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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Series of duration of sound and silence
Pentatonic Scale
Rhythm
System
Hertz
2. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Mixolydian Mode
Submediant
Dominant
Minor Pentachord
3. Scale degree 7; Leads up to resolution of tonic
Flag
Leading Tone
System
Mediant
4. Major and minor scales that have the same pitches & key signature
Whole Step
Dot
Relative Minor
Soprano
5. The smallest interval between two notes
Monophonic
Alto
Half Step
Submediant
6. Scale degree 2; prefix 'super' meaning above the tonic
Minor Pentachord
Beat
Supertonic
Monophonic
7. Moderately high female voice; clef is on the second line
Mixolydian Mode
Relative Minor
Pentatonic Scale
Mezzo-Soprano
8. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Tenor
Scale
Staff
Flag
9. The distance between one wave and the next
Pitch (Frequency)- Wavelength
Downbeat
Tempo
Subtonic
10. The first five notes of every form of a minor scale; same as minor except for flatted third
Double Flat (bb)
Minor Pentachord
Subdominat
Scale Degree
11. Indicates the end of a piece of music
Articulation- Envelope
Tetrachord
Final Bar Line
Leading Tone
12. A scale with a WHWWHWW step pattern and three different derivatives: Natural - Harmonic - & Melodic
Ionian Mode
Stem
Pure Minor Scale
Cautionary Accidental
13. Two lines that signal the end of a section of music
Tempo
Double Bar Line
Monophonic
Diminished Scale (Octatonic Scale)
14. Consists of two whole steps and a half step
Tetrachord
Stem
Submediant
Dynamic (Amplitude)- Waveheight
15. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Common Time (C)
Locrian Mode
Staff
Articulation- Envelope
16. Scale degree 1; the tone on which a scale is built
Subdivision
Compound Meter
Tonic
Double Bar Line
17. A scale with a different pattern of whole & half steps from major or minor
Pentatonic Scale
Church Mode
Harmonic Minor Scale
Relative Minor
18. A major church mode with no accidentals
Minor Pentachord
Leading Tone
Dorian Mode
Ionian Mode
19. A major church mode with a raised fourth
Baritone
Subdivision
Lydian Mode
Anacrusis
20. Refers to the shape and form of the sound wave as it moves in distance & frequency
Syncopation
Whole Step
Lydian Mode
Timbre (Tone Color)- Waveform
21. The first beat of a measure & it corresponds with the movement of conductor's hand
Simple Meter
Supertonic
Scalar Variance
Downbeat
22. The unit of measure for frequency or the rate of vibration
Soprano
Leading Tone
Dominant
Hertz
23. Division of the beat into 2 or 3 equal parts
Dorian Mode
Subdivision
Double Sharp (X)
Diminished Scale (Octatonic Scale)
24. A symbol used to extend the value of a note by connecting it to another note
Lydian Mode
Common Time (C)
Locrian Mode
Tie
25. A symbol that extends the value of a note by half the original value
Dot
Soprano
Minor Pentachord
Submediant
26. The body of a note
Tenor
Tonic
Note Head
Hertz
27. A minor scale containing a minor pentachord followed by a raised sixth and seventh ascending - and the natural minor form descending
Mediant
Note Head
Hertz
Melodic Minor Scale
28. An accidental used to indicate that the note is to be lowered a half step
Dot
Cut Time (¢)- Alla Breve
Locrian Mode
Flat (b)
29. A major church mode with a flatted seventh
Mixolydian Mode
Dynamic (Amplitude)- Waveheight
Staff
Asymmetrical Meter
30. The speed of a beat
Bar Lines
Polyphonic
Mediant
Tempo
31. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Scale Degree
Submediant
Cautionary Accidental
Polyphonic
32. Low female voice; clef is on the middle line
Staff
Tenor
Tie
Alto
33. An accidental used to indicate that the note is to be raised two half steps
Leading Tone
Mixolydian Mode
Double Sharp (X)
Locrian Mode
34. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Subdominat
Key Signature
Subtonic
Mezzo-Soprano
35. The higher female voice; clef is on the first line
Subtonic
Soprano
Beat
Polyphonic
36. An ordered collection of pitches in whole and half step patterns
Pentatonic Scale
Pure Minor Scale
Scale
Subdominat
37. An accidental used to indicate that the note is to be raised a half step
Sharp (#)
Polyphonic
Enharmonic Equivalent
Mixolydian Mode
38. A cross rhythm or a metric device where the rhythmic relation of three notes occurs in the time of two
Duration
Baritone
Hemiola
Subdivision
39. A single line of melody
Lydian Mode
Monophonic
Timbre (Tone Color)- Waveform
Rhythm
40. Scale degree 4; prefix 'sub' meaning below the dominant
Subdominat
Mediant
Baritone
Stem
41. Lines written when the note goes above and below the staff lines
Double Flat (bb)
Submediant
Harmonic Minor Scale
Ledger Lines
42. A beat before the first measure or a pick-up beat
Timbre (Tone Color)- Waveform
Chromatic Scale
Note Head
Anacrusis
43. A clef used for pitch-less or rhythm instruments
Double Flat (bb)
C Clef
Downbeat
Neutral Clef
44. A minor church mode with a raised sixth
Stem
Dorian Mode
Melodic Minor Scale
C Clef
45. A symbol which means the song has a two two time signature
Aeolian Mode
Raised Submediant
System
Cut Time (¢)- Alla Breve
46. An artificial scale containing 6 notes that are all a whole step apart
Church Mode
Double Bar Line
Melodic Minor Scale
Whole Tone Scale
47. The length of time sound of silence occurs
Flag
Pure Minor Scale
Duration
Beat
48. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Cut Time (¢)- Alla Breve
Baritone
Duration
Locrian Mode
49. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Mixolydian Mode
Monophonic
Syncopation
Articulation- Envelope
50. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Flat (b)
Scalar Variance
Raised Submediant
Cautionary Accidental