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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The measure of intensity or purity of a color. Saturated color is purer than desaturated color - which has more white in it and thus offers a washed-out - less intense version of a color
Frame narration
Saturation
Composition in depth
Digital video
2. A small - variable opening on a camera lens that regulates the amount of light entering the camera and striking the surface of the film
Aperture
Hybrid
Glass shot
Classical style
3. The non-chronological insertion of events from the past into the present day of the story world
Flashback
Shooting script
Newsreel
Composition
4. A shot taken from a vantage point so close that only a part of the subject is visible. On an actor - it might show only an eye or a portion of the face
Three-point lighting
Long take
Extreme close-up
Re-establishing shot
5. A technique of manipulating focus to direct the viewer's attention
Protagonist
Selective focus
Wide-angle lens
Analog Video
6. The distance in millimeters from the optical center of a lens to the lane where the sharpest image is formed while focusing on a distant object
Focal length
Integrated musical
Undercranking
Three-act structure
7. A shot taken from a camera position below the subject
Syuzhet
Low-angle shot
Digital set extension
Syuzhet
8. Natural light; The process of suing sunlight rather than artificial studio lights when filming
Three-act structure
Canted angle
Emulsion
Available light
9. The arrangement of images to depict a unified storyline
Mixing
Establishing shot
Narrative sequencing
Base
10. The first step in the process of creating CGI. The wireframe is a three-dimensional computer model of an object - which is then rendered (producing the finished image) and animated (using simulated camera movement frame by frame)
Forced perspective
Star persona
Optical printer
Wireframe
11. A system for combining two separately filmed images in the same frame that involves create a matte (a black mask that covers a portion of the image) for a live action sequence and using it to block out a portion of the frame when filming the backgrou
Fade-out
Travelling matte
Matte
Compilation film
12. A shot that makes the human subject very small in relation to his or her environment. The entire figure from head to toe is onscreen and dwarfed by the surroundings
Extreme long-shot
Progressive scanning
Negative cutter
Cutaway
13. A computer-generated actor that some speculate will replace flesh and blood actors in the not so distant future
Non-diegetic
Promotion
Continuity editing
Synthespian
14. The film medium's technological apparatus is inherently ideological
Apparatus Theory
Closure
Character actor
Vertical integration
15. The use of editing techniques - such as a fade or dissolve - to indicate the end of one scene and the beginning of another
Runaway production
Shot transition
Neutral-density filter
Composition in depth
16. A pan executed so quickly that it produces a blurred image - indicated rapid activity or - sometimes - the passage of time
Continuity editor
Swish pan
Hard light
Fabula
17. A shot in a sequence that is taken from the reverse angle of the shot previous to it
Tableau shot
Four-part structure
Phi phenomenon
Reverse shot
18. Sound design that blends the speech of several characters talking simultaneously - used to create spontaneity - although it may also confuse the audience
Overlapping dialogue
Cut
Hybrid
Progressive scanning
19. A long shot in which the film frame resembles the proscenium arch of the stage - distancing the audience
Continuity error
Re-establishing shot
Tableau shot
Two-shot
20. A similarity established between two characters or situations that invites the audience to compare the two. It may involve visual - narrative - and/or sound elements
Blocking
Parellel
Slow
Oeuvre
21. A film's main characters - one whose conflicts and motives drive the story forward
Star system
Block booking
Protagonist
Graphic match
22. A filter that creates points of light that streak outward from a light source
Persistence of vision
Charge coupler device
Star filter
Pan
23. Smaller corporations that did not own distribution and/or exhibition companies in the studio era - including Universal - Columbia - and United Artists
Minor studios
Base
Diegesis
Forced development
24. Cinema verite; a documentary style in which the filmmaker attempts to remain as unobtrusive as possible - recording without obvious editorial comment
Extra
Direct cinema
Deep focus cinematography
Color timing
25. A technique of running the motion picture camera at a speed slower than projection speed (24 frames per second) - in order to produce at a fast motion sequence when projected at normal speed. The term derives from early film cameras - which were cran
Auteur
Oeuvre
Video assist
Undercranking
26. Squeezes the image at a ratio of 2:1 horizontally onto a standard film frame. On the projector - it unsqueezes the image - creating a widescreen aspect ratio during presentation
Master positive
Natural-key lighting
Low-key lighting
Anamorphic lens
27. A shot taken when the camera is so close to a subject that it fills the frame. It is most commonly used for a shot that isolates and encompasses a single actor's face - to emphasize the expression of emotion
Persistence of vision
Shot
Forced development
Close-up
28. A shot that focuses audience attention on precise details that may or may not be the focus of characters
Jump cut
Crane shot
Cutaway
Double exposure
29. Lighting design in which the greater intensity of the key light makes it impossible for the fill to eliminate shadows - producing a high-contrast image (with many grades of light and dark) - a number of shadows - and a somber mood
Extreme wide-angle lens
Low-key lighting
Apparatus Theory
Master positive
30. An alternative to continuity editing - this style of editing was developed in silent Soviet cinema - based on the theory that editing should exploit the difference between shots to generate intellectual and emotional responses in the audience
Fade-out
Continuity editor
Handheld shot
Soviet montage
31. A similarity established between two characters or situations that invites the audience to compare the two. It may involve visual - narrative - and/or sound elements
Zoom in...
Parellel
Medium long shot
Steadicam
32. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Line reading
Master positive
Evaluative claim
Medium long shot
33. A film style that - in contrast to the classical and formalist styles - focuses characters - place - and the spontaneity and digressiveness of life - rather than on highly structured stories or aesthetic abstraction
Realist style
Widescreen
Newsreel
Extra
34. The period after principal photography during which editing and looping take place - and special visual effects are added to the film
Classical style
Hollywood Ten
Post-production
Recursive action
35. Also called 'full screen -' the technique of re-shooting a widescreen film in order to convert it to the original television aspect ration of 1.33 to 1. Rather than reproduce the original aspect ratio - as a letterboxed version does - a panned and sc
Dissolve
Long shot
Panning and scanning
Film stock
36. The person in charge of planning the style and look of the film with the production designer and director of photography - working with actors during principal photography - and collaborating with the editor on the final version
Director
Blockbuster
Continuity editor
Intertextual reference
37. A film composed entirely of footage from other films.
Recursive action
B-roll
Compilation film
Horizontal integration
38. A transparent sheet on which animation artists draw images.
Zoom in...
Mixing
Foley artist
Cel
39. A technique of overdeveloping exposed film stock (leaving it in the chemical bath longer than indicated) in order to increase density and contrast in the image
Syuzhet
Pushing
Kuleshov effect
Extreme wide-angle lens
40. Drawing attention to the process of representation (including narrative and characterization) to break the theatrical illusion and elicit a distanced - intellectual response in the audience
Slow motion
Brechtian distanciation
Denouement
Newsreel
41. An optical effect whereby the human eye fills in gaps between closely spaced objects - so that two light bulbs flashing on and off are understood as one light moving back and forth
Scratching
Polarizing filters
Animation
Phi phenomenon
42. A black masking device used to black out a portion of the frame - usually for the insertion of other images
Genre conventions
Matte
Pixilation
Slow
43. Dialogue that restates What is already obvious from images or action
On-the-nose dialogue
Pixilation
Direct cinema
Assistant Editor
44. A business model adopted by the major studios during the Hollywood studio era - in which studios controlled all aspects of the film business - from production to distribution and exhibition
Special visual effects
Vertical integration
Pixel
Iris out
45. Lighting design in which the greater intensity of the key light makes it impossible for the fill to eliminate shadows - producing a high-contrast image (with many grades of light and dark) - a number of shadows - and a somber mood
Low-key lighting
Lightning mix
Backstage musical
Panchromatic
46. A shot that contains two characters within the frame
Script supervisor
Rack focus
Studio system
Two-shot
47. Fish-eye lens; With a focal length of 15mm or less - this lens presents an extremely distorted image - where objects in the center of the frame appear to bulge toward the camera
Polarizing filters
Extreme wide-angle lens
Subtext
Two-shot
48. A technician responsible for splicing and assembling the film negative to the editor's specifications
Wipe
Time-lapse photography
Newsreel
Negative cutter
49. A format that uses a larger film stock than standard 35mm. IMAX - Omnimax - and Showscan are shot on 70mm film
Chiaroscuro
Wide film
Screenplay
Shot transition
50. A shot that interrupts a scene's master shot and may include character reactions
Insert
Compositing
Extradiegetic
Character actor