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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Frequency - Amplitude - Timbre - and Velocity
Depth of Field
Three Pre-Visualization Tools
Four Basic Properties of Sound
Elliptical Editing
2. A shot in which the subject looks directly at the camera
Ambient Sound
Wild Sound (Non-Sync Sound)
Direct Address
Spike
3. Shot - Shot Sequence - Scene - and Dramatic Sequence
Audition
'In the Mud'
Art Direction
Four Basic Elements in the Visual Language of Cinema
4. Loud - sudden sound that exceeds 0dB
Spike
Overheads
Assistant Camera
Reverberation
5. Closely scrutinizing the location for its technical and aesthetic capabilities
Talent Release
Location Technical Survey
Zooming In
Narrative Films
6. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Location Scouting
Back Light
Camera Setup
Rim Light
7. A shot in which the subject looks directly at the camera
Automatic Dialogue Replacement
Direct Address
Narrative Films
High-Key Lighting
8. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Cable Wrangler
1/3 - 2/3 Rule
Reverberation
Location Scouting
9. The physical placement of the camera on the set necessary to get each shot in your shooting script
Storyboards
Elliptical Editing
Camera Setup
Dramatization
10. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Assistant Camera
Headroom
Overheads
Shooting (Lined) Script
11. Executing more than one move at a time
Three Pre-Visualization Tools
1/3 - 2/3 Rule
Combination Move
Storyboards
12. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
T-Stops
Direct Address
Five Ways to Create a Parallel Action Sequence
Director of Photography
13. Changing the plane of critical focus during a take while the camera is running
Zooming Out
Three Pre-Visualization Tools
Side Light
Pulling Focus
14. Shooting a scene from various angles
Audition
Coverage
Sound Recordist
Three Essential Elements of Drama
15. Measures the strength of the incoming signal.
Cable Wrangler
Coverage
Peak Meter
Motivated Lighting
16. Finessing all of the edits one-by-one
Camera Setup
Fine Cut
Plot
High-Key Lighting
17. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
3/4 Back Light
Four Basic Elements in the Visual Language of Cinema
T-Stops
18. Removing extraneous time and territory
Cold Reading
Nonlinear Editing System
Three Essential Elements of Drama
Elliptical Editing
19. Another name for backlight because of the effect it gives the actor
Rim Light
Shot Size
Four Basic Properties of Sound
Nondestructive Editing
20. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Cable Wrangler
Master Shot
Headroom
3/4 Back Light
21. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Fine Cut
Master Shot
Prime Lens
Director of Photography
22. Shooting a scene from various angles
Shot List
Coverage
Rule of Thirds
Call Sheets
23. Loud - sudden sound that exceeds 0dB
Wild Sound (Non-Sync Sound)
Coverage
Spike
Zoom Lens (Variable Focal Length Lens)
24. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Cover-Set
Headshot/Bio
Fine Cut
High-Key Lighting
25. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Protagonist
Motivated Move
Cutaway Shot
Combination Move
26. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Cross Cutting
Peak Meter
Pulling Focus
Assistant Camera
27. First complete version of the narrative in proper screenplay format
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28. Responsible for the proper use and actual placement of the microphones for optimal quality
Parallel Action
Boom Operator
Prime Lens
Overheads
29. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Low-Key Lighting
'In the Mud'
High-Key Lighting
Audition
30. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Setting Levels
Location Technical Survey
Plot
Zooming In
31. Lighting unit that is 45
3/4 Back Light
Side Light
Reverberation
Zooming In
32. The recording of sync dialogue in a studio in cases where the production sound is not usable
Cold Reading
Three Essential Elements of Drama
Director of Photography
Automatic Dialogue Replacement
33. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Motivated Move
Zoom Lens (Variable Focal Length Lens)
Script Breakdown Sheet
Art Direction
34. Executing more than one move at a time
Location Technical Survey
Combination Move
Camera Setup
Boom Operator
35. The person who pulls focus
Focus Puller
Lens Speed
Author's Draft
Pick-Ups
36. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverse Shots
T-Stops
Rendering
Rim Light
37. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
T-Stops
Cable Wrangler
Zooming Out
Pulling Focus
38. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Assistant Camera
Spike
Cutaway Shot
39. The strategy of using movie lights to duplicate where light would logically be emanating from
Zoom Lens (Variable Focal Length Lens)
Motivated Lighting
Director of Photography
Combination Move
40. Removing extraneous time and territory
Side Light
Location Technical Survey
Shot Size
Elliptical Editing
41. Sound that includes both room acoustics and background noise
Ambient Sound
Five Ways to Create a Parallel Action Sequence
Shot Size
Four Basic Properties of Sound
42. Drawings of shots - arranged on paper in the order they appear in a sequence
1/3 - 2/3 Rule
Elliptical Editing
Green Room
Storyboards
43. Lens that has one fixed focal length for more precise manipulation of image quality
Zoom Lens (Variable Focal Length Lens)
Cover-Set
Prime Lens
Green Room
44. Character - Goal - and Conflict or Obstacles
Reverberation
Three Essential Elements of Drama
Narrative Films
Rim Light
45. To alternate between two or more scenes when editing a sequence
Call Sheets
Rule of Thirds
Nondestructive Editing
Cross Cutting
46. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Motivated Lighting
Levels
Focus Puller
Talent Release
47. Point to the original data without altering the media file
Location Scouting
Media File Indicators
Headshot/Bio
Overheads
48. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Headroom
Cover-Set
Low-Key Lighting
Sound Recordist
49. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Side Light
Gaffer
Headshot/Bio
50. This type of move breaks the promise of showing something else to the viewer
Pick-Ups
Talent Release
Direct Address
Unmotivated Move