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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Controlling the strength of the signal
Three Essential Elements of Drama
3/4 Back Light
Setting Levels
Narrative Films
2. Refers to the size of your subject in the frame
Cover-Set
Shot Size
Location Technical Survey
Cold Reading
3. Simple but comprehensive prose description of a film's plot
Treatment
Location Scouting
Cutaway Shot
Overheads
4. To alternate between two or more scenes when editing a sequence
Boom Operator
Depth of Field
Levels
Cross Cutting
5. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Circle of Confusion
Assistant Camera
High-Key Lighting
3/4 Back Light
6. Shot - Shot Sequence - Scene - and Dramatic Sequence
Back Light
Motivated Move
Reverse Shots
Four Basic Elements in the Visual Language of Cinema
7. Form used in film production to keep track of all the mise-en-sc
Plot
Script Breakdown Sheet
Peak Meter
Elliptical Editing
8. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Lens Speed
Talent Release
Peak Meter
Green Room
9. The strategy of using movie lights to duplicate where light would logically be emanating from
Storyboards
Levels
Motivated Lighting
Props
10. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
Four Basic Properties of Sound
Cutaway Shot
Three Pre-Visualization Tools
11. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Narrative Films
Four Basic Properties of Sound
Wild Sound (Non-Sync Sound)
12. Recording is too low
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13. Simple but comprehensive prose description of a film's plot
Treatment
Boom Operator
Elliptical Editing
Focus Puller
14. Recording is too low
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15. Lighting unit that is 45
Plot
3/4 Back Light
Pick-Ups
Cold Reading
16. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zooming In
Cover-Set
Treatment
Key Light
17. The person who pulls focus
Fine Cut
Reverberation
Focus Puller
Key Light
18. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Dramatization
Cable Wrangler
'In the Mud'
19. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Talent Release
Nondestructive Editing
Parallel Action
Shooting (Lined) Script
20. Executing more than one move at a time
Pick-Ups
Overheads
Shooting (Lined) Script
Combination Move
21. The strategy of using movie lights to duplicate where light would logically be emanating from
Reverberation
Cutaway Shot
Motivated Lighting
Overheads
22. Another name for backlight because of the effect it gives the actor
Rim Light
3/4 Back Light
Three Pre-Visualization Tools
Automatic Dialogue Replacement
23. A shot in which the subject looks directly at the camera
Shot List
Location Scouting
Camera Setup
Direct Address
24. The movement of characters in the space
Media File Indicators
Blocking
Zooming In
Three Essential Elements of Drama
25. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Cross Cutting
Headroom
Narrative Films
Pulling Focus
26. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Plot
Focus Puller
Gaffer
Art Direction
27. Standard calling card. 8x10 photograph on one side and a resume on the other.
Sound Recordist
Five Ways to Create a Parallel Action Sequence
Headshot/Bio
Levels
28. Loud - sudden sound that exceeds 0dB
Spike
Protagonist
Direct Address
Green Room
29. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Rule of Thirds
Low-Key Lighting
Dramatization
Shot List
30. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Storyboards
Prime Lens
1/3 - 2/3 Rule
Fill Light
31. List of all the shots that make up the film in the order in which they will be shot
Coverage
Shot List
Wild Sound (Non-Sync Sound)
Four Basic Elements in the Visual Language of Cinema
32. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Nondestructive Editing
Cold Reading
Nonlinear Editing System
Green Room
33. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Combination Move
Zoom Lens (Variable Focal Length Lens)
Headroom
Back Light
34. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Low-Key Lighting
Automatic Dialogue Replacement
Direct Address
Cover-Set
35. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Pick-Ups
Media File Indicators
Motivated Lighting
Lens Speed
36. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Rendering
Peak Meter
Plot
37. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
Three Pre-Visualization Tools
Narrative Films
Zooming In
38. The things that our characters actually handle in a scene
Call Sheets
Props
Media File Indicators
Talent Release
39. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Media File Indicators
Rule of Thirds
Key Light
40. Removing extraneous time and territory
Elliptical Editing
Four Basic Properties of Sound
Cutaway Shot
Master Shot
41. Measures the strength of the incoming signal.
Reverse Shots
Protagonist
Peak Meter
Five Ways to Create a Parallel Action Sequence
42. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Headshot/Bio
Low-Key Lighting
'In the Mud'
Reverberation
43. List of all the shots that make up the film in the order in which they will be shot
Location Scouting
Master Shot
Location Technical Survey
Shot List
44. All camera moves need to be...
Motivated Lighting
Motivated Move
Props
Levels
45. Responsible for the proper use and actual placement of the microphones for optimal quality
Boom Operator
Headroom
Call Sheets
High-Key Lighting
46. The order of events in your film
Plot
Back Light
Rim Light
Headroom
47. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Four Basic Elements in the Visual Language of Cinema
Talent Release
Focus Puller
Four Basic Properties of Sound
48. Lighting unit that is 45
Master Shot
Green Room
Fine Cut
3/4 Back Light
49. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Location Scouting
Sound Recordist
Cutaway Shot
Overheads
50. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Unmotivated Move
Wild Sound (Non-Sync Sound)
Zoom Lens (Variable Focal Length Lens)
Headroom