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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Dynamic Microphones
Condenser Mic
Capacitor
Low Pass Filter
2. Devices for cutting or boosting frequencies within a 3rd of an octave
Watt
Low Pass Filter
Graphic EQ
Q
3. Different in charge levels between 2 conductive elements
Balanced Cable
Hertz
Mic level
Voltage
4. Describes bandwith
Cardioid mic
Wave Phase
Bus
Q
5. Lowest frequency in a harmonic series
Click Track
Noise Gate
Fundamental
Preamp
6. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Condenser Mic
Watt
Click Track
Dynamic Range
7. Controls level in pre amp
Preamp
PAD
Impedance
White Noise
8. Orb around the microphone can hear from any direction.
Insert
Supercardiod
Mic level
Omnidirectional mic
9. Level of signal generated before it is amplified by the pre amp to line level
Click Track
Mic level
Cardioid mic
Low Pass Filter
10. A device that brings an electrical signal from microphone level to line level.
Insert
Amplifier
Preamp
Ribbon Microphone
11. Picks up sound from front and a little more from back
Watt
Noise Gate
Cardioid mic
Hypercardiod
12. Measure of opposition to a sinusoidal alternating current
Click Track
Impedance
Balanced Cable
Capacitor
13. Difference between loudest and quietest SPL
Dynamic Range
Noise Gate
Wave Phase
Frequency (Hertz)
14. The relationship of two wave forms
Q
White Noise
Dynamic Range
Wave Phase
15. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Preamp
Insert
Ribbon Microphone
Hypercardiod
16. Speed of sound. 1130 ft/s
Mic level
Gain
Dynamic Microphones
Audio Velocity
17. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Directional Response (microphone)
Preamp
Balanced Cable
Ampere
18. Lets frequencies below a certain level
Q
Capacitor
Low Pass Filter
PAD
19. Signal path in mixer - channels can be routed
PAD
Directional Response (microphone)
Balanced Cable
Bus
20. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Audio Velocity
Mic level
Bandpass Filter
Dynamic Microphones
21. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Audio Velocity
Amplitude
Directional Response (microphone)
Insert
22. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Bidirectional
Audio Velocity
Fundamental
23. Loudness or hight of a sound wave - Increase signal level
Hertz
Insert
Amplitude
Limiter
24. Unit of power
Watt
Audio Velocity
Amplifier
Graphic EQ
25. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Ampere
Limiter
Insert
Hertz
26. Analog to Digital
A/D
Bidirectional
Audio Frequency
Dynamic Range
27. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Amplitude
Limiter
Compression
Supercardiod
28. Device that mutes a signal when it falls bellow a certain level
Omnidirectional mic
Click Track
Noise Gate
Amplifier
29. Heart shaped: picks up sound from front of microphone only
Bandpass Filter
Dynamic Microphones
PAD
Cardioid mic
30. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Impedance
A/D
Balanced Cable
31. Rate of repetition of periodic motion
Impedance
Graphic EQ
Watt
Frequency (Hertz)
32. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
PAD
Q
Graphic EQ
Limiter
33. Boosts or cuts frequencies around a specified frequency
Bandpass Filter
Condenser Mic
Audio Velocity
Audio Envelope
34. Measures the amount of amplitude applied to a signal
Gain
Bandpass Filter
Ribbon Microphone
Amplifier
35. The unit with which frequency is measured
Cardioid mic
Ribbon Microphone
PAD
Hertz
36. Any device used to increase signal level
Capacitor
Limiter
Amplifier
Audio Envelope
37. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Amplifier
Compression
Capacitor
Audio Frequency
38. Picks up sound from front and a little from back of microphone
Condenser Mic
Compression
Supercardiod
Bus
39. A type of noise that is produced by combining sounds of all different frequencies together
Ampere
Limiter
White Noise
Cardioid mic
40. Unit of electrical current
Supercardiod
Ampere
White Noise
Dynamic Range
41. Picks up sound from front and back of microphone but not the sides.
White Noise
Bidirectional
Balanced Cable
Cardioid mic
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