SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
GRE Psychology: Perception Sensation
Start Test
Study First
Subjects
:
gre
,
psychology
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Objects that have been drawn and can be perceived but are geometrically impossible
Brightness
David Hubel and Torsten Wiesel
Impossible Objects
texture gradient
2. After images are perceived because of fatigued receptors. Because our eyes have a partially oppositional system for seeing colors - such as red-green or black-white - once on side is overstimulated and fatigued - it can no longer respond and is overs
Cones
Receptive Field
McCollough Effect
Autokinetic effect
3. A thick layer of glass above a surface that dropped off sharply. The glass provided solid - level ground doe subjects to move across in spite of the cliff below. Animals and babies were used as subjects and both groups avoided moving into the 'cliff'
Middle ear
Visual Cliff
Lateral Inhibition
Gestat Ideas
4. The center of the retina; has the greatest visual acuity
Autokinetic effect
Fovea
Receiver operating characteristic
Sensation
5. Developed the visual cliff to study whether depth perception was innate
Optic Array
Dark adaptation
Eleanor Gibson and Richard Walk
Tri-color Theory (component theory)
6. Has monocular and binocular cues
Purkinje shift
Pragnanz
Dark adaptation
Depth perception
7. Failing to detect a present stimulus
Current thinking about sensation and perception
Miss
Proximity
Tri-color Theory (component theory)
8. Also known as just noticeable difference. The minimum difference that must occur between two stimuli - in order for them to be perceived as having different intensities.
Differential Threshold
Terminal Threshold
Neural Pathways
Outer ear
9. Is knowing the color of an object even with tinted glasses on
Linear perspective
Eleanor Gibson and Richard Walk
Sensation
Color constancy
10. The tendency to perceive a smooth motion. This explains why motion is perceived when there is none - often by the use of flashing lights or rapidly shown still-fram pictures - such as in the perception of cartoons. This is apparent motion
binoculary disparity
Phi Phenomenon
J.A. Swet'S Theory of Single Detection (TSD)
Visual Field
11. Also known as color - is the dominant wavelength of light
Fovea
Frequency
James Gibson
Hue
12. Consists of the bony labyrinth - a hollow cavity in the temporal bone of the skull with a system of passages comprising two main functional parts: The cochlea - dedicated to hearing; converting sound pressure patterns from the outer ear into electroc
Inner ear
Striate cortex to the visual association areas of the cortex
Color constancy
Terminal Threshold
13. It travels through the horizontal cells to the bipolar cells to the amacrine cells. Finally the information heads to the ganglion cells.
E.H. Weber
Ganglion cells
Structuralist Theory
After light passes through receptors
14. Is when two horizontal lines of equal length appear unequal because of two vertical lines that slant inward
Proximity
Color constancy
Hermann Von Hemholtz
Ponzo Illusion
15. Are concentrated in the center of the retina. They are sensitive to color and daylight vision.
Cones
Muller-Lyer Illusion
Optic Array
Amplitude
16. Electrical impulses travel down these to the brain - where the information is understood
Hit
Cones
Neural Pathways
Current thinking about sensation and perception
17. Along the visual pathway is the...
texture gradient
Striate cortex to the visual association areas of the cortex
Moon Illusion
Optic Chasm
18. Is the upper limit above which the stimuli can no longer be perceived. -The highest pitch sound a human could hear
Dark adaptation
Terminal Threshold
Receptive Field
J.A. Swet'S Theory of Single Detection (TSD)
19. 1. closure 2. Proximity 3. Continuation or good continuation 4. Symmetry 5. Constancy 6. Minimum principle
Gestat Ideas
Differential Threshold
Timbre
Perception
20. Where half of all fibers from the optic nerve of each eye cross over and join the optic nerve from the other eye. This insures input from each eye will be put together in a full picture in the brain.
Fechner'S Law
Optic Chasm
Muller-Lyer Illusion
Sensation
21. Consists of one optic nerve connection each eye to the brain.
Visual Pathway
Timbre
The visual pathway
Current thinking about sensation and perception
22. The way that a single point of light viewed in darkness will appear to shake or move. the reason for this is the movement of our own eyes
Differential Threshold
Autokinetic effect
Cones
1000hz
23. Why do cones see better than rods?
Lateral Inhibition
There are fewer cones per ganglion cells
James Gibson
Fechner'S Law
24. Takes place when receptors for a particular sense detect a stimulus.
Reception
Symmetry
Vision
Absolute threshold
25. Individuals are partly motivated by rewards and costs in detection. The interplay between response bias and stimulus intensity determines responses
Response Bias
David Hubel and Torsten Wiesel
Visual Acuity
Depth perception
26. The chemical that aids the receptor cells in transduction
Muller-Lyer Illusion
3 steps involving sensation
Photopigments
Ganglion cells
27. Is the tendency to make figures out of symmetrical images
Symmetry
Figure and ground relationship
Figure-Ground Reversal Patterns (illusion)
Reception
28. Proposed the perceptual development and optic array
Absolute threshold
Linear perspective
Retina
James Gibson
29. Saying you detect a stimulus that is not there
False alarm
Current thinking about sensation and perception
Amplitude
Depth perception
30. Refers to the entire span that can be perceived or detected by the eye at a given moment.
Visual Field
Striate cortex to the visual association areas of the cortex
Symmetry
E.H. Weber
31. Is the tendency to create a whole or detailed figure based on our expectations rather than what is seen
Continuation
Visual Cliff
False alarm
Figure and ground relationship
32. Has been called the most important depth cue. Our eyes view objects from two slightly different angles - which allows us to create a 3-dimensional figure
Continuation
Receptor Cells
Rods
binoculary disparity
33. The physical intensity of a sound wave largely determines loudness
Gestat Ideas
Amplitude
Closure
Color constancy
34. The clear protective coating on the outside of the eye
Optic Chasm
Cornea
Sensation
Inner ear
35. How people perceive objects in the way that they are familiar with them - regardless of changes in the actual retinal image. A book - for example - is perceived as rectangular in shape no matter what angle it is seen from.
Symmetry
Hue
Constancy
Receiver operating characteristic
36. Allows the eyes to see contrast and prevents repetitive information from being sent to the brain. Once the receptor cell is stimulated - the others nearby are inhibited.
Gestat Ideas
Inner ear
Reception
Lateral Inhibition
37. Gives us clues about how far away an object is if we know about how big the object should be
apparent size
Amplitude
Prosopagnosia
Miss
38. All the things a person sees trains them to perceive
apparent size
Lateral Inhibition
Optic Array
Dark adaptation
39. Located by the cornea
Timbre
Brightness
Fechner'S Law
Lens
40. How movement is perceived though the displacement of objects over time - and how this motion takes place at seemingly different paces for nearby or faraway objects. Ships far away seem to move more slowly than ships moving at the same speed.
motion parallax
Robert Frantz
Eleanor Gibson and Richard Walk
Optic Chasm
41. Revolves around perception and asserts that people tend to see the world as comprised of organized wholes. The world is understood through top-down processing.
J.A. Swet'S Theory of Single Detection (TSD)
Gestalt Psychology
Pragnanz
texture gradient
42. Comes from the complexity of the sound wave
Color constancy
Timbre
Weber'S Law
Eleanor Gibson and Richard Walk
43. 1. Reception 2. Sensory Transduction 3. Neural Pathways
Neural Pathways
Lens
3 steps involving sensation
Current thinking about sensation and perception
44. Asserts that perception and cognition are largely innate
Retina
Visual Field
Constancy
Nativist Theory
45. Located in the back of the eye - receives light images from the lens. It is composed of about 30 million photoreceptor cells and of other cell layers that process information
Retina
motion parallax
Brightness
Light
46. Can be perceived as two different things depending on how you look at them
Visual Acuity
Ambiguous Figures (illusion)
interposition
Structuralist Theory
47. Is the tendency to complete incomplete figures
Depth perception
McCollough Effect
Closure
Tri-color Theory (component theory)
48. Discovered that cells in the visual cortex were so complex and specialized that they respond to certain types of stimuli. For example - some cells only respond to vertical lines - whereas some respond to only right angles.
David Hubel and Torsten Wiesel
Vision
Size Constancy
Hue
49. The most famous of all visual illusions. Two horizontal lines of equal length appear unequal because of the orientation of the arrow marks at the end. Inward facing arrow marks make the line appear shorter than another line of the same length with ou
Fovea
Weber'S Law
Proximity
Muller-Lyer Illusion
50. Ambiguous figures - such as the Rubin vase. They can be perceived as two different things depending on which part you see as the figure and which part you see as the background.
Hue
Outer ear
Figure-Ground Reversal Patterns (illusion)
Opponent Color or Opponent Process Theory