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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An abrupt - inexplicable shift in time and place of an action not signaled by an appropriate shot transition
Anamorphic lens
Jump cut
Newsreel
Frame narration
2. A large-budget film whose strategy is to swamp the competition through market saturation
Split screen
Digital cinema
Blockbuster
Animation
3. A narrative - visual - or sound element that refers viewers to other films or works of art
Establishing shot
Intertextual reference
Foley artist
Widescreen
4. Also called 'd-cinema.' Not to be confused with digital cinematography (shooting movies on digital video) - this term refers to using digital technologies for exhibition
Promotion
Frozen time moment
Digital cinema
Continuity editing
5. A lens with a focal length greater than 50 mm (usually between 80mm and 20mm) - which provides a larger image of the subject than a normal or wide-angle lens but which narrows the angle of vision and flattens the depth of the image relative to normal
Aspect Ratio
Aperture
Telephoto lens
Split screen
6. A narrative approach that limits the audience's view of events to that of the main character(s) in the film. Occasional moments of omniscient narration may give viewers more information than the character shave at specific points in the narrative
Iris in...
Restricted narration
Realist style
Promotion
7. The use of editing techniques - such as a fade or dissolve - to indicate the end of one scene and the beginning of another
Shot transition
Zoom lens
Focal length
Vertical integration
8. Louis Althusser's term for the way in which a society creates its subjects/citizens through ideological (as opposed to repressive) state apparatuses - which include education - media - religion - and the family
Phi phenomenon
Interpellation
Digital set extension
Mockumentary
9. The reverse of Iris in: an iris expands outward until the next shot takes up the entire screen
Runaway production
Prosthesis
Iris out
Pixel
10. A filter that creates points of light that streak outward from a light source
Cutaway
Optical printer
Persistence of vision
Star filter
11. Squeezes the image at a ratio of 2:1 horizontally onto a standard film frame. On the projector - it unsqueezes the image - creating a widescreen aspect ratio during presentation
Diegesis
Propaganda film
Star system
Anamorphic lens
12. A short screen appearance by a celebrity - playing himself or herself
Non-diegetic
Backstory
Cameo
Flashing
13. A format that uses a larger film stock than standard 35mm. IMAX - Omnimax - and Showscan are shot on 70mm film
Fast motion
Extreme close-up
Descriptive claim
Wide film
14. A technique of 'pushing' the film (overdeveloping it) to correct problems of underexposure (resulting from insufficient light during shooting) by increasing image contrast
Lightning mix
Establishing shot
Forced development
Low-key lighting
15. A production term referring to coordinating actors' movements with lines of dialogue
Fog filter
Turning point
Crane shot
Blocking
16. A device attached to the film camera that records videotape of what has been filmed - allowing the director immediate access to video footage
Compilation film
Scratching
Gaffer
Video assist
17. An alternative to continuity editing - this style of editing was developed in silent Soviet cinema - based on the theory that editing should exploit the difference between shots to generate intellectual and emotional responses in the audience
Score
Establishing shot
Soviet montage
Medium long shot
18. The measure of intensity or purity of a color. Saturated color is purer than desaturated color - which has more white in it and thus offers a washed-out - less intense version of a color
Time-lapse photography
Orthochromatic
Saturation
Screenplay
19. An alternative to continuity editing - this style of editing was developed in silent Soviet cinema - based on the theory that editing should exploit the difference between shots to generate intellectual and emotional responses in the audience
Soviet montage
High-key lighting
Backstage musical
Telecine
20. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Frame narration
Antagonist
Evaluative claim
Character actor
21. Drawing attention to the process of representation (including narrative and characterization) to break the theatrical illusion and elicit a distanced - intellectual response in the audience
Shutter
Reverse shot
Animation
Brechtian distanciation
22. Creating an image by combining several elements created separately using computer graphics rather than photographic means
High-angle shot
Digital compositing
Major studios
Blockbuster
23. Also called 'stop motion photography.' A technique of photographing a scene one frame at a time and moving the model between each shot
Cel
Pixilation
Direct cinema
Offscreen space
24. Images that originate from computer graphics technology - rather than photography
Standard shot pattern
Computer-generated imagery (CGI)
Bleach bypass
Extra
25. A technique used to join live action with pre-recorded background images. A projector is aimed at a half-silvered mirror that reflects the background - which the camera records as being located behind the actors
Line reading
Master positive
Front projection
Composition
26. Non-diegetic; any element in the film that is not part of the imagined story world
Syuzhet
Extradiegetic
Subgenre
Special visual effects
27. Light striking the emulsion layer of the film - activating light-sensitive grains
Special visual effects
Reframing
Exposure
Third-person narration
28. The camera should move at least 30 degrees any time there is a cut within a scene
Lens
30-degree rule
Parellel editing
Pushing
29. A crew member who reports to the Director of Photography (DP) and is in charge of tasks involving lighting and electrical needs
Product placement
Running time
Four-part structure
Gaffer
30. Non-diegetic; any element in the film that is not part of the imagined story world
Zoom out
Tracking shot
Composition
Extradiegetic
31. The arrangement of images to depict a unified storyline
Narrative sequencing
Trailer
Forced perspective
Shot transition
32. An attribute of newer television monitors - where each frame is scanned by the electron beam as a single field. If slowed down - each frame would appear on the monitor in its entirety on the screen - rather than line by line - as is the case with int
Aspect Ratio
Persistence of vision
Medium shot
Progressive scanning
33. A character who in some way opposes the protagonist - leading to protracted conflict
Optical printer
Antagonist
Negative cutter
Color consultant
34. The narrative path of the main or supporting characters - also called a plotline. Complex films may have several lines of action
Focal length
Interpretive claim
Motif
Line of action
35. The shape of the image onscreen as determined by the width of the frame relative to its height
Wireframe
Wireframe
Aspect Ratio
Vertical integration
36. A chemical coating on film stock containing light-sensitive grains
Protagonist
Three-point lighting
Emulsion
Wipe
37. (Automatic dialogue replacement) recording synchronized dialogue in post-production - cutting several identical lengths of developed film and having actors record the dialogue repeatedly
Diffusion filters
Shot/reverse shot
ADR
Glass shot
38. Dialogue that restates What is already obvious from images or action
Fast motion
Tight framing
On-the-nose dialogue
Line reading
39. A technique of manipulating focus to direct the viewer's attention
Zoom lens
Analog Video
Selective focus
Studio system
40. A shot filmed from an airplane or helicopter
Aerial Shot
Tracking shot
Camera distance
Persistence of vision
41. Cinema verite; a documentary style in which the filmmaker attempts to remain as unobtrusive as possible - recording without obvious editorial comment
Assistant Editor
Loose framing
Masking
Direct cinema
42. Creating an image by combining several elements created separately using computer graphics rather than photographic means
Third-person narration
First-person narration
Digital compositing
Turning point
43. The aspect ratio of 1.33:1 - standardized by the Academy of Motion Picture Art and Sciences until the development of widescreen formats in the 1950s
Academy Ratio
Best boy
Parellel editing
Jump cut
44. A shot taken by a camera that is held manually rather than supported by a tripod - crane or Steadicam. Generally - such shots are shaky - owing to the motion of the camera operator
Handheld shot
Overexposure
Fabula
Point-of-view shot
45. An optical effect whereby the human eye fills in gaps between closely spaced objects - so that two light bulbs flashing on and off are understood as one light moving back and forth
Evaluative claim
Shot/reverse shot
Pulling
Phi phenomenon
46. A shot in a sequence that is taken from the reverse angle of the shot previous to it
Composition
Undercranking
Reverse shot
Handheld shot
47. The classical model of narrative form. The first act introduces characters and conflicts; the second act offers complication leading to a climax; the third act contains the danouement and resolution
Director
Three-act structure
Desaturated
Color timing
48. A business model adopted by the major studios during the Hollywood studio era - in which studios controlled all aspects of the film business - from production to distribution and exhibition
Vertical integration
Text
Travelling matte
Product placement
49. A small - variable opening on a camera lens that regulates the amount of light entering the camera and striking the surface of the film
Aperture
Tilt
Continuity editor
Shutter
50. A property of older television monitors - where each frame was scanned as two fields: One consisting of all the odd numbered lines - the other all the even lines. If slowed down - the television image would appear to sweep down the screen one line at
Interpretive claim
Interlaced scanning
Widescreen
Continuity error
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