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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The element of dance involving rhythm - phrasing - tempo - accent and duration. Time can be metered as in music or based on body rhythms such as breath - emotions - and heartbeat.
improving flexibility
loie fuller and isadora duncan
time
space
2. A particular kind or style of dance - such as - ballet - jazz - modern - folk - tap - hip-hop - etc.
action/reaction
genre
rhythm tap
bill bojangles robinson
3. Intersects an upright standing body horizontally the table plane
space
body knowledge
transverse horizontal plane
aerobic exercise
4. This award winning choreographer and musical director of cabaret - sweet charity - and all that jazz created the fosse technique
bob fosse
tempo
stomp
Giselle
5. He was a broadway and hollywood tap and jazz dancer - as well as a movie star
gene kelly
George Balanchine
time
modern dance
6. Dance marked by movement isolations and complex polyrhythms found in African American music such as - ragtime - jazz - spirituals - blues - work songs and is considered and American style of dance.
doris humphrey
jazz dance
jazz hands
fragmentation
7. The degree of ease or continuousness of a movement from initiation to completion
stomp
tempo
step
flow
8. Is the degree of the force of body weight introduced into a movement
dab
action/reaction
genre
weight
9. Outward rotation; turning a limb outward - toward the back of the body
eversion
tendu
improvisation
fred astaire and ginger rogers
10. The ability of the dancer to present their body with confidence and the required energy to communicate movements clearly to an audience.
projection
erick hawkins
flexion
accumulation
11. He was a crippled dancer who created a therapeutic method that led to the development of standard jazz technique
Luigi
slash
katherine dunham
force/energy
12. Tap dancers that focus on design and dance aspect of tapping such as fred astaire - gene kelly and ann miller
dynamics
tap dance
Bob Fosse
broadway or show tap
13. The intentional quality of the path taken by a body part or a body through space during a movement. direct or indirect
retrograde
space
force/energy
Nijinsky
14. Which of the following two muscles are used for flexion in dance?
lester horton
meter
martha graham
biceps brachii - biceps femoris
15. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
alexander technique
savion glover
jazz
bob fosse
16. All performers begin at the same time but at different starting points within the same phrase
promenade - turns - lifts - leaps
simultaneous canons
cecchetti method
fifth position
17. He is the father of ballet in American and the founder of the NY city Ballet
choreography
degage
rhythm tap
George Balanchine
18. Jose Limon - Alvin Ailey - Paul Taylor - Katharine Dunham - Merce Cunningham expanded
shape
modern dance
overuse of a tendon
ruth st. denis
19. A quantity or range of different things. Helps maintain the audiences interest and helps the choreographer to develop the dance. Contrasts in the use of space(open/closed) - force(smooth/sharp) and spatial designs(straight lines/ curves/zigzags)
rhythm tap
extension of the working leg
augmentation/diminution
variety
20. The hip joint is a
george balanchine
weight
ball and socket joint
rhythm
21. This broadway and hollywood performer and choreographer introduced African and caribbean dance styles
folk/traditional
Luigi
katherine dunham
doris humphrey
22. More is added to the original movement
accumulation
petit allegro
movement of the arms
jump
23. These hollywood partners were famous for appearing in films that featured their supernaturally smooth ballroom and tap styles
kinesphere
fred astaire and ginger rogers
matt mattox
endomorph
24. Modern jazz style that emphasizes agility in all areas
charles weidman
force/energy
matt mattox
Catherine de Medici
25. Leaving the ground and landing on the same foot
shuffle
hop
eversion
plie
26. Dance performed in a social setting; traditionally referred to as ballroom - but includes all popular social dances performed with or without partners
augmentation/diminution
meter
Principles of composition
social dance
27. Placing the ball of the foot on the floor with a weight change
rhythm
step
Mikhail Fokine
movement of the arms
28. Movement anchored to one spot by a pody part. Only the available space in any direction is used while the initial body contact is being maintained. Movement is organized around the axis of the body and is not designed to travel from one location to a
axial movement
coordinating lighting and sound cues
tendu
glide
29. This celebrated teacher founded the jazz dance world congress
Nijinsky
gus giordano
rhythm
second position
30. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
twyla tharp
polyrhythm
abduction
assessing complex assignments
31. This legendary tap dance partner of charles hone coles also worked as a choreographer for artists with the motown record label
flow
jazz
dab
cholly atkins
32. This duo became famous in the 1940s along with cab calloway they were part of the big band circuit - and they performed in hollywood
cholly atkins and coles
frontal plane
biceps brachii - biceps femoris
dynamics
33. These include pique - chaine - and similar turns that move the dancer across the floor
tap
modern
turns from corner
hop
34. Tendonitis is typically caused by
overuse of a tendon
movement of the arms
merce cunningham
rond de jambe
35. Which of the following dance steps is most advanced? plie - degage - entrechat - tendu
entrechat
improving flexibility
Butoh
inversion
36. The movement is performed using a different body part
incorporation
entrechat
instrumentation
transition
37. A movement is made part of another movement
action/reaction
variety
incorporation
kinesphere
38. They were the progenitors of modern dance
Giselle
ann miller
toe
loie fuller and isadora duncan
39. If one were to eliminate the jumping elements from the combination which steps would be eliminated
adduction
cholly atkins
first position
the changement and the sautes
40. Dancers begin at different points in a phrase - fall into step as the phrase progresses - and end in unison
space
broadway or show tap
cumulative canons
flexion and extension
41. Modern dance technique that appears in the lateral T shape his dancers assume - a one-leg balance with the torso tilted off-center and the other leg extended to the side in a counterbalance
dab
narrative
martha graham
lester horton
42. A lean body with enhanced flexibility due to a lack of muscular strength
repetition
endomorph
abduction
glide
43. Combination: sustained time/direct space/strong weight
kinesthetic awareness
punch
press
fifth position
44. Striking the floor with the tip of the foot - with or without a weight change
jerome robbins
dab
toe
head whip
45. Lightly striking the floor in an outward sweeping motion (brush with ball - scuff with heel)
rhythm
brush/scuff
Catherine de Medici
tendu
46. Forward brush followed by a touch
cumulative canons
angular oppositions
time
slap
47. Reach space or personal space.
kinesphere
space
coordinating lighting and sound cues
work
48. Modern jazz style that is a therapeutic method - emphasizes fluidity - unbroken motion - balance - and smooth transitions.
tendu
Kinesthetics
Luigi
press
49. He was a celebrated choreographer and the first male dance for the graham company
ball change
erick hawkins
in all directions
repetition
50. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
first position
kinesthetic awareness
harold and fayard nicholas
space
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