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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Combination: sudden time/indirect space/light weight
movement of the arms
flick
isolated movement
extension of the working leg
2. Similar to the principles of visual art. Refers to the presence of unity - continuity (transitions) and variety (contrasts and repitition-patterns) in the choreography
Principles of composition
augmentation/diminution
George Balanchine
tempo
3. She was the co-founder of denishawn - the first modern dance school
ruby keeler
ruth st. denis
kinesphere
Beauchamps & Noverre
4. This celebrated teacher founded the jazz dance world congress
extension
line dancing
gus giordano
balance
5. The jazz dance choreography in the musical theater classics Chicago and Cabaret is the work of
Bob Fosse
jazz dance
lester horton
glide
6. Movement anchored to one spot by a pody part. Only the available space in any direction is used while the initial body contact is being maintained. Movement is organized around the axis of the body and is not designed to travel from one location to a
merce cunningham
tableau
rhythm tap
axial movement
7. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
ruth st. denis
fifth position
Catherine de Medici
Kinesthetics
8. The movement is performed using a different body part
3/4
instrumentation
matt mattox
savion glover
9. Widespread hand posture where the fingers are extended strongly outward from the palm
erick hawkins
paul taylor
eversion
jazz hands
10. He was a broadway - hollywood and las vegas dancer - singer and actor
twyla tharp
sammy davis jr
movement of the arms
turns at center
11. Movement of a limb toward the midline of the body
line dancing
transition
modern dance
adduction
12. A particular kind or style of dance - such as - ballet - jazz - modern - folk - tap - hip-hop - etc.
adagio
ann miller
genre
master juba lane
13. Early modern dance composition - such as that of martha graham - was characterized by which of the following forms?
narrative
shape
coordinating lighting and sound cues
head whip
14. To extend or stretch - pointing the toes
force/energy
tendu
a contact improvisation exercise
coordinating lighting and sound cues
15. When a frappe` is performed - the accent is typically on the
extension of the working leg
promenade - turns - lifts - leaps
fragmentation
turns from corner
16. This is the speed at Which music is played.
tempo
incorporation
melody
3/4
17. He was a star dancer with and controversial choerographer for Ballets Russes
simultaneous canons
time
Nijinsky
social dance
18. Modern dance technique that transformed everyday movement in to the absurd or dramatic
charles weidman
ball and socket joint
Butoh
stamp
19. A movement is made part of another movement
improve muscle strength
at the front
incorporation
paul taylor
20. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
augmentation/diminution
Butoh
frontal plane
angular oppositions
21. He was the choreographer for Ballets Russes
Mikhail Fokine
gregory hines
retrograde
pirouette
22. Which of the following two muscles are used for flexion in dance?
brush/scuff
biceps brachii - biceps femoris
degage
folk/traditional
23. This involves placing the limbs into positions so that the resulting combination of angles is unusual.
King Louis XIV
angular oppositions
rotation
brush/scuff
24. All performers begin at the same time but at different starting points within the same phrase
locomotion
extension
simultaneous canons
dab
25. To develop or grow - drawing the working foot up the standing leg and then extending it outward
cholly atkins and coles
fragmentation
developpe
shape
26. If a ballet step such as grand battement is performed en croix - this means
gus giordano
action/reaction
in all directions
stomp
27. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
free dance
merce cunningham
bill bojangles robinson
Diaghilev
28. They were the progenitors of modern dance
motif and development
loie fuller and isadora duncan
accumulation
petit allegro
29. Which of the following societal changes has probably had the least impact on the variety of dance styles that are performed in the US today?
tempo acceleration/deceleration
economic development
mesomorph
bill bojangles robinson
30. Rounded body type.
slap
line dancing
repetition
ectomorph
31. In order to develop a dancer's endurance for a long performance - a teacher would recommend
meter
aerobic exercise
flexion
merce cunningham
32. Placing the ball of the foot on the floor with a weight change
eversion
tempo
step
choreography
33. They codified many standard ballet rules still used today
wring
fred astaire and ginger rogers
Beauchamps & Noverre
developpe
34. The term 'port des bras' refers to
tempo
adductor magnus
movement of the arms
mesomorph
35. Combination: sustained time/direct space/light weight
extension of the working leg
glide
incorporation
meter
36. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
cecchetti method
fragmentation
brush/scuff
contrast
37. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
ball change
ted shawn
aerobic exercise
hyperextension
38. The action of straightening a joint or the action of increasing the angle between tow levers
work
pathways
extension
fragmentation
39. He was a legendary avant garde choreographer
rhythm
merce cunningham
Kinesthetics
touch
40. Placing the ball of the foot on the floor without a weight change
touch
frontal plane
ann miller
hyperextension
41. Tendonitis is typically caused by
overuse of a tendon
lester horton
second position
tableau
42. Refers to the length of time a movement takes - from initiation to completion
free dance
jazz
fragmentation
time
43. She was a hollywood dancer who appeared in 42nd street and other films
ruby keeler
tempo
Luigi
slash
44. Inward rotation; turning a limb inward - toward the front of the body
syncopation
inversion
harold and fayard nicholas
brush/scuff
45. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
Luigi
adduction
kinesthetic awareness
time
46. Circle of the leg - tracing a half circle upon the ground using the toes
rond de jambe
alexander technique
ann miller
gus giordano
47. A piece of choreography or dance
work
choreography
simultaneous canons
step
48. He is the father of ballet in American and the founder of the NY city Ballet
George Balanchine
ideokinesis
gregory hines
jack cole
49. Combination: sudden time/indirect space/strong weight
isolated movement
telling a traditional story
george balanchine
slash
50. The action of bending a joint or the action of decreasing the angle between two levers
melody
master juba lane
ballet
flexion