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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A compositing method that allows cinematographers to combine live action and settings that are filmed or created separately. Actors are filmed against a green or blue background. During post-production - this background is filled in with an image thr
Letterboxing
Zoom lens
Line reading
Green screen
2. A camera shot taken at a large distance from the subject. Using the human body as the subject - a long shot captures the entire human form
Genre conventions
Long shot
Vista Vision
Overexposure
3. Recording images at a slower speed than the speed of projection (24 frames per second). Before cameras were motorized - this was called undercranking. Fewer frames are exposed in one minute - so - when projected at 24 f.p.s. - that action takes less
Letterboxing
Video assist
Fast motion
Color timing
4. The practice of shooting during the day but using filters and underexposure to create the illusion of nighttime
Ethnographic film
Grain
Day for night
Star filter
5. A machine used to create optical effects such as fades - dissolves - and superimpositions. Most are now created digitally
Optical printer
Focus puller
Digital compositing
Slow motion
6. A fiction film (often a comedy) that uses documentary conventions on fictional rather than real-world subject matter
Mockumentary
Kuleshov effect
Kuleshov effect
Anime
7. A lens with a focal length greater than 50 mm (usually between 80mm and 20mm) - which provides a larger image of the subject than a normal or wide-angle lens but which narrows the angle of vision and flattens the depth of the image relative to normal
Cut
Telephoto lens
Gaffer
Average shot length
8. A narrative approach that limits the audience's view of events to that of the main character(s) in the film. Occasional moments of omniscient narration may give viewers more information than the character shave at specific points in the narrative
Medium shot
Typecasting
Restricted narration
Interlaced scanning
9. A character who in some way opposes the protagonist - leading to protracted conflict
Pan
Backstory
Antagonist
Subgenre
10. The written blueprint for a film - composed of three elements: dialogue - sluglines (setting the place and time of each scene) - and description. Feature-length screenplays typically run 90-130 pages
Avant-garde film
High concept film
Screenplay
30-degree rule
11. A system for combining two separately filmed images in the same frame that involves create a matte (a black mask that covers a portion of the image) for a live action sequence and using it to block out a portion of the frame when filming the backgrou
Travelling matte
Neutral-density filter
Subgenre
Wireframe
12. A shot that focuses audience attention on precise details that may or may not be the focus of characters
Cutaway
Flashforward
Average shot length
Crane shot
13. The plotline that surrounds an embedded tale. The frame narration may or may not be as fully developed as the embedded tale
Two-shot
Animation
Frame narration
Forced perspective
14. A type of matte shot - created by positioning a pane of optically flawless glass with a painting on it between the camera and the scene to be photographed. This combines the painting on the glass with the set or location - seen through the glass - be
Extra
Negative cutter
Iris out
Glass shot
15. The practice of Hollywood studios contracting out post-production work to individuals or firms outside the U.S.
Jump cut
Panning and scanning
Minor studios
Outsourcing
16. A shot in a sequence that is taken from the reverse angle of the shot previous to it
Digital set extension
Available light
Reverse shot
Three-point lighting
17. A technique of depicting two layered images simultaneously. Images from one frame or several frames of film are added to pre-existing images - using an optical printer - to produce the same effect as a double exposure
Superimposition
Recursive action
Bleach bypass
Open-ended
18. Cinema verite; a documentary style in which the filmmaker attempts to remain as unobtrusive as possible - recording without obvious editorial comment
Steadicam
Graphic match
Desaturated
Direct cinema
19. The chronological accounting of all events presented and suggested
Long shot
Denouement
Fabula
Mockumentary
20. An uncredited actor - usually hired for crowd scenes
Progressive scanning
Match on action
Medium long shot
Extra
21. Invisible editing; a system devised to minimize the audience's awareness of shot transitions - especially cuts - in order to improve the flow of the story and avoid interrupting the viewer's immersion it in
Propaganda film
Star persona
On-the-nose dialogue
Continuity editing
22. The film medium's technological apparatus is inherently ideological
Spec script
Major studios
Apparatus Theory
Third-person narration
23. Color. The strength of a hue is measured by its saturation or desaturation
Hue
Analog Video
Graphic match
Fog filter
24. A shot that includes a human figure from the shoulders up
Third-person narration
Medium close-up
Three-point lighting
High concept film
25. A brief chronological description of the basic events and characters in a film. It does not include interpretive or evaluative claims
Plot summary
Line reading
Closure
Major studios
26. A standard shot pattern that dictates that a shot of one character will be followed by a shot of another character - taken from the reverse angle of the first shot
Shot/reverse shot
Pushing
Jump cut
Emulsion
27. A shot that includes a human figure from the shoulders up
Medium close-up
Slow motion
Panchromatic
Plot summary
28. The arrangement of actors on screen as a compositional element that suggests themes - character development - emotional content - and visual motifs
Classical style
Screenplay
Recursive action
Figure placement and movement
29. Also called 'full screen -' the technique of re-shooting a widescreen film in order to convert it to the original television aspect ration of 1.33 to 1. Rather than reproduce the original aspect ratio - as a letterboxed version does - a panned and sc
Compositing
Actualitas
Cutaway
Panning and scanning
30. An effect created when too little light strikes the film during shooting. As a result the image will contain dark areas that appear very dense and dark (including shadows) and the overall contrast will be less than with a properly exposed image
Editor
Underexposure
Animation
Emulsion
31. A technique of arranging the actors on the set to take advantage of deep focus cinematography - which allows for many planes of depth in the film frame to remain in focus
Composition in depth
Newsreel
Computer-generated imagery (CGI)
Lens
32. Dutch angle; a shot resulting from a static camera that is tilted to the right or left - so that the subject in the frame appears at a diagonal
Canted angle
Blaxploitation
Backstory
Roadshowing
33. A picture element - a measure of image density. There are approximately 18 million pixels in a frame of 35mm film and 300000-400000 in a video image
Split screen
Color timing
Pixel
Analog Video
34. A crew member responsible for logging the details of each take on the set so as to ensure continuity
Split screen
Script supervisor
Natural-key lighting
Masking
35. A cinematography technique that produces an image with many planes of depth in focus. It can be accomplished by using a small aperture - a large distance between camera and subject - and/or a lens of short focal length
Zoom lens
Hybrid
Low-key lighting
Deep focus cinematography
36. A picture element - a measure of image density. There are approximately 18 million pixels in a frame of 35mm film and 300000-400000 in a video image
Pixel
Steadicam
Eye-level shot
Special visual effects
37. A musical film in which each song and dance number is narratively motivated by a plot that situates characters in performance contexts
Telephoto lens
Hard light
Backstage musical
Runaway production
38. A film composed entirely of footage from other films.
Parellel
Compilation film
Typecasting
Extreme long-shot
39. A shot taken from a camera position above the subject - looking down at it
High-angle shot
Subtext
Graphic match
German Expressionism
40. Everything audiences hear when they watch a sound film. The soundtrack is the composite of all three elements of film sound: dialogue - music - and sound effects
Vista Vision
Motif
Letterboxing
Soundtrack
41. Individuals who were prevented from working in the film industry because of their suspected involvement with Communist interests
Star persona
Hollywood Blacklist
Pre-production
City symphony
42. A type of short film that blends elements of documentary and avant-garde film to document and often to celebrate the wonder of the modern city
Closure
Narrative sequencing
Apparatus Theory
City symphony
43. The selection and ordering of narrative events presented in a film
Syuzhet
Master positive
Glass shot
Undercranking
44. The falling or unraveling action after the climax of a narrative that leads to resolution
Interpretive claim
High concept film
Animation
Denouement
45. Wheeled platform with wheels that rotate - so the dolly can change direction
Outsourcing
Crab dolly
Digital set extension
Panchromatic
46. A production term denoting a single uninterrupted series of frames exposed by a motion picture or video camera between the time it is turned on and the time it is turned off. Filmmakers shoot several takes of any scene and the film editor selects the
Split screen
Antagonist
Take
Diffusion filters
47. A system initially developed for marketing films by creating and promoting stars as objects of admiration. The promotion of stars has now become an end in itself
Aperture
Star system
Parellel editing
Morphing
48. A technique of intentionally adding scratches in a film's emulsion layer for aesthetic purposes - such as to simulate home movie footage
Scene
Computer-generated imagery (CGI)
Selective focus
Scratching
49. A story; a chain of events linked by cause-and-effect logic
Iris in...
Narrative
Graphic match
Subtext
50. Light striking the emulsion layer of the film - activating light-sensitive grains
Exposure
Backstage musical
Long shot
Undercranking