mixolydian Mode
Tie
40. An ordered collection of pitches in whole and half step patterns
Monophonic
Rhythm
Cut Time (¢)- Alla Breve
Scale
41. High male voice; clef is on the fourth line
Tenor
Cut Time (¢)- Alla Breve
Melodic Minor Scale
Dissonant
42. Series of duration of sound and silence
Harmonic Minor Scale
Rhythm
Church Mode
Syncopation
43. Each step of a scale
Common Time (C)
Supertonic
Submediant
Scale Degree
44. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Dominant
Hemiola
Mezzo-Soprano
Leading Tone
45. Low female voice; clef is on the middle line
Alto
Grand Staff
Tetrachord
Church Mode
46. A minor scale containing a minor pentachord followed by a raised seventh
Harmonic Minor Scale
C Clef
Downbeat
Timbre (Tone Color)- Waveform
47. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Major Scale
C Clef
Hertz
Syncopation
48. Multiple lines of melody being sung at once
Church Mode
Sharp (#)
Polyphonic
Compound Meter
49. A minor scale containing the same pattern as the pure minor scale
Locrian Mode
Lydian Mode
Syncopation
Natural Minor Scale
50. Scale degree 6; Halfway between subdominant & tonic
Pure Minor Scale
Pentatonic Scale
Enharmonic Equivalent
Submediant