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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Have odd numbered harmonics
Amplitude Accuracy
Bit Depth Effect on Dynamic Range
Square Wave
Variable Bit Rate
2. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Perceptual Coding
PCM
Buffering Locations
dB/FS
3. 7.95 GB; SS/DL
Foldover
European Broadcasting Union
DVD-9
Buffering
4. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Harry Nyquist
Coaxial
Average Bit Rate
Spectrum Multiplication
5. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Pulse Density Modulation
MONO
Algorithm
Internal Resolution
6. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Decimation Filter
Rarefaction
Quantizer
Audio Engineering Society
7. A digital filter's time domain output sequence when the input is a single sample is input
Physical Disc Format
Decimal- to-Binary Conversion
Impulse Response
Interpolation Filter
8. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Interleaved
Jitter
Entropy Coding
Storage Conversion Steps
9. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Class - D Amplifier
Quantization Intervals
Attenuation
Claude Shannon
10. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Class - D Amplifier
D/A Conversion Signal Flow
Constant Bit Rate
Storage Conversion Steps
11. Visual graph that shows how loud a sound is at different frequencies
Sawtooth Wave
Nanometer
SCMS
Sonogram
12. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Transfer Protocol
Entropy Coding
Direct Stream Digital
PCM
13. The difference in volume between the loudest and quietest sounds of a source
2 Dimensions of Sound
Sample- and-Hold
Interleaved
Dynamic Range
14. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Claude Shannon
Gain Staging
A/D Conversion Signal Flow
Foldover
15. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Resolution
Non -Compressed Audio Data Rate Formula
Buffering
Quantizer
16. Decibels Full Scale
Pulse Code Modulation
dBFS
Decoder
Pad Head & Tail
17. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
I/O Connection Buffering
Motion Pictures Experts Group
Sony-Philips Digital Interface Format (S/PDIF)
MONO
18. A method of representing real numbers using a mantissa and an exponent
Quantization
Zero-Latency Monitoring
Edit Decision List
Floating Point
19. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Bit Depth
Harry Nyquist
Decoder
Coaxial
20. The process of reducing the space required to store data by efficiently encoding the content.
Dolby 5.1
Jitter
Frequency
Compression
21. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Sinusoidal
Multichannel Audio Digital Interface (MADI)
Variable Bit Rate
Red Book
22. Sample Rate x Bit Depth x # of Channels
Analog
Sinusoidal
Non -Compressed Audio Data Rate Formula
Morse Code
23. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Buffer Size
Equal Loudness Contour
Quantization Intervals
Average Bit Rate
24. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Intensity
Requirements for A/D Conversion
Rarefaction
Oscillation
25. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Zero-Latency Monitoring
Bit Depth
Intensity Stereo
26. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Fourier Series
Effective Bit Depth
Pad Head & Tail
Joint Stereo
27. AES
Convolution
Cutoff Frequency
Dynamic Range
Audio Engineering Society
28. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Claude Shannon
AES3
Lossless
Impulse Response
29. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Exponent
Interleaved
6 dB
Lossless
30. Industry Standards: -6 dB Peak = -20 RMS Meter
DVD-14
Direct Stream Digital
Recording Levels
Sonogram
31. The amount of energy at each wavelength
Spectra
Inter-Channel Redundancy
6 dB
Bit Depth
32. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Successive Approximation
Frames
SACD
Oscillation
33. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Quantization Error
Glass Master
Equal Loudness Contour
Logical Format
34. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Buffer Size
Multichannel Audio Digital Interface (MADI)
Sinusoidal
D/A Conversion Signal Flow
35. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Sample- and-Hold
DVD-9
CPU Buffering
Optical Cable
36. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Convolution
Delta-Sigma Modulation
Gain Staging
M-S Stereo
37. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Decimal- to-Binary Conversion
I/O Connection Buffering
Amplitude Accuracy
Low-Latency Monitoring
38. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Y-Axis Terminology
Compression
Oversampling
Lossy Formats
39. 4.38 GB; SS/SL
Internal Resolution
Overflow
DVD-5
Compression
40. The frequency above or below which attenuation begins in a filter circuit
PCM
Logical Format
Cutoff Frequency
Constant Bit Rate
41. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
PCM
Digital
Buffering Locations
Amplitude Accuracy
42. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Morse Code
Spectrum Multiplication
Compression
Noise Shaping
43. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
DVD-14
Anti-Imaging Filter
Morse Code
Data Packing
44. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Internal Resolution
Morse Code
Codec
Harry Nyquist
45. More accuracy in low amplitudes and less in higher amplitudes
Blu-Ray
Amplitude Accuracy
Requirements for CD Audio
Attenuation
46. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
dB/SPL
Bit Depth
Perceptual Coding
DVD-10
47. 16-Bit; 44.1 kHz; PCM; Stereo
Quantizer
Audio over Ethernet (AoE)
Requirements for CD Audio
Peak Level
48. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
D/A Conversion Signal Flow
Storage Conversion Steps
M-S Stereo
Lightpipe
49. Very selective method of lowering buffer levels by halting different levels of audio processing
Micron
Low-Latency Monitoring
Adaptive Pulse Code Modulation
AES3
50. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Ethernet
Sample Rate
Dolby 7.1
Lossless Formats