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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When a movment phrase or section progresses to the next.
extension
transition
inversion
jerome robbins
2. Widespread hand posture where the fingers are extended strongly outward from the palm
extension
pathways
Marius Petipa
jazz hands
3. They were the progenitors of modern dance
loie fuller and isadora duncan
line dancing
erick hawkins
genre
4. Dance marked by movement isolations and complex polyrhythms found in African American music such as - ragtime - jazz - spirituals - blues - work songs and is considered and American style of dance.
jazz dance
dab
rhythm
martha graham
5. Leaving the ground and landing on the same foot
Marius Petipa
grand allegro
hop
stomp
6. Based on laban movement analysis - this practice encourages a deepened awareness of the connections between mind - body - movement - and internal and external environments to enhance mobility and function
bartenieff fundamentals
george balanchine
George Balanchine
vertically
7. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
cumulative canons
coordinating lighting and sound cues
projection
in all directions
8. Movements are repeated
rhythm
head whip
kinesphere
repetition
9. Forward brush followed by a touch
shuffle
cholly atkins
slap
alexander technique
10. Dance movemnt that takes place at the same time across the whole group of dancers
melody
unison
feldenkrais
glide
11. Which of the following is typically not a goal of ideokinesis
alexander technique
in all directions
improving flexibility
endomorph
12. He was a celebrated choreographer and the first male dance for the graham company
loie fuller and isadora duncan
hop
endomorph
erick hawkins
13. The movement is performed backwards
adductor magnus
second position
retrograde
variety
14. Dance performed in a social setting; traditionally referred to as ballroom - but includes all popular social dances performed with or without partners
second position
social dance
sammy davis jr
Giselle
15. A lean body with enhanced flexibility due to a lack of muscular strength
endomorph
first position
erick hawkins
fourth position
16. Modern jazz style that emphasizes agility in all areas
polyrhythm
endomorph
matt mattox
second position
17. These denishawn students produced the first modern dance performance and established the humphrey technique
syncopation
doris humphrey and charles weidman
rhythm
King Louis XIV
18. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
in all directions
variety
step
adductor magnus
19. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
improve muscle strength
syncopation
jerome robbins
doris humphrey
20. A movement is made part of another movement
wring
rhythm
incorporation
inversion
21. Sturdy body with strong dense musculature - lack of flexibility
doris humphrey
alexander technique
mesomorph
bill bojangles robinson
22. What is the meter in the waltz
economic development
3/4
space
inversion
23. Combination: sustained time/indirect space/strong weight
genre
Catherine de Medici
wring
weight
24. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
force/energy
erick hawkins
shuffle
lester horton
25. More is added to the original movement
cholly atkins
developpe
accumulation
repetition
26. The original french form of classical ballet from Russia
punch
vaganova method
assessing complex assignments
ectomorph
27. In order to relieve muscle tension - a dancer might engage in all but which of the following practices
improve muscle strength
pilates
retrograde
interdisciplinary
28. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
Marius Petipa
second position
katherine dunham
shape
29. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
syncopation
frontal plane
weight
transition
30. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
syncopation
bartenieff fundamentals
projection
touch
31. The orginal french form of classical ballet from italy
cecchetti method
flap
economic development
the changement and the sautes
32. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
George Balanchine
Kinesthetics
ann miller
turns from corner
33. The founder of the modern classical method of ballet
social dance
dynamics
george balanchine
coordinating lighting and sound cues
34. All performers begin at the same time but at different starting points within the same phrase
bob fosse
Mikhail Fokine
simultaneous canons
first position
35. To develop or grow - drawing the working foot up the standing leg and then extending it outward
merce cunningham
dab
toe
developpe
36. Of the following types of social dance listed below - which does not involve partnering?
grand allegro
ball and socket joint
Direction
line dancing
37. This award winning choreographer and musical director of cabaret - sweet charity - and all that jazz created the fosse technique
bob fosse
Giselle
force/energy
adductor magnus
38. Movement anchored to one spot by a pody part. Only the available space in any direction is used while the initial body contact is being maintained. Movement is organized around the axis of the body and is not designed to travel from one location to a
petit allegro
erick hawkins
savion glover
axial movement
39. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
head whip
reverance
second position
matt mattox
40. He is the father of ballet in American and the founder of the NY city Ballet
ruth st. denis
the changement and the sautes
George Balanchine
jazz dance
41. Defined specifically as the volume at Which musical notes are played.
vertically
improving flexibility
economic development
dynamics
42. A structure of movement patterns in time; the pattern produced by emphasis and duration of notes in music.
rhythm
Beauchamps & Noverre
narrative
axial movement
43. This legendary tap dance partner of charles hone coles also worked as a choreographer for artists with the motown record label
unity
cholly atkins
katherine dunham
martha graham
44. Tap dancers that focus on design and dance aspect of tapping such as fred astaire - gene kelly and ann miller
broadway or show tap
float
repetition
improve muscle strength
45. Circle of the leg - tracing a half circle upon the ground using the toes
rond de jambe
folk/traditional
developpe
ideokinesis
46. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
bob fosse
first position
third position
canon
47. He was a broadway/hollywood hoofer and actor who ushered in the tap revival of the 1980s
contrast
gregory hines
master juba lane
turns from corner
48. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
Luigi
free dance
contrast
a contact improvisation exercise
49. This duo became famous in the 1940s along with cab calloway they were part of the big band circuit - and they performed in hollywood
entrechat
rhythm
lester horton
cholly atkins and coles
50. To strike - striking the floor with the foot in a brushing movement
merce cunningham
partnering/group skills
frappe
tendu