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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A black masking device used to black out a portion of the frame - usually for the insertion of other images
Rack focus
Text
Evaluative claim
Matte
2. Everything audiences hear when they watch a sound film. The soundtrack is the composite of all three elements of film sound: dialogue - music - and sound effects
Third-person narration
Soundtrack
Bleach bypass
Dye coupler
3. A property of older television monitors - where each frame was scanned as two fields: One consisting of all the odd numbered lines - the other all the even lines. If slowed down - the television image would appear to sweep down the screen one line at
Toning
Out-take
Interlaced scanning
Low-key lighting
4. A term applied to film stock that is relatively insensitive to light. This stock will not yield acceptable images unless the amount of light can be carefully controlled
Shutter
Film stock
Slow
Digital cinema
5. A compositing method that allows cinematographers to combine live action and settings that are filmed or created separately. Actors are filmed against a green or blue background. During post-production - this background is filled in with an image thr
Close-up
Negative
Closure
Green screen
6. A crew member who reports to the Director of Photography (DP) and is in charge of tasks involving lighting and electrical needs
Gaffer
Average shot length
Anime
Fade-out
7. These filters bend the light coming into lens - softening and blurring the image
Rack focus
Diffusion filters
Aspect Ratio
Color timing
8. The narrative path of the main or supporting characters - also called a plotline. Complex films may have several lines of action
Newsreel
Gauge
Screenplay
Line of action
9. A standard shot pattern that dictates that a shot of one character will be followed by a shot of another character - taken from the reverse angle of the first shot
Gauge
Filter
Shot/reverse shot
Star filter
10. A pan executed so quickly that it produces a blurred image - indicated rapid activity or - sometimes - the passage of time
Cameo
Flashing
Swish pan
Interpellation
11. Filters that increase color saturation and contrast in outdoor shots
Wipe
Canted angle
Tilt
Polarizing filters
12. A visual effect created when the subject in the frame is restricted by the objects or the physical properties of the set
Extradiegetic
Flashing
Tight framing
Master positive
13. Sound design that blends the speech of several characters talking simultaneously - used to create spontaneity - although it may also confuse the audience
Screenplay
Prosthesis
Aspect Ratio
Overlapping dialogue
14. A videotape system that records images onto magnetic tape - using electronic signals
Overexposure
Motif
Neutral-density filter
Analog Video
15. A film's main characters - one whose conflicts and motives drive the story forward
Protagonist
Tableau shot
Score
Lens
16. Creating an image by combining several elements created separately using computer graphics rather than photographic means
Digital compositing
Narrative sequencing
Three-act structure
Hollywood Blacklist
17. The space between the camera and subject it is filming.
Camera distance
Runaway production
Green screen
Pushing
18. A fiction film (often a comedy) that uses documentary conventions on fictional rather than real-world subject matter
Mockumentary
Restricted narration
Restricted narration
Crab dolly
19. Wheeled platform with wheels that rotate - so the dolly can change direction
Extradiegetic
Negative cutter
Cameo
Crab dolly
20. A style of stage acting developed from the teachings of Constantin Stanislavsky - which trains actors to get into character through the use of emotional memory
Motif
Establishing shot
Method acting
Depth of field
21. The reverse of Iris in: an iris expands outward until the next shot takes up the entire screen
Realist style
Iris out
Undercranking
Speed
22. A musical film in which each song and dance number is narratively motivated by a plot that situates characters in performance contexts
Morphing
Deep focus cinematography
Backstage musical
Prosthesis
23. A device worn by a camera operator that holds the motion picture camera - allowing it glide smoothly through spaces unreachable by camera mounted on a crane or other apparatus
Interpretive claim
Grain
Steadicam
Formalist style
24. A long shot in which the film frame resembles the proscenium arch of the stage - distancing the audience
Tableau shot
Runaway production
Superimposition
Wipe
25. A shot combining two kinds of movement: the camera tracks in toward the subject wile the lens zooms out
Revisionist
Trombone shot
Hue
Hard light
26. The falling or unraveling action after the climax of a narrative that leads to resolution
Masking
Freeze frame
Denouement
Fabula
27. Prefogging; a cinematographic technique that exposes raw film stock to light before - during - or after shooting - resulting in an image with reduced contrast. This effect can also be created using digital post-production techniques
Color consultant
Flashing
Long take
Hollywood Blacklist
28. The reverse of Iris in: an iris expands outward until the next shot takes up the entire screen
Iris out
Syuzhet
Telecine
Classical style
29. A technician responsible for splicing and assembling the film negative to the editor's specifications
Matte
Negative cutter
Medium long shot
Jump cut
30. A chemical embedded in the emulsion layer of film stock that - when developed after exposure - releases a particular color dye (red - green - or blue)
Anime
Dye coupler
City symphony
Composition
31. A scene filmed and processed but not selected to appear in the final version of the film
Out-take
Focus puller
Computer-generated imagery (CGI)
Soviet montage
32. A person responsible for putting a film together from a mass of developed footage - making decisions regarding pace - shot transitions - and which scenes and shots will be used
Shot/reverse shot
Major studios
Editor
ADR
33. A compositing method that allows cinematographers to combine live action and settings that are filmed or created separately. Actors are filmed against a green or blue background. During post-production - this background is filled in with an image thr
Extra
Script supervisor
Green screen
Continuity editor
34. The term for a film's spoken dialogue - as opposed to the underlying meaning contained in the subtext
Formalist style
Text
Prosthesis
Analog Video
35. A short screen appearance by a celebrity - playing himself or herself
Cameo
Crab dolly
Offscreen space
Shot
36. The person in charge of planning the style and look of the film with the production designer and director of photography - working with actors during principal photography - and collaborating with the editor on the final version
Rotoscope
Episodic
Shooting script
Director
37. The chip in a video camera that converts the incoming light to an electronic signal
Direct sound
Jump cut
Gaffer
Charge coupler device
38. Assists the gaffer in managing lighting crews
Gaffer
Line reading
Best boy
Out-take
39. A change of focus from one plane of depth to another. As the in-focus subject goes out of focus - another object - which has been blurry - comes into focus in either the background or the foreground
Line reading
Wireframe
Rack focus
Pixilation
40. Any noticeable but unintended discrepancy from one shot to the next in costume - props - hairstyle - posture - etc.
Denouement
Narrative sequencing
Continuity error
Persistence of vision
41. A shot taken when the camera is so close to a subject that it fills the frame. It is most commonly used for a shot that isolates and encompasses a single actor's face - to emphasize the expression of emotion
Descriptive claim
Close-up
Interlaced scanning
Cameo
42. Everything audiences hear when they watch a sound film. The soundtrack is the composite of all three elements of film sound: dialogue - music - and sound effects
Visual effects
Second unit
Soundtrack
Evaluative claim
43. A film style that emerged in the 1910s in Germany. It was heavily indebted to the Expressionist art movement of the time and influenced subsequent horror films and film noir
Auteur
Wipe
German Expressionism
Steadicam
44. A consistent style - theme - and subject matter developed over the course of a director's body of work
Exposure latitude
Avant-garde film
Masking
Oeuvre
45. Filters that increase color saturation and contrast in outdoor shots
Split screen
Extreme wide-angle lens
Parellel editing
Polarizing filters
46. A person responsible for putting a film together from a mass of developed footage - making decisions regarding pace - shot transitions - and which scenes and shots will be used
Editor
Orthochromatic
Actualitas
Anamorphic lens
47. A shot filmed from an airplane or helicopter
Underexposure
Natural-key lighting
Aerial Shot
Composition
48. A technique of exposing film frames - then rewinding the film and exposing it again - which results in an image that combines two shots in a single frame
Point-of-view shot
Double exposure
Overexposure
Non-diegetic
49. Creating images during post-production by joining together photographic or CGI material shot or created at different times and places
First-person narration
Flashing
Compositing
Film stock
50. The average length in seconds of a series of shots - covering a portion of a film or an entire film; a measure of pace within a scene or in the film as a whole.
Grain
On-the-nose dialogue
Average shot length
Progressive scanning