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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Sampling Rule
Lightpipe
Additive Synthesis...
Intensity Stereo
2. Sample Rate x Bit Depth x # of Channels
Speed of Sound
Non -Compressed Audio Data Rate Formula
Motion Pictures Experts Group
Logical Format
3. Waveform of a pure tone showing simple harmonic motion
Physical Disc Format
Sonogram
Sine Wave
Bit Rate
4. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
DVD-Audio
Cutoff Frequency
Effective Bit Depth
CobraNet
5. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
dB/SPL
Sampling Theorem
Logical Format
Adaptive Pulse Code Modulation
6. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Oversampling
Rarefaction
CPU Buffering
Analog
7. Serial Copy Management System; main difference between AES3 & S/PIDF
CobraNet
Amplitude Accuracy
Psychoacoustics
SCMS
8. 12.33 GB; DS/ML
Micron
Average Bit Rate
DVD-14
Entropy Coding
9. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
X-Axis Terminology
Decoder
AoE Formats
Fourier Series
10. Having a repeated succession of waves or curves as in a sound waveform
Sinusoidal
Word Clock
RMS
dB/FS
11. Difference in brightness between land and pit on a CD Physical Format
EtherSound
Index of Reflectivity
Audio over Ethernet (AoE)
Aliasing
12. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Perceptual Coding
D/A Conversion Signal Flow
Effective Bit Depth
Blu-Ray
13. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Blu-Ray
RMS Meter
Red Book
Buffer Size
14. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Sample Rate Effect on Anti-Aliasing
Footroom
AES3
Normalizing
15. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Internal Resolution
Algorithm
Photoreceptor
Square Wave
16. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Floating Point
D/A Conversion Signal Flow
Rarefaction
dB/FS
17. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Subbands
Audio Engineering Society
Psychoacoustics
18. Measure of the amplitude of a longitudinal wave
Intensity
dBFS
Digital Signal Processing
Lossy
19. Level above which audible sounds are painful (125 - 130 db)
Latency
M-S Stereo
Data Packing
Threshold of Pain
20. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Oversampling
Direct Stream Digital
Claude Shannon
dB/SPL
21. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Subbands
Additive Synthesis...
Blu-Ray
Redither
22. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Blu-Ray
Acoustics
Effective Bit Depth
Class - D Amplifier
23. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
DVD-Audio
Bit Depth Effect on Dynamic Range
I/O Connection Buffering
Analog
24. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
PCM
Interpolation Filter
Frames
Red Book
25. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Masking Analysis...
Conversion Buffering
Subbands
Digital
26. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
TOSLINK
Lossy
Conversion Buffering
Transfer Protocol
27. Splits the input signal and mixes it with an analog copy so that no latency is present
Dynamic Range
Additive Synthesis...
Zero-Latency Monitoring
Decoder
28. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Quantization Intervals
Additive Synthesis...
Convolution
Constant Bit Rate
29. MPEG; Standardizing body of audio coding
A/D Conversion
Dolby 7.1
Motion Pictures Experts Group
European Broadcasting Union
30. Signal conversions are mixed with playback tracks resulting in near-zero latency
dB/SPL
Bit Depth
Direct Monitoring
Audio over Ethernet (AoE)
31. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Tascam Digital Interface Format (TDIF)
Resolution
Threshold of Pain
Dithering
32. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Cutoff Frequency
Direct Stream Digital
PCM
Square Wave
33. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Aliasing
SACD
Blu-Ray
Speed of Sound
34. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Sampling (Samples)
Exponent
A/D Conversion
Anti-Aliasing Filter
35. Mixing data and control characters in a single operation
Interleaved
DVD-14
Acoustics
TOSLINK
36. A situation where a calculated value cannot fit into the number of digits reserved for it
European Broadcasting Union
Overflow
Exponent
Non -Compressed Audio Data Rate Formula
37. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Ethernet
Motion Pictures Experts Group
Blu-Ray
Exponent
38. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Overflow
Multichannel Audio Digital Interface (MADI)
Impulse Response
Sony-Philips Digital Interface Format (S/PDIF)
39. 'Capturing' part of digital audio; Never captures a signal perfectly
MONO
Sony-Philips Digital Interface Format (S/PDIF)
A/D Conversion
Stapedes Reflex
40. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Spectrum Multiplication
Harry Nyquist
Compression
CPU Buffering
41. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Data Packing
DVD-14
Playback Buffering
DVD-9
42. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
Multichannel Audio Digital Interface (MADI)
Amplitude Accuracy
Spectra
43. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Dithering
Joseph Fourier
Compression
Equal Loudness Contour
44. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
CPU Buffering
Pulse Code Modulation
Pass Band
Internal Resolution
45. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Voltage
AoE Formats
Coaxial
Signal- to- Noise Ratio
46. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Anti-Aliasing Filter
Buffering
SCMS
Oscillation
47. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Dynamic Range
Blu-Ray
Jitter
Normalizing
48. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Lossy Formats
Cutoff Frequency
Requirements for A/D Conversion
Lossy
49. Electromagnetic receptor that detects the radiation known as visible light
Recording Levels
Photoreceptor
EtherSound
Digital Signal Processing
50. Roughly around 1 -130 ft/s
Digital
Speed of Sound
Dithering
Anti-Imaging Filter
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