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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Scale degree 3; halfway between the tonic & dominant
Leading Tone
Submediant
Phrygian Mode
Mediant
2. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Syncopation
Staff
Asymmetrical Meter
Double Flat (bb)
3. The unit of measure for frequency or the rate of vibration
Subdominat
Consonant
Cautionary Accidental
Hertz
4. Low female voice; clef is on the middle line
Alto
Ledger Lines
Common Time (C)
Baritone
5. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Ionian Mode
Pentatonic Scale
Pure Minor Scale
6. An accidental used to indicate that the note is to be raised two half steps
Double Sharp (X)
Leading Tone
Tetrachord
Downbeat
7. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Subtonic
Whole Step
Flat (b)
Ionian Mode
8. Meters that have beat units of unequal length
Whole Step
Asymmetrical Meter
Harmonic Minor Scale
Duration
9. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Key Signature
Dot
Whole Tone Scale
Asymmetrical Meter
10. An accidental used to indicate that the note is to be lowered a half step
Articulation- Envelope
Flat (b)
Melodic Minor Scale
Asymmetrical Meter
11. A minor scale containing a minor pentachord followed by a raised seventh
Note Head
Harmonic Minor Scale
Flat (b)
Scalar Variance
12. Indicates the end of a piece of music
Note Head
Double Bar Line
Meter
Final Bar Line
13. Scale degree 2; prefix 'super' meaning above the tonic
Hemiola
Flat (b)
Supertonic
Pentatonic Scale
14. Division of the beat into 2 or 3 equal parts
Stem
Alto
Double Flat (bb)
Subdivision
15. The distance between one wave and the next
Pitch (Frequency)- Wavelength
Duration
Articulation- Envelope
Bar Lines
16. A major church mode with a raised fourth
Enharmonic Equivalent
Lydian Mode
Neutral Clef
Note Head
17. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Locrian Mode
Grand Staff
Minor Pentachord
Ledger Lines
18. Moderately high female voice; clef is on the second line
Double Bar Line
Mezzo-Soprano
Subtonic
Anacrusis
19. Refers to the beat being divided equally into 2 parts
Simple Meter
Ledger Lines
Asymmetrical Meter
Chromatic Scale
20. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Subdominat
Bar Lines
Raised Submediant
Rhythm
21. Combines treble and bass clef into one staff
Double Flat (bb)
Double Sharp (X)
Melodic Minor Scale
Grand Staff
22. Series of duration of sound and silence
Rhythm
Double Bar Line
Beat
Cut Time (¢)- Alla Breve
23. The length of time sound of silence occurs
Grand Staff
Dot
Pentatonic Scale
Duration
24. A symbol that extends the value of a note by half the original value
Dot
Mixolydian Mode
Scale Degree
Dynamic (Amplitude)- Waveheight
25. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Staff
Locrian Mode
Grand Staff
Hemiola
26. A clef used for pitch-less or rhythm instruments
Enharmonic Equivalent
Neutral Clef
Phrygian Mode
Lydian Mode
27. The higher female voice; clef is on the first line
Key Signature
Rhythm
Soprano
Polyphonic
28. A scale with a different pattern of whole & half steps from major or minor
Pure Minor Scale
Natural Minor Scale
Church Mode
Dot
29. A scale containing 8 notes that alternate a whole step & half step apart
Syncopation
Sharp (#)
Diminished Scale (Octatonic Scale)
Dominant
30. Scale degree 7; Leads up to resolution of tonic
Leading Tone
Meter
Staff
Subdominat
31. A combination of overtones that clash or are out of tune with each other
Double Bar Line
Monophonic
Dissonant
Duration
32. An interval that consists of two half steps
Polyphonic
Church Mode
Whole Step
Scale Degree
33. The first five notes of every form of a minor scale; same as minor except for flatted third
Double Sharp (X)
Pentatonic Scale
Minor Pentachord
Melodic Minor Scale
34. Multiple lines of melody being sung at once
Baritone
Polyphonic
Measures
Asymmetrical Meter
35. A recurring pulsation that divides music into units of time
Supertonic
Double Flat (bb)
Beat
Whole Step
36. Each step of a scale
Scale
Scale Degree
Mixolydian Mode
Anacrusis
37. The use of all three minor forms within a composition
Chromatic Scale
Scalar Variance
Grand Staff
Rhythm
38. An accidental used to indicate that the note is to be raised a half step
Polyphonic
Baritone
Sharp (#)
Subdominat
39. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Anacrusis
Meter
Double Sharp (X)
Simple Meter
40. Low male voice; clef is on the fifth line
Pentatonic Scale
Baritone
Lydian Mode
Double Flat (bb)
41. High male voice; clef is on the fourth line
Dorian Mode
Neutral Clef
Tetrachord
Tenor
42. The maximum extent of a vibration measured from the position of equilibrium
Minor Pentachord
Phrygian Mode
Dynamic (Amplitude)- Waveheight
Lydian Mode
43. Unit of space in between bar lines
Duration
Anacrusis
Whole Tone Scale
Measures
44. Two lines that signal the end of a section of music
Double Bar Line
Harmonic Minor Scale
Subdominat
Scalar Variance
45. Scale degree 4; prefix 'sub' meaning below the dominant
Anacrusis
Flat (b)
Subdominat
Major Scale
46. Lines written when the note goes above and below the staff lines
Church Mode
Anacrusis
Dot
Ledger Lines
47. A minor church mode following the natural minor scale
Mediant
Baritone
Submediant
Aeolian Mode
48. A symbol which means the song has a two two time signature
Half Step
Double Sharp (X)
Tenor
Cut Time (¢)- Alla Breve
49. Scale degree 6; Halfway between subdominant & tonic
Tempo
Pentatonic Scale
Monophonic
Submediant
50. The first beat of a measure & it corresponds with the movement of conductor's hand
Half Step
Downbeat
Subtonic
Stem