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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Analog to Digital
Click Track
Audio Envelope
A/D
Q
2. Difference between loudest and quietest SPL
Dynamic Range
A/D
Supercardiod
Amplitude
3. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Impedance
Balanced Cable
Frequency (Hertz)
Watt
4. A type of noise that is produced by combining sounds of all different frequencies together
Dynamic Microphones
Capacitor
White Noise
Limiter
5. Describes bandwith
Q
Insert
Audio Envelope
Audio Frequency
6. Lets frequencies below a certain level
A/D
PAD
Ampere
Low Pass Filter
7. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Compression
Ribbon Microphone
Dynamic Range
8. Orb around the microphone can hear from any direction.
PAD
Omnidirectional mic
Wave Phase
Condenser Mic
9. Heart shaped: picks up sound from front of microphone only
A/D
Cardioid mic
Graphic EQ
Bidirectional
10. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Q
Dynamic Microphones
Audio Frequency
Preamp
11. The relationship of two wave forms
Fundamental
Hypercardiod
Wave Phase
Compression
12. Lowest frequency in a harmonic series
Fundamental
Hertz
Click Track
Bandpass Filter
13. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Insert
Bandpass Filter
Audio Envelope
Wave Phase
14. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Bidirectional
Capacitor
Amplifier
Limiter
15. Unit of power
Frequency (Hertz)
Balanced Cable
Watt
Amplifier
16. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Balanced Cable
Bandpass Filter
Compression
Amplitude
17. Level of signal generated before it is amplified by the pre amp to line level
Ribbon Microphone
Mic level
Compression
Wave Phase
18. Unit of electrical current
Noise Gate
A/D
Ampere
Condenser Mic
19. Speed of sound. 1130 ft/s
Fundamental
Audio Velocity
Mic level
Compression
20. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Ampere
Preamp
White Noise
Click Track
21. Picks up sound from front and a little from back of microphone
Supercardiod
Compression
Amplifier
Fundamental
22. Loudness or hight of a sound wave - Increase signal level
Cardioid mic
Supercardiod
Condenser Mic
Amplitude
23. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Impedance
Wave Phase
Insert
Gain
24. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
White Noise
A/D
Ribbon Microphone
Amplifier
25. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Audio Envelope
Directional Response (microphone)
Supercardiod
Bandpass Filter
26. A device that brings an electrical signal from microphone level to line level.
Preamp
Dynamic Range
Wave Phase
Bandpass Filter
27. Measures the amount of amplitude applied to a signal
Frequency (Hertz)
Ampere
Gain
Amplitude
28. Picks up sound from front and a little more from back
Q
Hypercardiod
Noise Gate
Voltage
29. Different in charge levels between 2 conductive elements
Preamp
Voltage
PAD
Supercardiod
30. Rate of repetition of periodic motion
Noise Gate
Directional Response (microphone)
Frequency (Hertz)
Ribbon Microphone
31. Controls level in pre amp
Supercardiod
PAD
Audio Frequency
Hertz
32. The unit with which frequency is measured
Condenser Mic
Compression
Cardioid mic
Hertz
33. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Omnidirectional mic
Bandpass Filter
Amplitude
Dynamic Microphones
34. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
PAD
Omnidirectional mic
Watt
35. Boosts or cuts frequencies around a specified frequency
Bandpass Filter
Q
PAD
Supercardiod
36. Picks up sound from front and back of microphone but not the sides.
Insert
Bidirectional
Watt
Cardioid mic
37. Any device used to increase signal level
Amplifier
Click Track
Mic level
Cardioid mic
38. Signal path in mixer - channels can be routed
Mic level
Bus
Supercardiod
Condenser Mic
39. Measure of opposition to a sinusoidal alternating current
Frequency (Hertz)
Bidirectional
Audio Frequency
Impedance
40. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Audio Envelope
Q
Ribbon Microphone
41. Devices for cutting or boosting frequencies within a 3rd of an octave
Low Pass Filter
Supercardiod
Watt
Graphic EQ