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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Red Book
Morse Code
Resolution
Intensity Stereo
2. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Harmonic Content
Sample Rate Effect on Anti-Aliasing
Frames
Morse Code
3. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
A/D Conversion Signal Flow
Algorithm
Aliasing
Harmonic Content
4. Unit of measurement that is equal to one millionth of a meter
Micron
Recording Levels
Tascam Digital Interface Format (TDIF)
Nyquist Frequency
5. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Audio Engineering Society
Bit Rate
Exponent
Perceptual Coding
6. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Entropy Coding
Convolution
Buffering
dB/FS
7. Serial Copy Management System; main difference between AES3 & S/PIDF
Direct Stream Digital
AoE Formats
SCMS
dB/SPL
8. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Peak Level
Lossless
Subbands
Non -Compressed Audio Data Rate Formula
9. Splits the input signal and mixes it with an analog copy so that no latency is present
6 dB
Rarefaction
Buffering Locations
Zero-Latency Monitoring
10. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Digital
Additive Synthesis...
Quantization Intervals
Bit Depth Effect on Dynamic Range
11. Multi-Bit Words; (Pulse Code Modulation)
0 dB FS
Class - D Amplifier
Gain Staging
PCM
12. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Interpolation Filter
Anti-Imaging Filter
Compression
Transfer Protocol
13. Mixing data and control characters in a single operation
Interleaved
Lossless
Acoustics
Bit Rate
14. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Quantization Error
Sampling (Samples)
MONO
Sample Rate Effect on Anti-Aliasing
15. Subtract place values from the decimal number and place ones or zeros in the correct places
0 dB FS
Decimal- to-Binary Conversion
Nanometer
Intensity
16. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Sampling Theorem
Exponent
Playback Buffering
Redither
17. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Joseph Fourier
Quantization
Bit Depth
Fletcher- Munson Curve
18. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
SACD
dBFS
Sampling (Samples)
Harry Nyquist
19. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Buffer Size
Sony-Philips Digital Interface Format (S/PDIF)
Claude Shannon
Signal- to- Noise Ratio
20. Visual graph that shows how loud a sound is at different frequencies
Sonogram
Quantizer
Sinusoidal
Threshold of Hearing
21. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
D/A Conversion Signal Flow
Inter-Channel Redundancy
Quantization Intervals
Footroom
22. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
Gain Staging
A/D Conversion Signal Flow
Sample Rate
Nyquist Frequency
23. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Zero-Latency Monitoring
Amplitude Accuracy
Pulse Code Modulation
Noise Shaping
24. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Cutoff Frequency
2 Dimensions of Sound
Playback Buffering
Significand
25. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Interleaved
D/A Conversion Signal Flow
Dithering
Speed of Sound
26. The more bits allocated during quantization - the more accurate the measurement
Spectrum Multiplication
Bit Depth Effect on Dynamic Range
Sampling Rule
SACD
27. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Codec
Quantizer
Buffer Size
Headroom Bits
28. 8.75 GB; DS/SL
DVD-10
I/O Connection Buffering
Direct Monitoring
2 Dimensions of Sound
29. Measure of the amplitude of a longitudinal wave
CobraNet
Oscillation
Codec
Intensity
30. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Class - D Amplifier
Footroom
Nyquist Frequency
Headroom Bits
31. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Oversampling
M-S Stereo
Buffering
Dithering
32. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Ethernet
Voltage
Sinusoidal
33. Each bit in the bit depth is equal to a _____ increase in dynamic range
Aliasing
6 dB
AES3
Square Wave
34. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Latency
Impulse Response
Sinusoidal
Low-Latency Monitoring
35. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Physical Disc Format
Adaptive Pulse Code Modulation
Sampling (Samples)
Frequency
36. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Cutoff Frequency
Physical Disc Format
Equal Loudness Contour
Glass Master
37. Waveform of a pure tone showing simple harmonic motion
AoE Formats
RMS
Fidelity
Sine Wave
38. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Algorithm
Edit Decision List
Playback Buffering
Pass Band
39. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Spectra
Audio Engineering Society
Normalizing
Internal Resolution
40. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Logical Format
Lightpipe
AoE Formats
A/D Conversion
41. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Transfer Protocol
Harry Nyquist
Analog
Effective Bit Depth
42. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
European Broadcasting Union
Sine Wave
Variable Bit Rate
Frequency
43. The difference in volume between the loudest and quietest sounds of a source
Signal- to- Noise Ratio
Algorithm
Dynamic Range
Digital Signal Processing
44. Same as 'aliasing'
Sinusoidal
AES3
Floating Point
Foldover
45. The set of rules that computers use to move files from one computer to another on an internet
Transfer Protocol
Red Book
Claude Shannon
I/O Connection Buffering
46. AES
Audio Engineering Society
Foldover
Noise Shaping
Perceptual Coding
47. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Average Bit Rate
Amplitude Accuracy
Psychoacoustics
Conversion Buffering
48. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
European Broadcasting Union
Claude Shannon
Word Clock
Signal- to- Noise Ratio
49. Very selective method of lowering buffer levels by halting different levels of audio processing
Ethernet
Headroom Bits
Low-Latency Monitoring
MONO
50. The process of reducing the space required to store data by efficiently encoding the content.
Compression
Fourier Series
Audio Engineering Society
Variable Bit Rate