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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 8- in/8- out on one cable; 25- pin D- sub connector
Tascam Digital Interface Format (TDIF)
Quantization Error
Logical Format
Inter-Channel Redundancy
2. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Headroom Bits
DVD-14
Zero-Latency Monitoring
Voltage
3. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Glass Master
Amplitude Accuracy
D/A Conversion Signal Flow
X-Axis Terminology
4. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Playback Buffering
Internal Resolution
Sony-Philips Digital Interface Format (S/PDIF)
Sampling Theorem
5. How Loud (Y-Axis) & How Fast (X-Axis)
Inter-Channel Redundancy
Additive Synthesis...
M-S Stereo
2 Dimensions of Sound
6. Level above which audible sounds are painful (125 - 130 db)
Threshold of Pain
Sonogram
RMS Meter
Buffering Locations
7. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Decimation Filter
MONO
Conversion Buffering
D/A Conversion Signal Flow
8. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Base 2 System
Successive Approximation
Headroom Bits
Buffering Locations
9. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
AES3
Frequency
Average Bit Rate
Joseph Fourier
10. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
AES3
CobraNet
Convolution
Anti-Imaging Filter
11. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Buffer Size
Significand
Successive Approximation
Data Packing
12. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Peak Level
Edit Decision List
DVD-10
Entropy Coding
13. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
D/A Conversion
Tascam Digital Interface Format (TDIF)
Algorithm
Dithering
14. Softest sound that can be heard by the average human ear (0 dB)
Spectra
Y-Axis Terminology
Attenuation
Threshold of Hearing
15. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Red Book
DVD-Audio
Stapedes Reflex
Joseph Fourier
16. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Normalizing
Oversampling
Pass Band
AES3
17. 4.38 GB; SS/SL
PCM
Sinusoidal
Psychoacoustics
DVD-5
18. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Pass Band
Decimal- to-Binary Conversion
Inter-Channel Redundancy
Dolby 5.1
19. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Noise Shaping
Algorithm
Average Bit Rate
Sample Rate Effect on Anti-Aliasing
20. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
A/D Conversion Signal Flow
M-S Stereo
Equal Loudness Contour
Sample Rate Effect on Anti-Aliasing
21. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Voltage
Tascam Digital Interface Format (TDIF)
Quantization Error
Morse Code
22. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
RMS
Significand
Internal Resolution
Decimation Filter
23. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Acoustics
Oversampling
Floating Point
dBFS
24. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Joseph Fourier
Word Clock
Pulse Code Modulation
Oversampling
25. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Lossless Formats
Adaptive Pulse Code Modulation
Bit Depth Effect on Dynamic Range
Sampling Theorem
26. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Headroom Bits
Lossless Formats
Playback Buffering
Digital
27. Roughly around 1 -130 ft/s
Masking Analysis...
dB/FS
Quantization
Speed of Sound
28. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Y-Axis Terminology
Digital Signal Processing
Jitter
Amplitude Accuracy
29. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
I/O Connection Buffering
Transfer Protocol
RMS
Subbands
30. Splits the input signal and mixes it with an analog copy so that no latency is present
Joint Stereo
Redither
I/O Connection Buffering
Zero-Latency Monitoring
31. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Intensity
Decimation Filter
DVD-9
Interleaved
32. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Perceptual Coding
Adaptive Pulse Code Modulation
Pulse Code Modulation
Joseph Fourier
33. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
M-S Stereo
Oscillation
Pad Head & Tail
Foldover
34. Have odd numbered harmonics
Requirements for A/D Conversion
Resolution
Square Wave
Dynamic Range
35. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
DVD-18
Equal Loudness Contour
Buffering Locations
Adaptive Pulse Code Modulation
36. MPEG; Standardizing body of audio coding
Adaptive Pulse Code Modulation
Motion Pictures Experts Group
Variable Bit Rate
Impulse Response
37. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Word Clock
Analog
Sample- and-Hold
Bit Rate
38. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Physical Disc Format
Fidelity
Threshold of Pain
Pulse Density Modulation
39. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Decimal- to-Binary Conversion
Additive Synthesis...
Dynamic Range
Codec
40. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Successive Approximation
Pulse Code Modulation
SACD
Index of Reflectivity
41. Serial Copy Management System; main difference between AES3 & S/PIDF
Frames
D/A Conversion
SCMS
CobraNet
42. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Resolution
Quantization
Amplitude Accuracy
Constant Bit Rate
43. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Fourier Series
SCMS
Pulse Code Modulation
Optical Cable
44. 15.9 GB; DS/DL
Pass Band
DVD-18
dBFS
Gain Staging
45. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Threshold of Pain
Signal- to- Noise Ratio
Dynamic Range
SCMS
46. Very selective method of lowering buffer levels by halting different levels of audio processing
Oversampling
MONO
Entropy Coding
Low-Latency Monitoring
47. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Blu-Ray
Floating Point
RMS Meter
Headroom Bits
48. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Audio over Ethernet (AoE)
Codec
Square Wave
Equal Loudness Contour
49. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Sample Rate
Intensity
Headroom Bits
50. Unit of measurement that is equal to one billionth of a meter
Intensity
Requirements for CD Audio
Nanometer
Decimation Filter