SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A flexible celluloid strip that - along with the emulsion layer - comprises 35mm film stock
Kuleshov effect
Base
Vista Vision
Extradiegetic
2. These filters bend the light coming into lens - softening and blurring the image
Hard light
Anime
Diffusion filters
Episodic
3. The first print made from a film negative
Master positive
Continuity editor
Revisionist
Method acting
4. A property of older television monitors - where each frame was scanned as two fields: One consisting of all the odd numbered lines - the other all the even lines. If slowed down - the television image would appear to sweep down the screen one line at
Zoom out
Steadicam
Hollywood Ten
Interlaced scanning
5. A musical film in which each song and dance number is narratively motivated by a plot that situates characters in performance contexts
Frozen time moment
Backstage musical
Direct cinema
Score
6. An early color process that replaced silver halide grains with colored salts
Toning
Forced perspective
Narrative sequencing
Compositing
7. The film medium's technological apparatus is inherently ideological
Apparatus Theory
Frozen time moment
B-roll
Blocking
8. Muted - washed out color that contains more white than a saturated color
Front projection
Desaturated
Negative
Pre-production
9. An alternative to classical and realist styles - formalism is a self-consciously interventionist approach that explores ideas - abstraction - and aesthetics rather than focusing on storytelling (as in classical films) or everyday life (as in realist
Formalist style
Superimposition
Vista Vision
Panchromatic
10. A picture element - a measure of image density. There are approximately 18 million pixels in a frame of 35mm film and 300000-400000 in a video image
Iris out
Cinerama
Persistence of vision
Pixel
11. A machine that converts film prints to videotape format
Cutaway
Telecine
Handheld shot
Focus puller
12. Smaller corporations that did not own distribution and/or exhibition companies in the studio era - including Universal - Columbia - and United Artists
Overexposure
Minor studios
Assistant Editor
Desaturated
13. A technique of shifting the camera angle - height - or distance to take into account the motion of actors or objects within the frame
Reframing
Reverse shot
Protagonist
Out-take
14. The period after principal photography during which editing and looping take place - and special visual effects are added to the film
City symphony
Release prints
Post-production
Crab dolly
15. A film process that uses 35mm film stock but changes the orientation of the film so that the film moves through the camera horizontally instead of vertically. The larger image is of higher quality than standard 35mm processes
Aerial Shot
Average shot length
Telecine
Vista Vision
16. Natural light; The process of suing sunlight rather than artificial studio lights when filming
Kuleshov effect
Reverse shot
Realist style
Available light
17. Cinema verite; a documentary style in which the filmmaker attempts to remain as unobtrusive as possible - recording without obvious editorial comment
Denouement
Direct cinema
On-the-nose dialogue
Frame narration
18. The five vertically integrated corporations that exerted the greatest control over film production in the studio era: MGM - Warner Brothers - RKO - Twentieth Century Fox - and Paramount
Kuleshov effect
Major studios
Zoom in...
Three-act structure
19. The practice or repeatedly casting actors in similar roles across different films
Production values
Focal length
Typecasting
Visual effects
20. Fish-eye lens; With a focal length of 15mm or less - this lens presents an extremely distorted image - where objects in the center of the frame appear to bulge toward the camera
Reverse shot
Shot/reverse shot
Re-establishing shot
Extreme wide-angle lens
21. A widescreen process that uses three cameras - three projectors - and a wide - curved screen
Natural-key lighting
Tableau shot
Subtext
Cinerama
22. A method for producing a widescreen image without special lenses or equipment - using standard film stock and blocking out the top and bottom of the frame to achieve an aspect ration of 1.85:1
Masking
Star system
Actualitas
Morphing
23. The use of editing techniques - such as a fade or dissolve - to indicate the end of one scene and the beginning of another
Master shot
Visual effects
Mockumentary
Shot transition
24. A type of documentary film whose purpose is to present the way of life of a culture or subculture
Shutter
Low-key lighting
Fade-out
Ethnographic film
25. A digital technique developed by Industrial Light and Magic - which builds movement sequences from single frames of film
Go-motion
Backstage musical
Soviet montage
Blockbuster
26. A standard shot pattern that dictates that a shot of one character will be followed by a shot of another character - taken from the reverse angle of the first shot
Shot/reverse shot
Wireframe
Star persona
Promotion
27. A technique of depicting two layered images simultaneously. Images from one frame or several frames of film are added to pre-existing images - using an optical printer - to produce the same effect as a double exposure
Polarizing filters
Wireframe
Superimposition
Script supervisor
28. A type of matte shot - created by positioning a pane of optically flawless glass with a painting on it between the camera and the scene to be photographed. This combines the painting on the glass with the set or location - seen through the glass - be
Post-production
Canted angle
Focus puller
Glass shot
29. A videotape system that records images onto magnetic tape - using electronic signals
Scratching
Analog Video
Text
Episodic
30. Optical illusions created during post-production
Interlaced scanning
Day for night
Visual effects
Method acting
31. A mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation
Kuleshov effect
Subgenre
Cut
Minor studios
32. A format that uses a larger film stock than standard 35mm. IMAX - Omnimax - and Showscan are shot on 70mm film
Oeuvre
Narrative
180-degree rule
Wide film
33. Recording images at a slower speed than the speed of projection (24 frames per second). Before cameras were motorized - this was called undercranking. Fewer frames are exposed in one minute - so - when projected at 24 f.p.s. - that action takes less
Fast motion
High-angle shot
Star system
Cut
34. A painting used on the set as a portion of the background
Prosthesis
Wireframe
Motif
Matte painting
35. A vertical - up-and-down - motion of an otherwise stationary camera
High concept film
Close-up
Tilt
Auteur
36. The distance that appears in focus in front of and behind the subject. It is determined by the aperture - distance and focal length of lens
Loose framing
Episodic
Dolly
Depth of field
37. A platform on wheels - used for mobile camera shots
Tinting
Computer-generated imagery (CGI)
Dolly
Available light
38. A technician responsible for splicing and assembling the film negative to the editor's specifications
Negative cutter
Blue screen
Rotoscope
Fabula
39. The building block of a scene; an uninterrupted sequence of frames that viewers experience as they watch a film - ending with a cut - fade - dissolve - etc. See also Take
Running time
Continuity editing
Swish pan
Shot
40. A class or type of film - such as the Western or the horror movie. They share narrative - visual - and/or sound conventions
Exposure latitude
Letterboxing
Genre
Blocking
41. A narrative - visual - or sound element that refers viewers to other films or works of art
Deep focus cinematography
Protagonist
Intertextual reference
Medium close-up
42. An efficient system developed for film lighting. In a standard lighting set-up - the key light illuminates the subject - the fill light eliminates shadows cast by the key light - and the back light separates the subject from the background
Extreme close-up
Bleach bypass
Three-point lighting
Wireframe
43. Glass filters whose surface is etched with spots that refract light - so they create the appearance of water droplets in the air
Fog filter
Spec script
Vertical integration
Forced perspective
44. A shot depicting the human body from the waist up
Double exposure
Medium shot
Digital compositing
Sound bridge
45. Public identity created by marketing a film actor's performances - press coverage - and 'personal' information to fans as the star's personality
Exposition
Star persona
Two-shot
Post-production
46. An optical effect whereby the human eye fills in gaps between closely spaced objects - so that two light bulbs flashing on and off are understood as one light moving back and forth
Overlapping dialogue
Revisionist
Tight framing
Phi phenomenon
47. A term used for any narrative sound - or visual element not contained in the story world. Also called 'extradiegetic'
Fabula
Roadshowing
Non-diegetic
Screenplay
48. Then Hollywood writers and directors cited for Contempt of Congress for refusing to cooperate with the House Committee on Un-American Activities' attempts to root out Communists in the film industry
Propaganda film
Hollywood Ten
Jump cut
Block booking
49. A shot combining two kinds of movement: the camera tracks in toward the subject wile the lens zooms out
Long take
Trombone shot
Zoom out
Fog filter
50. A camera device that opens and closes to regulate the length of time the film is exposed to light
Shutter
Out-take
Pre-production
Filter