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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Nyquist Frequency
Sonogram
Attenuation
Square Wave
2. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Quantization Intervals
Joint Stereo
Variable Bit Rate
D/A Conversion
3. Branch of psychology concerned with the subjective perception of sound
Footroom
Psychoacoustics
Bit Rate
Algorithm
4. Roughly around 1 -130 ft/s
Algorithm
Speed of Sound
dBFS
DVD-Audio
5. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Impulse Response
Sinusoidal
Inter-Channel Redundancy
Algorithm
6. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Subbands
Sonogram
Playback Buffering
Exponent
7. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
dB/FS
Sonogram
European Broadcasting Union
DVD-9
8. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Optical Cable
Gain Staging
Harmonic Content
Equal Loudness Contour
9. Unit of measurement that is equal to one billionth of a meter
Pulse Density Modulation
Aliasing
CPU Buffering
Nanometer
10. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Y-Axis Terminology
Threshold of Hearing
Digital Signal Processing
Peak Level
11. The continuous loss of signal strengths as a signal travels through a medium
Glass Master
Equal Loudness Contour
Photoreceptor
Attenuation
12. The more bits allocated during quantization - the more accurate the measurement
Internal Resolution
Bit Depth Effect on Dynamic Range
Cutoff Frequency
D/A Conversion
13. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
D/A Conversion Signal Flow
Storage Conversion Steps
Frequency
RMS Meter
14. Having a repeated succession of waves or curves as in a sound waveform
Entropy Coding
Foldover
Redither
Sinusoidal
15. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
DVD-5
Rarefaction
CobraNet
Footroom
16. Each bit in the bit depth is equal to a _____ increase in dynamic range
AoE Formats
Dolby 5.1
6 dB
Spectra
17. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Bit Depth
Coaxial
Sample Rate Effect on Anti-Aliasing
Decoder
18. Multi-Bit Words; (Pulse Code Modulation)
PCM
Oversampling
Inter-Channel Redundancy
Interleaved
19. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Entropy Coding
Lightpipe
Sample- and-Hold
Decoder
20. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Footroom
Subbands
Quantization Error
Sampling (Samples)
21. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
I/O Connection Buffering
Conversion Buffering
Convolution
Lossless
22. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Signal- to- Noise Ratio
Ethernet
Y-Axis Terminology
Nanometer
23. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
DVD-18
DVD-9
Spectrum Multiplication
Impulse Response
24. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Logical Format
Oversampling
Delta-Sigma Modulation
Cutoff Frequency
25. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Redither
Lossy
Data Packing
Blu-Ray
26. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
SACD
Sampling Rule
Delta-Sigma Modulation
Dithering
27. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Optical Cable
Convolution
Delta-Sigma Modulation
Data Packing
28. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Entropy Coding
Interleaved
Lossy Formats
dB/SPL
29. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Direct Monitoring
Oversampling
Dolby 5.1
Threshold of Pain
30. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Sinusoidal
RMS
Inter-Channel Redundancy
Quantization Error
31. Level above which audible sounds are painful (125 - 130 db)
Sine Wave
Sinusoidal
Threshold of Pain
Coaxial
32. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Quantization
Entropy Coding
Photoreceptor
Fourier Series
33. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Dolby 7.1
RMS Meter
Ethernet
Algorithm
34. AES
Audio Engineering Society
Jitter
RMS Meter
Threshold of Pain
35. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Effective Bit Depth
Lossless Formats
Pulse Density Modulation
Speed of Sound
36. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
M-S Stereo
PCM
Digital Signal Processing
Buffering Locations
37. 7.95 GB; SS/DL
DVD-9
Photoreceptor
Edit Decision List
Equal Loudness Contour
38. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
I/O Connection Buffering
Digital Signal Processing
Anti-Aliasing Filter
Codec
39. EDL; Final list of samples used in the audio editing process; Identified by time code
Recording Levels
AES3
Sinusoidal
Edit Decision List
40. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
2 Dimensions of Sound
Sampling (Samples)
Blu-Ray
Entropy Coding
41. A situation where a calculated value cannot fit into the number of digits reserved for it
Significand
Overflow
Delta-Sigma Modulation
Harry Nyquist
42. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Intensity Stereo
Psychoacoustics
AES3
Frames
43. 16-Bit; 44.1 kHz; PCM; Stereo
Anti-Aliasing Filter
Logical Format
Requirements for CD Audio
Playback Buffering
44. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Noise Shaping
AoE Formats
Aliasing
Analog
45. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Anti-Aliasing Filter
Bit Depth
Spectra
Voltage
46. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Lightpipe
RMS
Bit Rate
Oversampling
47. Unit of measurement that is equal to one millionth of a meter
Entropy Coding
Square Wave
Micron
Red Book
48. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Audio over Ethernet (AoE)
Variable Bit Rate
2 Dimensions of Sound
Impulse Response
49. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Spectra
Threshold of Pain
Buffering
Conversion Buffering
50. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Acoustics
SCMS
Voltage
Requirements for CD Audio