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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Refers to the size of your subject in the frame
Shot Size
Levels
Rim Light
Blocking
2. The things that our characters actually handle in a scene
Setting Levels
Combination Move
Headroom
Props
3. Frequency - Amplitude - Timbre - and Velocity
Key Light
Elliptical Editing
Four Basic Elements in the Visual Language of Cinema
Four Basic Properties of Sound
4. Drawings of shots - arranged on paper in the order they appear in a sequence
Rule of Thirds
Low-Key Lighting
Storyboards
Master Shot
5. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Talent Release
Cable Wrangler
Gaffer
Fine Cut
6. The measurement of acceptable diameter which creates the appearance of focus
Lens Speed
Protagonist
Boom Operator
Circle of Confusion
7. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Dramatization
Gaffer
1/3 - 2/3 Rule
Elliptical Editing
8. Loud - sudden sound that exceeds 0dB
T-Stops
Director of Photography
Three Essential Elements of Drama
Spike
9. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Motivated Move
3/4 Back Light
Parallel Action
10. First complete version of the narrative in proper screenplay format
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11. Closely scrutinizing the location for its technical and aesthetic capabilities
Pulling Focus
Headshot/Bio
Boom Operator
Location Technical Survey
12. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Unmotivated Move
Pulling Focus
Rendering
Shooting (Lined) Script
13. Lighting unit that is 45
Levels
Blocking
3/4 Back Light
Prime Lens
14. The strategy of using movie lights to duplicate where light would logically be emanating from
Elliptical Editing
Motivated Lighting
Protagonist
Cutaway Shot
15. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Green Room
Zoom Lens (Variable Focal Length Lens)
Nondestructive Editing
Blocking
16. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Author's Draft
Pick-Ups
Levels
Blocking
17. Closely scrutinizing the location for its technical and aesthetic capabilities
Protagonist
Wild Sound (Non-Sync Sound)
Location Technical Survey
Gaffer
18. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Gaffer
Shot Size
T-Stops
Shooting (Lined) Script
19. Character - Goal - and Conflict or Obstacles
Three Essential Elements of Drama
Automatic Dialogue Replacement
Overheads
Cover-Set
20. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
Headroom
Four Basic Elements in the Visual Language of Cinema
Elliptical Editing
21. To alternate between two or more scenes when editing a sequence
Gaffer
Cross Cutting
Location Technical Survey
Three Pre-Visualization Tools
22. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Key Light
Script Breakdown Sheet
Cover-Set
23. Executing more than one move at a time
Combination Move
Motivated Lighting
Call Sheets
Talent Release
24. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Fill Light
Pick-Ups
Protagonist
Spike
25. This type of move breaks the promise of showing something else to the viewer
Back Light
Unmotivated Move
Props
Sound Recordist
26. The recording of sync dialogue in a studio in cases where the production sound is not usable
Key Light
Automatic Dialogue Replacement
Overheads
Zoom Lens (Variable Focal Length Lens)
27. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Headroom
Low-Key Lighting
Zooming Out
Coverage
28. Standard calling card. 8x10 photograph on one side and a resume on the other.
Key Light
Zooming In
Cable Wrangler
Headshot/Bio
29. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Nonlinear Editing System
Fine Cut
Cover-Set
Plot
30. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Director of Photography
Narrative Films
Coverage
Levels
31. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Art Direction
Direct Address
Motivated Lighting
Location Scouting
32. Reading from the script pages that actors are given minutes before the audition
Circle of Confusion
Circle of Confusion
Cold Reading
Gaffer
33. The person who pulls focus
Director of Photography
Rendering
Motivated Lighting
Focus Puller
34. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
High-Key Lighting
Motivated Move
Prime Lens
Overheads
35. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Fill Light
Location Scouting
Script Breakdown Sheet
36. Process of combining the video and audio with the applied effect to create a new media file
Motivated Move
Shot List
Rendering
Circle of Confusion
37. This type of move breaks the promise of showing something else to the viewer
Levels
Three Pre-Visualization Tools
Motivated Move
Unmotivated Move
38. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Focus Puller
Protagonist
'In the Mud'
Peak Meter
39. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Sound Recordist
Call Sheets
Motivated Move
Peak Meter
40. List of all the shots that make up the film in the order in which they will be shot
1/3 - 2/3 Rule
Shot List
Motivated Lighting
Direct Address
41. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zooming In
Cable Wrangler
Zooming Out
Assistant Camera
42. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Boom Operator
Master Shot
Reverse Shots
Four Basic Properties of Sound
43. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Motivated Move
Coverage
Rule of Thirds
44. Character - Goal - and Conflict or Obstacles
Peak Meter
Fill Light
Three Essential Elements of Drama
Parallel Action
45. Shooting Script - Overheads - and Storyboards
1/3 - 2/3 Rule
Reverse Shots
Automatic Dialogue Replacement
Three Pre-Visualization Tools
46. Soft light that fills in the shadows created by the Key Light
Author's Draft
Coverage
T-Stops
Fill Light
47. A shot in which the subject looks directly at the camera
Pulling Focus
Direct Address
Master Shot
Key Light
48. The order of events in your film
Plot
'In the Mud'
Circle of Confusion
Spike
49. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Low-Key Lighting
Assistant Camera
Location Scouting
Dramatization
50. Standard calling card. 8x10 photograph on one side and a resume on the other.
Treatment
1/3 - 2/3 Rule
Shot Size
Headshot/Bio