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Test your basic knowledge |
CSET Domain 1 Performing Arts Dance
Start Test
Study First
Subjects
:
cset
,
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Posture - Balance - Flexibility - Strength - Coordination
Warm - up exercises should address these 5 skills/abilities
Space between dancers
Focus
Passe
2. Music to accompany specific - technical ballet steps; a theatrical art form developed
Rhapsodic Rhythms
Improvisation
Dallet evolution
18th and 19th Centuries
3. Quality of energy: sustained (smooth) - suspended (light) - swing (under - curve) - sway (over - curve) - collapsed (loose) - percussive (sharp) - or vibrate (shudder) - Degree of energy: strong - weak - heavy - light - dynamic - static - flowing - o
Elements of dance: Force
Dance - Prehistory to Beginning of Middle Ages (A.D. 400)
Spotting
4 Elements of dance movements
4. Focusing the eyes on one point in the distance in order to keep balance while turning
Elements of dance: Force
Spotting
Square dancing and barn dancing
Styles of dance and movement
5. The steps of a dance as put together for performance or the art of composing dances
Folk dance
Dallet evolution
Choreography
Social dance and mass culture
6. Sequences - motifs - and phrases developed as the choreographed dance
Movement materials
Interactions between dancers
Modern dance
Form and Shape
7. Often carry important historical significance from ancient civilizations Examples: Chinese ribbon dance - Polish polonaise - India's Kathakali or Bharatanatyam dance - Clogging - traditionally from Wales - which involves double taps on both the heel
Tempo
Cultural dances
Dance post -1960s
Modern dance choreography
8. Direction: forward - backward - up - down - sideways (horizontal or vertical) - diagonal - straight - circle - out - in - zigzag - or spiral
Elements of dance: Levels
Modern dance choreography
Nonlocomotor
Rhythm
9. Formal dancing spread to the Continent; expansion of professional dancing masters; professional choreography at the Paris Opera (opera and dance); costuming; introduction of the waltz (1-2-3) rhythm; court dance
18th and 19th Centuries
Syncopation
Elements of dance: Levels
Quality of Energy
10. A term coined in the 1960s by those who wanted to create movement outside the influences of any of the then - traditional modern dance pioneers - such as Cunningham - Graham - Humphrey - Lim
Dance in the Middle Ages (500-1400)
Native Americans
Grand jete
Postmodern dance
11. Determine appropriate age - related expectations for a safe - enjoyable classroom activity
Framework for dance activity instruction
Square dancing and barn dancing
Historic evolution (use of dance movement) Indi
Elements of dance: Force
12. Rock 'n' roll; MTV; hip - hop; ballroom dancing (tango)
Rhythm
Form and Shape
Social dance and mass culture
Maypole dance
13. (Often traditional folk steps): two - step - paddle - grapevine - step - hop - chug - and spinning
Attitude
Combined locomotor
Elements of dance: Force
Folk dance
14. Whether the energy is: Sustained (smooth) - Suspended (light) - Swing (under - curve) - Sway (over - curve) - Collapsed (loose) - Percussive (sharp) - Vibrate (shudder)
Historic evolution (use of dance movement) Indi
Elements of dance: Force
Improvisation
Quality of Energy
15. Warm - up exercises and Body awareness exercises
Dance
Dance activities should begin with these
Passe
Modern dance
16. In this leap - the dancer turns halfway in midair to land facing the direction in which the movement started
Rhapsodic Rhythms
Grand jete en tournan (tour jete)
Interactions between dancers
Form and Shape
17. Another popular form of the flamenco that originated in Cuba and Latin America
Kinesthetic awareness
Historic evolution (use of dance movement) Rome
Pas de deux
Rumba flamenco
18. The continued evolution of ballet; emphasis on emotions and fantasy; true pointe work; evolution of 'lightness in flight'; - this differed from other dance forms in placement and alignment of the body - as well as in training - Focus on the ballerina
Era of Romanticism (early 1800s)
Movement materials
Historic evolution (use of dance movement) Indi
Nonlocomotor
19. A part of pas de deux in which one dancer is lifted off the ground by another
Adagio
Postmodern dance
Lifts
Minuet
20. Dance movement that is primary and nonfunctional - with an emphasis on body mastery for expressive and communicative purposes
Creative movement
Elevation
Movement materials
Revolutionary aspects of early modern dance
21. Warm - up - skill building - expression via classroom dance activities
Historic evolution (use of dance movement) China
Focus
Historic evolution (use of dance movement) Rome
Elements should be found in all dance instruction
22. Must include these four factors: Dance movements must predate the 19th century - Dance is performed by peasants or royalty - The choreography is derived from tradition - There is no teacher
Historical forms of dance
Historic evolution (use of dance movement) China
Authentic folk dancing in its purest form
Dallet evolution
23. Quality of Energy - Degree of Energy
Forc
Form and Shape
Form and shape
Elements of dance: Time
24. A 'passing' position in which the foot passes by the knee of the supporting leg - When this position is held - as in pirouettes - with the foot of the working leg resting against the knee of the supporting leg - it is known as retire
Passe
Creative movement
Theatrical dance
Maypole dance
25. A formal aristocratic court dance developed at the end of the rennaisance period
Martha Graham and psychodrama
Focus
Revolutionary aspects of early modern dance
Minuet
26. Release of potential energy into kinetic energy
Early 20th Century Revolutionary aspects of Ballets Russes (Russia)
Force
Extension
Other theatrical production
27. High - medium - or low
Dallet evolution
Elements of dance: Levels
Dance teaching - variety - exposure
Level
28. Refers to the lexicon of dance as taught in the original academies - also used in reference to ballets as created during the Imperial Russian days - such as The Sleeping Beauty - The Nutcracker - and Swan Lake - also refers to a style of performing
Allegro
Historic evolution (use of dance movement) China
Classical
Pirouette
29. Provide opportunities for interpretation of dance - Provide a classroom dance program that includes different styles of dance from a cultural and historical context
Dance teaching - prep
Pointe
Dance teaching - variety - exposure
Focus
30. 1. Space 2. Time 3. Levels (dynamics) 4. Force (energy)
4 Elements of dance movements
The 8 basic steps
Classical
Nonlocomotor
31. Movement without previous planning
Characteristics of folk dance
Maypole dance
Other theatrical production
Improvisation
32. Dancing evolved from pageants and processions of the period
Minuet
Nonlocomotor
Renaissance (1400-1600)
Forc
33. Variations on folk dances are found in dance forms of today - including...
Square dancing and barn dancing
Form and shape
Elements of dance: Time
Body movement
34. Pantomime/dance expression
Pirouette
Late 20th Century
Level
Historic evolution (use of dance movement) Rome
35. Even or uneven beat
Adagio
Romantic Era
Beat
Level
36. Immediate area surrounding the body; the area in which bodies can move at all levels
Meter
Historic evolution (use of dance movement) Egypt
Space
Pirouette
37. Includes locomotor (moving from one place to another) and axial (contained movement around an axis of the body)
Religious or ceremonial dance
Body movement
Historic evolution (use of dance movement) Egypt
Beat
38. From the musical term - this refers to quick or lively movements
Allegro
Attitude
Historical forms of dance
Authentic folk dancing in its purest form
39. Based on music - songs - dialogue - and dance - Audiences often experience it in the form of musical theatre productions
Individual - group - or class
The 8 basic steps
Theatrical dance
Framework for dance activity instruction
40. Gaze - floor - or away
Elements of dance: Levels
Dance - pointe
Dance in the Middle Ages (500-1400)
Focus
41. Based upon the subjective interpretation of internalized feelings - emotions - and moods - Unlike formal ballet - this is often unstructured and makes deliberate use of gravity and body weight to enhance movement - It also encourages students to expr
George Balanchine (director of the New York City Ballet) and modern American ballet
Pathway
Form and Shape
Modern dance choreography
42. Separate the dance into the steps. Begin by teaching the steps - describing and demonstrating each separately. Steps are done slowly at first - using counts - and then at the proper tempo - Teach one part of the basic step pattern at a time; when two
Martha Graham and psychodrama
Dance teaching - prep
Historic evolution (use of dance movement) Egypt
Historic evolution (use of dance movement) Japan
43. Forward/Backward - Up/Down - Sideways (horizontal or vertical) - Diagonal - Straight - Circle - Out/In - Zigzag - Spiral
Direction
Elements of dance: Time
Authentic folk dancing in its purest form
Movement materials
44. (Staying in one place 'on spot'): stretching - pushing - twisting - bending - kicking - sinking - or curling
Kinesthetic awareness
George Balanchine (director of the New York City Ballet) and modern American ballet
Nonlocomotor
Modern dance
45. The ability to get up into the air and remain there long enough to perform various movements or poses
Focus
Spotting
Elevation
Characteristics of folk dance
46. Solo - duet - or ensemble
Historic evolution (use of dance movement) Indi
Individual - group - or class
Historical forms of dance
Dance teaching - variety - exposure
47. A line along which a person or part of a person moves - Patterns on/in the Floor - Elevated or Air
18th and 19th Centuries
Line
Pathway
George Balanchine (director of the New York City Ballet) and modern American ballet
48. Elaborate costumes - balance and moderation - and traditional dance
Historic evolution (use of dance movement) Java
Characteristics of folk dance
Flamenco dance
Kinds of Levels
49. 1. Direction 2. Form and Shape 3. Level 4. Range 5. Pathway 6. Focus
Kinds of Levels
Characteristics of folk dance
Dance post -1960s
Interactions between dancers
50. Ceremonial dance with each character having specific hand movement - and martial (war) dancing
Range
Abstraction
Rhapsodic rhythms
Historic evolution (use of dance movement) China