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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Audio Engineering Society
Requirements for A/D Conversion
Quantization Error
PCM
2. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
MONO
Anti-Imaging Filter
Motion Pictures Experts Group
Square Wave
3. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Dolby 5.1
Latency
TOSLINK
Frequency
4. More accuracy in low amplitudes and less in higher amplitudes
Direct Stream Digital
Amplitude Accuracy
DVD-Audio
Buffering
5. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Analog
Edit Decision List
Perceptual Coding
Index of Reflectivity
6. Softest sound that can be heard by the average human ear (0 dB)
Spectrum Multiplication
Quantizer
Physical Disc Format
Threshold of Hearing
7. The frequency range that is allowed through a filter
Inter-Channel Redundancy
Joint Stereo
Intensity Stereo
Pass Band
8. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Average Bit Rate
Perceptual Coding
Threshold of Pain
Bit Rate
9. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Perceptual Coding
Dolby 5.1
Internal Resolution
Successive Approximation
10. A sample- by- sample operation on two signals
Convolution
Storage Conversion Steps
DVD-Audio
Entropy Coding
11. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Noise Shaping
Acoustics
Sawtooth Wave
Subbands
12. The continuous loss of signal strengths as a signal travels through a medium
Jitter
Dithering
Acoustics
Attenuation
13. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Direct Stream Digital
Analog
DVD-14
Harry Nyquist
14. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Audio Engineering Society
Glass Master
Signal- to- Noise Ratio
Blu-Ray
15. A method of representing real numbers using a mantissa and an exponent
Floating Point
Blu-Ray
Overflow
Zero-Latency Monitoring
16. Eight channel digital surround sound system by Dolby
Dolby 7.1
Buffering
Intensity
Buffer Size
17. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Buffering
Footroom
Sinusoidal
Nyquist Frequency
18. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Psychoacoustics
Harry Nyquist
M-S Stereo
Harmonic Content
19. MPEG; Standardizing body of audio coding
Floating Point
Pulse Density Modulation
Rarefaction
Motion Pictures Experts Group
20. The loudest point of a Full Scale system
Subbands
Floating Point
DVD-Audio
0 dB FS
21. Industry Standards: -6 dB Peak = -20 RMS Meter
Recording Levels
Sawtooth Wave
Successive Approximation
Square Wave
22. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Bit Depth
Direct Stream Digital
Cutoff Frequency
Significand
23. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
European Broadcasting Union
Jitter
SACD
Successive Approximation
24. Splits the input signal and mixes it with an analog copy so that no latency is present
dB/FS
Buffer Size
Zero-Latency Monitoring
Effective Bit Depth
25. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Logical Format
Direct Monitoring
Normalizing
Oversampling
26. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Morse Code
Decimal- to-Binary Conversion
Interpolation Filter
Gain Staging
27. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Rarefaction
Fletcher- Munson Curve
RMS Meter
Voltage
28. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Dolby 5.1
Joseph Fourier
Floating Point
Adaptive Pulse Code Modulation
29. Having a repeated succession of waves or curves as in a sound waveform
dBFS
Sinusoidal
Resolution
Direct Monitoring
30. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Lossless Formats
Spectra
Decimation Filter
Frequency
31. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Bit Depth
Rarefaction
Anti-Imaging Filter
Gain Staging
32. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Edit Decision List
Quantization
2 Dimensions of Sound
Quantization Intervals
33. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
PCM
Conversion Buffering
EtherSound
Dolby 5.1
34. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Delta-Sigma Modulation
Transfer Protocol
Resolution
Amplitude Accuracy
35. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
0 dB FS
Spectra
Oscillation
Threshold of Hearing
36. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
DVD-Audio
Data Packing
Digital
Sampling Rule
37. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Harry Nyquist
Digital
Voltage
Pulse Density Modulation
38. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Effective Bit Depth
Spectrum Multiplication
Subbands
Storage Conversion Steps
39. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Sampling Rule
Exponent
Audio over Ethernet (AoE)
Coaxial
40. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Significand
Normalizing
Multichannel Audio Digital Interface (MADI)
Variable Bit Rate
41. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Threshold of Hearing
2 Dimensions of Sound
Data Packing
SCMS
42. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Direct Monitoring
Algorithm
Quantizer
DVD-5
43. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Aliasing
Resolution
DVD-10
PCM
44. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
dB/SPL
Convolution
DVD-5
Peak Level
45. EBU
European Broadcasting Union
Oversampling
Buffering
Bit Depth Effect on Dynamic Range
46. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Lossy
Quantizer
Transfer Protocol
DVD-18
47. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Optical Cable
Motion Pictures Experts Group
Amplitude Accuracy
AES3
48. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Quantization Error
Ethernet
Class - D Amplifier
Entropy Coding
49. Each bit in the bit depth is equal to a _____ increase in dynamic range
6 dB
CPU Buffering
AoE Formats
Speed of Sound
50. Difference in brightness between land and pit on a CD Physical Format
Sine Wave
Index of Reflectivity
Compression
Effective Bit Depth