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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A piece of choreography or dance
melody
degage
master juba lane
work
2. Based on laban movement analysis - this practice encourages a deepened awareness of the connections between mind - body - movement - and internal and external environments to enhance mobility and function
Kinesthetics
3/4
bartenieff fundamentals
space
3. Feet heels touching toes turned out arms: both arms held in front of the torso hands at waist level
axial movement
projection
first position
lester horton
4. Dance performed in a social setting; traditionally referred to as ballroom - but includes all popular social dances performed with or without partners
rhythm
George Balanchine
social dance
lester horton
5. He was the co-founder of denishawn and the founder of jacob's pillow dance festival
space
genre
snap
ted shawn
6. Lightly striking the floor in an outward sweeping motion (brush with ball - scuff with heel)
gregory hines
brush/scuff
ballet
vaganova method
7. The movement is speeded up or slowed down
doris humphrey and charles weidman
jack cole
motif and development
tempo acceleration/deceleration
8. Which of the following societal changes has probably had the least impact on the variety of dance styles that are performed in the US today?
economic development
transitions
rotation
assessing complex assignments
9. A choreographer asks four dancers to perform different movements simultaneously. This is called a
dynamics
stomp
tableau
wring
10. Slow port-de-bras and bow at the end of class to acknowledge gratitude to the teacher
reverance
space
Luigi
flick
11. Forward brush followed by a touch
charles weidman
slap
ballet
ideokinesis
12. Dance associated with a nationalistic purpose - usually performed today as surviving portion of a traditional celebration and done for social gatherings or as recreation
folk/traditional
bob fosse
syncopation
ideokinesis
13. The size of the movement is increased or decreased
improvisation
erick hawkins
ectomorph
augmentation/diminution
14. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
Direction
hyperextension
fourth position
axial movement
15. Dance movemnt that takes place at the same time across the whole group of dancers
unison
aerobic exercise
instrumentation
step
16. He was a broadway/hollywood hoofer and actor who ushered in the tap revival of the 1980s
gregory hines
telling a traditional story
charles weidman
george balanchine
17. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
flexion
gene kelly
bob fosse
kinesthetic awareness
18. He was a celebrated choreographer and the first male dance for the graham company
ectomorph
erick hawkins
variety
tempo
19. This award winning choreographer and musical director of cabaret - sweet charity - and all that jazz created the fosse technique
weight
jump
bob fosse
rhythm tap
20. When a frappe` is performed - the accent is typically on the
the changement and the sautes
instrumentation
at the front
extension of the working leg
21. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
third position
weight
ball change
grand allegro
22. Slow sustained movements that often incorporate developpes and balances such as penches
pathways
adagio
instrumentation
ruth st. denis
23. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
transitions
cumulative canons
head whip
Marius Petipa
24. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
wring
loie fuller and isadora duncan
frontal plane
slash
25. Loie Fuller - Isadora Duncan - Ruth St. Denis developed what kind of dance
jerome robbins
modern
pirouette
locomotion
26. Late modern dance technique that created dances without any attached historical - cultural or philosophical meanings
merce cunningham
George Balanchine
turns at center
rotation
27. A state of equilibrium referring to the balance of weight or the spatial arrangement of bodies.
brush/scuff
ballet
balance
sagittal plane
28. Refers to simple - multiple - and different rhythm patterns played at the same time.
cramp roll
polyrhythm
adagio
tendu
29. Feet: separated shoulder width third position arms: arm corresponding with front foot in front of the torso as in first position - arm corresponding with back foot overhead as in fifth position
hop
fourth position
rhythm
reverance
30. When a movment phrase or section progresses to the next.
cumulative canons
social dance
broadway or show tap
transition
31. He established the horton technique and was a longtime partner of bell lewitzky
grand allegro
force/energy
at the front
lester horton
32. An element of dance that refers to the immediate spherical space surrounding the body in all directions. Use of space includes shape - direction - pathway - range of movement and level of movment(Low - middle - high).
weight
space
ruby keeler
stomp
33. Modern dance technique that involves a dramatic contraction and release - emphasizes weight moving into the floor and a spiral image for off-center or off-balance movement
martha graham
Catherine de Medici
modern dance
aerobic exercise
34. Celebrated teacher of jazz technique
ball and socket joint
matt mattox
ruby keeler
flick
35. This is a repeated grouping of accented beats
shuffle
improvisation
George Balanchine
meter
36. To disengage - brushing foot thru tendu to slightly leave the ground
rotation
degage
in all directions
genre
37. Tap dance is known for making heavy use of which of the following types of rhythm?
flexion and extension
syncopation
modern
Principles of composition
38. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
twyla tharp
slap
flow
head whip
39. Observers would be unlikely to see contractions - releases - and isolations in which of the following dance forms?
ballet
kinesthetic awareness
line dancing
projection
40. Intersects an upright standing body horizontally the table plane
bill bojangles robinson
polyrhythm
Kinesthetics
transverse horizontal plane
41. Which of the following ballets used music not composed by Tchaikovsky
vertically
partnering/group skills
Giselle
dynamics
42. Of the following types of social dance listed below - which does not involve partnering?
katherine dunham
George Balanchine
line dancing
modern
43. The orginal french form of classical ballet from italy
unity
polyrhythm
tendu
cecchetti method
44. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
time
tempo
isolated movement
erick hawkins
45. Movement created spontaneously - which ranges from freeform to highly structured environments - always including an element of chance.
unison
improvisation
canon
angular oppositions
46. Stretching of the foot along the floor - away from the standing leg
shuffle
interdisciplinary
tendu
folk/traditional
47. Outward rotation; turning a limb outward - toward the back of the body
martha graham
eversion
flap
unity
48. The founder of the modern classical method of ballet
telling a traditional story
george balanchine
shuffle
axial movement
49. Circle of the leg - tracing a half circle upon the ground using the toes
rond de jambe
modern dance
cholly atkins and coles
dynamics
50. A form of Western classical dance that originated in the Renaissance courts of Europe. The dance form was formally codified by the time of King Louis XIV (mid-1600's) - Who was accomplished dancer - responsible for extensive notation as well as suppo
doris humphrey
ballet
George Balanchine
Catherine de Medici
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