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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Sampling Rule
Sawtooth Wave
D/A Conversion
DVD-10
2. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
X-Axis Terminology
Bit Depth
Blu-Ray
Subbands
3. The set of rules that computers use to move files from one computer to another on an internet
Sampling Theorem
Transfer Protocol
Anti-Imaging Filter
0 dB FS
4. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
DVD-5
Digital
X-Axis Terminology
dB/FS
5. AES
Lossy
Quantizer
Audio Engineering Society
Frequency
6. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Peak Level
Spectra
Decoder
Resolution
7. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Sample Rate
Anti-Aliasing Filter
Joseph Fourier
Lightpipe
8. Splits the input signal and mixes it with an analog copy so that no latency is present
Zero-Latency Monitoring
Claude Shannon
Overflow
Exponent
9. 8.75 GB; DS/SL
DVD-10
Tascam Digital Interface Format (TDIF)
Joint Stereo
dBFS
10. The frequency range that is allowed through a filter
Tascam Digital Interface Format (TDIF)
Fourier Series
Buffering Locations
Pass Band
11. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Subbands
CPU Buffering
A/D Conversion
Lossy
12. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Oversampling
CobraNet
Aliasing
Sample- and-Hold
13. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Floating Point
Pulse Width Modulation
Harmonic Content
Lightpipe
14. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Adaptive Pulse Code Modulation
Harmonic Content
CPU Buffering
Dithering
15. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sony-Philips Digital Interface Format (S/PDIF)
Lossless
Blu-Ray
Logical Format
16. Electromagnetic receptor that detects the radiation known as visible light
RMS Meter
Photoreceptor
Pass Band
Joint Stereo
17. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Oscillation
CPU Buffering
Requirements for CD Audio
SACD
18. Measure of the amplitude of a longitudinal wave
Intensity
Peak Level
Non -Compressed Audio Data Rate Formula
A/D Conversion
19. The continuous loss of signal strengths as a signal travels through a medium
Noise Shaping
Cutoff Frequency
Normalizing
Attenuation
20. The amount of energy at each wavelength
6 dB
Spectra
Red Book
Sonogram
21. ADPCM; Pulse code modulation that produces a digital signal with a lower bit rate than standard PCM; Records only the difference between samples
Jitter
Pulse Code Modulation
Voltage
Adaptive Pulse Code Modulation
22. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Pad Head & Tail
RMS Meter
Inter-Channel Redundancy
Claude Shannon
23. Roughly around 1 -130 ft/s
Buffering Locations
Buffer Size
Harry Nyquist
Speed of Sound
24. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
DVD-Audio
Fourier Series
Anti-Aliasing Filter
Joseph Fourier
25. Twice as many samples as the highest frequency at minimum; Sampling rate totally controls frequency response
Sampling Rule
Delta-Sigma Modulation
Codec
PCM
26. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Peak Level
Adaptive Pulse Code Modulation
Micron
Lossless Formats
27. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
CPU Buffering
Entropy Coding
Lossy
Morse Code
28. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Blu-Ray
Low-Latency Monitoring
dB/FS
Analog
29. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Lossy Formats
Jitter
RMS Meter
DVD-9
30. Anytime bit depth is reduced the gap gets bigger so more dithering is required
Delta-Sigma Modulation
Redither
Transfer Protocol
Resolution
31. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Base 2 System
Decoder
Audio over Ethernet (AoE)
Sonogram
32. Multi-Bit Words; (Pulse Code Modulation)
PCM
Sine Wave
Sonogram
Constant Bit Rate
33. A sample- by- sample operation on two signals
DVD-10
A/D Conversion
Convolution
Entropy Coding
34. Subtract place values from the decimal number and place ones or zeros in the correct places
Bit Rate
RMS
Decimal- to-Binary Conversion
Dolby 5.1
35. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Additive Synthesis...
Non -Compressed Audio Data Rate Formula
Sample Rate
A/D Conversion
36. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Digital
Speed of Sound
Sampling Rule
Average Bit Rate
37. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Compression
European Broadcasting Union
Signal- to- Noise Ratio
SCMS
38. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Buffering
Average Bit Rate
Optical Cable
Audio over Ethernet (AoE)
39. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
PCM
SACD
Threshold of Hearing
Codec
40. 'Reconstructing' part of digital audio
D/A Conversion
Exponent
Dynamic Range
CobraNet
41. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Nyquist Frequency
Ethernet
Lightpipe
Codec
42. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Significand
Pass Band
Variable Bit Rate
Quantization
43. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Sonogram
AES3
Sampling Theorem
Inter-Channel Redundancy
44. The frequency above or below which attenuation begins in a filter circuit
Jitter
Cutoff Frequency
Dithering
Nyquist Frequency
45. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Sampling (Samples)
Red Book
Quantization Intervals
Square Wave
46. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Audio over Ethernet (AoE)
Requirements for A/D Conversion
Lightpipe
Inter-Channel Redundancy
47. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Harmonic Content
Masking Analysis...
Sony-Philips Digital Interface Format (S/PDIF)
Effective Bit Depth
48. 16-Bit; 44.1 kHz; PCM; Stereo
Sine Wave
Requirements for CD Audio
Masking Analysis...
Interpolation Filter
49. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
Sampling (Samples)
Dithering
MONO
Pulse Width Modulation
50. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
EtherSound
Inter-Channel Redundancy
dB/FS