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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of noise that is produced by combining sounds of all different frequencies together
Condenser Mic
Bus
Supercardiod
White Noise
2. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Impedance
Click Track
Wave Phase
3. The unit with which frequency is measured
Directional Response (microphone)
Dynamic Range
Hertz
Gain
4. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Bus
Q
Dynamic Microphones
Hertz
5. Describes bandwith
Hertz
Supercardiod
Q
A/D
6. Rate of repetition of periodic motion
Ribbon Microphone
Compression
Frequency (Hertz)
Q
7. A device that brings an electrical signal from microphone level to line level.
Dynamic Microphones
Limiter
Preamp
Fundamental
8. Unit of power
Bidirectional
Cardioid mic
Audio Envelope
Watt
9. Picks up sound from front and a little from back of microphone
Compression
Supercardiod
Cardioid mic
PAD
10. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
White Noise
Click Track
Omnidirectional mic
Fundamental
11. Lowest frequency in a harmonic series
Fundamental
Low Pass Filter
Amplifier
Audio Frequency
12. Measure of opposition to a sinusoidal alternating current
Impedance
Frequency (Hertz)
Noise Gate
Omnidirectional mic
13. Difference between loudest and quietest SPL
Noise Gate
Cardioid mic
Ribbon Microphone
Dynamic Range
14. Orb around the microphone can hear from any direction.
White Noise
Ribbon Microphone
Omnidirectional mic
Bus
15. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Fundamental
Insert
Frequency (Hertz)
Hertz
16. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Compression
Directional Response (microphone)
Gain
Balanced Cable
17. Picks up sound from front and back of microphone but not the sides.
Noise Gate
Graphic EQ
Bidirectional
Fundamental
18. Boosts or cuts frequencies around a specified frequency
Limiter
Bandpass Filter
Ampere
Voltage
19. Any device used to increase signal level
Amplifier
Audio Velocity
Wave Phase
Bidirectional
20. Controls level in pre amp
Audio Envelope
Hertz
Cardioid mic
PAD
21. Lets frequencies below a certain level
Q
Low Pass Filter
Insert
Supercardiod
22. Loudness or hight of a sound wave - Increase signal level
Preamp
Noise Gate
Amplitude
Dynamic Range
23. Different in charge levels between 2 conductive elements
Bidirectional
Voltage
Omnidirectional mic
Directional Response (microphone)
24. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Audio Velocity
Ribbon Microphone
Voltage
Insert
25. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Audio Frequency
Balanced Cable
Directional Response (microphone)
Compression
26. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
A/D
Mic level
Capacitor
Frequency (Hertz)
27. Analog to Digital
Audio Envelope
A/D
Q
Audio Frequency
28. Heart shaped: picks up sound from front of microphone only
Cardioid mic
Condenser Mic
Ampere
Capacitor
29. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Condenser Mic
Audio Envelope
Audio Frequency
Directional Response (microphone)
30. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Insert
Click Track
Condenser Mic
Capacitor
31. Level of signal generated before it is amplified by the pre amp to line level
Low Pass Filter
Balanced Cable
Mic level
Audio Frequency
32. The relationship of two wave forms
Preamp
Wave Phase
Click Track
White Noise
33. Signal path in mixer - channels can be routed
Amplifier
Directional Response (microphone)
Fundamental
Bus
34. Devices for cutting or boosting frequencies within a 3rd of an octave
Directional Response (microphone)
Impedance
Graphic EQ
Noise Gate
35. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Audio Velocity
Q
Audio Frequency
36. Device that mutes a signal when it falls bellow a certain level
Impedance
Bandpass Filter
Noise Gate
Capacitor
37. Measures the amount of amplitude applied to a signal
Ampere
Gain
Supercardiod
Bandpass Filter
38. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Preamp
Voltage
Gain
39. Unit of electrical current
Voltage
Hypercardiod
Amplitude
Ampere
40. Speed of sound. 1130 ft/s
Audio Velocity
Omnidirectional mic
Dynamic Microphones
Frequency (Hertz)
41. Picks up sound from front and a little more from back
Amplifier
Hypercardiod
Directional Response (microphone)
PAD
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