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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Level of signal generated before it is amplified by the pre amp to line level
Insert
Mic level
Audio Velocity
Limiter
2. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Bandpass Filter
Audio Frequency
Compression
Preamp
3. Orb around the microphone can hear from any direction.
Amplifier
Impedance
Omnidirectional mic
Preamp
4. Signal path in mixer - channels can be routed
Bus
Hertz
Directional Response (microphone)
Amplifier
5. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Ampere
Click Track
Hertz
Voltage
6. Picks up sound from front and back of microphone but not the sides.
Bandpass Filter
Balanced Cable
Bidirectional
Click Track
7. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Audio Frequency
A/D
Impedance
Ribbon Microphone
8. Loudness or hight of a sound wave - Increase signal level
Cardioid mic
Impedance
PAD
Amplitude
9. Measure of opposition to a sinusoidal alternating current
Impedance
Ribbon Microphone
Bandpass Filter
Insert
10. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Hypercardiod
Cardioid mic
Limiter
Condenser Mic
11. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Gain
Limiter
Dynamic Microphones
Impedance
12. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Watt
Mic level
Directional Response (microphone)
Noise Gate
13. Lets frequencies below a certain level
Balanced Cable
Amplitude
Audio Velocity
Low Pass Filter
14. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Impedance
Watt
Dynamic Microphones
15. Different in charge levels between 2 conductive elements
Voltage
Audio Velocity
Ribbon Microphone
Balanced Cable
16. Unit of power
Balanced Cable
Supercardiod
Watt
Hertz
17. Heart shaped: picks up sound from front of microphone only
Bandpass Filter
Graphic EQ
Cardioid mic
Amplifier
18. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Supercardiod
Audio Frequency
White Noise
Bidirectional
19. Unit of electrical current
Voltage
Click Track
Ampere
Audio Envelope
20. Analog to Digital
A/D
Capacitor
Audio Frequency
Ribbon Microphone
21. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Hypercardiod
Wave Phase
Frequency (Hertz)
22. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Bidirectional
Preamp
Capacitor
Ampere
23. Picks up sound from front and a little more from back
Hypercardiod
Audio Frequency
Frequency (Hertz)
Watt
24. Describes bandwith
Audio Envelope
Balanced Cable
Preamp
Q
25. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Audio Envelope
Bus
Omnidirectional mic
26. Lowest frequency in a harmonic series
Fundamental
Supercardiod
Frequency (Hertz)
Condenser Mic
27. Difference between loudest and quietest SPL
PAD
Amplitude
Insert
Dynamic Range
28. A type of noise that is produced by combining sounds of all different frequencies together
Omnidirectional mic
Audio Velocity
White Noise
Voltage
29. Devices for cutting or boosting frequencies within a 3rd of an octave
Graphic EQ
PAD
Impedance
Wave Phase
30. Boosts or cuts frequencies around a specified frequency
Supercardiod
Frequency (Hertz)
Bandpass Filter
Bidirectional
31. Rate of repetition of periodic motion
Directional Response (microphone)
Wave Phase
Frequency (Hertz)
Dynamic Microphones
32. Controls level in pre amp
Bus
Insert
PAD
Fundamental
33. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
PAD
Voltage
Condenser Mic
Ampere
34. The relationship of two wave forms
Wave Phase
Limiter
Bus
Dynamic Range
35. Measures the amount of amplitude applied to a signal
Gain
Impedance
Audio Velocity
Audio Frequency
36. Speed of sound. 1130 ft/s
Voltage
Capacitor
Bus
Audio Velocity
37. The unit with which frequency is measured
Hertz
Mic level
Limiter
Bidirectional
38. A device that brings an electrical signal from microphone level to line level.
Preamp
PAD
Compression
Ampere
39. Any device used to increase signal level
White Noise
Hypercardiod
Dynamic Microphones
Amplifier
40. Picks up sound from front and a little from back of microphone
Amplitude
Supercardiod
Graphic EQ
Limiter
41. Device that mutes a signal when it falls bellow a certain level
Dynamic Microphones
Noise Gate
Balanced Cable
Hertz