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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Personification
Pastoral Elegy
Synecdoche
Epithalamium
2. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Feminine Rhyme
Hyperbole
Rhyme Royal
Third Person Voice
3. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Italian - or Petrarchan - Sonnet
First-person plural
Neoclassical Unities
Blank Verse
4. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Metonymy
Euphuism
Pastoral Literature
Synaesthesia
5. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Free Verse
Villanelle
Doggerel
Picaresque
6. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Metonymy
Masculine Rhyme
Georgic
Synaesthesia
7. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Hudibrastic
Synaesthesia
Bildungsroman
Neoclassical Unities
8. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Georgic
Doggerel
Neoclassical Unities
Villanelle
9. Giving human characteristics to inanimate objects
Personification
Flat and Round Characters
Alexandrine
Hudibrastic
10. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
First-person plural
English - or Shakespearean - Sonnet
Free Verse
Ottava Rima
11. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Free Verse
Ottava Rima
Alexandrine
Apostrophe
12. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Epithalamium
Georgic
Alexandrine
Third Person Voice
13. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Litotes
Terza Rima
Second Person Voice
Alliteration
14. A pause or break within a line of poetry - esp. in Old English verse.
In Memoriam stanza
Caesura
Apostrophe
Skeltonics
15. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Allusion
Alliteration
Synecdoche
16. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
English - or Shakespearean - Sonnet
Terza Rima
Litotes
Skeltonics
17. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
English - or Shakespearean - Sonnet
Flat and Round Characters
Pathetic Fallacy
Antagonist
18. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Old English Verse
Picaresque
Litotes
Euphuism
19. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Decorum
Feminine Rhyme
Picaresque
Terza Rima
20. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Ballad stanza
Flat and Round Characters
First Person Voice
Pastoral Elegy
21. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Allusion
Protagonist
Homeric Epithet
Doggerel
22. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Old English Verse
Synecdoche
Picaresque
Euphuism
23. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
In Memoriam stanza
Second Person Voice
Sestina
Hudibrastic
24. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Villanelle
Old English Verse
English - or Shakespearean - Sonnet
Terza Rima
25. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Pastoral Elegy
Sestina
Decorum
Picaresque
26. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Rhyme Royal
First Person Voice
Picaresque
Blank Verse
27. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Terza Rima
Italian - or Petrarchan - Sonnet
Free Verse
Pastoral Literature
28. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Hudibrastic
English - or Shakespearean - Sonnet
Third Person Voice
Sestina
29. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Homeric Epithet
Masculine Rhyme
Spenserian Sonnet
Skeltonics
30. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
Blank Verse
English - or Shakespearean - Sonnet
Synaesthesia
31. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Pastoral Literature
Hyperbole
Euphuism
Bildungsroman
32. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Terza Rima
Pathetic Fallacy
Old English Verse
Apostrophe
33. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Synecdoche
English - or Shakespearean - Sonnet
Pathetic Fallacy
Spenserian Sonnet
34. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Feminine Rhyme
Spenserian stanza
Picaresque
Villanelle
35. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Skeltonics
Euphuism
Hudibrastic
Apostrophe
36. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Free Verse
Synaesthesia
Masculine Rhyme
First Person Voice
37. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Euphuism
Antagonist
Alexandrine
Metonymy
38. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Alliteration
Pastoral Elegy
Pathetic Fallacy
In Memoriam stanza
39. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Ballad stanza
Decorum
Hamartia
Flat and Round Characters
40. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Ottava Rima
Sestina
Euphuism
Sprung Rhythm
41. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Terza Rima
Sprung Rhythm
In Memoriam stanza
Epithalamium
42. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Synaesthesia
Bildungsroman
Spenserian stanza
First Person Voice
43. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Litotes
Protagonist
Pastoral Literature
Pathetic Fallacy
44. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Hamartia
Feminine Rhyme
Pastoral Elegy
Ottava Rima
45. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Allusion
Masculine Rhyme
Georgic
Anthropomorphism
46. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Third Person Voice
Hyperbole
Anthropomorphism
Picaresque
47. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Synecdoche
First-person plural
Second Person Voice
Alliteration
48. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Sprung Rhythm
Decorum
Apostrophe
Litotes
49. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Picaresque
Hudibrastic
Masculine Rhyme
Epithalamium
50. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Hudibrastic
In Memoriam stanza
Masculine Rhyme
First Person Voice