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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Noise Gate
Audio Envelope
Ribbon Microphone
Compression
2. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Bus
Mic level
Click Track
Insert
3. Unit of power
Directional Response (microphone)
Fundamental
Frequency (Hertz)
Watt
4. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Frequency (Hertz)
Condenser Mic
Cardioid mic
Compression
5. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Click Track
A/D
Amplifier
Audio Velocity
6. Level of signal generated before it is amplified by the pre amp to line level
Amplitude
Mic level
Frequency (Hertz)
Voltage
7. Heart shaped: picks up sound from front of microphone only
Mic level
Dynamic Range
Cardioid mic
PAD
8. Analog to Digital
Balanced Cable
A/D
Low Pass Filter
PAD
9. Signal path in mixer - channels can be routed
Voltage
Capacitor
Bus
Amplifier
10. Picks up sound from front and back of microphone but not the sides.
Limiter
Graphic EQ
Preamp
Bidirectional
11. Any device used to increase signal level
Gain
Wave Phase
Amplifier
Q
12. Orb around the microphone can hear from any direction.
A/D
Omnidirectional mic
Ribbon Microphone
Bandpass Filter
13. Unit of electrical current
Limiter
Insert
A/D
Ampere
14. Measure of opposition to a sinusoidal alternating current
Omnidirectional mic
Impedance
Hertz
Voltage
15. The unit with which frequency is measured
Hertz
Bidirectional
Ribbon Microphone
Balanced Cable
16. A type of noise that is produced by combining sounds of all different frequencies together
Limiter
White Noise
Click Track
Q
17. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Low Pass Filter
Ampere
Compression
18. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Frequency (Hertz)
Balanced Cable
Hertz
Hypercardiod
19. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
PAD
Click Track
Voltage
Dynamic Microphones
20. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Bidirectional
Watt
Omnidirectional mic
Capacitor
21. Measures the amount of amplitude applied to a signal
Fundamental
Ribbon Microphone
Gain
Click Track
22. Picks up sound from front and a little more from back
Audio Envelope
Balanced Cable
Hypercardiod
Voltage
23. Speed of sound. 1130 ft/s
Insert
Wave Phase
Audio Velocity
Low Pass Filter
24. The relationship of two wave forms
Q
Audio Velocity
Wave Phase
Watt
25. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Frequency (Hertz)
Compression
Q
Noise Gate
26. Devices for cutting or boosting frequencies within a 3rd of an octave
Graphic EQ
Low Pass Filter
Mic level
Cardioid mic
27. Lets frequencies below a certain level
A/D
Low Pass Filter
Frequency (Hertz)
Insert
28. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Gain
Audio Frequency
Directional Response (microphone)
Click Track
29. Rate of repetition of periodic motion
Hertz
Gain
Ribbon Microphone
Frequency (Hertz)
30. Picks up sound from front and a little from back of microphone
Frequency (Hertz)
Fundamental
A/D
Supercardiod
31. Different in charge levels between 2 conductive elements
Voltage
White Noise
Fundamental
Cardioid mic
32. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Ribbon Microphone
Frequency (Hertz)
Cardioid mic
33. Controls level in pre amp
PAD
Audio Envelope
White Noise
Cardioid mic
34. Difference between loudest and quietest SPL
PAD
Dynamic Range
White Noise
Voltage
35. Boosts or cuts frequencies around a specified frequency
Supercardiod
Watt
Noise Gate
Bandpass Filter
36. Loudness or hight of a sound wave - Increase signal level
Limiter
Amplitude
Capacitor
Audio Velocity
37. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Audio Frequency
Directional Response (microphone)
Omnidirectional mic
Hertz
38. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Q
Limiter
Directional Response (microphone)
Hypercardiod
39. Describes bandwith
Cardioid mic
PAD
Dynamic Microphones
Q
40. A device that brings an electrical signal from microphone level to line level.
Watt
Preamp
Compression
Impedance
41. Lowest frequency in a harmonic series
Fundamental
Bus
Limiter
Hypercardiod