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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The measurement of acceptable diameter which creates the appearance of focus
Motivated Lighting
Reverse Shots
Boom Operator
Circle of Confusion
2. Lighting unit that is position 90
Side Light
Headshot/Bio
Cutaway Shot
Shot Size
3. All camera moves need to be...
Blocking
Rendering
T-Stops
Motivated Move
4. Finessing all of the edits one-by-one
Assistant Camera
Author's Draft
Storyboards
Fine Cut
5. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Wild Sound (Non-Sync Sound)
Nondestructive Editing
Headroom
Director of Photography
6. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Shot List
Nonlinear Editing System
Spike
7. Refers to the size of your subject in the frame
Location Scouting
Shot Size
Zooming In
Levels
8. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Zooming In
'In the Mud'
Art Direction
Audition
9. Lighting unit that is 45
Sound Recordist
3/4 Back Light
Zoom Lens (Variable Focal Length Lens)
Props
10. Responsible for the proper use and actual placement of the microphones for optimal quality
Cover-Set
Protagonist
Treatment
Boom Operator
11. Loud - sudden sound that exceeds 0dB
Talent Release
Shooting (Lined) Script
Script Breakdown Sheet
Spike
12. A shot in which the subject looks directly at the camera
Cable Wrangler
Pick-Ups
Zoom Lens (Variable Focal Length Lens)
Direct Address
13. Soft light that fills in the shadows created by the Key Light
Fill Light
Pulling Focus
Location Technical Survey
Nonlinear Editing System
14. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Reverberation
Setting Levels
Coverage
Parallel Action
15. Form used in film production to keep track of all the mise-en-sc
Reverberation
Reverse Shots
Script Breakdown Sheet
Overheads
16. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Script Breakdown Sheet
Protagonist
Master Shot
Talent Release
17. Drawings of shots - arranged on paper in the order they appear in a sequence
T-Stops
Storyboards
Focus Puller
Nondestructive Editing
18. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Levels
'In the Mud'
Location Scouting
Sound Recordist
19. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Lens Speed
Three Pre-Visualization Tools
Sound Recordist
Gaffer
20. Executing more than one move at a time
Cross Cutting
Call Sheets
Combination Move
Cross Cutting
21. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Green Room
Headroom
Talent Release
Rim Light
22. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Nondestructive Editing
Fill Light
Three Essential Elements of Drama
Talent Release
23. Transforming what is vague and internal into a series of viewable and audible actions and events
Dramatization
Setting Levels
Back Light
Headroom
24. Removing extraneous time and territory
1/3 - 2/3 Rule
Elliptical Editing
Four Basic Elements in the Visual Language of Cinema
Zoom Lens (Variable Focal Length Lens)
25. Process of combining the video and audio with the applied effect to create a new media file
Nonlinear Editing System
Rule of Thirds
Motivated Move
Rendering
26. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Rule of Thirds
Reverberation
Coverage
Combination Move
27. The physical placement of the camera on the set necessary to get each shot in your shooting script
High-Key Lighting
Dramatization
Side Light
Camera Setup
28. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Cable Wrangler
Depth of Field
Shooting (Lined) Script
29. Loud - sudden sound that exceeds 0dB
Ambient Sound
Spike
Shot List
Depth of Field
30. Controlling the strength of the signal
Fine Cut
Setting Levels
Art Direction
Three Pre-Visualization Tools
31. Lens that offers a continuous range of focal lengths in one lens housing
Depth of Field
Zoom Lens (Variable Focal Length Lens)
Art Direction
Art Direction
32. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Boom Operator
Director of Photography
Audition
'In the Mud'
33. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Boom Operator
Four Basic Properties of Sound
Coverage
34. The order of events in your film
Zooming Out
Call Sheets
Plot
Cutaway Shot
35. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Zooming Out
Headroom
Cutaway Shot
Pick-Ups
36. A shot of a detail within your scene other than the characters' faces
Cutaway Shot
Location Technical Survey
Blocking
Zooming Out
37. Responsible for the proper use and actual placement of the microphones for optimal quality
Headroom
Boom Operator
Parallel Action
Shot Size
38. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Motivated Lighting
Treatment
Protagonist
Narrative Films
39. Simple but comprehensive prose description of a film's plot
Combination Move
Combination Move
Treatment
Headshot/Bio
40. To alternate between two or more scenes when editing a sequence
Shot Size
Cross Cutting
Cover-Set
Cold Reading
41. Shooting Script - Overheads - and Storyboards
Media File Indicators
Three Pre-Visualization Tools
Location Technical Survey
Art Direction
42. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Lens Speed
Dramatization
Script Breakdown Sheet
Cover-Set
43. This type of move breaks the promise of showing something else to the viewer
Side Light
Unmotivated Move
Narrative Films
Automatic Dialogue Replacement
44. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Spike
Zooming In
Cutaway Shot
Side Light
45. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Unmotivated Move
Setting Levels
Location Technical Survey
46. Shot - Shot Sequence - Scene - and Dramatic Sequence
Cover-Set
Script Breakdown Sheet
Lens Speed
Four Basic Elements in the Visual Language of Cinema
47. Closely scrutinizing the location for its technical and aesthetic capabilities
Prime Lens
Wild Sound (Non-Sync Sound)
Location Technical Survey
High-Key Lighting
48. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Director of Photography
Camera Setup
Lens Speed
49. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Low-Key Lighting
Audition
Rim Light
Gaffer
50. Lens that offers a continuous range of focal lengths in one lens housing
Cold Reading
Lens Speed
Zoom Lens (Variable Focal Length Lens)
Treatment