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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A recurring pulsation that divides music into units of time
Half Step
Scalar Variance
Beat
Scale
2. Combines treble and bass clef into one staff
Church Mode
Grand Staff
Tenor
Relative Minor
3. Refers to the beat being divided into 3 parts
Tetrachord
Compound Meter
Common Time (C)
Double Flat (bb)
4. Scale degree 3; halfway between the tonic & dominant
Monophonic
Mixolydian Mode
Diminished Scale (Octatonic Scale)
Mediant
5. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Hemiola
Dorian Mode
Raised Submediant
Ledger Lines
6. Scale degree 6; Halfway between subdominant & tonic
Submediant
Dynamic (Amplitude)- Waveheight
Final Bar Line
Diminished Scale (Octatonic Scale)
7. Series of duration of sound and silence
Rhythm
C Clef
Flat (b)
Alto
8. A stick drawn on all notes that are shorter in value than a whole note
Sharp (#)
Locrian Mode
Measures
Stem
9. An accidental used to indicate that the note is to be raised two half steps
Consonant
Double Sharp (X)
Soprano
Dominant
10. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Rhythm
Anacrusis
Measures
Subtonic
11. Multiple lines of melody being sung at once
Polyphonic
Soprano
Subdivision
Staff
12. A symbol which means the song has a two two time signature
Syncopation
Natural Minor Scale
Polyphonic
Cut Time (¢)- Alla Breve
13. A major church mode with no accidentals
Dynamic (Amplitude)- Waveheight
Ionian Mode
Dominant
Pitch (Frequency)- Wavelength
14. The body of a note
Pitch (Frequency)- Wavelength
Hertz
Note Head
Ledger Lines
15. A major church mode with a raised fourth
Mixolydian Mode
Double Bar Line
Monophonic
Lydian Mode
16. A symbol that extends the value of a note by half the original value
Measures
Rhythm
Leading Tone
Dot
17. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Key Signature
Syncopation
Stem
Ledger Lines
18. A minor church mode with a raised sixth
Pentatonic Scale
Dorian Mode
Phrygian Mode
Chromatic Scale
19. Each step of a scale
Simple Meter
Scale Degree
Leading Tone
Subdominat
20. A symbol used to extend the value of a note by connecting it to another note
Double Bar Line
Dissonant
Tie
Minor Pentachord
21. Consists of 3 elements: attack - sustain - and release
Flag
Enharmonic Equivalent
Asymmetrical Meter
Articulation- Envelope
22. A scale containing 7 notes with no second or sixth degree
Tie
Blues Scale
Scale Degree
Bar Lines
23. Another name for a note using the opposite accidental
Rhythm
Hertz
Supertonic
Enharmonic Equivalent
24. A scale containing 5 notes containing no half steps; C D E G A C
Pentatonic Scale
Cut Time (¢)- Alla Breve
Tenor
Pitch (Frequency)- Wavelength
25. Division of the beat into 2 or 3 equal parts
Minor Pentachord
Subdivision
System
Anacrusis
26. Low female voice; clef is on the middle line
Alto
Syncopation
Cut Time (¢)- Alla Breve
Raised Submediant
27. A combination of overtones that sound pleasant together
Note Head
Dot
Consonant
Meter
28. Unit of space in between bar lines
Meter
Measures
Leading Tone
Dot
29. Two lines that signal the end of a section of music
Half Step
Double Bar Line
Tonic
Alto
30. Refers to the shape and form of the sound wave as it moves in distance & frequency
Major Scale
Consonant
Subdivision
Timbre (Tone Color)- Waveform
31. The unit of measure for frequency or the rate of vibration
Scalar Variance
Chromatic Scale
Hertz
Mediant
32. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Locrian Mode
Hemiola
Double Flat (bb)
Relative Minor
33. The smallest interval between two notes
Half Step
Mezzo-Soprano
Phrygian Mode
Subtonic
34. Scale degree 1; the tone on which a scale is built
Flag
Hemiola
System
Tonic
35. Vertical lines that divide the staff into measures
Syncopation
Cautionary Accidental
Pentatonic Scale
Bar Lines
36. A combination of overtones that clash or are out of tune with each other
Timbre (Tone Color)- Waveform
Double Sharp (X)
Dissonant
Downbeat
37. Scale degree 2; prefix 'super' meaning above the tonic
Dissonant
Supertonic
Tetrachord
Cautionary Accidental
38. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Double Flat (bb)
Mediant
Natural Minor Scale
Meter
39. A scale with a different pattern of whole & half steps from major or minor
Enharmonic Equivalent
Church Mode
Bar Lines
Lydian Mode
40. The distance between one wave and the next
Lydian Mode
Pitch (Frequency)- Wavelength
Natural Minor Scale
Grand Staff
41. The maximum extent of a vibration measured from the position of equilibrium
Supertonic
Common Time (C)
Dynamic (Amplitude)- Waveheight
Diminished Scale (Octatonic Scale)
42. An accidental used to indicate that the note is to be raised a half step
Sharp (#)
Scalar Variance
Consonant
Blues Scale
43. A single line of melody
Scalar Variance
Subdominat
Monophonic
Scale Degree
44. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Double Flat (bb)
Locrian Mode
Raised Submediant
Grand Staff
45. The length of time sound of silence occurs
Duration
Mixolydian Mode
Articulation- Envelope
Tetrachord
46. High male voice; clef is on the fourth line
Raised Submediant
Tenor
Flag
Cautionary Accidental
47. Refers to the beat being divided equally into 2 parts
Simple Meter
Tempo
Monophonic
Major Scale
48. An interval that consists of two half steps
Enharmonic Equivalent
Tempo
Mezzo-Soprano
Whole Step
49. A major church mode with a flatted seventh
Submediant
Subdivision
Mixolydian Mode
Pitch (Frequency)- Wavelength
50. The speed of a beat
System
Baritone
Tempo
Diminished Scale (Octatonic Scale)