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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Striking the floor with the tip of the foot - with or without a weight change
toe
rotation
transitions
incorporation
2. The hip joint is a
ruby keeler
movement of the arms
broadway or show tap
ball and socket joint
3. Outward rotation; turning a limb outward - toward the back of the body
inversion
work
punch
eversion
4. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
pirouette
cramp roll
Luigi
incorporation
5. Reach space or personal space.
cramp roll
bartenieff fundamentals
martha graham
kinesphere
6. Leaving the ground and landing on the other foot
space
third position
space
jump
7. This denishawn dancer and broadway choreographer invented theater dance
jack cole
bartenieff fundamentals
ball change
ted shawn
8. Striking the floor with an immediate release; can be done with the heel or the ball of the foot
tap
head whip
tableau
turns from corner
9. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
telling a traditional story
instrumentation
Kinesthetics
toe
10. This involves placing the limbs into positions so that the resulting combination of angles is unusual.
petit allegro
george balanchine
angular oppositions
jack cole
11. These denishawn students produced the first modern dance performance and established the humphrey technique
fred astaire and ginger rogers
ann miller
doris humphrey and charles weidman
jack cole
12. This legendary tap dance partner of charles hone coles also worked as a choreographer for artists with the motown record label
retrograde
work
cholly atkins
improving flexibility
13. Feet: separated shoulder width third position arms: arm corresponding with front foot in front of the torso as in first position - arm corresponding with back foot overhead as in fifth position
work
flexion and extension
fourth position
snap
14. Rubrics are most effective for
assessing complex assignments
slash
dynamics
tempo acceleration/deceleration
15. Sturdy body with strong dense musculature - lack of flexibility
float
martha graham
mesomorph
jerome robbins
16. When a frappe` is performed - the accent is typically on the
tap
extension of the working leg
jazz dance
adduction
17. Late modern dance technique that draws from everyday gestures and movements such as sitting - crawling - rolling - walking - and running.
angular oppositions
head whip
at the front
paul taylor
18. Large jumps or leaps Which move the dancer across the floor - such as grandes jetes or tours jetes
grand allegro
gene kelly
punch
Direction
19. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
improve muscle strength
stamp
jazz
merce cunningham
20. In Laban's theory of effort (sometimes called movement dynamics) - which of the following qualities is not a dimension of effort?
reverance
Direction
cecchetti method
doris humphrey and charles weidman
21. Tap dancers that are part of the jazz musical tradition such as bill bojangles robinson - sammy davis jr. - gregory hines and savion glover
Principles of composition
rhythm tap
touch
kinesthetic awareness
22. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
press
frappe
force/energy
time
23. All performers begin at the same time but at different starting points within the same phrase
inversion
melody
simultaneous canons
Nijinsky
24. Intersects an upright standing body horizontally the table plane
flick
transverse horizontal plane
harold and fayard nicholas
space
25. He was the creator of legendary ballets for the Russian Imperial Theatre including the Nutcracker and Swan Lake
improving flexibility
Marius Petipa
flap
jump
26. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
adduction
toe
the changement and the sautes
kinesthetic awareness
27. This celebrated teacher founded the jazz dance world congress
gregory hines
gus giordano
fourth position
assessing complex assignments
28. A piece of choreography or dance
adagio
Beauchamps & Noverre
work
Marius Petipa
29. The term 'port des bras' refers to
space
twyla tharp
movement of the arms
unison
30. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
work
dynamics
rhythm
time
31. Movement executed with one body part or a small part of the body. Examples are rooling the head - shruggung the shoulders and rotating the pelvis.
Nijinsky
action/reaction
syncopation
isolated movement
32. Combination: sudden time/indirect space/light weight
degage
augmentation/diminution
at the front
flick
33. He was the first African american dancer to play to white audiences
space
Marius Petipa
master juba lane
sammy davis jr
34. Dance movemnt that takes place at the same time across the whole group of dancers
endomorph
unison
ball change
ted shawn
35. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
projection
interdisciplinary
cecchetti method
ruby keeler
36. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
space
kinesphere
choreography
shuffle
37. Placing the entire foot on the floor without a weight change
petit allegro
frappe
stomp
grand allegro
38. For which of the following types of dance is a shoe with a small - soft heel traditionally worn
jazz
time
erick hawkins
improving flexibility
39. This duo became famous in the 1940s along with cab calloway they were part of the big band circuit - and they performed in hollywood
partnering/group skills
tableau
Mikhail Fokine
cholly atkins and coles
40. He was a broadway/hollywood hoofer and actor who ushered in the tap revival of the 1980s
vaganova method
gregory hines
space
free dance
41. Movement of a limb toward the midline of the body
repetition
loie fuller and isadora duncan
incorporation
adduction
42. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
narrative
ideokinesis
broadway or show tap
Nijinsky
43. If a ballet step such as grand battement is performed en croix - this means
frontal plane
free dance
in all directions
a contact improvisation exercise
44. Which of the following steps in tap dance would produce a total of four audible taps?
angular oppositions
cramp roll
jazz dance
fragmentation
45. Early modern dance composition - such as that of martha graham - was characterized by which of the following forms?
first position
ann miller
pilates
narrative
46. Nonliteral choreography may have all but which of the following goals
sammy davis jr
jazz hands
Catherine de Medici
telling a traditional story
47. Observers would be unlikely to see contractions - releases - and isolations in which of the following dance forms?
turns at center
ballet
at the front
syncopation
48. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
modern dance
isolated movement
entrechat
locomotion
49. Runs vertically from the front to the back of an upright standing body the wheel plane
sagittal plane
flap
transverse horizontal plane
Principles of composition
50. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
flexion and extension
Direction
press
cumulative canons