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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Frequency (Hertz)
Dynamic Microphones
Audio Envelope
Supercardiod
2. Difference between loudest and quietest SPL
Fundamental
Low Pass Filter
Dynamic Range
Balanced Cable
3. Measure of opposition to a sinusoidal alternating current
Balanced Cable
Audio Velocity
Impedance
Click Track
4. A device that brings an electrical signal from microphone level to line level.
Impedance
Compression
Preamp
Ribbon Microphone
5. Speed of sound. 1130 ft/s
Supercardiod
Audio Velocity
Click Track
Frequency (Hertz)
6. Lowest frequency in a harmonic series
Fundamental
Frequency (Hertz)
Ribbon Microphone
Gain
7. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
White Noise
Balanced Cable
Hertz
Dynamic Microphones
8. Unit of power
A/D
Watt
Audio Envelope
Frequency (Hertz)
9. Different in charge levels between 2 conductive elements
Bidirectional
Amplitude
Voltage
Supercardiod
10. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Condenser Mic
Frequency (Hertz)
PAD
Balanced Cable
11. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Audio Frequency
Mic level
Hypercardiod
Amplifier
12. Unit of electrical current
Ampere
Capacitor
Mic level
Audio Velocity
13. Heart shaped: picks up sound from front of microphone only
Omnidirectional mic
Mic level
Cardioid mic
Hertz
14. Devices for cutting or boosting frequencies within a 3rd of an octave
Bidirectional
Click Track
Graphic EQ
Condenser Mic
15. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Limiter
Low Pass Filter
PAD
Insert
16. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Audio Velocity
Gain
Limiter
Bidirectional
17. The unit with which frequency is measured
Impedance
Hertz
Hypercardiod
Directional Response (microphone)
18. Any device used to increase signal level
Insert
Limiter
Amplifier
Voltage
19. Describes bandwith
Wave Phase
Q
A/D
Noise Gate
20. A type of noise that is produced by combining sounds of all different frequencies together
A/D
White Noise
PAD
Capacitor
21. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Click Track
Audio Envelope
Noise Gate
Capacitor
22. Picks up sound from front and a little more from back
Hypercardiod
Gain
Q
Condenser Mic
23. Loudness or hight of a sound wave - Increase signal level
Bandpass Filter
PAD
Dynamic Range
Amplitude
24. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Balanced Cable
Compression
Watt
25. Rate of repetition of periodic motion
Capacitor
Graphic EQ
Frequency (Hertz)
Insert
26. Measures the amount of amplitude applied to a signal
Hertz
Limiter
Gain
White Noise
27. The relationship of two wave forms
Low Pass Filter
Dynamic Microphones
Wave Phase
Ribbon Microphone
28. Boosts or cuts frequencies around a specified frequency
Dynamic Microphones
Bidirectional
Bandpass Filter
Capacitor
29. Device that mutes a signal when it falls bellow a certain level
Noise Gate
Click Track
Limiter
Bidirectional
30. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Limiter
Condenser Mic
Capacitor
Graphic EQ
31. Picks up sound from front and a little from back of microphone
Omnidirectional mic
Gain
Supercardiod
Audio Velocity
32. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Ribbon Microphone
Directional Response (microphone)
Gain
Limiter
33. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Watt
Audio Envelope
Voltage
34. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Limiter
Audio Envelope
Cardioid mic
35. Controls level in pre amp
Cardioid mic
PAD
Fundamental
Limiter
36. Signal path in mixer - channels can be routed
Bus
Compression
Dynamic Microphones
Omnidirectional mic
37. Orb around the microphone can hear from any direction.
Bus
Watt
Omnidirectional mic
Graphic EQ
38. Lets frequencies below a certain level
Directional Response (microphone)
Low Pass Filter
Mic level
Fundamental
39. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
Ampere
Mic level
Cardioid mic
40. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Click Track
White Noise
Bandpass Filter
Compression
41. Analog to Digital
Ribbon Microphone
Hypercardiod
Bidirectional
A/D