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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. First complete version of the narrative in proper screenplay format
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2. A shot of a detail within your scene other than the characters' faces
Camera Setup
Automatic Dialogue Replacement
Cutaway Shot
Fine Cut
3. Lighting unit that is 45
Zooming In
3/4 Back Light
Talent Release
Director of Photography
4. Soft light that fills in the shadows created by the Key Light
Unmotivated Move
Reverberation
Wild Sound (Non-Sync Sound)
Fill Light
5. The order of events in your film
Headshot/Bio
Plot
Zooming Out
Three Essential Elements of Drama
6. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Nondestructive Editing
Dramatization
Ambient Sound
Shot List
7. The recording of sync dialogue in a studio in cases where the production sound is not usable
Storyboards
Levels
Automatic Dialogue Replacement
Nonlinear Editing System
8. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Levels
Zooming In
Side Light
9. Measures the strength of the incoming signal.
Call Sheets
Peak Meter
Fill Light
Zooming In
10. To alternate between two or more scenes when editing a sequence
Audition
Cross Cutting
Art Direction
Location Scouting
11. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Prime Lens
Pick-Ups
Green Room
Pick-Ups
12. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Rim Light
Location Scouting
Nonlinear Editing System
Three Essential Elements of Drama
13. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
T-Stops
Art Direction
Shot Size
Assistant Camera
14. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Shooting (Lined) Script
Zoom Lens (Variable Focal Length Lens)
Call Sheets
Ambient Sound
15. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Media File Indicators
'In the Mud'
Motivated Move
Assistant Camera
16. Loud - sudden sound that exceeds 0dB
Cross Cutting
Spike
Rule of Thirds
Camera Setup
17. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Setting Levels
Rim Light
Shot List
18. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Overheads
Direct Address
Automatic Dialogue Replacement
19. The range of apparent focus along the z-axis
Elliptical Editing
Zooming Out
Depth of Field
Zoom Lens (Variable Focal Length Lens)
20. The physical placement of the camera on the set necessary to get each shot in your shooting script
Rim Light
Pulling Focus
T-Stops
Camera Setup
21. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Headshot/Bio
Director of Photography
Zooming In
Reverse Shots
22. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
3/4 Back Light
Overheads
Location Technical Survey
Elliptical Editing
23. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Three Pre-Visualization Tools
Camera Setup
Master Shot
Narrative Films
24. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Pulling Focus
Low-Key Lighting
Motivated Lighting
Nonlinear Editing System
25. Closely scrutinizing the location for its technical and aesthetic capabilities
Unmotivated Move
Rule of Thirds
Location Technical Survey
Zooming Out
26. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Low-Key Lighting
Reverberation
Levels
Plot
27. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Headroom
T-Stops
Boom Operator
Narrative Films
28. Lighting unit that is position 90
Motivated Move
Parallel Action
Zooming In
Side Light
29. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Prime Lens
Pulling Focus
Reverberation
Art Direction
30. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Green Room
Fine Cut
Headroom
Parallel Action
31. Another name for backlight because of the effect it gives the actor
Rim Light
Location Technical Survey
Five Ways to Create a Parallel Action Sequence
Plot
32. Changing the plane of critical focus during a take while the camera is running
High-Key Lighting
Zooming In
Pulling Focus
Parallel Action
33. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
3/4 Back Light
Reverberation
Cover-Set
Nondestructive Editing
34. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Boom Operator
Low-Key Lighting
Levels
Master Shot
35. Shooting a scene from various angles
Coverage
Nonlinear Editing System
Rendering
Props
36. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Shooting (Lined) Script
Three Essential Elements of Drama
Reverse Shots
1/3 - 2/3 Rule
37. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Talent Release
Assistant Camera
Key Light
Five Ways to Create a Parallel Action Sequence
38. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Rendering
Talent Release
Five Ways to Create a Parallel Action Sequence
Author's Draft
39. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Rendering
High-Key Lighting
Levels
Zoom Lens (Variable Focal Length Lens)
40. Finessing all of the edits one-by-one
Fine Cut
3/4 Back Light
Nondestructive Editing
Camera Setup
41. Recording is too low
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42. Drawings of shots - arranged on paper in the order they appear in a sequence
Three Essential Elements of Drama
Direct Address
Protagonist
Storyboards
43. Primary source of illumination in your scene. Usually it is a motivated light source.
Pick-Ups
Low-Key Lighting
Circle of Confusion
Key Light
44. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Setting Levels
Parallel Action
Three Essential Elements of Drama
45. Shooting Script - Overheads - and Storyboards
Plot
Three Pre-Visualization Tools
Pick-Ups
Sound Recordist
46. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Headshot/Bio
Focus Puller
Motivated Lighting
Shooting (Lined) Script
47. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Rule of Thirds
1/3 - 2/3 Rule
Zoom Lens (Variable Focal Length Lens)
Cross Cutting
48. Primary source of illumination in your scene. Usually it is a motivated light source.
Pulling Focus
Low-Key Lighting
Key Light
Direct Address
49. Sound that includes both room acoustics and background noise
Plot
Director of Photography
Ambient Sound
Three Pre-Visualization Tools
50. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Zooming Out
Location Scouting
Low-Key Lighting
Can you answer 50 questions in 15 minutes?
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