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Test your basic knowledge |
Digital Audio
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Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Attenuation
Dolby 7.1
I/O Connection Buffering
Compression
2. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Quantization
Lossless
Direct Stream Digital
Dithering
3. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Attenuation
Digital Signal Processing
Sample Rate Effect on Anti-Aliasing
Direct Stream Digital
4. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Sinusoidal
Requirements for A/D Conversion
Masking Analysis...
2 Dimensions of Sound
5. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Bit Depth
Psychoacoustics
Equal Loudness Contour
Red Book
6. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Harry Nyquist
DVD-9
Signal- to- Noise Ratio
Digital
7. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Intensity
Logical Format
Glass Master
Successive Approximation
8. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Noise Shaping
Y-Axis Terminology
Additive Synthesis...
2 Dimensions of Sound
9. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Pulse Code Modulation
Claude Shannon
Sample Rate
Bit Depth
10. Eight channel digital surround sound system by Dolby
Overflow
Dolby 7.1
Requirements for CD Audio
Y-Axis Terminology
11. Signal conversions are mixed with playback tracks resulting in near-zero latency
Decoder
Sample Rate
Morse Code
Direct Monitoring
12. Allowance of noise floor below that which is required for the final product
Sampling (Samples)
Normalizing
European Broadcasting Union
Footroom
13. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Oscillation
SACD
Subbands
Spectrum Multiplication
14. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Rarefaction
Spectrum Multiplication
Successive Approximation
Pulse Code Modulation
15. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Dynamic Range
Lossless
Blu-Ray
Frequency
16. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Cutoff Frequency
Claude Shannon
Quantization
dB/FS
17. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Direct Stream Digital
Decoder
DVD-14
Sawtooth Wave
18. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Overflow
Convolution
Blu-Ray
Intensity
19. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
AoE Formats
RMS
Pulse Width Modulation
Masking Analysis...
20. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Overflow
Algorithm
Red Book
Sampling Rule
21. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
D/A Conversion
DVD-9
Normalizing
Non -Compressed Audio Data Rate Formula
22. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
CPU Buffering
DVD-10
Fletcher- Munson Curve
Sample Rate
23. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
MONO
Peak Level
DVD-9
Normalizing
24. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Decoder
Harmonic Content
Lossy Formats
MONO
25. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Equal Loudness Contour
Oscillation
Headroom Bits
Low-Latency Monitoring
26. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
6 dB
Oversampling
Y-Axis Terminology
TOSLINK
27. 16-Bit; 44.1 kHz; PCM; Stereo
DVD-18
Requirements for CD Audio
Sampling Theorem
M-S Stereo
28. A method of representing real numbers using a mantissa and an exponent
Voltage
Tascam Digital Interface Format (TDIF)
Decoder
Floating Point
29. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Latency
SACD
Rarefaction
D/A Conversion Signal Flow
30. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Foldover
Decoder
Sample- and-Hold
Digital Signal Processing
31. Industry Standards: -6 dB Peak = -20 RMS Meter
Delta-Sigma Modulation
Recording Levels
I/O Connection Buffering
Digital
32. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
SACD
Entropy Coding
Lossless Formats
Adaptive Pulse Code Modulation
33. Very selective method of lowering buffer levels by halting different levels of audio processing
Low-Latency Monitoring
Fourier Series
DVD-Audio
AES3
34. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Bit Rate
Direct Monitoring
Dynamic Range
Sample Rate
35. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Sine Wave
Edit Decision List
Fourier Series
Frequency
36. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Internal Resolution
Bit Depth
dB/SPL
Cutoff Frequency
37. Multi-Bit Words; (Pulse Code Modulation)
Data Packing
Conversion Buffering
PCM
Word Clock
38. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Bit Rate
Quantizer
Blu-Ray
Latency
39. Each bit in the bit depth is equal to a _____ increase in dynamic range
Dolby 7.1
M-S Stereo
RMS Meter
6 dB
40. 'Reconstructing' part of digital audio
Successive Approximation
European Broadcasting Union
D/A Conversion
Y-Axis Terminology
41. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Dolby 5.1
Perceptual Coding
Constant Bit Rate
Sony-Philips Digital Interface Format (S/PDIF)
42. How Loud (Y-Axis) & How Fast (X-Axis)
2 Dimensions of Sound
Sonogram
0 dB FS
Fletcher- Munson Curve
43. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sony-Philips Digital Interface Format (S/PDIF)
Buffering
Lossless
D/A Conversion Signal Flow
44. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Dynamic Range
Amplitude Accuracy
Morse Code
Normalizing
45. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Sample Rate Effect on Anti-Aliasing
DVD-5
Noise Shaping
Oversampling
46. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
MONO
TOSLINK
Pass Band
47. Sample Rate x Bit Depth x # of Channels
Pulse Width Modulation
Base 2 System
Non -Compressed Audio Data Rate Formula
Data Packing
48. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Requirements for A/D Conversion
Aliasing
Multichannel Audio Digital Interface (MADI)
European Broadcasting Union
49. Snippets of time in which frequency analysis takes place in a perceptual codec
Bit Depth Effect on Dynamic Range
CPU Buffering
Sample Rate
Frames
50. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Buffer Size
Adaptive Pulse Code Modulation
Pad Head & Tail
Lossless
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