SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A choreographer asks four dancers to perform different movements simultaneously. This is called a
tableau
ruby keeler
extension
improvisation
2. Which of the following two muscles are used for flexion in dance?
biceps brachii - biceps femoris
augmentation/diminution
cholly atkins and coles
pathways
3. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
ideokinesis
tap dance
bill bojangles robinson
Principles of composition
4. Intersects an upright standing body horizontally the table plane
gene kelly
transverse horizontal plane
augmentation/diminution
Giselle
5. Nonliteral choreography may have all but which of the following goals
Giselle
cholly atkins
motif and development
telling a traditional story
6. He was a broadway - hollywood and las vegas dancer - singer and actor
assessing complex assignments
shape
sammy davis jr
cecchetti method
7. Modern jazz style that is a therapeutic method - emphasizes fluidity - unbroken motion - balance - and smooth transitions.
Luigi
tempo acceleration/deceleration
martha graham
savion glover
8. The original movement is the question and the new movement is the answer
george balanchine
action/reaction
reverance
touch
9. Dance performed in a social setting; traditionally referred to as ballroom - but includes all popular social dances performed with or without partners
social dance
simultaneous canons
adduction
flick
10. The term 'port des bras' refers to
tap
frappe
lester horton
movement of the arms
11. Movement created spontaneously - which ranges from freeform to highly structured environments - always including an element of chance.
telling a traditional story
improvisation
ectomorph
tendu
12. Skills requiring cooperation -coordination and dependence - including imitation - lead and follow - echo - mirroring and call and response
partnering/group skills
work
balance
promenade - turns - lifts - leaps
13. Movement of a limb away from the midline of the body
abduction
kinesthetic awareness
ballet
dynamics
14. Observers would be unlikely to see contractions - releases - and isolations in which of the following dance forms?
third position
ballet
dynamics
simultaneous canons
15. To strike - striking the floor with the foot in a brushing movement
ruth st. denis
Diaghilev
frappe
ballet
16. Large jumps or leaps Which move the dancer across the floor - such as grandes jetes or tours jetes
grand allegro
action/reaction
alexander technique
time
17. A type of dance that concentrates of footwork and rhythm. This type of dance grew out of American popular dancing - with significant roots in African American - Irish and english clogging traditions.
tap dance
bob fosse
charles weidman
step
18. The speed of the music or dance
tableau
gregory hines
tempo
transition
19. Combination: sudden time/direct space/light weight
fourth position
shuffle
dab
adduction
20. This broadway and hollywood choreographer did the film version of west side story
pathways
jerome robbins
action/reaction
social dance
21. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
force/energy
fred astaire and ginger rogers
kinesphere
overuse of a tendon
22. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
katherine dunham
melody
twyla tharp
degage
23. Defined specifically as the volume at Which musical notes are played.
fifth position
dynamics
rotation
choreography
24. These denishawn students produced the first modern dance performance and established the humphrey technique
savion glover
doris humphrey and charles weidman
gus giordano
biceps brachii - biceps femoris
25. Placing an accent on a normally weak beat
fourth position
ted shawn
syncopation
rhythm
26. This is a repeated grouping of accented beats
shuffle
unison
Butoh
meter
27. He was a star dancer with and controversial choerographer for Ballets Russes
Nijinsky
fred astaire and ginger rogers
ballet
matt mattox
28. Placing the ball of the foot on the floor without a weight change
social dance
float
touch
retrograde
29. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
dab
petit allegro
promenade - turns - lifts - leaps
head whip
30. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
tendu
bill bojangles robinson
hyperextension
meter
31. The movement is performed backwards
retrograde
slap
rotation
unison
32. He was the co-founder of denishawn and the founder of jacob's pillow dance festival
polyrhythm
float
ted shawn
pelvic thrusts
33. Runs vertically from the front to the back of an upright standing body the wheel plane
erick hawkins
sagittal plane
unison
jazz hands
34. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
meter
extension
contrast
ball change
35. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
erick hawkins
Nijinsky
head whip
time
36. Bending and straightening the knees
flick
bill bojangles robinson
plie
partnering/group skills
37. In order to improve student's kinesthetic awareness and originality - a teacher might assign
balance
toe
a contact improvisation exercise
step
38. Dance movemnt that takes place at the same time across the whole group of dancers
Beauchamps & Noverre
rond de jambe
unison
locomotion
39. This denishawn student - legendary dancer - and choreographer developed the graham technique
fourth position
charles weidman
martha graham
Kinesthetics
40. Placing the entire foot on the floor with a weight change
stamp
extension
fifth position
3/4
41. The pelvis is pressed forcefully forward
variety
pelvic thrusts
ruby keeler
kinesphere
42. Slow sustained movements that often incorporate developpes and balances such as penches
Beauchamps & Noverre
adagio
ball and socket joint
dab
43. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
instrumentation
ideokinesis
erick hawkins
pirouette
44. In order to relieve muscle tension - a dancer might engage in all but which of the following practices
rotation
ballet
pilates
lester horton
45. To develop or grow - drawing the working foot up the standing leg and then extending it outward
turns at center
aerobic exercise
rhythm
developpe
46. Similar to the principles of visual art. Refers to the presence of unity - continuity (transitions) and variety (contrasts and repitition-patterns) in the choreography
jazz dance
brush/scuff
Mikhail Fokine
Principles of composition
47. Combination: sudden time/direct space/strong weight
punch
flick
repetition
doris humphrey
48. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
rotation
lester horton
modern dance
pelvic thrusts
49. Feet heels touching toes turned out arms: both arms held in front of the torso hands at waist level
Marius Petipa
first position
turns at center
second position
50. The action of straightening a joint or the action of increasing the angle between tow levers
ball change
extension
Luigi
polyrhythm