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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Anti-Imaging Filter
AES3
Ethernet
Footroom
2. 16-Bit; 44.1 kHz; PCM; Stereo
Threshold of Hearing
Morse Code
Pulse Code Modulation
Requirements for CD Audio
3. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Code Modulation
Floating Point
Dolby 5.1
Foldover
4. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Impulse Response
Coaxial
Requirements for CD Audio
Additive Synthesis...
5. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Sinusoidal
Intensity Stereo
DVD-5
Word Clock
6. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Speed of Sound
Algorithm
Amplitude Accuracy
Fourier Series
7. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Dithering
Codec
D/A Conversion
Headroom Bits
8. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Multichannel Audio Digital Interface (MADI)
I/O Connection Buffering
Constant Bit Rate
Psychoacoustics
9. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
SACD
Sampling (Samples)
Voltage
Quantizer
10. Measure of the amplitude of a longitudinal wave
I/O Connection Buffering
Nyquist Frequency
Quantization
Intensity
11. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Anti-Imaging Filter
Pad Head & Tail
Physical Disc Format
M-S Stereo
12. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Bit Rate
Headroom Bits
Claude Shannon
Low-Latency Monitoring
13. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Dolby 5.1
Inter-Channel Redundancy
Bit Depth Effect on Dynamic Range
Floating Point
14. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Data Packing
Spectrum Multiplication
Interpolation Filter
Glass Master
15. More accuracy in low amplitudes and less in higher amplitudes
I/O Connection Buffering
Optical Cable
Amplitude Accuracy
Footroom
16. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Zero-Latency Monitoring
Normalizing
Bit Rate
Sampling (Samples)
17. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Acoustics
Cutoff Frequency
Oversampling
MONO
18. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
I/O Connection Buffering
Ethernet
Micron
Algorithm
19. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Resolution
Interleaved
Direct Monitoring
20. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Sampling Rule
A/D Conversion
Decoder
Decimal- to-Binary Conversion
21. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Sonogram
Resolution
Quantization Error
Voltage
22. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
Resolution
EtherSound
Blu-Ray
Optical Cable
23. Signal conversions are mixed with playback tracks resulting in near-zero latency
Internal Resolution
Additive Synthesis...
Resolution
Direct Monitoring
24. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Lossy
Bit Depth Effect on Dynamic Range
Joint Stereo
Sampling (Samples)
25. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
dB/FS
Equal Loudness Contour
TOSLINK
Sawtooth Wave
26. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
CPU Buffering
6 dB
Algorithm
Sampling Theorem
27. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Successive Approximation
Sample Rate
Noise Shaping
dB/SPL
28. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Nyquist Frequency
Buffering Locations
Morse Code
Optical Cable
29. A situation where a calculated value cannot fit into the number of digits reserved for it
Overflow
Joint Stereo
CPU Buffering
2 Dimensions of Sound
30. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Digital Signal Processing
Redither
Index of Reflectivity
A/D Conversion
31. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Blu-Ray
Constant Bit Rate
Acoustics
Sample- and-Hold
32. Mixing data and control characters in a single operation
Interleaved
Signal- to- Noise Ratio
Bit Rate
Sinusoidal
33. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Blu-Ray
CobraNet
Red Book
34. Multi-Bit Words; (Pulse Code Modulation)
Storage Conversion Steps
PCM
0 dB FS
Constant Bit Rate
35. AES
Index of Reflectivity
Additive Synthesis...
Direct Stream Digital
Audio Engineering Society
36. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Pulse Width Modulation
Frames
Jitter
Playback Buffering
37. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Joint Stereo
Blu-Ray
Stapedes Reflex
Delta-Sigma Modulation
38. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Requirements for A/D Conversion
Lossy
Noise Shaping
Storage Conversion Steps
39. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Aliasing
Blu-Ray
Additive Synthesis...
Buffering
40. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Significand
Additive Synthesis...
Zero-Latency Monitoring
Interpolation Filter
41. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Dynamic Range
Fidelity
Buffering Locations
Adaptive Pulse Code Modulation
42. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Buffering
Sawtooth Wave
Normalizing
Dolby 5.1
43. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sony-Philips Digital Interface Format (S/PDIF)
PCM
Amplitude Accuracy
Class - D Amplifier
44. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
AoE Formats
Delta-Sigma Modulation
Micron
Fourier Series
45. Difference in brightness between land and pit on a CD Physical Format
Harmonic Content
Threshold of Hearing
Adaptive Pulse Code Modulation
Index of Reflectivity
46. Softest sound that can be heard by the average human ear (0 dB)
6 dB
Threshold of Hearing
Redither
Perceptual Coding
47. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Sony-Philips Digital Interface Format (S/PDIF)
DVD-Audio
Recording Levels
Bit Depth
48. EBU
DVD-18
Sample- and-Hold
Normalizing
European Broadcasting Union
49. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Coaxial
Acoustics
Masking Analysis...
2 Dimensions of Sound
50. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
MONO
Intensity
Average Bit Rate
Buffering