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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The distance that appears in focus in front of and behind the subject. It is determined by the aperture - distance and focal length of lens
Digital compositing
Flashback
Depth of field
Editor
2. Materials intentionally released by studios to attract public attention to films and their stars. Promotion differs from publicity - which is information that is not (or does not appear to be) intentionally disseminated by studios
Low-key lighting
Hybrid
Promotion
Line of action
3. A shot taken from a vantage point so close that only a part of the subject is visible. On an actor - it might show only an eye or a portion of the face
Aperture
Cel
Extreme close-up
Omniscient narration
4. Reels of film that are shipped to movie theaters for exhibition. Digital cinema - which can be distributed via satellite - broadband - or on media such as DVDs - may soon replace film prints because the latter are expensive to create - copy - and dis
Release prints
Deep focus cinematography
Digital set extension
Blaxploitation
5. A crew member whose job is to maintain consistency in visual details from one shot to the next
Parellel
Pixilation
Realist style
Continuity editor
6. Devices that attach to actors' faces and/or bodies to change their appearance
Voice-over
Analog Video
Prosthesis
Three-act structure
7. A complete narrative unit within a film - with its own beginning - middle - and end. Often scenes are unified - and distinguished from one another - by time and setting
Scene
Blue screen
Score
Animation
8. Any narrative - visual - or sound element that is repeated and thereby acquires and reflects its significance to the story - characters - or themes of the film.
Motif
Screenplay
Diffusion filters
Special visual effects
9. A character who in some way opposes the protagonist - leading to protracted conflict
Persistence of vision
Antagonist
City symphony
Turning point
10. Also called 'stop motion photography.' A technique of photographing a scene one frame at a time and moving the model between each shot
Closure
Pixilation
Re-establishing shot
Evaluative claim
11. A device worn by a camera operator that holds the motion picture camera - allowing it glide smoothly through spaces unreachable by camera mounted on a crane or other apparatus
Second unit
Lightning mix
Vista Vision
Steadicam
12. A machine that converts film prints to videotape format
Optical printer
Text
180-degree rule
Telecine
13. The artful use of light and dark areas in the composition in black and white filmmaking
Vista Vision
Aperture
Hue
Chiaroscuro
14. A short screen appearance by a celebrity - playing himself or herself
Cameo
Extreme wide-angle lens
Color filter
Actualitas
15. An uncredited actor - usually hired for crowd scenes
Extra
Computer-generated imagery (CGI)
Low-key lighting
Best boy
16. (Automatic dialogue replacement) recording synchronized dialogue in post-production - cutting several identical lengths of developed film and having actors record the dialogue repeatedly
Lightning mix
Fast motion
ADR
Recursive action
17. A device used to manipulate the amount and/or color of light entering the lens
Orthochromatic
Extra
Negative
Filter
18. The non-chronological insertion of scenes of events yet to happen into the present day of the story world
Dye coupler
Flashforward
Polarizing filters
Extreme close-up
19. A machine used to create optical effects such as fades - dissolves - and superimpositions. Most are now created digitally
Medium shot
Master positive
Optical printer
Oeuvre
20. The way an actor delivers a line of dialogue - including pauses - inflection - and emotion
Blaxploitation
Line reading
Aerial Shot
Oeuvre
21. Using computer graphics to 'build' structures connected to the actual architecture on set or location
Freeze frame
Digital set extension
Auteur
Special visual effects
22. The written blueprint for a film - composed of three elements: dialogue - sluglines (setting the place and time of each scene) - and description. Feature-length screenplays typically run 90-130 pages
Dolly
Screenplay
Flashing
Pushing
23. A technique of shifting the camera angle - height - or distance to take into account the motion of actors or objects within the frame
Go-motion
Masking
Extra
Reframing
24. Assists the gaffer in managing lighting crews
Camera distance
Persistence of vision
Letterboxing
Best boy
25. An unstated meaning that underlies and is implied by spoken dialogue
Undercranking
Green screen
Subtext
Letterboxing
26. A production term denoting a single uninterrupted series of frames exposed by a motion picture or video camera between the time it is turned on and the time it is turned off. Filmmakers shoot several takes of any scene and the film editor selects the
Omniscient narration
Take
City symphony
Actualitas
27. A filter that creates points of light that streak outward from a light source
Star filter
Mockumentary
Rack focus
Fade-out
28. A picture element - a measure of image density. There are approximately 18 million pixels in a frame of 35mm film and 300000-400000 in a video image
Color timing
Shutter
Dissolve
Pixel
29. Also called 'full screen -' the technique of re-shooting a widescreen film in order to convert it to the original television aspect ration of 1.33 to 1. Rather than reproduce the original aspect ratio - as a letterboxed version does - a panned and sc
Interpellation
Panning and scanning
Method acting
Film stock
30. A measure of a film stock's sensitivity to light. 'Fast' refers to sensitive film stock - while slow film is relatively insensitive
Backstory
Telecine
Speed
Shot/reverse shot
31. Live action is filmed in front of a blue screen and a matte. It's then joined with the background footage
Turning point
Blue screen
Subgenre
Interlaced scanning
32. Lighting design where the key light is somewhat more intense than the fill light - so the fill does not eliminate every shadow. The effect is generally less cheerful than high-key lighting - but not as gloomy as low-key lighting
Horizontal integration
Pixilation
Color filter
Natural-key lighting
33. The rules of character - setting - and narrative that films that belong to a genre - such as Westerns - horror films - and screwball comedies - generally obey.
Voice-over
Genre conventions
Revisionist
Major studios
34. A technique used to join live action with pre-recorded background images. A projector is aimed at a half-silvered mirror that reflects the background - which the camera records as being located behind the actors
On-the-nose dialogue
Split screen
Front projection
Horizontal integration
35. (Automatic dialogue replacement) recording synchronized dialogue in post-production - cutting several identical lengths of developed film and having actors record the dialogue repeatedly
Backstory
ADR
Major studios
Go-motion
36. A visual effect achieved through the use of photography and digital techniques that appears to stop time and allow the viewer to travel around the subject and view it from a multitude of vantage points
Storyboard
Soft light
Dye coupler
Frozen time moment
37. A screenplay written and submitted to a studio or production company without a prior contract or agreement
Visual effects
Phi phenomenon
Spec script
High concept film
38. An abrupt shot transition that occurs when Shot A is instantaneously replaced by Shot B.
Match on action
Cut
Desaturated
Trombone shot
39. The non-chronological insertion of events from the past into the present day of the story world
Iris in...
Gaffer
Vertical integration
Flashback
40. The length in minutes for a film to play in its entirety (for example - 120 minutes). Also referred to as 'screen time.'
Composition in depth
Steadicam
Running time
Compositing
41. The average length in seconds of a series of shots - covering a portion of a film or an entire film; a measure of pace within a scene or in the film as a whole.
Interlaced scanning
Newsreel
Average shot length
Selective focus
42. A shot transition that involves the gradual disappearance of the image at the same time that a new image gradually comes into view
Dissolve
Jump cut
Optical printer
Letterboxing
43. A type of matte shot - created by positioning a pane of optically flawless glass with a painting on it between the camera and the scene to be photographed. This combines the painting on the glass with the set or location - seen through the glass - be
Hue
Glass shot
Frozen time moment
Pan
44. The falling or unraveling action after the climax of a narrative that leads to resolution
Saturation
B-roll
Denouement
Color consultant
45. The width of the film stock - measured across the frame. Typical sizes are 8mm - 16mm - 35mm - and 70mm
Shot
Visual effects
Frozen time moment
Gauge
46. A shot transition where shot A slowly disappears as the screen becomes black before shot B appears. A fade-in is the reverse of this process
Fade-out
Day for night
Reverse shot
Handheld shot
47. A crew member whose job is to maintain consistency in visual details from one shot to the next
Toning
Rack focus
Continuity editor
Emulsion
48. The details of a character's past that emerge as the film unfolds - and which often play a role in character motivation
Parellel
Backstory
Script supervisor
Promotion
49. An optical effect whereby the eye continues to register a visual stimulus in the brain for a brief period after that stimulus has been removed
Protagonist
Undercranking
Persistence of vision
Pulling
50. A painting used on the set as a portion of the background
Re-establishing shot
Apparatus Theory
Matte painting
Trailer
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