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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Multiple staves connected by bar lines - a bracket - or a brace
Pitch (Frequency)- Wavelength
Grand Staff
System
Relative Minor
2. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Hemiola
Simple Meter
Duration
Subdominat
3. Moderately high female voice; clef is on the second line
Mezzo-Soprano
Major Scale
Monophonic
Hemiola
4. An accidental used to indicate that the note is to be lowered a half step
Phrygian Mode
Flat (b)
Supertonic
Submediant
5. Each step of a scale
Submediant
Tie
Pitch (Frequency)- Wavelength
Scale Degree
6. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Final Bar Line
Dominant
Tetrachord
Compound Meter
7. A major church mode with a raised fourth
Note Head
Lydian Mode
Flag
Mezzo-Soprano
8. A clef used for pitch-less or rhythm instruments
Mezzo-Soprano
Neutral Clef
Simple Meter
Aeolian Mode
9. A major church mode with a flatted seventh
Mixolydian Mode
Stem
Dynamic (Amplitude)- Waveheight
Whole Tone Scale
10. A scale with a WWHWWWH step pattern containing two tetrachords
Supertonic
Tie
Major Scale
Tenor
11. A symbol which means the song has a two two time signature
Locrian Mode
Pure Minor Scale
Cut Time (¢)- Alla Breve
Timbre (Tone Color)- Waveform
12. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Final Bar Line
Staff
Flat (b)
Melodic Minor Scale
13. An ordered collection of pitches in whole and half step patterns
Tempo
Natural Minor Scale
Leading Tone
Scale
14. Lines written when the note goes above and below the staff lines
Ledger Lines
Leading Tone
Ionian Mode
Natural Minor Scale
15. An accidental used to indicate that the note is to be raised two half steps
Flat (b)
Minor Pentachord
Relative Minor
Double Sharp (X)
16. A stick drawn on all notes that are shorter in value than a whole note
Mixolydian Mode
Chromatic Scale
Beat
Stem
17. The length of time sound of silence occurs
Half Step
Duration
Measures
Subdivision
18. A combination of overtones that sound pleasant together
Stem
Downbeat
Whole Step
Consonant
19. Scale degree 2; prefix 'super' meaning above the tonic
Timbre (Tone Color)- Waveform
Downbeat
Pitch (Frequency)- Wavelength
Supertonic
20. A symbol used to extend the value of a note by connecting it to another note
Ledger Lines
Flag
Hemiola
Tie
21. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Scale Degree
Syncopation
Consonant
Flag
22. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Submediant
Key Signature
Final Bar Line
Pure Minor Scale
23. The first five notes of every form of a minor scale; same as minor except for flatted third
Dorian Mode
Harmonic Minor Scale
Note Head
Minor Pentachord
24. Low male voice; clef is on the fifth line
Baritone
Whole Tone Scale
Staff
Dissonant
25. Unit of space in between bar lines
Relative Minor
Enharmonic Equivalent
Double Bar Line
Measures
26. The maximum extent of a vibration measured from the position of equilibrium
Duration
Dynamic (Amplitude)- Waveheight
Tempo
Melodic Minor Scale
27. A symbol that extends the value of a note by half the original value
Dot
Tempo
Supertonic
Bar Lines
28. An artificial scale containing 6 notes that are all a whole step apart
Cautionary Accidental
Whole Tone Scale
Half Step
Simple Meter
29. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Syncopation
Dynamic (Amplitude)- Waveheight
Meter
Mixolydian Mode
30. Scale degree 6; Halfway between subdominant & tonic
Submediant
Supertonic
Beat
Monophonic
31. A recurring pulsation that divides music into units of time
Church Mode
Beat
Enharmonic Equivalent
Monophonic
32. Low female voice; clef is on the middle line
Dissonant
System
Alto
Downbeat
33. The distance between one wave and the next
Staff
Supertonic
Pitch (Frequency)- Wavelength
Common Time (C)
34. Scale degree 3; halfway between the tonic & dominant
Scalar Variance
Aeolian Mode
Dynamic (Amplitude)- Waveheight
Mediant
35. Consists of 3 elements: attack - sustain - and release
Articulation- Envelope
Melodic Minor Scale
Major Scale
Subtonic
36. A minor scale containing a minor pentachord followed by a raised seventh
Double Sharp (X)
Natural Minor Scale
Harmonic Minor Scale
Monophonic
37. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Supertonic
Monophonic
Pure Minor Scale
Final Bar Line
38. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Scalar Variance
Relative Minor
Asymmetrical Meter
Raised Submediant
39. An interval that consists of two half steps
Whole Step
Dot
Note Head
Articulation- Envelope
40. The use of all three minor forms within a composition
Scalar Variance
Cut Time (¢)- Alla Breve
Staff
Polyphonic
41. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Subtonic
Timbre (Tone Color)- Waveform
Dynamic (Amplitude)- Waveheight
Diminished Scale (Octatonic Scale)
42. Refers to the beat being divided into 3 parts
Stem
Mezzo-Soprano
Mixolydian Mode
Compound Meter
43. Indicates the end of a piece of music
Final Bar Line
Soprano
Tetrachord
C Clef
44. Combines treble and bass clef into one staff
Grand Staff
System
Meter
Mixolydian Mode
45. A minor church mode with a raised sixth
Dissonant
Relative Minor
Dorian Mode
Tempo
46. Series of duration of sound and silence
C Clef
Scalar Variance
Rhythm
Tenor
47. Vertical lines that divide the staff into measures
Scale
Monophonic
Bar Lines
Submediant
48. A minor church mode following the natural minor scale
Leading Tone
Syncopation
Pure Minor Scale
Aeolian Mode
49. The body of a note
Minor Pentachord
Leading Tone
Note Head
Church Mode
50. A combination of overtones that clash or are out of tune with each other
Dissonant
Flat (b)
Aeolian Mode
Harmonic Minor Scale