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Test your basic knowledge |
Digital Audio
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Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Anti-Imaging Filter
Glass Master
Harmonic Content
Buffering Locations
2. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Sample Rate Effect on Anti-Aliasing
Pulse Code Modulation
Sampling Rule
Y-Axis Terminology
3. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Stapedes Reflex
Dolby 7.1
Subbands
AES3
4. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Direct Monitoring
Storage Conversion Steps
Edit Decision List
RMS Meter
5. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Threshold of Pain
Lossless
EtherSound
Pulse Width Modulation
6. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Decoder
Claude Shannon
Quantization Error
Speed of Sound
7. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Morse Code
Anti-Imaging Filter
Quantizer
Aliasing
8. Roughly around 1 -130 ft/s
Requirements for CD Audio
Speed of Sound
AoE Formats
RMS
9. Same as 'aliasing'
Foldover
Convolution
Compression
RMS Meter
10. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Storage Conversion Steps
AES3
Latency
Sampling Theorem
11. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
Normalizing
RMS Meter
EtherSound
MONO
12. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Interleaved
Compression
Headroom Bits
Quantizer
13. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Frequency
Nanometer
Base 2 System
Zero-Latency Monitoring
14. Unit of measurement that is equal to one billionth of a meter
Equal Loudness Contour
Low-Latency Monitoring
Nanometer
A/D Conversion
15. The amount of energy at each wavelength
Redither
Spectra
Quantization Intervals
2 Dimensions of Sound
16. Unit of measurement that is equal to one millionth of a meter
Resolution
Fletcher- Munson Curve
TOSLINK
Micron
17. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Spectrum Multiplication
Acoustics
Jitter
Oscillation
18. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Speed of Sound
Digital
Anti-Aliasing Filter
Digital Signal Processing
19. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Decimal- to-Binary Conversion
I/O Connection Buffering
Oversampling
Fletcher- Munson Curve
20. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Impulse Response
Digital Signal Processing
DVD-5
M-S Stereo
21. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Redither
Physical Disc Format
Quantizer
Rarefaction
22. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
X-Axis Terminology
Lightpipe
Spectrum Multiplication
A/D Conversion
23. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Cutoff Frequency
Equal Loudness Contour
Amplitude Accuracy
Requirements for CD Audio
24. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Blu-Ray
Zero-Latency Monitoring
Sample- and-Hold
Pulse Density Modulation
25. CobraNet; EtherSound; Dante; AVB (currently under development)
AoE Formats
Perceptual Coding
Dolby 5.1
Anti-Aliasing Filter
26. The frequency range that is allowed through a filter
Rarefaction
Pass Band
Sinusoidal
European Broadcasting Union
27. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Anti-Imaging Filter
Average Bit Rate
Quantization
Successive Approximation
28. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Requirements for A/D Conversion
Anti-Imaging Filter
Morse Code
Y-Axis Terminology
29. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Signal- to- Noise Ratio
Masking Analysis...
Frames
Pad Head & Tail
30. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Code Modulation
Amplitude Accuracy
Blu-Ray
Sawtooth Wave
31. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Impulse Response
Jitter
Multichannel Audio Digital Interface (MADI)
Sinusoidal
32. Decibels Full Scale
dBFS
Playback Buffering
Cutoff Frequency
Decimal- to-Binary Conversion
33. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Optical Cable
Micron
Pad Head & Tail
34. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Sample Rate Effect on Anti-Aliasing
Claude Shannon
AoE Formats
Effective Bit Depth
35. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Blu-Ray
Conversion Buffering
Physical Disc Format
Psychoacoustics
36. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Codec
Peak Level
Digital
Normalizing
37. 8- in/8- out on one cable; 25- pin D- sub connector
Tascam Digital Interface Format (TDIF)
Normalizing
0 dB FS
Buffering
38. Eight channel digital surround sound system by Dolby
DVD-Audio
Internal Resolution
Motion Pictures Experts Group
Dolby 7.1
39. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Codec
Digital
Dynamic Range
Optical Cable
40. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Glass Master
dBFS
DVD-18
Foldover
41. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Sinusoidal
Audio Engineering Society
Spectrum Multiplication
dB/FS
42. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Fourier Series
Quantization Intervals
Bit Depth Effect on Dynamic Range
Normalizing
43. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Normalizing
Delta-Sigma Modulation
Sampling Rule
Sampling Theorem
44. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Morse Code
Nanometer
Multichannel Audio Digital Interface (MADI)
Latency
45. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Redither
Claude Shannon
Recording Levels
Resolution
46. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Intensity Stereo
Fourier Series
Delta-Sigma Modulation
Y-Axis Terminology
47. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Normalizing
Multichannel Audio Digital Interface (MADI)
Significand
Dolby 5.1
48. EBU
Requirements for A/D Conversion
Oversampling
European Broadcasting Union
Resolution
49. Having a repeated succession of waves or curves as in a sound waveform
Photoreceptor
Class - D Amplifier
Entropy Coding
Sinusoidal
50. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Successive Approximation
Nanometer
Sony-Philips Digital Interface Format (S/PDIF)
I/O Connection Buffering
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