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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Form used in film production to keep track of all the mise-en-sc
Zooming In
Wild Sound (Non-Sync Sound)
Ambient Sound
Script Breakdown Sheet
2. Drawings of shots - arranged on paper in the order they appear in a sequence
Shot Size
Shooting (Lined) Script
Script Breakdown Sheet
Storyboards
3. The order of events in your film
Assistant Camera
Parallel Action
Circle of Confusion
Plot
4. The physical placement of the camera on the set necessary to get each shot in your shooting script
Setting Levels
Green Room
Plot
Camera Setup
5. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Props
Zooming In
Media File Indicators
Low-Key Lighting
6. Lens that has one fixed focal length for more precise manipulation of image quality
Motivated Move
Depth of Field
Reverberation
Prime Lens
7. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Low-Key Lighting
Coverage
Fine Cut
1/3 - 2/3 Rule
8. Sound that includes both room acoustics and background noise
Rim Light
Pick-Ups
Ambient Sound
Focus Puller
9. The measurement of acceptable diameter which creates the appearance of focus
Three Pre-Visualization Tools
Circle of Confusion
Location Scouting
Coverage
10. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Four Basic Elements in the Visual Language of Cinema
High-Key Lighting
Parallel Action
Overheads
11. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Pulling Focus
Automatic Dialogue Replacement
Four Basic Elements in the Visual Language of Cinema
Zooming Out
12. Executing more than one move at a time
Combination Move
Cable Wrangler
Assistant Camera
Reverse Shots
13. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Master Shot
Shot List
Dramatization
Call Sheets
14. Point to the original data without altering the media file
Peak Meter
Media File Indicators
Cutaway Shot
Cutaway Shot
15. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Prime Lens
Call Sheets
Rule of Thirds
Overheads
16. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Low-Key Lighting
Treatment
Rule of Thirds
Four Basic Elements in the Visual Language of Cinema
17. Lens that offers a continuous range of focal lengths in one lens housing
Overheads
'In the Mud'
Zoom Lens (Variable Focal Length Lens)
Art Direction
18. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Prime Lens
Author's Draft
Sound Recordist
Focus Puller
19. Lighting unit that is 45
Art Direction
Focus Puller
3/4 Back Light
Headroom
20. The person who pulls focus
Director of Photography
Pick-Ups
Peak Meter
Focus Puller
21. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Shooting (Lined) Script
Director of Photography
Unmotivated Move
Side Light
22. The movement of characters in the space
High-Key Lighting
Fine Cut
Pulling Focus
Blocking
23. Lens that has one fixed focal length for more precise manipulation of image quality
Pulling Focus
Reverse Shots
Headshot/Bio
Prime Lens
24. Lens that offers a continuous range of focal lengths in one lens housing
Cover-Set
Zoom Lens (Variable Focal Length Lens)
Parallel Action
Low-Key Lighting
25. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Zooming In
Reverberation
Nondestructive Editing
Zooming In
26. Reading from the script pages that actors are given minutes before the audition
Nonlinear Editing System
Cold Reading
Fine Cut
Motivated Lighting
27. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Side Light
Art Direction
Ambient Sound
Levels
28. Transforming what is vague and internal into a series of viewable and audible actions and events
Sound Recordist
Dramatization
Art Direction
Reverberation
29. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Cover-Set
Low-Key Lighting
Storyboards
Dramatization
30. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Assistant Camera
1/3 - 2/3 Rule
Boom Operator
Low-Key Lighting
31. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Pick-Ups
Reverberation
Art Direction
Audition
32. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Treatment
Reverberation
Zooming In
33. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Lens Speed
Circle of Confusion
Talent Release
34. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Coverage
Shooting (Lined) Script
3/4 Back Light
Shot Size
35. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverse Shots
Boom Operator
Protagonist
Cold Reading
36. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Depth of Field
Dramatization
Direct Address
Assistant Camera
37. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Location Technical Survey
Rim Light
Four Basic Properties of Sound
Back Light
38. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Green Room
Pick-Ups
Circle of Confusion
Audition
39. Changing the plane of critical focus during a take while the camera is running
Fine Cut
Parallel Action
Lens Speed
Pulling Focus
40. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Sound Recordist
Zooming In
Reverse Shots
Shooting (Lined) Script
41. Finessing all of the edits one-by-one
Reverberation
Coverage
Shot List
Fine Cut
42. Shooting Script - Overheads - and Storyboards
Sound Recordist
Three Pre-Visualization Tools
Reverberation
Depth of Field
43. Character - Goal - and Conflict or Obstacles
Shot List
Three Essential Elements of Drama
Five Ways to Create a Parallel Action Sequence
Zoom Lens (Variable Focal Length Lens)
44. Process of combining the video and audio with the applied effect to create a new media file
Unmotivated Move
Rendering
1/3 - 2/3 Rule
'In the Mud'
45. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Headroom
Script Breakdown Sheet
Pick-Ups
46. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Script Breakdown Sheet
Zooming In
Camera Setup
Prime Lens
47. The range of apparent focus along the z-axis
Cover-Set
Shot Size
Zooming Out
Depth of Field
48. Standard calling card. 8x10 photograph on one side and a resume on the other.
Headshot/Bio
Reverberation
Boom Operator
Assistant Camera
49. To alternate between two or more scenes when editing a sequence
Dramatization
Call Sheets
Talent Release
Cross Cutting
50. Removing extraneous time and territory
Pulling Focus
Elliptical Editing
Art Direction
Key Light
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