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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Alliteration
Synecdoche
Old English Verse
Ottava Rima
2. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Old English Verse
First Person Voice
Allusion
English - or Shakespearean - Sonnet
3. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Rhyme Royal
Homeric Epithet
Caesura
Picaresque
4. A pause or break within a line of poetry - esp. in Old English verse.
Rhyme Royal
Villanelle
Spenserian stanza
Caesura
5. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Epithalamium
Doggerel
Pathetic Fallacy
Masculine Rhyme
6. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Personification
Antagonist
Allusion
Old English Verse
7. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Bildungsroman
First-person plural
Rhyme Royal
Anthropomorphism
8. Giving human characteristics to inanimate objects
Ballad stanza
Hudibrastic
Personification
Spenserian Sonnet
9. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Allusion
Synaesthesia
Free Verse
Georgic
10. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Pathetic Fallacy
Ottava Rima
Litotes
Neoclassical Unities
11. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Metonymy
Epithalamium
Pathetic Fallacy
First Person Voice
12. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Ballad stanza
English - or Shakespearean - Sonnet
Feminine Rhyme
Pastoral Literature
13. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
In Memoriam stanza
Pastoral Literature
English - or Shakespearean - Sonnet
Alexandrine
14. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Allusion
Rhyme Royal
First-person plural
Third Person Voice
15. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Second Person Voice
In Memoriam stanza
Homeric Epithet
Alexandrine
16. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Homeric Epithet
Flat and Round Characters
Blank Verse
Picaresque
17. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Third Person Voice
Anthropomorphism
Sestina
Caesura
18. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Spenserian stanza
Ballad stanza
Hyperbole
Skeltonics
19. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Pastoral Literature
English - or Shakespearean - Sonnet
Free Verse
Allusion
20. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Second Person Voice
Euphuism
Rhyme Royal
Pastoral Elegy
21. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Pastoral Literature
Spenserian stanza
Villanelle
Hamartia
22. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Sprung Rhythm
Rhyme Royal
First Person Voice
Synaesthesia
23. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Personification
Hyperbole
Free Verse
Italian - or Petrarchan - Sonnet
24. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Protagonist
Third Person Voice
Italian - or Petrarchan - Sonnet
Synaesthesia
25. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Georgic
Epithalamium
Pastoral Elegy
Rhyme Royal
26. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
First-person plural
Feminine Rhyme
Hamartia
Protagonist
27. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Sestina
Synaesthesia
Epithalamium
Third Person Voice
28. The principal character in a work of fiction Example: Othello in Othello
Euphuism
Protagonist
English - or Shakespearean - Sonnet
Alliteration
29. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Masculine Rhyme
Alliteration
Homeric Epithet
Spenserian stanza
30. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Hamartia
Terza Rima
First Person Voice
Ottava Rima
31. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Spenserian stanza
Feminine Rhyme
Hamartia
Homeric Epithet
32. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Skeltonics
Bildungsroman
Pastoral Elegy
Antagonist
33. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Neoclassical Unities
Apostrophe
Terza Rima
Hudibrastic
34. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Georgic
Decorum
Neoclassical Unities
Litotes
35. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Sestina
Ballad stanza
Sprung Rhythm
Apostrophe
36. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Apostrophe
Epithalamium
Pathetic Fallacy
Homeric Epithet
37. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Spenserian stanza
Ottava Rima
Caesura
Litotes
38. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Pathetic Fallacy
Free Verse
Terza Rima
Hudibrastic
39. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Anthropomorphism
Apostrophe
Feminine Rhyme
Hudibrastic
40. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Neoclassical Unities
Italian - or Petrarchan - Sonnet
Spenserian Sonnet
Caesura
41. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Pastoral Literature
Flat and Round Characters
Terza Rima
First Person Voice
42. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Flat and Round Characters
Spenserian Sonnet
Homeric Epithet
Alexandrine
43. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Villanelle
Apostrophe
Personification
Hudibrastic
44. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Terza Rima
Bildungsroman
Apostrophe
Rhyme Royal
45. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Georgic
Alexandrine
First-person plural
Homeric Epithet
46. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Hamartia
Litotes
Villanelle
Free Verse
47. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Spenserian stanza
Alliteration
Alexandrine
Homeric Epithet
48. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Sprung Rhythm
Blank Verse
Epithalamium
Picaresque
49. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
Italian - or Petrarchan - Sonnet
Epithalamium
First-person plural
50. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Ballad stanza
Metonymy
Georgic
Doggerel