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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Refers to simple - multiple - and different rhythm patterns played at the same time.
ectomorph
ballet
polyrhythm
second position
2. Lightly striking the floor in an outward sweeping motion (brush with ball - scuff with heel)
harold and fayard nicholas
Catherine de Medici
choreography
brush/scuff
3. Combination: sustained time/direct space/light weight
glide
biceps brachii - biceps femoris
contrast
master juba lane
4. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
assessing complex assignments
frappe
Diaghilev
improve muscle strength
5. A type of dance that began as a rebellion against steps and positions and values - Expressive and original or authentic movement. Alvin Ailey and Martha Graham
King Louis XIV
paul taylor
folk/traditional
modern dance
6. Similar to the principles of visual art. Refers to the presence of unity - continuity (transitions) and variety (contrasts and repitition-patterns) in the choreography
Principles of composition
contrast
simultaneous canons
ball change
7. He was a broadway - hollywood and las vegas dancer - singer and actor
sammy davis jr
3/4
cholly atkins
adduction
8. Inward rotation; turning a limb inward - toward the front of the body
kinesthetic awareness
adagio
inversion
merce cunningham
9. Energy of movement expressed in varying intensities - accent and quality
abduction
toe
dynamics
space
10. These include pirouette and fouette turns - in which the dancer remains in one place on the floor
melody
flap
turns at center
the changement and the sautes
11. The movement is performed using a different body part
developpe
wring
Marius Petipa
instrumentation
12. This denishawn dancer and broadway choreographer invented theater dance
third position
jack cole
Diaghilev
rhythm
13. Modern jazz style that is a therapeutic method - emphasizes fluidity - unbroken motion - balance - and smooth transitions.
King Louis XIV
telling a traditional story
bartenieff fundamentals
Luigi
14. He is the father of ballet in American and the founder of the NY city Ballet
martha graham
slash
George Balanchine
tableau
15. A choreographer asks four dancers to perform different movements simultaneously. This is called a
tableau
syncopation
sammy davis jr
erick hawkins
16. Late modern dance technique that draws from everyday gestures and movements such as sitting - crawling - rolling - walking - and running.
tempo
Mikhail Fokine
improvisation
paul taylor
17. Defined specifically as the volume at Which musical notes are played.
tempo acceleration/deceleration
rhythm
dynamics
action/reaction
18. Based on laban movement analysis - this practice encourages a deepened awareness of the connections between mind - body - movement - and internal and external environments to enhance mobility and function
Mikhail Fokine
in all directions
bartenieff fundamentals
jazz
19. To develop or grow - drawing the working foot up the standing leg and then extending it outward
turns at center
developpe
dynamics
action/reaction
20. Runs vertically from the front to the back of an upright standing body the wheel plane
narrative
gus giordano
variety
sagittal plane
21. Forward brush followed by a touch
kinesthetic awareness
reverance
slap
in all directions
22. This is the speed at Which music is played.
at the front
tempo
polyrhythm
flexion
23. Sturdy body with strong dense musculature - lack of flexibility
incorporation
doris humphrey and charles weidman
frappe
mesomorph
24. In Laban Movement Analysis the space in which a dancer's body is moving is called the
action/reaction
slash
kinesphere
ted shawn
25. This involves placing the limbs into positions so that the resulting combination of angles is unusual.
angular oppositions
jazz
simultaneous canons
ball and socket joint
26. Which of the following steps in tap dance would produce a total of four audible taps?
cramp roll
unison
master juba lane
twyla tharp
27. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
canon
time
repetition
ballet
28. Intersects an upright standing body horizontally the table plane
transverse horizontal plane
Luigi
fourth position
time
29. Dance associated with a nationalistic purpose - usually performed today as surviving portion of a traditional celebration and done for social gatherings or as recreation
Luigi
folk/traditional
sammy davis jr
developpe
30. Movement created spontaneously - which ranges from freeform to highly structured environments - always including an element of chance.
simultaneous canons
time
improvisation
george balanchine
31. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
retrograde
jazz
tendu
pathways
32. This is a repeated grouping of accented beats
meter
retrograde
dab
Marius Petipa
33. Four main movements in the pas de deux
accumulation
promenade - turns - lifts - leaps
broadway or show tap
free dance
34. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
flexion and extension
stomp
the changement and the sautes
fragmentation
35. This practice employs repetitive motions derived from fundamental gestures and natural movements to increase awareness of habitual movement patterns and release tension left over from old injuries and habits in order to expand range of motion in the
martha graham
tap dance
float
feldenkrais
36. To extend or stretch - pointing the toes
stamp
pirouette
tendu
folk/traditional
37. This is a repeating pattern of stressed and unstressed beats in a piece of music
twyla tharp
rhythm
glide
space
38. Loie Fuller - Isadora Duncan - Ruth St. Denis developed what kind of dance
modern
the changement and the sautes
3/4
biceps brachii - biceps femoris
39. Modern jazz style that is an exploratory style. mixes in ballet
gus giordano
adduction
promenade - turns - lifts - leaps
ann miller
40. The action of straightening a joint or the action of increasing the angle between tow levers
gus giordano
cecchetti method
augmentation/diminution
extension
41. The action of bending a joint or the action of decreasing the angle between two levers
gus giordano
jazz dance
katherine dunham
flexion
42. A piece of choreography that lacks flow could be improved by the addition of
Catherine de Medici
transitions
time
martha graham
43. All performers begin at the same time but at different starting points within the same phrase
simultaneous canons
kinesphere
bob fosse
assessing complex assignments
44. Skills requiring cooperation -coordination and dependence - including imitation - lead and follow - echo - mirroring and call and response
folk/traditional
first position
partnering/group skills
tableau
45. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
axial movement
ann miller
modern dance
Kinesthetics
46. These denishawn students produced the first modern dance performance and established the humphrey technique
stomp
doris humphrey and charles weidman
frontal plane
3/4
47. Movement of a limb toward the midline of the body
dynamics
adduction
extension of the working leg
modern dance
48. The founder of the modern classical method of ballet
jazz
jerome robbins
Beauchamps & Noverre
george balanchine
49. Is the degree of the force of body weight introduced into a movement
third position
weight
ectomorph
body knowledge
50. These include pique - chaine - and similar turns that move the dancer across the floor
angular oppositions
turns from corner
contrast
improvisation