SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The distance between one wave and the next
Double Bar Line
Submediant
Sharp (#)
Pitch (Frequency)- Wavelength
2. The first beat of a measure & it corresponds with the movement of conductor's hand
Measures
Aeolian Mode
Duration
Downbeat
3. A combination of overtones that clash or are out of tune with each other
Lydian Mode
Half Step
Articulation- Envelope
Dissonant
4. A combination of overtones that sound pleasant together
Hemiola
Subdominat
Consonant
Double Flat (bb)
5. Consists of two whole steps and a half step
Tetrachord
Anacrusis
Cautionary Accidental
Diminished Scale (Octatonic Scale)
6. An ordered collection of pitches in whole and half step patterns
Downbeat
Bar Lines
Scale
Whole Step
7. A scale containing 5 notes containing no half steps; C D E G A C
C Clef
Alto
Common Time (C)
Pentatonic Scale
8. Another name for a note using the opposite accidental
Alto
Bar Lines
Enharmonic Equivalent
Whole Tone Scale
9. A single line of melody
Soprano
Monophonic
Hertz
Subdominat
10. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Whole Step
Beat
Hemiola
Dot
11. A scale with a WWHWWWH step pattern containing two tetrachords
Major Scale
Subtonic
Compound Meter
Whole Step
12. Refers to the beat being divided into 3 parts
Double Sharp (X)
Anacrusis
Natural Minor Scale
Compound Meter
13. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Dot
Whole Step
C Clef
Pitch (Frequency)- Wavelength
14. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Syncopation
Final Bar Line
Aeolian Mode
Timbre (Tone Color)- Waveform
15. The length of time sound of silence occurs
Duration
Melodic Minor Scale
Scalar Variance
Phrygian Mode
16. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Syncopation
Submediant
Raised Submediant
Ledger Lines
17. A symbol used to extend the value of a note by connecting it to another note
Locrian Mode
Flag
Tie
Staff
18. A stick drawn on all notes that are shorter in value than a whole note
Harmonic Minor Scale
Measures
Stem
Melodic Minor Scale
19. A symbol which means the song has a two two time signature
Staff
Tonic
Cut Time (¢)- Alla Breve
Ionian Mode
20. A beat before the first measure or a pick-up beat
Scale Degree
Timbre (Tone Color)- Waveform
Anacrusis
Locrian Mode
21. A scale with a different pattern of whole & half steps from major or minor
Church Mode
Subdivision
Soprano
Mixolydian Mode
22. A recurring pulsation that divides music into units of time
Beat
Tie
Key Signature
Polyphonic
23. The higher female voice; clef is on the first line
Syncopation
Soprano
Key Signature
Meter
24. Scale degree 1; the tone on which a scale is built
Tonic
Grand Staff
Meter
Dorian Mode
25. A scale containing 7 notes with no second or sixth degree
Monophonic
Diminished Scale (Octatonic Scale)
Mezzo-Soprano
Blues Scale
26. Vertical lines that divide the staff into measures
Bar Lines
Consonant
Chromatic Scale
Raised Submediant
27. Refers to the beat being divided equally into 2 parts
Syncopation
Subdivision
Dot
Simple Meter
28. The smallest interval between two notes
Subtonic
Half Step
Downbeat
Double Sharp (X)
29. Scale degree 3; halfway between the tonic & dominant
Mediant
Downbeat
Pentatonic Scale
Grand Staff
30. A minor church mode with a flatted second
Polyphonic
Anacrusis
Chromatic Scale
Phrygian Mode
31. A major church mode with a raised fourth
Lydian Mode
Relative Minor
Sharp (#)
Measures
32. Refers to the shape and form of the sound wave as it moves in distance & frequency
Mixolydian Mode
Common Time (C)
Timbre (Tone Color)- Waveform
Subtonic
33. Major and minor scales that have the same pitches & key signature
Ionian Mode
Scale
Relative Minor
Melodic Minor Scale
34. The use of all three minor forms within a composition
Dominant
Hemiola
Note Head
Scalar Variance
35. The speed of a beat
Baritone
Downbeat
Chromatic Scale
Tempo
36. Lines written when the note goes above and below the staff lines
Mezzo-Soprano
Duration
Chromatic Scale
Ledger Lines
37. High male voice; clef is on the fourth line
Measures
Tenor
Leading Tone
Church Mode
38. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Leading Tone
Melodic Minor Scale
Ionian Mode
Subdivision
39. Combines treble and bass clef into one staff
Grand Staff
Major Scale
Pentatonic Scale
Double Bar Line
40. Low male voice; clef is on the fifth line
Relative Minor
Note Head
Baritone
Compound Meter
41. Unit of space in between bar lines
Timbre (Tone Color)- Waveform
Natural Minor Scale
Double Flat (bb)
Measures
42. A minor scale containing the same pattern as the pure minor scale
Mediant
Final Bar Line
Simple Meter
Natural Minor Scale
43. A clef used for pitch-less or rhythm instruments
Tetrachord
Mezzo-Soprano
Neutral Clef
Subdivision
44. The first five notes of every form of a minor scale; same as minor except for flatted third
Mixolydian Mode
Asymmetrical Meter
Minor Pentachord
Major Scale
45. Multiple staves connected by bar lines - a bracket - or a brace
Duration
Anacrusis
System
Double Flat (bb)
46. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Subtonic
Scale
Monophonic
Flag
47. A minor scale containing a minor pentachord followed by a raised seventh
Ledger Lines
Common Time (C)
Grand Staff
Harmonic Minor Scale
48. Scale degree 7; Leads up to resolution of tonic
Cautionary Accidental
Bar Lines
Leading Tone
Church Mode
49. Low female voice; clef is on the middle line
Alto
Tie
Whole Step
Pure Minor Scale
50. Scale degree 2; prefix 'super' meaning above the tonic
Supertonic
Major Scale
Simple Meter
Mezzo-Soprano