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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The unit with which frequency is measured
Watt
Gain
Hypercardiod
Hertz
2. Measure of opposition to a sinusoidal alternating current
Condenser Mic
Impedance
Cardioid mic
Fundamental
3. Heart shaped: picks up sound from front of microphone only
Gain
Fundamental
Low Pass Filter
Cardioid mic
4. Any device used to increase signal level
Amplifier
Bidirectional
Bandpass Filter
Preamp
5. Lowest frequency in a harmonic series
Bidirectional
Fundamental
Gain
Audio Velocity
6. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
A/D
Compression
Supercardiod
7. Orb around the microphone can hear from any direction.
Omnidirectional mic
Fundamental
Condenser Mic
Directional Response (microphone)
8. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Q
Hypercardiod
Gain
9. Analog to Digital
Click Track
Ampere
A/D
Mic level
10. Lets frequencies below a certain level
Low Pass Filter
White Noise
Mic level
Amplifier
11. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Graphic EQ
Audio Frequency
Wave Phase
Bus
12. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Audio Envelope
Ampere
Voltage
Condenser Mic
13. The relationship of two wave forms
Gain
Bidirectional
Wave Phase
Voltage
14. Different in charge levels between 2 conductive elements
Amplifier
Click Track
Bidirectional
Voltage
15. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Gain
Hypercardiod
Supercardiod
Dynamic Microphones
16. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Cardioid mic
Audio Frequency
Condenser Mic
17. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Dynamic Microphones
Low Pass Filter
Supercardiod
Balanced Cable
18. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
White Noise
Dynamic Range
Hertz
Compression
19. Loudness or hight of a sound wave - Increase signal level
Amplitude
Audio Velocity
White Noise
Low Pass Filter
20. Rate of repetition of periodic motion
Bus
Audio Envelope
Balanced Cable
Frequency (Hertz)
21. A type of noise that is produced by combining sounds of all different frequencies together
Supercardiod
White Noise
Hertz
Directional Response (microphone)
22. Boosts or cuts frequencies around a specified frequency
Voltage
Audio Velocity
Dynamic Range
Bandpass Filter
23. Unit of power
Watt
Dynamic Range
PAD
Frequency (Hertz)
24. Devices for cutting or boosting frequencies within a 3rd of an octave
Watt
Graphic EQ
Dynamic Microphones
Hertz
25. Signal path in mixer - channels can be routed
Omnidirectional mic
Ampere
Amplitude
Bus
26. Measures the amount of amplitude applied to a signal
Cardioid mic
A/D
Hertz
Gain
27. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Audio Envelope
Click Track
Voltage
Omnidirectional mic
28. Level of signal generated before it is amplified by the pre amp to line level
Dynamic Range
Insert
Noise Gate
Mic level
29. Describes bandwith
Q
Ribbon Microphone
Insert
Dynamic Microphones
30. A device that brings an electrical signal from microphone level to line level.
Bidirectional
Preamp
Insert
Fundamental
31. Speed of sound. 1130 ft/s
Limiter
Audio Velocity
Audio Frequency
Mic level
32. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Cardioid mic
Audio Envelope
Bidirectional
Amplifier
33. Picks up sound from front and a little from back of microphone
Supercardiod
Hypercardiod
Low Pass Filter
Dynamic Microphones
34. Picks up sound from front and back of microphone but not the sides.
Directional Response (microphone)
Bandpass Filter
Condenser Mic
Bidirectional
35. Picks up sound from front and a little more from back
Voltage
Limiter
Capacitor
Hypercardiod
36. Difference between loudest and quietest SPL
Dynamic Range
Fundamental
Supercardiod
Noise Gate
37. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Preamp
Dynamic Microphones
Supercardiod
Limiter
38. Device that mutes a signal when it falls bellow a certain level
Dynamic Range
Q
Noise Gate
Balanced Cable
39. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Mic level
Directional Response (microphone)
Compression
Frequency (Hertz)
40. Unit of electrical current
Ampere
Hertz
Limiter
Bidirectional
41. Controls level in pre amp
Cardioid mic
PAD
Supercardiod
Audio Frequency