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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The speed of a beat
Tempo
Minor Pentachord
Subdivision
Cautionary Accidental
2. Two lines that signal the end of a section of music
Double Bar Line
Dominant
Natural Minor Scale
Hertz
3. An accidental used to indicate that the note is to be lowered a half step
Leading Tone
Tonic
Harmonic Minor Scale
Flat (b)
4. Consists of 3 elements: attack - sustain - and release
Leading Tone
Pitch (Frequency)- Wavelength
Articulation- Envelope
Tenor
5. A stick drawn on all notes that are shorter in value than a whole note
Minor Pentachord
Stem
Meter
Whole Step
6. A combination of overtones that clash or are out of tune with each other
Double Flat (bb)
Anacrusis
Dissonant
Mixolydian Mode
7. The length of time sound of silence occurs
Downbeat
Mixolydian Mode
Duration
Consonant
8. The first five notes of every form of a minor scale; same as minor except for flatted third
Minor Pentachord
Tempo
Cut Time (¢)- Alla Breve
Mezzo-Soprano
9. Multiple lines of melody being sung at once
Polyphonic
Subdivision
Sharp (#)
Asymmetrical Meter
10. Multiple staves connected by bar lines - a bracket - or a brace
System
Leading Tone
Syncopation
Scalar Variance
11. Scale degree 2; prefix 'super' meaning above the tonic
Articulation- Envelope
Supertonic
Anacrusis
Compound Meter
12. The body of a note
Dorian Mode
Enharmonic Equivalent
Cut Time (¢)- Alla Breve
Note Head
13. A major church mode with a raised fourth
Lydian Mode
Subdominat
Double Bar Line
Dorian Mode
14. The higher female voice; clef is on the first line
Articulation- Envelope
Meter
Melodic Minor Scale
Soprano
15. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Cut Time (¢)- Alla Breve
Articulation- Envelope
Flag
Locrian Mode
16. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Anacrusis
Dominant
Whole Step
Key Signature
17. Scale degree 1; the tone on which a scale is built
Tonic
Aeolian Mode
Anacrusis
Articulation- Envelope
18. Scale degree 3; halfway between the tonic & dominant
Mediant
Supertonic
Tenor
Diminished Scale (Octatonic Scale)
19. Scale degree 6; Halfway between subdominant & tonic
Simple Meter
System
Sharp (#)
Submediant
20. An artificial scale containing 6 notes that are all a whole step apart
Enharmonic Equivalent
Cautionary Accidental
Whole Tone Scale
System
21. A symmetrical scale with all pitches spaced a half step apart
Dorian Mode
Mezzo-Soprano
Chromatic Scale
Soprano
22. The first beat of a measure & it corresponds with the movement of conductor's hand
Key Signature
Subdominat
Pentatonic Scale
Downbeat
23. A symbol which means the song has a four four time signature
System
Dorian Mode
Polyphonic
Common Time (C)
24. An ordered collection of pitches in whole and half step patterns
Scale
Grand Staff
Submediant
Raised Submediant
25. A beat before the first measure or a pick-up beat
Subdominat
Double Sharp (X)
Anacrusis
Dynamic (Amplitude)- Waveheight
26. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Raised Submediant
Subtonic
Major Scale
Diminished Scale (Octatonic Scale)
27. Indicates the end of a piece of music
Pitch (Frequency)- Wavelength
Dynamic (Amplitude)- Waveheight
Staff
Final Bar Line
28. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Grand Staff
Meter
Hertz
Soprano
29. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Scale Degree
Melodic Minor Scale
Polyphonic
Lydian Mode
30. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Cautionary Accidental
Church Mode
Relative Minor
Polyphonic
31. A minor church mode following the natural minor scale
Mezzo-Soprano
Aeolian Mode
Grand Staff
Supertonic
32. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Tonic
Common Time (C)
Pure Minor Scale
Dorian Mode
33. A minor church mode with a flatted second
Hemiola
Phrygian Mode
Scale Degree
Ionian Mode
34. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
C Clef
Cautionary Accidental
Common Time (C)
Measures
35. The distance between one wave and the next
Whole Step
Soprano
Major Scale
Pitch (Frequency)- Wavelength
36. A scale containing 7 notes with no second or sixth degree
Blues Scale
Hertz
Timbre (Tone Color)- Waveform
Scale Degree
37. Consists of two whole steps and a half step
Alto
Half Step
Relative Minor
Tetrachord
38. A scale with a WWHWWWH step pattern containing two tetrachords
Harmonic Minor Scale
Dominant
Major Scale
Polyphonic
39. A scale containing 5 notes containing no half steps; C D E G A C
Baritone
Pentatonic Scale
Simple Meter
Major Scale
40. A minor scale containing a minor pentachord followed by a raised seventh
Phrygian Mode
Flag
Relative Minor
Harmonic Minor Scale
41. A scale with a different pattern of whole & half steps from major or minor
Raised Submediant
Church Mode
Diminished Scale (Octatonic Scale)
Common Time (C)
42. A combination of overtones that sound pleasant together
Double Flat (bb)
Stem
Consonant
Natural Minor Scale
43. The maximum extent of a vibration measured from the position of equilibrium
Stem
Meter
Dynamic (Amplitude)- Waveheight
Neutral Clef
44. Refers to the beat being divided equally into 2 parts
Enharmonic Equivalent
Simple Meter
Final Bar Line
Dynamic (Amplitude)- Waveheight
45. A clef used for pitch-less or rhythm instruments
Baritone
Dominant
Common Time (C)
Neutral Clef
46. A symbol which means the song has a two two time signature
Mixolydian Mode
Cut Time (¢)- Alla Breve
Flat (b)
Double Sharp (X)
47. A major church mode with no accidentals
Ionian Mode
System
Pitch (Frequency)- Wavelength
Flat (b)
48. Another name for a note using the opposite accidental
Church Mode
Neutral Clef
Stem
Enharmonic Equivalent
49. Scale degree 4; prefix 'sub' meaning below the dominant
Major Scale
Subdominat
Grand Staff
Pentatonic Scale
50. Refers to the beat being divided into 3 parts
Dorian Mode
Compound Meter
Flat (b)
Scale Degree