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Test your basic knowledge |
Film Vocab
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Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
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study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A narrative - visual - or sound element that refers viewers to other films or works of art
Forced perspective
Intertextual reference
Charge coupler device
On-the-nose dialogue
2. The classical model of narrative form. The first act introduces characters and conflicts; the second act offers complication leading to a climax; the third act contains the danouement and resolution
Undercranking
Negative cutter
Composition in depth
Three-act structure
3. A style of Japanese animation - distinguished primarily by the fact that it is not all geared for young audiences
Saturation
Offscreen space
Fast
Anime
4. A description of film stock that is highly sensitive to light
Flashforward
Diegesis
Travelling matte
Fast
5. The written blueprint for a film - composed of three elements: dialogue - sluglines (setting the place and time of each scene) - and description. Feature-length screenplays typically run 90-130 pages
Time-lapse photography
Trailer
Screenplay
Canted angle
6. A scene filmed and processed but not selected to appear in the final version of the film
Blocking
Out-take
Cameo
Saturation
7. An attribute of newer television monitors - where each frame is scanned by the electron beam as a single field. If slowed down - each frame would appear on the monitor in its entirety on the screen - rather than line by line - as is the case with int
Re-establishing shot
Kuleshov effect
Progressive scanning
Widescreen
8. A short documentary on current events - show in movie theaters along with cartoons and feature films beginning in the 1930s
Medium long shot
Newsreel
Mixing
Mixing
9. A crew member who reports to the Director of Photography (DP) and is in charge of tasks involving lighting and electrical needs
Available light
Jump cut
Gaffer
Forced development
10. A production term denoting a single uninterrupted series of frames exposed by a motion picture or video camera between the time it is turned on and the time it is turned off. Filmmakers shoot several takes of any scene and the film editor selects the
Take
Backstory
Scratching
Special visual effects
11. Also called 'full screen -' the technique of re-shooting a widescreen film in order to convert it to the original television aspect ration of 1.33 to 1. Rather than reproduce the original aspect ratio - as a letterboxed version does - a panned and sc
Panning and scanning
Pulling
Glass shot
Computer-generated imagery (CGI)
12. The camera does not move across an imagined line drawn between two characters
Rear projection
180-degree rule
Omniscient narration
Text
13. A musical in which some or all musical numbers are not motivated by the narrative; for example - characters sing and dance throughout the film but at least some performances are not staged for an onscreen audience. Examples include Oklahoma - The umb
Point-of-view shot
Filter
Studio system
Integrated musical
14. Invisible editing; a system devised to minimize the audience's awareness of shot transitions - especially cuts - in order to improve the flow of the story and avoid interrupting the viewer's immersion it in
Shot/reverse shot
Continuity editing
Color filter
Soviet montage
15. A similarity established between two characters or situations that invites the audience to compare the two. It may involve visual - narrative - and/or sound elements
On-the-nose dialogue
Parellel
Aerial Shot
Diffusion filters
16. A long shot in which the film frame resembles the proscenium arch of the stage - distancing the audience
Cameo
Visual effects
Trombone shot
Tableau shot
17. A machine that converts film prints to videotape format
Telecine
Aspect Ratio
Narrative sequencing
Long take
18. Sound recorded on a set - on location - or - for documentary film - at an actual real-world event - as opposed to dubbed in post-production through ADR or looping
Narrative
Direct sound
Hollywood Blacklist
Studio system
19. A measure of a film stock's sensitivity to light. 'Fast' refers to sensitive film stock - while slow film is relatively insensitive
Text
Speed
Star filter
Crane shot
20. Light emitted from a relatively small source positioned close to the subject. It tends to be unflattering because it creates deep shadows and emphasizes surface imperfections
Hard light
Iris in...
Screenplay
Anamorphic lens
21. The selection and ordering of narrative events presented in a film
Syuzhet
Re-establishing shot
Visual effects
Synthespian
22. Experimental film; Underground cinema;
Special visual effects
Avant-garde film
Long shot
Interpretive claim
23. A contemporary modification of the standard three-act structure that identifies a critical turning point at the halfway mark of most narrative films
Color filter
Four-part structure
Method acting
Pan
24. Images that originate from computer graphics technology - rather than photography
Computer-generated imagery (CGI)
Iris in...
Filter
Medium shot
25. An early color process - involving bathing lengths of processed film in dye one scene at a time
Tinting
Horizontal integration
City symphony
Take
26. A film process that uses 35mm film stock but changes the orientation of the film so that the film moves through the camera horizontally instead of vertically. The larger image is of higher quality than standard 35mm processes
Diegesis
Syuzhet
Vista Vision
Editor
27. A technique of recording very few images over a long period of time - say - one frame per minute or per day
Minor studios
Time-lapse photography
Canted angle
Dye coupler
28. The artful use of light and dark areas in the composition in black and white filmmaking
Negative
Chiaroscuro
Reframing
Cinerama
29. A picture element - a measure of image density. There are approximately 18 million pixels in a frame of 35mm film and 300000-400000 in a video image
Pixel
Analog Video
Lightning mix
Narrative
30. A technique of exposing film frames - then rewinding the film and exposing it again - which results in an image that combines two shots in a single frame
High-angle shot
Time-lapse photography
Double exposure
Product placement
31. The measurement of how forgiving a film stock is. It determines whether an acceptable image will be produced when the film stock is exposed to too little or too much light
Open-ended
Minor studios
Exposure latitude
Overlapping dialogue
32. A standard shot pattern that dictates that a shot of one character will be followed by a shot of another character - taken from the reverse angle of the first shot
Apparatus Theory
Shot/reverse shot
Hollywood Ten
Actualitas
33. An attribute of newer television monitors - where each frame is scanned by the electron beam as a single field. If slowed down - each frame would appear on the monitor in its entirety on the screen - rather than line by line - as is the case with int
Progressive scanning
Matte painting
Green screen
Base
34. Also called 'stop motion photography.' A technique of photographing a scene one frame at a time and moving the model between each shot
Interlaced scanning
Block booking
Pixilation
Spec script
35. A chemical embedded in the emulsion layer of film stock that - when developed after exposure - releases a particular color dye (red - green - or blue)
Dye coupler
Morphing
Overexposure
Mockumentary
36. Recording images at a slower speed than the speed of projection (24 frames per second). Before cameras were motorized - this was called undercranking. Fewer frames are exposed in one minute - so - when projected at 24 f.p.s. - that action takes less
Flashing
Zoom in...
Iris in...
Fast motion
37. A film's main characters - one whose conflicts and motives drive the story forward
ADR
Line of action
Protagonist
Camera distance
38. An early color process that replaced silver halide grains with colored salts
Wide-angle lens
Propaganda film
Toning
Pulling
39. A technique of shifting the camera angle - height - or distance to take into account the motion of actors or objects within the frame
Color filter
Reframing
Flashforward
Two-shot
40. A lens with a focal length greater than 50 mm (usually between 80mm and 20mm) - which provides a larger image of the subject than a normal or wide-angle lens but which narrows the angle of vision and flattens the depth of the image relative to normal
Interpretive claim
Telephoto lens
Second unit
Dolly
41. A method for producing a widescreen image without special lenses or equipment - using standard film stock and blocking out the top and bottom of the frame to achieve an aspect ration of 1.85:1
Masking
Medium close-up
Propaganda film
Extreme wide-angle lens
42. A type of filter that absorbs certain wavelength but leave others unaffected. On black and white film - color filters lighten or darken tones. On color film - they can produce a range of effects
Color filter
Text
Morphing
Pulling
43. A mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation
Persistence of vision
Kuleshov effect
Establishing shot
Film stock
44. A platform on wheels - used for mobile camera shots
Reverse shot
Emulsion
Ethnographic film
Dolly
45. The use of editing techniques - such as a fade or dissolve - to indicate the end of one scene and the beginning of another
Typecasting
Formalist style
Shot transition
Medium close-up
46. A mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation
Hybrid
Kuleshov effect
Minor studios
Animation
47. A long shot in which the film frame resembles the proscenium arch of the stage - distancing the audience
Pre-production
Tableau shot
Fade-out
Parellel
48. A term used for any narrative sound - or visual element not contained in the story world. Also called 'extradiegetic'
Classical style
Negative cutter
Backstage musical
Non-diegetic
49. An abrupt - inexplicable shift in time and place of an action not signaled by an appropriate shot transition
Fabula
Take
Pulling
Jump cut
50. A technique of intentionally adding scratches in a film's emulsion layer for aesthetic purposes - such as to simulate home movie footage
Montage sequence
Panning and scanning
Digital set extension
Scratching
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