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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Threshold of Pain
Bit Depth
Audio over Ethernet (AoE)
Peak Level
2. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
M-S Stereo
Direct Monitoring
Analog
Sine Wave
3. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Compression
Fidelity
Joint Stereo
Buffer Size
4. Accuracy with which an electronic system reproduces the sound or image of its input signal
Masking Analysis...
Constant Bit Rate
Convolution
Fidelity
5. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
AoE Formats
Signal- to- Noise Ratio
Perceptual Coding
Adaptive Pulse Code Modulation
6. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Decoder
Sampling Rule
Threshold of Pain
Gain Staging
7. A situation where a calculated value cannot fit into the number of digits reserved for it
Jitter
DVD-5
Quantization Intervals
Overflow
8. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Sample Rate Effect on Anti-Aliasing
Direct Stream Digital
Buffering Locations
Pulse Width Modulation
9. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Resolution
Sine Wave
Threshold of Hearing
Impulse Response
10. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Nyquist Frequency
Algorithm
Dolby 5.1
Edit Decision List
11. Decibels Full Scale
Intensity
Signal- to- Noise Ratio
Edit Decision List
dBFS
12. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Class - D Amplifier
Voltage
Conversion Buffering
A/D Conversion
13. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Lossless Formats
Storage Conversion Steps
Floating Point
14. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Oversampling
Decoder
Playback Buffering
Sine Wave
15. 16-Bit; 44.1 kHz; PCM; Stereo
Dithering
Frames
Motion Pictures Experts Group
Requirements for CD Audio
16. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
RMS
Peak Level
Lossy
Spectra
17. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Bit Depth
Voltage
DVD-Audio
Footroom
18. How Loud (Y-Axis) & How Fast (X-Axis)
Algorithm
2 Dimensions of Sound
Sample- and-Hold
Sinusoidal
19. Level above which audible sounds are painful (125 - 130 db)
Digital
Threshold of Pain
Perceptual Coding
European Broadcasting Union
20. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Delta-Sigma Modulation
Sampling (Samples)
Nyquist Frequency
Blu-Ray
21. Serial Copy Management System; main difference between AES3 & S/PIDF
Interpolation Filter
Sampling Theorem
SCMS
Foldover
22. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Motion Pictures Experts Group
Compression
Lossy
Footroom
23. Unit of measurement that is equal to one billionth of a meter
Nanometer
Requirements for A/D Conversion
Requirements for CD Audio
Compression
24. Measure of the amplitude of a longitudinal wave
Blu-Ray
I/O Connection Buffering
Additive Synthesis...
Intensity
25. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Direct Monitoring
Nyquist Frequency
Normalizing
Sampling (Samples)
26. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Rarefaction
Cutoff Frequency
Buffering
MONO
27. Have odd numbered harmonics
Square Wave
Buffering
Sony-Philips Digital Interface Format (S/PDIF)
Dolby 5.1
28. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Physical Disc Format
Lossy Formats
Attenuation
29. 12.33 GB; DS/ML
MONO
DVD-14
Audio over Ethernet (AoE)
Fidelity
30. Branch of psychology concerned with the subjective perception of sound
Aliasing
Claude Shannon
Psychoacoustics
I/O Connection Buffering
31. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Dolby 7.1
Morse Code
Inter-Channel Redundancy
Decoder
32. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Oversampling
D/A Conversion Signal Flow
Subbands
Direct Stream Digital
33. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Direct Monitoring
Lightpipe
SACD
Sawtooth Wave
34. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
0 dB FS
Headroom Bits
Blu-Ray
Sample- and-Hold
35. Mixing data and control characters in a single operation
Class - D Amplifier
Sampling Theorem
Interleaved
RMS
36. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Decimation Filter
Micron
European Broadcasting Union
D/A Conversion Signal Flow
37. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
AES3
Oversampling
Oversampling
Signal- to- Noise Ratio
38. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Spectra
Fourier Series
Intensity
RMS
39. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Stapedes Reflex
Sony-Philips Digital Interface Format (S/PDIF)
Normalizing
Optical Cable
40. Subtract place values from the decimal number and place ones or zeros in the correct places
Adaptive Pulse Code Modulation
Dolby 5.1
Decimal- to-Binary Conversion
Buffering Locations
41. Low Pressure; Part in a longitudinal wave where the particles are spread apart
X-Axis Terminology
Resolution
Bit Depth Effect on Dynamic Range
Rarefaction
42. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
6 dB
Threshold of Pain
Harmonic Content
Additive Synthesis...
43. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
Decimation Filter
Stapedes Reflex
Word Clock
44. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Delta-Sigma Modulation
Sampling (Samples)
Sampling Theorem
Codec
45. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Index of Reflectivity
Blu-Ray
Base 2 System
Requirements for CD Audio
46. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Digital Signal Processing
Anti-Imaging Filter
AES3
Sampling Theorem
47. Sample Rate x Bit Depth x # of Channels
Frequency
Pulse Density Modulation
Non -Compressed Audio Data Rate Formula
Fourier Series
48. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Sample- and-Hold
Decimal- to-Binary Conversion
Dithering
Nyquist Frequency
49. MPEG; Standardizing body of audio coding
Requirements for CD Audio
Buffering Locations
Motion Pictures Experts Group
Pulse Density Modulation
50. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Harry Nyquist
Y-Axis Terminology
Sinusoidal
Aliasing