SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Sony-Philips Digital Interface Format (S/PDIF)
Fourier Series
Y-Axis Terminology
Blu-Ray
2. Electromagnetic receptor that detects the radiation known as visible light
Photoreceptor
Inter-Channel Redundancy
EtherSound
Exponent
3. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Normalizing
Oscillation
dB/SPL
Word Clock
4. How Loud (Y-Axis) & How Fast (X-Axis)
AES3
2 Dimensions of Sound
European Broadcasting Union
DVD-10
5. CobraNet; EtherSound; Dante; AVB (currently under development)
6 dB
AoE Formats
Attenuation
DVD-9
6. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Cutoff Frequency
Sampling (Samples)
EtherSound
Edit Decision List
7. Branch of psychology concerned with the subjective perception of sound
Psychoacoustics
Frequency
Voltage
Spectrum Multiplication
8. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
D/A Conversion
Claude Shannon
Dolby 5.1
Audio Engineering Society
9. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
6 dB
Entropy Coding
Lossy Formats
Floating Point
10. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Effective Bit Depth
6 dB
2 Dimensions of Sound
M-S Stereo
11. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Variable Bit Rate
SACD
DVD-Audio
Sample Rate
12. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Sawtooth Wave
Sampling Theorem
Oversampling
Pass Band
13. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Psychoacoustics
Sample Rate
Pulse Width Modulation
MONO
14. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Y-Axis Terminology
Foldover
Harry Nyquist
Threshold of Pain
15. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Exponent
DVD-18
Aliasing
Lossy
16. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
DVD-9
Harmonic Content
CPU Buffering
Sony-Philips Digital Interface Format (S/PDIF)
17. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Harmonic Content
Storage Conversion Steps
Pad Head & Tail
Oversampling
18. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Average Bit Rate
AES3
Oversampling
Compression
19. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
2 Dimensions of Sound
Analog
EtherSound
Blu-Ray
20. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Anti-Aliasing Filter
Non -Compressed Audio Data Rate Formula
Significand
Footroom
21. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Low-Latency Monitoring
Optical Cable
SCMS
Zero-Latency Monitoring
22. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Acoustics
Decoder
Stapedes Reflex
Direct Stream Digital
23. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Exponent
Foldover
Equal Loudness Contour
Peak Level
24. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Algorithm
Codec
Playback Buffering
Blu-Ray
25. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Headroom Bits
Aliasing
Decimal- to-Binary Conversion
Interpolation Filter
26. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Lossless
Audio over Ethernet (AoE)
Convolution
Fidelity
27. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Buffering
Morse Code
Physical Disc Format
Lightpipe
28. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Codec
Index of Reflectivity
Rarefaction
Sample Rate Effect on Anti-Aliasing
29. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Cutoff Frequency
Amplitude Accuracy
Pad Head & Tail
SACD
30. The process of reducing the space required to store data by efficiently encoding the content.
Pulse Width Modulation
Storage Conversion Steps
I/O Connection Buffering
Compression
31. Visual graph that shows how loud a sound is at different frequencies
Speed of Sound
Exponent
Sonogram
D/A Conversion Signal Flow
32. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Pass Band
Edit Decision List
RMS
Bit Rate
33. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Physical Disc Format
Algorithm
Logical Format
Analog
34. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Algorithm
AoE Formats
Data Packing
Quantizer
35. Waveform of a pure tone showing simple harmonic motion
dBFS
Sine Wave
Intensity Stereo
Inter-Channel Redundancy
36. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Data Packing
CobraNet
Additive Synthesis...
Joint Stereo
37. MPEG; Standardizing body of audio coding
Sony-Philips Digital Interface Format (S/PDIF)
Spectra
SCMS
Motion Pictures Experts Group
38. The frequency above or below which attenuation begins in a filter circuit
Subbands
Cutoff Frequency
Blu-Ray
Audio Engineering Society
39. Industry Standards: -6 dB Peak = -20 RMS Meter
Recording Levels
EtherSound
Pass Band
D/A Conversion Signal Flow
40. Signal conversions are mixed with playback tracks resulting in near-zero latency
Direct Monitoring
Sampling Rule
Dolby 7.1
Pulse Density Modulation
41. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
dB/SPL
Sample- and-Hold
Compression
Multichannel Audio Digital Interface (MADI)
42. Accuracy with which an electronic system reproduces the sound or image of its input signal
Fidelity
Intensity Stereo
Headroom Bits
Decimation Filter
43. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Algorithm
Pulse Width Modulation
Variable Bit Rate
Fourier Series
44. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Overflow
SACD
Average Bit Rate
RMS Meter
45. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Quantization Intervals
Analog
Normalizing
Claude Shannon
46. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Conversion Buffering
Harry Nyquist
Dithering
Sony-Philips Digital Interface Format (S/PDIF)
47. A sample- by- sample operation on two signals
DVD-Audio
Spectrum Multiplication
Convolution
Sonogram
48. Eight channel digital surround sound system by Dolby
Direct Stream Digital
Dolby 7.1
Low-Latency Monitoring
Successive Approximation
49. Level above which audible sounds are painful (125 - 130 db)
Lossy Formats
Threshold of Pain
Digital Signal Processing
Harmonic Content
50. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
DVD-18
Pass Band
Frequency
DVD-10