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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Standard calling card. 8x10 photograph on one side and a resume on the other.
Assistant Camera
Side Light
Audition
Headshot/Bio
2. The strategy of using movie lights to duplicate where light would logically be emanating from
Motivated Lighting
Rim Light
Setting Levels
Props
3. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Protagonist
Gaffer
Talent Release
Rendering
4. The things that our characters actually handle in a scene
Circle of Confusion
1/3 - 2/3 Rule
Props
Author's Draft
5. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Three Pre-Visualization Tools
Assistant Camera
Nondestructive Editing
Cold Reading
6. A shot in which the subject looks directly at the camera
Script Breakdown Sheet
Levels
T-Stops
Direct Address
7. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Cable Wrangler
Direct Address
Motivated Move
Zoom Lens (Variable Focal Length Lens)
8. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Headshot/Bio
Director of Photography
Wild Sound (Non-Sync Sound)
Combination Move
9. Character - Goal - and Conflict or Obstacles
Three Essential Elements of Drama
Shot Size
Zooming Out
Depth of Field
10. Recording is too low
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11. To alternate between two or more scenes when editing a sequence
Master Shot
Rule of Thirds
Zooming In
Cross Cutting
12. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Blocking
Headroom
T-Stops
Treatment
13. Another name for backlight because of the effect it gives the actor
Nonlinear Editing System
Motivated Lighting
Rim Light
T-Stops
14. Soft light that fills in the shadows created by the Key Light
Fill Light
Wild Sound (Non-Sync Sound)
Headshot/Bio
Narrative Films
15. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Sound Recordist
Nondestructive Editing
Dramatization
16. Changing the plane of critical focus during a take while the camera is running
Storyboards
Storyboards
Setting Levels
Pulling Focus
17. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Automatic Dialogue Replacement
High-Key Lighting
Reverberation
Talent Release
18. The movement of characters in the space
Script Breakdown Sheet
Blocking
Nonlinear Editing System
Green Room
19. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Zoom Lens (Variable Focal Length Lens)
Levels
Shot List
Cover-Set
20. Measures the strength of the incoming signal.
Director of Photography
Media File Indicators
Peak Meter
Ambient Sound
21. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Motivated Move
High-Key Lighting
Rule of Thirds
Director of Photography
22. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Shot Size
Nondestructive Editing
Coverage
Master Shot
23. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Rim Light
Art Direction
Cable Wrangler
Three Pre-Visualization Tools
24. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Direct Address
Shot Size
Assistant Camera
Reverse Shots
25. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Elliptical Editing
Pick-Ups
Zooming Out
Three Essential Elements of Drama
26. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
1/3 - 2/3 Rule
Side Light
Overheads
Reverse Shots
27. The person who pulls focus
Motivated Move
Parallel Action
Location Technical Survey
Focus Puller
28. Finessing all of the edits one-by-one
Fine Cut
Prime Lens
Talent Release
Coverage
29. The recording of sync dialogue in a studio in cases where the production sound is not usable
Headroom
Lens Speed
Three Essential Elements of Drama
Automatic Dialogue Replacement
30. First complete version of the narrative in proper screenplay format
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31. Responsible for the proper use and actual placement of the microphones for optimal quality
Media File Indicators
Boom Operator
Plot
Spike
32. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Zoom Lens (Variable Focal Length Lens)
Nonlinear Editing System
Reverse Shots
Three Essential Elements of Drama
33. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Three Essential Elements of Drama
Lens Speed
Green Room
Coverage
34. Closely scrutinizing the location for its technical and aesthetic capabilities
Levels
Location Technical Survey
Headroom
Camera Setup
35. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Narrative Films
Automatic Dialogue Replacement
Dramatization
Wild Sound (Non-Sync Sound)
36. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Plot
Overheads
Gaffer
Treatment
37. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Pick-Ups
Media File Indicators
Shot Size
Gaffer
38. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Pick-Ups
Reverse Shots
Assistant Camera
39. To alternate between two or more scenes when editing a sequence
Cross Cutting
Three Pre-Visualization Tools
Cable Wrangler
Depth of Field
40. The measurement of acceptable diameter which creates the appearance of focus
Automatic Dialogue Replacement
Lens Speed
Rule of Thirds
Circle of Confusion
41. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Overheads
Cutaway Shot
Key Light
Zooming In
42. Lighting unit that is 45
Narrative Films
Overheads
3/4 Back Light
Rim Light
43. Simple but comprehensive prose description of a film's plot
Audition
Treatment
Cross Cutting
Camera Setup
44. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Ambient Sound
Shooting (Lined) Script
Nonlinear Editing System
Depth of Field
45. A shot of a detail within your scene other than the characters' faces
Nonlinear Editing System
Cutaway Shot
Headroom
Back Light
46. Lighting unit that is 45
3/4 Back Light
Media File Indicators
Rim Light
Three Pre-Visualization Tools
47. The range of apparent focus along the z-axis
Headshot/Bio
Depth of Field
'In the Mud'
Talent Release
48. Changing the plane of critical focus during a take while the camera is running
Nonlinear Editing System
Rule of Thirds
Media File Indicators
Pulling Focus
49. The movement of characters in the space
Four Basic Properties of Sound
Levels
Combination Move
Blocking
50. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Location Scouting
Four Basic Properties of Sound
Headshot/Bio
Unmotivated Move
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