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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The person who pulls focus
Cold Reading
Setting Levels
Location Technical Survey
Focus Puller
2. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
T-Stops
Focus Puller
Depth of Field
Cover-Set
3. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Cable Wrangler
Audition
Location Technical Survey
Back Light
4. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Location Technical Survey
Parallel Action
Overheads
Four Basic Elements in the Visual Language of Cinema
5. Recording is too low
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6. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Headroom
Fill Light
Author's Draft
Pulling Focus
7. All camera moves need to be...
Zoom Lens (Variable Focal Length Lens)
Motivated Move
Levels
Peak Meter
8. Another name for backlight because of the effect it gives the actor
Motivated Move
Four Basic Properties of Sound
Cold Reading
Rim Light
9. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Nonlinear Editing System
Back Light
Cover-Set
Five Ways to Create a Parallel Action Sequence
10. Transforming what is vague and internal into a series of viewable and audible actions and events
Master Shot
Plot
Coverage
Dramatization
11. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Rim Light
Low-Key Lighting
Combination Move
Cover-Set
12. The strategy of using movie lights to duplicate where light would logically be emanating from
Focus Puller
Depth of Field
Motivated Lighting
Author's Draft
13. Character - Goal - and Conflict or Obstacles
Rim Light
T-Stops
Three Essential Elements of Drama
Reverse Shots
14. Soft light that fills in the shadows created by the Key Light
Zooming Out
Cable Wrangler
Lens Speed
Fill Light
15. Refers to the size of your subject in the frame
Props
Shooting (Lined) Script
Director of Photography
Shot Size
16. The things that our characters actually handle in a scene
Props
Cover-Set
Focus Puller
Levels
17. Lighting unit that is 45
Four Basic Elements in the Visual Language of Cinema
Narrative Films
3/4 Back Light
Setting Levels
18. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Peak Meter
Direct Address
Automatic Dialogue Replacement
Green Room
19. The range of apparent focus along the z-axis
Setting Levels
Master Shot
Pulling Focus
Depth of Field
20. Shot - Shot Sequence - Scene - and Dramatic Sequence
Key Light
Spike
Rendering
Four Basic Elements in the Visual Language of Cinema
21. Another name for backlight because of the effect it gives the actor
Art Direction
Four Basic Properties of Sound
Assistant Camera
Rim Light
22. Simple but comprehensive prose description of a film's plot
Treatment
Headroom
Rule of Thirds
Shooting (Lined) Script
23. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Call Sheets
Cover-Set
Parallel Action
Five Ways to Create a Parallel Action Sequence
24. First complete version of the narrative in proper screenplay format
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25. Closely scrutinizing the location for its technical and aesthetic capabilities
Coverage
Headshot/Bio
Location Technical Survey
Three Pre-Visualization Tools
26. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Five Ways to Create a Parallel Action Sequence
Location Scouting
Script Breakdown Sheet
Key Light
27. Character - Goal - and Conflict or Obstacles
Motivated Move
Fill Light
Boom Operator
Three Essential Elements of Drama
28. Process of combining the video and audio with the applied effect to create a new media file
Nondestructive Editing
Rendering
Cross Cutting
Cutaway Shot
29. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Storyboards
Pick-Ups
Green Room
30. Reading from the script pages that actors are given minutes before the audition
Location Scouting
Cold Reading
Headroom
Side Light
31. Shooting Script - Overheads - and Storyboards
Five Ways to Create a Parallel Action Sequence
Fine Cut
Three Pre-Visualization Tools
Peak Meter
32. Loud - sudden sound that exceeds 0dB
Levels
Director of Photography
Side Light
Spike
33. Drawings of shots - arranged on paper in the order they appear in a sequence
Shot Size
Rule of Thirds
Script Breakdown Sheet
Storyboards
34. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
High-Key Lighting
Talent Release
Shot Size
High-Key Lighting
35. The measurement of acceptable diameter which creates the appearance of focus
Focus Puller
Wild Sound (Non-Sync Sound)
Circle of Confusion
Prime Lens
36. The strategy of using movie lights to duplicate where light would logically be emanating from
Motivated Lighting
Combination Move
Fine Cut
Zooming In
37. Soft light that fills in the shadows created by the Key Light
Three Pre-Visualization Tools
Fill Light
Motivated Move
Setting Levels
38. A shot in which the subject looks directly at the camera
Spike
Blocking
'In the Mud'
Direct Address
39. Shooting Script - Overheads - and Storyboards
Headshot/Bio
Parallel Action
Depth of Field
Three Pre-Visualization Tools
40. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Cover-Set
Zooming In
Parallel Action
Script Breakdown Sheet
41. Reading from the script pages that actors are given minutes before the audition
Nonlinear Editing System
Rule of Thirds
Parallel Action
Cold Reading
42. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Shot Size
Gaffer
T-Stops
Sound Recordist
43. List of all the shots that make up the film in the order in which they will be shot
Plot
Narrative Films
Shot List
Reverberation
44. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Shot List
Spike
Protagonist
Fine Cut
45. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Cross Cutting
Wild Sound (Non-Sync Sound)
Protagonist
Narrative Films
46. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Lens Speed
Levels
Cutaway Shot
Audition
47. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Low-Key Lighting
Elliptical Editing
Side Light
Cable Wrangler
48. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Cable Wrangler
Sound Recordist
Narrative Films
Treatment
49. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Storyboards
Motivated Lighting
Key Light
Cover-Set
50. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Five Ways to Create a Parallel Action Sequence
Call Sheets
T-Stops
Fill Light