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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Any device used to increase signal level
Fundamental
Amplifier
Capacitor
Gain
2. Orb around the microphone can hear from any direction.
Omnidirectional mic
Supercardiod
Audio Frequency
Graphic EQ
3. Heart shaped: picks up sound from front of microphone only
Limiter
Condenser Mic
Cardioid mic
Bus
4. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Ampere
Watt
Directional Response (microphone)
Q
5. Picks up sound from front and a little from back of microphone
Q
PAD
Mic level
Supercardiod
6. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Click Track
Directional Response (microphone)
Mic level
Insert
7. Loudness or hight of a sound wave - Increase signal level
Amplitude
Preamp
Omnidirectional mic
Bidirectional
8. Difference between loudest and quietest SPL
Amplitude
Insert
Limiter
Dynamic Range
9. Controls level in pre amp
Q
PAD
Cardioid mic
Low Pass Filter
10. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Wave Phase
Click Track
Dynamic Microphones
Frequency (Hertz)
11. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Graphic EQ
Compression
Noise Gate
Insert
12. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Directional Response (microphone)
Frequency (Hertz)
Compression
Insert
13. Picks up sound from front and a little more from back
Hypercardiod
Compression
Low Pass Filter
Graphic EQ
14. Signal path in mixer - channels can be routed
Dynamic Range
A/D
Amplitude
Bus
15. Picks up sound from front and back of microphone but not the sides.
Supercardiod
Bidirectional
Ribbon Microphone
Q
16. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
White Noise
Bidirectional
Balanced Cable
Hypercardiod
17. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Low Pass Filter
Mic level
Preamp
Audio Envelope
18. Devices for cutting or boosting frequencies within a 3rd of an octave
Cardioid mic
Graphic EQ
PAD
Watt
19. Measures the amount of amplitude applied to a signal
Balanced Cable
Gain
Preamp
Q
20. Speed of sound. 1130 ft/s
Audio Envelope
Audio Velocity
A/D
Impedance
21. Unit of electrical current
Ampere
Hertz
Preamp
Directional Response (microphone)
22. Level of signal generated before it is amplified by the pre amp to line level
A/D
Mic level
Ribbon Microphone
PAD
23. Lets frequencies below a certain level
Click Track
Fundamental
Directional Response (microphone)
Low Pass Filter
24. The relationship of two wave forms
Capacitor
Wave Phase
Fundamental
Insert
25. Rate of repetition of periodic motion
Compression
Insert
Frequency (Hertz)
Preamp
26. Device that mutes a signal when it falls bellow a certain level
Amplifier
Cardioid mic
Bidirectional
Noise Gate
27. A device that brings an electrical signal from microphone level to line level.
Audio Envelope
Gain
Condenser Mic
Preamp
28. Unit of power
Insert
Watt
A/D
Dynamic Microphones
29. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Audio Frequency
Omnidirectional mic
Bus
Wave Phase
30. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Frequency (Hertz)
Ribbon Microphone
Gain
Mic level
31. The unit with which frequency is measured
Directional Response (microphone)
Hertz
Click Track
Omnidirectional mic
32. Different in charge levels between 2 conductive elements
Fundamental
Dynamic Range
Voltage
Condenser Mic
33. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Condenser Mic
Low Pass Filter
Bus
Capacitor
34. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Graphic EQ
Insert
Limiter
Click Track
35. Lowest frequency in a harmonic series
Dynamic Range
Fundamental
Insert
Amplifier
36. Boosts or cuts frequencies around a specified frequency
Dynamic Range
White Noise
Audio Envelope
Bandpass Filter
37. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Dynamic Range
Impedance
Fundamental
38. A type of noise that is produced by combining sounds of all different frequencies together
Hypercardiod
Wave Phase
Ampere
White Noise
39. Measure of opposition to a sinusoidal alternating current
Ribbon Microphone
Condenser Mic
Limiter
Impedance
40. Analog to Digital
A/D
Impedance
White Noise
Compression
41. Describes bandwith
Bidirectional
Low Pass Filter
Cardioid mic
Q