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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Doggerel
Synaesthesia
Caesura
Second Person Voice
2. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Euphuism
Picaresque
Ballad stanza
English - or Shakespearean - Sonnet
3. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Alexandrine
Neoclassical Unities
Georgic
Ballad stanza
4. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Flat and Round Characters
Neoclassical Unities
Hudibrastic
Alexandrine
5. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Georgic
Anthropomorphism
Masculine Rhyme
Pathetic Fallacy
6. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Terza Rima
First-person plural
Synaesthesia
Picaresque
7. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Feminine Rhyme
Apostrophe
Decorum
Skeltonics
8. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Alexandrine
Anthropomorphism
Villanelle
Allusion
9. The principal character in a work of fiction Example: Othello in Othello
Protagonist
Hyperbole
Neoclassical Unities
Bildungsroman
10. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Pathetic Fallacy
Georgic
Third Person Voice
Sestina
11. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Pathetic Fallacy
Third Person Voice
English - or Shakespearean - Sonnet
Picaresque
12. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Rhyme Royal
Sprung Rhythm
Alexandrine
Sestina
13. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Metonymy
English - or Shakespearean - Sonnet
Villanelle
Doggerel
14. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Homeric Epithet
Masculine Rhyme
Terza Rima
Pastoral Literature
15. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Doggerel
Antagonist
Synecdoche
Skeltonics
16. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Georgic
Bildungsroman
Spenserian stanza
Hudibrastic
17. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Spenserian Sonnet
Feminine Rhyme
Hudibrastic
Epithalamium
18. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Ballad stanza
Synecdoche
Pathetic Fallacy
Neoclassical Unities
19. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Decorum
Feminine Rhyme
Hudibrastic
Hyperbole
20. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Epithalamium
Doggerel
Hudibrastic
Pastoral Literature
21. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Skeltonics
Terza Rima
Bildungsroman
Blank Verse
22. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Italian - or Petrarchan - Sonnet
Blank Verse
First-person plural
Sprung Rhythm
23. The character who works against the protagonist in the story Example: Iago in Othello
Second Person Voice
Rhyme Royal
Antagonist
Blank Verse
24. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Blank Verse
First-person plural
Ottava Rima
Italian - or Petrarchan - Sonnet
25. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Spenserian stanza
Anthropomorphism
English - or Shakespearean - Sonnet
Second Person Voice
26. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
First Person Voice
Hamartia
Alexandrine
Synaesthesia
27. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Italian - or Petrarchan - Sonnet
Sprung Rhythm
Epithalamium
Homeric Epithet
28. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Skeltonics
Apostrophe
Alliteration
Synecdoche
29. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Second Person Voice
Hyperbole
Rhyme Royal
Ottava Rima
30. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Old English Verse
Metonymy
Doggerel
Personification
31. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Alliteration
Decorum
Anthropomorphism
Doggerel
32. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Alexandrine
Masculine Rhyme
First-person plural
First Person Voice
33. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
In Memoriam stanza
Flat and Round Characters
Villanelle
Doggerel
34. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Third Person Voice
Bildungsroman
Pathetic Fallacy
Terza Rima
35. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Bildungsroman
Caesura
English - or Shakespearean - Sonnet
First Person Voice
36. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Ottava Rima
Pastoral Literature
Synaesthesia
Hudibrastic
37. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Villanelle
Blank Verse
Alexandrine
Flat and Round Characters
38. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Flat and Round Characters
Apostrophe
Ballad stanza
Sprung Rhythm
39. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Epithalamium
Free Verse
Villanelle
Synecdoche
40. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
English - or Shakespearean - Sonnet
Old English Verse
Neoclassical Unities
Metonymy
41. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Third Person Voice
Apostrophe
Spenserian stanza
Italian - or Petrarchan - Sonnet
42. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Ballad stanza
Flat and Round Characters
First Person Voice
Masculine Rhyme
43. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Anthropomorphism
Bildungsroman
Terza Rima
Homeric Epithet
44. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Pastoral Elegy
Personification
In Memoriam stanza
First Person Voice
45. Giving human characteristics to inanimate objects
Hamartia
Ballad stanza
First Person Voice
Personification
46. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Villanelle
Anthropomorphism
Bildungsroman
Allusion
47. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Sprung Rhythm
Terza Rima
First-person plural
Synecdoche
48. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Doggerel
Spenserian Sonnet
Flat and Round Characters
Synecdoche
49. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Caesura
Allusion
Metonymy
Pastoral Elegy
50. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
In Memoriam stanza
Apostrophe
Litotes
Antagonist