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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Hudibrastic
Bildungsroman
Personification
In Memoriam stanza
2. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Hyperbole
Sestina
Skeltonics
Spenserian stanza
3. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Sprung Rhythm
Metonymy
Protagonist
4. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Personification
English - or Shakespearean - Sonnet
Epithalamium
Allusion
5. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Neoclassical Unities
Anthropomorphism
Euphuism
Skeltonics
6. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Synaesthesia
Pathetic Fallacy
Apostrophe
7. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Pastoral Elegy
Second Person Voice
Hamartia
Homeric Epithet
8. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Spenserian stanza
Pastoral Elegy
Feminine Rhyme
Synecdoche
9. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Euphuism
Sestina
Masculine Rhyme
Pastoral Elegy
10. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Third Person Voice
Alexandrine
Decorum
Terza Rima
11. Giving human characteristics to inanimate objects
Personification
Italian - or Petrarchan - Sonnet
Third Person Voice
Flat and Round Characters
12. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Villanelle
Picaresque
Feminine Rhyme
Apostrophe
13. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Third Person Voice
Pathetic Fallacy
First-person plural
Spenserian stanza
14. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Hamartia
Allusion
Neoclassical Unities
In Memoriam stanza
15. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
In Memoriam stanza
Metonymy
Alliteration
Synaesthesia
16. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Masculine Rhyme
Georgic
Pathetic Fallacy
Metonymy
17. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Protagonist
Masculine Rhyme
Third Person Voice
Anthropomorphism
18. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Pathetic Fallacy
Picaresque
Pastoral Elegy
Italian - or Petrarchan - Sonnet
19. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Villanelle
Apostrophe
In Memoriam stanza
Ottava Rima
20. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Doggerel
Feminine Rhyme
Euphuism
Italian - or Petrarchan - Sonnet
21. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Masculine Rhyme
Apostrophe
Doggerel
Feminine Rhyme
22. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
English - or Shakespearean - Sonnet
Euphuism
Georgic
In Memoriam stanza
23. The character who works against the protagonist in the story Example: Iago in Othello
Feminine Rhyme
Personification
Antagonist
Third Person Voice
24. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
Pastoral Literature
Protagonist
Alliteration
25. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
English - or Shakespearean - Sonnet
Sestina
Hamartia
Caesura
26. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Homeric Epithet
Bildungsroman
Epithalamium
Synaesthesia
27. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Italian - or Petrarchan - Sonnet
Sestina
Spenserian stanza
Old English Verse
28. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
First Person Voice
Alliteration
Flat and Round Characters
Free Verse
29. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Decorum
Synecdoche
First Person Voice
30. The principal character in a work of fiction Example: Othello in Othello
Picaresque
Protagonist
Caesura
Doggerel
31. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Alliteration
Pathetic Fallacy
Protagonist
Epithalamium
32. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Sestina
English - or Shakespearean - Sonnet
Picaresque
Masculine Rhyme
33. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Skeltonics
Alliteration
Homeric Epithet
In Memoriam stanza
34. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Blank Verse
First Person Voice
Free Verse
Pastoral Elegy
35. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Synaesthesia
Litotes
Antagonist
Hudibrastic
36. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Blank Verse
Ballad stanza
Sestina
Litotes
37. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Decorum
Skeltonics
Metonymy
Free Verse
38. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Rhyme Royal
Pastoral Literature
Terza Rima
Masculine Rhyme
39. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Rhyme Royal
Feminine Rhyme
Hyperbole
Alexandrine
40. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
First Person Voice
Doggerel
Sprung Rhythm
Alliteration
41. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Protagonist
Caesura
Ballad stanza
Third Person Voice
42. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
Terza Rima
First Person Voice
Euphuism
43. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Hyperbole
Synaesthesia
Bildungsroman
Antagonist
44. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Litotes
Pathetic Fallacy
Ballad stanza
Pastoral Literature
45. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Neoclassical Unities
Apostrophe
Pathetic Fallacy
Synecdoche
46. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Ottava Rima
Pastoral Elegy
Feminine Rhyme
Sestina
47. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Decorum
Pastoral Elegy
Hyperbole
Skeltonics
48. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Georgic
Third Person Voice
Euphuism
Litotes
49. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Alexandrine
Feminine Rhyme
Homeric Epithet
Doggerel
50. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Synaesthesia
Sprung Rhythm
Personification
Terza Rima