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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. He is the father of ballet in American and the founder of the NY city Ballet
Diaghilev
George Balanchine
jump
Direction
2. Asking students to research a non-western culture and perform a dance from that culture is an example of an _____ approach to learning
a contact improvisation exercise
interdisciplinary
cumulative canons
improvisation
3. Placing the entire foot on the floor without a weight change
bob fosse
economic development
line dancing
stomp
4. Succession of tones set to a particular rhythm that serves as the voice in music
flexion
rotation
melody
time
5. Slow sustained movements that often incorporate developpes and balances such as penches
choreography
at the front
the changement and the sautes
adagio
6. What is the meter in the waltz
step
ideokinesis
3/4
genre
7. Phrasing may be determined by all but which of the following
abduction
lester horton
cumulative canons
space
8. This denishawn dancer and broadway choreographer invented theater dance
inversion
jack cole
charles weidman
action/reaction
9. To strike - striking the floor with the foot in a brushing movement
3/4
modern dance
rhythm
frappe
10. Movement anchored to one spot by a pody part. Only the available space in any direction is used while the initial body contact is being maintained. Movement is organized around the axis of the body and is not designed to travel from one location to a
extension of the working leg
head whip
transverse horizontal plane
axial movement
11. Nonliteral choreography may have all but which of the following goals
pelvic thrusts
telling a traditional story
contrast
instrumentation
12. In Laban Movement Analysis the space in which a dancer's body is moving is called the
ballet
float
kinesphere
weight
13. He was the co-founder of denishawn and the founder of jacob's pillow dance festival
ted shawn
ruth st. denis
wring
slash
14. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
syncopation
matt mattox
pathways
action/reaction
15. Combination: sustained time/indirect space/strong weight
rhythm
vertically
pilates
wring
16. Modern jazz style that is an exploratory style. mixes in ballet
time
gus giordano
kinesphere
erick hawkins
17. This duo became famous in the 1940s along with cab calloway they were part of the big band circuit - and they performed in hollywood
cholly atkins and coles
flexion
rhythm tap
rond de jambe
18. Large jumps or leaps Which move the dancer across the floor - such as grandes jetes or tours jetes
jerome robbins
grand allegro
flow
master juba lane
19. A piece of choreography or dance
charles weidman
toe
cumulative canons
work
20. In order to improve student's kinesthetic awareness and originality - a teacher might assign
a contact improvisation exercise
charles weidman
endomorph
hyperextension
21. The intentional quality of the path taken by a body part or a body through space during a movement. direct or indirect
bob fosse
Direction
flexion and extension
space
22. Combination: sustained time/direct space/strong weight
gus giordano
rond de jambe
press
inversion
23. Early modern dance composition - such as that of martha graham - was characterized by which of the following forms?
gregory hines
narrative
flexion
genre
24. In order to develop a dancer's endurance for a long performance - a teacher would recommend
extension of the working leg
aerobic exercise
axial movement
jazz
25. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
force/energy
aerobic exercise
brush/scuff
gregory hines
26. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
extension of the working leg
a contact improvisation exercise
modern
twyla tharp
27. The movement is performed backwards
meter
repetition
retrograde
matt mattox
28. Basic movements or short sequences are manipulated to create new but related movements
rond de jambe
rotation
motif and development
Nijinsky
29. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
simultaneous canons
stamp
modern dance
gus giordano
30. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
gus giordano
press
kinesthetic awareness
flick
31. A particular kind or style of dance - such as - ballet - jazz - modern - folk - tap - hip-hop - etc.
rotation
tableau
genre
charles weidman
32. These denishawn students produced the first modern dance performance and established the humphrey technique
doris humphrey and charles weidman
motif and development
sammy davis jr
degage
33. Combination: sudden time/direct space/light weight
punch
assessing complex assignments
dab
turns from corner
34. A structure of movement patterns in time; the pattern produced by emphasis and duration of notes in music.
syncopation
rhythm
hinge
first position
35. Which of the following dance steps is most advanced? plie - degage - entrechat - tendu
frappe
lester horton
rhythm
entrechat
36. Kazua ohno and tatsumi hijikata developed
Butoh
coordinating lighting and sound cues
motif and development
rhythm
37. A choreographer asks four dancers to perform different movements simultaneously. This is called a
jazz hands
Butoh
tableau
augmentation/diminution
38. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
variety
contrast
stomp
stamp
39. Modern dance technique style that explores fall and recovery
first position
fourth position
doris humphrey
sagittal plane
40. Similar to the principles of visual art. Refers to the presence of unity - continuity (transitions) and variety (contrasts and repitition-patterns) in the choreography
Principles of composition
polyrhythm
tempo
abduction
41. This broadway and hollywood performer and choreographer introduced African and caribbean dance styles
katherine dunham
ballet
Diaghilev
slap
42. Feet: separated shoulder width third position arms: arm corresponding with front foot in front of the torso as in first position - arm corresponding with back foot overhead as in fifth position
petit allegro
brush/scuff
fred astaire and ginger rogers
fourth position
43. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
variety
Principles of composition
ballet
pelvic thrusts
44. To disengage - brushing foot thru tendu to slightly leave the ground
degage
gene kelly
stamp
plie
45. A state of equilibrium referring to the balance of weight or the spatial arrangement of bodies.
balance
bill bojangles robinson
Principles of composition
George Balanchine
46. Sturdy body with strong dense musculature - lack of flexibility
mesomorph
ted shawn
glide
Butoh
47. Striking the floor with the tip of the foot - with or without a weight change
aerobic exercise
toe
flexion and extension
inversion
48. In Laban's theory of effort (sometimes called movement dynamics) - which of the following qualities is not a dimension of effort?
Direction
retrograde
syncopation
merce cunningham
49. Modern dance technique that involves a dramatic contraction and release - emphasizes weight moving into the floor and a spiral image for off-center or off-balance movement
3/4
martha graham
master juba lane
time
50. More is added to the original movement
ideokinesis
accumulation
jack cole
at the front