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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Base 2 System
Lossy Formats
Inter-Channel Redundancy
Sampling (Samples)
2. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Oversampling
Analog
CPU Buffering
Fourier Series
3. The amount of energy at each wavelength
Spectra
Compression
Blu-Ray
dB/SPL
4. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Amplitude Accuracy
dB/FS
Dolby 5.1
TOSLINK
5. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Equal Loudness Contour
Harmonic Content
Cutoff Frequency
Anti-Aliasing Filter
6. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
dB/FS
Blu-Ray
DVD-Audio
Latency
7. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Threshold of Pain
Blu-Ray
Red Book
Fidelity
8. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Compression
Decimal- to-Binary Conversion
Pulse Density Modulation
TOSLINK
9. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
Pulse Width Modulation
SCMS
A/D Conversion
Joseph Fourier
10. Data transmission protocol over which computer network traffic travels; Poorly suited to real- time transmission but numerous attempts have been made to harness the technology because of its flexible routing; Uses simple Cat5 cabling; Resists interfe
Dithering
Gain Staging
Audio over Ethernet (AoE)
Signal- to- Noise Ratio
11. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Decimal- to-Binary Conversion
Lossy Formats
Sawtooth Wave
Class - D Amplifier
12. Roughly around 1 -130 ft/s
Floating Point
Pulse Width Modulation
Speed of Sound
M-S Stereo
13. Snippets of time in which frequency analysis takes place in a perceptual codec
Buffering Locations
Frames
Digital Signal Processing
Direct Monitoring
14. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Pad Head & Tail
Buffering Locations
dBFS
Audio over Ethernet (AoE)
15. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
Compression
Sony-Philips Digital Interface Format (S/PDIF)
Lightpipe
16. Visual graph that shows how loud a sound is at different frequencies
Sonogram
Micron
Variable Bit Rate
Overflow
17. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Redither
CPU Buffering
SACD
Headroom Bits
18. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Effective Bit Depth
Morse Code
Logical Format
Data Packing
19. A situation where a calculated value cannot fit into the number of digits reserved for it
Overflow
Lossy
Bit Depth Effect on Dynamic Range
Joseph Fourier
20. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Subbands
Frequency
DVD-Audio
Oscillation
21. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Multichannel Audio Digital Interface (MADI)
Compression
Requirements for A/D Conversion
Audio Engineering Society
22. 4.38 GB; SS/SL
DVD-5
Sample Rate Effect on Anti-Aliasing
PCM
Optical Cable
23. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Normalizing
Ethernet
Y-Axis Terminology
Direct Monitoring
24. Branch of psychology concerned with the subjective perception of sound
Psychoacoustics
Digital Signal Processing
D/A Conversion
Fletcher- Munson Curve
25. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Playback Buffering
Coaxial
Acoustics
Speed of Sound
26. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Requirements for A/D Conversion
D/A Conversion
Perceptual Coding
Sawtooth Wave
27. The more bits allocated during quantization - the more accurate the measurement
Edit Decision List
Lossless
Bit Depth Effect on Dynamic Range
Spectra
28. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Gain Staging
Sony-Philips Digital Interface Format (S/PDIF)
Redither
Sampling (Samples)
29. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Tascam Digital Interface Format (TDIF)
Adaptive Pulse Code Modulation
DVD-10
30. The loudest point of a Full Scale system
Threshold of Hearing
Redither
0 dB FS
Pulse Width Modulation
31. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Recording Levels
Fletcher- Munson Curve
Significand
Digital Signal Processing
32. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Square Wave
Latency
Lightpipe
Word Clock
33. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Frames
Spectrum Multiplication
Ethernet
Anti-Aliasing Filter
34. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Average Bit Rate
Perceptual Coding
Requirements for CD Audio
Variable Bit Rate
35. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Entropy Coding
Low-Latency Monitoring
TOSLINK
Red Book
36. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Ethernet
Fourier Series
Spectrum Multiplication
Intensity Stereo
37. 7.95 GB; SS/DL
DVD-9
Constant Bit Rate
Pulse Code Modulation
Coaxial
38. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Pad Head & Tail
Pulse Code Modulation
Equal Loudness Contour
Zero-Latency Monitoring
39. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Sample Rate
dB/SPL
Intensity Stereo
Speed of Sound
40. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Buffer Size
AES3
MONO
Quantization Intervals
41. Specific set of instructions for carrying out a data reduction technique that determines how to 'save' binary data information efficiently
Constant Bit Rate
Buffering Locations
Algorithm
Sawtooth Wave
42. 16-Bit; 44.1 kHz; PCM; Stereo
Spectrum Multiplication
Requirements for CD Audio
Successive Approximation
Quantization Error
43. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Recording Levels
Voltage
I/O Connection Buffering
Redither
44. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Sampling Theorem
Sony-Philips Digital Interface Format (S/PDIF)
dBFS
Frequency
45. 8- in/8- out on one cable; 25- pin D- sub connector
Tascam Digital Interface Format (TDIF)
Convolution
AoE Formats
Pulse Width Modulation
46. Eight channel digital surround sound system by Dolby
Audio Engineering Society
MONO
Dolby 7.1
Inter-Channel Redundancy
47. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Variable Bit Rate
Pulse Density Modulation
Fourier Series
Joint Stereo
48. Industry Standards: -6 dB Peak = -20 RMS Meter
RMS
Tascam Digital Interface Format (TDIF)
Entropy Coding
Recording Levels
49. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Constant Bit Rate
Additive Synthesis...
Audio Engineering Society
Bit Depth
50. A sample- by- sample operation on two signals
Frames
Convolution
DVD-Audio
2 Dimensions of Sound