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Test your basic knowledge |
GRE Psychology: Perception Sensation
Start Test
Study First
Subjects
:
gre
,
psychology
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Or overlap of objects shows which objects are closer
interposition
Moon Illusion
Amplitude
Fechner'S Law
2. How we organize or experience sensations
Perception
Sensation
Color constancy
Proximity
3. Individuals are partly motivated by rewards and costs in detection. The interplay between response bias and stimulus intensity determines responses
Response Bias
Light
Neural Pathways
Perception
4. Is composed of photons and waves measured by brightness and wavelengths
Constancy
After light passes through receptors
Perception
Light
5. Along the visual pathway is the...
Visual Pathway
Frequency
Optic Chasm
There are fewer cones per ganglion cells
6. Says that the strength of a stimulus must be significantly increased to produce a slight difference in sensation
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7. Correctly sensing a stimulus
3 steps involving sensation
Hit
Autokinetic effect
Mental set
8. Are concentrated in the center of the retina. They are sensitive to color and daylight vision.
Miss
Linear perspective
Photopigments
Cones
9. Refers to the relationship between the meaningful part of a picture and the background
Visual Pathway
Optic Chasm
Autokinetic effect
Figure and ground relationship
10. Is when two horizontal lines of equal length appear unequal because of two vertical lines that slant inward
Hue
Ciliary Muscles
Middle ear
Ponzo Illusion
11. Asserts that perception is the sum total of sensory input. The world is understood through bottom-up processing
There are fewer cones per ganglion cells
Autokinetic effect
McCollough Effect
Structuralist Theory
12. Famous for the theory of color blindness
Tri-color Theory (component theory)
Opponent Color or Opponent Process Theory
Hermann Von Hemholtz
Receiver operating characteristic
13. Is gained by features we are familiar with - such as two seemingly parallel lines that converge with distance
Phi Phenomenon
Receiver operating characteristic
texture gradient
Linear perspective
14. Objects that have been drawn and can be perceived but are geometrically impossible
Lateral Inhibition
Optic Array
Miss
Impossible Objects
15. 1. Reception 2. Sensory Transduction 3. Neural Pathways
Depth perception
Light
Optic Chasm
3 steps involving sensation
16. Is the inability to recognize faces
Visual Cliff
Prosopagnosia
Perceptual Development
Figure-Ground Reversal Patterns (illusion)
17. Proposed the opponent color/process theory
Pragnanz
Ewald Hering
Response Bias
Receiver operating characteristic
18. Developed the visual cliff to study whether depth perception was innate
Sensation
Eleanor Gibson and Richard Walk
Rods
David Hubel and Torsten Wiesel
19. Knowing that an elephant is large no matter how it might appear
Color constancy
Amplitude
Size Constancy
Opponent Color or Opponent Process Theory
20. Electrical impulses travel down these to the brain - where the information is understood
Purkinje shift
Symmetry
Neural Pathways
Robert Frantz
21. Curces are graphical representations of a subject'S sensitivity to a stimulus
Optic Chasm
Receiver operating characteristic
Tri-color Theory (component theory)
J.A. Swet'S Theory of Single Detection (TSD)
22. A thick layer of glass above a surface that dropped off sharply. The glass provided solid - level ground doe subjects to move across in spite of the cliff below. Animals and babies were used as subjects and both groups avoided moving into the 'cliff'
Correct Rejection
Vision
Visual Cliff
Current thinking about sensation and perception
23. The tendency to perceive a smooth motion. This explains why motion is perceived when there is none - often by the use of flashing lights or rapidly shown still-fram pictures - such as in the perception of cartoons. This is apparent motion
Outer ear
Figure-Ground Reversal Patterns (illusion)
Phi Phenomenon
Correct Rejection
24. Has been called the most important depth cue. Our eyes view objects from two slightly different angles - which allows us to create a 3-dimensional figure
binoculary disparity
1000hz
Frequency
Hit
25. The physical intensity of light
Color constancy
Brightness
Gestat Ideas
Lateral Inhibition
26. The optic nerve is made up of...
Pragnanz
Ganglion cells
Tri-color Theory (component theory)
Ewald Hering
27. Factors into why we see what we expect to see
Ponzo Illusion
Mental set
Autokinetic effect
Ciliary Muscles
28. Is the upper limit above which the stimuli can no longer be perceived. -The highest pitch sound a human could hear
Size Constancy
Fechner'S Law
Terminal Threshold
Striate cortex to the visual association areas of the cortex
29. Is the tendency to see what is easiest or logical to see
Optic Array
Minimum principle
Continuation
Thomas Young and Hermann von Hemholtz
30. Also known as just noticeable difference. The minimum difference that must occur between two stimuli - in order for them to be perceived as having different intensities.
Perception
Color constancy
apparent size
Differential Threshold
31. Discovered that cells in the visual cortex were so complex and specialized that they respond to certain types of stimuli. For example - some cells only respond to vertical lines - whereas some respond to only right angles.
David Hubel and Torsten Wiesel
False alarm
Symmetry
Rods
32. Rods and cones on the retina that are responsible for sensory transduction.
Symmetry
Photopigments
Receptor Cells
Fechner'S Law
33. Suggests that subjects detect stimuli not only because they can but also because they want to. TSD factors motivation into the picture.
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34. Proposed the perceptual development and optic array
Cones
Current thinking about sensation and perception
Response Bias
James Gibson
35. Comes from the complexity of the sound wave
Timbre
Perceptual Development
Receptive Field
Dark adaptation
36. 1. closure 2. Proximity 3. Continuation or good continuation 4. Symmetry 5. Constancy 6. Minimum principle
Cones
Retina
Receptor Cells
Gestat Ideas
37. Found that infants prefer relatively complex and sensational displays
Robert Frantz
Ciliary Muscles
Response Bias
apparent size
38. Is the way that perceived color brightness changes with the level of illumination in the room. With lower levels of illumination - the extremes of the color spectrum (especially red) are seen as less bright
Purkinje shift
Optic Chasm
Absolute threshold
Reception
39. Is the tendency to create a whole or detailed figure based on our expectations rather than what is seen
Constancy
Cones
Continuation
Visual Cliff
40. The physical intensity of a sound wave largely determines loudness
Hit
Depth perception
Structuralist Theory
Amplitude
41. Consists of the bony labyrinth - a hollow cavity in the temporal bone of the skull with a system of passages comprising two main functional parts: The cochlea - dedicated to hearing; converting sound pressure patterns from the outer ear into electroc
Purkinje shift
Inner ear
Closure
Optic Array
42. Proposed the tri-color theory - research shows that the opponent-process theory seems to be at work in the Lateral geniculate body - research shows that the tri-color theory seems to be at work in the Retina
Absolute threshold
Gestat Ideas
Thomas Young and Hermann von Hemholtz
Sensation
43. Has monocular and binocular cues
Receptive Field
Outer ear
Depth perception
Differential Threshold
44. How people perceive objects in the way that they are familiar with them - regardless of changes in the actual retinal image. A book - for example - is perceived as rectangular in shape no matter what angle it is seen from.
Striate cortex to the visual association areas of the cortex
James Gibson
Proximity
Constancy
45. Consists of one optic nerve connection each eye to the brain.
Tri-color Theory (component theory)
Fovea
Visual Pathway
Eleanor Gibson and Richard Walk
46. Ambiguous figures - such as the Rubin vase. They can be perceived as two different things depending on which part you see as the figure and which part you see as the background.
Receptive Field
Figure-Ground Reversal Patterns (illusion)
Hue
Frequency
47. The most famous of all visual illusions. Two horizontal lines of equal length appear unequal because of the orientation of the arrow marks at the end. Inward facing arrow marks make the line appear shorter than another line of the same length with ou
Visual Field
Constancy
Photopigments
Muller-Lyer Illusion
48. Refers to how we see texture or fine detail differently from different distances
Ewald Hering
Autokinetic effect
texture gradient
Retina
49. How movement is perceived though the displacement of objects over time - and how this motion takes place at seemingly different paces for nearby or faraway objects. Ships far away seem to move more slowly than ships moving at the same speed.
Light
motion parallax
Middle ear
Timbre
50. Consists of the parts you see called the pinna and the auditory canal. Vibrations from sound move down this canal to the middle ear.
Outer ear
Color constancy
Inner ear
Structuralist Theory