SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Storage Conversion Steps
0 dB FS
Harry Nyquist
2. Level above which audible sounds are painful (125 - 130 db)
Peak Level
A/D Conversion
Threshold of Pain
Sample Rate
3. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Signal- to- Noise Ratio
DVD-Audio
6 dB
Pulse Code Modulation
4. Splits the input signal and mixes it with an analog copy so that no latency is present
Direct Stream Digital
Zero-Latency Monitoring
Playback Buffering
Lossy
5. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Anti-Aliasing Filter
Multichannel Audio Digital Interface (MADI)
Pulse Density Modulation
Additive Synthesis...
6. Difference in brightness between land and pit on a CD Physical Format
Index of Reflectivity
RMS Meter
Jitter
Pad Head & Tail
7. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Speed of Sound
Bit Depth
Sample Rate Effect on Anti-Aliasing
6 dB
8. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
Multichannel Audio Digital Interface (MADI)
Bit Depth Effect on Dynamic Range
CPU Buffering
Decoder
9. More accuracy in low amplitudes and less in higher amplitudes
Requirements for CD Audio
Amplitude Accuracy
A/D Conversion
RMS
10. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Sample Rate Effect on Anti-Aliasing
Variable Bit Rate
Adaptive Pulse Code Modulation
Dolby 5.1
11. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Anti-Aliasing Filter
I/O Connection Buffering
2 Dimensions of Sound
Resolution
12. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Fidelity
Masking Analysis...
Intensity Stereo
Frequency
13. A situation where a calculated value cannot fit into the number of digits reserved for it
0 dB FS
Attenuation
Overflow
Digital
14. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Latency
Fletcher- Munson Curve
Codec
Direct Stream Digital
15. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Voltage
Zero-Latency Monitoring
Foldover
Pulse Density Modulation
16. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Normalizing
Interleaved
Lossy
Low-Latency Monitoring
17. Mixing data and control characters in a single operation
Noise Shaping
Red Book
Convolution
Interleaved
18. Visual graph that shows how loud a sound is at different frequencies
EtherSound
Sonogram
Nanometer
Spectrum Multiplication
19. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Overflow
Buffering
Significand
Sample- and-Hold
20. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Morse Code
Fidelity
Foldover
Ethernet
21. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Lossless
Compression
Oversampling
Pulse Code Modulation
22. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Joseph Fourier
Headroom Bits
Entropy Coding
Redither
23. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Decoder
Pulse Code Modulation
DVD-9
Micron
24. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Entropy Coding
Effective Bit Depth
Lossy
Codec
25. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Blu-Ray
Internal Resolution
SCMS
Direct Stream Digital
26. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
MONO
Internal Resolution
Spectra
Lossy
27. EBU
European Broadcasting Union
Signal- to- Noise Ratio
Bit Rate
Variable Bit Rate
28. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Blu-Ray
Sample- and-Hold
Variable Bit Rate
Glass Master
29. Branch of psychology concerned with the subjective perception of sound
Average Bit Rate
D/A Conversion
Psychoacoustics
Sony-Philips Digital Interface Format (S/PDIF)
30. Very selective method of lowering buffer levels by halting different levels of audio processing
Low-Latency Monitoring
Intensity Stereo
Attenuation
European Broadcasting Union
31. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Base 2 System
Interpolation Filter
Blu-Ray
Harry Nyquist
32. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Floating Point
Sawtooth Wave
Word Clock
Physical Disc Format
33. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
dB/FS
2 Dimensions of Sound
Joint Stereo
Harry Nyquist
34. Multi-Bit Words; (Pulse Code Modulation)
PCM
Sampling (Samples)
Digital Signal Processing
0 dB FS
35. The frequency above or below which attenuation begins in a filter circuit
Bit Depth Effect on Dynamic Range
6 dB
Cutoff Frequency
PCM
36. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Acoustics
Threshold of Pain
Quantizer
Dynamic Range
37. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Redither
Exponent
DVD-10
Aliasing
38. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Conversion Buffering
Quantizer
Rarefaction
Convolution
39. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Bit Depth
Sine Wave
Resolution
Motion Pictures Experts Group
40. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Y-Axis Terminology
Sinusoidal
Equal Loudness Contour
Spectra
41. The more bits allocated during quantization - the more accurate the measurement
Requirements for CD Audio
Decimal- to-Binary Conversion
CobraNet
Bit Depth Effect on Dynamic Range
42. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Physical Disc Format
Anti-Imaging Filter
dB/FS
Blu-Ray
43. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Sampling Rule
Amplitude Accuracy
Psychoacoustics
Compression
44. Sample Rate x Bit Depth x # of Channels
Acoustics
Average Bit Rate
Non -Compressed Audio Data Rate Formula
Bit Depth Effect on Dynamic Range
45. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Red Book
Inter-Channel Redundancy
Motion Pictures Experts Group
RMS
46. Decibels Full Scale
Claude Shannon
Morse Code
Pass Band
dBFS
47. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Joint Stereo
Additive Synthesis...
Decoder
Latency
48. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Sony-Philips Digital Interface Format (S/PDIF)
Equal Loudness Contour
PCM
Buffering Locations
49. Industry Standards: -6 dB Peak = -20 RMS Meter
Recording Levels
Delta-Sigma Modulation
Sampling Theorem
Fourier Series
50. 7.95 GB; SS/DL
Sampling Rule
DVD-9
Coaxial
Sawtooth Wave