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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Decibels Full Scale
SACD
Pass Band
dBFS
Spectra
2. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Joint Stereo
DVD-5
Sampling Rule
Spectrum Multiplication
3. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Quantizer
Lossy
Peak Level
Logical Format
4. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Joint Stereo
Requirements for CD Audio
Morse Code
Inter-Channel Redundancy
5. Visual graph that shows how loud a sound is at different frequencies
Entropy Coding
Sonogram
Pass Band
Speed of Sound
6. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
PCM
Average Bit Rate
dBFS
Quantization Error
7. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Requirements for A/D Conversion
dB/SPL
Audio over Ethernet (AoE)
Intensity
8. The frequency above or below which attenuation begins in a filter circuit
Lossy Formats
Cutoff Frequency
Recording Levels
Variable Bit Rate
9. A sample- by- sample operation on two signals
Masking Analysis...
Acoustics
Convolution
Fidelity
10. Method used in digital recording and reproduction in which a signal is sampled at various points and the resulting value is translated into binary numbers
Square Wave
Overflow
Pulse Code Modulation
Perceptual Coding
11. The frequency range that is allowed through a filter
Gain Staging
Pass Band
Sampling Rule
A/D Conversion Signal Flow
12. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Base 2 System
Analog
Non -Compressed Audio Data Rate Formula
Dolby 5.1
13. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Buffering
Signal- to- Noise Ratio
Intensity Stereo
Harmonic Content
14. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Transfer Protocol
Data Packing
A/D Conversion Signal Flow
Digital
15. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Sampling Theorem
Morse Code
Edit Decision List
Spectrum Multiplication
16. Measures the highest levels of a signal being recorded or mixed; Monitors for clipping - which occurs at 0dBFS); Does not always reflect perceived volume of signal
Peak Level
Non -Compressed Audio Data Rate Formula
Sonogram
RMS Meter
17. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Bit Rate
Physical Disc Format
Oversampling
Acoustics
18. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Pass Band
Playback Buffering
Tascam Digital Interface Format (TDIF)
Oversampling
19. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
DVD-5
Sample Rate Effect on Anti-Aliasing
Fourier Series
Quantization Error
20. Softest sound that can be heard by the average human ear (0 dB)
Lossy Formats
Threshold of Hearing
Edit Decision List
Quantization
21. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
A/D Conversion
Entropy Coding
X-Axis Terminology
Oscillation
22. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Significand
Delta-Sigma Modulation
European Broadcasting Union
CobraNet
23. Difference in brightness between land and pit on a CD Physical Format
Oversampling
Codec
Index of Reflectivity
Attenuation
24. The loudest point of a Full Scale system
0 dB FS
Redither
Decimal- to-Binary Conversion
Multichannel Audio Digital Interface (MADI)
25. Signal conversions are mixed with playback tracks resulting in near-zero latency
Base 2 System
Decimal- to-Binary Conversion
Pulse Density Modulation
Direct Monitoring
26. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Jitter
DVD-Audio
Exponent
Lossy
27. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
Speed of Sound
M-S Stereo
Decimal- to-Binary Conversion
EtherSound
28. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Peak Level
I/O Connection Buffering
Frequency
Exponent
29. AES
Audio Engineering Society
Recording Levels
Additive Synthesis...
Analog
30. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
Stapedes Reflex
Successive Approximation
Jitter
D/A Conversion Signal Flow
31. Have odd numbered harmonics
Bit Depth
Footroom
Square Wave
European Broadcasting Union
32. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Sampling Theorem
Stapedes Reflex
Index of Reflectivity
Codec
33. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Pulse Density Modulation
Gain Staging
Equal Loudness Contour
Quantization
34. Multi-Bit Words; (Pulse Code Modulation)
PCM
D/A Conversion
Voltage
SACD
35. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Successive Approximation
Entropy Coding
Latency
MONO
36. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Subbands
I/O Connection Buffering
Algorithm
Pad Head & Tail
37. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Micron
Anti-Aliasing Filter
Voltage
Frequency
38. Sample Rate x Bit Depth x # of Channels
Masking Analysis...
CobraNet
Non -Compressed Audio Data Rate Formula
Footroom
39. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Sinusoidal
EtherSound
Additive Synthesis...
Analog
40. 'Reconstructing' part of digital audio
SACD
Sample Rate
D/A Conversion
D/A Conversion Signal Flow
41. Waveform of a pure tone showing simple harmonic motion
Sine Wave
Requirements for CD Audio
Amplitude Accuracy
Word Clock
42. 12.33 GB; DS/ML
DVD-14
Lightpipe
Exponent
Claude Shannon
43. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Foldover
Impulse Response
Resolution
Dithering
44. Very selective method of lowering buffer levels by halting different levels of audio processing
DVD-18
Low-Latency Monitoring
Noise Shaping
Digital Signal Processing
45. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Frequency
SACD
Quantizer
X-Axis Terminology
46. Apple Lossless; Windows Media Lossless; DTS HD Master Audio; Dolby True HD; FLAC
Direct Monitoring
Lossless Formats
Morse Code
Interleaved
47. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Sawtooth Wave
DVD-14
Internal Resolution
SACD
48. 8.75 GB; DS/SL
Digital Signal Processing
D/A Conversion Signal Flow
Exponent
DVD-10
49. The amount of energy at each wavelength
Pulse Density Modulation
CobraNet
Buffering
Spectra
50. Low Pressure; Part in a longitudinal wave where the particles are spread apart
Successive Approximation
Frames
Lightpipe
Rarefaction