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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Pulse Width Modulation
SACD
Analog
Glass Master
2. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Quantization
0 dB FS
Cutoff Frequency
Fidelity
3. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
A/D Conversion
Anti-Imaging Filter
Anti-Aliasing Filter
Harry Nyquist
4. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Oscillation
Successive Approximation
Sawtooth Wave
Sine Wave
5. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Algorithm
Spectrum Multiplication
Decoder
Average Bit Rate
6. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Base 2 System
Physical Disc Format
Analog
Lossy
7. Mixing data and control characters in a single operation
Interleaved
Perceptual Coding
Pulse Width Modulation
CPU Buffering
8. Softest sound that can be heard by the average human ear (0 dB)
Redither
Threshold of Hearing
Transfer Protocol
Interpolation Filter
9. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Micron
Variable Bit Rate
RMS Meter
Playback Buffering
10. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Noise Shaping
SACD
TOSLINK
Constant Bit Rate
11. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
dB/SPL
Audio over Ethernet (AoE)
Lossy Formats
Glass Master
12. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Fourier Series
Photoreceptor
Variable Bit Rate
Joseph Fourier
13. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Harry Nyquist
Exponent
Audio Engineering Society
Equal Loudness Contour
14. More accuracy in low amplitudes and less in higher amplitudes
Effective Bit Depth
Floating Point
DVD-14
Amplitude Accuracy
15. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Buffer Size
Cutoff Frequency
Speed of Sound
CPU Buffering
16. Eight channel digital surround sound system by Dolby
RMS Meter
Bit Depth Effect on Dynamic Range
Dolby 7.1
Blu-Ray
17. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
SCMS
Oversampling
Subbands
Intensity
18. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
AES3
Joseph Fourier
DVD-14
Exponent
19. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Headroom Bits
Cutoff Frequency
Effective Bit Depth
0 dB FS
20. The process of reducing the space required to store data by efficiently encoding the content.
dBFS
Recording Levels
Compression
Lossy
21. Measure of the amplitude of a longitudinal wave
Normalizing
Intensity
Rarefaction
Transfer Protocol
22. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Zero-Latency Monitoring
Y-Axis Terminology
Sampling (Samples)
Sample- and-Hold
23. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Inter-Channel Redundancy
Sampling Theorem
Stapedes Reflex
Digital Signal Processing
24. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Coaxial
Lightpipe
Internal Resolution
Overflow
25. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Pulse Code Modulation
Bit Depth Effect on Dynamic Range
MONO
Normalizing
26. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
RMS
Spectrum Multiplication
Blu-Ray
27. How Loud (Y-Axis) & How Fast (X-Axis)
Pulse Width Modulation
2 Dimensions of Sound
Gain Staging
DVD-18
28. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Y-Axis Terminology
Physical Disc Format
Masking Analysis...
Intensity Stereo
29. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Lossless
Low-Latency Monitoring
D/A Conversion Signal Flow
Resolution
30. The difference in volume between the loudest and quietest sounds of a source
Data Packing
Sawtooth Wave
Dynamic Range
Word Clock
31. Visual graph that shows how loud a sound is at different frequencies
Multichannel Audio Digital Interface (MADI)
Red Book
Sonogram
Pad Head & Tail
32. A situation where a calculated value cannot fit into the number of digits reserved for it
Sample Rate
Direct Monitoring
Overflow
Subbands
33. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Word Clock
Lossy
Conversion Buffering
Recording Levels
34. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Threshold of Pain
Rarefaction
Fourier Series
Peak Level
35. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Motion Pictures Experts Group
Compression
Pulse Density Modulation
dBFS
36. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Resolution
Joseph Fourier
Blu-Ray
Sawtooth Wave
37. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Oversampling
Effective Bit Depth
DVD-9
Anti-Imaging Filter
38. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
TOSLINK
Average Bit Rate
Red Book
0 dB FS
39. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Quantization Intervals
Non -Compressed Audio Data Rate Formula
Coaxial
Optical Cable
40. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Average Bit Rate
Pulse Density Modulation
Lightpipe
Peak Level
41. Electromagnetic receptor that detects the radiation known as visible light
Anti-Aliasing Filter
Photoreceptor
Physical Disc Format
Intensity Stereo
42. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Entropy Coding
Photoreceptor
Constant Bit Rate
Nyquist Frequency
43. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Claude Shannon
Entropy Coding
Successive Approximation
Audio over Ethernet (AoE)
44. Very selective method of lowering buffer levels by halting different levels of audio processing
Low-Latency Monitoring
Storage Conversion Steps
Pad Head & Tail
Frames
45. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
DVD-5
RMS
Index of Reflectivity
TOSLINK
46. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Playback Buffering
Foldover
Threshold of Pain
Buffering Locations
47. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
RMS
Subbands
dB/SPL
2 Dimensions of Sound
48. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
DVD-9
Acoustics
X-Axis Terminology
Base 2 System
49. Industry Standards: -6 dB Peak = -20 RMS Meter
Perceptual Coding
Recording Levels
M-S Stereo
Sine Wave
50. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
A/D Conversion Signal Flow
Cutoff Frequency
Storage Conversion Steps
Quantization Intervals