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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Two lines that signal the end of a section of music
Soprano
Church Mode
Double Bar Line
Scale Degree
2. Multiple lines of melody being sung at once
Alto
Measures
Polyphonic
Whole Tone Scale
3. Consists of 3 elements: attack - sustain - and release
Duration
Simple Meter
Relative Minor
Articulation- Envelope
4. Vertical lines that divide the staff into measures
Scale
Bar Lines
Rhythm
Double Flat (bb)
5. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Dissonant
Dot
Raised Submediant
Natural Minor Scale
6. A stick drawn on all notes that are shorter in value than a whole note
Leading Tone
Common Time (C)
Tenor
Stem
7. A minor church mode with a raised sixth
Subtonic
Tempo
Dorian Mode
Ledger Lines
8. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Double Bar Line
Submediant
Double Flat (bb)
Subtonic
9. A single line of melody
Consonant
Subdivision
Monophonic
Neutral Clef
10. The first five notes of every form of a minor scale; same as minor except for flatted third
Monophonic
System
Sharp (#)
Minor Pentachord
11. The use of all three minor forms within a composition
Scalar Variance
Asymmetrical Meter
Dynamic (Amplitude)- Waveheight
Supertonic
12. Scale degree 7; Leads up to resolution of tonic
Leading Tone
Locrian Mode
Bar Lines
Ionian Mode
13. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Lydian Mode
Locrian Mode
Hemiola
Common Time (C)
14. The body of a note
Diminished Scale (Octatonic Scale)
Pitch (Frequency)- Wavelength
Note Head
Tonic
15. Indicates the end of a piece of music
Final Bar Line
Alto
Subdivision
Major Scale
16. A symmetrical scale with all pitches spaced a half step apart
Compound Meter
Tonic
Chromatic Scale
Subtonic
17. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
C Clef
Alto
Rhythm
Phrygian Mode
18. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Meter
Mezzo-Soprano
Melodic Minor Scale
Monophonic
19. Low male voice; clef is on the fifth line
Enharmonic Equivalent
Scale Degree
Pentatonic Scale
Baritone
20. Scale degree 6; Halfway between subdominant & tonic
Dorian Mode
Tonic
Submediant
Supertonic
21. Another name for a note using the opposite accidental
Enharmonic Equivalent
Tenor
Rhythm
Ledger Lines
22. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Downbeat
Key Signature
System
Supertonic
23. Moderately high female voice; clef is on the second line
Mezzo-Soprano
Baritone
Whole Tone Scale
Double Flat (bb)
24. A beat before the first measure or a pick-up beat
Ledger Lines
Final Bar Line
Half Step
Anacrusis
25. High male voice; clef is on the fourth line
Note Head
Hemiola
Tenor
Double Sharp (X)
26. A symbol used to extend the value of a note by connecting it to another note
Beat
Double Sharp (X)
Supertonic
Tie
27. Major and minor scales that have the same pitches & key signature
Relative Minor
Whole Step
Tie
Dominant
28. Multiple staves connected by bar lines - a bracket - or a brace
Ionian Mode
Beat
Double Flat (bb)
System
29. An accidental used to indicate that the note is to be lowered two half steps
Hemiola
Double Flat (bb)
Phrygian Mode
Timbre (Tone Color)- Waveform
30. A recurring pulsation that divides music into units of time
Harmonic Minor Scale
Baritone
Anacrusis
Beat
31. An accidental used to indicate that the note is to be lowered a half step
Submediant
Compound Meter
Bar Lines
Flat (b)
32. A minor scale containing a minor pentachord followed by a raised seventh
Hertz
Scale
Harmonic Minor Scale
Stem
33. Scale degree 1; the tone on which a scale is built
Relative Minor
Tonic
Hemiola
Double Flat (bb)
34. Refers to the beat being divided into 3 parts
Compound Meter
Dorian Mode
Locrian Mode
Phrygian Mode
35. Low female voice; clef is on the middle line
Phrygian Mode
Rhythm
Simple Meter
Alto
36. A symbol which means the song has a four four time signature
Common Time (C)
Subdominat
Dominant
Note Head
37. A combination of overtones that sound pleasant together
Subdominat
Consonant
Lydian Mode
Tie
38. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Subdivision
Melodic Minor Scale
Minor Pentachord
Neutral Clef
39. A minor scale containing the same pattern as the pure minor scale
Chromatic Scale
Whole Step
Natural Minor Scale
Phrygian Mode
40. The smallest interval between two notes
Half Step
Neutral Clef
Bar Lines
Syncopation
41. A combination of overtones that clash or are out of tune with each other
Cut Time (¢)- Alla Breve
Common Time (C)
Dissonant
Duration
42. The first beat of a measure & it corresponds with the movement of conductor's hand
Dot
Subdominat
Asymmetrical Meter
Downbeat
43. An accidental used to indicate that the note is to be raised two half steps
Asymmetrical Meter
Simple Meter
Lydian Mode
Double Sharp (X)
44. A scale with a different pattern of whole & half steps from major or minor
Common Time (C)
Church Mode
Final Bar Line
Scale Degree
45. The unit of measure for frequency or the rate of vibration
Mezzo-Soprano
Hertz
Dot
Whole Step
46. An artificial scale containing 6 notes that are all a whole step apart
Timbre (Tone Color)- Waveform
Flag
Duration
Whole Tone Scale
47. A symbol that extends the value of a note by half the original value
Rhythm
Simple Meter
Scale Degree
Dot
48. A major church mode with a raised fourth
Downbeat
Tie
Whole Step
Lydian Mode
49. Lines written when the note goes above and below the staff lines
Ledger Lines
Cut Time (¢)- Alla Breve
Dot
Submediant
50. Scale degree 2; prefix 'super' meaning above the tonic
Natural Minor Scale
Alto
Subtonic
Supertonic