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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. This practice employs repetitive motions derived from fundamental gestures and natural movements to increase awareness of habitual movement patterns and release tension left over from old injuries and habits in order to expand range of motion in the
feldenkrais
extension of the working leg
merce cunningham
twyla tharp
2. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
touch
ruby keeler
Kinesthetics
promenade - turns - lifts - leaps
3. To develop or grow - drawing the working foot up the standing leg and then extending it outward
developpe
ballet
rotation
stomp
4. Two steps in sequence - one on each foot; the first step gets less weight than the second
motif and development
ball change
martha graham
ruby keeler
5. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
adductor magnus
ball and socket joint
flexion and extension
rhythm
6. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
contrast
paul taylor
turns from corner
pirouette
7. The action of turning a ball-and-socket joint; circular movement around a central axis
extension of the working leg
rotation
tableau
fifth position
8. Early modern dance composition - such as that of martha graham - was characterized by which of the following forms?
Butoh
Kinesthetics
narrative
folk/traditional
9. Movement created spontaneously - which ranges from freeform to highly structured environments - always including an element of chance.
doris humphrey
glide
improvisation
Direction
10. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
cumulative canons
fred astaire and ginger rogers
martha graham
fifth position
11. The action of bending a joint or the action of decreasing the angle between two levers
step
stamp
interdisciplinary
flexion
12. This broadway and hollywood performer and choreographer introduced African and caribbean dance styles
flexion
katherine dunham
erick hawkins
promenade - turns - lifts - leaps
13. A feeling of completion or wholeness in a dance achieved when all parts work well together.
unity
social dance
pirouette
step
14. Striking the floor with the tip of the foot - with or without a weight change
ball change
promenade - turns - lifts - leaps
erick hawkins
toe
15. A movement is made part of another movement
incorporation
modern dance
Butoh
brush/scuff
16. They were the progenitors of modern dance
narrative
brush/scuff
tempo acceleration/deceleration
loie fuller and isadora duncan
17. This legendary tap dance partner of charles hone coles also worked as a choreographer for artists with the motown record label
grand allegro
cholly atkins
paul taylor
jazz
18. The movement is performed backwards
tap dance
loie fuller and isadora duncan
retrograde
frontal plane
19. Multiple performers perform a movement in succession
coordinating lighting and sound cues
jump
Marius Petipa
canon
20. Feet: separated shoulder width third position arms: arm corresponding with front foot in front of the torso as in first position - arm corresponding with back foot overhead as in fifth position
fourth position
Diaghilev
reverance
tap
21. If one were to eliminate the jumping elements from the combination which steps would be eliminated
first position
variety
the changement and the sautes
slap
22. Sturdy body with strong dense musculature - lack of flexibility
locomotion
merce cunningham
tableau
mesomorph
23. He established the first ballet school in France in the 1600s
polyrhythm
King Louis XIV
social dance
body knowledge
24. The size of the movement is increased or decreased
polyrhythm
merce cunningham
augmentation/diminution
toe
25. Reach space or personal space.
lester horton
modern dance
jazz
kinesphere
26. Rubrics are most effective for
assessing complex assignments
alexander technique
ruth st. denis
jazz hands
27. Which of the following steps in tap dance would produce a total of four audible taps?
ideokinesis
cramp roll
promenade - turns - lifts - leaps
jump
28. Movement of a limb toward the midline of the body
unity
adduction
the changement and the sautes
contrast
29. When a frappe` is performed - the accent is typically on the
rhythm tap
glide
extension of the working leg
incorporation
30. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
projection
jack cole
choreography
Principles of composition
31. Forward brush followed by a step
space
hyperextension
flap
contrast
32. This is a repeated grouping of accented beats
meter
matt mattox
glide
aerobic exercise
33. Dance movemnt that takes place at the same time across the whole group of dancers
unison
kinesphere
press
polyrhythm
34. Stretching of the foot along the floor - away from the standing leg
improvisation
axial movement
tendu
cholly atkins and coles
35. A piece of choreography or dance
work
rhythm
axial movement
genre
36. Which of the following tasks is the duty of a stage manager?
space
motif and development
coordinating lighting and sound cues
fifth position
37. The orginal french form of classical ballet from italy
cecchetti method
gus giordano
fourth position
ballet
38. To extend or stretch - pointing the toes
melody
tendu
petit allegro
ruby keeler
39. Loie Fuller - Isadora Duncan - Ruth St. Denis developed what kind of dance
ballet
the changement and the sautes
turns from corner
modern
40. Where is the apron of the stage located
at the front
aerobic exercise
partnering/group skills
glide
41. A form of physical movement progressing from one place to another. Walking - running - grapevine - galloping - leaping - jumping - hopping - skipping - sliding - etc.
jazz hands
free dance
folk/traditional
locomotion
42. This is the dynamic hitting of a positions
vaganova method
snap
sagittal plane
cholly atkins and coles
43. Modern jazz style that emphasizes agility in all areas
fourth position
matt mattox
aerobic exercise
motif and development
44. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
rhythm
erick hawkins
cumulative canons
pathways
45. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
george balanchine
doris humphrey and charles weidman
improve muscle strength
martha graham
46. The founder of the modern classical method of ballet
stamp
george balanchine
gene kelly
sammy davis jr
47. He was a celebrated choreographer and the first male dance for the graham company
unity
erick hawkins
overuse of a tendon
body knowledge
48. The sagittal plane divides the body
tap dance
cholly atkins
endomorph
vertically
49. She was a hollywood dancer who appeared in 42nd street and other films
mesomorph
Diaghilev
gregory hines
ruby keeler
50. In jazz dance - bending backward from the knees while maintaining a straight torso is called a
kinesphere
hop
hinge
force/energy