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Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The smallest interval between two notes
Staff
Half Step
Harmonic Minor Scale
Rhythm
2. High male voice; clef is on the fourth line
Tenor
Anacrusis
Baritone
Flag
3. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Flag
Whole Tone Scale
Scale
Diminished Scale (Octatonic Scale)
4. Each step of a scale
Harmonic Minor Scale
Scale Degree
Final Bar Line
Anacrusis
5. A major church mode with a raised fourth
Tempo
Lydian Mode
Compound Meter
Supertonic
6. The first beat of a measure & it corresponds with the movement of conductor's hand
Pure Minor Scale
Mezzo-Soprano
Downbeat
Church Mode
7. A symmetrical scale with all pitches spaced a half step apart
Tie
Tetrachord
Chromatic Scale
Tenor
8. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Compound Meter
Syncopation
Staff
Dominant
9. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Rhythm
Key Signature
Ionian Mode
Melodic Minor Scale
10. A scale containing 8 notes that alternate a whole step & half step apart
Locrian Mode
Baritone
Asymmetrical Meter
Diminished Scale (Octatonic Scale)
11. A symbol used to extend the value of a note by connecting it to another note
Double Bar Line
Tie
Cautionary Accidental
Pure Minor Scale
12. An accidental used to indicate that the note is to be lowered two half steps
Tetrachord
Double Flat (bb)
Scalar Variance
Soprano
13. Scale degree 7; Leads up to resolution of tonic
Soprano
Dissonant
Hertz
Leading Tone
14. Refers to the shape and form of the sound wave as it moves in distance & frequency
Locrian Mode
Dorian Mode
Timbre (Tone Color)- Waveform
Lydian Mode
15. A set of five lines and four spaces for note writing; each line corresponds to a note with a letter name in between A and G
Pitch (Frequency)- Wavelength
Staff
Hertz
Whole Tone Scale
16. A combination of overtones that clash or are out of tune with each other
Tenor
Simple Meter
Dissonant
Mixolydian Mode
17. A minor church mode following the natural minor scale
Leading Tone
Note Head
Subtonic
Aeolian Mode
18. A major church mode with a flatted seventh
Mixolydian Mode
Alto
Timbre (Tone Color)- Waveform
Baritone
19. A minor church mode with a flatted second
Grand Staff
Pitch (Frequency)- Wavelength
Key Signature
Phrygian Mode
20. The distance between one wave and the next
Ledger Lines
Relative Minor
Pitch (Frequency)- Wavelength
Submediant
21. A scale containing 5 notes containing no half steps; C D E G A C
Common Time (C)
Pentatonic Scale
Scale Degree
Final Bar Line
22. An accidental used to indicate that the note is to be lowered a half step
Flat (b)
Soprano
Ionian Mode
Whole Tone Scale
23. Scale degree 2; prefix 'super' meaning above the tonic
Pentatonic Scale
Baritone
Supertonic
Whole Step
24. Consists of two whole steps and a half step
Tetrachord
Phrygian Mode
Common Time (C)
Church Mode
25. An accidental which is placed in parenthesis indication the note has the same accidental in a different octave
Timbre (Tone Color)- Waveform
Ledger Lines
Tempo
Cautionary Accidental
26. The body of a note
Subdominat
Simple Meter
Scalar Variance
Note Head
27. A scale with a different pattern of whole & half steps from major or minor
Measures
Tempo
Church Mode
Scale
28. Indicates the end of a piece of music
Ionian Mode
Half Step
Final Bar Line
Soprano
29. Major and minor scales that have the same pitches & key signature
Relative Minor
Tempo
Half Step
Ledger Lines
30. Consists of 3 elements: attack - sustain - and release
Phrygian Mode
Articulation- Envelope
Subtonic
Lydian Mode
31. A minor church mode with a raised sixth
Tempo
Dorian Mode
Measures
Ionian Mode
32. An accidental used to indicate that the note is to be raised two half steps
Double Sharp (X)
Baritone
Aeolian Mode
Mixolydian Mode
33. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Polyphonic
Mezzo-Soprano
Raised Submediant
Relative Minor
34. Multiple staves connected by bar lines - a bracket - or a brace
Grand Staff
System
Double Flat (bb)
C Clef
35. Low male voice; clef is on the fifth line
Hemiola
Baritone
Tie
Flag
36. A symbol that extends the value of a note by half the original value
Pitch (Frequency)- Wavelength
Flat (b)
Dot
Tonic
37. The length of time sound of silence occurs
Tie
Monophonic
Asymmetrical Meter
Duration
38. A symbol which means the song has a two two time signature
Cut Time (¢)- Alla Breve
Scale Degree
Common Time (C)
Ionian Mode
39. The unit of measure for frequency or the rate of vibration
Dissonant
Hertz
Baritone
Leading Tone
40. Meters that have beat units of unequal length
Double Bar Line
Phrygian Mode
Asymmetrical Meter
Leading Tone
41. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Meter
Dissonant
Syncopation
Flat (b)
42. Refers to the beat being divided into 3 parts
Compound Meter
Flat (b)
Cautionary Accidental
Flag
43. A combination of overtones that sound pleasant together
Monophonic
Consonant
Dorian Mode
Pentatonic Scale
44. Unit of space in between bar lines
Tenor
Measures
Relative Minor
Natural Minor Scale
45. Another name for a note using the opposite accidental
Cut Time (¢)- Alla Breve
Dorian Mode
Melodic Minor Scale
Enharmonic Equivalent
46. Scale degree 3; halfway between the tonic & dominant
Mediant
Cautionary Accidental
Harmonic Minor Scale
Leading Tone
47. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Subtonic
Cut Time (¢)- Alla Breve
Lydian Mode
Hemiola
48. Moderately high female voice; clef is on the second line
Pitch (Frequency)- Wavelength
Tenor
Church Mode
Mezzo-Soprano
49. Lines written when the note goes above and below the staff lines
Compound Meter
Pitch (Frequency)- Wavelength
Tie
Ledger Lines
50. An ordered collection of pitches in whole and half step patterns
Ledger Lines
Scale
Whole Tone Scale
Scalar Variance