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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Rhyme Royal
First Person Voice
Decorum
First-person plural
2. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
Masculine Rhyme
Allusion
Anthropomorphism
3. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Allusion
Personification
Hyperbole
Pathetic Fallacy
4. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Sprung Rhythm
Antagonist
Synecdoche
Pastoral Literature
5. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Ottava Rima
Allusion
Free Verse
Sprung Rhythm
6. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Terza Rima
Alliteration
First Person Voice
Sprung Rhythm
7. Giving human characteristics to inanimate objects
Apostrophe
Personification
Decorum
Spenserian Sonnet
8. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Ballad stanza
Pastoral Literature
Synecdoche
Picaresque
9. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Antagonist
Litotes
Bildungsroman
English - or Shakespearean - Sonnet
10. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Anthropomorphism
Euphuism
Decorum
Spenserian stanza
11. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Bildungsroman
Feminine Rhyme
Pastoral Literature
Doggerel
12. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Pathetic Fallacy
Skeltonics
Rhyme Royal
Terza Rima
13. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Hudibrastic
Spenserian Sonnet
First Person Voice
Synecdoche
14. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Georgic
Spenserian Sonnet
Allusion
Old English Verse
15. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
Blank Verse
Masculine Rhyme
Alexandrine
16. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Villanelle
Sestina
Spenserian Sonnet
Free Verse
17. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Second Person Voice
Decorum
Old English Verse
Hamartia
18. The principal character in a work of fiction Example: Othello in Othello
Apostrophe
Pathetic Fallacy
Protagonist
Skeltonics
19. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
First-person plural
Neoclassical Unities
Epithalamium
Picaresque
20. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
Homeric Epithet
Protagonist
Georgic
21. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Alliteration
English - or Shakespearean - Sonnet
Apostrophe
Ballad stanza
22. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Spenserian Sonnet
Synaesthesia
Pastoral Literature
Alexandrine
23. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Masculine Rhyme
Metonymy
Picaresque
Alexandrine
24. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Pastoral Literature
Litotes
Ottava Rima
Doggerel
25. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Picaresque
Blank Verse
Third Person Voice
Alliteration
26. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Neoclassical Unities
Litotes
First-person plural
Personification
27. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Rhyme Royal
Neoclassical Unities
Euphuism
Hudibrastic
28. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Pathetic Fallacy
Doggerel
Protagonist
Pastoral Literature
29. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Anthropomorphism
Rhyme Royal
Sestina
Ottava Rima
30. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Terza Rima
Spenserian Sonnet
Free Verse
Doggerel
31. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Italian - or Petrarchan - Sonnet
First Person Voice
Ottava Rima
Georgic
32. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Pastoral Elegy
In Memoriam stanza
Rhyme Royal
Personification
33. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Metonymy
Rhyme Royal
Antagonist
Spenserian stanza
34. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
English - or Shakespearean - Sonnet
Neoclassical Unities
Hamartia
Second Person Voice
35. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Feminine Rhyme
Second Person Voice
Homeric Epithet
Free Verse
36. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Flat and Round Characters
Metonymy
Alexandrine
Picaresque
37. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Georgic
Metonymy
Caesura
Terza Rima
38. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Synecdoche
Villanelle
Bildungsroman
Sestina
39. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Ottava Rima
Euphuism
Skeltonics
Alliteration
40. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Ottava Rima
Bildungsroman
Synaesthesia
Masculine Rhyme
41. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Pastoral Elegy
Skeltonics
Italian - or Petrarchan - Sonnet
Alexandrine
42. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Euphuism
Caesura
Apostrophe
Litotes
43. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Spenserian Sonnet
Apostrophe
Hudibrastic
Skeltonics
44. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Caesura
Ottava Rima
Blank Verse
Terza Rima
45. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Spenserian Sonnet
Metonymy
Synecdoche
Litotes
46. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Alexandrine
Synaesthesia
Italian - or Petrarchan - Sonnet
Litotes
47. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Synaesthesia
Metonymy
Decorum
Doggerel
48. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Metonymy
Flat and Round Characters
Second Person Voice
First Person Voice
49. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Feminine Rhyme
Sprung Rhythm
Alexandrine
Doggerel
50. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Synecdoche
Picaresque
Alexandrine