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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Heart shaped: picks up sound from front of microphone only
Noise Gate
Gain
Low Pass Filter
Cardioid mic
2. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Audio Envelope
Audio Velocity
Frequency (Hertz)
3. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Bidirectional
Supercardiod
Insert
Hertz
4. Devices for cutting or boosting frequencies within a 3rd of an octave
Graphic EQ
Supercardiod
Voltage
Cardioid mic
5. Device that mutes a signal when it falls bellow a certain level
Mic level
Dynamic Range
Ampere
Noise Gate
6. Measure of opposition to a sinusoidal alternating current
Frequency (Hertz)
Wave Phase
Impedance
Omnidirectional mic
7. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Amplifier
Voltage
Audio Envelope
Wave Phase
8. Difference between loudest and quietest SPL
Hypercardiod
Dynamic Range
Insert
Condenser Mic
9. Lets frequencies below a certain level
Insert
Bidirectional
Watt
Low Pass Filter
10. Signal path in mixer - channels can be routed
Wave Phase
Cardioid mic
Bus
Click Track
11. Loudness or hight of a sound wave - Increase signal level
Bus
Bidirectional
A/D
Amplitude
12. Orb around the microphone can hear from any direction.
PAD
Omnidirectional mic
Click Track
Fundamental
13. The relationship of two wave forms
White Noise
Mic level
Wave Phase
Gain
14. Lowest frequency in a harmonic series
Bandpass Filter
Fundamental
A/D
Impedance
15. Different in charge levels between 2 conductive elements
A/D
Wave Phase
Voltage
Hertz
16. Unit of power
Watt
Q
Bus
Insert
17. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Click Track
Audio Envelope
White Noise
Cardioid mic
18. Boosts or cuts frequencies around a specified frequency
Voltage
Compression
Cardioid mic
Bandpass Filter
19. A type of noise that is produced by combining sounds of all different frequencies together
Noise Gate
Impedance
White Noise
Audio Envelope
20. Picks up sound from front and a little from back of microphone
Voltage
Supercardiod
Limiter
Balanced Cable
21. A device that brings an electrical signal from microphone level to line level.
Dynamic Range
Bidirectional
Preamp
Q
22. Describes bandwith
Watt
Q
Omnidirectional mic
Audio Envelope
23. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Audio Envelope
Condenser Mic
Amplifier
Graphic EQ
24. Unit of electrical current
Watt
Preamp
Insert
Ampere
25. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
A/D
Q
Click Track
26. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Noise Gate
Low Pass Filter
Frequency (Hertz)
27. Measures the amount of amplitude applied to a signal
Dynamic Range
Mic level
Gain
Audio Envelope
28. Speed of sound. 1130 ft/s
Click Track
Noise Gate
Audio Velocity
Directional Response (microphone)
29. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Graphic EQ
Balanced Cable
Preamp
30. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Dynamic Range
Frequency (Hertz)
Gain
31. Controls level in pre amp
PAD
Hypercardiod
Supercardiod
Cardioid mic
32. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Preamp
Click Track
Dynamic Microphones
Audio Frequency
33. Picks up sound from front and a little more from back
PAD
Directional Response (microphone)
Hypercardiod
Bandpass Filter
34. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Hypercardiod
Preamp
Balanced Cable
Audio Frequency
35. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
A/D
White Noise
Ribbon Microphone
Q
36. The unit with which frequency is measured
Compression
Hypercardiod
Insert
Hertz
37. Analog to Digital
Balanced Cable
A/D
Ampere
Audio Velocity
38. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Mic level
Audio Frequency
Limiter
Amplifier
39. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Wave Phase
White Noise
Bus
40. Any device used to increase signal level
Omnidirectional mic
Q
Amplifier
Bus
41. Rate of repetition of periodic motion
Frequency (Hertz)
Insert
Dynamic Range
Capacitor