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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Drawings of shots - arranged on paper in the order they appear in a sequence
Low-Key Lighting
Key Light
Storyboards
Elliptical Editing
2. Transforming what is vague and internal into a series of viewable and audible actions and events
High-Key Lighting
Dramatization
Three Essential Elements of Drama
Author's Draft
3. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Low-Key Lighting
Master Shot
Five Ways to Create a Parallel Action Sequence
Rim Light
4. Finessing all of the edits one-by-one
Fine Cut
Prime Lens
Pick-Ups
Unmotivated Move
5. This type of move breaks the promise of showing something else to the viewer
Unmotivated Move
Props
Reverberation
Zoom Lens (Variable Focal Length Lens)
6. Controlling the strength of the signal
Five Ways to Create a Parallel Action Sequence
Setting Levels
Master Shot
Coverage
7. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Three Essential Elements of Drama
Zooming In
Reverberation
Art Direction
8. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Shooting (Lined) Script
Shot List
T-Stops
Zooming Out
9. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Rule of Thirds
Narrative Films
Shooting (Lined) Script
Audition
10. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Master Shot
Setting Levels
Cross Cutting
Protagonist
11. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Peak Meter
Assistant Camera
Call Sheets
Narrative Films
12. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Peak Meter
Location Technical Survey
Circle of Confusion
13. Executing more than one move at a time
Lens Speed
Location Scouting
Ambient Sound
Combination Move
14. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
High-Key Lighting
T-Stops
Storyboards
Assistant Camera
15. Soft light that fills in the shadows created by the Key Light
Wild Sound (Non-Sync Sound)
Rendering
Fill Light
Director of Photography
16. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
'In the Mud'
Sound Recordist
Zoom Lens (Variable Focal Length Lens)
Green Room
17. All camera moves need to be...
Pulling Focus
Combination Move
Motivated Move
Three Pre-Visualization Tools
18. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
1/3 - 2/3 Rule
Low-Key Lighting
Combination Move
Rule of Thirds
19. Closely scrutinizing the location for its technical and aesthetic capabilities
Three Pre-Visualization Tools
Wild Sound (Non-Sync Sound)
Unmotivated Move
Location Technical Survey
20. A shot in which the subject looks directly at the camera
Automatic Dialogue Replacement
Shot Size
Direct Address
Setting Levels
21. Recording is too low
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22. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Media File Indicators
Director of Photography
Motivated Lighting
Script Breakdown Sheet
23. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Headroom
Spike
Master Shot
Low-Key Lighting
24. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Three Essential Elements of Drama
Lens Speed
Cross Cutting
25. Another name for backlight because of the effect it gives the actor
Rim Light
Storyboards
Circle of Confusion
1/3 - 2/3 Rule
26. Drawings of shots - arranged on paper in the order they appear in a sequence
Key Light
Storyboards
1/3 - 2/3 Rule
Overheads
27. Lens that has one fixed focal length for more precise manipulation of image quality
Prime Lens
Fine Cut
Sound Recordist
Back Light
28. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Motivated Move
Reverberation
T-Stops
29. Controlling the strength of the signal
Parallel Action
Rim Light
Setting Levels
Rule of Thirds
30. Shooting Script - Overheads - and Storyboards
Zooming In
Three Pre-Visualization Tools
Headshot/Bio
Four Basic Elements in the Visual Language of Cinema
31. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Combination Move
Lens Speed
Treatment
Nondestructive Editing
32. A shot in which the subject looks directly at the camera
Motivated Lighting
Headroom
Director of Photography
Direct Address
33. Lighting unit that is position 90
Side Light
Pick-Ups
Shooting (Lined) Script
Low-Key Lighting
34. Character - Goal - and Conflict or Obstacles
Direct Address
Four Basic Elements in the Visual Language of Cinema
Assistant Camera
Three Essential Elements of Drama
35. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Plot
Zooming Out
Combination Move
Author's Draft
36. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Automatic Dialogue Replacement
Reverberation
High-Key Lighting
Script Breakdown Sheet
37. Executing more than one move at a time
Cross Cutting
Sound Recordist
Depth of Field
Combination Move
38. The recording of sync dialogue in a studio in cases where the production sound is not usable
Narrative Films
Back Light
Automatic Dialogue Replacement
Treatment
39. The person who pulls focus
Direct Address
Focus Puller
Audition
Pick-Ups
40. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Cross Cutting
Five Ways to Create a Parallel Action Sequence
3/4 Back Light
41. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Nonlinear Editing System
Talent Release
Protagonist
Depth of Field
42. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Rim Light
Storyboards
Side Light
43. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Storyboards
Setting Levels
Rendering
Green Room
44. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Lens Speed
Focus Puller
Headshot/Bio
Pick-Ups
45. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Three Pre-Visualization Tools
Automatic Dialogue Replacement
Camera Setup
Location Scouting
46. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Assistant Camera
High-Key Lighting
Key Light
Automatic Dialogue Replacement
47. The recording of sync dialogue in a studio in cases where the production sound is not usable
Nonlinear Editing System
3/4 Back Light
Levels
Automatic Dialogue Replacement
48. Removing extraneous time and territory
Storyboards
Elliptical Editing
T-Stops
Cold Reading
49. The movement of characters in the space
Blocking
Prime Lens
Parallel Action
Cold Reading
50. The order of events in your film
Elliptical Editing
Fine Cut
Gaffer
Plot