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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A situation where a calculated value cannot fit into the number of digits reserved for it
Overflow
Index of Reflectivity
Digital
Decimation Filter
2. More accuracy in low amplitudes and less in higher amplitudes
Spectra
Storage Conversion Steps
Amplitude Accuracy
Pulse Density Modulation
3. Very selective method of lowering buffer levels by halting different levels of audio processing
Low-Latency Monitoring
I/O Connection Buffering
Square Wave
Jitter
4. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Audio over Ethernet (AoE)
Physical Disc Format
Intensity Stereo
Optical Cable
5. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
Harmonic Content
AES3
Transfer Protocol
A/D Conversion Signal Flow
6. The continuous loss of signal strengths as a signal travels through a medium
Peak Level
Attenuation
Claude Shannon
Sample Rate Effect on Anti-Aliasing
7. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
DVD-14
Fletcher- Munson Curve
Data Packing
Class - D Amplifier
8. 'Capturing' part of digital audio; Never captures a signal perfectly
A/D Conversion
Zero-Latency Monitoring
dBFS
Sample Rate Effect on Anti-Aliasing
9. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Joint Stereo
Oversampling
Successive Approximation
Sine Wave
10. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Lossy Formats
Claude Shannon
Normalizing
Sawtooth Wave
11. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Fourier Series
Spectrum Multiplication
Sine Wave
Quantizer
12. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Sampling Rule
Data Packing
Recording Levels
Successive Approximation
13. Snippets of time in which frequency analysis takes place in a perceptual codec
Micron
DVD-10
Algorithm
Frames
14. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Sampling Rule
Direct Stream Digital
Digital Signal Processing
Equal Loudness Contour
15. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Speed of Sound
Blu-Ray
I/O Connection Buffering
Anti-Aliasing Filter
16. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Claude Shannon
Variable Bit Rate
Average Bit Rate
Delta-Sigma Modulation
17. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
DVD-14
EtherSound
Psychoacoustics
Stapedes Reflex
18. 7.95 GB; SS/DL
X-Axis Terminology
Subbands
Threshold of Pain
DVD-9
19. Have odd numbered harmonics
Square Wave
DVD-14
Decimal- to-Binary Conversion
Non -Compressed Audio Data Rate Formula
20. Unit of measurement that is equal to one billionth of a meter
Psychoacoustics
Dynamic Range
Nanometer
Peak Level
21. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Lossy
Footroom
Codec
Frequency
22. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Joseph Fourier
Bit Depth Effect on Dynamic Range
Buffering Locations
Requirements for A/D Conversion
23. Multi-Bit Words; (Pulse Code Modulation)
PCM
Physical Disc Format
Cutoff Frequency
Micron
24. The frequency above or below which attenuation begins in a filter circuit
2 Dimensions of Sound
Cutoff Frequency
Edit Decision List
AES3
25. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Fourier Series
Logical Format
Floating Point
dB/SPL
26. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Decimation Filter
Anti-Aliasing Filter
Joint Stereo
Redither
27. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
6 dB
A/D Conversion Signal Flow
Base 2 System
Digital
28. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Additive Synthesis...
Voltage
Entropy Coding
M-S Stereo
29. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Direct Monitoring
SCMS
Nanometer
Algorithm
30. AES
Pulse Width Modulation
Speed of Sound
Audio Engineering Society
TOSLINK
31. Mixing data and control characters in a single operation
Pulse Code Modulation
Impulse Response
Interleaved
Analog
32. Electromagnetic receptor that detects the radiation known as visible light
Jitter
Successive Approximation
Photoreceptor
Bit Depth Effect on Dynamic Range
33. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Perceptual Coding
Headroom Bits
Average Bit Rate
Quantization
34. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Fourier Series
CobraNet
Edit Decision List
Sampling Theorem
35. Low Pressure; Part in a longitudinal wave where the particles are spread apart
SCMS
Rarefaction
Average Bit Rate
Data Packing
36. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Subbands
Analog
X-Axis Terminology
Delta-Sigma Modulation
37. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Constant Bit Rate
Pad Head & Tail
Blu-Ray
Micron
38. Visual graph that shows how loud a sound is at different frequencies
Tascam Digital Interface Format (TDIF)
Oscillation
DVD-5
Sonogram
39. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Word Clock
Variable Bit Rate
Peak Level
CPU Buffering
40. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Joseph Fourier
Spectra
Red Book
Internal Resolution
41. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Harry Nyquist
Sampling Theorem
Red Book
Class - D Amplifier
42. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Density Modulation
Pulse Code Modulation
Transfer Protocol
Delta-Sigma Modulation
43. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Class - D Amplifier
Recording Levels
Anti-Imaging Filter
2 Dimensions of Sound
44. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Sawtooth Wave
Sampling (Samples)
Fourier Series
Dolby 7.1
45. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Micron
AoE Formats
Lossless
Harmonic Content
46. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Joseph Fourier
Zero-Latency Monitoring
Lossy Formats
Edit Decision List
47. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
A/D Conversion Signal Flow
Square Wave
Ethernet
Joint Stereo
48. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Glass Master
Pass Band
Constant Bit Rate
Index of Reflectivity
49. 'Reconstructing' part of digital audio
Sawtooth Wave
D/A Conversion
Buffer Size
Ethernet
50. The process of reducing the space required to store data by efficiently encoding the content.
Compression
CobraNet
Oversampling
Red Book
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