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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Transforming what is vague and internal into a series of viewable and audible actions and events
Cutaway Shot
Master Shot
Prime Lens
Dramatization
2. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Treatment
Audition
Assistant Camera
3. Finessing all of the edits one-by-one
Director of Photography
Depth of Field
Call Sheets
Fine Cut
4. Standard calling card. 8x10 photograph on one side and a resume on the other.
Headshot/Bio
Parallel Action
Media File Indicators
Audition
5. The person who pulls focus
Focus Puller
Location Scouting
Fine Cut
Low-Key Lighting
6. The order of events in your film
Three Essential Elements of Drama
Plot
'In the Mud'
Art Direction
7. Closely scrutinizing the location for its technical and aesthetic capabilities
Shooting (Lined) Script
1/3 - 2/3 Rule
Location Technical Survey
Unmotivated Move
8. Measures the strength of the incoming signal.
T-Stops
Rendering
Peak Meter
Assistant Camera
9. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Combination Move
Assistant Camera
Direct Address
10. Transforming what is vague and internal into a series of viewable and audible actions and events
Key Light
Script Breakdown Sheet
Dramatization
Motivated Move
11. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Back Light
Props
Sound Recordist
Setting Levels
12. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Setting Levels
Pick-Ups
Zooming In
Shot Size
13. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Five Ways to Create a Parallel Action Sequence
Headshot/Bio
Three Pre-Visualization Tools
Overheads
14. To alternate between two or more scenes when editing a sequence
Motivated Move
Cross Cutting
Shot List
Four Basic Elements in the Visual Language of Cinema
15. Shooting Script - Overheads - and Storyboards
Call Sheets
Five Ways to Create a Parallel Action Sequence
Location Technical Survey
Three Pre-Visualization Tools
16. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Peak Meter
T-Stops
Four Basic Elements in the Visual Language of Cinema
17. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Cutaway Shot
Location Scouting
Rendering
Assistant Camera
18. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Reverberation
Zooming Out
Headshot/Bio
Five Ways to Create a Parallel Action Sequence
19. Frequency - Amplitude - Timbre - and Velocity
Combination Move
Four Basic Properties of Sound
Audition
Master Shot
20. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Prime Lens
Spike
Nonlinear Editing System
Location Scouting
21. Lens that has one fixed focal length for more precise manipulation of image quality
Three Essential Elements of Drama
Prime Lens
Sound Recordist
Zoom Lens (Variable Focal Length Lens)
22. The range of apparent focus along the z-axis
Wild Sound (Non-Sync Sound)
Back Light
Depth of Field
Reverse Shots
23. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Shooting (Lined) Script
Nonlinear Editing System
Unmotivated Move
Green Room
24. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Automatic Dialogue Replacement
Narrative Films
Cover-Set
Headroom
25. Shot - Shot Sequence - Scene - and Dramatic Sequence
Location Technical Survey
Cross Cutting
Green Room
Four Basic Elements in the Visual Language of Cinema
26. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Camera Setup
Five Ways to Create a Parallel Action Sequence
Reverse Shots
Boom Operator
27. Process of combining the video and audio with the applied effect to create a new media file
Setting Levels
Three Pre-Visualization Tools
Storyboards
Rendering
28. The physical placement of the camera on the set necessary to get each shot in your shooting script
Low-Key Lighting
Camera Setup
Spike
Four Basic Properties of Sound
29. The range of apparent focus along the z-axis
Pulling Focus
Depth of Field
Reverse Shots
Audition
30. Form used in film production to keep track of all the mise-en-sc
Rendering
Script Breakdown Sheet
Headshot/Bio
Parallel Action
31. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Narrative Films
Zooming In
Headshot/Bio
Props
32. Point to the original data without altering the media file
Back Light
Media File Indicators
Boom Operator
Headroom
33. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Rule of Thirds
Spike
Key Light
Treatment
34. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Cover-Set
Elliptical Editing
Plot
Sound Recordist
35. All camera moves need to be...
Motivated Move
Direct Address
Pulling Focus
Depth of Field
36. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
'In the Mud'
Call Sheets
Motivated Move
Location Scouting
37. Frequency - Amplitude - Timbre - and Velocity
Rendering
Sound Recordist
Narrative Films
Four Basic Properties of Sound
38. Finessing all of the edits one-by-one
Narrative Films
Cover-Set
Fine Cut
Motivated Move
39. Changing the plane of critical focus during a take while the camera is running
Ambient Sound
Pulling Focus
Master Shot
Cutaway Shot
40. Measures the strength of the incoming signal.
Four Basic Elements in the Visual Language of Cinema
Cable Wrangler
Pulling Focus
Peak Meter
41. A shot of a detail within your scene other than the characters' faces
Four Basic Properties of Sound
Props
Shooting (Lined) Script
Cutaway Shot
42. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
High-Key Lighting
Location Technical Survey
Unmotivated Move
Narrative Films
43. Drawings of shots - arranged on paper in the order they appear in a sequence
Lens Speed
Setting Levels
Storyboards
Talent Release
44. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Zoom Lens (Variable Focal Length Lens)
T-Stops
Pick-Ups
45. Shooting a scene from various angles
Storyboards
Levels
Coverage
Cable Wrangler
46. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Reverberation
Treatment
Location Scouting
47. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Fine Cut
Nondestructive Editing
Focus Puller
48. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Shooting (Lined) Script
Low-Key Lighting
Gaffer
Four Basic Properties of Sound
49. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Director of Photography
Setting Levels
Fine Cut
50. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Dramatization
Shot Size
Three Essential Elements of Drama
Assistant Camera