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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Dynamic Microphones
Ribbon Microphone
Cardioid mic
Condenser Mic
2. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Frequency (Hertz)
Compression
Low Pass Filter
PAD
3. Picks up sound from front and a little from back of microphone
Limiter
PAD
Mic level
Supercardiod
4. Heart shaped: picks up sound from front of microphone only
Insert
Watt
Balanced Cable
Cardioid mic
5. Picks up sound from front and a little more from back
Amplifier
A/D
Hypercardiod
Ampere
6. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Hypercardiod
Audio Envelope
Insert
Hertz
7. Difference between loudest and quietest SPL
Dynamic Range
Click Track
Graphic EQ
Frequency (Hertz)
8. Picks up sound from front and back of microphone but not the sides.
Dynamic Range
Capacitor
Condenser Mic
Bidirectional
9. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Condenser Mic
Audio Frequency
Frequency (Hertz)
10. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Limiter
Audio Frequency
A/D
Omnidirectional mic
11. Unit of power
Audio Velocity
Bidirectional
Watt
Impedance
12. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Dynamic Microphones
Ribbon Microphone
Voltage
Wave Phase
13. The relationship of two wave forms
Preamp
Amplifier
Condenser Mic
Wave Phase
14. A device that brings an electrical signal from microphone level to line level.
Wave Phase
Impedance
Preamp
Watt
15. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Dynamic Range
A/D
Ribbon Microphone
Bidirectional
16. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Click Track
Watt
Wave Phase
Amplitude
17. Any device used to increase signal level
Hypercardiod
Limiter
Ribbon Microphone
Amplifier
18. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Dynamic Microphones
Supercardiod
Audio Frequency
Audio Envelope
19. Rate of repetition of periodic motion
Q
Frequency (Hertz)
Preamp
Balanced Cable
20. A type of noise that is produced by combining sounds of all different frequencies together
Preamp
PAD
White Noise
Wave Phase
21. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Audio Frequency
Omnidirectional mic
Low Pass Filter
22. Devices for cutting or boosting frequencies within a 3rd of an octave
Audio Frequency
Wave Phase
Graphic EQ
Amplifier
23. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Cardioid mic
Gain
Mic level
24. Describes bandwith
Directional Response (microphone)
Q
Preamp
Bus
25. Unit of electrical current
A/D
Impedance
Dynamic Range
Ampere
26. Lowest frequency in a harmonic series
Limiter
Fundamental
Amplifier
Bus
27. Different in charge levels between 2 conductive elements
Wave Phase
Impedance
Omnidirectional mic
Voltage
28. Device that mutes a signal when it falls bellow a certain level
PAD
Noise Gate
Condenser Mic
A/D
29. Measures the amount of amplitude applied to a signal
Ampere
Cardioid mic
Gain
PAD
30. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Preamp
Amplitude
Click Track
31. Orb around the microphone can hear from any direction.
Hertz
Gain
Compression
Omnidirectional mic
32. Lets frequencies below a certain level
Omnidirectional mic
Cardioid mic
PAD
Low Pass Filter
33. Controls level in pre amp
Ampere
Amplitude
Noise Gate
PAD
34. Analog to Digital
A/D
Frequency (Hertz)
Omnidirectional mic
Audio Frequency
35. Boosts or cuts frequencies around a specified frequency
Condenser Mic
Bandpass Filter
Limiter
Hypercardiod
36. Signal path in mixer - channels can be routed
Bus
Hertz
Amplitude
Ampere
37. Speed of sound. 1130 ft/s
PAD
Audio Envelope
Frequency (Hertz)
Audio Velocity
38. Loudness or hight of a sound wave - Increase signal level
Fundamental
Ribbon Microphone
Amplitude
Ampere
39. The unit with which frequency is measured
Click Track
Hertz
Watt
Amplitude
40. Measure of opposition to a sinusoidal alternating current
Voltage
Amplitude
Impedance
Q
41. Level of signal generated before it is amplified by the pre amp to line level
Bandpass Filter
Gain
Mic level
Limiter