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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Oscillation
Variable Bit Rate
Conversion Buffering
Sampling (Samples)
2. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Pulse Width Modulation
Oversampling
Sampling Rule
Audio Engineering Society
3. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Stapedes Reflex
Dolby 5.1
Ethernet
Claude Shannon
4. 'Reconstructing' part of digital audio
Headroom Bits
TOSLINK
Edit Decision List
D/A Conversion
5. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
2 Dimensions of Sound
Foldover
Fletcher- Munson Curve
Bit Rate
6. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Edit Decision List
Bit Depth
Sample- and-Hold
Digital
7. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Cutoff Frequency
Sample- and-Hold
Sinusoidal
Constant Bit Rate
8. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
European Broadcasting Union
Harmonic Content
Anti-Aliasing Filter
Digital
9. Industry Standards: -6 dB Peak = -20 RMS Meter
Peak Level
Redither
Codec
Recording Levels
10. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Algorithm
Word Clock
Harmonic Content
0 dB FS
11. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Edit Decision List
MONO
Pulse Width Modulation
Codec
12. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Impulse Response
Entropy Coding
Buffering Locations
Quantizer
13. Signal conversions are mixed with playback tracks resulting in near-zero latency
DVD-5
6 dB
Direct Monitoring
X-Axis Terminology
14. Multi-Bit Words; (Pulse Code Modulation)
DVD-9
PCM
Red Book
Attenuation
15. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Adaptive Pulse Code Modulation
Decimation Filter
Claude Shannon
16. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Tascam Digital Interface Format (TDIF)
Fletcher- Munson Curve
Lossy
Impulse Response
17. The loudest point of a Full Scale system
0 dB FS
CPU Buffering
Sample Rate
Compression
18. Have odd numbered harmonics
DVD-10
D/A Conversion
Square Wave
Peak Level
19. The process of reducing the space required to store data by efficiently encoding the content.
Optical Cable
Logical Format
Compression
Buffering Locations
20. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
RMS
Voltage
Nyquist Frequency
Anti-Imaging Filter
21. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Sony-Philips Digital Interface Format (S/PDIF)
Joint Stereo
Perceptual Coding
Sampling (Samples)
22. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Interpolation Filter
Psychoacoustics
Interleaved
Sawtooth Wave
23. 15.9 GB; DS/DL
Storage Conversion Steps
DVD-18
Speed of Sound
Joint Stereo
24. Each bit in the bit depth is equal to a _____ increase in dynamic range
Fidelity
6 dB
European Broadcasting Union
Latency
25. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Significand
A/D Conversion Signal Flow
Attenuation
Blu-Ray
26. Fractional part of a floating- point number; Also called the mantissa; Defines precision
A/D Conversion Signal Flow
Masking Analysis...
Blu-Ray
Significand
27. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Lossless
SCMS
Pulse Width Modulation
Motion Pictures Experts Group
28. Visual graph that shows how loud a sound is at different frequencies
Sonogram
Peak Level
Latency
Edit Decision List
29. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Physical Disc Format
Analog
Compression
Rarefaction
30. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Claude Shannon
X-Axis Terminology
Ethernet
Significand
31. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Intensity
Buffering
Harry Nyquist
Normalizing
32. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Transfer Protocol
Internal Resolution
CPU Buffering
Data Packing
33. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
DVD-14
Jitter
Successive Approximation
Buffer Size
34. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Average Bit Rate
Harry Nyquist
Buffering Locations
DVD-9
35. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
RMS
Sample- and-Hold
PCM
36. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Cutoff Frequency
Fletcher- Munson Curve
Additive Synthesis...
Headroom Bits
37. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
0 dB FS
Resolution
Multichannel Audio Digital Interface (MADI)
Cutoff Frequency
38. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Morse Code
Spectrum Multiplication
dBFS
Masking Analysis...
39. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
Threshold of Hearing
Sinusoidal
Motion Pictures Experts Group
40. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Foldover
Delta-Sigma Modulation
Physical Disc Format
Interleaved
41. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Class - D Amplifier
Stapedes Reflex
Data Packing
Bit Depth Effect on Dynamic Range
42. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Entropy Coding
Pass Band
Voltage
Y-Axis Terminology
43. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Buffer Size
Average Bit Rate
I/O Connection Buffering
DVD-14
44. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Peak Level
Digital Signal Processing
Data Packing
Red Book
45. Mixing data and control characters in a single operation
Gain Staging
Convolution
Significand
Interleaved
46. Very selective method of lowering buffer levels by halting different levels of audio processing
Noise Shaping
Motion Pictures Experts Group
Low-Latency Monitoring
Convolution
47. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
dB/FS
Requirements for A/D Conversion
Index of Reflectivity
Constant Bit Rate
48. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
RMS
Audio over Ethernet (AoE)
Spectra
European Broadcasting Union
49. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
EtherSound
European Broadcasting Union
Frequency
Anti-Imaging Filter
50. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Lossy Formats
Edit Decision List
D/A Conversion Signal Flow
Quantization Intervals