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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. This is a repeating pattern of stressed and unstressed beats in a piece of music
in all directions
Diaghilev
rhythm
locomotion
2. He was a star dancer with and controversial choerographer for Ballets Russes
Nijinsky
economic development
sagittal plane
overuse of a tendon
3. This denishawn student - legendary dancer - and choreographer developed the graham technique
martha graham
doris humphrey
fourth position
first position
4. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
aerobic exercise
fifth position
balance
ball change
5. Observers would be unlikely to see contractions - releases - and isolations in which of the following dance forms?
Principles of composition
ballet
kinesphere
incorporation
6. This broadway and hollywood performer and choreographer introduced African and caribbean dance styles
katherine dunham
Giselle
King Louis XIV
work
7. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
head whip
fifth position
ballet
petit allegro
8. This denishawn dancer and broadway choreographer invented theater dance
flap
mesomorph
head whip
jack cole
9. Kazua ohno and tatsumi hijikata developed
social dance
first position
cholly atkins
Butoh
10. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
abduction
Kinesthetics
bill bojangles robinson
katherine dunham
11. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
first position
flexion and extension
unison
projection
12. Slow port-de-bras and bow at the end of class to acknowledge gratitude to the teacher
degage
stamp
cholly atkins
reverance
13. A piece of choreography or dance
ruby keeler
work
angular oppositions
adagio
14. A feeling of completion or wholeness in a dance achieved when all parts work well together.
unity
free dance
first position
balance
15. They codified many standard ballet rules still used today
Beauchamps & Noverre
unity
3/4
promenade - turns - lifts - leaps
16. This broadway and hollywood choreographer did the film version of west side story
dynamics
jerome robbins
step
ectomorph
17. He established the horton technique and was a longtime partner of bell lewitzky
cholly atkins and coles
lester horton
mesomorph
broadway or show tap
18. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
at the front
inversion
brush/scuff
second position
19. Placing the entire foot on the floor with a weight change
bartenieff fundamentals
the changement and the sautes
accumulation
stamp
20. Which of the following two muscles are used for flexion in dance?
aerobic exercise
biceps brachii - biceps femoris
tap dance
martha graham
21. Phrasing may be determined by all but which of the following
cholly atkins and coles
adagio
promenade - turns - lifts - leaps
space
22. In order to relieve muscle tension - a dancer might engage in all but which of the following practices
third position
pilates
George Balanchine
hinge
23. Modern dance technique that appears in the lateral T shape his dancers assume - a one-leg balance with the torso tilted off-center and the other leg extended to the side in a counterbalance
action/reaction
lester horton
promenade - turns - lifts - leaps
plie
24. When a frappe` is performed - the accent is typically on the
modern
flick
extension of the working leg
Diaghilev
25. Combination: sudden time/indirect space/strong weight
slash
transitions
erick hawkins
coordinating lighting and sound cues
26. Large jumps or leaps Which move the dancer across the floor - such as grandes jetes or tours jetes
frappe
inversion
grand allegro
jazz
27. The speed of the music or dance
tempo
hinge
tendu
petit allegro
28. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
George Balanchine
flexion and extension
Catherine de Medici
adductor magnus
29. Which of the following is typically not a goal of ideokinesis
jump
movement of the arms
improving flexibility
entrechat
30. This hollywood jazz and tap dancer popularized the practice of wearing pantyhose in place of stockings
gus giordano
brush/scuff
ann miller
tendu
31. In order to improve student's kinesthetic awareness and originality - a teacher might assign
space
a contact improvisation exercise
harold and fayard nicholas
twyla tharp
32. Which of the following societal changes has probably had the least impact on the variety of dance styles that are performed in the US today?
hinge
free dance
economic development
bill bojangles robinson
33. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
pirouette
flexion and extension
kinesthetic awareness
punch
34. An element of dance that refers to the immediate spherical space surrounding the body in all directions. Use of space includes shape - direction - pathway - range of movement and level of movment(Low - middle - high).
cholly atkins and coles
shuffle
first position
space
35. The movement is performed backwards
retrograde
press
Butoh
degage
36. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
kinesphere
fred astaire and ginger rogers
improve muscle strength
merce cunningham
37. Combination: sudden time/indirect space/light weight
improvisation
flick
biceps brachii - biceps femoris
action/reaction
38. Which of the following ballets used music not composed by Tchaikovsky
Luigi
augmentation/diminution
Giselle
toe
39. Slow sustained movements that often incorporate developpes and balances such as penches
flexion and extension
jazz dance
contrast
adagio
40. A type of dance that began as a rebellion against steps and positions and values - Expressive and original or authentic movement. Alvin Ailey and Martha Graham
movement of the arms
modern dance
alexander technique
turns at center
41. A movement is made part of another movement
george balanchine
force/energy
rhythm
incorporation
42. Tap dancers that focus on design and dance aspect of tapping such as fred astaire - gene kelly and ann miller
broadway or show tap
developpe
ruby keeler
punch
43. He was the founder of Ballets Russes
turns from corner
unity
Diaghilev
jack cole
44. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
canon
modern dance
work
Direction
45. Four main movements in the pas de deux
augmentation/diminution
instrumentation
entrechat
promenade - turns - lifts - leaps
46. Movement anchored to one spot by a pody part. Only the available space in any direction is used while the initial body contact is being maintained. Movement is organized around the axis of the body and is not designed to travel from one location to a
angular oppositions
axial movement
time
space
47. Basic movements or short sequences are manipulated to create new but related movements
assessing complex assignments
motif and development
vertically
tempo
48. Late modern dance technique that created dances without any attached historical - cultural or philosophical meanings
modern
merce cunningham
brush/scuff
gus giordano
49. Late modern dance technique that draws from everyday gestures and movements such as sitting - crawling - rolling - walking - and running.
kinesphere
lester horton
adagio
paul taylor
50. What is the meter in the waltz
glide
3/4
ted shawn
wring