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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Hypercardiod
Mic level
Dynamic Microphones
White Noise
2. Orb around the microphone can hear from any direction.
Hertz
Wave Phase
White Noise
Omnidirectional mic
3. A device that brings an electrical signal from microphone level to line level.
Capacitor
Preamp
Dynamic Microphones
Balanced Cable
4. Signal path in mixer - channels can be routed
Ribbon Microphone
Watt
Limiter
Bus
5. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Balanced Cable
Low Pass Filter
Impedance
Capacitor
6. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Wave Phase
Audio Envelope
Balanced Cable
Bidirectional
7. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Capacitor
Noise Gate
Ribbon Microphone
Balanced Cable
8. Different in charge levels between 2 conductive elements
Voltage
White Noise
Directional Response (microphone)
Hertz
9. The relationship of two wave forms
Ampere
Impedance
Amplifier
Wave Phase
10. Analog to Digital
Amplifier
A/D
Amplitude
Hypercardiod
11. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
A/D
Wave Phase
Audio Frequency
Frequency (Hertz)
12. Boosts or cuts frequencies around a specified frequency
Limiter
Fundamental
Noise Gate
Bandpass Filter
13. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Voltage
Limiter
Compression
Ampere
14. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Bandpass Filter
Ribbon Microphone
Omnidirectional mic
Compression
15. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Bidirectional
White Noise
Low Pass Filter
Insert
16. A type of noise that is produced by combining sounds of all different frequencies together
Voltage
Hertz
Q
White Noise
17. Level of signal generated before it is amplified by the pre amp to line level
Mic level
Hypercardiod
Amplitude
Supercardiod
18. Rate of repetition of periodic motion
Frequency (Hertz)
Low Pass Filter
Graphic EQ
Audio Envelope
19. The unit with which frequency is measured
Q
Balanced Cable
Hertz
Dynamic Range
20. Heart shaped: picks up sound from front of microphone only
Hertz
Q
Wave Phase
Cardioid mic
21. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Dynamic Range
Bus
Capacitor
Fundamental
22. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Limiter
Ribbon Microphone
A/D
Click Track
23. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Supercardiod
Ribbon Microphone
Graphic EQ
24. Lowest frequency in a harmonic series
White Noise
Fundamental
Bus
Limiter
25. Picks up sound from front and a little from back of microphone
Watt
Mic level
Bandpass Filter
Supercardiod
26. Difference between loudest and quietest SPL
Omnidirectional mic
Dynamic Range
Hertz
Q
27. Measures the amount of amplitude applied to a signal
Fundamental
Omnidirectional mic
Amplitude
Gain
28. Describes bandwith
Q
Audio Envelope
Audio Velocity
Impedance
29. Device that mutes a signal when it falls bellow a certain level
Audio Envelope
Directional Response (microphone)
Impedance
Noise Gate
30. Unit of power
Condenser Mic
Insert
Q
Watt
31. Lets frequencies below a certain level
Audio Frequency
Graphic EQ
Mic level
Low Pass Filter
32. Picks up sound from front and a little more from back
Bus
Dynamic Range
Hypercardiod
Noise Gate
33. Loudness or hight of a sound wave - Increase signal level
Bidirectional
Ribbon Microphone
Amplitude
Mic level
34. Controls level in pre amp
Directional Response (microphone)
A/D
PAD
Hertz
35. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Directional Response (microphone)
Low Pass Filter
Omnidirectional mic
Ribbon Microphone
36. Devices for cutting or boosting frequencies within a 3rd of an octave
Bidirectional
Bus
Graphic EQ
Click Track
37. Unit of electrical current
Low Pass Filter
White Noise
Ampere
Noise Gate
38. Picks up sound from front and back of microphone but not the sides.
Bidirectional
Preamp
Condenser Mic
Audio Velocity
39. Any device used to increase signal level
Graphic EQ
Watt
Amplifier
Limiter
40. Measure of opposition to a sinusoidal alternating current
Click Track
Bandpass Filter
Ribbon Microphone
Impedance
41. Speed of sound. 1130 ft/s
Balanced Cable
Cardioid mic
Audio Velocity
Capacitor