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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Pulling Focus
Fill Light
Nonlinear Editing System
Director of Photography
2. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Sound Recordist
Gaffer
Reverberation
3. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Motivated Move
Rule of Thirds
Focus Puller
Five Ways to Create a Parallel Action Sequence
4. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Levels
Four Basic Properties of Sound
Treatment
Location Scouting
5. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Master Shot
Four Basic Elements in the Visual Language of Cinema
Gaffer
Director of Photography
6. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Director of Photography
Key Light
Back Light
Camera Setup
7. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Circle of Confusion
Cutaway Shot
Props
Talent Release
8. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Media File Indicators
Art Direction
Five Ways to Create a Parallel Action Sequence
Cutaway Shot
9. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Gaffer
Master Shot
1/3 - 2/3 Rule
Plot
10. Refers to the size of your subject in the frame
Shot Size
Key Light
Zooming In
Depth of Field
11. Form used in film production to keep track of all the mise-en-sc
Script Breakdown Sheet
Talent Release
Five Ways to Create a Parallel Action Sequence
Overheads
12. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Call Sheets
Rule of Thirds
Cover-Set
Depth of Field
13. This type of move breaks the promise of showing something else to the viewer
Green Room
Ambient Sound
Protagonist
Unmotivated Move
14. Recording is too low
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15. Lighting unit that is position 90
Side Light
Pulling Focus
Low-Key Lighting
Camera Setup
16. Simple but comprehensive prose description of a film's plot
Reverberation
Treatment
Fill Light
Rim Light
17. Closely scrutinizing the location for its technical and aesthetic capabilities
Nondestructive Editing
Prime Lens
Location Technical Survey
Plot
18. All camera moves need to be...
Nonlinear Editing System
Motivated Move
Audition
Master Shot
19. Controlling the strength of the signal
Script Breakdown Sheet
Setting Levels
Call Sheets
Four Basic Elements in the Visual Language of Cinema
20. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Assistant Camera
Reverse Shots
Nonlinear Editing System
Plot
21. A shot in which the subject looks directly at the camera
Cover-Set
Fill Light
Direct Address
Side Light
22. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Coverage
Fine Cut
Script Breakdown Sheet
23. Another name for backlight because of the effect it gives the actor
Nonlinear Editing System
Rim Light
Pulling Focus
T-Stops
24. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Media File Indicators
Zooming Out
Focus Puller
Headroom
25. Shot - Shot Sequence - Scene - and Dramatic Sequence
Fill Light
Protagonist
Peak Meter
Four Basic Elements in the Visual Language of Cinema
26. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Pick-Ups
Rule of Thirds
T-Stops
Cover-Set
27. List of all the shots that make up the film in the order in which they will be shot
Shot List
Automatic Dialogue Replacement
Nonlinear Editing System
Three Essential Elements of Drama
28. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Prime Lens
Headshot/Bio
Sound Recordist
Levels
29. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Cutaway Shot
Location Scouting
Elliptical Editing
Assistant Camera
30. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Plot
Side Light
Reverberation
Audition
31. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Pulling Focus
Wild Sound (Non-Sync Sound)
Pick-Ups
High-Key Lighting
32. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Assistant Camera
Props
Four Basic Properties of Sound
Unmotivated Move
33. Shooting a scene from various angles
Audition
Coverage
'In the Mud'
Four Basic Elements in the Visual Language of Cinema
34. Lens that offers a continuous range of focal lengths in one lens housing
Zoom Lens (Variable Focal Length Lens)
'In the Mud'
Plot
Assistant Camera
35. Responsible for the proper use and actual placement of the microphones for optimal quality
Boom Operator
Script Breakdown Sheet
'In the Mud'
Elliptical Editing
36. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Cutaway Shot
Parallel Action
Elliptical Editing
Levels
37. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Overheads
Reverse Shots
Call Sheets
Circle of Confusion
38. The measurement of acceptable diameter which creates the appearance of focus
Rendering
Five Ways to Create a Parallel Action Sequence
Levels
Circle of Confusion
39. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Elliptical Editing
Overheads
Zoom Lens (Variable Focal Length Lens)
Five Ways to Create a Parallel Action Sequence
40. Drawings of shots - arranged on paper in the order they appear in a sequence
Storyboards
Circle of Confusion
High-Key Lighting
Spike
41. Reading from the script pages that actors are given minutes before the audition
Nonlinear Editing System
Focus Puller
Cold Reading
1/3 - 2/3 Rule
42. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Back Light
Art Direction
Media File Indicators
Pulling Focus
43. Standard calling card. 8x10 photograph on one side and a resume on the other.
Protagonist
Cross Cutting
Headshot/Bio
Lens Speed
44. Primary source of illumination in your scene. Usually it is a motivated light source.
Key Light
Audition
Talent Release
Rim Light
45. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Combination Move
Master Shot
Nonlinear Editing System
Zooming In
46. Loud - sudden sound that exceeds 0dB
Pick-Ups
Low-Key Lighting
Spike
Cable Wrangler
47. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Direct Address
Nonlinear Editing System
Rendering
48. To alternate between two or more scenes when editing a sequence
Cross Cutting
Fine Cut
Pick-Ups
Three Pre-Visualization Tools
49. The movement of characters in the space
Media File Indicators
Blocking
Three Pre-Visualization Tools
Five Ways to Create a Parallel Action Sequence
50. Lighting unit that is position 90
Automatic Dialogue Replacement
Headroom
Gaffer
Side Light