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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Nanometer
Data Packing
M-S Stereo
Micron
2. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Coaxial
DVD-18
Bit Depth Effect on Dynamic Range
Pad Head & Tail
3. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Sample- and-Hold
X-Axis Terminology
Audio over Ethernet (AoE)
DVD-9
4. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Bit Depth
Interpolation Filter
Decimation Filter
Pulse Width Modulation
5. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Dithering
Fourier Series
SCMS
Cutoff Frequency
6. 'Reconstructing' part of digital audio
I/O Connection Buffering
Exponent
Pulse Width Modulation
D/A Conversion
7. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
Nanometer
0 dB FS
Latency
8. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
dB/SPL
Average Bit Rate
Oversampling
Red Book
9. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Sinusoidal
Sampling (Samples)
dB/SPL
Requirements for CD Audio
10. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Lightpipe
Constant Bit Rate
Edit Decision List
Dithering
11. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Lossy Formats
dBFS
Buffering Locations
Dolby 5.1
12. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
I/O Connection Buffering
Delta-Sigma Modulation
Inter-Channel Redundancy
Codec
13. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Noise Shaping
Gain Staging
SACD
Successive Approximation
14. Eight channel digital surround sound system by Dolby
M-S Stereo
Dolby 7.1
Digital Signal Processing
Sampling Rule
15. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Perceptual Coding
Headroom Bits
Transfer Protocol
Lightpipe
16. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Y-Axis Terminology
2 Dimensions of Sound
Quantization Intervals
I/O Connection Buffering
17. Serial Copy Management System; main difference between AES3 & S/PIDF
Joint Stereo
SCMS
Transfer Protocol
AES3
18. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Direct Stream Digital
Lightpipe
Joseph Fourier
Storage Conversion Steps
19. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Ethernet
EtherSound
Internal Resolution
Joint Stereo
20. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Jitter
TOSLINK
Cutoff Frequency
Speed of Sound
21. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Direct Stream Digital
DVD-18
Data Packing
Voltage
22. MPEG; Standardizing body of audio coding
Motion Pictures Experts Group
Spectra
CobraNet
Constant Bit Rate
23. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Foldover
Compression
Red Book
DVD-9
24. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Bit Depth Effect on Dynamic Range
Non -Compressed Audio Data Rate Formula
Jitter
D/A Conversion Signal Flow
25. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Sampling Rule
Blu-Ray
Digital
Psychoacoustics
26. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Dithering
Motion Pictures Experts Group
Requirements for A/D Conversion
Blu-Ray
27. How Loud (Y-Axis) & How Fast (X-Axis)
2 Dimensions of Sound
Storage Conversion Steps
Subbands
EtherSound
28. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Code Modulation
Morse Code
Edit Decision List
Cutoff Frequency
29. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sony-Philips Digital Interface Format (S/PDIF)
Adaptive Pulse Code Modulation
Speed of Sound
Average Bit Rate
30. Subtract place values from the decimal number and place ones or zeros in the correct places
Decimal- to-Binary Conversion
Multichannel Audio Digital Interface (MADI)
Fletcher- Munson Curve
Square Wave
31. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
DVD-5
Sony-Philips Digital Interface Format (S/PDIF)
MONO
Fidelity
32. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Square Wave
X-Axis Terminology
Edit Decision List
33. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
Sample- and-Hold
Motion Pictures Experts Group
DVD-10
CPU Buffering
34. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Conversion Buffering
Subbands
Dynamic Range
Equal Loudness Contour
35. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Conversion Buffering
Bit Depth
Blu-Ray
Anti-Aliasing Filter
36. The frequency above or below which attenuation begins in a filter circuit
Cutoff Frequency
Significand
AES3
Normalizing
37. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Bit Rate
Storage Conversion Steps
EtherSound
Normalizing
38. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Frequency
Decimation Filter
SACD
Successive Approximation
39. More accuracy in low amplitudes and less in higher amplitudes
dB/SPL
Frequency
Amplitude Accuracy
Lossless
40. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Bit Depth Effect on Dynamic Range
M-S Stereo
Anti-Aliasing Filter
dB/SPL
41. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Stapedes Reflex
SACD
Sony-Philips Digital Interface Format (S/PDIF)
Signal- to- Noise Ratio
42. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Lossless Formats
Red Book
Sample- and-Hold
Equal Loudness Contour
43. Unit of measurement that is equal to one billionth of a meter
Internal Resolution
Nanometer
Zero-Latency Monitoring
Quantization Error
44. 15.9 GB; DS/DL
Lossy Formats
DVD-18
Spectrum Multiplication
Motion Pictures Experts Group
45. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Entropy Coding
Audio over Ethernet (AoE)
AES3
Decoder
46. 'Capturing' part of digital audio; Never captures a signal perfectly
PCM
Entropy Coding
A/D Conversion
Lossy
47. Signal conversions are mixed with playback tracks resulting in near-zero latency
Optical Cable
Analog
Threshold of Pain
Direct Monitoring
48. The amount of energy at each wavelength
dB/FS
Fidelity
Zero-Latency Monitoring
Spectra
49. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Additive Synthesis...
Adaptive Pulse Code Modulation
Conversion Buffering
Glass Master
50. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Amplitude Accuracy
Non -Compressed Audio Data Rate Formula
Harmonic Content
Resolution