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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Litotes
Synecdoche
Apostrophe
Pastoral Elegy
2. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Hudibrastic
Masculine Rhyme
Georgic
Sestina
3. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
In Memoriam stanza
Homeric Epithet
Hyperbole
Hudibrastic
4. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Blank Verse
Hyperbole
Synaesthesia
Old English Verse
5. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Pastoral Literature
Neoclassical Unities
Ottava Rima
Hudibrastic
6. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Flat and Round Characters
Hamartia
Decorum
7. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Euphuism
Caesura
Spenserian Sonnet
8. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Homeric Epithet
Feminine Rhyme
Hyperbole
Picaresque
9. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Allusion
First Person Voice
Rhyme Royal
Pathetic Fallacy
10. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Ottava Rima
Litotes
Spenserian Sonnet
Synecdoche
11. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Terza Rima
Hamartia
Pastoral Literature
Ottava Rima
12. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Picaresque
Ottava Rima
Homeric Epithet
Second Person Voice
13. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Skeltonics
Spenserian stanza
Doggerel
Georgic
14. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Antagonist
Terza Rima
Blank Verse
Sestina
15. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Hamartia
Old English Verse
Alliteration
Blank Verse
16. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Alexandrine
Synaesthesia
Caesura
Second Person Voice
17. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
In Memoriam stanza
Hudibrastic
Euphuism
Italian - or Petrarchan - Sonnet
18. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Masculine Rhyme
Personification
Sprung Rhythm
Second Person Voice
19. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Pastoral Literature
Georgic
Litotes
Euphuism
20. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Sprung Rhythm
Third Person Voice
Neoclassical Unities
First Person Voice
21. Giving human characteristics to inanimate objects
Picaresque
Personification
Villanelle
Ballad stanza
22. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Litotes
Neoclassical Unities
Terza Rima
Skeltonics
23. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Second Person Voice
Pathetic Fallacy
Ballad stanza
Personification
24. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Old English Verse
Villanelle
Spenserian stanza
Alexandrine
25. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Pastoral Literature
Villanelle
Ballad stanza
Neoclassical Unities
26. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Allusion
Neoclassical Unities
Third Person Voice
27. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Pathetic Fallacy
Rhyme Royal
Alliteration
Neoclassical Unities
28. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Protagonist
Rhyme Royal
First Person Voice
Euphuism
29. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Georgic
Metonymy
Homeric Epithet
Old English Verse
30. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Alexandrine
Hudibrastic
Homeric Epithet
Bildungsroman
31. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Decorum
Protagonist
Third Person Voice
Anthropomorphism
32. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Anthropomorphism
Blank Verse
Italian - or Petrarchan - Sonnet
Alliteration
33. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Antagonist
First-person plural
Metonymy
Free Verse
34. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Euphuism
Homeric Epithet
Anthropomorphism
Synecdoche
35. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Picaresque
Protagonist
English - or Shakespearean - Sonnet
Synecdoche
36. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Blank Verse
Anthropomorphism
Second Person Voice
Spenserian Sonnet
37. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Personification
Old English Verse
Allusion
Caesura
38. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
English - or Shakespearean - Sonnet
Italian - or Petrarchan - Sonnet
Terza Rima
Epithalamium
39. The character who works against the protagonist in the story Example: Iago in Othello
English - or Shakespearean - Sonnet
Neoclassical Unities
Antagonist
Allusion
40. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Masculine Rhyme
Pastoral Literature
Georgic
Pathetic Fallacy
41. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Protagonist
Decorum
Synaesthesia
Anthropomorphism
42. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Georgic
Doggerel
Personification
Third Person Voice
43. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Flat and Round Characters
In Memoriam stanza
Allusion
Third Person Voice
44. The principal character in a work of fiction Example: Othello in Othello
Hamartia
English - or Shakespearean - Sonnet
Feminine Rhyme
Protagonist
45. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Spenserian Sonnet
Apostrophe
Euphuism
Blank Verse
46. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Decorum
Feminine Rhyme
Rhyme Royal
Litotes
47. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Pastoral Elegy
Anthropomorphism
Terza Rima
Spenserian Sonnet
48. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Skeltonics
Picaresque
Spenserian stanza
Apostrophe
49. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
English - or Shakespearean - Sonnet
Spenserian stanza
Blank Verse
Free Verse
50. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Villanelle
Blank Verse
Alliteration
Personification