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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Drawing attention to the process of representation (including narrative and characterization) to break the theatrical illusion and elicit a distanced - intellectual response in the audience
Parellel editing
Visual effects
Brechtian distanciation
Persistence of vision
2. The length in minutes for a film to play in its entirety (for example - 120 minutes). Also referred to as 'screen time.'
Director
Shot/reverse shot
Running time
Gaffer
3. A term that refers to the organization of an industry wherein one type of corporation also owns corporations in allied industries - for example - film production and video games
Extreme wide-angle lens
Block booking
Mixing
Horizontal integration
4. Recording images at a slower speed than the speed of projection (24 frames per second). Before cameras were motorized - this was called undercranking. Fewer frames are exposed in one minute - so - when projected at 24 f.p.s. - that action takes less
Fast motion
Shot
Eye-level shot
Overlapping dialogue
5. A continuity editing technique that preserves spatial continuity by using a character's line of vision as motivation for a cut
Digital compositing
Sound bridge
Eyeline match
Newsreel
6. Any narrative - visual - or sound element that is repeated and thereby acquires and reflects its significance to the story - characters - or themes of the film.
Formalist style
Undercranking
Focal length
Motif
7. The written blueprint for a film - composed of three elements: dialogue - sluglines (setting the place and time of each scene) - and description. Feature-length screenplays typically run 90-130 pages
Horizontal integration
Screenplay
Selective focus
Hue
8. The chip in a video camera that converts the incoming light to an electronic signal
Mixing
Charge coupler device
Visual effects
Apparatus Theory
9. Also called 'd-cinema.' Not to be confused with digital cinematography (shooting movies on digital video) - this term refers to using digital technologies for exhibition
Matte painting
Digital cinema
Tight framing
Composition in depth
10. Also called 'stop motion photography.' A technique of photographing a scene one frame at a time and moving the model between each shot
Blaxploitation
Method acting
Gauge
Pixilation
11. Devices that attach to actors' faces and/or bodies to change their appearance
Dolly
Prosthesis
Fast
Assistant Editor
12. A technique of cutting back and forth between action occurring in two different locations - which often creates the illusion that they are happening simultaneously. Also called 'cross cutting.'
Parellel editing
Overlapping dialogue
Second unit
Persistence of vision
13. Light emitted from a relatively small source positioned close to the subject. It tends to be unflattering because it creates deep shadows and emphasizes surface imperfections
Tilt
Lens
Undercranking
Hard light
14. A shot that makes the human subject very small in relation to his or her environment. The entire figure from head to toe is onscreen and dwarfed by the surroundings
Extreme long-shot
Toning
Loose framing
Letterboxing
15. The chip in a video camera that converts the incoming light to an electronic signal
Front projection
Charge coupler device
Director
Descriptive claim
16. A shot transition where shot A slowly disappears as the screen becomes black before shot B appears. A fade-in is the reverse of this process
Fade-out
Genre
Progressive scanning
Narrative sequencing
17. A technique of moving a zoom lens from a wide-angle position to a telephoto position - which results in a magnification of the subject within the frame - and keeps the subject in focus
Vista Vision
B-roll
Iris out
Zoom in...
18. A direct vocal address to the audience - Which may emanate from a character or from a narrative voice apparently unrelated to the diegesis
Neutral-density filter
Voice-over
Extreme wide-angle lens
Backstage musical
19. A digital technique developed by Industrial Light and Magic - which builds movement sequences from single frames of film
Dolly
Go-motion
Release prints
Rear projection
20. A term for film stock used in early cinema that was insensitive to red hues
Plot summary
Orthochromatic
Special visual effects
Auteur
21. A system for recording images on magnetic tape using a digital signal - that is - an electronic signal comprised of 0s and 1s
Deep focus cinematography
Studio system
Negative cutter
Digital video
22. Exposed and developed film stock from which the master positive is struck. If projected - the negative would produce a reverse of the image - with dark areas appearing white and vice versa or - if color film - areas of color appearing as their comple
Speed
Negative
Split screen
Canted angle
23. A production term referring to coordinating actors' movements with lines of dialogue
Optical printer
Selective focus
Blocking
Zoom in...
24. Invisible editing; a system devised to minimize the audience's awareness of shot transitions - especially cuts - in order to improve the flow of the story and avoid interrupting the viewer's immersion it in
Wide film
Continuity editing
Pan
Synthespian
25. The first shot in a standard shot sequence. Its purpose is to provide a clear representation of the location of the action
Classical style
Genre
Establishing shot
Eyeline match
26. A change of focus from one plane of depth to another. As the in-focus subject goes out of focus - another object - which has been blurry - comes into focus in either the background or the foreground
Low-key lighting
Long shot
Rack focus
Wipe
27. The measure of intensity or purity of a color. Saturated color is purer than desaturated color - which has more white in it and thus offers a washed-out - less intense version of a color
Extreme wide-angle lens
Saturation
Interlaced scanning
Rear projection
28. Devices that attach to actors' faces and/or bodies to change their appearance
ADR
Loose framing
Eyeline match
Prosthesis
29. A type of film stock that is sensitive to (in other words - registers) all tones in the color spectrum
Auteur
Direct sound
Star persona
Panchromatic
30. A shot transition that emphasizes the visual similarities between two consecutive shots
Canted angle
Graphic match
Minor studios
Runaway production
31. Squeezes the image at a ratio of 2:1 horizontally onto a standard film frame. On the projector - it unsqueezes the image - creating a widescreen aspect ratio during presentation
Analog Video
Anamorphic lens
Diffusion filters
Parellel
32. A production crew responsible not for shooting the primary footage but - instead - for remote location shooting and B-roll. See also B-roll
Polarizing filters
Auteur
Propaganda film
Second unit
33. The artful use of light and dark areas in the composition in black and white filmmaking
Method acting
Chiaroscuro
Zoom lens
Two-shot
34. A film composed entirely of footage from other films.
Cut
Sound bridge
Compilation film
Video assist
35. The classical model of narrative form. The first act introduces characters and conflicts; the second act offers complication leading to a climax; the third act contains the danouement and resolution
Backstage musical
Three-act structure
Plot summary
Four-part structure
36. A visual effect created when the subject in the frame is restricted by the objects or the physical properties of the set
Selective focus
Aerial Shot
Tight framing
Dye coupler
37. A person responsible for putting a film together from a mass of developed footage - making decisions regarding pace - shot transitions - and which scenes and shots will be used
Long take
Editor
Episodic
Fog filter
38. The space between the camera and subject it is filming.
Camera distance
Star persona
Video assist
Long shot
39. A large-budget film whose strategy is to swamp the competition through market saturation
High-key lighting
Blockbuster
Motivation
Pulling
40. A similarity established between two characters or situations that invites the audience to compare the two. It may involve visual - narrative - and/or sound elements
Exposure
Motivation
Orthochromatic
Parellel
41. A crew member who reports to the Director of Photography (DP) and is in charge of tasks involving lighting and electrical needs
Orthochromatic
Gaffer
Insert
Glass shot
42. A device worn by a camera operator that holds the motion picture camera - allowing it glide smoothly through spaces unreachable by camera mounted on a crane or other apparatus
Motivation
Actualitas
Steadicam
Out-take
43. The camera does not move across an imagined line drawn between two characters
Three-act structure
Underexposure
Outsourcing
180-degree rule
44. A camera device that opens and closes to regulate the length of time the film is exposed to light
Zoom lens
Desaturated
Shutter
Slow
45. An optical effect whereby the human eye fills in gaps between closely spaced objects - so that two light bulbs flashing on and off are understood as one light moving back and forth
Phi phenomenon
Episodic
Interpellation
Mixing
46. A marketing strategy of screening a blockbuster prior to general release only in premier theaters
Gauge
Match on action
Normal lens
Roadshowing
47. A crew member whose job is to measure the distance between the subject and the camera lens - marking the ring on the camera lens - and ensuring the ring is turned precisely so that the image is in focus
Focus puller
Genre conventions
Recursive action
Continuity editor
48. A technique used to join live action with a pre-recorded background image. A projector is placed behind a screen and projects an image onto it. Actors stand in front of the screen and the camera records them in front of the projected background
Blaxploitation
Green screen
Motivation
Rear projection
49. A film composed entirely of footage from other films.
Focal length
Typecasting
Crane shot
Compilation film
50. A compositing method that allows cinematographers to combine live action and settings that are filmed or created separately. Actors are filmed against a green or blue background. During post-production - this background is filled in with an image thr
Pan
Low-key lighting
Masking
Green screen