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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Metonymy
First-person plural
Blank Verse
Pathetic Fallacy
2. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Sprung Rhythm
Litotes
Hyperbole
Neoclassical Unities
3. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Bildungsroman
Alliteration
Allusion
Third Person Voice
4. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Epithalamium
Anthropomorphism
First-person plural
Picaresque
5. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Georgic
Doggerel
Protagonist
Ottava Rima
6. A pause or break within a line of poetry - esp. in Old English verse.
Doggerel
Rhyme Royal
Caesura
Allusion
7. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Alexandrine
Spenserian stanza
Doggerel
Personification
8. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Second Person Voice
Masculine Rhyme
Hamartia
Sestina
9. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Spenserian Sonnet
Hamartia
Protagonist
Rhyme Royal
10. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Bildungsroman
English - or Shakespearean - Sonnet
Euphuism
Pathetic Fallacy
11. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Hyperbole
Ballad stanza
Bildungsroman
Sprung Rhythm
12. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Hyperbole
Decorum
Apostrophe
Synaesthesia
13. The principal character in a work of fiction Example: Othello in Othello
English - or Shakespearean - Sonnet
First-person plural
Protagonist
Masculine Rhyme
14. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
Doggerel
Allusion
Free Verse
15. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Georgic
Old English Verse
Bildungsroman
16. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Rhyme Royal
Pastoral Literature
Litotes
Villanelle
17. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Neoclassical Unities
Terza Rima
Rhyme Royal
Epithalamium
18. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Hudibrastic
Old English Verse
Third Person Voice
Apostrophe
19. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Italian - or Petrarchan - Sonnet
In Memoriam stanza
Metonymy
Feminine Rhyme
20. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Blank Verse
Homeric Epithet
Personification
Hamartia
21. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Spenserian stanza
Epithalamium
Third Person Voice
Second Person Voice
22. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Old English Verse
Anthropomorphism
Spenserian Sonnet
Hamartia
23. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Pastoral Elegy
Decorum
Euphuism
Apostrophe
24. Giving human characteristics to inanimate objects
Personification
Synecdoche
In Memoriam stanza
Hyperbole
25. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Ballad stanza
Picaresque
Homeric Epithet
Metonymy
26. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Flat and Round Characters
Synecdoche
Bildungsroman
Masculine Rhyme
27. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Litotes
Flat and Round Characters
Georgic
Picaresque
28. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Second Person Voice
English - or Shakespearean - Sonnet
First-person plural
Rhyme Royal
29. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Synaesthesia
Spenserian Sonnet
Hyperbole
English - or Shakespearean - Sonnet
30. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Pastoral Elegy
Metonymy
Third Person Voice
Pastoral Literature
31. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Pastoral Literature
Neoclassical Unities
Rhyme Royal
Sestina
32. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Hudibrastic
Spenserian Sonnet
Skeltonics
Ottava Rima
33. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Doggerel
Metonymy
In Memoriam stanza
Old English Verse
34. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Neoclassical Unities
Alliteration
Bildungsroman
Villanelle
35. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Masculine Rhyme
Pastoral Elegy
Alexandrine
English - or Shakespearean - Sonnet
36. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Flat and Round Characters
Rhyme Royal
Neoclassical Unities
Villanelle
37. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Skeltonics
Pastoral Literature
Hamartia
Rhyme Royal
38. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Rhyme Royal
Third Person Voice
Doggerel
Alliteration
39. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Pastoral Elegy
Epithalamium
Flat and Round Characters
Skeltonics
40. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Pastoral Elegy
First Person Voice
Old English Verse
Bildungsroman
41. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Spenserian stanza
Euphuism
Anthropomorphism
Masculine Rhyme
42. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Spenserian Sonnet
Flat and Round Characters
Second Person Voice
Feminine Rhyme
43. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Hyperbole
Alliteration
Epithalamium
Allusion
44. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Hyperbole
Spenserian Sonnet
Bildungsroman
Free Verse
45. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Bildungsroman
In Memoriam stanza
Villanelle
Metonymy
46. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Pastoral Elegy
Alexandrine
Ballad stanza
Personification
47. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Pastoral Literature
Terza Rima
Synaesthesia
Pastoral Elegy
48. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Pastoral Literature
Italian - or Petrarchan - Sonnet
Apostrophe
Terza Rima
49. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Litotes
Sestina
Apostrophe
Pathetic Fallacy
50. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Flat and Round Characters
Sestina
Hudibrastic
Epithalamium