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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
dB/SPL
Non -Compressed Audio Data Rate Formula
Optical Cable
Footroom
2. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Physical Disc Format
Sample Rate
Playback Buffering
Convolution
3. A situation where a calculated value cannot fit into the number of digits reserved for it
EtherSound
A/D Conversion Signal Flow
Overflow
Intensity
4. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Subbands
Sampling Theorem
Non -Compressed Audio Data Rate Formula
Analog
5. Splits the input signal and mixes it with an analog copy so that no latency is present
Sine Wave
Amplitude Accuracy
Zero-Latency Monitoring
Digital
6. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Adaptive Pulse Code Modulation
Aliasing
Compression
Fletcher- Munson Curve
7. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Red Book
Significand
Joseph Fourier
Adaptive Pulse Code Modulation
8. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Foldover
Exponent
Signal- to- Noise Ratio
Cutoff Frequency
9. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Pulse Density Modulation
Footroom
Micron
Word Clock
10. Electromagnetic receptor that detects the radiation known as visible light
Interleaved
dBFS
Intensity Stereo
Photoreceptor
11. Accuracy with which an electronic system reproduces the sound or image of its input signal
Fourier Series
Latency
Fidelity
Anti-Aliasing Filter
12. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Headroom Bits
Delta-Sigma Modulation
Voltage
AES3
13. Unit of measurement that is equal to one millionth of a meter
Buffering
Red Book
European Broadcasting Union
Micron
14. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Interleaved
Convolution
Signal- to- Noise Ratio
Data Packing
15. 8.75 GB; DS/SL
Voltage
DVD-10
Speed of Sound
Subbands
16. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Low-Latency Monitoring
dB/SPL
DVD-Audio
Peak Level
17. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Spectrum Multiplication
Interpolation Filter
Blu-Ray
Audio over Ethernet (AoE)
18. Signal conversions are mixed with playback tracks resulting in near-zero latency
Direct Monitoring
Audio Engineering Society
Overflow
Pulse Width Modulation
19. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Footroom
Harry Nyquist
Gain Staging
Digital Signal Processing
20. Eight channel digital surround sound system by Dolby
Transfer Protocol
Successive Approximation
Dolby 7.1
I/O Connection Buffering
21. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Harry Nyquist
A/D Conversion
I/O Connection Buffering
Peak Level
22. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
SACD
Ethernet
Analog
Morse Code
23. Industry Standards: -6 dB Peak = -20 RMS Meter
Analog
Inter-Channel Redundancy
DVD-9
Recording Levels
24. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Amplitude Accuracy
dB/SPL
Intensity Stereo
Harry Nyquist
25. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Impulse Response
Playback Buffering
RMS
Storage Conversion Steps
26. Subtract place values from the decimal number and place ones or zeros in the correct places
Claude Shannon
SACD
Morse Code
Decimal- to-Binary Conversion
27. The continuous loss of signal strengths as a signal travels through a medium
Nyquist Frequency
Sample- and-Hold
Dithering
Attenuation
28. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Analog
Tascam Digital Interface Format (TDIF)
Base 2 System
Y-Axis Terminology
29. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Transfer Protocol
Quantization Error
Latency
Frequency
30. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Oversampling
Playback Buffering
Sampling Rule
Requirements for A/D Conversion
31. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Glass Master
Adaptive Pulse Code Modulation
Sampling (Samples)
Intensity Stereo
32. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Multichannel Audio Digital Interface (MADI)
Normalizing
Redither
33. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Decimation Filter
Variable Bit Rate
2 Dimensions of Sound
Analog
34. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Pulse Width Modulation
Inter-Channel Redundancy
Lossy
Requirements for CD Audio
35. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Amplitude Accuracy
MONO
Threshold of Hearing
Red Book
36. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Frequency
Subbands
Logical Format
Sawtooth Wave
37. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Floating Point
Sonogram
Dolby 7.1
Constant Bit Rate
38. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Harmonic Content
Coaxial
Impulse Response
Internal Resolution
39. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Bit Depth Effect on Dynamic Range
Spectrum Multiplication
Audio over Ethernet (AoE)
CobraNet
40. Difference in brightness between land and pit on a CD Physical Format
Intensity
Lightpipe
Index of Reflectivity
Sampling Theorem
41. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Codec
Quantization
Nyquist Frequency
Digital Signal Processing
42. Each bit in the bit depth is equal to a _____ increase in dynamic range
Lossless Formats
Red Book
6 dB
Latency
43. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Requirements for A/D Conversion
Bit Rate
Direct Stream Digital
Sawtooth Wave
44. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Foldover
Stapedes Reflex
Interpolation Filter
Voltage
45. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Oscillation
Pulse Width Modulation
Quantization Intervals
Threshold of Pain
46. The process of reducing the space required to store data by efficiently encoding the content.
Compression
Masking Analysis...
Physical Disc Format
Sample- and-Hold
47. 'Capturing' part of digital audio; Never captures a signal perfectly
Pad Head & Tail
A/D Conversion
dB/FS
TOSLINK
48. The frequency range that is allowed through a filter
Sine Wave
Pass Band
Square Wave
Interpolation Filter
49. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
RMS Meter
Threshold of Hearing
Normalizing
Gain Staging
50. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
DVD-14
Compression
Sampling Theorem
Sample Rate Effect on Anti-Aliasing