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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Directional Response (microphone)
Compression
A/D
Limiter
2. Describes bandwith
Watt
Q
Audio Velocity
Dynamic Range
3. Speed of sound. 1130 ft/s
Voltage
Amplifier
Mic level
Audio Velocity
4. Unit of electrical current
Preamp
Bus
Audio Envelope
Ampere
5. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Bandpass Filter
Low Pass Filter
Amplitude
6. Loudness or hight of a sound wave - Increase signal level
Mic level
Amplitude
Insert
Audio Envelope
7. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Gain
Condenser Mic
Directional Response (microphone)
Mic level
8. Difference between loudest and quietest SPL
Amplitude
Dynamic Range
Impedance
Mic level
9. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Dynamic Microphones
Gain
Dynamic Range
Hertz
10. Heart shaped: picks up sound from front of microphone only
Q
Dynamic Microphones
Cardioid mic
Insert
11. Boosts or cuts frequencies around a specified frequency
Bandpass Filter
Graphic EQ
Audio Frequency
Hertz
12. Measures the amount of amplitude applied to a signal
Mic level
Bus
Ribbon Microphone
Gain
13. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
Preamp
Directional Response (microphone)
Limiter
14. Level of signal generated before it is amplified by the pre amp to line level
Bidirectional
Mic level
PAD
Condenser Mic
15. Picks up sound from front and a little from back of microphone
Preamp
Ribbon Microphone
Supercardiod
Hertz
16. Lets frequencies below a certain level
Low Pass Filter
Amplitude
Supercardiod
Preamp
17. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Low Pass Filter
White Noise
Audio Frequency
Mic level
18. Rate of repetition of periodic motion
Frequency (Hertz)
Preamp
Compression
Limiter
19. Devices for cutting or boosting frequencies within a 3rd of an octave
Ampere
Dynamic Microphones
Bidirectional
Graphic EQ
20. Orb around the microphone can hear from any direction.
Voltage
Dynamic Microphones
Capacitor
Omnidirectional mic
21. The relationship of two wave forms
Audio Velocity
Ribbon Microphone
Compression
Wave Phase
22. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Supercardiod
Q
Hypercardiod
Audio Envelope
23. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Ribbon Microphone
Fundamental
Noise Gate
Insert
24. Lowest frequency in a harmonic series
Voltage
Fundamental
Bidirectional
Audio Frequency
25. Unit of power
Capacitor
Watt
Q
Omnidirectional mic
26. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Bandpass Filter
Compression
Voltage
Amplitude
27. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Compression
Supercardiod
Mic level
Click Track
28. Signal path in mixer - channels can be routed
Impedance
Compression
Bus
Dynamic Range
29. Different in charge levels between 2 conductive elements
PAD
Hypercardiod
Voltage
Noise Gate
30. Device that mutes a signal when it falls bellow a certain level
Ribbon Microphone
Noise Gate
Watt
White Noise
31. A device that brings an electrical signal from microphone level to line level.
Preamp
Insert
Amplitude
Click Track
32. Any device used to increase signal level
Watt
Amplifier
Fundamental
Dynamic Range
33. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Click Track
Watt
Compression
34. Analog to Digital
Fundamental
Bandpass Filter
A/D
Gain
35. Controls level in pre amp
Limiter
Condenser Mic
PAD
Noise Gate
36. A type of noise that is produced by combining sounds of all different frequencies together
Capacitor
Bandpass Filter
Bus
White Noise
37. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Ampere
Insert
Audio Velocity
38. The unit with which frequency is measured
Fundamental
Balanced Cable
Hertz
Condenser Mic
39. Picks up sound from front and back of microphone but not the sides.
Wave Phase
Supercardiod
Bidirectional
Directional Response (microphone)
40. Measure of opposition to a sinusoidal alternating current
Noise Gate
Dynamic Range
Impedance
Amplitude
41. Picks up sound from front and a little more from back
Amplifier
Ampere
Bidirectional
Hypercardiod