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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Masculine Rhyme
Rhyme Royal
Picaresque
Second Person Voice
2. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Villanelle
Skeltonics
Euphuism
Doggerel
3. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Sestina
Masculine Rhyme
Ballad stanza
Free Verse
4. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Hyperbole
Picaresque
Free Verse
Old English Verse
5. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Bildungsroman
Neoclassical Unities
Epithalamium
Allusion
6. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Apostrophe
Terza Rima
Feminine Rhyme
Decorum
7. The principal character in a work of fiction Example: Othello in Othello
Pastoral Elegy
Hudibrastic
Protagonist
Decorum
8. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Alexandrine
English - or Shakespearean - Sonnet
Skeltonics
Sestina
9. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Bildungsroman
Pastoral Elegy
Masculine Rhyme
Ottava Rima
10. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Protagonist
Ballad stanza
In Memoriam stanza
Euphuism
11. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Personification
Spenserian stanza
Ottava Rima
Sprung Rhythm
12. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Doggerel
Terza Rima
Hamartia
Neoclassical Unities
13. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Free Verse
Masculine Rhyme
Rhyme Royal
Decorum
14. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Villanelle
First-person plural
Pastoral Literature
Spenserian Sonnet
15. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Old English Verse
Allusion
Hamartia
In Memoriam stanza
16. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Homeric Epithet
Blank Verse
Picaresque
Decorum
17. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Apostrophe
Alexandrine
Feminine Rhyme
Second Person Voice
18. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
First Person Voice
Georgic
Protagonist
Hamartia
19. The character who works against the protagonist in the story Example: Iago in Othello
In Memoriam stanza
Antagonist
Alliteration
Personification
20. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Euphuism
Skeltonics
Blank Verse
Personification
21. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Ottava Rima
Homeric Epithet
Hamartia
Hudibrastic
22. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
In Memoriam stanza
Allusion
Pastoral Literature
Epithalamium
23. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Blank Verse
Sestina
Allusion
24. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Third Person Voice
In Memoriam stanza
Blank Verse
25. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Sprung Rhythm
Terza Rima
Ballad stanza
Old English Verse
26. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Flat and Round Characters
Hamartia
Pastoral Literature
Sestina
27. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
First-person plural
Neoclassical Unities
Anthropomorphism
Pathetic Fallacy
28. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Hamartia
Skeltonics
Anthropomorphism
Bildungsroman
29. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Feminine Rhyme
Sprung Rhythm
Alliteration
Old English Verse
30. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Pastoral Literature
Pastoral Elegy
Flat and Round Characters
First Person Voice
31. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
Neoclassical Unities
Hamartia
Litotes
32. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Alliteration
In Memoriam stanza
Antagonist
Villanelle
33. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Doggerel
Synecdoche
Italian - or Petrarchan - Sonnet
Blank Verse
34. Giving human characteristics to inanimate objects
Bildungsroman
Antagonist
Ballad stanza
Personification
35. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Ballad stanza
Picaresque
Alexandrine
Apostrophe
36. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Synaesthesia
Hudibrastic
Synecdoche
Anthropomorphism
37. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Doggerel
Synaesthesia
Hyperbole
Litotes
38. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Third Person Voice
Hyperbole
Italian - or Petrarchan - Sonnet
Spenserian stanza
39. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Flat and Round Characters
Spenserian Sonnet
Synecdoche
English - or Shakespearean - Sonnet
40. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
Rhyme Royal
Flat and Round Characters
In Memoriam stanza
41. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Picaresque
Rhyme Royal
Ballad stanza
Free Verse
42. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Metonymy
In Memoriam stanza
Rhyme Royal
Hyperbole
43. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Villanelle
Alliteration
Pastoral Literature
Sestina
44. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Hudibrastic
First-person plural
Masculine Rhyme
Apostrophe
45. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Terza Rima
Ballad stanza
Rhyme Royal
Decorum
46. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Old English Verse
Third Person Voice
Terza Rima
Neoclassical Unities
47. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Spenserian stanza
Old English Verse
Litotes
Bildungsroman
48. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Pastoral Literature
Bildungsroman
Hyperbole
Synaesthesia
49. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Ballad stanza
Flat and Round Characters
Homeric Epithet
Alexandrine
50. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
English - or Shakespearean - Sonnet
Protagonist
Spenserian stanza
Synaesthesia