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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Alliteration
Decorum
Synaesthesia
Protagonist
2. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Epithalamium
Villanelle
Euphuism
Decorum
3. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Allusion
Homeric Epithet
Synecdoche
Second Person Voice
4. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Ottava Rima
Synecdoche
Villanelle
5. Giving human characteristics to inanimate objects
Homeric Epithet
Doggerel
Decorum
Personification
6. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
In Memoriam stanza
Pastoral Elegy
Picaresque
Protagonist
7. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Hyperbole
Euphuism
Synecdoche
In Memoriam stanza
8. The character who works against the protagonist in the story Example: Iago in Othello
Masculine Rhyme
First-person plural
Blank Verse
Antagonist
9. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Ottava Rima
First Person Voice
Decorum
Hudibrastic
10. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Pastoral Literature
Pastoral Elegy
Feminine Rhyme
Villanelle
11. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Doggerel
Feminine Rhyme
Flat and Round Characters
First Person Voice
12. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Picaresque
Hyperbole
Apostrophe
First-person plural
13. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Picaresque
Protagonist
Synaesthesia
Second Person Voice
14. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Neoclassical Unities
Decorum
In Memoriam stanza
Pastoral Literature
15. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Blank Verse
Hudibrastic
English - or Shakespearean - Sonnet
Antagonist
16. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Spenserian Sonnet
Third Person Voice
Personification
Georgic
17. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Spenserian Sonnet
Decorum
Third Person Voice
Metonymy
18. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Masculine Rhyme
Villanelle
Apostrophe
Free Verse
19. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Picaresque
Antagonist
Euphuism
Rhyme Royal
20. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Antagonist
First-person plural
Ballad stanza
Picaresque
21. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Villanelle
Pastoral Elegy
Epithalamium
Second Person Voice
22. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Masculine Rhyme
Apostrophe
Sprung Rhythm
Picaresque
23. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Free Verse
Third Person Voice
Alexandrine
Old English Verse
24. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Skeltonics
Homeric Epithet
Sprung Rhythm
Litotes
25. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Synecdoche
Protagonist
Italian - or Petrarchan - Sonnet
Synaesthesia
26. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
English - or Shakespearean - Sonnet
Epithalamium
Georgic
Italian - or Petrarchan - Sonnet
27. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Doggerel
Anthropomorphism
Third Person Voice
Decorum
28. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Protagonist
Terza Rima
Ottava Rima
29. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Second Person Voice
Spenserian stanza
In Memoriam stanza
Synaesthesia
30. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Third Person Voice
Homeric Epithet
Alexandrine
Spenserian stanza
31. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Synaesthesia
Picaresque
Pastoral Literature
Free Verse
32. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
First Person Voice
Apostrophe
Protagonist
Bildungsroman
33. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Sestina
Alexandrine
Bildungsroman
Rhyme Royal
34. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Personification
Hyperbole
Flat and Round Characters
Anthropomorphism
35. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Rhyme Royal
First Person Voice
Ottava Rima
Blank Verse
36. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Homeric Epithet
Second Person Voice
Alliteration
Sestina
37. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Hamartia
Feminine Rhyme
Blank Verse
Pastoral Elegy
38. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
First Person Voice
Synaesthesia
Rhyme Royal
Italian - or Petrarchan - Sonnet
39. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Hamartia
Euphuism
Alexandrine
Neoclassical Unities
40. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Terza Rima
Georgic
Feminine Rhyme
First Person Voice
41. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
English - or Shakespearean - Sonnet
Litotes
Skeltonics
Antagonist
42. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Second Person Voice
Sprung Rhythm
Neoclassical Unities
Apostrophe
43. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Synaesthesia
Bildungsroman
Personification
Hudibrastic
44. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Terza Rima
Hyperbole
Old English Verse
Pathetic Fallacy
45. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Doggerel
Alexandrine
Pastoral Elegy
46. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Villanelle
Italian - or Petrarchan - Sonnet
Pastoral Elegy
Spenserian Sonnet
47. The principal character in a work of fiction Example: Othello in Othello
Protagonist
Caesura
Hudibrastic
Litotes
48. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Antagonist
Allusion
Old English Verse
Hamartia
49. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Masculine Rhyme
Synaesthesia
Anthropomorphism
Terza Rima
50. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Spenserian stanza
Flat and Round Characters
Ottava Rima
Free Verse