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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A sample- by- sample operation on two signals
Sample- and-Hold
Storage Conversion Steps
Audio Engineering Society
Convolution
2. The loudest point of a Full Scale system
Nanometer
0 dB FS
Multichannel Audio Digital Interface (MADI)
6 dB
3. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Harmonic Content
dBFS
Fletcher- Munson Curve
MONO
4. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
DVD-9
Decimation Filter
Coaxial
Quantization Error
5. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
Quantization
Ethernet
Intensity Stereo
6. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Audio over Ethernet (AoE)
Decoder
A/D Conversion Signal Flow
Pad Head & Tail
7. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Inter-Channel Redundancy
Pass Band
TOSLINK
dBFS
8. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Gain Staging
Sampling (Samples)
Y-Axis Terminology
Fourier Series
9. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Dolby 5.1
Speed of Sound
Sinusoidal
Peak Level
10. The process of reducing the space required to store data by efficiently encoding the content.
Intensity Stereo
Compression
Voltage
Word Clock
11. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
Interleaved
Low-Latency Monitoring
Fletcher- Munson Curve
12. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
SACD
Requirements for CD Audio
Lossless
Dolby 5.1
13. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Direct Stream Digital
Intensity
Voltage
Internal Resolution
14. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Quantizer
Peak Level
Playback Buffering
Constant Bit Rate
15. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Delta-Sigma Modulation
Convolution
Quantizer
Pulse Density Modulation
16. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Physical Disc Format
Sony-Philips Digital Interface Format (S/PDIF)
Inter-Channel Redundancy
Micron
17. Industry Standards: -6 dB Peak = -20 RMS Meter
Recording Levels
Decoder
Attenuation
Sampling Theorem
18. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
DVD-18
Lossy Formats
A/D Conversion
Decoder
19. Unit of measurement that is equal to one millionth of a meter
Compression
Micron
Dolby 7.1
Zero-Latency Monitoring
20. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Average Bit Rate
Decimal- to-Binary Conversion
Conversion Buffering
Dynamic Range
21. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Optical Cable
A/D Conversion
DVD-Audio
Sawtooth Wave
22. Roughly around 1 -130 ft/s
Oscillation
Direct Stream Digital
Lossless
Speed of Sound
23. Waveform of a pure tone showing simple harmonic motion
Threshold of Pain
Sine Wave
X-Axis Terminology
Sawtooth Wave
24. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Noise Shaping
Internal Resolution
Entropy Coding
Audio over Ethernet (AoE)
25. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
M-S Stereo
Amplitude Accuracy
Requirements for A/D Conversion
Blu-Ray
26. Sample Rate x Bit Depth x # of Channels
Non -Compressed Audio Data Rate Formula
Constant Bit Rate
Cutoff Frequency
Motion Pictures Experts Group
27. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
dB/FS
Buffering Locations
Red Book
Intensity
28. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Buffering
Data Packing
Fletcher- Munson Curve
Spectrum Multiplication
29. Allowance of noise floor below that which is required for the final product
Audio over Ethernet (AoE)
Footroom
Sawtooth Wave
X-Axis Terminology
30. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Exponent
Sawtooth Wave
Blu-Ray
Buffering
31. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
SACD
Variable Bit Rate
Pass Band
Impulse Response
32. Level above which audible sounds are painful (125 - 130 db)
0 dB FS
Threshold of Pain
Bit Depth Effect on Dynamic Range
Internal Resolution
33. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Resolution
Cutoff Frequency
Ethernet
SACD
34. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Joint Stereo
Intensity Stereo
Interpolation Filter
RMS Meter
35. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Coaxial
AoE Formats
Footroom
Lossy
36. Decibels Full Scale
Square Wave
Masking Analysis...
dBFS
Joint Stereo
37. How Loud (Y-Axis) & How Fast (X-Axis)
AoE Formats
Resolution
Threshold of Pain
2 Dimensions of Sound
38. 'Reconstructing' part of digital audio
D/A Conversion
Equal Loudness Contour
Gain Staging
Variable Bit Rate
39. Electromagnetic receptor that detects the radiation known as visible light
Footroom
dB/FS
Photoreceptor
M-S Stereo
40. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Audio over Ethernet (AoE)
Oversampling
Codec
Subbands
41. Same as 'aliasing'
Additive Synthesis...
Foldover
Sample Rate Effect on Anti-Aliasing
dBFS
42. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Average Bit Rate
Y-Axis Terminology
dB/SPL
Entropy Coding
43. Measure of the amplitude of a longitudinal wave
Perceptual Coding
Intensity
Direct Monitoring
Audio over Ethernet (AoE)
44. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Lightpipe
SACD
Red Book
Inter-Channel Redundancy
45. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Cutoff Frequency
Digital
Intensity Stereo
Anti-Imaging Filter
46. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Harry Nyquist
Harmonic Content
Decoder
47. The difference in volume between the loudest and quietest sounds of a source
Dynamic Range
Internal Resolution
Sony-Philips Digital Interface Format (S/PDIF)
Noise Shaping
48. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Zero-Latency Monitoring
Jitter
A/D Conversion
Compression
49. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Requirements for A/D Conversion
Voltage
6 dB
0 dB FS
50. 8.75 GB; DS/SL
Storage Conversion Steps
Headroom Bits
DVD-10
Red Book