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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. He was a broadway and hollywood tap and jazz dancer - as well as a movie star
cumulative canons
pilates
gene kelly
pirouette
2. This is the dynamic hitting of a positions
Principles of composition
plie
rhythm
snap
3. Combination: sudden time/direct space/strong weight
punch
cumulative canons
glide
first position
4. This duo became famous in the 1940s along with cab calloway they were part of the big band circuit - and they performed in hollywood
cholly atkins and coles
flap
rotation
space
5. Celebrated teacher of jazz technique
axial movement
matt mattox
line dancing
broadway or show tap
6. Placing the entire foot on the floor without a weight change
shuffle
repetition
stomp
jazz dance
7. Runs vertically from the front to the back of an upright standing body the wheel plane
tendu
sagittal plane
gene kelly
master juba lane
8. Tap dance is known for making heavy use of which of the following types of rhythm?
turns from corner
martha graham
narrative
syncopation
9. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
charles weidman
dynamics
cholly atkins and coles
hyperextension
10. Which of the following is typically not a goal of ideokinesis
improving flexibility
in all directions
George Balanchine
shape
11. Leaving the ground and landing on the other foot
transverse horizontal plane
erick hawkins
jump
jazz
12. The action of turning a ball-and-socket joint; circular movement around a central axis
tendu
press
rotation
jump
13. Late modern dance technique that created dances without any attached historical - cultural or philosophical meanings
merce cunningham
promenade - turns - lifts - leaps
turns at center
rond de jambe
14. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
kinesthetic awareness
vertically
merce cunningham
promenade - turns - lifts - leaps
15. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
matt mattox
flexion and extension
slash
time
16. Dance marked by movement isolations and complex polyrhythms found in African American music such as - ragtime - jazz - spirituals - blues - work songs and is considered and American style of dance.
third position
cholly atkins
jazz dance
time
17. In order to relieve muscle tension - a dancer might engage in all but which of the following practices
modern
inversion
extension
pilates
18. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
head whip
improve muscle strength
turns at center
Mikhail Fokine
19. A piece of choreography that lacks flow could be improved by the addition of
Catherine de Medici
transitions
charles weidman
kinesphere
20. If a ballet step such as grand battement is performed en croix - this means
glide
bob fosse
tableau
in all directions
21. Late modern dance technique that draws from everyday gestures and movements such as sitting - crawling - rolling - walking - and running.
rotation
frontal plane
paul taylor
contrast
22. This is the speed at Which music is played.
tempo
3/4
syncopation
dynamics
23. Part of a movement is performed
charles weidman
dab
incorporation
fragmentation
24. Tap dancers that are part of the jazz musical tradition such as bill bojangles robinson - sammy davis jr. - gregory hines and savion glover
flexion and extension
transitions
harold and fayard nicholas
rhythm tap
25. They were the progenitors of modern dance
overuse of a tendon
simultaneous canons
loie fuller and isadora duncan
pelvic thrusts
26. The term 'port des bras' refers to
pilates
Mikhail Fokine
movement of the arms
force/energy
27. He was a star dancer with and controversial choerographer for Ballets Russes
jump
stomp
tempo acceleration/deceleration
Nijinsky
28. Intersects an upright standing body horizontally the table plane
George Balanchine
transverse horizontal plane
folk/traditional
Giselle
29. The action of straightening a joint or the action of increasing the angle between tow levers
snap
social dance
flap
extension
30. The movement is speeded up or slowed down
modern dance
tempo acceleration/deceleration
Luigi
tap dance
31. This practice employs repetitive motions derived from fundamental gestures and natural movements to increase awareness of habitual movement patterns and release tension left over from old injuries and habits in order to expand range of motion in the
twyla tharp
feldenkrais
coordinating lighting and sound cues
pirouette
32. He was the choreographer for Ballets Russes
melody
accumulation
lester horton
Mikhail Fokine
33. In Laban Movement Analysis the space in which a dancer's body is moving is called the
katherine dunham
transition
the changement and the sautes
kinesphere
34. Lightly striking the floor in an outward sweeping motion (brush with ball - scuff with heel)
action/reaction
brush/scuff
harold and fayard nicholas
modern dance
35. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
ideokinesis
work
ectomorph
george balanchine
36. Of the following types of social dance listed below - which does not involve partnering?
overuse of a tendon
dynamics
line dancing
a contact improvisation exercise
37. A position of the body in space - such as curved - straight - angular - twisted - symmetrical - asymmetrical - etc.
repetition
slash
shape
cramp roll
38. Combination: sustained time/direct space/strong weight
eversion
pirouette
press
master juba lane
39. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
pathways
adagio
merce cunningham
slash
40. This hollywood jazz and tap dancer popularized the practice of wearing pantyhose in place of stockings
doris humphrey
bartenieff fundamentals
ann miller
improving flexibility
41. Feet: separated shoulder width third position arms: arm corresponding with front foot in front of the torso as in first position - arm corresponding with back foot overhead as in fifth position
hyperextension
dynamics
petit allegro
fourth position
42. The founder of the modern classical method of ballet
george balanchine
Direction
partnering/group skills
master juba lane
43. Four main movements in the pas de deux
retrograde
promenade - turns - lifts - leaps
ballet
master juba lane
44. This is a repeating pattern of stressed and unstressed beats in a piece of music
gus giordano
pirouette
line dancing
rhythm
45. Which of the following two muscles are used for flexion in dance?
plie
cramp roll
biceps brachii - biceps femoris
erick hawkins
46. He was the first African american dancer to play to white audiences
master juba lane
flow
adductor magnus
turns at center
47. She was the co-founder of denishawn - the first modern dance school
sagittal plane
paul taylor
ruth st. denis
fragmentation
48. Tap dancers that focus on design and dance aspect of tapping such as fred astaire - gene kelly and ann miller
unison
broadway or show tap
unity
augmentation/diminution
49. Which of the following ballets used music not composed by Tchaikovsky
hyperextension
Giselle
aerobic exercise
shuffle
50. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
second position
overuse of a tendon
flexion and extension
harold and fayard nicholas