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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
First Person Voice
Hamartia
Feminine Rhyme
English - or Shakespearean - Sonnet
2. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Allusion
Synaesthesia
Apostrophe
Flat and Round Characters
3. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Rhyme Royal
Pastoral Elegy
Antagonist
Pathetic Fallacy
4. The character who works against the protagonist in the story Example: Iago in Othello
Pastoral Literature
Synaesthesia
Ballad stanza
Antagonist
5. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Second Person Voice
Epithalamium
Georgic
Blank Verse
6. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Decorum
Neoclassical Unities
First-person plural
Antagonist
7. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Doggerel
Italian - or Petrarchan - Sonnet
Spenserian Sonnet
Metonymy
8. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Pathetic Fallacy
Litotes
Caesura
Spenserian Sonnet
9. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Pastoral Literature
Caesura
Hudibrastic
Third Person Voice
10. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
First Person Voice
Caesura
Litotes
Skeltonics
11. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Picaresque
Alliteration
Ottava Rima
Epithalamium
12. The principal character in a work of fiction Example: Othello in Othello
Protagonist
Synaesthesia
Ottava Rima
Pastoral Elegy
13. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Pastoral Elegy
First Person Voice
Villanelle
First-person plural
14. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Feminine Rhyme
Epithalamium
Bildungsroman
Pathetic Fallacy
15. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Apostrophe
Protagonist
Rhyme Royal
Doggerel
16. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Synecdoche
Bildungsroman
Italian - or Petrarchan - Sonnet
Doggerel
17. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Terza Rima
Hudibrastic
Third Person Voice
Metonymy
18. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Doggerel
Pathetic Fallacy
Epithalamium
Alliteration
19. Giving human characteristics to inanimate objects
Personification
Homeric Epithet
Alexandrine
Terza Rima
20. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Decorum
Alexandrine
Flat and Round Characters
Allusion
21. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
First-person plural
Caesura
Personification
22. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Sestina
English - or Shakespearean - Sonnet
Pathetic Fallacy
Alexandrine
23. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Blank Verse
Apostrophe
Doggerel
Euphuism
24. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Hudibrastic
Pastoral Elegy
Italian - or Petrarchan - Sonnet
Caesura
25. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Hyperbole
Litotes
Pastoral Elegy
Doggerel
26. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Blank Verse
First-person plural
Flat and Round Characters
Bildungsroman
27. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Bildungsroman
Blank Verse
Spenserian Sonnet
Sprung Rhythm
28. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Synecdoche
Neoclassical Unities
Alexandrine
Free Verse
29. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Doggerel
Terza Rima
Apostrophe
Pastoral Literature
30. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Decorum
Villanelle
Epithalamium
Synaesthesia
31. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Ballad stanza
Antagonist
Doggerel
English - or Shakespearean - Sonnet
32. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Flat and Round Characters
Synecdoche
Epithalamium
Anthropomorphism
33. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Homeric Epithet
Hamartia
Hudibrastic
Old English Verse
34. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Bildungsroman
Ballad stanza
Hamartia
Decorum
35. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Villanelle
Picaresque
Anthropomorphism
Ottava Rima
36. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Hudibrastic
Free Verse
Masculine Rhyme
Antagonist
37. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Bildungsroman
In Memoriam stanza
Second Person Voice
Decorum
38. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Flat and Round Characters
Georgic
Decorum
Old English Verse
39. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Sestina
Hudibrastic
Ballad stanza
Skeltonics
40. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
First Person Voice
Pastoral Literature
Antagonist
Hyperbole
41. A pause or break within a line of poetry - esp. in Old English verse.
Homeric Epithet
Epithalamium
Caesura
First Person Voice
42. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Third Person Voice
Synaesthesia
Spenserian stanza
Synecdoche
43. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Spenserian Sonnet
Personification
Ottava Rima
Bildungsroman
44. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Second Person Voice
Sprung Rhythm
Apostrophe
Picaresque
45. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Masculine Rhyme
Picaresque
Terza Rima
Italian - or Petrarchan - Sonnet
46. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
First Person Voice
Blank Verse
Free Verse
Metonymy
47. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Protagonist
Hamartia
Flat and Round Characters
Blank Verse
48. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Apostrophe
Pastoral Elegy
Alexandrine
Old English Verse
49. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Rhyme Royal
Bildungsroman
Litotes
Blank Verse
50. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
Homeric Epithet
Decorum
Euphuism