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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Effective Bit Depth
Photoreceptor
I/O Connection Buffering
Word Clock
2. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Transfer Protocol
Jitter
Peak Level
Interleaved
3. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
TOSLINK
SACD
Storage Conversion Steps
Class - D Amplifier
4. Industry Standards: -6 dB Peak = -20 RMS Meter
Red Book
Intensity Stereo
Recording Levels
Quantization Error
5. A situation where a calculated value cannot fit into the number of digits reserved for it
Threshold of Pain
Significand
Overflow
Buffering Locations
6. 12.33 GB; DS/ML
DVD-14
Decimal- to-Binary Conversion
Sawtooth Wave
Inter-Channel Redundancy
7. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
DVD-9
Buffering Locations
DVD-14
Threshold of Pain
8. 15.9 GB; DS/DL
Convolution
X-Axis Terminology
DVD-18
Direct Monitoring
9. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Latency
Fourier Series
Requirements for CD Audio
Tascam Digital Interface Format (TDIF)
10. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Convolution
Sampling Rule
Multichannel Audio Digital Interface (MADI)
Transfer Protocol
11. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Gain Staging
Pulse Code Modulation
Logical Format
Rarefaction
12. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Algorithm
Acoustics
Footroom
Threshold of Hearing
13. Branch of psychology concerned with the subjective perception of sound
Claude Shannon
Conversion Buffering
Psychoacoustics
DVD-Audio
14. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Sample Rate Effect on Anti-Aliasing
Joseph Fourier
Headroom Bits
Sampling Theorem
15. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Floating Point
Intensity
Digital Signal Processing
Storage Conversion Steps
16. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Y-Axis Terminology
Lightpipe
AES3
Decimal- to-Binary Conversion
17. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Codec
Threshold of Pain
Footroom
Psychoacoustics
18. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
AES3
Tascam Digital Interface Format (TDIF)
Decimal- to-Binary Conversion
RMS Meter
19. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Entropy Coding
Oscillation
Sonogram
Transfer Protocol
20. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Sawtooth Wave
Dithering
Interleaved
Red Book
21. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
RMS
Oscillation
Interleaved
Successive Approximation
22. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Buffering
Exponent
Codec
DVD-9
23. Multi-Bit Words; (Pulse Code Modulation)
Fourier Series
Psychoacoustics
Data Packing
PCM
24. Roughly around 1 -130 ft/s
Sample- and-Hold
Speed of Sound
Decimation Filter
Audio Engineering Society
25. The set of rules that computers use to move files from one computer to another on an internet
Digital
Sampling Rule
Transfer Protocol
European Broadcasting Union
26. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Aliasing
Audio Engineering Society
Headroom Bits
Threshold of Hearing
27. The frequency above or below which attenuation begins in a filter circuit
Cutoff Frequency
Additive Synthesis...
Fletcher- Munson Curve
TOSLINK
28. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Logical Format
Threshold of Hearing
Analog
DVD-Audio
29. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Coaxial
SACD
Psychoacoustics
Foldover
30. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
0 dB FS
D/A Conversion Signal Flow
Pulse Density Modulation
CPU Buffering
31. A digital filter's time domain output sequence when the input is a single sample is input
Glass Master
Stapedes Reflex
Quantization Intervals
Impulse Response
32. The loudest point of a Full Scale system
Decimation Filter
Noise Shaping
0 dB FS
X-Axis Terminology
33. How Loud (Y-Axis) & How Fast (X-Axis)
2 Dimensions of Sound
Coaxial
DVD-18
dB/FS
34. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Overflow
CobraNet
Amplitude Accuracy
Oversampling
35. Have odd numbered harmonics
Square Wave
Rarefaction
Impulse Response
Foldover
36. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Aliasing
Zero-Latency Monitoring
dBFS
Stapedes Reflex
37. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Storage Conversion Steps
Nyquist Frequency
Square Wave
Codec
38. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Overflow
Lightpipe
Sample- and-Hold
Playback Buffering
39. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Quantization Intervals
Glass Master
Sine Wave
Word Clock
40. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
M-S Stereo
Compression
Dolby 5.1
Logical Format
41. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Jitter
Interpolation Filter
6 dB
Joint Stereo
42. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Direct Monitoring
Quantization Error
2 Dimensions of Sound
Average Bit Rate
43. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
DVD-18
Sampling Theorem
Buffer Size
Sony-Philips Digital Interface Format (S/PDIF)
44. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
DVD-5
Joseph Fourier
Sample Rate Effect on Anti-Aliasing
Requirements for CD Audio
45. Waveform of a pure tone showing simple harmonic motion
Noise Shaping
Sine Wave
Bit Rate
Additive Synthesis...
46. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Sample- and-Hold
Sample Rate
dB/SPL
Audio over Ethernet (AoE)
47. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
dB/SPL
Sample Rate Effect on Anti-Aliasing
Anti-Aliasing Filter
Decimation Filter
48. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Pulse Width Modulation
Oversampling
Anti-Imaging Filter
49. Anytime bit depth is reduced the gap gets bigger so more dithering is required
MONO
PCM
Frames
Redither
50. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Zero-Latency Monitoring
Harry Nyquist
Nyquist Frequency
Aliasing
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