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Test your basic knowledge |
CSET Performing Arts III
Start Test
Study First
Subjects
:
cset
,
performing-arts
Instructions:
Answer 42 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The relationship of one movement or part of a movement to another
Japanese theater NOH
Euripides
tragedy
time
2. Aristonphanes and his comedic parodies - Lysistrata (she persuades all women to withhold sex from warring men) and Aeusylus - blunder or ugliness which does not cause pain or disaster
theater motif
Euripides
American opera
Comedy
3. A part of the main stage that goes into the audience and brings the actors closer to the audience - The audience is on 3 sides of the stage
Globe theater
thrust stage
William shakespeare
Teaching Historical/cultural context: primary
4. Noh Theater often includes a ghost - The performances are very formal dance dramas - Performances can last 10 hours - All performers are men - Props signify characters.
dithyramb
Japanese theater NOH
space
Martha Graham
5. 'Hamlet'
William shakespeare
Teaching Historical/cultural context:middle grades
Teaching artistic perception -8th
space
6. Choral song: was an ancient Greek hymn sung and danced in honor of Dionysus - the god of wine and fertility
Greek vs Midieval drama
dithyramb
Euripides
thrust stage
7. vivacious couple dance of Bohemian origin in double time; was a basic pattern of hop - step - close - step; a lively Bohemian dance tune in 2/4 time - Czech peasant dance - developed in Eastern Bohemia (Eastern Europe)
Teaching Historical/cultural context:middle grades
polka
dithyramb
Teaching creative expression primary
8. A motif in theatre is a theme that is repeated and developed in artistic work or a decorative design or pattern.
theater motif
time
What do arts prepare students for?
Teaching artistic perception - 4th
9. 'Porgy and Bess' by George Gershwin blended Broadway musical with African - American music
opera
tango
American opera
Teaching Historical/cultural context:middle grades
10. Roots from European folk dancing
Japanese theater: Kabuki
square dancing
force/energy
flamenco
11. Creates a 'window' around the scenery and performers. 'picture frame'
proscenium arch
theater motif
Teaching artistic perception -8th
Greek vs Midieval drama
12. A gong sounds to begin the play - There is no scenery; it is the actor's job to create the environment - Mime - drama - music and acrobatics are blended - Makeup is rich and colorful - Costumes are elaborate - Until 1911 no women performed - only men
Japanese theater: Kabuki
chinese opera
square dancing
Comedy
13. Greek drama was performed at religious festivals and in outside amphitheaters - Medieval drama evolved in the Church from musical elaborations of the service.
theatre
Greek vs Midieval drama
Comedy
tragedy
14. Learn to distinguish 1 dance from another - explain and demonstrate being good audience
Sophocles
ballroom syles originated in Caribbean
Teaching Aesthetic valuing: primary
theater motif
15. The arts prepare students to provide understanding of systems - manipulation of information - and use of resources.
What do arts prepare students for?
American opera
Isadora Duncan
Teaching artistic perception -8th
16. Dances that originated in America in 20th century
theater motif
dionysian festivals
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
Greek vs Midieval drama
17. K learning simple folk dances where they come from and functions - 2nd name and perform rhythms from various traditions
European Opera
dithyramb
Teaching Historical/cultural context: primary
Teaching Historical/cultural context:middle grades
18. Improvisation to respond to various music and oral prompts - younger children dance alone - 2nd learning to work with partners
Teaching Aesthetic valuing: middle
polka
Teaching creative expression primary
Globe theater
19. Use dance vocabulary to analyze elements and components of dance - understand artistic intent - range of movement expanding
Teaching artistic perception -8th
force/energy
Greek vs Midieval drama
William shakespeare
20. Critically evaluate dance in terms of the elements
square dancing
Teaching Aesthetic valuing: middle
Globe theater
force/energy
21. This term is used to refer to drama as an art form as well as to the building in which it is performed.
Greek vs Midieval drama
Teaching Aesthetic valuing: primary
theatre
dionysian festivals
22. credited to Thespis and Aeschylus (in drama added a 2nd actor - The Orestea - Agamemnon) - main character is brought to ruin or suffers extreme sorrow - especially as a consequence of a tragic flaw - moral weakness - or inability to cope with unfavor
tragedy
Teaching Aesthetic valuing: middle
William shakespeare
flamenco
23. Use dance vocabulary to describe movements (unity - variety - force) - physically connect movement phrases with smooth transitions
American opera
Teaching artistic perception - 4th
polka
thrust stage
24. Originated in Spain - amoung gypsy dancers
Teaching artistic perception - Kindergarten
space
tango
flamenco
25. The area in which you move; the area around you
tragedy
Teaching Historical/cultural context:middle grades
space
flamenco
26. Fuse African dance and European styles - mambo - samba - meringue - rumba
theater motif
ballroom syles originated in Caribbean
samba
proscenium arch
27. Mother of modern dance
Teaching Historical/cultural context: primary
Martha Graham
ballroom syles originated in Caribbean
Moliere
28. responding to simple oral instructions (reach - turn walk) - vocabulary of opposites (wiggle/freeze - high/low)
Japanese theater NOH
Globe theater
Teaching artistic perception - Kindergarten
theatre
29. Learn dances specific to 18th and 19th century America - 8th graders can describe functions of dance and compare and contrast different forms of dance
Teaching Historical/cultural context:middle grades
proscenium arch
Euripides
thrust stage
30. Create - memorize - and perform variety of simple dance forms - work cooperatively in groups to create dance
Teaching Aesthetic valuing: middle
Japanese theater: Kabuki
Teaching creative expression: middle school
chinese opera
31. Began in 16th century Italy. Often used traditional legends - myths or folktales as the basis for their librettos or written text.
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
force/energy
European Opera
Japanese theater: Kabuki
32. Operatic performance the story is told mainly through singing. However - an opera also involves instrumental music - acting - dancing - sets and costumes
tango
opera
Teaching creative expression: middle school
Teaching artistic perception - 4th
33. Along with Sophocles refined playwriting (Madea - woman who killed her husband after coming home from war) - introduced elements of comedy and exploration into psyches - representation of traditional - mythical heroes as ordinary people in extraordin
Euripides
samba
space
William shakespeare
34. The degree of muscular tension and use of energy while moving; the use of weight
dionysian festivals
William shakespeare
Teaching Historical/cultural context: primary
force/energy
35. Argentina (Spanish) origin - influenced both by ancient African rhythms and the music from Europe.
Martha Graham
tango
samba
Japanese theater NOH
36. Like the Noh drama - is full of ghosts and supernatural situations - Costumes weigh up to 50 lbs. or more and take hours to assemble - Men play the part of women.
Japanese theater: Kabuki
Teaching Historical/cultural context: primary
Sophocles
time
37. The ancient Greeks believed Dionysus - the god of wine and revelry - died and was reborn every year. They held celebrations in his honor in the spring and fall - after the grape harvest. Every form of western drama has its origins in these Dionysian
Teaching artistic perception - 4th
dionysian festivals
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
theatre
38. Modern dance pioneer - Greek influence - break away from constricting requirements of ballet
Moliere
Isadora Duncan
What do arts prepare students for?
Teaching Historical/cultural context:middle grades
39. playwriter (after Aeschylus) Oedipus and Antigone (sister who wants to bury body of brother who is killed by another brother) - added a 3rd actor - eliminating strong need for chorus
tango
Sophocles
William shakespeare
thrust stage
40. Brazilian origin - 2/4 time but quick
dithyramb
space
samba
What do arts prepare students for?
41. King of comedy in 1600s - His most famous play was 'Tartuffe' a witty play about religious hypocrisy
Euripides
foxtrot - Charleston - swing - twist - line dancing - Texas two - step
Moliere
ballroom syles originated in Caribbean
42. England was the most famous - and is associated with William Shakespeare. The center of the theater was open to the sky. Curtains were not used.
Globe theater
Teaching Historical/cultural context:middle grades
thrust stage
Comedy