SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Logical Format
Lossless Formats
Resolution
Oversampling
2. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
CPU Buffering
2 Dimensions of Sound
Dynamic Range
Fidelity
3. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Fidelity
Claude Shannon
Y-Axis Terminology
CobraNet
4. A method of representing real numbers using a mantissa and an exponent
X-Axis Terminology
Floating Point
Pulse Width Modulation
Cutoff Frequency
5. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
CobraNet
Audio Engineering Society
Equal Loudness Contour
Audio over Ethernet (AoE)
6. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Acoustics
Normalizing
Non -Compressed Audio Data Rate Formula
Word Clock
7. 4.38 GB; SS/SL
Anti-Aliasing Filter
DVD-5
Requirements for A/D Conversion
Sine Wave
8. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Lossless
Redither
Nanometer
Dynamic Range
9. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
RMS
Threshold of Hearing
CobraNet
RMS Meter
10. 12.33 GB; DS/ML
DVD-9
Psychoacoustics
Recording Levels
DVD-14
11. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Oversampling
Sampling Rule
Lightpipe
Bit Depth
12. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
Pad Head & Tail
Foldover
Threshold of Pain
13. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Blu-Ray
Analog
European Broadcasting Union
Dolby 7.1
14. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Intensity Stereo
Lossy Formats
Overflow
Speed of Sound
15. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Oversampling
Dithering
Nyquist Frequency
Intensity Stereo
16. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Sampling (Samples)
6 dB
Inter-Channel Redundancy
Spectrum Multiplication
17. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
D/A Conversion
Class - D Amplifier
Conversion Buffering
Sawtooth Wave
18. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Quantization Intervals
Frames
Threshold of Hearing
Lossy
19. How Loud (Y-Axis) & How Fast (X-Axis)
Square Wave
2 Dimensions of Sound
Coaxial
Anti-Aliasing Filter
20. Eight channel digital surround sound system by Dolby
DVD-18
Psychoacoustics
Fidelity
Dolby 7.1
21. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Sawtooth Wave
DVD-Audio
Entropy Coding
Dolby 7.1
22. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Sample Rate Effect on Anti-Aliasing
Data Packing
Effective Bit Depth
dB/FS
23. The process of reducing the space required to store data by efficiently encoding the content.
Square Wave
Sampling (Samples)
dBFS
Compression
24. Electromagnetic receptor that detects the radiation known as visible light
Adaptive Pulse Code Modulation
Photoreceptor
Y-Axis Terminology
Fletcher- Munson Curve
25. Splits the input signal and mixes it with an analog copy so that no latency is present
Sinusoidal
Requirements for A/D Conversion
Zero-Latency Monitoring
Joseph Fourier
26. A digital filter's time domain output sequence when the input is a single sample is input
Recording Levels
SCMS
Sampling Rule
Impulse Response
27. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Quantization Error
Footroom
Sample Rate Effect on Anti-Aliasing
D/A Conversion
28. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Multichannel Audio Digital Interface (MADI)
Digital
A/D Conversion
Aliasing
29. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
EtherSound
Non -Compressed Audio Data Rate Formula
Oversampling
Buffer Size
30. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Noise Shaping
2 Dimensions of Sound
Blu-Ray
I/O Connection Buffering
31. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Quantization Error
Analog
Audio over Ethernet (AoE)
Glass Master
32. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Equal Loudness Contour
Decimation Filter
Harry Nyquist
Voltage
33. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
DVD-Audio
Frequency
Sampling (Samples)
Requirements for A/D Conversion
34. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Audio over Ethernet (AoE)
Morse Code
Additive Synthesis...
Stapedes Reflex
35. Very selective method of lowering buffer levels by halting different levels of audio processing
Low-Latency Monitoring
Sine Wave
Pulse Width Modulation
Photoreceptor
36. Unit of measurement that is equal to one millionth of a meter
Spectrum Multiplication
Micron
Oversampling
Cutoff Frequency
37. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Additive Synthesis...
Claude Shannon
Sampling Theorem
Nanometer
38. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
X-Axis Terminology
Red Book
Fletcher- Munson Curve
Requirements for A/D Conversion
39. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Psychoacoustics
Overflow
Entropy Coding
Acoustics
40. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Spectra
Morse Code
Peak Level
Perceptual Coding
41. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Glass Master
Equal Loudness Contour
SACD
Quantization
42. Softest sound that can be heard by the average human ear (0 dB)
Headroom Bits
Threshold of Hearing
Algorithm
Compression
43. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Impulse Response
Anti-Aliasing Filter
Resolution
dB/FS
44. Roughly around 1 -130 ft/s
Dynamic Range
Harry Nyquist
Speed of Sound
Oversampling
45. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Spectrum Multiplication
Overflow
Coaxial
EtherSound
46. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Data Packing
Peak Level
Blu-Ray
Ethernet
47. 'Capturing' part of digital audio; Never captures a signal perfectly
Joseph Fourier
Quantization Intervals
Threshold of Pain
A/D Conversion
48. AES
Subbands
Speed of Sound
Peak Level
Audio Engineering Society
49. Visual graph that shows how loud a sound is at different frequencies
Sonogram
Sampling Rule
CPU Buffering
Noise Shaping
50. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Cutoff Frequency
Jitter
Multichannel Audio Digital Interface (MADI)
Spectrum Multiplication