SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Another name for backlight because of the effect it gives the actor
Prime Lens
Media File Indicators
Rim Light
Call Sheets
2. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Side Light
Three Essential Elements of Drama
Reverberation
1/3 - 2/3 Rule
3. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Motivated Lighting
Rule of Thirds
Low-Key Lighting
Audition
4. Reading from the script pages that actors are given minutes before the audition
Fine Cut
Shot Size
Cold Reading
Talent Release
5. Simple but comprehensive prose description of a film's plot
Zooming Out
Four Basic Elements in the Visual Language of Cinema
Treatment
3/4 Back Light
6. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Dramatization
Media File Indicators
Narrative Films
Green Room
7. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
1/3 - 2/3 Rule
Motivated Move
Reverse Shots
High-Key Lighting
8. A shot in which the subject looks directly at the camera
Motivated Lighting
Combination Move
'In the Mud'
Direct Address
9. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Headshot/Bio
Cold Reading
Nonlinear Editing System
Talent Release
10. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Focus Puller
Pick-Ups
Levels
Back Light
11. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Nonlinear Editing System
3/4 Back Light
Zooming Out
12. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Boom Operator
Cable Wrangler
Depth of Field
13. Shooting a scene from various angles
Protagonist
Coverage
Focus Puller
Boom Operator
14. The strategy of using movie lights to duplicate where light would logically be emanating from
Cable Wrangler
Motivated Lighting
Ambient Sound
Plot
15. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Motivated Move
1/3 - 2/3 Rule
Five Ways to Create a Parallel Action Sequence
Three Pre-Visualization Tools
16. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Cable Wrangler
Levels
Script Breakdown Sheet
Location Scouting
17. The recording of sync dialogue in a studio in cases where the production sound is not usable
Automatic Dialogue Replacement
Three Pre-Visualization Tools
Plot
T-Stops
18. Executing more than one move at a time
Three Essential Elements of Drama
Cold Reading
Spike
Combination Move
19. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Camera Setup
Shooting (Lined) Script
Nondestructive Editing
Green Room
20. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Fill Light
Overheads
Director of Photography
Shot Size
21. Soft light that fills in the shadows created by the Key Light
Plot
High-Key Lighting
Fill Light
Call Sheets
22. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Back Light
Low-Key Lighting
Author's Draft
Call Sheets
23. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Art Direction
Plot
Audition
Five Ways to Create a Parallel Action Sequence
24. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Cold Reading
Audition
T-Stops
Boom Operator
25. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Motivated Move
Zooming Out
1/3 - 2/3 Rule
26. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
1/3 - 2/3 Rule
Assistant Camera
Shooting (Lined) Script
27. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Automatic Dialogue Replacement
Green Room
Dramatization
T-Stops
28. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Motivated Move
Location Scouting
Zoom Lens (Variable Focal Length Lens)
Combination Move
29. The things that our characters actually handle in a scene
Audition
Props
Side Light
Prime Lens
30. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Peak Meter
Reverse Shots
Four Basic Elements in the Visual Language of Cinema
Circle of Confusion
31. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Focus Puller
Art Direction
Protagonist
Camera Setup
32. Primary source of illumination in your scene. Usually it is a motivated light source.
Spike
Motivated Lighting
Rendering
Key Light
33. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Zooming In
Motivated Move
Shooting (Lined) Script
34. This type of move breaks the promise of showing something else to the viewer
Peak Meter
Unmotivated Move
Props
Author's Draft
35. Point to the original data without altering the media file
3/4 Back Light
Media File Indicators
1/3 - 2/3 Rule
Location Scouting
36. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Focus Puller
Elliptical Editing
Parallel Action
37. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Audition
Call Sheets
Pick-Ups
Nonlinear Editing System
38. Finessing all of the edits one-by-one
Camera Setup
Key Light
Focus Puller
Fine Cut
39. Reading from the script pages that actors are given minutes before the audition
Green Room
Cold Reading
Spike
Key Light
40. Form used in film production to keep track of all the mise-en-sc
Headroom
Script Breakdown Sheet
Zooming In
Elliptical Editing
41. The order of events in your film
Plot
Elliptical Editing
Fine Cut
Camera Setup
42. Lens that has one fixed focal length for more precise manipulation of image quality
Three Essential Elements of Drama
Zooming In
Low-Key Lighting
Prime Lens
43. Recording is too low
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
44. Process of combining the video and audio with the applied effect to create a new media file
Zooming In
Gaffer
Blocking
Rendering
45. Lens that has one fixed focal length for more precise manipulation of image quality
Shot List
Assistant Camera
Gaffer
Prime Lens
46. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Overheads
Direct Address
Master Shot
Shot List
47. Shot - Shot Sequence - Scene - and Dramatic Sequence
Pick-Ups
Combination Move
Pulling Focus
Four Basic Elements in the Visual Language of Cinema
48. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Props
Assistant Camera
Dramatization
Motivated Lighting
49. Character - Goal - and Conflict or Obstacles
Levels
T-Stops
Three Essential Elements of Drama
Cutaway Shot
50. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Fill Light
Headshot/Bio
Reverberation
Camera Setup