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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A rule in continuity editing - which dictates that if a cut occurs while a character is in the midst of an action - the subsequent shot must begin so that audiences see the completion of that action
Overlapping dialogue
Block booking
Omniscient narration
Match on action
2. Creating images during post-production by joining together photographic or CGI material shot or created at different times and places
Auteur
Outsourcing
Match on action
Compositing
3. A shot taken when the camera is so close to a subject that it fills the frame. It is most commonly used for a shot that isolates and encompasses a single actor's face - to emphasize the expression of emotion
Zoom lens
Pre-production
Steadicam
Close-up
4. An unstated meaning that underlies and is implied by spoken dialogue
Flashing
Analog Video
Two-shot
Subtext
5. A filter that simply reduces the amount of light entering the lens - without affecting the color characteristics
Eye-level shot
Video assist
Neutral-density filter
Hybrid
6. The central cause(s) behind a character's actions
Voice-over
Wipe
Establishing shot
Motivation
7. Individuals who were prevented from working in the film industry because of their suspected involvement with Communist interests
Blue screen
Front projection
Hollywood Blacklist
Composition in depth
8. A production term denoting a single uninterrupted series of frames exposed by a motion picture or video camera between the time it is turned on and the time it is turned off. Filmmakers shoot several takes of any scene and the film editor selects the
Desaturated
Hue
Flashing
Take
9. The reverse of Iris in: an iris expands outward until the next shot takes up the entire screen
Eyeline match
Vista Vision
Iris out
Running time
10. Suspended particles of silver in the film's emulsion - Which may become visible in the final image as dots
Grain
30-degree rule
Ethnographic film
Actualitas
11. A short screen appearance by a celebrity - playing himself or herself
Interpellation
Zoom lens
Digital compositing
Cameo
12. Sound recorded on a set - on location - or - for documentary film - at an actual real-world event - as opposed to dubbed in post-production through ADR or looping
Widescreen
Digital cinema
Direct sound
Interlaced scanning
13. A crew member who reports to the Director of Photography (DP) and is in charge of tasks involving lighting and electrical needs
Shot/reverse shot
Gaffer
Iris out
Post-production
14. A scene transition in which the first frame of the incoming scene appears to push the last frame of the previous scene off the screen horizontally
Digital compositing
Genre
Wipe
Widescreen
15. The plotline that surrounds an embedded tale. The frame narration may or may not be as fully developed as the embedded tale
Out-take
Mixing
Negative cutter
Frame narration
16. Light emitted from a larger source that is scattered over a bigger area or reflected off a surface before it strikes the subject. Soft light minimizes facial details - including wrinkles
Low-key lighting
Formalist style
Crane shot
Soft light
17. The chip in a video camera that converts the incoming light to an electronic signal
Re-establishing shot
Charge coupler device
Frame narration
Master shot
18. Light emitted from a relatively small source positioned close to the subject. It tends to be unflattering because it creates deep shadows and emphasizes surface imperfections
Shot/reverse shot
Go-motion
Hard light
Star system
19. Recording images at a slower speed than the speed of projection (24 frames per second). Before cameras were motorized - this was called undercranking. Fewer frames are exposed in one minute - so - when projected at 24 f.p.s. - that action takes less
Hybrid
Fast motion
Parellel
Panning and scanning
20. An early color process - involving bathing lengths of processed film in dye one scene at a time
Tinting
Lightning mix
Set-up
Medium long shot
21. A character who in some way opposes the protagonist - leading to protracted conflict
Master shot
Digital compositing
Antagonist
Tableau shot
22. A film that fuses the conventions of two or more genres
Hybrid
Extradiegetic
On-the-nose dialogue
First-person narration
23. A filter that simply reduces the amount of light entering the lens - without affecting the color characteristics
Academy Ratio
Neutral-density filter
Tight framing
Extreme long-shot
24. A change of focus from one plane of depth to another. As the in-focus subject goes out of focus - another object - which has been blurry - comes into focus in either the background or the foreground
Pre-production
Rack focus
Pushing
Figure placement and movement
25. A device worn by a camera operator that holds the motion picture camera - allowing it glide smoothly through spaces unreachable by camera mounted on a crane or other apparatus
Lightning mix
Production values
Score
Steadicam
26. The use of editing techniques - such as a fade or dissolve - to indicate the end of one scene and the beginning of another
Shot transition
Mixing
Frame narration
Runaway production
27. Louis Althusser's term for the way in which a society creates its subjects/citizens through ideological (as opposed to repressive) state apparatuses - which include education - media - religion - and the family
Interpellation
30-degree rule
Interpretive claim
Re-establishing shot
28. A painting used on the set as a portion of the background
Protagonist
Re-establishing shot
Matte painting
Persistence of vision
29. An optical effect whereby the human eye fills in gaps between closely spaced objects - so that two light bulbs flashing on and off are understood as one light moving back and forth
Formalist style
Computer-generated imagery (CGI)
Phi phenomenon
Cinerama
30. A technique of moving a zoom lens from a wide-angle position to a telephoto position - which results in a magnification of the subject within the frame - and keeps the subject in focus
Zoom in...
Voice-over
Storyboard
Phi phenomenon
31. The practice of Hollywood studios contracting out post-production work to individuals or firms outside the U.S.
Available light
Prosthesis
Double exposure
Outsourcing
32. Then Hollywood writers and directors cited for Contempt of Congress for refusing to cooperate with the House Committee on Un-American Activities' attempts to root out Communists in the film industry
Fade-out
Figure placement and movement
Newsreel
Hollywood Ten
33. Because film stock is sensitive to the color of light - directors work with film labs in post-production to monitor the color scheme of each scene in a film - making adjustments for consistency and aesthetic effect
Close-up
Closure
Superimposition
Color timing
34. A technique of moving from the telephoto position to the wide-angle position of a zoom lens - which results in the subject appearing to become smaller within the frame - while remaining in focus
Lens
Widescreen
Composition in depth
Zoom out
35. Author; A term popularized by French film critics and refers to film directors with their own distinctive style
Auteur
Exposition
Vertical integration
Digital compositing
36. The first shot in a standard shot sequence. Its purpose is to provide a clear representation of the location of the action
Revisionist
Lightning mix
Establishing shot
Crane shot
37. A specialist who monitors the processing of color on the se and in the film lab
Plot summary
Lightning mix
Color consultant
Low-angle shot
38. A style associated with Hollywood filmmaking of the studio and post-studio era - in which efficient storytelling - rather than gritty realism or aesthetic innovation - is of paramount importance
Block booking
Classical style
Score
Direct sound
39. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Panning and scanning
Evaluative claim
Master shot
Hard light
40. A statement that presents an argument about a film's meaning and significance
Emulsion
Insert
Interpretive claim
Iris out
41. A single take that contains an entire scene
Master shot
Extreme close-up
Wide-angle lens
Forced perspective
42. A cinematography technique that produces an image with many planes of depth in focus. It can be accomplished by using a small aperture - a large distance between camera and subject - and/or a lens of short focal length
First-person narration
Gauge
Compositing
Deep focus cinematography
43. A technique of filming at a speed faster than projection - the projecting the footage at normal speed of 24 frames per second. Because fewer frames were recorded per second - the action appears to be speeded up
Motif
Descriptive claim
Medium shot
Slow motion
44. A crew member whose job is to maintain consistency in visual details from one shot to the next
Zoom out
Continuity editor
Filter
Iris out
45. A technique of moving the camera - on a specially built track. Such shots often trace character movement laterally across the frame or in and out of the depth of the frame
Tracking shot
Deep focus cinematography
Freeze frame
Storyboard
46. A marketing strategy of screening a blockbuster prior to general release only in premier theaters
Underexposure
Roadshowing
Optical printer
Go-motion
47. The person in charge of planning the style and look of the film with the production designer and director of photography - working with actors during principal photography - and collaborating with the editor on the final version
Director
Score
Descriptive claim
Genre conventions
48. The camera should move at least 30 degrees any time there is a cut within a scene
30-degree rule
Parellel editing
Tight framing
Wipe
49. Suspended particles of silver in the film's emulsion - Which may become visible in the final image as dots
Hard light
Grain
Diegesis
Reverse shot
50. A series of related scene joined through elliptical editing that indicates the passage of time
Brechtian distanciation
Graphic match
Persistence of vision
Montage sequence