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Test your basic knowledge |
Dance Basics
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The hip joint is a
ball and socket joint
merce cunningham
Kinesthetics
space
2. Combination: sustained time/indirect space/strong weight
wring
telling a traditional story
jump
flexion
3. Movement of a limb away from the midline of the body
projection
abduction
Direction
step
4. Asking students to research a non-western culture and perform a dance from that culture is an example of an _____ approach to learning
vaganova method
Butoh
interdisciplinary
axial movement
5. Striking the floor with the tip of the foot - with or without a weight change
toe
isolated movement
syncopation
melody
6. Reach space or personal space.
ted shawn
Beauchamps & Noverre
promenade - turns - lifts - leaps
kinesphere
7. In order to relieve muscle tension - a dancer might engage in all but which of the following practices
ball and socket joint
pilates
ted shawn
merce cunningham
8. He was the founder of Ballets Russes
plie
cholly atkins and coles
Diaghilev
brush/scuff
9. Skills requiring cooperation -coordination and dependence - including imitation - lead and follow - echo - mirroring and call and response
harold and fayard nicholas
punch
master juba lane
partnering/group skills
10. Combination: sustained time/direct space/light weight
glide
grand allegro
choreography
projection
11. Modern dance technique that involves a dramatic contraction and release - emphasizes weight moving into the floor and a spiral image for off-center or off-balance movement
turns from corner
Kinesthetics
rond de jambe
martha graham
12. Multiple performers perform the movement in the same way at the same time
doris humphrey and charles weidman
lester horton
unison
george balanchine
13. This duo became famous in the 1940s along with cab calloway they were part of the big band circuit - and they performed in hollywood
cholly atkins and coles
unity
telling a traditional story
glide
14. The degree of ease or continuousness of a movement from initiation to completion
step
the changement and the sautes
erick hawkins
flow
15. Combination: sudden time/indirect space/strong weight
instrumentation
feldenkrais
sagittal plane
slash
16. The action of turning a ball-and-socket joint; circular movement around a central axis
glide
dynamics
extension
rotation
17. To develop or grow - drawing the working foot up the standing leg and then extending it outward
jazz
developpe
flow
free dance
18. A structure of movement patterns in time; the pattern produced by emphasis and duration of notes in music.
grand allegro
press
second position
rhythm
19. This focuses on recognizing habitual movement patterns and postures - as well as places of accumulated tension - and then altering patterns and postures to address associated problems. can help improve balance - muscular support and flexibility - coo
alexander technique
bill bojangles robinson
entrechat
hyperextension
20. An element of dance characterized by the release of potential energy into kinetic energy. It utilizes body weight - reveals the effects of gravity on the body - is projected into space - and affects emotional and spatial relationships and intentions.
hinge
force/energy
adductor magnus
promenade - turns - lifts - leaps
21. Inward rotation; turning a limb inward - toward the front of the body
choreography
inversion
cramp roll
jump
22. The size of the movement is increased or decreased
Catherine de Medici
interdisciplinary
augmentation/diminution
Butoh
23. When a movment phrase or section progresses to the next.
weight
Giselle
transition
transverse horizontal plane
24. Forward brush followed by a touch
slap
gus giordano
jump
aerobic exercise
25. Movement executed with one body part or a small part of the body. Examples are rooling the head - shruggung the shoulders and rotating the pelvis.
isolated movement
merce cunningham
pilates
fourth position
26. Where is the apron of the stage located
simultaneous canons
at the front
adduction
jerome robbins
27. Tap dancers that focus on design and dance aspect of tapping such as fred astaire - gene kelly and ann miller
broadway or show tap
pilates
rhythm
jump
28. The inability of dancers to maintain their spacing during a group sequence most likely indicates a lack of
fifth position
ruby keeler
kinesthetic awareness
3/4
29. A lean body with enhanced flexibility due to a lack of muscular strength
endomorph
ruth st. denis
dynamics
jack cole
30. A piece of choreography or dance
weight
work
jazz hands
tableau
31. He was a legendary avant garde choreographer
merce cunningham
snap
punch
dynamics
32. A choreographer asks four dancers to perform different movements simultaneously. This is called a
dynamics
tableau
rond de jambe
Kinesthetics
33. Modern jazz style that is a therapeutic method - emphasizes fluidity - unbroken motion - balance - and smooth transitions.
Luigi
doris humphrey and charles weidman
tableau
axial movement
34. The founder of the modern classical method of ballet
george balanchine
transition
ball and socket joint
tendu
35. She was an award-winning choreographer of both broadway and hollywood jazz and modern dance
punch
jazz
twyla tharp
overuse of a tendon
36. Rubrics are most effective for
assessing complex assignments
broadway or show tap
cholly atkins and coles
fourth position
37. He was a broadway and hollywood tap and jazz dancer - as well as a movie star
shape
gene kelly
press
balance
38. Forward brush followed by a backward brush
broadway or show tap
shuffle
tempo acceleration/deceleration
kinesphere
39. In jazz dance - bending backward from the knees while maintaining a straight torso is called a
simultaneous canons
syncopation
slash
hinge
40. Feet separated shoulder width toes turned out arms: both extended open and held symmetrically out to the sides - hands between the shoulders and ribcage
second position
Bob Fosse
weight
reverance
41. A type of dance that began as a rebellion against steps and positions and values - Expressive and original or authentic movement. Alvin Ailey and Martha Graham
modern dance
tap
genre
brush/scuff
42. Runs vertically from the front to the back of an upright standing body the wheel plane
sagittal plane
work
first position
mesomorph
43. A type of dance that concentrates of footwork and rhythm. This type of dance grew out of American popular dancing - with significant roots in African American - Irish and english clogging traditions.
George Balanchine
Luigi
tap dance
movement of the arms
44. While executing a fouette turn (fouette en tournant) the dancer's working leg is engaged in
hyperextension
flexion
flexion and extension
ball change
45. A feeling of completion or wholeness in a dance achieved when all parts work well together.
harold and fayard nicholas
developpe
unison
unity
46. This employs mental visualization of carefull devised imagery with tactile input to enhance coordination of movement and adjust habitual posture and movement habits. if one can see efficient and aligned movement - one can achieve it
ideokinesis
sammy davis jr
turns from corner
jack cole
47. She brought the precursors of ballet to France in the 1500s
master juba lane
unison
Catherine de Medici
jerome robbins
48. The jazz dance choreography in the musical theater classics Chicago and Cabaret is the work of
tendu
vertically
Bob Fosse
King Louis XIV
49. Energy of movement expressed in varying intensities - accent and quality
the changement and the sautes
dynamics
martha graham
assessing complex assignments
50. These include pirouette and fouette turns - in which the dancer remains in one place on the floor
turns at center
cholly atkins
cecchetti method
George Balanchine