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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Unit of power
Watt
Compression
Condenser Mic
Gain
2. Devices for cutting or boosting frequencies within a 3rd of an octave
Supercardiod
Graphic EQ
Audio Frequency
Bandpass Filter
3. Heart shaped: picks up sound from front of microphone only
Dynamic Range
Cardioid mic
Click Track
Noise Gate
4. Signal path in mixer - channels can be routed
White Noise
Frequency (Hertz)
Bus
Directional Response (microphone)
5. Orb around the microphone can hear from any direction.
Compression
Omnidirectional mic
Bus
Noise Gate
6. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Capacitor
Audio Envelope
Directional Response (microphone)
Ribbon Microphone
7. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Hypercardiod
Audio Envelope
Limiter
Amplifier
8. Difference between loudest and quietest SPL
Dynamic Range
Compression
Ampere
Impedance
9. Picks up sound from front and a little more from back
White Noise
Omnidirectional mic
Hypercardiod
Watt
10. A type of noise that is produced by combining sounds of all different frequencies together
Omnidirectional mic
Hertz
White Noise
PAD
11. Describes bandwith
Q
Insert
Omnidirectional mic
Hypercardiod
12. Loudness or hight of a sound wave - Increase signal level
Cardioid mic
Dynamic Range
Amplitude
Omnidirectional mic
13. Measures the amount of amplitude applied to a signal
Noise Gate
Cardioid mic
Gain
Omnidirectional mic
14. Lowest frequency in a harmonic series
Condenser Mic
Fundamental
Capacitor
White Noise
15. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Dynamic Microphones
Bidirectional
Click Track
Compression
16. Unit of electrical current
Limiter
White Noise
Directional Response (microphone)
Ampere
17. Any device used to increase signal level
Impedance
Audio Frequency
Amplifier
Low Pass Filter
18. Boosts or cuts frequencies around a specified frequency
Bandpass Filter
Voltage
Condenser Mic
Audio Frequency
19. Different in charge levels between 2 conductive elements
Voltage
A/D
Click Track
Cardioid mic
20. A device that brings an electrical signal from microphone level to line level.
Preamp
PAD
Amplitude
Noise Gate
21. Rate of repetition of periodic motion
Mic level
White Noise
Capacitor
Frequency (Hertz)
22. Controls level in pre amp
Cardioid mic
PAD
Amplitude
Graphic EQ
23. The unit with which frequency is measured
Ampere
Hertz
Gain
Bidirectional
24. Analog to Digital
Audio Frequency
PAD
A/D
Balanced Cable
25. Speed of sound. 1130 ft/s
Condenser Mic
Ribbon Microphone
Audio Velocity
Dynamic Microphones
26. Lets frequencies below a certain level
White Noise
Supercardiod
Low Pass Filter
Frequency (Hertz)
27. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Click Track
Audio Velocity
Audio Frequency
Amplifier
28. Picks up sound from front and back of microphone but not the sides.
Ampere
Insert
Bidirectional
Supercardiod
29. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Audio Frequency
A/D
Fundamental
30. Level of signal generated before it is amplified by the pre amp to line level
Dynamic Range
Mic level
Omnidirectional mic
Hertz
31. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Omnidirectional mic
Fundamental
Condenser Mic
Dynamic Range
32. Measure of opposition to a sinusoidal alternating current
Wave Phase
Fundamental
Impedance
Graphic EQ
33. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Voltage
Audio Envelope
Directional Response (microphone)
A/D
34. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Preamp
Gain
Dynamic Microphones
Impedance
35. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Frequency (Hertz)
Impedance
Balanced Cable
Audio Frequency
36. Picks up sound from front and a little from back of microphone
Ampere
Condenser Mic
Noise Gate
Supercardiod
37. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Hypercardiod
Fundamental
Audio Frequency
38. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Dynamic Microphones
Insert
Compression
Amplifier
39. The relationship of two wave forms
Wave Phase
PAD
Click Track
Noise Gate
40. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Supercardiod
Condenser Mic
Ribbon Microphone
Gain
41. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Audio Envelope
Impedance
Capacitor
Dynamic Microphones
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