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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
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gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Giving human characteristics to inanimate objects
Anthropomorphism
Skeltonics
Second Person Voice
Personification
2. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Old English Verse
Ottava Rima
Pathetic Fallacy
Sprung Rhythm
3. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Allusion
Pastoral Elegy
Doggerel
Bildungsroman
4. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Homeric Epithet
Hyperbole
Epithalamium
Euphuism
5. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Hyperbole
Terza Rima
Metonymy
Caesura
6. The character who works against the protagonist in the story Example: Iago in Othello
Skeltonics
Caesura
Alliteration
Antagonist
7. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Metonymy
Third Person Voice
Blank Verse
Rhyme Royal
8. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Caesura
Apostrophe
Pathetic Fallacy
Pastoral Elegy
9. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Rhyme Royal
Apostrophe
Italian - or Petrarchan - Sonnet
Pastoral Literature
10. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Synaesthesia
Decorum
Neoclassical Unities
Old English Verse
11. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Bildungsroman
Epithalamium
Georgic
Villanelle
12. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Epithalamium
Hyperbole
Masculine Rhyme
English - or Shakespearean - Sonnet
13. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Spenserian stanza
Protagonist
First Person Voice
Hamartia
14. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
English - or Shakespearean - Sonnet
Spenserian Sonnet
Flat and Round Characters
Italian - or Petrarchan - Sonnet
15. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Picaresque
First Person Voice
Sprung Rhythm
Ballad stanza
16. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Sprung Rhythm
Euphuism
Ottava Rima
Anthropomorphism
17. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Georgic
Bildungsroman
Old English Verse
Allusion
18. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Synecdoche
Anthropomorphism
Synaesthesia
Sestina
19. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Second Person Voice
In Memoriam stanza
Alexandrine
Hudibrastic
20. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Metonymy
Skeltonics
Hudibrastic
First Person Voice
21. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Synecdoche
Neoclassical Unities
Free Verse
In Memoriam stanza
22. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Decorum
Metonymy
Feminine Rhyme
First-person plural
23. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Alexandrine
Free Verse
Homeric Epithet
Villanelle
24. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Sestina
Bildungsroman
Allusion
First-person plural
25. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Feminine Rhyme
Litotes
Picaresque
Blank Verse
26. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Hudibrastic
Allusion
Litotes
Third Person Voice
27. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Allusion
Hudibrastic
Synecdoche
Pastoral Literature
28. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Rhyme Royal
Masculine Rhyme
Hudibrastic
Metonymy
29. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Spenserian Sonnet
Picaresque
Hudibrastic
Skeltonics
30. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Epithalamium
Sestina
Anthropomorphism
Spenserian stanza
31. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
First-person plural
Spenserian stanza
Hyperbole
Italian - or Petrarchan - Sonnet
32. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
Hudibrastic
Doggerel
Skeltonics
33. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
Sprung Rhythm
Sestina
Hyperbole
34. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Hyperbole
Decorum
Alexandrine
Old English Verse
35. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Second Person Voice
Feminine Rhyme
Decorum
36. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Protagonist
Second Person Voice
Alliteration
Pastoral Elegy
37. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Blank Verse
English - or Shakespearean - Sonnet
Spenserian stanza
Hamartia
38. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Flat and Round Characters
Protagonist
Anthropomorphism
Spenserian stanza
39. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Bildungsroman
Metonymy
Euphuism
Pathetic Fallacy
40. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Epithalamium
Allusion
Free Verse
Metonymy
41. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Old English Verse
Pastoral Elegy
Picaresque
Hyperbole
42. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Neoclassical Unities
Terza Rima
Alexandrine
Apostrophe
43. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Feminine Rhyme
Metonymy
Decorum
Blank Verse
44. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Alliteration
Hudibrastic
Pastoral Elegy
Old English Verse
45. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Flat and Round Characters
Sprung Rhythm
Old English Verse
First Person Voice
46. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Allusion
Italian - or Petrarchan - Sonnet
Free Verse
Sestina
47. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Blank Verse
Hyperbole
Sprung Rhythm
48. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Litotes
Blank Verse
Apostrophe
Villanelle
49. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Pathetic Fallacy
Alliteration
Spenserian stanza
Terza Rima
50. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Protagonist
Feminine Rhyme
Blank Verse
Villanelle