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Test your basic knowledge |
Film Vocab
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A shot filmed from an airplane or helicopter
Overlapping dialogue
Chiaroscuro
Second unit
Aerial Shot
2. A series of individual drawings that provides a blueprint for the shooting of a scene
Three-act structure
Mixing
Widescreen
Storyboard
3. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Evaluative claim
Character actor
Rear projection
Second unit
4. The measure of intensity or purity of a color. Saturated color is purer than desaturated color - which has more white in it and thus offers a washed-out - less intense version of a color
Saturation
Matte
Re-establishing shot
Episodic
5. A series of individual drawings that provides a blueprint for the shooting of a scene
Cut
Storyboard
Gaffer
Tilt
6. An alternative to classical and realist styles - formalism is a self-consciously interventionist approach that explores ideas - abstraction - and aesthetics rather than focusing on storytelling (as in classical films) or everyday life (as in realist
Jump cut
Focal length
Formalist style
Subtext
7. A shot that interrupts a scene's master shot and may include character reactions
Insert
Tracking shot
Saturation
Formalist style
8. A shot in a sequence that is taken from the reverse angle of the shot previous to it
Underexposure
Star system
Roadshowing
Reverse shot
9. Louis Althusser's term for the way in which a society creates its subjects/citizens through ideological (as opposed to repressive) state apparatuses - which include education - media - religion - and the family
Forced development
Soundtrack
Interpellation
Pushing
10. A system for combining two separately filmed images in the same frame that involves create a matte (a black mask that covers a portion of the image) for a live action sequence and using it to block out a portion of the frame when filming the backgrou
Long shot
On-the-nose dialogue
Travelling matte
Realist style
11. A black masking device used to black out a portion of the frame - usually for the insertion of other images
Denouement
Overlapping dialogue
Matte
Backstory
12. A digital technique developed by Industrial Light and Magic - which builds movement sequences from single frames of film
Episodic
Go-motion
Recursive action
Post-production
13. A technique of moving the camera - on a specially built track. Such shots often trace character movement laterally across the frame or in and out of the depth of the frame
Normal lens
Assistant Editor
Blocking
Tracking shot
14. The central cause(s) behind a character's actions
Motivation
Aerial Shot
Hard light
Cel
15. A class or type of film - such as the Western or the horror movie. They share narrative - visual - and/or sound conventions
Continuity editing
Genre
Telecine
Running time
16. A term used for any narrative sound - or visual element not contained in the story world. Also called 'extradiegetic'
Flashing
Mockumentary
Offscreen space
Non-diegetic
17. A type of film stock that is sensitive to (in other words - registers) all tones in the color spectrum
Long shot
Integrated musical
Reverse shot
Panchromatic
18. A film style that emerged in the 1910s in Germany. It was heavily indebted to the Expressionist art movement of the time and influenced subsequent horror films and film noir
Offscreen space
Jump cut
Tight framing
German Expressionism
19. A short screen appearance by a celebrity - playing himself or herself
Long shot
Cameo
Avant-garde film
Telecine
20. A crew member whose job is to maintain consistency in visual details from one shot to the next
Evaluative claim
Continuity editor
Standard shot pattern
Tight framing
21. The first shot in a standard shot sequence. Its purpose is to provide a clear representation of the location of the action
Masking
Direct sound
Establishing shot
180-degree rule
22. A format that uses a larger film stock than standard 35mm. IMAX - Omnimax - and Showscan are shot on 70mm film
Reverse shot
Wide film
Insert
Travelling matte
23. A shot taken when the camera is so close to a subject that it fills the frame. It is most commonly used for a shot that isolates and encompasses a single actor's face - to emphasize the expression of emotion
Plot summary
Close-up
Auteur
Major studios
24. A musical accompaniment written specifically for a film
Diffusion filters
Extreme close-up
Score
Cinerama
25. A documentary or occasionally - a narrative film that presents only one side of an argument or one approach to a subject
Propaganda film
Telecine
Digital cinema
Extreme wide-angle lens
26. A musical film in which each song and dance number is narratively motivated by a plot that situates characters in performance contexts
Backstage musical
Assistant Editor
Academy Ratio
Freeze frame
27. A part of the story world implied by visual or sound techniques rather than being revealed by the camera
Saturation
Aspect Ratio
Long take
Offscreen space
28. Experimental film; Underground cinema;
Running time
Line reading
Avant-garde film
Blue screen
29. A rule in continuity editing - which dictates that if a cut occurs while a character is in the midst of an action - the subsequent shot must begin so that audiences see the completion of that action
Omniscient narration
Non-diegetic
Day for night
Match on action
30. A technique of shooting a scene at a very high speed (96 frames per second) - then adding and subtracting frames in post-production - 'fanning out' the action through the overlapping images
Recursive action
Speed
Handheld shot
City symphony
31. A type of matte shot - created by positioning a pane of optically flawless glass with a painting on it between the camera and the scene to be photographed. This combines the painting on the glass with the set or location - seen through the glass - be
Sound bridge
Text
Glass shot
Direct cinema
32. A production term denoting a single uninterrupted series of frames exposed by a motion picture or video camera between the time it is turned on and the time it is turned off. Filmmakers shoot several takes of any scene and the film editor selects the
Cut
Take
Character actor
Typecasting
33. A documentary or occasionally - a narrative film that presents only one side of an argument or one approach to a subject
Forced development
Out-take
Genre conventions
Propaganda film
34. These filters bend the light coming into lens - softening and blurring the image
Genre
Negative cutter
Offscreen space
Diffusion filters
35. The distance in millimeters from the optical center of a lens to the lane where the sharpest image is formed while focusing on a distant object
Wipe
Frozen time moment
Focal length
Selective focus
36. Lighting design where the key light is somewhat more intense than the fill light - so the fill does not eliminate every shadow. The effect is generally less cheerful than high-key lighting - but not as gloomy as low-key lighting
Zoom lens
Foley artist
Interpellation
Natural-key lighting
37. A shot taken when the camera is so close to a subject that it fills the frame. It is most commonly used for a shot that isolates and encompasses a single actor's face - to emphasize the expression of emotion
Steadicam
Episodic
Close-up
Voice-over
38. A technique of exposing film frames - then rewinding the film and exposing it again - which results in an image that combines two shots in a single frame
Parellel editing
Reverse shot
Double exposure
Four-part structure
39. Drawing attention to the process of representation (including narrative and characterization) to break the theatrical illusion and elicit a distanced - intellectual response in the audience
Evaluative claim
Protagonist
Brechtian distanciation
Cinerama
40. Creating images during post-production by joining together photographic or CGI material shot or created at different times and places
Direct cinema
Cutaway
Closure
Compositing
41. These filters bend the light coming into lens - softening and blurring the image
Insert
Pre-production
Diffusion filters
Roadshowing
42. Creating an image by combining several elements created separately using computer graphics rather than photographic means
Propaganda film
Digital compositing
High-key lighting
Emulsion
43. A crew member who reports to the Director of Photography (DP) and is in charge of tasks involving lighting and electrical needs
Anime
Rotoscope
Gaffer
Hollywood Ten
44. A post-studio era Hollywood film designed to appeal to the broadest possible audience by fusing a simple story line with major movie stars and mounting a lavish marketing campaign
Computer-generated imagery (CGI)
Line reading
High concept film
Color consultant
45. Literary narration from a viewpoint beyond that of any one individual character
Third-person narration
Panning and scanning
Green screen
Avant-garde film
46. A system initially developed for marketing films by creating and promoting stars as objects of admiration. The promotion of stars has now become an end in itself
Star system
Script supervisor
Filter
Score
47. An actor whose career rests on playing minor or secondary quirky characters rather than leading roles
Blocking
Realist style
Cameo
Character actor
48. A technique of moving a zoom lens from a wide-angle position to a telephoto position - which results in a magnification of the subject within the frame - and keeps the subject in focus
Spec script
Cel
Cut
Zoom in...
49. A film style that - in contrast to the classical and formalist styles - focuses characters - place - and the spontaneity and digressiveness of life - rather than on highly structured stories or aesthetic abstraction
Realist style
Letterboxing
Charge coupler device
Script supervisor
50. A technique of arranging the actors on the set to take advantage of deep focus cinematography - which allows for many planes of depth in the film frame to remain in focus
Travelling matte
Color consultant
Composition in depth
Fog filter