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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Props
Focus Puller
Call Sheets
Focus Puller
2. This type of move breaks the promise of showing something else to the viewer
Unmotivated Move
Cold Reading
Zoom Lens (Variable Focal Length Lens)
3/4 Back Light
3. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Key Light
Narrative Films
Director of Photography
Call Sheets
4. Controlling the strength of the signal
Green Room
Setting Levels
Sound Recordist
Ambient Sound
5. First complete version of the narrative in proper screenplay format
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6. Process of combining the video and audio with the applied effect to create a new media file
Talent Release
Rendering
Elliptical Editing
Side Light
7. A shot in which the subject looks directly at the camera
Key Light
Direct Address
Five Ways to Create a Parallel Action Sequence
Location Scouting
8. Removing extraneous time and territory
Circle of Confusion
Motivated Move
Elliptical Editing
Treatment
9. The strategy of using movie lights to duplicate where light would logically be emanating from
Reverse Shots
Motivated Lighting
Cover-Set
T-Stops
10. Finessing all of the edits one-by-one
Setting Levels
Three Pre-Visualization Tools
Fine Cut
Nonlinear Editing System
11. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Props
Gaffer
Art Direction
Three Essential Elements of Drama
12. List of all the shots that make up the film in the order in which they will be shot
Shot List
Back Light
Setting Levels
Media File Indicators
13. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Headroom
Media File Indicators
Cutaway Shot
14. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Low-Key Lighting
Treatment
Overheads
Cutaway Shot
15. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Blocking
Motivated Move
Art Direction
Zooming Out
16. Frequency - Amplitude - Timbre - and Velocity
Low-Key Lighting
Cover-Set
Combination Move
Four Basic Properties of Sound
17. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
'In the Mud'
Media File Indicators
Zoom Lens (Variable Focal Length Lens)
18. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Blocking
Storyboards
Rule of Thirds
Storyboards
19. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Rule of Thirds
Elliptical Editing
Back Light
Protagonist
20. Measures the strength of the incoming signal.
Blocking
Shot Size
Peak Meter
Zoom Lens (Variable Focal Length Lens)
21. Character - Goal - and Conflict or Obstacles
Wild Sound (Non-Sync Sound)
Three Essential Elements of Drama
Cable Wrangler
Cover-Set
22. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Shot Size
Gaffer
Author's Draft
Cable Wrangler
23. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Art Direction
Depth of Field
Director of Photography
Narrative Films
24. To alternate between two or more scenes when editing a sequence
Cross Cutting
Fill Light
Automatic Dialogue Replacement
Pulling Focus
25. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Location Scouting
Reverberation
Audition
26. To alternate between two or more scenes when editing a sequence
Nonlinear Editing System
Cutaway Shot
Cross Cutting
Talent Release
27. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Reverberation
Combination Move
Location Technical Survey
28. Primary source of illumination in your scene. Usually it is a motivated light source.
Nonlinear Editing System
Automatic Dialogue Replacement
Key Light
Pulling Focus
29. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Depth of Field
Audition
Props
T-Stops
30. Shooting a scene from various angles
Setting Levels
Levels
Coverage
Master Shot
31. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Three Pre-Visualization Tools
Blocking
Shooting (Lined) Script
32. Refers to the size of your subject in the frame
Author's Draft
Shot Size
Treatment
Peak Meter
33. Shooting a scene from various angles
Cable Wrangler
Key Light
Coverage
Rim Light
34. Reading from the script pages that actors are given minutes before the audition
Location Scouting
Art Direction
Nondestructive Editing
Cold Reading
35. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Five Ways to Create a Parallel Action Sequence
Elliptical Editing
Peak Meter
Sound Recordist
36. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Rendering
Low-Key Lighting
Unmotivated Move
37. Lens that offers a continuous range of focal lengths in one lens housing
Zooming In
Three Pre-Visualization Tools
Side Light
Zoom Lens (Variable Focal Length Lens)
38. The person who pulls focus
Focus Puller
Rule of Thirds
Zoom Lens (Variable Focal Length Lens)
Media File Indicators
39. Shot - Shot Sequence - Scene - and Dramatic Sequence
Depth of Field
Focus Puller
Spike
Four Basic Elements in the Visual Language of Cinema
40. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Nonlinear Editing System
Audition
Shot List
Four Basic Elements in the Visual Language of Cinema
41. Lens that has one fixed focal length for more precise manipulation of image quality
Zooming Out
Setting Levels
Headshot/Bio
Prime Lens
42. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Parallel Action
Assistant Camera
Motivated Move
Camera Setup
43. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
Author's Draft
Location Scouting
Side Light
44. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Wild Sound (Non-Sync Sound)
Three Essential Elements of Drama
Depth of Field
45. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Five Ways to Create a Parallel Action Sequence
Zooming Out
Storyboards
Shot Size
46. Executing more than one move at a time
Pulling Focus
T-Stops
Circle of Confusion
Combination Move
47. Standard calling card. 8x10 photograph on one side and a resume on the other.
Elliptical Editing
Headshot/Bio
Automatic Dialogue Replacement
Side Light
48. Measures the strength of the incoming signal.
Overheads
Location Technical Survey
Peak Meter
Elliptical Editing
49. The person who pulls focus
Automatic Dialogue Replacement
Cable Wrangler
Focus Puller
Pick-Ups
50. Removing extraneous time and territory
Combination Move
Fine Cut
Elliptical Editing
Nondestructive Editing
Can you answer 50 questions in 15 minutes?
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