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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lines written when the note goes above and below the staff lines
C Clef
Ledger Lines
Bar Lines
Downbeat
2. The distance between one wave and the next
Soprano
Diminished Scale (Octatonic Scale)
Whole Tone Scale
Pitch (Frequency)- Wavelength
3. The first five notes of every form of a minor scale; same as minor except for flatted third
Raised Submediant
Relative Minor
Minor Pentachord
Measures
4. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Duration
Hemiola
Tonic
Pitch (Frequency)- Wavelength
5. The higher female voice; clef is on the first line
Double Flat (bb)
Soprano
Cautionary Accidental
Key Signature
6. Multiple lines of melody being sung at once
Lydian Mode
Locrian Mode
Compound Meter
Polyphonic
7. A major church mode with no accidentals
Ionian Mode
Simple Meter
Pitch (Frequency)- Wavelength
Hertz
8. The length of time sound of silence occurs
Duration
Staff
Whole Tone Scale
Tonic
9. Consists of 3 elements: attack - sustain - and release
Half Step
Subtonic
Articulation- Envelope
Enharmonic Equivalent
10. The body of a note
Cautionary Accidental
Enharmonic Equivalent
Cut Time (¢)- Alla Breve
Note Head
11. An accidental used to indicate that the note is to be lowered two half steps
Common Time (C)
Double Flat (bb)
Whole Tone Scale
Hemiola
12. The speed of a beat
Scale
Tempo
Bar Lines
Meter
13. A symbol used to extend the value of a note by connecting it to another note
Cut Time (¢)- Alla Breve
Tenor
Tie
Leading Tone
14. A minor church mode with a raised sixth
Dynamic (Amplitude)- Waveheight
Dorian Mode
C Clef
Grand Staff
15. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Key Signature
Syncopation
Double Bar Line
Hertz
16. The unit of measure for frequency or the rate of vibration
Hertz
Rhythm
Tonic
Compound Meter
17. Scale degree 7; Leads up to resolution of tonic
Pure Minor Scale
Diminished Scale (Octatonic Scale)
Hemiola
Leading Tone
18. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
Chromatic Scale
Lydian Mode
Cautionary Accidental
C Clef
19. A combination of overtones that sound pleasant together
Consonant
Natural Minor Scale
Double Flat (bb)
Scalar Variance
20. Scale degree 2; prefix 'super' meaning above the tonic
Leading Tone
Supertonic
Grand Staff
Chromatic Scale
21. Refers to the beat being divided equally into 2 parts
Baritone
Ionian Mode
Simple Meter
Blues Scale
22. Scale degree 4; prefix 'sub' meaning below the dominant
Subdominat
Subtonic
Tetrachord
Simple Meter
23. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Tetrachord
Sharp (#)
Dorian Mode
Pure Minor Scale
24. Combines treble and bass clef into one staff
Harmonic Minor Scale
Grand Staff
Rhythm
Common Time (C)
25. The smallest interval between two notes
Locrian Mode
Half Step
Syncopation
Diminished Scale (Octatonic Scale)
26. Division of the beat into 2 or 3 equal parts
Subdivision
Soprano
Polyphonic
Chromatic Scale
27. Vertical lines that divide the staff into measures
Lydian Mode
Ionian Mode
Dissonant
Bar Lines
28. A scale containing 7 notes with no second or sixth degree
Consonant
Blues Scale
Phrygian Mode
Soprano
29. Multiple staves connected by bar lines - a bracket - or a brace
System
Beat
Double Bar Line
Aeolian Mode
30. A scale with a WWHWWWH step pattern containing two tetrachords
Note Head
Key Signature
Major Scale
Mezzo-Soprano
31. A minor church mode following the natural minor scale
Supertonic
Flat (b)
Measures
Aeolian Mode
32. Major and minor scales that have the same pitches & key signature
Duration
Dynamic (Amplitude)- Waveheight
Relative Minor
Double Flat (bb)
33. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Dorian Mode
Simple Meter
Whole Tone Scale
Meter
34. Consists of two whole steps and a half step
Harmonic Minor Scale
Alto
Aeolian Mode
Tetrachord
35. Series of duration of sound and silence
Articulation- Envelope
Ledger Lines
Natural Minor Scale
Rhythm
36. A symbol which means the song has a two two time signature
Downbeat
Subtonic
Cut Time (¢)- Alla Breve
Note Head
37. Scale degree 6; Halfway between subdominant & tonic
Subtonic
Submediant
Anacrusis
Subdominat
38. A scale containing 8 notes that alternate a whole step & half step apart
Tempo
Mediant
Diminished Scale (Octatonic Scale)
Half Step
39. A stick drawn on all notes that are shorter in value than a whole note
Meter
Asymmetrical Meter
Locrian Mode
Stem
40. Each step of a scale
Neutral Clef
Dorian Mode
Scale Degree
Hertz
41. A major church mode with a flatted seventh
Relative Minor
Lydian Mode
Cut Time (¢)- Alla Breve
Mixolydian Mode
42. A symmetrical scale with all pitches spaced a half step apart
Pentatonic Scale
Church Mode
Chromatic Scale
Raised Submediant
43. Scale degree 1; the tone on which a scale is built
Grand Staff
Lydian Mode
Pentatonic Scale
Tonic
44. Refers to the shape and form of the sound wave as it moves in distance & frequency
Cut Time (¢)- Alla Breve
Timbre (Tone Color)- Waveform
Scalar Variance
Locrian Mode
45. A scale containing 5 notes containing no half steps; C D E G A C
Cautionary Accidental
System
Pentatonic Scale
Tonic
46. Indicates the end of a piece of music
Common Time (C)
Dissonant
Pitch (Frequency)- Wavelength
Final Bar Line
47. A scale with a different pattern of whole & half steps from major or minor
Aeolian Mode
Dynamic (Amplitude)- Waveheight
Chromatic Scale
Church Mode
48. A combination of overtones that clash or are out of tune with each other
Dissonant
Double Flat (bb)
Timbre (Tone Color)- Waveform
Baritone
49. Moderately high female voice; clef is on the second line
Double Sharp (X)
Mezzo-Soprano
Hemiola
Mediant
50. A beat before the first measure or a pick-up beat
Minor Pentachord
Sharp (#)
Anacrusis
Subdivision