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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The term for a film's spoken dialogue - as opposed to the underlying meaning contained in the subtext
Hard light
Synthespian
Scene
Text
2. The written blueprint for a film - composed of three elements: dialogue - sluglines (setting the place and time of each scene) - and description. Feature-length screenplays typically run 90-130 pages
Iris in...
Mixing
Screenplay
Star persona
3. A story; a chain of events linked by cause-and-effect logic
Extra
Closure
Forced perspective
Narrative
4. The artful use of light and dark areas in the composition in black and white filmmaking
Chiaroscuro
Lightning mix
Widescreen
Continuity editing
5. Live action is filmed in front of a blue screen and a matte. It's then joined with the background footage
Visual effects
Blue screen
Dolly
Computer-generated imagery (CGI)
6. Materials intentionally released by studios to attract public attention to films and their stars. Promotion differs from publicity - which is information that is not (or does not appear to be) intentionally disseminated by studios
Propaganda film
Lens
Blue screen
Promotion
7. A scene filmed and processed but not selected to appear in the final version of the film
Hue
Out-take
Selective focus
Polarizing filters
8. Individuals who were prevented from working in the film industry because of their suspected involvement with Communist interests
Continuity editor
Color consultant
Cinerama
Hollywood Blacklist
9. A system of constructing and arranging buildings and objects on the set so that they diminish in size dramatically from foreground to background - which creates the illusion of depth
Steadicam
Matte
Motivation
Forced perspective
10. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Evaluative claim
Slow
Charge coupler device
Point-of-view shot
11. A mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation
Direct cinema
Hard light
Second unit
Kuleshov effect
12. An action film cycle of the late 1960s and early 1970s that featured bold - rebellious African American characters
Cutaway
Blaxploitation
Forced perspective
Overlapping dialogue
13. A production term denoting a single uninterrupted series of frames exposed by a motion picture or video camera between the time it is turned on and the time it is turned off. Filmmakers shoot several takes of any scene and the film editor selects the
Exposition
Episodic
Voice-over
Take
14. Light emitted from a larger source that is scattered over a bigger area or reflected off a surface before it strikes the subject. Soft light minimizes facial details - including wrinkles
Chiaroscuro
Aspect Ratio
Wireframe
Soft light
15. Lighting design in which the greater intensity of the key light makes it impossible for the fill to eliminate shadows - producing a high-contrast image (with many grades of light and dark) - a number of shadows - and a somber mood
Low-key lighting
Overhead shot
Pixilation
Extreme close-up
16. Projecting a series of frames of film with the same image - which appears to stop the action
Anamorphic lens
Composition
Freeze frame
Minor studios
17. Dutch angle; a shot resulting from a static camera that is tilted to the right or left - so that the subject in the frame appears at a diagonal
Fast motion
Canted angle
Letterboxing
Propaganda film
18. A shot in a sequence that is taken from the reverse angle of the shot previous to it
Travelling matte
Reverse shot
Phi phenomenon
Formalist style
19. A lens with a variable focal length that allows changes of focal length while keeping the subject in focus
Zoom lens
Pre-production
Cutaway
Direct sound
20. A film style that - in contrast to the classical and formalist styles - focuses characters - place - and the spontaneity and digressiveness of life - rather than on highly structured stories or aesthetic abstraction
Shutter
Realist style
Scratching
On-the-nose dialogue
21. The narrative path of the main or supporting characters - also called a plotline. Complex films may have several lines of action
Subtext
Superimposition
Blaxploitation
Line of action
22. A short screen appearance by a celebrity - playing himself or herself
Roadshowing
Front projection
Cameo
Filter
23. Experimental film; Underground cinema;
Glass shot
Jump cut
Avant-garde film
Overlapping dialogue
24. A consistent style - theme - and subject matter developed over the course of a director's body of work
Narrative sequencing
Computer-generated imagery (CGI)
Day for night
Oeuvre
25. A property of older television monitors - where each frame was scanned as two fields: One consisting of all the odd numbered lines - the other all the even lines. If slowed down - the television image would appear to sweep down the screen one line at
Tight framing
Interlaced scanning
Extradiegetic
Pan
26. The first step in the process of creating CGI. The wireframe is a three-dimensional computer model of an object - which is then rendered (producing the finished image) and animated (using simulated camera movement frame by frame)
Interpretive claim
Wireframe
Hollywood Blacklist
Blaxploitation
27. Squeezes the image at a ratio of 2:1 horizontally onto a standard film frame. On the projector - it unsqueezes the image - creating a widescreen aspect ratio during presentation
Brechtian distanciation
Running time
Anamorphic lens
Brechtian distanciation
28. A crew member whose job is to measure the distance between the subject and the camera lens - marking the ring on the camera lens - and ensuring the ring is turned precisely so that the image is in focus
Tracking shot
Zoom in...
Master shot
Focus puller
29. A technique of running the motion picture camera at a speed slower than projection speed (24 frames per second) - in order to produce at a fast motion sequence when projected at normal speed. The term derives from early film cameras - which were cran
Filter
Undercranking
Split screen
Anamorphic lens
30. A film style that - in contrast to the classical and formalist styles - focuses characters - place - and the spontaneity and digressiveness of life - rather than on highly structured stories or aesthetic abstraction
Vertical integration
Rotoscope
Long shot
Realist style
31. Exposed and developed film stock from which the master positive is struck. If projected - the negative would produce a reverse of the image - with dark areas appearing white and vice versa or - if color film - areas of color appearing as their comple
Negative
Graphic match
Zoom in...
Visual effects
32. A shot taken from a vantage point so close that only a part of the subject is visible. On an actor - it might show only an eye or a portion of the face
B-roll
Extreme close-up
Vista Vision
Swish pan
33. Individuals who were prevented from working in the film industry because of their suspected involvement with Communist interests
Iris in...
Hollywood Ten
Rotoscope
Hollywood Blacklist
34. The arrangement of images to depict a unified storyline
Narrative sequencing
Orthochromatic
Running time
Underexposure
35. A production term denoting a single uninterrupted series of frames exposed by a motion picture or video camera between the time it is turned on and the time it is turned off. Filmmakers shoot several takes of any scene and the film editor selects the
Take
Fabula
Polarizing filters
Closure
36. An actor whose career rests on playing minor or secondary quirky characters rather than leading roles
Character actor
Zoom in...
Double exposure
Iris out
37. Non-diegetic; any element in the film that is not part of the imagined story world
Gauge
Outsourcing
Extradiegetic
Matte
38. Reels of film that are shipped to movie theaters for exhibition. Digital cinema - which can be distributed via satellite - broadband - or on media such as DVDs - may soon replace film prints because the latter are expensive to create - copy - and dis
Matte
Cut
Release prints
180-degree rule
39. A machine that converts film prints to videotape format
Figure placement and movement
Interlaced scanning
Graphic match
Telecine
40. A glass element on a camera that focuses light rays so that the image of the object appears on the surface of the film
Lens
Three-point lighting
Genre
Restricted narration
41. The building block of a scene; an uninterrupted sequence of frames that viewers experience as they watch a film - ending with a cut - fade - dissolve - etc. See also Take
Shot
Gaffer
Underexposure
Anamorphic lens
42. A technique of intentionally adding scratches in a film's emulsion layer for aesthetic purposes - such as to simulate home movie footage
Roadshowing
Direct cinema
Plot summary
Scratching
43. The plotline that surrounds an embedded tale. The frame narration may or may not be as fully developed as the embedded tale
Revisionist
Exposure latitude
Frame narration
Production values
44. A shot taken from a camera position below the subject
Grain
Slow motion
Shutter
Low-angle shot
45. The period after principal photography during which editing and looping take place - and special visual effects are added to the film
Post-production
Continuity editing
Minor studios
Protagonist
46. A short screen appearance by a celebrity - playing himself or herself
Extreme long-shot
Direct sound
Second unit
Cameo
47. Live action is filmed in front of a blue screen and a matte. It's then joined with the background footage
Open-ended
Motivation
Color filter
Blue screen
48. Squeezes the image at a ratio of 2:1 horizontally onto a standard film frame. On the projector - it unsqueezes the image - creating a widescreen aspect ratio during presentation
Editor
Lens
Wipe
Anamorphic lens
49. A shot that makes the human subject very small in relation to his or her environment. The entire figure from head to toe is onscreen and dwarfed by the surroundings
Base
Green screen
Extreme long-shot
Third-person narration
50. A crew member whose job is to maintain consistency in visual details from one shot to the next
Plot summary
Storyboard
Establishing shot
Continuity editor