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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A story; a chain of events linked by cause-and-effect logic
Narrative
Propaganda film
Direct cinema
Promotion
2. A filter that creates points of light that streak outward from a light source
Star filter
Aspect Ratio
Establishing shot
Shot/reverse shot
3. A production term denoting a single uninterrupted series of frames exposed by a motion picture or video camera between the time it is turned on and the time it is turned off. Filmmakers shoot several takes of any scene and the film editor selects the
Point-of-view shot
Take
City symphony
Loose framing
4. A person responsible for putting a film together from a mass of developed footage - making decisions regarding pace - shot transitions - and which scenes and shots will be used
Trailer
Motivation
Editor
Zoom lens
5. A technique of depicting two layered images simultaneously. Images from one frame or several frames of film are added to pre-existing images - using an optical printer - to produce the same effect as a double exposure
Extreme close-up
Wireframe
Sound bridge
Superimposition
6. A short documentary on current events - show in movie theaters along with cartoons and feature films beginning in the 1930s
Split screen
Newsreel
Continuity editor
Panning and scanning
7. Author; A term popularized by French film critics and refers to film directors with their own distinctive style
Auteur
Star system
Cel
Out-take
8. A digital technique developed by Industrial Light and Magic - which builds movement sequences from single frames of film
Freeze frame
Letterboxing
Go-motion
Extreme long-shot
9. A documentary or occasionally - a narrative film that presents only one side of an argument or one approach to a subject
Emulsion
Extra
Reverse shot
Propaganda film
10. A shot taken from a camera position above the subject - looking down at it
Focus puller
Telephoto lens
Overlapping dialogue
High-angle shot
11. A relatively long - uninterrupted sot - generally of a minute or more
Studio system
Classical style
Long take
Computer-generated imagery (CGI)
12. An alternative to classical and realist styles - formalism is a self-consciously interventionist approach that explores ideas - abstraction - and aesthetics rather than focusing on storytelling (as in classical films) or everyday life (as in realist
Reverse shot
Best boy
Motif
Formalist style
13. Glass filters whose surface is etched with spots that refract light - so they create the appearance of water droplets in the air
B-roll
Continuity editing
Rotoscope
Fog filter
14. A story narrated by one of the characters within the story - using the 'I' voice
Overlapping dialogue
Recursive action
First-person narration
Pan
15. The chronological accounting of all events presented and suggested
Phi phenomenon
On-the-nose dialogue
Subgenre
Fabula
16. A crew member who works in post-production in a specially equipped studio to create the sounds of the story world - such as the shuffling of shoes on various surfaces for footsteps
Foley artist
Brechtian distanciation
Wide film
Trombone shot
17. A musical in which some or all musical numbers are not motivated by the narrative; for example - characters sing and dance throughout the film but at least some performances are not staged for an onscreen audience. Examples include Oklahoma - The umb
Deep focus cinematography
Telephoto lens
Revisionist
Integrated musical
18. Dense accumulation of detail conveyed in the opening moments of a film
Rack focus
Hard light
Exposition
Iris out
19. The selection and ordering of narrative events presented in a film
Depth of field
Anamorphic lens
Syuzhet
Fast motion
20. A narrative - visual - or sound element that refers viewers to other films or works of art
Outsourcing
Tilt
Intertextual reference
First-person narration
21. A production crew responsible not for shooting the primary footage but - instead - for remote location shooting and B-roll. See also B-roll
Score
Second unit
Graphic match
Typecasting
22. Using computer graphics to 'build' structures connected to the actual architecture on set or location
Outsourcing
Plot summary
Digital set extension
Digital compositing
23. A vertical - up-and-down - motion of an otherwise stationary camera
Interpretive claim
High-angle shot
Digital compositing
Tilt
24. An effect created when too little light strikes the film during shooting. As a result the image will contain dark areas that appear very dense and dark (including shadows) and the overall contrast will be less than with a properly exposed image
Underexposure
Synthespian
Recursive action
Third-person narration
25. A device attached to the film camera that records videotape of what has been filmed - allowing the director immediate access to video footage
Anamorphic lens
Foley artist
Third-person narration
Video assist
26. Devices that attach to actors' faces and/or bodies to change their appearance
Descriptive claim
Time-lapse photography
Diffusion filters
Prosthesis
27. A short screen appearance by a celebrity - playing himself or herself
Newsreel
Fabula
Special visual effects
Cameo
28. An optical technique that divides the screen into two or more frames
Tinting
Split screen
Mixing
Fast motion
29. Then Hollywood writers and directors cited for Contempt of Congress for refusing to cooperate with the House Committee on Un-American Activities' attempts to root out Communists in the film industry
Auteur
Hollywood Ten
Interpretive claim
Deep focus cinematography
30. A method for producing a widescreen image without special lenses or equipment - using standard film stock and blocking out the top and bottom of the frame to achieve an aspect ration of 1.85:1
Masking
Evaluative claim
B-roll
Turning point
31. The non-chronological insertion of events from the past into the present day of the story world
Digital video
Parellel
Medium long shot
Flashback
32. A group of films within a given genre that share their own specific set of conventions that differentiate them from other films in the genre. For example - the slasher film is a subgenre of the horror genre
Descriptive claim
Subgenre
Best boy
Forced development
33. A narrative moment that signals an important shift of some kind in character or situation
Emulsion
Closure
Turning point
Continuity error
34. A technique of underdeveloping exposed film stock (leaving it in a chemical batch a shorter amount of time than usual) in order to achieve the visual effect of reducing contrast
Chiaroscuro
Pulling
Iris out
Digital video
35. A film process that uses 35mm film stock but changes the orientation of the film so that the film moves through the camera horizontally instead of vertically. The larger image is of higher quality than standard 35mm processes
Vista Vision
Reframing
Pushing
Parellel
36. A technique used to join live action with a pre-recorded background image. A projector is placed behind a screen and projects an image onto it. Actors stand in front of the screen and the camera records them in front of the projected background
Academy Ratio
Four-part structure
Rear projection
Revisionist
37. The chip in a video camera that converts the incoming light to an electronic signal
Telecine
Charge coupler device
Blue screen
Second unit
38. Creating images during post-production by joining together photographic or CGI material shot or created at different times and places
Compositing
Long take
Cutaway
ADR
39. A description of film stock that is highly sensitive to light
Standard shot pattern
Fast
Episodic
Extradiegetic
40. A shot taken from a camera position below the subject
Low-angle shot
Base
Hard light
Third-person narration
41. A technician responsible for splicing and assembling the film negative to the editor's specifications
Horizontal integration
Negative cutter
Hollywood Blacklist
Telephoto lens
42. A style of Japanese animation - distinguished primarily by the fact that it is not all geared for young audiences
Masking
Computer-generated imagery (CGI)
Anime
Omniscient narration
43. The space between the camera and subject it is filming.
Flashback
Digital set extension
Camera distance
Gaffer
44. A class or type of film - such as the Western or the horror movie. They share narrative - visual - and/or sound conventions
On-the-nose dialogue
Shot transition
Actualitas
Genre
45. A technique of 'pushing' the film (overdeveloping it) to correct problems of underexposure (resulting from insufficient light during shooting) by increasing image contrast
Matte painting
Mixing
Script supervisor
Forced development
46. A technique in which the audience temporarily shares the visual perspective of a character or a group of characters. The camera points in the directions the character looks - simulating the character's field of vision
Point-of-view shot
Steadicam
Forced development
Narrative sequencing
47. A similarity established between two characters or situations that invites the audience to compare the two. It may involve visual - narrative - and/or sound elements
Tinting
Parellel
Classical style
Color timing
48. A crew member responsible for logging the details of each take on the set so as to ensure continuity
Script supervisor
Cameo
Ethnographic film
Fade-out
49. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Overhead shot
Evaluative claim
Major studios
Double exposure
50. A technique of shifting the camera angle - height - or distance to take into account the motion of actors or objects within the frame
Glass shot
Lightning mix
Reframing
Exposure latitude