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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Wild Sound (Non-Sync Sound)
Circle of Confusion
Elliptical Editing
Cable Wrangler
2. Form used in film production to keep track of all the mise-en-sc
Pick-Ups
Script Breakdown Sheet
Author's Draft
Cover-Set
3. Lighting unit that is 45
3/4 Back Light
Cable Wrangler
Storyboards
Parallel Action
4. The person who pulls focus
Reverse Shots
Focus Puller
Camera Setup
Lens Speed
5. Refers to the size of your subject in the frame
Back Light
Shot Size
Boom Operator
Camera Setup
6. List of all the shots that make up the film in the order in which they will be shot
Reverse Shots
Nonlinear Editing System
Shot List
Props
7. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Four Basic Elements in the Visual Language of Cinema
Levels
Headroom
Sound Recordist
8. Shot - Shot Sequence - Scene - and Dramatic Sequence
'In the Mud'
Four Basic Elements in the Visual Language of Cinema
Depth of Field
Nonlinear Editing System
9. Reading from the script pages that actors are given minutes before the audition
Side Light
Assistant Camera
Three Pre-Visualization Tools
Cold Reading
10. Soft light that fills in the shadows created by the Key Light
Master Shot
Fill Light
Pulling Focus
Prime Lens
11. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Four Basic Elements in the Visual Language of Cinema
Zooming In
T-Stops
Overheads
12. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Director of Photography
Overheads
Lens Speed
Lens Speed
13. Executing more than one move at a time
Location Technical Survey
Three Essential Elements of Drama
Combination Move
Pick-Ups
14. Process of combining the video and audio with the applied effect to create a new media file
Shot Size
Zooming Out
Rendering
Cable Wrangler
15. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Gaffer
Headroom
Rule of Thirds
Three Essential Elements of Drama
16. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Ambient Sound
Headroom
Shot List
17. Soft light that fills in the shadows created by the Key Light
Wild Sound (Non-Sync Sound)
Cable Wrangler
Fill Light
Props
18. Removing extraneous time and territory
Zooming In
Zooming In
Elliptical Editing
Art Direction
19. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Treatment
Script Breakdown Sheet
Five Ways to Create a Parallel Action Sequence
Camera Setup
20. Recording is too low
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21. The person who pulls focus
Lens Speed
Depth of Field
Location Scouting
Focus Puller
22. Shooting a scene from various angles
Cold Reading
Coverage
Spike
Cross Cutting
23. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Zoom Lens (Variable Focal Length Lens)
Cold Reading
Parallel Action
24. Shot - Shot Sequence - Scene - and Dramatic Sequence
Plot
Assistant Camera
Four Basic Elements in the Visual Language of Cinema
Back Light
25. Primary source of illumination in your scene. Usually it is a motivated light source.
Script Breakdown Sheet
Narrative Films
Nondestructive Editing
Key Light
26. Measures the strength of the incoming signal.
Fine Cut
Peak Meter
Side Light
Low-Key Lighting
27. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Gaffer
Script Breakdown Sheet
Cable Wrangler
Zooming In
28. The range of apparent focus along the z-axis
Audition
Prime Lens
Cross Cutting
Depth of Field
29. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Lens Speed
Master Shot
Media File Indicators
Four Basic Properties of Sound
30. Lens that offers a continuous range of focal lengths in one lens housing
Elliptical Editing
Shot List
Lens Speed
Zoom Lens (Variable Focal Length Lens)
31. Controlling the strength of the signal
Cutaway Shot
Boom Operator
Rendering
Setting Levels
32. Lens that has one fixed focal length for more precise manipulation of image quality
Setting Levels
1/3 - 2/3 Rule
Pick-Ups
Prime Lens
33. Lighting unit that is position 90
Motivated Move
Side Light
Three Pre-Visualization Tools
Media File Indicators
34. A shot in which the subject looks directly at the camera
Script Breakdown Sheet
Direct Address
Parallel Action
Rule of Thirds
35. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Director of Photography
Talent Release
3/4 Back Light
Cover-Set
36. The range of apparent focus along the z-axis
Low-Key Lighting
Depth of Field
'In the Mud'
Location Technical Survey
37. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
T-Stops
Levels
Pulling Focus
1/3 - 2/3 Rule
38. Finessing all of the edits one-by-one
Fine Cut
Assistant Camera
Four Basic Elements in the Visual Language of Cinema
Setting Levels
39. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Audition
Cross Cutting
Back Light
Four Basic Properties of Sound
40. Another name for backlight because of the effect it gives the actor
Master Shot
Rim Light
Motivated Lighting
Script Breakdown Sheet
41. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Art Direction
Prime Lens
'In the Mud'
Five Ways to Create a Parallel Action Sequence
42. Shooting Script - Overheads - and Storyboards
Pick-Ups
Three Pre-Visualization Tools
Combination Move
Back Light
43. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
1/3 - 2/3 Rule
Elliptical Editing
Pick-Ups
Depth of Field
44. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Cross Cutting
Zooming Out
Shot List
Props
45. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Headroom
Gaffer
Motivated Lighting
46. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Author's Draft
Location Scouting
Parallel Action
Pick-Ups
47. Sound that includes both room acoustics and background noise
Author's Draft
High-Key Lighting
Five Ways to Create a Parallel Action Sequence
Ambient Sound
48. Primary source of illumination in your scene. Usually it is a motivated light source.
Plot
Lens Speed
Rim Light
Key Light
49. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Cross Cutting
Fine Cut
Dramatization
Narrative Films
50. Executing more than one move at a time
Rendering
Zooming In
Combination Move
Side Light