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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Bit Depth Effect on Dynamic Range
Direct Stream Digital
Morse Code
Tascam Digital Interface Format (TDIF)
2. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Bit Depth Effect on Dynamic Range
Acoustics
Data Packing
Internal Resolution
3. Anytime bit depth is reduced the gap gets bigger so more dithering is required
M-S Stereo
Redither
TOSLINK
Exponent
4. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Lossless Formats
Pulse Code Modulation
SACD
CPU Buffering
5. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Dynamic Range
Audio over Ethernet (AoE)
Inter-Channel Redundancy
Joint Stereo
6. Unit of measurement that is equal to one billionth of a meter
Effective Bit Depth
Nanometer
Pulse Density Modulation
Anti-Imaging Filter
7. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Noise Shaping
PCM
Non -Compressed Audio Data Rate Formula
Jitter
8. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Red Book
Floating Point
Sample Rate
DVD-Audio
9. 4.38 GB; SS/SL
Significand
Motion Pictures Experts Group
Oscillation
DVD-5
10. 'Reconstructing' part of digital audio
Noise Shaping
Footroom
Voltage
D/A Conversion
11. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Floating Point
Threshold of Pain
Additive Synthesis...
Decoder
12. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Data Packing
MONO
Resolution
Sampling Rule
13. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Bit Depth
Fidelity
6 dB
Y-Axis Terminology
14. 8.75 GB; DS/SL
DVD-10
AES3
Bit Depth Effect on Dynamic Range
Variable Bit Rate
15. Multi-Bit Words; (Pulse Code Modulation)
TOSLINK
Storage Conversion Steps
PCM
Nanometer
16. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Variable Bit Rate
RMS
Normalizing
Word Clock
17. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Algorithm
Decimation Filter
Morse Code
D/A Conversion
18. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Quantization Intervals
Successive Approximation
MONO
Analog
19. Serial Copy Management System; main difference between AES3 & S/PIDF
Pass Band
SCMS
Impulse Response
Buffer Size
20. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Dynamic Range
Impulse Response
Intensity Stereo
A/D Conversion Signal Flow
21. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Entropy Coding
Oversampling
dBFS
Resolution
22. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Successive Approximation
Foldover
Frequency
Edit Decision List
23. The loudest point of a Full Scale system
Successive Approximation
Index of Reflectivity
Requirements for A/D Conversion
0 dB FS
24. Difference in brightness between land and pit on a CD Physical Format
Lossy
Index of Reflectivity
A/D Conversion Signal Flow
Oscillation
25. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
0 dB FS
Delta-Sigma Modulation
Fourier Series
Significand
26. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Dolby 5.1
Tascam Digital Interface Format (TDIF)
Multichannel Audio Digital Interface (MADI)
DVD-Audio
27. Sample Rate x Bit Depth x # of Channels
Harmonic Content
Non -Compressed Audio Data Rate Formula
Quantizer
Digital Signal Processing
28. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Successive Approximation
I/O Connection Buffering
Data Packing
DVD-18
29. Visual graph that shows how loud a sound is at different frequencies
Sony-Philips Digital Interface Format (S/PDIF)
Frequency
Sonogram
Signal- to- Noise Ratio
30. 'Capturing' part of digital audio; Never captures a signal perfectly
Spectra
Codec
Internal Resolution
A/D Conversion
31. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
RMS Meter
Class - D Amplifier
Additive Synthesis...
AES3
32. Splits the input signal and mixes it with an analog copy so that no latency is present
Speed of Sound
Zero-Latency Monitoring
Multichannel Audio Digital Interface (MADI)
6 dB
33. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Cutoff Frequency
Square Wave
PCM
Low-Latency Monitoring
34. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Sampling (Samples)
Multichannel Audio Digital Interface (MADI)
Additive Synthesis...
Dolby 7.1
35. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
D/A Conversion
Direct Stream Digital
Non -Compressed Audio Data Rate Formula
Acoustics
36. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Bit Rate
Buffer Size
Word Clock
D/A Conversion
37. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Blu-Ray
Morse Code
Bit Depth Effect on Dynamic Range
Base 2 System
38. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
DVD-9
Red Book
Anti-Imaging Filter
Intensity
39. Having a repeated succession of waves or curves as in a sound waveform
Oversampling
Dynamic Range
Sinusoidal
Lossy Formats
40. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Requirements for CD Audio
Bit Depth
Sony-Philips Digital Interface Format (S/PDIF)
Lossy
41. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Sawtooth Wave
Square Wave
I/O Connection Buffering
Dolby 5.1
42. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Spectrum Multiplication
Ethernet
Threshold of Pain
Acoustics
43. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Foldover
Storage Conversion Steps
Low-Latency Monitoring
Conversion Buffering
44. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Transfer Protocol
MONO
A/D Conversion Signal Flow
45. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Anti-Aliasing Filter
Lossless Formats
Edit Decision List
Delta-Sigma Modulation
46. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Oscillation
Analog
RMS
European Broadcasting Union
47. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Adaptive Pulse Code Modulation
Nyquist Frequency
Average Bit Rate
Class - D Amplifier
48. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Audio over Ethernet (AoE)
Sony-Philips Digital Interface Format (S/PDIF)
Dithering
Convolution
49. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Cutoff Frequency
Requirements for A/D Conversion
A/D Conversion
Algorithm
50. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Psychoacoustics
Perceptual Coding
Fidelity
M-S Stereo