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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Unit of measurement that is equal to one billionth of a meter
Nanometer
Ethernet
Micron
Entropy Coding
2. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
DVD-18
EtherSound
Acoustics
Headroom Bits
3. AES
Audio Engineering Society
Noise Shaping
Perceptual Coding
Convolution
4. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
D/A Conversion Signal Flow
Red Book
MONO
Blu-Ray
5. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Buffer Size
Fourier Series
Lightpipe
Cutoff Frequency
6. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
dBFS
Internal Resolution
Amplitude Accuracy
Equal Loudness Contour
7. Mixing data and control characters in a single operation
Peak Level
PCM
Impulse Response
Interleaved
8. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Convolution
DVD-5
Attenuation
Fourier Series
9. Waveform of a pure tone showing simple harmonic motion
Acoustics
Sine Wave
Normalizing
Decoder
10. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
Bit Depth
Internal Resolution
EtherSound
Morse Code
11. 16-Bit; 44.1 kHz; PCM; Stereo
Oversampling
Buffer Size
Requirements for CD Audio
Data Packing
12. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Playback Buffering
Impulse Response
Digital Signal Processing
Non -Compressed Audio Data Rate Formula
13. Electromagnetic receptor that detects the radiation known as visible light
Pass Band
Photoreceptor
Lossless
Fletcher- Munson Curve
14. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Ethernet
Sample- and-Hold
Oversampling
Audio Engineering Society
15. 8- in/8- out on one cable; 25- pin D- sub connector
Quantization Error
Foldover
Multichannel Audio Digital Interface (MADI)
Tascam Digital Interface Format (TDIF)
16. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Logical Format
CobraNet
Lossy Formats
Amplitude Accuracy
17. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Foldover
Class - D Amplifier
Attenuation
Joseph Fourier
18. Samples are duplicated and the playback sampling rate correspondingly increased; Significantly raises the Nyquist limit to a range well beyond human hearing; Processing 'pushes' the distortion resulting from quantization error into these higher frequ
Claude Shannon
PCM
Index of Reflectivity
Noise Shaping
19. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Decimal- to-Binary Conversion
Bit Depth
6 dB
Sonogram
20. The frequency above or below which attenuation begins in a filter circuit
Index of Reflectivity
Digital Signal Processing
Cutoff Frequency
Convolution
21. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Class - D Amplifier
Stapedes Reflex
Intensity
Successive Approximation
22. Sample Rate x Bit Depth x # of Channels
Foldover
Threshold of Hearing
Non -Compressed Audio Data Rate Formula
Headroom Bits
23. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Attenuation
Spectrum Multiplication
Voltage
Sonogram
24. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Joseph Fourier
Morse Code
Sample- and-Hold
dB/FS
25. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Average Bit Rate
Buffering
Requirements for A/D Conversion
Spectrum Multiplication
26. Snippets of time in which frequency analysis takes place in a perceptual codec
Pulse Density Modulation
Attenuation
Speed of Sound
Frames
27. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Signal- to- Noise Ratio
Internal Resolution
Decoder
Recording Levels
28. The frequency range that is allowed through a filter
Variable Bit Rate
Pass Band
Exponent
Entropy Coding
29. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Pass Band
Direct Monitoring
Lossless
Sampling (Samples)
30. The loudest point of a Full Scale system
0 dB FS
X-Axis Terminology
Jitter
Cutoff Frequency
31. Multi-Bit Words; (Pulse Code Modulation)
SCMS
Frequency
PCM
Sawtooth Wave
32. Level above which audible sounds are painful (125 - 130 db)
A/D Conversion Signal Flow
Threshold of Pain
0 dB FS
PCM
33. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Floating Point
Class - D Amplifier
Index of Reflectivity
Requirements for A/D Conversion
34. The set of rules that computers use to move files from one computer to another on an internet
Direct Stream Digital
Sinusoidal
Transfer Protocol
dB/SPL
35. Difference in brightness between land and pit on a CD Physical Format
Redither
CobraNet
Index of Reflectivity
TOSLINK
36. Splits the input signal and mixes it with an analog copy so that no latency is present
Audio over Ethernet (AoE)
Zero-Latency Monitoring
Sample Rate
I/O Connection Buffering
37. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Bit Depth Effect on Dynamic Range
X-Axis Terminology
Zero-Latency Monitoring
Oscillation
38. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Multichannel Audio Digital Interface (MADI)
Sony-Philips Digital Interface Format (S/PDIF)
Masking Analysis...
A/D Conversion Signal Flow
39. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Codec
Word Clock
DVD-18
Low-Latency Monitoring
40. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
AoE Formats
Analog
Headroom Bits
Audio Engineering Society
41. Allowance of noise floor below that which is required for the final product
Footroom
X-Axis Terminology
Normalizing
TOSLINK
42. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
A/D Conversion
Logical Format
Sampling Rule
Square Wave
43. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Physical Disc Format
Recording Levels
Impulse Response
Sony-Philips Digital Interface Format (S/PDIF)
44. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Equal Loudness Contour
Codec
SACD
RMS Meter
45. Branch of psychology concerned with the subjective perception of sound
Psychoacoustics
Spectrum Multiplication
Threshold of Pain
RMS Meter
46. 7.95 GB; SS/DL
Transfer Protocol
Buffering Locations
DVD-9
SCMS
47. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Dolby 7.1
Sonogram
X-Axis Terminology
Peak Level
48. EDL; Final list of samples used in the audio editing process; Identified by time code
Audio over Ethernet (AoE)
Edit Decision List
Attenuation
Impulse Response
49. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Quantizer
dB/SPL
Psychoacoustics
AES3
50. CobraNet; EtherSound; Dante; AVB (currently under development)
AoE Formats
Floating Point
Anti-Imaging Filter
Micron