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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Different in charge levels between 2 conductive elements
Compression
White Noise
Dynamic Microphones
Voltage
2. Measure of opposition to a sinusoidal alternating current
Dynamic Microphones
Impedance
Bidirectional
Compression
3. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Dynamic Range
Dynamic Microphones
Audio Velocity
Low Pass Filter
4. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
Capacitor
Omnidirectional mic
PAD
5. Lets frequencies below a certain level
White Noise
Ampere
Low Pass Filter
Fundamental
6. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Graphic EQ
Compression
Amplitude
7. Speed of sound. 1130 ft/s
Hertz
Watt
Mic level
Audio Velocity
8. Measures the amount of amplitude applied to a signal
Click Track
Supercardiod
Gain
PAD
9. Heart shaped: picks up sound from front of microphone only
Directional Response (microphone)
Cardioid mic
Preamp
Q
10. Any device used to increase signal level
Bandpass Filter
Q
Compression
Amplifier
11. Describes bandwith
Q
PAD
Audio Frequency
Noise Gate
12. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Directional Response (microphone)
Gain
Frequency (Hertz)
Balanced Cable
13. A device that brings an electrical signal from microphone level to line level.
Supercardiod
Graphic EQ
Ribbon Microphone
Preamp
14. Controls level in pre amp
Compression
PAD
Fundamental
Wave Phase
15. The unit with which frequency is measured
Fundamental
Wave Phase
Hertz
Preamp
16. Analog to Digital
A/D
Voltage
Frequency (Hertz)
Capacitor
17. The relationship of two wave forms
Amplitude
Fundamental
Preamp
Wave Phase
18. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Low Pass Filter
Balanced Cable
Bandpass Filter
19. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Ampere
Bandpass Filter
Audio Envelope
Directional Response (microphone)
20. Orb around the microphone can hear from any direction.
Graphic EQ
Bandpass Filter
Omnidirectional mic
Balanced Cable
21. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Graphic EQ
Amplitude
Voltage
Compression
22. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Audio Envelope
Graphic EQ
Amplitude
23. Loudness or hight of a sound wave - Increase signal level
Capacitor
Graphic EQ
Gain
Amplitude
24. Lowest frequency in a harmonic series
Audio Envelope
Fundamental
Omnidirectional mic
Noise Gate
25. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Balanced Cable
White Noise
Dynamic Microphones
26. Devices for cutting or boosting frequencies within a 3rd of an octave
Condenser Mic
Balanced Cable
Graphic EQ
Frequency (Hertz)
27. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Fundamental
Gain
Impedance
Click Track
28. Picks up sound from front and a little from back of microphone
Supercardiod
Audio Velocity
Dynamic Range
Insert
29. Unit of electrical current
Q
Ampere
Click Track
Ribbon Microphone
30. Rate of repetition of periodic motion
White Noise
Frequency (Hertz)
Bus
Bandpass Filter
31. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
A/D
Audio Velocity
Ampere
Limiter
32. Picks up sound from front and a little more from back
Ampere
Hypercardiod
Condenser Mic
Supercardiod
33. Boosts or cuts frequencies around a specified frequency
Insert
Dynamic Microphones
Balanced Cable
Bandpass Filter
34. A type of noise that is produced by combining sounds of all different frequencies together
Voltage
Amplifier
White Noise
Bus
35. Picks up sound from front and back of microphone but not the sides.
Q
Gain
Hertz
Bidirectional
36. Unit of power
Watt
Compression
Bidirectional
Mic level
37. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Condenser Mic
Balanced Cable
Audio Frequency
Bidirectional
38. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Ampere
A/D
Audio Envelope
Audio Velocity
39. Signal path in mixer - channels can be routed
Bus
Frequency (Hertz)
Audio Envelope
Voltage
40. Difference between loudest and quietest SPL
Audio Velocity
Dynamic Range
Balanced Cable
Amplitude
41. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Amplifier
Capacitor
Fundamental
Limiter