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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Fill Light
Art Direction
T-Stops
Zooming In
2. Lens that has one fixed focal length for more precise manipulation of image quality
Plot
1/3 - 2/3 Rule
Prime Lens
Camera Setup
3. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Low-Key Lighting
Five Ways to Create a Parallel Action Sequence
Zooming Out
Reverse Shots
4. Removing extraneous time and territory
Cable Wrangler
Five Ways to Create a Parallel Action Sequence
Peak Meter
Elliptical Editing
5. Executing more than one move at a time
'In the Mud'
Fine Cut
Fill Light
Combination Move
6. The things that our characters actually handle in a scene
Nonlinear Editing System
Props
Script Breakdown Sheet
Cover-Set
7. The things that our characters actually handle in a scene
Reverberation
Key Light
Props
Camera Setup
8. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Props
Zoom Lens (Variable Focal Length Lens)
Blocking
9. All camera moves need to be...
Motivated Move
Four Basic Properties of Sound
Direct Address
Ambient Sound
10. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Three Essential Elements of Drama
Cover-Set
Assistant Camera
Headshot/Bio
11. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Boom Operator
Lens Speed
Sound Recordist
Reverberation
12. The person who pulls focus
Parallel Action
Protagonist
Prime Lens
Focus Puller
13. Point to the original data without altering the media file
Media File Indicators
Cross Cutting
Cover-Set
Cover-Set
14. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
3/4 Back Light
Fill Light
Five Ways to Create a Parallel Action Sequence
15. The physical placement of the camera on the set necessary to get each shot in your shooting script
Focus Puller
Cutaway Shot
Cover-Set
Camera Setup
16. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Storyboards
Combination Move
Media File Indicators
Director of Photography
17. The person who pulls focus
Motivated Move
Focus Puller
Four Basic Properties of Sound
Fine Cut
18. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Protagonist
Cover-Set
Camera Setup
Ambient Sound
19. First complete version of the narrative in proper screenplay format
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20. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Narrative Films
Shot Size
Author's Draft
21. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Assistant Camera
Wild Sound (Non-Sync Sound)
Storyboards
Reverberation
22. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Cable Wrangler
Audition
Depth of Field
Director of Photography
23. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Levels
Media File Indicators
Headroom
Shot List
24. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
3/4 Back Light
Location Scouting
Rule of Thirds
Cross Cutting
25. Lens that offers a continuous range of focal lengths in one lens housing
Narrative Films
Lens Speed
3/4 Back Light
Zoom Lens (Variable Focal Length Lens)
26. This type of move breaks the promise of showing something else to the viewer
Headroom
Five Ways to Create a Parallel Action Sequence
Blocking
Unmotivated Move
27. Loud - sudden sound that exceeds 0dB
Spike
Zooming In
Unmotivated Move
Zoom Lens (Variable Focal Length Lens)
28. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Cutaway Shot
Ambient Sound
Ambient Sound
29. Sound that includes both room acoustics and background noise
Focus Puller
Treatment
Ambient Sound
Cold Reading
30. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Reverberation
'In the Mud'
Cross Cutting
Lens Speed
31. Lighting unit that is position 90
Audition
Side Light
Shot Size
Four Basic Properties of Sound
32. A shot of a detail within your scene other than the characters' faces
Talent Release
Headroom
1/3 - 2/3 Rule
Cutaway Shot
33. The movement of characters in the space
Key Light
Blocking
Motivated Move
Storyboards
34. Reading from the script pages that actors are given minutes before the audition
Reverse Shots
Talent Release
Cold Reading
Art Direction
35. Shooting Script - Overheads - and Storyboards
Five Ways to Create a Parallel Action Sequence
Treatment
Reverberation
Three Pre-Visualization Tools
36. Another name for backlight because of the effect it gives the actor
Fill Light
Lens Speed
Rule of Thirds
Rim Light
37. The recording of sync dialogue in a studio in cases where the production sound is not usable
1/3 - 2/3 Rule
Rendering
Cutaway Shot
Automatic Dialogue Replacement
38. Executing more than one move at a time
Rule of Thirds
Headshot/Bio
Combination Move
Camera Setup
39. Shooting Script - Overheads - and Storyboards
Location Scouting
Three Pre-Visualization Tools
Media File Indicators
Pick-Ups
40. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Blocking
Back Light
Cable Wrangler
Art Direction
41. All camera moves need to be...
Reverse Shots
Motivated Move
Combination Move
Automatic Dialogue Replacement
42. List of all the shots that make up the film in the order in which they will be shot
'In the Mud'
Nondestructive Editing
Shot List
Levels
43. Finessing all of the edits one-by-one
Director of Photography
Fine Cut
Headshot/Bio
Prime Lens
44. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
3/4 Back Light
Assistant Camera
Headshot/Bio
Spike
45. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Cable Wrangler
Motivated Move
Nonlinear Editing System
Back Light
46. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Unmotivated Move
Nondestructive Editing
Combination Move
Headshot/Bio
47. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Protagonist
3/4 Back Light
Back Light
'In the Mud'
48. A shot in which the subject looks directly at the camera
Narrative Films
Sound Recordist
Low-Key Lighting
Direct Address
49. Simple but comprehensive prose description of a film's plot
High-Key Lighting
Camera Setup
Treatment
Low-Key Lighting
50. Closely scrutinizing the location for its technical and aesthetic capabilities
Narrative Films
Key Light
Shooting (Lined) Script
Location Technical Survey
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