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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Sample- and-Hold
Pulse Density Modulation
Sampling Rule
Joseph Fourier
2. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Equal Loudness Contour
Morse Code
Motion Pictures Experts Group
D/A Conversion Signal Flow
3. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Nyquist Frequency
Glass Master
Footroom
Frames
4. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Sample Rate Effect on Anti-Aliasing
DVD-14
Optical Cable
Spectrum Multiplication
5. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Compression
Dithering
Fletcher- Munson Curve
Class - D Amplifier
6. More accuracy in low amplitudes and less in higher amplitudes
Amplitude Accuracy
Exponent
Inter-Channel Redundancy
Buffer Size
7. Difference in brightness between land and pit on a CD Physical Format
Sony-Philips Digital Interface Format (S/PDIF)
Index of Reflectivity
PCM
Intensity Stereo
8. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Entropy Coding
Analog
Nyquist Frequency
Buffer Size
9. The more bits allocated during quantization - the more accurate the measurement
SCMS
Jitter
Digital
Bit Depth Effect on Dynamic Range
10. Signal conversions are mixed with playback tracks resulting in near-zero latency
Average Bit Rate
RMS
Frequency
Direct Monitoring
11. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Glass Master
Buffering Locations
Intensity
Oversampling
12. EBU
Significand
Dolby 7.1
dBFS
European Broadcasting Union
13. Each bit in the bit depth is equal to a _____ increase in dynamic range
Entropy Coding
Buffering
Quantization
6 dB
14. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Entropy Coding
Variable Bit Rate
Blu-Ray
Low-Latency Monitoring
15. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
dBFS
Oscillation
Sampling Rule
Buffer Size
16. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Anti-Aliasing Filter
Blu-Ray
Stapedes Reflex
Redither
17. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
EtherSound
Buffering
Nanometer
Compression
18. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Joseph Fourier
Resolution
Stapedes Reflex
Redither
19. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
A/D Conversion
Intensity Stereo
Cutoff Frequency
Quantization Error
20. Visual graph that shows how loud a sound is at different frequencies
Resolution
Sonogram
Anti-Imaging Filter
Blu-Ray
21. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Oversampling
D/A Conversion
Entropy Coding
Buffering Locations
22. EDL; Final list of samples used in the audio editing process; Identified by time code
Edit Decision List
Floating Point
Recording Levels
Redither
23. Multi-Bit Words; (Pulse Code Modulation)
Storage Conversion Steps
Resolution
0 dB FS
PCM
24. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Dolby 5.1
Sony-Philips Digital Interface Format (S/PDIF)
DVD-9
DVD-Audio
25. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Quantization Error
Algorithm
Lossy
Class - D Amplifier
26. Serial Copy Management System; main difference between AES3 & S/PIDF
SCMS
Joint Stereo
Motion Pictures Experts Group
Redither
27. How Loud (Y-Axis) & How Fast (X-Axis)
DVD-18
Jitter
2 Dimensions of Sound
Pulse Density Modulation
28. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Peak Level
Joseph Fourier
Logical Format
Intensity Stereo
29. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Bit Rate
Masking Analysis...
Interpolation Filter
Word Clock
30. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Claude Shannon
Sawtooth Wave
Dolby 7.1
Quantization
31. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Digital Signal Processing
AES3
Oversampling
Lossy Formats
32. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Logical Format
Bit Rate
Floating Point
Audio Engineering Society
33. CobraNet; EtherSound; Dante; AVB (currently under development)
CobraNet
Buffering Locations
AoE Formats
I/O Connection Buffering
34. 15.9 GB; DS/DL
Attenuation
Aliasing
Sampling Theorem
DVD-18
35. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
Frequency
Pulse Density Modulation
Bit Rate
EtherSound
36. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Audio Engineering Society
Entropy Coding
Significand
Conversion Buffering
37. 8- in/8- out on one cable; 25- pin D- sub connector
Quantization Error
Attenuation
Buffering
Tascam Digital Interface Format (TDIF)
38. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Algorithm
Tascam Digital Interface Format (TDIF)
Buffering
Nanometer
39. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Dolby 7.1
dBFS
Algorithm
Signal- to- Noise Ratio
40. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Sample Rate
Red Book
Additive Synthesis...
Stapedes Reflex
41. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Red Book
Index of Reflectivity
Playback Buffering
Fletcher- Munson Curve
42. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Variable Bit Rate
Sampling Rule
Intensity Stereo
Claude Shannon
43. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Additive Synthesis...
Claude Shannon
Rarefaction
Peak Level
44. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Exponent
Constant Bit Rate
6 dB
dB/FS
45. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Lossless
Threshold of Pain
Bit Depth
DVD-9
46. Unit of measurement that is equal to one billionth of a meter
RMS Meter
Nanometer
Fidelity
Motion Pictures Experts Group
47. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Audio over Ethernet (AoE)
Coaxial
Optical Cable
Buffering Locations
48. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Tascam Digital Interface Format (TDIF)
Bit Depth
SACD
Direct Monitoring
49. A sample- by- sample operation on two signals
Sonogram
MONO
Convolution
CobraNet
50. 12.33 GB; DS/ML
Non -Compressed Audio Data Rate Formula
DVD-14
Glass Master
Frames