SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Noise Shaping
Amplitude Accuracy
Redither
SACD
2. The amount of energy at each wavelength
Spectra
Interpolation Filter
Gain Staging
Conversion Buffering
3. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
PCM
Fourier Series
Foldover
Internal Resolution
4. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Recording Levels
Direct Monitoring
Delta-Sigma Modulation
Nanometer
5. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Sampling Rule
Sample Rate Effect on Anti-Aliasing
Average Bit Rate
Exponent
6. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
Pad Head & Tail
Effective Bit Depth
Footroom
7. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Signal- to- Noise Ratio
Buffer Size
Sampling Theorem
dBFS
8. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Anti-Aliasing Filter
Intensity
Zero-Latency Monitoring
Intensity Stereo
9. Softest sound that can be heard by the average human ear (0 dB)
Entropy Coding
Threshold of Hearing
Noise Shaping
X-Axis Terminology
10. MPEG; Standardizing body of audio coding
Pulse Density Modulation
Motion Pictures Experts Group
Coaxial
European Broadcasting Union
11. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
SCMS
Impulse Response
Jitter
Additive Synthesis...
12. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Gain Staging
Blu-Ray
Bit Depth
Photoreceptor
13. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Quantization Intervals
Algorithm
Gain Staging
Y-Axis Terminology
14. 8- in/8- out on one cable; 25- pin D- sub connector
Quantization Intervals
dBFS
Tascam Digital Interface Format (TDIF)
Lossy Formats
15. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Foldover
X-Axis Terminology
Perceptual Coding
Multichannel Audio Digital Interface (MADI)
16. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Sample- and-Hold
Nyquist Frequency
Logical Format
EtherSound
17. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
CPU Buffering
Threshold of Hearing
Internal Resolution
Gain Staging
18. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Recording Levels
dB/SPL
Sampling Theorem
Successive Approximation
19. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Spectrum Multiplication
RMS Meter
X-Axis Terminology
Micron
20. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Playback Buffering
Internal Resolution
Audio over Ethernet (AoE)
Sampling Rule
21. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Optical Cable
Motion Pictures Experts Group
Conversion Buffering
Cutoff Frequency
22. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Lossless Formats
Pulse Width Modulation
Foldover
Oversampling
23. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
MONO
Ethernet
RMS Meter
Lightpipe
24. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Spectra
Buffer Size
X-Axis Terminology
AES3
25. The more bits allocated during quantization - the more accurate the measurement
Photoreceptor
Rarefaction
Quantization Error
Bit Depth Effect on Dynamic Range
26. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Significand
Coaxial
0 dB FS
2 Dimensions of Sound
27. Eight channel digital surround sound system by Dolby
Bit Depth Effect on Dynamic Range
A/D Conversion
Dolby 7.1
Successive Approximation
28. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Conversion Buffering
CobraNet
Glass Master
DVD-10
29. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Quantizer
Digital
Frames
AoE Formats
30. Subtract place values from the decimal number and place ones or zeros in the correct places
M-S Stereo
Zero-Latency Monitoring
Decimal- to-Binary Conversion
Lossless Formats
31. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Interpolation Filter
Direct Monitoring
Non -Compressed Audio Data Rate Formula
Masking Analysis...
32. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
AoE Formats
Red Book
Non -Compressed Audio Data Rate Formula
CPU Buffering
33. The set of rules that computers use to move files from one computer to another on an internet
Footroom
SCMS
Transfer Protocol
Index of Reflectivity
34. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Playback Buffering
Digital Signal Processing
Audio over Ethernet (AoE)
Variable Bit Rate
35. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Analog
Intensity
A/D Conversion Signal Flow
M-S Stereo
36. Difference in brightness between land and pit on a CD Physical Format
Amplitude Accuracy
Audio over Ethernet (AoE)
Direct Stream Digital
Index of Reflectivity
37. Sample Rate x Bit Depth x # of Channels
Sine Wave
Logical Format
Significand
Non -Compressed Audio Data Rate Formula
38. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Digital
Buffering Locations
Variable Bit Rate
Lossy Formats
39. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Square Wave
Subbands
Inter-Channel Redundancy
Dolby 5.1
40. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Harmonic Content
Compression
Voltage
Redither
41. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Decimation Filter
Dithering
dB/SPL
Lossless Formats
42. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
MONO
Lossy Formats
Joint Stereo
Edit Decision List
43. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Decimal- to-Binary Conversion
Quantization Error
Joint Stereo
Y-Axis Terminology
44. Visual graph that shows how loud a sound is at different frequencies
Playback Buffering
Sampling Rule
Sonogram
Morse Code
45. Snippets of time in which frequency analysis takes place in a perceptual codec
Ethernet
Frames
Latency
Floating Point
46. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
0 dB FS
Blu-Ray
Word Clock
Buffering Locations
47. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Fidelity
Class - D Amplifier
DVD-18
Blu-Ray
48. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Quantizer
Requirements for A/D Conversion
CPU Buffering
Lightpipe
49. Measure of the amplitude of a longitudinal wave
Codec
Voltage
Intensity
Lightpipe
50. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Cutoff Frequency
TOSLINK
Pulse Code Modulation
X-Axis Terminology