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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
Intensity
Impulse Response
Word Clock
2. The amount of energy at each wavelength
Spectra
SACD
D/A Conversion
Gain Staging
3. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Codec
Signal- to- Noise Ratio
Base 2 System
Conversion Buffering
4. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Foldover
Joint Stereo
Coaxial
Oversampling
5. A situation where a calculated value cannot fit into the number of digits reserved for it
Overflow
Voltage
Effective Bit Depth
Frequency
6. Same as 'aliasing'
Decoder
Foldover
Glass Master
Gain Staging
7. The frequency range that is allowed through a filter
Exponent
Normalizing
Square Wave
Pass Band
8. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Physical Disc Format
M-S Stereo
Frequency
RMS
9. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Perceptual Coding
Buffering
Direct Stream Digital
Oversampling
10. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Blu-Ray
Internal Resolution
Lossy
DVD-Audio
11. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Footroom
Internal Resolution
Sample Rate
2 Dimensions of Sound
12. The more bits allocated during quantization - the more accurate the measurement
Sine Wave
Sample- and-Hold
Bit Depth Effect on Dynamic Range
Word Clock
13. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Fourier Series
Cutoff Frequency
Voltage
Sample Rate
14. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Oversampling
Joint Stereo
Entropy Coding
Buffering Locations
15. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Quantization Intervals
Stapedes Reflex
Internal Resolution
Dolby 7.1
16. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Sinusoidal
Quantization
Fletcher- Munson Curve
17. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Requirements for A/D Conversion
Bit Rate
Analog
Impulse Response
18. Snippets of time in which frequency analysis takes place in a perceptual codec
Photoreceptor
Nanometer
Recording Levels
Frames
19. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Photoreceptor
Edit Decision List
Significand
Decimation Filter
20. The continuous loss of signal strengths as a signal travels through a medium
Rarefaction
Attenuation
Equal Loudness Contour
Conversion Buffering
21. Mixing data and control characters in a single operation
Interleaved
Rarefaction
A/D Conversion Signal Flow
0 dB FS
22. Allowance of noise floor below that which is required for the final product
I/O Connection Buffering
DVD-18
Masking Analysis...
Footroom
23. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
DVD-Audio
Pad Head & Tail
TOSLINK
Lossless
24. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Intensity Stereo
Sample- and-Hold
Spectrum Multiplication
Variable Bit Rate
25. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Lossy
Buffering
Pass Band
Subbands
26. Unit of measurement that is equal to one billionth of a meter
Red Book
DVD-Audio
Pad Head & Tail
Nanometer
27. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Claude Shannon
Sonogram
Average Bit Rate
Headroom Bits
28. 'Reconstructing' part of digital audio
Additive Synthesis...
Lossy Formats
Glass Master
D/A Conversion
29. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Compression
Optical Cable
Oversampling
Playback Buffering
30. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Pad Head & Tail
Digital
Quantization
Codec
31. Multi-Bit Words; (Pulse Code Modulation)
Cutoff Frequency
Harry Nyquist
PCM
Dynamic Range
32. Have odd numbered harmonics
Square Wave
Sawtooth Wave
Base 2 System
Bit Depth Effect on Dynamic Range
33. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Constant Bit Rate
Physical Disc Format
SCMS
Requirements for A/D Conversion
34. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Perceptual Coding
Latency
Quantization
Gain Staging
35. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Perceptual Coding
Intensity
Exponent
Pad Head & Tail
36. The difference in volume between the loudest and quietest sounds of a source
Interpolation Filter
Anti-Aliasing Filter
Dynamic Range
dBFS
37. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Dolby 5.1
Stapedes Reflex
RMS Meter
Anti-Imaging Filter
38. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Word Clock
Oversampling
Convolution
Photoreceptor
39. Decibels Full Scale
D/A Conversion
dBFS
Compression
Quantization Intervals
40. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Physical Disc Format
Oscillation
Cutoff Frequency
Word Clock
41. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Quantization Intervals
Conversion Buffering
Equal Loudness Contour
Acoustics
42. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Fletcher- Munson Curve
Gain Staging
AoE Formats
dB/SPL
43. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Pass Band
Subbands
Amplitude Accuracy
Recording Levels
44. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Micron
Voltage
Morse Code
Pass Band
45. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Requirements for A/D Conversion
Signal- to- Noise Ratio
Dithering
Word Clock
46. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Interpolation Filter
Buffer Size
DVD-9
Acoustics
47. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Acoustics
Word Clock
Joseph Fourier
Requirements for CD Audio
48. Eight channel digital surround sound system by Dolby
Significand
Delta-Sigma Modulation
Dolby 7.1
Quantizer
49. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Class - D Amplifier
TOSLINK
Tascam Digital Interface Format (TDIF)
I/O Connection Buffering
50. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Pulse Width Modulation
Storage Conversion Steps
Frequency
Normalizing
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