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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Which of the following men is known for pioneering tap dance as a young man living in the Five Points neighborhood of NY city
master juba lane
step
rhythm tap
kinesthetic awareness
2. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
kinesthetic awareness
Luigi
george balanchine
shuffle
3. The speed of the music or dance
matt mattox
alexander technique
third position
tempo
4. Multiple performers perform the movement in the same way at the same time
unison
pelvic thrusts
slap
jazz
5. Late modern dance technique developed through an effortless free flow technique that released tension in the body through an emphasis on weight - placement - impulse - immediacy and movement dynamics
hyperextension
pathways
martha graham
erick hawkins
6. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
flick
adagio
ideokinesis
pathways
7. The jazz dance choreography in the musical theater classics Chicago and Cabaret is the work of
George Balanchine
tendu
melody
Bob Fosse
8. He was a celebrated choreographer and the first male dance for the graham company
pilates
erick hawkins
flexion
stomp
9. A state of equilibrium referring to the balance of weight or the spatial arrangement of bodies.
extension of the working leg
coordinating lighting and sound cues
balance
slash
10. Which of the following two muscles are used for flexion in dance?
twyla tharp
erick hawkins
biceps brachii - biceps femoris
Marius Petipa
11. The pelvis is pressed forcefully forward
the changement and the sautes
pelvic thrusts
3/4
broadway or show tap
12. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
katherine dunham
ideokinesis
narrative
tap
13. Combination: sustained time/direct space/light weight
glide
syncopation
stamp
jerome robbins
14. Asking students to research a non-western culture and perform a dance from that culture is an example of an _____ approach to learning
bill bojangles robinson
tempo
glide
interdisciplinary
15. Refers to simple - multiple - and different rhythm patterns played at the same time.
eversion
touch
polyrhythm
Catherine de Medici
16. Of the following types of social dance listed below - which does not involve partnering?
George Balanchine
space
flow
line dancing
17. A type of dance that concentrates of footwork and rhythm. This type of dance grew out of American popular dancing - with significant roots in African American - Irish and english clogging traditions.
unity
fourth position
tap dance
turns from corner
18. This denishawn student - legendary dancer - and choreographer developed the graham technique
Nijinsky
folk/traditional
modern dance
martha graham
19. Basic movements or short sequences are manipulated to create new but related movements
Giselle
motif and development
martha graham
snap
20. He established the first ballet school in France in the 1600s
coordinating lighting and sound cues
adagio
improve muscle strength
King Louis XIV
21. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
melody
cumulative canons
turns at center
frontal plane
22. Combination: sudden time/direct space/light weight
balance
martha graham
unison
dab
23. The original french form of classical ballet from Russia
petit allegro
isolated movement
katherine dunham
vaganova method
24. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
ideokinesis
adagio
third position
twyla tharp
25. Rounded body type.
ectomorph
pathways
Kinesthetics
charles weidman
26. He was the founder of Ballets Russes
partnering/group skills
axial movement
Diaghilev
eversion
27. The term 'port des bras' refers to
ruby keeler
isolated movement
angular oppositions
movement of the arms
28. To extend or stretch - pointing the toes
rotation
tendu
loie fuller and isadora duncan
pilates
29. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
Nijinsky
head whip
bill bojangles robinson
a contact improvisation exercise
30. This is a repeated grouping of accented beats
matt mattox
head whip
George Balanchine
meter
31. An element of dance that refers to the immediate spherical space surrounding the body in all directions. Use of space includes shape - direction - pathway - range of movement and level of movment(Low - middle - high).
space
folk/traditional
head whip
action/reaction
32. Forward brush followed by a step
Marius Petipa
cramp roll
gus giordano
flap
33. Forward brush followed by a backward brush
balance
toe
degage
shuffle
34. Part of a movement is performed
genre
punch
entrechat
fragmentation
35. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
ted shawn
Butoh
extension
head whip
36. Modern dance technique that transformed everyday movement in to the absurd or dramatic
charles weidman
improving flexibility
King Louis XIV
rotation
37. Defined specifically as the volume at Which musical notes are played.
ballet
dynamics
cholly atkins
jazz dance
38. This broadway and hollywood performer and choreographer introduced African and caribbean dance styles
katherine dunham
bill bojangles robinson
abduction
martha graham
39. Combination: sustained time/indirect space/strong weight
stamp
erick hawkins
fourth position
wring
40. These denishawn students produced the first modern dance performance and established the humphrey technique
third position
doris humphrey and charles weidman
kinesphere
Mikhail Fokine
41. A form of physical movement progressing from one place to another. Walking - running - grapevine - galloping - leaping - jumping - hopping - skipping - sliding - etc.
master juba lane
simultaneous canons
George Balanchine
locomotion
42. The hip joint is a
ruby keeler
ball and socket joint
ted shawn
vertically
43. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
brush/scuff
head whip
3/4
choreography
44. Lightly striking the floor in an outward sweeping motion (brush with ball - scuff with heel)
brush/scuff
doris humphrey
kinesphere
eversion
45. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
jump
cumulative canons
instrumentation
improving flexibility
46. Placing the ball of the foot on the floor without a weight change
brush/scuff
touch
partnering/group skills
syncopation
47. If a ballet step such as grand battement is performed en croix - this means
matt mattox
pathways
action/reaction
in all directions
48. Feet heels touching toes turned out arms: both arms held in front of the torso hands at waist level
balance
first position
body knowledge
toe
49. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
fifth position
entrechat
second position
jazz
50. If one were to eliminate the jumping elements from the combination which steps would be eliminated
mesomorph
savion glover
the changement and the sautes
lester horton