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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Masculine Rhyme
Pathetic Fallacy
Skeltonics
Doggerel
2. The character who works against the protagonist in the story Example: Iago in Othello
Third Person Voice
Skeltonics
Protagonist
Antagonist
3. Giving human characteristics to inanimate objects
Flat and Round Characters
Third Person Voice
Personification
Hudibrastic
4. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Synaesthesia
First Person Voice
Antagonist
Masculine Rhyme
5. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Antagonist
Spenserian Sonnet
Italian - or Petrarchan - Sonnet
Epithalamium
6. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Apostrophe
Georgic
Spenserian Sonnet
Ottava Rima
7. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Sprung Rhythm
Sestina
First Person Voice
Synaesthesia
8. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Hudibrastic
First-person plural
Metonymy
Apostrophe
9. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Flat and Round Characters
Blank Verse
Epithalamium
Spenserian Sonnet
10. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Picaresque
Personification
Pastoral Literature
Allusion
11. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Spenserian stanza
Apostrophe
Ottava Rima
Spenserian Sonnet
12. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Alliteration
Old English Verse
Sestina
Hyperbole
13. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Hamartia
Bildungsroman
Hudibrastic
Decorum
14. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Anthropomorphism
Neoclassical Unities
Doggerel
Sestina
15. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Personification
Ballad stanza
Pathetic Fallacy
Synaesthesia
16. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Alexandrine
Pastoral Literature
Alliteration
Decorum
17. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
First-person plural
Homeric Epithet
Caesura
Blank Verse
18. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
In Memoriam stanza
Synecdoche
Euphuism
Sprung Rhythm
19. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Second Person Voice
Villanelle
Doggerel
First-person plural
20. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Antagonist
Pathetic Fallacy
Feminine Rhyme
Apostrophe
21. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
First Person Voice
Allusion
Euphuism
Rhyme Royal
22. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Ballad stanza
Feminine Rhyme
Apostrophe
English - or Shakespearean - Sonnet
23. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Georgic
Villanelle
Second Person Voice
Anthropomorphism
24. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
Hyperbole
Second Person Voice
Metonymy
Villanelle
25. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Free Verse
Hamartia
Synecdoche
Bildungsroman
26. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Litotes
Anthropomorphism
Second Person Voice
Apostrophe
27. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Personification
Skeltonics
Pastoral Elegy
Ottava Rima
28. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Italian - or Petrarchan - Sonnet
Terza Rima
Alexandrine
Hudibrastic
29. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Doggerel
Ottava Rima
Italian - or Petrarchan - Sonnet
30. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Synecdoche
Litotes
Hyperbole
Blank Verse
31. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Metonymy
Georgic
Litotes
Hamartia
32. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Villanelle
Sestina
Allusion
Decorum
33. The principal character in a work of fiction Example: Othello in Othello
Homeric Epithet
Second Person Voice
Feminine Rhyme
Protagonist
34. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Free Verse
Pastoral Literature
English - or Shakespearean - Sonnet
Apostrophe
35. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Homeric Epithet
Terza Rima
Pastoral Elegy
Old English Verse
36. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Old English Verse
Georgic
Pastoral Elegy
Masculine Rhyme
37. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Sprung Rhythm
Feminine Rhyme
Homeric Epithet
Masculine Rhyme
38. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Pathetic Fallacy
Caesura
Third Person Voice
Free Verse
39. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Hamartia
Pathetic Fallacy
First-person plural
Third Person Voice
40. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Spenserian Sonnet
Decorum
Flat and Round Characters
Synecdoche
41. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
English - or Shakespearean - Sonnet
Litotes
Ballad stanza
Picaresque
42. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Spenserian Sonnet
Epithalamium
Georgic
Flat and Round Characters
43. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Ottava Rima
Personification
Euphuism
First Person Voice
44. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
English - or Shakespearean - Sonnet
Sprung Rhythm
Spenserian stanza
Synecdoche
45. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Spenserian stanza
Synaesthesia
Bildungsroman
Ballad stanza
46. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Spenserian Sonnet
Pastoral Literature
Hyperbole
Bildungsroman
47. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Terza Rima
Bildungsroman
Italian - or Petrarchan - Sonnet
Skeltonics
48. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Metonymy
Anthropomorphism
Pastoral Literature
Blank Verse
49. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Old English Verse
Third Person Voice
Anthropomorphism
Rhyme Royal
50. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Sestina
Feminine Rhyme
Blank Verse
Pastoral Elegy