SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Fish-eye lens; With a focal length of 15mm or less - this lens presents an extremely distorted image - where objects in the center of the frame appear to bulge toward the camera
Negative cutter
Extreme wide-angle lens
Telephoto lens
Normal lens
2. An optical technique that divides the screen into two or more frames
Line of action
Diffusion filters
Split screen
Time-lapse photography
3. A technique of depicting two layered images simultaneously. Images from one frame or several frames of film are added to pre-existing images - using an optical printer - to produce the same effect as a double exposure
Shutter
Master positive
Product placement
Superimposition
4. The arrangement of actors on screen as a compositional element that suggests themes - character development - emotional content - and visual motifs
30-degree rule
Insert
Figure placement and movement
Focal length
5. A musical film in which each song and dance number is narratively motivated by a plot that situates characters in performance contexts
Backstage musical
Widescreen
Running time
Classical style
6. Cinema verite; a documentary style in which the filmmaker attempts to remain as unobtrusive as possible - recording without obvious editorial comment
Continuity error
Direct cinema
Composition
Intertextual reference
7. Drawing attention to the process of representation (including narrative and characterization) to break the theatrical illusion and elicit a distanced - intellectual response in the audience
Runaway production
Synthespian
Interpellation
Brechtian distanciation
8. A technique of underdeveloping exposed film stock (leaving it in a chemical batch a shorter amount of time than usual) in order to achieve the visual effect of reducing contrast
Minor studios
Pulling
Voice-over
Overhead shot
9. A contemporary modification of the standard three-act structure that identifies a critical turning point at the halfway mark of most narrative films
Wide film
Fog filter
Four-part structure
Deep focus cinematography
10. An optical effect whereby the human eye fills in gaps between closely spaced objects - so that two light bulbs flashing on and off are understood as one light moving back and forth
Flashforward
Phi phenomenon
Slow motion
Second unit
11. A style associated with Hollywood filmmaking of the studio and post-studio era - in which efficient storytelling - rather than gritty realism or aesthetic innovation - is of paramount importance
Neutral-density filter
Direct cinema
Classical style
Available light
12. A scene transition wherein sound from one scene bleeds over into the ext scene - often resulting in a contrast between sound image
Masking
Integrated musical
Compositing
Sound bridge
13. The technique of telling the story from an all-knowing character. Films that use restricted narration limit the audience's perception to what one particular character knows - but may insert moments of omniscience
Close-up
Rear projection
Omniscient narration
Lens
14. Any noticeable but unintended discrepancy from one shot to the next in costume - props - hairstyle - posture - etc.
Outsourcing
Frame narration
Neutral-density filter
Continuity error
15. A device used to manipulate the amount and/or color of light entering the lens
Digital cinema
Direct cinema
Typecasting
Filter
16. A standard shot pattern that dictates that a shot of one character will be followed by a shot of another character - taken from the reverse angle of the first shot
Jump cut
Intertextual reference
Shot/reverse shot
Newsreel
17. A technique of depicting two layered images simultaneously. Images from one frame or several frames of film are added to pre-existing images - using an optical printer - to produce the same effect as a double exposure
Superimposition
Extra
Revisionist
Toning
18. A lens with a focal length greater than 50 mm (usually between 80mm and 20mm) - which provides a larger image of the subject than a normal or wide-angle lens but which narrows the angle of vision and flattens the depth of the image relative to normal
Digital set extension
Telephoto lens
Pulling
Re-establishing shot
19. An unstated meaning that underlies and is implied by spoken dialogue
Filter
Subtext
Actualitas
Negative
20. A shot in a sequence that is taken from the reverse angle of the shot previous to it
Forced perspective
Reverse shot
Direct cinema
Spec script
21. The distance in millimeters from the optical center of a lens to the lane where the sharpest image is formed while focusing on a distant object
Focal length
Hollywood Blacklist
Wipe
Iris in...
22. A technique used to join live action with pre-recorded background images. A projector is aimed at a half-silvered mirror that reflects the background - which the camera records as being located behind the actors
Selective focus
Tableau shot
Synthespian
Front projection
23. A group of films within a given genre that share their own specific set of conventions that differentiate them from other films in the genre. For example - the slasher film is a subgenre of the horror genre
Subgenre
Eye-level shot
Overlapping dialogue
Insert
24. A system initially developed for marketing films by creating and promoting stars as objects of admiration. The promotion of stars has now become an end in itself
Reframing
Star system
Orthochromatic
Medium shot
25. A continuity editing technique that preserves spatial continuity by using a character's line of vision as motivation for a cut
Travelling matte
On-the-nose dialogue
Eyeline match
Eye-level shot
26. A visual effect created when the subject in the frame is restricted by the objects or the physical properties of the set
Tight framing
Loose framing
Tracking shot
Handheld shot
27. A short documentary on current events - show in movie theaters along with cartoons and feature films beginning in the 1930s
Newsreel
ADR
Line reading
Montage sequence
28. A story narrated by one of the characters within the story - using the 'I' voice
Parellel editing
Compositing
Depth of field
First-person narration
29. A term used for any narrative sound - or visual element not contained in the story world. Also called 'extradiegetic'
Reframing
Apparatus Theory
Animation
Non-diegetic
30. A film style that emerged in the 1910s in Germany. It was heavily indebted to the Expressionist art movement of the time and influenced subsequent horror films and film noir
German Expressionism
Tableau shot
Non-diegetic
Flashback
31. Secondary footage that is interspersed with master shots - sometimes in the form of footage shot for another production or archival footage
Lightning mix
Take
Foley artist
B-roll
32. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Computer-generated imagery (CGI)
Telephoto lens
Evaluative claim
Vertical integration
33. A technique of shooting a scene at a very high speed (96 frames per second) - then adding and subtracting frames in post-production - 'fanning out' the action through the overlapping images
Canted angle
Motivation
Go-motion
Recursive action
34. The practice of shooting during the day but using filters and underexposure to create the illusion of nighttime
Day for night
Crane shot
Saturation
Color consultant
35. Non-diegetic; any element in the film that is not part of the imagined story world
Outsourcing
Extradiegetic
Character actor
Lightning mix
36. A narrative - visual - or sound element that refers viewers to other films or works of art
Intertextual reference
Genre conventions
Flashforward
Medium long shot
37. A machine that converts film prints to videotape format
Parellel
Handheld shot
Telecine
Visual effects
38. A group of films within a given genre that share their own specific set of conventions that differentiate them from other films in the genre. For example - the slasher film is a subgenre of the horror genre
Shot/reverse shot
Text
Subgenre
Foley artist
39. An agreement made between filmmakers and those who license the use of commercial products to feature those products in films - generally as props used by characters
Newsreel
B-roll
Matte
Product placement
40. A small - variable opening on a camera lens that regulates the amount of light entering the camera and striking the surface of the film
Blaxploitation
Aperture
Re-establishing shot
Studio system
41. Everything audiences hear when they watch a sound film. The soundtrack is the composite of all three elements of film sound: dialogue - music - and sound effects
Soundtrack
Release prints
Overexposure
Text
42. A film composed entirely of footage from other films.
Cutaway
Cinerama
Compilation film
Fade-out
43. Muted - washed out color that contains more white than a saturated color
Desaturated
Emulsion
Promotion
Synthespian
44. A technique of underdeveloping exposed film stock (leaving it in a chemical batch a shorter amount of time than usual) in order to achieve the visual effect of reducing contrast
Toning
Matte painting
Pulling
Extreme wide-angle lens
45. A scene transition in which the first frame of the incoming scene appears to push the last frame of the previous scene off the screen horizontally
Wipe
Panchromatic
Iris out
Depth of field
46. A sound editing technique that links several scenes through parallel and overlapping sounds. Each sound is associated with one scene - unlike a sound bridge - where a sound from one scene bleeds into that of another
Kuleshov effect
Digital set extension
Extra
Lightning mix
47. Lighting design that provides an even illumination of the subject - with many facial details washed out. High-key lighting tends to create a hopeful mood - in contrast to low-key lighting
Underexposure
High-key lighting
Vista Vision
Montage sequence
48. The camera does not move across an imagined line drawn between two characters
Wireframe
Animation
Insert
180-degree rule
49. The film medium's technological apparatus is inherently ideological
Deep focus cinematography
Neutral-density filter
Apparatus Theory
Dolly
50. The falling or unraveling action after the climax of a narrative that leads to resolution
Hybrid
Denouement
Master shot
Crane shot