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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Flat and Round Characters
Skeltonics
Spenserian stanza
First-person plural
2. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Skeltonics
Synecdoche
Georgic
Alliteration
3. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Alexandrine
Pastoral Literature
English - or Shakespearean - Sonnet
Hamartia
4. The principal character in a work of fiction Example: Othello in Othello
Epithalamium
Feminine Rhyme
Metonymy
Protagonist
5. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Caesura
Italian - or Petrarchan - Sonnet
Sestina
Anthropomorphism
6. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Spenserian Sonnet
Second Person Voice
Free Verse
Synecdoche
7. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Synaesthesia
Sprung Rhythm
Doggerel
Hamartia
8. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Protagonist
First Person Voice
Hamartia
Italian - or Petrarchan - Sonnet
9. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Old English Verse
Pastoral Elegy
Feminine Rhyme
Spenserian Sonnet
10. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Blank Verse
Synaesthesia
Apostrophe
Terza Rima
11. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Personification
First Person Voice
Pastoral Elegy
Decorum
12. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
English - or Shakespearean - Sonnet
Feminine Rhyme
Metonymy
Personification
13. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Blank Verse
Bildungsroman
Pathetic Fallacy
Pastoral Elegy
14. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Free Verse
Third Person Voice
Flat and Round Characters
Blank Verse
15. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
First-person plural
Antagonist
English - or Shakespearean - Sonnet
Villanelle
16. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Ottava Rima
Allusion
Litotes
Bildungsroman
17. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Feminine Rhyme
Hudibrastic
Ballad stanza
Synecdoche
18. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Doggerel
Sestina
Picaresque
Georgic
19. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Sestina
Antagonist
Third Person Voice
Second Person Voice
20. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Synecdoche
Anthropomorphism
Sestina
21. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Third Person Voice
Blank Verse
Personification
Ballad stanza
22. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Pastoral Literature
Skeltonics
Third Person Voice
Terza Rima
23. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Decorum
Synaesthesia
Hyperbole
Apostrophe
24. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Italian - or Petrarchan - Sonnet
First Person Voice
Synaesthesia
Apostrophe
25. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Third Person Voice
Rhyme Royal
Ottava Rima
Free Verse
26. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Apostrophe
Hudibrastic
Pastoral Elegy
Epithalamium
27. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Bildungsroman
Alexandrine
Ballad stanza
Euphuism
28. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Hudibrastic
Italian - or Petrarchan - Sonnet
In Memoriam stanza
Metonymy
29. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Old English Verse
In Memoriam stanza
Masculine Rhyme
Free Verse
30. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Pastoral Elegy
Spenserian stanza
Flat and Round Characters
Litotes
31. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Pathetic Fallacy
English - or Shakespearean - Sonnet
Alliteration
First Person Voice
32. Giving human characteristics to inanimate objects
Homeric Epithet
Antagonist
Hudibrastic
Personification
33. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Pastoral Literature
In Memoriam stanza
Personification
Neoclassical Unities
34. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Litotes
Pathetic Fallacy
Rhyme Royal
First-person plural
35. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Villanelle
Hyperbole
Bildungsroman
First-person plural
36. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
First Person Voice
Skeltonics
Decorum
Rhyme Royal
37. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Metonymy
Second Person Voice
Third Person Voice
38. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
Ottava Rima
Personification
Epithalamium
39. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Neoclassical Unities
Pastoral Elegy
Homeric Epithet
Protagonist
40. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Feminine Rhyme
Hyperbole
Hudibrastic
Alexandrine
41. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Pastoral Elegy
Pathetic Fallacy
Litotes
Free Verse
42. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Picaresque
Free Verse
Pathetic Fallacy
Personification
43. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
First-person plural
Decorum
First Person Voice
44. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Decorum
Blank Verse
Picaresque
In Memoriam stanza
45. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Georgic
Pastoral Elegy
First Person Voice
Hamartia
46. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
First Person Voice
Third Person Voice
Sprung Rhythm
Old English Verse
47. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Masculine Rhyme
Sestina
Decorum
Feminine Rhyme
48. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
In Memoriam stanza
Allusion
Sprung Rhythm
Sestina
49. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Euphuism
Epithalamium
Pastoral Elegy
Hyperbole
50. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Synaesthesia
Terza Rima
Anthropomorphism
Caesura