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Test your basic knowledge |
CSET Performing Arts III
Start Test
Study First
Subjects
:
cset
,
performing-arts
Instructions:
Answer 42 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A motif in theatre is a theme that is repeated and developed in artistic work or a decorative design or pattern.
Teaching Aesthetic valuing: primary
Teaching Historical/cultural context: primary
theater motif
Isadora Duncan
2. Choral song: was an ancient Greek hymn sung and danced in honor of Dionysus - the god of wine and fertility
European Opera
dithyramb
samba
tragedy
3. The ancient Greeks believed Dionysus - the god of wine and revelry - died and was reborn every year. They held celebrations in his honor in the spring and fall - after the grape harvest. Every form of western drama has its origins in these Dionysian
Teaching Historical/cultural context: primary
Teaching creative expression: middle school
What do arts prepare students for?
dionysian festivals
4. Learn to distinguish 1 dance from another - explain and demonstrate being good audience
Greek vs Midieval drama
theater motif
opera
Teaching Aesthetic valuing: primary
5. Noh Theater often includes a ghost - The performances are very formal dance dramas - Performances can last 10 hours - All performers are men - Props signify characters.
proscenium arch
William shakespeare
Japanese theater NOH
Teaching artistic perception - 4th
6. The degree of muscular tension and use of energy while moving; the use of weight
thrust stage
Japanese theater NOH
Isadora Duncan
force/energy
7. The area in which you move; the area around you
tango
chinese opera
samba
space
8. Use dance vocabulary to describe movements (unity - variety - force) - physically connect movement phrases with smooth transitions
Teaching Aesthetic valuing: primary
Euripides
thrust stage
Teaching artistic perception - 4th
9. Roots from European folk dancing
Martha Graham
flamenco
square dancing
Japanese theater: Kabuki
10. 'Hamlet'
Teaching Aesthetic valuing: primary
tango
Japanese theater NOH
William shakespeare
11. A gong sounds to begin the play - There is no scenery; it is the actor's job to create the environment - Mime - drama - music and acrobatics are blended - Makeup is rich and colorful - Costumes are elaborate - Until 1911 no women performed - only men
chinese opera
What do arts prepare students for?
time
Japanese theater: Kabuki
12. Along with Sophocles refined playwriting (Madea - woman who killed her husband after coming home from war) - introduced elements of comedy and exploration into psyches - representation of traditional - mythical heroes as ordinary people in extraordin
Euripides
thrust stage
Teaching Aesthetic valuing: primary
tango
13. Aristonphanes and his comedic parodies - Lysistrata (she persuades all women to withhold sex from warring men) and Aeusylus - blunder or ugliness which does not cause pain or disaster
Comedy
space
Martha Graham
Sophocles
14. The relationship of one movement or part of a movement to another
dithyramb
time
Teaching Historical/cultural context: primary
William shakespeare
15. The arts prepare students to provide understanding of systems - manipulation of information - and use of resources.
Teaching Aesthetic valuing: primary
William shakespeare
What do arts prepare students for?
Teaching artistic perception - Kindergarten
16. Use dance vocabulary to analyze elements and components of dance - understand artistic intent - range of movement expanding
Teaching artistic perception - 4th
Teaching artistic perception -8th
Comedy
Euripides
17. Learn dances specific to 18th and 19th century America - 8th graders can describe functions of dance and compare and contrast different forms of dance
opera
chinese opera
square dancing
Teaching Historical/cultural context:middle grades
18. vivacious couple dance of Bohemian origin in double time; was a basic pattern of hop - step - close - step; a lively Bohemian dance tune in 2/4 time - Czech peasant dance - developed in Eastern Bohemia (Eastern Europe)
Japanese theater NOH
Isadora Duncan
proscenium arch
polka
19. Like the Noh drama - is full of ghosts and supernatural situations - Costumes weigh up to 50 lbs. or more and take hours to assemble - Men play the part of women.
samba
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
force/energy
Japanese theater: Kabuki
20. England was the most famous - and is associated with William Shakespeare. The center of the theater was open to the sky. Curtains were not used.
tango
samba
Globe theater
polka
21. Improvisation to respond to various music and oral prompts - younger children dance alone - 2nd learning to work with partners
Teaching creative expression primary
opera
dionysian festivals
American opera
22. Dances that originated in America in 20th century
polka
square dancing
Japanese theater NOH
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
23. King of comedy in 1600s - His most famous play was 'Tartuffe' a witty play about religious hypocrisy
Euripides
opera
Moliere
Teaching Historical/cultural context: primary
24. Operatic performance the story is told mainly through singing. However - an opera also involves instrumental music - acting - dancing - sets and costumes
Teaching artistic perception - 4th
opera
Comedy
theatre
25. Modern dance pioneer - Greek influence - break away from constricting requirements of ballet
American opera
Isadora Duncan
theater motif
ballroom syles originated in Caribbean
26. Create - memorize - and perform variety of simple dance forms - work cooperatively in groups to create dance
proscenium arch
Teaching creative expression: middle school
polka
Japanese theater NOH
27. Greek drama was performed at religious festivals and in outside amphitheaters - Medieval drama evolved in the Church from musical elaborations of the service.
opera
space
Teaching artistic perception -8th
Greek vs Midieval drama
28. K learning simple folk dances where they come from and functions - 2nd name and perform rhythms from various traditions
Euripides
Teaching artistic perception - Kindergarten
Teaching Historical/cultural context: primary
flamenco
29. playwriter (after Aeschylus) Oedipus and Antigone (sister who wants to bury body of brother who is killed by another brother) - added a 3rd actor - eliminating strong need for chorus
Teaching artistic perception - 4th
Sophocles
Greek vs Midieval drama
opera
30. Originated in Spain - amoung gypsy dancers
flamenco
Teaching Aesthetic valuing: primary
Isadora Duncan
Martha Graham
31. A part of the main stage that goes into the audience and brings the actors closer to the audience - The audience is on 3 sides of the stage
flamenco
thrust stage
European Opera
Comedy
32. Argentina (Spanish) origin - influenced both by ancient African rhythms and the music from Europe.
chinese opera
square dancing
tango
Moliere
33. credited to Thespis and Aeschylus (in drama added a 2nd actor - The Orestea - Agamemnon) - main character is brought to ruin or suffers extreme sorrow - especially as a consequence of a tragic flaw - moral weakness - or inability to cope with unfavor
tango
tragedy
Teaching creative expression: middle school
Comedy
34. Brazilian origin - 2/4 time but quick
theater motif
samba
Sophocles
Greek vs Midieval drama
35. This term is used to refer to drama as an art form as well as to the building in which it is performed.
thrust stage
theatre
American opera
Isadora Duncan
36. Creates a 'window' around the scenery and performers. 'picture frame'
Teaching Historical/cultural context:middle grades
proscenium arch
samba
Teaching Aesthetic valuing: primary
37. responding to simple oral instructions (reach - turn walk) - vocabulary of opposites (wiggle/freeze - high/low)
dithyramb
Teaching artistic perception - Kindergarten
space
Teaching creative expression primary
38. Fuse African dance and European styles - mambo - samba - meringue - rumba
Martha Graham
thrust stage
ballroom syles originated in Caribbean
European Opera
39. Began in 16th century Italy. Often used traditional legends - myths or folktales as the basis for their librettos or written text.
Comedy
Teaching Aesthetic valuing: middle
European Opera
tango
40. 'Porgy and Bess' by George Gershwin blended Broadway musical with African - American music
theater motif
American opera
opera
tango
41. Critically evaluate dance in terms of the elements
Teaching Aesthetic valuing: middle
Sophocles
polka
Isadora Duncan
42. Mother of modern dance
Martha Graham
Comedy
European Opera
polka