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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
EtherSound
Audio over Ethernet (AoE)
dBFS
Dolby 5.1
2. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Decoder
Blu-Ray
0 dB FS
DVD-14
3. Visual graph that shows how loud a sound is at different frequencies
Class - D Amplifier
Sonogram
Red Book
Physical Disc Format
4. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
CobraNet
Redither
CPU Buffering
Blu-Ray
5. The process of reducing the space required to store data by efficiently encoding the content.
Compression
Impulse Response
Coaxial
I/O Connection Buffering
6. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Audio over Ethernet (AoE)
0 dB FS
Zero-Latency Monitoring
Oscillation
7. 'Reconstructing' part of digital audio
D/A Conversion
Harry Nyquist
Photoreceptor
Successive Approximation
8. Industry Standards: -6 dB Peak = -20 RMS Meter
Transfer Protocol
AES3
Recording Levels
Sine Wave
9. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Quantization Error
Voltage
Exponent
RMS
10. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Codec
Frames
DVD-18
Headroom Bits
11. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Interpolation Filter
Pad Head & Tail
Impulse Response
Transfer Protocol
12. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Physical Disc Format
Ethernet
Significand
Low-Latency Monitoring
13. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Lossy
Latency
Fidelity
CobraNet
14. Sample Rate x Bit Depth x # of Channels
Joseph Fourier
Direct Monitoring
Bit Depth
Non -Compressed Audio Data Rate Formula
15. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Sampling (Samples)
Blu-Ray
Data Packing
Stapedes Reflex
16. Allowance of noise floor below that which is required for the final product
Footroom
Requirements for A/D Conversion
Spectra
Digital
17. The difference in volume between the loudest and quietest sounds of a source
Dolby 7.1
Sample Rate
Aliasing
Dynamic Range
18. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
RMS Meter
Lossless
Sine Wave
Joseph Fourier
19. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Word Clock
Bit Rate
Sample Rate
Red Book
20. 15.9 GB; DS/DL
Decimal- to-Binary Conversion
Lossy Formats
DVD-18
Data Packing
21. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Sample Rate
TOSLINK
Anti-Aliasing Filter
SACD
22. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Bit Depth
Class - D Amplifier
Harry Nyquist
Oscillation
23. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Sonogram
Glass Master
Masking Analysis...
Oscillation
24. Roughly around 1 -130 ft/s
Motion Pictures Experts Group
Bit Depth Effect on Dynamic Range
Speed of Sound
Decoder
25. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Interleaved
Equal Loudness Contour
X-Axis Terminology
Low-Latency Monitoring
26. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
European Broadcasting Union
Multichannel Audio Digital Interface (MADI)
D/A Conversion
Cutoff Frequency
27. Subtract place values from the decimal number and place ones or zeros in the correct places
Normalizing
Decimal- to-Binary Conversion
Internal Resolution
Dithering
28. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Conversion Buffering
Cutoff Frequency
Psychoacoustics
Blu-Ray
29. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Normalizing
Multichannel Audio Digital Interface (MADI)
Anti-Aliasing Filter
Masking Analysis...
30. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Blu-Ray
Headroom Bits
Lossy Formats
Bit Depth
31. Difference in brightness between land and pit on a CD Physical Format
Interleaved
Index of Reflectivity
SACD
Red Book
32. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Digital Signal Processing
DVD-Audio
Entropy Coding
Exponent
33. Low Pressure; Part in a longitudinal wave where the particles are spread apart
DVD-10
Rarefaction
Dolby 7.1
Buffering
34. EDL; Final list of samples used in the audio editing process; Identified by time code
Dolby 7.1
Noise Shaping
Edit Decision List
Jitter
35. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Word Clock
Multichannel Audio Digital Interface (MADI)
Blu-Ray
I/O Connection Buffering
36. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Variable Bit Rate
Claude Shannon
AoE Formats
Harmonic Content
37. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Edit Decision List
Morse Code
Nyquist Frequency
Spectrum Multiplication
38. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
PCM
Direct Stream Digital
Storage Conversion Steps
Sample- and-Hold
39. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Bit Depth Effect on Dynamic Range
Delta-Sigma Modulation
Psychoacoustics
Frequency
40. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Sample Rate Effect on Anti-Aliasing
SCMS
TOSLINK
Delta-Sigma Modulation
41. Snippets of time in which frequency analysis takes place in a perceptual codec
Decoder
Ethernet
Speed of Sound
Frames
42. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
CobraNet
Constant Bit Rate
Lightpipe
Gain Staging
43. Having a repeated succession of waves or curves as in a sound waveform
Variable Bit Rate
Sampling Theorem
Sinusoidal
Sine Wave
44. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
Bit Depth
Multichannel Audio Digital Interface (MADI)
Cutoff Frequency
45. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Ethernet
Transfer Protocol
TOSLINK
Compression
46. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Analog
Quantization Intervals
Pulse Density Modulation
Masking Analysis...
47. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Codec
Harmonic Content
SACD
Lossless
48. 'Capturing' part of digital audio; Never captures a signal perfectly
A/D Conversion
Nanometer
CobraNet
A/D Conversion Signal Flow
49. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Convolution
Pad Head & Tail
Internal Resolution
Optical Cable
50. The set of rules that computers use to move files from one computer to another on an internet
6 dB
Normalizing
Buffer Size
Transfer Protocol