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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of noise that is produced by combining sounds of all different frequencies together
Noise Gate
Watt
White Noise
Fundamental
2. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Bus
Dynamic Microphones
Wave Phase
3. Device that mutes a signal when it falls bellow a certain level
Insert
Noise Gate
White Noise
Cardioid mic
4. The relationship of two wave forms
Preamp
Omnidirectional mic
Audio Velocity
Wave Phase
5. Orb around the microphone can hear from any direction.
Bandpass Filter
PAD
Cardioid mic
Omnidirectional mic
6. Picks up sound from front and a little from back of microphone
Supercardiod
Dynamic Microphones
Frequency (Hertz)
Noise Gate
7. Picks up sound from front and a little more from back
Watt
Hypercardiod
Supercardiod
Balanced Cable
8. A device that brings an electrical signal from microphone level to line level.
Preamp
Gain
Low Pass Filter
Impedance
9. Analog to Digital
Directional Response (microphone)
Noise Gate
A/D
Click Track
10. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Ribbon Microphone
Limiter
Q
Balanced Cable
11. Picks up sound from front and back of microphone but not the sides.
Cardioid mic
Impedance
Compression
Bidirectional
12. Lets frequencies below a certain level
Amplifier
Low Pass Filter
Click Track
Insert
13. Level of signal generated before it is amplified by the pre amp to line level
White Noise
Impedance
Audio Frequency
Mic level
14. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Impedance
Bandpass Filter
A/D
Directional Response (microphone)
15. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Directional Response (microphone)
Compression
Voltage
Balanced Cable
16. Lowest frequency in a harmonic series
Condenser Mic
Limiter
Hypercardiod
Fundamental
17. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Capacitor
Fundamental
Condenser Mic
Omnidirectional mic
18. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Dynamic Microphones
Click Track
Bidirectional
Compression
19. Describes bandwith
Preamp
Q
Watt
Dynamic Microphones
20. Heart shaped: picks up sound from front of microphone only
Audio Envelope
Amplifier
Cardioid mic
Omnidirectional mic
21. Controls level in pre amp
Wave Phase
PAD
Amplifier
Impedance
22. Devices for cutting or boosting frequencies within a 3rd of an octave
Bus
Capacitor
Graphic EQ
Low Pass Filter
23. Difference between loudest and quietest SPL
A/D
Hypercardiod
Dynamic Range
Click Track
24. Measure of opposition to a sinusoidal alternating current
Impedance
Audio Frequency
Q
Dynamic Range
25. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Ribbon Microphone
Low Pass Filter
Bidirectional
Capacitor
26. The unit with which frequency is measured
Fundamental
Dynamic Microphones
Ampere
Hertz
27. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
PAD
Audio Frequency
Low Pass Filter
Hertz
28. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Ampere
Voltage
Audio Velocity
Dynamic Microphones
29. Unit of electrical current
Ampere
Supercardiod
Audio Frequency
Insert
30. Boosts or cuts frequencies around a specified frequency
Capacitor
Gain
Dynamic Microphones
Bandpass Filter
31. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Fundamental
Dynamic Range
Cardioid mic
32. Unit of power
Audio Envelope
Q
Watt
Limiter
33. Loudness or hight of a sound wave - Increase signal level
Amplitude
Preamp
Low Pass Filter
Condenser Mic
34. Signal path in mixer - channels can be routed
Directional Response (microphone)
Frequency (Hertz)
Bidirectional
Bus
35. Speed of sound. 1130 ft/s
Preamp
Wave Phase
Audio Velocity
Fundamental
36. Any device used to increase signal level
Supercardiod
Amplifier
Cardioid mic
Low Pass Filter
37. Measures the amount of amplitude applied to a signal
Click Track
Q
Graphic EQ
Gain
38. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Limiter
Hypercardiod
Ribbon Microphone
Hertz
39. Different in charge levels between 2 conductive elements
Voltage
Condenser Mic
Omnidirectional mic
Hypercardiod
40. Rate of repetition of periodic motion
Frequency (Hertz)
Directional Response (microphone)
Audio Envelope
Low Pass Filter
41. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Dynamic Range
Audio Frequency
Amplifier
Audio Envelope
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