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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Audio Velocity
Audio Envelope
Hertz
Omnidirectional mic
2. Picks up sound from front and a little more from back
Hypercardiod
Directional Response (microphone)
Fundamental
Impedance
3. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Ribbon Microphone
Limiter
Bidirectional
Audio Frequency
4. Picks up sound from front and a little from back of microphone
Cardioid mic
Wave Phase
Supercardiod
Impedance
5. Lets frequencies below a certain level
Dynamic Microphones
Watt
Bandpass Filter
Low Pass Filter
6. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Audio Frequency
Condenser Mic
Low Pass Filter
7. Measures the amount of amplitude applied to a signal
Preamp
Low Pass Filter
Directional Response (microphone)
Gain
8. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Hypercardiod
Click Track
A/D
Low Pass Filter
9. Heart shaped: picks up sound from front of microphone only
Cardioid mic
Amplifier
Watt
Insert
10. Describes bandwith
Audio Envelope
Bus
Q
Watt
11. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Bus
Frequency (Hertz)
Insert
12. Speed of sound. 1130 ft/s
Audio Velocity
Preamp
Q
Amplifier
13. Devices for cutting or boosting frequencies within a 3rd of an octave
Graphic EQ
Voltage
Insert
Audio Velocity
14. The relationship of two wave forms
Limiter
Wave Phase
Bandpass Filter
Gain
15. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Voltage
Compression
Graphic EQ
Fundamental
16. A type of noise that is produced by combining sounds of all different frequencies together
White Noise
Capacitor
Audio Envelope
Hertz
17. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Preamp
Insert
Frequency (Hertz)
Bandpass Filter
18. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Directional Response (microphone)
Insert
Audio Frequency
19. Analog to Digital
Dynamic Microphones
Capacitor
Directional Response (microphone)
A/D
20. Loudness or hight of a sound wave - Increase signal level
Amplitude
Q
Graphic EQ
PAD
21. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Limiter
Condenser Mic
Q
Audio Envelope
22. Rate of repetition of periodic motion
Limiter
Frequency (Hertz)
Wave Phase
Directional Response (microphone)
23. Lowest frequency in a harmonic series
Ampere
White Noise
Limiter
Fundamental
24. Unit of power
Gain
A/D
Cardioid mic
Watt
25. Signal path in mixer - channels can be routed
Hertz
Bus
Wave Phase
Gain
26. Boosts or cuts frequencies around a specified frequency
Click Track
Cardioid mic
Noise Gate
Bandpass Filter
27. Unit of electrical current
Dynamic Range
Ampere
Compression
Audio Frequency
28. A device that brings an electrical signal from microphone level to line level.
Dynamic Microphones
Cardioid mic
Hypercardiod
Preamp
29. The unit with which frequency is measured
Insert
Wave Phase
Hertz
Watt
30. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Balanced Cable
Voltage
Limiter
Bus
31. Controls level in pre amp
Ribbon Microphone
PAD
Directional Response (microphone)
Limiter
32. Any device used to increase signal level
Amplifier
Hertz
Preamp
A/D
33. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Impedance
Insert
Amplitude
34. Different in charge levels between 2 conductive elements
Capacitor
Dynamic Range
Noise Gate
Voltage
35. Difference between loudest and quietest SPL
Dynamic Range
Bidirectional
Ampere
PAD
36. Measure of opposition to a sinusoidal alternating current
Bidirectional
Omnidirectional mic
Audio Velocity
Impedance
37. Picks up sound from front and back of microphone but not the sides.
Capacitor
A/D
Balanced Cable
Bidirectional
38. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Impedance
Bidirectional
Dynamic Microphones
Capacitor
39. Orb around the microphone can hear from any direction.
Audio Velocity
Wave Phase
Compression
Omnidirectional mic
40. Level of signal generated before it is amplified by the pre amp to line level
Graphic EQ
Dynamic Microphones
Noise Gate
Mic level
41. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Hertz
Cardioid mic
Ribbon Microphone
Compression