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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A piece of choreography or dance
work
first position
projection
unison
2. Stretching of the foot along the floor - away from the standing leg
first position
incorporation
tap dance
tendu
3. Forward brush followed by a backward brush
shuffle
frontal plane
rhythm
ruth st. denis
4. Based on laban movement analysis - this practice encourages a deepened awareness of the connections between mind - body - movement - and internal and external environments to enhance mobility and function
work
master juba lane
bartenieff fundamentals
charles weidman
5. Early modern dance composition - such as that of martha graham - was characterized by which of the following forms?
fragmentation
Luigi
sagittal plane
narrative
6. Movement of a limb toward the midline of the body
jazz
adduction
pilates
lester horton
7. Two steps in sequence - one on each foot; the first step gets less weight than the second
matt mattox
transitions
accumulation
ball change
8. Movement anchored to one spot by a pody part. Only the available space in any direction is used while the initial body contact is being maintained. Movement is organized around the axis of the body and is not designed to travel from one location to a
Bob Fosse
axial movement
King Louis XIV
pirouette
9. These denishawn students produced the first modern dance performance and established the humphrey technique
doris humphrey and charles weidman
gus giordano
mesomorph
developpe
10. Where is the apron of the stage located
kinesphere
at the front
petit allegro
extension
11. Which of the following ballets used music not composed by Tchaikovsky
glide
rhythm
Giselle
press
12. Modern dance technique that involves a dramatic contraction and release - emphasizes weight moving into the floor and a spiral image for off-center or off-balance movement
tempo
doris humphrey
martha graham
improving flexibility
13. Skills requiring cooperation -coordination and dependence - including imitation - lead and follow - echo - mirroring and call and response
paul taylor
pilates
wring
partnering/group skills
14. Movement of a limb away from the midline of the body
twyla tharp
abduction
petit allegro
merce cunningham
15. He established the horton technique and was a longtime partner of bell lewitzky
accumulation
promenade - turns - lifts - leaps
tempo acceleration/deceleration
lester horton
16. Loie Fuller - Isadora Duncan - Ruth St. Denis developed what kind of dance
extension of the working leg
transition
modern
merce cunningham
17. The pelvis is pressed forcefully forward
flexion and extension
broadway or show tap
incorporation
pelvic thrusts
18. Celebrated teacher of jazz technique
matt mattox
ballet
pilates
overuse of a tendon
19. Observers would be unlikely to see contractions - releases - and isolations in which of the following dance forms?
dynamics
ballet
tap
movement of the arms
20. The action of over-straightening a joint past its natural angle - or the action of increasing the angle between two levers to more than 180 degrees
cholly atkins and coles
King Louis XIV
telling a traditional story
hyperextension
21. Late modern dance technique developed through an effortless free flow technique that released tension in the body through an emphasis on weight - placement - impulse - immediacy and movement dynamics
cholly atkins
ball and socket joint
erick hawkins
hyperextension
22. If a ballet step such as grand battement is performed en croix - this means
charles weidman
Kinesthetics
vertically
in all directions
23. Nonliteral choreography may have all but which of the following goals
projection
unity
telling a traditional story
cholly atkins
24. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
first position
alexander technique
force/energy
canon
25. Combination: sustained time/indirect space/strong weight
rond de jambe
wring
jerome robbins
assessing complex assignments
26. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
contrast
broadway or show tap
pathways
martha graham
27. These include pirouette and fouette turns - in which the dancer remains in one place on the floor
turns at center
at the front
Luigi
time
28. When a frappe` is performed - the accent is typically on the
space
extension of the working leg
variety
promenade - turns - lifts - leaps
29. This broadway and hollywood choreographer did the film version of west side story
retrograde
Bob Fosse
jerome robbins
gus giordano
30. In Laban Movement Analysis the space in which a dancer's body is moving is called the
head whip
ballet
kinesphere
ann miller
31. Movements are repeated
repetition
vaganova method
simultaneous canons
frontal plane
32. The movement is speeded up or slowed down
ideokinesis
tempo acceleration/deceleration
charles weidman
folk/traditional
33. He is a new generation broadway/hollywood tap and hip hop dancer and choreographer
savion glover
toe
sammy davis jr
tempo
34. Four main movements in the pas de deux
second position
improve muscle strength
projection
promenade - turns - lifts - leaps
35. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
tempo
inversion
promenade - turns - lifts - leaps
frontal plane
36. In jazz dance - bending backward from the knees while maintaining a straight torso is called a
tempo
degage
mesomorph
hinge
37. Placing the ball of the foot on the floor with a weight change
slap
step
fifth position
axial movement
38. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
savion glover
ideokinesis
coordinating lighting and sound cues
tap dance
39. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
frontal plane
melody
improvisation
kinesthetic awareness
40. In Laban's theory of effort (sometimes called movement dynamics) - which of the following qualities is not a dimension of effort?
tendu
Direction
transitions
punch
41. For which of the following types of dance is a shoe with a small - soft heel traditionally worn
pelvic thrusts
kinesthetic awareness
fragmentation
jazz
42. The rhythmic pattern of the movements is varied
rhythm
Giselle
flick
doris humphrey
43. These include pique - chaine - and similar turns that move the dancer across the floor
turns from corner
dynamics
repetition
Nijinsky
44. Energy of movement expressed in varying intensities - accent and quality
space
jazz
dynamics
in all directions
45. Combination: sustained time/direct space/strong weight
improve muscle strength
press
vertically
gregory hines
46. To strike - striking the floor with the foot in a brushing movement
frappe
incorporation
plie
gus giordano
47. With which of the following styles of modern dance is Isadora Duncan associated?
endomorph
improving flexibility
free dance
3/4
48. Asking students to research a non-western culture and perform a dance from that culture is an example of an _____ approach to learning
second position
cumulative canons
interdisciplinary
Luigi
49. Feet heels touching toes turned out arms: both arms held in front of the torso hands at waist level
head whip
george balanchine
first position
adductor magnus
50. A type of dance that concentrates of footwork and rhythm. This type of dance grew out of American popular dancing - with significant roots in African American - Irish and english clogging traditions.
tap dance
Kinesthetics
lester horton
ruth st. denis
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