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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 8.75 GB; DS/SL
DVD-10
Class - D Amplifier
Nyquist Frequency
Internal Resolution
2. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Foldover
TOSLINK
I/O Connection Buffering
Stapedes Reflex
3. 16-Bit; 44.1 kHz; PCM; Stereo
Nyquist Frequency
Decimal- to-Binary Conversion
Pad Head & Tail
Requirements for CD Audio
4. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Noise Shaping
Word Clock
PCM
Foldover
5. More accuracy in low amplitudes and less in higher amplitudes
Lossy Formats
Amplitude Accuracy
Foldover
MONO
6. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
M-S Stereo
Buffering Locations
Pad Head & Tail
Fidelity
7. The set of rules that computers use to move files from one computer to another on an internet
Direct Stream Digital
Constant Bit Rate
Transfer Protocol
Oscillation
8. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Interpolation Filter
Amplitude Accuracy
Convolution
Audio over Ethernet (AoE)
9. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Resolution
Rarefaction
Aliasing
A/D Conversion
10. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Data Packing
Oversampling
Joseph Fourier
Square Wave
11. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Effective Bit Depth
Dolby 5.1
Intensity
DVD-10
12. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Sine Wave
Quantization Error
Foldover
M-S Stereo
13. Same as 'aliasing'
Foldover
Exponent
6 dB
Buffer Size
14. Unit of measurement that is equal to one billionth of a meter
Bit Rate
Nanometer
Variable Bit Rate
Compression
15. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Sony-Philips Digital Interface Format (S/PDIF)
Y-Axis Terminology
Footroom
Requirements for A/D Conversion
16. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Overflow
Sony-Philips Digital Interface Format (S/PDIF)
Buffering Locations
Oversampling
17. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Glass Master
Foldover
Fletcher- Munson Curve
DVD-9
18. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
0 dB FS
Digital
Dynamic Range
EtherSound
19. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Fourier Series
Entropy Coding
Cutoff Frequency
Additive Synthesis...
20. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Blu-Ray
Sine Wave
Red Book
Entropy Coding
21. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Multichannel Audio Digital Interface (MADI)
European Broadcasting Union
Harry Nyquist
Analog
22. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
M-S Stereo
Oversampling
CPU Buffering
Internal Resolution
23. 12.33 GB; DS/ML
Pulse Code Modulation
DVD-14
Playback Buffering
Coaxial
24. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Convolution
Dithering
Successive Approximation
Playback Buffering
25. Allowance of noise floor below that which is required for the final product
Footroom
Algorithm
Multichannel Audio Digital Interface (MADI)
Non -Compressed Audio Data Rate Formula
26. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Buffering Locations
Sampling Theorem
Entropy Coding
Photoreceptor
27. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Base 2 System
A/D Conversion Signal Flow
Frequency
DVD-5
28. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Fidelity
Subbands
Playback Buffering
Quantization
29. A digital filter's time domain output sequence when the input is a single sample is input
Effective Bit Depth
Subbands
Overflow
Impulse Response
30. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Ethernet
Sony-Philips Digital Interface Format (S/PDIF)
Data Packing
Threshold of Pain
31. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Sampling Rule
Foldover
DVD-18
32. Splits the input signal and mixes it with an analog copy so that no latency is present
Acoustics
Frames
European Broadcasting Union
Zero-Latency Monitoring
33. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Buffering
Oscillation
AES3
DVD-10
34. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Buffering Locations
AoE Formats
Class - D Amplifier
Entropy Coding
35. MPEG; Standardizing body of audio coding
I/O Connection Buffering
Motion Pictures Experts Group
Data Packing
RMS Meter
36. Subtract place values from the decimal number and place ones or zeros in the correct places
Average Bit Rate
SACD
Decimal- to-Binary Conversion
Decoder
37. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Zero-Latency Monitoring
Pad Head & Tail
Interpolation Filter
Fourier Series
38. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Recording Levels
Signal- to- Noise Ratio
Anti-Aliasing Filter
DVD-Audio
39. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
A/D Conversion
Latency
Pulse Density Modulation
Significand
40. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Intensity Stereo
Gain Staging
Joint Stereo
Harry Nyquist
41. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Intensity Stereo
Masking Analysis...
Recording Levels
European Broadcasting Union
42. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Audio Engineering Society
Peak Level
Subbands
Significand
43. How Loud (Y-Axis) & How Fast (X-Axis)
Quantization Intervals
2 Dimensions of Sound
Anti-Aliasing Filter
Cutoff Frequency
44. The difference in volume between the loudest and quietest sounds of a source
D/A Conversion Signal Flow
CobraNet
Dynamic Range
Photoreceptor
45. The continuous loss of signal strengths as a signal travels through a medium
Acoustics
Attenuation
Non -Compressed Audio Data Rate Formula
DVD-18
46. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Nyquist Frequency
RMS Meter
Physical Disc Format
Decoder
47. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
Pulse Density Modulation
Intensity
Normalizing
A/D Conversion Signal Flow
48. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Codec
dB/SPL
Oscillation
Red Book
49. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Low-Latency Monitoring
Adaptive Pulse Code Modulation
Subbands
Redither
50. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Sample- and-Hold
Stapedes Reflex
Exponent