SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
AP Music Theory
Start Test
Study First
Subjects
:
performing-arts
,
ap
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Refers to the beat being divided equally into 2 parts
Soprano
Lydian Mode
Simple Meter
Pitch (Frequency)- Wavelength
2. Vertical lines that divide the staff into measures
Pure Minor Scale
Anacrusis
C Clef
Bar Lines
3. Rhythmic displacements of the expected strong beats created by dots - rests - ties - accent marks - & dynamics
Soprano
Syncopation
Tetrachord
Double Flat (bb)
4. Low female voice; clef is on the middle line
Sharp (#)
Phrygian Mode
Alto
Hemiola
5. An accidental used to indicate that the note is to be raised two half steps
Stem
Articulation- Envelope
Double Sharp (X)
Syncopation
6. A scale containing 5 notes containing no half steps; C D E G A C
Cut Time (¢)- Alla Breve
Neutral Clef
Major Scale
Pentatonic Scale
7. Scale degree 7; Leads up to resolution of tonic
Leading Tone
Cautionary Accidental
Double Sharp (X)
Pentatonic Scale
8. A minor church mode with a flatted second
Final Bar Line
Phrygian Mode
Half Step
Polyphonic
9. Meters that have beat units of unequal length
Stem
Consonant
C Clef
Asymmetrical Meter
10. Each step of a scale
Note Head
Hemiola
Scale Degree
Pure Minor Scale
11. Scale degree 2; prefix 'super' meaning above the tonic
Supertonic
Raised Submediant
Submediant
Chromatic Scale
12. A scale containing 7 notes with no second or sixth degree
Tetrachord
Blues Scale
Dissonant
C Clef
13. The first five notes of every form of a minor scale; same as minor except for flatted third
Note Head
Pure Minor Scale
Minor Pentachord
Whole Step
14. The smallest interval between two notes
Relative Minor
Mixolydian Mode
Half Step
Natural Minor Scale
15. Refers to the shape and form of the sound wave as it moves in distance & frequency
Timbre (Tone Color)- Waveform
Grand Staff
C Clef
Note Head
16. Refers to the beat being divided into 3 parts
Pentatonic Scale
Rhythm
Compound Meter
Whole Tone Scale
17. Organization of beats into regular groups of 2 - 3 - or 4 and how the beat is subdivided
Anacrusis
Meter
Relative Minor
Flag
18. A minor scale containing a minor pentachord followed by a raised seventh
Harmonic Minor Scale
Beat
C Clef
Natural Minor Scale
19. A tail drawn on the top of a stem for all notes shorter in value than a quarter note
Beat
Pitch (Frequency)- Wavelength
Flag
Articulation- Envelope
20. The distance between one wave and the next
Cautionary Accidental
Downbeat
Locrian Mode
Pitch (Frequency)- Wavelength
21. Indicates the end of a piece of music
Final Bar Line
Polyphonic
Sharp (#)
Beat
22. The first beat of a measure & it corresponds with the movement of conductor's hand
Downbeat
Subdominat
Ionian Mode
Scalar Variance
23. Consists of 3 elements: attack - sustain - and release
Pitch (Frequency)- Wavelength
Natural Minor Scale
Articulation- Envelope
C Clef
24. An accidental used to indicate that the note is to be lowered two half steps
Blues Scale
Raised Submediant
Flag
Double Flat (bb)
25. A symbol used to extend the value of a note by connecting it to another note
Tie
Enharmonic Equivalent
Compound Meter
Tonic
26. The higher female voice; clef is on the first line
Soprano
Minor Pentachord
Tempo
Dominant
27. The use of all three minor forms within a composition
Locrian Mode
Raised Submediant
Scalar Variance
Asymmetrical Meter
28. A diminished church mode with a diminished tonic triad - a flatted second & fifth
Locrian Mode
Scale Degree
Cut Time (¢)- Alla Breve
Submediant
29. A form of short hand that dispenses with the writing of accidentals for the notes being changed to fit the scale
Supertonic
Articulation- Envelope
Key Signature
Melodic Minor Scale
30. A combination of overtones that sound pleasant together
Consonant
Minor Pentachord
Double Bar Line
System
31. Scale degree 5; the pitch that dominates the tonality; a perfect fifth above the tonic
Pentatonic Scale
Flat (b)
Dominant
Double Sharp (X)
32. A major church mode with no accidentals
Tonic
Ionian Mode
Beat
Tie
33. An interval that consists of two half steps
Tetrachord
Whole Step
Aeolian Mode
Melodic Minor Scale
34. A major church mode with a flatted seventh
Dorian Mode
Cautionary Accidental
Mixolydian Mode
Diminished Scale (Octatonic Scale)
35. A symmetrical scale with all pitches spaced a half step apart
Chromatic Scale
Supertonic
Phrygian Mode
Note Head
36. Lines written when the note goes above and below the staff lines
Downbeat
Ledger Lines
Anacrusis
Subtonic
37. The body of a note
Subtonic
Note Head
Tetrachord
C Clef
38. A minor scale containing the same pattern as the pure minor scale
Church Mode
Enharmonic Equivalent
Natural Minor Scale
Polyphonic
39. High male voice; clef is on the fourth line
Ledger Lines
Tenor
Aeolian Mode
Blues Scale
40. Multiple lines of melody being sung at once
Tie
Tenor
Bar Lines
Polyphonic
41. Combines treble and bass clef into one staff
Asymmetrical Meter
Grand Staff
Chromatic Scale
Supertonic
42. A symbol that extends the value of a note by half the original value
Whole Step
Dynamic (Amplitude)- Waveheight
Syncopation
Dot
43. A music clef which moves depending on the range of the notes; the line going through the center of it is a C
C Clef
Tenor
Dynamic (Amplitude)- Waveheight
Ledger Lines
44. A major church mode with a raised fourth
Dorian Mode
Timbre (Tone Color)- Waveform
Major Scale
Lydian Mode
45. A minor church mode with a raised sixth
Dorian Mode
Timbre (Tone Color)- Waveform
Grand Staff
Enharmonic Equivalent
46. Scale degree 3; halfway between the tonic & dominant
Baritone
Mediant
Consonant
Scalar Variance
47. A scale with a different pattern of whole & half steps from major or minor
Church Mode
Anacrusis
Syncopation
Simple Meter
48. The maximum extent of a vibration measured from the position of equilibrium
Monophonic
Consonant
Dynamic (Amplitude)- Waveheight
Tetrachord
49. Scale degree 6 in a melodic minor scale when the 6th is raised a half step
Syncopation
Monophonic
Raised Submediant
Duration
50. Scale degree 7 in the natural minor scale when the 7th is a whole step above the tonic
Common Time (C)
Baritone
Subtonic
Lydian Mode