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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Personification
Pastoral Elegy
English - or Shakespearean - Sonnet
Pathetic Fallacy
2. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Anthropomorphism
Second Person Voice
Alliteration
Old English Verse
3. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Terza Rima
Hyperbole
Spenserian Sonnet
Flat and Round Characters
4. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
First-person plural
Metonymy
Feminine Rhyme
Old English Verse
5. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Euphuism
Third Person Voice
Blank Verse
Georgic
6. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Masculine Rhyme
Italian - or Petrarchan - Sonnet
Alexandrine
7. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Sprung Rhythm
Pastoral Literature
Euphuism
Terza Rima
8. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Masculine Rhyme
In Memoriam stanza
Blank Verse
Pathetic Fallacy
9. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Ballad stanza
Spenserian stanza
Villanelle
Georgic
10. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Sprung Rhythm
Neoclassical Unities
Hyperbole
Doggerel
11. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Sprung Rhythm
Ballad stanza
Apostrophe
First-person plural
12. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Synaesthesia
Rhyme Royal
Third Person Voice
Picaresque
13. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Neoclassical Unities
Third Person Voice
Old English Verse
Synecdoche
14. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Allusion
Bildungsroman
Pastoral Literature
Spenserian stanza
15. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Old English Verse
Picaresque
Ballad stanza
Apostrophe
16. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Ottava Rima
Hyperbole
In Memoriam stanza
Free Verse
17. A pause or break within a line of poetry - esp. in Old English verse.
Ballad stanza
Antagonist
Spenserian Sonnet
Caesura
18. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
English - or Shakespearean - Sonnet
Old English Verse
Decorum
Neoclassical Unities
19. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Protagonist
Villanelle
Apostrophe
Litotes
20. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Epithalamium
Pathetic Fallacy
Protagonist
21. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Alexandrine
Flat and Round Characters
Caesura
Decorum
22. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Skeltonics
Metonymy
Hudibrastic
Terza Rima
23. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Pastoral Literature
Skeltonics
Epithalamium
Rhyme Royal
24. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Hudibrastic
Allusion
Pathetic Fallacy
First Person Voice
25. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Second Person Voice
Personification
Ballad stanza
Litotes
26. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Feminine Rhyme
Second Person Voice
Hudibrastic
Synaesthesia
27. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
First Person Voice
In Memoriam stanza
First-person plural
Alliteration
28. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Blank Verse
Feminine Rhyme
Villanelle
Caesura
29. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Old English Verse
First-person plural
Picaresque
Masculine Rhyme
30. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Georgic
Skeltonics
Sprung Rhythm
Pastoral Elegy
31. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Pathetic Fallacy
Euphuism
English - or Shakespearean - Sonnet
Hyperbole
32. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Sprung Rhythm
First Person Voice
Neoclassical Unities
Picaresque
33. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Hyperbole
Metonymy
Euphuism
Alexandrine
34. The principal character in a work of fiction Example: Othello in Othello
Protagonist
Ottava Rima
Pastoral Literature
Pastoral Elegy
35. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Masculine Rhyme
Pathetic Fallacy
In Memoriam stanza
Rhyme Royal
36. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Bildungsroman
Rhyme Royal
Metonymy
Villanelle
37. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Epithalamium
Pastoral Literature
Allusion
Masculine Rhyme
38. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Pastoral Elegy
Anthropomorphism
Georgic
Doggerel
39. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Euphuism
Flat and Round Characters
Italian - or Petrarchan - Sonnet
Sestina
40. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
In Memoriam stanza
Metonymy
Free Verse
Skeltonics
41. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Decorum
Antagonist
Anthropomorphism
Personification
42. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Pastoral Literature
Synecdoche
Bildungsroman
First-person plural
43. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Hamartia
Feminine Rhyme
Protagonist
Anthropomorphism
44. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
Old English Verse
Third Person Voice
Doggerel
45. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Neoclassical Unities
Spenserian stanza
Sestina
Anthropomorphism
46. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
Second Person Voice
Villanelle
Allusion
47. Giving human characteristics to inanimate objects
Protagonist
Personification
Anthropomorphism
Feminine Rhyme
48. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Decorum
Anthropomorphism
Homeric Epithet
Hyperbole
49. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Litotes
Rhyme Royal
Ballad stanza
Bildungsroman
50. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Protagonist
Epithalamium
Metonymy
Homeric Epithet