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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lens that has one fixed focal length for more precise manipulation of image quality
Motivated Lighting
Headshot/Bio
Camera Setup
Prime Lens
2. Removing extraneous time and territory
Rule of Thirds
Elliptical Editing
Rule of Thirds
Shot List
3. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Dramatization
Nondestructive Editing
Combination Move
T-Stops
4. Form used in film production to keep track of all the mise-en-sc
Gaffer
Zooming In
Script Breakdown Sheet
Camera Setup
5. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Dramatization
Low-Key Lighting
Protagonist
Pick-Ups
6. All camera moves need to be...
Motivated Move
Headshot/Bio
Overheads
Boom Operator
7. Reading from the script pages that actors are given minutes before the audition
Lens Speed
Headshot/Bio
Green Room
Cold Reading
8. Lighting unit that is 45
Sound Recordist
3/4 Back Light
Four Basic Properties of Sound
Back Light
9. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Director of Photography
Overheads
Narrative Films
T-Stops
10. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Automatic Dialogue Replacement
High-Key Lighting
Low-Key Lighting
Location Technical Survey
11. Point to the original data without altering the media file
Focus Puller
Sound Recordist
High-Key Lighting
Media File Indicators
12. Process of combining the video and audio with the applied effect to create a new media file
Cover-Set
Master Shot
Rendering
Unmotivated Move
13. List of all the shots that make up the film in the order in which they will be shot
Spike
Shot List
Green Room
Talent Release
14. The things that our characters actually handle in a scene
Storyboards
Props
3/4 Back Light
Gaffer
15. Lighting unit that is 45
3/4 Back Light
Rim Light
Focus Puller
Pulling Focus
16. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Camera Setup
Back Light
Motivated Move
Parallel Action
17. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Art Direction
Levels
Parallel Action
Shot List
18. Recording is too low
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19. Responsible for the proper use and actual placement of the microphones for optimal quality
Boom Operator
Reverse Shots
Setting Levels
'In the Mud'
20. Lighting unit that is position 90
Side Light
Automatic Dialogue Replacement
Motivated Lighting
Author's Draft
21. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Media File Indicators
Script Breakdown Sheet
Peak Meter
22. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Three Essential Elements of Drama
Overheads
Four Basic Elements in the Visual Language of Cinema
23. A shot in which the subject looks directly at the camera
Side Light
Direct Address
Rule of Thirds
Shot List
24. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Peak Meter
Call Sheets
Cable Wrangler
Parallel Action
25. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Levels
Treatment
Zooming In
Unmotivated Move
26. The strategy of using movie lights to duplicate where light would logically be emanating from
Shot List
Pulling Focus
Nonlinear Editing System
Motivated Lighting
27. The strategy of using movie lights to duplicate where light would logically be emanating from
Shot Size
Four Basic Elements in the Visual Language of Cinema
Motivated Lighting
Depth of Field
28. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Talent Release
Rendering
Five Ways to Create a Parallel Action Sequence
Setting Levels
29. Changing the plane of critical focus during a take while the camera is running
Camera Setup
Pulling Focus
Master Shot
Fine Cut
30. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Pick-Ups
3/4 Back Light
Unmotivated Move
31. Soft light that fills in the shadows created by the Key Light
High-Key Lighting
Fill Light
Cover-Set
Green Room
32. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Key Light
Assistant Camera
Call Sheets
Back Light
33. Soft light that fills in the shadows created by the Key Light
Fill Light
Five Ways to Create a Parallel Action Sequence
Levels
Audition
34. Drawings of shots - arranged on paper in the order they appear in a sequence
Storyboards
Assistant Camera
Levels
Coverage
35. Another name for backlight because of the effect it gives the actor
1/3 - 2/3 Rule
Rim Light
Protagonist
1/3 - 2/3 Rule
36. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Rule of Thirds
Rendering
Prime Lens
Camera Setup
37. Changing the plane of critical focus during a take while the camera is running
Media File Indicators
Script Breakdown Sheet
Pulling Focus
T-Stops
38. List of all the shots that make up the film in the order in which they will be shot
Rule of Thirds
Shot List
Direct Address
Automatic Dialogue Replacement
39. The order of events in your film
Location Scouting
Headroom
Plot
Cross Cutting
40. Refers to the size of your subject in the frame
Lens Speed
Four Basic Elements in the Visual Language of Cinema
Shot Size
Boom Operator
41. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Audition
Reverse Shots
Spike
42. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Sound Recordist
Director of Photography
Art Direction
Location Technical Survey
43. The person who pulls focus
Headroom
Props
Focus Puller
Circle of Confusion
44. Executing more than one move at a time
Fine Cut
Plot
Combination Move
Focus Puller
45. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Motivated Lighting
Sound Recordist
Ambient Sound
Narrative Films
46. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Four Basic Elements in the Visual Language of Cinema
Cutaway Shot
Motivated Lighting
Master Shot
47. Reading from the script pages that actors are given minutes before the audition
High-Key Lighting
Three Pre-Visualization Tools
Cold Reading
Assistant Camera
48. Form used in film production to keep track of all the mise-en-sc
Zoom Lens (Variable Focal Length Lens)
Script Breakdown Sheet
'In the Mud'
Pulling Focus
49. To alternate between two or more scenes when editing a sequence
Pulling Focus
Cross Cutting
Cover-Set
Three Pre-Visualization Tools
50. The measurement of acceptable diameter which creates the appearance of focus
Shot Size
Focus Puller
Master Shot
Circle of Confusion