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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Measures the strength of the incoming signal.
Shot List
Side Light
Peak Meter
Cold Reading
2. Responsible for the proper use and actual placement of the microphones for optimal quality
Low-Key Lighting
Reverse Shots
3/4 Back Light
Boom Operator
3. Transforming what is vague and internal into a series of viewable and audible actions and events
Headshot/Bio
Dramatization
Director of Photography
Rendering
4. First complete version of the narrative in proper screenplay format
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5. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Zooming Out
Parallel Action
Media File Indicators
Motivated Move
6. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Rule of Thirds
Shooting (Lined) Script
Reverberation
Headroom
7. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Pick-Ups
Reverse Shots
Prime Lens
8. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Setting Levels
Combination Move
Media File Indicators
9. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Reverberation
Green Room
High-Key Lighting
10. The measurement of acceptable diameter which creates the appearance of focus
Zoom Lens (Variable Focal Length Lens)
Location Scouting
Nonlinear Editing System
Circle of Confusion
11. To alternate between two or more scenes when editing a sequence
Cross Cutting
Side Light
Levels
Props
12. The person who pulls focus
Levels
Peak Meter
Focus Puller
Pick-Ups
13. Executing more than one move at a time
Author's Draft
Focus Puller
Combination Move
Headroom
14. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Four Basic Elements in the Visual Language of Cinema
Art Direction
Shot Size
Three Essential Elements of Drama
15. The physical placement of the camera on the set necessary to get each shot in your shooting script
Green Room
Unmotivated Move
Pick-Ups
Camera Setup
16. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Three Pre-Visualization Tools
Cutaway Shot
Cable Wrangler
Coverage
17. A shot in which the subject looks directly at the camera
Direct Address
Headroom
Media File Indicators
Author's Draft
18. Drawings of shots - arranged on paper in the order they appear in a sequence
Author's Draft
Parallel Action
Low-Key Lighting
Storyboards
19. Form used in film production to keep track of all the mise-en-sc
Depth of Field
Cable Wrangler
Script Breakdown Sheet
Rendering
20. All camera moves need to be...
Overheads
Assistant Camera
Cover-Set
Motivated Move
21. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Shooting (Lined) Script
Art Direction
'In the Mud'
Rule of Thirds
22. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Location Scouting
Nondestructive Editing
High-Key Lighting
Plot
23. Soft light that fills in the shadows created by the Key Light
Assistant Camera
Rule of Thirds
Automatic Dialogue Replacement
Fill Light
24. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Peak Meter
Low-Key Lighting
Headroom
Green Room
25. Finessing all of the edits one-by-one
Fine Cut
Reverse Shots
Side Light
Camera Setup
26. Point to the original data without altering the media file
Media File Indicators
Side Light
Nonlinear Editing System
Storyboards
27. Character - Goal - and Conflict or Obstacles
Cross Cutting
Author's Draft
Narrative Films
Three Essential Elements of Drama
28. Primary source of illumination in your scene. Usually it is a motivated light source.
Zooming In
Green Room
Direct Address
Key Light
29. Shooting Script - Overheads - and Storyboards
Master Shot
Side Light
Three Pre-Visualization Tools
Headshot/Bio
30. Lens that has one fixed focal length for more precise manipulation of image quality
Spike
Prime Lens
Headroom
Zooming In
31. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Talent Release
Cable Wrangler
Lens Speed
3/4 Back Light
32. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Depth of Field
Storyboards
Nondestructive Editing
Coverage
33. Simple but comprehensive prose description of a film's plot
Treatment
Reverse Shots
Overheads
Gaffer
34. Shooting a scene from various angles
Author's Draft
Art Direction
Blocking
Coverage
35. Soft light that fills in the shadows created by the Key Light
3/4 Back Light
Three Essential Elements of Drama
Rendering
Fill Light
36. Removing extraneous time and territory
Nondestructive Editing
Storyboards
Location Scouting
Elliptical Editing
37. The things that our characters actually handle in a scene
'In the Mud'
Props
Circle of Confusion
Cover-Set
38. The order of events in your film
Nonlinear Editing System
Motivated Lighting
Plot
Talent Release
39. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
T-Stops
Lens Speed
Overheads
Unmotivated Move
40. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Master Shot
Rendering
Focus Puller
Five Ways to Create a Parallel Action Sequence
41. Shooting a scene from various angles
Coverage
Motivated Lighting
Media File Indicators
Call Sheets
42. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Prime Lens
T-Stops
Nonlinear Editing System
Dramatization
43. Process of combining the video and audio with the applied effect to create a new media file
Depth of Field
Boom Operator
Side Light
Rendering
44. Lens that offers a continuous range of focal lengths in one lens housing
Zooming Out
Rim Light
Zoom Lens (Variable Focal Length Lens)
Elliptical Editing
45. The things that our characters actually handle in a scene
Protagonist
Props
Motivated Move
Focus Puller
46. Shooting Script - Overheads - and Storyboards
Zoom Lens (Variable Focal Length Lens)
Cover-Set
Three Pre-Visualization Tools
Headroom
47. Form used in film production to keep track of all the mise-en-sc
Rendering
Narrative Films
Spike
Script Breakdown Sheet
48. First complete version of the narrative in proper screenplay format
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49. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Four Basic Elements in the Visual Language of Cinema
Motivated Lighting
Sound Recordist
Master Shot
50. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Nondestructive Editing
Director of Photography
Location Technical Survey
Location Technical Survey