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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Orb around the microphone can hear from any direction.
Q
Omnidirectional mic
Noise Gate
Hertz
2. Analog to Digital
Cardioid mic
A/D
Amplitude
Bandpass Filter
3. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Audio Envelope
Audio Frequency
Click Track
Cardioid mic
4. Level of signal generated before it is amplified by the pre amp to line level
Gain
Mic level
Compression
Omnidirectional mic
5. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Ribbon Microphone
Audio Envelope
Directional Response (microphone)
Gain
6. Signal path in mixer - channels can be routed
Bus
Mic level
Audio Velocity
Dynamic Microphones
7. Speed of sound. 1130 ft/s
White Noise
Balanced Cable
Dynamic Range
Audio Velocity
8. Boosts or cuts frequencies around a specified frequency
Insert
Ampere
Bandpass Filter
Click Track
9. Devices for cutting or boosting frequencies within a 3rd of an octave
Audio Envelope
Preamp
Graphic EQ
White Noise
10. Unit of power
Impedance
Watt
Bandpass Filter
Low Pass Filter
11. Describes bandwith
Impedance
Limiter
Q
Amplifier
12. Any device used to increase signal level
Balanced Cable
Amplifier
Audio Velocity
Cardioid mic
13. Different in charge levels between 2 conductive elements
Ampere
Mic level
Preamp
Voltage
14. Picks up sound from front and a little more from back
Hypercardiod
Bus
Limiter
White Noise
15. Difference between loudest and quietest SPL
Click Track
Graphic EQ
Q
Dynamic Range
16. The unit with which frequency is measured
Hertz
Gain
Fundamental
Ribbon Microphone
17. Lets frequencies below a certain level
Gain
Low Pass Filter
A/D
Hypercardiod
18. The relationship of two wave forms
Watt
Ampere
Audio Frequency
Wave Phase
19. Lowest frequency in a harmonic series
Bus
Mic level
Fundamental
Amplitude
20. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Bandpass Filter
Bus
Compression
Limiter
21. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Mic level
Balanced Cable
Preamp
Limiter
22. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Bandpass Filter
Audio Frequency
Fundamental
23. A type of noise that is produced by combining sounds of all different frequencies together
Preamp
Click Track
Voltage
White Noise
24. Loudness or hight of a sound wave - Increase signal level
Condenser Mic
Amplitude
Limiter
Bandpass Filter
25. A device that brings an electrical signal from microphone level to line level.
Preamp
Hypercardiod
Limiter
Fundamental
26. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Capacitor
Audio Envelope
Audio Velocity
Limiter
27. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Preamp
Fundamental
Balanced Cable
28. Unit of electrical current
Condenser Mic
Cardioid mic
Watt
Ampere
29. Measure of opposition to a sinusoidal alternating current
Impedance
PAD
White Noise
Bus
30. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Impedance
Directional Response (microphone)
Low Pass Filter
31. Picks up sound from front and a little from back of microphone
Supercardiod
Limiter
Mic level
White Noise
32. Picks up sound from front and back of microphone but not the sides.
Noise Gate
Balanced Cable
Voltage
Bidirectional
33. Measures the amount of amplitude applied to a signal
Gain
Compression
Cardioid mic
Audio Frequency
34. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Amplitude
Voltage
Insert
Audio Envelope
35. Heart shaped: picks up sound from front of microphone only
Noise Gate
Omnidirectional mic
Insert
Cardioid mic
36. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Audio Frequency
Bus
Condenser Mic
Audio Envelope
37. Rate of repetition of periodic motion
Capacitor
Frequency (Hertz)
Compression
Wave Phase
38. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Audio Frequency
Balanced Cable
Click Track
39. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Fundamental
Ribbon Microphone
Frequency (Hertz)
Directional Response (microphone)
40. Controls level in pre amp
Fundamental
Mic level
Directional Response (microphone)
PAD
41. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Supercardiod
Wave Phase
Dynamic Microphones
Audio Envelope