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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Speed of sound. 1130 ft/s
Fundamental
Bus
Audio Velocity
Wave Phase
2. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Audio Envelope
Capacitor
Hypercardiod
Noise Gate
3. Unit of electrical current
White Noise
Dynamic Microphones
Amplitude
Ampere
4. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Mic level
Amplifier
Compression
Balanced Cable
5. Boosts or cuts frequencies around a specified frequency
Gain
Compression
Bandpass Filter
Omnidirectional mic
6. Device that mutes a signal when it falls bellow a certain level
Audio Envelope
Dynamic Range
Noise Gate
Audio Frequency
7. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Capacitor
Click Track
Compression
Graphic EQ
8. The unit with which frequency is measured
A/D
Hertz
Audio Velocity
Mic level
9. Picks up sound from front and back of microphone but not the sides.
Insert
PAD
Bandpass Filter
Bidirectional
10. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Q
Directional Response (microphone)
Noise Gate
11. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Amplitude
Ribbon Microphone
Limiter
Frequency (Hertz)
12. Orb around the microphone can hear from any direction.
Mic level
Balanced Cable
Omnidirectional mic
Dynamic Microphones
13. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Wave Phase
Noise Gate
Condenser Mic
Preamp
14. A type of noise that is produced by combining sounds of all different frequencies together
Gain
Compression
Omnidirectional mic
White Noise
15. Devices for cutting or boosting frequencies within a 3rd of an octave
Wave Phase
Cardioid mic
Graphic EQ
Gain
16. Loudness or hight of a sound wave - Increase signal level
Q
Graphic EQ
Click Track
Amplitude
17. Controls level in pre amp
PAD
Balanced Cable
A/D
Capacitor
18. A device that brings an electrical signal from microphone level to line level.
Hypercardiod
Directional Response (microphone)
Preamp
Click Track
19. Analog to Digital
Cardioid mic
A/D
Graphic EQ
Wave Phase
20. Lowest frequency in a harmonic series
Omnidirectional mic
Condenser Mic
Limiter
Fundamental
21. Measures the amount of amplitude applied to a signal
Dynamic Range
Hertz
Gain
Preamp
22. Heart shaped: picks up sound from front of microphone only
Cardioid mic
Noise Gate
Limiter
Dynamic Range
23. Different in charge levels between 2 conductive elements
Bidirectional
Voltage
Dynamic Microphones
A/D
24. Any device used to increase signal level
Bandpass Filter
Hertz
Impedance
Amplifier
25. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Insert
Audio Envelope
Click Track
Mic level
26. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Amplifier
Noise Gate
Supercardiod
Directional Response (microphone)
27. Signal path in mixer - channels can be routed
Bus
Limiter
Bandpass Filter
Ribbon Microphone
28. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Preamp
Insert
Directional Response (microphone)
Click Track
29. Measure of opposition to a sinusoidal alternating current
Impedance
Ribbon Microphone
Click Track
Amplifier
30. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Limiter
Click Track
Bandpass Filter
Compression
31. Picks up sound from front and a little from back of microphone
Amplitude
PAD
Balanced Cable
Supercardiod
32. Picks up sound from front and a little more from back
Dynamic Microphones
Frequency (Hertz)
Hypercardiod
Q
33. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Low Pass Filter
Dynamic Microphones
Preamp
Mic level
34. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Audio Velocity
Condenser Mic
Directional Response (microphone)
Audio Frequency
35. Difference between loudest and quietest SPL
Fundamental
Graphic EQ
Omnidirectional mic
Dynamic Range
36. Describes bandwith
Limiter
Low Pass Filter
Compression
Q
37. Rate of repetition of periodic motion
Frequency (Hertz)
Omnidirectional mic
Bandpass Filter
Gain
38. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Q
Ribbon Microphone
Ampere
Hypercardiod
39. Lets frequencies below a certain level
Mic level
Dynamic Range
White Noise
Low Pass Filter
40. Unit of power
Mic level
A/D
Limiter
Watt
41. The relationship of two wave forms
Ribbon Microphone
Wave Phase
Graphic EQ
Insert