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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of film stock that is sensitive to (in other words - registers) all tones in the color spectrum
Method acting
Green screen
Panchromatic
Low-angle shot
2. The film medium's technological apparatus is inherently ideological
Backstory
Apparatus Theory
Aspect Ratio
High concept film
3. Drawing attention to the process of representation (including narrative and characterization) to break the theatrical illusion and elicit a distanced - intellectual response in the audience
Pulling
Plot summary
Brechtian distanciation
Star system
4. Dense accumulation of detail conveyed in the opening moments of a film
Voice-over
Handheld shot
Exposition
Screenplay
5. A short segment of film used to promote an upcoming release
Re-establishing shot
Mixing
Trailer
ADR
6. The period of time before principal photography during which actors are signed - sets and costumes designed - and locations scouted
Motivation
Morphing
Shot transition
Pre-production
7. A system for combining two separately filmed images in the same frame that involves create a matte (a black mask that covers a portion of the image) for a live action sequence and using it to block out a portion of the frame when filming the backgrou
Eyeline match
Mockumentary
Mockumentary
Travelling matte
8. A musical in which some or all musical numbers are not motivated by the narrative; for example - characters sing and dance throughout the film but at least some performances are not staged for an onscreen audience. Examples include Oklahoma - The umb
Line of action
Aspect Ratio
Classical style
Integrated musical
9. A system of constructing and arranging buildings and objects on the set so that they diminish in size dramatically from foreground to background - which creates the illusion of depth
Forced perspective
Motivation
Extreme long-shot
Line reading
10. The width of the film stock - measured across the frame. Typical sizes are 8mm - 16mm - 35mm - and 70mm
Cut
Typecasting
Wide-angle lens
Gauge
11. A picture element - a measure of image density. There are approximately 18 million pixels in a frame of 35mm film and 300000-400000 in a video image
Pixel
Extradiegetic
Overlapping dialogue
Long shot
12. Invisible editing; a system devised to minimize the audience's awareness of shot transitions - especially cuts - in order to improve the flow of the story and avoid interrupting the viewer's immersion it in
Diffusion filters
Continuity editing
Auteur
Camera distance
13. A term for film stock used in early cinema that was insensitive to red hues
Telephoto lens
Orthochromatic
Pre-production
Newsreel
14. An effect created when more light is required to produce an image strakes the film stock - so that the resulting image exhibits high contrast - glaring light - and washed out shadows. This effect ma or may not be intentional on the filmmaker's part
Wide-angle lens
Jump cut
Overexposure
Film stock
15. A technique of shifting the camera angle - height - or distance to take into account the motion of actors or objects within the frame
Reframing
Swish pan
Exposure latitude
30-degree rule
16. An efficient system developed for film lighting. In a standard lighting set-up - the key light illuminates the subject - the fill light eliminates shadows cast by the key light - and the back light separates the subject from the background
Flashing
Three-point lighting
Parellel
Compositing
17. A shot taken from a camera position below the subject
Open-ended
Direct sound
Low-angle shot
Lightning mix
18. A computer-generated actor that some speculate will replace flesh and blood actors in the not so distant future
Synthespian
Character actor
Brechtian distanciation
Polarizing filters
19. A technique of overdeveloping exposed film stock (leaving it in the chemical bath longer than indicated) in order to increase density and contrast in the image
Pushing
Soviet montage
Pixel
Scratching
20. Louis Althusser's term for the way in which a society creates its subjects/citizens through ideological (as opposed to repressive) state apparatuses - which include education - media - religion - and the family
Interpellation
Gauge
Post-production
Brechtian distanciation
21. The horizontal turning movement of an otherwise immobile camera across a scene from left to right or vice versa
Cinerama
Dolly
Re-establishing shot
Pan
22. The central cause(s) behind a character's actions
Protagonist
Runaway production
Blaxploitation
Motivation
23. A technique of intentionally adding scratches in a film's emulsion layer for aesthetic purposes - such as to simulate home movie footage
Compositing
Extreme close-up
Scratching
Out-take
24. A type of filter that absorbs certain wavelength but leave others unaffected. On black and white film - color filters lighten or darken tones. On color film - they can produce a range of effects
Subgenre
Digital compositing
Genre conventions
Color filter
25. Muted - washed out color that contains more white than a saturated color
Soviet montage
Panchromatic
Fade-out
Desaturated
26. Any narrative - visual - or sound element that is repeated and thereby acquires and reflects its significance to the story - characters - or themes of the film.
Computer-generated imagery (CGI)
Establishing shot
Extreme wide-angle lens
Motif
27. Processes such as Cinemascope and Cinerama - developed during the 1950s to enhance film's size advantage over the smaller television image
Steadicam
Sound bridge
Widescreen
Establishing shot
28. The space between the camera and subject it is filming.
Compilation film
Camera distance
Emulsion
Long take
29. An action film cycle of the late 1960s and early 1970s that featured bold - rebellious African American characters
Cutaway
Tilt
Blaxploitation
Zoom out
30. Light emitted from a relatively small source positioned close to the subject. It tends to be unflattering because it creates deep shadows and emphasizes surface imperfections
Hollywood Blacklist
Oeuvre
Handheld shot
Hard light
31. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Chiaroscuro
Evaluative claim
Non-diegetic
Tinting
32. A device worn by a camera operator that holds the motion picture camera - allowing it glide smoothly through spaces unreachable by camera mounted on a crane or other apparatus
Point-of-view shot
Loose framing
Steadicam
Underexposure
33. The building block of a scene; an uninterrupted sequence of frames that viewers experience as they watch a film - ending with a cut - fade - dissolve - etc. See also Take
Shot
Turning point
Voice-over
Formalist style
34. Dense accumulation of detail conveyed in the opening moments of a film
Available light
Exposition
Exposure latitude
Blocking
35. A single take that contains an entire scene
Flashback
Protagonist
Kuleshov effect
Master shot
36. Optical illusions created during production - including the use of matte paintings - glass shots - models - and prosthesis
Color filter
Special visual effects
Insert
Selective focus
37. A film that fuses the conventions of two or more genres
Set-up
Polarizing filters
Telecine
Hybrid
38. A vertical - up-and-down - motion of an otherwise stationary camera
Tilt
Long shot
Revisionist
Blockbuster
39. A term used for any narrative sound - or visual element not contained in the story world. Also called 'extradiegetic'
Day for night
Shot
Split screen
Non-diegetic
40. A system for recording images on magnetic tape using a digital signal - that is - an electronic signal comprised of 0s and 1s
Digital video
Shot/reverse shot
Superimposition
Extra
41. Light striking the emulsion layer of the film - activating light-sensitive grains
Exposition
Exposure
Loose framing
Digital video
42. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Evaluative claim
180-degree rule
Vista Vision
Dailies
43. Dialogue that restates What is already obvious from images or action
Prosthesis
On-the-nose dialogue
Extreme wide-angle lens
Narrative
44. A production crew responsible not for shooting the primary footage but - instead - for remote location shooting and B-roll. See also B-roll
Frame narration
Master shot
Second unit
Runaway production
45. A visual effect achieved through the use of photography and digital techniques that appears to stop time and allow the viewer to travel around the subject and view it from a multitude of vantage points
Frozen time moment
Formalist style
Avant-garde film
Recursive action
46. A transparent sheet on which animation artists draw images.
Canted angle
Focus puller
Script supervisor
Cel
47. A shot that interrupts a scene's master shot and may include character reactions
Rear projection
Insert
Shutter
Backstory
48. A fiction film (often a comedy) that uses documentary conventions on fictional rather than real-world subject matter
Scratching
Low-key lighting
Shot transition
Mockumentary
49. Fish-eye lens; With a focal length of 15mm or less - this lens presents an extremely distorted image - where objects in the center of the frame appear to bulge toward the camera
Selective focus
Eyeline match
Video assist
Extreme wide-angle lens
50. The artful use of light and dark areas in the composition in black and white filmmaking
Blaxploitation
Storyboard
Chiaroscuro
Extra