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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Low Pass Filter
Insert
Click Track
2. Difference between loudest and quietest SPL
Dynamic Range
Ribbon Microphone
Amplifier
Q
3. Unit of power
Watt
Preamp
PAD
White Noise
4. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Graphic EQ
Supercardiod
Dynamic Microphones
Limiter
5. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Audio Envelope
Ampere
Noise Gate
6. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Impedance
Fundamental
Insert
Hertz
7. Devices for cutting or boosting frequencies within a 3rd of an octave
Limiter
Amplitude
Supercardiod
Graphic EQ
8. Unit of electrical current
Fundamental
Ampere
Supercardiod
Capacitor
9. Device that mutes a signal when it falls bellow a certain level
Wave Phase
PAD
Limiter
Noise Gate
10. Heart shaped: picks up sound from front of microphone only
Q
Cardioid mic
Directional Response (microphone)
Supercardiod
11. Analog to Digital
Watt
Cardioid mic
Amplitude
A/D
12. Orb around the microphone can hear from any direction.
Dynamic Range
Ampere
Omnidirectional mic
Low Pass Filter
13. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Q
Graphic EQ
Impedance
Condenser Mic
14. Measures the amount of amplitude applied to a signal
Gain
Watt
Preamp
Audio Frequency
15. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Q
Balanced Cable
Limiter
Cardioid mic
16. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Insert
Wave Phase
Condenser Mic
Audio Envelope
17. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Watt
Wave Phase
Ribbon Microphone
Graphic EQ
18. Speed of sound. 1130 ft/s
Preamp
Supercardiod
Graphic EQ
Audio Velocity
19. Picks up sound from front and a little more from back
PAD
Hypercardiod
Preamp
Wave Phase
20. Any device used to increase signal level
White Noise
Dynamic Range
Amplifier
Gain
21. A device that brings an electrical signal from microphone level to line level.
Ampere
Hertz
Watt
Preamp
22. Picks up sound from front and a little from back of microphone
Balanced Cable
Supercardiod
Compression
Insert
23. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Supercardiod
Click Track
Limiter
24. Lets frequencies below a certain level
Watt
Frequency (Hertz)
Directional Response (microphone)
Low Pass Filter
25. Controls level in pre amp
Watt
PAD
Ampere
Graphic EQ
26. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Amplitude
PAD
Capacitor
Hertz
27. Loudness or hight of a sound wave - Increase signal level
Directional Response (microphone)
Dynamic Range
Amplitude
Graphic EQ
28. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Limiter
Condenser Mic
Audio Frequency
Mic level
29. Signal path in mixer - channels can be routed
Preamp
Bidirectional
Dynamic Microphones
Bus
30. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Noise Gate
Voltage
Watt
Click Track
31. A type of noise that is produced by combining sounds of all different frequencies together
Supercardiod
Audio Frequency
Voltage
White Noise
32. Boosts or cuts frequencies around a specified frequency
Mic level
Bus
Low Pass Filter
Bandpass Filter
33. Lowest frequency in a harmonic series
Cardioid mic
Gain
Fundamental
Amplitude
34. Picks up sound from front and back of microphone but not the sides.
Low Pass Filter
Bidirectional
Bandpass Filter
Hertz
35. Different in charge levels between 2 conductive elements
Omnidirectional mic
Gain
Voltage
Frequency (Hertz)
36. Describes bandwith
Hertz
Preamp
Q
Bidirectional
37. The unit with which frequency is measured
White Noise
Low Pass Filter
Amplifier
Hertz
38. Rate of repetition of periodic motion
Hertz
Graphic EQ
Frequency (Hertz)
Ribbon Microphone
39. The relationship of two wave forms
Capacitor
Balanced Cable
Wave Phase
Click Track
40. Measure of opposition to a sinusoidal alternating current
Balanced Cable
Insert
Omnidirectional mic
Impedance
41. Level of signal generated before it is amplified by the pre amp to line level
A/D
Mic level
PAD
Dynamic Microphones