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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of noise that is produced by combining sounds of all different frequencies together
Directional Response (microphone)
Frequency (Hertz)
Omnidirectional mic
White Noise
2. Orb around the microphone can hear from any direction.
Omnidirectional mic
Noise Gate
Condenser Mic
Balanced Cable
3. Level of signal generated before it is amplified by the pre amp to line level
Mic level
A/D
Amplitude
Click Track
4. Unit of electrical current
Hypercardiod
Bus
Ampere
Q
5. Device that mutes a signal when it falls bellow a certain level
Audio Envelope
Bandpass Filter
Wave Phase
Noise Gate
6. Loudness or hight of a sound wave - Increase signal level
Capacitor
Amplitude
Limiter
Supercardiod
7. Any device used to increase signal level
Audio Frequency
Amplifier
Omnidirectional mic
Q
8. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Cardioid mic
Frequency (Hertz)
Balanced Cable
9. Analog to Digital
Bandpass Filter
A/D
Compression
White Noise
10. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Watt
Supercardiod
Frequency (Hertz)
Audio Frequency
11. Lets frequencies below a certain level
Voltage
Low Pass Filter
Ampere
Mic level
12. Speed of sound. 1130 ft/s
Low Pass Filter
Audio Velocity
Watt
Ampere
13. Measure of opposition to a sinusoidal alternating current
Fundamental
Gain
Directional Response (microphone)
Impedance
14. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Envelope
Click Track
Audio Frequency
Graphic EQ
15. Picks up sound from front and back of microphone but not the sides.
A/D
Preamp
Noise Gate
Bidirectional
16. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Supercardiod
Ribbon Microphone
Omnidirectional mic
Insert
17. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Omnidirectional mic
Limiter
Compression
Gain
18. Devices for cutting or boosting frequencies within a 3rd of an octave
Insert
Graphic EQ
Ribbon Microphone
Dynamic Microphones
19. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Balanced Cable
Q
Capacitor
20. Controls level in pre amp
Hypercardiod
Gain
Cardioid mic
PAD
21. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
PAD
Bus
Balanced Cable
Audio Frequency
22. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
PAD
Dynamic Microphones
Gain
Hypercardiod
23. Describes bandwith
Q
Capacitor
Audio Frequency
Limiter
24. Picks up sound from front and a little from back of microphone
Amplitude
Limiter
Click Track
Supercardiod
25. Lowest frequency in a harmonic series
Fundamental
Amplifier
Cardioid mic
Hypercardiod
26. A device that brings an electrical signal from microphone level to line level.
Impedance
A/D
Preamp
Graphic EQ
27. The relationship of two wave forms
Wave Phase
Insert
Q
Voltage
28. Unit of power
Audio Envelope
Mic level
Noise Gate
Watt
29. Boosts or cuts frequencies around a specified frequency
Insert
Audio Envelope
Frequency (Hertz)
Bandpass Filter
30. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Balanced Cable
Click Track
Watt
Capacitor
31. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Compression
Impedance
Bidirectional
Condenser Mic
32. Picks up sound from front and a little more from back
Hypercardiod
Watt
Noise Gate
Q
33. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Ampere
Balanced Cable
Supercardiod
Capacitor
34. The unit with which frequency is measured
Ribbon Microphone
Hertz
Low Pass Filter
Condenser Mic
35. Different in charge levels between 2 conductive elements
Audio Frequency
Insert
Voltage
Limiter
36. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Amplifier
Omnidirectional mic
Audio Velocity
Insert
37. Rate of repetition of periodic motion
Frequency (Hertz)
Dynamic Range
Audio Velocity
White Noise
38. Signal path in mixer - channels can be routed
Audio Velocity
Bus
Balanced Cable
Audio Envelope
39. Heart shaped: picks up sound from front of microphone only
Q
Cardioid mic
Audio Envelope
Impedance
40. Measures the amount of amplitude applied to a signal
Gain
Impedance
Hypercardiod
Voltage
41. Difference between loudest and quietest SPL
Dynamic Range
Cardioid mic
Voltage
PAD