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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The size of the movement is increased or decreased
projection
time
fifth position
augmentation/diminution
2. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
jump
dynamics
fifth position
vaganova method
3. He was the founder of Ballets Russes
extension of the working leg
Diaghilev
jerome robbins
biceps brachii - biceps femoris
4. Runs vertically from the front to the back of an upright standing body the wheel plane
sagittal plane
vertically
flap
flow
5. Dance movemnt that takes place at the same time across the whole group of dancers
syncopation
cholly atkins
unison
erick hawkins
6. When a movment phrase or section progresses to the next.
transition
pilates
projection
modern dance
7. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
inversion
doris humphrey and charles weidman
katherine dunham
time
8. Leaving the ground and landing on the other foot
rond de jambe
jump
cholly atkins and coles
improve muscle strength
9. Movement of a limb away from the midline of the body
abduction
rhythm
genre
projection
10. In order to develop a dancer's endurance for a long performance - a teacher would recommend
mesomorph
tableau
aerobic exercise
float
11. A feeling of completion or wholeness in a dance achieved when all parts work well together.
body knowledge
twyla tharp
isolated movement
unity
12. Placing the entire foot on the floor without a weight change
alexander technique
stomp
ball and socket joint
Giselle
13. This practice employs repetitive motions derived from fundamental gestures and natural movements to increase awareness of habitual movement patterns and release tension left over from old injuries and habits in order to expand range of motion in the
feldenkrais
sagittal plane
Direction
overuse of a tendon
14. To disengage - brushing foot thru tendu to slightly leave the ground
bill bojangles robinson
balance
degage
first position
15. This legendary tap dance partner of charles hone coles also worked as a choreographer for artists with the motown record label
cholly atkins
augmentation/diminution
lester horton
modern
16. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
touch
projection
slash
glide
17. Lightly striking the floor in an outward sweeping motion (brush with ball - scuff with heel)
frappe
projection
brush/scuff
force/energy
18. Dance associated with a nationalistic purpose - usually performed today as surviving portion of a traditional celebration and done for social gatherings or as recreation
martha graham
unison
biceps brachii - biceps femoris
folk/traditional
19. He was the creator of legendary ballets for the Russian Imperial Theatre including the Nutcracker and Swan Lake
eversion
Marius Petipa
syncopation
retrograde
20. Four main movements in the pas de deux
martha graham
promenade - turns - lifts - leaps
stomp
doris humphrey and charles weidman
21. Modern jazz style that is an exploratory style. mixes in ballet
jump
modern dance
adduction
gus giordano
22. He was the choreographer for Ballets Russes
Mikhail Fokine
vaganova method
third position
endomorph
23. The original movement is the question and the new movement is the answer
genre
action/reaction
dynamics
first position
24. Outward rotation; turning a limb outward - toward the back of the body
the changement and the sautes
ballet
jazz
eversion
25. Circle of the leg - tracing a half circle upon the ground using the toes
second position
merce cunningham
polyrhythm
rond de jambe
26. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
variety
Giselle
Catherine de Medici
motif and development
27. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
kinesphere
ectomorph
choreography
incorporation
28. When a frappe` is performed - the accent is typically on the
ectomorph
stomp
gus giordano
extension of the working leg
29. Asking students to research a non-western culture and perform a dance from that culture is an example of an _____ approach to learning
transverse horizontal plane
snap
tap
interdisciplinary
30. The action of straightening a joint or the action of increasing the angle between tow levers
canon
interdisciplinary
Butoh
extension
31. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
instrumentation
contrast
extension
shape
32. They codified many standard ballet rules still used today
social dance
improve muscle strength
locomotion
Beauchamps & Noverre
33. These hollywood partners were famous for appearing in films that featured their supernaturally smooth ballroom and tap styles
frontal plane
reverance
fred astaire and ginger rogers
promenade - turns - lifts - leaps
34. Nonliteral choreography may have all but which of the following goals
melody
social dance
jack cole
telling a traditional story
35. Stretching of the foot along the floor - away from the standing leg
tap
martha graham
tendu
movement of the arms
36. Awareness of one's body and its possibilities - capabilities and limitations
touch
body knowledge
jazz dance
angular oppositions
37. Rubrics are most effective for
Mikhail Fokine
gene kelly
syncopation
assessing complex assignments
38. This involves placing the limbs into positions so that the resulting combination of angles is unusual.
angular oppositions
turns from corner
jazz hands
instrumentation
39. This duo became famous in the 1940s along with cab calloway they were part of the big band circuit - and they performed in hollywood
jerome robbins
hinge
Catherine de Medici
cholly atkins and coles
40. This is the speed at Which music is played.
tempo
canon
Nijinsky
head whip
41. Tendonitis is typically caused by
hyperextension
broadway or show tap
tendu
overuse of a tendon
42. He was a celebrated choreographer and the first male dance for the graham company
the changement and the sautes
ectomorph
erick hawkins
kinesthetic awareness
43. Late modern dance technique developed through an effortless free flow technique that released tension in the body through an emphasis on weight - placement - impulse - immediacy and movement dynamics
erick hawkins
master juba lane
charles weidman
free dance
44. A particular kind or style of dance - such as - ballet - jazz - modern - folk - tap - hip-hop - etc.
petit allegro
second position
genre
rhythm
45. Rounded body type.
ectomorph
toe
interdisciplinary
gene kelly
46. Placing the ball of the foot on the floor with a weight change
step
polyrhythm
dynamics
promenade - turns - lifts - leaps
47. Kazua ohno and tatsumi hijikata developed
Butoh
the changement and the sautes
balance
second position
48. These denishawn students produced the first modern dance performance and established the humphrey technique
ectomorph
meter
variety
doris humphrey and charles weidman
49. Striking the floor with an immediate release; can be done with the heel or the ball of the foot
tap
Catherine de Medici
rhythm tap
ruby keeler
50. Observers would be unlikely to see contractions - releases - and isolations in which of the following dance forms?
narrative
gene kelly
ballet
gus giordano