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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A minor church mode with a raised sixth
Downbeat
Polyphonic
Dorian Mode
Syncopation
2. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Key Signature
Minor Pentachord
Beat
Whole Tone Scale
3. A scale containing 5 notes containing no half steps; C D E G A C
Lydian Mode
Whole Step
Pentatonic Scale
Anacrusis
4. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Chromatic Scale
Raised Submediant
Double Flat (bb)
Whole Tone Scale
5. Series of duration of sound and silence
Key Signature
Dynamic (Amplitude)- Waveheight
Double Flat (bb)
Rhythm
6. Each step of a scale
Mezzo-Soprano
Lydian Mode
System
Scale Degree
7. An artificial scale containing 6 notes that are all a whole step apart
Simple Meter
Whole Tone Scale
Note Head
Timbre (Tone Color)- Waveform
8. Two lines that signal the end of a section of music
Major Scale
Double Bar Line
Cautionary Accidental
Mixolydian Mode
9. An ordered collection of pitches in whole and half step patterns
Measures
Scale
Enharmonic Equivalent
Final Bar Line
10. The distance between one wave and the next
Pitch (Frequency)- Wavelength
Melodic Minor Scale
Chromatic Scale
Minor Pentachord
11. Vertical lines that divide the staff into measures
Bar Lines
Raised Submediant
Double Sharp (X)
Double Bar Line
12. A major church mode with a flatted seventh
Meter
Sharp (#)
Mixolydian Mode
Monophonic
13. Refers to the shape and form of the sound wave as it moves in distance & frequency
Relative Minor
Meter
Hemiola
Timbre (Tone Color)- Waveform
14. A single line of melody
Bar Lines
Lydian Mode
Polyphonic
Monophonic
15. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Compound Meter
Mediant
Syncopation
Whole Step
16. A scale with a different pattern of whole & half steps from major or minor
Tetrachord
Rhythm
Church Mode
Duration
17. A scale containing 7 notes with no second or sixth degree
Blues Scale
Subtonic
Phrygian Mode
Relative Minor
18. Scale degree 6; Halfway between subdominant & tonic
Submediant
Tie
Lydian Mode
Duration
19. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Flag
Beat
Leading Tone
System
20. High male voice; clef is on the fourth line
Flag
Natural Minor Scale
Tenor
Chromatic Scale
21. Consists of two whole steps and a half step
Neutral Clef
Ionian Mode
Asymmetrical Meter
Tetrachord
22. A symbol that extends the value of a note by half the original value
Dot
Scalar Variance
Major Scale
Mezzo-Soprano
23. The higher female voice; clef is on the first line
Soprano
Stem
Aeolian Mode
Scale Degree
24. Another name for a note using the opposite accidental
Pitch (Frequency)- Wavelength
Scale Degree
Enharmonic Equivalent
Phrygian Mode
25. A symbol used to extend the value of a note by connecting it to another note
Tie
Meter
Downbeat
Common Time (C)
26. A scale containing 8 notes that alternate a whole step & half step apart
Pentatonic Scale
Diminished Scale (Octatonic Scale)
Grand Staff
Mixolydian Mode
27. Consists of 3 elements: attack - sustain - and release
Cut Time (¢)- Alla Breve
Lydian Mode
Articulation- Envelope
Church Mode
28. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Meter
Final Bar Line
Locrian Mode
Tie
29. A minor church mode with a flatted second
Phrygian Mode
Cut Time (¢)- Alla Breve
Half Step
Asymmetrical Meter
30. An accidental used to indicate that the note is to be lowered a half step
Flat (b)
Duration
Whole Tone Scale
Subdominat
31. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Tie
Hemiola
Harmonic Minor Scale
System
32. A stick drawn on all notes that are shorter in value than a whole note
Stem
Relative Minor
Beat
Soprano
33. Multiple staves connected by bar lines - a bracket - or a brace
System
Major Scale
Hertz
Common Time (C)
34. An interval that consists of two half steps
Ledger Lines
Double Flat (bb)
Whole Step
Melodic Minor Scale
35. Scale degree 1; the tone on which a scale is built
Tonic
Lydian Mode
Subdivision
Articulation- Envelope
36. A scale with a WWHWWWH step pattern containing two tetrachords
Major Scale
Flat (b)
Staff
Final Bar Line
37. The first beat of a measure & it corresponds with the movement of conductor's hand
Polyphonic
Scalar Variance
Key Signature
Downbeat
38. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Locrian Mode
Whole Step
Supertonic
Note Head
39. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Dominant
Phrygian Mode
Cut Time (¢)- Alla Breve
Supertonic
40. Combines treble and bass clef into one staff
Beat
Bar Lines
Asymmetrical Meter
Grand Staff
41. A minor scale containing the same pattern as the pure minor scale
Lydian Mode
Whole Step
Natural Minor Scale
Tenor
42. A clef used for pitch-less or rhythm instruments
Downbeat
Anacrusis
Neutral Clef
Phrygian Mode
43. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Timbre (Tone Color)- Waveform
Pure Minor Scale
Note Head
Bar Lines
44. Lines written when the note goes above and below the staff lines
Syncopation
Dorian Mode
Anacrusis
Ledger Lines
45. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Supertonic
Lydian Mode
Staff
Mixolydian Mode
46. A symmetrical scale with all pitches spaced a half step apart
Note Head
Chromatic Scale
Harmonic Minor Scale
Hemiola
47. Refers to the beat being divided equally into 2 parts
Dissonant
Pure Minor Scale
Phrygian Mode
Simple Meter
48. Scale degree 2; prefix 'super' meaning above the tonic
Final Bar Line
Tenor
Timbre (Tone Color)- Waveform
Supertonic
49. Multiple lines of melody being sung at once
Hertz
Articulation- Envelope
Polyphonic
Baritone
50. Scale degree 4; prefix 'sub' meaning below the dominant
Whole Step
Subtonic
Subdominat
Final Bar Line