SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
DVD-14
Additive Synthesis...
Equal Loudness Contour
Attenuation
2. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Lossless Formats
Buffering Locations
Pulse Code Modulation
Algorithm
3. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Conversion Buffering
Successive Approximation
Analog
Sample Rate
4. Softest sound that can be heard by the average human ear (0 dB)
Floating Point
Sample- and-Hold
Base 2 System
Threshold of Hearing
5. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Headroom Bits
Anti-Aliasing Filter
Inter-Channel Redundancy
Joint Stereo
6. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Psychoacoustics
Resolution
Effective Bit Depth
SACD
7. Roughly around 1 -130 ft/s
Conversion Buffering
Masking Analysis...
Speed of Sound
Interleaved
8. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Coaxial
Physical Disc Format
DVD-9
Dynamic Range
9. Unit of measurement that is equal to one billionth of a meter
Compression
Claude Shannon
Nanometer
Photoreceptor
10. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Rarefaction
Lossy Formats
Speed of Sound
Harry Nyquist
11. Level above which audible sounds are painful (125 - 130 db)
Threshold of Pain
Internal Resolution
Sample- and-Hold
MONO
12. 7.95 GB; SS/DL
Harmonic Content
DVD-18
DVD-9
Anti-Aliasing Filter
13. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Acoustics
Word Clock
Masking Analysis...
Attenuation
14. Same as 'aliasing'
Foldover
Significand
Redither
6 dB
15. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
DVD-5
Zero-Latency Monitoring
Resolution
Buffering Locations
16. Have odd numbered harmonics
Square Wave
Anti-Imaging Filter
Headroom Bits
Anti-Aliasing Filter
17. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Headroom Bits
Voltage
Cutoff Frequency
Bit Depth
18. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Interpolation Filter
Square Wave
Pulse Code Modulation
Redither
19. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Tascam Digital Interface Format (TDIF)
Attenuation
Quantization Intervals
Glass Master
20. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Foldover
dBFS
AES3
CobraNet
21. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
Exponent
dBFS
Headroom Bits
22. Unit of measurement that is equal to one millionth of a meter
Micron
Decimation Filter
Sample- and-Hold
Sample Rate Effect on Anti-Aliasing
23. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Anti-Imaging Filter
Quantizer
Effective Bit Depth
Recording Levels
24. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Sawtooth Wave
Micron
Jitter
Anti-Imaging Filter
25. A digital filter's time domain output sequence when the input is a single sample is input
Speed of Sound
X-Axis Terminology
Impulse Response
Interleaved
26. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Direct Stream Digital
Base 2 System
Fletcher- Munson Curve
Pulse Width Modulation
27. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Glass Master
Frequency
Zero-Latency Monitoring
Tascam Digital Interface Format (TDIF)
28. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Sine Wave
Sonogram
Latency
RMS Meter
29. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Lossless
Glass Master
Lossy Formats
Direct Monitoring
30. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
A/D Conversion Signal Flow
AES3
Spectra
Base 2 System
31. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Subbands
Lightpipe
Latency
Voltage
32. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Noise Shaping
Algorithm
Pulse Code Modulation
Tascam Digital Interface Format (TDIF)
33. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Buffering Locations
PCM
Analog
Redither
34. The set of rules that computers use to move files from one computer to another on an internet
Sampling Rule
Transfer Protocol
Quantizer
Pulse Density Modulation
35. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Effective Bit Depth
Buffering
D/A Conversion Signal Flow
Joint Stereo
36. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
A/D Conversion Signal Flow
Compression
Sawtooth Wave
dB/FS
37. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Frames
Ethernet
Nyquist Frequency
Harry Nyquist
38. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
DVD-Audio
Constant Bit Rate
Buffer Size
X-Axis Terminology
39. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
AoE Formats
Tascam Digital Interface Format (TDIF)
DVD-5
Sampling Rule
40. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Threshold of Pain
I/O Connection Buffering
MONO
A/D Conversion Signal Flow
41. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Nanometer
Non -Compressed Audio Data Rate Formula
RMS Meter
Acoustics
42. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
Threshold of Hearing
Class - D Amplifier
Cutoff Frequency
43. The amount of energy at each wavelength
Dolby 7.1
A/D Conversion
Spectra
Motion Pictures Experts Group
44. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Dolby 7.1
Adaptive Pulse Code Modulation
Redither
European Broadcasting Union
45. Eight channel digital surround sound system by Dolby
Tascam Digital Interface Format (TDIF)
Optical Cable
Dolby 7.1
SACD
46. 8- in/8- out on one cable; 25- pin D- sub connector
Intensity
Interpolation Filter
DVD-14
Tascam Digital Interface Format (TDIF)
47. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sample- and-Hold
Sony-Philips Digital Interface Format (S/PDIF)
Threshold of Pain
Compression
48. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Requirements for A/D Conversion
Buffering Locations
Latency
Base 2 System
49. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Sample Rate Effect on Anti-Aliasing
Exponent
Lossless Formats
Motion Pictures Experts Group
50. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
AoE Formats
Pulse Code Modulation
Y-Axis Terminology
A/D Conversion Signal Flow