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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Blu-Ray
Harry Nyquist
Lossy
Analog
2. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Speed of Sound
CobraNet
Compression
M-S Stereo
3. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Latency
Quantization Intervals
Spectrum Multiplication
Audio Engineering Society
4. Same as 'aliasing'
Foldover
DVD-9
Anti-Imaging Filter
Quantization Intervals
5. The amount of energy at each wavelength
dBFS
Buffer Size
Spectra
Codec
6. Each bit in the bit depth is equal to a _____ increase in dynamic range
Class - D Amplifier
Lossless
6 dB
European Broadcasting Union
7. Waveform of a pure tone showing simple harmonic motion
Significand
Bit Depth
Jitter
Sine Wave
8. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Conversion Buffering
Claude Shannon
Audio Engineering Society
M-S Stereo
9. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Pulse Width Modulation
AoE Formats
Sampling Theorem
Fourier Series
10. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Impulse Response
Glass Master
Harmonic Content
A/D Conversion
11. 'Reconstructing' part of digital audio
0 dB FS
Low-Latency Monitoring
Playback Buffering
D/A Conversion
12. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Spectrum Multiplication
Stapedes Reflex
Harry Nyquist
Blu-Ray
13. Softest sound that can be heard by the average human ear (0 dB)
Non -Compressed Audio Data Rate Formula
Jitter
Aliasing
Threshold of Hearing
14. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Quantizer
Signal- to- Noise Ratio
Red Book
Significand
15. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Blu-Ray
Internal Resolution
Quantization Intervals
Cutoff Frequency
16. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Equal Loudness Contour
0 dB FS
Pass Band
Inter-Channel Redundancy
17. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Harmonic Content
Decimal- to-Binary Conversion
Frequency
Lossless
18. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Direct Stream Digital
Fletcher- Munson Curve
Frames
Redither
19. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Delta-Sigma Modulation
Decoder
Class - D Amplifier
Lightpipe
20. Allowance of noise floor below that which is required for the final product
Footroom
Lossless Formats
Intensity
Significand
21. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
dB/FS
Conversion Buffering
Interpolation Filter
DVD-Audio
22. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
6 dB
Oversampling
Bit Depth
Spectra
23. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Direct Stream Digital
Entropy Coding
Signal- to- Noise Ratio
X-Axis Terminology
24. Signal conversions are mixed with playback tracks resulting in near-zero latency
Zero-Latency Monitoring
Direct Monitoring
Intensity Stereo
Average Bit Rate
25. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Edit Decision List
PCM
Physical Disc Format
Sample Rate
26. Accuracy with which an electronic system reproduces the sound or image of its input signal
Fidelity
EtherSound
Quantization
Tascam Digital Interface Format (TDIF)
27. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Tascam Digital Interface Format (TDIF)
Nanometer
CPU Buffering
Internal Resolution
28. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Claude Shannon
Decimation Filter
Bit Depth Effect on Dynamic Range
Overflow
29. Unit of measurement that is equal to one billionth of a meter
0 dB FS
Nanometer
Gain Staging
Adaptive Pulse Code Modulation
30. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Foldover
Quantization Intervals
Sample- and-Hold
Analog
31. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Class - D Amplifier
DVD-Audio
Amplitude Accuracy
Impulse Response
32. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
D/A Conversion Signal Flow
Conversion Buffering
MONO
Bit Rate
33. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Compression
Normalizing
Inter-Channel Redundancy
Peak Level
34. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
RMS
Bit Rate
Peak Level
Quantization Error
35. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Nyquist Frequency
Glass Master
Internal Resolution
Buffer Size
36. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Joseph Fourier
Fidelity
Redither
Additive Synthesis...
37. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Quantization Error
Zero-Latency Monitoring
Bit Depth
Sampling (Samples)
38. The frequency above or below which attenuation begins in a filter circuit
Bit Rate
Cutoff Frequency
Harmonic Content
Stapedes Reflex
39. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Compression
Conversion Buffering
Intensity
Effective Bit Depth
40. The process of reducing the space required to store data by efficiently encoding the content.
Data Packing
Spectrum Multiplication
SCMS
Compression
41. The difference in volume between the loudest and quietest sounds of a source
Compression
Intensity
Oversampling
Dynamic Range
42. Visual graph that shows how loud a sound is at different frequencies
Overflow
Sample- and-Hold
Sonogram
Blu-Ray
43. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
2 Dimensions of Sound
Compression
SACD
CPU Buffering
44. Mixing data and control characters in a single operation
DVD-14
Constant Bit Rate
Digital Signal Processing
Interleaved
45. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Floating Point
Bit Rate
Quantizer
Joint Stereo
46. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Pass Band
Digital Signal Processing
Glass Master
Buffering Locations
47. A digital filter's time domain output sequence when the input is a single sample is input
Lossy
RMS Meter
Impulse Response
Decimal- to-Binary Conversion
48. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
D/A Conversion Signal Flow
Physical Disc Format
Data Packing
Compression
49. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Effective Bit Depth
Jitter
Anti-Imaging Filter
Bit Depth Effect on Dynamic Range
50. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Requirements for CD Audio
Audio over Ethernet (AoE)
Decoder
Gain Staging