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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lowest frequency in a harmonic series
Hertz
Fundamental
Frequency (Hertz)
Bidirectional
2. Loudness or hight of a sound wave - Increase signal level
Noise Gate
Q
Dynamic Microphones
Amplitude
3. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Omnidirectional mic
Directional Response (microphone)
Fundamental
Graphic EQ
4. Picks up sound from front and a little from back of microphone
Insert
Fundamental
Supercardiod
Bidirectional
5. Rate of repetition of periodic motion
Amplifier
Mic level
Frequency (Hertz)
Audio Frequency
6. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
Click Track
Audio Envelope
Capacitor
7. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Graphic EQ
Capacitor
Audio Velocity
Click Track
8. Measure of opposition to a sinusoidal alternating current
Ribbon Microphone
Preamp
Q
Impedance
9. The relationship of two wave forms
Audio Frequency
Supercardiod
Wave Phase
Click Track
10. The unit with which frequency is measured
PAD
Hertz
Limiter
Low Pass Filter
11. A type of noise that is produced by combining sounds of all different frequencies together
Dynamic Range
Mic level
White Noise
Watt
12. Unit of electrical current
Q
Wave Phase
Impedance
Ampere
13. Lets frequencies below a certain level
Low Pass Filter
Watt
Audio Frequency
Noise Gate
14. Device that mutes a signal when it falls bellow a certain level
Hypercardiod
Noise Gate
Amplitude
Supercardiod
15. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Omnidirectional mic
Compression
Amplifier
Ampere
16. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
PAD
Audio Envelope
Watt
A/D
17. Controls level in pre amp
Graphic EQ
Bandpass Filter
Condenser Mic
PAD
18. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Audio Frequency
Condenser Mic
Omnidirectional mic
White Noise
19. Boosts or cuts frequencies around a specified frequency
Frequency (Hertz)
A/D
Insert
Bandpass Filter
20. Speed of sound. 1130 ft/s
Condenser Mic
Audio Velocity
Cardioid mic
Omnidirectional mic
21. Picks up sound from front and a little more from back
Hypercardiod
Bidirectional
Audio Envelope
Amplitude
22. Difference between loudest and quietest SPL
Bandpass Filter
Compression
Omnidirectional mic
Dynamic Range
23. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Amplitude
Dynamic Range
Gain
24. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Bandpass Filter
Limiter
Preamp
Click Track
25. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Audio Velocity
PAD
Noise Gate
Click Track
26. Different in charge levels between 2 conductive elements
Ribbon Microphone
Balanced Cable
Voltage
Noise Gate
27. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Bus
Balanced Cable
Frequency (Hertz)
Audio Velocity
28. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Hertz
Mic level
Insert
Dynamic Microphones
29. Describes bandwith
Ribbon Microphone
Q
Hypercardiod
Wave Phase
30. Devices for cutting or boosting frequencies within a 3rd of an octave
Bidirectional
Graphic EQ
Mic level
Capacitor
31. Analog to Digital
A/D
Audio Velocity
Hypercardiod
Fundamental
32. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Balanced Cable
Ampere
Insert
Audio Frequency
33. Orb around the microphone can hear from any direction.
Noise Gate
Omnidirectional mic
Capacitor
Ampere
34. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Frequency (Hertz)
Supercardiod
Dynamic Microphones
Noise Gate
35. Any device used to increase signal level
Amplifier
PAD
Wave Phase
Bidirectional
36. Signal path in mixer - channels can be routed
Cardioid mic
Frequency (Hertz)
Bus
Amplifier
37. A device that brings an electrical signal from microphone level to line level.
Supercardiod
Balanced Cable
Condenser Mic
Preamp
38. Unit of power
Audio Frequency
Balanced Cable
Limiter
Watt
39. Heart shaped: picks up sound from front of microphone only
Amplifier
Insert
Bidirectional
Cardioid mic
40. Measures the amount of amplitude applied to a signal
Gain
Ribbon Microphone
Voltage
Audio Frequency
41. Level of signal generated before it is amplified by the pre amp to line level
Mic level
A/D
Dynamic Range
Supercardiod