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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Analog to Digital
Capacitor
Insert
Frequency (Hertz)
A/D
2. Heart shaped: picks up sound from front of microphone only
Cardioid mic
Audio Velocity
Bidirectional
Condenser Mic
3. Describes bandwith
Q
Limiter
Wave Phase
Cardioid mic
4. Lets frequencies below a certain level
Watt
Insert
Impedance
Low Pass Filter
5. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
A/D
Bandpass Filter
Click Track
Audio Envelope
6. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Preamp
Noise Gate
Compression
Insert
7. A type of noise that is produced by combining sounds of all different frequencies together
Amplifier
White Noise
Limiter
Audio Envelope
8. Unit of power
Omnidirectional mic
Audio Frequency
Watt
White Noise
9. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Impedance
Bus
Ribbon Microphone
10. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Dynamic Microphones
Hypercardiod
Bandpass Filter
Supercardiod
11. Difference between loudest and quietest SPL
Dynamic Range
Audio Envelope
Graphic EQ
Cardioid mic
12. The relationship of two wave forms
Mic level
Bandpass Filter
Amplitude
Wave Phase
13. Controls level in pre amp
PAD
Directional Response (microphone)
Omnidirectional mic
Compression
14. Measures the amount of amplitude applied to a signal
Gain
Frequency (Hertz)
Graphic EQ
Fundamental
15. Orb around the microphone can hear from any direction.
Directional Response (microphone)
Graphic EQ
Dynamic Microphones
Omnidirectional mic
16. Rate of repetition of periodic motion
Frequency (Hertz)
Dynamic Microphones
Amplifier
Hypercardiod
17. Different in charge levels between 2 conductive elements
Hypercardiod
Voltage
Omnidirectional mic
Bus
18. Picks up sound from front and a little more from back
Audio Velocity
Click Track
Hypercardiod
Hertz
19. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Capacitor
Wave Phase
Voltage
20. Boosts or cuts frequencies around a specified frequency
Graphic EQ
Bandpass Filter
Ribbon Microphone
Limiter
21. Any device used to increase signal level
Ribbon Microphone
Bus
Amplifier
Limiter
22. Devices for cutting or boosting frequencies within a 3rd of an octave
Graphic EQ
Ribbon Microphone
Capacitor
Audio Frequency
23. Lowest frequency in a harmonic series
Click Track
Hertz
Directional Response (microphone)
Fundamental
24. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Q
Omnidirectional mic
Amplitude
Directional Response (microphone)
25. A device that brings an electrical signal from microphone level to line level.
Impedance
Cardioid mic
Hertz
Preamp
26. Measure of opposition to a sinusoidal alternating current
Dynamic Range
Noise Gate
PAD
Impedance
27. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Bandpass Filter
Bidirectional
Audio Velocity
28. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Bus
Insert
Omnidirectional mic
Compression
29. Picks up sound from front and back of microphone but not the sides.
Bus
Impedance
Fundamental
Bidirectional
30. Loudness or hight of a sound wave - Increase signal level
Limiter
Noise Gate
Balanced Cable
Amplitude
31. Signal path in mixer - channels can be routed
Frequency (Hertz)
Bus
Omnidirectional mic
Hertz
32. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Bidirectional
Mic level
Hertz
33. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Insert
Ribbon Microphone
Amplifier
Click Track
34. Picks up sound from front and a little from back of microphone
Supercardiod
Hertz
Voltage
Compression
35. The unit with which frequency is measured
Low Pass Filter
Ribbon Microphone
Hertz
Dynamic Microphones
36. Speed of sound. 1130 ft/s
Omnidirectional mic
Condenser Mic
Directional Response (microphone)
Audio Velocity
37. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Condenser Mic
Fundamental
Bidirectional
Click Track
38. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Watt
Capacitor
Bandpass Filter
Audio Envelope
39. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Audio Frequency
Limiter
Click Track
Graphic EQ
40. Unit of electrical current
Click Track
Insert
Ampere
Fundamental
41. Device that mutes a signal when it falls bellow a certain level
Amplifier
Q
Noise Gate
Wave Phase