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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
European Broadcasting Union
Buffer Size
Data Packing
2. Waveform of a pure tone showing simple harmonic motion
Sine Wave
Nyquist Frequency
Spectrum Multiplication
Requirements for A/D Conversion
3. Multi-Bit Words; (Pulse Code Modulation)
Variable Bit Rate
Signal- to- Noise Ratio
Ethernet
PCM
4. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
Adaptive Pulse Code Modulation
Attenuation
RMS Meter
5. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Foldover
MONO
Buffer Size
Quantization
6. MPEG; Standardizing body of audio coding
Motion Pictures Experts Group
DVD-10
Resolution
Bit Depth
7. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
Non -Compressed Audio Data Rate Formula
Coaxial
Sampling Rule
8. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Footroom
Sampling Theorem
Buffering Locations
Optical Cable
9. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Attenuation
Floating Point
Claude Shannon
Sampling (Samples)
10. Unit of measurement that is equal to one millionth of a meter
dB/FS
Micron
Sampling (Samples)
Decimal- to-Binary Conversion
11. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Pulse Density Modulation
EtherSound
Pulse Width Modulation
Nanometer
12. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Redither
Class - D Amplifier
Masking Analysis...
D/A Conversion Signal Flow
13. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
European Broadcasting Union
Sample Rate
Additive Synthesis...
TOSLINK
14. A situation where a calculated value cannot fit into the number of digits reserved for it
Buffer Size
Pulse Width Modulation
Overflow
Codec
15. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Overflow
Claude Shannon
Fletcher- Munson Curve
Algorithm
16. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Digital Signal Processing
Index of Reflectivity
Playback Buffering
Rarefaction
17. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Sample Rate Effect on Anti-Aliasing
Nanometer
Noise Shaping
Coaxial
18. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
DVD-10
Coaxial
Sampling Theorem
Bit Rate
19. The set of rules that computers use to move files from one computer to another on an internet
6 dB
Transfer Protocol
Glass Master
Amplitude Accuracy
20. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Coaxial
Amplitude Accuracy
Lossless Formats
Anti-Imaging Filter
21. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Anti-Imaging Filter
AES3
Overflow
Convolution
22. Serial Copy Management System; main difference between AES3 & S/PIDF
SCMS
Sampling (Samples)
DVD-5
DVD-14
23. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Quantizer
Decimation Filter
A/D Conversion Signal Flow
Pad Head & Tail
24. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
RMS
Digital Signal Processing
Intensity Stereo
Sample Rate Effect on Anti-Aliasing
25. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Resolution
Overflow
DVD-18
Quantizer
26. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Algorithm
Sample- and-Hold
Intensity Stereo
Threshold of Hearing
27. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Playback Buffering
Y-Axis Terminology
Variable Bit Rate
28. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Analog
Pulse Code Modulation
Edit Decision List
Convolution
29. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
DVD-Audio
Optical Cable
Base 2 System
Harry Nyquist
30. 16-Bit; 44.1 kHz; PCM; Stereo
Constant Bit Rate
Acoustics
Joseph Fourier
Requirements for CD Audio
31. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
AES3
Multichannel Audio Digital Interface (MADI)
Cutoff Frequency
Interpolation Filter
32. The loudest point of a Full Scale system
Dolby 5.1
RMS
Speed of Sound
0 dB FS
33. A method of representing real numbers using a mantissa and an exponent
Floating Point
Sony-Philips Digital Interface Format (S/PDIF)
Requirements for CD Audio
Logical Format
34. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
M-S Stereo
Quantization
Audio over Ethernet (AoE)
I/O Connection Buffering
35. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Optical Cable
Masking Analysis...
Lossy
Exponent
36. The amount of energy at each wavelength
Floating Point
Voltage
Sonogram
Spectra
37. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Fletcher- Munson Curve
Lossy Formats
Conversion Buffering
SACD
38. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Amplitude Accuracy
Masking Analysis...
MONO
Zero-Latency Monitoring
39. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Compression
Threshold of Pain
DVD-18
RMS Meter
40. Having a repeated succession of waves or curves as in a sound waveform
Latency
Interpolation Filter
Sinusoidal
Photoreceptor
41. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Dithering
Ethernet
EtherSound
Bit Rate
42. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
X-Axis Terminology
Sampling Rule
6 dB
Lightpipe
43. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Joseph Fourier
Decoder
Subbands
Cutoff Frequency
44. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Nyquist Frequency
Y-Axis Terminology
Frequency
Harry Nyquist
45. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Perceptual Coding
Word Clock
DVD-Audio
Interleaved
46. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Successive Approximation
Peak Level
Word Clock
Oversampling
47. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Sample Rate
AES3
Decimal- to-Binary Conversion
Constant Bit Rate
48. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Conversion Buffering
Joseph Fourier
Lossless
Voltage
49. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Sonogram
Glass Master
Dolby 5.1
DVD-18
50. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Digital
DVD-9
Playback Buffering
Delta-Sigma Modulation