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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Call Sheets
1/3 - 2/3 Rule
Depth of Field
High-Key Lighting
2. Refers to the size of your subject in the frame
Rim Light
Zooming Out
Shot Size
Shooting (Lined) Script
3. The person who pulls focus
Parallel Action
Key Light
Focus Puller
Camera Setup
4. The order of events in your film
High-Key Lighting
Low-Key Lighting
'In the Mud'
Plot
5. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Fill Light
Parallel Action
Rim Light
Master Shot
6. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Fill Light
Direct Address
Zoom Lens (Variable Focal Length Lens)
7. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Circle of Confusion
Pulling Focus
Back Light
High-Key Lighting
8. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Focus Puller
1/3 - 2/3 Rule
Setting Levels
Zooming Out
9. Form used in film production to keep track of all the mise-en-sc
Side Light
T-Stops
Script Breakdown Sheet
Combination Move
10. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Headroom
Five Ways to Create a Parallel Action Sequence
Combination Move
Nonlinear Editing System
11. The things that our characters actually handle in a scene
Props
Cutaway Shot
Boom Operator
Author's Draft
12. Transforming what is vague and internal into a series of viewable and audible actions and events
Ambient Sound
Shooting (Lined) Script
Headshot/Bio
Dramatization
13. Changing the plane of critical focus during a take while the camera is running
Green Room
Four Basic Elements in the Visual Language of Cinema
Unmotivated Move
Pulling Focus
14. Simple but comprehensive prose description of a film's plot
Fine Cut
Treatment
Setting Levels
Rendering
15. Primary source of illumination in your scene. Usually it is a motivated light source.
Side Light
Key Light
Low-Key Lighting
Zoom Lens (Variable Focal Length Lens)
16. Soft light that fills in the shadows created by the Key Light
Automatic Dialogue Replacement
Fill Light
Back Light
Zoom Lens (Variable Focal Length Lens)
17. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
1/3 - 2/3 Rule
Overheads
Reverberation
18. The range of apparent focus along the z-axis
Depth of Field
1/3 - 2/3 Rule
Cold Reading
Cross Cutting
19. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Elliptical Editing
Talent Release
Ambient Sound
Shot List
20. Lens that has one fixed focal length for more precise manipulation of image quality
Prime Lens
Props
Coverage
Unmotivated Move
21. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Location Technical Survey
Cutaway Shot
Narrative Films
Shot Size
22. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Zoom Lens (Variable Focal Length Lens)
Rim Light
Shot Size
23. This type of move breaks the promise of showing something else to the viewer
Location Technical Survey
Spike
Headroom
Unmotivated Move
24. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Director of Photography
Talent Release
Automatic Dialogue Replacement
Reverse Shots
25. Lighting unit that is position 90
Zooming In
Side Light
Nonlinear Editing System
Parallel Action
26. Shot - Shot Sequence - Scene - and Dramatic Sequence
Media File Indicators
Overheads
Four Basic Elements in the Visual Language of Cinema
Direct Address
27. Loud - sudden sound that exceeds 0dB
Side Light
Spike
Cold Reading
Cable Wrangler
28. The movement of characters in the space
Blocking
1/3 - 2/3 Rule
Dramatization
Lens Speed
29. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Fill Light
Pick-Ups
Back Light
Sound Recordist
30. All camera moves need to be...
Back Light
Zooming In
Cable Wrangler
Motivated Move
31. Transforming what is vague and internal into a series of viewable and audible actions and events
Dramatization
Fill Light
1/3 - 2/3 Rule
Pulling Focus
32. The recording of sync dialogue in a studio in cases where the production sound is not usable
Focus Puller
Direct Address
Automatic Dialogue Replacement
Nondestructive Editing
33. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Rim Light
Peak Meter
Zooming Out
Spike
34. Soft light that fills in the shadows created by the Key Light
Fill Light
Cutaway Shot
Protagonist
1/3 - 2/3 Rule
35. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Wild Sound (Non-Sync Sound)
Blocking
1/3 - 2/3 Rule
36. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Four Basic Properties of Sound
Nonlinear Editing System
Narrative Films
37. Frequency - Amplitude - Timbre - and Velocity
Camera Setup
Cutaway Shot
Four Basic Properties of Sound
Automatic Dialogue Replacement
38. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Wild Sound (Non-Sync Sound)
Storyboards
Art Direction
Audition
39. Executing more than one move at a time
Combination Move
Cross Cutting
Script Breakdown Sheet
Plot
40. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Talent Release
Reverse Shots
Unmotivated Move
Zooming Out
41. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Overheads
Peak Meter
Reverberation
High-Key Lighting
42. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Script Breakdown Sheet
Zooming In
Green Room
Talent Release
43. Shooting a scene from various angles
Three Pre-Visualization Tools
Coverage
Peak Meter
Call Sheets
44. Finessing all of the edits one-by-one
Location Scouting
Fine Cut
Parallel Action
Plot
45. A shot of a detail within your scene other than the characters' faces
Rendering
Elliptical Editing
Dramatization
Cutaway Shot
46. Drawings of shots - arranged on paper in the order they appear in a sequence
Gaffer
Zoom Lens (Variable Focal Length Lens)
Location Scouting
Storyboards
47. Lighting unit that is 45
3/4 Back Light
Master Shot
'In the Mud'
Protagonist
48. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Circle of Confusion
T-Stops
Media File Indicators
1/3 - 2/3 Rule
49. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Green Room
Location Technical Survey
Combination Move
Director of Photography
50. Refers to the size of your subject in the frame
Shot Size
Boom Operator
Ambient Sound
Shot List
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