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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Delta-Sigma Modulation
Photoreceptor
RMS
Class - D Amplifier
2. CobraNet; EtherSound; Dante; AVB (currently under development)
Audio Engineering Society
Compression
AoE Formats
Requirements for A/D Conversion
3. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Multichannel Audio Digital Interface (MADI)
Noise Shaping
Morse Code
Sinusoidal
4. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Word Clock
Quantization Error
Harry Nyquist
Dithering
5. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Gain Staging
Word Clock
Codec
Dolby 7.1
6. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Acoustics
Quantization
RMS Meter
A/D Conversion Signal Flow
7. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Requirements for CD Audio
Physical Disc Format
Intensity
Sinusoidal
8. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Algorithm
Successive Approximation
A/D Conversion Signal Flow
Attenuation
9. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Oversampling
Effective Bit Depth
Variable Bit Rate
Data Packing
10. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Anti-Aliasing Filter
Sinusoidal
Foldover
Coaxial
11. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Cutoff Frequency
Audio over Ethernet (AoE)
I/O Connection Buffering
Dolby 5.1
12. AES
Micron
MONO
Foldover
Audio Engineering Society
13. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Sampling Rule
Compression
Nyquist Frequency
MONO
14. Accuracy with which an electronic system reproduces the sound or image of its input signal
Analog
Fidelity
Coaxial
Acoustics
15. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Index of Reflectivity
D/A Conversion Signal Flow
Anti-Aliasing Filter
DVD-5
16. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Pulse Density Modulation
dB/FS
Word Clock
Exponent
17. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Photoreceptor
Bit Rate
Foldover
Codec
18. Snippets of time in which frequency analysis takes place in a perceptual codec
Convolution
Requirements for CD Audio
Threshold of Pain
Frames
19. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Intensity Stereo
Aliasing
Quantizer
Buffering
20. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Pulse Density Modulation
Sony-Philips Digital Interface Format (S/PDIF)
Lightpipe
X-Axis Terminology
21. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Lossless Formats
Recording Levels
DVD-14
Peak Level
22. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
DVD-14
Fidelity
Fourier Series
SACD
23. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Pass Band
Gain Staging
Ethernet
European Broadcasting Union
24. 7.95 GB; SS/DL
DVD-9
Algorithm
Variable Bit Rate
Bit Rate
25. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Psychoacoustics
Sample Rate Effect on Anti-Aliasing
Motion Pictures Experts Group
Frequency
26. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Quantizer
Interpolation Filter
Stapedes Reflex
Delta-Sigma Modulation
27. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Jitter
Edit Decision List
EtherSound
Ethernet
28. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Transfer Protocol
X-Axis Terminology
Resolution
TOSLINK
29. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Coaxial
Compression
Quantizer
Redither
30. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Base 2 System
Sinusoidal
Compression
Sample Rate
31. Measure of the amplitude of a longitudinal wave
Harmonic Content
Intensity
RMS
Digital
32. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Conversion Buffering
PCM
Cutoff Frequency
Adaptive Pulse Code Modulation
33. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Equal Loudness Contour
Codec
Dithering
Inter-Channel Redundancy
34. Allowance of noise floor below that which is required for the final product
Footroom
Attenuation
Dynamic Range
Sampling Rule
35. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
TOSLINK
Playback Buffering
RMS Meter
Peak Level
36. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
M-S Stereo
Claude Shannon
Nyquist Frequency
Equal Loudness Contour
37. Sample Rate x Bit Depth x # of Channels
Pad Head & Tail
Non -Compressed Audio Data Rate Formula
Headroom Bits
dB/SPL
38. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Normalizing
Decimal- to-Binary Conversion
Interleaved
Adaptive Pulse Code Modulation
39. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
SACD
Compression
Digital
Buffering Locations
40. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Peak Level
Successive Approximation
Latency
Quantization Error
41. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
DVD-18
Resolution
Signal- to- Noise Ratio
Sonogram
42. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
Lossless
Impulse Response
Fletcher- Munson Curve
43. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
X-Axis Terminology
DVD-Audio
DVD-18
Anti-Imaging Filter
44. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Pulse Width Modulation
Fletcher- Munson Curve
Conversion Buffering
Anti-Aliasing Filter
45. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Quantization Error
Decimal- to-Binary Conversion
Successive Approximation
Fidelity
46. EBU
Quantization
Decimation Filter
Recording Levels
European Broadcasting Union
47. Each bit in the bit depth is equal to a _____ increase in dynamic range
6 dB
Threshold of Hearing
Buffering Locations
Psychoacoustics
48. Unit of measurement that is equal to one millionth of a meter
SCMS
I/O Connection Buffering
Micron
Sampling Theorem
49. Have odd numbered harmonics
Direct Monitoring
Square Wave
Inter-Channel Redundancy
Sony-Philips Digital Interface Format (S/PDIF)
50. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Subbands
SACD
Fletcher- Munson Curve
A/D Conversion Signal Flow