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Test your basic knowledge |
GRE Psychology: Perception Sensation
Start Test
Study First
Subjects
:
gre
,
psychology
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. How movement is perceived though the displacement of objects over time - and how this motion takes place at seemingly different paces for nearby or faraway objects. Ships far away seem to move more slowly than ships moving at the same speed.
Hit
Prosopagnosia
motion parallax
Striate cortex to the visual association areas of the cortex
2. Best at seeing fine details
Purkinje shift
Visual Acuity
Hit
Striate cortex to the visual association areas of the cortex
3. Factors into why we see what we expect to see
Cornea
binoculary disparity
Constancy
Mental set
4. Is the minimum amount of stimuli that can be detected 50% of the time
Sensation
Absolute threshold
Optic Chasm
apparent size
5. After images are perceived because of fatigued receptors. Because our eyes have a partially oppositional system for seeing colors - such as red-green or black-white - once on side is overstimulated and fatigued - it can no longer respond and is overs
James Gibson
Retina
McCollough Effect
Outer ear
6. Asserts that perception is the sum total of sensory input. The world is understood through bottom-up processing
Closure
Figure and ground relationship
Structuralist Theory
texture gradient
7. It travels through the horizontal cells to the bipolar cells to the amacrine cells. Finally the information heads to the ganglion cells.
Cones
After light passes through receptors
False alarm
Hermann Von Hemholtz
8. Has been called the most important depth cue. Our eyes view objects from two slightly different angles - which allows us to create a 3-dimensional figure
Receptor Cells
Proximity
binoculary disparity
Perception
9. Or overlap of objects shows which objects are closer
Dark adaptation
Lens
Outer ear
interposition
10. Applies to all senses but only to a limited range of intensities. The law states that a stimulus needs to be increased by a constant fraction of its original value in order to be noticeably different
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11. 1. Reception 2. Sensory Transduction 3. Neural Pathways
3 steps involving sensation
David Hubel and Torsten Wiesel
Reception
Dark adaptation
12. Can be perceived as two different things depending on how you look at them
Linear perspective
Neural Pathways
Proximity
Ambiguous Figures (illusion)
13. Begins with the tympanic membrane (eardrum) which is stretch across the auditory canal. Behind this membrane are the Ossicles (3 small bones) - the last of which is the stapes. Sound vibrations bump against the tympanic membrane - causing the ossicl
texture gradient
Middle ear
E.H. Weber
Perceptual Development
14. Objects that have been drawn and can be perceived but are geometrically impossible
Lens
Impossible Objects
Eleanor Gibson and Richard Walk
Perceptual Development
15. Where half of all fibers from the optic nerve of each eye cross over and join the optic nerve from the other eye. This insures input from each eye will be put together in a full picture in the brain.
Ciliary Muscles
The visual pathway
3 steps involving sensation
Optic Chasm
16. Along the visual pathway is the...
Ambiguous Figures (illusion)
Phi Phenomenon
Optic Chasm
Depth perception
17. humans best hear at
E.H. Weber
Thomas Young and Hermann von Hemholtz
Current thinking about sensation and perception
1000hz
18. Allows the eyes to see contrast and prevents repetitive information from being sent to the brain. Once the receptor cell is stimulated - the others nearby are inhibited.
Hermann Von Hemholtz
Visual Pathway
Receptor Cells
Lateral Inhibition
19. Correctly sensing a stimulus
Fechner'S Law
Outer ear
Optic Chasm
Hit
20. Has monocular and binocular cues
Perception
Striate cortex to the visual association areas of the cortex
Depth perception
Pragnanz
21. The physical intensity of light
Terminal Threshold
Brightness
interposition
Prosopagnosia
22. Why do cones see better than rods?
Symmetry
There are fewer cones per ganglion cells
Autokinetic effect
Fovea
23. Suggests that there are three types of receptors in the retina: cones that respond to red - blue - or green
Weber'S Law
Tri-color Theory (component theory)
Timbre
apparent size
24. The feeling that results from physical stimulation
Sensation
David Hubel and Torsten Wiesel
McCollough Effect
Hit
25. 1. closure 2. Proximity 3. Continuation or good continuation 4. Symmetry 5. Constancy 6. Minimum principle
Gestat Ideas
Vision
interposition
Outer ear
26. Has been explained as the increasing ability of a child to make finer discriminations among stimuli.
Minimum principle
Perceptual Development
Optic Array
Constancy
27. Asserts that perception and cognition are largely innate
Absolute threshold
binoculary disparity
Opponent Color or Opponent Process Theory
Nativist Theory
28. Comes from the complexity of the sound wave
Hue
Neural Pathways
Timbre
Striate cortex to the visual association areas of the cortex
29. The overarching Gestalt idea that experience will be organized as meaningful - symmetrical - and simple whenever possible.
Impossible Objects
Hermann Von Hemholtz
Pragnanz
Differential Threshold
30. The part of the world that triggers a particular neuron
binoculary disparity
Receptive Field
Moon Illusion
texture gradient
31. After the optic chasm - information travels to the...
Cones
Impossible Objects
Striate cortex to the visual association areas of the cortex
E.H. Weber
32. Consists of the bony labyrinth - a hollow cavity in the temporal bone of the skull with a system of passages comprising two main functional parts: The cochlea - dedicated to hearing; converting sound pressure patterns from the outer ear into electroc
Eleanor Gibson and Richard Walk
Correct Rejection
Cornea
Inner ear
33. Refers to the relationship between the meaningful part of a picture and the background
Lens
Figure and ground relationship
Ganglion cells
Differential Threshold
34. Is the way that perceived color brightness changes with the level of illumination in the room. With lower levels of illumination - the extremes of the color spectrum (especially red) are seen as less bright
There are fewer cones per ganglion cells
Optic Chasm
Opponent Color or Opponent Process Theory
Purkinje shift
35. He tendency to group together items that are near each other
Absolute threshold
Proximity
Figure and ground relationship
Lateral Inhibition
36. Takes place when receptors for a particular sense detect a stimulus.
J.A. Swet'S Theory of Single Detection (TSD)
Reception
Linear perspective
Proximity
37. Refers to how we see texture or fine detail differently from different distances
texture gradient
Perception
Ponzo Illusion
Visual Acuity
38. Are particularly sensitive to dim light and are used for night vision. They are also concentrated along the sides of the retina - making them extremely important for peripheral vision
Continuation
The visual pathway
3 steps involving sensation
Rods
39. Is the tendency to create a whole or detailed figure based on our expectations rather than what is seen
Impossible Objects
Continuation
Photopigments
Outer ear
40. Also known as just noticeable difference. The minimum difference that must occur between two stimuli - in order for them to be perceived as having different intensities.
Response Bias
Linear perspective
Differential Threshold
Tri-color Theory (component theory)
41. Curces are graphical representations of a subject'S sensitivity to a stimulus
Color constancy
Figure and ground relationship
Response Bias
Receiver operating characteristic
42. The chemical that aids the receptor cells in transduction
texture gradient
Robert Frantz
Photopigments
Differential Threshold
43. Is the tendency to complete incomplete figures
Muller-Lyer Illusion
Pragnanz
Closure
Visual Acuity
44. The physical intensity of a sound wave largely determines loudness
Terminal Threshold
Amplitude
Size Constancy
texture gradient
45. Electrical impulses travel down these to the brain - where the information is understood
Photopigments
Visual Acuity
Current thinking about sensation and perception
Neural Pathways
46. Failing to detect a present stimulus
Miss
Amplitude
Sensation
Autokinetic effect
47. Also known as color - is the dominant wavelength of light
Depth perception
Middle ear
Timbre
Hue
48. Located in the back of the eye - receives light images from the lens. It is composed of about 30 million photoreceptor cells and of other cell layers that process information
Retina
After light passes through receptors
interposition
Nativist Theory
49. We see objects because of the light they reflect
Vision
Terminal Threshold
texture gradient
Perceptual Development
50. How people perceive objects in the way that they are familiar with them - regardless of changes in the actual retinal image. A book - for example - is perceived as rectangular in shape no matter what angle it is seen from.
Color constancy
Autokinetic effect
Constancy
Symmetry