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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Forward brush followed by a backward brush
kinesphere
tempo
tableau
shuffle
2. The original movement is the question and the new movement is the answer
economic development
action/reaction
cecchetti method
ann miller
3. Multiple performers perform a movement in succession
jazz dance
canon
savion glover
fifth position
4. Slow sustained movements that often incorporate developpes and balances such as penches
adagio
choreography
Giselle
savion glover
5. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
ruby keeler
choreography
jerome robbins
head whip
6. A form of physical movement progressing from one place to another. Walking - running - grapevine - galloping - leaping - jumping - hopping - skipping - sliding - etc.
locomotion
tempo
adagio
hop
7. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
bartenieff fundamentals
abduction
third position
transition
8. For which of the following types of dance is a shoe with a small - soft heel traditionally worn
hinge
George Balanchine
jazz
syncopation
9. Bending and straightening the knees
modern dance
fred astaire and ginger rogers
plie
modern dance
10. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
shape
adductor magnus
adagio
rond de jambe
11. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
first position
george balanchine
flexion and extension
overuse of a tendon
12. A choreographer asks four dancers to perform different movements simultaneously. This is called a
Direction
tableau
merce cunningham
improvisation
13. Multiple performers perform the movement in the same way at the same time
unison
petit allegro
press
adductor magnus
14. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
partnering/group skills
dynamics
variety
cholly atkins and coles
15. Where is the apron of the stage located
isolated movement
matt mattox
at the front
Nijinsky
16. Two steps in sequence - one on each foot; the first step gets less weight than the second
shape
ball change
King Louis XIV
alexander technique
17. Slow port-de-bras and bow at the end of class to acknowledge gratitude to the teacher
ruth st. denis
plie
augmentation/diminution
reverance
18. Tendonitis is typically caused by
Marius Petipa
brush/scuff
Diaghilev
overuse of a tendon
19. Combination: sudden time/direct space/light weight
dab
rhythm tap
folk/traditional
tempo acceleration/deceleration
20. Which of the following ballets used music not composed by Tchaikovsky
Giselle
cecchetti method
matt mattox
dynamics
21. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
polyrhythm
george balanchine
ideokinesis
ball change
22. In Laban's theory of effort (sometimes called movement dynamics) - which of the following qualities is not a dimension of effort?
Direction
axial movement
balance
ballet
23. A piece of choreography or dance
developpe
work
ruby keeler
Kinesthetics
24. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
jerome robbins
movement of the arms
grand allegro
twyla tharp
25. Which of the following movements can be performed en dedans
vaganova method
endomorph
projection
pirouette
26. Combination: sustained time/indirect space/lightweight
jazz dance
gregory hines
jack cole
float
27. This practice employs repetitive motions derived from fundamental gestures and natural movements to increase awareness of habitual movement patterns and release tension left over from old injuries and habits in order to expand range of motion in the
Marius Petipa
head whip
feldenkrais
pathways
28. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
george balanchine
fifth position
folk/traditional
paul taylor
29. A state of equilibrium referring to the balance of weight or the spatial arrangement of bodies.
Nijinsky
balance
unity
doris humphrey and charles weidman
30. Movement of a limb toward the midline of the body
wring
adduction
george balanchine
flexion and extension
31. The jazz dance choreography in the musical theater classics Chicago and Cabaret is the work of
tempo acceleration/deceleration
overuse of a tendon
matt mattox
Bob Fosse
32. A form of Western classical dance that originated in the Renaissance courts of Europe. The dance form was formally codified by the time of King Louis XIV (mid-1600's) - Who was accomplished dancer - responsible for extensive notation as well as suppo
alexander technique
ball and socket joint
ballet
Beauchamps & Noverre
33. All performers begin at the same time but at different starting points within the same phrase
simultaneous canons
meter
improvisation
tendu
34. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
kinesthetic awareness
melody
adductor magnus
martha graham
35. Modern jazz style that is an exploratory style. mixes in ballet
gus giordano
transitions
vaganova method
unison
36. Placing an accent on a normally weak beat
body knowledge
syncopation
Principles of composition
improvisation
37. Feet heels touching toes turned out arms: both arms held in front of the torso hands at waist level
motif and development
flick
first position
instrumentation
38. Placing the entire foot on the floor without a weight change
stamp
Kinesthetics
stomp
rhythm tap
39. Outward rotation; turning a limb outward - toward the back of the body
eversion
repetition
hinge
vaganova method
40. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
vertically
meter
frontal plane
Principles of composition
41. A lean body with enhanced flexibility due to a lack of muscular strength
endomorph
coordinating lighting and sound cues
fourth position
dynamics
42. Reach space or personal space.
feldenkrais
kinesphere
paul taylor
choreography
43. This involves placing the limbs into positions so that the resulting combination of angles is unusual.
instrumentation
angular oppositions
head whip
punch
44. The action of straightening a joint or the action of increasing the angle between tow levers
Mikhail Fokine
3/4
extension
axial movement
45. He was a celebrated choreographer and the first male dance for the graham company
inversion
erick hawkins
telling a traditional story
jazz hands
46. They codified many standard ballet rules still used today
wring
axial movement
Beauchamps & Noverre
ballet
47. To strike - striking the floor with the foot in a brushing movement
simultaneous canons
touch
frappe
melody
48. In order to improve student's kinesthetic awareness and originality - a teacher might assign
a contact improvisation exercise
katherine dunham
tap
Giselle
49. Inward rotation; turning a limb inward - toward the front of the body
motif and development
inversion
slap
space
50. Energy of movement expressed in varying intensities - accent and quality
dynamics
hyperextension
time
simultaneous canons