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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Snippets of time in which frequency analysis takes place in a perceptual codec
Motion Pictures Experts Group
Sony-Philips Digital Interface Format (S/PDIF)
Frames
A/D Conversion
2. Discrete incremental distinctions made between the value of one sample and the next; Breaks down bit depth into a series of evenly spaced intervals
Quantization Intervals
Class - D Amplifier
Footroom
Resolution
3. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
dB/FS
Sonogram
Bit Depth Effect on Dynamic Range
Buffering Locations
4. The set of rules that computers use to move files from one computer to another on an internet
M-S Stereo
Joint Stereo
Lossy Formats
Transfer Protocol
5. High channel count; 64 channels on one cable; Coaxial cable with BNC connector or fiber optic with ST1 connector
Noise Shaping
Multichannel Audio Digital Interface (MADI)
Speed of Sound
Pad Head & Tail
6. High Pressure - Part of a longitudinal wave where the particles of the medium are close together
Requirements for A/D Conversion
Optical Cable
Compression
Dithering
7. Built into DAWs; Bits are added when signals are mixed together to avoid clipping
Headroom Bits
Bit Depth
Rarefaction
Sampling Rule
8. Accuracy with which an electronic system reproduces the sound or image of its input signal
Entropy Coding
Fidelity
Lossy
Audio over Ethernet (AoE)
9. Based on Full Scale (dB/FS); -6dB represents a loss of one bit so account for this when calculating
Effective Bit Depth
DVD-14
Multichannel Audio Digital Interface (MADI)
Bit Depth
10. Fractional part of a floating- point number; Also called the mantissa; Defines precision
D/A Conversion
Index of Reflectivity
MONO
Significand
11. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Lossless
Direct Stream Digital
Acoustics
Delta-Sigma Modulation
12. Inner ear component that attaches to the stapes and helps to decrease the amplitude of vibrations; Causes the masking phenomenon
Stapedes Reflex
Direct Monitoring
Signal- to- Noise Ratio
Micron
13. Deviation from a normal - steady pulse or tick of a clock that contributes to misrepresentation of a signal; Result of small timing irregularities that become magnified during the transmission of digital signals as the signals are passed from one dev
Nanometer
Resolution
Jitter
Equal Loudness Contour
14. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Constant Bit Rate
Fletcher- Munson Curve
Entropy Coding
Footroom
15. Waveform of a pure tone showing simple harmonic motion
Sine Wave
Sonogram
Lossless Formats
Claude Shannon
16. Sony sigma- delta modulation based technology that bypasses the decimation and interpolation steps found in PCM converters
Significand
Dolby 5.1
Decimal- to-Binary Conversion
Direct Stream Digital
17. Very quiet digital amplifier that produces a series of output pulses with the audio signal coded the same as the width of the output pulses; Pulses are used to represent wave forms and are either on or off; Intense signals have long pulses with short
Psychoacoustics
Variable Bit Rate
AES3
Class - D Amplifier
18. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Nanometer
Optical Cable
Stapedes Reflex
Word Clock
19. Psychoacoustic model of data reduction used for general audio compression that aims to transmit only features perceptible to the human ear; Useful for mastering streaming media
Joint Stereo
Voltage
Perceptual Coding
Equal Loudness Contour
20. Single- pin RCA cable or fiber- optic TOSLINK connector used for digital transfer; 75O coaxial - 2- channel unbalanced; 'Consumer' format of AES3
Peak Level
Sony-Philips Digital Interface Format (S/PDIF)
DVD-5
Dynamic Range
21. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Successive Approximation
Glass Master
Claude Shannon
Variable Bit Rate
22. 'Capturing' part of digital audio; Never captures a signal perfectly
A/D Conversion
Significand
Sinusoidal
Gain Staging
23. Splits the input signal and mixes it with an analog copy so that no latency is present
MONO
Low-Latency Monitoring
Zero-Latency Monitoring
Interpolation Filter
24. Data reduction technique that does not effect quality of original audio; No effect on original quality; Typically around 50% reduction; Exact reconstruction of digital code for the audio signal
Lossless
Quantizer
2 Dimensions of Sound
Intensity Stereo
25. Describes acceptable data - performances both offered and essential for a disc player - and the complete user experience
D/A Conversion
Logical Format
dB/FS
Constant Bit Rate
26. Reduces A/D sample rate from the oversampled rate to nominal rate by turning series of one- bit samples into a series of multi- bit PCM samples; (ex. => 2.8MHz sample rate converted to 44.1kHz and simultaneously converts 1-Bit samples to multi- bit);
Nyquist Frequency
Decimation Filter
European Broadcasting Union
Spectra
27. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Attenuation
Lossy
A/D Conversion
Playback Buffering
28. Allowance of noise floor below that which is required for the final product
Adaptive Pulse Code Modulation
Footroom
Bit Rate
Internal Resolution
29. Father of modern information theory; Solidified the Nyquist Theory by adding the concept that bits per second (binary representation of audio signals) must be at equal intervals to accurately represent data
Bit Rate
Average Bit Rate
6 dB
Claude Shannon
30. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Fidelity
Compression
Spectrum Multiplication
Lightpipe
31. Digital (binary) measurements of how long each pulse is either on or off; Width of increasing voltage or decreasing voltage is assigned a 1 or 0 respectively
Quantization Error
Pulse Width Modulation
Fletcher- Munson Curve
A/D Conversion Signal Flow
32. The process of reducing the space required to store data by efficiently encoding the content.
Frames
Compression
Anti-Imaging Filter
Codec
33. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
TOSLINK
Word Clock
Latency
Sine Wave
34. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Fidelity
Footroom
Compression
Exponent
35. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
AES3
Storage Conversion Steps
Normalizing
Lossless Formats
36. Low Pressure; Part in a longitudinal wave where the particles are spread apart
MONO
Inter-Channel Redundancy
2 Dimensions of Sound
Rarefaction
37. Measure of the amplitude of a longitudinal wave
Requirements for CD Audio
Decimation Filter
Intensity
AoE Formats
38. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
dB/SPL
DVD-Audio
Morse Code
Storage Conversion Steps
39. 8.75 GB; DS/SL
Bit Rate
Impulse Response
Sampling Theorem
DVD-10
40. Contains all even and odd harmonics associated with a fundamental tone - making it a rich source for modeling other sounds; Amplitude of each overtone decreases exponentially as a ratio of the harmonic's frequency to that of the fundamental
Sawtooth Wave
CPU Buffering
Adaptive Pulse Code Modulation
Successive Approximation
41. Occurs as data is assembled into meaningful bits or information and as left & right channels are separated
Exponent
Joseph Fourier
I/O Connection Buffering
RMS Meter
42. Reference voltage determined by summing the voltage values of a predetermined number of previous samples; Numbers of 1 in row = waveform peak; Numbers of 0 in row = waveform trough; Basis of Sony's Direct Stream Digital (DSD)
SACD
Sony-Philips Digital Interface Format (S/PDIF)
Pulse Density Modulation
AoE Formats
43. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
TOSLINK
Oscillation
Algorithm
DVD-18
44. The more bits allocated during quantization - the more accurate the measurement
Anti-Imaging Filter
Bit Depth Effect on Dynamic Range
European Broadcasting Union
Perceptual Coding
45. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Footroom
Dithering
SACD
Micron
46. 'Reconstructing' part of digital audio
Quantization Error
X-Axis Terminology
D/A Conversion
Compression
47. Multi-Bit Words; (Pulse Code Modulation)
Decimation Filter
Compression
PCM
Blu-Ray
48. Signal that uses variable voltage to create continuous waves resulting in an inexact transmission
Analog
Playback Buffering
Lossy Formats
Edit Decision List
49. RAM holds in memory audio data before it is transferred to the memory controller; Certain amount of data is processed before large amounts of data are streamed to prevent latency
Dolby 7.1
Codec
Low-Latency Monitoring
Buffering
50. French mathematician that noted that any complex sound can be broken down into a series of component pure tones
DVD-Audio
Word Clock
RMS
Joseph Fourier