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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Morse Code
Anti-Imaging Filter
Pulse Code Modulation
Coaxial
2. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Acoustics
X-Axis Terminology
Sinusoidal
Exponent
3. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Sample Rate Effect on Anti-Aliasing
Direct Monitoring
Harry Nyquist
Joseph Fourier
4. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Square Wave
Inter-Channel Redundancy
Signal- to- Noise Ratio
Jitter
5. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Impulse Response
RMS
Spectra
Spectrum Multiplication
6. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Normalizing
Compression
Low-Latency Monitoring
Average Bit Rate
7. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Buffering Locations
D/A Conversion
Adaptive Pulse Code Modulation
Direct Monitoring
8. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Class - D Amplifier
Impulse Response
Blu-Ray
Rarefaction
9. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Pad Head & Tail
Photoreceptor
Cutoff Frequency
0 dB FS
10. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Word Clock
Resolution
Class - D Amplifier
Delta-Sigma Modulation
11. MPEG; Standardizing body of audio coding
Glass Master
Audio Engineering Society
Amplitude Accuracy
Motion Pictures Experts Group
12. Have odd numbered harmonics
Square Wave
Analog
TOSLINK
A/D Conversion
13. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Codec
Physical Disc Format
Average Bit Rate
Resolution
14. The process of reducing the space required to store data by efficiently encoding the content.
Compression
Pad Head & Tail
DVD-14
Impulse Response
15. Eight channel digital surround sound system by Dolby
Blu-Ray
Dolby 7.1
Quantization
Aliasing
16. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Footroom
Quantization Error
DVD-10
Anti-Imaging Filter
17. Accuracy with which an electronic system reproduces the sound or image of its input signal
Harry Nyquist
Quantization
Fidelity
Pulse Width Modulation
18. 8.75 GB; DS/SL
Internal Resolution
Coaxial
Frequency
DVD-10
19. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
RMS
SACD
Aliasing
Signal- to- Noise Ratio
20. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Physical Disc Format
Audio over Ethernet (AoE)
Lossless Formats
Blu-Ray
21. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Requirements for CD Audio
Bit Rate
Coaxial
dB/FS
22. The loudest point of a Full Scale system
Analog
Requirements for CD Audio
Sample Rate Effect on Anti-Aliasing
0 dB FS
23. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Joint Stereo
X-Axis Terminology
Sine Wave
European Broadcasting Union
24. The frequency range that is allowed through a filter
Red Book
Amplitude Accuracy
Motion Pictures Experts Group
Pass Band
25. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Dolby 5.1
Anti-Imaging Filter
Recording Levels
Data Packing
26. A situation where a calculated value cannot fit into the number of digits reserved for it
Y-Axis Terminology
Overflow
Harry Nyquist
Logical Format
27. Electromagnetic receptor that detects the radiation known as visible light
Sample Rate Effect on Anti-Aliasing
Sampling (Samples)
Floating Point
Photoreceptor
28. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Additive Synthesis...
Masking Analysis...
Requirements for CD Audio
Audio Engineering Society
29. Visual graph that shows how loud a sound is at different frequencies
Quantization Error
Sonogram
Conversion Buffering
Acoustics
30. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Acoustics
Morse Code
Lightpipe
I/O Connection Buffering
31. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Decoder
Optical Cable
Dithering
Spectrum Multiplication
32. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Ethernet
Voltage
Audio Engineering Society
Cutoff Frequency
33. Branch of psychology concerned with the subjective perception of sound
Psychoacoustics
Playback Buffering
Frames
SACD
34. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Codec
Storage Conversion Steps
Low-Latency Monitoring
Additive Synthesis...
35. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Pulse Width Modulation
Photoreceptor
EtherSound
Dithering
36. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Square Wave
Oscillation
Logical Format
Compression
37. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Equal Loudness Contour
Class - D Amplifier
Micron
Compression
38. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Effective Bit Depth
Dolby 5.1
Redither
RMS Meter
39. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Dithering
Multichannel Audio Digital Interface (MADI)
D/A Conversion Signal Flow
CPU Buffering
40. Roughly around 1 -130 ft/s
Speed of Sound
SCMS
Sampling Theorem
Overflow
41. Decibels Full Scale
Frames
Index of Reflectivity
Coaxial
dBFS
42. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Base 2 System
Class - D Amplifier
Claude Shannon
Sampling Theorem
43. Waveform of a pure tone showing simple harmonic motion
Oversampling
Codec
Intensity Stereo
Sine Wave
44. CobraNet; EtherSound; Dante; AVB (currently under development)
Delta-Sigma Modulation
AoE Formats
2 Dimensions of Sound
Sony-Philips Digital Interface Format (S/PDIF)
45. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
RMS Meter
Playback Buffering
Fidelity
Coaxial
46. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Sampling Theorem
Lossy Formats
Masking Analysis...
A/D Conversion Signal Flow
47. Level above which audible sounds are painful (125 - 130 db)
SCMS
Masking Analysis...
Direct Stream Digital
Threshold of Pain
48. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Entropy Coding
SACD
dBFS
DVD-14
49. Very selective method of lowering buffer levels by halting different levels of audio processing
Low-Latency Monitoring
X-Axis Terminology
Effective Bit Depth
Latency
50. Unit of measurement that is equal to one millionth of a meter
AES3
PCM
Micron
dB/SPL