SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The non-chronological insertion of scenes of events yet to happen into the present day of the story world
Aperture
Avant-garde film
Flashforward
Wireframe
2. A shot transition where shot A slowly disappears as the screen becomes black before shot B appears. A fade-in is the reverse of this process
Color filter
Overexposure
Fade-out
Bleach bypass
3. The non-chronological insertion of scenes of events yet to happen into the present day of the story world
Flashforward
Toning
Horizontal integration
Cinerama
4. A lens with a focal length greater than 50 mm (usually between 80mm and 20mm) - which provides a larger image of the subject than a normal or wide-angle lens but which narrows the angle of vision and flattens the depth of the image relative to normal
Telephoto lens
Block booking
Star filter
Available light
5. A fiction film (often a comedy) that uses documentary conventions on fictional rather than real-world subject matter
Out-take
Fast
Fabula
Mockumentary
6. A device attached to the film camera that records videotape of what has been filmed - allowing the director immediate access to video footage
Forced development
Video assist
Digital cinema
Hard light
7. A technique of recording very few images over a long period of time - say - one frame per minute or per day
Time-lapse photography
Product placement
Forced perspective
Digital video
8. A post-studio era Hollywood film designed to appeal to the broadest possible audience by fusing a simple story line with major movie stars and mounting a lavish marketing campaign
Scene
Reframing
High concept film
Extreme close-up
9. A contemporary modification of the standard three-act structure that identifies a critical turning point at the halfway mark of most narrative films
Cinerama
Four-part structure
Syuzhet
Aperture
10. A statement that presents an argument about a film's meaning and significance
Interpretive claim
Digital cinema
Auteur
Blaxploitation
11. A technique in which the audience temporarily shares the visual perspective of a character or a group of characters. The camera points in the directions the character looks - simulating the character's field of vision
Score
Point-of-view shot
Pre-production
Aerial Shot
12. An action film cycle of the late 1960s and early 1970s that featured bold - rebellious African American characters
Fabula
Blaxploitation
Crab dolly
Charge coupler device
13. A vertical - up-and-down - motion of an otherwise stationary camera
Fade-out
Motivation
Tilt
Pixel
14. A technique of filming at a speed faster than projection - the projecting the footage at normal speed of 24 frames per second. Because fewer frames were recorded per second - the action appears to be speeded up
Pan
Soft light
Slow motion
Roadshowing
15. Non-diegetic; any element in the film that is not part of the imagined story world
Extradiegetic
Anime
Master shot
Promotion
16. A term used for any narrative sound - or visual element not contained in the story world. Also called 'extradiegetic'
Formalist style
Character actor
Outsourcing
Non-diegetic
17. A shot taken when the camera is so close to a subject that it fills the frame. It is most commonly used for a shot that isolates and encompasses a single actor's face - to emphasize the expression of emotion
Star system
Two-shot
Close-up
Undercranking
18. Louis Althusser's term for the way in which a society creates its subjects/citizens through ideological (as opposed to repressive) state apparatuses - which include education - media - religion - and the family
Interpellation
Undercranking
Closure
Integrated musical
19. A technique of moving from the telephoto position to the wide-angle position of a zoom lens - which results in the subject appearing to become smaller within the frame - while remaining in focus
Long take
Zoom out
30-degree rule
Loose framing
20. A scene transition in which the first frame of the incoming scene appears to push the last frame of the previous scene off the screen horizontally
Subgenre
Wipe
Telephoto lens
Color timing
21. The use of editing techniques - such as a fade or dissolve - to indicate the end of one scene and the beginning of another
Shot transition
Lightning mix
Motivation
Foley artist
22. A transparent sheet on which animation artists draw images.
Cel
Masking
Visual effects
Crane shot
23. A compositing method that allows cinematographers to combine live action and settings that are filmed or created separately. Actors are filmed against a green or blue background. During post-production - this background is filled in with an image thr
Green screen
Bleach bypass
Backstory
Restricted narration
24. The individual arrangement of lighting and camera placement used for each shot
Frame narration
Scratching
Film stock
Set-up
25. Invisible editing; a system devised to minimize the audience's awareness of shot transitions - especially cuts - in order to improve the flow of the story and avoid interrupting the viewer's immersion it in
Continuity editing
Average shot length
Backstory
Animation
26. A mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation
Set-up
Average shot length
Denouement
Kuleshov effect
27. An effect created when too little light strikes the film during shooting. As a result the image will contain dark areas that appear very dense and dark (including shadows) and the overall contrast will be less than with a properly exposed image
Synthespian
Interpellation
Underexposure
Extra
28. The rules of character - setting - and narrative that films that belong to a genre - such as Westerns - horror films - and screwball comedies - generally obey.
Speed
Genre conventions
Computer-generated imagery (CGI)
Minor studios
29. The first shot in a standard shot sequence. Its purpose is to provide a clear representation of the location of the action
Split screen
Aspect Ratio
Establishing shot
Out-take
30. A style of stage acting developed from the teachings of Constantin Stanislavsky - which trains actors to get into character through the use of emotional memory
Method acting
Long take
Rack focus
Pixilation
31. A narrative approach that limits the audience's view of events to that of the main character(s) in the film. Occasional moments of omniscient narration may give viewers more information than the character shave at specific points in the narrative
Fade-out
Non-diegetic
Restricted narration
Mockumentary
32. A neutral account of the basic plot and style of a film - a part of a film - or a group of films
Descriptive claim
Composition in depth
Minor studios
Flashforward
33. The falling or unraveling action after the climax of a narrative that leads to resolution
Three-point lighting
Four-part structure
Denouement
Narrative
34. A shot that focuses audience attention on precise details that may or may not be the focus of characters
Cutaway
Master positive
Blue screen
Composition
35. A system for recording images on magnetic tape using a digital signal - that is - an electronic signal comprised of 0s and 1s
Digital video
On-the-nose dialogue
Morphing
Natural-key lighting
36. A videotape system that records images onto magnetic tape - using electronic signals
Shooting script
Three-point lighting
Analog Video
Orthochromatic
37. The arrangement of actors on screen as a compositional element that suggests themes - character development - emotional content - and visual motifs
Soundtrack
Persistence of vision
Figure placement and movement
Anamorphic lens
38. A scene transition wherein sound from one scene bleeds over into the ext scene - often resulting in a contrast between sound image
Closure
Denouement
Pre-production
Sound bridge
39. A process of blending the three elements of the sound track (dialogue - music - and effects) in post-production
Three-point lighting
Interpellation
Subtext
Mixing
40. A screenplay written and submitted to a studio or production company without a prior contract or agreement
Montage sequence
Swish pan
Spec script
Star persona
41. A direct vocal address to the audience - Which may emanate from a character or from a narrative voice apparently unrelated to the diegesis
Overexposure
Post-production
Analog Video
Voice-over
42. A film's main characters - one whose conflicts and motives drive the story forward
Protagonist
Animation
Major studios
Hybrid
43. The five vertically integrated corporations that exerted the greatest control over film production in the studio era: MGM - Warner Brothers - RKO - Twentieth Century Fox - and Paramount
Roadshowing
Zoom out
Undercranking
Major studios
44. A device that projects photographs or footage onto glass so that images can be traced by hand to create animated images
Forced development
Rotoscope
Pan
Optical printer
45. Assists the gaffer in managing lighting crews
Underexposure
Best boy
Flashforward
Camera distance
46. A complete narrative unit within a film - with its own beginning - middle - and end. Often scenes are unified - and distinguished from one another - by time and setting
Interpretive claim
Overexposure
Scene
Open-ended
47. The width of the film stock - measured across the frame. Typical sizes are 8mm - 16mm - 35mm - and 70mm
Gauge
Scratching
Master shot
Exposition
48. Creating images during post-production by joining together photographic or CGI material shot or created at different times and places
Compositing
Front projection
Pre-production
Turning point
49. The distance that appears in focus in front of and behind the subject. It is determined by the aperture - distance and focal length of lens
Depth of field
Video assist
Omniscient narration
Medium shot
50. Sound design that blends the speech of several characters talking simultaneously - used to create spontaneity - although it may also confuse the audience
Overlapping dialogue
Subgenre
Compositing
Take