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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Intensity Stereo
DVD-9
Decimation Filter
Dolby 7.1
2. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Lossy
Oscillation
RMS Meter
Perceptual Coding
3. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Requirements for A/D Conversion
Physical Disc Format
Y-Axis Terminology
DVD-18
4. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Non -Compressed Audio Data Rate Formula
Gain Staging
Blu-Ray
Interpolation Filter
5. Mixing data and control characters in a single operation
Interleaved
Decimal- to-Binary Conversion
Conversion Buffering
Delta-Sigma Modulation
6. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Adaptive Pulse Code Modulation
Conversion Buffering
Normalizing
Convolution
7. 16-Bit; 44.1 kHz; PCM; Stereo
Resolution
Frequency
Joseph Fourier
Requirements for CD Audio
8. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
A/D Conversion Signal Flow
Acoustics
Normalizing
dBFS
9. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Audio over Ethernet (AoE)
Base 2 System
Lossless
Equal Loudness Contour
10. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
SACD
Noise Shaping
Exponent
RMS
11. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Base 2 System
Audio over Ethernet (AoE)
Peak Level
Sonogram
12. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Claude Shannon
Micron
DVD-10
Multichannel Audio Digital Interface (MADI)
13. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Dithering
European Broadcasting Union
Harmonic Content
Aliasing
14. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Effective Bit Depth
Nanometer
Frames
Optical Cable
15. 15.9 GB; DS/DL
Speed of Sound
DVD-18
Direct Monitoring
M-S Stereo
16. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
CobraNet
Oversampling
Blu-Ray
Floating Point
17. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Adaptive Pulse Code Modulation
Multichannel Audio Digital Interface (MADI)
Y-Axis Terminology
Non -Compressed Audio Data Rate Formula
18. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Harmonic Content
Word Clock
Claude Shannon
Joseph Fourier
19. CobraNet; EtherSound; Dante; AVB (currently under development)
Sony-Philips Digital Interface Format (S/PDIF)
A/D Conversion
AoE Formats
Claude Shannon
20. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Resolution
RMS
Buffering
M-S Stereo
21. Subtract place values from the decimal number and place ones or zeros in the correct places
Decoder
Zero-Latency Monitoring
Bit Depth Effect on Dynamic Range
Decimal- to-Binary Conversion
22. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Speed of Sound
Word Clock
Nanometer
Oversampling
23. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Digital
D/A Conversion
DVD-14
6 dB
24. A digital filter's time domain output sequence when the input is a single sample is input
Lightpipe
Acoustics
Impulse Response
Amplitude Accuracy
25. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Exponent
Anti-Imaging Filter
Blu-Ray
Direct Stream Digital
26. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Multichannel Audio Digital Interface (MADI)
DVD-5
Quantization Error
Quantization
27. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Headroom Bits
D/A Conversion
Fourier Series
Delta-Sigma Modulation
28. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Interpolation Filter
Fourier Series
Intensity
Aliasing
29. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Dolby 5.1
Latency
Ethernet
Buffering Locations
30. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Zero-Latency Monitoring
Digital
Anti-Aliasing Filter
Quantization Error
31. Snippets of time in which frequency analysis takes place in a perceptual codec
Requirements for CD Audio
Sampling Rule
Frames
Lossless Formats
32. Branch of psychology concerned with the subjective perception of sound
Psychoacoustics
Stapedes Reflex
Quantizer
Red Book
33. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
Digital Signal Processing
Interpolation Filter
Transfer Protocol
EtherSound
34. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Oversampling
Requirements for CD Audio
TOSLINK
Red Book
35. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Acoustics
0 dB FS
Sampling Theorem
Entropy Coding
36. Unit of measurement that is equal to one billionth of a meter
Pulse Density Modulation
Gain Staging
Glass Master
Nanometer
37. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Sawtooth Wave
X-Axis Terminology
M-S Stereo
PCM
38. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Bit Rate
RMS Meter
Inter-Channel Redundancy
Analog
39. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Fletcher- Munson Curve
Nyquist Frequency
Zero-Latency Monitoring
Physical Disc Format
40. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Variable Bit Rate
Buffer Size
Fletcher- Munson Curve
Blu-Ray
41. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Harmonic Content
Glass Master
Successive Approximation
Dithering
42. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Signal- to- Noise Ratio
Oversampling
Intensity
dBFS
43. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Base 2 System
Decoder
Motion Pictures Experts Group
Conversion Buffering
44. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
MONO
Oscillation
Blu-Ray
CobraNet
45. The difference in volume between the loudest and quietest sounds of a source
Pass Band
Spectra
Dynamic Range
Lossy
46. A method of representing real numbers using a mantissa and an exponent
Nyquist Frequency
Floating Point
Psychoacoustics
European Broadcasting Union
47. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
I/O Connection Buffering
Storage Conversion Steps
Compression
Bit Depth
48. Serial Copy Management System; main difference between AES3 & S/PIDF
Delta-Sigma Modulation
Jitter
Pulse Code Modulation
SCMS
49. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Resolution
Oscillation
Normalizing
Index of Reflectivity
50. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Buffering
Pulse Density Modulation
Recording Levels
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