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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
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gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
In Memoriam stanza
Alliteration
Second Person Voice
English - or Shakespearean - Sonnet
2. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Homeric Epithet
Sestina
Pathetic Fallacy
Masculine Rhyme
3. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Alexandrine
Ballad stanza
Villanelle
Terza Rima
4. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Georgic
Pastoral Elegy
Rhyme Royal
In Memoriam stanza
5. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Free Verse
Anthropomorphism
Homeric Epithet
In Memoriam stanza
6. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Free Verse
Metonymy
Flat and Round Characters
Personification
7. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Feminine Rhyme
Old English Verse
First Person Voice
Masculine Rhyme
8. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Antagonist
Synecdoche
Free Verse
Spenserian stanza
9. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Sprung Rhythm
Alexandrine
Old English Verse
10. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Picaresque
Neoclassical Unities
Pathetic Fallacy
First-person plural
11. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Pastoral Elegy
Flat and Round Characters
Metonymy
Italian - or Petrarchan - Sonnet
12. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Pastoral Literature
Allusion
Hudibrastic
Italian - or Petrarchan - Sonnet
13. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
Protagonist
Alliteration
Litotes
14. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Allusion
Ballad stanza
First Person Voice
Bildungsroman
15. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Homeric Epithet
Synecdoche
English - or Shakespearean - Sonnet
Doggerel
16. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Spenserian stanza
Rhyme Royal
Allusion
Pastoral Elegy
17. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Personification
Ballad stanza
Hamartia
Spenserian Sonnet
18. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Decorum
Sprung Rhythm
Italian - or Petrarchan - Sonnet
Doggerel
19. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
First Person Voice
Hyperbole
Synaesthesia
Spenserian Sonnet
20. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Synaesthesia
Anthropomorphism
Terza Rima
Italian - or Petrarchan - Sonnet
21. The principal character in a work of fiction Example: Othello in Othello
Alliteration
In Memoriam stanza
Feminine Rhyme
Protagonist
22. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Free Verse
Flat and Round Characters
Hyperbole
Villanelle
23. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Italian - or Petrarchan - Sonnet
Flat and Round Characters
In Memoriam stanza
Blank Verse
24. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Second Person Voice
Alexandrine
Bildungsroman
Feminine Rhyme
25. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Caesura
Anthropomorphism
Allusion
First Person Voice
26. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Sprung Rhythm
Euphuism
Villanelle
Synaesthesia
27. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Antagonist
Pathetic Fallacy
Italian - or Petrarchan - Sonnet
Sestina
28. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Second Person Voice
Pathetic Fallacy
Picaresque
English - or Shakespearean - Sonnet
29. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Ottava Rima
Georgic
Caesura
Villanelle
30. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Synecdoche
Hyperbole
Sprung Rhythm
Personification
31. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Anthropomorphism
Sestina
Alexandrine
English - or Shakespearean - Sonnet
32. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Georgic
First Person Voice
Pathetic Fallacy
Italian - or Petrarchan - Sonnet
33. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Third Person Voice
Feminine Rhyme
Masculine Rhyme
Synecdoche
34. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Litotes
Personification
First Person Voice
Hyperbole
35. A pause or break within a line of poetry - esp. in Old English verse.
Antagonist
Caesura
Pastoral Literature
Hyperbole
36. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Ottava Rima
Hamartia
Anthropomorphism
Decorum
37. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
First Person Voice
Doggerel
Hamartia
Epithalamium
38. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Synecdoche
Georgic
Free Verse
Euphuism
39. Giving human characteristics to inanimate objects
Protagonist
Personification
Epithalamium
Synaesthesia
40. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Second Person Voice
Apostrophe
Litotes
Homeric Epithet
41. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Second Person Voice
Apostrophe
Euphuism
Neoclassical Unities
42. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Apostrophe
Sprung Rhythm
Pathetic Fallacy
Hudibrastic
43. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Sestina
Blank Verse
Metonymy
Alexandrine
44. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Second Person Voice
Decorum
Sestina
Terza Rima
45. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Villanelle
Masculine Rhyme
Hamartia
English - or Shakespearean - Sonnet
46. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
Alexandrine
Feminine Rhyme
Protagonist
47. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Free Verse
Pastoral Literature
Allusion
Hudibrastic
48. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Picaresque
Ottava Rima
Ballad stanza
Pastoral Elegy
49. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Spenserian stanza
Neoclassical Unities
Protagonist
Apostrophe
50. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Doggerel
Neoclassical Unities
Feminine Rhyme
Spenserian stanza