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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Boosts or cuts frequencies around a specified frequency
Graphic EQ
Ampere
PAD
Bandpass Filter
2. Lowest frequency in a harmonic series
Audio Velocity
Mic level
Fundamental
Wave Phase
3. Loudness or hight of a sound wave - Increase signal level
Insert
Hypercardiod
Amplifier
Amplitude
4. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
PAD
Ribbon Microphone
Audio Envelope
Amplitude
5. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Ampere
Low Pass Filter
Insert
Amplitude
6. Describes bandwith
Hypercardiod
Watt
Q
Hertz
7. Difference between loudest and quietest SPL
Limiter
Audio Frequency
Bus
Dynamic Range
8. A type of noise that is produced by combining sounds of all different frequencies together
Bidirectional
Bandpass Filter
White Noise
Amplifier
9. Measure of opposition to a sinusoidal alternating current
Fundamental
Impedance
Audio Velocity
Frequency (Hertz)
10. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Click Track
A/D
Amplitude
Wave Phase
11. Analog to Digital
A/D
Noise Gate
Frequency (Hertz)
Compression
12. Measures the amount of amplitude applied to a signal
Directional Response (microphone)
PAD
Audio Frequency
Gain
13. Any device used to increase signal level
Amplifier
Fundamental
Capacitor
Noise Gate
14. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Audio Velocity
Audio Frequency
Preamp
Balanced Cable
15. Signal path in mixer - channels can be routed
Audio Velocity
Omnidirectional mic
Bus
Fundamental
16. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Audio Velocity
Directional Response (microphone)
Noise Gate
Impedance
17. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
White Noise
Mic level
Dynamic Microphones
Graphic EQ
18. Speed of sound. 1130 ft/s
Low Pass Filter
Audio Velocity
Watt
Audio Envelope
19. Different in charge levels between 2 conductive elements
Q
Voltage
Capacitor
Amplifier
20. Devices for cutting or boosting frequencies within a 3rd of an octave
Mic level
PAD
Fundamental
Graphic EQ
21. Device that mutes a signal when it falls bellow a certain level
A/D
Noise Gate
Ampere
Compression
22. Heart shaped: picks up sound from front of microphone only
Watt
Cardioid mic
Audio Frequency
Ribbon Microphone
23. Picks up sound from front and a little from back of microphone
Insert
Hertz
Supercardiod
Gain
24. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Frequency (Hertz)
Compression
Condenser Mic
Click Track
25. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Cardioid mic
Bus
Frequency (Hertz)
Ribbon Microphone
26. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Click Track
Wave Phase
Ampere
27. The unit with which frequency is measured
Q
Ribbon Microphone
Amplifier
Hertz
28. Rate of repetition of periodic motion
Omnidirectional mic
Noise Gate
Frequency (Hertz)
Ampere
29. The relationship of two wave forms
Dynamic Range
Wave Phase
Condenser Mic
Insert
30. Level of signal generated before it is amplified by the pre amp to line level
Wave Phase
Ribbon Microphone
Mic level
Condenser Mic
31. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Audio Frequency
Omnidirectional mic
Audio Envelope
Wave Phase
32. Controls level in pre amp
Amplitude
PAD
Audio Envelope
Ampere
33. Lets frequencies below a certain level
White Noise
Amplifier
Insert
Low Pass Filter
34. A device that brings an electrical signal from microphone level to line level.
Directional Response (microphone)
Cardioid mic
Condenser Mic
Preamp
35. Picks up sound from front and a little more from back
Audio Frequency
Hypercardiod
Ribbon Microphone
Dynamic Microphones
36. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Balanced Cable
Dynamic Microphones
Bandpass Filter
37. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Supercardiod
Amplitude
Limiter
Impedance
38. Orb around the microphone can hear from any direction.
Click Track
Omnidirectional mic
Supercardiod
PAD
39. Picks up sound from front and back of microphone but not the sides.
Dynamic Range
Gain
Bidirectional
Balanced Cable
40. Unit of power
A/D
Condenser Mic
Amplifier
Watt
41. Unit of electrical current
Amplitude
Fundamental
Watt
Ampere
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