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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Voltage
D/A Conversion Signal Flow
Decoder
Interpolation Filter
2. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Pass Band
Data Packing
DVD-18
Direct Monitoring
3. Allowance of noise floor below that which is required for the final product
Interleaved
Footroom
Photoreceptor
SACD
4. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Glass Master
Adaptive Pulse Code Modulation
Playback Buffering
Perceptual Coding
5. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Non -Compressed Audio Data Rate Formula
Threshold of Hearing
Claude Shannon
Entropy Coding
6. More accuracy in low amplitudes and less in higher amplitudes
Resolution
Nyquist Frequency
Amplitude Accuracy
A/D Conversion
7. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
0 dB FS
Impulse Response
Logical Format
Resolution
8. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Blu-Ray
Buffering
Photoreceptor
Pulse Density Modulation
9. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
RMS
Variable Bit Rate
Interleaved
PCM
10. Electromagnetic receptor that detects the radiation known as visible light
Bit Rate
Ethernet
Photoreceptor
Entropy Coding
11. Unit of measurement that is equal to one millionth of a meter
Stapedes Reflex
Micron
D/A Conversion
DVD-5
12. Roughly around 1 -130 ft/s
Peak Level
Overflow
Speed of Sound
Anti-Imaging Filter
13. A sample- by- sample operation on two signals
Logical Format
Convolution
Oversampling
Glass Master
14. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Sawtooth Wave
Data Packing
Nyquist Frequency
dB/FS
15. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Pulse Width Modulation
Additive Synthesis...
D/A Conversion Signal Flow
Cutoff Frequency
16. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
A/D Conversion Signal Flow
Perceptual Coding
CobraNet
Dithering
17. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Fourier Series
Red Book
Dithering
Frequency
18. 16-Bit; 44.1 kHz; PCM; Stereo
Coaxial
RMS
Requirements for CD Audio
Oversampling
19. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Intensity Stereo
Fidelity
Dolby 5.1
Nyquist Frequency
20. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Equal Loudness Contour
Algorithm
Analog
Attenuation
21. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Quantization Error
Compression
Quantization
MONO
22. A method of representing real numbers using a mantissa and an exponent
Subbands
Convolution
Floating Point
Sample Rate
23. The difference in volume between the loudest and quietest sounds of a source
EtherSound
Sample Rate
RMS
Dynamic Range
24. EBU
European Broadcasting Union
DVD-5
Average Bit Rate
Entropy Coding
25. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Stapedes Reflex
Low-Latency Monitoring
Lossy Formats
Bit Rate
26. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Recording Levels
Foldover
Sample Rate Effect on Anti-Aliasing
Psychoacoustics
27. The continuous loss of signal strengths as a signal travels through a medium
Multichannel Audio Digital Interface (MADI)
Sample Rate
Additive Synthesis...
Attenuation
28. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Tascam Digital Interface Format (TDIF)
Claude Shannon
Blu-Ray
Lossless Formats
29. The loudest point of a Full Scale system
0 dB FS
Entropy Coding
Sample Rate
Footroom
30. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Micron
Pulse Width Modulation
Successive Approximation
CobraNet
31. Unit of measurement that is equal to one billionth of a meter
Pad Head & Tail
Attenuation
Nanometer
Dynamic Range
32. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Pulse Density Modulation
Buffer Size
Audio over Ethernet (AoE)
Adaptive Pulse Code Modulation
33. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
European Broadcasting Union
Y-Axis Terminology
Joseph Fourier
Decimal- to-Binary Conversion
34. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Average Bit Rate
Pulse Width Modulation
Dynamic Range
Intensity
35. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Non -Compressed Audio Data Rate Formula
Gain Staging
Red Book
Digital
36. Signal conversions are mixed with playback tracks resulting in near-zero latency
Micron
dBFS
Average Bit Rate
Direct Monitoring
37. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Lightpipe
Audio over Ethernet (AoE)
Aliasing
Equal Loudness Contour
38. Accuracy with which an electronic system reproduces the sound or image of its input signal
Fidelity
Anti-Imaging Filter
Sony-Philips Digital Interface Format (S/PDIF)
Frequency
39. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Direct Stream Digital
Buffering Locations
Fidelity
Quantization
40. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Claude Shannon
Oscillation
Pass Band
Quantizer
41. 8- in/8- out on one cable; 25- pin D- sub connector
Ethernet
Spectrum Multiplication
PCM
Tascam Digital Interface Format (TDIF)
42. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Footroom
0 dB FS
Dolby 5.1
Acoustics
43. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Quantization
Intensity
European Broadcasting Union
Lossless Formats
44. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
AoE Formats
Joseph Fourier
Harry Nyquist
DVD-9
45. AES
Audio Engineering Society
Audio over Ethernet (AoE)
Analog
Variable Bit Rate
46. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Significand
Fletcher- Munson Curve
M-S Stereo
Average Bit Rate
47. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
PCM
Quantizer
Dynamic Range
Digital
48. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Quantizer
Codec
Jitter
Sample Rate Effect on Anti-Aliasing
49. Very selective method of lowering buffer levels by halting different levels of audio processing
Peak Level
Joseph Fourier
Coaxial
Low-Latency Monitoring
50. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Average Bit Rate
Peak Level
Lossless
Resolution
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