SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Red Book
Exponent
Pad Head & Tail
Cutoff Frequency
2. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
D/A Conversion Signal Flow
Sampling Theorem
Jitter
Direct Monitoring
3. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
D/A Conversion Signal Flow
Quantization Error
Joseph Fourier
Pulse Density Modulation
4. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Frames
Ethernet
Floating Point
Codec
5. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
Analog
Adaptive Pulse Code Modulation
Y-Axis Terminology
A/D Conversion Signal Flow
6. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Dithering
Harmonic Content
DVD-18
Sawtooth Wave
7. Splits the input signal and mixes it with an analog copy so that no latency is present
Multichannel Audio Digital Interface (MADI)
Amplitude Accuracy
Zero-Latency Monitoring
Fidelity
8. Measure of the amplitude of a longitudinal wave
Class - D Amplifier
A/D Conversion Signal Flow
Sample- and-Hold
Intensity
9. The loudest point of a Full Scale system
Sampling Rule
0 dB FS
Dithering
Oversampling
10. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Lossy Formats
Requirements for CD Audio
Buffering Locations
Gain Staging
11. 12.33 GB; DS/ML
Blu-Ray
Transfer Protocol
Motion Pictures Experts Group
DVD-14
12. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Footroom
Entropy Coding
Sinusoidal
Sample Rate
13. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Fidelity
Glass Master
Pulse Width Modulation
Digital Signal Processing
14. Increases or decreases the digital signal so that the loudest sample is brought up to 0dBfs; Uses all bits from dynamic range and makes it even from track to track
Physical Disc Format
Pad Head & Tail
CPU Buffering
Normalizing
15. Signal conversions are mixed with playback tracks resulting in near-zero latency
X-Axis Terminology
MONO
Subbands
Direct Monitoring
16. The amount of energy at each wavelength
Optical Cable
Additive Synthesis...
Multichannel Audio Digital Interface (MADI)
Spectra
17. 7.95 GB; SS/DL
Quantizer
DVD-9
Redither
Overflow
18. Subtract place values from the decimal number and place ones or zeros in the correct places
Decimal- to-Binary Conversion
Threshold of Pain
Variable Bit Rate
Constant Bit Rate
19. 'Reconstructing' part of digital audio
D/A Conversion
Sample Rate Effect on Anti-Aliasing
Convolution
Interpolation Filter
20. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Pulse Width Modulation
Buffer Size
Red Book
Quantization Error
21. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Effective Bit Depth
Noise Shaping
Amplitude Accuracy
Aliasing
22. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Oversampling
Exponent
Digital
Jitter
23. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Impulse Response
Lossless
Bit Depth Effect on Dynamic Range
dB/SPL
24. Electromagnetic receptor that detects the radiation known as visible light
Frames
Photoreceptor
6 dB
Headroom Bits
25. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Base 2 System
Voltage
Exponent
Anti-Aliasing Filter
26. CobraNet; EtherSound; Dante; AVB (currently under development)
Word Clock
AoE Formats
Digital Signal Processing
Lightpipe
27. Decibels Full Scale
dBFS
Direct Stream Digital
Physical Disc Format
Headroom Bits
28. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Y-Axis Terminology
Floating Point
Glass Master
dBFS
29. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Equal Loudness Contour
Joseph Fourier
Blu-Ray
Interpolation Filter
30. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Quantization
Cutoff Frequency
D/A Conversion Signal Flow
Audio Engineering Society
31. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Compression
Subbands
dB/FS
Low-Latency Monitoring
32. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Analog
Foldover
Sample- and-Hold
Cutoff Frequency
33. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
RMS
Digital Signal Processing
Entropy Coding
34. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Aliasing
Perceptual Coding
Word Clock
Index of Reflectivity
35. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Sampling Rule
Data Packing
Peak Level
Morse Code
36. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Conversion Buffering
Word Clock
Oversampling
Internal Resolution
37. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Direct Stream Digital
MONO
Noise Shaping
Lossless Formats
38. The set of rules that computers use to move files from one computer to another on an internet
Transfer Protocol
D/A Conversion Signal Flow
Frames
PCM
39. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
X-Axis Terminology
dBFS
Compression
CPU Buffering
40. Each bit in the bit depth is equal to a _____ increase in dynamic range
6 dB
Decimation Filter
Y-Axis Terminology
DVD-Audio
41. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Micron
Photoreceptor
Lossy
Psychoacoustics
42. The continuous loss of signal strengths as a signal travels through a medium
Direct Stream Digital
Latency
Joint Stereo
Attenuation
43. Eight channel digital surround sound system by Dolby
Harmonic Content
Cutoff Frequency
Dolby 7.1
Signal- to- Noise Ratio
44. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Quantization Intervals
dB/SPL
Entropy Coding
dB/FS
45. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Additive Synthesis...
Blu-Ray
Fourier Series
Entropy Coding
46. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Requirements for A/D Conversion
Latency
Joint Stereo
0 dB FS
47. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Sampling Theorem
Sampling Rule
Multichannel Audio Digital Interface (MADI)
Voltage
48. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Variable Bit Rate
Rarefaction
Blu-Ray
Bit Depth
49. EBU
European Broadcasting Union
Sony-Philips Digital Interface Format (S/PDIF)
A/D Conversion Signal Flow
Dithering
50. Increases D/A sample rate from nominal rate to oversampling rate by turning series multi- bit PCM samples into 1- bit samples; (ex. => 44.1kHz sample rate converted to 2.8MHz and simultaneously converts multi- bit samples to 1- bit); Low Pass Filter
Low-Latency Monitoring
Sony-Philips Digital Interface Format (S/PDIF)
Lossless
Interpolation Filter