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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Four main movements in the pas de deux
line dancing
promenade - turns - lifts - leaps
partnering/group skills
motif and development
2. Two steps in sequence - one on each foot; the first step gets less weight than the second
vertically
doris humphrey
time
ball change
3. Modern dance technique that appears in the lateral T shape his dancers assume - a one-leg balance with the torso tilted off-center and the other leg extended to the side in a counterbalance
a contact improvisation exercise
Catherine de Medici
lester horton
Kinesthetics
4. Bending and straightening the knees
genre
savion glover
fifth position
plie
5. More is added to the original movement
contrast
ted shawn
slash
accumulation
6. He was a star dancer with and controversial choerographer for Ballets Russes
Nijinsky
adductor magnus
jack cole
transverse horizontal plane
7. He was the first African american dancer to play to white audiences
action/reaction
master juba lane
hinge
stomp
8. Dance associated with a nationalistic purpose - usually performed today as surviving portion of a traditional celebration and done for social gatherings or as recreation
sagittal plane
folk/traditional
punch
extension of the working leg
9. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
improve muscle strength
bill bojangles robinson
press
economic development
10. To extend or stretch - pointing the toes
flap
tendu
jerome robbins
modern
11. This involves placing the limbs into positions so that the resulting combination of angles is unusual.
harold and fayard nicholas
Catherine de Medici
angular oppositions
gus giordano
12. This denishawn dancer and broadway choreographer invented theater dance
3/4
at the front
jack cole
extension of the working leg
13. The speed of the music or dance
gus giordano
Kinesthetics
tempo
action/reaction
14. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
fourth position
third position
genre
unity
15. Tap dance is known for making heavy use of which of the following types of rhythm?
syncopation
flick
jazz dance
alexander technique
16. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
tempo acceleration/deceleration
adductor magnus
jerome robbins
angular oppositions
17. These brothers were famous in vaudeville - on the jazz circuit and in hollywood for their daring acrobatic style
harold and fayard nicholas
feldenkrais
jack cole
overuse of a tendon
18. The original french form of classical ballet from Russia
vaganova method
in all directions
plie
jack cole
19. Reach space or personal space.
katherine dunham
choreography
eversion
kinesphere
20. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
toe
extension
grand allegro
kinesthetic awareness
21. He was a broadway - hollywood and las vegas dancer - singer and actor
accumulation
dynamics
sammy davis jr
action/reaction
22. Leaving the ground and landing on the other foot
tendu
charles weidman
jump
Nijinsky
23. A form of Western classical dance that originated in the Renaissance courts of Europe. The dance form was formally codified by the time of King Louis XIV (mid-1600's) - Who was accomplished dancer - responsible for extensive notation as well as suppo
dynamics
transitions
locomotion
ballet
24. To strike - striking the floor with the foot in a brushing movement
contrast
frappe
aerobic exercise
Butoh
25. Succession of tones set to a particular rhythm that serves as the voice in music
improving flexibility
melody
frontal plane
force/energy
26. Modern jazz style that emphasizes agility in all areas
vertically
feldenkrais
matt mattox
repetition
27. Nonliteral choreography may have all but which of the following goals
telling a traditional story
economic development
hyperextension
the changement and the sautes
28. To disengage - brushing foot thru tendu to slightly leave the ground
degage
plie
angular oppositions
transition
29. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
hyperextension
syncopation
touch
ball change
30. This is a repeating pattern of stressed and unstressed beats in a piece of music
biceps brachii - biceps femoris
rhythm
head whip
cholly atkins and coles
31. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
extension
transition
pathways
force/energy
32. Intersects an upright standing body horizontally the table plane
projection
brush/scuff
twyla tharp
transverse horizontal plane
33. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
twyla tharp
polyrhythm
partnering/group skills
incorporation
34. What is the meter in the waltz
Luigi
3/4
polyrhythm
lester horton
35. A form of physical movement progressing from one place to another. Walking - running - grapevine - galloping - leaping - jumping - hopping - skipping - sliding - etc.
assessing complex assignments
hyperextension
locomotion
matt mattox
36. In order to improve student's kinesthetic awareness and originality - a teacher might assign
modern dance
adductor magnus
a contact improvisation exercise
shape
37. He was the choreographer for Ballets Russes
Luigi
matt mattox
Mikhail Fokine
master juba lane
38. Which of the following tasks is the duty of a stage manager?
third position
action/reaction
coordinating lighting and sound cues
partnering/group skills
39. The rhythmic pattern of the movements is varied
vertically
choreography
rhythm
modern
40. For which of the following types of dance is a shoe with a small - soft heel traditionally worn
Principles of composition
touch
jazz
modern dance
41. He is a new generation broadway/hollywood tap and hip hop dancer and choreographer
locomotion
savion glover
master juba lane
inversion
42. This is the dynamic hitting of a positions
syncopation
space
extension
snap
43. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
contrast
augmentation/diminution
entrechat
rhythm
44. A feeling of completion or wholeness in a dance achieved when all parts work well together.
kinesphere
unity
hyperextension
melody
45. Skills requiring cooperation -coordination and dependence - including imitation - lead and follow - echo - mirroring and call and response
pelvic thrusts
partnering/group skills
lester horton
balance
46. Runs vertically from the front to the back of an upright standing body the wheel plane
fragmentation
rhythm tap
sagittal plane
narrative
47. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
cumulative canons
biceps brachii - biceps femoris
projection
katherine dunham
48. The pelvis is pressed forcefully forward
degage
stomp
pelvic thrusts
bartenieff fundamentals
49. Movement anchored to one spot by a pody part. Only the available space in any direction is used while the initial body contact is being maintained. Movement is organized around the axis of the body and is not designed to travel from one location to a
touch
axial movement
locomotion
entrechat
50. Multiple performers perform a movement in succession
simultaneous canons
canon
flexion
snap
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