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Test your basic knowledge |
Digital Audio
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Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The loudest point of a Full Scale system
Rarefaction
Joseph Fourier
0 dB FS
CobraNet
2. 'Reconstructing' part of digital audio
0 dB FS
Digital Signal Processing
Pad Head & Tail
D/A Conversion
3. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Attenuation
Sony-Philips Digital Interface Format (S/PDIF)
Frequency
DVD-9
4. Circuit that seizes voltage values with each tick of an A/D device's internal clock
SCMS
Sample- and-Hold
Conversion Buffering
Dithering
5. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Voltage
RMS
Logical Format
Sampling Rule
6. Measure of the amplitude of a longitudinal wave
Joint Stereo
Intensity
Cutoff Frequency
Sample- and-Hold
7. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Significand
Perceptual Coding
Subbands
Internal Resolution
8. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Anti-Aliasing Filter
Sinusoidal
Adaptive Pulse Code Modulation
Nanometer
9. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Dithering
Tascam Digital Interface Format (TDIF)
Overflow
Psychoacoustics
10. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Claude Shannon
Cutoff Frequency
Adaptive Pulse Code Modulation
Codec
11. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Quantizer
Dynamic Range
Constant Bit Rate
Entropy Coding
12. 8- in/8- out on one cable; 25- pin D- sub connector
Oversampling
Tascam Digital Interface Format (TDIF)
RMS
Lossless
13. Having a repeated succession of waves or curves as in a sound waveform
Red Book
Sinusoidal
Sample Rate
Multichannel Audio Digital Interface (MADI)
14. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
X-Axis Terminology
Harry Nyquist
Lightpipe
Variable Bit Rate
15. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Buffering Locations
Joseph Fourier
Anti-Aliasing Filter
Harmonic Content
16. AES
Direct Monitoring
dB/SPL
Dithering
Audio Engineering Society
17. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Tascam Digital Interface Format (TDIF)
Aliasing
Buffering Locations
Quantization
18. CobraNet; EtherSound; Dante; AVB (currently under development)
Blu-Ray
Micron
AoE Formats
Threshold of Pain
19. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Pad Head & Tail
Fletcher- Munson Curve
Harmonic Content
Aliasing
20. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Conversion Buffering
2 Dimensions of Sound
Lightpipe
Aliasing
21. 8.75 GB; DS/SL
Pass Band
Sample Rate
DVD-10
Claude Shannon
22. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Red Book
Frequency
Cutoff Frequency
Sampling Theorem
23. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Pulse Density Modulation
dB/FS
Sampling Theorem
Delta-Sigma Modulation
24. 15.9 GB; DS/DL
Threshold of Pain
DVD-18
D/A Conversion Signal Flow
Bit Depth Effect on Dynamic Range
25. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
SCMS
Physical Disc Format
Jitter
Digital
26. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Dolby 5.1
Index of Reflectivity
Analog
Adaptive Pulse Code Modulation
27. Waveform of a pure tone showing simple harmonic motion
Sine Wave
Equal Loudness Contour
Interleaved
Multichannel Audio Digital Interface (MADI)
28. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
X-Axis Terminology
Bit Depth
Glass Master
Cutoff Frequency
29. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Pulse Code Modulation
Significand
EtherSound
Sample Rate Effect on Anti-Aliasing
30. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Latency
Additive Synthesis...
Spectrum Multiplication
0 dB FS
31. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Y-Axis Terminology
Claude Shannon
Constant Bit Rate
Lossy Formats
32. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Recording Levels
Acoustics
Multichannel Audio Digital Interface (MADI)
Anti-Imaging Filter
33. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
DVD-14
Impulse Response
D/A Conversion Signal Flow
Spectrum Multiplication
34. Unit of measurement that is equal to one billionth of a meter
Square Wave
Motion Pictures Experts Group
Nanometer
SACD
35. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Variable Bit Rate
Joint Stereo
Decoder
Noise Shaping
36. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Base 2 System
Bit Depth
Multichannel Audio Digital Interface (MADI)
Lossy
37. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Exponent
Fourier Series
EtherSound
Direct Monitoring
38. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
X-Axis Terminology
Anti-Imaging Filter
Frequency
39. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
RMS Meter
Word Clock
Intensity
M-S Stereo
40. Each bit in the bit depth is equal to a _____ increase in dynamic range
Audio over Ethernet (AoE)
6 dB
Photoreceptor
Foldover
41. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Lossy
Harmonic Content
Delta-Sigma Modulation
Normalizing
42. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Exponent
Entropy Coding
Internal Resolution
Square Wave
43. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Non -Compressed Audio Data Rate Formula
Buffer Size
Entropy Coding
RMS
44. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Cutoff Frequency
Jitter
EtherSound
Quantizer
45. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
TOSLINK
CPU Buffering
Floating Point
Requirements for A/D Conversion
46. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Pass Band
A/D Conversion
Nyquist Frequency
Quantization Intervals
47. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Harmonic Content
Class - D Amplifier
Bit Depth Effect on Dynamic Range
Stapedes Reflex
48. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Adaptive Pulse Code Modulation
Recording Levels
Lossy Formats
Bit Rate
49. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Non -Compressed Audio Data Rate Formula
Algorithm
Aliasing
Joseph Fourier
50. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Claude Shannon
2 Dimensions of Sound
Constant Bit Rate
RMS Meter
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