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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Only 2 digits used; The value of each place (ones - hundreds - etc.) are as follows from greatest to least: 128 - 64 - 32 - 16 - 8 - 4 - 2 - 1
Sony-Philips Digital Interface Format (S/PDIF)
Coaxial
Threshold of Hearing
Base 2 System
2. 12.33 GB; DS/ML
DVD-14
Footroom
Playback Buffering
DVD-10
3. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Quantizer
Sony-Philips Digital Interface Format (S/PDIF)
Normalizing
Conversion Buffering
4. A drive that can read and write on optical media that hold up to 50 GB on two layers; 24- bit/96 kHz for 8-Channel; 24- bit/192 kHz for 6-Channel
Blu-Ray
DVD-5
Transfer Protocol
Buffering Locations
5. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Playback Buffering
Index of Reflectivity
Direct Stream Digital
Convolution
6. Eliminates frequencies above the Nyquist limit from becoming samples; Occurs prior to quantization
Fidelity
Anti-Aliasing Filter
Convolution
Foldover
7. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Quantization Error
I/O Connection Buffering
Bit Rate
CobraNet
8. Decibels Full Scale
SCMS
Interleaved
dBFS
Digital
9. Splits the input signal and mixes it with an analog copy so that no latency is present
Internal Resolution
Anti-Aliasing Filter
Direct Monitoring
Zero-Latency Monitoring
10. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
CPU Buffering
Average Bit Rate
A/D Conversion
Analog
11. 8.75 GB; DS/SL
DVD-10
Glass Master
Entropy Coding
Sinusoidal
12. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Stapedes Reflex
Harmonic Content
Harry Nyquist
Pulse Width Modulation
13. Uses entropy coding as the basis; Computer data compression algorithm that packages files such as .ZIP & .RAR
Data Packing
Storage Conversion Steps
Compression
Frames
14. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Anti-Aliasing Filter
Fourier Series
Nyquist Frequency
CobraNet
15. Multi-Bit Words; (Pulse Code Modulation)
Internal Resolution
Analog
PCM
Lossless
16. CobraNet; EtherSound; Dante; AVB (currently under development)
AoE Formats
Data Packing
Anti-Imaging Filter
Audio Engineering Society
17. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Spectrum Multiplication
X-Axis Terminology
Nyquist Frequency
Dolby 5.1
18. How Loud (Y-Axis) & How Fast (X-Axis)
Sonogram
SACD
2 Dimensions of Sound
Motion Pictures Experts Group
19. Describes various optical disc characteristics including the size and shape of the disc - the size of pits - the speed at which the disc spins - and a multitude of aspects regarding the specifications of the player itself
Conversion Buffering
Physical Disc Format
Peak Level
Average Bit Rate
20. Serial Copy Management System; main difference between AES3 & S/PIDF
Peak Level
Morse Code
Sawtooth Wave
SCMS
21. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Internal Resolution
DVD-18
Threshold of Hearing
Square Wave
22. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Decimation Filter
Ethernet
Gain Staging
Photoreceptor
23. Same as 'aliasing'
Foldover
Sample Rate Effect on Anti-Aliasing
Quantization Error
Blu-Ray
24. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
2 Dimensions of Sound
Pulse Density Modulation
Red Book
Pulse Code Modulation
25. Softest sound that can be heard by the average human ear (0 dB)
Exponent
Quantization Error
Threshold of Hearing
Conversion Buffering
26. EBU
Sampling (Samples)
Interleaved
Lossless Formats
European Broadcasting Union
27. AES
Audio Engineering Society
Base 2 System
Redither
dB/FS
28. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Sampling (Samples)
SACD
Ethernet
Harry Nyquist
29. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
European Broadcasting Union
Voltage
Acoustics
Constant Bit Rate
30. Electromagnetic receptor that detects the radiation known as visible light
CPU Buffering
SACD
Photoreceptor
Oscillation
31. MPEG; Standardizing body of audio coding
Redither
Motion Pictures Experts Group
DVD-14
Spectra
32. Measure of the amplitude of a longitudinal wave
DVD-18
Intensity
Base 2 System
Audio over Ethernet (AoE)
33. A sample- by- sample operation on two signals
Spectrum Multiplication
TOSLINK
Convolution
Stapedes Reflex
34. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Resolution
Stapedes Reflex
Storage Conversion Steps
Psychoacoustics
35. Toshiba developed digital audio interface utilizes fiber optics as a transmission medium.
Direct Monitoring
TOSLINK
D/A Conversion
DVD-10
36. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Dynamic Range
D/A Conversion Signal Flow
Significand
Oversampling
37. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Sawtooth Wave
AoE Formats
dB/SPL
AES3
38. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Analog
Pad Head & Tail
Dolby 5.1
Y-Axis Terminology
39. Channels are processed one at a time and the results are stored on multiple CPU buffers that alternately send data as DAW requests the data for playback; First few seconds are relayed to the buffer prior to processing and playback and it continuously
Noise Shaping
Voltage
DVD-5
CPU Buffering
40. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
RMS
Class - D Amplifier
Base 2 System
Joseph Fourier
41. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Sampling Theorem
Glass Master
Rarefaction
Motion Pictures Experts Group
42. 8- in/8- out on one cable; 25- pin D- sub connector
Index of Reflectivity
Tascam Digital Interface Format (TDIF)
Anti-Aliasing Filter
Class - D Amplifier
43. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Convolution
Digital Signal Processing
X-Axis Terminology
Sampling Theorem
44. 16-Bit; 44.1 kHz; PCM; Stereo
MONO
Frequency
Requirements for CD Audio
Transfer Protocol
45. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Decoder
dB/SPL
Sampling Rule
Decimal- to-Binary Conversion
46. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Buffer Size
Variable Bit Rate
Non -Compressed Audio Data Rate Formula
Sampling Theorem
47. Ratio of magnitude of the analytical signal to the magnitude of the background noise signal
Photoreceptor
Signal- to- Noise Ratio
Stapedes Reflex
Sinusoidal
48. Eight channel digital surround sound system by Dolby
Footroom
Dolby 7.1
Motion Pictures Experts Group
Floating Point
49. Waveform of a pure tone showing simple harmonic motion
Stapedes Reflex
Audio Engineering Society
Sine Wave
Joseph Fourier
50. Leaving space at beginning and ending of song for data crunching during mastering; Last step in mastering process
Logical Format
Pad Head & Tail
Buffer Size
Sampling Rule