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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Second Person Voice
Epithalamium
Alliteration
First-person plural
2. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Alliteration
Villanelle
In Memoriam stanza
Synaesthesia
3. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Old English Verse
Alexandrine
Euphuism
Sprung Rhythm
4. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Free Verse
Litotes
Decorum
Old English Verse
5. The principal character in a work of fiction Example: Othello in Othello
First-person plural
Spenserian stanza
Protagonist
Homeric Epithet
6. A pause or break within a line of poetry - esp. in Old English verse.
Skeltonics
Sestina
Caesura
Sprung Rhythm
7. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Masculine Rhyme
Sprung Rhythm
Skeltonics
English - or Shakespearean - Sonnet
8. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Georgic
Free Verse
Spenserian stanza
Apostrophe
9. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
Picaresque
Masculine Rhyme
Pastoral Literature
10. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Litotes
Anthropomorphism
Personification
11. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Synaesthesia
Terza Rima
Pastoral Literature
Litotes
12. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Hamartia
Georgic
Skeltonics
Alliteration
13. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Pastoral Elegy
Picaresque
Villanelle
Spenserian Sonnet
14. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Italian - or Petrarchan - Sonnet
Old English Verse
Doggerel
Masculine Rhyme
15. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Pathetic Fallacy
Picaresque
Spenserian Sonnet
Flat and Round Characters
16. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
In Memoriam stanza
Neoclassical Unities
Picaresque
Sestina
17. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Rhyme Royal
Bildungsroman
Epithalamium
Sprung Rhythm
18. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Villanelle
Masculine Rhyme
Synaesthesia
Feminine Rhyme
19. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Decorum
Rhyme Royal
First Person Voice
Old English Verse
20. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Hyperbole
Hudibrastic
Masculine Rhyme
Synaesthesia
21. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Epithalamium
Skeltonics
Allusion
Pathetic Fallacy
22. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Apostrophe
Flat and Round Characters
Spenserian stanza
Feminine Rhyme
23. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Terza Rima
Skeltonics
Hudibrastic
Neoclassical Unities
24. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Pastoral Elegy
Doggerel
Rhyme Royal
Apostrophe
25. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Sestina
Old English Verse
Homeric Epithet
Terza Rima
26. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Sprung Rhythm
English - or Shakespearean - Sonnet
Masculine Rhyme
First Person Voice
27. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Doggerel
Sprung Rhythm
Blank Verse
Feminine Rhyme
28. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Epithalamium
Third Person Voice
Rhyme Royal
29. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Villanelle
Apostrophe
Sestina
Skeltonics
30. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Personification
Ballad stanza
Second Person Voice
Neoclassical Unities
31. Giving human characteristics to inanimate objects
Second Person Voice
Blank Verse
Neoclassical Unities
Personification
32. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Blank Verse
Spenserian Sonnet
Second Person Voice
Anthropomorphism
33. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Hamartia
Blank Verse
Pastoral Literature
Masculine Rhyme
34. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Hamartia
Villanelle
Neoclassical Unities
Blank Verse
35. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Allusion
Spenserian Sonnet
Anthropomorphism
Flat and Round Characters
36. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Euphuism
First-person plural
Third Person Voice
Neoclassical Unities
37. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Ballad stanza
Allusion
Decorum
Euphuism
38. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Sprung Rhythm
Euphuism
Villanelle
Flat and Round Characters
39. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Anthropomorphism
Sprung Rhythm
Pastoral Elegy
Ottava Rima
40. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Personification
Antagonist
Masculine Rhyme
Anthropomorphism
41. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Italian - or Petrarchan - Sonnet
Masculine Rhyme
Ottava Rima
Bildungsroman
42. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Feminine Rhyme
In Memoriam stanza
Masculine Rhyme
Caesura
43. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Protagonist
Terza Rima
Spenserian Sonnet
Alliteration
44. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Hamartia
Skeltonics
Third Person Voice
Decorum
45. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Third Person Voice
Allusion
Rhyme Royal
Spenserian Sonnet
46. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Synecdoche
Sprung Rhythm
English - or Shakespearean - Sonnet
Anthropomorphism
47. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Ottava Rima
Synecdoche
Second Person Voice
Alliteration
48. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Anthropomorphism
Picaresque
Ottava Rima
Masculine Rhyme
49. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
First-person plural
Masculine Rhyme
Decorum
Rhyme Royal
50. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Terza Rima
Homeric Epithet
First Person Voice
Synecdoche
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