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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Describes bandwith
Hertz
Bidirectional
Amplitude
Q
2. Measures the amount of amplitude applied to a signal
Gain
A/D
Frequency (Hertz)
Mic level
3. Any device used to increase signal level
Supercardiod
Amplifier
Ampere
Condenser Mic
4. Boosts or cuts frequencies around a specified frequency
Bandpass Filter
Dynamic Microphones
Audio Velocity
Audio Envelope
5. A device that brings an electrical signal from microphone level to line level.
Preamp
A/D
Audio Envelope
Noise Gate
6. The relationship of two wave forms
Dynamic Microphones
Audio Frequency
Wave Phase
Directional Response (microphone)
7. Lets frequencies below a certain level
Low Pass Filter
Bandpass Filter
Dynamic Range
Preamp
8. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Ampere
Voltage
Audio Envelope
9. Controls level in pre amp
Capacitor
Amplifier
PAD
Voltage
10. Unit of power
Q
Ribbon Microphone
Fundamental
Watt
11. Heart shaped: picks up sound from front of microphone only
Impedance
Cardioid mic
Capacitor
Gain
12. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
White Noise
Q
Click Track
13. Lowest frequency in a harmonic series
Hypercardiod
White Noise
Audio Velocity
Fundamental
14. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Dynamic Range
Q
Directional Response (microphone)
Ampere
15. Signal path in mixer - channels can be routed
Bus
Omnidirectional mic
Watt
Fundamental
16. Picks up sound from front and back of microphone but not the sides.
Click Track
Cardioid mic
Ampere
Bidirectional
17. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Audio Velocity
Balanced Cable
Ampere
Mic level
18. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Ribbon Microphone
Hertz
Dynamic Microphones
Dynamic Range
19. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Preamp
Voltage
Click Track
Capacitor
20. Different in charge levels between 2 conductive elements
Condenser Mic
Voltage
Directional Response (microphone)
Fundamental
21. Rate of repetition of periodic motion
Frequency (Hertz)
Amplifier
Condenser Mic
Limiter
22. Unit of electrical current
A/D
Ampere
Audio Frequency
Bidirectional
23. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Dynamic Microphones
Ribbon Microphone
Impedance
24. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Dynamic Range
Condenser Mic
Frequency (Hertz)
Low Pass Filter
25. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
PAD
Audio Frequency
Mic level
26. Device that mutes a signal when it falls bellow a certain level
Wave Phase
Mic level
Noise Gate
Impedance
27. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Gain
Ribbon Microphone
Compression
Ampere
28. Picks up sound from front and a little from back of microphone
Supercardiod
Directional Response (microphone)
Gain
Ribbon Microphone
29. Picks up sound from front and a little more from back
Audio Frequency
Hypercardiod
Ribbon Microphone
Graphic EQ
30. Speed of sound. 1130 ft/s
Directional Response (microphone)
Gain
Audio Velocity
Supercardiod
31. Level of signal generated before it is amplified by the pre amp to line level
Ampere
Mic level
Amplitude
Ribbon Microphone
32. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Wave Phase
Capacitor
Supercardiod
Audio Frequency
33. Loudness or hight of a sound wave - Increase signal level
Amplitude
Compression
Click Track
Omnidirectional mic
34. Devices for cutting or boosting frequencies within a 3rd of an octave
Mic level
Graphic EQ
Q
Balanced Cable
35. Measure of opposition to a sinusoidal alternating current
Directional Response (microphone)
Impedance
Omnidirectional mic
Frequency (Hertz)
36. Difference between loudest and quietest SPL
Ribbon Microphone
Dynamic Range
Bidirectional
Gain
37. Orb around the microphone can hear from any direction.
Omnidirectional mic
Hypercardiod
Dynamic Range
Frequency (Hertz)
38. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Audio Velocity
Dynamic Microphones
Insert
Watt
39. The unit with which frequency is measured
Condenser Mic
Noise Gate
A/D
Hertz
40. Analog to Digital
A/D
Dynamic Range
Ampere
Supercardiod
41. A type of noise that is produced by combining sounds of all different frequencies together
Amplitude
White Noise
Balanced Cable
Bidirectional