SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Digital
Footroom
Adaptive Pulse Code Modulation
Redither
2. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
EtherSound
Red Book
Jitter
CobraNet
3. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Floating Point
Bit Depth
Cutoff Frequency
Effective Bit Depth
4. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Voltage
M-S Stereo
RMS Meter
Sampling Theorem
5. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Nyquist Frequency
Rarefaction
Aliasing
Claude Shannon
6. A sample- by- sample operation on two signals
Dithering
Convolution
TOSLINK
Foldover
7. Snippets of time in which frequency analysis takes place in a perceptual codec
Sampling (Samples)
Coaxial
Frames
Physical Disc Format
8. The more bits allocated during quantization - the more accurate the measurement
Bit Rate
Bit Depth Effect on Dynamic Range
Quantization Error
Logical Format
9. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Foldover
AES3
Pad Head & Tail
Audio over Ethernet (AoE)
10. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Perceptual Coding
Nyquist Frequency
Fidelity
Lossy Formats
11. Roughly around 1 -130 ft/s
Pulse Width Modulation
Word Clock
Speed of Sound
Audio over Ethernet (AoE)
12. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Pulse Width Modulation
Decimation Filter
Quantizer
Jitter
13. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Normalizing
Blu-Ray
Anti-Imaging Filter
Intensity
14. Allowance of noise floor below that which is required for the final product
Footroom
D/A Conversion Signal Flow
Lossless
Lightpipe
15. EDL; Final list of samples used in the audio editing process; Identified by time code
Edit Decision List
Claude Shannon
Sony-Philips Digital Interface Format (S/PDIF)
Digital
16. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
RMS
Sampling Theorem
X-Axis Terminology
Oversampling
17. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
CPU Buffering
Codec
Conversion Buffering
Base 2 System
18. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Latency
Sony-Philips Digital Interface Format (S/PDIF)
MONO
Photoreceptor
19. Multi-Bit Words; (Pulse Code Modulation)
Quantization Error
Compression
PCM
Conversion Buffering
20. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
A/D Conversion Signal Flow
Pulse Density Modulation
Logical Format
21. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
DVD-Audio
SACD
Impulse Response
Quantization Intervals
22. 8- in/8- out on one cable; 25- pin D- sub connector
DVD-10
D/A Conversion
Foldover
Tascam Digital Interface Format (TDIF)
23. Industry Standards: -6 dB Peak = -20 RMS Meter
Requirements for CD Audio
Lossy
Internal Resolution
Recording Levels
24. MPEG; Standardizing body of audio coding
Quantization Error
Spectrum Multiplication
Motion Pictures Experts Group
Dolby 5.1
25. The process of reducing the space required to store data by efficiently encoding the content.
Constant Bit Rate
Compression
Sampling Theorem
Oversampling
26. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Frames
Lightpipe
Quantization Error
Delta-Sigma Modulation
27. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Pad Head & Tail
Latency
Sonogram
Ethernet
28. CobraNet; EtherSound; Dante; AVB (currently under development)
Oversampling
AoE Formats
Normalizing
Joint Stereo
29. Unit of measurement that is equal to one billionth of a meter
Transfer Protocol
Requirements for CD Audio
Nanometer
Masking Analysis...
30. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Frequency
Micron
Lightpipe
Lossy
31. How Loud (Y-Axis) & How Fast (X-Axis)
Ethernet
2 Dimensions of Sound
Red Book
Transfer Protocol
32. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Successive Approximation
Harmonic Content
Delta-Sigma Modulation
PCM
33. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Gain Staging
Optical Cable
AoE Formats
Spectrum Multiplication
34. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Transfer Protocol
Frequency
Bit Rate
Red Book
35. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Class - D Amplifier
Frames
Blu-Ray
DVD-Audio
36. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
A/D Conversion
Quantization
Fletcher- Munson Curve
Buffer Size
37. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
MONO
DVD-10
Lossless Formats
Tascam Digital Interface Format (TDIF)
38. The amount of energy at each wavelength
Low-Latency Monitoring
Anti-Aliasing Filter
Blu-Ray
Spectra
39. Difference in brightness between land and pit on a CD Physical Format
Pulse Density Modulation
Index of Reflectivity
Edit Decision List
CobraNet
40. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
RMS Meter
Threshold of Pain
Psychoacoustics
I/O Connection Buffering
41. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
RMS Meter
Decoder
Decimal- to-Binary Conversion
Conversion Buffering
42. Each bit in the bit depth is equal to a _____ increase in dynamic range
Buffering Locations
Harry Nyquist
Acoustics
6 dB
43. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Latency
dBFS
MONO
D/A Conversion Signal Flow
44. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Speed of Sound
DVD-9
Sample Rate Effect on Anti-Aliasing
Decoder
45. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Amplitude Accuracy
dB/FS
Buffering Locations
MONO
46. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Joseph Fourier
0 dB FS
Overflow
I/O Connection Buffering
47. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Quantization
Overflow
Buffering
Resolution
48. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Inter-Channel Redundancy
Coaxial
Pulse Density Modulation
Index of Reflectivity
49. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Sonogram
Buffering
Decimation Filter
Cutoff Frequency
50. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Requirements for A/D Conversion
DVD-5
Inter-Channel Redundancy
Codec