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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Ribbon Microphone
Bus
Q
2. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Click Track
PAD
Ribbon Microphone
Bus
3. Different in charge levels between 2 conductive elements
Mic level
Capacitor
Bandpass Filter
Voltage
4. Difference between loudest and quietest SPL
Graphic EQ
Insert
Ampere
Dynamic Range
5. Orb around the microphone can hear from any direction.
Omnidirectional mic
Condenser Mic
Bus
Low Pass Filter
6. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Fundamental
White Noise
Balanced Cable
7. Loudness or hight of a sound wave - Increase signal level
Amplitude
Click Track
Condenser Mic
Ribbon Microphone
8. Heart shaped: picks up sound from front of microphone only
Cardioid mic
Capacitor
Dynamic Microphones
Mic level
9. The relationship of two wave forms
Audio Frequency
Insert
Noise Gate
Wave Phase
10. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Bus
Capacitor
Audio Frequency
Compression
11. Picks up sound from front and back of microphone but not the sides.
Ampere
Compression
Impedance
Bidirectional
12. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Dynamic Range
Audio Frequency
Amplitude
Frequency (Hertz)
13. Measure of opposition to a sinusoidal alternating current
Supercardiod
Audio Envelope
White Noise
Impedance
14. The unit with which frequency is measured
Bidirectional
Hertz
Low Pass Filter
Hypercardiod
15. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Q
Low Pass Filter
Mic level
Dynamic Microphones
16. Devices for cutting or boosting frequencies within a 3rd of an octave
Hypercardiod
Amplifier
Graphic EQ
Dynamic Range
17. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Wave Phase
Directional Response (microphone)
Watt
18. Level of signal generated before it is amplified by the pre amp to line level
Gain
Impedance
Mic level
Bidirectional
19. Unit of electrical current
Audio Velocity
Directional Response (microphone)
Ampere
Limiter
20. Lowest frequency in a harmonic series
Condenser Mic
Fundamental
Limiter
Q
21. Describes bandwith
Q
Audio Frequency
Click Track
A/D
22. Picks up sound from front and a little more from back
Hypercardiod
Dynamic Microphones
Graphic EQ
Hertz
23. Device that mutes a signal when it falls bellow a certain level
Audio Frequency
Low Pass Filter
Noise Gate
Bus
24. Any device used to increase signal level
Amplifier
Capacitor
Audio Velocity
Hypercardiod
25. Measures the amount of amplitude applied to a signal
Amplitude
Audio Frequency
Watt
Gain
26. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Omnidirectional mic
PAD
Click Track
Directional Response (microphone)
27. Signal path in mixer - channels can be routed
Dynamic Microphones
Audio Frequency
Cardioid mic
Bus
28. Boosts or cuts frequencies around a specified frequency
Fundamental
Amplifier
Hertz
Bandpass Filter
29. Controls level in pre amp
PAD
Graphic EQ
A/D
Limiter
30. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Audio Velocity
Ribbon Microphone
Fundamental
31. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Graphic EQ
Fundamental
Supercardiod
32. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Velocity
Audio Envelope
Compression
Bus
33. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Wave Phase
Low Pass Filter
Preamp
34. A type of noise that is produced by combining sounds of all different frequencies together
Gain
Hertz
White Noise
Cardioid mic
35. Speed of sound. 1130 ft/s
Audio Velocity
Audio Frequency
Q
Amplifier
36. Picks up sound from front and a little from back of microphone
Supercardiod
Mic level
Fundamental
Audio Velocity
37. Unit of power
Watt
Cardioid mic
Condenser Mic
Frequency (Hertz)
38. Analog to Digital
Compression
Gain
A/D
Condenser Mic
39. Lets frequencies below a certain level
Graphic EQ
White Noise
Ribbon Microphone
Low Pass Filter
40. Rate of repetition of periodic motion
Amplitude
Omnidirectional mic
Frequency (Hertz)
Bus
41. A device that brings an electrical signal from microphone level to line level.
Preamp
Limiter
Ampere
A/D