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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Controls level in pre amp
PAD
Bidirectional
Graphic EQ
Dynamic Range
2. Rate of repetition of periodic motion
Q
Frequency (Hertz)
Hypercardiod
Compression
3. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Supercardiod
Low Pass Filter
Preamp
Ribbon Microphone
4. Loudness or hight of a sound wave - Increase signal level
Noise Gate
Amplitude
Audio Envelope
Watt
5. Different in charge levels between 2 conductive elements
Click Track
Audio Frequency
Voltage
Limiter
6. Describes bandwith
Limiter
Q
Frequency (Hertz)
Audio Frequency
7. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Dynamic Range
Voltage
Cardioid mic
Balanced Cable
8. Lets frequencies below a certain level
Ampere
Low Pass Filter
Mic level
Compression
9. Difference between loudest and quietest SPL
Impedance
Dynamic Range
Omnidirectional mic
Low Pass Filter
10. Signal path in mixer - channels can be routed
Bus
Supercardiod
Noise Gate
Bandpass Filter
11. Picks up sound from front and a little more from back
Cardioid mic
Hypercardiod
Condenser Mic
Noise Gate
12. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Graphic EQ
Audio Velocity
Frequency (Hertz)
Insert
13. Picks up sound from front and back of microphone but not the sides.
Impedance
Bidirectional
Cardioid mic
Directional Response (microphone)
14. The relationship of two wave forms
Balanced Cable
Amplitude
Wave Phase
Graphic EQ
15. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Q
Amplifier
Audio Envelope
Watt
16. Unit of power
Watt
Hertz
Supercardiod
A/D
17. Speed of sound. 1130 ft/s
Gain
Audio Velocity
Amplitude
Supercardiod
18. Devices for cutting or boosting frequencies within a 3rd of an octave
Mic level
Dynamic Microphones
Ribbon Microphone
Graphic EQ
19. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Ampere
Mic level
Compression
Ribbon Microphone
20. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Directional Response (microphone)
Bidirectional
Dynamic Microphones
Click Track
21. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Ampere
Condenser Mic
Omnidirectional mic
Q
22. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Noise Gate
Directional Response (microphone)
Voltage
Bandpass Filter
23. Any device used to increase signal level
Watt
Audio Frequency
Amplifier
Ampere
24. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Condenser Mic
Audio Frequency
A/D
Ampere
25. Device that mutes a signal when it falls bellow a certain level
Low Pass Filter
Condenser Mic
Noise Gate
Compression
26. Picks up sound from front and a little from back of microphone
Supercardiod
Insert
Noise Gate
Wave Phase
27. Unit of electrical current
Ampere
Insert
Impedance
Omnidirectional mic
28. Measures the amount of amplitude applied to a signal
Gain
Wave Phase
Mic level
Balanced Cable
29. Level of signal generated before it is amplified by the pre amp to line level
Cardioid mic
Low Pass Filter
Ampere
Mic level
30. Boosts or cuts frequencies around a specified frequency
Bandpass Filter
Hertz
Condenser Mic
Click Track
31. Orb around the microphone can hear from any direction.
Omnidirectional mic
Graphic EQ
Bidirectional
Audio Envelope
32. Lowest frequency in a harmonic series
Fundamental
Impedance
Condenser Mic
A/D
33. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Supercardiod
Cardioid mic
Insert
34. Measure of opposition to a sinusoidal alternating current
Amplifier
Ribbon Microphone
Impedance
Insert
35. Analog to Digital
A/D
Click Track
Gain
Noise Gate
36. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Audio Envelope
Omnidirectional mic
Graphic EQ
Limiter
37. A type of noise that is produced by combining sounds of all different frequencies together
White Noise
Capacitor
Noise Gate
Watt
38. The unit with which frequency is measured
Bandpass Filter
Noise Gate
Wave Phase
Hertz
39. A device that brings an electrical signal from microphone level to line level.
Capacitor
Compression
Bidirectional
Preamp
40. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Noise Gate
Dynamic Microphones
Frequency (Hertz)
White Noise
41. Heart shaped: picks up sound from front of microphone only
Cardioid mic
Amplitude
Hypercardiod
Click Track