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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The physical placement of the camera on the set necessary to get each shot in your shooting script
Pick-Ups
Camera Setup
Props
Motivated Lighting
2. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Treatment
Assistant Camera
Storyboards
1/3 - 2/3 Rule
3. Shooting a scene from various angles
Director of Photography
Coverage
Audition
Zooming Out
4. Sound that includes both room acoustics and background noise
Master Shot
Ambient Sound
Art Direction
Coverage
5. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Sound Recordist
Five Ways to Create a Parallel Action Sequence
Low-Key Lighting
Media File Indicators
6. Loud - sudden sound that exceeds 0dB
Parallel Action
Three Pre-Visualization Tools
Spike
Side Light
7. The order of events in your film
Motivated Move
Rendering
Art Direction
Plot
8. List of all the shots that make up the film in the order in which they will be shot
Protagonist
Shot List
Shot Size
Side Light
9. Shot - Shot Sequence - Scene - and Dramatic Sequence
Storyboards
Headroom
Four Basic Elements in the Visual Language of Cinema
Motivated Lighting
10. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Cover-Set
Protagonist
Location Technical Survey
3/4 Back Light
11. Simple but comprehensive prose description of a film's plot
Camera Setup
Treatment
Blocking
Overheads
12. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Cover-Set
Dramatization
Four Basic Properties of Sound
Gaffer
13. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Narrative Films
Pulling Focus
Zoom Lens (Variable Focal Length Lens)
14. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Headroom
Reverse Shots
Fill Light
15. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Shot List
Parallel Action
Sound Recordist
Ambient Sound
16. The person who pulls focus
Audition
Fill Light
Protagonist
Focus Puller
17. Transforming what is vague and internal into a series of viewable and audible actions and events
Dramatization
Shot Size
Back Light
Media File Indicators
18. Lens that offers a continuous range of focal lengths in one lens housing
Zoom Lens (Variable Focal Length Lens)
Nondestructive Editing
Coverage
Protagonist
19. Lighting unit that is 45
1/3 - 2/3 Rule
Plot
Blocking
3/4 Back Light
20. Transforming what is vague and internal into a series of viewable and audible actions and events
Dramatization
Location Technical Survey
Spike
Talent Release
21. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Shot Size
Boom Operator
Prime Lens
Back Light
22. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Storyboards
Zooming In
Storyboards
'In the Mud'
23. Responsible for the proper use and actual placement of the microphones for optimal quality
Four Basic Elements in the Visual Language of Cinema
Director of Photography
Cover-Set
Boom Operator
24. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Four Basic Properties of Sound
Reverse Shots
Spike
Green Room
25. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Cold Reading
Levels
Rule of Thirds
Plot
26. The person who pulls focus
Assistant Camera
Rendering
Focus Puller
Low-Key Lighting
27. The things that our characters actually handle in a scene
Lens Speed
Location Technical Survey
Spike
Props
28. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Wild Sound (Non-Sync Sound)
Headshot/Bio
Pick-Ups
29. This type of move breaks the promise of showing something else to the viewer
Master Shot
Audition
Wild Sound (Non-Sync Sound)
Unmotivated Move
30. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Motivated Move
Pick-Ups
Audition
Four Basic Elements in the Visual Language of Cinema
31. Controlling the strength of the signal
Protagonist
Setting Levels
Automatic Dialogue Replacement
3/4 Back Light
32. Reading from the script pages that actors are given minutes before the audition
Shot Size
Cold Reading
Shot List
Dramatization
33. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
High-Key Lighting
Rule of Thirds
Lens Speed
Combination Move
34. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Wild Sound (Non-Sync Sound)
Lens Speed
Narrative Films
Assistant Camera
35. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Fill Light
Pulling Focus
Location Technical Survey
36. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Nonlinear Editing System
Cable Wrangler
Setting Levels
Assistant Camera
37. Another name for backlight because of the effect it gives the actor
Director of Photography
Rim Light
Setting Levels
Zooming In
38. To alternate between two or more scenes when editing a sequence
Call Sheets
Headroom
Combination Move
Cross Cutting
39. Measures the strength of the incoming signal.
Peak Meter
Four Basic Properties of Sound
Unmotivated Move
Rendering
40. A shot in which the subject looks directly at the camera
Media File Indicators
Direct Address
Side Light
Focus Puller
41. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Five Ways to Create a Parallel Action Sequence
Art Direction
Protagonist
42. Lighting unit that is position 90
Setting Levels
Zoom Lens (Variable Focal Length Lens)
Side Light
Cutaway Shot
43. Lens that has one fixed focal length for more precise manipulation of image quality
Call Sheets
Prime Lens
Protagonist
Cross Cutting
44. The recording of sync dialogue in a studio in cases where the production sound is not usable
Gaffer
Three Essential Elements of Drama
Circle of Confusion
Automatic Dialogue Replacement
45. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Nondestructive Editing
Plot
Motivated Lighting
46. Shooting a scene from various angles
Coverage
Lens Speed
'In the Mud'
Gaffer
47. Form used in film production to keep track of all the mise-en-sc
Script Breakdown Sheet
Talent Release
Zoom Lens (Variable Focal Length Lens)
Master Shot
48. Point to the original data without altering the media file
Blocking
Talent Release
Spike
Media File Indicators
49. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Author's Draft
Narrative Films
High-Key Lighting
Zoom Lens (Variable Focal Length Lens)
50. Loud - sudden sound that exceeds 0dB
Headroom
Motivated Move
Nonlinear Editing System
Spike