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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Five Ways to Create a Parallel Action Sequence
Camera Setup
Script Breakdown Sheet
2. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Four Basic Elements in the Visual Language of Cinema
Camera Setup
Levels
Three Pre-Visualization Tools
3. Shooting a scene from various angles
Three Pre-Visualization Tools
Unmotivated Move
Prime Lens
Coverage
4. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Elliptical Editing
Zooming In
T-Stops
Script Breakdown Sheet
5. Point to the original data without altering the media file
Media File Indicators
Peak Meter
Headroom
Location Technical Survey
6. Recording is too low
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7. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Prime Lens
Headshot/Bio
Pulling Focus
8. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Automatic Dialogue Replacement
Talent Release
Narrative Films
Four Basic Properties of Sound
9. Executing more than one move at a time
Script Breakdown Sheet
Lens Speed
Nonlinear Editing System
Combination Move
10. Shooting Script - Overheads - and Storyboards
Cable Wrangler
Zooming Out
Three Pre-Visualization Tools
1/3 - 2/3 Rule
11. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Location Scouting
Combination Move
Zooming In
12. Refers to the size of your subject in the frame
Sound Recordist
Fill Light
Shot Size
Reverse Shots
13. List of all the shots that make up the film in the order in which they will be shot
Sound Recordist
Rendering
Motivated Lighting
Shot List
14. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Levels
Shooting (Lined) Script
T-Stops
Director of Photography
15. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Pick-Ups
Zooming Out
Low-Key Lighting
16. Controlling the strength of the signal
Wild Sound (Non-Sync Sound)
Spike
Setting Levels
Rendering
17. Shooting Script - Overheads - and Storyboards
Protagonist
Talent Release
Blocking
Three Pre-Visualization Tools
18. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Cutaway Shot
Low-Key Lighting
Levels
Green Room
19. Point to the original data without altering the media file
Peak Meter
Media File Indicators
Rim Light
Prime Lens
20. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Nondestructive Editing
Circle of Confusion
Zoom Lens (Variable Focal Length Lens)
Three Pre-Visualization Tools
21. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Headroom
Zooming Out
Ambient Sound
Master Shot
22. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Back Light
Boom Operator
Overheads
Plot
23. Lighting unit that is position 90
Reverberation
T-Stops
Director of Photography
Side Light
24. The things that our characters actually handle in a scene
Reverse Shots
Coverage
Props
Coverage
25. Drawings of shots - arranged on paper in the order they appear in a sequence
Plot
Storyboards
Elliptical Editing
Three Essential Elements of Drama
26. Loud - sudden sound that exceeds 0dB
Spike
Cutaway Shot
Cover-Set
Green Room
27. Primary source of illumination in your scene. Usually it is a motivated light source.
Sound Recordist
1/3 - 2/3 Rule
Motivated Lighting
Key Light
28. Removing extraneous time and territory
High-Key Lighting
Elliptical Editing
Call Sheets
Prime Lens
29. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Art Direction
Prime Lens
Peak Meter
Zooming In
30. Form used in film production to keep track of all the mise-en-sc
Script Breakdown Sheet
Rendering
Pick-Ups
Location Technical Survey
31. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Audition
Narrative Films
Storyboards
Headshot/Bio
32. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Headroom
Four Basic Elements in the Visual Language of Cinema
Gaffer
Protagonist
33. This type of move breaks the promise of showing something else to the viewer
Reverse Shots
Spike
Unmotivated Move
Call Sheets
34. Shooting a scene from various angles
Levels
Side Light
Assistant Camera
Coverage
35. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Plot
Wild Sound (Non-Sync Sound)
Art Direction
Zooming Out
36. To alternate between two or more scenes when editing a sequence
Four Basic Properties of Sound
Cross Cutting
Boom Operator
Cover-Set
37. The movement of characters in the space
Protagonist
Fine Cut
Sound Recordist
Blocking
38. Lens that offers a continuous range of focal lengths in one lens housing
Zoom Lens (Variable Focal Length Lens)
Spike
Lens Speed
Shot Size
39. Measures the strength of the incoming signal.
Audition
Peak Meter
Cold Reading
Depth of Field
40. A shot in which the subject looks directly at the camera
Low-Key Lighting
Direct Address
Dramatization
Talent Release
41. Form used in film production to keep track of all the mise-en-sc
Media File Indicators
Fine Cut
Script Breakdown Sheet
Shooting (Lined) Script
42. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
Automatic Dialogue Replacement
Zooming In
Talent Release
43. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Spike
Four Basic Elements in the Visual Language of Cinema
Rim Light
44. The range of apparent focus along the z-axis
Headshot/Bio
Side Light
Rendering
Depth of Field
45. All camera moves need to be...
Reverse Shots
Reverse Shots
Motivated Move
Parallel Action
46. Removing extraneous time and territory
Talent Release
Elliptical Editing
Back Light
Pick-Ups
47. Lens that offers a continuous range of focal lengths in one lens housing
Unmotivated Move
Zoom Lens (Variable Focal Length Lens)
Direct Address
'In the Mud'
48. Transforming what is vague and internal into a series of viewable and audible actions and events
Pick-Ups
Dramatization
Wild Sound (Non-Sync Sound)
Cold Reading
49. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Fine Cut
Back Light
Narrative Films
Dramatization
50. To alternate between two or more scenes when editing a sequence
Narrative Films
Dramatization
Cross Cutting
Parallel Action