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Test your basic knowledge |
CSET Domain 1 Performing Arts Dance
Start Test
Study First
Subjects
:
cset
,
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Formal dancing spread to the Continent; expansion of professional dancing masters; professional choreography at the Paris Opera (opera and dance); costuming; introduction of the waltz (1-2-3) rhythm; court dance
Play and sing with movement
Elements of dance: Time
18th and 19th Centuries
Alignment
2. A part of pas de deux in which one dancer is lifted off the ground by another
Lifts
Body movement
Early 20th Century Revolutionary aspects of Ballets Russes (Russia)
Barre
3. Solo - duet - or ensemble
Individual - group - or class
Forc
Other theatrical production
Minuet
4. Based on music - songs - dialogue - and dance - Audiences often experience it in the form of musical theatre productions
Rhapsodic Rhythms
George Balanchine (director of the New York City Ballet) and modern American ballet
Beat
Theatrical dance
5. A term coined in the 1960s by those who wanted to create movement outside the influences of any of the then - traditional modern dance pioneers - such as Cunningham - Graham - Humphrey - Lim
Dance teaching - floor pattern
Postmodern dance
Forc
Pathway
6. A round rail attached to the wall horizontally - about 3 1/2 feet above the floor - for dancers to hold during the first half of technique class; it is also used for stretching the legs by placing the feet or legs on it
Virtuoso dancing
Other theatrical production
Barre
Modern dance
7. On the ball of the foot - or half toe
Flamenco dance
Dance - pointe
Popular historical dances that are often used today
Individual - group - or class
8. The ability to get up into the air and remain there long enough to perform various movements or poses
Arabesque
Lifts
Historic evolution (use of dance movement) Indi
Elevation
9. All - inclusive term meaning the aesthetics of movement - the organization of moves with a beginning - middle - and end in sequential form
Authentic folk dancing in its purest form
Dance
Styles of dance and movement
Renaissance (1400-1600)
10. Sequences - motifs - and phrases developed as the choreographed dance
Extension
Movement materials
Line
Native Americans
11. Often danced on May Day in various European nations such as Germany and Sweden - taught in American schools today - The maypole is a tall pole decorated with floral garlands - flags - and streamers - Ribbons are attached to a pole - so that children
Maypole dance
Grand jete en tournan (tour jete)
Arabesque
Syncopation
12. Born in the 20th century as a result of dancers resisting the rigid structure of classical ballet dance
Framework for dance activity instruction
Modern dance
Barre
Ballet
13. Type of creative dance involving specialized movement techniques; emphasis is on expression and communication
Modern dance
Promenade
Modern dance choreography
Adagio
14. Must include these four factors: Dance movements must predate the 19th century - Dance is performed by peasants or royalty - The choreography is derived from tradition - There is no teacher
Beat
Interactions between dancers
Pas de deux
Authentic folk dancing in its purest form
15. Literally - 'a step for two'; this refers to a specific codified form that is choreographed in many classical ballets; this is also used to refer to any section of a dance performed by two dancers together
Characteristics of folk dance
Late 20th Century
Modern dance
Pas de deux
16. A pose modeled after the statue of the winged Mercury by Giovanni Bologna in which the working leg is extended behind the body with the knee bent; it can also be held in front of the body
Rumba flamenco
Quality of Energy
Modern dance
Attitude
17. Stretched the boundaries of classical ballet; new movements ('turnout')
Early 20th Century Revolutionary aspects of Ballets Russes (Russia)
Modern dance
Dance - Prehistory to Beginning of Middle Ages (A.D. 400)
Focus
18. Side - by - side - supported - far - or near)
Ballet
Space between dancers
Dance teaching - key words and counts
Social dance and mass culture
19. Gaze - floor - or away
Focus
Interactions between dancers
Lifts
Social dance and mass culture
20. Broadway and Hollywood shows; a new style of moving with emphasis on speed and mobility; lean body types; importance of the female dancer
Level
Postmodern dance
Social dance styles
George Balanchine (director of the New York City Ballet) and modern American ballet
21. Raising the leg to a straightened position with the foot very high above the ground; the ability to lift and hold the leg in position of the ground
Extension
Characteristics of folk dance
Early 20th Century Revolutionary aspects of Ballets Russes (Russia)
Native Americans
22. Dancing evolved from pageants and processions of the period
Range
Modern dance choreography
Grand jete
Renaissance (1400-1600)
23. Developed in France (1500s) - and moved to Italy; this led to the development of court dancing in Europe (nobility in a palace setting); patronage of the Medicis; 'dancing masters'; steps were slow (adagio) and fast (allegro); lack of spontaneity (de
Ballet
Space
Form and shape
Postmodern dance
24. 1. Space 2. Time 3. Levels (dynamics) 4. Force (energy)
Rhythm
Dance
4 Elements of dance movements
Dance - pointe
25. The steps of a dance as put together for performance or the art of composing dances
Movements involved in the space element of dance
Barre
Choreography
Classical
26. Polka - square dances - historic dances
Current examples of folk dances in the 20th century
Renaissance (1400-1600)
Dance teaching - key words and counts
Pathway
27. Another popular form of the flamenco that originated in Cuba and Latin America
Historic evolution (use of dance movement) China
Rumba flamenco
Level
Pathway
28. Rhythmic pattern produced when a deliberate pattern is upset - Rhythm produced when beats are displaced such that strong beats become weak and vice versa
Grand jete en tournan (tour jete)
Forc
Syncopation
Dance - Prehistory to Beginning of Middle Ages (A.D. 400)
29. Based upon the subjective interpretation of internalized feelings - emotions - and moods - Unlike formal ballet - this is often unstructured and makes deliberate use of gravity and body weight to enhance movement - It also encourages students to expr
Historic evolution (use of dance movement) Greece
Romantic Era
Body movement
Modern dance choreography
30. Locomotor - Nonlocomotor - Combined Locomotor
Attitude
Space
Movements involved in the space element of dance
18th and 19th Centuries
31. Walking - running - leaping - jumping - hopping - galloping - skipping - and sliding (Chasse)
The 8 basic steps
Pointe
Lifts
Authentic folk dancing in its purest form
32. Warm - up - skill building - expression via classroom dance activities
Elements should be found in all dance instruction
Dance activities should begin with these
Postmodern dance
Characteristics of folk dance
33. Determine appropriate age - related expectations for a safe - enjoyable classroom activity
Movements involved in the space element of dance
Framework for dance activity instruction
Level
Body movement
34. Countable patterns
Minuet
Square dancing and barn dancing
Forc
Rhythm
35. A line along which a person or part of a person moves - Patterns on/in the Floor - Elevated or Air
Minuet
Characteristics of folk dance
Interactions between dancers
Pathway
36. Speed: fast or slow
Tempo
Extension
Characteristics of folk dance
Historic evolution (use of dance movement) Japan
37. Ballet - jazz - and tap
Forc
Well - known musical productions
Grand jete en tournan (tour jete)
Elements of dance: Force
38. There are many regional differences; all had recreational aspects and basic steps such as running - walking - hopping - and skipping; all are linked to culture - music - and the history of a group; they take the form of a circle
Dance - pointe
Revolutionary aspects of early modern dance
Dance in the Middle Ages (500-1400)
Characteristics of folk dance
39. Quality of energy: sustained (smooth) - suspended (light) - swing (under - curve) - sway (over - curve) - collapsed (loose) - percussive (sharp) - or vibrate (shudder) - Degree of energy: strong - weak - heavy - light - dynamic - static - flowing - o
Ballet
Pirouette
Elements of dance: Force
Line
40. The way in which various parts of the dancer's body are in line with one another while the dancer is moving
George Balanchine (director of the New York City Ballet) and modern American ballet
Line
Force
Alignment
41. Kabuki (traced to primitive rituals; it involves stomping - elaborate costumes - is male only - and is still current)
Historic evolution (use of dance movement) Japan
Adagio
Movement materials
Dance activities should begin with these
42. Have the dancers walk through the floor pattern. Then combine the steps with the floor pattern - first without music - and then with music (remember that not all dances have a set floor pattern).
Rumba flamenco
Form and Shape
Extension
Dance teaching - floor pattern
43. A 'passing' position in which the foot passes by the knee of the supporting leg - When this position is held - as in pirouettes - with the foot of the working leg resting against the knee of the supporting leg - it is known as retire
Focus
Passe
Pirouette
Historic evolution (use of dance movement) Rome
44. Have expressed mourning the spirit in dance movement. They have also used dance as a ritual to prepare for battles and to celebrate joyful occasions.
Adagio
Social dance
Native Americans
Dance in the Middle Ages (500-1400)
45. Non - metric (e.g. - breath - water - or wind)
Characteristics of folk dance
Pointe
Rhapsodic rhythms
Direction
46. Appreciated the qualities of the individual; primitive expression and emotion; 'new freedom' of movement; choreography of Isadora Duncan and Martha Graham and their harsh break from restrictive classical ballet and tutu; broadening the minds of the p
Historic evolution (use of dance movement) China
Theatrical dance
Revolutionary aspects of early modern dance
Folk dance
47. Intense movement often depicting pain - fear - and love; dance forms 'sculptured' by human body positions; contraction and release of the torso - 'fall and recover'; angular gestures; schools and dance companies
Square dancing and barn dancing
Combined locomotor
Martha Graham and psychodrama
Extension
48. Music to accompany specific - technical ballet steps; a theatrical art form developed
Lifts
Dallet evolution
Body movement
Folk dance
49. A rhythmic pattern produced when a deliberate pattern is upset
Martha Graham and psychodrama
Syncopation
Adagio
Passe
50. 1. Rhythm 2. Tempo 3. Beat 4. Meter 5. Syncopation 6. Rhapsodic Rhythms
Pathway
Concepts regarding the time element of dance
Theatrical dance
Dance