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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lens that offers a continuous range of focal lengths in one lens housing
Zoom Lens (Variable Focal Length Lens)
Levels
Depth of Field
Zooming In
2. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Shot Size
Shooting (Lined) Script
Ambient Sound
Overheads
3. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Motivated Move
Call Sheets
Location Scouting
Cross Cutting
4. The measurement of acceptable diameter which creates the appearance of focus
Zoom Lens (Variable Focal Length Lens)
Circle of Confusion
Lens Speed
Location Technical Survey
5. Responsible for the proper use and actual placement of the microphones for optimal quality
Script Breakdown Sheet
Storyboards
Peak Meter
Boom Operator
6. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Assistant Camera
Combination Move
Blocking
Depth of Field
7. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Props
Rim Light
Nondestructive Editing
Motivated Lighting
8. Sound that includes both room acoustics and background noise
Three Pre-Visualization Tools
Narrative Films
Ambient Sound
Reverse Shots
9. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Fine Cut
Protagonist
Shooting (Lined) Script
Call Sheets
10. A shot in which the subject looks directly at the camera
Direct Address
Zoom Lens (Variable Focal Length Lens)
Location Scouting
Setting Levels
11. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Low-Key Lighting
Art Direction
Assistant Camera
Wild Sound (Non-Sync Sound)
12. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Treatment
Motivated Move
Zooming Out
Audition
13. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Rule of Thirds
Spike
Ambient Sound
Lens Speed
14. The strategy of using movie lights to duplicate where light would logically be emanating from
Headroom
Narrative Films
Motivated Lighting
Spike
15. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Ambient Sound
Lens Speed
Zooming In
Shot Size
16. Loud - sudden sound that exceeds 0dB
Levels
Green Room
Spike
Five Ways to Create a Parallel Action Sequence
17. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Cover-Set
Side Light
Ambient Sound
Setting Levels
18. Standard calling card. 8x10 photograph on one side and a resume on the other.
Direct Address
Cross Cutting
Headshot/Bio
Location Technical Survey
19. Point to the original data without altering the media file
Boom Operator
Media File Indicators
Wild Sound (Non-Sync Sound)
Unmotivated Move
20. List of all the shots that make up the film in the order in which they will be shot
Shot List
Plot
Dramatization
Fine Cut
21. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Author's Draft
Five Ways to Create a Parallel Action Sequence
Nondestructive Editing
22. Process of combining the video and audio with the applied effect to create a new media file
Rendering
T-Stops
Five Ways to Create a Parallel Action Sequence
Gaffer
23. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Headshot/Bio
Location Scouting
Ambient Sound
1/3 - 2/3 Rule
24. The movement of characters in the space
Blocking
Location Scouting
Shot Size
Five Ways to Create a Parallel Action Sequence
25. Controlling the strength of the signal
Reverse Shots
Setting Levels
Key Light
Back Light
26. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Art Direction
'In the Mud'
Three Essential Elements of Drama
Levels
27. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Assistant Camera
Motivated Lighting
Reverse Shots
Pulling Focus
28. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Fine Cut
Four Basic Elements in the Visual Language of Cinema
Sound Recordist
Cable Wrangler
29. Lens that has one fixed focal length for more precise manipulation of image quality
Prime Lens
Shooting (Lined) Script
Rendering
Unmotivated Move
30. A shot of a detail within your scene other than the characters' faces
Cutaway Shot
Boom Operator
Cross Cutting
Shot Size
31. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zooming In
Cross Cutting
Prime Lens
Call Sheets
32. Sound that includes both room acoustics and background noise
Shooting (Lined) Script
Shot Size
Nondestructive Editing
Ambient Sound
33. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zooming In
Three Essential Elements of Drama
Reverse Shots
Motivated Lighting
34. The person who pulls focus
Lens Speed
High-Key Lighting
Sound Recordist
Focus Puller
35. All camera moves need to be...
Headshot/Bio
Pick-Ups
Overheads
Motivated Move
36. Primary source of illumination in your scene. Usually it is a motivated light source.
Low-Key Lighting
1/3 - 2/3 Rule
Key Light
Ambient Sound
37. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Levels
Gaffer
Narrative Films
Five Ways to Create a Parallel Action Sequence
38. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Nonlinear Editing System
Overheads
Five Ways to Create a Parallel Action Sequence
39. The things that our characters actually handle in a scene
Dramatization
Props
Five Ways to Create a Parallel Action Sequence
Zoom Lens (Variable Focal Length Lens)
40. Another name for backlight because of the effect it gives the actor
Rim Light
Wild Sound (Non-Sync Sound)
Audition
Cold Reading
41. The range of apparent focus along the z-axis
Depth of Field
Zoom Lens (Variable Focal Length Lens)
Rule of Thirds
Key Light
42. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Back Light
Location Scouting
Lens Speed
Wild Sound (Non-Sync Sound)
43. Drawings of shots - arranged on paper in the order they appear in a sequence
Levels
Side Light
Storyboards
Call Sheets
44. Refers to the size of your subject in the frame
'In the Mud'
Author's Draft
Master Shot
Shot Size
45. Removing extraneous time and territory
Narrative Films
Elliptical Editing
Prime Lens
Protagonist
46. The recording of sync dialogue in a studio in cases where the production sound is not usable
Green Room
Automatic Dialogue Replacement
Circle of Confusion
Three Essential Elements of Drama
47. Simple but comprehensive prose description of a film's plot
Treatment
Assistant Camera
Circle of Confusion
Cover-Set
48. Measures the strength of the incoming signal.
Peak Meter
Audition
Rule of Thirds
Four Basic Properties of Sound
49. Soft light that fills in the shadows created by the Key Light
Fill Light
Headroom
Narrative Films
Nonlinear Editing System
50. List of all the shots that make up the film in the order in which they will be shot
1/3 - 2/3 Rule
Setting Levels
Unmotivated Move
Shot List