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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Modern dance technique style that explores fall and recovery
at the front
snap
doris humphrey
variety
2. The degree of ease or continuousness of a movement from initiation to completion
in all directions
pilates
bob fosse
flow
3. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
adagio
repetition
third position
free dance
4. A position of the body in space - such as curved - straight - angular - twisted - symmetrical - asymmetrical - etc.
shape
eversion
merce cunningham
folk/traditional
5. Placing the entire foot on the floor without a weight change
petit allegro
erick hawkins
twyla tharp
stomp
6. Striking the floor with the tip of the foot - with or without a weight change
Marius Petipa
toe
merce cunningham
Kinesthetics
7. Widespread hand posture where the fingers are extended strongly outward from the palm
touch
eversion
tempo
jazz hands
8. This duo became famous in the 1940s along with cab calloway they were part of the big band circuit - and they performed in hollywood
Direction
cholly atkins and coles
endomorph
turns from corner
9. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
tendu
twyla tharp
partnering/group skills
Kinesthetics
10. He was the creator of legendary ballets for the Russian Imperial Theatre including the Nutcracker and Swan Lake
twyla tharp
cholly atkins and coles
feldenkrais
Marius Petipa
11. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
paul taylor
space
slap
improve muscle strength
12. When a frappe` is performed - the accent is typically on the
instrumentation
angular oppositions
extension of the working leg
Diaghilev
13. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
improvisation
third position
stomp
time
14. Lightly striking the floor in an outward sweeping motion (brush with ball - scuff with heel)
second position
Kinesthetics
feldenkrais
brush/scuff
15. Multiple performers perform a movement in succession
savion glover
bartenieff fundamentals
melody
canon
16. The intentional quality of the path taken by a body part or a body through space during a movement. direct or indirect
space
martha graham
flexion and extension
cholly atkins and coles
17. These brothers were famous in vaudeville - on the jazz circuit and in hollywood for their daring acrobatic style
harold and fayard nicholas
dab
flow
locomotion
18. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
head whip
biceps brachii - biceps femoris
modern
pelvic thrusts
19. The original movement is the question and the new movement is the answer
jazz hands
a contact improvisation exercise
action/reaction
unison
20. Of the following types of social dance listed below - which does not involve partnering?
line dancing
at the front
time
ruth st. denis
21. The founder of the modern classical method of ballet
Butoh
ball and socket joint
george balanchine
extension
22. Which of the following tasks is the duty of a stage manager?
coordinating lighting and sound cues
kinesthetic awareness
angular oppositions
kinesphere
23. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
the changement and the sautes
hinge
bill bojangles robinson
cholly atkins and coles
24. This is a repeating pattern of stressed and unstressed beats in a piece of music
martha graham
merce cunningham
rhythm
savion glover
25. A choreographer asks four dancers to perform different movements simultaneously. This is called a
master juba lane
savion glover
martha graham
tableau
26. A particular kind or style of dance - such as - ballet - jazz - modern - folk - tap - hip-hop - etc.
Direction
genre
transition
vertically
27. A piece of choreography that lacks flow could be improved by the addition of
vertically
tap
transitions
katherine dunham
28. In Laban Movement Analysis the space in which a dancer's body is moving is called the
contrast
third position
kinesphere
narrative
29. Leaving the ground and landing on the same foot
toe
hop
harold and fayard nicholas
doris humphrey and charles weidman
30. He was the first African american dancer to play to white audiences
savion glover
rhythm tap
variety
master juba lane
31. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
Giselle
dynamics
Kinesthetics
work
32. Two steps in sequence - one on each foot; the first step gets less weight than the second
ball change
promenade - turns - lifts - leaps
kinesphere
Kinesthetics
33. Circle of the leg - tracing a half circle upon the ground using the toes
first position
modern dance
ballet
rond de jambe
34. Modern dance technique that transformed everyday movement in to the absurd or dramatic
charles weidman
entrechat
tableau
unity
35. Large jumps or leaps Which move the dancer across the floor - such as grandes jetes or tours jetes
projection
augmentation/diminution
rotation
grand allegro
36. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
force/energy
angular oppositions
shuffle
interdisciplinary
37. The sagittal plane divides the body
matt mattox
transitions
modern
vertically
38. Leaving the ground and landing on the other foot
augmentation/diminution
step
jump
turns at center
39. All performers begin at the same time but at different starting points within the same phrase
simultaneous canons
wring
isolated movement
augmentation/diminution
40. He was the co-founder of denishawn and the founder of jacob's pillow dance festival
the changement and the sautes
motif and development
ted shawn
choreography
41. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
Marius Petipa
adductor magnus
rhythm
kinesthetic awareness
42. He is a new generation broadway/hollywood tap and hip hop dancer and choreographer
inversion
doris humphrey
rhythm
savion glover
43. Forward brush followed by a backward brush
coordinating lighting and sound cues
erick hawkins
matt mattox
shuffle
44. This broadway and hollywood performer and choreographer introduced African and caribbean dance styles
King Louis XIV
syncopation
alexander technique
katherine dunham
45. Dance performed in a social setting; traditionally referred to as ballroom - but includes all popular social dances performed with or without partners
economic development
adductor magnus
jerome robbins
social dance
46. Which of the following two muscles are used for flexion in dance?
flap
isolated movement
biceps brachii - biceps femoris
sammy davis jr
47. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
martha graham
polyrhythm
locomotion
variety
48. The orginal french form of classical ballet from italy
time
cecchetti method
ball and socket joint
merce cunningham
49. Late modern dance technique that created dances without any attached historical - cultural or philosophical meanings
projection
merce cunningham
turns at center
at the front
50. Movement of a limb toward the midline of the body
interdisciplinary
merce cunningham
jazz
adduction
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