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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of noise that is produced by combining sounds of all different frequencies together
Dynamic Microphones
Hertz
White Noise
Balanced Cable
2. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Capacitor
Q
Omnidirectional mic
3. Rate of repetition of periodic motion
Frequency (Hertz)
Ribbon Microphone
Supercardiod
Bus
4. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Noise Gate
Dynamic Microphones
Q
Low Pass Filter
5. Analog to Digital
Gain
Q
Supercardiod
A/D
6. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Amplitude
White Noise
Audio Velocity
Condenser Mic
7. Orb around the microphone can hear from any direction.
Impedance
Gain
Omnidirectional mic
Mic level
8. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Omnidirectional mic
Audio Envelope
Graphic EQ
Audio Velocity
9. Unit of power
Gain
Dynamic Microphones
Audio Velocity
Watt
10. Picks up sound from front and a little from back of microphone
Audio Envelope
Cardioid mic
Hertz
Supercardiod
11. Picks up sound from front and a little more from back
Directional Response (microphone)
Impedance
White Noise
Hypercardiod
12. Different in charge levels between 2 conductive elements
A/D
Capacitor
Voltage
Condenser Mic
13. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Click Track
Frequency (Hertz)
Amplifier
Directional Response (microphone)
14. Boosts or cuts frequencies around a specified frequency
White Noise
Hypercardiod
Bandpass Filter
Fundamental
15. Devices for cutting or boosting frequencies within a 3rd of an octave
Bandpass Filter
Graphic EQ
Balanced Cable
Preamp
16. Controls level in pre amp
Cardioid mic
Watt
PAD
Dynamic Microphones
17. Loudness or hight of a sound wave - Increase signal level
Amplitude
Impedance
Click Track
Audio Frequency
18. Heart shaped: picks up sound from front of microphone only
Watt
Q
Hypercardiod
Cardioid mic
19. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Audio Envelope
Limiter
Balanced Cable
Capacitor
20. Unit of electrical current
Bus
Limiter
Ampere
Bandpass Filter
21. The unit with which frequency is measured
Hertz
Hypercardiod
Audio Envelope
Ribbon Microphone
22. Lets frequencies below a certain level
Voltage
Low Pass Filter
Fundamental
Audio Envelope
23. Signal path in mixer - channels can be routed
Preamp
Bus
Gain
Fundamental
24. Measures the amount of amplitude applied to a signal
Click Track
Hypercardiod
Compression
Gain
25. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Click Track
Amplitude
Balanced Cable
Q
26. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
PAD
Bidirectional
Capacitor
Impedance
27. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Cardioid mic
Low Pass Filter
Audio Envelope
28. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Wave Phase
Amplitude
Ribbon Microphone
Ampere
29. A device that brings an electrical signal from microphone level to line level.
Audio Frequency
Bandpass Filter
Preamp
Voltage
30. The relationship of two wave forms
Amplitude
Bus
Wave Phase
Balanced Cable
31. Measure of opposition to a sinusoidal alternating current
Impedance
Cardioid mic
Condenser Mic
Audio Velocity
32. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Q
Compression
Gain
Audio Frequency
33. Level of signal generated before it is amplified by the pre amp to line level
Bandpass Filter
Mic level
Voltage
Amplifier
34. Picks up sound from front and back of microphone but not the sides.
PAD
A/D
Bidirectional
Hertz
35. Speed of sound. 1130 ft/s
Voltage
Bandpass Filter
Mic level
Audio Velocity
36. Lowest frequency in a harmonic series
Fundamental
Ampere
Frequency (Hertz)
White Noise
37. Any device used to increase signal level
Compression
Amplifier
Bandpass Filter
Click Track
38. Difference between loudest and quietest SPL
Voltage
Dynamic Range
Hertz
Audio Envelope
39. Describes bandwith
Dynamic Range
Ribbon Microphone
Amplitude
Q
40. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Preamp
Supercardiod
Graphic EQ
41. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Audio Envelope
A/D
Insert
Bandpass Filter