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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. They codified many standard ballet rules still used today
Beauchamps & Noverre
movement of the arms
Butoh
doris humphrey and charles weidman
2. Outward rotation; turning a limb outward - toward the back of the body
eversion
stamp
erick hawkins
paul taylor
3. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
developpe
choreography
doris humphrey
plie
4. Small - quick jumps in place such as changements - temps leves - and assembles
flap
erick hawkins
petit allegro
gus giordano
5. The pelvis is pressed forcefully forward
motif and development
pelvic thrusts
developpe
a contact improvisation exercise
6. Movement executed with one body part or a small part of the body. Examples are rooling the head - shruggung the shoulders and rotating the pelvis.
transverse horizontal plane
developpe
ball and socket joint
isolated movement
7. Celebrated teacher of jazz technique
matt mattox
ball and socket joint
third position
shuffle
8. Two steps in sequence - one on each foot; the first step gets less weight than the second
sagittal plane
stamp
frontal plane
ball change
9. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
turns from corner
genre
kinesthetic awareness
action/reaction
10. In Laban's theory of effort (sometimes called movement dynamics) - which of the following qualities is not a dimension of effort?
Direction
master juba lane
pilates
pathways
11. To strike - striking the floor with the foot in a brushing movement
adduction
Beauchamps & Noverre
shape
frappe
12. This is the dynamic hitting of a positions
ruby keeler
head whip
slash
snap
13. This legendary tap dance partner of charles hone coles also worked as a choreographer for artists with the motown record label
simultaneous canons
paul taylor
Kinesthetics
cholly atkins
14. The action of bending a joint or the action of decreasing the angle between two levers
flexion
vaganova method
ball and socket joint
tap
15. Defined specifically as the volume at Which musical notes are played.
dynamics
tap
space
genre
16. The degree of ease or continuousness of a movement from initiation to completion
ann miller
reverance
flow
variety
17. Striking the floor with the tip of the foot - with or without a weight change
projection
toe
contrast
gus giordano
18. They were the progenitors of modern dance
loie fuller and isadora duncan
Giselle
ectomorph
plie
19. Inward rotation; turning a limb inward - toward the front of the body
unison
inversion
sammy davis jr
Kinesthetics
20. Asking students to research a non-western culture and perform a dance from that culture is an example of an _____ approach to learning
twyla tharp
body knowledge
flexion and extension
interdisciplinary
21. Sturdy body with strong dense musculature - lack of flexibility
bob fosse
mesomorph
transverse horizontal plane
3/4
22. Movements are repeated
plie
weight
repetition
cecchetti method
23. Which of the following is typically not a goal of ideokinesis
erick hawkins
polyrhythm
improving flexibility
loie fuller and isadora duncan
24. The action of turning a ball-and-socket joint; circular movement around a central axis
merce cunningham
rotation
partnering/group skills
extension of the working leg
25. Placing the entire foot on the floor without a weight change
stomp
rotation
melody
interdisciplinary
26. Placing the ball of the foot on the floor without a weight change
degage
retrograde
touch
paul taylor
27. This is the speed at Which music is played.
tempo
Luigi
tempo acceleration/deceleration
Principles of composition
28. Part of a movement is performed
matt mattox
space
charles weidman
fragmentation
29. Modern dance technique that involves a dramatic contraction and release - emphasizes weight moving into the floor and a spiral image for off-center or off-balance movement
jerome robbins
martha graham
instrumentation
ectomorph
30. He established the horton technique and was a longtime partner of bell lewitzky
pilates
fred astaire and ginger rogers
gus giordano
lester horton
31. Movement of a limb toward the midline of the body
isolated movement
adductor magnus
adduction
frontal plane
32. Reach space or personal space.
dynamics
kinesphere
choreography
flexion
33. If a ballet step such as grand battement is performed en croix - this means
force/energy
George Balanchine
in all directions
erick hawkins
34. Is the degree of the force of body weight introduced into a movement
weight
social dance
a contact improvisation exercise
lester horton
35. Loie Fuller - Isadora Duncan - Ruth St. Denis developed what kind of dance
master juba lane
promenade - turns - lifts - leaps
modern
a contact improvisation exercise
36. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
variety
force/energy
flow
ballet
37. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
martha graham
sagittal plane
variety
ruth st. denis
38. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
rotation
alexander technique
contrast
kinesphere
39. In Laban Movement Analysis the space in which a dancer's body is moving is called the
jazz dance
kinesphere
folk/traditional
hyperextension
40. A state of equilibrium referring to the balance of weight or the spatial arrangement of bodies.
balance
stomp
jazz dance
developpe
41. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
unison
adductor magnus
lester horton
frontal plane
42. Nonliteral choreography may have all but which of the following goals
work
hyperextension
george balanchine
telling a traditional story
43. These include pique - chaine - and similar turns that move the dancer across the floor
kinesthetic awareness
tendu
turns from corner
harold and fayard nicholas
44. The hip joint is a
fifth position
ball and socket joint
bartenieff fundamentals
slap
45. Tap dancers that focus on design and dance aspect of tapping such as fred astaire - gene kelly and ann miller
tempo
broadway or show tap
merce cunningham
stamp
46. Combination: sustained time/indirect space/lightweight
force/energy
flick
float
extension of the working leg
47. A piece of choreography that lacks flow could be improved by the addition of
economic development
transitions
gregory hines
ruth st. denis
48. He was the first African american dancer to play to white audiences
master juba lane
augmentation/diminution
doris humphrey and charles weidman
rhythm
49. A form of physical movement progressing from one place to another. Walking - running - grapevine - galloping - leaping - jumping - hopping - skipping - sliding - etc.
locomotion
jump
fragmentation
meter
50. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
twyla tharp
abduction
inversion
fred astaire and ginger rogers