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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Compression
Photoreceptor
Redither
Y-Axis Terminology
2. Unit of measurement that is equal to one billionth of a meter
TOSLINK
Nanometer
Anti-Imaging Filter
Morse Code
3. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
Fletcher- Munson Curve
DVD-18
Cutoff Frequency
4. Each bit in the bit depth is equal to a _____ increase in dynamic range
Aliasing
A/D Conversion
6 dB
Frequency
5. Eight channel digital surround sound system by Dolby
Dolby 7.1
Requirements for CD Audio
Dithering
Lightpipe
6. Have odd numbered harmonics
Peak Level
Square Wave
Bit Rate
Foldover
7. Subtract place values from the decimal number and place ones or zeros in the correct places
Interleaved
Decimal- to-Binary Conversion
Anti-Imaging Filter
Dithering
8. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Delta-Sigma Modulation
Effective Bit Depth
Sonogram
Logical Format
9. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
dB/FS
EtherSound
Dolby 7.1
Rarefaction
10. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Rarefaction
Oversampling
Resolution
Conversion Buffering
11. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Normalizing
Redither
Latency
Entropy Coding
12. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Internal Resolution
Codec
Sawtooth Wave
Quantizer
13. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Direct Monitoring
Transfer Protocol
Pad Head & Tail
Zero-Latency Monitoring
14. A method of representing real numbers using a mantissa and an exponent
Lossy
Floating Point
Oscillation
Normalizing
15. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Sine Wave
Significand
Resolution
Convolution
16. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Edit Decision List
Noise Shaping
Decoder
Digital Signal Processing
17. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Quantization Intervals
Red Book
Impulse Response
Variable Bit Rate
18. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Red Book
Significand
Overflow
Acoustics
19. Snippets of time in which frequency analysis takes place in a perceptual codec
RMS
Delta-Sigma Modulation
Bit Depth
Frames
20. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Audio over Ethernet (AoE)
Significand
Direct Stream Digital
Sampling (Samples)
21. EBU
I/O Connection Buffering
European Broadcasting Union
Coaxial
Cutoff Frequency
22. A sample- by- sample operation on two signals
RMS
Intensity
Convolution
Sony-Philips Digital Interface Format (S/PDIF)
23. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
MONO
Cutoff Frequency
Square Wave
CobraNet
24. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Optical Cable
Effective Bit Depth
SCMS
Floating Point
25. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Blu-Ray
Square Wave
Lightpipe
26. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
AES3
Adaptive Pulse Code Modulation
Y-Axis Terminology
Signal- to- Noise Ratio
27. The difference in volume between the loudest and quietest sounds of a source
Intensity
Conversion Buffering
Compression
Dynamic Range
28. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Lossy Formats
AES3
Requirements for A/D Conversion
Physical Disc Format
29. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Buffering
Bit Depth
Impulse Response
Pulse Width Modulation
30. 8- in/8- out on one cable; 25- pin D- sub connector
Blu-Ray
Significand
Recording Levels
Tascam Digital Interface Format (TDIF)
31. The continuous loss of signal strengths as a signal travels through a medium
Gain Staging
Attenuation
Spectra
TOSLINK
32. The process of reducing the space required to store data by efficiently encoding the content.
Acoustics
Sample Rate Effect on Anti-Aliasing
Class - D Amplifier
Compression
33. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Redither
Subbands
Blu-Ray
Blu-Ray
34. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Jitter
Buffer Size
Decoder
Stapedes Reflex
35. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
CPU Buffering
Pulse Code Modulation
DVD-5
A/D Conversion Signal Flow
36. Multi-Bit Words; (Pulse Code Modulation)
Attenuation
Intensity Stereo
Signal- to- Noise Ratio
PCM
37. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Compression
Audio over Ethernet (AoE)
Buffer Size
Playback Buffering
38. A situation where a calculated value cannot fit into the number of digits reserved for it
Variable Bit Rate
Decimal- to-Binary Conversion
Overflow
DVD-Audio
39. Electromagnetic receptor that detects the radiation known as visible light
Photoreceptor
0 dB FS
Footroom
Bit Depth
40. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Nyquist Frequency
Pulse Code Modulation
Blu-Ray
Bit Depth Effect on Dynamic Range
41. The frequency above or below which attenuation begins in a filter circuit
European Broadcasting Union
Anti-Imaging Filter
0 dB FS
Cutoff Frequency
42. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Successive Approximation
Lossy Formats
Dolby 5.1
Constant Bit Rate
43. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Blu-Ray
Speed of Sound
Additive Synthesis...
Lossless
44. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
European Broadcasting Union
Sony-Philips Digital Interface Format (S/PDIF)
Effective Bit Depth
Pulse Width Modulation
45. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
Logical Format
Pulse Code Modulation
Effective Bit Depth
A/D Conversion Signal Flow
46. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Base 2 System
Compression
Claude Shannon
Pulse Density Modulation
47. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
A/D Conversion Signal Flow
Decimal- to-Binary Conversion
Floating Point
Quantization Error
48. Industry Standards: -6 dB Peak = -20 RMS Meter
Analog
Recording Levels
Red Book
Coaxial
49. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Sawtooth Wave
Morse Code
Sample Rate
D/A Conversion
50. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Stapedes Reflex
Inter-Channel Redundancy
Pad Head & Tail
DVD-5