SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The distance in millimeters from the optical center of a lens to the lane where the sharpest image is formed while focusing on a distant object
Line of action
Offscreen space
Focal length
Telecine
2. A technique of shooting a scene at a very high speed (96 frames per second) - then adding and subtracting frames in post-production - 'fanning out' the action through the overlapping images
Widescreen
Major studios
Grain
Recursive action
3. Live action is filmed in front of a blue screen and a matte. It's then joined with the background footage
Video assist
Low-key lighting
Script supervisor
Blue screen
4. A technique in which the audience temporarily shares the visual perspective of a character or a group of characters. The camera points in the directions the character looks - simulating the character's field of vision
Point-of-view shot
Persistence of vision
Post-production
Scratching
5. A musical accompaniment written specifically for a film
Propaganda film
Tilt
Score
Filter
6. A term used for any narrative sound - or visual element not contained in the story world. Also called 'extradiegetic'
Slow
Compilation film
Non-diegetic
Polarizing filters
7. A term describing a conclusion that does not answer all the questions raised regarding characters or storylines - nor tie up all loose ends
German Expressionism
Open-ended
Interpellation
Hue
8. Light emitted from a relatively small source positioned close to the subject. It tends to be unflattering because it creates deep shadows and emphasizes surface imperfections
Mixing
Analog Video
Progressive scanning
Hard light
9. A system of constructing and arranging buildings and objects on the set so that they diminish in size dramatically from foreground to background - which creates the illusion of depth
Loose framing
Zoom in...
Forced perspective
Deep focus cinematography
10. The non-chronological insertion of scenes of events yet to happen into the present day of the story world
Cut
Swish pan
Graphic match
Flashforward
11. A direct vocal address to the audience - Which may emanate from a character or from a narrative voice apparently unrelated to the diegesis
Voice-over
Omniscient narration
Spec script
Fade-out
12. A type of matte shot - created by positioning a pane of optically flawless glass with a painting on it between the camera and the scene to be photographed. This combines the painting on the glass with the set or location - seen through the glass - be
Anime
Glass shot
Rear projection
Lightning mix
13. A continuity editing technique that preserves spatial continuity by using a character's line of vision as motivation for a cut
Vertical integration
Eyeline match
Syuzhet
Base
14. A scene transition wherein sound from one scene bleeds over into the ext scene - often resulting in a contrast between sound image
Matte
Integrated musical
Master positive
Sound bridge
15. Lighting design that provides an even illumination of the subject - with many facial details washed out. High-key lighting tends to create a hopeful mood - in contrast to low-key lighting
High-key lighting
Runaway production
Dailies
Widescreen
16. An effect created when more light is required to produce an image strakes the film stock - so that the resulting image exhibits high contrast - glaring light - and washed out shadows. This effect ma or may not be intentional on the filmmaker's part
Polarizing filters
Special visual effects
Overexposure
Pulling
17. A property of older television monitors - where each frame was scanned as two fields: One consisting of all the odd numbered lines - the other all the even lines. If slowed down - the television image would appear to sweep down the screen one line at
Filter
Narrative
Interlaced scanning
Tilt
18. Projecting a series of frames of film with the same image - which appears to stop the action
Matte
Freeze frame
Digital compositing
Orthochromatic
19. An abrupt shot transition that occurs when Shot A is instantaneously replaced by Shot B.
Denouement
High concept film
Travelling matte
Cut
20. Standard shot pattern: A sequence of shots designed to maintain spatial continuity. Scene begin with an establishing shot - then move to a series of individual shots depicting characters and action - before reestablishing shots re-orient viewers to t
Eye-level shot
Forced perspective
Mockumentary
Standard shot pattern
21. A black masking device used to black out a portion of the frame - usually for the insertion of other images
Glass shot
Matte
Composition in depth
Recursive action
22. Natural light; The process of suing sunlight rather than artificial studio lights when filming
Blocking
Trailer
Available light
Selective focus
23. A narrative approach that limits the audience's view of events to that of the main character(s) in the film. Occasional moments of omniscient narration may give viewers more information than the character shave at specific points in the narrative
Lightning mix
Grain
Restricted narration
Continuity error
24. A production crew responsible not for shooting the primary footage but - instead - for remote location shooting and B-roll. See also B-roll
Telephoto lens
Second unit
Medium long shot
Lightning mix
25. Also called 'd-cinema.' Not to be confused with digital cinematography (shooting movies on digital video) - this term refers to using digital technologies for exhibition
Episodic
Product placement
Digital cinema
High-key lighting
26. A documentary or occasionally - a narrative film that presents only one side of an argument or one approach to a subject
Wipe
Propaganda film
Intertextual reference
Screenplay
27. A system initially developed for marketing films by creating and promoting stars as objects of admiration. The promotion of stars has now become an end in itself
Master shot
Speed
Revisionist
Star system
28. A technique of moving from the telephoto position to the wide-angle position of a zoom lens - which results in the subject appearing to become smaller within the frame - while remaining in focus
Shot/reverse shot
Aperture
Flashforward
Zoom out
29. Then Hollywood writers and directors cited for Contempt of Congress for refusing to cooperate with the House Committee on Un-American Activities' attempts to root out Communists in the film industry
Hollywood Ten
Exposition
Genre conventions
Eyeline match
30. A machine used to create optical effects such as fades - dissolves - and superimpositions. Most are now created digitally
Wipe
Optical printer
Available light
Telephoto lens
31. A technique of arranging the actors on the set to take advantage of deep focus cinematography - which allows for many planes of depth in the film frame to remain in focus
Bleach bypass
Composition in depth
Formalist style
Continuity editing
32. A camera device that opens and closes to regulate the length of time the film is exposed to light
Runaway production
Color timing
Shutter
Dailies
33. Drawing attention to the process of representation (including narrative and characterization) to break the theatrical illusion and elicit a distanced - intellectual response in the audience
Product placement
Brechtian distanciation
Continuity editor
Subgenre
34. The first shot in a standard shot sequence. Its purpose is to provide a clear representation of the location of the action
Hollywood Ten
Cut
Depth of field
Establishing shot
35. The width of the film stock - measured across the frame. Typical sizes are 8mm - 16mm - 35mm - and 70mm
Motivation
Gauge
Toning
Realist style
36. A visual effect achieved through the use of photography and digital techniques that appears to stop time and allow the viewer to travel around the subject and view it from a multitude of vantage points
Frozen time moment
Synthespian
Steadicam
Polarizing filters
37. Lighting design that provides an even illumination of the subject - with many facial details washed out. High-key lighting tends to create a hopeful mood - in contrast to low-key lighting
High-key lighting
Three-act structure
B-roll
Available light
38. Creating images during post-production by joining together photographic or CGI material shot or created at different times and places
Soft light
High-angle shot
Widescreen
Compositing
39. A technique of 'pushing' the film (overdeveloping it) to correct problems of underexposure (resulting from insufficient light during shooting) by increasing image contrast
Swish pan
Widescreen
Front projection
Forced development
40. A term applied to film stock that is relatively insensitive to light. This stock will not yield acceptable images unless the amount of light can be carefully controlled
Slow
Double exposure
Recursive action
Genre
41. A shot filmed from an airplane or helicopter
Star persona
Pre-production
Aerial Shot
Voice-over
42. A group of films within a given genre that share their own specific set of conventions that differentiate them from other films in the genre. For example - the slasher film is a subgenre of the horror genre
Narrative
Interpellation
Subgenre
Analog Video
43. A crew member responsible for logging the details of each take on the set so as to ensure continuity
Episodic
Horizontal integration
Editor
Script supervisor
44. An effect created when too little light strikes the film during shooting. As a result the image will contain dark areas that appear very dense and dark (including shadows) and the overall contrast will be less than with a properly exposed image
Two-shot
Underexposure
Crane shot
Rotoscope
45. Sound recorded on a set - on location - or - for documentary film - at an actual real-world event - as opposed to dubbed in post-production through ADR or looping
Direct sound
Saturation
Cutaway
Interpretive claim
46. The width of the film stock - measured across the frame. Typical sizes are 8mm - 16mm - 35mm - and 70mm
Fog filter
Score
Gauge
Exposition
47. A narrative moment that signals an important shift of some kind in character or situation
Reframing
Extradiegetic
Turning point
Fade-out
48. A film process that uses 35mm film stock but changes the orientation of the film so that the film moves through the camera horizontally instead of vertically. The larger image is of higher quality than standard 35mm processes
Vista Vision
Realist style
Panning and scanning
Jump cut
49. A visual effect created when the subject in the frame is restricted by the objects or the physical properties of the set
Extra
Tight framing
Telecine
Continuity editor
50. A filter that creates points of light that streak outward from a light source
Normal lens
Star filter
Hard light
Desaturated