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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Recording is too low
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2. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Media File Indicators
Overheads
Cover-Set
Shot Size
3. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Director of Photography
Low-Key Lighting
Cross Cutting
Five Ways to Create a Parallel Action Sequence
4. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Dramatization
Talent Release
Focus Puller
Low-Key Lighting
5. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Talent Release
Protagonist
Four Basic Elements in the Visual Language of Cinema
Zooming Out
6. Lighting unit that is position 90
Prime Lens
Five Ways to Create a Parallel Action Sequence
Circle of Confusion
Side Light
7. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Shooting (Lined) Script
T-Stops
Rim Light
Art Direction
8. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Headshot/Bio
Automatic Dialogue Replacement
Motivated Lighting
Rule of Thirds
9. Process of combining the video and audio with the applied effect to create a new media file
Elliptical Editing
Protagonist
Script Breakdown Sheet
Rendering
10. The range of apparent focus along the z-axis
T-Stops
Depth of Field
'In the Mud'
Master Shot
11. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Storyboards
Focus Puller
Assistant Camera
Parallel Action
12. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Circle of Confusion
Four Basic Elements in the Visual Language of Cinema
Master Shot
1/3 - 2/3 Rule
13. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Setting Levels
Location Technical Survey
Author's Draft
Narrative Films
14. Drawings of shots - arranged on paper in the order they appear in a sequence
Three Essential Elements of Drama
Storyboards
Five Ways to Create a Parallel Action Sequence
Cold Reading
15. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Direct Address
Location Scouting
Motivated Lighting
'In the Mud'
16. Loud - sudden sound that exceeds 0dB
Storyboards
Spike
Sound Recordist
Media File Indicators
17. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Master Shot
Levels
Director of Photography
Blocking
18. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
High-Key Lighting
Cover-Set
Wild Sound (Non-Sync Sound)
Parallel Action
19. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Motivated Lighting
Fill Light
Overheads
Zooming In
20. Refers to the size of your subject in the frame
Prime Lens
Wild Sound (Non-Sync Sound)
Shot Size
Reverse Shots
21. Shooting Script - Overheads - and Storyboards
Key Light
Cutaway Shot
Three Pre-Visualization Tools
Plot
22. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Five Ways to Create a Parallel Action Sequence
Four Basic Elements in the Visual Language of Cinema
High-Key Lighting
Plot
23. The person who pulls focus
Focus Puller
Overheads
Side Light
Shot Size
24. Removing extraneous time and territory
Director of Photography
Combination Move
Master Shot
Elliptical Editing
25. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Nonlinear Editing System
3/4 Back Light
Assistant Camera
Shot Size
26. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
1/3 - 2/3 Rule
T-Stops
Prime Lens
Automatic Dialogue Replacement
27. Shot - Shot Sequence - Scene - and Dramatic Sequence
Motivated Move
Four Basic Elements in the Visual Language of Cinema
Three Pre-Visualization Tools
Narrative Films
28. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Rim Light
Art Direction
Coverage
29. Lens that has one fixed focal length for more precise manipulation of image quality
Talent Release
Motivated Move
Plot
Prime Lens
30. Executing more than one move at a time
Wild Sound (Non-Sync Sound)
Combination Move
Camera Setup
T-Stops
31. The measurement of acceptable diameter which creates the appearance of focus
Depth of Field
Circle of Confusion
Zooming Out
Author's Draft
32. Recording is too low
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33. Removing extraneous time and territory
Focus Puller
Elliptical Editing
Fine Cut
Combination Move
34. Drawings of shots - arranged on paper in the order they appear in a sequence
Reverse Shots
Shot List
Lens Speed
Storyboards
35. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Cold Reading
Pick-Ups
Setting Levels
36. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
High-Key Lighting
'In the Mud'
Prime Lens
Gaffer
37. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Location Technical Survey
Rim Light
Shot Size
Cover-Set
38. Lens that has one fixed focal length for more precise manipulation of image quality
Levels
Prime Lens
Four Basic Elements in the Visual Language of Cinema
3/4 Back Light
39. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Rule of Thirds
Rendering
Dramatization
40. Responsible for the proper use and actual placement of the microphones for optimal quality
Boom Operator
Coverage
Green Room
Coverage
41. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Camera Setup
Three Essential Elements of Drama
Cable Wrangler
Direct Address
42. Sound that includes both room acoustics and background noise
Levels
Zooming In
Ambient Sound
Shot Size
43. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Spike
Pick-Ups
Spike
Talent Release
44. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Blocking
Fill Light
T-Stops
Location Scouting
45. Finessing all of the edits one-by-one
Nonlinear Editing System
Ambient Sound
Lens Speed
Fine Cut
46. List of all the shots that make up the film in the order in which they will be shot
Shot List
Assistant Camera
Fill Light
Blocking
47. Measures the strength of the incoming signal.
Peak Meter
Spike
Depth of Field
Headshot/Bio
48. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Boom Operator
Talent Release
Nondestructive Editing
Cutaway Shot
49. A shot of a detail within your scene other than the characters' faces
Cutaway Shot
Shot List
Storyboards
Cold Reading
50. Shooting Script - Overheads - and Storyboards
Focus Puller
Blocking
Three Pre-Visualization Tools
Cross Cutting