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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Mic level
Supercardiod
Watt
Balanced Cable
2. Signal path in mixer - channels can be routed
Bus
Supercardiod
Mic level
Ampere
3. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Insert
Dynamic Range
Voltage
4. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Audio Frequency
Hypercardiod
Dynamic Microphones
Condenser Mic
5. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
White Noise
PAD
Low Pass Filter
Capacitor
6. Speed of sound. 1130 ft/s
Mic level
Bus
Bidirectional
Audio Velocity
7. Unit of electrical current
Ampere
Gain
Compression
Ribbon Microphone
8. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Audio Velocity
Directional Response (microphone)
Compression
Dynamic Range
9. Controls level in pre amp
Ribbon Microphone
PAD
Impedance
Wave Phase
10. Boosts or cuts frequencies around a specified frequency
Omnidirectional mic
Audio Frequency
A/D
Bandpass Filter
11. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Audio Frequency
PAD
Dynamic Microphones
Limiter
12. A type of noise that is produced by combining sounds of all different frequencies together
White Noise
Impedance
Audio Velocity
Q
13. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Amplitude
Insert
Dynamic Microphones
PAD
14. Any device used to increase signal level
Insert
Condenser Mic
Hertz
Amplifier
15. Loudness or hight of a sound wave - Increase signal level
Amplitude
Cardioid mic
Noise Gate
Watt
16. Measures the amount of amplitude applied to a signal
Amplitude
Gain
Click Track
Hertz
17. Different in charge levels between 2 conductive elements
Capacitor
Voltage
Audio Frequency
Omnidirectional mic
18. A device that brings an electrical signal from microphone level to line level.
Audio Envelope
Preamp
Low Pass Filter
Bidirectional
19. Describes bandwith
Q
Ampere
Hertz
Dynamic Range
20. Unit of power
Audio Envelope
Watt
White Noise
Capacitor
21. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
PAD
Audio Envelope
Bus
Ampere
22. Picks up sound from front and a little from back of microphone
Limiter
Condenser Mic
Supercardiod
Hertz
23. Lets frequencies below a certain level
Bandpass Filter
Low Pass Filter
Hertz
Mic level
24. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
A/D
Bidirectional
Compression
Q
25. Heart shaped: picks up sound from front of microphone only
Impedance
Hypercardiod
Condenser Mic
Cardioid mic
26. The unit with which frequency is measured
Hertz
Dynamic Microphones
Audio Velocity
Ribbon Microphone
27. Picks up sound from front and a little more from back
Ribbon Microphone
Hypercardiod
Fundamental
Frequency (Hertz)
28. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Insert
Noise Gate
Audio Envelope
29. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Supercardiod
Click Track
Condenser Mic
Dynamic Microphones
30. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Amplitude
Supercardiod
Ribbon Microphone
Limiter
31. Device that mutes a signal when it falls bellow a certain level
Voltage
Impedance
Noise Gate
White Noise
32. Difference between loudest and quietest SPL
Audio Velocity
Fundamental
Dynamic Range
Insert
33. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Impedance
Insert
Ribbon Microphone
34. Devices for cutting or boosting frequencies within a 3rd of an octave
Graphic EQ
Ampere
Insert
Hypercardiod
35. Orb around the microphone can hear from any direction.
White Noise
Wave Phase
Noise Gate
Omnidirectional mic
36. Analog to Digital
A/D
Audio Frequency
Frequency (Hertz)
Preamp
37. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Frequency (Hertz)
Ribbon Microphone
Bidirectional
Insert
38. Rate of repetition of periodic motion
Directional Response (microphone)
Gain
Supercardiod
Frequency (Hertz)
39. Measure of opposition to a sinusoidal alternating current
Gain
Hypercardiod
Audio Velocity
Impedance
40. The relationship of two wave forms
Audio Frequency
Hertz
Wave Phase
Audio Velocity
41. Lowest frequency in a harmonic series
Fundamental
Capacitor
Amplitude
Cardioid mic