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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverse Shots
Camera Setup
Pick-Ups
Art Direction
2. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
'In the Mud'
Treatment
Zooming In
Talent Release
3. A shot in which the subject looks directly at the camera
Shot List
Depth of Field
Direct Address
Fill Light
4. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Headshot/Bio
Focus Puller
Low-Key Lighting
Art Direction
5. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Gaffer
Ambient Sound
Low-Key Lighting
Rim Light
6. Changing the plane of critical focus during a take while the camera is running
Key Light
Overheads
Art Direction
Pulling Focus
7. To alternate between two or more scenes when editing a sequence
Low-Key Lighting
Nondestructive Editing
Ambient Sound
Cross Cutting
8. Refers to the size of your subject in the frame
Shot Size
Rim Light
Camera Setup
Director of Photography
9. First complete version of the narrative in proper screenplay format
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10. The movement of characters in the space
Art Direction
Fill Light
Narrative Films
Blocking
11. Lighting unit that is position 90
Side Light
1/3 - 2/3 Rule
High-Key Lighting
Overheads
12. Measures the strength of the incoming signal.
Rim Light
Low-Key Lighting
Peak Meter
Motivated Lighting
13. All camera moves need to be...
Rule of Thirds
Location Scouting
Motivated Move
Boom Operator
14. A shot in which the subject looks directly at the camera
Direct Address
Nonlinear Editing System
Art Direction
Spike
15. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Cable Wrangler
Location Scouting
Treatment
Shooting (Lined) Script
16. Shooting a scene from various angles
Talent Release
Assistant Camera
Headroom
Coverage
17. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Assistant Camera
Parallel Action
Boom Operator
Rim Light
18. Point to the original data without altering the media file
Pulling Focus
3/4 Back Light
Media File Indicators
Nonlinear Editing System
19. Form used in film production to keep track of all the mise-en-sc
Script Breakdown Sheet
Boom Operator
Props
Key Light
20. Finessing all of the edits one-by-one
Low-Key Lighting
Fill Light
Talent Release
Fine Cut
21. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Fine Cut
Cover-Set
Media File Indicators
Sound Recordist
22. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Gaffer
Props
Boom Operator
Nonlinear Editing System
23. Process of combining the video and audio with the applied effect to create a new media file
Assistant Camera
Script Breakdown Sheet
Rendering
Lens Speed
24. Form used in film production to keep track of all the mise-en-sc
Media File Indicators
Script Breakdown Sheet
Parallel Action
Three Pre-Visualization Tools
25. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
Pick-Ups
Three Pre-Visualization Tools
Prime Lens
26. Lens that has one fixed focal length for more precise manipulation of image quality
Cold Reading
Zooming Out
Rule of Thirds
Prime Lens
27. Refers to the size of your subject in the frame
Shot Size
Green Room
Fill Light
Rendering
28. The range of apparent focus along the z-axis
Depth of Field
Back Light
Camera Setup
Cover-Set
29. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Boom Operator
Depth of Field
Focus Puller
Nonlinear Editing System
30. Simple but comprehensive prose description of a film's plot
Treatment
Headshot/Bio
Rule of Thirds
Nonlinear Editing System
31. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Dramatization
Back Light
Shot Size
Art Direction
32. The order of events in your film
Elliptical Editing
Plot
Unmotivated Move
Cable Wrangler
33. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
T-Stops
Zoom Lens (Variable Focal Length Lens)
Audition
Circle of Confusion
34. Responsible for the proper use and actual placement of the microphones for optimal quality
Rendering
Boom Operator
Protagonist
'In the Mud'
35. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Pulling Focus
Protagonist
1/3 - 2/3 Rule
Zooming Out
36. Primary source of illumination in your scene. Usually it is a motivated light source.
Audition
Location Technical Survey
Cross Cutting
Key Light
37. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Focus Puller
Treatment
Headroom
Blocking
38. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Sound Recordist
Low-Key Lighting
Shooting (Lined) Script
Cover-Set
39. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Director of Photography
Nondestructive Editing
Dramatization
Pick-Ups
40. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Automatic Dialogue Replacement
Rule of Thirds
Narrative Films
Motivated Move
41. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Levels
Talent Release
Shooting (Lined) Script
42. Soft light that fills in the shadows created by the Key Light
Prime Lens
T-Stops
Fill Light
Blocking
43. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Call Sheets
Back Light
High-Key Lighting
44. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
T-Stops
Location Technical Survey
Fill Light
Audition
45. Standard calling card. 8x10 photograph on one side and a resume on the other.
Rim Light
Headshot/Bio
Green Room
Circle of Confusion
46. Point to the original data without altering the media file
Depth of Field
Media File Indicators
Three Pre-Visualization Tools
Gaffer
47. Closely scrutinizing the location for its technical and aesthetic capabilities
Nondestructive Editing
Shot List
Parallel Action
Location Technical Survey
48. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Narrative Films
Key Light
Talent Release
49. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Levels
Three Pre-Visualization Tools
Wild Sound (Non-Sync Sound)
Focus Puller
50. First complete version of the narrative in proper screenplay format
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