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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Devices for cutting or boosting frequencies within a 3rd of an octave
Preamp
Graphic EQ
Bus
Omnidirectional mic
2. Unit of electrical current
Graphic EQ
Ampere
Noise Gate
Gain
3. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Bandpass Filter
Impedance
Mic level
Limiter
4. Unit of power
Audio Velocity
Watt
Condenser Mic
Noise Gate
5. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Hertz
Dynamic Microphones
Insert
Capacitor
6. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Noise Gate
Supercardiod
Cardioid mic
7. Any device used to increase signal level
Click Track
Amplifier
White Noise
Ribbon Microphone
8. Signal path in mixer - channels can be routed
White Noise
Condenser Mic
Bus
Ribbon Microphone
9. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Bandpass Filter
Compression
Fundamental
Voltage
10. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Limiter
PAD
Directional Response (microphone)
White Noise
11. A device that brings an electrical signal from microphone level to line level.
Gain
Preamp
Hertz
Amplitude
12. Speed of sound. 1130 ft/s
Audio Velocity
Bidirectional
Omnidirectional mic
Voltage
13. Controls level in pre amp
Limiter
Impedance
Audio Velocity
PAD
14. Orb around the microphone can hear from any direction.
Bidirectional
Omnidirectional mic
Low Pass Filter
Gain
15. Describes bandwith
Wave Phase
Hypercardiod
Balanced Cable
Q
16. Lets frequencies below a certain level
Limiter
Directional Response (microphone)
Low Pass Filter
Mic level
17. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Cardioid mic
PAD
Compression
Click Track
18. Rate of repetition of periodic motion
PAD
Hypercardiod
Dynamic Range
Frequency (Hertz)
19. Picks up sound from front and a little from back of microphone
Supercardiod
Amplifier
Voltage
Cardioid mic
20. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Watt
Audio Frequency
Directional Response (microphone)
Balanced Cable
21. Different in charge levels between 2 conductive elements
Graphic EQ
Mic level
Omnidirectional mic
Voltage
22. Loudness or hight of a sound wave - Increase signal level
Audio Frequency
Bus
Amplitude
Condenser Mic
23. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Condenser Mic
Dynamic Range
Capacitor
24. Picks up sound from front and a little more from back
Dynamic Range
Graphic EQ
Hypercardiod
Low Pass Filter
25. Measures the amount of amplitude applied to a signal
Gain
Fundamental
Supercardiod
Q
26. Analog to Digital
A/D
Amplifier
Dynamic Range
Preamp
27. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Mic level
Audio Envelope
Bidirectional
Bus
28. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Gain
Audio Frequency
Bidirectional
Mic level
29. The unit with which frequency is measured
Q
Hertz
Bandpass Filter
Directional Response (microphone)
30. Device that mutes a signal when it falls bellow a certain level
Click Track
Hypercardiod
Noise Gate
Dynamic Range
31. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Impedance
Click Track
A/D
Dynamic Microphones
32. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Compression
Preamp
Insert
33. Heart shaped: picks up sound from front of microphone only
Audio Frequency
Fundamental
Wave Phase
Cardioid mic
34. Measure of opposition to a sinusoidal alternating current
Balanced Cable
Directional Response (microphone)
Impedance
A/D
35. The relationship of two wave forms
Dynamic Microphones
Wave Phase
White Noise
Fundamental
36. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
Insert
Directional Response (microphone)
Voltage
37. Boosts or cuts frequencies around a specified frequency
Q
Graphic EQ
Bandpass Filter
Impedance
38. Difference between loudest and quietest SPL
Impedance
Q
Dynamic Range
Wave Phase
39. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Click Track
Frequency (Hertz)
Watt
Capacitor
40. A type of noise that is produced by combining sounds of all different frequencies together
White Noise
Graphic EQ
Audio Envelope
Voltage
41. Lowest frequency in a harmonic series
Ampere
Compression
Directional Response (microphone)
Fundamental