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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Physical Disc Format
Sawtooth Wave
Dynamic Range
Digital
2. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Direct Stream Digital
Square Wave
Frequency
Exponent
3. Have odd numbered harmonics
Square Wave
D/A Conversion
AoE Formats
Blu-Ray
4. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Tascam Digital Interface Format (TDIF)
Sampling Rule
Quantizer
Sample- and-Hold
5. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Aliasing
Conversion Buffering
Optical Cable
Speed of Sound
6. EBU
Effective Bit Depth
Claude Shannon
Photoreceptor
European Broadcasting Union
7. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Speed of Sound
MONO
Fletcher- Munson Curve
Frequency
8. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Index of Reflectivity
Entropy Coding
Conversion Buffering
Subbands
9. Multi-Bit Words; (Pulse Code Modulation)
DVD-Audio
PCM
Index of Reflectivity
Sony-Philips Digital Interface Format (S/PDIF)
10. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Blu-Ray
Voltage
Fidelity
Harmonic Content
11. Roughly around 1 -130 ft/s
Adaptive Pulse Code Modulation
Decimal- to-Binary Conversion
Speed of Sound
Bit Depth
12. CobraNet; EtherSound; Dante; AVB (currently under development)
Sine Wave
CobraNet
AoE Formats
Impulse Response
13. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Additive Synthesis...
Sonogram
Pass Band
Cutoff Frequency
14. Unit of measurement that is equal to one billionth of a meter
0 dB FS
Nanometer
Low-Latency Monitoring
Compression
15. The frequency range that is allowed through a filter
RMS Meter
Class - D Amplifier
Pass Band
Algorithm
16. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Dolby 5.1
Rarefaction
I/O Connection Buffering
Sinusoidal
17. Subtract place values from the decimal number and place ones or zeros in the correct places
Multichannel Audio Digital Interface (MADI)
DVD-9
Pulse Code Modulation
Decimal- to-Binary Conversion
18. Serial Copy Management System; main difference between AES3 & S/PIDF
SCMS
Pulse Density Modulation
Sampling (Samples)
Psychoacoustics
19. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
Direct Stream Digital
Pulse Density Modulation
RMS
20. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Decimal- to-Binary Conversion
Analog
Blu-Ray
Non -Compressed Audio Data Rate Formula
21. Mixing data and control characters in a single operation
Equal Loudness Contour
Intensity Stereo
Analog
Interleaved
22. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Blu-Ray
Index of Reflectivity
Digital
Bit Rate
23. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Requirements for A/D Conversion
Coaxial
Pulse Code Modulation
Pulse Density Modulation
24. Circuit that seizes voltage values with each tick of an A/D device's internal clock
DVD-9
Digital
Nyquist Frequency
Sample- and-Hold
25. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Masking Analysis...
Latency
Delta-Sigma Modulation
A/D Conversion
26. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Multichannel Audio Digital Interface (MADI)
Quantization Error
Claude Shannon
Sonogram
27. Measure of the amplitude of a longitudinal wave
Intensity
Exponent
Footroom
Data Packing
28. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Oscillation
Resolution
RMS Meter
Square Wave
29. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Threshold of Hearing
Fletcher- Munson Curve
Sampling Theorem
Oversampling
30. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
RMS Meter
Storage Conversion Steps
Conversion Buffering
DVD-Audio
31. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Digital Signal Processing
Masking Analysis...
Sinusoidal
Resolution
32. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sony-Philips Digital Interface Format (S/PDIF)
Lossy
DVD-9
Cutoff Frequency
33. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Multichannel Audio Digital Interface (MADI)
Fourier Series
Inter-Channel Redundancy
Jitter
34. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
D/A Conversion
Optical Cable
Photoreceptor
Joseph Fourier
35. Unit of measurement that is equal to one millionth of a meter
Sony-Philips Digital Interface Format (S/PDIF)
Micron
AoE Formats
Pass Band
36. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Nyquist Frequency
Redither
SCMS
Psychoacoustics
37. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Glass Master
Latency
CobraNet
Variable Bit Rate
38. Signal conversions are mixed with playback tracks resulting in near-zero latency
Ethernet
Direct Monitoring
Speed of Sound
SACD
39. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Blu-Ray
Glass Master
Base 2 System
Audio over Ethernet (AoE)
40. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
EtherSound
Nyquist Frequency
Sampling Theorem
TOSLINK
41. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Motion Pictures Experts Group
Anti-Aliasing Filter
Sampling Rule
MONO
42. Decibels Full Scale
M-S Stereo
dBFS
Gain Staging
Pulse Density Modulation
43. Splits the input signal and mixes it with an analog copy so that no latency is present
Square Wave
DVD-14
Entropy Coding
Zero-Latency Monitoring
44. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Zero-Latency Monitoring
Interpolation Filter
MONO
dB/FS
45. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Equal Loudness Contour
Acoustics
M-S Stereo
Threshold of Hearing
46. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Entropy Coding
Requirements for A/D Conversion
M-S Stereo
Significand
47. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Cutoff Frequency
Sampling (Samples)
6 dB
Buffering Locations
48. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Micron
Direct Stream Digital
D/A Conversion
DVD-14
49. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Bit Depth
Overflow
CPU Buffering
Intensity Stereo
50. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Pulse Width Modulation
Sample- and-Hold
Pass Band
Jitter