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Test your basic knowledge |
CSET Domain 1 Performing Arts Dance
Start Test
Study First
Subjects
:
cset
,
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. On the ball of the foot - or half toe
Cultural dances
Dance - pointe
The 8 basic steps
Combined locomotor
2. Countable patterns
Rhapsodic Rhythms
Promenade
Rhythm
Nonlocomotor
3. Angular - rounded - twisted - bent - crooked - symmetrical - or asymmetrical
Romantic Era
Form and shape
Native Americans
Range (of movement)
4. A pose in which the working leg is extended with a straight knee directly behind the body (both the height of the leg and the position of the arms are variable)
Minuet
Elevation
Social dance
Arabesque
5. Kabuki (traced to primitive rituals; it involves stomping - elaborate costumes - is male only - and is still current)
Historic evolution (use of dance movement) Indi
Historic evolution (use of dance movement) Japan
Popular historical dances that are often used today
Framework for dance activity instruction
6. A rhythmic pattern produced when a deliberate pattern is upset
Syncopation
Space between dancers
Concepts regarding the time element of dance
Well - known musical productions
7. 1. Rhythm 2. Tempo 3. Beat 4. Meter 5. Syncopation 6. Rhapsodic Rhythms
Concepts regarding the time element of dance
Movements involved in the space element of dance
Dance - pointe
Arabesque
8. Literally - 'a step for two'; this refers to a specific codified form that is choreographed in many classical ballets; this is also used to refer to any section of a dance performed by two dancers together
Pas de deux
Passe
Late 20th Century
Syncopation
9. As in music - the opposite of allegro; a slower tempo - also a set of practice exercises in class consisting of extensions and balances
Elevation
Meter
Syncopation
Adagio
10. Leader - follower - mirror - unison - or parting)
Elements of dance: Force
Virtuoso dancing
Interactions between dancers
Syncopation
11. Dancing on the toes
Authentic folk dancing in its purest form
Quality of Energy
Rhapsodic rhythms
Pointe
12. In this leap - the dancer turns halfway in midair to land facing the direction in which the movement started
Social dance
Grand jete en tournan (tour jete)
Early 20th Century Revolutionary aspects of Ballets Russes (Russia)
Dance
13. The arrangement of head - shoulders - arms - torso - and legs while dancing
Line
Romantic Era
Range (of movement)
Theatrical dance
14. Often danced on May Day in various European nations such as Germany and Sweden - taught in American schools today - The maypole is a tall pole decorated with floral garlands - flags - and streamers - Ribbons are attached to a pole - so that children
Elements should be found in all dance instruction
Interactions between dancers
Square dancing and barn dancing
Maypole dance
15. Ethno - cultural - kabuki - Russian - and Celtic dance
Force
Line
Range
Other theatrical production
16. Direction: forward - backward - up - down - sideways (horizontal or vertical) - diagonal - straight - circle - out - in - zigzag - or spiral
Minuet
Individual - group - or class
Promenade
Elements of dance: Levels
17. Born in the 20th century as a result of dancers resisting the rigid structure of classical ballet dance
Modern dance
Historic evolution (use of dance movement) Java
Line
Elements should be found in all dance instruction
18. Must include these four factors: Dance movements must predate the 19th century - Dance is performed by peasants or royalty - The choreography is derived from tradition - There is no teacher
Pathway
Authentic folk dancing in its purest form
Dance post -1960s
Rhythm
19. Whether the energy is: Sustained (smooth) - Suspended (light) - Swing (under - curve) - Sway (over - curve) - Collapsed (loose) - Percussive (sharp) - Vibrate (shudder)
Kinds of Levels
Renaissance (1400-1600)
Framework for dance activity instruction
Quality of Energy
20. (Staying in one place 'on spot'): stretching - pushing - twisting - bending - kicking - sinking - or curling
Forc
Nonlocomotor
Early 20th Century Revolutionary aspects of Ballets Russes (Russia)
Kinds of Levels
21. The continued evolution of ballet; emphasis on emotions and fantasy; true pointe work; evolution of 'lightness in flight'; - this differed from other dance forms in placement and alignment of the body - as well as in training - Focus on the ballerina
Era of Romanticism (early 1800s)
Warm - up exercises should address these 5 skills/abilities
Early 20th Century Revolutionary aspects of Ballets Russes (Russia)
Level
22. Ballet developed throughout Europe; this led to ___________ - expressive capacity of the body - pointe footwork and the heel - less shoe
Virtuoso dancing
Adagio
Martha Graham and psychodrama
Dance teaching - key words and counts
23. Characteristics: circle form (rhythmic motion within a circle); use of imagery - Gender roles: war and hunting for men - seasons and planting for women; early accompaniment came from drums - harps - flutes - and chants
George Balanchine (director of the New York City Ballet) and modern American ballet
Promenade
Dance - Prehistory to Beginning of Middle Ages (A.D. 400)
Kinesthetic awareness
24. Raising the leg to a straightened position with the foot very high above the ground; the ability to lift and hold the leg in position of the ground
Historical forms of dance
Degree of Energy
Late 20th Century
Extension
25. 'To twirl or spin'; a turn on one foot that can be executed outward - away from the body - or inward - toward the body
Play and sing with movement
Dance - Prehistory to Beginning of Middle Ages (A.D. 400)
Forc
Pirouette
26. The essence of an idea applied to the art of movement
Abstraction
4 Elements of dance movements
Range (of movement)
Romantic Era
27. Have expressed mourning the spirit in dance movement. They have also used dance as a ritual to prepare for battles and to celebrate joyful occasions.
Native Americans
Romantic Era
Flamenco dance
Rumba flamenco
28. 1. Originated with the Andalusian Gypsies in Spain 2. Forceful rhythms 3. Hand clapping 4. Rapid foot movements 5. Use of castanets 6. Colorful costumes
Pathway
Meter
Flamenco dance
Elements of dance: Time
29. Non - metric (e.g. - breath - water - or wind)
Rhapsodic rhythms
Historic evolution (use of dance movement) Greece
Forc
Dance - Prehistory to Beginning of Middle Ages (A.D. 400)
30. Ballet - jazz - and tap
Well - known musical productions
Tempo
Era of Romanticism (early 1800s)
Form and shape
31. Side - by - side - supported - far - or near)
Native Americans
Kinds of Levels
Forc
Space between dancers
32. Music to accompany specific - technical ballet steps; a theatrical art form developed
4 Elements of dance movements
Pointe
Dance - Prehistory to Beginning of Middle Ages (A.D. 400)
Dallet evolution
33. Growth of contemporary dance - post - modernism in the 1960s; movement toward simplicity and a less sophisticated technique; 'No' manifesto - a frequent rejection of costumes and stories
Form and shape
Framework for dance activity instruction
Syncopation
Late 20th Century
34. Formal dancing spread to the Continent; expansion of professional dancing masters; professional choreography at the Paris Opera (opera and dance); costuming; introduction of the waltz (1-2-3) rhythm; court dance
Nonlocomotor
Movements involved in the space element of dance
18th and 19th Centuries
Late 20th Century
35. Elaborate costumes - balance and moderation - and traditional dance
Pirouette
Rhythm
Historic evolution (use of dance movement) Japan
Historic evolution (use of dance movement) Java
36. Developed in France (1500s) - and moved to Italy; this led to the development of court dancing in Europe (nobility in a palace setting); patronage of the Medicis; 'dancing masters'; steps were slow (adagio) and fast (allegro); lack of spontaneity (de
Form and Shape
Range
Ballet
Historic evolution (use of dance movement) Indi
37. Warm - up - skill building - expression via classroom dance activities
Tempo
Movements involved in the space element of dance
Elements should be found in all dance instruction
Alignment
38. Number of beats grouped together e.g. 3/4 or 2/4 or 6/8
Meter
Combined locomotor
Historic evolution (use of dance movement) Egypt
Interactions between dancers
39. Quality of Energy - Degree of Energy
Body movement
Forc
Barre
Kinesthetic awareness
40. Body position - Angular/Rounded - Twisted - Bent - Crooked - Symmetrical/Asymmetrical
Other theatrical production
Form and Shape
Dance teaching - variety - exposure
Extension
41. A form of cultural dance - originated from medieval times when townspeople danced to celebrate - e.g. Medieval 'carolers'
Minuet
Late 20th Century
Folk dance
Dallet evolution
42. Formalized hand movements (e.g. - Hindu dance - the oldest world dance)
Tempo
Play and sing with movement
Historic evolution (use of dance movement) Indi
Direction
43. All - inclusive term meaning the aesthetics of movement - the organization of moves with a beginning - middle - and end in sequential form
Dance
Minuet
Form and shape
Allegro
44. High -- Medium -- Low - Might refer to a dancer's head
Body movement
Level
Theatrical dance
Dance teaching - variety - exposure
45. Ceremonial dance with each character having specific hand movement - and martial (war) dancing
Historic evolution (use of dance movement) China
Elements should be found in all dance instruction
Rhapsodic rhythms
Extension
46. A leap from one leg to the other in which the working leg is kicked or thrown away from the body and into the air; the pose achieved in the air differs - a does the direction the leap takes
Grand jete
Individual - group - or class
Degree of Energy
Meter
47. Even or uneven beat
Beat
Elements of dance
George Balanchine (director of the New York City Ballet) and modern American ballet
Force
48. A part of pas de deux in which one dancer is lifted off the ground by another
Lifts
Authentic folk dancing in its purest form
Postmodern dance
Nonlocomotor
49. Space - Time - Levels (dynamics)- Force (energy) - Locomotor (traveling through space)
Romantic Era
Elements of dance
Theatrical dance
Choreography
50. Non - metric rhythms e.g. breath - water - or wind
George Balanchine (director of the New York City Ballet) and modern American ballet
Rhapsodic Rhythms
Allegro
Nonlocomotor