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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lens that has one fixed focal length for more precise manipulation of image quality
Cable Wrangler
Blocking
Prime Lens
Audition
2. Measures the strength of the incoming signal.
Storyboards
Director of Photography
Peak Meter
Pulling Focus
3. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Cover-Set
Direct Address
Back Light
Peak Meter
4. Changing the plane of critical focus during a take while the camera is running
Peak Meter
Reverberation
Combination Move
Pulling Focus
5. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Zooming Out
Audition
Location Scouting
6. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Nonlinear Editing System
Protagonist
Talent Release
Coverage
7. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Gaffer
Treatment
Parallel Action
8. Lens that offers a continuous range of focal lengths in one lens housing
Prime Lens
Cross Cutting
Zoom Lens (Variable Focal Length Lens)
Combination Move
9. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Combination Move
Assistant Camera
Cover-Set
Direct Address
10. Primary source of illumination in your scene. Usually it is a motivated light source.
Director of Photography
Cutaway Shot
Key Light
T-Stops
11. Lighting unit that is 45
3/4 Back Light
Four Basic Elements in the Visual Language of Cinema
Zooming In
Three Pre-Visualization Tools
12. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Cable Wrangler
Assistant Camera
Plot
13. Executing more than one move at a time
Coverage
Combination Move
T-Stops
Treatment
14. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Ambient Sound
Cable Wrangler
Five Ways to Create a Parallel Action Sequence
15. The things that our characters actually handle in a scene
Props
Sound Recordist
Fill Light
Nondestructive Editing
16. The movement of characters in the space
Green Room
Blocking
Treatment
Fill Light
17. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Direct Address
Camera Setup
Parallel Action
18. The order of events in your film
Boom Operator
Sound Recordist
Plot
Elliptical Editing
19. The recording of sync dialogue in a studio in cases where the production sound is not usable
Zoom Lens (Variable Focal Length Lens)
Key Light
Automatic Dialogue Replacement
Combination Move
20. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Reverberation
Automatic Dialogue Replacement
Narrative Films
Call Sheets
21. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Nondestructive Editing
Sound Recordist
Storyboards
Blocking
22. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Peak Meter
Pulling Focus
Assistant Camera
Low-Key Lighting
23. Shooting a scene from various angles
Sound Recordist
Coverage
Media File Indicators
Three Essential Elements of Drama
24. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Five Ways to Create a Parallel Action Sequence
Script Breakdown Sheet
Location Scouting
1/3 - 2/3 Rule
25. Reading from the script pages that actors are given minutes before the audition
High-Key Lighting
Four Basic Properties of Sound
Cutaway Shot
Cold Reading
26. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Back Light
Pick-Ups
Peak Meter
Cover-Set
27. Transforming what is vague and internal into a series of viewable and audible actions and events
Dramatization
Shot List
Coverage
T-Stops
28. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zooming Out
Coverage
Zooming In
Combination Move
29. The physical placement of the camera on the set necessary to get each shot in your shooting script
Blocking
Headroom
Media File Indicators
Camera Setup
30. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Cross Cutting
Key Light
1/3 - 2/3 Rule
31. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Overheads
Parallel Action
Levels
Shooting (Lined) Script
32. The recording of sync dialogue in a studio in cases where the production sound is not usable
Motivated Lighting
Automatic Dialogue Replacement
Location Scouting
Blocking
33. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Green Room
Boom Operator
Cold Reading
High-Key Lighting
34. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Gaffer
1/3 - 2/3 Rule
Cable Wrangler
Cold Reading
35. First complete version of the narrative in proper screenplay format
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36. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Unmotivated Move
Direct Address
Fine Cut
37. List of all the shots that make up the film in the order in which they will be shot
Zooming In
Parallel Action
Shot List
Rendering
38. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Shot Size
Lens Speed
Low-Key Lighting
Master Shot
39. Lens that has one fixed focal length for more precise manipulation of image quality
Shooting (Lined) Script
Headshot/Bio
Prime Lens
Media File Indicators
40. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Direct Address
Narrative Films
Master Shot
Zooming In
41. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Wild Sound (Non-Sync Sound)
Reverse Shots
Lens Speed
Blocking
42. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Blocking
Overheads
Elliptical Editing
43. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Camera Setup
Five Ways to Create a Parallel Action Sequence
Director of Photography
Sound Recordist
44. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Call Sheets
Location Scouting
Sound Recordist
Automatic Dialogue Replacement
45. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Shot List
3/4 Back Light
Motivated Move
Director of Photography
46. Shooting Script - Overheads - and Storyboards
Back Light
Three Pre-Visualization Tools
Shot Size
Motivated Lighting
47. Loud - sudden sound that exceeds 0dB
Setting Levels
Narrative Films
Headshot/Bio
Spike
48. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
'In the Mud'
Props
Location Scouting
Elliptical Editing
49. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Sound Recordist
Script Breakdown Sheet
Nondestructive Editing
Low-Key Lighting
50. Recording is too low
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