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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Orb around the microphone can hear from any direction.
Hertz
Omnidirectional mic
Capacitor
Insert
2. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Noise Gate
Directional Response (microphone)
Audio Velocity
Audio Frequency
3. Heart shaped: picks up sound from front of microphone only
Bus
Cardioid mic
Condenser Mic
Voltage
4. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Bandpass Filter
Bidirectional
Balanced Cable
Preamp
5. Lowest frequency in a harmonic series
Fundamental
Amplitude
Hertz
Low Pass Filter
6. Picks up sound from front and a little from back of microphone
PAD
Supercardiod
Wave Phase
Directional Response (microphone)
7. Any device used to increase signal level
Fundamental
Compression
Audio Velocity
Amplifier
8. Device that mutes a signal when it falls bellow a certain level
Noise Gate
White Noise
Hypercardiod
Fundamental
9. Picks up sound from front and back of microphone but not the sides.
Audio Velocity
Dynamic Microphones
Bidirectional
Cardioid mic
10. Signal path in mixer - channels can be routed
Frequency (Hertz)
Click Track
Bus
Graphic EQ
11. Different in charge levels between 2 conductive elements
Directional Response (microphone)
Insert
Bus
Voltage
12. Unit of electrical current
Gain
Ampere
Low Pass Filter
Noise Gate
13. Difference between loudest and quietest SPL
Dynamic Range
Audio Velocity
Click Track
Frequency (Hertz)
14. Rate of repetition of periodic motion
Directional Response (microphone)
Omnidirectional mic
Frequency (Hertz)
Graphic EQ
15. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Impedance
Capacitor
Directional Response (microphone)
Audio Envelope
16. Analog to Digital
Wave Phase
Directional Response (microphone)
A/D
Gain
17. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Limiter
Compression
Bandpass Filter
Ampere
18. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Directional Response (microphone)
Frequency (Hertz)
Condenser Mic
19. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Cardioid mic
Ampere
Dynamic Range
20. A device that brings an electrical signal from microphone level to line level.
Preamp
Q
Capacitor
PAD
21. Lets frequencies below a certain level
Low Pass Filter
Wave Phase
Watt
Bidirectional
22. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Click Track
Capacitor
Bus
Amplifier
23. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Directional Response (microphone)
Frequency (Hertz)
Bandpass Filter
Ribbon Microphone
24. Speed of sound. 1130 ft/s
Bidirectional
A/D
Graphic EQ
Audio Velocity
25. Describes bandwith
Dynamic Range
Q
Audio Frequency
Audio Velocity
26. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Insert
Graphic EQ
Dynamic Microphones
Low Pass Filter
27. Measure of opposition to a sinusoidal alternating current
Impedance
Wave Phase
Amplitude
Dynamic Microphones
28. Boosts or cuts frequencies around a specified frequency
Voltage
Limiter
Bandpass Filter
Bidirectional
29. Picks up sound from front and a little more from back
Condenser Mic
Supercardiod
Hypercardiod
Mic level
30. Controls level in pre amp
Low Pass Filter
PAD
Supercardiod
Amplitude
31. Measures the amount of amplitude applied to a signal
Limiter
Gain
White Noise
Amplifier
32. A type of noise that is produced by combining sounds of all different frequencies together
Impedance
Ampere
White Noise
Omnidirectional mic
33. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Wave Phase
Gain
Audio Envelope
Limiter
34. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Frequency (Hertz)
Hertz
Q
35. Devices for cutting or boosting frequencies within a 3rd of an octave
Graphic EQ
Cardioid mic
Audio Envelope
Omnidirectional mic
36. Loudness or hight of a sound wave - Increase signal level
Low Pass Filter
Amplitude
Cardioid mic
Condenser Mic
37. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Limiter
Audio Envelope
Dynamic Microphones
Click Track
38. Unit of power
Hypercardiod
Directional Response (microphone)
Condenser Mic
Watt
39. The relationship of two wave forms
Frequency (Hertz)
Audio Frequency
Wave Phase
Q
40. The unit with which frequency is measured
Amplifier
Click Track
Hertz
Audio Velocity
41. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Audio Envelope
Low Pass Filter
Cardioid mic