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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Subbands
Floating Point
Multichannel Audio Digital Interface (MADI)
2. The frequency above or below which attenuation begins in a filter circuit
Nanometer
Aliasing
Pulse Width Modulation
Cutoff Frequency
3. How Loud (Y-Axis) & How Fast (X-Axis)
Latency
Sony-Philips Digital Interface Format (S/PDIF)
Normalizing
2 Dimensions of Sound
4. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Delta-Sigma Modulation
Joseph Fourier
DVD-9
Noise Shaping
5. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
PCM
Sampling Rule
Oscillation
Lossless
6. The process of reducing the space required to store data by efficiently encoding the content.
Digital Signal Processing
Playback Buffering
Quantization
Compression
7. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Variable Bit Rate
Sample- and-Hold
RMS
Lossless Formats
8. Have odd numbered harmonics
Resolution
Analog
Square Wave
Dynamic Range
9. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
SCMS
Fidelity
Spectrum Multiplication
Requirements for A/D Conversion
10. Same as 'aliasing'
Sony-Philips Digital Interface Format (S/PDIF)
Foldover
Sampling Theorem
X-Axis Terminology
11. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Masking Analysis...
Intensity
Average Bit Rate
Fourier Series
12. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Masking Analysis...
Equal Loudness Contour
Zero-Latency Monitoring
Morse Code
13. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Oversampling
Bit Depth Effect on Dynamic Range
Requirements for A/D Conversion
SACD
14. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
M-S Stereo
Tascam Digital Interface Format (TDIF)
Frames
Blu-Ray
15. The amount of energy at each wavelength
Conversion Buffering
Spectra
Quantizer
Internal Resolution
16. Mixing data and control characters in a single operation
Interleaved
D/A Conversion
Micron
Zero-Latency Monitoring
17. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Storage Conversion Steps
Edit Decision List
Normalizing
Data Packing
18. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
M-S Stereo
European Broadcasting Union
TOSLINK
Peak Level
19. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Bit Rate
Requirements for CD Audio
Joint Stereo
0 dB FS
20. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Buffering Locations
D/A Conversion
RMS Meter
Oscillation
21. Accuracy with which an electronic system reproduces the sound or image of its input signal
Multichannel Audio Digital Interface (MADI)
Fidelity
Rarefaction
DVD-18
22. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Sine Wave
Digital
Constant Bit Rate
Lossy Formats
23. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Morse Code
Quantizer
Lightpipe
Pad Head & Tail
24. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
dB/SPL
Exponent
Joint Stereo
Aliasing
25. 12.33 GB; DS/ML
DVD-14
Sample Rate
Spectrum Multiplication
Lossless Formats
26. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Dithering
Physical Disc Format
Dolby 7.1
MONO
27. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Low-Latency Monitoring
Cutoff Frequency
Sampling Theorem
DVD-5
28. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Quantization Intervals
Inter-Channel Redundancy
Blu-Ray
Foldover
29. Measure of the amplitude of a longitudinal wave
Y-Axis Terminology
Effective Bit Depth
Intensity
0 dB FS
30. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Bit Rate
Sampling (Samples)
Cutoff Frequency
Joint Stereo
31. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Decimation Filter
Pad Head & Tail
Bit Rate
EtherSound
32. Subtract place values from the decimal number and place ones or zeros in the correct places
European Broadcasting Union
Word Clock
Decimal- to-Binary Conversion
Low-Latency Monitoring
33. 8- in/8- out on one cable; 25- pin D- sub connector
Tascam Digital Interface Format (TDIF)
RMS
Decimal- to-Binary Conversion
Bit Depth
34. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Audio over Ethernet (AoE)
Overflow
Compression
Class - D Amplifier
35. 15.9 GB; DS/DL
Square Wave
DVD-18
Sony-Philips Digital Interface Format (S/PDIF)
Floating Point
36. The frequency range that is allowed through a filter
Pass Band
DVD-18
Equal Loudness Contour
Square Wave
37. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Pulse Code Modulation
Physical Disc Format
Y-Axis Terminology
Blu-Ray
38. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
2 Dimensions of Sound
Dolby 7.1
Perceptual Coding
Conversion Buffering
39. The more bits allocated during quantization - the more accurate the measurement
Rarefaction
Sampling (Samples)
Bit Depth Effect on Dynamic Range
EtherSound
40. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Multichannel Audio Digital Interface (MADI)
dBFS
EtherSound
AES3
41. 16-Bit; 44.1 kHz; PCM; Stereo
Requirements for CD Audio
D/A Conversion
Average Bit Rate
Dolby 7.1
42. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Additive Synthesis...
Requirements for A/D Conversion
Conversion Buffering
Resolution
43. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Variable Bit Rate
Dynamic Range
Speed of Sound
Peak Level
44. A digital filter's time domain output sequence when the input is a single sample is input
Exponent
Impulse Response
X-Axis Terminology
Decimal- to-Binary Conversion
45. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Sinusoidal
Fidelity
Lightpipe
Optical Cable
46. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Sample Rate
Interleaved
Quantization Error
Physical Disc Format
47. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Oversampling
Tascam Digital Interface Format (TDIF)
Claude Shannon
Acoustics
48. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Motion Pictures Experts Group
M-S Stereo
Interpolation Filter
Frames
49. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Pulse Width Modulation
Effective Bit Depth
Bit Rate
Significand
50. 'Capturing' part of digital audio; Never captures a signal perfectly
Spectrum Multiplication
Pulse Width Modulation
Fourier Series
A/D Conversion