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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
CobraNet
Psychoacoustics
Anti-Aliasing Filter
A/D Conversion
2. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Lossless Formats
Micron
Optical Cable
Sony-Philips Digital Interface Format (S/PDIF)
3. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Buffer Size
Gain Staging
Requirements for CD Audio
Jitter
4. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Non -Compressed Audio Data Rate Formula
X-Axis Terminology
EtherSound
Joint Stereo
5. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Footroom
Tascam Digital Interface Format (TDIF)
Fidelity
I/O Connection Buffering
6. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Equal Loudness Contour
Constant Bit Rate
Buffering
Dynamic Range
7. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
Pulse Density Modulation
Voltage
Adaptive Pulse Code Modulation
European Broadcasting Union
8. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Dynamic Range
X-Axis Terminology
Non -Compressed Audio Data Rate Formula
Direct Monitoring
9. The frequency range that is allowed through a filter
RMS Meter
Normalizing
D/A Conversion
Pass Band
10. Electromagnetic receptor that detects the radiation known as visible light
Sinusoidal
Glass Master
Photoreceptor
AES3
11. The process of reducing the space required to store data by efficiently encoding the content.
Zero-Latency Monitoring
Oversampling
Compression
Quantization
12. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Adaptive Pulse Code Modulation
Morse Code
CPU Buffering
Noise Shaping
13. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Analog
Sampling (Samples)
Oversampling
Spectrum Multiplication
14. 7.95 GB; SS/DL
DVD-9
Nanometer
DVD-18
Constant Bit Rate
15. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Optical Cable
RMS
Base 2 System
Sample Rate
16. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Impulse Response
Glass Master
A/D Conversion
Headroom Bits
17. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Sawtooth Wave
Ethernet
Sample- and-Hold
RMS
18. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Nyquist Frequency
Recording Levels
Sampling Theorem
Quantization Error
19. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
DVD-18
Fourier Series
Bit Depth
Decimation Filter
20. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Effective Bit Depth
Photoreceptor
Cutoff Frequency
Dynamic Range
21. Signal conversions are mixed with playback tracks resulting in near-zero latency
Direct Monitoring
Frequency
I/O Connection Buffering
Gain Staging
22. CobraNet; EtherSound; Dante; AVB (currently under development)
Cutoff Frequency
2 Dimensions of Sound
Morse Code
AoE Formats
23. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
DVD-10
DVD-5
Joint Stereo
Frequency
24. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Bit Depth Effect on Dynamic Range
PCM
Dolby 5.1
Lossy
25. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Nanometer
DVD-9
Sample Rate
Word Clock
26. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Buffering
Pulse Width Modulation
MONO
Exponent
27. Unit of measurement that is equal to one billionth of a meter
Nanometer
A/D Conversion
Requirements for A/D Conversion
Sampling Rule
28. Splits the input signal and mixes it with an analog copy so that no latency is present
Transfer Protocol
Zero-Latency Monitoring
6 dB
Masking Analysis...
29. A digital filter's time domain output sequence when the input is a single sample is input
Oscillation
DVD-9
Impulse Response
Logical Format
30. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Index of Reflectivity
Sonogram
Quantization
dB/SPL
31. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
DVD-Audio
Glass Master
Low-Latency Monitoring
Nyquist Frequency
32. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Cutoff Frequency
Voltage
Oversampling
Data Packing
33. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Fletcher- Munson Curve
Playback Buffering
Tascam Digital Interface Format (TDIF)
Claude Shannon
34. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Anti-Imaging Filter
Ethernet
Normalizing
Gain Staging
35. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
TOSLINK
2 Dimensions of Sound
European Broadcasting Union
DVD-Audio
36. The difference in volume between the loudest and quietest sounds of a source
Headroom Bits
Requirements for CD Audio
Dynamic Range
Fourier Series
37. AES
Lossless
Buffer Size
Audio Engineering Society
Subbands
38. Softest sound that can be heard by the average human ear (0 dB)
Decimation Filter
Morse Code
Threshold of Hearing
Oversampling
39. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Pad Head & Tail
Significand
Pulse Density Modulation
Cutoff Frequency
40. 'Reconstructing' part of digital audio
Buffer Size
Edit Decision List
TOSLINK
D/A Conversion
41. Having a repeated succession of waves or curves as in a sound waveform
Adaptive Pulse Code Modulation
Audio Engineering Society
dBFS
Sinusoidal
42. Difference in brightness between land and pit on a CD Physical Format
Joseph Fourier
Additive Synthesis...
Sampling (Samples)
Index of Reflectivity
43. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
A/D Conversion Signal Flow
Codec
European Broadcasting Union
2 Dimensions of Sound
44. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Frequency
Noise Shaping
Compression
Coaxial
45. Eight channel digital surround sound system by Dolby
Dolby 7.1
Sinusoidal
DVD-9
Fidelity
46. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
I/O Connection Buffering
D/A Conversion
Sample- and-Hold
Lossless
47. MPEG; Standardizing body of audio coding
Exponent
Pass Band
Motion Pictures Experts Group
Sine Wave
48. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Variable Bit Rate
0 dB FS
Quantizer
AES3
49. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Adaptive Pulse Code Modulation
Compression
M-S Stereo
Audio Engineering Society
50. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Headroom Bits
Noise Shaping
Acoustics
MONO