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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Amplitude Accuracy
Oversampling
SACD
Resolution
2. Mixing data and control characters in a single operation
Sampling Theorem
Rarefaction
TOSLINK
Interleaved
3. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Interpolation Filter
dB/SPL
Significand
Pulse Code Modulation
4. Eight channel digital surround sound system by Dolby
Anti-Imaging Filter
Motion Pictures Experts Group
Lightpipe
Dolby 7.1
5. The frequency range that is allowed through a filter
Pass Band
DVD-Audio
European Broadcasting Union
Floating Point
6. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
CPU Buffering
Zero-Latency Monitoring
Threshold of Hearing
Glass Master
7. AES
Joint Stereo
Sampling Theorem
Audio Engineering Society
Morse Code
8. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
DVD-14
Blu-Ray
Peak Level
Data Packing
9. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
RMS Meter
Multichannel Audio Digital Interface (MADI)
Oversampling
Coaxial
10. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
DVD-9
Internal Resolution
A/D Conversion Signal Flow
Voltage
11. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Latency
Jitter
dB/FS
Nyquist Frequency
12. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Constant Bit Rate
Lossless Formats
Aliasing
Successive Approximation
13. Unit of measurement that is equal to one millionth of a meter
D/A Conversion
Bit Depth
Micron
DVD-9
14. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Index of Reflectivity
Buffering
Oversampling
Sample Rate Effect on Anti-Aliasing
15. 'Reconstructing' part of digital audio
Entropy Coding
I/O Connection Buffering
Interleaved
D/A Conversion
16. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Perceptual Coding
Voltage
Fourier Series
Oscillation
17. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Nyquist Frequency
Quantization Error
Exponent
Bit Depth Effect on Dynamic Range
18. 12.33 GB; DS/ML
Conversion Buffering
Resolution
DVD-14
Sample- and-Hold
19. Accuracy with which an electronic system reproduces the sound or image of its input signal
DVD-5
Pulse Width Modulation
Oversampling
Fidelity
20. Very selective method of lowering buffer levels by halting different levels of audio processing
Noise Shaping
Sample- and-Hold
Low-Latency Monitoring
DVD-5
21. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Oscillation
Spectra
Class - D Amplifier
Foldover
22. Same as 'aliasing'
Resolution
Masking Analysis...
Index of Reflectivity
Foldover
23. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Coaxial
Oscillation
Joseph Fourier
Glass Master
24. Waveform of a pure tone showing simple harmonic motion
Joseph Fourier
Sine Wave
Red Book
Direct Monitoring
25. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Frequency
Quantization Intervals
Optical Cable
Speed of Sound
26. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Additive Synthesis...
Optical Cable
Pulse Density Modulation
Latency
27. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Successive Approximation
Base 2 System
Y-Axis Terminology
Joint Stereo
28. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Pulse Width Modulation
Sony-Philips Digital Interface Format (S/PDIF)
Redither
PCM
29. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Intensity Stereo
X-Axis Terminology
Quantization Error
DVD-10
30. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Pulse Density Modulation
Quantization
Fourier Series
Dolby 7.1
31. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Speed of Sound
Algorithm
Codec
Audio over Ethernet (AoE)
32. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Lightpipe
Glass Master
Sample Rate Effect on Anti-Aliasing
Dynamic Range
33. Splits the input signal and mixes it with an analog copy so that no latency is present
Direct Stream Digital
Stapedes Reflex
Zero-Latency Monitoring
Cutoff Frequency
34. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Decimal- to-Binary Conversion
Pulse Width Modulation
Storage Conversion Steps
Dolby 7.1
35. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
Micron
Adaptive Pulse Code Modulation
Sampling Rule
36. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Claude Shannon
Class - D Amplifier
Codec
Pulse Density Modulation
37. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Sample- and-Hold
Oversampling
Average Bit Rate
Harmonic Content
38. Visual graph that shows how loud a sound is at different frequencies
Algorithm
Sonogram
Zero-Latency Monitoring
Sawtooth Wave
39. A method of representing real numbers using a mantissa and an exponent
Attenuation
CobraNet
Floating Point
CPU Buffering
40. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Latency
Overflow
Digital Signal Processing
Oscillation
41. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
Constant Bit Rate
Algorithm
Compression
42. 16-Bit; 44.1 kHz; PCM; Stereo
Pulse Density Modulation
Requirements for CD Audio
M-S Stereo
Overflow
43. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Dolby 7.1
Impulse Response
Redither
Optical Cable
44. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Analog
Pulse Density Modulation
Dithering
DVD-10
45. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Optical Cable
Dolby 5.1
Floating Point
TOSLINK
46. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Storage Conversion Steps
dBFS
Pulse Code Modulation
CobraNet
47. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Optical Cable
AES3
Convolution
Edit Decision List
48. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Photoreceptor
Bit Depth
Constant Bit Rate
RMS Meter
49. Subtract place values from the decimal number and place ones or zeros in the correct places
CobraNet
Decimal- to-Binary Conversion
Algorithm
dB/SPL
50. Softest sound that can be heard by the average human ear (0 dB)
Base 2 System
Threshold of Hearing
Average Bit Rate
European Broadcasting Union