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Test your basic knowledge |
CSET Domain 1 Performing Arts Dance
Start Test
Study First
Subjects
:
cset
,
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Quality of energy: sustained (smooth) - suspended (light) - swing (under - curve) - sway (over - curve) - collapsed (loose) - percussive (sharp) - or vibrate (shudder) - Degree of energy: strong - weak - heavy - light - dynamic - static - flowing - o
Elements of dance: Force
Level
Alignment
Pirouette
2. 1. Direction 2. Form and Shape 3. Level 4. Range 5. Pathway 6. Focus
Kinds of Levels
Attitude
Elements should be found in all dance instruction
Abstraction
3. Based on music - songs - dialogue - and dance - Audiences often experience it in the form of musical theatre productions
Cultural dances
Rhapsodic rhythms
Combined locomotor
Theatrical dance
4. Intense movement often depicting pain - fear - and love; dance forms 'sculptured' by human body positions; contraction and release of the torso - 'fall and recover'; angular gestures; schools and dance companies
Historic evolution (use of dance movement) China
Movement materials
Warm - up exercises should address these 5 skills/abilities
Martha Graham and psychodrama
5. A form of cultural dance - originated from medieval times when townspeople danced to celebrate - e.g. Medieval 'carolers'
Folk dance
Dance activities should begin with these
Religious or ceremonial dance
Kinesthetic awareness
6. Posture - Balance - Flexibility - Strength - Coordination
Tempo
Line
Warm - up exercises should address these 5 skills/abilities
Attitude
7. The way in which various parts of the dancer's body are in line with one another while the dancer is moving
Pointe
Direction
Square dancing and barn dancing
Alignment
8. On the ball of the foot - or half toe
Authentic folk dancing in its purest form
Warm - up exercises should address these 5 skills/abilities
Form and shape
Dance - pointe
9. Sequences - motifs - and phrases developed as the choreographed dance
Historical forms of dance
Movement materials
Choreography
Dance - pointe
10. Even or uneven beat
Creative movement
Beat
Virtuoso dancing
Styles of dance and movement
11. Refers to the lexicon of dance as taught in the original academies - also used in reference to ballets as created during the Imperial Russian days - such as The Sleeping Beauty - The Nutcracker - and Swan Lake - also refers to a style of performing
Postmodern dance
Modern dance choreography
Classical
Level
12. Often carry important historical significance from ancient civilizations Examples: Chinese ribbon dance - Polish polonaise - India's Kathakali or Bharatanatyam dance - Clogging - traditionally from Wales - which involves double taps on both the heel
Cultural dances
Social dance
Attitude
Syncopation
13. Direction: forward - backward - up - down - sideways (horizontal or vertical) - diagonal - straight - circle - out - in - zigzag - or spiral
Elements of dance: Levels
Historic evolution (use of dance movement) Japan
Range
Dallet evolution
14. 1. Rhythm 2. Tempo 3. Beat 4. Meter 5. Syncopation 6. Rhapsodic Rhythms
Flamenco dance
Force
Concepts regarding the time element of dance
Rhythm
15. Have the dancers walk through the floor pattern. Then combine the steps with the floor pattern - first without music - and then with music (remember that not all dances have a set floor pattern).
Dance activities should begin with these
Dance teaching - floor pattern
Movement materials
Historical forms of dance
16. Kabuki (traced to primitive rituals; it involves stomping - elaborate costumes - is male only - and is still current)
Era of Romanticism (early 1800s)
Grand jete en tournan (tour jete)
Form and shape
Historic evolution (use of dance movement) Japan
17. As in music - the opposite of allegro; a slower tempo - also a set of practice exercises in class consisting of extensions and balances
Dance activities should begin with these
Minuet
Square dancing and barn dancing
Adagio
18. Formal dancing spread to the Continent; expansion of professional dancing masters; professional choreography at the Paris Opera (opera and dance); costuming; introduction of the waltz (1-2-3) rhythm; court dance
Maypole dance
Grand jete
Well - known musical productions
18th and 19th Centuries
19. Side - by - side - supported - far - or near)
Pirouette
Rhythm
Space between dancers
Elements of dance: Levels
20. Type of creative dance involving specialized movement techniques; emphasis is on expression and communication
Authentic folk dancing in its purest form
Movement materials
Modern dance
Force
21. A term coined in the 1960s by those who wanted to create movement outside the influences of any of the then - traditional modern dance pioneers - such as Cunningham - Graham - Humphrey - Lim
Postmodern dance
Native Americans
Abstraction
Dance in the Middle Ages (500-1400)
22. Gaze - floor - or away
Dance - pointe
Level
Adagio
Focus
23. A 'passing' position in which the foot passes by the knee of the supporting leg - When this position is held - as in pirouettes - with the foot of the working leg resting against the knee of the supporting leg - it is known as retire
Dance teaching - floor pattern
Elements of dance: Time
Passe
Pas de deux
24. 'To twirl or spin'; a turn on one foot that can be executed outward - away from the body - or inward - toward the body
Early 20th Century Revolutionary aspects of Ballets Russes (Russia)
Passe
18th and 19th Centuries
Pirouette
25. Focusing the eyes on one point in the distance in order to keep balance while turning
Historic evolution (use of dance movement) Greece
Spotting
Era of Romanticism (early 1800s)
Historic evolution (use of dance movement) Java
26. Music to accompany specific - technical ballet steps; a theatrical art form developed
Body movement
Religious or ceremonial dance
Dallet evolution
Classical
27. Broadway and Hollywood shows; a new style of moving with emphasis on speed and mobility; lean body types; importance of the female dancer
Historic evolution (use of dance movement) Japan
Late 20th Century
George Balanchine (director of the New York City Ballet) and modern American ballet
Dance
28. Ceremonial dance with each character having specific hand movement - and martial (war) dancing
Allegro
Warm - up exercises should address these 5 skills/abilities
Historic evolution (use of dance movement) China
Space
29. 1. Originated with the Andalusian Gypsies in Spain 2. Forceful rhythms 3. Hand clapping 4. Rapid foot movements 5. Use of castanets 6. Colorful costumes
Historic evolution (use of dance movement) Rome
Flamenco dance
Early 20th Century Revolutionary aspects of Ballets Russes (Russia)
Dance - pointe
30. 1. Space 2. Time 3. Levels (dynamics) 4. Force (energy)
Grand jete
4 Elements of dance movements
Promenade
Attitude
31. Immediate area surrounding the body; the area in which bodies can move at all levels
Arabesque
Space
Native Americans
Dance post -1960s
32. Movement associated with gods/funerals
Historic evolution (use of dance movement) Egypt
Cultural dances
Pathway
George Balanchine (director of the New York City Ballet) and modern American ballet
33. Pantomime/dance expression
Flamenco dance
Historic evolution (use of dance movement) Rome
Popular historical dances that are often used today
Passe
34. A pose in which the working leg is extended with a straight knee directly behind the body (both the height of the leg and the position of the arms are variable)
Kinds of Levels
Arabesque
Native Americans
Individual - group - or class
35. Whether the energy is: Sustained (smooth) - Suspended (light) - Swing (under - curve) - Sway (over - curve) - Collapsed (loose) - Percussive (sharp) - Vibrate (shudder)
Modern dance
Social dance and mass culture
Quality of Energy
Framework for dance activity instruction
36. Raising the leg to a straightened position with the foot very high above the ground; the ability to lift and hold the leg in position of the ground
Dance teaching - floor pattern
Historic evolution (use of dance movement) Rome
Form and shape
Extension
37. Elaborate costumes - balance and moderation - and traditional dance
Combined locomotor
Warm - up exercises should address these 5 skills/abilities
Historic evolution (use of dance movement) Java
Cultural dances
38. The steps of a dance as put together for performance or the art of composing dances
Choreography
Elevation
Historic evolution (use of dance movement) Japan
Pirouette
39. The ability to get up into the air and remain there long enough to perform various movements or poses
Kinds of Levels
Lifts
Religious or ceremonial dance
Elevation
40. Have expressed mourning the spirit in dance movement. They have also used dance as a ritual to prepare for battles and to celebrate joyful occasions.
Revolutionary aspects of early modern dance
Forc
Pathway
Native Americans
41. A period from about 1820 to 1870 in which ballet was characterized primarily by supernatural subject matter - long white tutus - dancing on the toes - and theatrical innovations that permitted the dimming of the house lights for theatrical illusion
Religious or ceremonial dance
18th and 19th Centuries
Dance teaching - variety - exposure
Romantic Era
42. There are many regional differences; all had recreational aspects and basic steps such as running - walking - hopping - and skipping; all are linked to culture - music - and the history of a group; they take the form of a circle
Kinesthetic awareness
Characteristics of folk dance
Extension
Historic evolution (use of dance movement) Java
43. More eclectic; ballet and ethnic used in the same performance; all - male groups; intense theatrical effects in lighting - costume - and sets
Dance post -1960s
Interactions between dancers
Degree of Energy
Dance teaching - prep
44. All - inclusive term meaning the aesthetics of movement - the organization of moves with a beginning - middle - and end in sequential form
Interactions between dancers
Dance
Historic evolution (use of dance movement) Indi
Allegro
45. Provide opportunities for interpretation of dance - Provide a classroom dance program that includes different styles of dance from a cultural and historical context
Dance teaching - variety - exposure
Space between dancers
Focus
Dance teaching - prep
46. Characteristics: circle form (rhythmic motion within a circle); use of imagery - Gender roles: war and hunting for men - seasons and planting for women; early accompaniment came from drums - harps - flutes - and chants
Rumba flamenco
Maypole dance
Dance - Prehistory to Beginning of Middle Ages (A.D. 400)
George Balanchine (director of the New York City Ballet) and modern American ballet
47. Ballet - jazz - and tap
Well - known musical productions
Elements should be found in all dance instruction
Force
Historic evolution (use of dance movement) Japan
48. Dancing on the toes
Pathway
Pointe
18th and 19th Centuries
Syncopation
49. Must include these four factors: Dance movements must predate the 19th century - Dance is performed by peasants or royalty - The choreography is derived from tradition - There is no teacher
Flamenco dance
Forc
Range (of movement)
Authentic folk dancing in its purest form
50. Pavane - Galliard (from the Renaissance period) - The minuet - Charleston - Twist - Disco - Hip - hop - Lambada
Popular historical dances that are often used today
Combined locomotor
Dance activities should begin with these
Styles of dance and movement