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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Codec
AoE Formats
Compression
Rarefaction
2. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Dithering
Sampling (Samples)
Latency
3. Serial Copy Management System; main difference between AES3 & S/PIDF
SCMS
Joint Stereo
Convolution
Latency
4. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Gain Staging
Rarefaction
Harmonic Content
Sampling (Samples)
5. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Quantizer
Y-Axis Terminology
Internal Resolution
Jitter
6. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Harmonic Content
Intensity Stereo
Word Clock
Pulse Density Modulation
7. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Sampling (Samples)
Ethernet
Compression
Class - D Amplifier
8. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Multichannel Audio Digital Interface (MADI)
Sinusoidal
Decoder
Psychoacoustics
9. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Digital
Conversion Buffering
Tascam Digital Interface Format (TDIF)
Compression
10. A digital filter's time domain output sequence when the input is a single sample is input
Sample Rate
Fletcher- Munson Curve
Impulse Response
Bit Depth
11. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Multichannel Audio Digital Interface (MADI)
Sampling (Samples)
Cutoff Frequency
Physical Disc Format
12. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Motion Pictures Experts Group
Compression
Acoustics
Variable Bit Rate
13. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Audio over Ethernet (AoE)
Anti-Aliasing Filter
Glass Master
Zero-Latency Monitoring
14. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
SCMS
Latency
Redither
Pass Band
15. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
M-S Stereo
MONO
Joint Stereo
Floating Point
16. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Threshold of Hearing
Internal Resolution
Attenuation
Fourier Series
17. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Quantization
Variable Bit Rate
Noise Shaping
Blu-Ray
18. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
DVD-Audio
Buffering
Coaxial
Codec
19. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
D/A Conversion Signal Flow
Physical Disc Format
Subbands
Direct Stream Digital
20. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Blu-Ray
Morse Code
Dynamic Range
EtherSound
21. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Fidelity
Decimation Filter
Lossless Formats
SACD
22. More accuracy in low amplitudes and less in higher amplitudes
Peak Level
Amplitude Accuracy
A/D Conversion Signal Flow
Quantization Error
23. Industry Standards: -6 dB Peak = -20 RMS Meter
Coaxial
Pulse Width Modulation
Algorithm
Recording Levels
24. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Inter-Channel Redundancy
Data Packing
0 dB FS
Sine Wave
25. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Morse Code
Average Bit Rate
Jitter
Pad Head & Tail
26. 8- in/8- out on one cable; 25- pin D- sub connector
Inter-Channel Redundancy
Tascam Digital Interface Format (TDIF)
Direct Stream Digital
Analog
27. Subtract place values from the decimal number and place ones or zeros in the correct places
Sine Wave
Dithering
Codec
Decimal- to-Binary Conversion
28. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Inter-Channel Redundancy
Audio over Ethernet (AoE)
Square Wave
Pulse Code Modulation
29. Each bit in the bit depth is equal to a _____ increase in dynamic range
6 dB
Physical Disc Format
Spectrum Multiplication
Psychoacoustics
30. Unit of measurement that is equal to one billionth of a meter
Nanometer
AoE Formats
Inter-Channel Redundancy
Decoder
31. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
AES3
RMS
Data Packing
Perceptual Coding
32. Eight channel digital surround sound system by Dolby
Noise Shaping
Edit Decision List
Decimal- to-Binary Conversion
Dolby 7.1
33. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Physical Disc Format
Sinusoidal
Overflow
Sonogram
34. The frequency above or below which attenuation begins in a filter circuit
Sampling (Samples)
Cutoff Frequency
Successive Approximation
Anti-Imaging Filter
35. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Inter-Channel Redundancy
Fidelity
Blu-Ray
Dithering
36. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Footroom
Voltage
Buffering Locations
Average Bit Rate
37. Allowance of noise floor below that which is required for the final product
Ethernet
Algorithm
DVD-5
Footroom
38. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Codec
Requirements for A/D Conversion
Gain Staging
CobraNet
39. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Exponent
Resolution
Frames
Amplitude Accuracy
40. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Masking Analysis...
Class - D Amplifier
TOSLINK
Equal Loudness Contour
41. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Speed of Sound
Resolution
Significand
Sawtooth Wave
42. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Amplitude Accuracy
Data Packing
SCMS
Pad Head & Tail
43. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Jitter
dB/SPL
Inter-Channel Redundancy
SACD
44. Accuracy with which an electronic system reproduces the sound or image of its input signal
Non -Compressed Audio Data Rate Formula
Blu-Ray
Base 2 System
Fidelity
45. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Normalizing
Algorithm
SCMS
Sawtooth Wave
46. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Lossy Formats
Quantization Error
SACD
Algorithm
47. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Sampling Theorem
Lossless
Non -Compressed Audio Data Rate Formula
Class - D Amplifier
48. Signal conversions are mixed with playback tracks resulting in near-zero latency
Resolution
Y-Axis Terminology
Interleaved
Direct Monitoring
49. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Resolution
European Broadcasting Union
Lightpipe
Speed of Sound
50. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Optical Cable
Buffering
Overflow
Bit Rate