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Test your basic knowledge |
Film Vocab
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Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The horizontal turning movement of an otherwise immobile camera across a scene from left to right or vice versa
Pan
Analog Video
Optical printer
High-key lighting
2. A device used to manipulate the amount and/or color of light entering the lens
Propaganda film
Formalist style
Natural-key lighting
Filter
3. A process of transferring film to video tapes or DVDs so that the original aspect ratio of the film is preserved
Letterboxing
Shooting script
Storyboard
Newsreel
4. Materials intentionally released by studios to attract public attention to films and their stars. Promotion differs from publicity - which is information that is not (or does not appear to be) intentionally disseminated by studios
Digital set extension
Promotion
Composition
Gaffer
5. The building block of a scene; an uninterrupted sequence of frames that viewers experience as they watch a film - ending with a cut - fade - dissolve - etc. See also Take
Shot
Undercranking
Saturation
Re-establishing shot
6. A flexible celluloid strip that - along with the emulsion layer - comprises 35mm film stock
Base
Recursive action
Wireframe
Filter
7. A short segment of film used to promote an upcoming release
Avant-garde film
Rack focus
Subgenre
Trailer
8. An uncredited actor - usually hired for crowd scenes
Mixing
Cinerama
Extra
Natural-key lighting
9. A machine used to create optical effects such as fades - dissolves - and superimpositions. Most are now created digitally
Tight framing
Episodic
Optical printer
Antagonist
10. A description of film stock that is highly sensitive to light
Fast
Overhead shot
Handheld shot
Line reading
11. Individuals who were prevented from working in the film industry because of their suspected involvement with Communist interests
Base
Cut
Mockumentary
Hollywood Blacklist
12. The technique of telling the story from an all-knowing character. Films that use restricted narration limit the audience's perception to what one particular character knows - but may insert moments of omniscience
Frame narration
Omniscient narration
Out-take
Neutral-density filter
13. The five vertically integrated corporations that exerted the greatest control over film production in the studio era: MGM - Warner Brothers - RKO - Twentieth Century Fox - and Paramount
Major studios
Gaffer
Production values
Motif
14. A shot that makes the human subject very small in relation to his or her environment. The entire figure from head to toe is onscreen and dwarfed by the surroundings
Master shot
Wireframe
Rotoscope
Extreme long-shot
15. A technique in which the audience temporarily shares the visual perspective of a character or a group of characters. The camera points in the directions the character looks - simulating the character's field of vision
Point-of-view shot
Newsreel
Color timing
Running time
16. The space between the camera and subject it is filming.
Digital set extension
Camera distance
Optical printer
Hollywood Ten
17. A documentary or occasionally - a narrative film that presents only one side of an argument or one approach to a subject
Wide-angle lens
Pixilation
Propaganda film
Canted angle
18. A scene filmed and processed but not selected to appear in the final version of the film
Avant-garde film
Descriptive claim
Go-motion
Out-take
19. A type of film stock that is sensitive to (in other words - registers) all tones in the color spectrum
Revisionist
Long shot
Panchromatic
Medium long shot
20. An attribute of newer television monitors - where each frame is scanned by the electron beam as a single field. If slowed down - each frame would appear on the monitor in its entirety on the screen - rather than line by line - as is the case with int
Speed
Pixel
Progressive scanning
Tight framing
21. A story narrated by one of the characters within the story - using the 'I' voice
Visual effects
First-person narration
Auteur
Exposition
22. Author; A term popularized by French film critics and refers to film directors with their own distinctive style
Double exposure
Green screen
Flashforward
Auteur
23. The visual arrangement of objects - actors - and space within the frame
Composition
Color filter
Tracking shot
Overexposure
24. A device that projects photographs or footage onto glass so that images can be traced by hand to create animated images
Continuity editor
Rotoscope
Studio system
Slow
25. A screenplay written and submitted to a studio or production company without a prior contract or agreement
Tilt
Low-key lighting
Spec script
Phi phenomenon
26. A relatively long - uninterrupted sot - generally of a minute or more
Plot summary
Color consultant
Oeuvre
Long take
27. An effect created when too little light strikes the film during shooting. As a result the image will contain dark areas that appear very dense and dark (including shadows) and the overall contrast will be less than with a properly exposed image
Tight framing
Standard shot pattern
Line of action
Underexposure
28. The annotated script - containing information about set-ups used during shooting
Orthochromatic
Composition
Score
Shooting script
29. A neutral account of the basic plot and style of a film - a part of a film - or a group of films
Descriptive claim
Dye coupler
Charge coupler device
Masking
30. Any noticeable but unintended discrepancy from one shot to the next in costume - props - hairstyle - posture - etc.
Trailer
Continuity error
Depth of field
Restricted narration
31. A short screen appearance by a celebrity - playing himself or herself
Negative
Chiaroscuro
High concept film
Cameo
32. A group of films within a given genre that share their own specific set of conventions that differentiate them from other films in the genre. For example - the slasher film is a subgenre of the horror genre
Subgenre
Shot
Telephoto lens
Dissolve
33. The first print made from a film negative
Panchromatic
Iris out
Master positive
Front projection
34. A narrative - visual - or sound element that refers viewers to other films or works of art
Flashing
Intertextual reference
Assistant Editor
Forced perspective
35. Sound recorded on a set - on location - or - for documentary film - at an actual real-world event - as opposed to dubbed in post-production through ADR or looping
Neutral-density filter
Zoom out
Direct sound
Digital compositing
36. A technique of moving from the telephoto position to the wide-angle position of a zoom lens - which results in the subject appearing to become smaller within the frame - while remaining in focus
Digital compositing
High concept film
Zoom out
Syuzhet
37. A shot that contains two characters within the frame
Two-shot
Running time
Fast motion
Soviet montage
38. A shot depicting the human body from the waist up
Diegesis
Continuity error
Medium shot
Integrated musical
39. Also called 'rushes.' Footage exposed and developed quickly so that the director can assess the day's work
Star system
Avant-garde film
Travelling matte
Dailies
40. Color. The strength of a hue is measured by its saturation or desaturation
Product placement
30-degree rule
Hue
Intertextual reference
41. Live action is filmed in front of a blue screen and a matte. It's then joined with the background footage
Fog filter
Digital set extension
Blue screen
Pushing
42. The classical model of narrative form. The first act introduces characters and conflicts; the second act offers complication leading to a climax; the third act contains the danouement and resolution
Recursive action
Release prints
Negative
Three-act structure
43. A statement that presents an argument about a film's meaning and significance
Insert
Color timing
Interpretive claim
High-angle shot
44. Lighting design in which the greater intensity of the key light makes it impossible for the fill to eliminate shadows - producing a high-contrast image (with many grades of light and dark) - a number of shadows - and a somber mood
Toning
Kuleshov effect
Low-key lighting
Two-shot
45. A production term referring to coordinating actors' movements with lines of dialogue
Tinting
Blocking
Extreme close-up
Compilation film
46. A film process that uses 35mm film stock but changes the orientation of the film so that the film moves through the camera horizontally instead of vertically. The larger image is of higher quality than standard 35mm processes
Day for night
Forced perspective
Vista Vision
Assistant Editor
47. The person in charge of planning the style and look of the film with the production designer and director of photography - working with actors during principal photography - and collaborating with the editor on the final version
Director
Blaxploitation
Overexposure
High-key lighting
48. Standard shot pattern: A sequence of shots designed to maintain spatial continuity. Scene begin with an establishing shot - then move to a series of individual shots depicting characters and action - before reestablishing shots re-orient viewers to t
Dolly
Minor studios
Antagonist
Standard shot pattern
49. Also called 'd-cinema.' Not to be confused with digital cinematography (shooting movies on digital video) - this term refers to using digital technologies for exhibition
Analog Video
Negative cutter
Digital cinema
Text
50. Secondary footage that is interspersed with master shots - sometimes in the form of footage shot for another production or archival footage
B-roll
Tableau shot
Protagonist
Progressive scanning
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