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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Recording Levels
Frequency
Audio over Ethernet (AoE)
D/A Conversion Signal Flow
2. Subtract place values from the decimal number and place ones or zeros in the correct places
Frequency
Quantization Intervals
Decimal- to-Binary Conversion
RMS
3. The frequency range that is allowed through a filter
Pass Band
DVD-10
Dynamic Range
Aliasing
4. EDL; Final list of samples used in the audio editing process; Identified by time code
Lossless
DVD-5
Edit Decision List
Playback Buffering
5. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Interleaved
Sampling Rule
Constant Bit Rate
Joint Stereo
6. Difference in brightness between land and pit on a CD Physical Format
DVD-14
Amplitude Accuracy
Index of Reflectivity
Threshold of Hearing
7. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Motion Pictures Experts Group
Pass Band
Storage Conversion Steps
Audio over Ethernet (AoE)
8. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Direct Monitoring
Jitter
SCMS
Dithering
9. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Frames
Sampling (Samples)
Oversampling
EtherSound
10. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Psychoacoustics
Sample- and-Hold
Index of Reflectivity
M-S Stereo
11. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Impulse Response
Sampling Rule
Lossless Formats
Frames
12. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Cutoff Frequency
Aliasing
Peak Level
Headroom Bits
13. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Aliasing
Exponent
Blu-Ray
Effective Bit Depth
14. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
AES3
Sawtooth Wave
Harry Nyquist
Signal- to- Noise Ratio
15. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Decimation Filter
M-S Stereo
DVD-Audio
Effective Bit Depth
16. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Audio over Ethernet (AoE)
Coaxial
Quantization Intervals
Anti-Imaging Filter
17. Unit of measurement that is equal to one billionth of a meter
Stapedes Reflex
Nanometer
Square Wave
Y-Axis Terminology
18. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Direct Stream Digital
Overflow
Masking Analysis...
Analog
19. Multi-Bit Words; (Pulse Code Modulation)
Codec
Noise Shaping
RMS
PCM
20. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Average Bit Rate
DVD-5
Blu-Ray
Fourier Series
21. 'Capturing' part of digital audio; Never captures a signal perfectly
dBFS
A/D Conversion
Gain Staging
Red Book
22. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Successive Approximation
Sample Rate
Playback Buffering
Pulse Density Modulation
23. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Oscillation
Rarefaction
Fletcher- Munson Curve
Claude Shannon
24. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Harmonic Content
DVD-Audio
Perceptual Coding
Equal Loudness Contour
25. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Equal Loudness Contour
Rarefaction
Interpolation Filter
Compression
26. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Internal Resolution
Threshold of Hearing
Oversampling
Inter-Channel Redundancy
27. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Optical Cable
Oversampling
Logical Format
0 dB FS
28. Level above which audible sounds are painful (125 - 130 db)
dBFS
Threshold of Pain
Anti-Imaging Filter
DVD-9
29. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
A/D Conversion Signal Flow
Transfer Protocol
RMS Meter
Edit Decision List
30. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Base 2 System
Foldover
dBFS
Inter-Channel Redundancy
31. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Red Book
Edit Decision List
Y-Axis Terminology
dBFS
32. The process of reducing the space required to store data by efficiently encoding the content.
Claude Shannon
Non -Compressed Audio Data Rate Formula
Conversion Buffering
Compression
33. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Anti-Aliasing Filter
Physical Disc Format
Pulse Density Modulation
Voltage
34. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Decoder
DVD-10
Blu-Ray
Anti-Aliasing Filter
35. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Stapedes Reflex
Digital Signal Processing
Cutoff Frequency
Entropy Coding
36. The continuous loss of signal strengths as a signal travels through a medium
Digital Signal Processing
CPU Buffering
RMS
Attenuation
37. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Direct Stream Digital
Harmonic Content
DVD-10
Spectrum Multiplication
38. Having a repeated succession of waves or curves as in a sound waveform
Sinusoidal
Rarefaction
Signal- to- Noise Ratio
DVD-Audio
39. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Interpolation Filter
TOSLINK
Coaxial
Logical Format
40. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
D/A Conversion
Aliasing
0 dB FS
Pulse Density Modulation
41. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Masking Analysis...
Logical Format
CPU Buffering
2 Dimensions of Sound
42. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Dynamic Range
Entropy Coding
Acoustics
Quantization Intervals
43. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
EtherSound
Compression
Quantizer
Nyquist Frequency
44. 8.75 GB; DS/SL
Index of Reflectivity
DVD-10
Lossy
Pulse Density Modulation
45. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
SCMS
Tascam Digital Interface Format (TDIF)
Ethernet
Photoreceptor
46. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Threshold of Pain
Decoder
PCM
Morse Code
47. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Micron
Oscillation
Analog
dB/FS
48. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Harmonic Content
Fidelity
Dolby 5.1
Spectra
49. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Noise Shaping
D/A Conversion Signal Flow
Effective Bit Depth
Cutoff Frequency
50. AES
Fourier Series
Audio Engineering Society
Oversampling
Threshold of Pain