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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Allowance of noise floor below that which is required for the final product
Footroom
Quantization Error
Subbands
Oversampling
2. The more bits allocated during quantization - the more accurate the measurement
Multichannel Audio Digital Interface (MADI)
Bit Depth Effect on Dynamic Range
Gain Staging
Noise Shaping
3. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Optical Cable
Physical Disc Format
Fidelity
Joint Stereo
4. The set of rules that computers use to move files from one computer to another on an internet
Low-Latency Monitoring
Foldover
Transfer Protocol
DVD-10
5. 'Capturing' part of digital audio; Never captures a signal perfectly
Floating Point
Buffering Locations
A/D Conversion
Blu-Ray
6. Have odd numbered harmonics
Square Wave
dB/FS
MONO
Lightpipe
7. Very selective method of lowering buffer levels by halting different levels of audio processing
EtherSound
Requirements for CD Audio
Algorithm
Low-Latency Monitoring
8. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Threshold of Hearing
Intensity
Bit Depth Effect on Dynamic Range
Analog
9. Same as 'aliasing'
Dithering
Foldover
Quantization Error
Motion Pictures Experts Group
10. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Overflow
Bit Rate
Pulse Density Modulation
Blu-Ray
11. 12.33 GB; DS/ML
Compression
Stapedes Reflex
Recording Levels
DVD-14
12. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Constant Bit Rate
Blu-Ray
SACD
Peak Level
13. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Blu-Ray
Buffering Locations
Perceptual Coding
Rarefaction
14. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Conversion Buffering
Requirements for A/D Conversion
dB/FS
Physical Disc Format
15. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
DVD-10
Sampling (Samples)
Direct Stream Digital
A/D Conversion
16. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
0 dB FS
Pulse Code Modulation
Blu-Ray
I/O Connection Buffering
17. Splits the input signal and mixes it with an analog copy so that no latency is present
Convolution
Latency
Zero-Latency Monitoring
X-Axis Terminology
18. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Decimal- to-Binary Conversion
Logical Format
RMS
Bit Depth
19. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Requirements for CD Audio
Non -Compressed Audio Data Rate Formula
Pulse Width Modulation
Sampling Theorem
20. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Peak Level
MONO
Claude Shannon
Direct Monitoring
21. EBU
Audio over Ethernet (AoE)
European Broadcasting Union
Equal Loudness Contour
Dynamic Range
22. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
SCMS
Decimation Filter
Direct Monitoring
Gain Staging
23. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Latency
AES3
Sample Rate Effect on Anti-Aliasing
Nyquist Frequency
24. Each bit in the bit depth is equal to a _____ increase in dynamic range
Base 2 System
Sample- and-Hold
Masking Analysis...
6 dB
25. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Voltage
Algorithm
Recording Levels
RMS Meter
26. Signal conversions are mixed with playback tracks resulting in near-zero latency
Playback Buffering
Pass Band
Bit Depth
Direct Monitoring
27. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Multichannel Audio Digital Interface (MADI)
SCMS
Bit Depth
Stapedes Reflex
28. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Photoreceptor
Signal- to- Noise Ratio
Anti-Imaging Filter
AoE Formats
29. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Successive Approximation
Storage Conversion Steps
Lossy
Peak Level
30. 16-Bit; 44.1 kHz; PCM; Stereo
Requirements for CD Audio
Quantization Intervals
Playback Buffering
Speed of Sound
31. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Word Clock
D/A Conversion Signal Flow
Frequency
A/D Conversion
32. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Digital Signal Processing
Harmonic Content
Threshold of Pain
Physical Disc Format
33. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Pad Head & Tail
Direct Monitoring
Significand
D/A Conversion Signal Flow
34. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Successive Approximation
Decoder
Average Bit Rate
Sawtooth Wave
35. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Successive Approximation
Interpolation Filter
Lossless
Buffering
36. Subtract place values from the decimal number and place ones or zeros in the correct places
RMS
Decimal- to-Binary Conversion
Blu-Ray
Voltage
37. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Sample- and-Hold
Interpolation Filter
Audio Engineering Society
A/D Conversion
38. Multi-Bit Words; (Pulse Code Modulation)
PCM
Recording Levels
Sony-Philips Digital Interface Format (S/PDIF)
Morse Code
39. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
2 Dimensions of Sound
Multichannel Audio Digital Interface (MADI)
Photoreceptor
Lossless Formats
40. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Signal- to- Noise Ratio
Jitter
Anti-Imaging Filter
Digital Signal Processing
41. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Logical Format
Square Wave
Successive Approximation
DVD-Audio
42. Having a repeated succession of waves or curves as in a sound waveform
Dithering
Sinusoidal
Sample- and-Hold
Impulse Response
43. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Quantization Error
Motion Pictures Experts Group
MONO
Pad Head & Tail
44. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Square Wave
Non -Compressed Audio Data Rate Formula
Fourier Series
Multichannel Audio Digital Interface (MADI)
45. A digital filter's time domain output sequence when the input is a single sample is input
Equal Loudness Contour
Anti-Imaging Filter
Impulse Response
Anti-Aliasing Filter
46. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
DVD-Audio
Variable Bit Rate
Jitter
Quantization
47. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sony-Philips Digital Interface Format (S/PDIF)
Optical Cable
Audio Engineering Society
Oversampling
48. A situation where a calculated value cannot fit into the number of digits reserved for it
Overflow
SCMS
dB/SPL
Entropy Coding
49. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Edit Decision List
Storage Conversion Steps
Tascam Digital Interface Format (TDIF)
Masking Analysis...
50. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Oversampling
Latency
Sine Wave
Zero-Latency Monitoring