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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Controlling the strength of the signal
Setting Levels
Author's Draft
'In the Mud'
Shot List
2. Executing more than one move at a time
Combination Move
Location Scouting
Five Ways to Create a Parallel Action Sequence
Cable Wrangler
3. Lens that has one fixed focal length for more precise manipulation of image quality
Fill Light
Depth of Field
Prime Lens
Back Light
4. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Peak Meter
Headroom
Location Scouting
Setting Levels
5. To alternate between two or more scenes when editing a sequence
Cross Cutting
Combination Move
Fine Cut
Assistant Camera
6. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Motivated Lighting
Four Basic Elements in the Visual Language of Cinema
Call Sheets
Focus Puller
7. Lighting unit that is 45
3/4 Back Light
Side Light
Overheads
Spike
8. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
1/3 - 2/3 Rule
Rule of Thirds
Parallel Action
Circle of Confusion
9. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Nonlinear Editing System
Talent Release
Prime Lens
10. Primary source of illumination in your scene. Usually it is a motivated light source.
Audition
Zoom Lens (Variable Focal Length Lens)
Plot
Key Light
11. The physical placement of the camera on the set necessary to get each shot in your shooting script
Overheads
Camera Setup
Coverage
Setting Levels
12. Shooting a scene from various angles
Green Room
Four Basic Properties of Sound
Dramatization
Coverage
13. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Key Light
Nonlinear Editing System
Reverse Shots
Shot List
14. The order of events in your film
Plot
Fine Cut
Narrative Films
Cutaway Shot
15. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
3/4 Back Light
'In the Mud'
Nonlinear Editing System
Camera Setup
16. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Headroom
Art Direction
Rim Light
Rendering
17. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Peak Meter
Media File Indicators
Nonlinear Editing System
18. Shooting a scene from various angles
Coverage
Fine Cut
Motivated Move
Parallel Action
19. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Narrative Films
Zooming In
Rim Light
1/3 - 2/3 Rule
20. The person who pulls focus
Reverberation
Parallel Action
Coverage
Focus Puller
21. The range of apparent focus along the z-axis
Peak Meter
Depth of Field
Cover-Set
Director of Photography
22. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Pick-Ups
Master Shot
Zooming Out
Green Room
23. First complete version of the narrative in proper screenplay format
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24. The order of events in your film
Plot
Spike
Audition
T-Stops
25. All camera moves need to be...
Zooming Out
Motivated Move
1/3 - 2/3 Rule
Five Ways to Create a Parallel Action Sequence
26. Character - Goal - and Conflict or Obstacles
Location Scouting
Cold Reading
Coverage
Three Essential Elements of Drama
27. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Camera Setup
Back Light
Spike
Call Sheets
28. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Unmotivated Move
Audition
Wild Sound (Non-Sync Sound)
Motivated Lighting
29. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Back Light
Reverberation
Zooming Out
Low-Key Lighting
30. Removing extraneous time and territory
Overheads
Elliptical Editing
Gaffer
Nondestructive Editing
31. Reading from the script pages that actors are given minutes before the audition
Storyboards
High-Key Lighting
Green Room
Cold Reading
32. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Parallel Action
Zooming Out
'In the Mud'
33. Character - Goal - and Conflict or Obstacles
Coverage
Depth of Field
Audition
Three Essential Elements of Drama
34. Shooting Script - Overheads - and Storyboards
Four Basic Elements in the Visual Language of Cinema
Narrative Films
Three Pre-Visualization Tools
Plot
35. Responsible for the proper use and actual placement of the microphones for optimal quality
Shot List
Narrative Films
Boom Operator
Pick-Ups
36. Point to the original data without altering the media file
Media File Indicators
Headshot/Bio
Director of Photography
Storyboards
37. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Media File Indicators
Talent Release
Storyboards
High-Key Lighting
38. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Author's Draft
Script Breakdown Sheet
Unmotivated Move
Director of Photography
39. First complete version of the narrative in proper screenplay format
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40. The recording of sync dialogue in a studio in cases where the production sound is not usable
Headroom
Three Essential Elements of Drama
Camera Setup
Automatic Dialogue Replacement
41. This type of move breaks the promise of showing something else to the viewer
Automatic Dialogue Replacement
Script Breakdown Sheet
Unmotivated Move
Treatment
42. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Protagonist
Zooming In
Call Sheets
Prime Lens
43. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Assistant Camera
Gaffer
Cutaway Shot
Reverberation
44. Frequency - Amplitude - Timbre - and Velocity
Green Room
Four Basic Properties of Sound
Spike
Rim Light
45. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Back Light
Five Ways to Create a Parallel Action Sequence
Direct Address
Four Basic Properties of Sound
46. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Ambient Sound
Automatic Dialogue Replacement
Art Direction
47. Loud - sudden sound that exceeds 0dB
Rendering
Spike
'In the Mud'
Talent Release
48. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Coverage
Media File Indicators
Gaffer
Media File Indicators
49. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
'In the Mud'
Protagonist
Master Shot
High-Key Lighting
50. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Automatic Dialogue Replacement
Narrative Films
Nonlinear Editing System
Assistant Camera