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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Cable Wrangler
Three Essential Elements of Drama
Rule of Thirds
2. Recording is too low
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3. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Narrative Films
Storyboards
Wild Sound (Non-Sync Sound)
4. Finessing all of the edits one-by-one
Boom Operator
Fine Cut
Shot List
Pulling Focus
5. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Zooming Out
Reverse Shots
Narrative Films
Elliptical Editing
6. Refers to the size of your subject in the frame
Shot Size
Reverberation
Zoom Lens (Variable Focal Length Lens)
3/4 Back Light
7. Measures the strength of the incoming signal.
Peak Meter
Prime Lens
Parallel Action
Narrative Films
8. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Cover-Set
Fine Cut
Rule of Thirds
9. Another name for backlight because of the effect it gives the actor
Rim Light
Shot Size
Headroom
Cutaway Shot
10. Form used in film production to keep track of all the mise-en-sc
Peak Meter
Script Breakdown Sheet
Cover-Set
Focus Puller
11. The measurement of acceptable diameter which creates the appearance of focus
Elliptical Editing
Circle of Confusion
Sound Recordist
Script Breakdown Sheet
12. List of all the shots that make up the film in the order in which they will be shot
Shot List
Nonlinear Editing System
Levels
Four Basic Elements in the Visual Language of Cinema
13. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Rule of Thirds
Fill Light
Five Ways to Create a Parallel Action Sequence
Media File Indicators
14. Shooting a scene from various angles
Coverage
Reverberation
Media File Indicators
Director of Photography
15. Primary source of illumination in your scene. Usually it is a motivated light source.
Depth of Field
Parallel Action
Key Light
High-Key Lighting
16. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Side Light
Nondestructive Editing
Call Sheets
Depth of Field
17. All camera moves need to be...
Dramatization
Cover-Set
Motivated Move
Director of Photography
18. Lighting unit that is 45
3/4 Back Light
T-Stops
Circle of Confusion
Location Technical Survey
19. The physical placement of the camera on the set necessary to get each shot in your shooting script
Levels
Narrative Films
Call Sheets
Camera Setup
20. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Reverse Shots
Peak Meter
Five Ways to Create a Parallel Action Sequence
Shooting (Lined) Script
21. The order of events in your film
Spike
Plot
Nondestructive Editing
Call Sheets
22. The person who pulls focus
Zooming Out
Nondestructive Editing
Focus Puller
Protagonist
23. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Green Room
Wild Sound (Non-Sync Sound)
Rule of Thirds
Zooming In
24. Measures the strength of the incoming signal.
Direct Address
Green Room
Narrative Films
Peak Meter
25. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Cable Wrangler
Zooming Out
Spike
Pick-Ups
26. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Low-Key Lighting
Low-Key Lighting
Zooming Out
Reverse Shots
27. Drawings of shots - arranged on paper in the order they appear in a sequence
Protagonist
Low-Key Lighting
Storyboards
Coverage
28. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Shooting (Lined) Script
Green Room
Nonlinear Editing System
Reverse Shots
29. Character - Goal - and Conflict or Obstacles
Prime Lens
Zooming Out
Three Essential Elements of Drama
Location Technical Survey
30. The range of apparent focus along the z-axis
Call Sheets
Coverage
Depth of Field
Rim Light
31. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
T-Stops
Motivated Lighting
Headroom
Master Shot
32. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Ambient Sound
T-Stops
Elliptical Editing
Spike
33. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Narrative Films
Dramatization
High-Key Lighting
Parallel Action
34. A shot of a detail within your scene other than the characters' faces
Cutaway Shot
1/3 - 2/3 Rule
Three Pre-Visualization Tools
Narrative Films
35. Point to the original data without altering the media file
Cable Wrangler
Media File Indicators
Key Light
Cover-Set
36. Responsible for the proper use and actual placement of the microphones for optimal quality
Shot List
Art Direction
Pulling Focus
Boom Operator
37. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Four Basic Elements in the Visual Language of Cinema
Prime Lens
Four Basic Elements in the Visual Language of Cinema
Shooting (Lined) Script
38. List of all the shots that make up the film in the order in which they will be shot
Side Light
Depth of Field
Levels
Shot List
39. The things that our characters actually handle in a scene
Props
Audition
Storyboards
Motivated Move
40. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Circle of Confusion
Low-Key Lighting
Shot List
Storyboards
41. Lens that offers a continuous range of focal lengths in one lens housing
Peak Meter
Zoom Lens (Variable Focal Length Lens)
T-Stops
Reverse Shots
42. Reading from the script pages that actors are given minutes before the audition
Assistant Camera
Rim Light
Sound Recordist
Cold Reading
43. Lens that has one fixed focal length for more precise manipulation of image quality
Cable Wrangler
Pulling Focus
T-Stops
Prime Lens
44. Simple but comprehensive prose description of a film's plot
Treatment
3/4 Back Light
Setting Levels
Key Light
45. Removing extraneous time and territory
Wild Sound (Non-Sync Sound)
Low-Key Lighting
Elliptical Editing
3/4 Back Light
46. Lighting unit that is position 90
Location Technical Survey
Side Light
Setting Levels
Sound Recordist
47. A shot in which the subject looks directly at the camera
Four Basic Properties of Sound
Fill Light
Nonlinear Editing System
Direct Address
48. Refers to the size of your subject in the frame
Three Essential Elements of Drama
Zooming Out
Shot Size
Pick-Ups
49. Simple but comprehensive prose description of a film's plot
Direct Address
Setting Levels
Treatment
Shot List
50. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Plot
Rule of Thirds
Spike