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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
CPU Buffering
Bit Rate
Voltage
DVD-10
2. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
SCMS
Sony-Philips Digital Interface Format (S/PDIF)
Latency
Pulse Width Modulation
3. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Requirements for A/D Conversion
Intensity Stereo
Pulse Density Modulation
Ethernet
4. 15.9 GB; DS/DL
Signal- to- Noise Ratio
Sample Rate
DVD-18
DVD-10
5. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Blu-Ray
AES3
Equal Loudness Contour
DVD-14
6. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Data Packing
Lossy
Multichannel Audio Digital Interface (MADI)
Lossy Formats
7. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Intensity
Direct Monitoring
Joseph Fourier
A/D Conversion
8. Unit of measurement that is equal to one millionth of a meter
Micron
Base 2 System
Lossy
Joint Stereo
9. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
2 Dimensions of Sound
Variable Bit Rate
Jitter
Overflow
10. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Acoustics
Sample Rate Effect on Anti-Aliasing
Digital
Quantization
11. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Dynamic Range
Cutoff Frequency
Y-Axis Terminology
Lossy
12. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Headroom Bits
DVD-5
Subbands
Joint Stereo
13. CobraNet; EtherSound; Dante; AVB (currently under development)
DVD-14
AoE Formats
MONO
Transfer Protocol
14. Circuit that seizes voltage values with each tick of an A/D device's internal clock
DVD-Audio
Fourier Series
Sample- and-Hold
Sony-Philips Digital Interface Format (S/PDIF)
15. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
SACD
Sony-Philips Digital Interface Format (S/PDIF)
Claude Shannon
Oversampling
16. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Recording Levels
dB/SPL
Lossless Formats
17. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Anti-Imaging Filter
Decoder
Bit Depth Effect on Dynamic Range
Buffer Size
18. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Buffering Locations
Sampling (Samples)
Latency
Sample Rate Effect on Anti-Aliasing
19. Softest sound that can be heard by the average human ear (0 dB)
Decoder
Blu-Ray
Threshold of Hearing
Zero-Latency Monitoring
20. EBU
Pulse Code Modulation
Ethernet
Compression
European Broadcasting Union
21. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Codec
Claude Shannon
2 Dimensions of Sound
Dithering
22. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Decimal- to-Binary Conversion
Playback Buffering
Signal- to- Noise Ratio
Quantization Error
23. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Sony-Philips Digital Interface Format (S/PDIF)
SCMS
Effective Bit Depth
Lossless Formats
24. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Non -Compressed Audio Data Rate Formula
Audio Engineering Society
Sampling Theorem
Anti-Aliasing Filter
25. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Decoder
Peak Level
Oscillation
DVD-10
26. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Joseph Fourier
Transfer Protocol
Fourier Series
Micron
27. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Dolby 7.1
Floating Point
Buffering
Effective Bit Depth
28. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
TOSLINK
CobraNet
CPU Buffering
Footroom
29. 12.33 GB; DS/ML
Significand
Blu-Ray
Digital Signal Processing
DVD-14
30. The more bits allocated during quantization - the more accurate the measurement
Fourier Series
Spectrum Multiplication
Bit Depth Effect on Dynamic Range
Bit Rate
31. AES
SACD
Fourier Series
Nyquist Frequency
Audio Engineering Society
32. Accuracy with which an electronic system reproduces the sound or image of its input signal
Acoustics
Gain Staging
Physical Disc Format
Fidelity
33. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
CobraNet
TOSLINK
Harmonic Content
Pulse Width Modulation
34. Allowance of noise floor below that which is required for the final product
CPU Buffering
Footroom
dB/SPL
AoE Formats
35. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Redither
Non -Compressed Audio Data Rate Formula
Stapedes Reflex
Edit Decision List
36. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Lightpipe
Nanometer
Average Bit Rate
Aliasing
37. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Sampling (Samples)
Dithering
Multichannel Audio Digital Interface (MADI)
TOSLINK
38. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Bit Depth Effect on Dynamic Range
Stapedes Reflex
Impulse Response
AES3
39. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Quantization Intervals
Spectra
Non -Compressed Audio Data Rate Formula
Exponent
40. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Quantization
Tascam Digital Interface Format (TDIF)
Additive Synthesis...
RMS
41. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Subbands
Significand
Optical Cable
Inter-Channel Redundancy
42. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Oversampling
MONO
Adaptive Pulse Code Modulation
Anti-Imaging Filter
43. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Direct Monitoring
Variable Bit Rate
Micron
Interpolation Filter
44. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
TOSLINK
Sonogram
Spectrum Multiplication
Anti-Imaging Filter
45. Having a repeated succession of waves or curves as in a sound waveform
Sinusoidal
Direct Monitoring
Physical Disc Format
Digital Signal Processing
46. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Normalizing
Quantization Error
Signal- to- Noise Ratio
Pulse Density Modulation
47. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Buffering
Dolby 7.1
Floating Point
Bit Depth Effect on Dynamic Range
48. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Jitter
Digital
Motion Pictures Experts Group
Data Packing
49. Measure of the amplitude of a longitudinal wave
Psychoacoustics
Interpolation Filter
Latency
Intensity
50. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Harmonic Content
Noise Shaping
Class - D Amplifier
Sampling Theorem