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Intro To Film Production

Subjects : performing-arts, film
Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle






2. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them






3. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather






4. The measurement of acceptable diameter which creates the appearance of focus






5. Sound that includes both room acoustics and background noise






6. First complete version of the narrative in proper screenplay format

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7. The movement of characters in the space






8. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal






9. The things that our characters actually handle in a scene






10. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges






11. All camera moves need to be...






12. Changing the plane of critical focus during a take while the camera is running






13. Standard calling card. 8x10 photograph on one side and a resume on the other.






14. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.






15. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)






16. List of all the shots that make up the film in the order in which they will be shot






17. The range of apparent focus along the z-axis






18. Character - Goal - and Conflict or Obstacles






19. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.






20. Recording is too low

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21. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal






22. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.






23. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need






24. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.






25. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)






26. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.






27. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.






28. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point






29. Drawings of shots - arranged on paper in the order they appear in a sequence






30. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various






31. Controlling the strength of the signal






32. Sound that includes both room acoustics and background noise






33. Frequency - Amplitude - Timbre - and Velocity






34. Controlling the strength of the signal






35. A shot of a detail within your scene other than the characters' faces






36. Lighting unit that is 45






37. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)






38. Reading from the script pages that actors are given minutes before the audition






39. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.






40. Loud - sudden sound that exceeds 0dB






41. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various






42. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.






43. Shooting Script - Overheads - and Storyboards






44. Lens that offers a continuous range of focal lengths in one lens housing






45. Closely scrutinizing the location for its technical and aesthetic capabilities






46. The things that our characters actually handle in a scene






47. Finessing all of the edits one-by-one






48. Point to the original data without altering the media file






49. This type of move breaks the promise of showing something else to the viewer






50. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.







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