SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Consists of 3 elements: attack - sustain - and release
Pentatonic Scale
Tempo
Articulation- Envelope
Monophonic
2. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Submediant
Measures
Subdivision
Cautionary Accidental
3. Division of the beat into 2 or 3 equal parts
Subdivision
Meter
Double Sharp (X)
Hertz
4. A symbol which means the song has a two two time signature
Dissonant
Beat
Cut Time (¢)- Alla Breve
Chromatic Scale
5. A scale with a different pattern of whole & half steps from major or minor
Subdivision
Stem
Final Bar Line
Church Mode
6. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Bar Lines
Hemiola
Pitch (Frequency)- Wavelength
Locrian Mode
7. Major and minor scales that have the same pitches & key signature
Timbre (Tone Color)- Waveform
Relative Minor
Tetrachord
Pitch (Frequency)- Wavelength
8. Each step of a scale
Neutral Clef
Half Step
Scale Degree
Natural Minor Scale
9. The maximum extent of a vibration measured from the position of equilibrium
Whole Tone Scale
Tetrachord
Dynamic (Amplitude)- Waveheight
Minor Pentachord
10. A major church mode with a flatted seventh
Mixolydian Mode
Pentatonic Scale
Dominant
Lydian Mode
11. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Flat (b)
Chromatic Scale
Raised Submediant
Locrian Mode
12. The distance between one wave and the next
Subtonic
Pitch (Frequency)- Wavelength
Tetrachord
Duration
13. A combination of overtones that sound pleasant together
Consonant
Neutral Clef
Relative Minor
Polyphonic
14. Multiple staves connected by bar lines - a bracket - or a brace
Rhythm
Whole Step
System
Compound Meter
15. A major church mode with no accidentals
Ionian Mode
Major Scale
Meter
Diminished Scale (Octatonic Scale)
16. The first five notes of every form of a minor scale; same as minor except for flatted third
Natural Minor Scale
Minor Pentachord
Soprano
Monophonic
17. The smallest interval between two notes
Stem
Flag
Church Mode
Half Step
18. The higher female voice; clef is on the first line
Downbeat
Soprano
Syncopation
Common Time (C)
19. Low male voice; clef is on the fifth line
Natural Minor Scale
Baritone
Mixolydian Mode
Subtonic
20. An accidental used to indicate that the note is to be raised two half steps
Enharmonic Equivalent
Note Head
Cautionary Accidental
Double Sharp (X)
21. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Mediant
Meter
Melodic Minor Scale
Natural Minor Scale
22. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Scale Degree
Mixolydian Mode
Pure Minor Scale
Tempo
23. Low female voice; clef is on the middle line
System
Alto
Double Bar Line
Relative Minor
24. Lines written when the note goes above and below the staff lines
Dynamic (Amplitude)- Waveheight
Mediant
Ledger Lines
Pitch (Frequency)- Wavelength
25. A single line of melody
Monophonic
Dynamic (Amplitude)- Waveheight
Dissonant
Bar Lines
26. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Cut Time (¢)- Alla Breve
Natural Minor Scale
Dorian Mode
Melodic Minor Scale
27. The unit of measure for frequency or the rate of vibration
Aeolian Mode
Leading Tone
Hertz
Whole Step
28. Meters that have beat units of unequal length
Scale Degree
Asymmetrical Meter
Downbeat
Neutral Clef
29. A recurring pulsation that divides music into units of time
Minor Pentachord
Locrian Mode
Beat
Leading Tone
30. An artificial scale containing 6 notes that are all a whole step apart
Hemiola
Tonic
Leading Tone
Whole Tone Scale
31. Scale degree 6; Halfway between subdominant & tonic
Submediant
Chromatic Scale
Minor Pentachord
Tetrachord
32. A stick drawn on all notes that are shorter in value than a whole note
System
Whole Tone Scale
Dorian Mode
Stem
33. Another name for a note using the opposite accidental
Alto
Leading Tone
Enharmonic Equivalent
Key Signature
34. A minor scale containing a minor pentachord followed by a raised seventh
Hertz
Mezzo-Soprano
Soprano
Harmonic Minor Scale
35. A minor church mode following the natural minor scale
Rhythm
Tetrachord
C Clef
Aeolian Mode
36. An ordered collection of pitches in whole and half step patterns
Monophonic
Tonic
Alto
Scale
37. A symmetrical scale with all pitches spaced a half step apart
Downbeat
Chromatic Scale
Common Time (C)
Pitch (Frequency)- Wavelength
38. A minor church mode with a raised sixth
Neutral Clef
Downbeat
Dorian Mode
Timbre (Tone Color)- Waveform
39. Consists of two whole steps and a half step
Tetrachord
Tenor
Articulation- Envelope
Double Bar Line
40. Scale degree 2; prefix 'super' meaning above the tonic
Supertonic
Half Step
Sharp (#)
Key Signature
41. A major church mode with a raised fourth
Pentatonic Scale
Monophonic
Double Flat (bb)
Lydian Mode
42. An accidental used to indicate that the note is to be raised a half step
Double Bar Line
Natural Minor Scale
Dorian Mode
Sharp (#)
43. The length of time sound of silence occurs
Duration
Asymmetrical Meter
Final Bar Line
Tonic
44. The first beat of a measure & it corresponds with the movement of conductor's hand
Beat
Major Scale
Downbeat
Note Head
45. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Natural Minor Scale
Key Signature
Pure Minor Scale
Locrian Mode
46. Moderately high female voice; clef is on the second line
Mezzo-Soprano
Hertz
Subdivision
Consonant
47. High male voice; clef is on the fourth line
Blues Scale
Articulation- Envelope
Tenor
Sharp (#)
48. Series of duration of sound and silence
Rhythm
Supertonic
Monophonic
Soprano
49. An interval that consists of two half steps
Major Scale
Whole Step
Double Sharp (X)
Chromatic Scale
50. A minor scale containing the same pattern as the pure minor scale
Natural Minor Scale
Scalar Variance
Aeolian Mode
Alto