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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sample Rate x Bit Depth x # of Channels
Quantizer
Pulse Code Modulation
I/O Connection Buffering
Non -Compressed Audio Data Rate Formula
2. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Perceptual Coding
Noise Shaping
Equal Loudness Contour
Motion Pictures Experts Group
3. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
Threshold of Pain
Anti-Aliasing Filter
CPU Buffering
Ethernet
4. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
RMS
Pad Head & Tail
Anti-Aliasing Filter
Constant Bit Rate
5. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
X-Axis Terminology
Subbands
Logical Format
TOSLINK
6. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
AES3
Overflow
Multichannel Audio Digital Interface (MADI)
Decimation Filter
7. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
AES3
Average Bit Rate
Non -Compressed Audio Data Rate Formula
Pulse Code Modulation
8. A situation where a calculated value cannot fit into the number of digits reserved for it
Inter-Channel Redundancy
Spectrum Multiplication
Overflow
Blu-Ray
9. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Impulse Response
Data Packing
Oversampling
Lossless
10. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Direct Monitoring
Dynamic Range
Lossy
D/A Conversion
11. The frequency above or below which attenuation begins in a filter circuit
Cutoff Frequency
Fidelity
Base 2 System
Significand
12. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Digital
Redither
I/O Connection Buffering
Algorithm
13. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Dynamic Range
Direct Stream Digital
Frames
Delta-Sigma Modulation
14. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Lossy Formats
Jitter
I/O Connection Buffering
Glass Master
15. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Gain Staging
Rarefaction
DVD-9
Inter-Channel Redundancy
16. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
Normalizing
Quantization Intervals
Frequency
17. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Psychoacoustics
Sample Rate
Bit Rate
CobraNet
18. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
DVD-14
Perceptual Coding
Inter-Channel Redundancy
Normalizing
19. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Rarefaction
Logical Format
Micron
Ethernet
20. A method of representing real numbers using a mantissa and an exponent
Gain Staging
Audio over Ethernet (AoE)
Floating Point
Equal Loudness Contour
21. The set of rules that computers use to move files from one computer to another on an internet
RMS
Quantizer
Oscillation
Transfer Protocol
22. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Decimal- to-Binary Conversion
Decimation Filter
0 dB FS
Playback Buffering
23. More accuracy in low amplitudes and less in higher amplitudes
Cutoff Frequency
Sample Rate
Amplitude Accuracy
Pad Head & Tail
24. Branch of psychology concerned with the subjective perception of sound
DVD-14
Psychoacoustics
Playback Buffering
Nyquist Frequency
25. Level above which audible sounds are painful (125 - 130 db)
Entropy Coding
Variable Bit Rate
Rarefaction
Threshold of Pain
26. The amount of energy at each wavelength
Spectra
Convolution
Photoreceptor
Oscillation
27. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Sampling Rule
Sine Wave
Inter-Channel Redundancy
Anti-Aliasing Filter
28. Unit of measurement that is equal to one millionth of a meter
Fletcher- Munson Curve
Micron
Anti-Aliasing Filter
6 dB
29. Waveform of a pure tone showing simple harmonic motion
Oversampling
Sine Wave
Noise Shaping
Physical Disc Format
30. Each bit in the bit depth is equal to a _____ increase in dynamic range
Oversampling
Storage Conversion Steps
dB/SPL
6 dB
31. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Code Modulation
Fourier Series
Latency
Red Book
32. Electromagnetic receptor that detects the radiation known as visible light
Sonogram
SCMS
Data Packing
Photoreceptor
33. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Adaptive Pulse Code Modulation
Variable Bit Rate
Buffer Size
Lossy
34. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
EtherSound
Bit Depth
A/D Conversion Signal Flow
Decimation Filter
35. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Tascam Digital Interface Format (TDIF)
Intensity
Pulse Width Modulation
Peak Level
36. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Fletcher- Munson Curve
Photoreceptor
Playback Buffering
Nanometer
37. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Significand
dB/FS
TOSLINK
Foldover
38. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Intensity Stereo
Normalizing
Digital
Requirements for CD Audio
39. Difference in brightness between land and pit on a CD Physical Format
Index of Reflectivity
Dolby 7.1
Quantization Intervals
Buffering Locations
40. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Requirements for CD Audio
Y-Axis Terminology
Average Bit Rate
Anti-Imaging Filter
41. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Normalizing
A/D Conversion
Resolution
DVD-Audio
42. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
DVD-14
Logical Format
Quantization
Normalizing
43. Have odd numbered harmonics
Anti-Aliasing Filter
Glass Master
Sonogram
Square Wave
44. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Joseph Fourier
A/D Conversion
Joint Stereo
Constant Bit Rate
45. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
dB/SPL
Lossy Formats
Exponent
Quantizer
46. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
I/O Connection Buffering
2 Dimensions of Sound
Claude Shannon
Buffering Locations
47. 7.95 GB; SS/DL
Voltage
Peak Level
DVD-9
SCMS
48. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Latency
Acoustics
Square Wave
Lossy Formats
49. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Acoustics
6 dB
SACD
CPU Buffering
50. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Bit Depth
Equal Loudness Contour
Zero-Latency Monitoring
Blu-Ray