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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Have odd numbered harmonics
Pass Band
A/D Conversion Signal Flow
Square Wave
Quantization Error
2. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
MONO
Psychoacoustics
Delta-Sigma Modulation
Spectrum Multiplication
3. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Redither
Dolby 5.1
Effective Bit Depth
Footroom
4. A method of representing real numbers using a mantissa and an exponent
Floating Point
Data Packing
AoE Formats
Audio over Ethernet (AoE)
5. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Effective Bit Depth
Rarefaction
Average Bit Rate
D/A Conversion Signal Flow
6. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
dBFS
Sine Wave
Delta-Sigma Modulation
Psychoacoustics
7. A situation where a calculated value cannot fit into the number of digits reserved for it
Blu-Ray
RMS
A/D Conversion Signal Flow
Overflow
8. The set of rules that computers use to move files from one computer to another on an internet
Quantization
Y-Axis Terminology
Glass Master
Transfer Protocol
9. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Ethernet
Audio over Ethernet (AoE)
Sampling Rule
Intensity
10. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
TOSLINK
Zero-Latency Monitoring
Headroom Bits
Word Clock
11. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Codec
Harmonic Content
Signal- to- Noise Ratio
Interleaved
12. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Non -Compressed Audio Data Rate Formula
Peak Level
Oscillation
DVD-18
13. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Red Book
A/D Conversion Signal Flow
Interpolation Filter
Storage Conversion Steps
14. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
dBFS
Peak Level
Recording Levels
Class - D Amplifier
15. Same as 'aliasing'
Sample Rate
Pad Head & Tail
Foldover
Pulse Width Modulation
16. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Peak Level
Oversampling
Quantization Intervals
TOSLINK
17. Unit of measurement that is equal to one billionth of a meter
Signal- to- Noise Ratio
Nanometer
Index of Reflectivity
Harmonic Content
18. Each bit in the bit depth is equal to a _____ increase in dynamic range
Foldover
A/D Conversion
Sine Wave
6 dB
19. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Pass Band
Overflow
Sample Rate
Word Clock
20. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Audio Engineering Society
Harry Nyquist
Base 2 System
Acoustics
21. 15.9 GB; DS/DL
Morse Code
DVD-18
Attenuation
CPU Buffering
22. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Lightpipe
Requirements for A/D Conversion
Coaxial
Direct Stream Digital
23. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Intensity
Nyquist Frequency
AES3
Sinusoidal
24. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Zero-Latency Monitoring
Claude Shannon
Threshold of Pain
Lossy Formats
25. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Peak Level
Internal Resolution
DVD-14
DVD-Audio
26. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
D/A Conversion
Sine Wave
Red Book
Data Packing
27. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
Pulse Density Modulation
Sampling Rule
Attenuation
EtherSound
28. Industry Standards: -6 dB Peak = -20 RMS Meter
Requirements for CD Audio
Recording Levels
Pulse Width Modulation
D/A Conversion Signal Flow
29. Decibels Full Scale
A/D Conversion Signal Flow
Intensity Stereo
Intensity
dBFS
30. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
DVD-9
Digital Signal Processing
Interleaved
Audio Engineering Society
31. 8.75 GB; DS/SL
Speed of Sound
DVD-10
Non -Compressed Audio Data Rate Formula
AES3
32. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Psychoacoustics
Lossy
Average Bit Rate
dB/SPL
33. MPEG; Standardizing body of audio coding
Oversampling
Motion Pictures Experts Group
Anti-Aliasing Filter
Spectra
34. Softest sound that can be heard by the average human ear (0 dB)
dBFS
Threshold of Hearing
Lossy
Sonogram
35. Visual graph that shows how loud a sound is at different frequencies
Headroom Bits
DVD-14
MONO
Sonogram
36. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
D/A Conversion
RMS Meter
Nanometer
EtherSound
37. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Motion Pictures Experts Group
Exponent
dB/FS
Decimation Filter
38. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Stapedes Reflex
Compression
Sine Wave
Signal- to- Noise Ratio
39. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Pulse Width Modulation
Noise Shaping
Additive Synthesis...
Low-Latency Monitoring
40. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
6 dB
Blu-Ray
Normalizing
Fidelity
41. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Nanometer
Dolby 5.1
Subbands
Masking Analysis...
42. Unit of measurement that is equal to one millionth of a meter
Y-Axis Terminology
Micron
Overflow
Footroom
43. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Class - D Amplifier
Headroom Bits
Sine Wave
Storage Conversion Steps
44. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Fidelity
Class - D Amplifier
Word Clock
Average Bit Rate
45. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Pulse Density Modulation
Edit Decision List
Adaptive Pulse Code Modulation
Data Packing
46. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Direct Stream Digital
Noise Shaping
Significand
Buffer Size
47. A digital filter's time domain output sequence when the input is a single sample is input
Lossless Formats
Impulse Response
Digital
Nanometer
48. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
SACD
Dithering
Digital
Dolby 5.1
49. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Tascam Digital Interface Format (TDIF)
Harry Nyquist
Internal Resolution
Exponent
50. 4.38 GB; SS/SL
Photoreceptor
DVD-5
I/O Connection Buffering
Foldover