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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Hypercardiod
Insert
Balanced Cable
Compression
2. Devices for cutting or boosting frequencies within a 3rd of an octave
Voltage
Cardioid mic
Graphic EQ
Bus
3. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Bidirectional
Condenser Mic
Directional Response (microphone)
Hertz
4. Difference between loudest and quietest SPL
A/D
Fundamental
Ampere
Dynamic Range
5. Measures the amount of amplitude applied to a signal
Bidirectional
Gain
Audio Envelope
Click Track
6. Picks up sound from front and a little more from back
Audio Envelope
Hypercardiod
Bandpass Filter
Amplifier
7. A type of noise that is produced by combining sounds of all different frequencies together
Fundamental
Supercardiod
Noise Gate
White Noise
8. Measure of opposition to a sinusoidal alternating current
Directional Response (microphone)
Impedance
Dynamic Microphones
Frequency (Hertz)
9. Speed of sound. 1130 ft/s
Ampere
Audio Velocity
Graphic EQ
Condenser Mic
10. Heart shaped: picks up sound from front of microphone only
Condenser Mic
A/D
Bus
Cardioid mic
11. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Ribbon Microphone
Balanced Cable
Dynamic Range
Insert
12. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Directional Response (microphone)
Click Track
Ampere
Watt
13. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Gain
Audio Envelope
A/D
Insert
14. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Bidirectional
Limiter
Dynamic Microphones
Audio Envelope
15. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Click Track
Condenser Mic
Wave Phase
Audio Envelope
16. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
White Noise
Audio Envelope
Noise Gate
Hypercardiod
17. Different in charge levels between 2 conductive elements
Hertz
Audio Frequency
Omnidirectional mic
Voltage
18. Any device used to increase signal level
Omnidirectional mic
Audio Velocity
Amplifier
Bandpass Filter
19. Lowest frequency in a harmonic series
Q
Fundamental
Noise Gate
Hertz
20. Describes bandwith
Q
Preamp
Graphic EQ
Omnidirectional mic
21. Boosts or cuts frequencies around a specified frequency
Audio Frequency
Bandpass Filter
Balanced Cable
Directional Response (microphone)
22. Unit of power
Hertz
Watt
Click Track
Impedance
23. A device that brings an electrical signal from microphone level to line level.
Directional Response (microphone)
Limiter
Fundamental
Preamp
24. Device that mutes a signal when it falls bellow a certain level
Preamp
Audio Velocity
Noise Gate
Frequency (Hertz)
25. Unit of electrical current
Cardioid mic
Amplifier
Dynamic Microphones
Ampere
26. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Mic level
Insert
Condenser Mic
Ribbon Microphone
27. Lets frequencies below a certain level
Voltage
Wave Phase
Low Pass Filter
Hertz
28. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Compression
Limiter
Frequency (Hertz)
Voltage
29. The unit with which frequency is measured
Audio Frequency
Bus
Cardioid mic
Hertz
30. Controls level in pre amp
Fundamental
Hertz
Compression
PAD
31. Orb around the microphone can hear from any direction.
A/D
Cardioid mic
Omnidirectional mic
Capacitor
32. Level of signal generated before it is amplified by the pre amp to line level
Dynamic Range
Hypercardiod
Ampere
Mic level
33. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Dynamic Microphones
Bandpass Filter
Gain
Audio Frequency
34. Analog to Digital
Ribbon Microphone
Cardioid mic
Bandpass Filter
A/D
35. Signal path in mixer - channels can be routed
Dynamic Microphones
Bus
A/D
Amplifier
36. The relationship of two wave forms
Cardioid mic
Noise Gate
Voltage
Wave Phase
37. Loudness or hight of a sound wave - Increase signal level
Amplitude
Impedance
Hypercardiod
Click Track
38. Rate of repetition of periodic motion
Noise Gate
Graphic EQ
Ampere
Frequency (Hertz)
39. Picks up sound from front and back of microphone but not the sides.
Watt
Preamp
Mic level
Bidirectional
40. Picks up sound from front and a little from back of microphone
Supercardiod
Compression
Frequency (Hertz)
PAD
41. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Impedance
Fundamental
Directional Response (microphone)
Capacitor