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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Bus
Low Pass Filter
Insert
Hertz
2. Analog to Digital
Balanced Cable
Fundamental
Dynamic Microphones
A/D
3. Controls level in pre amp
PAD
Supercardiod
Capacitor
Watt
4. Device that mutes a signal when it falls bellow a certain level
Wave Phase
Noise Gate
Compression
Capacitor
5. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
PAD
Ribbon Microphone
Cardioid mic
Directional Response (microphone)
6. Signal path in mixer - channels can be routed
Ribbon Microphone
Directional Response (microphone)
Voltage
Bus
7. Describes bandwith
Watt
Bandpass Filter
Hypercardiod
Q
8. Picks up sound from front and a little from back of microphone
Amplifier
Bidirectional
Audio Velocity
Supercardiod
9. Lowest frequency in a harmonic series
Bus
Capacitor
Dynamic Microphones
Fundamental
10. Difference between loudest and quietest SPL
Gain
Hypercardiod
Dynamic Range
Low Pass Filter
11. Different in charge levels between 2 conductive elements
Preamp
Voltage
Audio Frequency
Bidirectional
12. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Noise Gate
Limiter
Amplifier
Compression
13. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
PAD
Audio Envelope
Balanced Cable
Ribbon Microphone
14. Unit of power
Directional Response (microphone)
White Noise
Dynamic Range
Watt
15. Boosts or cuts frequencies around a specified frequency
Ribbon Microphone
Bandpass Filter
Condenser Mic
Directional Response (microphone)
16. Any device used to increase signal level
Capacitor
Amplifier
Condenser Mic
Noise Gate
17. Measure of opposition to a sinusoidal alternating current
Impedance
Insert
Audio Velocity
Preamp
18. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Dynamic Microphones
Directional Response (microphone)
Bidirectional
Amplifier
19. Level of signal generated before it is amplified by the pre amp to line level
White Noise
Balanced Cable
Capacitor
Mic level
20. A type of noise that is produced by combining sounds of all different frequencies together
Audio Velocity
Q
Amplitude
White Noise
21. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Hypercardiod
Limiter
Capacitor
Click Track
22. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
PAD
Low Pass Filter
Audio Envelope
Click Track
23. Orb around the microphone can hear from any direction.
Capacitor
Omnidirectional mic
A/D
Amplitude
24. Lets frequencies below a certain level
Bus
Hypercardiod
Low Pass Filter
Graphic EQ
25. Measures the amount of amplitude applied to a signal
Frequency (Hertz)
White Noise
Compression
Gain
26. Unit of electrical current
Q
Ampere
Low Pass Filter
Audio Envelope
27. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Audio Envelope
Amplitude
Ampere
Click Track
28. A device that brings an electrical signal from microphone level to line level.
Click Track
Hertz
Omnidirectional mic
Preamp
29. Devices for cutting or boosting frequencies within a 3rd of an octave
Amplitude
Audio Envelope
Q
Graphic EQ
30. Heart shaped: picks up sound from front of microphone only
Omnidirectional mic
Hypercardiod
Cardioid mic
Preamp
31. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Dynamic Range
Audio Frequency
Capacitor
Gain
32. The relationship of two wave forms
Wave Phase
Balanced Cable
Supercardiod
Amplifier
33. Speed of sound. 1130 ft/s
Audio Velocity
Gain
Dynamic Microphones
Click Track
34. Picks up sound from front and back of microphone but not the sides.
Condenser Mic
Bidirectional
Mic level
Wave Phase
35. The unit with which frequency is measured
Audio Frequency
Frequency (Hertz)
Ampere
Hertz
36. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Omnidirectional mic
Compression
Limiter
Q
37. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Hertz
Mic level
Condenser Mic
Directional Response (microphone)
38. Rate of repetition of periodic motion
Amplitude
Frequency (Hertz)
Q
Ribbon Microphone
39. Picks up sound from front and a little more from back
Impedance
Hypercardiod
White Noise
Omnidirectional mic
40. Loudness or hight of a sound wave - Increase signal level
Amplitude
Fundamental
Noise Gate
Click Track
41. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Low Pass Filter
Supercardiod
Compression
Ribbon Microphone