SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A device that brings an electrical signal from microphone level to line level.
Supercardiod
Condenser Mic
Preamp
Cardioid mic
2. The relationship of two wave forms
Audio Velocity
Wave Phase
White Noise
Amplifier
3. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Omnidirectional mic
Q
Audio Frequency
4. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
Mic level
Click Track
Capacitor
5. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Omnidirectional mic
Bandpass Filter
Supercardiod
6. Boosts or cuts frequencies around a specified frequency
Watt
Bandpass Filter
Hertz
Capacitor
7. Loudness or hight of a sound wave - Increase signal level
Amplitude
Audio Frequency
Audio Envelope
Compression
8. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Audio Velocity
Watt
Voltage
Balanced Cable
9. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Audio Frequency
Balanced Cable
Bandpass Filter
10. A type of noise that is produced by combining sounds of all different frequencies together
Omnidirectional mic
White Noise
Capacitor
Cardioid mic
11. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Mic level
Audio Envelope
PAD
Preamp
12. Heart shaped: picks up sound from front of microphone only
Audio Envelope
Cardioid mic
Impedance
Preamp
13. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Click Track
Gain
Dynamic Microphones
Limiter
14. Devices for cutting or boosting frequencies within a 3rd of an octave
Amplitude
Graphic EQ
Fundamental
Hertz
15. Unit of power
Condenser Mic
Watt
Directional Response (microphone)
Cardioid mic
16. Difference between loudest and quietest SPL
White Noise
A/D
Dynamic Range
Frequency (Hertz)
17. Signal path in mixer - channels can be routed
Balanced Cable
Wave Phase
Gain
Bus
18. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Impedance
Low Pass Filter
Preamp
19. Picks up sound from front and a little from back of microphone
Mic level
Noise Gate
Supercardiod
Bandpass Filter
20. Unit of electrical current
Ampere
PAD
White Noise
Capacitor
21. Rate of repetition of periodic motion
Supercardiod
Frequency (Hertz)
Click Track
Dynamic Microphones
22. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
A/D
Supercardiod
Balanced Cable
Capacitor
23. Speed of sound. 1130 ft/s
Capacitor
Audio Velocity
Dynamic Range
Bandpass Filter
24. Measure of opposition to a sinusoidal alternating current
Impedance
Gain
Dynamic Microphones
PAD
25. Lowest frequency in a harmonic series
Supercardiod
Fundamental
Balanced Cable
Dynamic Range
26. Picks up sound from front and a little more from back
Ribbon Microphone
Cardioid mic
Hypercardiod
PAD
27. Device that mutes a signal when it falls bellow a certain level
Mic level
Noise Gate
A/D
Balanced Cable
28. Any device used to increase signal level
Q
Amplifier
Directional Response (microphone)
Voltage
29. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Wave Phase
Bandpass Filter
Amplifier
30. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Amplifier
Dynamic Range
Hypercardiod
Audio Frequency
31. Measures the amount of amplitude applied to a signal
Frequency (Hertz)
Bandpass Filter
Dynamic Microphones
Gain
32. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Mic level
Condenser Mic
Omnidirectional mic
Insert
33. Different in charge levels between 2 conductive elements
Omnidirectional mic
Amplitude
Voltage
A/D
34. The unit with which frequency is measured
Hertz
Gain
Insert
Dynamic Range
35. Lets frequencies below a certain level
Low Pass Filter
White Noise
Bandpass Filter
Voltage
36. Orb around the microphone can hear from any direction.
Mic level
Omnidirectional mic
Hypercardiod
Amplitude
37. Analog to Digital
Compression
Supercardiod
A/D
Fundamental
38. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Audio Frequency
Dynamic Microphones
Condenser Mic
Mic level
39. Controls level in pre amp
Graphic EQ
PAD
Mic level
Cardioid mic
40. Describes bandwith
Directional Response (microphone)
Condenser Mic
Insert
Q
41. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Preamp
Amplifier
Amplitude
Condenser Mic