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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A property of older television monitors - where each frame was scanned as two fields: One consisting of all the odd numbered lines - the other all the even lines. If slowed down - the television image would appear to sweep down the screen one line at
Interlaced scanning
Flashback
Blaxploitation
Extreme long-shot
2. The width of the film stock - measured across the frame. Typical sizes are 8mm - 16mm - 35mm - and 70mm
Release prints
Polarizing filters
Gauge
Toning
3. Because film stock is sensitive to the color of light - directors work with film labs in post-production to monitor the color scheme of each scene in a film - making adjustments for consistency and aesthetic effect
Extradiegetic
Intertextual reference
Medium close-up
Color timing
4. A technique of cutting back and forth between action occurring in two different locations - which often creates the illusion that they are happening simultaneously. Also called 'cross cutting.'
Formalist style
Parellel editing
Rotoscope
Shutter
5. The artful use of light and dark areas in the composition in black and white filmmaking
Chiaroscuro
Lens
Forced perspective
Depth of field
6. A term describing a conclusion that does not answer all the questions raised regarding characters or storylines - nor tie up all loose ends
Figure placement and movement
Prosthesis
Open-ended
Line reading
7. The person in charge of planning the style and look of the film with the production designer and director of photography - working with actors during principal photography - and collaborating with the editor on the final version
Matte painting
Pre-production
Narrative
Director
8. A post-studio era Hollywood film designed to appeal to the broadest possible audience by fusing a simple story line with major movie stars and mounting a lavish marketing campaign
Extreme close-up
Negative
High concept film
Closure
9. A technique used to join live action with pre-recorded background images. A projector is aimed at a half-silvered mirror that reflects the background - which the camera records as being located behind the actors
Third-person narration
Pre-production
Front projection
Runaway production
10. A relatively long - uninterrupted sot - generally of a minute or more
Superimposition
Long take
Cutaway
Charge coupler device
11. A process of blending the three elements of the sound track (dialogue - music - and effects) in post-production
Frozen time moment
Mixing
Grain
Extradiegetic
12. A transparent sheet on which animation artists draw images.
Cel
On-the-nose dialogue
Compositing
Lightning mix
13. An uncredited actor - usually hired for crowd scenes
ADR
Extra
Minor studios
Orthochromatic
14. Lighting design in which the greater intensity of the key light makes it impossible for the fill to eliminate shadows - producing a high-contrast image (with many grades of light and dark) - a number of shadows - and a somber mood
Low-key lighting
Blocking
Tableau shot
Hue
15. Reels of film that are shipped to movie theaters for exhibition. Digital cinema - which can be distributed via satellite - broadband - or on media such as DVDs - may soon replace film prints because the latter are expensive to create - copy - and dis
Deep focus cinematography
Mixing
Negative
Release prints
16. A type of film stock that is sensitive to (in other words - registers) all tones in the color spectrum
Panchromatic
Line of action
Cut
Cel
17. A technique of overdeveloping exposed film stock (leaving it in the chemical bath longer than indicated) in order to increase density and contrast in the image
Anime
Narrative
Pushing
Selective focus
18. The annotated script - containing information about set-ups used during shooting
Shot/reverse shot
Shooting script
Mockumentary
Diffusion filters
19. A technique of arranging the actors on the set to take advantage of deep focus cinematography - which allows for many planes of depth in the film frame to remain in focus
Set-up
Director
Composition in depth
Text
20. The reverse of Iris in: an iris expands outward until the next shot takes up the entire screen
Iris out
Video assist
Pan
Best boy
21. A technique of intentionally adding scratches in a film's emulsion layer for aesthetic purposes - such as to simulate home movie footage
Dye coupler
Take
Scratching
Kuleshov effect
22. A compositing method that allows cinematographers to combine live action and settings that are filmed or created separately. Actors are filmed against a green or blue background. During post-production - this background is filled in with an image thr
Spec script
Anime
Green screen
Travelling matte
23. A shot that makes the human subject very small in relation to his or her environment. The entire figure from head to toe is onscreen and dwarfed by the surroundings
Apparatus Theory
Four-part structure
Fast
Extreme long-shot
24. A shot filmed from an airplane or helicopter
Line reading
Editor
Aerial Shot
Telecine
25. A process of transferring film to video tapes or DVDs so that the original aspect ratio of the film is preserved
Letterboxing
Shot transition
Backstage musical
Medium close-up
26. Film productions shot outside the U.S. for economic reasons
Open-ended
Loose framing
Runaway production
Focal length
27. The classical model of narrative form. The first act introduces characters and conflicts; the second act offers complication leading to a climax; the third act contains the danouement and resolution
Establishing shot
Auteur
Three-act structure
Front projection
28. A technique of filming at a speed faster than projection - the projecting the footage at normal speed of 24 frames per second. Because fewer frames were recorded per second - the action appears to be speeded up
Neutral-density filter
Desaturated
Formalist style
Slow motion
29. Suspended particles of silver in the film's emulsion - Which may become visible in the final image as dots
Color consultant
Telephoto lens
Pushing
Grain
30. A large-budget film whose strategy is to swamp the competition through market saturation
Polarizing filters
Figure placement and movement
Blockbuster
Reframing
31. A vertical - up-and-down - motion of an otherwise stationary camera
Graphic match
Formalist style
Line of action
Tilt
32. The individual arrangement of lighting and camera placement used for each shot
Integrated musical
Overlapping dialogue
Anime
Set-up
33. A specialist who monitors the processing of color on the se and in the film lab
Revisionist
Slow
Color consultant
Digital set extension
34. Light striking the emulsion layer of the film - activating light-sensitive grains
Exposure
Pixilation
Extreme long-shot
Star system
35. An agreement made between filmmakers and those who license the use of commercial products to feature those products in films - generally as props used by characters
Animation
Product placement
Dolly
Medium long shot
36. Thin - flexible material comprised of base and emulsion layers - onto which light rays are focused and which is processed in chemicals to produce film images
Speed
Storyboard
Film stock
Episodic
37. A pan executed so quickly that it produces a blurred image - indicated rapid activity or - sometimes - the passage of time
Swish pan
Fog filter
Cinerama
Subtext
38. Wheeled platform with wheels that rotate - so the dolly can change direction
Pixel
Line of action
Score
Crab dolly
39. The distance that appears in focus in front of and behind the subject. It is determined by the aperture - distance and focal length of lens
Flashforward
Film stock
Depth of field
Matte painting
40. A picture element - a measure of image density. There are approximately 18 million pixels in a frame of 35mm film and 300000-400000 in a video image
Neutral-density filter
Realist style
Frozen time moment
Pixel
41. A shot taken from a camera mounted on a crane that moves three-dimensionally in a space
Dye coupler
Crane shot
Rack focus
Widescreen
42. Dutch angle; a shot resulting from a static camera that is tilted to the right or left - so that the subject in the frame appears at a diagonal
ADR
Visual effects
Lens
Canted angle
43. Light emitted from a larger source that is scattered over a bigger area or reflected off a surface before it strikes the subject. Soft light minimizes facial details - including wrinkles
Soft light
Rotoscope
Soundtrack
Continuity editing
44. The falling or unraveling action after the climax of a narrative that leads to resolution
Pushing
Denouement
Soft light
Eyeline match
45. Smaller corporations that did not own distribution and/or exhibition companies in the studio era - including Universal - Columbia - and United Artists
Star filter
Minor studios
Diffusion filters
Dolly
46. A shot combining two kinds of movement: the camera tracks in toward the subject wile the lens zooms out
Low-angle shot
On-the-nose dialogue
Trombone shot
Flashforward
47. A style of Japanese animation - distinguished primarily by the fact that it is not all geared for young audiences
Interpretive claim
Soundtrack
Academy Ratio
Anime
48. The shape of the image onscreen as determined by the width of the frame relative to its height
Aspect Ratio
Prosthesis
Selective focus
Shutter
49. An actor whose career rests on playing minor or secondary quirky characters rather than leading roles
Extradiegetic
Restricted narration
Character actor
Non-diegetic
50. An optical technique that divides the screen into two or more frames
Aerial Shot
Evaluative claim
Split screen
High concept film