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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Difference in brightness between land and pit on a CD Physical Format
Sample Rate Effect on Anti-Aliasing
Compression
Index of Reflectivity
Oversampling
2. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Threshold of Hearing
Coaxial
Direct Stream Digital
Effective Bit Depth
3. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Claude Shannon
MONO
Harry Nyquist
Digital
4. Have odd numbered harmonics
Redither
Fletcher- Munson Curve
Interpolation Filter
Square Wave
5. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Delta-Sigma Modulation
Sony-Philips Digital Interface Format (S/PDIF)
Intensity Stereo
Internal Resolution
6. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Joint Stereo
Logical Format
Algorithm
European Broadcasting Union
7. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Inter-Channel Redundancy
CPU Buffering
Exponent
Decoder
8. Mixing data and control characters in a single operation
Latency
Interleaved
Tascam Digital Interface Format (TDIF)
Adaptive Pulse Code Modulation
9. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Successive Approximation
Audio over Ethernet (AoE)
Variable Bit Rate
Codec
10. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
DVD-14
PCM
CobraNet
Impulse Response
11. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Footroom
Class - D Amplifier
DVD-18
AES3
12. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Micron
Lossy
Fourier Series
Anti-Aliasing Filter
13. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Buffering Locations
Claude Shannon
Signal- to- Noise Ratio
Noise Shaping
14. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Logical Format
Pulse Code Modulation
Signal- to- Noise Ratio
Aliasing
15. A digital filter's time domain output sequence when the input is a single sample is input
DVD-14
Spectra
Pulse Code Modulation
Impulse Response
16. Electromagnetic receptor that detects the radiation known as visible light
Photoreceptor
Adaptive Pulse Code Modulation
Sinusoidal
Oversampling
17. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Analog
Decimation Filter
Oscillation
Fidelity
18. 15.9 GB; DS/DL
Lossy Formats
dBFS
DVD-18
Impulse Response
19. The set of rules that computers use to move files from one computer to another on an internet
Delta-Sigma Modulation
Digital Signal Processing
Transfer Protocol
Interleaved
20. CobraNet; EtherSound; Dante; AVB (currently under development)
Pulse Code Modulation
dBFS
AoE Formats
Intensity
21. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Pulse Width Modulation
Transfer Protocol
Sony-Philips Digital Interface Format (S/PDIF)
A/D Conversion
22. The amount of energy at each wavelength
DVD-Audio
Jitter
Spectra
dBFS
23. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Variable Bit Rate
Gain Staging
Decimal- to-Binary Conversion
Significand
24. A sample- by- sample operation on two signals
Convolution
Buffering Locations
Intensity Stereo
Data Packing
25. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Buffer Size
Convolution
DVD-Audio
Lossy Formats
26. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Recording Levels
I/O Connection Buffering
Variable Bit Rate
Sampling Theorem
27. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Buffering Locations
Data Packing
Logical Format
Decoder
28. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Index of Reflectivity
D/A Conversion Signal Flow
Compression
Subbands
29. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Audio over Ethernet (AoE)
Effective Bit Depth
Dolby 7.1
Stapedes Reflex
30. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Motion Pictures Experts Group
Masking Analysis...
Variable Bit Rate
Average Bit Rate
31. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
Cutoff Frequency
Intensity Stereo
Oversampling
32. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Headroom Bits
Oscillation
Sampling Theorem
Quantizer
33. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Adaptive Pulse Code Modulation
Ethernet
Claude Shannon
Compression
34. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Rarefaction
Sample- and-Hold
Lossless Formats
Decoder
35. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Impulse Response
CPU Buffering
dB/FS
Claude Shannon
36. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Threshold of Hearing
Perceptual Coding
Audio Engineering Society
Joint Stereo
37. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
DVD-Audio
Coaxial
Audio Engineering Society
Dithering
38. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
D/A Conversion
Cutoff Frequency
DVD-18
Base 2 System
39. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
Quantization
AoE Formats
Oversampling
40. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Inter-Channel Redundancy
Physical Disc Format
0 dB FS
Intensity Stereo
41. Eight channel digital surround sound system by Dolby
Signal- to- Noise Ratio
Spectrum Multiplication
Dolby 7.1
Footroom
42. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Quantization Error
Stapedes Reflex
Playback Buffering
Digital
43. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Compression
Multichannel Audio Digital Interface (MADI)
Exponent
DVD-10
44. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Digital Signal Processing
Class - D Amplifier
Constant Bit Rate
DVD-18
45. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Variable Bit Rate
Internal Resolution
Pulse Width Modulation
Fletcher- Munson Curve
46. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Digital Signal Processing
AoE Formats
Sample- and-Hold
DVD-10
47. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
DVD-18
Threshold of Pain
Harmonic Content
EtherSound
48. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
Requirements for CD Audio
Spectrum Multiplication
Lossy
CPU Buffering
49. Snippets of time in which frequency analysis takes place in a perceptual codec
Frames
Non -Compressed Audio Data Rate Formula
Requirements for CD Audio
Peak Level
50. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Interpolation Filter
DVD-10
Fourier Series
Compression