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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Dramatization
Wild Sound (Non-Sync Sound)
Art Direction
Shot Size
2. Removing extraneous time and territory
Circle of Confusion
Elliptical Editing
1/3 - 2/3 Rule
Media File Indicators
3. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Setting Levels
Cable Wrangler
Plot
Three Essential Elements of Drama
4. Sound that includes both room acoustics and background noise
3/4 Back Light
Cold Reading
Ambient Sound
Depth of Field
5. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Fine Cut
Rule of Thirds
Rule of Thirds
Talent Release
6. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Motivated Lighting
Five Ways to Create a Parallel Action Sequence
Protagonist
Narrative Films
7. Form used in film production to keep track of all the mise-en-sc
Zooming Out
Assistant Camera
Protagonist
Script Breakdown Sheet
8. Lighting unit that is position 90
Back Light
Side Light
Shot Size
Five Ways to Create a Parallel Action Sequence
9. Shooting a scene from various angles
Zoom Lens (Variable Focal Length Lens)
Coverage
Treatment
Levels
10. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Lens Speed
Director of Photography
Back Light
Master Shot
11. Character - Goal - and Conflict or Obstacles
Three Essential Elements of Drama
Rim Light
Script Breakdown Sheet
Nondestructive Editing
12. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Setting Levels
Levels
Camera Setup
Four Basic Properties of Sound
13. Controlling the strength of the signal
Nondestructive Editing
Prime Lens
3/4 Back Light
Setting Levels
14. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Boom Operator
Green Room
Wild Sound (Non-Sync Sound)
Zoom Lens (Variable Focal Length Lens)
15. Recording is too low
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16. A shot in which the subject looks directly at the camera
Talent Release
Direct Address
Director of Photography
Sound Recordist
17. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
Media File Indicators
Low-Key Lighting
Rim Light
18. Simple but comprehensive prose description of a film's plot
Direct Address
Motivated Lighting
Cable Wrangler
Treatment
19. The range of apparent focus along the z-axis
Cable Wrangler
Depth of Field
Four Basic Elements in the Visual Language of Cinema
Location Technical Survey
20. The strategy of using movie lights to duplicate where light would logically be emanating from
Depth of Field
Fill Light
Motivated Lighting
Fill Light
21. Refers to the size of your subject in the frame
Art Direction
Shot Size
Low-Key Lighting
Cross Cutting
22. Closely scrutinizing the location for its technical and aesthetic capabilities
Protagonist
Coverage
Gaffer
Location Technical Survey
23. Drawings of shots - arranged on paper in the order they appear in a sequence
Media File Indicators
Three Essential Elements of Drama
Motivated Lighting
Storyboards
24. Transforming what is vague and internal into a series of viewable and audible actions and events
Four Basic Elements in the Visual Language of Cinema
Prime Lens
Dramatization
Depth of Field
25. Executing more than one move at a time
Plot
Master Shot
Combination Move
'In the Mud'
26. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Four Basic Elements in the Visual Language of Cinema
Zooming Out
1/3 - 2/3 Rule
Cross Cutting
27. The strategy of using movie lights to duplicate where light would logically be emanating from
Prime Lens
Narrative Films
Ambient Sound
Motivated Lighting
28. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Assistant Camera
Author's Draft
Three Pre-Visualization Tools
Setting Levels
29. List of all the shots that make up the film in the order in which they will be shot
Motivated Lighting
Talent Release
Fill Light
Shot List
30. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Green Room
Fill Light
Headshot/Bio
Cover-Set
31. The recording of sync dialogue in a studio in cases where the production sound is not usable
Four Basic Elements in the Visual Language of Cinema
Depth of Field
Automatic Dialogue Replacement
Reverse Shots
32. List of all the shots that make up the film in the order in which they will be shot
Narrative Films
Low-Key Lighting
Nonlinear Editing System
Shot List
33. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Elliptical Editing
Parallel Action
'In the Mud'
Storyboards
34. Reading from the script pages that actors are given minutes before the audition
Author's Draft
Author's Draft
Cold Reading
Unmotivated Move
35. Loud - sudden sound that exceeds 0dB
Spike
3/4 Back Light
Fill Light
Treatment
36. Lighting unit that is position 90
Headshot/Bio
Motivated Lighting
Side Light
High-Key Lighting
37. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Audition
1/3 - 2/3 Rule
Four Basic Elements in the Visual Language of Cinema
Nondestructive Editing
38. Primary source of illumination in your scene. Usually it is a motivated light source.
Fill Light
Setting Levels
Dramatization
Key Light
39. Lens that has one fixed focal length for more precise manipulation of image quality
Shot List
High-Key Lighting
Prime Lens
Focus Puller
40. First complete version of the narrative in proper screenplay format
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41. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Location Scouting
Zooming In
Setting Levels
Storyboards
42. A shot of a detail within your scene other than the characters' faces
Fine Cut
Cutaway Shot
Talent Release
Automatic Dialogue Replacement
43. Closely scrutinizing the location for its technical and aesthetic capabilities
Media File Indicators
Pulling Focus
Location Technical Survey
Gaffer
44. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Rim Light
Nondestructive Editing
Rule of Thirds
45. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Camera Setup
Setting Levels
Protagonist
'In the Mud'
46. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
1/3 - 2/3 Rule
Headshot/Bio
Cutaway Shot
Sound Recordist
47. Measures the strength of the incoming signal.
Peak Meter
Script Breakdown Sheet
Motivated Move
Parallel Action
48. All camera moves need to be...
Motivated Move
Green Room
Dramatization
Depth of Field
49. Measures the strength of the incoming signal.
Combination Move
Peak Meter
Spike
Plot
50. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Ambient Sound
T-Stops
Wild Sound (Non-Sync Sound)
Nonlinear Editing System