SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
GRE Psychology: Perception Sensation
Start Test
Study First
Subjects
:
gre
,
psychology
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. How movement is perceived though the displacement of objects over time - and how this motion takes place at seemingly different paces for nearby or faraway objects. Ships far away seem to move more slowly than ships moving at the same speed.
interposition
motion parallax
Color constancy
Tri-color Theory (component theory)
2. He tendency to group together items that are near each other
1000hz
Photopigments
Proximity
Color constancy
3. Or overlap of objects shows which objects are closer
interposition
Current thinking about sensation and perception
Ciliary Muscles
J.A. Swet'S Theory of Single Detection (TSD)
4. The overarching Gestalt idea that experience will be organized as meaningful - symmetrical - and simple whenever possible.
Pragnanz
3 steps involving sensation
McCollough Effect
apparent size
5. The clear protective coating on the outside of the eye
Current thinking about sensation and perception
Cornea
Visual Cliff
Depth perception
6. The eyes are connected to the cerebral cortex by...
Symmetry
Terminal Threshold
The visual pathway
Opponent Color or Opponent Process Theory
7. The physical intensity of light
Hermann Von Hemholtz
Impossible Objects
Brightness
Perception
8. The moon looks larger when we see it on the horizon than when we see it in the sky. This is because the horizon contains visual cues that make the moon seem more distant than the overhead sky.
motion parallax
Symmetry
Middle ear
Moon Illusion
9. Located by the cornea
texture gradient
Light
Lens
Eleanor Gibson and Richard Walk
10. Along the visual pathway is the...
Optic Chasm
Visual Acuity
Cornea
Thomas Young and Hermann von Hemholtz
11. Why do cones see better than rods?
There are fewer cones per ganglion cells
Hermann Von Hemholtz
Thomas Young and Hermann von Hemholtz
Robert Frantz
12. Located in the back of the eye - receives light images from the lens. It is composed of about 30 million photoreceptor cells and of other cell layers that process information
The visual pathway
Symmetry
Retina
1000hz
13. Also known as color - is the dominant wavelength of light
Optic Chasm
Neural Pathways
Retina
Hue
14. Best at seeing fine details
Striate cortex to the visual association areas of the cortex
Visual Acuity
apparent size
Constancy
15. Developed the visual cliff to study whether depth perception was innate
Color constancy
Perceptual Development
Autokinetic effect
Eleanor Gibson and Richard Walk
16. Are concentrated in the center of the retina. They are sensitive to color and daylight vision.
Cones
Minimum principle
After light passes through receptors
Constancy
17. Rightly stating that no stimulus exists
Linear perspective
E.H. Weber
Cones
Correct Rejection
18. It travels through the horizontal cells to the bipolar cells to the amacrine cells. Finally the information heads to the ganglion cells.
Figure and ground relationship
After light passes through receptors
Differential Threshold
Ambiguous Figures (illusion)
19. Has monocular and binocular cues
Depth perception
Visual Field
Optic Chasm
Amplitude
20. Is the way that perceived color brightness changes with the level of illumination in the room. With lower levels of illumination - the extremes of the color spectrum (especially red) are seen as less bright
Photopigments
Impossible Objects
Purkinje shift
Terminal Threshold
21. Refers to the relationship between the meaningful part of a picture and the background
Striate cortex to the visual association areas of the cortex
Figure and ground relationship
Prosopagnosia
Fechner'S Law
22. Gives us clues about how far away an object is if we know about how big the object should be
motion parallax
apparent size
Autokinetic effect
Prosopagnosia
23. The part of the world that triggers a particular neuron
Phi Phenomenon
Eleanor Gibson and Richard Walk
Receptive Field
Ponzo Illusion
24. Applies to all senses but only to a limited range of intensities. The law states that a stimulus needs to be increased by a constant fraction of its original value in order to be noticeably different
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
25. Refers to how we see texture or fine detail differently from different distances
texture gradient
Dark adaptation
Receptor Cells
Visual Cliff
26. Allow the cornea to bend (accommodate) in order to focus an image of the outside world onto the retina
3 steps involving sensation
Perception
Ciliary Muscles
Inner ear
27. Is the result of regeneration of retinal pigment
Dark adaptation
Figure and ground relationship
Thomas Young and Hermann von Hemholtz
Correct Rejection
28. After images are perceived because of fatigued receptors. Because our eyes have a partially oppositional system for seeing colors - such as red-green or black-white - once on side is overstimulated and fatigued - it can no longer respond and is overs
McCollough Effect
Hit
Minimum principle
Rods
29. After the optic chasm - information travels to the...
Current thinking about sensation and perception
After light passes through receptors
Visual Field
Striate cortex to the visual association areas of the cortex
30. How we organize or experience sensations
Opponent Color or Opponent Process Theory
Retina
James Gibson
Perception
31. The chemical that aids the receptor cells in transduction
Photopigments
Middle ear
Outer ear
Thomas Young and Hermann von Hemholtz
32. Is the tendency to see what is easiest or logical to see
Minimum principle
Striate cortex to the visual association areas of the cortex
Figure-Ground Reversal Patterns (illusion)
Ewald Hering
33. Proposed the perceptual development and optic array
Hermann Von Hemholtz
Depth perception
James Gibson
Perception
34. The tendency to perceive a smooth motion. This explains why motion is perceived when there is none - often by the use of flashing lights or rapidly shown still-fram pictures - such as in the perception of cartoons. This is apparent motion
Visual Cliff
Phi Phenomenon
Opponent Color or Opponent Process Theory
Minimum principle
35. Has been called the most important depth cue. Our eyes view objects from two slightly different angles - which allows us to create a 3-dimensional figure
Fechner'S Law
binoculary disparity
Differential Threshold
Frequency
36. Involves both innate/sensory and is partially learned/conceptual
Perceptual Development
Structuralist Theory
Current thinking about sensation and perception
Receptor Cells
37. We see objects because of the light they reflect
Receptive Field
Moon Illusion
Vision
Thomas Young and Hermann von Hemholtz
38. Is the tendency to make figures out of symmetrical images
1000hz
Symmetry
Receptive Field
Closure
39. Are particularly sensitive to dim light and are used for night vision. They are also concentrated along the sides of the retina - making them extremely important for peripheral vision
Muller-Lyer Illusion
J.A. Swet'S Theory of Single Detection (TSD)
binoculary disparity
Rods
40. Consists of the bony labyrinth - a hollow cavity in the temporal bone of the skull with a system of passages comprising two main functional parts: The cochlea - dedicated to hearing; converting sound pressure patterns from the outer ear into electroc
binoculary disparity
Inner ear
Miss
Robert Frantz
41. Comes from the complexity of the sound wave
Eleanor Gibson and Richard Walk
Timbre
Current thinking about sensation and perception
Ponzo Illusion
42. Is when two horizontal lines of equal length appear unequal because of two vertical lines that slant inward
Ponzo Illusion
Timbre
Gestalt Psychology
Differential Threshold
43. Is gained by features we are familiar with - such as two seemingly parallel lines that converge with distance
Lens
Linear perspective
Figure and ground relationship
Moon Illusion
44. Ambiguous figures - such as the Rubin vase. They can be perceived as two different things depending on which part you see as the figure and which part you see as the background.
The visual pathway
Receptor Cells
Opponent Color or Opponent Process Theory
Figure-Ground Reversal Patterns (illusion)
45. Is the tendency to create a whole or detailed figure based on our expectations rather than what is seen
Timbre
Continuation
Current thinking about sensation and perception
Neural Pathways
46. The most famous of all visual illusions. Two horizontal lines of equal length appear unequal because of the orientation of the arrow marks at the end. Inward facing arrow marks make the line appear shorter than another line of the same length with ou
Response Bias
Light
Muller-Lyer Illusion
Hue
47. Individuals are partly motivated by rewards and costs in detection. The interplay between response bias and stimulus intensity determines responses
Outer ear
Impossible Objects
Eleanor Gibson and Richard Walk
Response Bias
48. The optic nerve is made up of...
texture gradient
Ganglion cells
Tri-color Theory (component theory)
Current thinking about sensation and perception
49. The center of the retina; has the greatest visual acuity
Reception
Correct Rejection
Fovea
David Hubel and Torsten Wiesel
50. Is the tendency to complete incomplete figures
3 steps involving sensation
Visual Pathway
Closure
Receptor Cells