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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
Impedance
Supercardiod
Click Track
2. Boosts or cuts frequencies around a specified frequency
Cardioid mic
Amplifier
Dynamic Microphones
Bandpass Filter
3. Devices for cutting or boosting frequencies within a 3rd of an octave
Graphic EQ
Wave Phase
Fundamental
A/D
4. Any device used to increase signal level
Impedance
Amplifier
Ribbon Microphone
Bidirectional
5. Different in charge levels between 2 conductive elements
White Noise
Directional Response (microphone)
Voltage
Audio Velocity
6. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Capacitor
Audio Frequency
Dynamic Microphones
Ribbon Microphone
7. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Ampere
Amplifier
A/D
8. The unit with which frequency is measured
Wave Phase
A/D
Bidirectional
Hertz
9. Picks up sound from front and a little from back of microphone
Hertz
Amplitude
A/D
Supercardiod
10. Lowest frequency in a harmonic series
Fundamental
PAD
Low Pass Filter
Click Track
11. The relationship of two wave forms
Bidirectional
Condenser Mic
Click Track
Wave Phase
12. Difference between loudest and quietest SPL
Noise Gate
Capacitor
Dynamic Range
Compression
13. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Limiter
Dynamic Range
Balanced Cable
Audio Frequency
14. Level of signal generated before it is amplified by the pre amp to line level
Amplitude
Mic level
White Noise
Directional Response (microphone)
15. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Bus
Click Track
Ribbon Microphone
16. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Hypercardiod
Watt
Directional Response (microphone)
Wave Phase
17. Analog to Digital
Condenser Mic
Ampere
A/D
Limiter
18. Speed of sound. 1130 ft/s
Capacitor
Audio Velocity
Watt
Hertz
19. Picks up sound from front and a little more from back
Graphic EQ
Audio Velocity
Hypercardiod
Insert
20. Device that mutes a signal when it falls bellow a certain level
Capacitor
Noise Gate
Amplitude
Fundamental
21. Orb around the microphone can hear from any direction.
Dynamic Microphones
Watt
Preamp
Omnidirectional mic
22. Unit of power
Balanced Cable
Dynamic Range
Watt
Frequency (Hertz)
23. Measure of opposition to a sinusoidal alternating current
Impedance
Noise Gate
Directional Response (microphone)
Amplifier
24. Unit of electrical current
Amplitude
Directional Response (microphone)
Wave Phase
Ampere
25. Describes bandwith
Q
Mic level
Hertz
Limiter
26. A device that brings an electrical signal from microphone level to line level.
Cardioid mic
Omnidirectional mic
Preamp
Balanced Cable
27. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Amplifier
Dynamic Microphones
Supercardiod
Mic level
28. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Noise Gate
Click Track
Gain
Ribbon Microphone
29. Controls level in pre amp
PAD
Noise Gate
Bus
Hertz
30. A type of noise that is produced by combining sounds of all different frequencies together
Limiter
Hypercardiod
White Noise
Noise Gate
31. Loudness or hight of a sound wave - Increase signal level
Watt
Amplitude
Compression
Insert
32. Rate of repetition of periodic motion
White Noise
Audio Frequency
Frequency (Hertz)
A/D
33. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Q
Cardioid mic
Preamp
34. Signal path in mixer - channels can be routed
Bus
A/D
Preamp
Dynamic Microphones
35. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Graphic EQ
Compression
Bandpass Filter
Low Pass Filter
36. Lets frequencies below a certain level
Low Pass Filter
Voltage
Gain
Balanced Cable
37. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Graphic EQ
White Noise
Capacitor
Dynamic Microphones
38. Heart shaped: picks up sound from front of microphone only
Limiter
Audio Velocity
Dynamic Microphones
Cardioid mic
39. Measures the amount of amplitude applied to a signal
Gain
Bidirectional
Amplifier
Audio Velocity
40. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Wave Phase
Audio Velocity
Noise Gate
41. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Balanced Cable
Bus
PAD