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Test your basic knowledge |
GRE Literature: Literary Terms
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Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
In Memoriam stanza
Pastoral Elegy
Alliteration
Ottava Rima
2. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Caesura
Georgic
Spenserian Sonnet
Alliteration
3. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Caesura
Alexandrine
Synecdoche
Italian - or Petrarchan - Sonnet
4. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Hamartia
Homeric Epithet
Masculine Rhyme
Rhyme Royal
5. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Skeltonics
Second Person Voice
Anthropomorphism
Decorum
6. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Ballad stanza
Decorum
Pastoral Literature
Old English Verse
7. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Spenserian stanza
Alliteration
First-person plural
Second Person Voice
8. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Synecdoche
Free Verse
Alliteration
Pastoral Literature
9. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Sprung Rhythm
Metonymy
Homeric Epithet
Free Verse
10. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Pastoral Elegy
Sestina
Flat and Round Characters
Blank Verse
11. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Metonymy
Spenserian stanza
Hudibrastic
Second Person Voice
12. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Hudibrastic
English - or Shakespearean - Sonnet
Pathetic Fallacy
Villanelle
13. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Euphuism
Skeltonics
Synaesthesia
First Person Voice
14. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Caesura
Pathetic Fallacy
Rhyme Royal
Personification
15. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Neoclassical Unities
Sprung Rhythm
Old English Verse
Antagonist
16. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Pastoral Literature
Old English Verse
First-person plural
Blank Verse
17. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
In Memoriam stanza
First Person Voice
Hudibrastic
Sprung Rhythm
18. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Skeltonics
Sprung Rhythm
Pastoral Elegy
Doggerel
19. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Pastoral Literature
Euphuism
Georgic
Third Person Voice
20. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Apostrophe
Rhyme Royal
Terza Rima
Antagonist
21. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Hamartia
Pathetic Fallacy
Neoclassical Unities
Third Person Voice
22. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Spenserian stanza
Skeltonics
In Memoriam stanza
Allusion
23. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Litotes
Flat and Round Characters
Protagonist
Spenserian Sonnet
24. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Caesura
Third Person Voice
Masculine Rhyme
25. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Litotes
Italian - or Petrarchan - Sonnet
Epithalamium
Pathetic Fallacy
26. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Antagonist
Hyperbole
Epithalamium
First Person Voice
27. Giving human characteristics to inanimate objects
Euphuism
Hudibrastic
Personification
Picaresque
28. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Allusion
Sestina
Neoclassical Unities
Apostrophe
29. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Caesura
Skeltonics
Protagonist
Neoclassical Unities
30. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Free Verse
Flat and Round Characters
Anthropomorphism
Spenserian stanza
31. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Synaesthesia
Feminine Rhyme
Euphuism
Pastoral Literature
32. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Caesura
Sprung Rhythm
Second Person Voice
Third Person Voice
33. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Terza Rima
Pastoral Literature
Hudibrastic
Georgic
34. The character who works against the protagonist in the story Example: Iago in Othello
Picaresque
Antagonist
Alliteration
Neoclassical Unities
35. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Alliteration
Protagonist
Masculine Rhyme
Flat and Round Characters
36. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Hamartia
Alexandrine
Homeric Epithet
Caesura
37. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Picaresque
Second Person Voice
Spenserian stanza
Flat and Round Characters
38. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Masculine Rhyme
Apostrophe
Pastoral Literature
First Person Voice
39. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Terza Rima
Villanelle
Alexandrine
Ottava Rima
40. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Decorum
Italian - or Petrarchan - Sonnet
Apostrophe
Protagonist
41. A pause or break within a line of poetry - esp. in Old English verse.
Homeric Epithet
First-person plural
Caesura
Third Person Voice
42. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Masculine Rhyme
Third Person Voice
Flat and Round Characters
Metonymy
43. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Decorum
Hyperbole
Allusion
Rhyme Royal
44. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Antagonist
Masculine Rhyme
Protagonist
First Person Voice
45. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Sprung Rhythm
Alexandrine
English - or Shakespearean - Sonnet
Personification
46. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Sprung Rhythm
Feminine Rhyme
Litotes
Apostrophe
47. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Second Person Voice
Hyperbole
Pastoral Elegy
Spenserian stanza
48. The principal character in a work of fiction Example: Othello in Othello
Picaresque
Sestina
Protagonist
Bildungsroman
49. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Bildungsroman
Hudibrastic
Neoclassical Unities
Ottava Rima
50. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Metonymy
Apostrophe
Protagonist
Synaesthesia