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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Low Pass Filter
Dynamic Range
Bandpass Filter
2. Orb around the microphone can hear from any direction.
Fundamental
Omnidirectional mic
Q
Insert
3. Lets frequencies below a certain level
Low Pass Filter
Watt
Bandpass Filter
Audio Velocity
4. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Capacitor
Audio Envelope
Balanced Cable
Compression
5. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Amplifier
Click Track
Dynamic Microphones
Impedance
6. Picks up sound from front and a little more from back
Hypercardiod
Omnidirectional mic
Preamp
Voltage
7. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Impedance
Amplitude
Bus
Condenser Mic
8. Signal path in mixer - channels can be routed
Bus
Audio Velocity
Dynamic Microphones
PAD
9. Rate of repetition of periodic motion
Frequency (Hertz)
Hypercardiod
Capacitor
Dynamic Microphones
10. Loudness or hight of a sound wave - Increase signal level
Amplitude
Limiter
Hertz
Cardioid mic
11. Any device used to increase signal level
Limiter
Low Pass Filter
Watt
Amplifier
12. Heart shaped: picks up sound from front of microphone only
Condenser Mic
Cardioid mic
Frequency (Hertz)
Hypercardiod
13. Device that mutes a signal when it falls bellow a certain level
Watt
Impedance
Graphic EQ
Noise Gate
14. Describes bandwith
Mic level
Impedance
Q
Limiter
15. The relationship of two wave forms
Click Track
Preamp
Wave Phase
Condenser Mic
16. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Balanced Cable
Audio Frequency
Fundamental
17. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Directional Response (microphone)
Audio Frequency
Omnidirectional mic
A/D
18. A device that brings an electrical signal from microphone level to line level.
Voltage
Graphic EQ
Preamp
Q
19. Difference between loudest and quietest SPL
Dynamic Range
Directional Response (microphone)
Wave Phase
Dynamic Microphones
20. A type of noise that is produced by combining sounds of all different frequencies together
Mic level
Wave Phase
White Noise
Ampere
21. Picks up sound from front and back of microphone but not the sides.
Audio Envelope
Gain
Bidirectional
White Noise
22. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Graphic EQ
Audio Frequency
Cardioid mic
Directional Response (microphone)
23. Measures the amount of amplitude applied to a signal
Gain
White Noise
Balanced Cable
Preamp
24. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Audio Velocity
Ribbon Microphone
Frequency (Hertz)
Bus
25. Picks up sound from front and a little from back of microphone
Balanced Cable
Bus
Supercardiod
Watt
26. Lowest frequency in a harmonic series
Ribbon Microphone
Fundamental
Bidirectional
Noise Gate
27. Measure of opposition to a sinusoidal alternating current
Q
Wave Phase
Impedance
Low Pass Filter
28. Analog to Digital
Balanced Cable
Audio Envelope
Gain
A/D
29. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Watt
Impedance
Capacitor
Graphic EQ
30. Level of signal generated before it is amplified by the pre amp to line level
Impedance
Dynamic Range
Dynamic Microphones
Mic level
31. Unit of power
Watt
White Noise
Bandpass Filter
Fundamental
32. Devices for cutting or boosting frequencies within a 3rd of an octave
Bandpass Filter
White Noise
Graphic EQ
Ampere
33. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Preamp
Click Track
Fundamental
Hypercardiod
34. Unit of electrical current
Dynamic Range
Ampere
Audio Frequency
Preamp
35. Different in charge levels between 2 conductive elements
Gain
Compression
Voltage
Click Track
36. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Insert
Fundamental
PAD
37. Controls level in pre amp
Hypercardiod
Amplifier
PAD
Balanced Cable
38. Boosts or cuts frequencies around a specified frequency
Bidirectional
Bandpass Filter
Insert
Balanced Cable
39. The unit with which frequency is measured
Voltage
Q
Capacitor
Hertz
40. Speed of sound. 1130 ft/s
Graphic EQ
Dynamic Range
Q
Audio Velocity
41. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Low Pass Filter
Watt
Compression
Limiter