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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Graphic EQ
A/D
Audio Envelope
Supercardiod
2. Loudness or hight of a sound wave - Increase signal level
Omnidirectional mic
Voltage
Amplitude
Bidirectional
3. Lowest frequency in a harmonic series
Fundamental
Wave Phase
Dynamic Microphones
Amplifier
4. Picks up sound from front and back of microphone but not the sides.
Q
Audio Velocity
Bidirectional
Condenser Mic
5. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Cardioid mic
Insert
Dynamic Microphones
6. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Preamp
Compression
Q
Audio Velocity
7. Unit of power
Ampere
Capacitor
Watt
Wave Phase
8. Devices for cutting or boosting frequencies within a 3rd of an octave
PAD
Amplitude
Impedance
Graphic EQ
9. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Bidirectional
Condenser Mic
Directional Response (microphone)
Ampere
10. Signal path in mixer - channels can be routed
Dynamic Range
Audio Velocity
Frequency (Hertz)
Bus
11. Any device used to increase signal level
Dynamic Range
Watt
Preamp
Amplifier
12. Unit of electrical current
Limiter
Insert
Ampere
Amplitude
13. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
A/D
Frequency (Hertz)
Directional Response (microphone)
Impedance
14. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Capacitor
Ribbon Microphone
Gain
Amplifier
15. Describes bandwith
White Noise
Q
Dynamic Range
Audio Envelope
16. Speed of sound. 1130 ft/s
Audio Frequency
Amplitude
Dynamic Microphones
Audio Velocity
17. The relationship of two wave forms
PAD
Fundamental
Ribbon Microphone
Wave Phase
18. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Directional Response (microphone)
Balanced Cable
Dynamic Microphones
Click Track
19. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Capacitor
Limiter
Impedance
Balanced Cable
20. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
A/D
PAD
Hertz
Click Track
21. Controls level in pre amp
Bus
Watt
PAD
Impedance
22. Picks up sound from front and a little more from back
Directional Response (microphone)
Hypercardiod
Bidirectional
Limiter
23. Measures the amount of amplitude applied to a signal
Gain
Insert
Bandpass Filter
Ribbon Microphone
24. Picks up sound from front and a little from back of microphone
White Noise
Supercardiod
Q
Preamp
25. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Bandpass Filter
Capacitor
Preamp
Impedance
26. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Frequency (Hertz)
Hertz
Low Pass Filter
27. Measure of opposition to a sinusoidal alternating current
Impedance
Click Track
Wave Phase
A/D
28. A type of noise that is produced by combining sounds of all different frequencies together
PAD
Dynamic Range
White Noise
Dynamic Microphones
29. Lets frequencies below a certain level
Low Pass Filter
Graphic EQ
Dynamic Range
Watt
30. Difference between loudest and quietest SPL
Dynamic Range
Bus
Frequency (Hertz)
Voltage
31. A device that brings an electrical signal from microphone level to line level.
Gain
Audio Envelope
Mic level
Preamp
32. Analog to Digital
A/D
Bidirectional
Preamp
Watt
33. Heart shaped: picks up sound from front of microphone only
Audio Velocity
Capacitor
Impedance
Cardioid mic
34. Orb around the microphone can hear from any direction.
Voltage
Cardioid mic
Omnidirectional mic
Graphic EQ
35. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Hypercardiod
Wave Phase
Insert
Bidirectional
36. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Dynamic Microphones
Impedance
Limiter
Ampere
37. Boosts or cuts frequencies around a specified frequency
Hertz
PAD
Bandpass Filter
Capacitor
38. The unit with which frequency is measured
Directional Response (microphone)
Hertz
Graphic EQ
Bus
39. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Dynamic Range
Audio Envelope
Audio Frequency
Compression
40. Rate of repetition of periodic motion
Frequency (Hertz)
Wave Phase
Ribbon Microphone
Amplitude
41. Different in charge levels between 2 conductive elements
Condenser Mic
Omnidirectional mic
Voltage
Bus