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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Energy of movement expressed in varying intensities - accent and quality
transition
promenade - turns - lifts - leaps
dynamics
Diaghilev
2. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
a contact improvisation exercise
transverse horizontal plane
syncopation
adductor magnus
3. A piece of choreography that lacks flow could be improved by the addition of
work
transitions
bob fosse
flick
4. Stretching of the foot along the floor - away from the standing leg
instrumentation
motif and development
tendu
action/reaction
5. Tap dancers that focus on design and dance aspect of tapping such as fred astaire - gene kelly and ann miller
broadway or show tap
matt mattox
Luigi
partnering/group skills
6. Awareness of one's body and its possibilities - capabilities and limitations
matt mattox
body knowledge
time
touch
7. He was the first African american dancer to play to white audiences
pirouette
line dancing
master juba lane
vertically
8. This is the dynamic hitting of a positions
ted shawn
alexander technique
snap
reverance
9. Small - quick jumps in place such as changements - temps leves - and assembles
unison
unison
flap
petit allegro
10. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
flexion and extension
dynamics
gregory hines
hyperextension
11. This denishawn dancer and broadway choreographer invented theater dance
jack cole
erick hawkins
jazz
tendu
12. What is the meter in the waltz
entrechat
sagittal plane
3/4
overuse of a tendon
13. Which of the following societal changes has probably had the least impact on the variety of dance styles that are performed in the US today?
economic development
charles weidman
ann miller
stamp
14. Placing the ball of the foot on the floor without a weight change
time
pirouette
touch
choreography
15. This hollywood jazz and tap dancer popularized the practice of wearing pantyhose in place of stockings
ann miller
gregory hines
tempo
hyperextension
16. Similar to the principles of visual art. Refers to the presence of unity - continuity (transitions) and variety (contrasts and repitition-patterns) in the choreography
merce cunningham
Principles of composition
reverance
aerobic exercise
17. The action of turning a ball-and-socket joint; circular movement around a central axis
rotation
george balanchine
slash
glide
18. Widespread hand posture where the fingers are extended strongly outward from the palm
kinesthetic awareness
body knowledge
action/reaction
jazz hands
19. Combination: sustained time/indirect space/strong weight
jazz hands
bob fosse
wring
loie fuller and isadora duncan
20. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
hyperextension
George Balanchine
dynamics
ectomorph
21. Basic movements or short sequences are manipulated to create new but related movements
King Louis XIV
shape
motif and development
ballet
22. Nonliteral choreography may have all but which of the following goals
pilates
gus giordano
telling a traditional story
repetition
23. Feet heels touching toes turned out arms: both arms held in front of the torso hands at waist level
frappe
first position
space
second position
24. He was the co-founder of denishawn and the founder of jacob's pillow dance festival
balance
ted shawn
third position
improve muscle strength
25. Tap dancers that are part of the jazz musical tradition such as bill bojangles robinson - sammy davis jr. - gregory hines and savion glover
flap
angular oppositions
rhythm tap
choreography
26. Combination: sustained time/direct space/strong weight
unison
fragmentation
tap dance
press
27. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
syncopation
kinesthetic awareness
rhythm
dab
28. Dance movemnt that takes place at the same time across the whole group of dancers
balance
unison
pilates
flexion
29. Rounded body type.
ectomorph
ballet
Mikhail Fokine
projection
30. Succession of tones set to a particular rhythm that serves as the voice in music
unity
vertically
angular oppositions
melody
31. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
toe
head whip
Luigi
space
32. He was a star dancer with and controversial choerographer for Ballets Russes
Nijinsky
Bob Fosse
pelvic thrusts
work
33. In order to relieve muscle tension - a dancer might engage in all but which of the following practices
cholly atkins and coles
unity
telling a traditional story
pilates
34. This award winning choreographer and musical director of cabaret - sweet charity - and all that jazz created the fosse technique
motif and development
twyla tharp
ted shawn
bob fosse
35. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
Diaghilev
variety
movement of the arms
ball and socket joint
36. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
polyrhythm
paul taylor
promenade - turns - lifts - leaps
second position
37. Forward brush followed by a backward brush
shuffle
adagio
Nijinsky
improve muscle strength
38. He was the choreographer for Ballets Russes
telling a traditional story
pathways
axial movement
Mikhail Fokine
39. Combination: sudden time/indirect space/strong weight
press
slash
at the front
ball change
40. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
Kinesthetics
frontal plane
turns from corner
transverse horizontal plane
41. A form of physical movement progressing from one place to another. Walking - running - grapevine - galloping - leaping - jumping - hopping - skipping - sliding - etc.
flow
Butoh
sammy davis jr
locomotion
42. Combination: sudden time/direct space/strong weight
punch
touch
ectomorph
doris humphrey and charles weidman
43. Which of the following ballets used music not composed by Tchaikovsky
punch
developpe
Giselle
unison
44. Two steps in sequence - one on each foot; the first step gets less weight than the second
ball change
George Balanchine
fifth position
flick
45. The hip joint is a
ball and socket joint
flexion
projection
retrograde
46. Combination: sustained time/indirect space/lightweight
partnering/group skills
float
lester horton
George Balanchine
47. A state of equilibrium referring to the balance of weight or the spatial arrangement of bodies.
canon
Bob Fosse
balance
doris humphrey and charles weidman
48. The original movement is the question and the new movement is the answer
choreography
flick
action/reaction
tempo
49. Movement created spontaneously - which ranges from freeform to highly structured environments - always including an element of chance.
telling a traditional story
coordinating lighting and sound cues
improvisation
in all directions
50. Multiple performers perform a movement in succession
sagittal plane
jerome robbins
canon
in all directions