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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Signal path in mixer - channels can be routed
Limiter
Insert
Bus
A/D
2. Analog to Digital
Audio Envelope
A/D
Ribbon Microphone
Low Pass Filter
3. Difference between loudest and quietest SPL
Limiter
Watt
Dynamic Range
Audio Envelope
4. Controls level in pre amp
Condenser Mic
Graphic EQ
PAD
Bidirectional
5. Measure of opposition to a sinusoidal alternating current
Dynamic Range
Bidirectional
Impedance
Omnidirectional mic
6. Lowest frequency in a harmonic series
Fundamental
Frequency (Hertz)
PAD
Bidirectional
7. Unit of electrical current
Ampere
Wave Phase
Voltage
Cardioid mic
8. Heart shaped: picks up sound from front of microphone only
Cardioid mic
Amplifier
Click Track
Gain
9. A type of noise that is produced by combining sounds of all different frequencies together
Bus
White Noise
Click Track
Low Pass Filter
10. Different in charge levels between 2 conductive elements
Preamp
A/D
Watt
Voltage
11. A device that brings an electrical signal from microphone level to line level.
Bus
Preamp
Low Pass Filter
A/D
12. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Noise Gate
Insert
Dynamic Microphones
Audio Frequency
13. Unit of power
Q
Watt
Audio Velocity
Voltage
14. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
White Noise
Capacitor
Balanced Cable
Noise Gate
15. Any device used to increase signal level
Insert
Fundamental
Amplifier
Hertz
16. Boosts or cuts frequencies around a specified frequency
Omnidirectional mic
PAD
Bandpass Filter
Dynamic Microphones
17. Describes bandwith
Q
Hypercardiod
Voltage
Click Track
18. Loudness or hight of a sound wave - Increase signal level
Amplitude
Audio Velocity
Dynamic Range
Hypercardiod
19. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
PAD
Mic level
Capacitor
Compression
20. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Bandpass Filter
Audio Frequency
Noise Gate
PAD
21. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Dynamic Microphones
Noise Gate
Bus
Audio Envelope
22. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Audio Frequency
Bandpass Filter
Graphic EQ
23. Speed of sound. 1130 ft/s
Amplitude
Gain
Bus
Audio Velocity
24. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Condenser Mic
Wave Phase
Dynamic Microphones
25. Level of signal generated before it is amplified by the pre amp to line level
Amplitude
Mic level
Hertz
Bandpass Filter
26. Picks up sound from front and a little more from back
Noise Gate
Q
Hypercardiod
Voltage
27. Rate of repetition of periodic motion
Frequency (Hertz)
Graphic EQ
Omnidirectional mic
Cardioid mic
28. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Bidirectional
Impedance
Cardioid mic
Capacitor
29. Measures the amount of amplitude applied to a signal
Ribbon Microphone
Insert
Gain
Hertz
30. The unit with which frequency is measured
Audio Velocity
Audio Envelope
Hertz
Click Track
31. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Balanced Cable
Limiter
Ampere
Amplifier
32. Picks up sound from front and back of microphone but not the sides.
Bandpass Filter
Fundamental
Bidirectional
Impedance
33. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Insert
Noise Gate
Capacitor
Ribbon Microphone
34. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Low Pass Filter
Condenser Mic
Dynamic Microphones
Ampere
35. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Low Pass Filter
Directional Response (microphone)
Fundamental
36. Orb around the microphone can hear from any direction.
Amplifier
Voltage
Omnidirectional mic
Wave Phase
37. Devices for cutting or boosting frequencies within a 3rd of an octave
Audio Frequency
Graphic EQ
Bus
White Noise
38. Lets frequencies below a certain level
Supercardiod
Noise Gate
Low Pass Filter
Hertz
39. The relationship of two wave forms
Click Track
Amplifier
Wave Phase
Voltage
40. Picks up sound from front and a little from back of microphone
Cardioid mic
Bidirectional
A/D
Supercardiod
41. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Cardioid mic
Condenser Mic
White Noise
Click Track
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