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Test your basic knowledge |
CSET Domain 2 Performing Arts Music
Start Test
Study First
Subjects
:
cset
,
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Use a double reed made of two pieces joined together
Measure
Musical Developments of Baroque Era (1600-1750)
Classroom expectations for music education
Oboe and bassoon
2. Students should compare their listening and playing exercises - Students should be encouraged to verbalize their musical analysis
Italian terms that define tempo
Notation
Musical analysis
Song form
3. The organization of sound in time
Music
Musical intrument categories used by symphony orchestras
Lyre
Two main clefs
4. A way to measure rhythmic units - It is noted at the beginning of a composition and looks like a mathematical fraction - The top number denotes the number of beats in a measure and the bottom number denotes what type of note will receive the beat
Classical Era (1750-1820) music
Body movement
Classroom expectations for music education
Time signature/meter
5. Traditionally made of wood - metal - plastic - or some combination thereof - These instruments consist of narrow pipes with an opening at the bottom end and a mouthpiece at the top (and holes throughout the pipe) - The smaller woodwinds play higher p
Woodwinds
Pizzicato
Movement
Elements of music
6. A recurring group of notes - such as the four notes played at the beginning of (and restated throughout) Beethoven's Fifth Symphony
Movement
Rondo
Two main clefs
Motif
7. The volume or intensity of a tone - Music can be played loudly (forte) or softly (piano)
Polyphonic style
Second rondo
Intonation
Dynamics
8. Use a single reed made of one piece of wood
Clarinet and saxophone
Violin and viola
Romantic Period (1820-1900) music
Third rondo
9. Moving to music is a learned skill that promotes acuity of perceptions - A wide range of music and modes should be used
Musical Developments of Baroque Era (1600-1750)
Body movement
Second rondo
Pitch
10. Hearing a note and being able to reproduce it either vocally or with an instrument
Auditory skills
Pitch
Style of music
Rhythm
11. A machine that helps musicians adjust rates of speed (tempi) for faster or slower beats
Metronome
Romantic Period (1820-1900) Opera
Opera
Middle Ages/Medieval (500-1400)
12. Hearing the sounds of music - Children engage in attentive listening and further develop aural acuity - This means that children must be able to hear and reproduce the tones of music in their minds when no sound is actually being produced
Translative skills
Metronome
Simple rondo
Auditory skills
13. The reed is used on the...
Clarinet - saxophone - oboe - and bassoon
Music
Lied
Chamber music
14. Music played by 1-20 performers
Energy - aggression - or vitality
Elements of music notation
Brass
Chamber music
15. Whether the pitch of a particular note is played in tune - sharp (higher) - or flat (lower)
Romantic Period (1820-1900) music Genres
Violin and viola
Scale
Intonation
16. Opera (staged dramatic vocal music and entertainment) - orchestra - ballet - and sonata (solo instrument with accompaniment)
Timpani
Chamber music
Musical Developments of Baroque Era (1600-1750)
Movement
17. A large section of a lengthy composition
Clarinet and saxophone
Movement
Rhythm
Percussion
18. Staff - Clef - Measure and bar lines - Note values - Time signature/meter - Scale
Elements of music notation
Second rondo
Lyre
Song form
19. Music offers a valuable opportunity to build active listening skills - shape the cognitive and mental processes in children - enhance other subject areas - particularly visual art - form of therapy that offers a unique medium for self - expression
Implications for teaching music in the classroom
Musical styles/elements of Baroque Era (1600-1750)
Polyphonic style
Cello and double bass
20. Most marches are performed at a rate of ____ beats per minute
Rhythm
120
Rondo
Scale
21. Haydn - Mozart - and Beethoven
Playing instruments
Cello and double bass
Middle Ages/Medieval Music styles/elements
Famous classical era musicians
22. The pace of the beat - The speed at which a composer desires his musical composition to be performed - Measured by the number of beats per minute - The faster the _____ - the more beats per minute
changing the harmony
Violin and viola
Cello and double bass
Tempo
23. Typically - a multi - movement instrumental work for solo keyboard - or keyboard and another instrument - or small chamber ensemble
Piano - harpsichord - and organ
Third rondo
Sonata
Musical analysis
24. Some percussion instruments require tuning (e.g. - _____) - while others are untuned (e.g. - cymbals and castanets)
Translative skills
Timpani
Renaissance Era (1400-1600)
Creative skills
25. String instruments are usually played with a bow - but they may also be plucked (________)
Symphony orchestra's string section
120
Pizzicato
Timbre
26. An ancient harp
Rondo
Lyre
Tempo
Famous classical era musicians
27. Often associated with being part of a family - As in human families - the instruments are related to each other Instruments within a family are often manufactured from the same types of materials
Classical Era (1750-1820) music
Musical instruments
Modern era - new genres
Classical style music elements
28. The Church dominated society for most of the era (900 years); sacred music was the most prevalent (liturgical) - Musical notation originally consisted of just the pitch of the notes; notated rhythm was added at the end of the 12th century
Musical styles/elements of Baroque Era (1600-1750)
Scale
Middle Ages/Medieval Music styles/elements
Classical style music elements
29. These curvy - wooden - shaped bodies are the largest family of the orchestra - Strings stretch over the body and neck of the instrument and attach to small ornamental heads where they are tuned by turning pegs
Strings
Tone
changing the harmony
Opus
30. Two or more tones played simultaneously that support the melody and give music texture or mood - A group of notes that are played behind the melody
Percussion
Lyre
Timbre
Harmony
31. The combination of tones that produces a quality of tension
Simple rondo
Classroom expectations for music education
Dissonance
Consonance
32. The language system of writing music so the reader can see what is being communicated - Similar to using written words to communicate thoughts and ideas
Syncopation
Music notation
Fugue
Orchestra
33. The slower the vibration - the _____ the pitch
Measure
Lower
Song form
Orchestra
34. Based upon a short theme called a subject - The ____ subject contains both rhythmic and melodic motifs - The opening of the ____ is announced by one voice alone - A second voice then restates the subject - usually on a different scale - A third and t
Harp and guitar
Musical analysis
Romantic Period (1820-1900) music Genres
Fugue
35. The first beat of a bar is typically a _______ beat - It is typified by a waltz in 3/4 time
Singing
Pizzicato
120
Strong
36. The sound produced by an individual instrument or singer - Each family of instruments and type of instrument is distinct from all others
Chromatic scale
Tone
Translative skills
Strong
37. Two or more melodic lines - appeared at the end of the 12th century
Fugue
Elements of music
Timpani
Polyphonic style
38. Polyphonic emphasis on harmony (in which two or more notes are sounded simultaneously as in a chord); sacred (liturgical - such as masses); secular (madrigals/songs)
Motif
Gregorian chant
Musical styles/elements of the Renaissance Era
Harmony
39. Usually consists of four movements that are intended to stir up a wide range of emotions through contrasts in tempo and mood
A classical symphony
Piano - harpsichord - and organ
Conducting
Cello and double bass
40. The pattern of musical movement through time - What makes music move and flow - Measured in units of time and organized by sets or patterns that can be repeated - The way sounds beat within different lengths and accents that combine into patterns
Brass
Rhythm
Modern era music
Intonation
41. Composers Chopin - Liszt - Berlioz - Mendelssohn - and Schumann; style was expressive - melody prominent - and folk music was used to express cultural identity
Second rondo
Chord
Romantic Period (1820-1900) music
Modern era - new genres
42. Rebellion; unique sounds; usage of technology; electronic; difficult to quantify; nationalism; folk idiom was prevalent (e.g. - in Liszt's Hungarian Rhapsody - Coplan's Appalachian Spring); widening gap between 'art' and popular music (Beatles) - Pol
Classical style music elements
Motif
Clarinet and saxophone
Modern Era (1900s) Evolution in the musical world
43. Creating music
Fugue
Classical style music elements
Creative skills
Strong
44. Each note has a specific duration represented by a solid black or hollow oval shape - Some have flags and others have stems attached representing different values
Brass
Reed
Notation
Note values
45. ABABA
Renaissance Era (1400-1600)
Movement
Simple rondo
Body movement
46. Middle Ages/Medieval Music style - named after Pope Gregory I - was a melody set to sacred Latin texts. This monophonic style music (one melodic line and no accompaniment) was the official music of the Roman Catholic church
Gregorian chant
Modern Era (1900s) Evolution in the musical world
Music
Notation
47. Influence of blues (sorrowful black folk music) and jazz (roots in African rhythms and harmonies with modern instrumentation - improvisation - and syncopation) - Rock 'n' roll - R&B (rhythm and blues) - country - folk (cultural link - passed on by wo
Modern era - new genres
Second rondo
Implications for teaching music in the classroom
Consonance
48. The structure of a song in which the first section of a simple ternary form is repeated
Song form
Metronome
Tempo
Mood
49. The symbol at the beginning of each staff indicating the pitch or the range of sounds that should be played
Cello and double bass
A classical symphony
Famous classical era musicians
Clef
50. Make higher - pitched sounds - small in size
Violin and viola
Woodwinds
Romantic Period (1820-1900) music
Motif