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Test your basic knowledge |
Digital Audio
Subject
:
engineering
Instructions:
Answer
50
questions in
20 minutes
.
2 minutes extra for reading the instructions.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Measure of sound pressure over the frequency spectrum - for which a listener perceives a constant loudness when presented with pure steady tones
Fourier Series
Equal Loudness Contour
Spectrum Multiplication
CobraNet
2. Mixing data and control characters in a single operation
Interleaved
Intensity Stereo
Amplitude Accuracy
Quantization Intervals
3. Visual graph that shows how loud a sound is at different frequencies
Blu-Ray
Class - D Amplifier
Compression
Sonogram
4. Circuit that interprets the meaning of the symbols as they were chosen and arranged by the encode
Decoder
Edit Decision List
0 dB FS
Effective Bit Depth
5. Multi-Bit Words; (Pulse Code Modulation)
Masking Analysis...
Effective Bit Depth
Ethernet
PCM
6. 1.) Bit Rate x Sample Rate (you'll get b/sec) 2.) Multiply by 60 if converting seconds to minutes 3.) Divide by 8 to convert bits to Bytes and get B/min 4.) Divide by 1 -024 to get KB/min and keep doing it until you get desired bit rate specification
Pulse Width Modulation
Ethernet
Storage Conversion Steps
Fidelity
7. The ability of a digital system to perform complex DSP without running into problems with overflow or loss of resolution
Direct Monitoring
Speed of Sound
Internal Resolution
Morse Code
8. DAW's and software must buffer when converting or bouncing and this latency can add up if not monitored
6 dB
dBFS
Conversion Buffering
Floating Point
9. Unit of measurement that is equal to one millionth of a meter
6 dB
Y-Axis Terminology
Psychoacoustics
Micron
10. Sample Rate x Bit Depth x # of Channels
RMS
Sample Rate Effect on Anti-Aliasing
Non -Compressed Audio Data Rate Formula
Transfer Protocol
11. Root Mean Square; Refers to taking the square root of all instantaneous amplitudes; Takes the average of those squares; (-6 Peak Level is approximately equal to -20 RMS)
Compression
Physical Disc Format
Class - D Amplifier
RMS
12. Full Scale; Type of metering that measures level in digital recording system; Recording and Mixing levels should NEVER exceed 0dB FS in digital audio or clipping will occur
Constant Bit Rate
Codec
dB/FS
Joseph Fourier
13. Reduces the percieved distortion due to quantization error; Low level white noise source is introduced to make the profile of the quantization 'noise' more irregular; Useful when reducing the number of bits per word in a signal (i.e. when converting
Quantization Intervals
DVD-Audio
Rarefaction
Dithering
14. In order to play multiple channels at one time data is buffered as read to disk; Latency happens between play command & beginning of playback
SCMS
Pulse Width Modulation
Aliasing
Playback Buffering
15. HD Audio format; Lossless Compression; 24- bit/96 kHz; 5.1 Surround or 24- bit / 192 kHz stereo sound
Quantization
DVD-Audio
Dithering
Oversampling
16. Amplitude meter that takes the square root of all instantaneous amplitudes and averages them to find a mean and squares that value; Useful with particularly complex waveforms
Dolby 7.1
DVD-18
Compression
RMS Meter
17. Used when the reference pressure of a sound is 20 microPa (0.00002); Sound Pressure Level; Measure of amplitude
Photoreceptor
Spectra
Lossless
dB/SPL
18. The act of a frequency swinging back and forth with a steady - uninterrupted rhythm
Oscillation
Zero-Latency Monitoring
Successive Approximation
Data Packing
19. CobraNet; EtherSound; Dante; AVB (currently under development)
AoE Formats
Dithering
DVD-18
Perceptual Coding
20. The elapsed time it takes for a packet of data to arrive at its destination; Lagging or pause of an audio signal as digital processing occurs; Can be managed utilizing several forms of 'audio monitoring'
Playback Buffering
Convolution
Optical Cable
Latency
21. Algorithm uses matrix of a mid/side microphone pair to determine a side signal & that signal is reduced then distributed as code in stereo
PCM
Sample Rate Effect on Anti-Aliasing
M-S Stereo
DVD-18
22. Voltage -> Dither -> Anti-Aliasing (Low Pass Filter) -> Sample & Hold Circuit -> Successive Approximation/Quantizer --) 100111010 (PCM Audio File)
Threshold of Hearing
Peak Level
AES3
A/D Conversion Signal Flow
23. Most significant lossless coding technique in current use; Measure of disorder in which long strings of data are represented by short symbols and uses the shortest symbols to represent the most common repetitive audio data maximizing data reduction
M-S Stereo
Sawtooth Wave
SCMS
Entropy Coding
24. The difference between the analog value and the approximated digital value due to the 'rounding' that occurs while converting the analog signal to digital
Dynamic Range
Quantization Error
DVD-14
Audio over Ethernet (AoE)
25. Circuit that seizes voltage values with each tick of an A/D device's internal clock
Logical Format
Convolution
Sample- and-Hold
Gain Staging
26. A method of representing real numbers using a mantissa and an exponent
Floating Point
Spectra
Dynamic Range
Joseph Fourier
27. VBR; Most common & best data reduction technique; Codecs that encode data by determining how dense or sparse areas of the audio are; Can result in buffering issues
Variable Bit Rate
Sample- and-Hold
AES3
Conversion Buffering
28. A frequency specified for a filter (digital or electronic) the marks the point at which the frequency content of a signal is altered +/- 3dB
Cutoff Frequency
CobraNet
Sine Wave
DVD-10
29. (AES/EBU); 110O - 2- channel balanced digital audio cable with an XLR connection; NOT a mic cable!!
Compression
Noise Shaping
AES3
Optical Cable
30. Industry Standards: -6 dB Peak = -20 RMS Meter
Resolution
Recording Levels
dB/SPL
A/D Conversion
31. 12.33 GB; DS/ML
Threshold of Hearing
Blu-Ray
Cutoff Frequency
DVD-14
32. 8- in/8- out on one cable; 25- pin D- sub connector
Normalizing
Lossless Formats
Tascam Digital Interface Format (TDIF)
Class - D Amplifier
33. The amount of energy at each wavelength
Spectra
Additive Synthesis...
SCMS
Sample- and-Hold
34. A network communications protocol that specifies how machines will exchange data; Uses a broadcast system in which one machine transmits its message on the communication medium and the other machines listen for messages directed to them
SACD
Cutoff Frequency
Sony-Philips Digital Interface Format (S/PDIF)
Ethernet
35. More accuracy in low amplitudes and less in higher amplitudes
Lossy
Base 2 System
CPU Buffering
Amplitude Accuracy
36. 12cm plastic disc; 1.2mm thick; One- sided; Red Laser; 1.6 microns between tracks; 125 nanometer pits
Fidelity
Red Book
Headroom Bits
Digital
37. Difference in brightness between land and pit on a CD Physical Format
dBFS
Blu-Ray
Index of Reflectivity
Sample Rate Effect on Anti-Aliasing
38. A time regulator that makes all samples and bits to align when working with interconnected digital devices; Basically a signal that all of the digital devices refer to when operating.
Word Clock
Buffering Locations
Playback Buffering
Data Packing
39. Accuracy with which an electronic system reproduces the sound or image of its input signal
Glass Master
European Broadcasting Union
Fidelity
Successive Approximation
40. The art of deciding where to place a processor in signal flow based on how that processor will be influenced by the other processors in the path
Resolution
Gain Staging
TOSLINK
Intensity
41. Found that aliasing was always a problem no matter how fast you sample; Less data recorded but more accurate; 2 samples per wave length.
Pass Band
0 dB FS
Harry Nyquist
Harmonic Content
42. Take up half as many bits (50%); Algorithm can keep same quality by lossing the stereo track
MONO
D/A Conversion
Word Clock
Equal Loudness Contour
43. Number or variable that represents the number of times the base of a power is used as a factor; Defines magnitude
Normalizing
Coaxial
Overflow
Exponent
44. Digital Word -> Series of Resistors (each with assigned charges) -> Sample- and-Hold Circuit -> Anti-Imaging Filter (Smoothing Filter) -> Reconstructed Sample
Peak Level
Sampling Theorem
D/A Conversion Signal Flow
Direct Monitoring
45. How Loud (Y-Axis) & How Fast (X-Axis)
2 Dimensions of Sound
Edit Decision List
Threshold of Hearing
Bit Depth
46. Used as the main disc from which other discs are made; Composed of ground glass with a very fine photoresistor layer; An imaging laser burns pit and land patterns in preparation for duplication
Codec
Successive Approximation
Glass Master
Inter-Channel Redundancy
47. Waveform of a pure tone showing simple harmonic motion
Dithering
Sine Wave
Pulse Code Modulation
M-S Stereo
48. Sum of all harmonics; Sum of sine and cosine waves which have frequencies f - 2f - 3f - 4f...
Coaxial
Delta-Sigma Modulation
Additive Synthesis...
Fourier Series
49. The frequency above or below which attenuation begins in a filter circuit
6 dB
Cutoff Frequency
Harry Nyquist
Buffering
50. Removes high frequency images and noise and smoothes the stair case output coming from of the sample and hold circuit; Also called a SMOOTHING FILTER
Anti-Imaging Filter
Oversampling
Footroom
Acoustics