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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A minor scale containing the same pattern as the pure minor scale
Natural Minor Scale
Asymmetrical Meter
Timbre (Tone Color)- Waveform
Minor Pentachord
2. A minor church mode following the natural minor scale
Neutral Clef
Aeolian Mode
Subdivision
Supertonic
3. Lines written when the note goes above and below the staff lines
Diminished Scale (Octatonic Scale)
Cautionary Accidental
Dynamic (Amplitude)- Waveheight
Ledger Lines
4. The length of time sound of silence occurs
Baritone
Scale
Duration
Aeolian Mode
5. Scale degree 1; the tone on which a scale is built
Tonic
Flat (b)
Leading Tone
Relative Minor
6. Scale degree 7; Leads up to resolution of tonic
Leading Tone
Mezzo-Soprano
Staff
Diminished Scale (Octatonic Scale)
7. A recurring pulsation that divides music into units of time
Mediant
Flat (b)
Ionian Mode
Beat
8. The unit of measure for frequency or the rate of vibration
Scalar Variance
Mezzo-Soprano
Stem
Hertz
9. Low male voice; clef is on the fifth line
Tie
Polyphonic
Baritone
Double Sharp (X)
10. Moderately high female voice; clef is on the second line
Tempo
Tenor
Mezzo-Soprano
Polyphonic
11. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Locrian Mode
Supertonic
Final Bar Line
Meter
12. A combination of overtones that clash or are out of tune with each other
Leading Tone
Pentatonic Scale
Dissonant
Ledger Lines
13. Refers to the beat being divided into 3 parts
Key Signature
Leading Tone
Compound Meter
Pitch (Frequency)- Wavelength
14. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Mezzo-Soprano
Staff
Cut Time (¢)- Alla Breve
Tie
15. A symbol that extends the value of a note by half the original value
Dot
Dominant
Double Flat (bb)
Natural Minor Scale
16. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Soprano
Pitch (Frequency)- Wavelength
Enharmonic Equivalent
Meter
17. Multiple staves connected by bar lines - a bracket - or a brace
Alto
System
Meter
Bar Lines
18. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Subdominat
Syncopation
Mediant
Blues Scale
19. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Beat
C Clef
Asymmetrical Meter
Pure Minor Scale
20. A scale containing 7 notes with no second or sixth degree
Stem
Key Signature
Blues Scale
Double Sharp (X)
21. A symmetrical scale with all pitches spaced a half step apart
Double Sharp (X)
Chromatic Scale
Supertonic
Double Bar Line
22. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Raised Submediant
Articulation- Envelope
Leading Tone
Pure Minor Scale
23. Major and minor scales that have the same pitches & key signature
Double Flat (bb)
C Clef
Dissonant
Relative Minor
24. The use of all three minor forms within a composition
Supertonic
Consonant
Scalar Variance
Monophonic
25. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Half Step
Dominant
Consonant
Leading Tone
26. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Diminished Scale (Octatonic Scale)
Subtonic
Bar Lines
Lydian Mode
27. A stick drawn on all notes that are shorter in value than a whole note
Stem
Harmonic Minor Scale
Supertonic
Pure Minor Scale
28. Multiple lines of melody being sung at once
Polyphonic
C Clef
Whole Tone Scale
Beat
29. A single line of melody
Dominant
Scalar Variance
Monophonic
Church Mode
30. The body of a note
Lydian Mode
Hertz
Note Head
Soprano
31. Meters that have beat units of unequal length
Asymmetrical Meter
Mediant
Final Bar Line
Pure Minor Scale
32. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Staff
Duration
Raised Submediant
Mixolydian Mode
33. A minor scale containing a minor pentachord followed by a raised seventh
Harmonic Minor Scale
Note Head
Beat
Neutral Clef
34. A beat before the first measure or a pick-up beat
System
Subtonic
Anacrusis
Key Signature
35. High male voice; clef is on the fourth line
Articulation- Envelope
Tenor
Ledger Lines
Submediant
36. A combination of overtones that sound pleasant together
Ledger Lines
Pure Minor Scale
Final Bar Line
Consonant
37. A minor church mode with a raised sixth
Neutral Clef
Supertonic
Flag
Dorian Mode
38. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Key Signature
Church Mode
Compound Meter
Mixolydian Mode
39. Scale degree 3; halfway between the tonic & dominant
Mediant
Scalar Variance
Melodic Minor Scale
Ionian Mode
40. Refers to the beat being divided equally into 2 parts
Natural Minor Scale
Dominant
Simple Meter
Duration
41. Another name for a note using the opposite accidental
Enharmonic Equivalent
Aeolian Mode
Supertonic
Natural Minor Scale
42. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Bar Lines
Baritone
Lydian Mode
43. An accidental used to indicate that the note is to be lowered a half step
Natural Minor Scale
Flat (b)
Tonic
Pitch (Frequency)- Wavelength
44. An accidental used to indicate that the note is to be raised two half steps
Double Sharp (X)
Stem
Double Flat (bb)
Ionian Mode
45. A symbol which means the song has a four four time signature
Common Time (C)
Timbre (Tone Color)- Waveform
Dynamic (Amplitude)- Waveheight
Duration
46. Scale degree 4; prefix 'sub' meaning below the dominant
Tie
Bar Lines
Double Bar Line
Subdominat
47. A scale with a different pattern of whole & half steps from major or minor
Half Step
Subdivision
Double Bar Line
Church Mode
48. A scale containing 8 notes that alternate a whole step & half step apart
Lydian Mode
Sharp (#)
Bar Lines
Diminished Scale (Octatonic Scale)
49. Scale degree 2; prefix 'super' meaning above the tonic
Pure Minor Scale
Supertonic
Church Mode
Harmonic Minor Scale
50. Consists of 3 elements: attack - sustain - and release
Articulation- Envelope
Mixolydian Mode
Double Bar Line
Subdominat