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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Camera Setup
T-Stops
Rule of Thirds
Direct Address
2. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Rule of Thirds
High-Key Lighting
Zoom Lens (Variable Focal Length Lens)
Nonlinear Editing System
3. Shooting a scene from various angles
Coverage
Green Room
Art Direction
Side Light
4. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Art Direction
Reverse Shots
Four Basic Elements in the Visual Language of Cinema
Blocking
5. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Four Basic Properties of Sound
Director of Photography
Motivated Lighting
6. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Cutaway Shot
Cold Reading
Coverage
Call Sheets
7. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Back Light
Peak Meter
Headroom
Gaffer
8. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Call Sheets
Lens Speed
Four Basic Elements in the Visual Language of Cinema
9. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Parallel Action
Automatic Dialogue Replacement
Coverage
Back Light
10. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Assistant Camera
Reverse Shots
Direct Address
Back Light
11. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Levels
Unmotivated Move
Storyboards
Five Ways to Create a Parallel Action Sequence
12. Measures the strength of the incoming signal.
Ambient Sound
Peak Meter
Narrative Films
Plot
13. Simple but comprehensive prose description of a film's plot
Treatment
1/3 - 2/3 Rule
Parallel Action
Fine Cut
14. Reading from the script pages that actors are given minutes before the audition
Headshot/Bio
Plot
Cable Wrangler
Cold Reading
15. Primary source of illumination in your scene. Usually it is a motivated light source.
Location Scouting
Camera Setup
Cold Reading
Key Light
16. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Back Light
Lens Speed
Plot
Reverberation
17. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Parallel Action
1/3 - 2/3 Rule
'In the Mud'
3/4 Back Light
18. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Circle of Confusion
Peak Meter
Cover-Set
Lens Speed
19. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Automatic Dialogue Replacement
Nonlinear Editing System
Low-Key Lighting
Green Room
20. Loud - sudden sound that exceeds 0dB
Talent Release
Zooming Out
Spike
Rendering
21. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Protagonist
Cold Reading
Lens Speed
High-Key Lighting
22. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Rule of Thirds
Side Light
Cable Wrangler
Narrative Films
23. Lighting unit that is 45
Direct Address
Four Basic Properties of Sound
Four Basic Elements in the Visual Language of Cinema
3/4 Back Light
24. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Cable Wrangler
Art Direction
Audition
Unmotivated Move
25. First complete version of the narrative in proper screenplay format
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26. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Camera Setup
3/4 Back Light
Lens Speed
27. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Cable Wrangler
Headshot/Bio
Master Shot
Cable Wrangler
28. The physical placement of the camera on the set necessary to get each shot in your shooting script
Plot
Treatment
Cutaway Shot
Camera Setup
29. First complete version of the narrative in proper screenplay format
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30. Recording is too low
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31. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Depth of Field
Focus Puller
Talent Release
32. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Reverberation
Four Basic Properties of Sound
Narrative Films
T-Stops
33. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Circle of Confusion
Headroom
Zooming Out
Lens Speed
34. Process of combining the video and audio with the applied effect to create a new media file
Fill Light
Combination Move
Rendering
Narrative Films
35. The movement of characters in the space
1/3 - 2/3 Rule
Zooming In
Wild Sound (Non-Sync Sound)
Blocking
36. Lens that has one fixed focal length for more precise manipulation of image quality
Focus Puller
Script Breakdown Sheet
Pulling Focus
Prime Lens
37. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Location Scouting
Green Room
Parallel Action
Depth of Field
38. This type of move breaks the promise of showing something else to the viewer
Blocking
Rendering
Unmotivated Move
Talent Release
39. Frequency - Amplitude - Timbre - and Velocity
Spike
High-Key Lighting
Nonlinear Editing System
Four Basic Properties of Sound
40. Lighting unit that is position 90
3/4 Back Light
Wild Sound (Non-Sync Sound)
Side Light
Cross Cutting
41. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Location Scouting
Props
Rim Light
Reverse Shots
42. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Assistant Camera
Pulling Focus
Four Basic Properties of Sound
Art Direction
43. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Dramatization
Shot Size
Cable Wrangler
Parallel Action
44. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Talent Release
Plot
Coverage
45. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Shot List
T-Stops
Location Scouting
Zooming Out
46. Another name for backlight because of the effect it gives the actor
Talent Release
Gaffer
Combination Move
Rim Light
47. Reading from the script pages that actors are given minutes before the audition
3/4 Back Light
Cold Reading
Headshot/Bio
Cover-Set
48. Point to the original data without altering the media file
Media File Indicators
Pick-Ups
Four Basic Properties of Sound
Pulling Focus
49. The order of events in your film
Sound Recordist
Plot
Wild Sound (Non-Sync Sound)
Pulling Focus
50. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Location Scouting
Dramatization
Overheads
Four Basic Elements in the Visual Language of Cinema