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Test your basic knowledge |
CSET Domain 2 Performing Arts Music
Start Test
Study First
Subjects
:
cset
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Hearing the sounds of music - Children engage in attentive listening and further develop aural acuity - This means that children must be able to hear and reproduce the tones of music in their minds when no sound is actually being produced
Auditory skills
Song form
Piano - harpsichord - and organ
Simple rondo
2. System of writing music - came in the 12th century
Chord
Musical Developments of Baroque Era (1600-1750)
Third rondo
Notation
3. Hearing a note and being able to reproduce it either vocally or with an instrument
Energy - aggression - or vitality
Music
Pitch
Second rondo
4. When you play several different notes at the same time on a piano - you are using harmony - You can change how music sounds by...
Beat
changing the harmony
Chord
Lower
5. Opera (staged dramatic vocal music and entertainment) - orchestra - ballet - and sonata (solo instrument with accompaniment)
Clef
Famous classical era musicians
Musical Developments of Baroque Era (1600-1750)
Strong
6. Two or more tones played simultaneously that support the melody and give music texture or mood - A group of notes that are played behind the melody
Classical Era (1750-1820) music
Harmony
Oratorio
Lower
7. Influence of blues (sorrowful black folk music) and jazz (roots in African rhythms and harmonies with modern instrumentation - improvisation - and syncopation) - Rock 'n' roll - R&B (rhythm and blues) - country - folk (cultural link - passed on by wo
Woodwinds
Measure
Singing
Modern era - new genres
8. Vocal cords and musical instruments produce vibrations in the air; as the frequency of these vibrations change...
Clarinet and saxophone
Pitch changes
Brass
Middle Ages/Medieval Music styles/elements
9. A way to measure rhythmic units - It is noted at the beginning of a composition and looks like a mathematical fraction - The top number denotes the number of beats in a measure and the bottom number denotes what type of note will receive the beat
Timbre
Time signature/meter
120
Woodwinds
10. An ancient harp
Lyre
Pizzicato
Syncopation
Musical styles/elements of the Renaissance Era
11. Orchestra gained in importance; increasing use of flutes and oboes; string and wind sections developed; by the 1800s - trombones were introduced; refinement of sonata (instrumental music with a soloist and standard structure for opening movement); de
Musical styles/elements of Baroque Era (1600-1750)
Classical Era (1750-1820) music
Symphony
Clarinet and saxophone
12. An elaborate musical composition - many of which are between 20 and 45 minutes in length
Symphony
Orchestra
changing the harmony
Motif
13. Often associated with being part of a family - As in human families - the instruments are related to each other Instruments within a family are often manufactured from the same types of materials
Musical instruments
Rhythm
Auditory skills
Tone
14. The pattern of musical movement through time - What makes music move and flow - Measured in units of time and organized by sets or patterns that can be repeated - The way sounds beat within different lengths and accents that combine into patterns
Energy - aggression - or vitality
Rhythm
Musical styles/elements of Baroque Era (1600-1750)
Sonata
15. The faster the ________ - the higher the pitch
Tone
Vibration
Fugue
Staff
16. Rebellion; unique sounds; usage of technology; electronic; difficult to quantify; nationalism; folk idiom was prevalent (e.g. - in Liszt's Hungarian Rhapsody - Coplan's Appalachian Spring); widening gap between 'art' and popular music (Beatles) - Pol
Motif
Modern Era (1900s) Evolution in the musical world
Elements of music notation
Percussion
17. Produce sound through breath as the vibrations from the players' lips buzz against a metal - cup - shaped mouthpiece
Tempo
Renaissance Era (1400-1600)
Brass
Chromatic scale
18. A machine that helps musicians adjust rates of speed (tempi) for faster or slower beats
Tempo
Harp and guitar
Metronome
Mood
19. Produce low - rich sounds - large in size
Cello and double bass
Conducting
Violin and viola
Piano - harpsichord - and organ
20. Polyphonic emphasis on harmony (in which two or more notes are sounded simultaneously as in a chord); sacred (liturgical - such as masses); secular (madrigals/songs)
Musical styles/elements of the Renaissance Era
Elements of music
Clarinet - saxophone - oboe - and bassoon
Musical intrument categories used by symphony orchestras
21. Homophony (a single melodic line and an accompaniment); simpler textures and melodies; expansion of textures - melodies - and variation. String quartet (two violins viola - and cello); Haydn 'the father' of the string quartet; orchestral symphony (or
Classical style music elements
Consonance
Classroom expectations for music education
Tone
22. Formed by barlines (vertical lines on the staff) and contains a set number of beats as determined by the time signature
Piano - harpsichord - and organ
Measure
Romantic Period (1820-1900) Opera
Vibration
23. A recurring group of notes - such as the four notes played at the beginning of (and restated throughout) Beethoven's Fifth Symphony
Motif
Classical Era (1750-1820) music
Pitch changes
6 broad categories of musical instruments
24. The Church dominated society for most of the era (900 years); sacred music was the most prevalent (liturgical) - Musical notation originally consisted of just the pitch of the notes; notated rhythm was added at the end of the 12th century
Fugue
Brass
Vibration
Middle Ages/Medieval Music styles/elements
25. Musical selections should be chosen based on the physical development of students' voices - Listening while singing should be encouraged to develop interpretive skills and understanding of the structure and elements of music
Body movement
Singing
Music notation
Sonata
26. These curvy - wooden - shaped bodies are the largest family of the orchestra - Strings stretch over the body and neck of the instrument and attach to small ornamental heads where they are tuned by turning pegs
Sonata
Oboe and bassoon
Orchestra
Strings
27. (Staves) - A set of five horizontal lines and four spaces - This is where notes are positioned - The higher the note on a staff - the higher the pitch
Clarinet and saxophone
Lied
6 broad categories of musical instruments
Staff
28. Whether the pitch of a particular note is played in tune - sharp (higher) - or flat (lower)
Intonation
Song form
Translative skills
Style of music
29. Tempo is an important component to change the expressiveness of character and ____ of the musical composition
Lied
Song form
Auditory skills
Mood
30. The organization of sound in time
Strong
Middle Ages/Medieval (500-1400)
Note values
Music
31. Ttwo other string instruments that are not considered part of the string section of the orchestra; they are often plucked rather than bowed
Translative skills
Oratorio
Oboe and bassoon
Harp and guitar
32. The slower the vibration - the _____ the pitch
Music notation
Intonation
Brass
Lower
33. Reading and writing music - For example - using memorization to understand time signatures would not produce the same benefits as if the students participated in playing or singing
Translative skills
Modern Era (1900s) Evolution in the musical world
Musical Developments of Baroque Era (1600-1750)
Time signature/meter
34. Staff - Clef - Measure and bar lines - Note values - Time signature/meter - Scale
Elements of music notation
Chord
Opus
Mood
35. A work - usually identified by a number
Staff
Harp and guitar
Opus
Dissonance
36. ABACA
Dissonance
Rhythm
Second rondo
Middle Ages/Medieval Music styles/elements
37. A type of German song
Lied
Classroom expectations for music education
Body movement
Pizzicato
38. String - woodwind - brass - percussion - keyboard - and electronic
Clarinet and saxophone
6 broad categories of musical instruments
Style of music
Cello and double bass
39. The volume or intensity of a tone - Music can be played loudly (forte) or softly (piano)
Sonata
Third rondo
Modern Era (1900s) Evolution in the musical world
Dynamics
40. The combination of tones that produces a quality of tension
Romantic Period (1820-1900) music Genres
Middle Ages/Medieval (500-1400)
Dissonance
Conducting
41. Music played by 1-20 performers
Simple rondo
Chamber music
Violin and viola
Oboe and bassoon
42. Creating music
Oboe and bassoon
Creative skills
Third rondo
Tone
43. The treble clef for the higher range of notes - and the bass clef for the lower range of notes
Oratorio
Two main clefs
Lyre
Elements of music notation
44. The language system of writing music so the reader can see what is being communicated - Similar to using written words to communicate thoughts and ideas
Harmony
Middle Ages/Medieval Music styles/elements
Music notation
Classical Era (1750-1820) music
45. Composers Chopin - Liszt - Berlioz - Mendelssohn - and Schumann; style was expressive - melody prominent - and folk music was used to express cultural identity
Romantic Period (1820-1900) music
Simple rondo
Style of music
Scale
46. Moving to music is a learned skill that promotes acuity of perceptions - A wide range of music and modes should be used
Body movement
Consonance
Symphony
Clarinet and saxophone
47. Two or more melodic lines - appeared at the end of the 12th century
Chamber music
Polyphonic style
Percussion
Renaissance Era (1400-1600)
48. Each note has a specific duration represented by a solid black or hollow oval shape - Some have flags and others have stems attached representing different values
Implications for teaching music in the classroom
Note values
Symphony
Clarinet and saxophone
49. A musical form whose main feature is the return of the main theme - which alternates with secondary themes
Implications for teaching music in the classroom
Romantic Period (1820-1900) Opera
Lyre
Rondo
50. The sound produced by an individual instrument or singer - Each family of instruments and type of instrument is distinct from all others
Tone
Conducting
Opus
Beat