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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Hypercardiod
Ampere
Graphic EQ
Dynamic Microphones
2. Level of signal generated before it is amplified by the pre amp to line level
Fundamental
Mic level
Omnidirectional mic
Capacitor
3. Analog to Digital
A/D
Gain
Preamp
Ribbon Microphone
4. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Ampere
Omnidirectional mic
Click Track
Fundamental
5. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Ampere
A/D
Amplifier
6. Picks up sound from front and back of microphone but not the sides.
Insert
Bidirectional
Bus
Omnidirectional mic
7. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Q
Directional Response (microphone)
Insert
Audio Frequency
8. Unit of power
Voltage
Gain
Watt
Amplitude
9. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Ampere
Mic level
Bidirectional
Compression
10. Orb around the microphone can hear from any direction.
Fundamental
Omnidirectional mic
Dynamic Range
Watt
11. Picks up sound from front and a little more from back
Insert
Limiter
Hypercardiod
Audio Velocity
12. The relationship of two wave forms
White Noise
PAD
Frequency (Hertz)
Wave Phase
13. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
White Noise
Limiter
Dynamic Range
Audio Frequency
14. A device that brings an electrical signal from microphone level to line level.
Hertz
Bus
Insert
Preamp
15. Rate of repetition of periodic motion
Frequency (Hertz)
Ampere
Amplifier
Fundamental
16. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Amplitude
Watt
Noise Gate
17. Different in charge levels between 2 conductive elements
Limiter
Bandpass Filter
Voltage
Dynamic Microphones
18. Controls level in pre amp
Hypercardiod
Low Pass Filter
PAD
Dynamic Range
19. Difference between loudest and quietest SPL
Supercardiod
Omnidirectional mic
Dynamic Range
Watt
20. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Graphic EQ
Watt
Balanced Cable
Insert
21. Lets frequencies below a certain level
Audio Frequency
Low Pass Filter
Noise Gate
Condenser Mic
22. Device that mutes a signal when it falls bellow a certain level
Condenser Mic
Amplifier
Noise Gate
Hypercardiod
23. Describes bandwith
Ampere
Insert
Capacitor
Q
24. Signal path in mixer - channels can be routed
Balanced Cable
Bus
Preamp
Graphic EQ
25. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Dynamic Microphones
Audio Envelope
Limiter
Preamp
26. Speed of sound. 1130 ft/s
Audio Velocity
PAD
Dynamic Microphones
Amplitude
27. Measures the amount of amplitude applied to a signal
Gain
Supercardiod
Bidirectional
Impedance
28. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Q
Low Pass Filter
Condenser Mic
Directional Response (microphone)
29. A type of noise that is produced by combining sounds of all different frequencies together
White Noise
Bidirectional
Directional Response (microphone)
Amplifier
30. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Dynamic Range
Limiter
Bus
Compression
31. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Bus
Preamp
Dynamic Microphones
Ribbon Microphone
32. Picks up sound from front and a little from back of microphone
A/D
Audio Frequency
Supercardiod
Mic level
33. Any device used to increase signal level
Voltage
Mic level
Amplifier
Fundamental
34. Unit of electrical current
Hertz
Ampere
Cardioid mic
Q
35. Loudness or hight of a sound wave - Increase signal level
Balanced Cable
Amplitude
Audio Velocity
Directional Response (microphone)
36. Measure of opposition to a sinusoidal alternating current
Omnidirectional mic
Noise Gate
Impedance
Cardioid mic
37. Heart shaped: picks up sound from front of microphone only
Bidirectional
Cardioid mic
Dynamic Microphones
Hertz
38. Boosts or cuts frequencies around a specified frequency
Bandpass Filter
Ribbon Microphone
Hypercardiod
Hertz
39. Lowest frequency in a harmonic series
Bidirectional
Audio Velocity
Low Pass Filter
Fundamental
40. Devices for cutting or boosting frequencies within a 3rd of an octave
Fundamental
Graphic EQ
Dynamic Range
Audio Frequency
41. The unit with which frequency is measured
Fundamental
Supercardiod
Preamp
Hertz