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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
entrechat
space
adductor magnus
float
2. This broadway and hollywood choreographer did the film version of west side story
jerome robbins
improvisation
syncopation
rhythm
3. He was the first African american dancer to play to white audiences
telling a traditional story
master juba lane
erick hawkins
Luigi
4. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
frappe
improve muscle strength
bob fosse
projection
5. Combination: sustained time/direct space/strong weight
second position
tap
press
space
6. Placing the entire foot on the floor with a weight change
stamp
time
adduction
cecchetti method
7. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
Mikhail Fokine
savion glover
Kinesthetics
isolated movement
8. In order to relieve muscle tension - a dancer might engage in all but which of the following practices
ruby keeler
pilates
modern
Kinesthetics
9. Rubrics are most effective for
head whip
george balanchine
dynamics
assessing complex assignments
10. Similar to the principles of visual art. Refers to the presence of unity - continuity (transitions) and variety (contrasts and repitition-patterns) in the choreography
Principles of composition
flexion and extension
frontal plane
inversion
11. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
flexion and extension
Direction
reverance
ectomorph
12. Runs vertically from the front to the back of an upright standing body the wheel plane
sagittal plane
augmentation/diminution
economic development
tap dance
13. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
pelvic thrusts
loie fuller and isadora duncan
fifth position
third position
14. Defined specifically as the volume at Which musical notes are played.
sammy davis jr
pilates
dynamics
developpe
15. He is the father of ballet in American and the founder of the NY city Ballet
simultaneous canons
at the front
George Balanchine
harold and fayard nicholas
16. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
Principles of composition
partnering/group skills
pathways
isolated movement
17. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
telling a traditional story
bill bojangles robinson
ballet
line dancing
18. The orginal french form of classical ballet from italy
wring
rhythm
pelvic thrusts
cecchetti method
19. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
endomorph
promenade - turns - lifts - leaps
press
time
20. Which of the following societal changes has probably had the least impact on the variety of dance styles that are performed in the US today?
vertically
touch
master juba lane
economic development
21. He established the horton technique and was a longtime partner of bell lewitzky
meter
weight
lester horton
head whip
22. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
snap
Luigi
kinesthetic awareness
slash
23. Movement anchored to one spot by a pody part. Only the available space in any direction is used while the initial body contact is being maintained. Movement is organized around the axis of the body and is not designed to travel from one location to a
cholly atkins and coles
George Balanchine
axial movement
partnering/group skills
24. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
rhythm tap
variety
ted shawn
ruth st. denis
25. Two steps in sequence - one on each foot; the first step gets less weight than the second
ideokinesis
space
overuse of a tendon
ball change
26. The action of straightening a joint or the action of increasing the angle between tow levers
punch
Marius Petipa
extension
isolated movement
27. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
ball and socket joint
variety
second position
cramp roll
28. Circle of the leg - tracing a half circle upon the ground using the toes
assessing complex assignments
harold and fayard nicholas
rond de jambe
pathways
29. Which of the following steps in tap dance would produce a total of four audible taps?
cramp roll
stamp
ruth st. denis
feldenkrais
30. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
mesomorph
alexander technique
Luigi
inversion
31. Refers to the length of time a movement takes - from initiation to completion
frappe
tempo
bob fosse
time
32. The original movement is the question and the new movement is the answer
katherine dunham
master juba lane
action/reaction
fred astaire and ginger rogers
33. Placing the ball of the foot on the floor with a weight change
space
step
matt mattox
grand allegro
34. A piece of choreography or dance
work
ballet
Direction
kinesphere
35. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
choreography
Giselle
overuse of a tendon
Luigi
36. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
rond de jambe
cumulative canons
third position
isolated movement
37. A form of Western classical dance that originated in the Renaissance courts of Europe. The dance form was formally codified by the time of King Louis XIV (mid-1600's) - Who was accomplished dancer - responsible for extensive notation as well as suppo
rond de jambe
ballet
polyrhythm
dynamics
38. A type of dance that concentrates of footwork and rhythm. This type of dance grew out of American popular dancing - with significant roots in African American - Irish and english clogging traditions.
George Balanchine
tap dance
locomotion
vaganova method
39. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
head whip
projection
sammy davis jr
retrograde
40. Dance marked by movement isolations and complex polyrhythms found in African American music such as - ragtime - jazz - spirituals - blues - work songs and is considered and American style of dance.
jazz dance
kinesphere
loie fuller and isadora duncan
augmentation/diminution
41. What is the meter in the waltz
dab
3/4
unison
body knowledge
42. Dance associated with a nationalistic purpose - usually performed today as surviving portion of a traditional celebration and done for social gatherings or as recreation
jazz hands
choreography
folk/traditional
fifth position
43. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
adduction
Luigi
Direction
work
44. The founder of the modern classical method of ballet
ted shawn
george balanchine
shuffle
variety
45. This is the speed at Which music is played.
tempo
sagittal plane
tendu
ideokinesis
46. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
savion glover
polyrhythm
mesomorph
hyperextension
47. This denishawn student - legendary dancer - and choreographer developed the graham technique
martha graham
fourth position
pathways
adductor magnus
48. This broadway and hollywood performer and choreographer introduced African and caribbean dance styles
rotation
jerome robbins
katherine dunham
Nijinsky
49. This hollywood jazz and tap dancer popularized the practice of wearing pantyhose in place of stockings
jump
erick hawkins
master juba lane
ann miller
50. Is the degree of the force of body weight introduced into a movement
dab
Bob Fosse
slash
weight