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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of noise that is produced by combining sounds of all different frequencies together
Fundamental
White Noise
Dynamic Microphones
Audio Envelope
2. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Gain
Condenser Mic
Bandpass Filter
Limiter
3. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
A/D
Audio Envelope
Hypercardiod
Graphic EQ
4. Orb around the microphone can hear from any direction.
Dynamic Microphones
Wave Phase
Omnidirectional mic
Capacitor
5. Measures the amount of amplitude applied to a signal
Hertz
Ribbon Microphone
Amplitude
Gain
6. Analog to Digital
A/D
Q
Wave Phase
Mic level
7. Measure of opposition to a sinusoidal alternating current
PAD
Supercardiod
Low Pass Filter
Impedance
8. Speed of sound. 1130 ft/s
Fundamental
Hypercardiod
Audio Velocity
Impedance
9. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Bus
Audio Frequency
Limiter
Capacitor
10. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Frequency (Hertz)
Click Track
Limiter
Compression
11. Unit of power
Watt
Amplitude
Omnidirectional mic
Low Pass Filter
12. The unit with which frequency is measured
Hertz
Limiter
Audio Frequency
Directional Response (microphone)
13. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Audio Velocity
Bandpass Filter
Audio Envelope
14. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Q
Noise Gate
Supercardiod
15. Boosts or cuts frequencies around a specified frequency
Mic level
Q
Bus
Bandpass Filter
16. The relationship of two wave forms
Hypercardiod
Limiter
PAD
Wave Phase
17. Describes bandwith
Audio Envelope
Q
Directional Response (microphone)
Capacitor
18. Device that mutes a signal when it falls bellow a certain level
Q
Gain
Noise Gate
Audio Frequency
19. Devices for cutting or boosting frequencies within a 3rd of an octave
Bus
A/D
Click Track
Graphic EQ
20. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Cardioid mic
Audio Frequency
Gain
Audio Envelope
21. Level of signal generated before it is amplified by the pre amp to line level
Watt
Amplitude
Mic level
A/D
22. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Watt
Dynamic Microphones
Bus
White Noise
23. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Cardioid mic
Impedance
Click Track
Insert
24. Loudness or hight of a sound wave - Increase signal level
Dynamic Range
Amplifier
Amplitude
Fundamental
25. Lowest frequency in a harmonic series
Bandpass Filter
Fundamental
Audio Frequency
Hypercardiod
26. Rate of repetition of periodic motion
Frequency (Hertz)
Impedance
Noise Gate
White Noise
27. Different in charge levels between 2 conductive elements
Amplitude
Preamp
Voltage
Amplifier
28. Picks up sound from front and back of microphone but not the sides.
Fundamental
Gain
Capacitor
Bidirectional
29. A device that brings an electrical signal from microphone level to line level.
Omnidirectional mic
Preamp
Graphic EQ
Compression
30. Heart shaped: picks up sound from front of microphone only
Limiter
Cardioid mic
Bidirectional
Omnidirectional mic
31. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Ampere
Balanced Cable
A/D
Preamp
32. Picks up sound from front and a little more from back
Hypercardiod
Frequency (Hertz)
PAD
Supercardiod
33. Lets frequencies below a certain level
Audio Envelope
Low Pass Filter
Condenser Mic
Dynamic Microphones
34. Any device used to increase signal level
Mic level
Insert
Amplifier
Compression
35. Controls level in pre amp
Omnidirectional mic
Preamp
PAD
Insert
36. Difference between loudest and quietest SPL
Mic level
Low Pass Filter
Omnidirectional mic
Dynamic Range
37. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
White Noise
Ribbon Microphone
Bandpass Filter
Supercardiod
38. Signal path in mixer - channels can be routed
Insert
Supercardiod
Bus
Capacitor
39. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Hertz
Dynamic Microphones
Directional Response (microphone)
Audio Envelope
40. Picks up sound from front and a little from back of microphone
Frequency (Hertz)
A/D
Hertz
Supercardiod
41. Unit of electrical current
Ampere
PAD
Hypercardiod
Watt