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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Dynamic Range
Condenser Mic
Audio Envelope
2. Different in charge levels between 2 conductive elements
Bandpass Filter
Condenser Mic
Hypercardiod
Voltage
3. Analog to Digital
Supercardiod
Ribbon Microphone
A/D
Q
4. Picks up sound from front and a little from back of microphone
PAD
Capacitor
Supercardiod
Graphic EQ
5. Loudness or hight of a sound wave - Increase signal level
Capacitor
Hertz
Low Pass Filter
Amplitude
6. Lowest frequency in a harmonic series
Watt
Fundamental
Amplitude
Ribbon Microphone
7. Heart shaped: picks up sound from front of microphone only
Limiter
Audio Frequency
Cardioid mic
White Noise
8. Rate of repetition of periodic motion
Audio Velocity
Frequency (Hertz)
Audio Frequency
Noise Gate
9. Controls level in pre amp
PAD
White Noise
Balanced Cable
Amplitude
10. Describes bandwith
Q
Amplitude
Gain
Audio Envelope
11. Unit of electrical current
Omnidirectional mic
Condenser Mic
Ampere
Gain
12. Orb around the microphone can hear from any direction.
Omnidirectional mic
Frequency (Hertz)
Directional Response (microphone)
Graphic EQ
13. Measures the amount of amplitude applied to a signal
Insert
Low Pass Filter
Gain
Mic level
14. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Bandpass Filter
Condenser Mic
Directional Response (microphone)
White Noise
15. The relationship of two wave forms
Compression
Wave Phase
Mic level
Preamp
16. A device that brings an electrical signal from microphone level to line level.
Impedance
Preamp
Mic level
Frequency (Hertz)
17. Speed of sound. 1130 ft/s
Balanced Cable
Audio Envelope
Audio Velocity
Dynamic Range
18. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Hypercardiod
Fundamental
Bandpass Filter
Audio Envelope
19. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Limiter
Balanced Cable
Preamp
Voltage
20. A type of noise that is produced by combining sounds of all different frequencies together
Capacitor
Insert
Fundamental
White Noise
21. Boosts or cuts frequencies around a specified frequency
A/D
Voltage
Bandpass Filter
Audio Velocity
22. The unit with which frequency is measured
Audio Frequency
Bidirectional
Hertz
Bus
23. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Amplifier
Preamp
Gain
24. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
White Noise
Bidirectional
Capacitor
Dynamic Range
25. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Condenser Mic
Limiter
Audio Frequency
PAD
26. Difference between loudest and quietest SPL
Compression
Dynamic Range
Noise Gate
Insert
27. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Q
Insert
Mic level
Gain
28. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
PAD
Amplifier
Hertz
29. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Ribbon Microphone
Compression
Impedance
30. Lets frequencies below a certain level
Audio Frequency
Low Pass Filter
Frequency (Hertz)
Voltage
31. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Graphic EQ
Ribbon Microphone
Click Track
Supercardiod
32. Device that mutes a signal when it falls bellow a certain level
Cardioid mic
Audio Velocity
Limiter
Noise Gate
33. Unit of power
Ampere
Watt
Cardioid mic
Voltage
34. Signal path in mixer - channels can be routed
Impedance
Dynamic Range
Directional Response (microphone)
Bus
35. Any device used to increase signal level
Amplifier
Compression
Impedance
Fundamental
36. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Limiter
Cardioid mic
Hypercardiod
37. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Audio Velocity
Mic level
Dynamic Microphones
Directional Response (microphone)
38. Devices for cutting or boosting frequencies within a 3rd of an octave
Audio Frequency
Omnidirectional mic
Watt
Graphic EQ
39. Measure of opposition to a sinusoidal alternating current
Bidirectional
Impedance
Mic level
A/D
40. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
PAD
Click Track
Audio Envelope
A/D
41. Picks up sound from front and a little more from back
Preamp
Condenser Mic
Hypercardiod
Fundamental