SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
GRE Literature: Literary Terms
Start Test
Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Free Verse
Blank Verse
Rhyme Royal
Litotes
2. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Spenserian stanza
Rhyme Royal
Euphuism
Metonymy
3. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Old English Verse
Spenserian stanza
Litotes
Pastoral Literature
4. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Litotes
Third Person Voice
Synaesthesia
Neoclassical Unities
5. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
English - or Shakespearean - Sonnet
First Person Voice
Spenserian stanza
Old English Verse
6. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Decorum
Feminine Rhyme
Neoclassical Unities
Protagonist
7. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Bildungsroman
Allusion
Litotes
Rhyme Royal
8. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Skeltonics
Free Verse
Terza Rima
Flat and Round Characters
9. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Second Person Voice
Personification
Ottava Rima
Third Person Voice
10. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Free Verse
Ottava Rima
Old English Verse
Hamartia
11. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
English - or Shakespearean - Sonnet
Pathetic Fallacy
Pastoral Elegy
Synaesthesia
12. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
First Person Voice
Synaesthesia
Synecdoche
Third Person Voice
13. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Pastoral Literature
Masculine Rhyme
Hamartia
Synecdoche
14. Giving human characteristics to inanimate objects
Decorum
Personification
Sprung Rhythm
Ballad stanza
15. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Sprung Rhythm
Hudibrastic
In Memoriam stanza
Alexandrine
16. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Antagonist
Ballad stanza
Sestina
Doggerel
17. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Ballad stanza
In Memoriam stanza
Doggerel
Italian - or Petrarchan - Sonnet
18. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Alexandrine
In Memoriam stanza
Apostrophe
Synecdoche
19. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Sestina
Synecdoche
Anthropomorphism
Doggerel
20. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Ballad stanza
Third Person Voice
Bildungsroman
Anthropomorphism
21. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Euphuism
Masculine Rhyme
Hudibrastic
Homeric Epithet
22. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Synaesthesia
Flat and Round Characters
Synecdoche
Masculine Rhyme
23. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Alliteration
Hamartia
Masculine Rhyme
Ottava Rima
24. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Synecdoche
Ballad stanza
Georgic
Epithalamium
25. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Old English Verse
Pathetic Fallacy
Georgic
Litotes
26. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Blank Verse
English - or Shakespearean - Sonnet
Pastoral Literature
Picaresque
27. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Italian - or Petrarchan - Sonnet
Pastoral Elegy
Skeltonics
Epithalamium
28. The character who works against the protagonist in the story Example: Iago in Othello
Hudibrastic
Antagonist
Rhyme Royal
Spenserian stanza
29. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Sestina
Ballad stanza
Apostrophe
Homeric Epithet
30. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Euphuism
Apostrophe
Blank Verse
Litotes
31. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Hyperbole
Neoclassical Unities
Spenserian Sonnet
Old English Verse
32. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Second Person Voice
Villanelle
Ballad stanza
Doggerel
33. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Apostrophe
Feminine Rhyme
Euphuism
First Person Voice
34. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Sprung Rhythm
Decorum
Ballad stanza
Spenserian Sonnet
35. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Third Person Voice
Alexandrine
Epithalamium
Pathetic Fallacy
36. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Caesura
Apostrophe
Ottava Rima
Protagonist
37. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Bildungsroman
In Memoriam stanza
Euphuism
Antagonist
38. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Rhyme Royal
Second Person Voice
First-person plural
Sprung Rhythm
39. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Synaesthesia
Decorum
Italian - or Petrarchan - Sonnet
Ottava Rima
40. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Decorum
Sestina
Allusion
Rhyme Royal
41. The principal character in a work of fiction Example: Othello in Othello
Pathetic Fallacy
Protagonist
Pastoral Elegy
Anthropomorphism
42. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
First Person Voice
Masculine Rhyme
In Memoriam stanza
Litotes
43. A pause or break within a line of poetry - esp. in Old English verse.
Rhyme Royal
Pastoral Elegy
Italian - or Petrarchan - Sonnet
Caesura
44. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Alliteration
Flat and Round Characters
Hamartia
First Person Voice
45. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Rhyme Royal
Pastoral Elegy
Doggerel
Litotes
46. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Italian - or Petrarchan - Sonnet
Pastoral Literature
Ottava Rima
Masculine Rhyme
47. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
First-person plural
Pastoral Elegy
Synaesthesia
Sprung Rhythm
48. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Alexandrine
Metonymy
Apostrophe
Spenserian stanza
49. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Alexandrine
Antagonist
Decorum
Allusion
50. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Pathetic Fallacy
Second Person Voice
Sprung Rhythm
First-person plural