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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Controls level in pre amp
Voltage
PAD
Preamp
Audio Velocity
2. Devices for cutting or boosting frequencies within a 3rd of an octave
Amplitude
Compression
Graphic EQ
Impedance
3. Boosts or cuts frequencies around a specified frequency
Ribbon Microphone
Voltage
Bandpass Filter
Compression
4. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Low Pass Filter
Ribbon Microphone
Bidirectional
Hypercardiod
5. Picks up sound from front and a little from back of microphone
Frequency (Hertz)
Mic level
Supercardiod
Cardioid mic
6. The unit with which frequency is measured
Balanced Cable
Amplitude
Hertz
Bus
7. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Amplifier
Graphic EQ
Q
Insert
8. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Insert
Click Track
Graphic EQ
Voltage
9. Orb around the microphone can hear from any direction.
Voltage
Omnidirectional mic
Bandpass Filter
Bus
10. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Directional Response (microphone)
Watt
Click Track
Condenser Mic
11. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Bidirectional
Amplitude
Omnidirectional mic
12. A device that brings an electrical signal from microphone level to line level.
Amplitude
Frequency (Hertz)
Preamp
Click Track
13. The relationship of two wave forms
Amplifier
Condenser Mic
Wave Phase
Dynamic Microphones
14. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Mic level
Q
Capacitor
Cardioid mic
15. A type of noise that is produced by combining sounds of all different frequencies together
Compression
Supercardiod
White Noise
Cardioid mic
16. Heart shaped: picks up sound from front of microphone only
Compression
Low Pass Filter
Cardioid mic
Audio Frequency
17. Different in charge levels between 2 conductive elements
Hertz
Graphic EQ
Voltage
Omnidirectional mic
18. Loudness or hight of a sound wave - Increase signal level
Supercardiod
Watt
Amplitude
Ampere
19. Unit of electrical current
Compression
Ampere
Balanced Cable
Amplifier
20. Lets frequencies below a certain level
Click Track
Low Pass Filter
Balanced Cable
Graphic EQ
21. Analog to Digital
A/D
Balanced Cable
Bandpass Filter
Graphic EQ
22. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Bandpass Filter
Limiter
A/D
Frequency (Hertz)
23. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Watt
Amplitude
Bus
24. Measure of opposition to a sinusoidal alternating current
Insert
Impedance
Frequency (Hertz)
Directional Response (microphone)
25. Rate of repetition of periodic motion
Fundamental
Frequency (Hertz)
Ampere
Bandpass Filter
26. Picks up sound from front and a little more from back
Amplitude
Hypercardiod
Dynamic Range
Mic level
27. Picks up sound from front and back of microphone but not the sides.
Ampere
Balanced Cable
Bidirectional
Omnidirectional mic
28. Measures the amount of amplitude applied to a signal
Gain
Preamp
Dynamic Microphones
Insert
29. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Click Track
Dynamic Microphones
Omnidirectional mic
Ribbon Microphone
30. Unit of power
PAD
Insert
Watt
Q
31. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Q
Wave Phase
Insert
32. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Cardioid mic
Gain
Audio Envelope
Mic level
33. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Hertz
Balanced Cable
Audio Frequency
Low Pass Filter
34. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Hertz
Wave Phase
Balanced Cable
Audio Envelope
35. Any device used to increase signal level
Amplifier
Directional Response (microphone)
Hypercardiod
Graphic EQ
36. Describes bandwith
Audio Envelope
Q
Dynamic Microphones
Directional Response (microphone)
37. Difference between loudest and quietest SPL
Dynamic Range
Bus
Balanced Cable
Frequency (Hertz)
38. Lowest frequency in a harmonic series
Audio Velocity
Fundamental
Noise Gate
Bidirectional
39. Speed of sound. 1130 ft/s
Ampere
Ribbon Microphone
Audio Velocity
Low Pass Filter
40. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Impedance
Low Pass Filter
Voltage
Directional Response (microphone)
41. Signal path in mixer - channels can be routed
Bus
Mic level
Limiter
Noise Gate