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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Jitter
dB/SPL
Fourier Series
Quantization Intervals
2. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Constant Bit Rate
Joint Stereo
Glass Master
dBFS
3. Signal conversions are mixed with playback tracks resulting in near-zero latency
Sampling (Samples)
Decimation Filter
Dolby 5.1
Direct Monitoring
4. EBU
Signal- to- Noise Ratio
Tascam Digital Interface Format (TDIF)
X-Axis Terminology
European Broadcasting Union
5. Decibels Full Scale
Footroom
Anti-Aliasing Filter
Compression
dBFS
6. Visual graph that shows how loud a sound is at different frequencies
Sonogram
Dolby 7.1
Buffer Size
Gain Staging
7. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Joint Stereo
Nyquist Frequency
Intensity
Impulse Response
8. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Bit Rate
Oversampling
Data Packing
Index of Reflectivity
9. The frequency range that is allowed through a filter
Harry Nyquist
Motion Pictures Experts Group
Pass Band
Coaxial
10. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Interleaved
Dynamic Range
Successive Approximation
Oversampling
11. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Sonogram
Oscillation
Entropy Coding
Voltage
12. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Optical Cable
Interpolation Filter
Analog
Stapedes Reflex
13. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Sawtooth Wave
Subbands
Signal- to- Noise Ratio
Requirements for A/D Conversion
14. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Nanometer
Resolution
I/O Connection Buffering
Playback Buffering
15. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Blu-Ray
dB/FS
Nyquist Frequency
Bit Rate
16. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
A/D Conversion Signal Flow
Fourier Series
Fletcher- Munson Curve
Algorithm
17. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Edit Decision List
Harmonic Content
Sawtooth Wave
Blu-Ray
18. Allowance of noise floor below that which is required for the final product
Edit Decision List
Footroom
TOSLINK
Buffering
19. Splits the input signal and mixes it with an analog copy so that no latency is present
Zero-Latency Monitoring
Sampling (Samples)
Harmonic Content
Class - D Amplifier
20. Each bit in the bit depth is equal to a _____ increase in dynamic range
6 dB
Effective Bit Depth
Non -Compressed Audio Data Rate Formula
Anti-Imaging Filter
21. The process of reducing the space required to store data by efficiently encoding the content.
Dithering
Compression
Exponent
Sawtooth Wave
22. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Optical Cable
Successive Approximation
M-S Stereo
Logical Format
23. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Frequency
Class - D Amplifier
RMS
SACD
24. Roughly around 1 -130 ft/s
SACD
Speed of Sound
Spectra
Intensity
25. Also known as equal loudness curves; Graph that indicates the average ear sensitivity to different frequencies at different SPL levels (as volume increases - these curves flatten out)
Fletcher- Munson Curve
Attenuation
Sampling (Samples)
I/O Connection Buffering
26. MPEG; Standardizing body of audio coding
Claude Shannon
Decimation Filter
Word Clock
Motion Pictures Experts Group
27. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Normalizing
Compression
SACD
Overflow
28. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Spectra
D/A Conversion
Non -Compressed Audio Data Rate Formula
Red Book
29. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Sampling Rule
Acoustics
Interpolation Filter
Direct Monitoring
30. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Square Wave
CPU Buffering
Physical Disc Format
Foldover
31. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Peak Level
0 dB FS
Foldover
Requirements for A/D Conversion
32. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Analog
Lightpipe
Threshold of Hearing
Latency
33. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Speed of Sound
Delta-Sigma Modulation
Algorithm
Quantization Error
34. A situation where a calculated value cannot fit into the number of digits reserved for it
Non -Compressed Audio Data Rate Formula
Overflow
Foldover
Physical Disc Format
35. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Equal Loudness Contour
2 Dimensions of Sound
Lossy
Pulse Code Modulation
36. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Latency
Requirements for CD Audio
Data Packing
Threshold of Pain
37. The continuous loss of signal strengths as a signal travels through a medium
Amplitude Accuracy
Signal- to- Noise Ratio
Word Clock
Attenuation
38. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Direct Stream Digital
2 Dimensions of Sound
Internal Resolution
DVD-Audio
39. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Pad Head & Tail
Red Book
Adaptive Pulse Code Modulation
Foldover
40. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Audio over Ethernet (AoE)
Harry Nyquist
Oversampling
Decimation Filter
41. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Direct Monitoring
Compression
Coaxial
Headroom Bits
42. Cable used to transmit data; Inner cable is surrounded by a plastic insulator - which is surrounded by a wire mesh conductor that insulates the internal signal wire from external interference and an outer casing that functions as a ground
Harry Nyquist
Multichannel Audio Digital Interface (MADI)
Sinusoidal
Coaxial
43. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Requirements for A/D Conversion
Anti-Imaging Filter
Dolby 7.1
Additive Synthesis...
44. Eight channel digital surround sound system by Dolby
RMS Meter
Nanometer
Delta-Sigma Modulation
Dolby 7.1
45. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Interleaved
RMS
Average Bit Rate
Sampling Rule
46. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Equal Loudness Contour
Psychoacoustics
Motion Pictures Experts Group
Sony-Philips Digital Interface Format (S/PDIF)
47. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
CobraNet
Masking Analysis...
Sonogram
AoE Formats
48. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
dB/SPL
Edit Decision List
Interpolation Filter
RMS
49. Difference in brightness between land and pit on a CD Physical Format
Index of Reflectivity
Aliasing
Successive Approximation
Dolby 5.1
50. Unit of measurement that is equal to one billionth of a meter
MONO
Interpolation Filter
Nanometer
Lossless Formats