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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Refers to the beat being divided equally into 2 parts
Harmonic Minor Scale
Simple Meter
Mixolydian Mode
Tonic
2. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Subtonic
Locrian Mode
C Clef
Tenor
3. A major church mode with no accidentals
Flag
Ionian Mode
Scalar Variance
Monophonic
4. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Consonant
Submediant
Pure Minor Scale
Enharmonic Equivalent
5. A minor church mode with a raised sixth
Flag
Tenor
Dorian Mode
Double Bar Line
6. A combination of overtones that sound pleasant together
Consonant
Anacrusis
Double Bar Line
Subtonic
7. Division of the beat into 2 or 3 equal parts
Rhythm
Subdominat
Subdivision
Compound Meter
8. The distance between one wave and the next
Pitch (Frequency)- Wavelength
Ionian Mode
Neutral Clef
Flat (b)
9. Scale degree 4; prefix 'sub' meaning below the dominant
Subdominat
Common Time (C)
Whole Step
Cut Time (¢)- Alla Breve
10. Multiple staves connected by bar lines - a bracket - or a brace
Timbre (Tone Color)- Waveform
Scale Degree
Mixolydian Mode
System
11. A stick drawn on all notes that are shorter in value than a whole note
Scale
Stem
Tonic
Anacrusis
12. A scale containing 5 notes containing no half steps; C D E G A C
Meter
Double Flat (bb)
Pentatonic Scale
Key Signature
13. Refers to the shape and form of the sound wave as it moves in distance & frequency
Beat
Timbre (Tone Color)- Waveform
Double Flat (bb)
Pure Minor Scale
14. Scale degree 7; Leads up to resolution of tonic
Leading Tone
Subdominat
Timbre (Tone Color)- Waveform
Double Sharp (X)
15. Low male voice; clef is on the fifth line
Whole Tone Scale
Monophonic
Baritone
Final Bar Line
16. The maximum extent of a vibration measured from the position of equilibrium
Dynamic (Amplitude)- Waveheight
Blues Scale
Dot
Sharp (#)
17. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Dorian Mode
Subdominat
Syncopation
Scale Degree
18. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Meter
Double Flat (bb)
Scalar Variance
Hertz
19. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Mixolydian Mode
Polyphonic
Subtonic
Subdivision
20. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Pitch (Frequency)- Wavelength
Dissonant
Melodic Minor Scale
Key Signature
21. Each step of a scale
Articulation- Envelope
Flat (b)
Scale Degree
Polyphonic
22. Another name for a note using the opposite accidental
Anacrusis
Dominant
System
Enharmonic Equivalent
23. Scale degree 2; prefix 'super' meaning above the tonic
Subtonic
Measures
Supertonic
Minor Pentachord
24. A minor scale containing a minor pentachord followed by a raised seventh
Scale Degree
Harmonic Minor Scale
Downbeat
Pentatonic Scale
25. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Meter
Articulation- Envelope
Hertz
Melodic Minor Scale
26. The higher female voice; clef is on the first line
Mixolydian Mode
Soprano
Blues Scale
Cautionary Accidental
27. A clef used for pitch-less or rhythm instruments
Neutral Clef
Compound Meter
Ledger Lines
Mixolydian Mode
28. A scale containing 8 notes that alternate a whole step & half step apart
Diminished Scale (Octatonic Scale)
Tempo
Scale
Harmonic Minor Scale
29. An accidental used to indicate that the note is to be raised a half step
Sharp (#)
Articulation- Envelope
Dorian Mode
Raised Submediant
30. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Cautionary Accidental
Mezzo-Soprano
Tempo
Compound Meter
31. Meters that have beat units of unequal length
Meter
Phrygian Mode
Flat (b)
Asymmetrical Meter
32. Moderately high female voice; clef is on the second line
Aeolian Mode
Rhythm
Staff
Mezzo-Soprano
33. An ordered collection of pitches in whole and half step patterns
Dynamic (Amplitude)- Waveheight
System
Scale
Bar Lines
34. The body of a note
Note Head
Lydian Mode
Raised Submediant
Simple Meter
35. A symbol used to extend the value of a note by connecting it to another note
Relative Minor
Enharmonic Equivalent
Flag
Tie
36. Scale degree 1; the tone on which a scale is built
Double Flat (bb)
Enharmonic Equivalent
Dominant
Tonic
37. Refers to the beat being divided into 3 parts
Tie
Compound Meter
Ionian Mode
Tenor
38. A symmetrical scale with all pitches spaced a half step apart
Chromatic Scale
Double Sharp (X)
Soprano
Polyphonic
39. A major church mode with a flatted seventh
Mixolydian Mode
Submediant
Dissonant
Pure Minor Scale
40. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Double Sharp (X)
Aeolian Mode
Flag
Relative Minor
41. Two lines that signal the end of a section of music
System
Tie
Double Bar Line
Neutral Clef
42. Unit of space in between bar lines
Measures
Scale
Hertz
Beat
43. Lines written when the note goes above and below the staff lines
Locrian Mode
Melodic Minor Scale
Scalar Variance
Ledger Lines
44. An accidental used to indicate that the note is to be raised two half steps
Meter
Double Sharp (X)
Note Head
Sharp (#)
45. The first five notes of every form of a minor scale; same as minor except for flatted third
Common Time (C)
Lydian Mode
Raised Submediant
Minor Pentachord
46. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Tempo
Raised Submediant
Key Signature
Meter
47. The use of all three minor forms within a composition
Scalar Variance
Church Mode
Enharmonic Equivalent
Harmonic Minor Scale
48. A scale with a different pattern of whole & half steps from major or minor
Anacrusis
Mediant
Church Mode
Tetrachord
49. Consists of 3 elements: attack - sustain - and release
Beat
Bar Lines
Hemiola
Articulation- Envelope
50. An accidental used to indicate that the note is to be lowered two half steps
Timbre (Tone Color)- Waveform
Bar Lines
Double Flat (bb)
Tonic