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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. To alternate between two or more scenes when editing a sequence
Cross Cutting
Peak Meter
'In the Mud'
Back Light
2. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Three Pre-Visualization Tools
Reverberation
Nondestructive Editing
Storyboards
3. A shot in which the subject looks directly at the camera
Direct Address
Location Scouting
Key Light
Gaffer
4. Lens that has one fixed focal length for more precise manipulation of image quality
Parallel Action
Spike
Motivated Lighting
Prime Lens
5. List of all the shots that make up the film in the order in which they will be shot
High-Key Lighting
Zooming In
Art Direction
Shot List
6. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Nondestructive Editing
Blocking
Fill Light
Audition
7. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Director of Photography
Zooming In
Assistant Camera
Pick-Ups
8. Transforming what is vague and internal into a series of viewable and audible actions and events
Coverage
Automatic Dialogue Replacement
Zoom Lens (Variable Focal Length Lens)
Dramatization
9. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Headshot/Bio
Coverage
Shot List
Overheads
10. Another name for backlight because of the effect it gives the actor
Three Pre-Visualization Tools
Talent Release
Rim Light
Protagonist
11. Lighting unit that is position 90
Side Light
Shot Size
Zoom Lens (Variable Focal Length Lens)
Combination Move
12. Sound that includes both room acoustics and background noise
Assistant Camera
Combination Move
Nonlinear Editing System
Ambient Sound
13. Character - Goal - and Conflict or Obstacles
Rule of Thirds
Five Ways to Create a Parallel Action Sequence
Combination Move
Three Essential Elements of Drama
14. Standard calling card. 8x10 photograph on one side and a resume on the other.
Headshot/Bio
Green Room
Treatment
Protagonist
15. All camera moves need to be...
Director of Photography
Motivated Move
High-Key Lighting
Spike
16. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Automatic Dialogue Replacement
Overheads
Shot Size
17. Primary source of illumination in your scene. Usually it is a motivated light source.
Media File Indicators
Ambient Sound
Circle of Confusion
Key Light
18. The order of events in your film
Key Light
1/3 - 2/3 Rule
Plot
Side Light
19. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Cutaway Shot
Peak Meter
Three Essential Elements of Drama
Reverberation
20. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Coverage
Art Direction
Fine Cut
Nonlinear Editing System
21. The person who pulls focus
Shooting (Lined) Script
Assistant Camera
Key Light
Focus Puller
22. Drawings of shots - arranged on paper in the order they appear in a sequence
Fine Cut
Storyboards
Fill Light
Coverage
23. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Location Scouting
Rim Light
Zoom Lens (Variable Focal Length Lens)
Reverse Shots
24. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Coverage
High-Key Lighting
Lens Speed
Storyboards
25. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Parallel Action
Depth of Field
Cable Wrangler
Four Basic Elements in the Visual Language of Cinema
26. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Sound Recordist
Director of Photography
Five Ways to Create a Parallel Action Sequence
27. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Storyboards
Director of Photography
Overheads
28. The measurement of acceptable diameter which creates the appearance of focus
Key Light
Pick-Ups
Circle of Confusion
Motivated Move
29. Loud - sudden sound that exceeds 0dB
Spike
Cross Cutting
Director of Photography
'In the Mud'
30. Removing extraneous time and territory
Cold Reading
Shot Size
Side Light
Elliptical Editing
31. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Cover-Set
Camera Setup
1/3 - 2/3 Rule
Treatment
32. Recording is too low
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33. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Low-Key Lighting
Narrative Films
Shooting (Lined) Script
Setting Levels
34. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Camera Setup
Nondestructive Editing
Zooming Out
Back Light
35. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Treatment
Reverse Shots
Gaffer
Five Ways to Create a Parallel Action Sequence
36. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Talent Release
Overheads
High-Key Lighting
Coverage
37. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Three Pre-Visualization Tools
Pulling Focus
Master Shot
38. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Call Sheets
Overheads
Nondestructive Editing
Spike
39. This type of move breaks the promise of showing something else to the viewer
Five Ways to Create a Parallel Action Sequence
Unmotivated Move
Location Scouting
Lens Speed
40. Point to the original data without altering the media file
Direct Address
Fill Light
Location Technical Survey
Media File Indicators
41. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Director of Photography
Motivated Lighting
Gaffer
42. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Art Direction
Cutaway Shot
Headshot/Bio
T-Stops
43. The things that our characters actually handle in a scene
Motivated Lighting
Four Basic Properties of Sound
Props
Cover-Set
44. Shooting a scene from various angles
Dramatization
Assistant Camera
Back Light
Coverage
45. Process of combining the video and audio with the applied effect to create a new media file
Nonlinear Editing System
Rendering
Pick-Ups
Three Essential Elements of Drama
46. The order of events in your film
Plot
Parallel Action
Zooming In
Gaffer
47. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Director of Photography
Props
Audition
Three Essential Elements of Drama
48. Responsible for the proper use and actual placement of the microphones for optimal quality
Reverse Shots
Cover-Set
Cross Cutting
Boom Operator
49. Lens that offers a continuous range of focal lengths in one lens housing
Shot Size
Zoom Lens (Variable Focal Length Lens)
Depth of Field
Art Direction
50. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Storyboards
Side Light
Back Light
Wild Sound (Non-Sync Sound)