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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Responsible for the proper use and actual placement of the microphones for optimal quality
Art Direction
Boom Operator
Pulling Focus
Prime Lens
2. First complete version of the narrative in proper screenplay format
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3. Measures the strength of the incoming signal.
Peak Meter
Levels
Gaffer
Spike
4. Lens that offers a continuous range of focal lengths in one lens housing
Three Essential Elements of Drama
Overheads
Zoom Lens (Variable Focal Length Lens)
Five Ways to Create a Parallel Action Sequence
5. The order of events in your film
Depth of Field
Levels
Plot
Dramatization
6. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Cutaway Shot
Green Room
Levels
Reverse Shots
7. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Coverage
Assistant Camera
3/4 Back Light
Plot
8. Executing more than one move at a time
Rendering
Treatment
Master Shot
Combination Move
9. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Lens Speed
Zooming In
Motivated Move
Direct Address
10. Another name for backlight because of the effect it gives the actor
'In the Mud'
Circle of Confusion
3/4 Back Light
Rim Light
11. Character - Goal - and Conflict or Obstacles
Combination Move
3/4 Back Light
Three Essential Elements of Drama
Shot List
12. All camera moves need to be...
Motivated Move
Boom Operator
Narrative Films
Cold Reading
13. Controlling the strength of the signal
Five Ways to Create a Parallel Action Sequence
Automatic Dialogue Replacement
Director of Photography
Setting Levels
14. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Rule of Thirds
Pick-Ups
T-Stops
Spike
15. The measurement of acceptable diameter which creates the appearance of focus
Rendering
Elliptical Editing
Reverberation
Circle of Confusion
16. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Green Room
Pick-Ups
Narrative Films
Side Light
17. Drawings of shots - arranged on paper in the order they appear in a sequence
Assistant Camera
Direct Address
Green Room
Storyboards
18. Transforming what is vague and internal into a series of viewable and audible actions and events
T-Stops
Dramatization
Reverse Shots
Motivated Lighting
19. Form used in film production to keep track of all the mise-en-sc
Script Breakdown Sheet
Key Light
Four Basic Elements in the Visual Language of Cinema
Props
20. List of all the shots that make up the film in the order in which they will be shot
3/4 Back Light
Blocking
Shot List
Cover-Set
21. Loud - sudden sound that exceeds 0dB
Spike
Props
Levels
Script Breakdown Sheet
22. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Motivated Move
3/4 Back Light
Cable Wrangler
Fine Cut
23. A shot in which the subject looks directly at the camera
Headshot/Bio
Direct Address
Nonlinear Editing System
Pick-Ups
24. A shot of a detail within your scene other than the characters' faces
Spike
Rule of Thirds
Cutaway Shot
Parallel Action
25. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Media File Indicators
Zooming Out
Combination Move
Master Shot
26. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Director of Photography
Call Sheets
Cutaway Shot
Art Direction
27. Another name for backlight because of the effect it gives the actor
Location Scouting
Rim Light
Automatic Dialogue Replacement
Assistant Camera
28. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Cover-Set
Director of Photography
Cable Wrangler
Pick-Ups
29. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Assistant Camera
Direct Address
Talent Release
Pick-Ups
30. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Green Room
Talent Release
Back Light
Automatic Dialogue Replacement
31. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Rule of Thirds
1/3 - 2/3 Rule
Storyboards
Rim Light
32. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
T-Stops
Zooming In
Reverse Shots
Overheads
33. Finessing all of the edits one-by-one
Fine Cut
Talent Release
Pulling Focus
Fill Light
34. Frequency - Amplitude - Timbre - and Velocity
Pulling Focus
Four Basic Properties of Sound
Call Sheets
Reverse Shots
35. Point to the original data without altering the media file
Headroom
Lens Speed
Media File Indicators
Direct Address
36. The range of apparent focus along the z-axis
Three Essential Elements of Drama
Depth of Field
Boom Operator
Zoom Lens (Variable Focal Length Lens)
37. The recording of sync dialogue in a studio in cases where the production sound is not usable
Three Essential Elements of Drama
Storyboards
Automatic Dialogue Replacement
Five Ways to Create a Parallel Action Sequence
38. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Overheads
Director of Photography
Rendering
Master Shot
39. Soft light that fills in the shadows created by the Key Light
Lens Speed
Low-Key Lighting
Fill Light
Pulling Focus
40. Measures the strength of the incoming signal.
1/3 - 2/3 Rule
Lens Speed
Peak Meter
Parallel Action
41. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Headshot/Bio
T-Stops
Back Light
Art Direction
42. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Media File Indicators
Cover-Set
Overheads
Assistant Camera
43. Drawings of shots - arranged on paper in the order they appear in a sequence
Narrative Films
Props
Media File Indicators
Storyboards
44. Removing extraneous time and territory
Elliptical Editing
Cable Wrangler
Depth of Field
Rendering
45. Executing more than one move at a time
Low-Key Lighting
Combination Move
Pulling Focus
Dramatization
46. The things that our characters actually handle in a scene
Four Basic Elements in the Visual Language of Cinema
Props
Boom Operator
Rule of Thirds
47. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Talent Release
Audition
Pick-Ups
'In the Mud'
48. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Narrative Films
Zoom Lens (Variable Focal Length Lens)
Lens Speed
Sound Recordist
49. Lighting unit that is position 90
Zoom Lens (Variable Focal Length Lens)
Fill Light
Setting Levels
Side Light
50. Character - Goal - and Conflict or Obstacles
Three Essential Elements of Drama
Nonlinear Editing System
Depth of Field
'In the Mud'