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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Inter-Channel Redundancy
Exponent
Effective Bit Depth
Transfer Protocol
2. More accuracy in low amplitudes and less in higher amplitudes
A/D Conversion Signal Flow
Amplitude Accuracy
Index of Reflectivity
D/A Conversion Signal Flow
3. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Algorithm
Constant Bit Rate
Word Clock
Foldover
4. Electromagnetic receptor that detects the radiation known as visible light
Transfer Protocol
Jitter
Footroom
Photoreceptor
5. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Signal- to- Noise Ratio
Nyquist Frequency
TOSLINK
M-S Stereo
6. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Anti-Imaging Filter
Decimation Filter
Playback Buffering
6 dB
7. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
RMS
Sawtooth Wave
Quantization Error
Footroom
8. Roughly around 1 -130 ft/s
Speed of Sound
Pass Band
DVD-18
Perceptual Coding
9. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Word Clock
Rarefaction
Blu-Ray
TOSLINK
10. EBU
European Broadcasting Union
Anti-Imaging Filter
Voltage
Nanometer
11. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Physical Disc Format
Data Packing
Sample Rate
Buffer Size
12. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Photoreceptor
Sony-Philips Digital Interface Format (S/PDIF)
Codec
Low-Latency Monitoring
13. Have odd numbered harmonics
Square Wave
Glass Master
Spectrum Multiplication
Sample Rate
14. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
6 dB
Codec
Delta-Sigma Modulation
CobraNet
15. Decibels Full Scale
Sinusoidal
AES3
dBFS
Threshold of Hearing
16. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Harry Nyquist
Sawtooth Wave
Headroom Bits
Oscillation
17. 'Capturing' part of digital audio; Never captures a signal perfectly
2 Dimensions of Sound
Data Packing
Decoder
A/D Conversion
18. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Harry Nyquist
Internal Resolution
Base 2 System
Blu-Ray
19. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Requirements for A/D Conversion
European Broadcasting Union
Bit Rate
MONO
20. The difference in volume between the loudest and quietest sounds of a source
Sampling Theorem
Dynamic Range
Sample- and-Hold
Amplitude Accuracy
21. Having a repeated succession of waves or curves as in a sound waveform
Subbands
Fidelity
Dolby 7.1
Sinusoidal
22. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Lossless Formats
Requirements for A/D Conversion
Equal Loudness Contour
Spectra
23. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Audio Engineering Society
Overflow
TOSLINK
Sony-Philips Digital Interface Format (S/PDIF)
24. 16-Bit; 44.1 kHz; PCM; Stereo
Requirements for CD Audio
Motion Pictures Experts Group
Base 2 System
Normalizing
25. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Decoder
Spectrum Multiplication
Multichannel Audio Digital Interface (MADI)
Data Packing
26. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Sinusoidal
Speed of Sound
DVD-Audio
Constant Bit Rate
27. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Anti-Aliasing Filter
Audio over Ethernet (AoE)
Pulse Density Modulation
Low-Latency Monitoring
28. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
A/D Conversion Signal Flow
PCM
Word Clock
EtherSound
29. Each bit in the bit depth is equal to a _____ increase in dynamic range
Gain Staging
6 dB
Analog
Stapedes Reflex
30. How Loud (Y-Axis) & How Fast (X-Axis)
Sine Wave
Internal Resolution
DVD-14
2 Dimensions of Sound
31. Mixing data and control characters in a single operation
Peak Level
Logical Format
Sonogram
Interleaved
32. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Logical Format
Effective Bit Depth
Speed of Sound
Requirements for CD Audio
33. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
X-Axis Terminology
Intensity Stereo
Logical Format
Conversion Buffering
34. Multi-Bit Words; (Pulse Code Modulation)
Latency
Joseph Fourier
PCM
DVD-5
35. A digital filter's time domain output sequence when the input is a single sample is input
Impulse Response
Amplitude Accuracy
Sinusoidal
Glass Master
36. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Subbands
Stapedes Reflex
Base 2 System
Motion Pictures Experts Group
37. Very selective method of lowering buffer levels by halting different levels of audio processing
Low-Latency Monitoring
Footroom
Effective Bit Depth
Oversampling
38. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Digital Signal Processing
Coaxial
Red Book
Analog
39. The amount of energy at each wavelength
Bit Depth Effect on Dynamic Range
Oversampling
Spectrum Multiplication
Spectra
40. Difference in brightness between land and pit on a CD Physical Format
Index of Reflectivity
Intensity
Overflow
Quantization Error
41. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Successive Approximation
Pad Head & Tail
Dolby 7.1
Requirements for A/D Conversion
42. Serial Copy Management System; main difference between AES3 & S/PIDF
SCMS
Audio Engineering Society
Subbands
dB/SPL
43. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Low-Latency Monitoring
A/D Conversion Signal Flow
Morse Code
Redither
44. The loudest point of a Full Scale system
Micron
0 dB FS
dB/FS
D/A Conversion Signal Flow
45. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Micron
Overflow
Harry Nyquist
TOSLINK
46. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Dithering
Inter-Channel Redundancy
Noise Shaping
Sonogram
47. The more bits allocated during quantization - the more accurate the measurement
Equal Loudness Contour
Bit Depth Effect on Dynamic Range
Dynamic Range
AoE Formats
48. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Psychoacoustics
Decimation Filter
Quantization Error
Additive Synthesis...
49. Measure of the amplitude of a longitudinal wave
M-S Stereo
Impulse Response
Word Clock
Intensity
50. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Sonogram
Base 2 System
Blu-Ray
Speed of Sound