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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lightly striking the floor in an outward sweeping motion (brush with ball - scuff with heel)
touch
improvisation
brush/scuff
stomp
2. Modern jazz style that emphasizes agility in all areas
doris humphrey and charles weidman
katherine dunham
matt mattox
toe
3. This is the speed at Which music is played.
tempo
in all directions
partnering/group skills
action/reaction
4. Kazua ohno and tatsumi hijikata developed
Butoh
frappe
Nijinsky
sammy davis jr
5. Dance movemnt that takes place at the same time across the whole group of dancers
aerobic exercise
cholly atkins and coles
unity
unison
6. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
sagittal plane
pelvic thrusts
Kinesthetics
time
7. Rubrics are most effective for
entrechat
erick hawkins
Mikhail Fokine
assessing complex assignments
8. When a frappe` is performed - the accent is typically on the
extension of the working leg
at the front
polyrhythm
contrast
9. A movement is made part of another movement
fourth position
adagio
incorporation
unity
10. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
bill bojangles robinson
gus giordano
polyrhythm
stamp
11. For which of the following types of dance is a shoe with a small - soft heel traditionally worn
jump
jazz
ted shawn
promenade - turns - lifts - leaps
12. Where is the apron of the stage located
extension
at the front
press
extension of the working leg
13. Nonliteral choreography may have all but which of the following goals
telling a traditional story
tap dance
bartenieff fundamentals
transitions
14. The size of the movement is increased or decreased
Kinesthetics
tap
augmentation/diminution
cramp roll
15. Refers to the length of time a movement takes - from initiation to completion
tap
stomp
locomotion
time
16. Feet: separated shoulder width third position arms: arm corresponding with front foot in front of the torso as in first position - arm corresponding with back foot overhead as in fifth position
degage
jazz
fifth position
fourth position
17. The action of straightening a joint or the action of increasing the angle between tow levers
ruby keeler
katherine dunham
adagio
extension
18. These hollywood partners were famous for appearing in films that featured their supernaturally smooth ballroom and tap styles
fred astaire and ginger rogers
kinesthetic awareness
step
cholly atkins and coles
19. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
Luigi
frappe
cholly atkins and coles
transitions
20. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
flexion and extension
Principles of composition
Butoh
jack cole
21. Early modern dance composition - such as that of martha graham - was characterized by which of the following forms?
snap
improve muscle strength
jazz hands
narrative
22. Awareness of one's body and its possibilities - capabilities and limitations
space
turns from corner
body knowledge
extension
23. Combination: sustained time/indirect space/lightweight
balance
float
cumulative canons
ball change
24. Skills requiring cooperation -coordination and dependence - including imitation - lead and follow - echo - mirroring and call and response
fourth position
partnering/group skills
assessing complex assignments
coordinating lighting and sound cues
25. He was a legendary avant garde choreographer
unison
Luigi
merce cunningham
ectomorph
26. These include pique - chaine - and similar turns that move the dancer across the floor
turns from corner
overuse of a tendon
Principles of composition
shuffle
27. Forward brush followed by a step
flap
jerome robbins
isolated movement
time
28. Outward rotation; turning a limb outward - toward the back of the body
dab
eversion
master juba lane
King Louis XIV
29. Placing an accent on a normally weak beat
degage
cramp roll
unity
syncopation
30. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
tendu
improve muscle strength
lester horton
force/energy
31. This hollywood jazz and tap dancer popularized the practice of wearing pantyhose in place of stockings
pirouette
coordinating lighting and sound cues
polyrhythm
ann miller
32. The jazz dance choreography in the musical theater classics Chicago and Cabaret is the work of
unity
flexion
Nijinsky
Bob Fosse
33. These denishawn students produced the first modern dance performance and established the humphrey technique
unison
head whip
doris humphrey and charles weidman
dynamics
34. He was a star dancer with and controversial choerographer for Ballets Russes
ball change
plie
jerome robbins
Nijinsky
35. These include pirouette and fouette turns - in which the dancer remains in one place on the floor
body knowledge
sagittal plane
turns at center
overuse of a tendon
36. In order to relieve muscle tension - a dancer might engage in all but which of the following practices
Bob Fosse
transitions
pilates
punch
37. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
adductor magnus
accumulation
pathways
lester horton
38. Late modern dance technique that created dances without any attached historical - cultural or philosophical meanings
merce cunningham
force/energy
matt mattox
syncopation
39. Dance performed in a social setting; traditionally referred to as ballroom - but includes all popular social dances performed with or without partners
improve muscle strength
pirouette
harold and fayard nicholas
social dance
40. Modern jazz style that is an exploratory style. mixes in ballet
aerobic exercise
gus giordano
ball and socket joint
endomorph
41. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
weight
frontal plane
shape
space
42. A form of physical movement progressing from one place to another. Walking - running - grapevine - galloping - leaping - jumping - hopping - skipping - sliding - etc.
tableau
tempo
locomotion
space
43. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
lester horton
fred astaire and ginger rogers
contrast
fifth position
44. Forward brush followed by a touch
martha graham
tempo acceleration/deceleration
touch
slap
45. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
projection
meter
turns at center
fifth position
46. He was a broadway and hollywood tap and jazz dancer - as well as a movie star
cumulative canons
gene kelly
alexander technique
space
47. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
narrative
jazz
folk/traditional
variety
48. Which of the following dance steps is most advanced? plie - degage - entrechat - tendu
dynamics
tap
entrechat
jazz dance
49. A choreographer asks four dancers to perform different movements simultaneously. This is called a
retrograde
rhythm
social dance
tableau
50. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
motif and development
third position
charles weidman
bartenieff fundamentals