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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Multi-Bit Words; (Pulse Code Modulation)
Floating Point
Foldover
PCM
Harry Nyquist
2. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Transfer Protocol
Frames
Algorithm
3. Sample Rate x Bit Depth x # of Channels
Non -Compressed Audio Data Rate Formula
AES3
Quantization
Noise Shaping
4. Level above which audible sounds are painful (125 - 130 db)
Digital
Quantization
Threshold of Pain
Cutoff Frequency
5. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
I/O Connection Buffering
AES3
Harmonic Content
Overflow
6. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Transfer Protocol
Inter-Channel Redundancy
Entropy Coding
Noise Shaping
7. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Physical Disc Format
Claude Shannon
Lossless
Edit Decision List
8. Roughly around 1 -130 ft/s
6 dB
Speed of Sound
Lossy
Motion Pictures Experts Group
9. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Threshold of Hearing
TOSLINK
Glass Master
CobraNet
10. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Sony-Philips Digital Interface Format (S/PDIF)
Logical Format
Optical Cable
MONO
11. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Zero-Latency Monitoring
Decoder
Pulse Density Modulation
EtherSound
12. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
dB/FS
Jitter
Dynamic Range
MONO
13. Have odd numbered harmonics
Variable Bit Rate
Morse Code
Square Wave
Direct Monitoring
14. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
Bit Depth
CPU Buffering
A/D Conversion Signal Flow
Bit Depth Effect on Dynamic Range
15. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Redither
Intensity Stereo
Signal- to- Noise Ratio
Quantization Intervals
16. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Stapedes Reflex
Anti-Aliasing Filter
RMS Meter
Joseph Fourier
17. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Intensity Stereo
Joseph Fourier
Footroom
Interpolation Filter
18. The frequency above or below which attenuation begins in a filter circuit
Buffering Locations
6 dB
Rarefaction
Cutoff Frequency
19. 'Capturing' part of digital audio; Never captures a signal perfectly
Red Book
Pad Head & Tail
D/A Conversion Signal Flow
A/D Conversion
20. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
A/D Conversion Signal Flow
Base 2 System
Direct Stream Digital
Variable Bit Rate
21. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Micron
Signal- to- Noise Ratio
Class - D Amplifier
Claude Shannon
22. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Red Book
Variable Bit Rate
Pulse Code Modulation
Entropy Coding
23. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Index of Reflectivity
X-Axis Terminology
Latency
24. Industry Standards: -6 dB Peak = -20 RMS Meter
Buffer Size
Recording Levels
Claude Shannon
Glass Master
25. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Optical Cable
Joseph Fourier
Lossy Formats
Morse Code
26. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Frequency
Physical Disc Format
Nyquist Frequency
Joint Stereo
27. Very selective method of lowering buffer levels by halting different levels of audio processing
Fletcher- Munson Curve
AoE Formats
Tascam Digital Interface Format (TDIF)
Low-Latency Monitoring
28. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
DVD-5
Y-Axis Terminology
Digital Signal Processing
Quantization Error
29. Electromagnetic receptor that detects the radiation known as visible light
Lossless Formats
Photoreceptor
Noise Shaping
Impulse Response
30. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
TOSLINK
Threshold of Hearing
Buffering
Decimal- to-Binary Conversion
31. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Sampling Rule
Interleaved
Dynamic Range
Conversion Buffering
32. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Oscillation
Morse Code
RMS
Fletcher- Munson Curve
33. The loudest point of a Full Scale system
0 dB FS
Edit Decision List
Glass Master
DVD-14
34. A method of representing real numbers using a mantissa and an exponent
Non -Compressed Audio Data Rate Formula
2 Dimensions of Sound
Threshold of Pain
Floating Point
35. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Zero-Latency Monitoring
D/A Conversion
Fourier Series
Convolution
36. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Interpolation Filter
Significand
Lossless Formats
Fletcher- Munson Curve
37. Each bit in the bit depth is equal to a _____ increase in dynamic range
6 dB
Pulse Width Modulation
CobraNet
I/O Connection Buffering
38. 8- in/8- out on one cable; 25- pin D- sub connector
Tascam Digital Interface Format (TDIF)
Blu-Ray
Convolution
Variable Bit Rate
39. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Variable Bit Rate
CobraNet
dB/FS
6 dB
40. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
TOSLINK
Lightpipe
RMS Meter
Spectra
41. 7.95 GB; SS/DL
Ethernet
Harmonic Content
Blu-Ray
DVD-9
42. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
M-S Stereo
Variable Bit Rate
Average Bit Rate
Sinusoidal
43. 4.38 GB; SS/SL
Algorithm
Lossy Formats
DVD-5
Lossy
44. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
AoE Formats
dB/SPL
Buffer Size
Anti-Aliasing Filter
45. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Ethernet
Quantization Error
RMS
Pulse Width Modulation
46. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Sonogram
Dolby 7.1
Fletcher- Munson Curve
dB/FS
47. EDL; Final list of samples used in the audio editing process; Identified by time code
Sampling (Samples)
Significand
Edit Decision List
Intensity
48. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Codec
I/O Connection Buffering
X-Axis Terminology
Resolution
49. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Oscillation
Harry Nyquist
Storage Conversion Steps
Sample- and-Hold
50. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Sinusoidal
dB/SPL
Frequency
Delta-Sigma Modulation