SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
GRE Psychology: Perception Sensation
Start Test
Study First
Subjects
:
gre
,
psychology
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The center of the retina; has the greatest visual acuity
Frequency
Fovea
Thomas Young and Hermann von Hemholtz
Dark adaptation
2. Is the minimum amount of stimuli that can be detected 50% of the time
Fechner'S Law
Impossible Objects
Optic Array
Absolute threshold
3. The feeling that results from physical stimulation
Linear perspective
Closure
Sensation
After light passes through receptors
4. A theory for color vision. It suggests that two types of color sensitive cells exist: Cones that respond to blue-yellow colors and cones that respond to red-green. When one color of the cone is stimulated - the other is inhibited.
False alarm
Symmetry
Opponent Color or Opponent Process Theory
Perceptual Development
5. Suggests that there are three types of receptors in the retina: cones that respond to red - blue - or green
Visual Acuity
Tri-color Theory (component theory)
Lens
Phi Phenomenon
6. Is the way that perceived color brightness changes with the level of illumination in the room. With lower levels of illumination - the extremes of the color spectrum (especially red) are seen as less bright
Visual Pathway
Hue
Purkinje shift
Photopigments
7. Failing to detect a present stimulus
Miss
Gestat Ideas
Constancy
interposition
8. Objects that have been drawn and can be perceived but are geometrically impossible
Perceptual Development
Impossible Objects
Robert Frantz
Muller-Lyer Illusion
9. Allows the eyes to see contrast and prevents repetitive information from being sent to the brain. Once the receptor cell is stimulated - the others nearby are inhibited.
Depth perception
Lateral Inhibition
Hermann Von Hemholtz
apparent size
10. Also known as color - is the dominant wavelength of light
Impossible Objects
Hue
Hermann Von Hemholtz
Vision
11. After images are perceived because of fatigued receptors. Because our eyes have a partially oppositional system for seeing colors - such as red-green or black-white - once on side is overstimulated and fatigued - it can no longer respond and is overs
Hermann Von Hemholtz
McCollough Effect
Mental set
Lens
12. Is the tendency to make figures out of symmetrical images
Mental set
Symmetry
Gestalt Psychology
Optic Chasm
13. Ambiguous figures - such as the Rubin vase. They can be perceived as two different things depending on which part you see as the figure and which part you see as the background.
Light
Figure-Ground Reversal Patterns (illusion)
Frequency
Miss
14. How we organize or experience sensations
Perception
Ambiguous Figures (illusion)
Reception
Optic Chasm
15. Is composed of photons and waves measured by brightness and wavelengths
Light
Timbre
Neural Pathways
After light passes through receptors
16. The moon looks larger when we see it on the horizon than when we see it in the sky. This is because the horizon contains visual cues that make the moon seem more distant than the overhead sky.
Moon Illusion
There are fewer cones per ganglion cells
Miss
Amplitude
17. The optic nerve is made up of...
Proximity
Cones
Ganglion cells
Visual Pathway
18. Individuals are partly motivated by rewards and costs in detection. The interplay between response bias and stimulus intensity determines responses
Response Bias
Lens
Thomas Young and Hermann von Hemholtz
Hue
19. Electrical impulses travel down these to the brain - where the information is understood
Opponent Color or Opponent Process Theory
Dark adaptation
Neural Pathways
motion parallax
20. Can be perceived as two different things depending on how you look at them
Perception
Nativist Theory
Ambiguous Figures (illusion)
Size Constancy
21. The physical intensity of light
Closure
Tri-color Theory (component theory)
Constancy
Brightness
22. Is the upper limit above which the stimuli can no longer be perceived. -The highest pitch sound a human could hear
Opponent Color or Opponent Process Theory
Visual Acuity
After light passes through receptors
Terminal Threshold
23. Saying you detect a stimulus that is not there
E.H. Weber
Light
False alarm
Perceptual Development
24. Asserts that perception is the sum total of sensory input. The world is understood through bottom-up processing
Photopigments
3 steps involving sensation
False alarm
Structuralist Theory
25. Consists of one optic nerve connection each eye to the brain.
Muller-Lyer Illusion
Visual Pathway
Current thinking about sensation and perception
Autokinetic effect
26. We see objects because of the light they reflect
apparent size
Ganglion cells
Vision
Ambiguous Figures (illusion)
27. Consists of the parts you see called the pinna and the auditory canal. Vibrations from sound move down this canal to the middle ear.
Outer ear
Fechner'S Law
J.A. Swet'S Theory of Single Detection (TSD)
Tri-color Theory (component theory)
28. Why do cones see better than rods?
Timbre
Photopigments
There are fewer cones per ganglion cells
interposition
29. He tendency to group together items that are near each other
Color constancy
Outer ear
Proximity
James Gibson
30. A thick layer of glass above a surface that dropped off sharply. The glass provided solid - level ground doe subjects to move across in spite of the cliff below. Animals and babies were used as subjects and both groups avoided moving into the 'cliff'
Receptive Field
Perceptual Development
Visual Cliff
Thomas Young and Hermann von Hemholtz
31. Best at seeing fine details
Visual Acuity
Light
Vision
Ponzo Illusion
32. The physical intensity of a sound wave largely determines loudness
Amplitude
Cornea
Figure and ground relationship
Striate cortex to the visual association areas of the cortex
33. Is gained by features we are familiar with - such as two seemingly parallel lines that converge with distance
Visual Pathway
Linear perspective
Visual Acuity
Muller-Lyer Illusion
34. Takes place when receptors for a particular sense detect a stimulus.
Reception
Optic Chasm
Timbre
Proximity
35. Consists of the bony labyrinth - a hollow cavity in the temporal bone of the skull with a system of passages comprising two main functional parts: The cochlea - dedicated to hearing; converting sound pressure patterns from the outer ear into electroc
After light passes through receptors
Inner ear
Moon Illusion
Receptive Field
36. Or overlap of objects shows which objects are closer
Ciliary Muscles
Optic Array
interposition
Reception
37. The overarching Gestalt idea that experience will be organized as meaningful - symmetrical - and simple whenever possible.
Visual Acuity
Pragnanz
James Gibson
Dark adaptation
38. Proposed the perceptual development and optic array
Gestalt Psychology
James Gibson
Ponzo Illusion
Sensation
39. It travels through the horizontal cells to the bipolar cells to the amacrine cells. Finally the information heads to the ganglion cells.
Timbre
After light passes through receptors
Ambiguous Figures (illusion)
Middle ear
40. Comes from the complexity of the sound wave
Eleanor Gibson and Richard Walk
Timbre
Structuralist Theory
Hermann Von Hemholtz
41. Involves both innate/sensory and is partially learned/conceptual
Current thinking about sensation and perception
Closure
Symmetry
Absolute threshold
42. 1. closure 2. Proximity 3. Continuation or good continuation 4. Symmetry 5. Constancy 6. Minimum principle
Linear perspective
Symmetry
Reception
Gestat Ideas
43. Also known as just noticeable difference. The minimum difference that must occur between two stimuli - in order for them to be perceived as having different intensities.
False alarm
Eleanor Gibson and Richard Walk
Brightness
Differential Threshold
44. How movement is perceived though the displacement of objects over time - and how this motion takes place at seemingly different paces for nearby or faraway objects. Ships far away seem to move more slowly than ships moving at the same speed.
Closure
Muller-Lyer Illusion
Receptor Cells
motion parallax
45. Revolves around perception and asserts that people tend to see the world as comprised of organized wholes. The world is understood through top-down processing.
Receptor Cells
Timbre
Gestalt Psychology
David Hubel and Torsten Wiesel
46. Applies to all senses but only to a limited range of intensities. The law states that a stimulus needs to be increased by a constant fraction of its original value in order to be noticeably different
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
47. Says that the strength of a stimulus must be significantly increased to produce a slight difference in sensation
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
48. Gives us clues about how far away an object is if we know about how big the object should be
False alarm
Inner ear
apparent size
Timbre
49. Allow the cornea to bend (accommodate) in order to focus an image of the outside world onto the retina
Absolute threshold
Ciliary Muscles
Pragnanz
Minimum principle
50. Refers to how we see texture or fine detail differently from different distances
Lens
interposition
texture gradient
apparent size