SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
CSET Domain 2 Performing Arts Music
Start Test
Study First
Subjects
:
cset
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Vocal cords and musical instruments produce vibrations in the air; as the frequency of these vibrations change...
Pitch changes
Musical Developments of Baroque Era (1600-1750)
Pitch
Translative skills
2. A musical form whose main feature is the return of the main theme - which alternates with secondary themes
Second rondo
Rondo
Pizzicato
Implications for teaching music in the classroom
3. A rhythmic effect produced when the expected rhythmic pattern is deliberately upset
Lower
Scale
Syncopation
Modern era - new genres
4. An elaborate musical composition - many of which are between 20 and 45 minutes in length
Woodwinds
Symphony
6 broad categories of musical instruments
Strong
5. Traditionally made of wood - metal - plastic - or some combination thereof - These instruments consist of narrow pipes with an opening at the bottom end and a mouthpiece at the top (and holes throughout the pipe) - The smaller woodwinds play higher p
Tempo
Rondo
Percussion
Woodwinds
6. The unique tonal quality of a musical sound - The tone 'color' - It could be described as bright - shrill - brittle - or light; or it could be dull - harsh - forceful - or dark - makes one instrument sound different from another
changing the harmony
Chromatic scale
Motif
Timbre
7. Staff - Clef - Measure and bar lines - Note values - Time signature/meter - Scale
Symphony orchestra's string section
Elements of music notation
Tempo
changing the harmony
8. The reed is used on the...
Romantic Period (1820-1900) music Genres
Clarinet - saxophone - oboe - and bassoon
Syncopation
Third rondo
9. An instrumental ensemble composed of strings - woodwinds - brass - and percussion
Lied
Orchestra
Third rondo
Clarinet and saxophone
10. String - woodwind - brass - percussion - keyboard - and electronic
Chamber music
Notation
6 broad categories of musical instruments
changing the harmony
11. Orchestra gained in importance; increasing use of flutes and oboes; string and wind sections developed; by the 1800s - trombones were introduced; refinement of sonata (instrumental music with a soloist and standard structure for opening movement); de
Staff
Singing
Musical instruments
Classical Era (1750-1820) music
12. Includes any instrument that produces a sound when it is being hit - shaken - rubbed - or scraped - e.g. tambourine - maracas - castanets - claves - xylophone - timpani - cymbals - gong - triangle - bass drum - chimes - celesta - bells - wood block -
Dissonance
Musical Developments of Baroque Era (1600-1750)
Percussion
Polyphonic style
13. The faster the ________ - the higher the pitch
Vibration
Measure
Chord
Middle Ages/Medieval Music styles/elements
14. Opera (staged dramatic vocal music and entertainment) - orchestra - ballet - and sonata (solo instrument with accompaniment)
Dissonance
Musical Developments of Baroque Era (1600-1750)
Third rondo
Dynamics
15. The organization of sound in time
Second rondo
Middle Ages/Medieval Music styles/elements
Famous classical era musicians
Music
16. Violin - viola - cello - and double bass
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
17. Based upon a short theme called a subject - The ____ subject contains both rhythmic and melodic motifs - The opening of the ____ is announced by one voice alone - A second voice then restates the subject - usually on a different scale - A third and t
Scale
Lyre
Fugue
Classical Era (1750-1820) music
18. Historical themes: the end of feudalism; a new concept of humanism; rediscovery of ancient Greek and Roman culture and ideals; art and music for their own sake; scientific advances; the age of patronage - Instrumental dance music developed: music and
Time signature/meter
Harmony
Renaissance Era (1400-1600)
Syncopation
19. The treble clef for the higher range of notes - and the bass clef for the lower range of notes
Two main clefs
Lied
Clarinet - saxophone - oboe - and bassoon
Time signature/meter
20. Usually consists of four movements that are intended to stir up a wide range of emotions through contrasts in tempo and mood
Chromatic scale
A classical symphony
Pitch
Playing instruments
21. (Staves) - A set of five horizontal lines and four spaces - This is where notes are positioned - The higher the note on a staff - the higher the pitch
Romantic Period (1820-1900) music Genres
Creative skills
Staff
Auditory skills
22. Musical selections should be chosen based on the physical development of students' voices - Listening while singing should be encouraged to develop interpretive skills and understanding of the structure and elements of music
Simple rondo
Singing
Reed
Violin and viola
23. ABACABA
Style of music
Third rondo
Second rondo
Oratorio
24. String instruments are usually played with a bow - but they may also be plucked (________)
Third rondo
Measure
Classical Era (1750-1820) music
Pizzicato
25. Tempo is an important component to change the expressiveness of character and ____ of the musical composition
Elements of music notation
Mood
Notation
Time signature/meter
26. Homophony (a single melodic line and an accompaniment); simpler textures and melodies; expansion of textures - melodies - and variation. String quartet (two violins viola - and cello); Haydn 'the father' of the string quartet; orchestral symphony (or
Classical Era (1750-1820) music
Classical style music elements
Clarinet - saxophone - oboe - and bassoon
Simple rondo
27. Students should compare their listening and playing exercises - Students should be encouraged to verbalize their musical analysis
Conducting
Musical analysis
Harmony
Fugue
28. Some of the mouthpieces are made up of a thin piece of wood - called a...
Percussion
Violin and viola
Reed
Romantic Period (1820-1900) music
29. Two or more tones played simultaneously that support the melody and give music texture or mood - A group of notes that are played behind the melody
Song form
Classical style music elements
Harmony
Strong
30. An ancient harp
Lyre
Modern era music
Musical Developments of Baroque Era (1600-1750)
Reed
31. The structure of a song in which the first section of a simple ternary form is repeated
Dissonance
Polyphonic style
Song form
Implications for teaching music in the classroom
32. Hearing a note and being able to reproduce it either vocally or with an instrument
Simple rondo
Intonation
Strings
Pitch
33. The combination of tones that produces a quality of tension
Dissonance
Oratorio
Dynamics
Music notation
34. Auditory skills - Translative skills - Creative skills - Performance skills - Singing - Playing instruments - Body movement - Conducting - Musical analysis
Elements of music notation
Clarinet - saxophone - oboe - and bassoon
Violin and viola
Classroom expectations for music education
35. Use a double reed made of two pieces joined together
Famous classical era musicians
Lyre
Oboe and bassoon
Staff
36. The pace of the beat - The speed at which a composer desires his musical composition to be performed - Measured by the number of beats per minute - The faster the _____ - the more beats per minute
Tempo
Symphony orchestra's string section
Chromatic scale
Romantic Period (1820-1900) Opera
37. Moving to music is a learned skill that promotes acuity of perceptions - A wide range of music and modes should be used
Romantic Period (1820-1900) Opera
Tempo
Body movement
Metronome
38. A drama - either tragic or comic - that sung to an orchestral accompaniment - Often based on biblical stories - Typically a large - scale composition with vocal soloists - a chorus - and orchestra
Classroom expectations for music education
Opera
Chromatic scale
Opus
39. Ttwo other string instruments that are not considered part of the string section of the orchestra; they are often plucked rather than bowed
120
Chromatic scale
Timpani
Harp and guitar
40. A work - usually identified by a number
Auditory skills
Opus
Notation
Reed
41. Middle Ages/Medieval Music style - named after Pope Gregory I - was a melody set to sacred Latin texts. This monophonic style music (one melodic line and no accompaniment) was the official music of the Roman Catholic church
120
Beat
Tone
Gregorian chant
42. Hearing the sounds of music - Children engage in attentive listening and further develop aural acuity - This means that children must be able to hear and reproduce the tones of music in their minds when no sound is actually being produced
Simple rondo
Cello and double bass
Opera
Auditory skills
43. Produce sound through breath as the vibrations from the players' lips buzz against a metal - cup - shaped mouthpiece
Implications for teaching music in the classroom
Clarinet - saxophone - oboe - and bassoon
Opera
Brass
44. Some percussion instruments require tuning (e.g. - _____) - while others are untuned (e.g. - cymbals and castanets)
Body movement
Musical intrument categories used by symphony orchestras
Style of music
Timpani
45. The language system of writing music so the reader can see what is being communicated - Similar to using written words to communicate thoughts and ideas
Music notation
Orchestra
Clef
Musical styles/elements of the Renaissance Era
46. The combination of tones that produces a quality of relaxation
Symphony orchestra's string section
Consonance
Lied
Time signature/meter
47. A machine that helps musicians adjust rates of speed (tempi) for faster or slower beats
Musical Developments of Baroque Era (1600-1750)
Tempo
Metronome
Elements of music
48. System of writing music - came in the 12th century
Chromatic scale
Consonance
Orchestra
Notation
49. ABACA
Lied
Second rondo
A classical symphony
Opera
50. Heavily ornate style; counterpoint (technique of combining several melodic lines into a meaningful whole); melodic line; emphasis on contrast and volume; imitative polyphony (many - sounding melodic lines are presented by one voice or instrument and
Notation
Consonance
Musical styles/elements of Baroque Era (1600-1750)
Fugue