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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. This is the speed at Which music is played.
tempo
tendu
augmentation/diminution
Bob Fosse
2. A particular kind or style of dance - such as - ballet - jazz - modern - folk - tap - hip-hop - etc.
genre
erick hawkins
brush/scuff
pirouette
3. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
hyperextension
jerome robbins
ball change
incorporation
4. Is the degree of the force of body weight introduced into a movement
tempo acceleration/deceleration
ectomorph
modern dance
weight
5. Which of the following societal changes has probably had the least impact on the variety of dance styles that are performed in the US today?
genre
economic development
third position
accumulation
6. Similar to the principles of visual art. Refers to the presence of unity - continuity (transitions) and variety (contrasts and repitition-patterns) in the choreography
entrechat
slash
assessing complex assignments
Principles of composition
7. The original movement is the question and the new movement is the answer
action/reaction
syncopation
slap
master juba lane
8. The action of straightening a joint or the action of increasing the angle between tow levers
brush/scuff
jump
extension
gregory hines
9. If one were to eliminate the jumping elements from the combination which steps would be eliminated
the changement and the sautes
adduction
telling a traditional story
first position
10. Combination: sustained time/direct space/strong weight
turns at center
shape
rhythm tap
press
11. This involves placing the limbs into positions so that the resulting combination of angles is unusual.
ballet
grand allegro
angular oppositions
shape
12. Awareness of one's body and its possibilities - capabilities and limitations
body knowledge
petit allegro
hyperextension
flow
13. Modern jazz style that is a therapeutic method - emphasizes fluidity - unbroken motion - balance - and smooth transitions.
stomp
time
george balanchine
Luigi
14. The action of bending a joint or the action of decreasing the angle between two levers
flexion
katherine dunham
modern dance
grand allegro
15. Placing the entire foot on the floor without a weight change
stomp
stamp
turns at center
master juba lane
16. Combination: sustained time/direct space/light weight
glide
cramp roll
step
jerome robbins
17. Small - quick jumps in place such as changements - temps leves - and assembles
petit allegro
improve muscle strength
charles weidman
punch
18. Placing the ball of the foot on the floor without a weight change
slap
tempo
touch
cramp roll
19. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
hop
plie
Kinesthetics
modern dance
20. In order to improve student's kinesthetic awareness and originality - a teacher might assign
repetition
eversion
work
a contact improvisation exercise
21. He was the choreographer for Ballets Russes
choreography
doris humphrey
biceps brachii - biceps femoris
Mikhail Fokine
22. These hollywood partners were famous for appearing in films that featured their supernaturally smooth ballroom and tap styles
unity
action/reaction
fred astaire and ginger rogers
choreography
23. What is the meter in the waltz
feldenkrais
vaganova method
3/4
free dance
24. He was a legendary avant garde choreographer
master juba lane
merce cunningham
doris humphrey and charles weidman
telling a traditional story
25. Loie Fuller - Isadora Duncan - Ruth St. Denis developed what kind of dance
modern
aerobic exercise
kinesphere
modern dance
26. He was a celebrated choreographer and the first male dance for the graham company
erick hawkins
folk/traditional
flexion and extension
social dance
27. The movement is performed using a different body part
step
motif and development
cumulative canons
instrumentation
28. The rhythmic pattern of the movements is varied
angular oppositions
endomorph
rhythm
frappe
29. A form of Western classical dance that originated in the Renaissance courts of Europe. The dance form was formally codified by the time of King Louis XIV (mid-1600's) - Who was accomplished dancer - responsible for extensive notation as well as suppo
ballet
projection
grand allegro
dynamics
30. Striking the floor with an immediate release; can be done with the heel or the ball of the foot
snap
Nijinsky
angular oppositions
tap
31. He was the creator of legendary ballets for the Russian Imperial Theatre including the Nutcracker and Swan Lake
Marius Petipa
erick hawkins
partnering/group skills
petit allegro
32. Which of the following tasks is the duty of a stage manager?
eversion
cholly atkins and coles
coordinating lighting and sound cues
hop
33. A piece of choreography that lacks flow could be improved by the addition of
transitions
ideokinesis
ectomorph
repetition
34. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
improve muscle strength
gus giordano
loie fuller and isadora duncan
Beauchamps & Noverre
35. Basic movements or short sequences are manipulated to create new but related movements
motif and development
ballet
time
syncopation
36. With which of the following styles of modern dance is Isadora Duncan associated?
flap
gus giordano
free dance
mesomorph
37. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
tempo acceleration/deceleration
adductor magnus
tableau
wring
38. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
force/energy
frappe
punch
in all directions
39. This is a repeated grouping of accented beats
kinesthetic awareness
meter
narrative
space
40. Refers to the length of time a movement takes - from initiation to completion
turns from corner
canon
body knowledge
time
41. An element of dance that refers to the immediate spherical space surrounding the body in all directions. Use of space includes shape - direction - pathway - range of movement and level of movment(Low - middle - high).
Butoh
space
bartenieff fundamentals
cholly atkins and coles
42. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
adduction
line dancing
fifth position
tempo
43. Succession of tones set to a particular rhythm that serves as the voice in music
melody
martha graham
pelvic thrusts
overuse of a tendon
44. Forward brush followed by a step
Direction
dynamics
King Louis XIV
flap
45. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
unity
pathways
vertically
petit allegro
46. The movement is speeded up or slowed down
tempo acceleration/deceleration
narrative
eversion
hinge
47. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
third position
ball and socket joint
reverance
contrast
48. These include pirouette and fouette turns - in which the dancer remains in one place on the floor
float
accumulation
turns at center
pirouette
49. He was the first African american dancer to play to white audiences
master juba lane
feldenkrais
slash
step
50. These denishawn students produced the first modern dance performance and established the humphrey technique
tableau
doris humphrey and charles weidman
Direction
cramp roll