SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Multiple performers perform a movement in succession
canon
martha graham
erick hawkins
improvisation
2. She was the co-founder of denishawn - the first modern dance school
adduction
fifth position
ruth st. denis
tendu
3. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
fifth position
paul taylor
flick
time
4. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
degage
adductor magnus
third position
martha graham
5. Late modern dance technique developed through an effortless free flow technique that released tension in the body through an emphasis on weight - placement - impulse - immediacy and movement dynamics
tempo
overuse of a tendon
unity
erick hawkins
6. Observers would be unlikely to see contractions - releases - and isolations in which of the following dance forms?
brush/scuff
ballet
pelvic thrusts
turns at center
7. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
stamp
projection
ideokinesis
axial movement
8. The movement is speeded up or slowed down
tempo acceleration/deceleration
gus giordano
3/4
grand allegro
9. Combination: sudden time/indirect space/strong weight
developpe
transitions
slash
ann miller
10. The size of the movement is increased or decreased
augmentation/diminution
aerobic exercise
rhythm
savion glover
11. Rubrics are most effective for
tempo acceleration/deceleration
martha graham
assessing complex assignments
mesomorph
12. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
jerome robbins
Kinesthetics
free dance
harold and fayard nicholas
13. This is a repeated grouping of accented beats
inversion
third position
rhythm
meter
14. Combination: sustained time/direct space/strong weight
press
repetition
Giselle
brush/scuff
15. More is added to the original movement
promenade - turns - lifts - leaps
coordinating lighting and sound cues
charles weidman
accumulation
16. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
twyla tharp
george balanchine
time
alexander technique
17. He was the co-founder of denishawn and the founder of jacob's pillow dance festival
master juba lane
ted shawn
head whip
time
18. These include pique - chaine - and similar turns that move the dancer across the floor
fifth position
turns at center
gus giordano
turns from corner
19. Placing the entire foot on the floor without a weight change
pirouette
mesomorph
stomp
kinesphere
20. The rhythmic pattern of the movements is varied
stomp
erick hawkins
fifth position
rhythm
21. He was a celebrated choreographer and the first male dance for the graham company
Mikhail Fokine
Principles of composition
erick hawkins
flexion
22. Which of the following ballets used music not composed by Tchaikovsky
Giselle
partnering/group skills
tempo
alexander technique
23. Refers to the length of time a movement takes - from initiation to completion
extension
Marius Petipa
time
frappe
24. In Laban Movement Analysis the space in which a dancer's body is moving is called the
kinesphere
Luigi
improve muscle strength
degage
25. A state of equilibrium referring to the balance of weight or the spatial arrangement of bodies.
Luigi
ectomorph
balance
improve muscle strength
26. Basic movements or short sequences are manipulated to create new but related movements
movement of the arms
hyperextension
motif and development
action/reaction
27. Similar to the principles of visual art. Refers to the presence of unity - continuity (transitions) and variety (contrasts and repitition-patterns) in the choreography
Principles of composition
jack cole
matt mattox
press
28. These brothers were famous in vaudeville - on the jazz circuit and in hollywood for their daring acrobatic style
gus giordano
harold and fayard nicholas
flow
vertically
29. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
inversion
step
Mikhail Fokine
frontal plane
30. Dance marked by movement isolations and complex polyrhythms found in African American music such as - ragtime - jazz - spirituals - blues - work songs and is considered and American style of dance.
jazz dance
contrast
tap
jazz hands
31. When a frappe` is performed - the accent is typically on the
motif and development
narrative
accumulation
extension of the working leg
32. Outward rotation; turning a limb outward - toward the back of the body
work
tempo
eversion
Giselle
33. Inward rotation; turning a limb inward - toward the front of the body
bob fosse
inversion
jump
slap
34. Large jumps or leaps Which move the dancer across the floor - such as grandes jetes or tours jetes
grand allegro
Giselle
Luigi
variety
35. Is the degree of the force of body weight introduced into a movement
fragmentation
a contact improvisation exercise
weight
hyperextension
36. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
entrechat
degage
doris humphrey
ideokinesis
37. A piece of choreography that lacks flow could be improved by the addition of
modern dance
ballet
hinge
transitions
38. Runs vertically from the front to the back of an upright standing body the wheel plane
cholly atkins
alexander technique
sagittal plane
abduction
39. This is the dynamic hitting of a positions
modern dance
vertically
developpe
snap
40. The jazz dance choreography in the musical theater classics Chicago and Cabaret is the work of
meter
jack cole
Bob Fosse
aerobic exercise
41. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
cumulative canons
improvisation
pelvic thrusts
Kinesthetics
42. Forward brush followed by a backward brush
rhythm
broadway or show tap
shuffle
vaganova method
43. Which of the following men is known for pioneering tap dance as a young man living in the Five Points neighborhood of NY city
gus giordano
master juba lane
improvisation
ideokinesis
44. The orginal french form of classical ballet from italy
meter
cecchetti method
rhythm tap
improvisation
45. Which of the following dance steps is most advanced? plie - degage - entrechat - tendu
snap
Giselle
doris humphrey and charles weidman
entrechat
46. He was the founder of Ballets Russes
Marius Petipa
feldenkrais
Diaghilev
kinesphere
47. A particular kind or style of dance - such as - ballet - jazz - modern - folk - tap - hip-hop - etc.
genre
work
pelvic thrusts
hinge
48. She brought the precursors of ballet to France in the 1500s
cholly atkins
Catherine de Medici
sammy davis jr
inversion
49. Movement of a limb away from the midline of the body
modern dance
abduction
modern dance
augmentation/diminution
50. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
pathways
tableau
improve muscle strength
meter