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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Script Breakdown Sheet
Location Scouting
Nondestructive Editing
Art Direction
2. Lens that offers a continuous range of focal lengths in one lens housing
Combination Move
Zoom Lens (Variable Focal Length Lens)
Nondestructive Editing
Unmotivated Move
3. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Reverberation
Author's Draft
Nonlinear Editing System
Sound Recordist
4. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Art Direction
Storyboards
Overheads
Motivated Lighting
5. Lens that offers a continuous range of focal lengths in one lens housing
Call Sheets
Cable Wrangler
Zoom Lens (Variable Focal Length Lens)
Headshot/Bio
6. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
'In the Mud'
Elliptical Editing
Treatment
7. Shooting Script - Overheads - and Storyboards
Direct Address
Assistant Camera
Location Scouting
Three Pre-Visualization Tools
8. Another name for backlight because of the effect it gives the actor
Prime Lens
Storyboards
Cover-Set
Rim Light
9. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Director of Photography
Pick-Ups
Gaffer
Storyboards
10. Shot - Shot Sequence - Scene - and Dramatic Sequence
Cover-Set
Fine Cut
Four Basic Elements in the Visual Language of Cinema
Peak Meter
11. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Sound Recordist
Unmotivated Move
Storyboards
Assistant Camera
12. Measures the strength of the incoming signal.
Peak Meter
Cover-Set
Rendering
T-Stops
13. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Treatment
Key Light
Wild Sound (Non-Sync Sound)
Master Shot
14. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
T-Stops
Zooming Out
Rendering
Automatic Dialogue Replacement
15. All camera moves need to be...
Cross Cutting
Unmotivated Move
Motivated Move
Green Room
16. The person who pulls focus
Call Sheets
Focus Puller
Overheads
Master Shot
17. Finessing all of the edits one-by-one
Media File Indicators
Fine Cut
Zoom Lens (Variable Focal Length Lens)
Three Pre-Visualization Tools
18. Responsible for the proper use and actual placement of the microphones for optimal quality
Media File Indicators
Boom Operator
Cable Wrangler
Back Light
19. The things that our characters actually handle in a scene
Shooting (Lined) Script
Call Sheets
Audition
Props
20. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Blocking
Narrative Films
Shot List
Pulling Focus
21. Lighting unit that is position 90
Boom Operator
Side Light
Motivated Move
Cover-Set
22. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Focus Puller
Cross Cutting
Fill Light
1/3 - 2/3 Rule
23. Primary source of illumination in your scene. Usually it is a motivated light source.
Reverse Shots
Key Light
Motivated Lighting
Motivated Lighting
24. Lens that has one fixed focal length for more precise manipulation of image quality
Combination Move
Automatic Dialogue Replacement
Focus Puller
Prime Lens
25. Recording is too low
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26. Reading from the script pages that actors are given minutes before the audition
Prime Lens
Storyboards
Rim Light
Cold Reading
27. Reading from the script pages that actors are given minutes before the audition
Low-Key Lighting
Cold Reading
Headroom
Storyboards
28. Lighting unit that is 45
Author's Draft
Ambient Sound
3/4 Back Light
Automatic Dialogue Replacement
29. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Five Ways to Create a Parallel Action Sequence
Camera Setup
Call Sheets
Elliptical Editing
30. First complete version of the narrative in proper screenplay format
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31. The movement of characters in the space
Blocking
Rim Light
Nonlinear Editing System
Protagonist
32. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Motivated Lighting
Levels
Parallel Action
Zooming Out
33. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Green Room
Shooting (Lined) Script
Low-Key Lighting
Circle of Confusion
34. Drawings of shots - arranged on paper in the order they appear in a sequence
Script Breakdown Sheet
Headroom
Spike
Storyboards
35. Point to the original data without altering the media file
Automatic Dialogue Replacement
Media File Indicators
Boom Operator
Treatment
36. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Reverse Shots
Parallel Action
Levels
Master Shot
37. Removing extraneous time and territory
1/3 - 2/3 Rule
Rim Light
Direct Address
Elliptical Editing
38. To alternate between two or more scenes when editing a sequence
Cross Cutting
Lens Speed
Camera Setup
Cable Wrangler
39. All camera moves need to be...
Unmotivated Move
Props
Motivated Move
Location Technical Survey
40. The order of events in your film
Plot
1/3 - 2/3 Rule
Art Direction
Rendering
41. To alternate between two or more scenes when editing a sequence
Nonlinear Editing System
Cross Cutting
Coverage
Reverse Shots
42. The measurement of acceptable diameter which creates the appearance of focus
Rule of Thirds
Circle of Confusion
Back Light
Props
43. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Cold Reading
Pick-Ups
Nonlinear Editing System
44. Transforming what is vague and internal into a series of viewable and audible actions and events
Dramatization
Levels
Zoom Lens (Variable Focal Length Lens)
Sound Recordist
45. Controlling the strength of the signal
Setting Levels
Side Light
Storyboards
Shot Size
46. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Nondestructive Editing
Talent Release
Green Room
Headshot/Bio
47. List of all the shots that make up the film in the order in which they will be shot
Shot List
1/3 - 2/3 Rule
Automatic Dialogue Replacement
Rim Light
48. Transforming what is vague and internal into a series of viewable and audible actions and events
Reverse Shots
Pick-Ups
Dramatization
Shooting (Lined) Script
49. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Pick-Ups
Sound Recordist
Headshot/Bio
Blocking
50. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Lens Speed
Back Light
Media File Indicators
Cable Wrangler