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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
In Memoriam stanza
Doggerel
Metonymy
Pastoral Elegy
2. Giving human characteristics to inanimate objects
Personification
Allusion
Ottava Rima
Skeltonics
3. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Bildungsroman
Personification
Anthropomorphism
Hamartia
4. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Free Verse
Neoclassical Unities
Pastoral Literature
Rhyme Royal
5. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Allusion
Second Person Voice
Antagonist
Picaresque
6. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Protagonist
Blank Verse
Epithalamium
Ottava Rima
7. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Georgic
Second Person Voice
Hamartia
English - or Shakespearean - Sonnet
8. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Caesura
Pastoral Elegy
Euphuism
Blank Verse
9. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Second Person Voice
Pastoral Elegy
Synecdoche
Metonymy
10. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Anthropomorphism
Feminine Rhyme
Antagonist
Alliteration
11. The principal character in a work of fiction Example: Othello in Othello
First Person Voice
Second Person Voice
Decorum
Protagonist
12. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Euphuism
Ballad stanza
Free Verse
Hudibrastic
13. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Pastoral Elegy
Alexandrine
Villanelle
Feminine Rhyme
14. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Homeric Epithet
Sprung Rhythm
Pathetic Fallacy
Ballad stanza
15. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
English - or Shakespearean - Sonnet
Protagonist
First-person plural
Terza Rima
16. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Rhyme Royal
Ottava Rima
Alliteration
17. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Skeltonics
Alliteration
Terza Rima
Old English Verse
18. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Litotes
Sprung Rhythm
Third Person Voice
Hyperbole
19. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Blank Verse
Free Verse
Feminine Rhyme
Second Person Voice
20. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Epithalamium
Hyperbole
Apostrophe
Flat and Round Characters
21. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Doggerel
Sestina
Blank Verse
Metonymy
22. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Personification
Metonymy
Free Verse
Blank Verse
23. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Ballad stanza
Decorum
Flat and Round Characters
Personification
24. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
In Memoriam stanza
Sprung Rhythm
Masculine Rhyme
First Person Voice
25. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Metonymy
Pathetic Fallacy
Epithalamium
Old English Verse
26. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Third Person Voice
Epithalamium
First-person plural
Flat and Round Characters
27. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Homeric Epithet
Apostrophe
Villanelle
In Memoriam stanza
28. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
In Memoriam stanza
Synaesthesia
Third Person Voice
Villanelle
29. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Epithalamium
Bildungsroman
Feminine Rhyme
In Memoriam stanza
30. The character who works against the protagonist in the story Example: Iago in Othello
First-person plural
Antagonist
Rhyme Royal
Anthropomorphism
31. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Metonymy
Ottava Rima
Epithalamium
Anthropomorphism
32. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Georgic
Homeric Epithet
Metonymy
Picaresque
33. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Old English Verse
Spenserian stanza
Sestina
Sprung Rhythm
34. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Apostrophe
Euphuism
Neoclassical Unities
Hamartia
35. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Decorum
Antagonist
Pastoral Literature
Italian - or Petrarchan - Sonnet
36. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Spenserian stanza
Flat and Round Characters
Picaresque
Personification
37. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Blank Verse
Personification
Allusion
Synecdoche
38. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
Spenserian Sonnet
Skeltonics
Personification
39. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Masculine Rhyme
Skeltonics
Picaresque
Spenserian stanza
40. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
English - or Shakespearean - Sonnet
Euphuism
Epithalamium
Blank Verse
41. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Synaesthesia
Euphuism
Spenserian stanza
Blank Verse
42. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Ballad stanza
Pastoral Literature
Georgic
Caesura
43. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Hudibrastic
Free Verse
Old English Verse
Alliteration
44. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Free Verse
Skeltonics
Picaresque
Georgic
45. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Synaesthesia
Rhyme Royal
Euphuism
Ottava Rima
46. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Alexandrine
Picaresque
Pathetic Fallacy
Free Verse
47. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Protagonist
Alexandrine
Decorum
Neoclassical Unities
48. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Picaresque
Blank Verse
Apostrophe
Spenserian Sonnet
49. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Sprung Rhythm
Metonymy
Alexandrine
Neoclassical Unities
50. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Allusion
Rhyme Royal
In Memoriam stanza
Anthropomorphism