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Test your basic knowledge |
Audio Engineering
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 41 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of noise that is produced by combining sounds of all different frequencies together
White Noise
Ribbon Microphone
Balanced Cable
Bus
2. It is used to proportionately reduce the dynamics of a signal that rise above a user- definable level (known as the threshold) to a lesser volume range. (below 4:1)
Compression
Mic level
Noise Gate
Insert
3. Devices for cutting or boosting frequencies within a 3rd of an octave
White Noise
Impedance
Gain
Graphic EQ
4. Level of signal generated before it is amplified by the pre amp to line level
Preamp
Audio Envelope
Mic level
Watt
5. A device that brings an electrical signal from microphone level to line level.
Preamp
Insert
Low Pass Filter
Gain
6. Unit of electrical current
A/D
Ampere
Gain
Q
7. If the compression ratio is made large enough - the compressor will actually become a limiter (above 4:1) - (electronics) an nonlinear electronic circuit whose output is limited in amplitude
Limiter
Fundamental
Preamp
Directional Response (microphone)
8. A cable capable of eliminating unwanted noise and hum that might be introduced along its length by carrying two versions of the signal - one with its polarity inverted.
Q
Audio Frequency
Frequency (Hertz)
Balanced Cable
9. Two conductive plates separated by an insulator. Capable of retaining an electrical charge
Capacitor
Limiter
Low Pass Filter
Cardioid mic
10. Controls level in pre amp
Compression
PAD
Click Track
Graphic EQ
11. The directional response of a mic refers to its sensitivity (output level) at various angles of incidence with respect to the front (on - axis) of the microphone
Condenser Mic
Directional Response (microphone)
Omnidirectional mic
Insert
12. Different in charge levels between 2 conductive elements
Voltage
PAD
Hypercardiod
Low Pass Filter
13. When a processor like effects or compression is patched into a channel or group on a mixer/audio console - the processed signal supersedes and replaces the original.
Watt
Impedance
Insert
Voltage
14. Heart shaped: picks up sound from front of microphone only
Frequency (Hertz)
Compression
Ribbon Microphone
Cardioid mic
15. Analog to Digital
Condenser Mic
Wave Phase
Low Pass Filter
A/D
16. Measures the amount of amplitude applied to a signal
Gain
Hertz
Cardioid mic
Watt
17. A metronomic click used during recording to keep musicians playing in time or audio engineers to set delay timings.
Limiter
Dynamic Range
Click Track
Amplifier
18. Shape of sound: Attack - Decay - Sustain - Release (ADSR)
Directional Response (microphone)
Audio Envelope
Audio Velocity
A/D
19. Picks up sound from front and back of microphone but not the sides.
Audio Envelope
Compression
Gain
Bidirectional
20. Loudness or hight of a sound wave - Increase signal level
Condenser Mic
Bidirectional
Impedance
Amplitude
21. Device that mutes a signal when it falls bellow a certain level
Mic level
Noise Gate
Dynamic Range
A/D
22. Signal path in mixer - channels can be routed
Audio Envelope
Audio Velocity
Compression
Bus
23. Difference between loudest and quietest SPL
Ampere
Bandpass Filter
Mic level
Dynamic Range
24. Any device used to increase signal level
Audio Velocity
Amplifier
Preamp
Audio Frequency
25. Needs external power (phantom power 48v) From mixer or mic pre - quality depends on the Voltage (48v or lower) - doesn't need as much SPL but is more fragile
Condenser Mic
Capacitor
Bidirectional
Audio Envelope
26. Boosts or cuts frequencies around a specified frequency
Bus
Insert
Impedance
Bandpass Filter
27. Orb around the microphone can hear from any direction.
Omnidirectional mic
Watt
Bandpass Filter
Low Pass Filter
28. The unit with which frequency is measured
Fundamental
Dynamic Microphones
A/D
Hertz
29. The relationship of two wave forms
Balanced Cable
Wave Phase
Impedance
A/D
30. Cycles sound wave makes in a second. 20 C = 20 Hz 20 -000 C = 20 -000 Hz (20-20 -000 average human ear can hear)
Click Track
Audio Frequency
Bidirectional
Low Pass Filter
31. Lets frequencies below a certain level
Low Pass Filter
Compression
Bus
Insert
32. Sounds amazing - ribbon is corrugated but the ribbon can break if too loud - auto- compress sounds (all sounds will even out) - output it low - Similar to dynamic mics - but use a thin metal ribbon instead of a moving coil.
Ribbon Microphone
Graphic EQ
Compression
Noise Gate
33. Picks up sound from front and a little from back of microphone
Hertz
Supercardiod
Insert
Fundamental
34. Rate of repetition of periodic motion
Compression
Hypercardiod
Frequency (Hertz)
A/D
35. Speed of sound. 1130 ft/s
Dynamic Range
Compression
Preamp
Audio Velocity
36. Are really rugged... Very sturdy -Takes a really high SPL level - Good: Takes a lot of pressure to make it move - Negative: Drums - Guitar amp - Live singing - inexpensive
Click Track
Dynamic Microphones
Preamp
A/D
37. Unit of power
Bus
Bandpass Filter
Watt
Amplitude
38. Picks up sound from front and a little more from back
Hertz
Hypercardiod
Ampere
Impedance
39. Measure of opposition to a sinusoidal alternating current
Audio Frequency
Directional Response (microphone)
Impedance
Bus
40. Lowest frequency in a harmonic series
Fundamental
Wave Phase
Gain
Balanced Cable
41. Describes bandwith
Impedance
Dynamic Microphones
Amplitude
Q