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Test your basic knowledge |
Film Vocab
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Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A technique of intentionally adding scratches in a film's emulsion layer for aesthetic purposes - such as to simulate home movie footage
Letterboxing
Scratching
Aerial Shot
Computer-generated imagery (CGI)
2. The five vertically integrated corporations that exerted the greatest control over film production in the studio era: MGM - Warner Brothers - RKO - Twentieth Century Fox - and Paramount
Major studios
Jump cut
Aspect Ratio
Blaxploitation
3. A shot filmed from an airplane or helicopter
Aerial Shot
Grain
Exposure latitude
Iris out
4. An action film cycle of the late 1960s and early 1970s that featured bold - rebellious African American characters
Revisionist
Tinting
Blaxploitation
Cut
5. A class or type of film - such as the Western or the horror movie. They share narrative - visual - and/or sound conventions
Hollywood Blacklist
Continuity editor
Matte
Genre
6. A business model adopted by the major studios during the Hollywood studio era - in which studios controlled all aspects of the film business - from production to distribution and exhibition
Go-motion
Vertical integration
Close-up
Product placement
7. The way an actor delivers a line of dialogue - including pauses - inflection - and emotion
Auteur
Line reading
Three-point lighting
Character actor
8. The camera should move at least 30 degrees any time there is a cut within a scene
Dolly
Score
Slow
30-degree rule
9. A shot that interrupts a scene's master shot and may include character reactions
Overlapping dialogue
Insert
Split screen
Depth of field
10. Suspended particles of silver in the film's emulsion - Which may become visible in the final image as dots
Compositing
Grain
Anamorphic lens
Cameo
11. The period after principal photography during which editing and looping take place - and special visual effects are added to the film
First-person narration
Post-production
Set-up
Color filter
12. A flexible celluloid strip that - along with the emulsion layer - comprises 35mm film stock
Time-lapse photography
Selective focus
Hollywood Blacklist
Base
13. A method for producing a widescreen image without special lenses or equipment - using standard film stock and blocking out the top and bottom of the frame to achieve an aspect ration of 1.85:1
Soft light
Interpellation
Parellel editing
Masking
14. Literary narration from a viewpoint beyond that of any one individual character
Spec script
Wireframe
Pan
Third-person narration
15. An optical effect whereby the human eye fills in gaps between closely spaced objects - so that two light bulbs flashing on and off are understood as one light moving back and forth
Tilt
Soundtrack
Recursive action
Phi phenomenon
16. The building block of a scene; an uninterrupted sequence of frames that viewers experience as they watch a film - ending with a cut - fade - dissolve - etc. See also Take
Shot
Wide-angle lens
Omniscient narration
Flashback
17. A musical accompaniment written specifically for a film
Iris in...
Vista Vision
Score
Iris out
18. The non-chronological insertion of scenes of events yet to happen into the present day of the story world
Flashforward
Vista Vision
Rear projection
Major studios
19. Color. The strength of a hue is measured by its saturation or desaturation
Integrated musical
Hue
Superimposition
Revisionist
20. A black masking device used to black out a portion of the frame - usually for the insertion of other images
Matte
Four-part structure
Special visual effects
Best boy
21. Processes such as Cinemascope and Cinerama - developed during the 1950s to enhance film's size advantage over the smaller television image
Digital compositing
Widescreen
Star filter
Roadshowing
22. A type of documentary film whose purpose is to present the way of life of a culture or subculture
Two-shot
Ethnographic film
Base
Wireframe
23. The first shot in a standard shot sequence. Its purpose is to provide a clear representation of the location of the action
Negative cutter
Establishing shot
Charge coupler device
Outsourcing
24. A form of shot transition - generally concluding a scene - where a circular mask constricts around the image until the entire frame is black
Iris in...
Underexposure
German Expressionism
Tableau shot
25. The chronological accounting of all events presented and suggested
Digital cinema
Minor studios
Synthespian
Fabula
26. A type of film stock that is sensitive to (in other words - registers) all tones in the color spectrum
Low-angle shot
Grain
Day for night
Panchromatic
27. The reverse of Iris in: an iris expands outward until the next shot takes up the entire screen
Compilation film
Underexposure
Iris out
Motivation
28. A person responsible for putting a film together from a mass of developed footage - making decisions regarding pace - shot transitions - and which scenes and shots will be used
Flashing
Telephoto lens
Editor
Dissolve
29. Devices that attach to actors' faces and/or bodies to change their appearance
Lens
Take
Production values
Prosthesis
30. A neutral account of the basic plot and style of a film - a part of a film - or a group of films
Descriptive claim
Motif
Frame narration
Cel
31. A technique used to join live action with pre-recorded background images. A projector is aimed at a half-silvered mirror that reflects the background - which the camera records as being located behind the actors
Front projection
Handheld shot
Plot summary
Digital set extension
32. A series of individual drawings that provides a blueprint for the shooting of a scene
Blaxploitation
Fog filter
Cut
Storyboard
33. The artful use of light and dark areas in the composition in black and white filmmaking
Panning and scanning
Episodic
Chiaroscuro
Soft light
34. The conclusion of the film wraps up - all loose ends in a form of resolution - though not necessarily with a happy ending.
Closure
Motivation
Direct cinema
Product placement
35. A production crew responsible not for shooting the primary footage but - instead - for remote location shooting and B-roll. See also B-roll
Second unit
Minor studios
Zoom lens
Synthespian
36. A shot that makes the human subject very small in relation to his or her environment. The entire figure from head to toe is onscreen and dwarfed by the surroundings
Scene
Blue screen
Extreme long-shot
Crane shot
37. Fish-eye lens; With a focal length of 15mm or less - this lens presents an extremely distorted image - where objects in the center of the frame appear to bulge toward the camera
Medium long shot
Extreme wide-angle lens
Soft light
Forced perspective
38. Public identity created by marketing a film actor's performances - press coverage - and 'personal' information to fans as the star's personality
Normal lens
Set-up
Typecasting
Star persona
39. A technique of arranging the actors on the set to take advantage of deep focus cinematography - which allows for many planes of depth in the film frame to remain in focus
Composition in depth
Flashing
Runaway production
Parellel editing
40. The details of a character's past that emerge as the film unfolds - and which often play a role in character motivation
Backstory
Roadshowing
Dye coupler
Second unit
41. A glass element on a camera that focuses light rays so that the image of the object appears on the surface of the film
Orthochromatic
Figure placement and movement
Lens
Iris in...
42. A large-budget film whose strategy is to swamp the competition through market saturation
Frame narration
Pixel
Blockbuster
Deep focus cinematography
43. A shot that depicts a human body from the feet up
Medium long shot
Widescreen
30-degree rule
Natural-key lighting
44. A statement that asserts a judgment that a given film or group of films is good or bad - based on specific criteria - Which may or may not be stated
Interpretive claim
Evaluative claim
Blocking
Rear projection
45. Light emitted from a larger source that is scattered over a bigger area or reflected off a surface before it strikes the subject. Soft light minimizes facial details - including wrinkles
Realist style
Frozen time moment
Soft light
Three-point lighting
46. Drawing attention to the process of representation (including narrative and characterization) to break the theatrical illusion and elicit a distanced - intellectual response in the audience
Optical printer
Polarizing filters
Vertical integration
Brechtian distanciation
47. Also called 'full screen -' the technique of re-shooting a widescreen film in order to convert it to the original television aspect ration of 1.33 to 1. Rather than reproduce the original aspect ratio - as a letterboxed version does - a panned and sc
Panning and scanning
Outsourcing
High-angle shot
Neutral-density filter
48. Leaving the silver grains in the emulsion rather than bleaching them out - which produces desaturated color
Intertextual reference
Cameo
Bleach bypass
Pre-production
49. An early color process that replaced silver halide grains with colored salts
Toning
Panning and scanning
Best boy
Split screen
50. These filters bend the light coming into lens - softening and blurring the image
Brechtian distanciation
Pixilation
Diffusion filters
Mockumentary
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