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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
AES3
Pulse Code Modulation
Compression
Exponent
2. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
SCMS
Harry Nyquist
M-S Stereo
Conversion Buffering
3. Softest sound that can be heard by the average human ear (0 dB)
Tascam Digital Interface Format (TDIF)
Compression
Index of Reflectivity
Threshold of Hearing
4. Difference in brightness between land and pit on a CD Physical Format
Pulse Density Modulation
Index of Reflectivity
Base 2 System
Oversampling
5. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Sinusoidal
Claude Shannon
Sine Wave
Bit Depth
6. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Oversampling
Dolby 7.1
Sonogram
Quantizer
7. Allowance of noise floor below that which is required for the final product
Footroom
Digital
Subbands
Zero-Latency Monitoring
8. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
Voltage
Threshold of Pain
Equal Loudness Contour
EtherSound
9. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Decimation Filter
dBFS
Coaxial
Foldover
10. The process of reducing the space required to store data by efficiently encoding the content.
Compression
PCM
Pad Head & Tail
Conversion Buffering
11. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Rarefaction
M-S Stereo
Normalizing
Peak Level
12. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Equal Loudness Contour
Optical Cable
Average Bit Rate
Adaptive Pulse Code Modulation
13. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
D/A Conversion Signal Flow
Spectra
Normalizing
PCM
14. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Inter-Channel Redundancy
European Broadcasting Union
Normalizing
Sinusoidal
15. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Y-Axis Terminology
Frequency
Audio over Ethernet (AoE)
Sony-Philips Digital Interface Format (S/PDIF)
16. A method of representing real numbers using a mantissa and an exponent
Conversion Buffering
Inter-Channel Redundancy
Floating Point
Coaxial
17. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Digital
Dolby 5.1
Perceptual Coding
Buffer Size
18. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Frequency
Peak Level
Overflow
Cutoff Frequency
19. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Significand
EtherSound
Red Book
Interleaved
20. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Headroom Bits
Direct Monitoring
RMS
Adaptive Pulse Code Modulation
21. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Pass Band
Foldover
Sony-Philips Digital Interface Format (S/PDIF)
RMS Meter
22. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
X-Axis Terminology
Amplitude Accuracy
Lossy Formats
Frequency
23. Eight channel digital surround sound system by Dolby
Significand
Codec
Dolby 7.1
DVD-Audio
24. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Sample Rate
Red Book
Noise Shaping
Perceptual Coding
25. Low Pressure; Part in a longitudinal wave where the particles are spread apart
CobraNet
Rarefaction
Oscillation
Joseph Fourier
26. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
CPU Buffering
Class - D Amplifier
Frequency
EtherSound
27. Very selective method of lowering buffer levels by halting different levels of audio processing
Buffering Locations
Peak Level
Foldover
Low-Latency Monitoring
28. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Lossy
Sampling Rule
Sinusoidal
Successive Approximation
29. A situation where a calculated value cannot fit into the number of digits reserved for it
Overflow
PCM
Adaptive Pulse Code Modulation
Glass Master
30. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
I/O Connection Buffering
PCM
Bit Rate
Analog
31. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Cutoff Frequency
Pulse Density Modulation
Signal- to- Noise Ratio
Physical Disc Format
32. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
RMS
M-S Stereo
Sampling Theorem
Stapedes Reflex
33. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
DVD-Audio
Sonogram
Masking Analysis...
Frames
34. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
TOSLINK
Quantization Error
Playback Buffering
Nanometer
35. Same as 'aliasing'
Rarefaction
PCM
Overflow
Foldover
36. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Sampling (Samples)
Class - D Amplifier
Additive Synthesis...
dB/SPL
37. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
PCM
CobraNet
Base 2 System
dBFS
38. 15.9 GB; DS/DL
Sampling (Samples)
Signal- to- Noise Ratio
DVD-18
D/A Conversion Signal Flow
39. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
D/A Conversion Signal Flow
Non -Compressed Audio Data Rate Formula
Storage Conversion Steps
Word Clock
40. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Square Wave
Logical Format
Lossy
Floating Point
41. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Cutoff Frequency
Headroom Bits
Gain Staging
Dolby 5.1
42. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Playback Buffering
Dithering
Threshold of Hearing
Noise Shaping
43. 8- in/8- out on one cable; 25- pin D- sub connector
Tascam Digital Interface Format (TDIF)
Aliasing
X-Axis Terminology
Rarefaction
44. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Sample- and-Hold
X-Axis Terminology
Y-Axis Terminology
Analog
45. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Morse Code
Quantizer
Word Clock
Adaptive Pulse Code Modulation
46. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Intensity
Cutoff Frequency
Equal Loudness Contour
Glass Master
47. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Bit Depth
Analog
SCMS
Harmonic Content
48. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Quantization
CPU Buffering
Optical Cable
Signal- to- Noise Ratio
49. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Entropy Coding
Oversampling
Sony-Philips Digital Interface Format (S/PDIF)
Internal Resolution
50. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
dB/FS
Signal- to- Noise Ratio
DVD-14
Lossless Formats