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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Combination: sustained time/indirect space/lightweight
jazz hands
sammy davis jr
partnering/group skills
float
2. Forward brush followed by a touch
unity
dab
slap
jazz dance
3. Which of the following is typically not a goal of ideokinesis
improving flexibility
space
matt mattox
fred astaire and ginger rogers
4. Rubrics are most effective for
dynamics
free dance
assessing complex assignments
reverance
5. Modern jazz style that is a therapeutic method - emphasizes fluidity - unbroken motion - balance - and smooth transitions.
work
Butoh
petit allegro
Luigi
6. A dance teacher would most likely suggest that a student practice Pilates exercises in order to
flexion
time
grand allegro
improve muscle strength
7. Intersects an upright standing body horizontally the table plane
transverse horizontal plane
slash
punch
kinesphere
8. Combination: sudden time/indirect space/light weight
flick
syncopation
telling a traditional story
jump
9. To strike - striking the floor with the foot in a brushing movement
frappe
master juba lane
unison
melody
10. Awareness of one's body and its possibilities - capabilities and limitations
alexander technique
ideokinesis
body knowledge
modern
11. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
variety
rhythm tap
frappe
wring
12. Widespread hand posture where the fingers are extended strongly outward from the palm
adductor magnus
kinesthetic awareness
inversion
jazz hands
13. Bending and straightening the knees
plie
Catherine de Medici
ideokinesis
cholly atkins
14. The movement is speeded up or slowed down
tendu
ballet
tempo acceleration/deceleration
the changement and the sautes
15. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
alexander technique
unity
loie fuller and isadora duncan
brush/scuff
16. Slow sustained movements that often incorporate developpes and balances such as penches
augmentation/diminution
flow
plie
adagio
17. Multiple performers perform a movement in succession
locomotion
jazz dance
canon
tap
18. Celebrated teacher of jazz technique
ruth st. denis
Mikhail Fokine
slash
matt mattox
19. Modern dance technique style that explores fall and recovery
rhythm tap
doris humphrey
contrast
alexander technique
20. This is a kind of snap. the head is tossed or turned from a frontward orientation to the side.
tendu
charles weidman
folk/traditional
head whip
21. These denishawn students produced the first modern dance performance and established the humphrey technique
press
rhythm
isolated movement
doris humphrey and charles weidman
22. The founder of the modern classical method of ballet
Luigi
shuffle
george balanchine
grand allegro
23. A position of the body in space - such as curved - straight - angular - twisted - symmetrical - asymmetrical - etc.
genre
free dance
shape
doris humphrey and charles weidman
24. Where is the apron of the stage located
at the front
Bob Fosse
narrative
tempo acceleration/deceleration
25. Rounded body type.
work
Diaghilev
ectomorph
ballet
26. Placing the ball of the foot on the floor without a weight change
master juba lane
transverse horizontal plane
step
touch
27. Feet heel of one foot against the instep of the other foot toes turned out arms: arm corresponding with front foot overhead arem corresponding with back foot open to the side as in second position
flexion and extension
Luigi
third position
sammy davis jr
28. In order to develop a dancer's endurance for a long performance - a teacher would recommend
aerobic exercise
fragmentation
broadway or show tap
axial movement
29. Combination: sudden time/indirect space/strong weight
in all directions
snap
simultaneous canons
slash
30. Creation and composition of dances by arranging or inventing steps - movements - and pattern of movements.
unity
jazz dance
lester horton
choreography
31. What is the primary muscle that is stretched by reaching forward from a seated position and bending the upper torso as close to the floor as possible - while the legs are extended to the sides at roughly a 150 degree angle (straddle stretch)?
overuse of a tendon
gregory hines
adductor magnus
master juba lane
32. Asking students to research a non-western culture and perform a dance from that culture is an example of an _____ approach to learning
dab
pirouette
interdisciplinary
adductor magnus
33. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
force/energy
unison
flick
work
34. Leaving the ground and landing on the same foot
alexander technique
hop
snap
isolated movement
35. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
axial movement
Luigi
Catherine de Medici
meter
36. The action of straightening a joint or the action of increasing the angle between tow levers
hyperextension
extension
head whip
glide
37. The intentional quality of the path taken by a body part or a body through space during a movement. direct or indirect
rhythm
canon
space
overuse of a tendon
38. Tendonitis is typically caused by
meter
contrast
Giselle
overuse of a tendon
39. This legendary tap dance partner of charles hone coles also worked as a choreographer for artists with the motown record label
force/energy
rhythm
telling a traditional story
cholly atkins
40. Modern jazz style that emphasizes agility in all areas
matt mattox
unison
fourth position
broadway or show tap
41. Energy of movement expressed in varying intensities - accent and quality
dynamics
interdisciplinary
broadway or show tap
variety
42. Placing the entire foot on the floor without a weight change
choreography
motif and development
stomp
rhythm
43. More is added to the original movement
partnering/group skills
accumulation
instrumentation
flexion and extension
44. He was the founder of Ballets Russes
flexion
inversion
Direction
Diaghilev
45. Combination: sudden time/direct space/light weight
cramp roll
axial movement
dab
Luigi
46. Physics principles that govern motion - flow - and weight in time and space including: the law of gravity - balance and centrifugal force.
ectomorph
abduction
Kinesthetics
flexion
47. This broadway and hollywood performer and choreographer introduced African and caribbean dance styles
katherine dunham
tempo acceleration/deceleration
Giselle
tendu
48. He was a broadway - hollywood and las vegas dancer - singer and actor
ball change
assessing complex assignments
sammy davis jr
paul taylor
49. Two steps in sequence - one on each foot; the first step gets less weight than the second
tableau
plie
ball change
time
50. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
meter
second position
brush/scuff
unison