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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
choreography
bob fosse
tendu
time
2. With which of the following styles of modern dance is Isadora Duncan associated?
dynamics
free dance
jazz
Kinesthetics
3. More is added to the original movement
frappe
accumulation
cholly atkins
Luigi
4. Leaving the ground and landing on the same foot
hop
slash
interdisciplinary
katherine dunham
5. A state of equilibrium referring to the balance of weight or the spatial arrangement of bodies.
matt mattox
overuse of a tendon
balance
developpe
6. Which of the following ballets used music not composed by Tchaikovsky
Giselle
rhythm
genre
tempo acceleration/deceleration
7. This hollywood jazz and tap dancer popularized the practice of wearing pantyhose in place of stockings
ectomorph
ann miller
Kinesthetics
slap
8. Combination: sustained time/indirect space/lightweight
float
Catherine de Medici
pirouette
kinesphere
9. Placing the entire foot on the floor without a weight change
projection
assessing complex assignments
first position
stomp
10. This is a repeated grouping of accented beats
tendu
Beauchamps & Noverre
meter
shape
11. Placing the ball of the foot on the floor with a weight change
jazz dance
extension
jack cole
step
12. Dance movemnt that takes place at the same time across the whole group of dancers
in all directions
cholly atkins and coles
unity
unison
13. This is a repeating pattern of stressed and unstressed beats in a piece of music
repetition
social dance
contrast
rhythm
14. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
frontal plane
George Balanchine
head whip
loie fuller and isadora duncan
15. He was the creator of legendary ballets for the Russian Imperial Theatre including the Nutcracker and Swan Lake
Butoh
motif and development
Marius Petipa
abduction
16. Outward rotation; turning a limb outward - toward the back of the body
tempo
master juba lane
eversion
katherine dunham
17. All performers begin at the same time but at different starting points within the same phrase
simultaneous canons
adductor magnus
folk/traditional
tempo
18. In order to improve student's kinesthetic awareness and originality - a teacher might assign
rond de jambe
a contact improvisation exercise
harold and fayard nicholas
unity
19. Placing an accent on a normally weak beat
syncopation
toe
incorporation
flap
20. Which of the following steps in tap dance would produce a total of four audible taps?
degage
cramp roll
slash
matt mattox
21. This is the speed at Which music is played.
Butoh
axial movement
rhythm tap
tempo
22. The hip joint is a
ball and socket joint
modern
axial movement
coordinating lighting and sound cues
23. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
unity
force/energy
tap
space
24. A type of dance that began as a rebellion against steps and positions and values - Expressive and original or authentic movement. Alvin Ailey and Martha Graham
bill bojangles robinson
snap
slash
modern dance
25. Energy of movement expressed in varying intensities - accent and quality
pirouette
doris humphrey and charles weidman
first position
dynamics
26. This denishawn dancer and broadway choreographer invented theater dance
jack cole
frappe
jump
axial movement
27. Which of the following two muscles are used for flexion in dance?
Diaghilev
touch
biceps brachii - biceps femoris
pathways
28. Nonliteral choreography may have all but which of the following goals
entrechat
economic development
float
telling a traditional story
29. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
turns at center
third position
plie
instrumentation
30. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
Luigi
loie fuller and isadora duncan
float
tendu
31. Based on laban movement analysis - this practice encourages a deepened awareness of the connections between mind - body - movement - and internal and external environments to enhance mobility and function
doris humphrey
fourth position
bartenieff fundamentals
economic development
32. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
variety
head whip
bartenieff fundamentals
extension of the working leg
33. These denishawn students produced the first modern dance performance and established the humphrey technique
cramp roll
doris humphrey and charles weidman
variety
unison
34. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
repetition
second position
transverse horizontal plane
rhythm
35. Multiple performers perform the movement in the same way at the same time
unison
degage
line dancing
Butoh
36. He was the choreographer for Ballets Russes
bartenieff fundamentals
tempo
cholly atkins and coles
Mikhail Fokine
37. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
gus giordano
head whip
rond de jambe
ball change
38. The founder of the modern classical method of ballet
george balanchine
tendu
ballet
stomp
39. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
hyperextension
polyrhythm
unison
improve muscle strength
40. The sagittal plane divides the body
vertically
jerome robbins
fragmentation
projection
41. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
Giselle
shuffle
flexion and extension
tempo acceleration/deceleration
42. He was a celebrated choreographer and the first male dance for the graham company
assessing complex assignments
cholly atkins
brush/scuff
erick hawkins
43. Leaving the ground and landing on the other foot
vertically
jump
developpe
turns from corner
44. Late modern dance technique developed through an effortless free flow technique that released tension in the body through an emphasis on weight - placement - impulse - immediacy and movement dynamics
entrechat
erick hawkins
matt mattox
merce cunningham
45. Late modern dance technique that draws from everyday gestures and movements such as sitting - crawling - rolling - walking - and running.
erick hawkins
space
matt mattox
paul taylor
46. A form of physical movement progressing from one place to another. Walking - running - grapevine - galloping - leaping - jumping - hopping - skipping - sliding - etc.
matt mattox
Giselle
locomotion
ann miller
47. They were the progenitors of modern dance
loie fuller and isadora duncan
flick
fourth position
Mikhail Fokine
48. To disengage - brushing foot thru tendu to slightly leave the ground
space
erick hawkins
inversion
degage
49. This practice employs repetitive motions derived from fundamental gestures and natural movements to increase awareness of habitual movement patterns and release tension left over from old injuries and habits in order to expand range of motion in the
tempo acceleration/deceleration
feldenkrais
George Balanchine
force/energy
50. Striking the floor with the tip of the foot - with or without a weight change
degage
jazz
ectomorph
toe