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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Nonlinear Editing System
Spike
Cable Wrangler
Elliptical Editing
2. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Gaffer
Wild Sound (Non-Sync Sound)
Parallel Action
Four Basic Elements in the Visual Language of Cinema
3. Lens that has one fixed focal length for more precise manipulation of image quality
Wild Sound (Non-Sync Sound)
Prime Lens
Zoom Lens (Variable Focal Length Lens)
Rule of Thirds
4. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Nonlinear Editing System
Shooting (Lined) Script
Audition
'In the Mud'
5. Controlling the strength of the signal
Shot List
Shot Size
Lens Speed
Setting Levels
6. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Director of Photography
Low-Key Lighting
Assistant Camera
Plot
7. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Green Room
Parallel Action
Plot
Wild Sound (Non-Sync Sound)
8. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Back Light
Cross Cutting
Narrative Films
Rule of Thirds
9. Responsible for the proper use and actual placement of the microphones for optimal quality
Camera Setup
Boom Operator
Script Breakdown Sheet
Media File Indicators
10. Loud - sudden sound that exceeds 0dB
Spike
Five Ways to Create a Parallel Action Sequence
Key Light
Zooming Out
11. A shot in which the subject looks directly at the camera
Nondestructive Editing
Treatment
Direct Address
Assistant Camera
12. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Low-Key Lighting
Zooming In
Key Light
Narrative Films
13. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Circle of Confusion
Plot
Lens Speed
Audition
14. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Cover-Set
Five Ways to Create a Parallel Action Sequence
Audition
Camera Setup
15. Point to the original data without altering the media file
Media File Indicators
Props
Five Ways to Create a Parallel Action Sequence
Direct Address
16. The things that our characters actually handle in a scene
'In the Mud'
Props
Combination Move
Overheads
17. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Media File Indicators
Storyboards
Cable Wrangler
1/3 - 2/3 Rule
18. Executing more than one move at a time
Cover-Set
Blocking
Cold Reading
Combination Move
19. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Master Shot
Automatic Dialogue Replacement
Parallel Action
20. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
'In the Mud'
Pick-Ups
Cable Wrangler
Lens Speed
21. Simple but comprehensive prose description of a film's plot
Treatment
Rule of Thirds
Location Scouting
Nondestructive Editing
22. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
Zoom Lens (Variable Focal Length Lens)
Four Basic Elements in the Visual Language of Cinema
Fine Cut
23. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zooming In
Lens Speed
Coverage
Key Light
24. A shot of a detail within your scene other than the characters' faces
Cable Wrangler
Cutaway Shot
Assistant Camera
Direct Address
25. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Rim Light
Motivated Move
High-Key Lighting
26. Another name for backlight because of the effect it gives the actor
Rim Light
Camera Setup
Plot
Rule of Thirds
27. Drawings of shots - arranged on paper in the order they appear in a sequence
Rule of Thirds
1/3 - 2/3 Rule
Fill Light
Storyboards
28. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
T-Stops
Assistant Camera
Low-Key Lighting
Gaffer
29. Soft light that fills in the shadows created by the Key Light
Cable Wrangler
Fill Light
Cover-Set
Boom Operator
30. Lighting unit that is 45
3/4 Back Light
Storyboards
Ambient Sound
Rule of Thirds
31. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Location Technical Survey
Nondestructive Editing
Zoom Lens (Variable Focal Length Lens)
Call Sheets
32. Removing extraneous time and territory
Pulling Focus
Pulling Focus
Elliptical Editing
Author's Draft
33. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Cable Wrangler
Four Basic Properties of Sound
Rim Light
Gaffer
34. Changing the plane of critical focus during a take while the camera is running
1/3 - 2/3 Rule
Reverberation
Media File Indicators
Pulling Focus
35. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Nonlinear Editing System
Focus Puller
Motivated Move
Levels
36. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Call Sheets
Talent Release
Assistant Camera
Treatment
37. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Motivated Lighting
Cable Wrangler
Setting Levels
Levels
38. The recording of sync dialogue in a studio in cases where the production sound is not usable
Automatic Dialogue Replacement
Motivated Lighting
Focus Puller
Four Basic Properties of Sound
39. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Focus Puller
Nondestructive Editing
Motivated Lighting
Five Ways to Create a Parallel Action Sequence
40. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Script Breakdown Sheet
Ambient Sound
Location Scouting
41. Executing more than one move at a time
Combination Move
Boom Operator
Ambient Sound
Pick-Ups
42. Responsible for the proper use and actual placement of the microphones for optimal quality
Boom Operator
Fill Light
Zooming Out
Dramatization
43. The person who pulls focus
Focus Puller
Automatic Dialogue Replacement
Four Basic Elements in the Visual Language of Cinema
Sound Recordist
44. Measures the strength of the incoming signal.
Headshot/Bio
Fine Cut
Props
Peak Meter
45. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Motivated Move
Art Direction
1/3 - 2/3 Rule
46. Refers to the size of your subject in the frame
Circle of Confusion
Three Pre-Visualization Tools
Shot Size
Motivated Move
47. The strategy of using movie lights to duplicate where light would logically be emanating from
Motivated Lighting
Low-Key Lighting
Plot
Setting Levels
48. Recording is too low
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49. All camera moves need to be...
Cold Reading
Cutaway Shot
Motivated Move
Three Pre-Visualization Tools
50. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Parallel Action
Levels
3/4 Back Light