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Test your basic knowledge |
Digital Audio
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Having a repeated succession of waves or curves as in a sound waveform
Tascam Digital Interface Format (TDIF)
Oscillation
Sinusoidal
Frames
2. The frequency range that is allowed through a filter
Tascam Digital Interface Format (TDIF)
Requirements for A/D Conversion
Pass Band
Redither
3. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Square Wave
Compression
Dolby 5.1
DVD-Audio
4. (Time Based) Frequency: Aliasing; Anti-Aliasing Filter; Sample Rate; Nyquist Limit
X-Axis Terminology
Optical Cable
Psychoacoustics
Redither
5. Playback; I/O Connections; CPU (Streaming); Conversion from DAW or Software
Average Bit Rate
Storage Conversion Steps
Buffering Locations
dB/FS
6. Multi-Bit Words; (Pulse Code Modulation)
Signal- to- Noise Ratio
Digital Signal Processing
PCM
Data Packing
7. Series of dots and dashes representing the letters of the alphabet; Most common letters are represented by the shortest dots and dashes; Example of entropy coding
Adaptive Pulse Code Modulation
Morse Code
Class - D Amplifier
Delta-Sigma Modulation
8. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Acoustics
Oscillation
Fourier Series
Entropy Coding
9. Defines the number of sample per second taken from a continuous signal to make a discrete signal; Governs the frequency response of digital audio
Non -Compressed Audio Data Rate Formula
Interpolation Filter
Foldover
Sample Rate
10. MPEG; Standardizing body of audio coding
Motion Pictures Experts Group
Claude Shannon
Oversampling
Buffer Size
11. 'Capturing' part of digital audio; Never captures a signal perfectly
RMS Meter
A/D Conversion
Quantizer
Attenuation
12. Allowance of noise floor below that which is required for the final product
Requirements for CD Audio
Oversampling
Jitter
Footroom
13. Process of building a complex tone by starting with the fundamental frequency and adding pure tone harmonics
Additive Synthesis...
Transfer Protocol
6 dB
Blu-Ray
14. ABR; Codecs that encode data by determining how dense or sparse areas of the audio are while also keeping bit rate within specified limits to avoid rebuffering
Additive Synthesis...
Average Bit Rate
Nyquist Frequency
Algorithm
15. Measurement at regular intervals of the amplitude of a varying waveform (in order to convert it to digital form); There must be a minimum of 2 samples for each cycle in a waveform
Sampling (Samples)
Quantization Error
Joint Stereo
Significand
16. Lossless Format; Can hold up to 25GB on a single- layer disc and 50GB on a dual- layer disc
EtherSound
Frames
Inter-Channel Redundancy
Blu-Ray
17. Data reduction technique that selectively removes original information in order to significantly reduce the file size; Some data is lost; Files can be reduced up to 99% in size (90% with no perceived sound quality loss); Bit rate effects the perceive
Lossy
I/O Connection Buffering
Analog
TOSLINK
18. Allows for an internal sample rate at multiples of the input and output rates; Alleviates the need for steep 'brickwall' filters; Often combined with internal '1- bit' processing; Increases smoothing effect
Red Book
Lossy
Oversampling
Decoder
19. Unit of measurement that is equal to one billionth of a meter
Nanometer
Square Wave
Headroom Bits
Dolby 7.1
20. 8- in/8- out on one cable; 25- pin D- sub connector
Digital Signal Processing
Average Bit Rate
Equal Loudness Contour
Tascam Digital Interface Format (TDIF)
21. 7.95 GB; SS/DL
Latency
Intensity Stereo
DVD-9
Recording Levels
22. CBR; Codecs encodes data at a constant rate regardless of density of the audio file
Overflow
Harmonic Content
Constant Bit Rate
Pass Band
23. (Amplitude Based) Amplitude: Voltage; Quantization; Bit Depth; Quantization Intervals; Quantization Noise; [Signal:Quantization Noise Ratio]; Dither; Dynamic Range
Compression
Y-Axis Terminology
Anti-Imaging Filter
Fidelity
24. ADAT Optcal; 8- in/8- out on two cables; Fiber- optic - TOSLINK connector
Lightpipe
Footroom
Equal Loudness Contour
Nyquist Frequency
25. Have odd numbered harmonics
Oscillation
Intensity Stereo
Square Wave
Data Packing
26. Six channel (five speakers and one subwoofer for bass) digital surround sound system by Dolby
Dolby 5.1
Spectra
Micron
Edit Decision List
27. Eight channel digital surround sound system by Dolby
Dolby 7.1
Resolution
Requirements for A/D Conversion
AoE Formats
28. When recording you want the smallest buffer available; When mixing you want the largest buffer available
Buffer Size
Stapedes Reflex
Normalizing
Multichannel Audio Digital Interface (MADI)
29. 1.) Taking a series of evenly- spaced measurements 2.) Signal contains no frequency components higher than half the sample rate
Photoreceptor
Requirements for A/D Conversion
RMS
Decoder
30. Digital and analog processing capability is combined on a single microchip allowing for 1- bit resolution at high sample rates
Voltage
Delta-Sigma Modulation
Peak Level
DVD-18
31. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Intensity
Direct Monitoring
Sample- and-Hold
Perceptual Coding
32. Unit of measurement that is equal to one millionth of a meter
Micron
DVD-Audio
Glass Master
X-Axis Terminology
33. A digital filter's time domain output sequence when the input is a single sample is input
Voltage
Impulse Response
Y-Axis Terminology
CobraNet
34. Process that begins with a fast FFT analysis of the spectra of two input signals - then the multiplication of like frequencies - and IFFT to finalize the process
Conversion Buffering
Pulse Code Modulation
Spectrum Multiplication
Fourier Series
35. Stores only one copy of a stereo signal and assigns it to both channels in order to save 50% of original bandwidth
Amplitude Accuracy
Inter-Channel Redundancy
Sampling Theorem
0 dB FS
36. Sony and Philips optical disc format; Utilizes sigma delta DSD to offer higher resolution; 1- bit; 2.8224 MHz; 6-Channel
Claude Shannon
Physical Disc Format
SACD
I/O Connection Buffering
37. A sample- by- sample operation on two signals
Convolution
Sine Wave
Overflow
Buffer Size
38. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Bit Depth
Harry Nyquist
Fourier Series
Peak Level
39. Waveform of a pure tone showing simple harmonic motion
2 Dimensions of Sound
DVD-5
Recording Levels
Sine Wave
40. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
RMS
Lossless Formats
Harmonic Content
Internal Resolution
41. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Storage Conversion Steps
DVD-14
RMS
Sony-Philips Digital Interface Format (S/PDIF)
42. Electromagnetic receptor that detects the radiation known as visible light
Photoreceptor
Nanometer
Dolby 5.1
Requirements for CD Audio
43. Smallest interval measurable by a scientific instrument; Defined by bit rate (sample rate x bit depth)
Resolution
Optical Cable
Spectra
dBFS
44. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Footroom
Red Book
Data Packing
dBFS
45. Governs the frequency response of a digital system; The highest- frequency component that can be captured with a sampling rate; always 1/2 of sampling rate; Also called the limiting frequency
Intensity
Nyquist Frequency
Buffer Size
Signal- to- Noise Ratio
46. If a signal is sampled at a rate higher than twice the highest significant signal frequency and at evenly spaced intervals - then the samples contain all the information of the original signal
Constant Bit Rate
DVD-10
Conversion Buffering
Sampling Theorem
47. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
European Broadcasting Union
Variable Bit Rate
Dynamic Range
Headroom Bits
48. CobraNet; EtherSound; Dante; AVB (currently under development)
AoE Formats
A/D Conversion
Zero-Latency Monitoring
Exponent
49. Number of bits used to represent the smallest unit of information in an audio file; Greater bit depth = better quality audio
Sample Rate Effect on Anti-Aliasing
Bit Depth
DVD-5
Lossy Formats
50. Fractional part of a floating- point number; Also called the mantissa; Defines precision
Significand
Speed of Sound
I/O Connection Buffering
Glass Master