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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Class - D Amplifier
Glass Master
Codec
Compression
2. The process of reducing the space required to store data by efficiently encoding the content.
Compression
Blu-Ray
Pad Head & Tail
Word Clock
3. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Lossless
0 dB FS
Audio over Ethernet (AoE)
AoE Formats
4. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Sample Rate
Normalizing
dBFS
Impulse Response
5. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Dithering
Direct Monitoring
Lossy
Sawtooth Wave
6. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Y-Axis Terminology
DVD-Audio
I/O Connection Buffering
Index of Reflectivity
7. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Quantization
Sample Rate Effect on Anti-Aliasing
Sample- and-Hold
Cutoff Frequency
8. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Attenuation
Decoder
Effective Bit Depth
Anti-Aliasing Filter
9. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Cutoff Frequency
CobraNet
Perceptual Coding
Digital
10. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Digital
Optical Cable
Sample Rate
Bit Depth
11. 15.9 GB; DS/DL
DVD-18
Photoreceptor
Additive Synthesis...
Pulse Width Modulation
12. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Lightpipe
Sampling Theorem
Frames
Red Book
13. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Effective Bit Depth
Lossless Formats
Quantizer
Red Book
14. Subtract place values from the decimal number and place ones or zeros in the correct places
Masking Analysis...
Decimal- to-Binary Conversion
Significand
RMS Meter
15. The frequency range that is allowed through a filter
Pass Band
Edit Decision List
Playback Buffering
Pulse Code Modulation
16. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Base 2 System
Noise Shaping
Anti-Aliasing Filter
dB/SPL
17. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Exponent
Pad Head & Tail
Data Packing
Joint Stereo
18. Sample Rate x Bit Depth x # of Channels
Pass Band
Morse Code
Pulse Density Modulation
Non -Compressed Audio Data Rate Formula
19. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Significand
DVD-5
Effective Bit Depth
Pulse Width Modulation
20. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Sonogram
Equal Loudness Contour
Buffering
Inter-Channel Redundancy
21. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Decimation Filter
Harry Nyquist
Significand
Signal- to- Noise Ratio
22. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Adaptive Pulse Code Modulation
Psychoacoustics
CPU Buffering
Decimal- to-Binary Conversion
23. The difference in volume between the loudest and quietest sounds of a source
Dynamic Range
Sony-Philips Digital Interface Format (S/PDIF)
Exponent
Significand
24. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Buffering Locations
Harmonic Content
Rarefaction
RMS Meter
25. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Bit Rate
SACD
Data Packing
Low-Latency Monitoring
26. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Edit Decision List
Normalizing
RMS Meter
Direct Monitoring
27. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Spectrum Multiplication
RMS
Sony-Philips Digital Interface Format (S/PDIF)
Gain Staging
28. Signal conversions are mixed with playback tracks resulting in near-zero latency
Quantization Intervals
European Broadcasting Union
Sawtooth Wave
Direct Monitoring
29. Unit of measurement that is equal to one billionth of a meter
Compression
Compression
Nanometer
Non -Compressed Audio Data Rate Formula
30. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Codec
Harmonic Content
Interpolation Filter
Harry Nyquist
31. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Significand
Lossless
Cutoff Frequency
Dithering
32. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Physical Disc Format
Oscillation
Voltage
DVD-14
33. Electromagnetic receptor that detects the radiation known as visible light
Word Clock
Photoreceptor
Psychoacoustics
Audio over Ethernet (AoE)
34. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
TOSLINK
Normalizing
Inter-Channel Redundancy
Sampling Rule
35. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Multichannel Audio Digital Interface (MADI)
Word Clock
DVD-5
D/A Conversion Signal Flow
36. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Spectrum Multiplication
Digital
Analog
Internal Resolution
37. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Blu-Ray
Logical Format
Intensity
Coaxial
38. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Direct Monitoring
Aliasing
Joseph Fourier
Redither
39. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Sample Rate Effect on Anti-Aliasing
Dolby 7.1
dB/FS
Audio over Ethernet (AoE)
40. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Lossy Formats
RMS Meter
Word Clock
Latency
41. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Non -Compressed Audio Data Rate Formula
D/A Conversion
SACD
Ethernet
42. Softest sound that can be heard by the average human ear (0 dB)
Lossy
Threshold of Hearing
EtherSound
CobraNet
43. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Glass Master
Joint Stereo
M-S Stereo
Direct Stream Digital
44. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Transfer Protocol
Tascam Digital Interface Format (TDIF)
Direct Monitoring
Voltage
45. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
TOSLINK
Buffering Locations
Buffer Size
Anti-Aliasing Filter
46. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Normalizing
Sampling (Samples)
European Broadcasting Union
Frames
47. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Sine Wave
Fourier Series
Average Bit Rate
Compression
48. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
Impulse Response
Nanometer
Foldover
49. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Photoreceptor
D/A Conversion
Cutoff Frequency
Stapedes Reflex
50. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Quantization
Compression
A/D Conversion
Rarefaction