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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Wave Phase
Q
Hypercardiod
Click Track
2. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Graphic EQ
Click Track
Audio Envelope
Limiter
3. Signal path in mixer - channels can be routed
Audio Velocity
Low Pass Filter
Bus
Impedance
4. Lowest frequency in a harmonic series
Amplifier
Voltage
Capacitor
Fundamental
5. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Supercardiod
Balanced Cable
Condenser Mic
Bandpass Filter
6. Measures the amount of amplitude applied to a signal
Compression
Graphic EQ
Capacitor
Gain
7. Loudness or hight of a sound wave - Increase signal level
Dynamic Range
Balanced Cable
Frequency (Hertz)
Amplitude
8. Picks up sound from front and a little more from back
Condenser Mic
Hypercardiod
Amplifier
Dynamic Microphones
9. Speed of sound. 1130 ft/s
Audio Velocity
Omnidirectional mic
Directional Response (microphone)
Insert
10. Unit of power
Capacitor
Audio Envelope
Cardioid mic
Watt
11. Different in charge levels between 2 conductive elements
Watt
Amplifier
Voltage
Compression
12. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Capacitor
Low Pass Filter
Limiter
13. A type of noise that is produced by combining sounds of all different frequencies together
Graphic EQ
Gain
White Noise
Click Track
14. Devices for cutting or boosting frequencies within a 3rd of an octave
Audio Envelope
Graphic EQ
Watt
Omnidirectional mic
15. Any device used to increase signal level
Balanced Cable
Amplifier
Mic level
Capacitor
16. Measure of opposition to a sinusoidal alternating current
Impedance
Bus
Wave Phase
Cardioid mic
17. Difference between loudest and quietest SPL
Limiter
Amplifier
Voltage
Dynamic Range
18. Rate of repetition of periodic motion
Fundamental
Low Pass Filter
Frequency (Hertz)
Supercardiod
19. Picks up sound from front and a little from back of microphone
Supercardiod
Frequency (Hertz)
Cardioid mic
Bidirectional
20. Picks up sound from front and back of microphone but not the sides.
Hypercardiod
Bidirectional
Wave Phase
Graphic EQ
21. Controls level in pre amp
Low Pass Filter
Balanced Cable
Compression
PAD
22. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Ribbon Microphone
Wave Phase
Insert
Bus
23. Level of signal generated before it is amplified by the pre amp to line level
Mic level
White Noise
Amplifier
Hypercardiod
24. Unit of electrical current
Preamp
Ampere
PAD
Fundamental
25. The relationship of two wave forms
Dynamic Microphones
Impedance
Hertz
Wave Phase
26. Lets frequencies below a certain level
Graphic EQ
Wave Phase
Hertz
Low Pass Filter
27. Orb around the microphone can hear from any direction.
Gain
Compression
Omnidirectional mic
Insert
28. Heart shaped: picks up sound from front of microphone only
Ampere
Cardioid mic
PAD
Hypercardiod
29. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Noise Gate
Balanced Cable
Condenser Mic
Amplitude
30. Describes bandwith
Audio Velocity
Q
Dynamic Range
Bidirectional
31. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Watt
Omnidirectional mic
Limiter
32. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Insert
Compression
Mic level
White Noise
33. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Directional Response (microphone)
Bidirectional
Mic level
Audio Frequency
34. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Omnidirectional mic
A/D
Impedance
35. Boosts or cuts frequencies around a specified frequency
Voltage
Bandpass Filter
Directional Response (microphone)
PAD
36. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Preamp
Dynamic Microphones
Hypercardiod
Wave Phase
37. A device that brings an electrical signal from microphone level to line level.
Omnidirectional mic
Preamp
Ribbon Microphone
Bidirectional
38. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
Frequency (Hertz)
Capacitor
A/D
39. The unit with which frequency is measured
Bandpass Filter
Hertz
Dynamic Range
Bidirectional
40. Device that mutes a signal when it falls bellow a certain level
Impedance
Preamp
Gain
Noise Gate
41. Analog to Digital
Dynamic Range
Q
A/D
Limiter