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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Zero-Latency Monitoring
Anti-Imaging Filter
Algorithm
RMS
2. Very selective method of lowering buffer levels by halting different levels of audio processing
6 dB
MONO
European Broadcasting Union
Low-Latency Monitoring
3. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Fletcher- Munson Curve
Significand
Lossless
DVD-10
4. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Masking Analysis...
PCM
Dynamic Range
Successive Approximation
5. Fractional part of a floating- point number; Also called the mantissa; Defines precision
dBFS
Sampling (Samples)
Claude Shannon
Significand
6. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Peak Level
Sampling Theorem
Compression
Audio Engineering Society
7. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Footroom
D/A Conversion Signal Flow
Y-Axis Terminology
Compression
8. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Pad Head & Tail
Entropy Coding
dB/FS
Foldover
9. More aggressive lossy data reduction techniques that require further manipulation of the stereo field; Examples are 'Intensity' & 'M-S'
Sawtooth Wave
Rarefaction
Fidelity
Joint Stereo
10. Number of bits per second processed when sampling sound; (Sampling Rate x Bit Depth) = Resolution
Bit Rate
Audio over Ethernet (AoE)
Coaxial
Logical Format
11. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
Claude Shannon
Sinusoidal
Subbands
Acoustics
12. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Gain Staging
Masking Analysis...
Zero-Latency Monitoring
Effective Bit Depth
13. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Quantization Error
DVD-Audio
SACD
X-Axis Terminology
14. Signal voltage is relayed to a register from sample- and - hold circuit; Holds reference frequencies in binary form that decrease in value; Finds approximated value & assigns binary number accordingly
DVD-18
Successive Approximation
Physical Disc Format
Bit Depth Effect on Dynamic Range
15. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Sony-Philips Digital Interface Format (S/PDIF)
Harry Nyquist
Storage Conversion Steps
Latency
16. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Sampling Theorem
Fidelity
I/O Connection Buffering
Zero-Latency Monitoring
17. Joint-Stereo Technique; Since the human brain is unable to localize sounds at high frequencies well sounds above 9 kHz threshold are encoded in mono
Signal- to- Noise Ratio
Edit Decision List
Analog
Intensity Stereo
18. Electromagnetic receptor that detects the radiation known as visible light
Inter-Channel Redundancy
Lossless Formats
Direct Stream Digital
Photoreceptor
19. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
Word Clock
Logical Format
Lossless Formats
Lossy
20. Accuracy with which an electronic system reproduces the sound or image of its input signal
Tascam Digital Interface Format (TDIF)
Variable Bit Rate
dB/SPL
Fidelity
21. As sample rate is increased more room is created for a smoother slope of the attenuation band because Nyquist limit extends well beyond range of hearing with each increase
European Broadcasting Union
Sample Rate Effect on Anti-Aliasing
M-S Stereo
Frequency
22. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
DVD-9
EtherSound
Transfer Protocol
dBFS
23. Branch of psychology concerned with the subjective perception of sound
Psychoacoustics
Micron
Sampling Rule
Codec
24. Represents the amplitude component of the digital sampling process; Technique of incrementing a continuous analog event into a discrete set of binary digits (bits)
Pulse Code Modulation
Successive Approximation
Lossless
Quantization
25. The more bits allocated during quantization - the more accurate the measurement
Bit Depth Effect on Dynamic Range
Lightpipe
dB/FS
Sonogram
26. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
M-S Stereo
Red Book
Glass Master
Psychoacoustics
27. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Quantization Intervals
Noise Shaping
Motion Pictures Experts Group
AES3
28. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Multichannel Audio Digital Interface (MADI)
Decimal- to-Binary Conversion
D/A Conversion
European Broadcasting Union
29. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Playback Buffering
Cutoff Frequency
Perceptual Coding
Motion Pictures Experts Group
30. AAC (Advanced Audio Coding); MP3; RA; WMA; OGG Vorbis; Dolby Digital/AC-3; DTS; ADPCM
Base 2 System
Lossy Formats
Decoder
0 dB FS
31. A situation where a calculated value cannot fit into the number of digits reserved for it
Overflow
Stapedes Reflex
Pulse Density Modulation
Sampling (Samples)
32. A sample- by- sample operation on two signals
Convolution
6 dB
Nanometer
Nyquist Frequency
33. Data is transmitted over fiber optic lines; Uses a TOSLINK connecter instead of an RCA type; Can transmit multi- channel audio; Not susceptible to ground hum and loops; Able to support far higher rates of data transfer over greater distances than coa
Optical Cable
Physical Disc Format
Buffering Locations
dBFS
34. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Direct Monitoring
Sampling Theorem
Harry Nyquist
Headroom Bits
35. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
Blu-Ray
Recording Levels
dB/SPL
CPU Buffering
36. Splits the input signal and mixes it with an analog copy so that no latency is present
Square Wave
Frames
Photoreceptor
Zero-Latency Monitoring
37. Eight channel digital surround sound system by Dolby
Dolby 7.1
Significand
A/D Conversion
dB/SPL
38. Allowance of noise floor below that which is required for the final product
Threshold of Pain
Bit Depth Effect on Dynamic Range
Footroom
Blu-Ray
39. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Cutoff Frequency
AES3
Pulse Density Modulation
Word Clock
40. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Sample- and-Hold
A/D Conversion Signal Flow
Constant Bit Rate
Class - D Amplifier
41. Industry Standards: -6 dB Peak = -20 RMS Meter
RMS
Recording Levels
Algorithm
Physical Disc Format
42. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Spectra
dB/SPL
CPU Buffering
Red Book
43. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
Entropy Coding
Photoreceptor
Acoustics
Rarefaction
44. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
Ethernet
Harry Nyquist
Floating Point
SCMS
45. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Effective Bit Depth
Y-Axis Terminology
MONO
SCMS
46. 1st commercially successful AoE format for the transmission of digital audio - video - and control signals over 64- channel 100Mbps Ethernet networks
Oscillation
D/A Conversion Signal Flow
CobraNet
Decimation Filter
47. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Bit Rate
Lossy Formats
Additive Synthesis...
Blu-Ray
48. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
Base 2 System
X-Axis Terminology
Blu-Ray
Nanometer
49. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
dBFS
Quantization
Dithering
Constant Bit Rate
50. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
dBFS
Internal Resolution
Glass Master
Jitter