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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Word Clock
Equal Loudness Contour
Adaptive Pulse Code Modulation
Convolution
2. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Digital
Sample Rate Effect on Anti-Aliasing
Sinusoidal
CobraNet
3. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Headroom Bits
Inter-Channel Redundancy
Blu-Ray
Stapedes Reflex
4. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Lossy Formats
Constant Bit Rate
Acoustics
Claude Shannon
5. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Blu-Ray
Storage Conversion Steps
Compression
Class - D Amplifier
6. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Sample Rate
Delta-Sigma Modulation
Cutoff Frequency
Average Bit Rate
7. CobraNet; EtherSound; Dante; AVB (currently under development)
Peak Level
Amplitude Accuracy
Quantization Error
AoE Formats
8. The frequency range that is allowed through a filter
Pass Band
Sample Rate
AES3
Sample Rate Effect on Anti-Aliasing
9. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
DVD-14
Base 2 System
Latency
Resolution
10. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Blu-Ray
Class - D Amplifier
Entropy Coding
Square Wave
11. EBU
Analog
European Broadcasting Union
Rarefaction
Buffering
12. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Inter-Channel Redundancy
Interpolation Filter
Threshold of Hearing
Sample Rate
13. 4.38 GB; SS/SL
Codec
SACD
Physical Disc Format
DVD-5
14. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
M-S Stereo
Playback Buffering
Harmonic Content
X-Axis Terminology
15. 'Capturing' part of digital audio; Never captures a signal perfectly
Sine Wave
A/D Conversion
Attenuation
Pulse Code Modulation
16. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Harmonic Content
Compression
AoE Formats
Intensity Stereo
17. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Digital
Sample Rate Effect on Anti-Aliasing
Variable Bit Rate
Ethernet
18. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
M-S Stereo
Significand
Logical Format
Fourier Series
19. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Harmonic Content
Sinusoidal
Algorithm
DVD-10
20. Accuracy with which an electronic system reproduces the sound or image of its input signal
Direct Stream Digital
Impulse Response
Fidelity
AoE Formats
21. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Pulse Code Modulation
RMS Meter
Buffering Locations
Adaptive Pulse Code Modulation
22. Snippets of time in which frequency analysis takes place in a perceptual codec
Delta-Sigma Modulation
Signal- to- Noise Ratio
Frames
Algorithm
23. The difference in volume between the loudest and quietest sounds of a source
Stapedes Reflex
DVD-Audio
Coaxial
Dynamic Range
24. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
2 Dimensions of Sound
Quantization Intervals
Jitter
6 dB
25. A digital filter's time domain output sequence when the input is a single sample is input
Exponent
TOSLINK
MONO
Impulse Response
26. The frequency above or below which attenuation begins in a filter circuit
Square Wave
Cutoff Frequency
Sample- and-Hold
Effective Bit Depth
27. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
European Broadcasting Union
Sampling Rule
CPU Buffering
Variable Bit Rate
28. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Digital Signal Processing
Multichannel Audio Digital Interface (MADI)
RMS Meter
Y-Axis Terminology
29. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Spectrum Multiplication
Ethernet
Nyquist Frequency
Threshold of Hearing
30. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Attenuation
Inter-Channel Redundancy
Tascam Digital Interface Format (TDIF)
Sawtooth Wave
31. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sony-Philips Digital Interface Format (S/PDIF)
Pass Band
X-Axis Terminology
Jitter
32. Measure of the amplitude of a longitudinal wave
Conversion Buffering
Intensity
Lossy
Anti-Imaging Filter
33. A method of representing real numbers using a mantissa and an exponent
Floating Point
Algorithm
Lossless
Frequency
34. Have odd numbered harmonics
Aliasing
Effective Bit Depth
Square Wave
Decimal- to-Binary Conversion
35. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Audio over Ethernet (AoE)
Peak Level
MONO
Transfer Protocol
36. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Spectrum Multiplication
Compression
Noise Shaping
Dolby 7.1
37. Having a repeated succession of waves or curves as in a sound waveform
Sinusoidal
Sony-Philips Digital Interface Format (S/PDIF)
Floating Point
RMS
38. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Storage Conversion Steps
Spectra
I/O Connection Buffering
Claude Shannon
39. Electromagnetic receptor that detects the radiation known as visible light
Decoder
Class - D Amplifier
Photoreceptor
Lossy Formats
40. Difference in brightness between land and pit on a CD Physical Format
Quantization Error
Floating Point
Index of Reflectivity
Pulse Width Modulation
41. Signal conversions are mixed with playback tracks resulting in near-zero latency
Bit Depth
Sampling Rule
Effective Bit Depth
Direct Monitoring
42. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Amplitude Accuracy
Decimal- to-Binary Conversion
Internal Resolution
Lossless
43. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Voltage
Conversion Buffering
TOSLINK
RMS Meter
44. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Speed of Sound
Gain Staging
Analog
A/D Conversion
45. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Decimation Filter
Algorithm
Bit Depth Effect on Dynamic Range
Buffering
46. 15.9 GB; DS/DL
DVD-18
Perceptual Coding
DVD-10
Conversion Buffering
47. Splits the input signal and mixes it with an analog copy so that no latency is present
Codec
Cutoff Frequency
AES3
Zero-Latency Monitoring
48. The loudest point of a Full Scale system
0 dB FS
Quantization Intervals
2 Dimensions of Sound
Optical Cable
49. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Intensity Stereo
Blu-Ray
Bit Rate
Threshold of Pain
50. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Stapedes Reflex
Coaxial
Square Wave
Effective Bit Depth