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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Claude Shannon
Sonogram
Joseph Fourier
Attenuation
2. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Blu-Ray
Buffer Size
Variable Bit Rate
Red Book
3. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Compression
Internal Resolution
Direct Stream Digital
dB/SPL
4. Allowance of noise floor below that which is required for the final product
SCMS
Footroom
dB/SPL
Oscillation
5. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Direct Monitoring
Sinusoidal
Storage Conversion Steps
Additive Synthesis...
6. Each bit in the bit depth is equal to a _____ increase in dynamic range
Word Clock
6 dB
Spectra
Anti-Aliasing Filter
7. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Codec
Quantization Intervals
Compression
Harry Nyquist
8. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Entropy Coding
Multichannel Audio Digital Interface (MADI)
Average Bit Rate
Sony-Philips Digital Interface Format (S/PDIF)
9. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Bit Depth
Exponent
DVD-14
Bit Rate
10. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
Requirements for CD Audio
Speed of Sound
Logical Format
CPU Buffering
11. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Amplitude Accuracy
Cutoff Frequency
Aliasing
Lossless
12. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Successive Approximation
2 Dimensions of Sound
Lossless Formats
Headroom Bits
13. Roughly around 1 -130 ft/s
Playback Buffering
Ethernet
Fletcher- Munson Curve
Speed of Sound
14. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Sampling Rule
Digital Signal Processing
SCMS
Buffering
15. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Sine Wave
Internal Resolution
Lossy Formats
X-Axis Terminology
16. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Oscillation
Non -Compressed Audio Data Rate Formula
Class - D Amplifier
Adaptive Pulse Code Modulation
17. Decibels Full Scale
Fletcher- Munson Curve
Interpolation Filter
DVD-14
dBFS
18. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Oscillation
Multichannel Audio Digital Interface (MADI)
Compression
Average Bit Rate
19. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Storage Conversion Steps
A/D Conversion Signal Flow
D/A Conversion
Playback Buffering
20. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
dB/FS
Interpolation Filter
Fourier Series
Bit Depth Effect on Dynamic Range
21. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Impulse Response
Glass Master
Direct Monitoring
Buffer Size
22. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Spectrum Multiplication
Photoreceptor
Digital
Anti-Imaging Filter
23. Unit of measurement that is equal to one billionth of a meter
Constant Bit Rate
RMS Meter
Nanometer
Dolby 5.1
24. Fractional part of a floating- point number; Also called the mantissa; Defines precision
SACD
AoE Formats
Significand
Transfer Protocol
25. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Audio Engineering Society
Headroom Bits
Decimation Filter
Bit Rate
26. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Digital
Sampling Theorem
Perceptual Coding
SACD
27. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Quantization Intervals
Resolution
Bit Rate
Speed of Sound
28. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Masking Analysis...
Cutoff Frequency
Lightpipe
Word Clock
29. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Floating Point
Algorithm
Sony-Philips Digital Interface Format (S/PDIF)
Voltage
30. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Claude Shannon
Subbands
Digital Signal Processing
Acoustics
31. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Fidelity
Sampling (Samples)
Spectra
Entropy Coding
32. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Equal Loudness Contour
Ethernet
Gain Staging
Digital
33. 'Reconstructing' part of digital audio
Lossy Formats
D/A Conversion
Bit Depth Effect on Dynamic Range
Pass Band
34. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
6 dB
Inter-Channel Redundancy
Pulse Code Modulation
Adaptive Pulse Code Modulation
35. 12.33 GB; DS/ML
Intensity Stereo
DVD-14
Decimation Filter
Storage Conversion Steps
36. How Loud (Y-Axis) & How Fast (X-Axis)
Decoder
2 Dimensions of Sound
Interleaved
Stapedes Reflex
37. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Dolby 5.1
Photoreceptor
Aliasing
Pad Head & Tail
38. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Digital Signal Processing
Transfer Protocol
Spectra
I/O Connection Buffering
39. Serial Copy Management System; main difference between AES3 & S/PIDF
Perceptual Coding
SCMS
RMS Meter
Fletcher- Munson Curve
40. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Masking Analysis...
Quantization
dB/FS
Direct Stream Digital
41. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
Normalizing
Oversampling
Oversampling
42. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Codec
Buffering
Sawtooth Wave
Spectra
43. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Code Modulation
A/D Conversion
Data Packing
Compression
44. Subtract place values from the decimal number and place ones or zeros in the correct places
Decimal- to-Binary Conversion
Oversampling
Digital
Stapedes Reflex
45. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Quantization
Blu-Ray
Claude Shannon
Non -Compressed Audio Data Rate Formula
46. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
Lightpipe
Aliasing
Intensity
47. Multi-Bit Words; (Pulse Code Modulation)
Oversampling
Codec
Lossy Formats
PCM
48. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Equal Loudness Contour
Fletcher- Munson Curve
Sony-Philips Digital Interface Format (S/PDIF)
Requirements for A/D Conversion
49. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
6 dB
A/D Conversion
Storage Conversion Steps
Morse Code
50. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Effective Bit Depth
Multichannel Audio Digital Interface (MADI)
AoE Formats
DVD-Audio