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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. All camera moves need to be...
Dramatization
1/3 - 2/3 Rule
Motivated Move
High-Key Lighting
2. Transforming what is vague and internal into a series of viewable and audible actions and events
Protagonist
Rule of Thirds
Ambient Sound
Dramatization
3. First complete version of the narrative in proper screenplay format
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4. Another name for backlight because of the effect it gives the actor
Shot List
Rim Light
Treatment
Headshot/Bio
5. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Nonlinear Editing System
Peak Meter
1/3 - 2/3 Rule
Depth of Field
6. Lens that offers a continuous range of focal lengths in one lens housing
Nondestructive Editing
Zoom Lens (Variable Focal Length Lens)
Cover-Set
High-Key Lighting
7. Sound that includes both room acoustics and background noise
Combination Move
Ambient Sound
Camera Setup
Green Room
8. Sound that includes both room acoustics and background noise
Combination Move
'In the Mud'
Nonlinear Editing System
Ambient Sound
9. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Art Direction
Blocking
Director of Photography
T-Stops
10. Executing more than one move at a time
Combination Move
Talent Release
Reverse Shots
Green Room
11. To alternate between two or more scenes when editing a sequence
Cross Cutting
Low-Key Lighting
Master Shot
Side Light
12. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Three Pre-Visualization Tools
Lens Speed
Location Scouting
Key Light
13. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Overheads
Props
T-Stops
14. Executing more than one move at a time
Combination Move
Coverage
Call Sheets
Cutaway Shot
15. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Depth of Field
Back Light
Low-Key Lighting
Spike
16. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
T-Stops
Talent Release
Rim Light
Art Direction
17. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Pick-Ups
Protagonist
Unmotivated Move
Shot List
18. Simple but comprehensive prose description of a film's plot
Author's Draft
Treatment
Cable Wrangler
Camera Setup
19. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Pulling Focus
Script Breakdown Sheet
Call Sheets
Reverse Shots
20. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Low-Key Lighting
Rule of Thirds
Four Basic Elements in the Visual Language of Cinema
Cable Wrangler
21. List of all the shots that make up the film in the order in which they will be shot
Circle of Confusion
Shot List
Camera Setup
Combination Move
22. Lighting unit that is 45
3/4 Back Light
Rendering
Fine Cut
Fine Cut
23. The measurement of acceptable diameter which creates the appearance of focus
Boom Operator
Circle of Confusion
Setting Levels
Four Basic Elements in the Visual Language of Cinema
24. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Combination Move
Unmotivated Move
High-Key Lighting
Focus Puller
25. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Cold Reading
Zoom Lens (Variable Focal Length Lens)
1/3 - 2/3 Rule
Five Ways to Create a Parallel Action Sequence
26. Recording is too low
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27. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Cold Reading
Audition
Media File Indicators
28. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Back Light
Wild Sound (Non-Sync Sound)
Zoom Lens (Variable Focal Length Lens)
Cover-Set
29. Loud - sudden sound that exceeds 0dB
Setting Levels
Director of Photography
Plot
Spike
30. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Media File Indicators
Zoom Lens (Variable Focal Length Lens)
Boom Operator
31. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Four Basic Elements in the Visual Language of Cinema
Direct Address
Rule of Thirds
Setting Levels
32. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
'In the Mud'
Cover-Set
Headshot/Bio
33. Recording is too low
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34. The order of events in your film
Focus Puller
Plot
Shot Size
Author's Draft
35. All camera moves need to be...
Motivated Move
Cable Wrangler
Cover-Set
Four Basic Elements in the Visual Language of Cinema
36. Point to the original data without altering the media file
Shot List
Zooming Out
Master Shot
Media File Indicators
37. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Headroom
Cold Reading
Circle of Confusion
Assistant Camera
38. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
High-Key Lighting
Gaffer
Overheads
Depth of Field
39. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Motivated Move
T-Stops
Lens Speed
Director of Photography
40. The range of apparent focus along the z-axis
Rendering
Talent Release
Fill Light
Depth of Field
41. Form used in film production to keep track of all the mise-en-sc
Media File Indicators
Script Breakdown Sheet
Plot
Props
42. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Direct Address
Headroom
Location Scouting
Levels
43. Refers to the size of your subject in the frame
Unmotivated Move
Shot Size
Dramatization
Camera Setup
44. Frequency - Amplitude - Timbre - and Velocity
Fine Cut
Four Basic Properties of Sound
Storyboards
Direct Address
45. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Unmotivated Move
Assistant Camera
Zooming In
Spike
46. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Nonlinear Editing System
Reverse Shots
Parallel Action
Combination Move
47. The person who pulls focus
Focus Puller
Rule of Thirds
Four Basic Elements in the Visual Language of Cinema
Lens Speed
48. Form used in film production to keep track of all the mise-en-sc
Direct Address
Zooming Out
Reverse Shots
Script Breakdown Sheet
49. Character - Goal - and Conflict or Obstacles
Three Essential Elements of Drama
Depth of Field
Coverage
Four Basic Properties of Sound
50. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Low-Key Lighting
Five Ways to Create a Parallel Action Sequence
Nonlinear Editing System
Key Light