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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
In Memoriam stanza
Second Person Voice
Flat and Round Characters
Feminine Rhyme
2. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
In Memoriam stanza
Pastoral Elegy
Pastoral Literature
Rhyme Royal
3. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Free Verse
Litotes
Sestina
Third Person Voice
4. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Ballad stanza
Hamartia
Spenserian stanza
Anthropomorphism
5. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Georgic
Masculine Rhyme
Apostrophe
English - or Shakespearean - Sonnet
6. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Second Person Voice
Neoclassical Unities
Free Verse
Blank Verse
7. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Second Person Voice
Terza Rima
Georgic
Decorum
8. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Italian - or Petrarchan - Sonnet
Alexandrine
Synaesthesia
Feminine Rhyme
9. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Pastoral Elegy
Ottava Rima
Picaresque
Synecdoche
10. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Old English Verse
Personification
Caesura
Hudibrastic
11. Giving human characteristics to inanimate objects
Flat and Round Characters
Synaesthesia
Personification
Allusion
12. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Second Person Voice
Synaesthesia
Anthropomorphism
English - or Shakespearean - Sonnet
13. A pause or break within a line of poetry - esp. in Old English verse.
Ottava Rima
Hudibrastic
Sestina
Caesura
14. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
Synaesthesia
Pathetic Fallacy
Terza Rima
15. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Second Person Voice
Sprung Rhythm
Homeric Epithet
Skeltonics
16. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Hudibrastic
Georgic
Sprung Rhythm
Pastoral Literature
17. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Doggerel
Euphuism
Blank Verse
In Memoriam stanza
18. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Rhyme Royal
Picaresque
Neoclassical Unities
Hudibrastic
19. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Pastoral Literature
Antagonist
Epithalamium
First-person plural
20. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Free Verse
Metonymy
Apostrophe
Litotes
21. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Skeltonics
Picaresque
Ottava Rima
Sprung Rhythm
22. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Blank Verse
Pastoral Literature
Decorum
Masculine Rhyme
23. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
First Person Voice
Free Verse
Picaresque
Spenserian stanza
24. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Homeric Epithet
Second Person Voice
Alliteration
25. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Pastoral Literature
Antagonist
Spenserian stanza
Flat and Round Characters
26. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Doggerel
In Memoriam stanza
Spenserian stanza
Old English Verse
27. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Alliteration
Personification
Sestina
First-person plural
28. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Spenserian stanza
Pastoral Literature
Decorum
Flat and Round Characters
29. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Feminine Rhyme
Pathetic Fallacy
Neoclassical Unities
Bildungsroman
30. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Ballad stanza
Hudibrastic
Euphuism
Picaresque
31. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
First Person Voice
Decorum
Pastoral Literature
32. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Rhyme Royal
Blank Verse
Neoclassical Unities
Feminine Rhyme
33. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Georgic
Decorum
Apostrophe
Pastoral Elegy
34. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Masculine Rhyme
Hudibrastic
Second Person Voice
Georgic
35. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Masculine Rhyme
Hamartia
Alliteration
Ottava Rima
36. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Second Person Voice
Villanelle
Spenserian Sonnet
English - or Shakespearean - Sonnet
37. The principal character in a work of fiction Example: Othello in Othello
In Memoriam stanza
Allusion
Protagonist
Anthropomorphism
38. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Hamartia
Alexandrine
Pathetic Fallacy
English - or Shakespearean - Sonnet
39. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Sprung Rhythm
Hyperbole
Flat and Round Characters
Alexandrine
40. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
First Person Voice
Euphuism
Doggerel
Pathetic Fallacy
41. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Antagonist
Pathetic Fallacy
Allusion
Pastoral Literature
42. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Litotes
In Memoriam stanza
Synaesthesia
Villanelle
43. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Ottava Rima
Flat and Round Characters
Georgic
First-person plural
44. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Third Person Voice
Skeltonics
Masculine Rhyme
Blank Verse
45. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Hudibrastic
Rhyme Royal
Ballad stanza
Feminine Rhyme
46. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Sprung Rhythm
Third Person Voice
Euphuism
Doggerel
47. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Ballad stanza
English - or Shakespearean - Sonnet
Alliteration
Pastoral Literature
48. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Euphuism
Feminine Rhyme
Allusion
Skeltonics
49. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Alexandrine
Protagonist
Feminine Rhyme
Old English Verse
50. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Epithalamium
First Person Voice
Third Person Voice
Free Verse