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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Fractional part of a floating- point number; Also called the mantissa; Defines precision
EtherSound
Blu-Ray
Attenuation
Significand
2. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Internal Resolution
Blu-Ray
Adaptive Pulse Code Modulation
Lightpipe
3. Splits the input signal and mixes it with an analog copy so that no latency is present
Sampling Theorem
Word Clock
Zero-Latency Monitoring
Cutoff Frequency
4. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Constant Bit Rate
Pad Head & Tail
Cutoff Frequency
Bit Depth Effect on Dynamic Range
5. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Bit Depth Effect on Dynamic Range
Interleaved
Jitter
Cutoff Frequency
6. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Cutoff Frequency
Pulse Code Modulation
Pass Band
Storage Conversion Steps
7. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Voltage
Psychoacoustics
Sample Rate
Normalizing
8. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
0 dB FS
Coaxial
Pulse Density Modulation
Psychoacoustics
9. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Direct Monitoring
dB/SPL
Data Packing
Rarefaction
10. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Successive Approximation
Direct Stream Digital
CobraNet
0 dB FS
11. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Successive Approximation
Analog
Optical Cable
Cutoff Frequency
12. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Optical Cable
Masking Analysis...
Compression
13. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Acoustics
Fourier Series
Quantization Error
Frames
14. A situation where a calculated value cannot fit into the number of digits reserved for it
Significand
Data Packing
Quantization Intervals
Overflow
15. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Effective Bit Depth
Acoustics
Headroom Bits
Quantizer
16. Mixing data and control characters in a single operation
D/A Conversion Signal Flow
Quantization Intervals
Fourier Series
Interleaved
17. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Frequency
DVD-14
Delta-Sigma Modulation
Direct Stream Digital
18. Unit of measurement that is equal to one billionth of a meter
Algorithm
Quantization Intervals
Nanometer
Equal Loudness Contour
19. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Buffer Size
Data Packing
AES3
Pulse Width Modulation
20. Very selective method of lowering buffer levels by halting different levels of audio processing
DVD-14
Adaptive Pulse Code Modulation
Low-Latency Monitoring
Storage Conversion Steps
21. 'Reconstructing' part of digital audio
D/A Conversion
Quantization Error
Harry Nyquist
Successive Approximation
22. The frequency above or below which attenuation begins in a filter circuit
Class - D Amplifier
Cutoff Frequency
Low-Latency Monitoring
Direct Monitoring
23. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
D/A Conversion
Footroom
Pad Head & Tail
Pulse Width Modulation
24. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Recording Levels
Cutoff Frequency
Base 2 System
Fourier Series
25. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Threshold of Pain
Anti-Aliasing Filter
D/A Conversion
Edit Decision List
26. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
dB/SPL
EtherSound
Pulse Width Modulation
Average Bit Rate
27. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Ethernet
Joseph Fourier
Subbands
AoE Formats
28. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
X-Axis Terminology
Acoustics
Decimation Filter
MONO
29. Accuracy with which an electronic system reproduces the sound or image of its input signal
A/D Conversion Signal Flow
Lossless Formats
Fidelity
Anti-Aliasing Filter
30. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
X-Axis Terminology
Exponent
Lossy Formats
Audio over Ethernet (AoE)
31. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Photoreceptor
Audio over Ethernet (AoE)
Sampling Theorem
Equal Loudness Contour
32. Sample Rate x Bit Depth x # of Channels
Digital Signal Processing
Footroom
Non -Compressed Audio Data Rate Formula
Sample Rate Effect on Anti-Aliasing
33. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
PCM
Storage Conversion Steps
D/A Conversion Signal Flow
Dithering
34. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Anti-Imaging Filter
Data Packing
Quantization
6 dB
35. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Motion Pictures Experts Group
Blu-Ray
CobraNet
Footroom
36. EDL; Final list of samples used in the audio editing process; Identified by time code
Edit Decision List
Dolby 5.1
Delta-Sigma Modulation
Pulse Density Modulation
37. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
European Broadcasting Union
Quantization Intervals
Constant Bit Rate
Morse Code
38. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Lossy
Fidelity
dBFS
Audio over Ethernet (AoE)
39. CobraNet; EtherSound; Dante; AVB (currently under development)
Dynamic Range
Motion Pictures Experts Group
Buffering
AoE Formats
40. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Red Book
Sony-Philips Digital Interface Format (S/PDIF)
Successive Approximation
Voltage
41. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Quantization
Footroom
Bit Rate
Coaxial
42. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Noise Shaping
Exponent
Joseph Fourier
Pass Band
43. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Fletcher- Munson Curve
Foldover
Quantizer
Buffer Size
44. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pulse Code Modulation
Threshold of Pain
Interleaved
Optical Cable
45. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Coaxial
Lossy
Direct Monitoring
Quantization Error
46. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Sample- and-Hold
Morse Code
Nanometer
Dolby 5.1
47. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Impulse Response
Dolby 5.1
Logical Format
Joint Stereo
48. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Harry Nyquist
Playback Buffering
Additive Synthesis...
Redither
49. 8- in/8- out on one cable; 25- pin D- sub connector
Tascam Digital Interface Format (TDIF)
Quantizer
Physical Disc Format
Dynamic Range
50. Industry Standards: -6 dB Peak = -20 RMS Meter
Recording Levels
Conversion Buffering
Algorithm
Buffer Size