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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
broadway or show tap
turns at center
adductor magnus
Butoh
2. Which of the following is typically not a goal of ideokinesis
Marius Petipa
improving flexibility
narrative
pilates
3. He was the choreographer for Ballets Russes
bill bojangles robinson
Mikhail Fokine
dynamics
petit allegro
4. Modern dance technique that transformed everyday movement in to the absurd or dramatic
improvisation
martha graham
coordinating lighting and sound cues
charles weidman
5. Striking the floor with an immediate release; can be done with the heel or the ball of the foot
vertically
tap
time
modern dance
6. Based on laban movement analysis - this practice encourages a deepened awareness of the connections between mind - body - movement - and internal and external environments to enhance mobility and function
first position
ted shawn
bartenieff fundamentals
folk/traditional
7. He was a broadway/hollywood hoofer and actor who ushered in the tap revival of the 1980s
gregory hines
ted shawn
hop
modern
8. The degree of ease or continuousness of a movement from initiation to completion
merce cunningham
adductor magnus
Luigi
flow
9. The pelvis is pressed forcefully forward
Luigi
instrumentation
pelvic thrusts
degage
10. Which of the following two muscles are used for flexion in dance?
matt mattox
biceps brachii - biceps femoris
jazz hands
kinesphere
11. The action of bending a joint or the action of decreasing the angle between two levers
tap
flexion
stomp
degage
12. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
frontal plane
cumulative canons
projection
narrative
13. Small - quick jumps in place such as changements - temps leves - and assembles
snap
canon
petit allegro
frontal plane
14. The action of straightening a joint or the action of increasing the angle between tow levers
entrechat
tap
extension
grand allegro
15. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
slap
interdisciplinary
improve muscle strength
cholly atkins
16. Rubrics are most effective for
polyrhythm
assessing complex assignments
inversion
extension
17. These brothers were famous in vaudeville - on the jazz circuit and in hollywood for their daring acrobatic style
jerome robbins
fragmentation
harold and fayard nicholas
inversion
18. Movement of a limb toward the midline of the body
pilates
cramp roll
adduction
frontal plane
19. Kazua ohno and tatsumi hijikata developed
Butoh
simultaneous canons
time
gene kelly
20. Forward brush followed by a backward brush
canon
Direction
gregory hines
shuffle
21. In Laban's theory of effort (sometimes called movement dynamics) - which of the following qualities is not a dimension of effort?
cumulative canons
movement of the arms
float
Direction
22. He was a broadway - hollywood and las vegas dancer - singer and actor
tendu
telling a traditional story
sammy davis jr
jump
23. A state of equilibrium referring to the balance of weight or the spatial arrangement of bodies.
jack cole
balance
extension of the working leg
sammy davis jr
24. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
tableau
harold and fayard nicholas
twyla tharp
unison
25. The intentional quality of the path taken by a body part or a body through space during a movement. direct or indirect
improve muscle strength
space
unison
movement of the arms
26. Combination: sudden time/direct space/light weight
gus giordano
cecchetti method
dab
unity
27. Basic movements or short sequences are manipulated to create new but related movements
cecchetti method
shuffle
motif and development
vaganova method
28. Skills requiring cooperation -coordination and dependence - including imitation - lead and follow - echo - mirroring and call and response
partnering/group skills
gene kelly
dynamics
line dancing
29. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
Luigi
bill bojangles robinson
first position
unity
30. In jazz dance - bending backward from the knees while maintaining a straight torso is called a
telling a traditional story
weight
rond de jambe
hinge
31. Placing the entire foot on the floor without a weight change
charles weidman
stomp
bartenieff fundamentals
float
32. The sagittal plane divides the body
ann miller
vertically
sagittal plane
reverance
33. Movement executed with one body part or a small part of the body. Examples are rooling the head - shruggung the shoulders and rotating the pelvis.
cumulative canons
isolated movement
unison
retrograde
34. This celebrated teacher founded the jazz dance world congress
gus giordano
extension of the working leg
merce cunningham
charles weidman
35. This broadway and hollywood choreographer did the film version of west side story
transition
jerome robbins
kinesthetic awareness
step
36. This denishawn student - legendary dancer - and choreographer developed the graham technique
locomotion
incorporation
tendu
martha graham
37. In order to relieve muscle tension - a dancer might engage in all but which of the following practices
fifth position
ball change
grand allegro
pilates
38. These hollywood partners were famous for appearing in films that featured their supernaturally smooth ballroom and tap styles
ted shawn
lester horton
fred astaire and ginger rogers
melody
39. Loie Fuller - Isadora Duncan - Ruth St. Denis developed what kind of dance
instrumentation
modern
accumulation
ruth st. denis
40. Striking the floor with the tip of the foot - with or without a weight change
Giselle
in all directions
toe
vaganova method
41. Movements are repeated
King Louis XIV
repetition
petit allegro
coordinating lighting and sound cues
42. Combination: sudden time/indirect space/light weight
shuffle
flick
cholly atkins and coles
savion glover
43. Two steps in sequence - one on each foot; the first step gets less weight than the second
ball change
axial movement
in all directions
free dance
44. Late modern dance technique that draws from everyday gestures and movements such as sitting - crawling - rolling - walking - and running.
paul taylor
syncopation
contrast
erick hawkins
45. The size of the movement is increased or decreased
augmentation/diminution
matt mattox
tempo acceleration/deceleration
hop
46. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
King Louis XIV
flexion and extension
locomotion
weight
47. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
ball and socket joint
accumulation
master juba lane
hyperextension
48. Which of the following dance steps is most advanced? plie - degage - entrechat - tendu
angular oppositions
vaganova method
entrechat
kinesthetic awareness
49. He was the first African american dancer to play to white audiences
Diaghilev
master juba lane
frontal plane
ballet
50. Feet heels touching toes turned out arms: both arms held in front of the torso hands at waist level
modern dance
press
tap
first position