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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Compression
Noise Gate
Capacitor
Supercardiod
2. Signal path in mixer - channels can be routed
Voltage
Bus
Condenser Mic
Dynamic Range
3. Speed of sound. 1130 ft/s
Amplifier
Dynamic Range
Audio Velocity
Audio Envelope
4. Boosts or cuts frequencies around a specified frequency
White Noise
Wave Phase
Bandpass Filter
Audio Envelope
5. Rate of repetition of periodic motion
Balanced Cable
Amplifier
Limiter
Frequency (Hertz)
6. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Dynamic Microphones
Insert
Click Track
Wave Phase
7. Different in charge levels between 2 conductive elements
Voltage
Hypercardiod
Directional Response (microphone)
A/D
8. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Supercardiod
A/D
Bidirectional
Audio Frequency
9. Difference between loudest and quietest SPL
Bus
Capacitor
Dynamic Range
Wave Phase
10. Any device used to increase signal level
Frequency (Hertz)
Balanced Cable
Q
Amplifier
11. A type of noise that is produced by combining sounds of all different frequencies together
Compression
Preamp
White Noise
Ribbon Microphone
12. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Audio Velocity
Fundamental
Directional Response (microphone)
Audio Frequency
13. Lets frequencies below a certain level
Q
Low Pass Filter
Mic level
Hertz
14. Picks up sound from front and a little more from back
Mic level
Supercardiod
Hypercardiod
Amplitude
15. Analog to Digital
Voltage
Audio Velocity
A/D
PAD
16. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Compression
Preamp
Audio Frequency
17. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Click Track
Directional Response (microphone)
Bandpass Filter
18. Measure of opposition to a sinusoidal alternating current
A/D
Ribbon Microphone
Impedance
Bus
19. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Watt
Limiter
Ribbon Microphone
Hertz
20. Unit of electrical current
Ampere
Q
Capacitor
Balanced Cable
21. Device that mutes a signal when it falls bellow a certain level
Q
Amplifier
Balanced Cable
Noise Gate
22. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Bidirectional
Fundamental
Noise Gate
Compression
23. Orb around the microphone can hear from any direction.
Noise Gate
Ampere
Omnidirectional mic
Frequency (Hertz)
24. Heart shaped: picks up sound from front of microphone only
Mic level
Supercardiod
Cardioid mic
Impedance
25. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Balanced Cable
Impedance
Dynamic Microphones
A/D
26. Picks up sound from front and back of microphone but not the sides.
Directional Response (microphone)
Noise Gate
Bidirectional
Compression
27. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
White Noise
Limiter
Q
Ribbon Microphone
28. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Amplitude
Condenser Mic
Dynamic Microphones
Low Pass Filter
29. Unit of power
Dynamic Microphones
Compression
Ampere
Watt
30. Loudness or hight of a sound wave - Increase signal level
Fundamental
Amplitude
Frequency (Hertz)
Directional Response (microphone)
31. The relationship of two wave forms
Wave Phase
Voltage
Ampere
White Noise
32. Controls level in pre amp
Capacitor
Voltage
Directional Response (microphone)
PAD
33. Lowest frequency in a harmonic series
Wave Phase
Hertz
Fundamental
A/D
34. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Q
Insert
Fundamental
Amplitude
35. Describes bandwith
Q
Dynamic Microphones
Dynamic Range
Gain
36. Picks up sound from front and a little from back of microphone
Insert
Supercardiod
Mic level
Impedance
37. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Wave Phase
Balanced Cable
A/D
Audio Envelope
38. Devices for cutting or boosting frequencies within a 3rd of an octave
Graphic EQ
Click Track
Ribbon Microphone
Balanced Cable
39. A device that brings an electrical signal from microphone level to line level.
Low Pass Filter
Preamp
Compression
White Noise
40. The unit with which frequency is measured
Hypercardiod
Mic level
Condenser Mic
Hertz
41. Measures the amount of amplitude applied to a signal
Watt
Gain
PAD
Voltage