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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An ordered collection of pitches in whole and half step patterns
Scale
Minor Pentachord
Raised Submediant
Scale Degree
2. Combines treble and bass clef into one staff
Dominant
Major Scale
Downbeat
Grand Staff
3. A symbol which means the song has a two two time signature
Diminished Scale (Octatonic Scale)
Hertz
Cut Time (¢)- Alla Breve
Double Bar Line
4. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Melodic Minor Scale
Double Flat (bb)
Lydian Mode
Scale Degree
5. An accidental used to indicate that the note is to be lowered two half steps
Stem
Double Flat (bb)
Key Signature
Diminished Scale (Octatonic Scale)
6. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Meter
Cut Time (¢)- Alla Breve
Dynamic (Amplitude)- Waveheight
Pure Minor Scale
7. Series of duration of sound and silence
Rhythm
Blues Scale
Duration
Tetrachord
8. An interval that consists of two half steps
Raised Submediant
Double Flat (bb)
Whole Step
Duration
9. An artificial scale containing 6 notes that are all a whole step apart
Whole Tone Scale
Enharmonic Equivalent
Mediant
Meter
10. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Timbre (Tone Color)- Waveform
Tenor
Articulation- Envelope
Flag
11. A minor church mode following the natural minor scale
Harmonic Minor Scale
Aeolian Mode
Rhythm
Mixolydian Mode
12. A symmetrical scale with all pitches spaced a half step apart
Tetrachord
Common Time (C)
Natural Minor Scale
Chromatic Scale
13. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Tetrachord
Monophonic
Tenor
Staff
14. Scale degree 2; prefix 'super' meaning above the tonic
Pentatonic Scale
Diminished Scale (Octatonic Scale)
Supertonic
Tetrachord
15. A scale containing 5 notes containing no half steps; C D E G A C
Pentatonic Scale
Diminished Scale (Octatonic Scale)
Syncopation
Melodic Minor Scale
16. A major church mode with no accidentals
Mediant
Whole Tone Scale
Ionian Mode
Phrygian Mode
17. Consists of two whole steps and a half step
Tempo
Hertz
Tetrachord
Anacrusis
18. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Lydian Mode
Bar Lines
C Clef
Natural Minor Scale
19. A clef used for pitch-less or rhythm instruments
Polyphonic
System
Neutral Clef
Consonant
20. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Hemiola
Scale Degree
Aeolian Mode
Tie
21. Scale degree 4; prefix 'sub' meaning below the dominant
Subdominat
Monophonic
Grand Staff
Tenor
22. The maximum extent of a vibration measured from the position of equilibrium
Double Sharp (X)
Dynamic (Amplitude)- Waveheight
Hertz
Neutral Clef
23. Unit of space in between bar lines
Dot
Measures
Dominant
Anacrusis
24. The use of all three minor forms within a composition
Melodic Minor Scale
Tonic
Scalar Variance
Neutral Clef
25. An accidental used to indicate that the note is to be raised two half steps
Raised Submediant
Locrian Mode
Chromatic Scale
Double Sharp (X)
26. The distance between one wave and the next
Pitch (Frequency)- Wavelength
Dissonant
Hemiola
C Clef
27. A scale containing 7 notes with no second or sixth degree
Enharmonic Equivalent
Pentatonic Scale
Blues Scale
Dynamic (Amplitude)- Waveheight
28. Scale degree 1; the tone on which a scale is built
Measures
Flat (b)
System
Tonic
29. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Locrian Mode
Subtonic
Half Step
Dominant
30. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Meter
Blues Scale
Double Bar Line
Key Signature
31. A minor scale containing the same pattern as the pure minor scale
Melodic Minor Scale
Subdominat
Ionian Mode
Natural Minor Scale
32. A minor church mode with a raised sixth
Scale Degree
Dorian Mode
Subdivision
Scalar Variance
33. Scale degree 6; Halfway between subdominant & tonic
Melodic Minor Scale
Double Bar Line
Submediant
Dorian Mode
34. The first five notes of every form of a minor scale; same as minor except for flatted third
Articulation- Envelope
Tempo
Tetrachord
Minor Pentachord
35. A combination of overtones that sound pleasant together
Mezzo-Soprano
Enharmonic Equivalent
Consonant
Syncopation
36. Another name for a note using the opposite accidental
Enharmonic Equivalent
Subdivision
Church Mode
Flag
37. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Cautionary Accidental
Dominant
Tie
Sharp (#)
38. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Submediant
Hertz
Flat (b)
Meter
39. A symbol that extends the value of a note by half the original value
Mezzo-Soprano
Pure Minor Scale
Blues Scale
Dot
40. A major church mode with a flatted seventh
Half Step
Subtonic
Ionian Mode
Mixolydian Mode
41. A single line of melody
Neutral Clef
Chromatic Scale
Monophonic
Whole Tone Scale
42. Multiple lines of melody being sung at once
System
Dynamic (Amplitude)- Waveheight
Scale Degree
Polyphonic
43. Multiple staves connected by bar lines - a bracket - or a brace
Compound Meter
System
Pitch (Frequency)- Wavelength
Cautionary Accidental
44. A beat before the first measure or a pick-up beat
Simple Meter
Anacrusis
Ionian Mode
Compound Meter
45. A combination of overtones that clash or are out of tune with each other
Compound Meter
Downbeat
Dissonant
Double Bar Line
46. Consists of 3 elements: attack - sustain - and release
Simple Meter
Alto
Articulation- Envelope
Leading Tone
47. Indicates the end of a piece of music
Final Bar Line
Relative Minor
Subdivision
Dynamic (Amplitude)- Waveheight
48. High male voice; clef is on the fourth line
Consonant
Aeolian Mode
Tenor
Baritone
49. A stick drawn on all notes that are shorter in value than a whole note
Asymmetrical Meter
Dynamic (Amplitude)- Waveheight
Meter
Stem
50. An accidental used to indicate that the note is to be raised a half step
Hemiola
Scale Degree
Sharp (#)
System