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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Unit of measurement that is equal to one billionth of a meter
Nanometer
Nyquist Frequency
A/D Conversion Signal Flow
Cutoff Frequency
2. The difference in volume between the loudest and quietest sounds of a source
Pulse Code Modulation
Dynamic Range
SCMS
EtherSound
3. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Claude Shannon
Cutoff Frequency
Recording Levels
Additive Synthesis...
4. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Frequency
Buffering
DVD-Audio
Conversion Buffering
5. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Square Wave
Motion Pictures Experts Group
D/A Conversion Signal Flow
Dolby 5.1
6. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Buffering
Anti-Aliasing Filter
Noise Shaping
Quantization
7. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
SACD
Intensity Stereo
Sampling Rule
Oversampling
8. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Inter-Channel Redundancy
Significand
Decoder
Tascam Digital Interface Format (TDIF)
9. AES
Ethernet
Low-Latency Monitoring
Signal- to- Noise Ratio
Audio Engineering Society
10. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
Entropy Coding
Sine Wave
Variable Bit Rate
11. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Coaxial
Headroom Bits
DVD-18
Dolby 5.1
12. EBU
European Broadcasting Union
6 dB
Bit Depth
Sampling Theorem
13. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Decimal- to-Binary Conversion
Oscillation
Requirements for A/D Conversion
A/D Conversion Signal Flow
14. Splits the input signal and mixes it with an analog copy so that no latency is present
Sampling (Samples)
Algorithm
Zero-Latency Monitoring
Pass Band
15. Signal conversions are mixed with playback tracks resulting in near-zero latency
Interpolation Filter
Direct Monitoring
Claude Shannon
Edit Decision List
16. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
DVD-10
Buffering Locations
Direct Stream Digital
Sampling Theorem
17. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Joseph Fourier
Aliasing
Sonogram
D/A Conversion
18. The set of rules that computers use to move files from one computer to another on an internet
Logical Format
Transfer Protocol
Base 2 System
Entropy Coding
19. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Average Bit Rate
Transfer Protocol
Optical Cable
Fourier Series
20. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Additive Synthesis...
Sony-Philips Digital Interface Format (S/PDIF)
Effective Bit Depth
Bit Rate
21. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
Perceptual Coding
Compression
CPU Buffering
Interleaved
22. Unit of measurement that is equal to one millionth of a meter
A/D Conversion
Micron
Frames
Square Wave
23. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
D/A Conversion
Requirements for CD Audio
Dynamic Range
Fletcher- Munson Curve
24. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Glass Master
Normalizing
Intensity
Buffering
25. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Buffering Locations
Dolby 7.1
Rarefaction
Normalizing
26. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Optical Cable
Blu-Ray
Amplitude Accuracy
MONO
27. Level above which audible sounds are painful (125 - 130 db)
Threshold of Pain
AES3
Bit Depth
Fidelity
28. Difference in brightness between land and pit on a CD Physical Format
Inter-Channel Redundancy
Psychoacoustics
Buffering
Index of Reflectivity
29. Subtract place values from the decimal number and place ones or zeros in the correct places
Decimal- to-Binary Conversion
Stapedes Reflex
Direct Monitoring
Subbands
30. The more bits allocated during quantization - the more accurate the measurement
AoE Formats
Quantization
Storage Conversion Steps
Bit Depth Effect on Dynamic Range
31. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Inter-Channel Redundancy
Foldover
Intensity
Amplitude Accuracy
32. Eight channel digital surround sound system by Dolby
Coaxial
Nyquist Frequency
dB/SPL
Dolby 7.1
33. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Significand
M-S Stereo
Pulse Code Modulation
DVD-Audio
34. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Speed of Sound
Anti-Imaging Filter
Stapedes Reflex
Quantization Intervals
35. Very selective method of lowering buffer levels by halting different levels of audio processing
Dolby 5.1
Low-Latency Monitoring
Compression
Entropy Coding
36. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
A/D Conversion Signal Flow
Constant Bit Rate
DVD-18
Decimation Filter
37. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Decoder
Delta-Sigma Modulation
dB/FS
Sony-Philips Digital Interface Format (S/PDIF)
38. Roughly around 1 -130 ft/s
Speed of Sound
Fidelity
DVD-10
DVD-9
39. The amount of energy at each wavelength
Spectra
X-Axis Terminology
Coaxial
Pulse Density Modulation
40. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Non -Compressed Audio Data Rate Formula
Digital
D/A Conversion Signal Flow
Variable Bit Rate
41. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Claude Shannon
Lightpipe
Pass Band
Class - D Amplifier
42. A method of representing real numbers using a mantissa and an exponent
Inter-Channel Redundancy
Quantization
DVD-9
Floating Point
43. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Quantization Intervals
AES3
Cutoff Frequency
PCM
44. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Bit Depth
Lossy
Threshold of Hearing
Y-Axis Terminology
45. A situation where a calculated value cannot fit into the number of digits reserved for it
Logical Format
Overflow
Fletcher- Munson Curve
Fourier Series
46. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Additive Synthesis...
Jitter
Anti-Imaging Filter
Sampling Theorem
47. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Oscillation
Decimation Filter
2 Dimensions of Sound
Audio over Ethernet (AoE)
48. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Anti-Aliasing Filter
Delta-Sigma Modulation
Dynamic Range
Pulse Density Modulation
49. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Cutoff Frequency
Morse Code
Entropy Coding
Adaptive Pulse Code Modulation
50. A digital filter's time domain output sequence when the input is a single sample is input
dB/FS
Index of Reflectivity
Tascam Digital Interface Format (TDIF)
Impulse Response