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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Measure of opposition to a sinusoidal alternating current
Graphic EQ
Condenser Mic
Cardioid mic
Impedance
2. Describes bandwith
Fundamental
Q
PAD
Wave Phase
3. Devices for cutting or boosting frequencies within a 3rd of an octave
Condenser Mic
Hypercardiod
Q
Graphic EQ
4. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Ribbon Microphone
Directional Response (microphone)
Dynamic Range
Balanced Cable
5. Loudness or hight of a sound wave - Increase signal level
Balanced Cable
Cardioid mic
Amplifier
Amplitude
6. Lets frequencies below a certain level
Limiter
Low Pass Filter
Insert
Hertz
7. Rate of repetition of periodic motion
Frequency (Hertz)
Preamp
Compression
Bus
8. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Ribbon Microphone
Audio Envelope
Impedance
9. Level of signal generated before it is amplified by the pre amp to line level
Supercardiod
Dynamic Range
Mic level
Condenser Mic
10. Picks up sound from front and a little from back of microphone
Audio Frequency
Supercardiod
Bus
White Noise
11. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Directional Response (microphone)
Bus
Amplitude
12. Unit of electrical current
Ribbon Microphone
Amplitude
Ampere
Wave Phase
13. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Balanced Cable
Ribbon Microphone
Audio Envelope
Capacitor
14. Heart shaped: picks up sound from front of microphone only
Click Track
Cardioid mic
Compression
White Noise
15. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Omnidirectional mic
Condenser Mic
Audio Envelope
Watt
16. Picks up sound from front and back of microphone but not the sides.
Mic level
Bidirectional
Graphic EQ
Preamp
17. Measures the amount of amplitude applied to a signal
Graphic EQ
Gain
Limiter
Ampere
18. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
White Noise
Audio Velocity
Compression
Voltage
19. The unit with which frequency is measured
Hertz
Voltage
Balanced Cable
Capacitor
20. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Gain
Voltage
Condenser Mic
Directional Response (microphone)
21. Picks up sound from front and a little more from back
Hypercardiod
Graphic EQ
Low Pass Filter
Bus
22. Boosts or cuts frequencies around a specified frequency
Bus
Cardioid mic
Bandpass Filter
Preamp
23. Unit of power
Gain
Watt
Bandpass Filter
Supercardiod
24. Speed of sound. 1130 ft/s
Amplitude
Balanced Cable
Hertz
Audio Velocity
25. Different in charge levels between 2 conductive elements
Wave Phase
Balanced Cable
Voltage
Omnidirectional mic
26. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Dynamic Microphones
Hertz
Gain
Amplifier
27. A type of noise that is produced by combining sounds of all different frequencies together
White Noise
Ampere
Omnidirectional mic
Directional Response (microphone)
28. Difference between loudest and quietest SPL
Bandpass Filter
Frequency (Hertz)
Dynamic Range
Hypercardiod
29. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Dynamic Microphones
Limiter
Balanced Cable
Q
30. Lowest frequency in a harmonic series
Wave Phase
Dynamic Microphones
Amplitude
Fundamental
31. Any device used to increase signal level
Audio Velocity
Amplifier
Amplitude
Condenser Mic
32. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Voltage
Bidirectional
PAD
Ribbon Microphone
33. The relationship of two wave forms
Condenser Mic
Impedance
Wave Phase
Insert
34. Orb around the microphone can hear from any direction.
Directional Response (microphone)
Bus
Low Pass Filter
Omnidirectional mic
35. Device that mutes a signal when it falls bellow a certain level
Audio Frequency
Audio Envelope
Impedance
Noise Gate
36. Signal path in mixer - channels can be routed
Bus
Audio Frequency
Dynamic Range
Mic level
37. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Bidirectional
Gain
Hertz
Click Track
38. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Dynamic Microphones
Bidirectional
Audio Frequency
Q
39. Controls level in pre amp
Impedance
Gain
PAD
Compression
40. A device that brings an electrical signal from microphone level to line level.
Condenser Mic
Preamp
Bidirectional
Click Track
41. Analog to Digital
Balanced Cable
Frequency (Hertz)
A/D
Bandpass Filter