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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. EBU
European Broadcasting Union
Redither
Conversion Buffering
Digital Signal Processing
2. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Attenuation
Significand
Rarefaction
Low-Latency Monitoring
3. Overtones that contribute to the timbre of a sound and make up a complex waveform's physical characteristics
Anti-Aliasing Filter
Multichannel Audio Digital Interface (MADI)
Transfer Protocol
Harmonic Content
4. AES
Audio Engineering Society
Buffering Locations
Acoustics
DVD-9
5. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
PCM
Class - D Amplifier
Buffer Size
Dolby 5.1
6. Multi-Bit Words; (Pulse Code Modulation)
Cutoff Frequency
Audio over Ethernet (AoE)
MONO
PCM
7. The process of reducing the space required to store data by efficiently encoding the content.
RMS Meter
Glass Master
Compression
European Broadcasting Union
8. 12.33 GB; DS/ML
Base 2 System
DVD-14
PCM
Analog
9. Each bit in the bit depth is equal to a _____ increase in dynamic range
Sony-Philips Digital Interface Format (S/PDIF)
Floating Point
Inter-Channel Redundancy
6 dB
10. Ultra low- latency - 512- channel (on a gigabit network) - less flexible AoE format; Routed like audio cables...not network cables
EtherSound
Effective Bit Depth
AoE Formats
Ethernet
11. Perceptual coding technique that uses louder sounds of a similar frequency to decide what information is to be saved during data reduction
Masking Analysis...
Conversion Buffering
AoE Formats
Latency
12. The loudest point of a Full Scale system
0 dB FS
Multichannel Audio Digital Interface (MADI)
Signal- to- Noise Ratio
Analog
13. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Voltage
Quantization Intervals
Subbands
Multichannel Audio Digital Interface (MADI)
14. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Constant Bit Rate
Compression
Psychoacoustics
Pass Band
15. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Digital
Coaxial
Exponent
Overflow
16. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Y-Axis Terminology
Fourier Series
RMS Meter
Oscillation
17. EDL; Final list of samples used in the audio editing process; Identified by time code
Edit Decision List
Harry Nyquist
Digital
Lightpipe
18. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Exponent
Dithering
Edit Decision List
Dolby 5.1
19. Decibels Full Scale
dBFS
Additive Synthesis...
Quantization Intervals
Codec
20. Industry Standards: -6 dB Peak = -20 RMS Meter
Lossy Formats
CobraNet
Constant Bit Rate
Recording Levels
21. The set of rules that computers use to move files from one computer to another on an internet
Quantization
Transfer Protocol
Intensity Stereo
Sine Wave
22. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Gain Staging
Convolution
Bit Depth
Tascam Digital Interface Format (TDIF)
23. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Low-Latency Monitoring
Requirements for A/D Conversion
Zero-Latency Monitoring
24. Roughly around 1 -130 ft/s
Pulse Density Modulation
Bit Depth
Speed of Sound
Decoder
25. Improper (false) sampling of high frequencies that cause much lower frequencies to be produced when the audio is reconstructed; Foldover happens at higher frequencies as harmonics reach levels that exceed the Nyquist limit.
Y-Axis Terminology
Audio over Ethernet (AoE)
Aliasing
Codec
26. 16-Bit; 44.1 kHz; PCM; Stereo
Requirements for CD Audio
Foldover
Spectrum Multiplication
D/A Conversion
27. Based on psychoacoustics - these are the basis of frequency analysis for a perceptual codec;
Data Packing
Subbands
Quantization
Bit Depth Effect on Dynamic Range
28. The amount of energy at each wavelength
Edit Decision List
Digital
Spectra
Base 2 System
29. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Exponent
I/O Connection Buffering
DVD-14
Sample Rate
30. Have odd numbered harmonics
Masking Analysis...
Square Wave
Requirements for A/D Conversion
Direct Stream Digital
31. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Latency
Spectra
Equal Loudness Contour
Effective Bit Depth
32. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Speed of Sound
Voltage
Sampling (Samples)
Motion Pictures Experts Group
33. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Spectrum Multiplication
Micron
DVD-5
Low-Latency Monitoring
34. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
Delta-Sigma Modulation
Playback Buffering
RMS
Intensity
35. 7.95 GB; SS/DL
Fidelity
DVD-9
6 dB
Intensity
36. Eight channel digital surround sound system by Dolby
Lossless Formats
Word Clock
Dolby 7.1
Coaxial
37. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Harry Nyquist
Jitter
Decimal- to-Binary Conversion
Digital Signal Processing
38. Pertaining to hearing or sound; Combination of the intensity of air pressure molecules with amplitude
SCMS
Compression
Acoustics
Floating Point
39. Visual graph that shows how loud a sound is at different frequencies
Sonogram
PCM
Buffer Size
Jitter
40. Branch of psychology concerned with the subjective perception of sound
Psychoacoustics
2 Dimensions of Sound
0 dB FS
Morse Code
41. A sample- by- sample operation on two signals
dB/FS
Convolution
A/D Conversion
Blu-Ray
42. Softest sound that can be heard by the average human ear (0 dB)
Transfer Protocol
Threshold of Hearing
Internal Resolution
Class - D Amplifier
43. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
I/O Connection Buffering
Class - D Amplifier
Overflow
Edit Decision List
44. A digital filter's time domain output sequence when the input is a single sample is input
Fidelity
Attenuation
Impulse Response
Tascam Digital Interface Format (TDIF)
45. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
Conversion Buffering
Requirements for CD Audio
Exponent
Quantizer
46. Measure of the amplitude of a longitudinal wave
Sinusoidal
Inter-Channel Redundancy
Voltage
Intensity
47. MPEG; Standardizing body of audio coding
Low-Latency Monitoring
Sample Rate
Motion Pictures Experts Group
Intensity Stereo
48. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Decoder
Pad Head & Tail
Quantization Error
Dolby 5.1
49. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Constant Bit Rate
Spectrum Multiplication
SACD
Fidelity
50. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Overflow
Dynamic Range
Intensity Stereo
Delta-Sigma Modulation