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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Flag
Dominant
Locrian Mode
Polyphonic
2. Low female voice; clef is on the middle line
Mixolydian Mode
Final Bar Line
Alto
Tie
3. High male voice; clef is on the fourth line
Consonant
Chromatic Scale
Tetrachord
Tenor
4. Combines treble and bass clef into one staff
Half Step
Double Flat (bb)
Grand Staff
Subtonic
5. An ordered collection of pitches in whole and half step patterns
Mezzo-Soprano
Articulation- Envelope
Scale
Stem
6. The maximum extent of a vibration measured from the position of equilibrium
Double Sharp (X)
Dynamic (Amplitude)- Waveheight
Timbre (Tone Color)- Waveform
Aeolian Mode
7. A symbol used to extend the value of a note by connecting it to another note
Minor Pentachord
Final Bar Line
Tie
Measures
8. An interval that consists of two half steps
Double Flat (bb)
Whole Step
Harmonic Minor Scale
Double Sharp (X)
9. Low male voice; clef is on the fifth line
Meter
Alto
Leading Tone
Baritone
10. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Relative Minor
Pure Minor Scale
Compound Meter
Harmonic Minor Scale
11. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Staff
Beat
Duration
Key Signature
12. A symbol which means the song has a four four time signature
Scalar Variance
Common Time (C)
Tenor
Hemiola
13. Lines written when the note goes above and below the staff lines
Submediant
Compound Meter
Ledger Lines
Alto
14. Scale degree 6; Halfway between subdominant & tonic
Major Scale
Compound Meter
Submediant
Phrygian Mode
15. Major and minor scales that have the same pitches & key signature
Compound Meter
Relative Minor
Stem
Note Head
16. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Bar Lines
Syncopation
Hemiola
Scale Degree
17. The first beat of a measure & it corresponds with the movement of conductor's hand
Double Sharp (X)
Blues Scale
Raised Submediant
Downbeat
18. Meters that have beat units of unequal length
Pure Minor Scale
Whole Tone Scale
Dorian Mode
Asymmetrical Meter
19. A minor church mode with a flatted second
Ionian Mode
Church Mode
Note Head
Phrygian Mode
20. Another name for a note using the opposite accidental
Sharp (#)
Enharmonic Equivalent
Scalar Variance
Chromatic Scale
21. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Cautionary Accidental
Tempo
Mixolydian Mode
Syncopation
22. A minor scale containing the same pattern as the pure minor scale
Natural Minor Scale
Subtonic
Tempo
Flat (b)
23. Each step of a scale
Natural Minor Scale
Scale Degree
Locrian Mode
Cautionary Accidental
24. A scale containing 8 notes that alternate a whole step & half step apart
Hertz
Diminished Scale (Octatonic Scale)
Pure Minor Scale
Half Step
25. A combination of overtones that sound pleasant together
Subtonic
Consonant
Hemiola
Alto
26. An artificial scale containing 6 notes that are all a whole step apart
Scalar Variance
Beat
Asymmetrical Meter
Whole Tone Scale
27. A clef used for pitch-less or rhythm instruments
Neutral Clef
C Clef
Timbre (Tone Color)- Waveform
Note Head
28. Two lines that signal the end of a section of music
Double Bar Line
Asymmetrical Meter
Locrian Mode
Supertonic
29. A major church mode with a flatted seventh
Flat (b)
Hertz
Mixolydian Mode
Tetrachord
30. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Neutral Clef
Final Bar Line
Grand Staff
Locrian Mode
31. Indicates the end of a piece of music
Duration
Final Bar Line
Neutral Clef
Asymmetrical Meter
32. A minor church mode with a raised sixth
Enharmonic Equivalent
Lydian Mode
Blues Scale
Dorian Mode
33. A beat before the first measure or a pick-up beat
Leading Tone
Anacrusis
Alto
Church Mode
34. The speed of a beat
Lydian Mode
Meter
Tempo
Articulation- Envelope
35. Moderately high female voice; clef is on the second line
Submediant
Whole Step
Mezzo-Soprano
Duration
36. A single line of melody
Polyphonic
Rhythm
Phrygian Mode
Monophonic
37. An accidental used to indicate that the note is to be lowered a half step
Dorian Mode
Flat (b)
Soprano
Alto
38. An accidental used to indicate that the note is to be raised two half steps
Lydian Mode
Whole Step
Polyphonic
Double Sharp (X)
39. The body of a note
Double Bar Line
Note Head
Anacrusis
Submediant
40. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Raised Submediant
Phrygian Mode
Dot
Scale
41. A stick drawn on all notes that are shorter in value than a whole note
Stem
Alto
Grand Staff
Pitch (Frequency)- Wavelength
42. Scale degree 3; halfway between the tonic & dominant
Enharmonic Equivalent
Mediant
Ledger Lines
Phrygian Mode
43. A scale with a WWHWWWH step pattern containing two tetrachords
Bar Lines
Major Scale
Tetrachord
Articulation- Envelope
44. Scale degree 1; the tone on which a scale is built
Polyphonic
Submediant
Mixolydian Mode
Tonic
45. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Neutral Clef
Subtonic
Articulation- Envelope
Polyphonic
46. Multiple staves connected by bar lines - a bracket - or a brace
Pentatonic Scale
Raised Submediant
System
Grand Staff
47. A major church mode with no accidentals
Ionian Mode
Aeolian Mode
Chromatic Scale
Note Head
48. Consists of two whole steps and a half step
Stem
Pentatonic Scale
Tetrachord
Phrygian Mode
49. A scale containing 7 notes with no second or sixth degree
Dot
Blues Scale
Subdominat
Mezzo-Soprano
50. The unit of measure for frequency or the rate of vibration
Articulation- Envelope
Mezzo-Soprano
Hertz
Dorian Mode