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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Frequency - Amplitude - Timbre - and Velocity
Assistant Camera
Zooming Out
Motivated Move
Four Basic Properties of Sound
2. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Spike
Camera Setup
Script Breakdown Sheet
3. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Master Shot
T-Stops
Zooming In
Storyboards
4. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Setting Levels
Back Light
Reverse Shots
Blocking
5. Transforming what is vague and internal into a series of viewable and audible actions and events
Cover-Set
Dramatization
Sound Recordist
Rule of Thirds
6. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Zoom Lens (Variable Focal Length Lens)
Lens Speed
High-Key Lighting
Shot Size
7. Another name for backlight because of the effect it gives the actor
Rim Light
Fill Light
High-Key Lighting
Unmotivated Move
8. Loud - sudden sound that exceeds 0dB
Spike
Overheads
Parallel Action
Zooming In
9. Point to the original data without altering the media file
3/4 Back Light
Call Sheets
Media File Indicators
Nondestructive Editing
10. The recording of sync dialogue in a studio in cases where the production sound is not usable
Automatic Dialogue Replacement
Blocking
Cross Cutting
Cross Cutting
11. Standard calling card. 8x10 photograph on one side and a resume on the other.
Headshot/Bio
High-Key Lighting
Sound Recordist
Pick-Ups
12. Frequency - Amplitude - Timbre - and Velocity
Master Shot
Four Basic Properties of Sound
Levels
Treatment
13. The person who pulls focus
Media File Indicators
Focus Puller
Fine Cut
Nondestructive Editing
14. The person who pulls focus
Combination Move
Nonlinear Editing System
High-Key Lighting
Focus Puller
15. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Props
Narrative Films
Nonlinear Editing System
16. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Assistant Camera
Peak Meter
Narrative Films
Motivated Lighting
17. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Storyboards
1/3 - 2/3 Rule
Zooming In
Pick-Ups
18. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Automatic Dialogue Replacement
Camera Setup
Headroom
Props
19. Lens that offers a continuous range of focal lengths in one lens housing
Call Sheets
Headroom
Zoom Lens (Variable Focal Length Lens)
Back Light
20. Soft light that fills in the shadows created by the Key Light
Fill Light
Sound Recordist
T-Stops
Audition
21. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
3/4 Back Light
Low-Key Lighting
Coverage
Sound Recordist
22. Primary source of illumination in your scene. Usually it is a motivated light source.
Motivated Move
Key Light
Reverberation
Zoom Lens (Variable Focal Length Lens)
23. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Direct Address
Shot Size
Zooming In
Call Sheets
24. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Talent Release
Elliptical Editing
Low-Key Lighting
Treatment
25. The physical placement of the camera on the set necessary to get each shot in your shooting script
Spike
1/3 - 2/3 Rule
T-Stops
Camera Setup
26. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Wild Sound (Non-Sync Sound)
Five Ways to Create a Parallel Action Sequence
Nondestructive Editing
Shooting (Lined) Script
27. The measurement of acceptable diameter which creates the appearance of focus
Peak Meter
Circle of Confusion
Media File Indicators
Fill Light
28. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Three Essential Elements of Drama
Headroom
Master Shot
Location Scouting
29. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Talent Release
Reverberation
Treatment
Elliptical Editing
30. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Elliptical Editing
Motivated Move
Sound Recordist
Camera Setup
31. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Prime Lens
Headroom
Master Shot
'In the Mud'
32. Changing the plane of critical focus during a take while the camera is running
Depth of Field
Zoom Lens (Variable Focal Length Lens)
Pulling Focus
Camera Setup
33. Lighting unit that is 45
Script Breakdown Sheet
Depth of Field
3/4 Back Light
Headroom
34. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverse Shots
Zoom Lens (Variable Focal Length Lens)
Prime Lens
Call Sheets
35. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Zooming Out
Headroom
Fill Light
36. All camera moves need to be...
Motivated Lighting
Motivated Move
Key Light
Author's Draft
37. Refers to the size of your subject in the frame
Nonlinear Editing System
Protagonist
Location Scouting
Shot Size
38. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Shot Size
Shooting (Lined) Script
Nondestructive Editing
39. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Elliptical Editing
Boom Operator
Audition
'In the Mud'
40. The movement of characters in the space
Narrative Films
T-Stops
Blocking
Treatment
41. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Key Light
Back Light
Reverberation
42. Removing extraneous time and territory
Elliptical Editing
Green Room
Shot List
Art Direction
43. All camera moves need to be...
'In the Mud'
Talent Release
Motivated Move
High-Key Lighting
44. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Headshot/Bio
Gaffer
Sound Recordist
Rule of Thirds
45. Transforming what is vague and internal into a series of viewable and audible actions and events
Fine Cut
Rim Light
Dramatization
Protagonist
46. Lens that has one fixed focal length for more precise manipulation of image quality
Prime Lens
Rendering
Camera Setup
Call Sheets
47. Standard calling card. 8x10 photograph on one side and a resume on the other.
Depth of Field
Headshot/Bio
Location Scouting
Media File Indicators
48. Recording is too low
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49. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Pick-Ups
Elliptical Editing
Motivated Lighting
Focus Puller
50. Form used in film production to keep track of all the mise-en-sc
Lens Speed
Script Breakdown Sheet
Assistant Camera
Pick-Ups