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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Refers to the shape and form of the sound wave as it moves in distance & frequency
Final Bar Line
Downbeat
Timbre (Tone Color)- Waveform
Mezzo-Soprano
2. An ordered collection of pitches in whole and half step patterns
Phrygian Mode
Scale
Scalar Variance
Double Flat (bb)
3. The speed of a beat
Flag
Tempo
Rhythm
Compound Meter
4. A major church mode with no accidentals
Ionian Mode
Polyphonic
Supertonic
Whole Step
5. A scale containing 7 notes with no second or sixth degree
Blues Scale
Stem
Enharmonic Equivalent
Cautionary Accidental
6. A scale containing 8 notes that alternate a whole step & half step apart
Diminished Scale (Octatonic Scale)
Half Step
Flat (b)
Ionian Mode
7. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Flag
Major Scale
Subdivision
Enharmonic Equivalent
8. Major and minor scales that have the same pitches & key signature
Minor Pentachord
Pure Minor Scale
Relative Minor
Hemiola
9. The body of a note
Note Head
Lydian Mode
Whole Step
Final Bar Line
10. Division of the beat into 2 or 3 equal parts
Dot
Subdivision
Polyphonic
Pitch (Frequency)- Wavelength
11. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Flat (b)
Whole Tone Scale
Dominant
Major Scale
12. A major church mode with a raised fourth
Chromatic Scale
Tie
Lydian Mode
Scale
13. Scale degree 4; prefix 'sub' meaning below the dominant
Double Flat (bb)
Subdominat
Hemiola
Lydian Mode
14. A combination of overtones that sound pleasant together
Pentatonic Scale
Dorian Mode
Consonant
Flag
15. An accidental used to indicate that the note is to be raised two half steps
Submediant
Syncopation
Ledger Lines
Double Sharp (X)
16. Scale degree 3; halfway between the tonic & dominant
Enharmonic Equivalent
Mediant
C Clef
Locrian Mode
17. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Melodic Minor Scale
Tetrachord
Baritone
Neutral Clef
18. A symbol which means the song has a four four time signature
Rhythm
Ledger Lines
Neutral Clef
Common Time (C)
19. Refers to the beat being divided into 3 parts
Raised Submediant
Harmonic Minor Scale
Compound Meter
Natural Minor Scale
20. A scale with a WWHWWWH step pattern containing two tetrachords
Leading Tone
Subdominat
Major Scale
Flag
21. Consists of two whole steps and a half step
Dissonant
Key Signature
Simple Meter
Tetrachord
22. A stick drawn on all notes that are shorter in value than a whole note
Measures
Tetrachord
Stem
Hemiola
23. Scale degree 6; Halfway between subdominant & tonic
Whole Step
Submediant
Final Bar Line
Dorian Mode
24. Multiple staves connected by bar lines - a bracket - or a brace
System
Subdominat
Rhythm
Half Step
25. A beat before the first measure or a pick-up beat
Aeolian Mode
Subdivision
Phrygian Mode
Anacrusis
26. A minor church mode following the natural minor scale
Leading Tone
Ledger Lines
Aeolian Mode
Polyphonic
27. An accidental used to indicate that the note is to be lowered a half step
Flat (b)
Lydian Mode
Simple Meter
Rhythm
28. A clef used for pitch-less or rhythm instruments
Key Signature
Half Step
Neutral Clef
Hertz
29. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Syncopation
Half Step
Asymmetrical Meter
Hemiola
30. The first beat of a measure & it corresponds with the movement of conductor's hand
Leading Tone
Cautionary Accidental
Polyphonic
Downbeat
31. Each step of a scale
Tonic
Diminished Scale (Octatonic Scale)
Scale Degree
Harmonic Minor Scale
32. An artificial scale containing 6 notes that are all a whole step apart
Subtonic
Pitch (Frequency)- Wavelength
Whole Tone Scale
Dynamic (Amplitude)- Waveheight
33. Unit of space in between bar lines
Flat (b)
Stem
Asymmetrical Meter
Measures
34. A symbol which means the song has a two two time signature
Cut Time (¢)- Alla Breve
Supertonic
Raised Submediant
Downbeat
35. Series of duration of sound and silence
Rhythm
Major Scale
Cut Time (¢)- Alla Breve
Enharmonic Equivalent
36. Low female voice; clef is on the middle line
Flat (b)
Sharp (#)
Alto
Major Scale
37. Low male voice; clef is on the fifth line
Baritone
Hemiola
Flat (b)
Lydian Mode
38. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Phrygian Mode
Ionian Mode
Blues Scale
Raised Submediant
39. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Key Signature
Mezzo-Soprano
Church Mode
Scalar Variance
40. Vertical lines that divide the staff into measures
Phrygian Mode
Bar Lines
Mixolydian Mode
Scale
41. The distance between one wave and the next
Polyphonic
Articulation- Envelope
Pitch (Frequency)- Wavelength
Sharp (#)
42. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Natural Minor Scale
Staff
Subdominat
Mezzo-Soprano
43. The first five notes of every form of a minor scale; same as minor except for flatted third
Pitch (Frequency)- Wavelength
Measures
Cautionary Accidental
Minor Pentachord
44. Meters that have beat units of unequal length
Asymmetrical Meter
Flat (b)
Polyphonic
Major Scale
45. A symbol that extends the value of a note by half the original value
Dot
Simple Meter
Whole Tone Scale
Sharp (#)
46. High male voice; clef is on the fourth line
Scale
Tonic
Tenor
Alto
47. An interval that consists of two half steps
System
Whole Step
Mediant
Aeolian Mode
48. Consists of 3 elements: attack - sustain - and release
Articulation- Envelope
Grand Staff
Rhythm
Tie
49. Two lines that signal the end of a section of music
Double Bar Line
Aeolian Mode
Asymmetrical Meter
Compound Meter
50. Moderately high female voice; clef is on the second line
Double Flat (bb)
Mezzo-Soprano
Hemiola
Submediant