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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. If one were to eliminate the jumping elements from the combination which steps would be eliminated
broadway or show tap
jazz hands
the changement and the sautes
social dance
2. The action of straightening a joint or the action of increasing the angle between tow levers
martha graham
extension
3/4
ballet
3. A lean body with enhanced flexibility due to a lack of muscular strength
vaganova method
endomorph
fred astaire and ginger rogers
Mikhail Fokine
4. The action of bending a joint or the action of decreasing the angle between two levers
sammy davis jr
extension of the working leg
adduction
flexion
5. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
melody
tendu
force/energy
ball change
6. Modern dance technique style that explores fall and recovery
ballet
doris humphrey
choreography
time
7. All performers begin at the same time but at different starting points within the same phrase
simultaneous canons
jack cole
reverance
dab
8. The action of turning a ball-and-socket joint; circular movement around a central axis
slap
partnering/group skills
rotation
jump
9. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
katherine dunham
adductor magnus
jack cole
cholly atkins and coles
10. The original french form of classical ballet from Russia
harold and fayard nicholas
doris humphrey and charles weidman
fourth position
vaganova method
11. He was a broadway/hollywood hoofer and actor who ushered in the tap revival of the 1980s
master juba lane
developpe
pelvic thrusts
gregory hines
12. He established the horton technique and was a longtime partner of bell lewitzky
tendu
lester horton
slash
jazz
13. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
tendu
third position
master juba lane
doris humphrey
14. The size of the movement is increased or decreased
ted shawn
shape
matt mattox
augmentation/diminution
15. Tendonitis is typically caused by
overuse of a tendon
Giselle
isolated movement
Mikhail Fokine
16. Circle of the leg - tracing a half circle upon the ground using the toes
dynamics
press
rond de jambe
kinesphere
17. He is the father of ballet in American and the founder of the NY city Ballet
improve muscle strength
unity
George Balanchine
savion glover
18. This award winning choreographer and musical director of cabaret - sweet charity - and all that jazz created the fosse technique
doris humphrey
bob fosse
locomotion
grand allegro
19. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
force/energy
twyla tharp
Beauchamps & Noverre
ball and socket joint
20. He established the first ballet school in France in the 1600s
jazz hands
King Louis XIV
Marius Petipa
transition
21. Which of the following two muscles are used for flexion in dance?
martha graham
biceps brachii - biceps femoris
ideokinesis
tap dance
22. Celebrated teacher of jazz technique
matt mattox
flexion and extension
space
transition
23. A piece of choreography that lacks flow could be improved by the addition of
movement of the arms
charles weidman
vertically
transitions
24. Large jumps or leaps Which move the dancer across the floor - such as grandes jetes or tours jetes
jack cole
grand allegro
ideokinesis
twyla tharp
25. In Laban Movement Analysis the space in which a dancer's body is moving is called the
kinesphere
coordinating lighting and sound cues
repetition
gus giordano
26. This denishawn student - legendary dancer - and choreographer developed the graham technique
martha graham
harold and fayard nicholas
instrumentation
cholly atkins and coles
27. A particular kind or style of dance - such as - ballet - jazz - modern - folk - tap - hip-hop - etc.
endomorph
Diaghilev
martha graham
genre
28. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
kinesthetic awareness
George Balanchine
master juba lane
tempo
29. Tap dancers that are part of the jazz musical tradition such as bill bojangles robinson - sammy davis jr. - gregory hines and savion glover
master juba lane
gregory hines
degage
rhythm tap
30. Combination: sudden time/direct space/strong weight
erick hawkins
punch
Luigi
dynamics
31. Modern dance technique that appears in the lateral T shape his dancers assume - a one-leg balance with the torso tilted off-center and the other leg extended to the side in a counterbalance
Butoh
free dance
lester horton
press
32. Basic movements or short sequences are manipulated to create new but related movements
motif and development
Kinesthetics
Marius Petipa
Principles of composition
33. A form of physical movement progressing from one place to another. Walking - running - grapevine - galloping - leaping - jumping - hopping - skipping - sliding - etc.
incorporation
locomotion
the changement and the sautes
time
34. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
social dance
Marius Petipa
projection
fragmentation
35. Forward brush followed by a touch
slap
accumulation
cecchetti method
unity
36. Feet: separated shoulder width third position arms: arm corresponding with front foot in front of the torso as in first position - arm corresponding with back foot overhead as in fifth position
endomorph
work
cumulative canons
fourth position
37. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
grand allegro
George Balanchine
matt mattox
flexion and extension
38. A position of the body in space - such as curved - straight - angular - twisted - symmetrical - asymmetrical - etc.
shape
feldenkrais
modern
master juba lane
39. They were the progenitors of modern dance
body knowledge
loie fuller and isadora duncan
katherine dunham
coordinating lighting and sound cues
40. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
tableau
unison
instrumentation
ideokinesis
41. Rounded body type.
ectomorph
time
ball and socket joint
flick
42. These denishawn students produced the first modern dance performance and established the humphrey technique
head whip
at the front
doris humphrey and charles weidman
rhythm
43. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
fred astaire and ginger rogers
cumulative canons
modern dance
gregory hines
44. These include pirouette and fouette turns - in which the dancer remains in one place on the floor
turns at center
extension
shape
jazz
45. The movement is speeded up or slowed down
step
tempo acceleration/deceleration
snap
shape
46. To extend or stretch - pointing the toes
ball change
unison
tendu
tempo
47. Multiple performers perform the movement in the same way at the same time
endomorph
bob fosse
melody
unison
48. He is a new generation broadway/hollywood tap and hip hop dancer and choreographer
partnering/group skills
flap
savion glover
balance
49. Combination: sudden time/indirect space/light weight
Nijinsky
adduction
matt mattox
flick
50. Placing the ball of the foot on the floor with a weight change
step
kinesphere
motif and development
ball and socket joint