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Test your basic knowledge |
CSET Performing Arts III
Start Test
Study First
Subjects
:
cset
,
performing-arts
Instructions:
Answer 42 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A gong sounds to begin the play - There is no scenery; it is the actor's job to create the environment - Mime - drama - music and acrobatics are blended - Makeup is rich and colorful - Costumes are elaborate - Until 1911 no women performed - only men
Teaching artistic perception -8th
dionysian festivals
Greek vs Midieval drama
chinese opera
2. Fuse African dance and European styles - mambo - samba - meringue - rumba
Comedy
Teaching Historical/cultural context:middle grades
ballroom syles originated in Caribbean
Teaching artistic perception - Kindergarten
3. Began in 16th century Italy. Often used traditional legends - myths or folktales as the basis for their librettos or written text.
European Opera
square dancing
Globe theater
Martha Graham
4. responding to simple oral instructions (reach - turn walk) - vocabulary of opposites (wiggle/freeze - high/low)
dionysian festivals
tragedy
Moliere
Teaching artistic perception - Kindergarten
5. playwriter (after Aeschylus) Oedipus and Antigone (sister who wants to bury body of brother who is killed by another brother) - added a 3rd actor - eliminating strong need for chorus
Sophocles
American opera
proscenium arch
theatre
6. The area in which you move; the area around you
space
Teaching Historical/cultural context: primary
Teaching Historical/cultural context:middle grades
theater motif
7. The degree of muscular tension and use of energy while moving; the use of weight
samba
time
force/energy
American opera
8. Create - memorize - and perform variety of simple dance forms - work cooperatively in groups to create dance
Teaching creative expression: middle school
Japanese theater: Kabuki
theater motif
samba
9. Roots from European folk dancing
square dancing
Sophocles
polka
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
10. A part of the main stage that goes into the audience and brings the actors closer to the audience - The audience is on 3 sides of the stage
flamenco
thrust stage
Moliere
Greek vs Midieval drama
11. vivacious couple dance of Bohemian origin in double time; was a basic pattern of hop - step - close - step; a lively Bohemian dance tune in 2/4 time - Czech peasant dance - developed in Eastern Bohemia (Eastern Europe)
theater motif
polka
Teaching artistic perception - 4th
Teaching creative expression: middle school
12. England was the most famous - and is associated with William Shakespeare. The center of the theater was open to the sky. Curtains were not used.
Teaching artistic perception - Kindergarten
Teaching artistic perception -8th
theater motif
Globe theater
13. A motif in theatre is a theme that is repeated and developed in artistic work or a decorative design or pattern.
time
Teaching Aesthetic valuing: middle
theater motif
Martha Graham
14. Critically evaluate dance in terms of the elements
Teaching Aesthetic valuing: middle
Euripides
Teaching creative expression primary
Japanese theater: Kabuki
15. Brazilian origin - 2/4 time but quick
samba
tango
Teaching artistic perception - 4th
Teaching Aesthetic valuing: middle
16. Use dance vocabulary to describe movements (unity - variety - force) - physically connect movement phrases with smooth transitions
Comedy
William shakespeare
Teaching artistic perception - 4th
Teaching Aesthetic valuing: middle
17. Use dance vocabulary to analyze elements and components of dance - understand artistic intent - range of movement expanding
theater motif
space
Comedy
Teaching artistic perception -8th
18. Mother of modern dance
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
Martha Graham
American opera
Greek vs Midieval drama
19. 'Porgy and Bess' by George Gershwin blended Broadway musical with African - American music
Teaching creative expression primary
American opera
polka
flamenco
20. The arts prepare students to provide understanding of systems - manipulation of information - and use of resources.
Teaching Historical/cultural context: primary
What do arts prepare students for?
space
dithyramb
21. Learn dances specific to 18th and 19th century America - 8th graders can describe functions of dance and compare and contrast different forms of dance
Moliere
Teaching Historical/cultural context:middle grades
tango
tragedy
22. Learn to distinguish 1 dance from another - explain and demonstrate being good audience
Martha Graham
Japanese theater: Kabuki
European Opera
Teaching Aesthetic valuing: primary
23. The ancient Greeks believed Dionysus - the god of wine and revelry - died and was reborn every year. They held celebrations in his honor in the spring and fall - after the grape harvest. Every form of western drama has its origins in these Dionysian
dionysian festivals
ballroom syles originated in Caribbean
space
samba
24. Choral song: was an ancient Greek hymn sung and danced in honor of Dionysus - the god of wine and fertility
space
dionysian festivals
dithyramb
samba
25. Operatic performance the story is told mainly through singing. However - an opera also involves instrumental music - acting - dancing - sets and costumes
Moliere
Sophocles
Japanese theater NOH
opera
26. This term is used to refer to drama as an art form as well as to the building in which it is performed.
force/energy
theater motif
theatre
Teaching Historical/cultural context:middle grades
27. 'Hamlet'
William shakespeare
Japanese theater: Kabuki
Teaching artistic perception - Kindergarten
opera
28. Improvisation to respond to various music and oral prompts - younger children dance alone - 2nd learning to work with partners
tango
Globe theater
Teaching creative expression primary
William shakespeare
29. Argentina (Spanish) origin - influenced both by ancient African rhythms and the music from Europe.
Comedy
Teaching Historical/cultural context:middle grades
Teaching artistic perception - 4th
tango
30. Like the Noh drama - is full of ghosts and supernatural situations - Costumes weigh up to 50 lbs. or more and take hours to assemble - Men play the part of women.
theatre
Teaching Historical/cultural context: primary
thrust stage
Japanese theater: Kabuki
31. Noh Theater often includes a ghost - The performances are very formal dance dramas - Performances can last 10 hours - All performers are men - Props signify characters.
Moliere
Japanese theater NOH
Comedy
dionysian festivals
32. Along with Sophocles refined playwriting (Madea - woman who killed her husband after coming home from war) - introduced elements of comedy and exploration into psyches - representation of traditional - mythical heroes as ordinary people in extraordin
William shakespeare
Euripides
dionysian festivals
proscenium arch
33. Creates a 'window' around the scenery and performers. 'picture frame'
tragedy
Teaching Aesthetic valuing: middle
square dancing
proscenium arch
34. K learning simple folk dances where they come from and functions - 2nd name and perform rhythms from various traditions
Teaching Historical/cultural context:middle grades
Teaching Historical/cultural context: primary
square dancing
dithyramb
35. Dances that originated in America in 20th century
proscenium arch
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
Teaching creative expression: middle school
tragedy
36. King of comedy in 1600s - His most famous play was 'Tartuffe' a witty play about religious hypocrisy
Teaching artistic perception - Kindergarten
Teaching creative expression: middle school
chinese opera
Moliere
37. Greek drama was performed at religious festivals and in outside amphitheaters - Medieval drama evolved in the Church from musical elaborations of the service.
Martha Graham
dithyramb
Greek vs Midieval drama
square dancing
38. Modern dance pioneer - Greek influence - break away from constricting requirements of ballet
European Opera
Isadora Duncan
Teaching Aesthetic valuing: primary
Teaching creative expression: middle school
39. The relationship of one movement or part of a movement to another
force/energy
European Opera
Isadora Duncan
time
40. Originated in Spain - amoung gypsy dancers
Teaching artistic perception -8th
Teaching Historical/cultural context:middle grades
thrust stage
flamenco
41. credited to Thespis and Aeschylus (in drama added a 2nd actor - The Orestea - Agamemnon) - main character is brought to ruin or suffers extreme sorrow - especially as a consequence of a tragic flaw - moral weakness - or inability to cope with unfavor
Isadora Duncan
square dancing
chinese opera
tragedy
42. Aristonphanes and his comedic parodies - Lysistrata (she persuades all women to withhold sex from warring men) and Aeusylus - blunder or ugliness which does not cause pain or disaster
proscenium arch
Moliere
Comedy
Teaching Aesthetic valuing: middle