SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Automatic Dialogue Replacement
Cover-Set
Director of Photography
Rendering
2. This type of move breaks the promise of showing something else to the viewer
Unmotivated Move
Nonlinear Editing System
Blocking
Reverberation
3. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Cable Wrangler
Motivated Move
Headroom
Rendering
4. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Zooming Out
Combination Move
Cable Wrangler
Side Light
5. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Four Basic Elements in the Visual Language of Cinema
Four Basic Properties of Sound
Four Basic Properties of Sound
6. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Treatment
Headroom
Director of Photography
Shot List
7. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zooming Out
Zooming In
Art Direction
Rim Light
8. Character - Goal - and Conflict or Obstacles
Reverse Shots
Zooming Out
Three Essential Elements of Drama
Assistant Camera
9. Lens that offers a continuous range of focal lengths in one lens housing
Zoom Lens (Variable Focal Length Lens)
'In the Mud'
Art Direction
Overheads
10. Finessing all of the edits one-by-one
'In the Mud'
Reverberation
Fine Cut
T-Stops
11. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Levels
Reverse Shots
Talent Release
Shooting (Lined) Script
12. First complete version of the narrative in proper screenplay format
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
13. Drawings of shots - arranged on paper in the order they appear in a sequence
Talent Release
T-Stops
Storyboards
Director of Photography
14. The recording of sync dialogue in a studio in cases where the production sound is not usable
Side Light
Automatic Dialogue Replacement
Four Basic Properties of Sound
Blocking
15. Lens that has one fixed focal length for more precise manipulation of image quality
Elliptical Editing
Prime Lens
Back Light
Dramatization
16. Character - Goal - and Conflict or Obstacles
Location Scouting
High-Key Lighting
Three Essential Elements of Drama
Cold Reading
17. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Headroom
'In the Mud'
High-Key Lighting
Automatic Dialogue Replacement
18. Lighting unit that is position 90
Side Light
Rim Light
Talent Release
Master Shot
19. The order of events in your film
Plot
Rendering
Five Ways to Create a Parallel Action Sequence
Reverberation
20. A shot in which the subject looks directly at the camera
Levels
Art Direction
Direct Address
Author's Draft
21. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Reverberation
Three Pre-Visualization Tools
Director of Photography
22. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Wild Sound (Non-Sync Sound)
Rendering
Coverage
23. Refers to the size of your subject in the frame
Treatment
Three Essential Elements of Drama
Shot Size
Assistant Camera
24. Point to the original data without altering the media file
Motivated Move
Media File Indicators
Pick-Ups
Cable Wrangler
25. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Depth of Field
Cover-Set
Master Shot
T-Stops
26. Primary source of illumination in your scene. Usually it is a motivated light source.
Peak Meter
Three Essential Elements of Drama
Key Light
Dramatization
27. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Protagonist
Ambient Sound
Zooming In
28. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Cover-Set
Location Scouting
Plot
Coverage
29. Finessing all of the edits one-by-one
Props
Props
Master Shot
Fine Cut
30. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Motivated Move
Shot List
Protagonist
31. Point to the original data without altering the media file
Nonlinear Editing System
Media File Indicators
Spike
Low-Key Lighting
32. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Back Light
Director of Photography
Shot List
Master Shot
33. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Gaffer
Motivated Lighting
Rule of Thirds
34. Lighting unit that is 45
Pick-Ups
Storyboards
Side Light
3/4 Back Light
35. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Reverse Shots
Back Light
Peak Meter
36. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Three Pre-Visualization Tools
Audition
Protagonist
Overheads
37. Transforming what is vague and internal into a series of viewable and audible actions and events
Assistant Camera
Shot List
Rule of Thirds
Dramatization
38. Sound that includes both room acoustics and background noise
Ambient Sound
Pick-Ups
Cover-Set
Fill Light
39. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Levels
Ambient Sound
Unmotivated Move
Author's Draft
40. All camera moves need to be...
Pulling Focus
Motivated Move
Low-Key Lighting
Zoom Lens (Variable Focal Length Lens)
41. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Automatic Dialogue Replacement
Four Basic Properties of Sound
Parallel Action
Rendering
42. The strategy of using movie lights to duplicate where light would logically be emanating from
Motivated Lighting
Motivated Move
Director of Photography
Three Essential Elements of Drama
43. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Boom Operator
Script Breakdown Sheet
Location Scouting
Reverse Shots
44. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Assistant Camera
Headroom
Zooming In
45. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Call Sheets
Reverse Shots
Cutaway Shot
Master Shot
46. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Nonlinear Editing System
Cross Cutting
1/3 - 2/3 Rule
Props
47. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
Plot
Reverberation
3/4 Back Light
48. Shooting a scene from various angles
Coverage
Shot List
Back Light
Master Shot
49. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Motivated Lighting
Art Direction
Media File Indicators
Parallel Action
50. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Wild Sound (Non-Sync Sound)
Reverberation
Circle of Confusion