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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
DVD-5
Joseph Fourier
Sine Wave
Buffering Locations
2. Mixing data and control characters in a single operation
Quantization Error
Dolby 5.1
Sony-Philips Digital Interface Format (S/PDIF)
Interleaved
3. Industry Standards: -6 dB Peak = -20 RMS Meter
Overflow
DVD-14
D/A Conversion
Recording Levels
4. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Perceptual Coding
Adaptive Pulse Code Modulation
Quantization Intervals
M-S Stereo
5. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
AES3
Equal Loudness Contour
Variable Bit Rate
Requirements for CD Audio
6. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Footroom
Successive Approximation
X-Axis Terminology
Digital
7. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
TOSLINK
Convolution
Subbands
Masking Analysis...
8. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
Edit Decision List
DVD-Audio
Playback Buffering
9. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Frequency
Sonogram
Edit Decision List
Recording Levels
10. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Digital Signal Processing
Quantization
Photoreceptor
Direct Monitoring
11. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Conversion Buffering
Pulse Width Modulation
Exponent
Low-Latency Monitoring
12. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Digital
Quantization Intervals
DVD-9
Dolby 5.1
13. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Perceptual Coding
Headroom Bits
DVD-18
Constant Bit Rate
14. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Effective Bit Depth
DVD-9
Dynamic Range
Sawtooth Wave
15. Serial Copy Management System; main difference between AES3 & S/PIDF
Aliasing
SCMS
Sampling Rule
Voltage
16. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Bit Depth Effect on Dynamic Range
Intensity Stereo
Redither
Requirements for A/D Conversion
17. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Significand
Blu-Ray
Entropy Coding
Nanometer
18. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Lossless Formats
Rarefaction
DVD-Audio
Noise Shaping
19. AES
Successive Approximation
Audio Engineering Society
Threshold of Hearing
Delta-Sigma Modulation
20. Visual graph that shows how loud a sound is at different frequencies
Storage Conversion Steps
Sonogram
0 dB FS
Zero-Latency Monitoring
21. The more bits allocated during quantization - the more accurate the measurement
Lossy
Bit Depth Effect on Dynamic Range
Base 2 System
Tascam Digital Interface Format (TDIF)
22. The set of rules that computers use to move files from one computer to another on an internet
dBFS
Signal- to- Noise Ratio
Stapedes Reflex
Transfer Protocol
23. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Fletcher- Munson Curve
CobraNet
Buffering Locations
24. The amount of energy at each wavelength
Spectra
Impulse Response
Fourier Series
Exponent
25. The continuous loss of signal strengths as a signal travels through a medium
Speed of Sound
Sinusoidal
Ethernet
Attenuation
26. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Jitter
Algorithm
I/O Connection Buffering
Playback Buffering
27. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Codec
Convolution
Fidelity
Harmonic Content
28. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Sinusoidal
Interpolation Filter
Decimation Filter
Sawtooth Wave
29. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Decimation Filter
Psychoacoustics
Digital Signal Processing
Oversampling
30. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Average Bit Rate
Quantization Error
Micron
Spectra
31. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Fourier Series
Photoreceptor
Sawtooth Wave
Quantization Error
32. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Internal Resolution
Redither
RMS Meter
Optical Cable
33. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Transfer Protocol
Overflow
Sony-Philips Digital Interface Format (S/PDIF)
A/D Conversion
34. Branch of psychology concerned with the subjective perception of sound
Pulse Density Modulation
Peak Level
Dithering
Psychoacoustics
35. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Bit Depth
Joseph Fourier
Latency
Bit Depth Effect on Dynamic Range
36. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Anti-Imaging Filter
Stapedes Reflex
A/D Conversion Signal Flow
Direct Monitoring
37. Decibels Full Scale
EtherSound
Pass Band
AES3
dBFS
38. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Fidelity
Amplitude Accuracy
Conversion Buffering
Jitter
39. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
Motion Pictures Experts Group
CPU Buffering
RMS Meter
6 dB
40. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
DVD-14
Lossless Formats
Bit Rate
Redither
41. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Normalizing
Sampling Rule
Constant Bit Rate
DVD-9
42. Unit of measurement that is equal to one millionth of a meter
SCMS
Micron
Direct Monitoring
Class - D Amplifier
43. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
2 Dimensions of Sound
Intensity
Digital
Spectra
44. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Morse Code
SACD
Buffering Locations
Harry Nyquist
45. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Direct Monitoring
Glass Master
X-Axis Terminology
Jitter
46. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Requirements for CD Audio
Fletcher- Munson Curve
RMS
Stapedes Reflex
47. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Buffering Locations
PCM
M-S Stereo
Nyquist Frequency
48. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
RMS Meter
Subbands
Lightpipe
Dynamic Range
49. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
DVD-9
Recording Levels
Additive Synthesis...
Zero-Latency Monitoring
50. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
X-Axis Terminology
Analog
Class - D Amplifier
Morse Code