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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Insert
Fundamental
Click Track
Directional Response (microphone)
2. The unit with which frequency is measured
Fundamental
Amplifier
Hertz
Amplitude
3. Lowest frequency in a harmonic series
Fundamental
Ampere
White Noise
Dynamic Range
4. Analog to Digital
Low Pass Filter
Limiter
Audio Frequency
A/D
5. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Hertz
Amplifier
Gain
Audio Envelope
6. Measure of opposition to a sinusoidal alternating current
Audio Frequency
Impedance
Q
Condenser Mic
7. Describes bandwith
Bandpass Filter
Hertz
Omnidirectional mic
Q
8. Unit of power
Dynamic Range
Omnidirectional mic
Fundamental
Watt
9. A type of noise that is produced by combining sounds of all different frequencies together
Ribbon Microphone
Gain
White Noise
Audio Envelope
10. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Hypercardiod
Audio Frequency
Condenser Mic
11. Measures the amount of amplitude applied to a signal
Capacitor
Gain
Supercardiod
Bus
12. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Limiter
Balanced Cable
Dynamic Range
13. A device that brings an electrical signal from microphone level to line level.
Insert
Frequency (Hertz)
Gain
Preamp
14. Any device used to increase signal level
Amplifier
Limiter
Fundamental
Watt
15. The relationship of two wave forms
Wave Phase
Directional Response (microphone)
Bandpass Filter
Cardioid mic
16. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Capacitor
Balanced Cable
Bus
Bidirectional
17. Unit of electrical current
Bandpass Filter
Ampere
Mic level
Fundamental
18. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Cardioid mic
Click Track
Ribbon Microphone
Watt
19. Device that mutes a signal when it falls bellow a certain level
Bus
Noise Gate
Hypercardiod
Balanced Cable
20. Level of signal generated before it is amplified by the pre amp to line level
Hertz
Mic level
Audio Velocity
Cardioid mic
21. Controls level in pre amp
White Noise
Bidirectional
PAD
Graphic EQ
22. Loudness or hight of a sound wave - Increase signal level
Balanced Cable
Amplitude
Insert
Bus
23. Lets frequencies below a certain level
Compression
Frequency (Hertz)
Audio Velocity
Low Pass Filter
24. Difference between loudest and quietest SPL
Audio Velocity
Noise Gate
Bus
Dynamic Range
25. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Balanced Cable
Low Pass Filter
A/D
Capacitor
26. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Amplifier
Voltage
Bus
Audio Frequency
27. Picks up sound from front and a little more from back
A/D
Hypercardiod
Frequency (Hertz)
Mic level
28. Devices for cutting or boosting frequencies within a 3rd of an octave
Bus
Graphic EQ
Dynamic Range
Fundamental
29. Boosts or cuts frequencies around a specified frequency
Audio Velocity
Bus
Bandpass Filter
Dynamic Microphones
30. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Watt
Limiter
Gain
A/D
31. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
White Noise
Ribbon Microphone
Click Track
Wave Phase
32. Signal path in mixer - channels can be routed
Graphic EQ
Bidirectional
Bus
Capacitor
33. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Hertz
Ribbon Microphone
Supercardiod
34. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Balanced Cable
Q
Condenser Mic
Ampere
35. Rate of repetition of periodic motion
Frequency (Hertz)
Voltage
Dynamic Microphones
Ampere
36. Different in charge levels between 2 conductive elements
Insert
Impedance
Frequency (Hertz)
Voltage
37. Orb around the microphone can hear from any direction.
Impedance
Amplifier
Gain
Omnidirectional mic
38. Picks up sound from front and a little from back of microphone
Preamp
Hypercardiod
Frequency (Hertz)
Supercardiod
39. Heart shaped: picks up sound from front of microphone only
Cardioid mic
Bidirectional
Hertz
Noise Gate
40. Speed of sound. 1130 ft/s
Preamp
Audio Velocity
Condenser Mic
Bus
41. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Graphic EQ
Omnidirectional mic
Dynamic Microphones
Q