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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Character - Goal - and Conflict or Obstacles
Call Sheets
Three Essential Elements of Drama
Dramatization
Plot
2. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Fine Cut
Shooting (Lined) Script
Key Light
Low-Key Lighting
3. Controlling the strength of the signal
Setting Levels
Blocking
Four Basic Elements in the Visual Language of Cinema
Script Breakdown Sheet
4. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Four Basic Elements in the Visual Language of Cinema
Cover-Set
Audition
Gaffer
5. Form used in film production to keep track of all the mise-en-sc
1/3 - 2/3 Rule
Script Breakdown Sheet
Assistant Camera
Setting Levels
6. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Author's Draft
Zooming Out
Elliptical Editing
Protagonist
7. Process of combining the video and audio with the applied effect to create a new media file
Director of Photography
Cross Cutting
Parallel Action
Rendering
8. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Location Scouting
Storyboards
Media File Indicators
Pulling Focus
9. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Green Room
Overheads
Three Essential Elements of Drama
3/4 Back Light
10. All camera moves need to be...
Parallel Action
Motivated Move
Low-Key Lighting
Wild Sound (Non-Sync Sound)
11. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Reverberation
Shot Size
Media File Indicators
Cable Wrangler
12. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Cover-Set
Rendering
Rim Light
13. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Call Sheets
Headshot/Bio
'In the Mud'
Cable Wrangler
14. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Three Essential Elements of Drama
Sound Recordist
Reverse Shots
Setting Levels
15. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Location Scouting
Four Basic Elements in the Visual Language of Cinema
Green Room
Setting Levels
16. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Three Essential Elements of Drama
Ambient Sound
Author's Draft
T-Stops
17. The order of events in your film
Plot
Cable Wrangler
Unmotivated Move
Four Basic Properties of Sound
18. First complete version of the narrative in proper screenplay format
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19. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Green Room
Storyboards
Blocking
20. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Nondestructive Editing
Circle of Confusion
Three Essential Elements of Drama
Shot List
21. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Low-Key Lighting
Script Breakdown Sheet
Location Technical Survey
Reverse Shots
22. First complete version of the narrative in proper screenplay format
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23. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Circle of Confusion
Audition
Motivated Move
24. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Three Essential Elements of Drama
Back Light
3/4 Back Light
Low-Key Lighting
25. To alternate between two or more scenes when editing a sequence
Low-Key Lighting
Cross Cutting
High-Key Lighting
Lens Speed
26. Frequency - Amplitude - Timbre - and Velocity
Setting Levels
Author's Draft
Four Basic Properties of Sound
Fine Cut
27. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Reverberation
Fine Cut
Reverse Shots
28. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Pick-Ups
Media File Indicators
High-Key Lighting
Levels
29. Drawings of shots - arranged on paper in the order they appear in a sequence
Setting Levels
Shooting (Lined) Script
Storyboards
Cutaway Shot
30. Lighting unit that is 45
Location Technical Survey
Key Light
3/4 Back Light
Pick-Ups
31. Lens that offers a continuous range of focal lengths in one lens housing
Pick-Ups
Side Light
Author's Draft
Zoom Lens (Variable Focal Length Lens)
32. Shooting Script - Overheads - and Storyboards
Protagonist
Spike
Three Pre-Visualization Tools
Location Scouting
33. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Camera Setup
Nonlinear Editing System
Zooming In
Storyboards
34. Executing more than one move at a time
Ambient Sound
Unmotivated Move
Storyboards
Combination Move
35. Recording is too low
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36. The movement of characters in the space
Headshot/Bio
Blocking
Props
1/3 - 2/3 Rule
37. Character - Goal - and Conflict or Obstacles
Three Pre-Visualization Tools
Cold Reading
Four Basic Elements in the Visual Language of Cinema
Three Essential Elements of Drama
38. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Narrative Films
Lens Speed
Pick-Ups
Zooming In
39. Lens that has one fixed focal length for more precise manipulation of image quality
'In the Mud'
Sound Recordist
Pulling Focus
Prime Lens
40. Removing extraneous time and territory
Art Direction
Elliptical Editing
Props
Unmotivated Move
41. Reading from the script pages that actors are given minutes before the audition
Pick-Ups
Three Essential Elements of Drama
Talent Release
Cold Reading
42. The movement of characters in the space
T-Stops
Location Technical Survey
Cross Cutting
Blocking
43. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Fine Cut
Call Sheets
Combination Move
Setting Levels
44. Lens that offers a continuous range of focal lengths in one lens housing
T-Stops
Zoom Lens (Variable Focal Length Lens)
Levels
Levels
45. The measurement of acceptable diameter which creates the appearance of focus
Setting Levels
Circle of Confusion
Prime Lens
Automatic Dialogue Replacement
46. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Pulling Focus
Four Basic Properties of Sound
Call Sheets
Reverse Shots
47. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Storyboards
Four Basic Elements in the Visual Language of Cinema
Wild Sound (Non-Sync Sound)
48. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Cover-Set
Plot
Cutaway Shot
Reverberation
49. Lighting unit that is 45
Talent Release
Cross Cutting
3/4 Back Light
Peak Meter
50. Shot - Shot Sequence - Scene - and Dramatic Sequence
Director of Photography
Four Basic Elements in the Visual Language of Cinema
Art Direction
Protagonist
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