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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The imagined world of the story
Plot summary
Vertical integration
Medium close-up
Diegesis
2. A scene filmed and processed but not selected to appear in the final version of the film
Out-take
Screenplay
Turning point
Syuzhet
3. Non-diegetic; any element in the film that is not part of the imagined story world
Extradiegetic
Set-up
Exposure
Intertextual reference
4. A shot that appears during or near the end of a scene and reorients viewers to the setting
Subgenre
Re-establishing shot
Go-motion
Release prints
5. Thin - flexible material comprised of base and emulsion layers - onto which light rays are focused and which is processed in chemicals to produce film images
Second unit
Fog filter
Subtext
Film stock
6. Assists the editor with various tasks - including taking footage to the lab - checking the condition of the negative - cataloguing footage - and supervising optical effects - often produced by an outside company
Selective focus
Assistant Editor
Tracking shot
Descriptive claim
7. The first shot in a standard shot sequence. Its purpose is to provide a clear representation of the location of the action
Establishing shot
Frozen time moment
30-degree rule
Go-motion
8. A shot taken from a level camera located approximately 5' to 6' from the ground - simulating the perspective of a person standing before the action presented
Intertextual reference
Eye-level shot
Pushing
Propaganda film
9. The measurement of how forgiving a film stock is. It determines whether an acceptable image will be produced when the film stock is exposed to too little or too much light
Wipe
Analog Video
Exposure latitude
Direct cinema
10. An effect created when too little light strikes the film during shooting. As a result the image will contain dark areas that appear very dense and dark (including shadows) and the overall contrast will be less than with a properly exposed image
Fast motion
Zoom lens
Underexposure
Dailies
11. The chronological accounting of all events presented and suggested
Fabula
Interlaced scanning
Two-shot
Panchromatic
12. A camera shot taken at a large distance from the subject. Using the human body as the subject - a long shot captures the entire human form
Sound bridge
Long shot
Genre conventions
Realist style
13. A platform on wheels - used for mobile camera shots
Dolly
Morphing
Flashforward
City symphony
14. A complete narrative unit within a film - with its own beginning - middle - and end. Often scenes are unified - and distinguished from one another - by time and setting
Cut
Scene
Sound bridge
Trailer
15. Squeezes the image at a ratio of 2:1 horizontally onto a standard film frame. On the projector - it unsqueezes the image - creating a widescreen aspect ratio during presentation
Propaganda film
Horizontal integration
Anamorphic lens
Match on action
16. The practice of shooting during the day but using filters and underexposure to create the illusion of nighttime
Star filter
Day for night
Medium close-up
Three-point lighting
17. A device worn by a camera operator that holds the motion picture camera - allowing it glide smoothly through spaces unreachable by camera mounted on a crane or other apparatus
Line reading
30-degree rule
Revisionist
Steadicam
18. A mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation
Kuleshov effect
Montage sequence
Shot
Tracking shot
19. A series of individual drawings that provides a blueprint for the shooting of a scene
Propaganda film
Overexposure
Storyboard
Block booking
20. A documentary or occasionally - a narrative film that presents only one side of an argument or one approach to a subject
Revisionist
Shot transition
Cel
Propaganda film
21. Any narrative - visual - or sound element that is repeated and thereby acquires and reflects its significance to the story - characters - or themes of the film.
Composition in depth
Base
Available light
Motif
22. A film composed entirely of footage from other films.
Zoom lens
Direct sound
Compilation film
Depth of field
23. A style of stage acting developed from the teachings of Constantin Stanislavsky - which trains actors to get into character through the use of emotional memory
Base
Rotoscope
Method acting
Montage sequence
24. A visual effect achieved through the use of photography and digital techniques that appears to stop time and allow the viewer to travel around the subject and view it from a multitude of vantage points
Continuity error
Horizontal integration
Graphic match
Frozen time moment
25. Muted - washed out color that contains more white than a saturated color
Graphic match
Medium shot
Desaturated
Classical style
26. A film style that - in contrast to the classical and formalist styles - focuses characters - place - and the spontaneity and digressiveness of life - rather than on highly structured stories or aesthetic abstraction
Insert
Compilation film
Realist style
Camera distance
27. Also called 'stop motion photography.' A technique of photographing a scene one frame at a time and moving the model between each shot
Computer-generated imagery (CGI)
Pixilation
Eye-level shot
Exposure
28. An uncredited actor - usually hired for crowd scenes
Hollywood Blacklist
Extra
Visual effects
Second unit
29. A consistent style - theme - and subject matter developed over the course of a director's body of work
Dailies
Oeuvre
Extreme close-up
Composition in depth
30. A flexible celluloid strip that - along with the emulsion layer - comprises 35mm film stock
Base
Turning point
Backstory
Major studios
31. A technique of running the motion picture camera at a speed slower than projection speed (24 frames per second) - in order to produce at a fast motion sequence when projected at normal speed. The term derives from early film cameras - which were cran
Superimposition
Exposition
Extradiegetic
Undercranking
32. A format that uses a larger film stock than standard 35mm. IMAX - Omnimax - and Showscan are shot on 70mm film
Forced development
Pan
Frozen time moment
Wide film
33. A method for producing a widescreen image without special lenses or equipment - using standard film stock and blocking out the top and bottom of the frame to achieve an aspect ration of 1.85:1
Interlaced scanning
Go-motion
Masking
Syuzhet
34. A change of focus from one plane of depth to another. As the in-focus subject goes out of focus - another object - which has been blurry - comes into focus in either the background or the foreground
Trailer
Reframing
Parellel
Rack focus
35. The camera does not move across an imagined line drawn between two characters
Cel
Shot/reverse shot
180-degree rule
Eye-level shot
36. These filters bend the light coming into lens - softening and blurring the image
Fade-out
Star filter
Diffusion filters
Filter
37. A narrative - visual - or sound element that refers viewers to other films or works of art
Intertextual reference
Subgenre
Progressive scanning
Optical printer
38. Early films that documented everyday events - such as workers leaving a factory
Star persona
Actualitas
Open-ended
Extreme long-shot
39. Dutch angle; a shot resulting from a static camera that is tilted to the right or left - so that the subject in the frame appears at a diagonal
Avant-garde film
Mixing
Canted angle
Classical style
40. A device used to manipulate the amount and/or color of light entering the lens
Classical style
Overexposure
Split screen
Filter
41. A machine used to create optical effects such as fades - dissolves - and superimpositions. Most are now created digitally
Optical printer
Hollywood Blacklist
Video assist
Sound bridge
42. A compositing method that allows cinematographers to combine live action and settings that are filmed or created separately. Actors are filmed against a green or blue background. During post-production - this background is filled in with an image thr
Outsourcing
Medium long shot
Restricted narration
Green screen
43. An actor whose career rests on playing minor or secondary quirky characters rather than leading roles
Overlapping dialogue
Rotoscope
Character actor
Desaturated
44. Live action is filmed in front of a blue screen and a matte. It's then joined with the background footage
First-person narration
Blue screen
Extradiegetic
Deep focus cinematography
45. The technique of telling the story from an all-knowing character. Films that use restricted narration limit the audience's perception to what one particular character knows - but may insert moments of omniscience
Kuleshov effect
Cinerama
Underexposure
Omniscient narration
46. Sound design that blends the speech of several characters talking simultaneously - used to create spontaneity - although it may also confuse the audience
Blocking
Overlapping dialogue
Tilt
Focal length
47. A brief chronological description of the basic events and characters in a film. It does not include interpretive or evaluative claims
Extradiegetic
Vertical integration
Plot summary
Genre
48. An attribute of newer television monitors - where each frame is scanned by the electron beam as a single field. If slowed down - each frame would appear on the monitor in its entirety on the screen - rather than line by line - as is the case with int
Matte
Revisionist
Handheld shot
Progressive scanning
49. The use of editing techniques - such as a fade or dissolve - to indicate the end of one scene and the beginning of another
Frozen time moment
Tracking shot
Post-production
Shot transition
50. Assists the gaffer in managing lighting crews
Best boy
Telephoto lens
Backstage musical
Persistence of vision