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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Pathetic Fallacy
Epithalamium
Picaresque
Rhyme Royal
2. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Personification
Alliteration
Litotes
Euphuism
3. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Alliteration
Bildungsroman
Antagonist
Hyperbole
4. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Synaesthesia
Ballad stanza
Litotes
Picaresque
5. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Old English Verse
Pastoral Literature
Allusion
Sestina
6. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
First-person plural
Synaesthesia
Old English Verse
Blank Verse
7. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Ballad stanza
Flat and Round Characters
Skeltonics
Homeric Epithet
8. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Sestina
Skeltonics
First Person Voice
Hamartia
9. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Flat and Round Characters
Hyperbole
Bildungsroman
Apostrophe
10. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Old English Verse
Terza Rima
Caesura
First Person Voice
11. A pause or break within a line of poetry - esp. in Old English verse.
Apostrophe
Hamartia
Caesura
Sestina
12. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Flat and Round Characters
Masculine Rhyme
Second Person Voice
Doggerel
13. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Spenserian stanza
Homeric Epithet
Allusion
Epithalamium
14. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Bildungsroman
Synecdoche
Caesura
Skeltonics
15. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Skeltonics
Spenserian stanza
Pastoral Literature
Hyperbole
16. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Euphuism
Hamartia
Spenserian Sonnet
Pathetic Fallacy
17. The principal character in a work of fiction Example: Othello in Othello
Doggerel
Skeltonics
Protagonist
Homeric Epithet
18. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Personification
Neoclassical Unities
Hamartia
Synecdoche
19. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Feminine Rhyme
Antagonist
Georgic
English - or Shakespearean - Sonnet
20. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Free Verse
Picaresque
Hyperbole
Homeric Epithet
21. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Synecdoche
Hyperbole
Metonymy
Georgic
22. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Georgic
First-person plural
Spenserian Sonnet
Pathetic Fallacy
23. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Hudibrastic
Sestina
Decorum
Feminine Rhyme
24. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Antagonist
Old English Verse
English - or Shakespearean - Sonnet
Ballad stanza
25. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Rhyme Royal
Ottava Rima
Feminine Rhyme
Villanelle
26. The character who works against the protagonist in the story Example: Iago in Othello
Caesura
Free Verse
Decorum
Antagonist
27. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Allusion
Sestina
Metonymy
Litotes
28. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Georgic
Hamartia
Pastoral Elegy
Free Verse
29. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Alliteration
Pastoral Elegy
First-person plural
Third Person Voice
30. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Free Verse
Ottava Rima
Georgic
Alliteration
31. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Spenserian Sonnet
Hamartia
Anthropomorphism
First Person Voice
32. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
First Person Voice
English - or Shakespearean - Sonnet
Pathetic Fallacy
Ottava Rima
33. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Hudibrastic
Spenserian Sonnet
First Person Voice
Ballad stanza
34. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
First-person plural
Masculine Rhyme
In Memoriam stanza
Flat and Round Characters
35. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Spenserian Sonnet
Alexandrine
Georgic
Caesura
36. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Sestina
Protagonist
In Memoriam stanza
Alexandrine
37. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Decorum
Italian - or Petrarchan - Sonnet
Free Verse
Blank Verse
38. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Pastoral Elegy
Ballad stanza
Old English Verse
Synecdoche
39. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
First Person Voice
Hudibrastic
Decorum
In Memoriam stanza
40. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Italian - or Petrarchan - Sonnet
Epithalamium
Pastoral Literature
Synecdoche
41. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Second Person Voice
English - or Shakespearean - Sonnet
Alexandrine
Spenserian stanza
42. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Terza Rima
Rhyme Royal
Euphuism
Alliteration
43. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Allusion
Pastoral Literature
Hamartia
Caesura
44. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Anthropomorphism
Homeric Epithet
Euphuism
Italian - or Petrarchan - Sonnet
45. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
Doggerel
Antagonist
In Memoriam stanza
46. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Feminine Rhyme
Allusion
Litotes
Spenserian Sonnet
47. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Third Person Voice
Picaresque
Sprung Rhythm
Synecdoche
48. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Villanelle
Antagonist
Decorum
Synecdoche
49. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Sprung Rhythm
English - or Shakespearean - Sonnet
Anthropomorphism
Protagonist
50. Giving human characteristics to inanimate objects
Ottava Rima
Hamartia
Allusion
Personification