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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A technician responsible for splicing and assembling the film negative to the editor's specifications
Brechtian distanciation
Reverse shot
Normal lens
Negative cutter
2. These filters bend the light coming into lens - softening and blurring the image
Zoom out
Subtext
Diffusion filters
Wireframe
3. An abrupt shot transition that occurs when Shot A is instantaneously replaced by Shot B.
Extreme long-shot
Dolly
Saturation
Cut
4. Thin - flexible material comprised of base and emulsion layers - onto which light rays are focused and which is processed in chemicals to produce film images
Insert
Film stock
Parellel editing
Post-production
5. An abrupt shot transition that occurs when Shot A is instantaneously replaced by Shot B.
Protagonist
Formalist style
Animation
Cut
6. A type of matte shot - created by positioning a pane of optically flawless glass with a painting on it between the camera and the scene to be photographed. This combines the painting on the glass with the set or location - seen through the glass - be
Gaffer
Wipe
Omniscient narration
Glass shot
7. A technique of arranging the actors on the set to take advantage of deep focus cinematography - which allows for many planes of depth in the film frame to remain in focus
Composition in depth
Extradiegetic
Glass shot
Filter
8. An actor whose career rests on playing minor or secondary quirky characters rather than leading roles
Digital cinema
Formalist style
Character actor
Episodic
9. The non-chronological insertion of events from the past into the present day of the story world
Day for night
Deep focus cinematography
Flashback
Soundtrack
10. A term for film stock used in early cinema that was insensitive to red hues
Orthochromatic
Revisionist
Aspect Ratio
Spec script
11. A method for producing a widescreen image without special lenses or equipment - using standard film stock and blocking out the top and bottom of the frame to achieve an aspect ration of 1.85:1
Saturation
Forced development
Masking
Method acting
12. A visual effect created when the subject in the frame is restricted by the objects or the physical properties of the set
Tight framing
Panchromatic
Focus puller
Open-ended
13. Processes such as Cinemascope and Cinerama - developed during the 1950s to enhance film's size advantage over the smaller television image
Storyboard
Camera distance
Widescreen
Handheld shot
14. A filter that simply reduces the amount of light entering the lens - without affecting the color characteristics
Tracking shot
Classical style
Neutral-density filter
Eyeline match
15. The period after principal photography during which editing and looping take place - and special visual effects are added to the film
Deep focus cinematography
Master shot
Post-production
Storyboard
16. The first print made from a film negative
Blue screen
Master positive
Loose framing
Denouement
17. Fish-eye lens; With a focal length of 15mm or less - this lens presents an extremely distorted image - where objects in the center of the frame appear to bulge toward the camera
Extreme wide-angle lens
Voice-over
Interpretive claim
Episodic
18. A shot that contains two characters within the frame
Eye-level shot
Motivation
Two-shot
Star system
19. The classical model of narrative form. The first act introduces characters and conflicts; the second act offers complication leading to a climax; the third act contains the danouement and resolution
Tilt
Subtext
Zoom out
Three-act structure
20. Also called 'stop motion photography.' A technique of photographing a scene one frame at a time and moving the model between each shot
Toning
Non-diegetic
Pixilation
Split screen
21. An optical effect whereby the human eye fills in gaps between closely spaced objects - so that two light bulbs flashing on and off are understood as one light moving back and forth
Phi phenomenon
Speed
Two-shot
Steadicam
22. An abrupt - inexplicable shift in time and place of an action not signaled by an appropriate shot transition
Jump cut
Blockbuster
Three-act structure
Trailer
23. Optical illusions created during post-production
Soft light
Descriptive claim
Visual effects
Loose framing
24. The distance that appears in focus in front of and behind the subject. It is determined by the aperture - distance and focal length of lens
Revisionist
Digital compositing
Depth of field
Realist style
25. A change of focus from one plane of depth to another. As the in-focus subject goes out of focus - another object - which has been blurry - comes into focus in either the background or the foreground
Backstory
Continuity editing
Omniscient narration
Rack focus
26. Projecting a series of frames of film with the same image - which appears to stop the action
Fog filter
Standard shot pattern
B-roll
Freeze frame
27. Muted - washed out color that contains more white than a saturated color
Desaturated
Fabula
Continuity error
Studio system
28. A documentary or occasionally - a narrative film that presents only one side of an argument or one approach to a subject
Promotion
Overlapping dialogue
Propaganda film
Avant-garde film
29. An animation technique that uses a computer program to interpolate frames to produce the effect of an object or creature changing gradually into something different. The program calculates the way the image must change in order for the first image to
Digital cinema
Frozen time moment
Pulling
Morphing
30. A technique of shifting the camera angle - height - or distance to take into account the motion of actors or objects within the frame
Actualitas
Zoom in...
Bleach bypass
Reframing
31. A technique of manipulating focus to direct the viewer's attention
Release prints
Offscreen space
Selective focus
Extra
32. A digital technique developed by Industrial Light and Magic - which builds movement sequences from single frames of film
Persistence of vision
Pulling
Best boy
Go-motion
33. Any noticeable but unintended discrepancy from one shot to the next in costume - props - hairstyle - posture - etc.
Continuity error
Flashing
Third-person narration
Tinting
34. An actor whose career rests on playing minor or secondary quirky characters rather than leading roles
Character actor
Wide-angle lens
Swish pan
Backstory
35. Dutch angle; a shot resulting from a static camera that is tilted to the right or left - so that the subject in the frame appears at a diagonal
Blaxploitation
Canted angle
Dissolve
Split screen
36. A narrative - visual - or sound element that refers viewers to other films or works of art
Runaway production
Intertextual reference
Blue screen
Assistant Editor
37. A part of the story world implied by visual or sound techniques rather than being revealed by the camera
Offscreen space
Outsourcing
Post-production
Cut
38. A person responsible for putting a film together from a mass of developed footage - making decisions regarding pace - shot transitions - and which scenes and shots will be used
Low-key lighting
Color consultant
Editor
Forced perspective
39. Filters that increase color saturation and contrast in outdoor shots
Scratching
Direct sound
Narrative sequencing
Polarizing filters
40. Dutch angle; a shot resulting from a static camera that is tilted to the right or left - so that the subject in the frame appears at a diagonal
Release prints
Anamorphic lens
Rack focus
Canted angle
41. A device worn by a camera operator that holds the motion picture camera - allowing it glide smoothly through spaces unreachable by camera mounted on a crane or other apparatus
Steadicam
Editor
Shot
Analog Video
42. The length in minutes for a film to play in its entirety (for example - 120 minutes). Also referred to as 'screen time.'
Pushing
Runaway production
Soviet montage
Running time
43. A continuity editing technique that preserves spatial continuity by using a character's line of vision as motivation for a cut
Eyeline match
Integrated musical
Oeuvre
Recursive action
44. The rules of character - setting - and narrative that films that belong to a genre - such as Westerns - horror films - and screwball comedies - generally obey.
Hue
Genre conventions
Animation
Recursive action
45. A technique of moving the camera - on a specially built track. Such shots often trace character movement laterally across the frame or in and out of the depth of the frame
Best boy
Direct sound
Typecasting
Tracking shot
46. Assists the gaffer in managing lighting crews
Day for night
Base
Best boy
Exposure latitude
47. The film medium's technological apparatus is inherently ideological
Prosthesis
Emulsion
Apparatus Theory
Reframing
48. Invisible editing; a system devised to minimize the audience's awareness of shot transitions - especially cuts - in order to improve the flow of the story and avoid interrupting the viewer's immersion it in
Continuity editing
Line of action
Character actor
Denouement
49. The building block of a scene; an uninterrupted sequence of frames that viewers experience as they watch a film - ending with a cut - fade - dissolve - etc. See also Take
Star persona
Wide-angle lens
Shot
Day for night
50. A technique of leaving empty space around the subject in the frame - in order to covey openness and continuity of visible space and to imply offscreen space
Protagonist
Extra
Dye coupler
Loose framing
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