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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Cold Reading
Location Scouting
Audition
Plot
2. Finessing all of the edits one-by-one
Art Direction
Fine Cut
Setting Levels
Props
3. Loud - sudden sound that exceeds 0dB
Overheads
Spike
Direct Address
Headroom
4. The order of events in your film
Cable Wrangler
Automatic Dialogue Replacement
Zooming In
Plot
5. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Narrative Films
Cover-Set
Motivated Lighting
6. To alternate between two or more scenes when editing a sequence
Parallel Action
Ambient Sound
Side Light
Cross Cutting
7. A shot of a detail within your scene other than the characters' faces
Cutaway Shot
Art Direction
Unmotivated Move
Overheads
8. Frequency - Amplitude - Timbre - and Velocity
Director of Photography
Dramatization
Elliptical Editing
Four Basic Properties of Sound
9. The things that our characters actually handle in a scene
Zoom Lens (Variable Focal Length Lens)
Props
Wild Sound (Non-Sync Sound)
Four Basic Elements in the Visual Language of Cinema
10. List of all the shots that make up the film in the order in which they will be shot
Combination Move
Fine Cut
Nondestructive Editing
Shot List
11. The order of events in your film
Shot Size
Plot
Dramatization
Media File Indicators
12. Character - Goal - and Conflict or Obstacles
Three Essential Elements of Drama
Rendering
Cover-Set
Script Breakdown Sheet
13. Shooting a scene from various angles
Spike
Assistant Camera
Focus Puller
Coverage
14. The movement of characters in the space
Wild Sound (Non-Sync Sound)
Blocking
Rendering
Lens Speed
15. All camera moves need to be...
Audition
Location Technical Survey
Motivated Move
Depth of Field
16. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Zooming In
Props
Low-Key Lighting
Four Basic Elements in the Visual Language of Cinema
17. Reading from the script pages that actors are given minutes before the audition
Three Pre-Visualization Tools
Cold Reading
Focus Puller
Sound Recordist
18. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverse Shots
3/4 Back Light
Direct Address
Three Essential Elements of Drama
19. Lighting unit that is position 90
Parallel Action
Side Light
Back Light
Three Pre-Visualization Tools
20. Standard calling card. 8x10 photograph on one side and a resume on the other.
Five Ways to Create a Parallel Action Sequence
Headshot/Bio
Pulling Focus
Spike
21. Measures the strength of the incoming signal.
Nonlinear Editing System
Rule of Thirds
Peak Meter
Location Technical Survey
22. The movement of characters in the space
Ambient Sound
Blocking
1/3 - 2/3 Rule
Headshot/Bio
23. Point to the original data without altering the media file
Sound Recordist
Fill Light
Gaffer
Media File Indicators
24. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Nonlinear Editing System
Cover-Set
Setting Levels
Cover-Set
25. Sound that includes both room acoustics and background noise
Prime Lens
Shooting (Lined) Script
Headroom
Ambient Sound
26. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Art Direction
Pulling Focus
Zooming In
1/3 - 2/3 Rule
27. Lighting unit that is 45
3/4 Back Light
Key Light
Levels
Author's Draft
28. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Rendering
Director of Photography
Levels
Zoom Lens (Variable Focal Length Lens)
29. Process of combining the video and audio with the applied effect to create a new media file
Nonlinear Editing System
Rendering
Wild Sound (Non-Sync Sound)
Cutaway Shot
30. Shot - Shot Sequence - Scene - and Dramatic Sequence
Cross Cutting
Four Basic Elements in the Visual Language of Cinema
Back Light
Master Shot
31. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Four Basic Elements in the Visual Language of Cinema
Green Room
Art Direction
Reverberation
32. Changing the plane of critical focus during a take while the camera is running
Combination Move
Back Light
Pulling Focus
Prime Lens
33. Character - Goal - and Conflict or Obstacles
3/4 Back Light
Three Essential Elements of Drama
Combination Move
Levels
34. The person who pulls focus
Spike
Reverberation
Ambient Sound
Focus Puller
35. Refers to the size of your subject in the frame
Cold Reading
Zoom Lens (Variable Focal Length Lens)
Script Breakdown Sheet
Shot Size
36. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Focus Puller
High-Key Lighting
Shot List
Narrative Films
37. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Dramatization
1/3 - 2/3 Rule
Shooting (Lined) Script
Reverse Shots
38. A shot in which the subject looks directly at the camera
Direct Address
Zoom Lens (Variable Focal Length Lens)
Green Room
Script Breakdown Sheet
39. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Overheads
Cable Wrangler
Spike
Headroom
40. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Ambient Sound
Zoom Lens (Variable Focal Length Lens)
Cover-Set
Peak Meter
41. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Three Pre-Visualization Tools
Protagonist
Rendering
Reverberation
42. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Reverse Shots
Art Direction
Zooming In
Author's Draft
43. Lighting unit that is 45
Five Ways to Create a Parallel Action Sequence
3/4 Back Light
Side Light
Media File Indicators
44. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
High-Key Lighting
Pulling Focus
Focus Puller
45. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Motivated Move
Four Basic Properties of Sound
Ambient Sound
46. The recording of sync dialogue in a studio in cases where the production sound is not usable
Low-Key Lighting
Automatic Dialogue Replacement
Three Essential Elements of Drama
Cross Cutting
47. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Five Ways to Create a Parallel Action Sequence
Three Pre-Visualization Tools
Key Light
48. To alternate between two or more scenes when editing a sequence
Circle of Confusion
Cold Reading
Cross Cutting
Ambient Sound
49. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Motivated Lighting
Motivated Lighting
Director of Photography
Fine Cut
50. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Storyboards
Pick-Ups
Five Ways to Create a Parallel Action Sequence
Wild Sound (Non-Sync Sound)