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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Cutaway Shot
'In the Mud'
Direct Address
Audition
2. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Cable Wrangler
Assistant Camera
Nonlinear Editing System
Ambient Sound
3. Primary source of illumination in your scene. Usually it is a motivated light source.
Low-Key Lighting
Motivated Move
Elliptical Editing
Key Light
4. All camera moves need to be...
Focus Puller
Motivated Move
Rim Light
Camera Setup
5. Reading from the script pages that actors are given minutes before the audition
Circle of Confusion
Cold Reading
Elliptical Editing
Dramatization
6. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Media File Indicators
Reverberation
Parallel Action
Master Shot
7. Executing more than one move at a time
Storyboards
Talent Release
Shooting (Lined) Script
Combination Move
8. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Cover-Set
Key Light
Setting Levels
Low-Key Lighting
9. Lighting unit that is 45
3/4 Back Light
Circle of Confusion
Motivated Move
Cable Wrangler
10. Transforming what is vague and internal into a series of viewable and audible actions and events
Green Room
Dramatization
Prime Lens
Cold Reading
11. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Location Technical Survey
Headroom
Setting Levels
Cable Wrangler
12. A shot in which the subject looks directly at the camera
Wild Sound (Non-Sync Sound)
Coverage
Overheads
Direct Address
13. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Lens Speed
Headroom
Art Direction
T-Stops
14. Removing extraneous time and territory
Elliptical Editing
Rendering
Parallel Action
Fine Cut
15. The strategy of using movie lights to duplicate where light would logically be emanating from
Five Ways to Create a Parallel Action Sequence
Location Technical Survey
Motivated Lighting
High-Key Lighting
16. The recording of sync dialogue in a studio in cases where the production sound is not usable
Key Light
Automatic Dialogue Replacement
Back Light
Location Technical Survey
17. Controlling the strength of the signal
Ambient Sound
Cable Wrangler
Setting Levels
Combination Move
18. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Low-Key Lighting
Reverberation
Nondestructive Editing
Automatic Dialogue Replacement
19. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Media File Indicators
Gaffer
Shooting (Lined) Script
Cover-Set
20. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Motivated Lighting
Audition
Overheads
Motivated Move
21. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Coverage
Reverberation
Three Pre-Visualization Tools
Setting Levels
22. The range of apparent focus along the z-axis
Depth of Field
Automatic Dialogue Replacement
Motivated Move
Narrative Films
23. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Pick-Ups
Narrative Films
Back Light
Rim Light
24. Soft light that fills in the shadows created by the Key Light
T-Stops
Zooming Out
Prime Lens
Fill Light
25. Recording is too low
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26. Lens that has one fixed focal length for more precise manipulation of image quality
Headroom
Prime Lens
Four Basic Elements in the Visual Language of Cinema
Elliptical Editing
27. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Talent Release
Plot
Key Light
T-Stops
28. Shooting a scene from various angles
Coverage
Audition
Fine Cut
Reverse Shots
29. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Nonlinear Editing System
Director of Photography
Treatment
Green Room
30. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Blocking
Zooming In
Focus Puller
Gaffer
31. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Ambient Sound
Location Technical Survey
Director of Photography
Master Shot
32. The things that our characters actually handle in a scene
Rim Light
Elliptical Editing
Props
Cold Reading
33. Lens that offers a continuous range of focal lengths in one lens housing
Cover-Set
Location Scouting
Reverberation
Zoom Lens (Variable Focal Length Lens)
34. Shooting Script - Overheads - and Storyboards
Reverberation
Three Pre-Visualization Tools
Four Basic Properties of Sound
Zooming In
35. The movement of characters in the space
Motivated Move
Gaffer
Blocking
Ambient Sound
36. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Art Direction
Four Basic Properties of Sound
Sound Recordist
37. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
Protagonist
Protagonist
Side Light
38. Controlling the strength of the signal
Nondestructive Editing
Levels
Cable Wrangler
Setting Levels
39. Shot - Shot Sequence - Scene - and Dramatic Sequence
Five Ways to Create a Parallel Action Sequence
Direct Address
Call Sheets
Four Basic Elements in the Visual Language of Cinema
40. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Nonlinear Editing System
Art Direction
Green Room
Five Ways to Create a Parallel Action Sequence
41. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Direct Address
Overheads
Zooming Out
Shooting (Lined) Script
42. The person who pulls focus
Ambient Sound
Blocking
Focus Puller
Ambient Sound
43. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Circle of Confusion
Blocking
Unmotivated Move
Audition
44. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Automatic Dialogue Replacement
Fill Light
Four Basic Elements in the Visual Language of Cinema
Gaffer
45. Form used in film production to keep track of all the mise-en-sc
Combination Move
Script Breakdown Sheet
Nondestructive Editing
Headshot/Bio
46. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Peak Meter
1/3 - 2/3 Rule
Treatment
Zooming In
47. First complete version of the narrative in proper screenplay format
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48. A shot in which the subject looks directly at the camera
Rule of Thirds
Direct Address
Headshot/Bio
Camera Setup
49. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
T-Stops
Dramatization
Headroom
Shot List
50. Recording is too low
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