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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Transforming what is vague and internal into a series of viewable and audible actions and events
Director of Photography
Spike
Four Basic Properties of Sound
Dramatization
2. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Dramatization
Shooting (Lined) Script
Nonlinear Editing System
Location Technical Survey
3. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Fine Cut
Rim Light
Assistant Camera
4. The strategy of using movie lights to duplicate where light would logically be emanating from
Camera Setup
Nonlinear Editing System
Motivated Lighting
Three Essential Elements of Drama
5. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Media File Indicators
Peak Meter
Call Sheets
Cover-Set
6. Primary source of illumination in your scene. Usually it is a motivated light source.
Talent Release
Fine Cut
Key Light
'In the Mud'
7. Recording is too low
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8. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Pulling Focus
Low-Key Lighting
Automatic Dialogue Replacement
9. Controlling the strength of the signal
Camera Setup
Focus Puller
T-Stops
Setting Levels
10. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Fill Light
Location Technical Survey
Low-Key Lighting
11. Lens that has one fixed focal length for more precise manipulation of image quality
Automatic Dialogue Replacement
Prime Lens
Three Pre-Visualization Tools
Reverberation
12. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Reverberation
Media File Indicators
3/4 Back Light
Rule of Thirds
13. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Cold Reading
Wild Sound (Non-Sync Sound)
Nonlinear Editing System
Audition
14. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
3/4 Back Light
Circle of Confusion
Protagonist
Low-Key Lighting
15. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
1/3 - 2/3 Rule
Back Light
Peak Meter
Assistant Camera
16. Executing more than one move at a time
Shot Size
Headroom
T-Stops
Combination Move
17. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Director of Photography
Cross Cutting
Storyboards
Focus Puller
18. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Elliptical Editing
Direct Address
Nondestructive Editing
Five Ways to Create a Parallel Action Sequence
19. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Rule of Thirds
Fill Light
Call Sheets
Automatic Dialogue Replacement
20. Responsible for the proper use and actual placement of the microphones for optimal quality
Boom Operator
Zoom Lens (Variable Focal Length Lens)
Automatic Dialogue Replacement
Four Basic Elements in the Visual Language of Cinema
21. The movement of characters in the space
Blocking
Media File Indicators
Audition
Cable Wrangler
22. Lighting unit that is 45
Automatic Dialogue Replacement
3/4 Back Light
Side Light
Cross Cutting
23. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Cutaway Shot
Five Ways to Create a Parallel Action Sequence
1/3 - 2/3 Rule
Cross Cutting
24. Removing extraneous time and territory
Elliptical Editing
Blocking
Nondestructive Editing
Cutaway Shot
25. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Zooming Out
Headroom
Shooting (Lined) Script
Reverberation
26. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Five Ways to Create a Parallel Action Sequence
Narrative Films
Zoom Lens (Variable Focal Length Lens)
Unmotivated Move
27. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Dramatization
Protagonist
Peak Meter
Nonlinear Editing System
28. Loud - sudden sound that exceeds 0dB
Reverberation
Spike
Motivated Lighting
Narrative Films
29. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Art Direction
Plot
Back Light
Assistant Camera
30. Changing the plane of critical focus during a take while the camera is running
Focus Puller
Coverage
Cutaway Shot
Pulling Focus
31. The range of apparent focus along the z-axis
Author's Draft
Lens Speed
Depth of Field
Dramatization
32. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Pick-Ups
Headroom
Three Pre-Visualization Tools
Call Sheets
33. A shot in which the subject looks directly at the camera
Shot Size
Direct Address
Audition
Location Scouting
34. Character - Goal - and Conflict or Obstacles
Storyboards
Three Essential Elements of Drama
Parallel Action
Lens Speed
35. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Location Scouting
Depth of Field
Pick-Ups
Lens Speed
36. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Peak Meter
Cover-Set
Gaffer
Blocking
37. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Reverberation
Lens Speed
Side Light
Zooming Out
38. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Circle of Confusion
Zoom Lens (Variable Focal Length Lens)
Assistant Camera
Fine Cut
39. Standard calling card. 8x10 photograph on one side and a resume on the other.
Talent Release
Depth of Field
Headroom
Headshot/Bio
40. Drawings of shots - arranged on paper in the order they appear in a sequence
Four Basic Elements in the Visual Language of Cinema
Motivated Move
Zoom Lens (Variable Focal Length Lens)
Storyboards
41. The order of events in your film
Script Breakdown Sheet
Plot
Green Room
Zooming Out
42. Lighting unit that is 45
Five Ways to Create a Parallel Action Sequence
Overheads
3/4 Back Light
Director of Photography
43. Reading from the script pages that actors are given minutes before the audition
3/4 Back Light
Ambient Sound
Assistant Camera
Cold Reading
44. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Spike
T-Stops
Headroom
Media File Indicators
45. Measures the strength of the incoming signal.
Reverse Shots
Five Ways to Create a Parallel Action Sequence
Low-Key Lighting
Peak Meter
46. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
1/3 - 2/3 Rule
Narrative Films
Props
Low-Key Lighting
47. Another name for backlight because of the effect it gives the actor
Setting Levels
Narrative Films
Rim Light
Narrative Films
48. Refers to the size of your subject in the frame
Pick-Ups
Shot Size
Cold Reading
Three Essential Elements of Drama
49. Primary source of illumination in your scene. Usually it is a motivated light source.
Pick-Ups
Key Light
Rule of Thirds
Peak Meter
50. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Four Basic Properties of Sound
Setting Levels
Location Technical Survey