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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Accuracy with which an electronic system reproduces the sound or image of its input signal
Fidelity
M-S Stereo
Buffering
Audio Engineering Society
2. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Fourier Series
dB/SPL
Attenuation
Playback Buffering
3. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Noise Shaping
Codec
Buffer Size
Overflow
4. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Storage Conversion Steps
Nanometer
Sample- and-Hold
Quantization Error
5. Splits the input signal and mixes it with an analog copy so that no latency is present
Buffering Locations
Acoustics
CPU Buffering
Zero-Latency Monitoring
6. Eight channel digital surround sound system by Dolby
Multichannel Audio Digital Interface (MADI)
Masking Analysis...
Dolby 7.1
PCM
7. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Compression
Oversampling
RMS
Harmonic Content
8. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Dithering
Motion Pictures Experts Group
Masking Analysis...
Buffering Locations
9. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
TOSLINK
Requirements for A/D Conversion
Normalizing
I/O Connection Buffering
10. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Harmonic Content
Decoder
MONO
Sony-Philips Digital Interface Format (S/PDIF)
11. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Rarefaction
Anti-Imaging Filter
MONO
Noise Shaping
12. More accuracy in low amplitudes and less in higher amplitudes
Base 2 System
Sawtooth Wave
Requirements for A/D Conversion
Amplitude Accuracy
13. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
Buffering
Bit Depth
A/D Conversion Signal Flow
CPU Buffering
14. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Sinusoidal
RMS
Dolby 5.1
Pad Head & Tail
15. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Voltage
Requirements for CD Audio
Masking Analysis...
Dynamic Range
16. Having a repeated succession of waves or curves as in a sound waveform
Sinusoidal
Attenuation
Dynamic Range
Pulse Code Modulation
17. Waveform of a pure tone showing simple harmonic motion
Constant Bit Rate
dB/SPL
Joseph Fourier
Sine Wave
18. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Photoreceptor
Voltage
Pad Head & Tail
Adaptive Pulse Code Modulation
19. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
CobraNet
Effective Bit Depth
Psychoacoustics
Pad Head & Tail
20. Level above which audible sounds are painful (125 - 130 db)
Oscillation
Jitter
Threshold of Pain
Blu-Ray
21. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
RMS
DVD-Audio
Joint Stereo
Oversampling
22. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Morse Code
Audio over Ethernet (AoE)
Redither
Aliasing
23. The continuous loss of signal strengths as a signal travels through a medium
Sample- and-Hold
Blu-Ray
Attenuation
0 dB FS
24. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Requirements for A/D Conversion
RMS
Quantizer
Bit Depth Effect on Dynamic Range
25. EDL; Final list of samples used in the audio editing process; Identified by time code
Edit Decision List
Quantization Intervals
Spectrum Multiplication
CobraNet
26. Difference in brightness between land and pit on a CD Physical Format
Buffering Locations
TOSLINK
Blu-Ray
Index of Reflectivity
27. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Optical Cable
Digital
TOSLINK
Micron
28. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Non -Compressed Audio Data Rate Formula
Fletcher- Munson Curve
Word Clock
Gain Staging
29. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
CPU Buffering
Quantizer
Sony-Philips Digital Interface Format (S/PDIF)
RMS
30. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Anti-Aliasing Filter
Photoreceptor
Nanometer
Morse Code
31. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
CobraNet
Pulse Code Modulation
Quantization
Word Clock
32. The amount of energy at each wavelength
D/A Conversion Signal Flow
Base 2 System
Spectra
Resolution
33. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Voltage
DVD-18
Variable Bit Rate
Buffering Locations
34. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
A/D Conversion
Pad Head & Tail
Photoreceptor
Glass Master
35. AES
Subbands
Audio Engineering Society
Quantizer
Blu-Ray
36. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Analog
Spectra
Entropy Coding
Variable Bit Rate
37. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Decimal- to-Binary Conversion
Nanometer
Additive Synthesis...
Stapedes Reflex
38. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
EtherSound
Quantization Intervals
Bit Depth
Speed of Sound
39. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Lossless Formats
Gain Staging
Masking Analysis...
Average Bit Rate
40. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Threshold of Pain
Redither
dB/FS
Quantization Intervals
41. The frequency range that is allowed through a filter
Pass Band
Class - D Amplifier
2 Dimensions of Sound
D/A Conversion Signal Flow
42. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Quantizer
Lossy
Additive Synthesis...
Word Clock
43. Electromagnetic receptor that detects the radiation known as visible light
European Broadcasting Union
Constant Bit Rate
Delta-Sigma Modulation
Photoreceptor
44. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Tascam Digital Interface Format (TDIF)
Coaxial
Pulse Width Modulation
Bit Rate
45. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
SCMS
Inter-Channel Redundancy
Quantizer
Cutoff Frequency
46. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Sampling (Samples)
Base 2 System
Micron
Ethernet
47. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Stapedes Reflex
Motion Pictures Experts Group
Floating Point
Buffer Size
48. MPEG; Standardizing body of audio coding
Storage Conversion Steps
Motion Pictures Experts Group
Floating Point
Nanometer
49. 8- in/8- out on one cable; 25- pin D- sub connector
Cutoff Frequency
Tascam Digital Interface Format (TDIF)
Overflow
Joseph Fourier
50. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Red Book
Sampling Theorem
Additive Synthesis...
Anti-Imaging Filter