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Test your basic knowledge |
Film Vocab
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Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
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study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The distance in millimeters from the optical center of a lens to the lane where the sharpest image is formed while focusing on a distant object
Available light
Shot/reverse shot
Storyboard
Focal length
2. A shot combining two kinds of movement: the camera tracks in toward the subject wile the lens zooms out
Evaluative claim
Travelling matte
Third-person narration
Trombone shot
3. A machine used to create optical effects such as fades - dissolves - and superimpositions. Most are now created digitally
Tableau shot
Motivation
Optical printer
Major studios
4. A device that projects photographs or footage onto glass so that images can be traced by hand to create animated images
Match on action
Anamorphic lens
Rotoscope
Digital set extension
5. The rules of character - setting - and narrative that films that belong to a genre - such as Westerns - horror films - and screwball comedies - generally obey.
Re-establishing shot
Shot transition
Genre conventions
Four-part structure
6. The first shot in a standard shot sequence. Its purpose is to provide a clear representation of the location of the action
Establishing shot
Canted angle
Three-act structure
Widescreen
7. The aspect ratio of 1.33:1 - standardized by the Academy of Motion Picture Art and Sciences until the development of widescreen formats in the 1950s
Dailies
Charge coupler device
Recursive action
Academy Ratio
8. A machine that converts film prints to videotape format
Long take
Telecine
Oeuvre
City symphony
9. Standard shot pattern: A sequence of shots designed to maintain spatial continuity. Scene begin with an establishing shot - then move to a series of individual shots depicting characters and action - before reestablishing shots re-orient viewers to t
Descriptive claim
Genre conventions
Third-person narration
Standard shot pattern
10. Also called 'd-cinema.' Not to be confused with digital cinematography (shooting movies on digital video) - this term refers to using digital technologies for exhibition
Available light
Digital set extension
On-the-nose dialogue
Digital cinema
11. A term that refers to the organization of an industry wherein one type of corporation also owns corporations in allied industries - for example - film production and video games
Extreme close-up
Ethnographic film
Reverse shot
Horizontal integration
12. A film style that - in contrast to the classical and formalist styles - focuses characters - place - and the spontaneity and digressiveness of life - rather than on highly structured stories or aesthetic abstraction
Soft light
Realist style
Focus puller
Tilt
13. A film process that uses 35mm film stock but changes the orientation of the film so that the film moves through the camera horizontally instead of vertically. The larger image is of higher quality than standard 35mm processes
Ethnographic film
Hybrid
Extra
Vista Vision
14. A story narrated by one of the characters within the story - using the 'I' voice
Assistant Editor
Saturation
First-person narration
ADR
15. A shot taken from a vantage point so close that only a part of the subject is visible. On an actor - it might show only an eye or a portion of the face
High-angle shot
Lens
Animation
Extreme close-up
16. An uncredited actor - usually hired for crowd scenes
Exposition
Superimposition
Forced perspective
Extra
17. The building block of a scene; an uninterrupted sequence of frames that viewers experience as they watch a film - ending with a cut - fade - dissolve - etc. See also Take
Narrative sequencing
Shot
Newsreel
Offscreen space
18. A transparent sheet on which animation artists draw images.
Script supervisor
Omniscient narration
Character actor
Cel
19. A technique of shifting the camera angle - height - or distance to take into account the motion of actors or objects within the frame
Pan
Extreme long-shot
Reframing
Release prints
20. The term for a film's spoken dialogue - as opposed to the underlying meaning contained in the subtext
Persistence of vision
Depth of field
Panchromatic
Text
21. A shot taken fro a position directly above the action - also called a 'birds' eye shot'
Overhead shot
Intertextual reference
Classical style
Synthespian
22. A sound editing technique that links several scenes through parallel and overlapping sounds. Each sound is associated with one scene - unlike a sound bridge - where a sound from one scene bleeds into that of another
Lightning mix
Chiaroscuro
Flashing
Film stock
23. An optical effect whereby the eye continues to register a visual stimulus in the brain for a brief period after that stimulus has been removed
Three-act structure
Reframing
Major studios
Persistence of vision
24. A shot that includes a human figure from the shoulders up
On-the-nose dialogue
Pulling
Medium close-up
ADR
25. The horizontal turning movement of an otherwise immobile camera across a scene from left to right or vice versa
Shot transition
Protagonist
Newsreel
Pan
26. A technique of overdeveloping exposed film stock (leaving it in the chemical bath longer than indicated) in order to increase density and contrast in the image
Assistant Editor
Pushing
Travelling matte
Compositing
27. Leaving the silver grains in the emulsion rather than bleaching them out - which produces desaturated color
Natural-key lighting
Line reading
Animation
Bleach bypass
28. Film productions shot outside the U.S. for economic reasons
Blue screen
Runaway production
Trombone shot
Eyeline match
29. The selection and ordering of narrative events presented in a film
Intertextual reference
Extradiegetic
Syuzhet
Soundtrack
30. Also called 'stop motion photography.' A technique of photographing a scene one frame at a time and moving the model between each shot
Special visual effects
Pixilation
Three-act structure
Roadshowing
31. A format that uses a larger film stock than standard 35mm. IMAX - Omnimax - and Showscan are shot on 70mm film
Wide film
Block booking
Academy Ratio
Newsreel
32. The annotated script - containing information about set-ups used during shooting
Toning
Negative
Match on action
Shooting script
33. The central cause(s) behind a character's actions
Motivation
Travelling matte
Subtext
Anime
34. A compositing method that allows cinematographers to combine live action and settings that are filmed or created separately. Actors are filmed against a green or blue background. During post-production - this background is filled in with an image thr
Standard shot pattern
Green screen
Matte
Blocking
35. Live action is filmed in front of a blue screen and a matte. It's then joined with the background footage
Glass shot
Travelling matte
Montage sequence
Blue screen
36. The selection and ordering of narrative events presented in a film
Flashforward
Low-key lighting
Camera distance
Syuzhet
37. A technique of moving from the telephoto position to the wide-angle position of a zoom lens - which results in the subject appearing to become smaller within the frame - while remaining in focus
Zoom out
Film stock
Loose framing
Scratching
38. A musical accompaniment written specifically for a film
Extra
Score
Negative cutter
Direct cinema
39. Lighting design in which the greater intensity of the key light makes it impossible for the fill to eliminate shadows - producing a high-contrast image (with many grades of light and dark) - a number of shadows - and a somber mood
Rack focus
Scene
Orthochromatic
Low-key lighting
40. Louis Althusser's term for the way in which a society creates its subjects/citizens through ideological (as opposed to repressive) state apparatuses - which include education - media - religion - and the family
Composition in depth
Interpellation
Star filter
Selective focus
41. A term used for any narrative sound - or visual element not contained in the story world. Also called 'extradiegetic'
Graphic match
Apparatus Theory
Non-diegetic
Dailies
42. An actor whose career rests on playing minor or secondary quirky characters rather than leading roles
Gaffer
Character actor
Realist style
Focal length
43. A model of industrial organization in the film industry from about 1915 to 1946 - characterized by the development of major and minor studios that produced - distributed - and exhibited films - and held film actors - directors - art directors - and o
Forced perspective
Studio system
Script supervisor
Character actor
44. The camera should move at least 30 degrees any time there is a cut within a scene
Morphing
30-degree rule
Restricted narration
Cutaway
45. A film's main characters - one whose conflicts and motives drive the story forward
Fast motion
Blockbuster
Protagonist
Parellel
46. Processes such as Cinemascope and Cinerama - developed during the 1950s to enhance film's size advantage over the smaller television image
Masking
Mixing
Selective focus
Widescreen
47. A group of films within a given genre that share their own specific set of conventions that differentiate them from other films in the genre. For example - the slasher film is a subgenre of the horror genre
Second unit
Digital video
Subgenre
Cutaway
48. The non-chronological insertion of scenes of events yet to happen into the present day of the story world
Digital set extension
Soft light
Screenplay
Flashforward
49. The practice or repeatedly casting actors in similar roles across different films
Digital set extension
Insert
Typecasting
Figure placement and movement
50. The artful use of light and dark areas in the composition in black and white filmmaking
Tinting
Masking
Oeuvre
Chiaroscuro
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