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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Redither
Joseph Fourier
Decimal- to-Binary Conversion
CobraNet
2. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
D/A Conversion Signal Flow
Harry Nyquist
Cutoff Frequency
Resolution
3. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Low-Latency Monitoring
Joint Stereo
Quantization
MONO
4. The set of rules that computers use to move files from one computer to another on an internet
Transfer Protocol
Lossless Formats
Anti-Aliasing Filter
Psychoacoustics
5. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Index of Reflectivity
Pulse Density Modulation
Bit Rate
Multichannel Audio Digital Interface (MADI)
6. Decibels Full Scale
Intensity
6 dB
Low-Latency Monitoring
dBFS
7. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Internal Resolution
Algorithm
Footroom
Rarefaction
8. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Index of Reflectivity
Buffering
Redither
Voltage
9. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Aliasing
Floating Point
Threshold of Hearing
Quantization Error
10. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Successive Approximation
Masking Analysis...
Cutoff Frequency
Redither
11. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Constant Bit Rate
Exponent
Pad Head & Tail
Dithering
12. Electromagnetic receptor that detects the radiation known as visible light
Effective Bit Depth
Photoreceptor
Cutoff Frequency
Ethernet
13. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
A/D Conversion Signal Flow
Decimal- to-Binary Conversion
Blu-Ray
Variable Bit Rate
14. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Peak Level
A/D Conversion
Sinusoidal
Joint Stereo
15. Allowance of noise floor below that which is required for the final product
Cutoff Frequency
Footroom
6 dB
Pulse Width Modulation
16. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Overflow
Zero-Latency Monitoring
Lossy
Physical Disc Format
17. The process of reducing the space required to store data by efficiently encoding the content.
Glass Master
Audio over Ethernet (AoE)
Compression
Psychoacoustics
18. EDL; Final list of samples used in the audio editing process; Identified by time code
Edit Decision List
Intensity
Normalizing
DVD-Audio
19. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Sawtooth Wave
Glass Master
Attenuation
Quantization
20. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Lossless
Sampling (Samples)
Spectra
TOSLINK
21. Having a repeated succession of waves or curves as in a sound waveform
Floating Point
Playback Buffering
MONO
Sinusoidal
22. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
dBFS
Buffering Locations
Codec
Sampling Rule
23. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Dolby 5.1
Optical Cable
Low-Latency Monitoring
Sampling Theorem
24. EBU
European Broadcasting Union
Signal- to- Noise Ratio
Lossless Formats
Audio Engineering Society
25. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
TOSLINK
Y-Axis Terminology
Harmonic Content
Peak Level
26. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Significand
Sampling Theorem
Footroom
Photoreceptor
27. Level above which audible sounds are painful (125 - 130 db)
Successive Approximation
Joint Stereo
Threshold of Pain
Motion Pictures Experts Group
28. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Entropy Coding
Zero-Latency Monitoring
Perceptual Coding
RMS Meter
29. Industry Standards: -6 dB Peak = -20 RMS Meter
Sample Rate Effect on Anti-Aliasing
Recording Levels
Aliasing
0 dB FS
30. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
AES3
Digital Signal Processing
Blu-Ray
EtherSound
31. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Logical Format
Quantization Error
Red Book
Photoreceptor
32. Accuracy with which an electronic system reproduces the sound or image of its input signal
Fidelity
Word Clock
2 Dimensions of Sound
Audio Engineering Society
33. 15.9 GB; DS/DL
Y-Axis Terminology
Playback Buffering
DVD-5
DVD-18
34. The difference in volume between the loudest and quietest sounds of a source
Dynamic Range
Sinusoidal
RMS Meter
Subbands
35. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Perceptual Coding
Masking Analysis...
Coaxial
DVD-5
36. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
DVD-9
DVD-14
Word Clock
Oversampling
37. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Claude Shannon
Decimation Filter
Coaxial
Blu-Ray
38. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Inter-Channel Redundancy
Sample Rate Effect on Anti-Aliasing
Red Book
Adaptive Pulse Code Modulation
39. The frequency above or below which attenuation begins in a filter circuit
Cutoff Frequency
Resolution
Voltage
Oversampling
40. Serial Copy Management System; main difference between AES3 & S/PIDF
dB/FS
SCMS
Blu-Ray
Acoustics
41. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Compression
M-S Stereo
Frequency
Lossy Formats
42. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
DVD-10
Pulse Width Modulation
Direct Monitoring
Bit Rate
43. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Equal Loudness Contour
Bit Rate
I/O Connection Buffering
44. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Storage Conversion Steps
Quantization Error
Optical Cable
Oscillation
45. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
SACD
Oversampling
6 dB
dB/FS
46. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Headroom Bits
Foldover
Internal Resolution
Logical Format
47. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Quantization Intervals
Headroom Bits
Playback Buffering
Noise Shaping
48. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Low-Latency Monitoring
Compression
Acoustics
Redither
49. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
TOSLINK
Sample- and-Hold
Floating Point
Equal Loudness Contour
50. Same as 'aliasing'
Pulse Code Modulation
Codec
Foldover
Psychoacoustics