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Test your basic knowledge |
Digital Audio
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Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Oscillation
Buffering
Glass Master
Direct Stream Digital
2. Having a repeated succession of waves or curves as in a sound waveform
Optical Cable
dB/SPL
Sinusoidal
PCM
3. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Sample Rate Effect on Anti-Aliasing
Latency
Recording Levels
Digital Signal Processing
4. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Sample Rate
Additive Synthesis...
Stapedes Reflex
Lossy
5. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Internal Resolution
Quantization Intervals
Sampling (Samples)
Non -Compressed Audio Data Rate Formula
6. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Lossless
Fletcher- Munson Curve
Lossy Formats
Joint Stereo
7. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Motion Pictures Experts Group
RMS
SCMS
D/A Conversion Signal Flow
8. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
DVD-14
Entropy Coding
Square Wave
Sampling Rule
9. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Class - D Amplifier
Footroom
Voltage
Decimation Filter
10. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Spectra
Dolby 5.1
Adaptive Pulse Code Modulation
Internal Resolution
11. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Fidelity
Equal Loudness Contour
Multichannel Audio Digital Interface (MADI)
Constant Bit Rate
12. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Edit Decision List
Joint Stereo
Stapedes Reflex
TOSLINK
13. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Dolby 5.1
Quantization Error
CobraNet
D/A Conversion Signal Flow
14. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
DVD-5
Word Clock
Glass Master
Non -Compressed Audio Data Rate Formula
15. 8.75 GB; DS/SL
Rarefaction
Significand
DVD-10
MONO
16. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Glass Master
Rarefaction
Lossy Formats
Successive Approximation
17. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Amplitude Accuracy
Delta-Sigma Modulation
Rarefaction
Pulse Code Modulation
18. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Playback Buffering
Successive Approximation
Latency
dB/SPL
19. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Interpolation Filter
Sampling Theorem
Adaptive Pulse Code Modulation
Frequency
20. A digital filter's time domain output sequence when the input is a single sample is input
Intensity Stereo
Impulse Response
Fletcher- Munson Curve
I/O Connection Buffering
21. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Audio Engineering Society
AES3
DVD-Audio
Sample- and-Hold
22. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Algorithm
Claude Shannon
DVD-5
Digital Signal Processing
23. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
Entropy Coding
Constant Bit Rate
Quantization
24. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Motion Pictures Experts Group
Oscillation
A/D Conversion Signal Flow
Impulse Response
25. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
DVD-Audio
Dolby 7.1
Interleaved
Compression
26. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Multichannel Audio Digital Interface (MADI)
Dynamic Range
Coaxial
27. Subtract place values from the decimal number and place ones or zeros in the correct places
Oversampling
Quantizer
Decimal- to-Binary Conversion
Interpolation Filter
28. Snippets of time in which frequency analysis takes place in a perceptual codec
Frames
Sample- and-Hold
Sonogram
Interpolation Filter
29. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Fletcher- Munson Curve
Threshold of Hearing
Codec
Footroom
30. A situation where a calculated value cannot fit into the number of digits reserved for it
Quantization Error
Sample- and-Hold
Base 2 System
Overflow
31. Industry Standards: -6 dB Peak = -20 RMS Meter
Sample- and-Hold
Recording Levels
Buffering Locations
Quantization
32. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
A/D Conversion Signal Flow
Sample- and-Hold
Multichannel Audio Digital Interface (MADI)
Compression
33. Same as 'aliasing'
Decimation Filter
Joseph Fourier
AoE Formats
Foldover
34. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Pad Head & Tail
Storage Conversion Steps
Noise Shaping
Nyquist Frequency
35. Electromagnetic receptor that detects the radiation known as visible light
Decimal- to-Binary Conversion
Attenuation
Photoreceptor
6 dB
36. Very selective method of lowering buffer levels by halting different levels of audio processing
Low-Latency Monitoring
Quantizer
X-Axis Terminology
Harry Nyquist
37. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Zero-Latency Monitoring
Pulse Density Modulation
Digital
Entropy Coding
38. Signal conversions are mixed with playback tracks resulting in near-zero latency
Base 2 System
Direct Monitoring
Jitter
Zero-Latency Monitoring
39. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Perceptual Coding
Sine Wave
D/A Conversion Signal Flow
Blu-Ray
40. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Blu-Ray
Speed of Sound
Quantization
Significand
41. Decibels Full Scale
Requirements for CD Audio
dBFS
Decimation Filter
Blu-Ray
42. AES
Codec
European Broadcasting Union
Audio Engineering Society
CobraNet
43. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Bit Depth
Decimation Filter
Lossless Formats
DVD-Audio
44. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Anti-Aliasing Filter
Pulse Width Modulation
Constant Bit Rate
A/D Conversion Signal Flow
45. Anytime bit depth is reduced the gap gets bigger so more dithering is required
MONO
Class - D Amplifier
Nanometer
Redither
46. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Compression
Nyquist Frequency
Sampling Theorem
Pulse Code Modulation
47. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Code Modulation
Audio Engineering Society
RMS
CobraNet
48. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
AES3
Variable Bit Rate
Audio Engineering Society
Pulse Density Modulation
49. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Lightpipe
Y-Axis Terminology
Decimal- to-Binary Conversion
Delta-Sigma Modulation
50. 8- in/8- out on one cable; 25- pin D- sub connector
Tascam Digital Interface Format (TDIF)
Interpolation Filter
AES3
Delta-Sigma Modulation
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