SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
GRE Literature: Literary Terms
Start Test
Study First
Subjects
:
gre
,
literature
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Work narrated using pronoun 'I.' Narrator can be protagonist - or an omniscient speaker who is not even a clear character in the story. Example: Edgar Allan Poe'S 'The Tell-Tale Heart'
Georgic
Anthropomorphism
First Person Voice
Epithalamium
2. A novel - typically loosely constructed along an incident-to-incident basis - that follows the adventures of a more or less scurrilous rogue whose primary concerns are filling his belly and staying out of jail. Examples: Twain'S Huckleberry Finn; Def
English - or Shakespearean - Sonnet
Ottava Rima
Sestina
Picaresque
3. 39-line poem of six stanzas of six lines each and a final stanza (called an envoi) of three lines. Rhyme plays no part in the sestina. Instead - one of six words is used as the end word of each of the poem'S lines according to a fixed pattern. Examp
Sestina
Hudibrastic
Pastoral Literature
Bildungsroman
4. One of the neoclassical principles of drama - calling for a relation of style to content in the speech of dramatic characters. For example - a character'S speech must be styled according to her social station - and in accordance to the situation. Exa
First-person plural
Neoclassical Unities
Decorum
Spenserian Sonnet
5. Verse characterized by the internal alliteration of lines and a strong midline pause called a caesura Example: Beowulf
Alliteration
Old English Verse
Picaresque
Metonymy
6. The assigning of human attributes - such as emotions or physical characteristics - to nonhumans - most often plants and animals. It differs from personification in that it is an intrinsic premise and an ongoing pattern applied to a nonhuman character
Sprung Rhythm
Litotes
Anthropomorphism
Second Person Voice
7. 9-line stanza. First 8 are iambic pentameter. The final line - in iambic hexameter - is an alexandrine. Rhyme scheme: ababbcbcc Example: The Faerie Queene - by Edmund Spenser
Terza Rima
Anthropomorphism
Spenserian stanza
Metonymy
8. A word derived from Lyly'S Euphues (1580) to characterize writing that is self-consciously laden with elaborate figures of speech. This was a popular and influential mode of speech and writing in the late sixteenth century. Example: Polonius in Hamle
Sprung Rhythm
Alliteration
Euphuism
In Memoriam stanza
9. 8-line stanza (usually iambic pentameter) rhyming abababcc Example: Lord Byron'S Don Juan
Hyperbole
Ottava Rima
In Memoriam stanza
Spenserian Sonnet
10. The character who works against the protagonist in the story Example: Iago in Othello
Antagonist
First Person Voice
Spenserian stanza
Villanelle
11. Aristotle'S principles of dramatic structure applied (perhaps too rigidly) in neoclassical drama of the 17th 18th centuries. The essential unities are time - place - and action: To observe unity of time - a work should take place within the span of o
Neoclassical Unities
Caesura
Picaresque
Spenserian stanza
12. Used in folk ballad. Length determined by stressed syllables only. Rhyme scheme: abcb Example: 'The Rime of the Ancient Mariner' by Coleridge
Villanelle
Picaresque
Ballad stanza
Caesura
13. The principal character in a work of fiction Example: Othello in Othello
Alexandrine
Protagonist
Georgic
Terza Rima
14. A term coined by Aristotle to describe some error or frailty in character which brings about misfortune in Greek tragedy. Roughly equivalent to a tragic flaw - except that hamartia implies fate. Example: Oedipus; Macbeth
Feminine Rhyme
Pastoral Literature
Terza Rima
Hamartia
15. Lines rhymed by their final two syllables. Properly - the penultimate syllables are stressed and the final syllables are unstressed. Example: Shakespeare'S Sonnet 20
Feminine Rhyme
Synecdoche
Euphuism
Caesura
16. A pause or break within a line of poetry - esp. in Old English verse.
Caesura
Synecdoche
Pastoral Literature
Decorum
17. Understatement for rhetorical effect (especially when expressing an affirmative by negating its contrary - 'a citizen of no ordinary city' (Paul in the book of Acts)
Sprung Rhythm
Litotes
Caesura
Terza Rima
18. The rhythm created and used in the 19th century by Gerard Manley Hopkins. Like Old English verse - sprung rhythm fits a varying number of unstressed syllables in a line - only stresses count in scansion Example: 'Pied Beauty' by Hopkins
Synaesthesia
Hudibrastic
Hamartia
Sprung Rhythm
19. Four lines of iambic tetrameter rhyming abba Example: can be found in a stanza of Tennyson'S 'In Memoriam A.H.H.'
First-person plural
In Memoriam stanza
Antagonist
Italian - or Petrarchan - Sonnet
20. 14-line poem rhyming abbaabba cdecde. First 8 lines called octave. Last six called sestet. Example: John Milton'S 'When I Consider How My Light Is Spent'
Hyperbole
Third Person Voice
Italian - or Petrarchan - Sonnet
Blank Verse
21. Couplets of rhymed tetrameter lines (Samuel Butler) or to any deliberate - humorous - ill-rhythmed - ill-rhymed couplets. From Butler'S Hudibras
Pathetic Fallacy
Feminine Rhyme
Hudibrastic
Euphuism
22. A term coined by John Ruskin. It refers to ascribing emotion and agency to inanimate objects Example: Ruskin'S famous line: 'The cruel crawling foam.'
Sestina
Synecdoche
Terza Rima
Pathetic Fallacy
23. German: 'novel of education.' It typically follows a young person over a period of years - from naivete and inexperience through the first struggles with the harsher realities and hypocrisies of the adult world. Example: A Portrait of the Artist as a
Bildungsroman
Hudibrastic
Blank Verse
Neoclassical Unities
24. Verse form that consists of 3-line stanzas with interlocking rhyme scheme: aba bcb cdc ded - etc Example: Dante'S Divine Comedy
Terza Rima
Spenserian stanza
Alexandrine
Feminine Rhyme
25. A work that deals with the lives of people - especially shepherds - in the country or in nature Example: Marlow'S 'The Passionate Shepherd to his Love'
Villanelle
Pastoral Literature
Terza Rima
Spenserian stanza
26. A term referring to phrases that suggest an interplay of senses. Example: 'Hot pink' and 'golden tones'
Anthropomorphism
Hyperbole
Synaesthesia
Second Person Voice
27. A phrase that refers to a person or object by a single important feature of that object or person Example: 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas' (TS Eliot'S 'Love Song of J Alfred Prufrock'). The cla
Pathetic Fallacy
Pastoral Literature
Synecdoche
Apostrophe
28. Line of iambic hexameter Example: 'That like a wounded snake - drags its slow length along' (Pope'S 'Essay on Criticism')
Terza Rima
Alexandrine
Hamartia
Spenserian Sonnet
29. A deliberate exaggeration Example: 'Her once embattled farmers stood / And fired the shot heard round the world' (Emerson'S 'The Concord Hymn)
Pastoral Literature
Bildungsroman
Synecdoche
Hyperbole
30. Narrator uses pronoun 'we.' This voice forces the reader to concentrate more on what the story is about than who is telling it.
First-person plural
Skeltonics
Metonymy
Neoclassical Unities
31. Work narrated using a name or third-person pronoun (he - she - etc). Example: Most of Jane Austen'S novels - including Pride and Prejudice
Rhyme Royal
In Memoriam stanza
Third Person Voice
Villanelle
32. A reference to another work of literature - person - or event Example: title of Faulkner'S novel The Sound and the Fury is an allusion to Shakespeare'S Macbeth: '...it is a tale / told by an idiot - full of sound and fury - / signifying nothing'
Allusion
Georgic
Masculine Rhyme
Feminine Rhyme
33. A derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed.
Decorum
Apostrophe
Ottava Rima
Doggerel
34. A type of poem that takes the form of an elegy (a lament for the dead) sung by a shepherd. The shepherd who sings the elegy is a stand-in for the poet - and the elegy is for another poet Example: Milton'S 'Lycidas' and Shelley'S 'Adonais' (lament for
Pastoral Elegy
Spenserian stanza
Caesura
Euphuism
35. The repetition of initial consonant sounds Example: 'I have stood still and stopped the sound of feet' (Robert Frost 'Acquainted with the Night')
Alliteration
First Person Voice
Anthropomorphism
Old English Verse
36. 14-line poem rhyming abab cdcd efef gg Example: Shakespeare'S sonnets
Pathetic Fallacy
Third Person Voice
Villanelle
English - or Shakespearean - Sonnet
37. Giving human characteristics to inanimate objects
Personification
Euphuism
Decorum
Litotes
38. Unrhymed verse without a strict meter Example: 'Song of Myself' by Walt Whitman
Pastoral Elegy
Hudibrastic
Free Verse
Doggerel
39. 7-line iambic pentameter stanza rhyming ababbcc Example: 'They Flee from Me That Sometime Did Seek: by Sir Thomas Wyatt
Rhyme Royal
Synaesthesia
Georgic
Ballad stanza
40. A poem written to celebrate a wedding. Example: Edmund Spenser'S 'Epithalamium'
Epithalamium
First Person Voice
Personification
Ottava Rima
41. Unrhymed iambic pentameter Example: Alfred Lord Tennyson'S 'Ulysses'; John Milton'S Paradise Lost
Blank Verse
Hyperbole
Doggerel
Ballad stanza
42. A term for a phrase that refers to a person or object by a single important feature of the person - Example: 'The pen is mightier than the sword' - pen=written word; sword=violent acts
Flat and Round Characters
Synecdoche
Apostrophe
Metonymy
43. Not to be confused with pastoral poetry - which idealizes life in the countryside - georgic poems deal with people laboring in the countryside - pushing plows - raising crops - etc. Example: Virgil'S Georgics
Georgic
Ballad stanza
Villanelle
Spenserian Sonnet
44. A repeated descriptive phrase - as found in Homer'S epics. Example: 'The wine dark sea'
Sprung Rhythm
Alliteration
Homeric Epithet
Ballad stanza
45. Narrator speaks using pronoun 'you -' thereby making reader an active participant in the work. Rarely used.
Decorum
Terza Rima
Synaesthesia
Second Person Voice
46. Terms coined by EM Forster to describe characters built around a single dominant trait (flat characters) - and those shaded and developed with greater psychological complexity (round characters). Example of flat: Mrs Micawber in Dickens' David Copper
Flat and Round Characters
Synecdoche
Ottava Rima
Georgic
47. A rhyme ending on the final stressed syllable (aka regular old rhyme) Example: 'Stopping by the Woods on a Snowy Evening' by Robert Frost
Rhyme Royal
Apostrophe
Masculine Rhyme
Old English Verse
48. A figure of speech in which one directly addresses an absent or imaginary person - or some abstraction Example: 'Busy old fool - unruly sun - / Why does thou thus - / Through windows - and through curtains call on us?' (John Donne'S 'The Sun Rising')
Picaresque
Epithalamium
Masculine Rhyme
Apostrophe
49. 14-line poem rhyming abab bcbc cdcd ee Example: 'One Day I Wrote Her Name Upon the Strand' by Edmund Spenser
Pathetic Fallacy
Alliteration
Spenserian Sonnet
Third Person Voice
50. A form of humorous poetry - using very short - rhymed lines and a pronounced rhythm - made popular by John Skelton. The only real difference between a skeltonic and doggerel is the quality of the though expressed. Example: 'How the Doughty Duke of Al
Flat and Round Characters
Alexandrine
Homeric Epithet
Skeltonics