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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Ballad stanza
Bildungsroman
Synaesthesia
Villanelle
2. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Picaresque
Euphuism
Ottava Rima
Doggerel
3. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Caesura
Alexandrine
Flat and Round Characters
Sprung Rhythm
4. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Old English Verse
Litotes
Masculine Rhyme
Personification
5. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Euphuism
Pathetic Fallacy
First Person Voice
Terza Rima
6. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Italian - or Petrarchan - Sonnet
Georgic
Rhyme Royal
Sestina
7. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Ottava Rima
Feminine Rhyme
Allusion
Free Verse
8. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Sestina
Metonymy
Hamartia
Allusion
9. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Anthropomorphism
Italian - or Petrarchan - Sonnet
Euphuism
Georgic
10. A pause or break within a line of poetry - esp. in Old English verse.
Third Person Voice
Anthropomorphism
Caesura
Euphuism
11. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Blank Verse
Ottava Rima
Anthropomorphism
Villanelle
12. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Spenserian stanza
Pastoral Literature
Terza Rima
Litotes
13. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Villanelle
Caesura
Masculine Rhyme
Old English Verse
14. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Hudibrastic
First Person Voice
Old English Verse
Personification
15. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
Italian - or Petrarchan - Sonnet
Skeltonics
Doggerel
16. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Protagonist
Spenserian Sonnet
Euphuism
Ballad stanza
17. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
In Memoriam stanza
Old English Verse
Epithalamium
Protagonist
18. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
In Memoriam stanza
Pathetic Fallacy
Terza Rima
Decorum
19. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Metonymy
Villanelle
Alexandrine
Synaesthesia
20. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Feminine Rhyme
Pastoral Elegy
Bildungsroman
Skeltonics
21. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Bildungsroman
Pastoral Elegy
Blank Verse
English - or Shakespearean - Sonnet
22. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Masculine Rhyme
Alliteration
Synaesthesia
Apostrophe
23. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Italian - or Petrarchan - Sonnet
Blank Verse
Pastoral Elegy
Bildungsroman
24. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Protagonist
Homeric Epithet
Decorum
Hamartia
25. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Pathetic Fallacy
Neoclassical Unities
Synecdoche
Spenserian stanza
26. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Ottava Rima
Pastoral Literature
Blank Verse
Feminine Rhyme
27. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
First Person Voice
Synecdoche
Old English Verse
Feminine Rhyme
28. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Terza Rima
Free Verse
Neoclassical Unities
Alexandrine
29. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Homeric Epithet
Bildungsroman
Feminine Rhyme
Third Person Voice
30. The principal character in a work of fiction Example: Othello in Othello
Doggerel
In Memoriam stanza
Protagonist
Antagonist
31. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Hamartia
Allusion
Second Person Voice
Doggerel
32. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
In Memoriam stanza
Masculine Rhyme
Villanelle
Sprung Rhythm
33. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Sestina
Terza Rima
Protagonist
Synaesthesia
34. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
Rhyme Royal
Second Person Voice
Masculine Rhyme
35. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Pastoral Literature
Georgic
Protagonist
Ballad stanza
36. The character who works against the protagonist in the story Example: Iago in Othello
Picaresque
Epithalamium
Allusion
Antagonist
37. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Personification
Alliteration
Alexandrine
Hyperbole
38. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Terza Rima
Spenserian Sonnet
Feminine Rhyme
39. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Second Person Voice
Spenserian Sonnet
Bildungsroman
First-person plural
40. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Pathetic Fallacy
Protagonist
Picaresque
Skeltonics
41. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Pastoral Literature
In Memoriam stanza
Flat and Round Characters
Synaesthesia
42. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
In Memoriam stanza
Allusion
Personification
Old English Verse
43. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Picaresque
Ottava Rima
First-person plural
Anthropomorphism
44. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Ballad stanza
Personification
Neoclassical Unities
Old English Verse
45. Giving human characteristics to inanimate objects
Personification
Ballad stanza
Second Person Voice
Synecdoche
46. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Antagonist
Pastoral Elegy
Pathetic Fallacy
In Memoriam stanza
47. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Skeltonics
Bildungsroman
Apostrophe
Italian - or Petrarchan - Sonnet
48. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Caesura
In Memoriam stanza
Sestina
Second Person Voice
49. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Flat and Round Characters
Protagonist
Alliteration
Second Person Voice
50. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Hyperbole
Ballad stanza
Personification
Blank Verse