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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Frequency
I/O Connection Buffering
Sampling (Samples)
Compression
2. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Decoder
Effective Bit Depth
Dithering
Bit Depth Effect on Dynamic Range
3. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Foldover
Signal- to- Noise Ratio
Base 2 System
Noise Shaping
4. The more bits allocated during quantization - the more accurate the measurement
Masking Analysis...
Cutoff Frequency
Average Bit Rate
Bit Depth Effect on Dynamic Range
5. The frequency above or below which attenuation begins in a filter circuit
DVD-18
Sampling Theorem
Red Book
Cutoff Frequency
6. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Normalizing
Transfer Protocol
Headroom Bits
7. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Pass Band
Lossless
Successive Approximation
Inter-Channel Redundancy
8. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Impulse Response
Masking Analysis...
European Broadcasting Union
Rarefaction
9. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Internal Resolution
Overflow
Impulse Response
Subbands
10. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Quantizer
Noise Shaping
Sampling Theorem
Bit Depth
11. Electromagnetic receptor that detects the radiation known as visible light
Photoreceptor
Quantization
Jitter
Anti-Aliasing Filter
12. 8.75 GB; DS/SL
DVD-18
Lossless
DVD-10
Interleaved
13. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Bit Rate
Dolby 5.1
Signal- to- Noise Ratio
Peak Level
14. Splits the input signal and mixes it with an analog copy so that no latency is present
Audio over Ethernet (AoE)
Fourier Series
Harry Nyquist
Zero-Latency Monitoring
15. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Impulse Response
Lightpipe
Average Bit Rate
Sampling Theorem
16. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Digital Signal Processing
Buffering Locations
Micron
Storage Conversion Steps
17. 8- in/8- out on one cable; 25- pin D- sub connector
Dynamic Range
Analog
Tascam Digital Interface Format (TDIF)
Oversampling
18. The process of reducing the space required to store data by efficiently encoding the content.
MONO
Compression
AoE Formats
DVD-5
19. Softest sound that can be heard by the average human ear (0 dB)
Noise Shaping
Threshold of Hearing
Quantization
Physical Disc Format
20. Eight channel digital surround sound system by Dolby
Perceptual Coding
Non -Compressed Audio Data Rate Formula
Recording Levels
Dolby 7.1
21. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Footroom
Ethernet
Buffer Size
Headroom Bits
22. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Headroom Bits
Signal- to- Noise Ratio
SACD
Low-Latency Monitoring
23. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
D/A Conversion Signal Flow
Lossy
Low-Latency Monitoring
Threshold of Pain
24. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Spectra
Headroom Bits
RMS Meter
Exponent
25. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Class - D Amplifier
Decimation Filter
Blu-Ray
Latency
26. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
Buffering Locations
Nanometer
Compression
CPU Buffering
27. Signal conversions are mixed with playback tracks resulting in near-zero latency
Sample Rate
Direct Monitoring
Threshold of Pain
Normalizing
28. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
TOSLINK
Logical Format
Equal Loudness Contour
Frequency
29. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Lossless Formats
Decoder
Constant Bit Rate
Class - D Amplifier
30. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Cutoff Frequency
Pulse Density Modulation
Effective Bit Depth
Rarefaction
31. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
dB/SPL
Effective Bit Depth
Class - D Amplifier
Lossy Formats
32. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Stapedes Reflex
A/D Conversion Signal Flow
Storage Conversion Steps
Lossless Formats
33. The frequency range that is allowed through a filter
Overflow
Pass Band
Class - D Amplifier
Multichannel Audio Digital Interface (MADI)
34. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Zero-Latency Monitoring
Codec
Anti-Imaging Filter
Frames
35. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Additive Synthesis...
Lossless Formats
Redither
Direct Stream Digital
36. 'Capturing' part of digital audio; Never captures a signal perfectly
Requirements for CD Audio
Direct Monitoring
A/D Conversion
Blu-Ray
37. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Oversampling
Equal Loudness Contour
Amplitude Accuracy
Pulse Code Modulation
38. Waveform of a pure tone showing simple harmonic motion
Sine Wave
Lossless Formats
Claude Shannon
DVD-Audio
39. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Buffering
SCMS
Anti-Imaging Filter
Non -Compressed Audio Data Rate Formula
40. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
A/D Conversion Signal Flow
Glass Master
Oversampling
Audio over Ethernet (AoE)
41. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Acoustics
Sony-Philips Digital Interface Format (S/PDIF)
Voltage
42. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Ethernet
Cutoff Frequency
Recording Levels
Frequency
43. Accuracy with which an electronic system reproduces the sound or image of its input signal
Acoustics
Cutoff Frequency
Fidelity
dB/FS
44. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Buffering
I/O Connection Buffering
Interpolation Filter
Amplitude Accuracy
45. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Code Modulation
M-S Stereo
Sample Rate
Decimation Filter
46. Unit of measurement that is equal to one millionth of a meter
Pad Head & Tail
Non -Compressed Audio Data Rate Formula
Micron
Frequency
47. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
CPU Buffering
X-Axis Terminology
Dithering
Oversampling
48. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
D/A Conversion
Lossless Formats
Sampling (Samples)
Glass Master
49. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Sampling Theorem
MONO
Peak Level
Stapedes Reflex
50. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
dBFS
Intensity
Fletcher- Munson Curve
Claude Shannon