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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
Overheads
Rim Light
Rendering
2. The things that our characters actually handle in a scene
Props
Cold Reading
Focus Puller
Key Light
3. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Overheads
Zooming In
Plot
Zoom Lens (Variable Focal Length Lens)
4. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Treatment
Nondestructive Editing
Sound Recordist
Nonlinear Editing System
5. Simple but comprehensive prose description of a film's plot
Headroom
Headshot/Bio
Treatment
Shooting (Lined) Script
6. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Author's Draft
Four Basic Elements in the Visual Language of Cinema
Location Technical Survey
Zooming Out
7. Soft light that fills in the shadows created by the Key Light
Spike
Overheads
Fill Light
1/3 - 2/3 Rule
8. Executing more than one move at a time
Call Sheets
Automatic Dialogue Replacement
Motivated Lighting
Combination Move
9. Measures the strength of the incoming signal.
High-Key Lighting
Three Pre-Visualization Tools
Reverse Shots
Peak Meter
10. Responsible for the proper use and actual placement of the microphones for optimal quality
Narrative Films
Plot
Shooting (Lined) Script
Boom Operator
11. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Art Direction
Fill Light
Protagonist
12. List of all the shots that make up the film in the order in which they will be shot
Prime Lens
Sound Recordist
Shot List
Elliptical Editing
13. All camera moves need to be...
Motivated Move
Shot Size
Green Room
Rendering
14. Reading from the script pages that actors are given minutes before the audition
Cable Wrangler
Cold Reading
Audition
Script Breakdown Sheet
15. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Protagonist
Cable Wrangler
Reverse Shots
16. Removing extraneous time and territory
Automatic Dialogue Replacement
Overheads
Shot List
Elliptical Editing
17. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
Green Room
T-Stops
Fill Light
18. Character - Goal - and Conflict or Obstacles
Coverage
Pulling Focus
Three Essential Elements of Drama
Reverberation
19. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Protagonist
Plot
Plot
Ambient Sound
20. Lighting unit that is position 90
Side Light
'In the Mud'
Key Light
Author's Draft
21. The strategy of using movie lights to duplicate where light would logically be emanating from
Motivated Lighting
Plot
Assistant Camera
Coverage
22. The movement of characters in the space
Back Light
Shot Size
Blocking
Cold Reading
23. List of all the shots that make up the film in the order in which they will be shot
Storyboards
Gaffer
Zooming Out
Shot List
24. The range of apparent focus along the z-axis
Zoom Lens (Variable Focal Length Lens)
Pick-Ups
Audition
Depth of Field
25. Changing the plane of critical focus during a take while the camera is running
Direct Address
Art Direction
Pulling Focus
Fine Cut
26. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Rule of Thirds
Three Pre-Visualization Tools
Storyboards
27. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Circle of Confusion
High-Key Lighting
Reverse Shots
Rim Light
28. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Elliptical Editing
3/4 Back Light
Shot List
Cover-Set
29. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Back Light
Audition
Lens Speed
30. Controlling the strength of the signal
Headroom
Reverse Shots
Setting Levels
Call Sheets
31. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Reverse Shots
1/3 - 2/3 Rule
Unmotivated Move
32. Lens that has one fixed focal length for more precise manipulation of image quality
Shot List
Prime Lens
Media File Indicators
Back Light
33. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Motivated Move
Talent Release
Motivated Move
Reverberation
34. The recording of sync dialogue in a studio in cases where the production sound is not usable
1/3 - 2/3 Rule
Automatic Dialogue Replacement
Shot List
Shot Size
35. Simple but comprehensive prose description of a film's plot
Treatment
Ambient Sound
Fill Light
Protagonist
36. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Sound Recordist
High-Key Lighting
Assistant Camera
Media File Indicators
37. Lighting unit that is position 90
Plot
Combination Move
Side Light
Art Direction
38. A shot of a detail within your scene other than the characters' faces
Protagonist
Cutaway Shot
Ambient Sound
Camera Setup
39. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Protagonist
Back Light
Shooting (Lined) Script
Headshot/Bio
40. Measures the strength of the incoming signal.
Cold Reading
Master Shot
Key Light
Peak Meter
41. This type of move breaks the promise of showing something else to the viewer
Cable Wrangler
Blocking
Unmotivated Move
Camera Setup
42. The physical placement of the camera on the set necessary to get each shot in your shooting script
Back Light
Camera Setup
Reverse Shots
Direct Address
43. Another name for backlight because of the effect it gives the actor
Rim Light
Gaffer
Master Shot
Talent Release
44. First complete version of the narrative in proper screenplay format
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45. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Reverse Shots
Cable Wrangler
Nondestructive Editing
Boom Operator
46. The order of events in your film
Location Technical Survey
Plot
Key Light
Five Ways to Create a Parallel Action Sequence
47. Point to the original data without altering the media file
Reverberation
Cover-Set
Media File Indicators
Shooting (Lined) Script
48. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Shot Size
Shot Size
Treatment
Audition
49. A shot in which the subject looks directly at the camera
Direct Address
Protagonist
Reverberation
1/3 - 2/3 Rule
50. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Combination Move
Art Direction
Director of Photography
Levels