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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Which of the following men is known for pioneering tap dance as a young man living in the Five Points neighborhood of NY city
master juba lane
alexander technique
ideokinesis
cholly atkins and coles
2. If one were to eliminate the jumping elements from the combination which steps would be eliminated
the changement and the sautes
erick hawkins
charles weidman
slap
3. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
unity
ectomorph
adductor magnus
frappe
4. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
Bob Fosse
hinge
frontal plane
Kinesthetics
5. These denishawn students produced the first modern dance performance and established the humphrey technique
entrechat
third position
doris humphrey and charles weidman
kinesphere
6. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
modern dance
ideokinesis
flexion and extension
vertically
7. Refers to the length of time a movement takes - from initiation to completion
first position
time
genre
kinesthetic awareness
8. Movement of a limb away from the midline of the body
hinge
transition
abduction
gregory hines
9. Combination: sudden time/direct space/strong weight
katherine dunham
transition
folk/traditional
punch
10. A line along which a person or part of the person such as an arm or head - moves. Pathways can be linear - in circles - zigzags - etc.
cumulative canons
head whip
pathways
Giselle
11. This is the dynamic hitting of a positions
broadway or show tap
jazz dance
snap
interdisciplinary
12. For which of the following types of dance is a shoe with a small - soft heel traditionally worn
vaganova method
jazz
jack cole
harold and fayard nicholas
13. In Laban's theory of effort (sometimes called movement dynamics) - which of the following qualities is not a dimension of effort?
narrative
fourth position
frontal plane
Direction
14. Which of the following two muscles are used for flexion in dance?
broadway or show tap
feldenkrais
repetition
biceps brachii - biceps femoris
15. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
alexander technique
slash
meter
turns from corner
16. Modern dance technique that appears in the lateral T shape his dancers assume - a one-leg balance with the torso tilted off-center and the other leg extended to the side in a counterbalance
fourth position
lester horton
jazz
economic development
17. He was a broadway and hollywood tap and jazz dancer - as well as a movie star
endomorph
locomotion
gene kelly
assessing complex assignments
18. Multiple performers perform a movement in succession
canon
flap
merce cunningham
tendu
19. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
time
Principles of composition
dab
gus giordano
20. Reach space or personal space.
weight
kinesphere
stomp
Diaghilev
21. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
overuse of a tendon
stomp
hyperextension
punch
22. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
incorporation
jazz dance
kinesphere
variety
23. He is a new generation broadway/hollywood tap and hip hop dancer and choreographer
slash
hyperextension
economic development
savion glover
24. He is the father of ballet in American and the founder of the NY city Ballet
adagio
cholly atkins
George Balanchine
space
25. Combination: sustained time/direct space/strong weight
grand allegro
rhythm tap
press
bill bojangles robinson
26. The speed of the music or dance
merce cunningham
jazz hands
assessing complex assignments
tempo
27. When a movment phrase or section progresses to the next.
space
syncopation
transitions
transition
28. The action of turning a ball-and-socket joint; circular movement around a central axis
jerome robbins
locomotion
rotation
cholly atkins and coles
29. He was a celebrated choreographer and the first male dance for the graham company
unison
matt mattox
turns at center
erick hawkins
30. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
first position
merce cunningham
modern dance
katherine dunham
31. A piece of choreography that lacks flow could be improved by the addition of
erick hawkins
transitions
Direction
the changement and the sautes
32. Intersects an upright standing body horizontally the table plane
charles weidman
touch
transverse horizontal plane
variety
33. Late modern dance technique that created dances without any attached historical - cultural or philosophical meanings
third position
Butoh
Kinesthetics
merce cunningham
34. Inward rotation; turning a limb inward - toward the front of the body
sammy davis jr
fred astaire and ginger rogers
inversion
rhythm
35. Basic movements or short sequences are manipulated to create new but related movements
tempo
motif and development
line dancing
Kinesthetics
36. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
dynamics
martha graham
kinesthetic awareness
ball change
37. This practice employs repetitive motions derived from fundamental gestures and natural movements to increase awareness of habitual movement patterns and release tension left over from old injuries and habits in order to expand range of motion in the
social dance
merce cunningham
feldenkrais
gus giordano
38. More is added to the original movement
rotation
transition
accumulation
fifth position
39. Early modern dance composition - such as that of martha graham - was characterized by which of the following forms?
toe
gus giordano
rond de jambe
narrative
40. A lean body with enhanced flexibility due to a lack of muscular strength
transition
endomorph
time
developpe
41. The action of straightening a joint or the action of increasing the angle between tow levers
biceps brachii - biceps femoris
adductor magnus
extension
lester horton
42. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
time
second position
tendu
folk/traditional
43. Which of the following steps in tap dance would produce a total of four audible taps?
cramp roll
bill bojangles robinson
flexion and extension
polyrhythm
44. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
cecchetti method
transition
third position
tempo acceleration/deceleration
45. Combination: sudden time/indirect space/light weight
turns at center
simultaneous canons
flick
lester horton
46. Which of the following tasks is the duty of a stage manager?
erick hawkins
frontal plane
Diaghilev
coordinating lighting and sound cues
47. They codified many standard ballet rules still used today
martha graham
cholly atkins and coles
Beauchamps & Noverre
slap
48. Multiple performers perform the movement in the same way at the same time
adagio
unison
modern dance
isolated movement
49. Dance associated with a nationalistic purpose - usually performed today as surviving portion of a traditional celebration and done for social gatherings or as recreation
adduction
folk/traditional
transitions
harold and fayard nicholas
50. He was the founder of Ballets Russes
martha graham
melody
polyrhythm
Diaghilev