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Test your basic knowledge |
CSET Performing Arts III
Start Test
Study First
Subjects
:
cset
,
performing-arts
Instructions:
Answer 42 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Use dance vocabulary to analyze elements and components of dance - understand artistic intent - range of movement expanding
American opera
Moliere
Teaching artistic perception -8th
space
2. Create - memorize - and perform variety of simple dance forms - work cooperatively in groups to create dance
European Opera
Teaching creative expression: middle school
samba
theatre
3. Aristonphanes and his comedic parodies - Lysistrata (she persuades all women to withhold sex from warring men) and Aeusylus - blunder or ugliness which does not cause pain or disaster
proscenium arch
Teaching Historical/cultural context: primary
chinese opera
Comedy
4. The relationship of one movement or part of a movement to another
time
Teaching Aesthetic valuing: primary
space
flamenco
5. Operatic performance the story is told mainly through singing. However - an opera also involves instrumental music - acting - dancing - sets and costumes
William shakespeare
Teaching artistic perception - 4th
Sophocles
opera
6. The area in which you move; the area around you
chinese opera
Japanese theater: Kabuki
Comedy
space
7. A motif in theatre is a theme that is repeated and developed in artistic work or a decorative design or pattern.
theater motif
What do arts prepare students for?
chinese opera
samba
8. The degree of muscular tension and use of energy while moving; the use of weight
Japanese theater: Kabuki
tango
force/energy
Teaching artistic perception -8th
9. Improvisation to respond to various music and oral prompts - younger children dance alone - 2nd learning to work with partners
force/energy
space
opera
Teaching creative expression primary
10. responding to simple oral instructions (reach - turn walk) - vocabulary of opposites (wiggle/freeze - high/low)
time
William shakespeare
Teaching artistic perception - Kindergarten
Teaching Historical/cultural context:middle grades
11. credited to Thespis and Aeschylus (in drama added a 2nd actor - The Orestea - Agamemnon) - main character is brought to ruin or suffers extreme sorrow - especially as a consequence of a tragic flaw - moral weakness - or inability to cope with unfavor
Teaching creative expression primary
What do arts prepare students for?
tragedy
Japanese theater: Kabuki
12. playwriter (after Aeschylus) Oedipus and Antigone (sister who wants to bury body of brother who is killed by another brother) - added a 3rd actor - eliminating strong need for chorus
Teaching creative expression primary
Japanese theater NOH
Sophocles
thrust stage
13. 'Hamlet'
space
William shakespeare
Greek vs Midieval drama
tragedy
14. Argentina (Spanish) origin - influenced both by ancient African rhythms and the music from Europe.
Teaching creative expression: middle school
Teaching Aesthetic valuing: middle
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
tango
15. King of comedy in 1600s - His most famous play was 'Tartuffe' a witty play about religious hypocrisy
Sophocles
chinese opera
Moliere
Teaching artistic perception - Kindergarten
16. Choral song: was an ancient Greek hymn sung and danced in honor of Dionysus - the god of wine and fertility
flamenco
Teaching Historical/cultural context:middle grades
dithyramb
Japanese theater: Kabuki
17. Originated in Spain - amoung gypsy dancers
flamenco
European Opera
What do arts prepare students for?
Teaching artistic perception -8th
18. England was the most famous - and is associated with William Shakespeare. The center of the theater was open to the sky. Curtains were not used.
Teaching creative expression: middle school
Globe theater
William shakespeare
Martha Graham
19. Mother of modern dance
Teaching artistic perception - Kindergarten
Martha Graham
Teaching creative expression: middle school
Teaching Historical/cultural context: primary
20. Learn dances specific to 18th and 19th century America - 8th graders can describe functions of dance and compare and contrast different forms of dance
square dancing
theater motif
American opera
Teaching Historical/cultural context:middle grades
21. K learning simple folk dances where they come from and functions - 2nd name and perform rhythms from various traditions
theater motif
Teaching Historical/cultural context: primary
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
proscenium arch
22. Greek drama was performed at religious festivals and in outside amphitheaters - Medieval drama evolved in the Church from musical elaborations of the service.
Moliere
Sophocles
Greek vs Midieval drama
What do arts prepare students for?
23. The arts prepare students to provide understanding of systems - manipulation of information - and use of resources.
proscenium arch
Martha Graham
What do arts prepare students for?
American opera
24. This term is used to refer to drama as an art form as well as to the building in which it is performed.
theatre
dithyramb
time
Japanese theater NOH
25. Noh Theater often includes a ghost - The performances are very formal dance dramas - Performances can last 10 hours - All performers are men - Props signify characters.
Globe theater
Japanese theater NOH
tragedy
Euripides
26. Along with Sophocles refined playwriting (Madea - woman who killed her husband after coming home from war) - introduced elements of comedy and exploration into psyches - representation of traditional - mythical heroes as ordinary people in extraordin
Isadora Duncan
force/energy
theater motif
Euripides
27. Roots from European folk dancing
dionysian festivals
dithyramb
square dancing
Moliere
28. Modern dance pioneer - Greek influence - break away from constricting requirements of ballet
Isadora Duncan
Teaching creative expression primary
Teaching Aesthetic valuing: primary
flamenco
29. Creates a 'window' around the scenery and performers. 'picture frame'
Isadora Duncan
time
Teaching Historical/cultural context: primary
proscenium arch
30. Dances that originated in America in 20th century
Euripides
square dancing
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
theater motif
31. vivacious couple dance of Bohemian origin in double time; was a basic pattern of hop - step - close - step; a lively Bohemian dance tune in 2/4 time - Czech peasant dance - developed in Eastern Bohemia (Eastern Europe)
Teaching Aesthetic valuing: middle
Comedy
polka
force/energy
32. A part of the main stage that goes into the audience and brings the actors closer to the audience - The audience is on 3 sides of the stage
force/energy
Greek vs Midieval drama
dionysian festivals
thrust stage
33. The ancient Greeks believed Dionysus - the god of wine and revelry - died and was reborn every year. They held celebrations in his honor in the spring and fall - after the grape harvest. Every form of western drama has its origins in these Dionysian
Japanese theater NOH
space
dionysian festivals
Teaching Historical/cultural context:middle grades
34. Learn to distinguish 1 dance from another - explain and demonstrate being good audience
Sophocles
Japanese theater: Kabuki
Teaching Aesthetic valuing: primary
Greek vs Midieval drama
35. Critically evaluate dance in terms of the elements
Globe theater
samba
Teaching Aesthetic valuing: middle
flamenco
36. Began in 16th century Italy. Often used traditional legends - myths or folktales as the basis for their librettos or written text.
dionysian festivals
Japanese theater: Kabuki
time
European Opera
37. 'Porgy and Bess' by George Gershwin blended Broadway musical with African - American music
Comedy
dionysian festivals
American opera
Sophocles
38. Fuse African dance and European styles - mambo - samba - meringue - rumba
ballroom syles originated in Caribbean
proscenium arch
Euripides
opera
39. Brazilian origin - 2/4 time but quick
samba
dionysian festivals
thrust stage
flamenco
40. A gong sounds to begin the play - There is no scenery; it is the actor's job to create the environment - Mime - drama - music and acrobatics are blended - Makeup is rich and colorful - Costumes are elaborate - Until 1911 no women performed - only men
chinese opera
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
Teaching artistic perception - Kindergarten
Greek vs Midieval drama
41. Use dance vocabulary to describe movements (unity - variety - force) - physically connect movement phrases with smooth transitions
Teaching Aesthetic valuing: primary
Teaching Historical/cultural context:middle grades
Teaching artistic perception - 4th
opera
42. Like the Noh drama - is full of ghosts and supernatural situations - Costumes weigh up to 50 lbs. or more and take hours to assemble - Men play the part of women.
Teaching artistic perception -8th
force/energy
Japanese theater: Kabuki
Greek vs Midieval drama