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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
interdisciplinary
fifth position
pilates
free dance
2. Which of the following is typically not a goal of ideokinesis
improve muscle strength
improving flexibility
melody
touch
3. They codified many standard ballet rules still used today
pilates
Beauchamps & Noverre
Kinesthetics
tableau
4. Leaving the ground and landing on the same foot
tap dance
space
overuse of a tendon
hop
5. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
pirouette
projection
bill bojangles robinson
force/energy
6. A position of the body in space - such as curved - straight - angular - twisted - symmetrical - asymmetrical - etc.
grand allegro
shape
rhythm
reverance
7. Multiple performers perform the movement in the same way at the same time
turns at center
fragmentation
accumulation
unison
8. These include pirouette and fouette turns - in which the dancer remains in one place on the floor
transverse horizontal plane
turns at center
gus giordano
shuffle
9. Which of the following two muscles are used for flexion in dance?
narrative
biceps brachii - biceps femoris
Nijinsky
doris humphrey
10. Modern dance technique style that explores fall and recovery
tempo
doris humphrey
partnering/group skills
flap
11. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
projection
vaganova method
work
fred astaire and ginger rogers
12. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
overuse of a tendon
choreography
flexion and extension
Butoh
13. To extend or stretch - pointing the toes
movement of the arms
tendu
aerobic exercise
space
14. Defined specifically as the volume at Which musical notes are played.
dynamics
jerome robbins
transitions
interdisciplinary
15. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
space
balance
twyla tharp
lester horton
16. Forward brush followed by a backward brush
extension of the working leg
telling a traditional story
promenade - turns - lifts - leaps
shuffle
17. Part of a movement is performed
twyla tharp
first position
fragmentation
Direction
18. They were the progenitors of modern dance
vertically
loie fuller and isadora duncan
abduction
kinesthetic awareness
19. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
transitions
extension
force/energy
modern dance
20. Late modern dance technique that created dances without any attached historical - cultural or philosophical meanings
abduction
float
merce cunningham
modern dance
21. Which of the following ballets used music not composed by Tchaikovsky
folk/traditional
ideokinesis
Giselle
plie
22. If one were to eliminate the jumping elements from the combination which steps would be eliminated
overuse of a tendon
syncopation
fourth position
the changement and the sautes
23. The hip joint is a
weight
ball and socket joint
Bob Fosse
developpe
24. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
brush/scuff
ideokinesis
Direction
melody
25. Modern dance technique that involves a dramatic contraction and release - emphasizes weight moving into the floor and a spiral image for off-center or off-balance movement
gene kelly
extension of the working leg
Giselle
martha graham
26. Runs vertically from the front to the back of an upright standing body the wheel plane
sagittal plane
kinesphere
press
erick hawkins
27. These denishawn students produced the first modern dance performance and established the humphrey technique
pirouette
reverance
doris humphrey and charles weidman
Catherine de Medici
28. Kazua ohno and tatsumi hijikata developed
unison
ball change
slash
Butoh
29. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
glide
pathways
ruby keeler
ectomorph
30. Placing an accent on a normally weak beat
tempo
syncopation
isolated movement
polyrhythm
31. This involves placing the limbs into positions so that the resulting combination of angles is unusual.
brush/scuff
erick hawkins
doris humphrey
angular oppositions
32. The movement is speeded up or slowed down
jazz dance
kinesthetic awareness
feldenkrais
tempo acceleration/deceleration
33. Tap dancers that focus on design and dance aspect of tapping such as fred astaire - gene kelly and ann miller
bob fosse
ballet
broadway or show tap
dynamics
34. In Laban Movement Analysis the space in which a dancer's body is moving is called the
biceps brachii - biceps femoris
reverance
kinesphere
ruby keeler
35. Which of the following dance steps is most advanced? plie - degage - entrechat - tendu
transition
touch
gene kelly
entrechat
36. Based on laban movement analysis - this practice encourages a deepened awareness of the connections between mind - body - movement - and internal and external environments to enhance mobility and function
endomorph
tap
flick
bartenieff fundamentals
37. Striking the floor with an immediate release; can be done with the heel or the ball of the foot
grand allegro
brush/scuff
tap
second position
38. These hollywood partners were famous for appearing in films that featured their supernaturally smooth ballroom and tap styles
matt mattox
force/energy
fred astaire and ginger rogers
social dance
39. Combination: sudden time/direct space/strong weight
doris humphrey and charles weidman
dynamics
Nijinsky
punch
40. Early modern dance composition - such as that of martha graham - was characterized by which of the following forms?
weight
space
narrative
pelvic thrusts
41. Bending and straightening the knees
biceps brachii - biceps femoris
cramp roll
choreography
plie
42. He is a new generation broadway/hollywood tap and hip hop dancer and choreographer
Giselle
transition
pathways
savion glover
43. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
adductor magnus
time
kinesthetic awareness
alexander technique
44. He is the father of ballet in American and the founder of the NY city Ballet
rhythm
step
George Balanchine
isolated movement
45. Four main movements in the pas de deux
promenade - turns - lifts - leaps
bill bojangles robinson
hop
dynamics
46. Movements are repeated
first position
at the front
repetition
Direction
47. Feet: separated shoulder width third position arms: arm corresponding with front foot in front of the torso as in first position - arm corresponding with back foot overhead as in fifth position
Mikhail Fokine
aerobic exercise
fourth position
merce cunningham
48. He was a celebrated choreographer and the first male dance for the graham company
erick hawkins
hop
cholly atkins
dynamics
49. Modern dance technique that appears in the lateral T shape his dancers assume - a one-leg balance with the torso tilted off-center and the other leg extended to the side in a counterbalance
lester horton
tempo
cholly atkins
time
50. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
modern dance
jazz hands
syncopation
space