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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Two steps in sequence - one on each foot; the first step gets less weight than the second
hinge
improve muscle strength
ball change
martha graham
2. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
promenade - turns - lifts - leaps
telling a traditional story
master juba lane
bill bojangles robinson
3. He established the first ballet school in France in the 1600s
King Louis XIV
canon
brush/scuff
ann miller
4. Similar to the principles of visual art. Refers to the presence of unity - continuity (transitions) and variety (contrasts and repitition-patterns) in the choreography
Principles of composition
narrative
degage
step
5. The movement is speeded up or slowed down
rond de jambe
ruby keeler
tempo acceleration/deceleration
adductor magnus
6. This celebrated teacher founded the jazz dance world congress
alexander technique
gus giordano
cumulative canons
brush/scuff
7. Part of a movement is performed
partnering/group skills
Kinesthetics
harold and fayard nicholas
fragmentation
8. All performers begin at the same time but at different starting points within the same phrase
simultaneous canons
developpe
adagio
retrograde
9. He was a broadway/hollywood hoofer and actor who ushered in the tap revival of the 1980s
pirouette
space
shuffle
gregory hines
10. This practice employs repetitive motions derived from fundamental gestures and natural movements to increase awareness of habitual movement patterns and release tension left over from old injuries and habits in order to expand range of motion in the
bartenieff fundamentals
feldenkrais
ruby keeler
tendu
11. If a ballet step such as grand battement is performed en croix - this means
hyperextension
3/4
in all directions
second position
12. These include pirouette and fouette turns - in which the dancer remains in one place on the floor
martha graham
turns at center
katherine dunham
petit allegro
13. More is added to the original movement
Catherine de Medici
dynamics
merce cunningham
accumulation
14. The movement is performed using a different body part
instrumentation
adductor magnus
narrative
time
15. This broadway and hollywood choreographer did the film version of west side story
vaganova method
improving flexibility
rotation
jerome robbins
16. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
kinesthetic awareness
space
cecchetti method
fragmentation
17. When a movment phrase or section progresses to the next.
transition
angular oppositions
transitions
glide
18. Of the following types of social dance listed below - which does not involve partnering?
narrative
polyrhythm
line dancing
jerome robbins
19. The sagittal plane divides the body
cumulative canons
vertically
rhythm
unison
20. This denishawn student - legendary dancer - and choreographer developed the graham technique
martha graham
sagittal plane
pilates
incorporation
21. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
King Louis XIV
partnering/group skills
third position
economic development
22. Bending and straightening the knees
accumulation
plie
erick hawkins
Kinesthetics
23. This award winning choreographer and musical director of cabaret - sweet charity - and all that jazz created the fosse technique
erick hawkins
bob fosse
syncopation
flap
24. Awareness of one's body and its possibilities - capabilities and limitations
body knowledge
harold and fayard nicholas
kinesphere
lester horton
25. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
a contact improvisation exercise
force/energy
work
fragmentation
26. When a frappe` is performed - the accent is typically on the
extension of the working leg
vaganova method
folk/traditional
fragmentation
27. She was the co-founder of denishawn - the first modern dance school
transverse horizontal plane
doris humphrey and charles weidman
ruth st. denis
brush/scuff
28. Slow port-de-bras and bow at the end of class to acknowledge gratitude to the teacher
reverance
modern
isolated movement
second position
29. With which of the following styles of modern dance is Isadora Duncan associated?
Giselle
free dance
time
lester horton
30. Kazua ohno and tatsumi hijikata developed
brush/scuff
abduction
Butoh
isolated movement
31. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
hyperextension
hinge
vertically
martha graham
32. This is the dynamic hitting of a positions
snap
touch
Principles of composition
transverse horizontal plane
33. Four main movements in the pas de deux
promenade - turns - lifts - leaps
savion glover
Giselle
turns from corner
34. In Laban's theory of effort (sometimes called movement dynamics) - which of the following qualities is not a dimension of effort?
Direction
master juba lane
unison
doris humphrey
35. Small - quick jumps in place such as changements - temps leves - and assembles
petit allegro
transverse horizontal plane
genre
interdisciplinary
36. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
head whip
ectomorph
ballet
cramp roll
37. Forward brush followed by a step
pelvic thrusts
george balanchine
flap
rond de jambe
38. The pelvis is pressed forcefully forward
at the front
jazz dance
the changement and the sautes
pelvic thrusts
39. Modern dance technique that appears in the lateral T shape his dancers assume - a one-leg balance with the torso tilted off-center and the other leg extended to the side in a counterbalance
unison
kinesphere
improving flexibility
lester horton
40. To strike - striking the floor with the foot in a brushing movement
ball and socket joint
melody
frappe
inversion
41. Striking the floor with the tip of the foot - with or without a weight change
modern dance
toe
erick hawkins
action/reaction
42. A lean body with enhanced flexibility due to a lack of muscular strength
bartenieff fundamentals
transitions
fourth position
endomorph
43. Outward rotation; turning a limb outward - toward the back of the body
at the front
eversion
a contact improvisation exercise
rotation
44. To extend or stretch - pointing the toes
King Louis XIV
tendu
endomorph
Marius Petipa
45. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
extension
choreography
savion glover
martha graham
46. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
pilates
modern dance
snap
space
47. He is the father of ballet in American and the founder of the NY city Ballet
dynamics
George Balanchine
flexion
telling a traditional story
48. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
stomp
polyrhythm
improve muscle strength
adductor magnus
49. Is the degree of the force of body weight introduced into a movement
tap dance
weight
frappe
ann miller
50. A type of dance that began as a rebellion against steps and positions and values - Expressive and original or authentic movement. Alvin Ailey and Martha Graham
doris humphrey and charles weidman
eversion
aerobic exercise
modern dance