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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. MPEG; Standardizing body of audio coding
Motion Pictures Experts Group
Direct Monitoring
Pass Band
Blu-Ray
2. A situation where a calculated value cannot fit into the number of digits reserved for it
Sample Rate Effect on Anti-Aliasing
0 dB FS
Overflow
Anti-Imaging Filter
3. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Aliasing
Lightpipe
Decimation Filter
Glass Master
4. 'Reconstructing' part of digital audio
D/A Conversion
Quantization
Requirements for A/D Conversion
Fourier Series
5. A method of representing real numbers using a mantissa and an exponent
Quantizer
Floating Point
Frames
Amplitude Accuracy
6. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
RMS
Psychoacoustics
Sine Wave
Dynamic Range
7. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Class - D Amplifier
Harmonic Content
Compression
Threshold of Hearing
8. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
DVD-18
Frequency
Anti-Imaging Filter
Sawtooth Wave
9. Eight channel digital surround sound system by Dolby
2 Dimensions of Sound
DVD-10
Dolby 7.1
Lossy
10. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Decimal- to-Binary Conversion
Logical Format
Red Book
Pulse Density Modulation
11. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Sample Rate
Sample- and-Hold
Quantization
Coaxial
12. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Spectrum Multiplication
Sampling (Samples)
Psychoacoustics
Pulse Code Modulation
13. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Joint Stereo
Direct Stream Digital
Nyquist Frequency
Nanometer
14. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
Index of Reflectivity
Subbands
A/D Conversion Signal Flow
Square Wave
15. Visual graph that shows how loud a sound is at different frequencies
6 dB
Tascam Digital Interface Format (TDIF)
Footroom
Sonogram
16. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Non -Compressed Audio Data Rate Formula
Compression
Y-Axis Terminology
Gain Staging
17. 8.75 GB; DS/SL
DVD-10
Y-Axis Terminology
Sample- and-Hold
Sampling Theorem
18. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Headroom Bits
Buffering
2 Dimensions of Sound
DVD-9
19. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Micron
Data Packing
Digital
PCM
20. Industry Standards: -6 dB Peak = -20 RMS Meter
Audio over Ethernet (AoE)
Amplitude Accuracy
Recording Levels
Sine Wave
21. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Sampling Rule
Inter-Channel Redundancy
Stapedes Reflex
Blu-Ray
22. 15.9 GB; DS/DL
Sony-Philips Digital Interface Format (S/PDIF)
Effective Bit Depth
Square Wave
DVD-18
23. Softest sound that can be heard by the average human ear (0 dB)
CobraNet
Threshold of Hearing
Sampling Theorem
Y-Axis Terminology
24. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Playback Buffering
Threshold of Pain
Physical Disc Format
Requirements for CD Audio
25. Unit of measurement that is equal to one millionth of a meter
6 dB
Micron
Oversampling
RMS Meter
26. The amount of energy at each wavelength
Gain Staging
Square Wave
Sample- and-Hold
Spectra
27. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Bit Depth
dB/FS
CPU Buffering
Dolby 5.1
28. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Compression
Delta-Sigma Modulation
Dithering
Frames
29. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Noise Shaping
Storage Conversion Steps
X-Axis Terminology
Index of Reflectivity
30. Allowance of noise floor below that which is required for the final product
D/A Conversion
Footroom
Sampling (Samples)
Audio over Ethernet (AoE)
31. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Peak Level
Speed of Sound
Decimation Filter
Word Clock
32. Decibels Full Scale
dBFS
Compression
Claude Shannon
RMS Meter
33. A digital filter's time domain output sequence when the input is a single sample is input
Impulse Response
Sony-Philips Digital Interface Format (S/PDIF)
European Broadcasting Union
Intensity
34. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Perceptual Coding
Red Book
Latency
Multichannel Audio Digital Interface (MADI)
35. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sony-Philips Digital Interface Format (S/PDIF)
Low-Latency Monitoring
Inter-Channel Redundancy
Bit Depth
36. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Decoder
Spectrum Multiplication
Significand
Harry Nyquist
37. The frequency range that is allowed through a filter
Dolby 7.1
Headroom Bits
RMS Meter
Pass Band
38. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
M-S Stereo
Attenuation
Fourier Series
Quantization Error
39. The continuous loss of signal strengths as a signal travels through a medium
DVD-14
Gain Staging
Attenuation
Non -Compressed Audio Data Rate Formula
40. Snippets of time in which frequency analysis takes place in a perceptual codec
Perceptual Coding
Ethernet
Frames
Jitter
41. Signal conversions are mixed with playback tracks resulting in near-zero latency
Spectra
Morse Code
Nyquist Frequency
Direct Monitoring
42. Roughly around 1 -130 ft/s
Index of Reflectivity
Blu-Ray
D/A Conversion Signal Flow
Speed of Sound
43. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Perceptual Coding
Lossless
Overflow
dBFS
44. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Multichannel Audio Digital Interface (MADI)
Lossy Formats
Sample Rate Effect on Anti-Aliasing
Dynamic Range
45. Each bit in the bit depth is equal to a _____ increase in dynamic range
Red Book
Compression
6 dB
Compression
46. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Decimal- to-Binary Conversion
DVD-5
Frames
Algorithm
47. How Loud (Y-Axis) & How Fast (X-Axis)
Headroom Bits
2 Dimensions of Sound
Interpolation Filter
Sampling Theorem
48. Circuit that seizes voltage values with each tick of an A/D device's internal clock
DVD-14
Pulse Code Modulation
Rarefaction
Sample- and-Hold
49. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
A/D Conversion Signal Flow
Oscillation
Cutoff Frequency
Anti-Aliasing Filter
50. 16-Bit; 44.1 kHz; PCM; Stereo
Interpolation Filter
Requirements for CD Audio
Morse Code
Compression