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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Homeric Epithet
Masculine Rhyme
Hyperbole
Bildungsroman
2. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Synaesthesia
Apostrophe
First-person plural
Anthropomorphism
3. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Ballad stanza
English - or Shakespearean - Sonnet
Italian - or Petrarchan - Sonnet
Alliteration
4. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Metonymy
Caesura
Pastoral Literature
Alliteration
5. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
English - or Shakespearean - Sonnet
In Memoriam stanza
Pathetic Fallacy
Italian - or Petrarchan - Sonnet
6. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
English - or Shakespearean - Sonnet
Sprung Rhythm
Spenserian stanza
Synecdoche
7. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Epithalamium
Pathetic Fallacy
Skeltonics
Allusion
8. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Litotes
Ottava Rima
Hudibrastic
First Person Voice
9. The principal character in a work of fiction Example: Othello in Othello
Pastoral Elegy
Pastoral Literature
Antagonist
Protagonist
10. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
In Memoriam stanza
Spenserian stanza
Antagonist
Epithalamium
11. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Synecdoche
Metonymy
Decorum
Ballad stanza
12. The character who works against the protagonist in the story Example: Iago in Othello
Picaresque
Rhyme Royal
Alexandrine
Antagonist
13. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Litotes
Metonymy
Synaesthesia
Neoclassical Unities
14. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Pathetic Fallacy
Pastoral Elegy
Litotes
Hudibrastic
15. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Hudibrastic
Litotes
Doggerel
Flat and Round Characters
16. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Antagonist
Doggerel
Neoclassical Unities
Second Person Voice
17. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Litotes
Third Person Voice
Blank Verse
Alliteration
18. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Allusion
Spenserian stanza
Picaresque
Hamartia
19. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Picaresque
Old English Verse
Allusion
Flat and Round Characters
20. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Epithalamium
Euphuism
Terza Rima
Georgic
21. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
First-person plural
Decorum
Sestina
Terza Rima
22. A pause or break within a line of poetry - esp. in Old English verse.
Flat and Round Characters
Old English Verse
Terza Rima
Caesura
23. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Second Person Voice
Apostrophe
Ottava Rima
Blank Verse
24. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Old English Verse
Euphuism
Alliteration
Second Person Voice
25. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Alexandrine
Protagonist
Personification
Flat and Round Characters
26. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Masculine Rhyme
Protagonist
Picaresque
Epithalamium
27. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Apostrophe
Free Verse
Protagonist
Georgic
28. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Hudibrastic
Litotes
Personification
Rhyme Royal
29. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Apostrophe
Free Verse
Old English Verse
Italian - or Petrarchan - Sonnet
30. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Third Person Voice
Skeltonics
Second Person Voice
Villanelle
31. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Feminine Rhyme
Ottava Rima
Bildungsroman
Skeltonics
32. Giving human characteristics to inanimate objects
Litotes
Personification
Blank Verse
Bildungsroman
33. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Neoclassical Unities
Sestina
Pastoral Elegy
Sprung Rhythm
34. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Litotes
Apostrophe
Allusion
Blank Verse
35. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Decorum
Anthropomorphism
Antagonist
Spenserian Sonnet
36. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Ballad stanza
Third Person Voice
Rhyme Royal
Masculine Rhyme
37. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Caesura
Feminine Rhyme
Epithalamium
Villanelle
38. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Georgic
Ottava Rima
Homeric Epithet
Second Person Voice
39. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Sprung Rhythm
Allusion
Italian - or Petrarchan - Sonnet
Georgic
40. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Bildungsroman
Pathetic Fallacy
Free Verse
Pastoral Elegy
41. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Terza Rima
First-person plural
Spenserian Sonnet
Synaesthesia
42. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Anthropomorphism
Spenserian stanza
Hyperbole
Personification
43. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Apostrophe
Picaresque
Old English Verse
Pathetic Fallacy
44. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
First Person Voice
Protagonist
Picaresque
Alexandrine
45. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Pathetic Fallacy
Spenserian stanza
Decorum
Caesura
46. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Synaesthesia
Hyperbole
Metonymy
Sestina
47. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Italian - or Petrarchan - Sonnet
English - or Shakespearean - Sonnet
Second Person Voice
Antagonist
48. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Alliteration
Pastoral Elegy
Villanelle
Third Person Voice
49. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Italian - or Petrarchan - Sonnet
Epithalamium
Allusion
Pastoral Literature
50. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Bildungsroman
Skeltonics
Villanelle
Litotes