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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The average length in seconds of a series of shots - covering a portion of a film or an entire film; a measure of pace within a scene or in the film as a whole.
Average shot length
Digital set extension
Pan
Narrative
2. Devices that attach to actors' faces and/or bodies to change their appearance
Aperture
Prosthesis
Slow motion
High-angle shot
3. A film style that - in contrast to the classical and formalist styles - focuses characters - place - and the spontaneity and digressiveness of life - rather than on highly structured stories or aesthetic abstraction
Three-act structure
Realist style
Hollywood Blacklist
Restricted narration
4. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Runaway production
Long take
Evaluative claim
Phi phenomenon
5. A musical film in which each song and dance number is narratively motivated by a plot that situates characters in performance contexts
Dissolve
Backstage musical
Syuzhet
Release prints
6. A machine that converts film prints to videotape format
Telecine
Four-part structure
Filter
Panning and scanning
7. Cinema verite; a documentary style in which the filmmaker attempts to remain as unobtrusive as possible - recording without obvious editorial comment
Direct cinema
Graphic match
Direct sound
Propaganda film
8. A flexible celluloid strip that - along with the emulsion layer - comprises 35mm film stock
Fast
Base
Pan
Block booking
9. A cinematography technique that produces an image with many planes of depth in focus. It can be accomplished by using a small aperture - a large distance between camera and subject - and/or a lens of short focal length
Pixel
Recursive action
Deep focus cinematography
Wireframe
10. A single take that contains an entire scene
Narrative
Glass shot
Spec script
Master shot
11. The central cause(s) behind a character's actions
Wide-angle lens
Forced development
Motivation
Dolly
12. An early color process that replaced silver halide grains with colored salts
Close-up
Toning
Underexposure
Motivation
13. A shot transition that emphasizes the visual similarities between two consecutive shots
Prosthesis
Graphic match
Post-production
Glass shot
14. The use of editing techniques - such as a fade or dissolve - to indicate the end of one scene and the beginning of another
Blocking
Kuleshov effect
Shot transition
Reverse shot
15. Also called 'd-cinema.' Not to be confused with digital cinematography (shooting movies on digital video) - this term refers to using digital technologies for exhibition
Digital cinema
Restricted narration
Pushing
Special visual effects
16. A process of transferring film to video tapes or DVDs so that the original aspect ratio of the film is preserved
Long shot
Long take
Eyeline match
Letterboxing
17. A scene transition in which the first frame of the incoming scene appears to push the last frame of the previous scene off the screen horizontally
Wipe
Line reading
Canted angle
Backstage musical
18. A technique of overdeveloping exposed film stock (leaving it in the chemical bath longer than indicated) in order to increase density and contrast in the image
Pushing
Masking
Soundtrack
Hybrid
19. Reels of film that are shipped to movie theaters for exhibition. Digital cinema - which can be distributed via satellite - broadband - or on media such as DVDs - may soon replace film prints because the latter are expensive to create - copy - and dis
Release prints
Studio system
Analog Video
Anamorphic lens
20. The chip in a video camera that converts the incoming light to an electronic signal
Charge coupler device
Jump cut
Front projection
Diegesis
21. Experimental film; Underground cinema;
Avant-garde film
Mixing
Focus puller
Orthochromatic
22. The camera should move at least 30 degrees any time there is a cut within a scene
Overlapping dialogue
Extra
30-degree rule
Trailer
23. The film medium's technological apparatus is inherently ideological
Apparatus Theory
Medium shot
Rotoscope
Continuity error
24. The reverse of Iris in: an iris expands outward until the next shot takes up the entire screen
Overhead shot
Eyeline match
Take
Iris out
25. A series of related scene joined through elliptical editing that indicates the passage of time
Revisionist
Zoom in...
Overhead shot
Montage sequence
26. A narrative - visual - or sound element that refers viewers to other films or works of art
Green screen
Intertextual reference
Evaluative claim
Rack focus
27. The details of a character's past that emerge as the film unfolds - and which often play a role in character motivation
Front projection
Vertical integration
Backstory
Gauge
28. A film's main characters - one whose conflicts and motives drive the story forward
Digital set extension
Master positive
Protagonist
Hollywood Blacklist
29. A large-budget film whose strategy is to swamp the competition through market saturation
Parellel
Grain
Blockbuster
Narrative sequencing
30. An uncredited actor - usually hired for crowd scenes
ADR
Extra
Recursive action
Major studios
31. A production term referring to coordinating actors' movements with lines of dialogue
Line reading
Forced development
Soviet montage
Blocking
32. A standard shot pattern that dictates that a shot of one character will be followed by a shot of another character - taken from the reverse angle of the first shot
Shot/reverse shot
Subtext
Exposure
Spec script
33. A camera device that opens and closes to regulate the length of time the film is exposed to light
Shutter
Rear projection
Tableau shot
Cameo
34. A long shot in which the film frame resembles the proscenium arch of the stage - distancing the audience
Release prints
Tableau shot
Phi phenomenon
Dailies
35. A shot taken from a level camera located approximately 5' to 6' from the ground - simulating the perspective of a person standing before the action presented
Eye-level shot
Line of action
Interpretive claim
Soft light
36. The practice or repeatedly casting actors in similar roles across different films
Freeze frame
Typecasting
Matte
Camera distance
37. Creating an image by combining several elements created separately using computer graphics rather than photographic means
Glass shot
Digital compositing
Persistence of vision
Rack focus
38. A shot that makes the human subject very small in relation to his or her environment. The entire figure from head to toe is onscreen and dwarfed by the surroundings
Exposure latitude
Soft light
Extreme long-shot
Camera distance
39. A shot that contains two characters within the frame
Two-shot
Polarizing filters
Pulling
Storyboard
40. Exposed and developed film stock from which the master positive is struck. If projected - the negative would produce a reverse of the image - with dark areas appearing white and vice versa or - if color film - areas of color appearing as their comple
Negative
Visual effects
Loose framing
Low-angle shot
41. A screenplay written and submitted to a studio or production company without a prior contract or agreement
Extra
Medium shot
Four-part structure
Spec script
42. A chemical embedded in the emulsion layer of film stock that - when developed after exposure - releases a particular color dye (red - green - or blue)
Parellel editing
Hybrid
Medium long shot
Dye coupler
43. An efficient system developed for film lighting. In a standard lighting set-up - the key light illuminates the subject - the fill light eliminates shadows cast by the key light - and the back light separates the subject from the background
Voice-over
Interlaced scanning
Rotoscope
Three-point lighting
44. These filters bend the light coming into lens - softening and blurring the image
Studio system
Aperture
Diffusion filters
Charge coupler device
45. Because film stock is sensitive to the color of light - directors work with film labs in post-production to monitor the color scheme of each scene in a film - making adjustments for consistency and aesthetic effect
Trailer
Hollywood Ten
Dolly
Color timing
46. A glass element on a camera that focuses light rays so that the image of the object appears on the surface of the film
Extreme long-shot
German Expressionism
Avant-garde film
Lens
47. The classical model of narrative form. The first act introduces characters and conflicts; the second act offers complication leading to a climax; the third act contains the danouement and resolution
Diegesis
Day for night
Fast
Three-act structure
48. A post-studio era Hollywood film designed to appeal to the broadest possible audience by fusing a simple story line with major movie stars and mounting a lavish marketing campaign
Typecasting
First-person narration
Exposure latitude
High concept film
49. The first shot in a standard shot sequence. Its purpose is to provide a clear representation of the location of the action
Extreme close-up
Establishing shot
Hollywood Blacklist
Exposition
50. An optical effect whereby the human eye fills in gaps between closely spaced objects - so that two light bulbs flashing on and off are understood as one light moving back and forth
Medium long shot
Double exposure
Motivation
Phi phenomenon