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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Frequency - Amplitude - Timbre - and Velocity
Narrative Films
Prime Lens
Four Basic Properties of Sound
'In the Mud'
2. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Fill Light
Gaffer
Boom Operator
Three Pre-Visualization Tools
3. Character - Goal - and Conflict or Obstacles
Cross Cutting
Headroom
Three Essential Elements of Drama
Master Shot
4. Lighting unit that is 45
3/4 Back Light
Reverse Shots
Four Basic Properties of Sound
Director of Photography
5. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Reverberation
Talent Release
Author's Draft
Pulling Focus
6. All camera moves need to be...
Three Pre-Visualization Tools
Levels
Motivated Move
Low-Key Lighting
7. The physical placement of the camera on the set necessary to get each shot in your shooting script
Blocking
Camera Setup
Back Light
Location Scouting
8. All camera moves need to be...
Peak Meter
Wild Sound (Non-Sync Sound)
Cutaway Shot
Motivated Move
9. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Back Light
Location Technical Survey
Levels
Prime Lens
10. A shot of a detail within your scene other than the characters' faces
Cutaway Shot
Zoom Lens (Variable Focal Length Lens)
Shooting (Lined) Script
'In the Mud'
11. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
'In the Mud'
Headroom
High-Key Lighting
Plot
12. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Script Breakdown Sheet
Parallel Action
Coverage
Elliptical Editing
13. Loud - sudden sound that exceeds 0dB
1/3 - 2/3 Rule
Spike
Unmotivated Move
Fine Cut
14. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Back Light
Nonlinear Editing System
Shot Size
Parallel Action
15. Transforming what is vague and internal into a series of viewable and audible actions and events
Dramatization
Camera Setup
Shooting (Lined) Script
Motivated Lighting
16. Lighting unit that is position 90
Side Light
Zooming Out
Script Breakdown Sheet
Location Scouting
17. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Gaffer
Nonlinear Editing System
Fill Light
Assistant Camera
18. Shooting Script - Overheads - and Storyboards
Art Direction
Cross Cutting
Protagonist
Three Pre-Visualization Tools
19. The measurement of acceptable diameter which creates the appearance of focus
Setting Levels
Script Breakdown Sheet
Circle of Confusion
Media File Indicators
20. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Circle of Confusion
Back Light
Gaffer
Narrative Films
21. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Dramatization
Assistant Camera
Circle of Confusion
1/3 - 2/3 Rule
22. To alternate between two or more scenes when editing a sequence
Side Light
Pulling Focus
Cross Cutting
Ambient Sound
23. Reading from the script pages that actors are given minutes before the audition
Ambient Sound
Three Essential Elements of Drama
'In the Mud'
Cold Reading
24. Process of combining the video and audio with the applied effect to create a new media file
Cover-Set
Rendering
Camera Setup
Art Direction
25. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Zooming In
Prime Lens
Master Shot
26. Changing the plane of critical focus during a take while the camera is running
Shot Size
Script Breakdown Sheet
Zoom Lens (Variable Focal Length Lens)
Pulling Focus
27. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Reverse Shots
Master Shot
Fill Light
Location Technical Survey
28. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Call Sheets
Overheads
Shot List
29. Controlling the strength of the signal
Location Technical Survey
Five Ways to Create a Parallel Action Sequence
Setting Levels
Assistant Camera
30. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Zoom Lens (Variable Focal Length Lens)
Nondestructive Editing
Parallel Action
Cable Wrangler
31. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Protagonist
Cross Cutting
Parallel Action
'In the Mud'
32. Shot - Shot Sequence - Scene - and Dramatic Sequence
Art Direction
Call Sheets
Pick-Ups
Four Basic Elements in the Visual Language of Cinema
33. List of all the shots that make up the film in the order in which they will be shot
Fine Cut
Protagonist
Shot List
Setting Levels
34. Soft light that fills in the shadows created by the Key Light
Fill Light
Protagonist
Dramatization
Motivated Lighting
35. Controlling the strength of the signal
Three Essential Elements of Drama
Sound Recordist
Pulling Focus
Setting Levels
36. Shooting a scene from various angles
Shooting (Lined) Script
Rule of Thirds
Unmotivated Move
Coverage
37. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Pulling Focus
Art Direction
Wild Sound (Non-Sync Sound)
Nondestructive Editing
38. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Five Ways to Create a Parallel Action Sequence
Blocking
Pick-Ups
3/4 Back Light
39. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Spike
Coverage
Storyboards
Parallel Action
40. The person who pulls focus
Focus Puller
Four Basic Elements in the Visual Language of Cinema
Author's Draft
Master Shot
41. The strategy of using movie lights to duplicate where light would logically be emanating from
Motivated Lighting
Shot List
Shooting (Lined) Script
Call Sheets
42. Another name for backlight because of the effect it gives the actor
Rim Light
Cover-Set
'In the Mud'
Key Light
43. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Rendering
Four Basic Properties of Sound
Ambient Sound
Low-Key Lighting
44. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Spike
Narrative Films
Cover-Set
Peak Meter
45. Closely scrutinizing the location for its technical and aesthetic capabilities
Elliptical Editing
Motivated Move
Automatic Dialogue Replacement
Location Technical Survey
46. Transforming what is vague and internal into a series of viewable and audible actions and events
Three Essential Elements of Drama
Location Scouting
Dramatization
Overheads
47. Form used in film production to keep track of all the mise-en-sc
Shot List
Script Breakdown Sheet
Motivated Lighting
Depth of Field
48. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Reverberation
Treatment
Green Room
Nondestructive Editing
49. Lens that has one fixed focal length for more precise manipulation of image quality
Prime Lens
Cross Cutting
Assistant Camera
Reverberation
50. Finessing all of the edits one-by-one
3/4 Back Light
Shot List
Assistant Camera
Fine Cut