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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Which of the following men is known for pioneering tap dance as a young man living in the Five Points neighborhood of NY city
dab
cecchetti method
vaganova method
master juba lane
2. Striking the floor with the tip of the foot - with or without a weight change
toe
jump
rhythm tap
tempo
3. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
polyrhythm
in all directions
adductor magnus
merce cunningham
4. In order to improve student's kinesthetic awareness and originality - a teacher might assign
doris humphrey
Bob Fosse
a contact improvisation exercise
stamp
5. He was the co-founder of denishawn and the founder of jacob's pillow dance festival
vertically
ted shawn
doris humphrey
inversion
6. This is the dynamic hitting of a positions
snap
transition
gregory hines
augmentation/diminution
7. Asking students to research a non-western culture and perform a dance from that culture is an example of an _____ approach to learning
Marius Petipa
modern dance
hop
interdisciplinary
8. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
Giselle
mesomorph
pathways
time
9. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
Kinesthetics
ted shawn
transition
ectomorph
10. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
Mikhail Fokine
cumulative canons
jazz
tempo
11. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
tableau
fifth position
improve muscle strength
toe
12. Where is the apron of the stage located
doris humphrey
at the front
ann miller
Giselle
13. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
fred astaire and ginger rogers
kinesphere
developpe
variety
14. Four main movements in the pas de deux
rhythm
rhythm tap
promenade - turns - lifts - leaps
polyrhythm
15. Combination: sudden time/direct space/strong weight
fifth position
tendu
punch
unison
16. He established the horton technique and was a longtime partner of bell lewitzky
stomp
lester horton
modern
modern dance
17. He was a broadway/hollywood hoofer and actor who ushered in the tap revival of the 1980s
twyla tharp
free dance
gregory hines
loie fuller and isadora duncan
18. A choreographer asks four dancers to perform different movements simultaneously. This is called a
slap
broadway or show tap
second position
tableau
19. He was the choreographer for Ballets Russes
second position
contrast
variety
Mikhail Fokine
20. The action of bending a joint or the action of decreasing the angle between two levers
stomp
overuse of a tendon
shuffle
flexion
21. In Laban Movement Analysis the space in which a dancer's body is moving is called the
kinesphere
doris humphrey
ball and socket joint
hop
22. Small - quick jumps in place such as changements - temps leves - and assembles
cumulative canons
petit allegro
Mikhail Fokine
ball change
23. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
choreography
touch
space
degage
24. The original french form of classical ballet from Russia
modern
partnering/group skills
repetition
vaganova method
25. Stretching of the foot along the floor - away from the standing leg
economic development
jack cole
tendu
turns from corner
26. Nonliteral choreography may have all but which of the following goals
dynamics
pirouette
Direction
telling a traditional story
27. In jazz dance - bending backward from the knees while maintaining a straight torso is called a
hinge
developpe
space
cumulative canons
28. Combination: sudden time/indirect space/strong weight
simultaneous canons
tendu
doris humphrey
slash
29. Reach space or personal space.
simultaneous canons
shuffle
kinesphere
feldenkrais
30. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
ball and socket joint
Direction
kinesthetic awareness
tableau
31. He was the creator of legendary ballets for the Russian Imperial Theatre including the Nutcracker and Swan Lake
inversion
Diaghilev
locomotion
Marius Petipa
32. Slow sustained movements that often incorporate developpes and balances such as penches
hop
abduction
contrast
adagio
33. Two steps in sequence - one on each foot; the first step gets less weight than the second
ball change
savion glover
flow
feldenkrais
34. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
ted shawn
twyla tharp
modern dance
augmentation/diminution
35. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
force/energy
space
sagittal plane
at the front
36. Modern jazz style that is an exploratory style. mixes in ballet
slap
erick hawkins
pathways
gus giordano
37. Modern dance technique that involves a dramatic contraction and release - emphasizes weight moving into the floor and a spiral image for off-center or off-balance movement
martha graham
axial movement
balance
the changement and the sautes
38. Sturdy body with strong dense musculature - lack of flexibility
mesomorph
George Balanchine
dynamics
balance
39. This is a repeating pattern of stressed and unstressed beats in a piece of music
flap
social dance
rhythm
glide
40. Movement executed with one body part or a small part of the body. Examples are rooling the head - shruggung the shoulders and rotating the pelvis.
merce cunningham
isolated movement
biceps brachii - biceps femoris
tap dance
41. A feeling of completion or wholeness in a dance achieved when all parts work well together.
adductor magnus
toe
ballet
unity
42. Bending and straightening the knees
extension of the working leg
choreography
plie
sammy davis jr
43. Movement created spontaneously - which ranges from freeform to highly structured environments - always including an element of chance.
improving flexibility
cholly atkins
improvisation
mesomorph
44. Early modern dance composition - such as that of martha graham - was characterized by which of the following forms?
dynamics
telling a traditional story
tempo
narrative
45. Rounded body type.
Luigi
ectomorph
plie
first position
46. A lean body with enhanced flexibility due to a lack of muscular strength
cramp roll
endomorph
motif and development
sagittal plane
47. Kazua ohno and tatsumi hijikata developed
developpe
dab
space
Butoh
48. More is added to the original movement
modern dance
flap
accumulation
sammy davis jr
49. Late modern dance technique that created dances without any attached historical - cultural or philosophical meanings
ruth st. denis
merce cunningham
inversion
choreography
50. Late modern dance technique developed through an effortless free flow technique that released tension in the body through an emphasis on weight - placement - impulse - immediacy and movement dynamics
erick hawkins
jazz hands
ideokinesis
katherine dunham