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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Algorithm
Amplitude Accuracy
Digital
Blu-Ray
2. Industry Standards: -6 dB Peak = -20 RMS Meter
DVD-Audio
Pulse Width Modulation
M-S Stereo
Recording Levels
3. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Sample Rate
Recording Levels
Acoustics
CobraNet
4. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Resolution
Dynamic Range
DVD-14
Stapedes Reflex
5. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Glass Master
DVD-9
Joint Stereo
Dynamic Range
6. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Anti-Aliasing Filter
Headroom Bits
Storage Conversion Steps
Digital
7. Eight channel digital surround sound system by Dolby
Dolby 7.1
Gain Staging
Square Wave
SACD
8. Signal conversions are mixed with playback tracks resulting in near-zero latency
dBFS
Direct Monitoring
Oversampling
Non -Compressed Audio Data Rate Formula
9. Decibels Full Scale
Dynamic Range
dBFS
A/D Conversion Signal Flow
Index of Reflectivity
10. 15.9 GB; DS/DL
Fidelity
Sonogram
DVD-18
Dolby 7.1
11. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Zero-Latency Monitoring
Peak Level
Floating Point
Attenuation
12. The difference in volume between the loudest and quietest sounds of a source
RMS Meter
Index of Reflectivity
Dynamic Range
Harmonic Content
13. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Cutoff Frequency
Quantization
Dolby 5.1
Transfer Protocol
14. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Voltage
Fourier Series
Interpolation Filter
Ethernet
15. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Low-Latency Monitoring
Frequency
Fourier Series
Dolby 5.1
16. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
2 Dimensions of Sound
Analog
Bit Depth
A/D Conversion
17. Softest sound that can be heard by the average human ear (0 dB)
Subbands
Threshold of Hearing
D/A Conversion Signal Flow
Peak Level
18. Mixing data and control characters in a single operation
Inter-Channel Redundancy
Conversion Buffering
Interleaved
Masking Analysis...
19. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Dolby 7.1
RMS Meter
Foldover
AES3
20. A method of representing real numbers using a mantissa and an exponent
Floating Point
0 dB FS
DVD-10
Sine Wave
21. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Zero-Latency Monitoring
Conversion Buffering
Normalizing
Buffering Locations
22. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
Acoustics
Anti-Imaging Filter
Entropy Coding
23. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Audio over Ethernet (AoE)
Morse Code
D/A Conversion Signal Flow
D/A Conversion
24. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Oversampling
Subbands
Redither
Rarefaction
25. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
EtherSound
Voltage
Variable Bit Rate
Logical Format
26. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Internal Resolution
Storage Conversion Steps
Constant Bit Rate
Buffering
27. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Floating Point
Blu-Ray
Redither
Frames
28. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Subbands
Lightpipe
Sample Rate Effect on Anti-Aliasing
Lossless Formats
29. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
Harmonic Content
Peak Level
Joseph Fourier
30. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Acoustics
Tascam Digital Interface Format (TDIF)
Additive Synthesis...
dB/SPL
31. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Attenuation
Amplitude Accuracy
Sampling (Samples)
Quantization Intervals
32. Serial Copy Management System; main difference between AES3 & S/PIDF
Speed of Sound
Peak Level
Convolution
SCMS
33. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Successive Approximation
Logical Format
Compression
Morse Code
34. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Sampling Theorem
Fidelity
Interpolation Filter
Codec
35. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Sampling (Samples)
Fidelity
Foldover
Interleaved
36. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Decimation Filter
A/D Conversion
Frequency
Entropy Coding
37. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Spectrum Multiplication
D/A Conversion
Threshold of Pain
Perceptual Coding
38. Each bit in the bit depth is equal to a _____ increase in dynamic range
Transfer Protocol
6 dB
Sampling Rule
Delta-Sigma Modulation
39. Measure of the amplitude of a longitudinal wave
Constant Bit Rate
Coaxial
DVD-Audio
Intensity
40. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
DVD-5
Frequency
Algorithm
Latency
41. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Index of Reflectivity
Harry Nyquist
Base 2 System
Lossless Formats
42. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
CPU Buffering
Bit Depth
Sampling Theorem
Glass Master
43. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Compression
Variable Bit Rate
Sampling Rule
Dithering
44. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
MONO
Decimation Filter
Dolby 5.1
Non -Compressed Audio Data Rate Formula
45. 7.95 GB; SS/DL
Overflow
DVD-9
Low-Latency Monitoring
Oversampling
46. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Direct Stream Digital
M-S Stereo
Additive Synthesis...
Overflow
47. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Blu-Ray
Lossless Formats
Sony-Philips Digital Interface Format (S/PDIF)
Decoder
48. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Dynamic Range
RMS Meter
Quantization
Lossy Formats
49. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
0 dB FS
Oversampling
Redither
AoE Formats
50. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
DVD-9
Voltage
Peak Level
Sawtooth Wave