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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The size of the movement is increased or decreased
King Louis XIV
projection
merce cunningham
augmentation/diminution
2. A movement is made part of another movement
incorporation
projection
Luigi
work
3. Feet: heel of one foot against the big toe of the other foot - toes turned out arms. both arms extending overhead
Bob Fosse
abduction
fifth position
rond de jambe
4. Combination: sustained time/indirect space/lightweight
float
rhythm
polyrhythm
vertically
5. He was a star dancer with and controversial choerographer for Ballets Russes
pathways
Nijinsky
degage
george balanchine
6. The founder of the modern classical method of ballet
tempo acceleration/deceleration
charles weidman
fifth position
george balanchine
7. Late modern dance technique that draws from everyday gestures and movements such as sitting - crawling - rolling - walking - and running.
ball and socket joint
sagittal plane
paul taylor
adductor magnus
8. The jazz dance choreography in the musical theater classics Chicago and Cabaret is the work of
ruth st. denis
Bob Fosse
step
sammy davis jr
9. Dance marked by movement isolations and complex polyrhythms found in African American music such as - ragtime - jazz - spirituals - blues - work songs and is considered and American style of dance.
jazz dance
Bob Fosse
hinge
biceps brachii - biceps femoris
10. To set side by side to emphasize difference in dance - two movements that differ in energy - space - (size - direction - level) - design (symmetrical/asymmetrical - open/closed) - timing (fast/slow - even -uneven - themes or patterns.
Nijinsky
kinesthetic awareness
contrast
improvisation
11. A type of dance that concentrates of footwork and rhythm. This type of dance grew out of American popular dancing - with significant roots in African American - Irish and english clogging traditions.
the changement and the sautes
Mikhail Fokine
lester horton
tap dance
12. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
choreography
flexion and extension
axial movement
jump
13. All performers begin at the same time but at different starting points within the same phrase
simultaneous canons
transition
unity
syncopation
14. The hip joint is a
kinesphere
ball and socket joint
second position
a contact improvisation exercise
15. This celebrated teacher founded the jazz dance world congress
choreography
dynamics
modern dance
gus giordano
16. A structure of movement patterns in time; the pattern produced by emphasis and duration of notes in music.
ballet
tableau
rhythm
economic development
17. The action of straightening a joint or the action of increasing the angle between tow levers
vaganova method
extension
meter
endomorph
18. Movement executed with one body part or a small part of the body. Examples are rooling the head - shruggung the shoulders and rotating the pelvis.
accumulation
isolated movement
ann miller
slap
19. These include pique - chaine - and similar turns that move the dancer across the floor
turns from corner
modern
Catherine de Medici
rotation
20. Leaving the ground and landing on the same foot
hop
float
extension
inversion
21. Leaving the ground and landing on the other foot
stamp
jump
pathways
kinesphere
22. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
modern dance
wring
twyla tharp
dab
23. Asking students to research a non-western culture and perform a dance from that culture is an example of an _____ approach to learning
improve muscle strength
interdisciplinary
tendu
in all directions
24. Where is the apron of the stage located
transverse horizontal plane
Mikhail Fokine
master juba lane
at the front
25. Energy of movement expressed in varying intensities - accent and quality
vertically
locomotion
gene kelly
dynamics
26. In Laban Movement Analysis the space in which a dancer's body is moving is called the
punch
plie
kinesphere
space
27. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
flick
alexander technique
Luigi
flexion
28. He was a broadway/hollywood hoofer and actor who ushered in the tap revival of the 1980s
gregory hines
fred astaire and ginger rogers
ideokinesis
george balanchine
29. This involves placing the limbs into positions so that the resulting combination of angles is unusual.
angular oppositions
sagittal plane
isolated movement
rhythm
30. A position of the body in space - such as curved - straight - angular - twisted - symmetrical - asymmetrical - etc.
flexion
frontal plane
tempo
shape
31. Which of the following dance steps is most advanced? plie - degage - entrechat - tendu
entrechat
weight
stamp
balance
32. Bending and straightening the knees
retrograde
plie
ectomorph
Luigi
33. Visualized as running vertically cross the chest - shoulder to should - on an upright standing body. the door plane
frappe
grand allegro
improving flexibility
frontal plane
34. To develop or grow - drawing the working foot up the standing leg and then extending it outward
cecchetti method
matt mattox
doris humphrey and charles weidman
developpe
35. Movements are repeated
kinesphere
repetition
katherine dunham
wring
36. The intentional quality of the path taken by a body part or a body through space during a movement. direct or indirect
biceps brachii - biceps femoris
space
modern
grand allegro
37. He was the founder of Ballets Russes
improve muscle strength
Nijinsky
Diaghilev
coordinating lighting and sound cues
38. If one were to eliminate the jumping elements from the combination which steps would be eliminated
eversion
locomotion
meter
the changement and the sautes
39. He established the horton technique and was a longtime partner of bell lewitzky
plie
punch
lester horton
slash
40. Which of the following is typically not a goal of ideokinesis
gus giordano
flexion and extension
improving flexibility
hyperextension
41. A lean body with enhanced flexibility due to a lack of muscular strength
third position
endomorph
jazz hands
modern dance
42. Slow sustained movements that often incorporate developpes and balances such as penches
turns at center
stomp
adagio
merce cunningham
43. Striking the floor with the tip of the foot - with or without a weight change
toe
slash
fifth position
reverance
44. Kazua ohno and tatsumi hijikata developed
Butoh
bartenieff fundamentals
overuse of a tendon
tendu
45. Observers would be unlikely to see contractions - releases - and isolations in which of the following dance forms?
ball change
ballet
brush/scuff
glide
46. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
ideokinesis
brush/scuff
master juba lane
frontal plane
47. A feeling of completion or wholeness in a dance achieved when all parts work well together.
slash
unity
master juba lane
eversion
48. Outward rotation; turning a limb outward - toward the back of the body
pelvic thrusts
feldenkrais
body knowledge
eversion
49. A piece of choreography that lacks flow could be improved by the addition of
hinge
grand allegro
transitions
tendu
50. The orginal french form of classical ballet from italy
petit allegro
unity
brush/scuff
cecchetti method