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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When a frappe` is performed - the accent is typically on the
polyrhythm
interdisciplinary
tendu
extension of the working leg
2. Which of the following dance steps is most advanced? plie - degage - entrechat - tendu
sagittal plane
turns from corner
second position
entrechat
3. A form of Western classical dance that originated in the Renaissance courts of Europe. The dance form was formally codified by the time of King Louis XIV (mid-1600's) - Who was accomplished dancer - responsible for extensive notation as well as suppo
twyla tharp
ballet
adduction
dynamics
4. A position of the body in space - such as curved - straight - angular - twisted - symmetrical - asymmetrical - etc.
loie fuller and isadora duncan
bartenieff fundamentals
shape
jack cole
5. Placing an accent on a normally weak beat
syncopation
flexion and extension
cramp roll
step
6. Which of the following is typically not a goal of ideokinesis
telling a traditional story
improving flexibility
choreography
balance
7. The movement is performed backwards
retrograde
modern
jump
rhythm
8. They were the progenitors of modern dance
instrumentation
the changement and the sautes
loie fuller and isadora duncan
head whip
9. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
weight
dynamics
head whip
master juba lane
10. She was a hollywood dancer who appeared in 42nd street and other films
bartenieff fundamentals
merce cunningham
ruby keeler
slap
11. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
fifth position
bob fosse
Catherine de Medici
instrumentation
12. Forward brush followed by a backward brush
tempo
glide
master juba lane
shuffle
13. The action of turning a ball-and-socket joint; circular movement around a central axis
stomp
folk/traditional
bob fosse
rotation
14. The original movement is the question and the new movement is the answer
paul taylor
body knowledge
action/reaction
interdisciplinary
15. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
Bob Fosse
meter
second position
sagittal plane
16. Succession of tones set to a particular rhythm that serves as the voice in music
ball change
melody
dynamics
movement of the arms
17. For which of the following types of dance is a shoe with a small - soft heel traditionally worn
improvisation
kinesphere
jazz
rotation
18. The speed of the music or dance
motif and development
ball change
unity
tempo
19. The rhythmic pattern of the movements is varied
doris humphrey
frappe
rond de jambe
rhythm
20. Forward brush followed by a step
unison
in all directions
flap
cramp roll
21. He was a turn of the century vaudeville hoofer who danced on broadway and in hollywood's shirley temple films
loie fuller and isadora duncan
katherine dunham
bill bojangles robinson
cecchetti method
22. He was a broadway/hollywood hoofer and actor who ushered in the tap revival of the 1980s
repetition
gregory hines
loie fuller and isadora duncan
lester horton
23. In order to improve student's kinesthetic awareness and originality - a teacher might assign
George Balanchine
repetition
slash
a contact improvisation exercise
24. Movement executed with one body part or a small part of the body. Examples are rooling the head - shruggung the shoulders and rotating the pelvis.
jack cole
isolated movement
cumulative canons
motif and development
25. The jazz dance choreography in the musical theater classics Chicago and Cabaret is the work of
Bob Fosse
martha graham
modern
ted shawn
26. Sturdy body with strong dense musculature - lack of flexibility
mesomorph
slap
hop
ball change
27. Two steps in sequence - one on each foot; the first step gets less weight than the second
katherine dunham
Direction
ball change
degage
28. These include pique - chaine - and similar turns that move the dancer across the floor
augmentation/diminution
modern dance
flexion and extension
turns from corner
29. A movement is made part of another movement
incorporation
interdisciplinary
Marius Petipa
step
30. These hollywood partners were famous for appearing in films that featured their supernaturally smooth ballroom and tap styles
flap
slap
developpe
fred astaire and ginger rogers
31. Which of the following movements can be performed en dedans
brush/scuff
pirouette
alexander technique
Principles of composition
32. The term 'port des bras' refers to
glide
stomp
movement of the arms
petit allegro
33. Awareness of one's body and its possibilities - capabilities and limitations
rhythm
transition
body knowledge
jerome robbins
34. Based on laban movement analysis - this practice encourages a deepened awareness of the connections between mind - body - movement - and internal and external environments to enhance mobility and function
isolated movement
bartenieff fundamentals
merce cunningham
step
35. Combination: sustained time/direct space/light weight
genre
syncopation
dynamics
glide
36. Phrasing may be determined by all but which of the following
dynamics
George Balanchine
axial movement
space
37. He was the first African american dancer to play to white audiences
ball change
rotation
master juba lane
third position
38. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
adduction
Catherine de Medici
frontal plane
paul taylor
39. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
slash
Giselle
alexander technique
unison
40. This is a repeating pattern of stressed and unstressed beats in a piece of music
sagittal plane
melody
inversion
rhythm
41. Late modern dance technique that draws from everyday gestures and movements such as sitting - crawling - rolling - walking - and running.
paul taylor
flexion
polyrhythm
Mikhail Fokine
42. Basic movements or short sequences are manipulated to create new but related movements
motif and development
extension of the working leg
head whip
ballet
43. When a movment phrase or section progresses to the next.
punch
erick hawkins
extension
transition
44. He was a star dancer with and controversial choerographer for Ballets Russes
cecchetti method
rotation
Kinesthetics
Nijinsky
45. The founder of the modern classical method of ballet
george balanchine
broadway or show tap
savion glover
shuffle
46. Small - quick jumps in place such as changements - temps leves - and assembles
meter
assessing complex assignments
step
petit allegro
47. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
transitions
ideokinesis
narrative
Beauchamps & Noverre
48. Late modern dance technique developed through an effortless free flow technique that released tension in the body through an emphasis on weight - placement - impulse - immediacy and movement dynamics
action/reaction
syncopation
erick hawkins
ball and socket joint
49. Celebrated teacher of jazz technique
matt mattox
developpe
first position
social dance
50. Tap dancers that are part of the jazz musical tradition such as bill bojangles robinson - sammy davis jr. - gregory hines and savion glover
action/reaction
rhythm tap
economic development
kinesphere