SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Secondary footage that is interspersed with master shots - sometimes in the form of footage shot for another production or archival footage
B-roll
Plot summary
Offscreen space
ADR
2. Dialogue that restates What is already obvious from images or action
Phi phenomenon
Genre
Pushing
On-the-nose dialogue
3. A class or type of film - such as the Western or the horror movie. They share narrative - visual - and/or sound conventions
Video assist
Genre
Ethnographic film
Rotoscope
4. A camera device that opens and closes to regulate the length of time the film is exposed to light
Roadshowing
Tracking shot
Shutter
Post-production
5. The practice or repeatedly casting actors in similar roles across different films
Matte
Typecasting
Two-shot
Optical printer
6. An outlawed studio era practice - where studios forced exhibitors to book groups of films at once - thus ensuring a market for their failures along with their successes
Negative cutter
Academy Ratio
Block booking
Subtext
7. Fish-eye lens; With a focal length of 15mm or less - this lens presents an extremely distorted image - where objects in the center of the frame appear to bulge toward the camera
High-key lighting
Extra
Direct sound
Extreme wide-angle lens
8. A consistent style - theme - and subject matter developed over the course of a director's body of work
Gauge
Loose framing
Focus puller
Oeuvre
9. A technique of moving the camera - on a specially built track. Such shots often trace character movement laterally across the frame or in and out of the depth of the frame
Pulling
Blockbuster
Available light
Tracking shot
10. A shot taken from a camera position below the subject
High-key lighting
Normal lens
Low-angle shot
German Expressionism
11. A shot that focuses audience attention on precise details that may or may not be the focus of characters
Cutaway
Diffusion filters
Method acting
Master shot
12. Images that originate from computer graphics technology - rather than photography
Focus puller
Computer-generated imagery (CGI)
Composition in depth
Saturation
13. A machine that converts film prints to videotape format
Wipe
Telecine
Storyboard
Flashing
14. Light striking the emulsion layer of the film - activating light-sensitive grains
Interlaced scanning
Film stock
Exposure
Flashing
15. A rule in continuity editing - which dictates that if a cut occurs while a character is in the midst of an action - the subsequent shot must begin so that audiences see the completion of that action
Match on action
Frame narration
Out-take
Compositing
16. A small - variable opening on a camera lens that regulates the amount of light entering the camera and striking the surface of the film
Aperture
Anamorphic lens
Tilt
Shot/reverse shot
17. The period of time before principal photography during which actors are signed - sets and costumes designed - and locations scouted
Fabula
Pre-production
Block booking
Eyeline match
18. Author; A term popularized by French film critics and refers to film directors with their own distinctive style
Auteur
Backstory
Line of action
Turning point
19. A film style that - in contrast to the classical and formalist styles - focuses characters - place - and the spontaneity and digressiveness of life - rather than on highly structured stories or aesthetic abstraction
Realist style
30-degree rule
Swish pan
Newsreel
20. Leaving the silver grains in the emulsion rather than bleaching them out - which produces desaturated color
Wipe
Ethnographic film
Bleach bypass
Hard light
21. A technique in which the audience temporarily shares the visual perspective of a character or a group of characters. The camera points in the directions the character looks - simulating the character's field of vision
Text
Point-of-view shot
Zoom lens
Cel
22. Light emitted from a larger source that is scattered over a bigger area or reflected off a surface before it strikes the subject. Soft light minimizes facial details - including wrinkles
Soft light
Zoom in...
Editor
Digital set extension
23. A visual effect created when the subject in the frame is restricted by the objects or the physical properties of the set
Color timing
Tight framing
Animation
Soundtrack
24. Using computer graphics to 'build' structures connected to the actual architecture on set or location
Digital cinema
Go-motion
Digital set extension
Chiaroscuro
25. Non-diegetic; any element in the film that is not part of the imagined story world
Aperture
Denouement
Wireframe
Extradiegetic
26. The distance in millimeters from the optical center of a lens to the lane where the sharpest image is formed while focusing on a distant object
Panning and scanning
Focal length
Plot summary
Subtext
27. Cinema verite; a documentary style in which the filmmaker attempts to remain as unobtrusive as possible - recording without obvious editorial comment
Direct cinema
Character actor
Cut
Pushing
28. A device used to manipulate the amount and/or color of light entering the lens
Classical style
Filter
Running time
Production values
29. A film's main characters - one whose conflicts and motives drive the story forward
Hue
Protagonist
Antagonist
Subgenre
30. An early color process - involving bathing lengths of processed film in dye one scene at a time
Tinting
Medium shot
Roadshowing
Soundtrack
31. Creating images during post-production by joining together photographic or CGI material shot or created at different times and places
Orthochromatic
Denouement
Shot/reverse shot
Compositing
32. Also called 'full screen -' the technique of re-shooting a widescreen film in order to convert it to the original television aspect ration of 1.33 to 1. Rather than reproduce the original aspect ratio - as a letterboxed version does - a panned and sc
Scratching
Major studios
Panning and scanning
Omniscient narration
33. A device attached to the film camera that records videotape of what has been filmed - allowing the director immediate access to video footage
Aerial Shot
Flashing
Toning
Video assist
34. A part of the story world implied by visual or sound techniques rather than being revealed by the camera
Academy Ratio
Depth of field
Steadicam
Offscreen space
35. An action film cycle of the late 1960s and early 1970s that featured bold - rebellious African American characters
Backstage musical
Blaxploitation
Rear projection
Overexposure
36. Also called 'full screen -' the technique of re-shooting a widescreen film in order to convert it to the original television aspect ration of 1.33 to 1. Rather than reproduce the original aspect ratio - as a letterboxed version does - a panned and sc
Panning and scanning
Computer-generated imagery (CGI)
Wipe
Interpellation
37. A technique of arranging the actors on the set to take advantage of deep focus cinematography - which allows for many planes of depth in the film frame to remain in focus
Backstage musical
Hue
Composition in depth
Long take
38. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Superimposition
Roadshowing
Continuity editor
Evaluative claim
39. A property of older television monitors - where each frame was scanned as two fields: One consisting of all the odd numbered lines - the other all the even lines. If slowed down - the television image would appear to sweep down the screen one line at
Average shot length
Interlaced scanning
Plot summary
Line reading
40. A marketing strategy of screening a blockbuster prior to general release only in premier theaters
Tracking shot
Roadshowing
Focal length
Low-angle shot
41. The rules of character - setting - and narrative that films that belong to a genre - such as Westerns - horror films - and screwball comedies - generally obey.
Academy Ratio
Genre conventions
Frozen time moment
Iris in...
42. A class or type of film - such as the Western or the horror movie. They share narrative - visual - and/or sound conventions
Genre
Insert
Available light
Genre conventions
43. An effect created when too little light strikes the film during shooting. As a result the image will contain dark areas that appear very dense and dark (including shadows) and the overall contrast will be less than with a properly exposed image
Shooting script
Telecine
Flashforward
Underexposure
44. A style of stage acting developed from the teachings of Constantin Stanislavsky - which trains actors to get into character through the use of emotional memory
Vertical integration
Scene
Method acting
Tinting
45. The space between the camera and subject it is filming.
On-the-nose dialogue
Emulsion
Camera distance
On-the-nose dialogue
46. The central cause(s) behind a character's actions
Dailies
On-the-nose dialogue
Motivation
Saturation
47. Glass filters whose surface is etched with spots that refract light - so they create the appearance of water droplets in the air
Production values
Fog filter
Wipe
Cutaway
48. A shot in a sequence that is taken from the reverse angle of the shot previous to it
Lens
High concept film
Subtext
Reverse shot
49. A marketing strategy of screening a blockbuster prior to general release only in premier theaters
Tinting
Roadshowing
180-degree rule
Extradiegetic
50. These filters bend the light coming into lens - softening and blurring the image
Diffusion filters
Newsreel
Mixing
Glass shot