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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Supercardiod
Insert
Directional Response (microphone)
Bandpass Filter
2. Picks up sound from front and back of microphone but not the sides.
Click Track
Compression
Low Pass Filter
Bidirectional
3. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Q
Wave Phase
Gain
4. Difference between loudest and quietest SPL
Wave Phase
Dynamic Range
Hertz
Fundamental
5. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Amplitude
Audio Envelope
Audio Frequency
Insert
6. Loudness or hight of a sound wave - Increase signal level
Omnidirectional mic
Amplitude
Insert
Directional Response (microphone)
7. Describes bandwith
Q
Mic level
A/D
Balanced Cable
8. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Watt
Audio Envelope
Impedance
Preamp
9. Speed of sound. 1130 ft/s
Low Pass Filter
Graphic EQ
Audio Velocity
A/D
10. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Amplifier
Audio Envelope
Directional Response (microphone)
11. A device that brings an electrical signal from microphone level to line level.
Compression
A/D
Dynamic Microphones
Preamp
12. Orb around the microphone can hear from any direction.
Balanced Cable
Omnidirectional mic
Mic level
Ribbon Microphone
13. Devices for cutting or boosting frequencies within a 3rd of an octave
Limiter
Graphic EQ
Insert
Preamp
14. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Balanced Cable
Watt
Cardioid mic
Condenser Mic
15. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Audio Velocity
Frequency (Hertz)
Preamp
Compression
16. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Omnidirectional mic
Amplifier
Capacitor
Dynamic Microphones
17. Signal path in mixer - channels can be routed
Insert
Hertz
Omnidirectional mic
Bus
18. Different in charge levels between 2 conductive elements
Omnidirectional mic
Voltage
Bus
Audio Velocity
19. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
A/D
Audio Frequency
Capacitor
20. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Bus
PAD
Amplitude
21. Device that mutes a signal when it falls bellow a certain level
Impedance
Q
Bus
Noise Gate
22. The relationship of two wave forms
Graphic EQ
Wave Phase
Dynamic Range
Watt
23. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Frequency (Hertz)
Omnidirectional mic
Limiter
Mic level
24. Lets frequencies below a certain level
Supercardiod
Ribbon Microphone
A/D
Low Pass Filter
25. Measure of opposition to a sinusoidal alternating current
Directional Response (microphone)
Impedance
Capacitor
Gain
26. A type of noise that is produced by combining sounds of all different frequencies together
White Noise
Noise Gate
Bus
Capacitor
27. Heart shaped: picks up sound from front of microphone only
Cardioid mic
Hertz
Bandpass Filter
PAD
28. Any device used to increase signal level
Amplifier
Hertz
Hypercardiod
Omnidirectional mic
29. The unit with which frequency is measured
Dynamic Range
Audio Velocity
Hertz
Graphic EQ
30. Unit of power
Watt
Hertz
Click Track
Insert
31. Controls level in pre amp
Bus
Gain
PAD
Insert
32. Picks up sound from front and a little from back of microphone
Compression
Supercardiod
Bus
Hypercardiod
33. Unit of electrical current
White Noise
Ampere
Amplifier
Insert
34. Analog to Digital
White Noise
Mic level
A/D
Hertz
35. Level of signal generated before it is amplified by the pre amp to line level
Omnidirectional mic
Bandpass Filter
Audio Velocity
Mic level
36. Measures the amount of amplitude applied to a signal
Omnidirectional mic
Graphic EQ
Frequency (Hertz)
Gain
37. Picks up sound from front and a little more from back
Low Pass Filter
Hypercardiod
Limiter
Wave Phase
38. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Watt
Click Track
Directional Response (microphone)
Mic level
39. Boosts or cuts frequencies around a specified frequency
Bandpass Filter
Cardioid mic
Hypercardiod
Ampere
40. Lowest frequency in a harmonic series
Graphic EQ
Insert
Fundamental
Watt
41. Rate of repetition of periodic motion
Compression
Frequency (Hertz)
Omnidirectional mic
Audio Envelope
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