SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Forward brush followed by a backward brush
shuffle
hinge
ideokinesis
action/reaction
2. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
bill bojangles robinson
locomotion
repetition
melody
3. Movement executed with one body part or a small part of the body. Examples are rooling the head - shruggung the shoulders and rotating the pelvis.
gene kelly
glide
Diaghilev
isolated movement
4. Of the following types of social dance listed below - which does not involve partnering?
Diaghilev
line dancing
Marius Petipa
gus giordano
5. Refers to simple - multiple - and different rhythm patterns played at the same time.
bill bojangles robinson
polyrhythm
economic development
plie
6. In Laban Movement Analysis the space in which a dancer's body is moving is called the
kinesphere
martha graham
cramp roll
tendu
7. Modern dance technique that transformed everyday movement in to the absurd or dramatic
rhythm tap
dynamics
tempo
charles weidman
8. In jazz dance - bending backward from the knees while maintaining a straight torso is called a
endomorph
simultaneous canons
master juba lane
hinge
9. He established the horton technique and was a longtime partner of bell lewitzky
ideokinesis
lester horton
flexion and extension
choreography
10. Is the degree of the force of body weight introduced into a movement
weight
glide
erick hawkins
Luigi
11. Basic movements or short sequences are manipulated to create new but related movements
Diaghilev
merce cunningham
motif and development
loie fuller and isadora duncan
12. She was a hollywood dancer who appeared in 42nd street and other films
adductor magnus
master juba lane
ruby keeler
reverance
13. This celebrated teacher founded the jazz dance world congress
gus giordano
lester horton
syncopation
loie fuller and isadora duncan
14. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
eversion
sammy davis jr
jump
pathways
15. Feet heels touching toes turned out arms: both arms held in front of the torso hands at waist level
jack cole
transition
first position
reverance
16. Feet: separated shoulder width third position arms: arm corresponding with front foot in front of the torso as in first position - arm corresponding with back foot overhead as in fifth position
fourth position
Principles of composition
modern dance
gene kelly
17. Bending and straightening the knees
tempo acceleration/deceleration
tempo
plie
broadway or show tap
18. Movement created spontaneously - which ranges from freeform to highly structured environments - always including an element of chance.
improvisation
glide
tap
improve muscle strength
19. The action of bending a joint or the action of decreasing the angle between two levers
tendu
flexion
tempo
vertically
20. Based on laban movement analysis - this practice encourages a deepened awareness of the connections between mind - body - movement - and internal and external environments to enhance mobility and function
step
Luigi
bill bojangles robinson
bartenieff fundamentals
21. A piece of choreography that lacks flow could be improved by the addition of
telling a traditional story
transitions
adagio
time
22. Runs vertically from the front to the back of an upright standing body the wheel plane
promenade - turns - lifts - leaps
biceps brachii - biceps femoris
sagittal plane
slap
23. A particular kind or style of dance - such as - ballet - jazz - modern - folk - tap - hip-hop - etc.
gus giordano
genre
kinesphere
brush/scuff
24. He was the co-founder of denishawn and the founder of jacob's pillow dance festival
merce cunningham
ted shawn
modern
gregory hines
25. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
dab
kinesthetic awareness
angular oppositions
cumulative canons
26. Intersects an upright standing body horizontally the table plane
savion glover
unison
transverse horizontal plane
a contact improvisation exercise
27. Placing the ball of the foot on the floor with a weight change
coordinating lighting and sound cues
first position
step
free dance
28. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
tempo acceleration/deceleration
rhythm
frontal plane
retrograde
29. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
gregory hines
broadway or show tap
modern dance
Luigi
30. Leaving the ground and landing on the same foot
hop
extension of the working leg
katherine dunham
telling a traditional story
31. Modern jazz style that is an exploratory style. mixes in ballet
interdisciplinary
isolated movement
force/energy
gus giordano
32. The sagittal plane divides the body
vertically
Butoh
melody
3/4
33. These hollywood partners were famous for appearing in films that featured their supernaturally smooth ballroom and tap styles
cholly atkins
time
fred astaire and ginger rogers
space
34. Defined specifically as the volume at Which musical notes are played.
matt mattox
aerobic exercise
press
dynamics
35. If a ballet step such as grand battement is performed en croix - this means
action/reaction
flexion and extension
in all directions
incorporation
36. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
narrative
slash
force/energy
jump
37. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
harold and fayard nicholas
kinesthetic awareness
hop
a contact improvisation exercise
38. They codified many standard ballet rules still used today
vaganova method
Beauchamps & Noverre
telling a traditional story
Kinesthetics
39. This denishawn student - legendary dancer - and choreographer developed the graham technique
jump
martha graham
weight
balance
40. Dance performed in a social setting; traditionally referred to as ballroom - but includes all popular social dances performed with or without partners
social dance
tap
overuse of a tendon
vaganova method
41. To extend or stretch - pointing the toes
tendu
tempo acceleration/deceleration
economic development
social dance
42. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
ideokinesis
fred astaire and ginger rogers
flexion and extension
variety
43. Energy of movement expressed in varying intensities - accent and quality
retrograde
plie
dynamics
adduction
44. These brothers were famous in vaudeville - on the jazz circuit and in hollywood for their daring acrobatic style
cramp roll
harold and fayard nicholas
canon
adductor magnus
45. This legendary tap dance partner of charles hone coles also worked as a choreographer for artists with the motown record label
cholly atkins
ruth st. denis
charles weidman
katherine dunham
46. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
martha graham
alexander technique
accumulation
dynamics
47. He was a broadway and hollywood tap and jazz dancer - as well as a movie star
tap
transitions
augmentation/diminution
gene kelly
48. The original movement is the question and the new movement is the answer
alexander technique
action/reaction
rhythm
harold and fayard nicholas
49. Part of a movement is performed
cramp roll
fourth position
fragmentation
tempo
50. The founder of the modern classical method of ballet
biceps brachii - biceps femoris
line dancing
tempo
george balanchine