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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Awareness of one's body and its possibilities - capabilities and limitations
incorporation
body knowledge
hyperextension
stomp
2. This is the speed at Which music is played.
ball change
at the front
tempo
developpe
3. If one were to eliminate the jumping elements from the combination which steps would be eliminated
choreography
the changement and the sautes
Principles of composition
ballet
4. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
sagittal plane
transition
improve muscle strength
fifth position
5. A movement is made part of another movement
jazz
Beauchamps & Noverre
doris humphrey
incorporation
6. Placing the entire foot on the floor without a weight change
rhythm
stomp
grand allegro
flow
7. Rounded body type.
rotation
ectomorph
lester horton
instrumentation
8. Nonliteral choreography may have all but which of the following goals
telling a traditional story
stamp
fifth position
pilates
9. Dance performed in a social setting; traditionally referred to as ballroom - but includes all popular social dances performed with or without partners
social dance
free dance
canon
in all directions
10. Slow sustained movements that often incorporate developpes and balances such as penches
motif and development
merce cunningham
Diaghilev
adagio
11. Basic movements or short sequences are manipulated to create new but related movements
motif and development
free dance
balance
Giselle
12. Which of the following is typically not a goal of ideokinesis
pelvic thrusts
punch
improving flexibility
the changement and the sautes
13. These include pirouette and fouette turns - in which the dancer remains in one place on the floor
genre
turns at center
pilates
free dance
14. Modern jazz style that is a therapeutic method - emphasizes fluidity - unbroken motion - balance - and smooth transitions.
Luigi
economic development
head whip
contrast
15. Combination: sustained time/indirect space/lightweight
hop
float
frontal plane
improvisation
16. Combination: sudden time/indirect space/strong weight
slash
instrumentation
ruby keeler
doris humphrey
17. Which of the following two muscles are used for flexion in dance?
a contact improvisation exercise
savion glover
Butoh
biceps brachii - biceps femoris
18. They were the progenitors of modern dance
unison
overuse of a tendon
work
loie fuller and isadora duncan
19. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
lester horton
extension
contrast
second position
20. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
balance
adagio
wring
flexion and extension
21. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
ruby keeler
second position
flexion
bartenieff fundamentals
22. Which of the following tasks is the duty of a stage manager?
coordinating lighting and sound cues
Direction
projection
master juba lane
23. Part of a movement is performed
narrative
promenade - turns - lifts - leaps
fragmentation
repetition
24. This duo became famous in the 1940s along with cab calloway they were part of the big band circuit - and they performed in hollywood
cholly atkins and coles
kinesphere
King Louis XIV
tempo
25. Dance marked by movement isolations and complex polyrhythms found in African American music such as - ragtime - jazz - spirituals - blues - work songs and is considered and American style of dance.
jazz dance
angular oppositions
modern dance
Kinesthetics
26. This denishawn dancer and broadway choreographer invented theater dance
jack cole
social dance
katherine dunham
tap
27. Forward brush followed by a backward brush
shuffle
tableau
cholly atkins
matt mattox
28. Which of the following ballets used music not composed by Tchaikovsky
fifth position
george balanchine
Giselle
bob fosse
29. Widespread hand posture where the fingers are extended strongly outward from the palm
grand allegro
jazz hands
rond de jambe
fifth position
30. Striking the floor with the tip of the foot - with or without a weight change
toe
motif and development
martha graham
rhythm
31. The action of straightening a joint or the action of increasing the angle between tow levers
doris humphrey and charles weidman
extension
pirouette
narrative
32. He was the first African american dancer to play to white audiences
pirouette
transverse horizontal plane
matt mattox
master juba lane
33. To extend or stretch - pointing the toes
tendu
ideokinesis
martha graham
transverse horizontal plane
34. They codified many standard ballet rules still used today
Beauchamps & Noverre
work
master juba lane
a contact improvisation exercise
35. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
snap
3/4
adductor magnus
Luigi
36. This legendary tap dance partner of charles hone coles also worked as a choreographer for artists with the motown record label
unity
cholly atkins
gene kelly
space
37. To strike - striking the floor with the foot in a brushing movement
kinesphere
frappe
space
cholly atkins
38. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
alexander technique
tempo acceleration/deceleration
narrative
savion glover
39. Combination: sustained time/direct space/light weight
Marius Petipa
rhythm
glide
movement of the arms
40. Four main movements in the pas de deux
feldenkrais
promenade - turns - lifts - leaps
fourth position
kinesphere
41. Late modern dance technique that draws from everyday gestures and movements such as sitting - crawling - rolling - walking - and running.
ballet
tap dance
kinesphere
paul taylor
42. This is a repeated grouping of accented beats
meter
contrast
turns at center
slap
43. A type of dance that concentrates of footwork and rhythm. This type of dance grew out of American popular dancing - with significant roots in African American - Irish and english clogging traditions.
first position
tap dance
ball and socket joint
charles weidman
44. This hollywood jazz and tap dancer popularized the practice of wearing pantyhose in place of stockings
slap
ideokinesis
promenade - turns - lifts - leaps
ann miller
45. For which of the following types of dance is a shoe with a small - soft heel traditionally worn
brush/scuff
motif and development
jazz
erick hawkins
46. This broadway and hollywood choreographer did the film version of west side story
jerome robbins
extension of the working leg
Principles of composition
ectomorph
47. These include pique - chaine - and similar turns that move the dancer across the floor
glide
plie
turns from corner
extension
48. Movement of a limb away from the midline of the body
abduction
bob fosse
extension of the working leg
rhythm
49. Movement anchored to one spot by a pody part. Only the available space in any direction is used while the initial body contact is being maintained. Movement is organized around the axis of the body and is not designed to travel from one location to a
axial movement
space
extension of the working leg
kinesphere
50. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
cecchetti method
third position
rhythm
free dance