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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Frequency
Oversampling
Frames
Decimation Filter
2. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Compression
Codec
Multichannel Audio Digital Interface (MADI)
Average Bit Rate
3. Waveform of a pure tone showing simple harmonic motion
Sine Wave
Signal- to- Noise Ratio
Micron
Fourier Series
4. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Analog
Algorithm
Floating Point
Redither
5. Serial Copy Management System; main difference between AES3 & S/PIDF
Successive Approximation
SCMS
Playback Buffering
Sinusoidal
6. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
0 dB FS
Requirements for A/D Conversion
Lossless
Noise Shaping
7. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Sine Wave
Masking Analysis...
DVD-5
Tascam Digital Interface Format (TDIF)
8. A situation where a calculated value cannot fit into the number of digits reserved for it
Delta-Sigma Modulation
Edit Decision List
Overflow
Anti-Aliasing Filter
9. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Latency
Y-Axis Terminology
Internal Resolution
Quantization Error
10. Visual graph that shows how loud a sound is at different frequencies
Logical Format
Successive Approximation
Sonogram
Frames
11. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Jitter
Joint Stereo
Blu-Ray
Buffering
12. 16-Bit; 44.1 kHz; PCM; Stereo
DVD-14
Requirements for CD Audio
Voltage
I/O Connection Buffering
13. EBU
Additive Synthesis...
European Broadcasting Union
X-Axis Terminology
Equal Loudness Contour
14. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Pass Band
Ethernet
PCM
Nyquist Frequency
15. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Convolution
Anti-Imaging Filter
Inter-Channel Redundancy
Joseph Fourier
16. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Audio over Ethernet (AoE)
Significand
Word Clock
Transfer Protocol
17. Each bit in the bit depth is equal to a _____ increase in dynamic range
dBFS
X-Axis Terminology
D/A Conversion Signal Flow
6 dB
18. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
A/D Conversion Signal Flow
Optical Cable
Oversampling
Rarefaction
19. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Lossless Formats
Physical Disc Format
Speed of Sound
20. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
SCMS
Signal- to- Noise Ratio
Data Packing
Nanometer
21. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
A/D Conversion
Data Packing
Buffering
CobraNet
22. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Digital
Pad Head & Tail
European Broadcasting Union
Anti-Aliasing Filter
23. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Adaptive Pulse Code Modulation
SACD
Lightpipe
Bit Rate
24. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Dolby 5.1
Sample- and-Hold
Significand
Audio Engineering Society
25. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Sample Rate Effect on Anti-Aliasing
Word Clock
Oscillation
Buffering
26. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Nanometer
Joseph Fourier
Base 2 System
Sample- and-Hold
27. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Joseph Fourier
AoE Formats
Headroom Bits
Threshold of Hearing
28. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Photoreceptor
Cutoff Frequency
Convolution
Fourier Series
29. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
RMS Meter
Variable Bit Rate
Jitter
Compression
30. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Coaxial
Recording Levels
Physical Disc Format
Harry Nyquist
31. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Motion Pictures Experts Group
Spectrum Multiplication
Morse Code
Compression
32. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
A/D Conversion
Blu-Ray
Non -Compressed Audio Data Rate Formula
Joseph Fourier
33. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Edit Decision List
Equal Loudness Contour
Analog
Coaxial
34. The amount of energy at each wavelength
Spectra
Decimal- to-Binary Conversion
Oscillation
Constant Bit Rate
35. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Rarefaction
Digital Signal Processing
Nyquist Frequency
Class - D Amplifier
36. 'Reconstructing' part of digital audio
Quantizer
Average Bit Rate
D/A Conversion
Glass Master
37. A digital filter's time domain output sequence when the input is a single sample is input
Successive Approximation
Dynamic Range
Impulse Response
Square Wave
38. 7.95 GB; SS/DL
Foldover
CobraNet
DVD-9
Buffering Locations
39. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Lightpipe
AES3
Audio over Ethernet (AoE)
Sampling Theorem
40. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Dithering
Sampling Theorem
Quantizer
Internal Resolution
41. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
DVD-14
Delta-Sigma Modulation
Resolution
Footroom
42. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Sample- and-Hold
Equal Loudness Contour
SACD
Interpolation Filter
43. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Pulse Width Modulation
Photoreceptor
Buffering Locations
Zero-Latency Monitoring
44. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Sample- and-Hold
SACD
Effective Bit Depth
Tascam Digital Interface Format (TDIF)
45. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
dB/FS
Spectra
Zero-Latency Monitoring
Oscillation
46. The more bits allocated during quantization - the more accurate the measurement
Redither
Buffering
Bit Depth Effect on Dynamic Range
Class - D Amplifier
47. Electromagnetic receptor that detects the radiation known as visible light
Sample Rate
Anti-Imaging Filter
Pulse Code Modulation
Photoreceptor
48. The set of rules that computers use to move files from one computer to another on an internet
Transfer Protocol
A/D Conversion
Additive Synthesis...
PCM
49. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Buffering Locations
European Broadcasting Union
Threshold of Hearing
Acoustics
50. The frequency range that is allowed through a filter
Peak Level
Pulse Code Modulation
Additive Synthesis...
Pass Band