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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Decorum
Doggerel
Alexandrine
Caesura
2. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
First-person plural
Anthropomorphism
Ballad stanza
Allusion
3. The character who works against the protagonist in the story Example: Iago in Othello
Doggerel
Pathetic Fallacy
Antagonist
Pastoral Literature
4. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Terza Rima
Spenserian stanza
Third Person Voice
Homeric Epithet
5. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
English - or Shakespearean - Sonnet
Skeltonics
Pastoral Elegy
6. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Feminine Rhyme
Masculine Rhyme
First-person plural
Pastoral Elegy
7. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Feminine Rhyme
Terza Rima
Pastoral Elegy
Pathetic Fallacy
8. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Anthropomorphism
Second Person Voice
Feminine Rhyme
Picaresque
9. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Spenserian stanza
Doggerel
First Person Voice
Second Person Voice
10. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Neoclassical Unities
Alexandrine
Euphuism
Metonymy
11. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
First Person Voice
Decorum
Neoclassical Unities
Bildungsroman
12. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Apostrophe
Ballad stanza
First Person Voice
Alexandrine
13. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Ottava Rima
Free Verse
Personification
Hudibrastic
14. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Alliteration
Euphuism
Third Person Voice
Rhyme Royal
15. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Bildungsroman
Hyperbole
Epithalamium
Pastoral Elegy
16. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Hyperbole
Pastoral Literature
Antagonist
Neoclassical Unities
17. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Villanelle
English - or Shakespearean - Sonnet
Third Person Voice
Italian - or Petrarchan - Sonnet
18. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Skeltonics
Second Person Voice
Blank Verse
Allusion
19. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Masculine Rhyme
English - or Shakespearean - Sonnet
Sprung Rhythm
Synaesthesia
20. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Old English Verse
Rhyme Royal
Alexandrine
Personification
21. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Anthropomorphism
Old English Verse
Georgic
Allusion
22. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Decorum
Antagonist
Rhyme Royal
Skeltonics
23. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Hyperbole
In Memoriam stanza
Doggerel
Flat and Round Characters
24. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Caesura
Third Person Voice
Alliteration
Spenserian stanza
25. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Synaesthesia
Hamartia
Sestina
Spenserian stanza
26. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Masculine Rhyme
Blank Verse
Spenserian Sonnet
Italian - or Petrarchan - Sonnet
27. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Picaresque
First Person Voice
Doggerel
Spenserian Sonnet
28. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Free Verse
Hyperbole
Italian - or Petrarchan - Sonnet
Apostrophe
29. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Bildungsroman
Litotes
Epithalamium
Synecdoche
30. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Anthropomorphism
Protagonist
Pathetic Fallacy
Homeric Epithet
31. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Decorum
Apostrophe
Rhyme Royal
Caesura
32. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Picaresque
Ballad stanza
Synaesthesia
Hudibrastic
33. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
English - or Shakespearean - Sonnet
Epithalamium
Alexandrine
Pastoral Literature
34. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
English - or Shakespearean - Sonnet
Neoclassical Unities
Spenserian Sonnet
Blank Verse
35. The principal character in a work of fiction Example: Othello in Othello
Protagonist
First Person Voice
Ottava Rima
Sprung Rhythm
36. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
First Person Voice
Decorum
In Memoriam stanza
English - or Shakespearean - Sonnet
37. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Hudibrastic
Blank Verse
Ballad stanza
Georgic
38. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Masculine Rhyme
Protagonist
Feminine Rhyme
Spenserian stanza
39. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Pathetic Fallacy
Synecdoche
Allusion
First-person plural
40. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Apostrophe
Metonymy
Terza Rima
Protagonist
41. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Flat and Round Characters
Georgic
Apostrophe
Third Person Voice
42. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Caesura
Pastoral Literature
Spenserian stanza
Synaesthesia
43. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Allusion
Apostrophe
English - or Shakespearean - Sonnet
Masculine Rhyme
44. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
First-person plural
Personification
Ballad stanza
Hamartia
45. Giving human characteristics to inanimate objects
Masculine Rhyme
Neoclassical Unities
Synecdoche
Personification
46. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Masculine Rhyme
First Person Voice
Litotes
Hamartia
47. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Blank Verse
Masculine Rhyme
Villanelle
Sprung Rhythm
48. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Pathetic Fallacy
Neoclassical Unities
Caesura
Second Person Voice
49. A pause or break within a line of poetry - esp. in Old English verse.
Neoclassical Unities
Caesura
Sestina
Synecdoche
50. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Hamartia
Ballad stanza
Free Verse
Spenserian Sonnet