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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Algorithm
Micron
Coaxial
Decoder
2. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Intensity
6 dB
DVD-5
Joint Stereo
3. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Exponent
M-S Stereo
Jitter
Pulse Density Modulation
4. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Footroom
Acoustics
Impulse Response
Oscillation
5. Same as 'aliasing'
Foldover
Successive Approximation
Entropy Coding
SACD
6. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Average Bit Rate
TOSLINK
RMS
Joint Stereo
7. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Fourier Series
Oversampling
Direct Stream Digital
Conversion Buffering
8. How Loud (Y-Axis) & How Fast (X-Axis)
2 Dimensions of Sound
Direct Stream Digital
Joint Stereo
Lossy Formats
9. A method of representing real numbers using a mantissa and an exponent
Convolution
Floating Point
DVD-18
Perceptual Coding
10. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Code Modulation
Red Book
Sample Rate
Normalizing
11. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Sonogram
dB/SPL
Tascam Digital Interface Format (TDIF)
Square Wave
12. 8.75 GB; DS/SL
Significand
Buffering Locations
DVD-10
AES3
13. Industry Standards: -6 dB Peak = -20 RMS Meter
Intensity
Recording Levels
Average Bit Rate
Storage Conversion Steps
14. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
dBFS
D/A Conversion Signal Flow
dB/FS
X-Axis Terminology
15. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
Analog
EtherSound
MONO
Nanometer
16. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
I/O Connection Buffering
Multichannel Audio Digital Interface (MADI)
Buffering
Significand
17. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Nanometer
D/A Conversion Signal Flow
Buffering
X-Axis Terminology
18. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Sawtooth Wave
Masking Analysis...
Compression
Equal Loudness Contour
19. Eight channel digital surround sound system by Dolby
Acoustics
Latency
Dolby 7.1
SACD
20. 7.95 GB; SS/DL
DVD-9
DVD-14
Internal Resolution
Effective Bit Depth
21. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Noise Shaping
Floating Point
Pulse Width Modulation
Joseph Fourier
22. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Sample Rate Effect on Anti-Aliasing
Oscillation
Y-Axis Terminology
Conversion Buffering
23. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Audio over Ethernet (AoE)
A/D Conversion
Joseph Fourier
Anti-Aliasing Filter
24. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
SACD
Decoder
Frames
M-S Stereo
25. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Dolby 5.1
Anti-Aliasing Filter
Photoreceptor
Optical Cable
26. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Intensity Stereo
Audio over Ethernet (AoE)
Quantizer
DVD-9
27. The frequency above or below which attenuation begins in a filter circuit
Pulse Code Modulation
Perceptual Coding
DVD-5
Cutoff Frequency
28. 4.38 GB; SS/SL
Zero-Latency Monitoring
Direct Stream Digital
Joseph Fourier
DVD-5
29. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Headroom Bits
Signal- to- Noise Ratio
Nanometer
European Broadcasting Union
30. A situation where a calculated value cannot fit into the number of digits reserved for it
Tascam Digital Interface Format (TDIF)
Voltage
Overflow
Threshold of Pain
31. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
6 dB
Harry Nyquist
Direct Stream Digital
dBFS
32. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Word Clock
Sampling (Samples)
Morse Code
Sony-Philips Digital Interface Format (S/PDIF)
33. Have odd numbered harmonics
Claude Shannon
Overflow
Impulse Response
Square Wave
34. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Oversampling
Psychoacoustics
Lossless Formats
Square Wave
35. MPEG; Standardizing body of audio coding
Word Clock
Physical Disc Format
Motion Pictures Experts Group
Internal Resolution
36. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
AES3
6 dB
Pulse Code Modulation
Latency
37. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
AES3
Sawtooth Wave
EtherSound
Index of Reflectivity
38. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Headroom Bits
Sampling Theorem
Direct Monitoring
Additive Synthesis...
39. Difference in brightness between land and pit on a CD Physical Format
Decimal- to-Binary Conversion
Redither
Lossy
Index of Reflectivity
40. When recording you want the smallest buffer available; When mixing you want the largest buffer available
SACD
DVD-Audio
Optical Cable
Buffer Size
41. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Lightpipe
Internal Resolution
Edit Decision List
2 Dimensions of Sound
42. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Direct Monitoring
Sonogram
Lossy
Delta-Sigma Modulation
43. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Overflow
Lightpipe
Digital Signal Processing
Nyquist Frequency
44. Each bit in the bit depth is equal to a _____ increase in dynamic range
6 dB
Constant Bit Rate
Footroom
Psychoacoustics
45. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Quantization Intervals
Noise Shaping
CobraNet
Decimal- to-Binary Conversion
46. Multi-Bit Words; (Pulse Code Modulation)
Variable Bit Rate
Footroom
PCM
Compression
47. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Constant Bit Rate
Subbands
Claude Shannon
Sample- and-Hold
48. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Rarefaction
Ethernet
Adaptive Pulse Code Modulation
Jitter
49. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Dynamic Range
Requirements for CD Audio
Class - D Amplifier
Nyquist Frequency
50. Having a repeated succession of waves or curves as in a sound waveform
Sonogram
Sinusoidal
Blu-Ray
DVD-Audio