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Test your basic knowledge |
GRE Literature: Literary Terms
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Subjects
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gre
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literature
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
In Memoriam stanza
Doggerel
Decorum
Skeltonics
2. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Alexandrine
Rhyme Royal
Old English Verse
Homeric Epithet
3. The principal character in a work of fiction Example: Othello in Othello
In Memoriam stanza
Metonymy
Hamartia
Protagonist
4. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Old English Verse
Euphuism
Ballad stanza
First Person Voice
5. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Synecdoche
Personification
Antagonist
Georgic
6. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Flat and Round Characters
Spenserian stanza
Third Person Voice
Free Verse
7. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Alexandrine
Free Verse
First-person plural
Rhyme Royal
8. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
Villanelle
Synecdoche
Decorum
Sestina
9. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Bildungsroman
Doggerel
First-person plural
Euphuism
10. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
First Person Voice
Spenserian stanza
Antagonist
Homeric Epithet
11. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Epithalamium
Pathetic Fallacy
Sprung Rhythm
Georgic
12. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Caesura
Allusion
Skeltonics
Hamartia
13. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Spenserian stanza
Blank Verse
Masculine Rhyme
Alexandrine
14. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Decorum
Synecdoche
Pastoral Literature
Synaesthesia
15. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
Allusion
Euphuism
Feminine Rhyme
In Memoriam stanza
16. Giving human characteristics to inanimate objects
Hudibrastic
Euphuism
Personification
Hyperbole
17. The character who works against the protagonist in the story Example: Iago in Othello
Rhyme Royal
Flat and Round Characters
Antagonist
Bildungsroman
18. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Apostrophe
Ballad stanza
Neoclassical Unities
Sprung Rhythm
19. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
Doggerel
Decorum
First-person plural
Personification
20. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Doggerel
Masculine Rhyme
Epithalamium
Homeric Epithet
21. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Neoclassical Unities
Litotes
Italian - or Petrarchan - Sonnet
Free Verse
22. 19-line form rhyming aba aba aba aba aba abaa. Repetition of first and third lines throughout: aba ab1 ab3 ab1 ab3 ab13 Example: Dylan Thomas'S 'Do Not Go Gentle Into That Good Night'
First Person Voice
Second Person Voice
Villanelle
Spenserian Sonnet
23. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Bildungsroman
Hyperbole
Ballad stanza
Sprung Rhythm
24. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Spenserian stanza
Hudibrastic
Protagonist
Metonymy
25. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Feminine Rhyme
Decorum
Blank Verse
Picaresque
26. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Villanelle
Bildungsroman
Hudibrastic
Antagonist
27. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Villanelle
Terza Rima
Alliteration
Alexandrine
28. A pause or break within a line of poetry - esp. in Old English verse.
Sprung Rhythm
Caesura
Hamartia
Antagonist
29. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Third Person Voice
Villanelle
Sestina
Skeltonics
30. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Second Person Voice
Pastoral Elegy
Metonymy
Personification
31. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Blank Verse
Sestina
Decorum
Third Person Voice
32. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Apostrophe
Georgic
English - or Shakespearean - Sonnet
Feminine Rhyme
33. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Hamartia
Masculine Rhyme
Sprung Rhythm
Hudibrastic
34. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Georgic
Synaesthesia
Antagonist
Homeric Epithet
35. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Second Person Voice
Allusion
Italian - or Petrarchan - Sonnet
Metonymy
36. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Hudibrastic
English - or Shakespearean - Sonnet
Pastoral Elegy
Anthropomorphism
37. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
First Person Voice
Antagonist
Synecdoche
Terza Rima
38. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Synecdoche
First Person Voice
Skeltonics
Masculine Rhyme
39. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Antagonist
Alliteration
Spenserian Sonnet
Bildungsroman
40. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Synaesthesia
Second Person Voice
Ballad stanza
Euphuism
41. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Litotes
Pathetic Fallacy
In Memoriam stanza
Anthropomorphism
42. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Litotes
Picaresque
Ballad stanza
In Memoriam stanza
43. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Pastoral Elegy
Anthropomorphism
Spenserian stanza
Ottava Rima
44. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
Picaresque
Free Verse
Antagonist
Second Person Voice
45. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Neoclassical Unities
Metonymy
Third Person Voice
Hudibrastic
46. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Masculine Rhyme
Decorum
Blank Verse
Spenserian Sonnet
47. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Ballad stanza
Metonymy
First-person plural
Neoclassical Unities
48. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Epithalamium
Caesura
Allusion
Terza Rima
49. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Picaresque
Bildungsroman
Apostrophe
Hyperbole
50. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Spenserian Sonnet
Free Verse
Synaesthesia
Decorum