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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Intensity Stereo
Exponent
DVD-18
European Broadcasting Union
2. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Buffer Size
Effective Bit Depth
Anti-Aliasing Filter
Sample Rate
3. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Oversampling
Gain Staging
Index of Reflectivity
Conversion Buffering
4. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Threshold of Pain
Compression
Intensity
Quantization Error
5. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
M-S Stereo
Lossless
I/O Connection Buffering
6 dB
6. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Lossless
Pad Head & Tail
Quantization Error
Optical Cable
7. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Inter-Channel Redundancy
Photoreceptor
TOSLINK
Spectrum Multiplication
8. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Requirements for A/D Conversion
Gain Staging
Anti-Aliasing Filter
Audio Engineering Society
9. Industry Standards: -6 dB Peak = -20 RMS Meter
Dithering
2 Dimensions of Sound
dB/FS
Recording Levels
10. Having a repeated succession of waves or curves as in a sound waveform
Sinusoidal
Analog
MONO
Impulse Response
11. Decibels Full Scale
Base 2 System
dBFS
Floating Point
Decimal- to-Binary Conversion
12. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
DVD-14
Bit Rate
Digital Signal Processing
Cutoff Frequency
13. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Sample- and-Hold
PCM
Intensity Stereo
Pulse Width Modulation
14. Softest sound that can be heard by the average human ear (0 dB)
Threshold of Hearing
Anti-Aliasing Filter
Sonogram
Sampling (Samples)
15. How Loud (Y-Axis) & How Fast (X-Axis)
Oscillation
Rarefaction
DVD-5
2 Dimensions of Sound
16. Accuracy with which an electronic system reproduces the sound or image of its input signal
Bit Rate
Blu-Ray
MONO
Fidelity
17. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Sawtooth Wave
Non -Compressed Audio Data Rate Formula
Physical Disc Format
A/D Conversion Signal Flow
18. Difference in brightness between land and pit on a CD Physical Format
Normalizing
Index of Reflectivity
Dynamic Range
Variable Bit Rate
19. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Quantization
Average Bit Rate
Digital
Audio Engineering Society
20. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Class - D Amplifier
Zero-Latency Monitoring
Base 2 System
Impulse Response
21. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Attenuation
Subbands
Inter-Channel Redundancy
Internal Resolution
22. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Sample Rate Effect on Anti-Aliasing
Compression
Joint Stereo
Joseph Fourier
23. 8.75 GB; DS/SL
Micron
DVD-10
Photoreceptor
Delta-Sigma Modulation
24. Branch of psychology concerned with the subjective perception of sound
MONO
Dynamic Range
Psychoacoustics
2 Dimensions of Sound
25. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Logical Format
Lightpipe
Class - D Amplifier
Photoreceptor
26. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Nanometer
Quantizer
2 Dimensions of Sound
Oversampling
27. EBU
Pulse Density Modulation
Blu-Ray
DVD-14
European Broadcasting Union
28. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Cutoff Frequency
Sine Wave
Blu-Ray
Direct Stream Digital
29. Same as 'aliasing'
Bit Depth
Foldover
Multichannel Audio Digital Interface (MADI)
European Broadcasting Union
30. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
TOSLINK
Voltage
Multichannel Audio Digital Interface (MADI)
Lossless
31. The frequency range that is allowed through a filter
6 dB
Pass Band
TOSLINK
AoE Formats
32. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Quantization
SACD
European Broadcasting Union
Y-Axis Terminology
33. 15.9 GB; DS/DL
Overflow
dB/SPL
DVD-18
Lossy
34. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Entropy Coding
Signal- to- Noise Ratio
Ethernet
Quantizer
35. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Photoreceptor
Psychoacoustics
Sampling (Samples)
Analog
36. Electromagnetic receptor that detects the radiation known as visible light
Photoreceptor
I/O Connection Buffering
AES3
Threshold of Hearing
37. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Interpolation Filter
X-Axis Terminology
Direct Stream Digital
Edit Decision List
38. Mixing data and control characters in a single operation
Playback Buffering
Impulse Response
Interleaved
Codec
39. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
MONO
Claude Shannon
Inter-Channel Redundancy
Sampling (Samples)
40. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Normalizing
A/D Conversion
Low-Latency Monitoring
Buffer Size
41. A sample- by- sample operation on two signals
Data Packing
Effective Bit Depth
Threshold of Pain
Convolution
42. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Buffer Size
Transfer Protocol
Storage Conversion Steps
Foldover
43. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Dolby 5.1
Photoreceptor
Inter-Channel Redundancy
Multichannel Audio Digital Interface (MADI)
44. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Compression
Pad Head & Tail
Anti-Aliasing Filter
Joseph Fourier
45. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Cutoff Frequency
Digital Signal Processing
Delta-Sigma Modulation
CobraNet
46. 7.95 GB; SS/DL
DVD-9
Sample- and-Hold
Codec
Subbands
47. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Aliasing
DVD-Audio
Sawtooth Wave
Noise Shaping
48. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Adaptive Pulse Code Modulation
Buffer Size
AoE Formats
AES3
49. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Codec
Pulse Code Modulation
2 Dimensions of Sound
M-S Stereo
50. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Dolby 7.1
Playback Buffering
Lossy
Aliasing