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Test your basic knowledge |
CSET Performing Arts III
Start Test
Study First
Subjects
:
cset
,
performing-arts
Instructions:
Answer 42 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Use dance vocabulary to describe movements (unity - variety - force) - physically connect movement phrases with smooth transitions
Teaching artistic perception - 4th
polka
tragedy
chinese opera
2. The degree of muscular tension and use of energy while moving; the use of weight
Sophocles
Martha Graham
force/energy
chinese opera
3. King of comedy in 1600s - His most famous play was 'Tartuffe' a witty play about religious hypocrisy
Moliere
flamenco
theater motif
time
4. A motif in theatre is a theme that is repeated and developed in artistic work or a decorative design or pattern.
time
square dancing
theater motif
ballroom syles originated in Caribbean
5. Argentina (Spanish) origin - influenced both by ancient African rhythms and the music from Europe.
Comedy
Japanese theater: Kabuki
William shakespeare
tango
6. England was the most famous - and is associated with William Shakespeare. The center of the theater was open to the sky. Curtains were not used.
Teaching Aesthetic valuing: primary
time
What do arts prepare students for?
Globe theater
7. 'Hamlet'
dithyramb
William shakespeare
Teaching creative expression primary
polka
8. Fuse African dance and European styles - mambo - samba - meringue - rumba
Teaching creative expression: middle school
Teaching creative expression primary
ballroom syles originated in Caribbean
flamenco
9. The relationship of one movement or part of a movement to another
Japanese theater: Kabuki
flamenco
time
theatre
10. Create - memorize - and perform variety of simple dance forms - work cooperatively in groups to create dance
Teaching creative expression: middle school
square dancing
Teaching artistic perception -8th
Greek vs Midieval drama
11. Noh Theater often includes a ghost - The performances are very formal dance dramas - Performances can last 10 hours - All performers are men - Props signify characters.
Japanese theater NOH
Sophocles
Teaching artistic perception - Kindergarten
samba
12. Brazilian origin - 2/4 time but quick
samba
Teaching Aesthetic valuing: middle
Japanese theater: Kabuki
theater motif
13. A gong sounds to begin the play - There is no scenery; it is the actor's job to create the environment - Mime - drama - music and acrobatics are blended - Makeup is rich and colorful - Costumes are elaborate - Until 1911 no women performed - only men
Teaching Aesthetic valuing: middle
Teaching Historical/cultural context:middle grades
chinese opera
dionysian festivals
14. Creates a 'window' around the scenery and performers. 'picture frame'
Teaching Historical/cultural context: primary
Teaching Aesthetic valuing: middle
European Opera
proscenium arch
15. Mother of modern dance
Japanese theater: Kabuki
Teaching Historical/cultural context: primary
Martha Graham
chinese opera
16. Along with Sophocles refined playwriting (Madea - woman who killed her husband after coming home from war) - introduced elements of comedy and exploration into psyches - representation of traditional - mythical heroes as ordinary people in extraordin
European Opera
Euripides
opera
Teaching Aesthetic valuing: primary
17. playwriter (after Aeschylus) Oedipus and Antigone (sister who wants to bury body of brother who is killed by another brother) - added a 3rd actor - eliminating strong need for chorus
tragedy
dithyramb
Sophocles
square dancing
18. The arts prepare students to provide understanding of systems - manipulation of information - and use of resources.
What do arts prepare students for?
thrust stage
force/energy
Teaching artistic perception - Kindergarten
19. Originated in Spain - amoung gypsy dancers
Martha Graham
flamenco
space
Teaching Aesthetic valuing: primary
20. Dances that originated in America in 20th century
Moliere
Teaching artistic perception - 4th
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
Martha Graham
21. Began in 16th century Italy. Often used traditional legends - myths or folktales as the basis for their librettos or written text.
European Opera
Teaching Historical/cultural context:middle grades
proscenium arch
William shakespeare
22. Greek drama was performed at religious festivals and in outside amphitheaters - Medieval drama evolved in the Church from musical elaborations of the service.
Greek vs Midieval drama
Teaching creative expression: middle school
time
Teaching Historical/cultural context:middle grades
23. 'Porgy and Bess' by George Gershwin blended Broadway musical with African - American music
Teaching artistic perception - 4th
theatre
square dancing
American opera
24. Improvisation to respond to various music and oral prompts - younger children dance alone - 2nd learning to work with partners
tango
Teaching creative expression primary
American opera
Sophocles
25. Learn dances specific to 18th and 19th century America - 8th graders can describe functions of dance and compare and contrast different forms of dance
opera
Teaching creative expression primary
Teaching Historical/cultural context:middle grades
dithyramb
26. Like the Noh drama - is full of ghosts and supernatural situations - Costumes weigh up to 50 lbs. or more and take hours to assemble - Men play the part of women.
time
Greek vs Midieval drama
Japanese theater: Kabuki
Teaching creative expression primary
27. Choral song: was an ancient Greek hymn sung and danced in honor of Dionysus - the god of wine and fertility
dithyramb
chinese opera
proscenium arch
samba
28. Modern dance pioneer - Greek influence - break away from constricting requirements of ballet
chinese opera
Isadora Duncan
Teaching creative expression: middle school
William shakespeare
29. Use dance vocabulary to analyze elements and components of dance - understand artistic intent - range of movement expanding
Sophocles
force/energy
Teaching artistic perception -8th
opera
30. Aristonphanes and his comedic parodies - Lysistrata (she persuades all women to withhold sex from warring men) and Aeusylus - blunder or ugliness which does not cause pain or disaster
Moliere
Teaching artistic perception - 4th
theatre
Comedy
31. Operatic performance the story is told mainly through singing. However - an opera also involves instrumental music - acting - dancing - sets and costumes
Teaching artistic perception - 4th
square dancing
dithyramb
opera
32. The area in which you move; the area around you
Greek vs Midieval drama
samba
Martha Graham
space
33. This term is used to refer to drama as an art form as well as to the building in which it is performed.
Martha Graham
theatre
Teaching artistic perception - 4th
space
34. Critically evaluate dance in terms of the elements
Isadora Duncan
ballroom syles originated in Caribbean
Teaching Aesthetic valuing: middle
Teaching creative expression primary
35. A part of the main stage that goes into the audience and brings the actors closer to the audience - The audience is on 3 sides of the stage
European Opera
Teaching creative expression primary
thrust stage
proscenium arch
36. responding to simple oral instructions (reach - turn walk) - vocabulary of opposites (wiggle/freeze - high/low)
Teaching artistic perception - Kindergarten
Globe theater
Martha Graham
dithyramb
37. vivacious couple dance of Bohemian origin in double time; was a basic pattern of hop - step - close - step; a lively Bohemian dance tune in 2/4 time - Czech peasant dance - developed in Eastern Bohemia (Eastern Europe)
polka
dionysian festivals
Euripides
ballroom syles originated in Caribbean
38. Learn to distinguish 1 dance from another - explain and demonstrate being good audience
Teaching creative expression: middle school
Teaching creative expression primary
force/energy
Teaching Aesthetic valuing: primary
39. K learning simple folk dances where they come from and functions - 2nd name and perform rhythms from various traditions
force/energy
Teaching Historical/cultural context:middle grades
chinese opera
Teaching Historical/cultural context: primary
40. credited to Thespis and Aeschylus (in drama added a 2nd actor - The Orestea - Agamemnon) - main character is brought to ruin or suffers extreme sorrow - especially as a consequence of a tragic flaw - moral weakness - or inability to cope with unfavor
William shakespeare
Teaching Aesthetic valuing: middle
tragedy
European Opera
41. Roots from European folk dancing
Teaching Aesthetic valuing: middle
Euripides
square dancing
Moliere
42. The ancient Greeks believed Dionysus - the god of wine and revelry - died and was reborn every year. They held celebrations in his honor in the spring and fall - after the grape harvest. Every form of western drama has its origins in these Dionysian
dionysian festivals
Teaching Historical/cultural context: primary
Martha Graham
flamenco