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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Major and minor scales that have the same pitches & key signature
Leading Tone
Articulation- Envelope
Major Scale
Relative Minor
2. A symbol which means the song has a two two time signature
Mixolydian Mode
Cut Time (¢)- Alla Breve
Tenor
Downbeat
3. Combines treble and bass clef into one staff
Grand Staff
Tenor
Church Mode
Whole Step
4. Two lines that signal the end of a section of music
Double Bar Line
Phrygian Mode
Blues Scale
Pitch (Frequency)- Wavelength
5. An accidental used to indicate that the note is to be lowered two half steps
Double Flat (bb)
Subdominat
Half Step
C Clef
6. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Meter
Articulation- Envelope
Blues Scale
Grand Staff
7. Consists of two whole steps and a half step
Chromatic Scale
Tetrachord
Dominant
Cut Time (¢)- Alla Breve
8. The speed of a beat
Mezzo-Soprano
Tempo
Key Signature
Double Bar Line
9. A major church mode with no accidentals
Ionian Mode
Tenor
Ledger Lines
Cut Time (¢)- Alla Breve
10. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Soprano
Monophonic
Enharmonic Equivalent
Raised Submediant
11. Multiple lines of melody being sung at once
Articulation- Envelope
Mediant
Bar Lines
Polyphonic
12. A beat before the first measure or a pick-up beat
Flag
Anacrusis
Simple Meter
Tonic
13. High male voice; clef is on the fourth line
Dissonant
Meter
Dot
Tenor
14. A clef used for pitch-less or rhythm instruments
Neutral Clef
Subdivision
Key Signature
Flag
15. An interval that consists of two half steps
Subdivision
Stem
Whole Step
Natural Minor Scale
16. A scale with a different pattern of whole & half steps from major or minor
Flat (b)
Church Mode
Measures
Hemiola
17. A combination of overtones that sound pleasant together
Double Sharp (X)
Mixolydian Mode
Neutral Clef
Consonant
18. A combination of overtones that clash or are out of tune with each other
Tenor
Alto
Dissonant
Dot
19. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Cautionary Accidental
Sharp (#)
Rhythm
Dominant
20. A minor church mode with a raised sixth
Whole Tone Scale
Soprano
Subdominat
Dorian Mode
21. The maximum extent of a vibration measured from the position of equilibrium
Ionian Mode
Dynamic (Amplitude)- Waveheight
Consonant
Mixolydian Mode
22. Vertical lines that divide the staff into measures
Bar Lines
Ionian Mode
Major Scale
Sharp (#)
23. A minor church mode following the natural minor scale
Mixolydian Mode
Relative Minor
Aeolian Mode
Major Scale
24. The use of all three minor forms within a composition
Half Step
Melodic Minor Scale
Soprano
Scalar Variance
25. The first five notes of every form of a minor scale; same as minor except for flatted third
Pentatonic Scale
Minor Pentachord
Relative Minor
Polyphonic
26. Meters that have beat units of unequal length
Asymmetrical Meter
Cut Time (¢)- Alla Breve
Relative Minor
Key Signature
27. Each step of a scale
Half Step
Scale Degree
Double Bar Line
Hertz
28. A recurring pulsation that divides music into units of time
Beat
Polyphonic
Common Time (C)
Sharp (#)
29. A stick drawn on all notes that are shorter in value than a whole note
Stem
Staff
Ledger Lines
Submediant
30. A major church mode with a flatted seventh
Tenor
Scale
Measures
Mixolydian Mode
31. A minor church mode with a flatted second
Phrygian Mode
Bar Lines
Subdominat
Church Mode
32. A scale containing 8 notes that alternate a whole step & half step apart
Compound Meter
Measures
Diminished Scale (Octatonic Scale)
Tonic
33. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Compound Meter
Scale Degree
Syncopation
Pure Minor Scale
34. Indicates the end of a piece of music
Pure Minor Scale
Grand Staff
Subdominat
Final Bar Line
35. A major church mode with a raised fourth
Lydian Mode
Scale
Pitch (Frequency)- Wavelength
Locrian Mode
36. The first beat of a measure & it corresponds with the movement of conductor's hand
Downbeat
Double Bar Line
Hertz
Dynamic (Amplitude)- Waveheight
37. Scale degree 4; prefix 'sub' meaning below the dominant
Lydian Mode
Tie
System
Subdominat
38. Division of the beat into 2 or 3 equal parts
Pentatonic Scale
Ionian Mode
Measures
Subdivision
39. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Minor Pentachord
Pure Minor Scale
System
Bar Lines
40. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Stem
Hemiola
Key Signature
Flag
41. Consists of 3 elements: attack - sustain - and release
Locrian Mode
Downbeat
Articulation- Envelope
Tempo
42. A single line of melody
Tetrachord
Neutral Clef
Chromatic Scale
Monophonic
43. An accidental used to indicate that the note is to be lowered a half step
Stem
Meter
Flat (b)
Raised Submediant
44. An accidental used to indicate that the note is to be raised two half steps
Double Sharp (X)
Harmonic Minor Scale
Meter
Subdivision
45. The higher female voice; clef is on the first line
Rhythm
Soprano
Hertz
Supertonic
46. Scale degree 2; prefix 'super' meaning above the tonic
Beat
Monophonic
Relative Minor
Supertonic
47. A minor scale containing a minor pentachord followed by a raised seventh
Harmonic Minor Scale
Beat
Grand Staff
Church Mode
48. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Hemiola
Dissonant
Subdivision
Double Flat (bb)
49. Refers to the shape and form of the sound wave as it moves in distance & frequency
Rhythm
Double Sharp (X)
Timbre (Tone Color)- Waveform
Tie
50. Scale degree 3; halfway between the tonic & dominant
Tenor
Submediant
System
Mediant