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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Nondestructive Editing
3/4 Back Light
Nonlinear Editing System
Master Shot
2. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Circle of Confusion
Shooting (Lined) Script
Nondestructive Editing
Protagonist
3. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Circle of Confusion
Green Room
Spike
Ambient Sound
4. Soft light that fills in the shadows created by the Key Light
Dramatization
Fill Light
Reverberation
Cross Cutting
5. Measures the strength of the incoming signal.
Peak Meter
Direct Address
Director of Photography
Headshot/Bio
6. To alternate between two or more scenes when editing a sequence
Circle of Confusion
Cross Cutting
Zooming Out
Fine Cut
7. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Zooming In
Zooming In
Script Breakdown Sheet
8. Measures the strength of the incoming signal.
Spike
Peak Meter
Treatment
Shot List
9. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Nonlinear Editing System
Zoom Lens (Variable Focal Length Lens)
T-Stops
10. Finessing all of the edits one-by-one
Call Sheets
Coverage
Motivated Lighting
Fine Cut
11. Sound that includes both room acoustics and background noise
Four Basic Elements in the Visual Language of Cinema
Ambient Sound
Dramatization
Sound Recordist
12. The things that our characters actually handle in a scene
Unmotivated Move
'In the Mud'
Props
T-Stops
13. Transforming what is vague and internal into a series of viewable and audible actions and events
Rim Light
High-Key Lighting
Five Ways to Create a Parallel Action Sequence
Dramatization
14. Process of combining the video and audio with the applied effect to create a new media file
High-Key Lighting
Reverse Shots
Pulling Focus
Rendering
15. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Cable Wrangler
Rule of Thirds
'In the Mud'
Nondestructive Editing
16. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Back Light
Treatment
Location Scouting
Gaffer
17. This type of move breaks the promise of showing something else to the viewer
Nonlinear Editing System
Unmotivated Move
Back Light
Back Light
18. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
Combination Move
Props
Dramatization
19. The measurement of acceptable diameter which creates the appearance of focus
Cable Wrangler
Direct Address
Rule of Thirds
Circle of Confusion
20. Lighting unit that is 45
Cable Wrangler
Ambient Sound
Levels
3/4 Back Light
21. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Reverberation
Wild Sound (Non-Sync Sound)
Rule of Thirds
Script Breakdown Sheet
22. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Side Light
'In the Mud'
Low-Key Lighting
Fill Light
23. Soft light that fills in the shadows created by the Key Light
Fill Light
Unmotivated Move
Ambient Sound
Storyboards
24. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Headshot/Bio
Rendering
3/4 Back Light
25. List of all the shots that make up the film in the order in which they will be shot
Fill Light
Fill Light
Coverage
Shot List
26. Character - Goal - and Conflict or Obstacles
Dramatization
Cross Cutting
Script Breakdown Sheet
Three Essential Elements of Drama
27. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Four Basic Elements in the Visual Language of Cinema
T-Stops
Setting Levels
Art Direction
28. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Cutaway Shot
Audition
Talent Release
Unmotivated Move
29. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Boom Operator
Reverse Shots
Cover-Set
Cutaway Shot
30. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Headshot/Bio
Assistant Camera
Five Ways to Create a Parallel Action Sequence
Zooming In
31. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverse Shots
Three Essential Elements of Drama
1/3 - 2/3 Rule
Headshot/Bio
32. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Pulling Focus
Audition
Five Ways to Create a Parallel Action Sequence
Nonlinear Editing System
33. Controlling the strength of the signal
Rim Light
Setting Levels
Prime Lens
Spike
34. The strategy of using movie lights to duplicate where light would logically be emanating from
Zooming Out
Director of Photography
Motivated Lighting
Zooming In
35. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Coverage
Talent Release
Overheads
36. The physical placement of the camera on the set necessary to get each shot in your shooting script
Prime Lens
Talent Release
Camera Setup
Pulling Focus
37. A shot in which the subject looks directly at the camera
Fine Cut
Direct Address
Cold Reading
Props
38. First complete version of the narrative in proper screenplay format
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39. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Back Light
Art Direction
Cross Cutting
Fill Light
40. The range of apparent focus along the z-axis
Green Room
Depth of Field
High-Key Lighting
3/4 Back Light
41. Recording is too low
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42. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Fill Light
Narrative Films
Gaffer
Three Essential Elements of Drama
43. Frequency - Amplitude - Timbre - and Velocity
Coverage
Blocking
Three Essential Elements of Drama
Four Basic Properties of Sound
44. Another name for backlight because of the effect it gives the actor
Rim Light
Master Shot
Reverberation
Lens Speed
45. All camera moves need to be...
Location Scouting
Motivated Move
Low-Key Lighting
Nondestructive Editing
46. To alternate between two or more scenes when editing a sequence
Plot
Focus Puller
Elliptical Editing
Cross Cutting
47. Removing extraneous time and territory
Elliptical Editing
Pick-Ups
Pulling Focus
High-Key Lighting
48. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Art Direction
Plot
Protagonist
Dramatization
49. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Narrative Films
Protagonist
Fill Light
Cover-Set
50. Refers to the size of your subject in the frame
Protagonist
Audition
Shot Size
Cable Wrangler
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