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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Difference between loudest and quietest SPL
Wave Phase
Cardioid mic
Dynamic Range
Q
2. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Hertz
Audio Envelope
White Noise
Condenser Mic
3. Picks up sound from front and a little more from back
Graphic EQ
Hypercardiod
Directional Response (microphone)
Preamp
4. Unit of power
Watt
Voltage
Balanced Cable
Audio Velocity
5. Controls level in pre amp
Audio Envelope
Amplifier
Preamp
PAD
6. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Cardioid mic
Noise Gate
Preamp
Audio Frequency
7. Different in charge levels between 2 conductive elements
Wave Phase
Fundamental
Voltage
Condenser Mic
8. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Audio Envelope
Condenser Mic
Ribbon Microphone
Audio Velocity
9. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Limiter
Audio Velocity
Low Pass Filter
10. Speed of sound. 1130 ft/s
Capacitor
Noise Gate
Audio Velocity
Gain
11. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Low Pass Filter
Audio Envelope
Cardioid mic
12. Loudness or hight of a sound wave - Increase signal level
Cardioid mic
Hypercardiod
Amplitude
Low Pass Filter
13. Measure of opposition to a sinusoidal alternating current
Bidirectional
Cardioid mic
Frequency (Hertz)
Impedance
14. Lowest frequency in a harmonic series
Mic level
Noise Gate
Fundamental
Amplifier
15. Devices for cutting or boosting frequencies within a 3rd of an octave
Directional Response (microphone)
Mic level
Graphic EQ
Fundamental
16. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Insert
Bidirectional
Gain
Limiter
17. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Wave Phase
Hypercardiod
Mic level
Dynamic Microphones
18. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Gain
Fundamental
Wave Phase
Directional Response (microphone)
19. A type of noise that is produced by combining sounds of all different frequencies together
Audio Envelope
Dynamic Range
White Noise
Bidirectional
20. Lets frequencies below a certain level
Supercardiod
Capacitor
Low Pass Filter
Directional Response (microphone)
21. Orb around the microphone can hear from any direction.
Capacitor
Supercardiod
Ampere
Omnidirectional mic
22. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Condenser Mic
Bandpass Filter
Audio Velocity
Compression
23. Unit of electrical current
Graphic EQ
Bus
Ampere
Compression
24. Describes bandwith
Q
Graphic EQ
Directional Response (microphone)
Bus
25. Rate of repetition of periodic motion
Balanced Cable
Omnidirectional mic
Hertz
Frequency (Hertz)
26. Device that mutes a signal when it falls bellow a certain level
Directional Response (microphone)
Limiter
Insert
Noise Gate
27. Measures the amount of amplitude applied to a signal
Bus
Ribbon Microphone
Cardioid mic
Gain
28. Heart shaped: picks up sound from front of microphone only
Click Track
Cardioid mic
A/D
Ampere
29. Signal path in mixer - channels can be routed
Bus
Capacitor
Limiter
Bandpass Filter
30. Picks up sound from front and back of microphone but not the sides.
Mic level
Watt
Bidirectional
Compression
31. A device that brings an electrical signal from microphone level to line level.
Graphic EQ
Click Track
Hertz
Preamp
32. Analog to Digital
Cardioid mic
A/D
Audio Velocity
Watt
33. The unit with which frequency is measured
Hertz
White Noise
Gain
Audio Frequency
34. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Bidirectional
Click Track
Ampere
Directional Response (microphone)
35. Boosts or cuts frequencies around a specified frequency
Gain
Balanced Cable
Directional Response (microphone)
Bandpass Filter
36. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Noise Gate
Balanced Cable
Directional Response (microphone)
Audio Frequency
37. Picks up sound from front and a little from back of microphone
Audio Envelope
Supercardiod
Insert
Watt
38. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Mic level
Condenser Mic
Audio Envelope
Wave Phase
39. Level of signal generated before it is amplified by the pre amp to line level
Mic level
PAD
Dynamic Range
Audio Frequency
40. Any device used to increase signal level
Directional Response (microphone)
Preamp
Mic level
Amplifier
41. The relationship of two wave forms
Directional Response (microphone)
Wave Phase
Bandpass Filter
Gain