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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Decibels Full Scale
dBFS
Speed of Sound
Interpolation Filter
X-Axis Terminology
2. Difference in brightness between land and pit on a CD Physical Format
Signal- to- Noise Ratio
Lossy
Index of Reflectivity
Perceptual Coding
3. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Spectra
Edit Decision List
6 dB
Entropy Coding
4. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Lossy
Base 2 System
Voltage
Gain Staging
5. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Buffering
Coaxial
CPU Buffering
Ethernet
6. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Data Packing
Psychoacoustics
Playback Buffering
Claude Shannon
7. Each bit in the bit depth is equal to a _____ increase in dynamic range
Redither
6 dB
Buffering
Impulse Response
8. 12.33 GB; DS/ML
Tascam Digital Interface Format (TDIF)
MONO
Dolby 7.1
DVD-14
9. Rate at which energy is drawn from a source that produces a flow of electricity in a circuit; Expressed in volts
Pass Band
Voltage
Motion Pictures Experts Group
Dolby 7.1
10. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
Resolution
Nanometer
EtherSound
Bit Depth Effect on Dynamic Range
11. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Multichannel Audio Digital Interface (MADI)
Base 2 System
dB/FS
DVD-10
12. Method of representing an acoustic quantity with a series of binary numbers; Can have only specific individually distinct values
Digital
Blu-Ray
Blu-Ray
Attenuation
13. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Motion Pictures Experts Group
Anti-Imaging Filter
dB/SPL
Dolby 7.1
14. Method of sampling data at a higher resolution (higher sample rate) as a means of reducing harmonic content during D/A conversion; (x2) oversampling gets rid of all odd harmonic content
Oversampling
dB/FS
Peak Level
Red Book
15. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Successive Approximation
Dithering
Digital Signal Processing
D/A Conversion Signal Flow
16. The mathematics - algorithms - and the techniques used to manipulate signals after they have been converted to digital form
Morse Code
Lossy
Threshold of Hearing
Digital Signal Processing
17. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Bit Rate
Fletcher- Munson Curve
Decoder
Buffering
18. The continuous loss of signal strengths as a signal travels through a medium
Attenuation
M-S Stereo
Resolution
Multichannel Audio Digital Interface (MADI)
19. Have odd numbered harmonics
Lossy
Sony-Philips Digital Interface Format (S/PDIF)
Fidelity
Square Wave
20. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Decimation Filter
Successive Approximation
Pad Head & Tail
Variable Bit Rate
21. Computer program or device capable of encoding and/or decoding a digital data stream with the end result being a reduced file size
Convolution
Data Packing
Codec
Foldover
22. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Nanometer
Noise Shaping
Effective Bit Depth
Sample- and-Hold
23. Same as 'aliasing'
Significand
Oversampling
Foldover
Non -Compressed Audio Data Rate Formula
24. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Dolby 7.1
Foldover
Average Bit Rate
Convolution
25. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Floating Point
Optical Cable
DVD-9
TOSLINK
26. The loudest point of a Full Scale system
Harry Nyquist
0 dB FS
Variable Bit Rate
Additive Synthesis...
27. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
Sample Rate Effect on Anti-Aliasing
Intensity
Cutoff Frequency
Spectrum Multiplication
28. Measuring equipment in A/D conversion that processes voltage and provides a value for that voltage
Quantizer
Tascam Digital Interface Format (TDIF)
Dolby 7.1
Lossless
29. Waveform of a pure tone showing simple harmonic motion
Sine Wave
Quantization
Digital Signal Processing
Digital
30. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Morse Code
Bit Rate
Headroom Bits
Effective Bit Depth
31. How Loud (Y-Axis) & How Fast (X-Axis)
2 Dimensions of Sound
Latency
Intensity
Cutoff Frequency
32. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Noise Shaping
Headroom Bits
D/A Conversion
dBFS
33. CobraNet; EtherSound; Dante; AVB (currently under development)
Oscillation
M-S Stereo
AoE Formats
Buffering
34. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Tascam Digital Interface Format (TDIF)
Audio Engineering Society
SCMS
35. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
A/D Conversion Signal Flow
Aliasing
Y-Axis Terminology
Lossless
36. The frequency range that is allowed through a filter
Class - D Amplifier
Significand
Pass Band
Blu-Ray
37. The amount of energy at each wavelength
Audio Engineering Society
Stapedes Reflex
Spectra
dB/FS
38. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Quantizer
AoE Formats
Entropy Coding
Delta-Sigma Modulation
39. Visual graph that shows how loud a sound is at different frequencies
Spectrum Multiplication
Oversampling
Noise Shaping
Sonogram
40. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Spectra
Threshold of Hearing
Morse Code
Intensity Stereo
41. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Pad Head & Tail
Optical Cable
Intensity Stereo
Red Book
42. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Anti-Imaging Filter
Buffering
Nanometer
Playback Buffering
43. The number of compressions or rarefactions in one second; The higher the frequency the more compressions & rarefactions per second; Measured in Hertz
Playback Buffering
Frequency
Successive Approximation
SCMS
44. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Successive Approximation
Inter-Channel Redundancy
Headroom Bits
DVD-Audio
45. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
dB/FS
Requirements for A/D Conversion
Lossy
Oversampling
46. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Inter-Channel Redundancy
I/O Connection Buffering
Red Book
Word Clock
47. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Successive Approximation
Sample- and-Hold
Delta-Sigma Modulation
Oversampling
48. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Claude Shannon
Exponent
Cutoff Frequency
Noise Shaping
49. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Sampling Rule
Oversampling
Analog
Dolby 5.1
50. 4.38 GB; SS/SL
Sine Wave
Red Book
DVD-5
Requirements for A/D Conversion