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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Setting Levels
Cover-Set
Zooming Out
Rule of Thirds
2. Closely scrutinizing the location for its technical and aesthetic capabilities
Direct Address
Treatment
Location Technical Survey
Levels
3. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Pick-Ups
Cable Wrangler
Back Light
Spike
4. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Levels
Pulling Focus
1/3 - 2/3 Rule
5. Character - Goal - and Conflict or Obstacles
Rule of Thirds
Headroom
Three Essential Elements of Drama
Direct Address
6. Point to the original data without altering the media file
Assistant Camera
Headroom
Storyboards
Media File Indicators
7. To alternate between two or more scenes when editing a sequence
Cross Cutting
Coverage
Reverse Shots
T-Stops
8. Finessing all of the edits one-by-one
Fine Cut
Storyboards
Four Basic Elements in the Visual Language of Cinema
Green Room
9. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Low-Key Lighting
Shot List
Dramatization
High-Key Lighting
10. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Reverberation
Pick-Ups
Headroom
11. Lighting unit that is 45
Headroom
Shot List
3/4 Back Light
Camera Setup
12. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Four Basic Elements in the Visual Language of Cinema
Motivated Lighting
Levels
Parallel Action
13. This type of move breaks the promise of showing something else to the viewer
Motivated Move
Author's Draft
Audition
Unmotivated Move
14. Refers to the size of your subject in the frame
Wild Sound (Non-Sync Sound)
Shot Size
Nonlinear Editing System
High-Key Lighting
15. To alternate between two or more scenes when editing a sequence
Fill Light
Automatic Dialogue Replacement
Prime Lens
Cross Cutting
16. Recording is too low
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17. Standard calling card. 8x10 photograph on one side and a resume on the other.
Motivated Move
Key Light
Headshot/Bio
Reverberation
18. The person who pulls focus
Focus Puller
Assistant Camera
Parallel Action
Low-Key Lighting
19. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Rendering
Reverse Shots
Headshot/Bio
20. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Wild Sound (Non-Sync Sound)
Author's Draft
Assistant Camera
Narrative Films
21. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Fine Cut
Direct Address
Levels
Assistant Camera
22. The recording of sync dialogue in a studio in cases where the production sound is not usable
Prime Lens
Automatic Dialogue Replacement
Wild Sound (Non-Sync Sound)
Motivated Lighting
23. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
'In the Mud'
High-Key Lighting
Motivated Lighting
Peak Meter
24. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Focus Puller
Audition
Back Light
25. Point to the original data without altering the media file
Four Basic Properties of Sound
Media File Indicators
Protagonist
Spike
26. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Cover-Set
Direct Address
Master Shot
Green Room
27. Sound that includes both room acoustics and background noise
Nonlinear Editing System
Author's Draft
Storyboards
Ambient Sound
28. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Focus Puller
Prime Lens
Reverse Shots
29. The physical placement of the camera on the set necessary to get each shot in your shooting script
Plot
Headroom
Camera Setup
Fill Light
30. Loud - sudden sound that exceeds 0dB
Zooming Out
Cover-Set
Storyboards
Spike
31. The strategy of using movie lights to duplicate where light would logically be emanating from
Cover-Set
Motivated Lighting
Script Breakdown Sheet
Boom Operator
32. All camera moves need to be...
Focus Puller
Motivated Move
Levels
Shot List
33. Another name for backlight because of the effect it gives the actor
Headroom
Automatic Dialogue Replacement
Rim Light
Rendering
34. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Props
Depth of Field
Low-Key Lighting
Prime Lens
35. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
'In the Mud'
Sound Recordist
Low-Key Lighting
Location Scouting
36. Process of combining the video and audio with the applied effect to create a new media file
Shot List
Rendering
Lens Speed
Spike
37. Drawings of shots - arranged on paper in the order they appear in a sequence
Location Technical Survey
Storyboards
Lens Speed
Rim Light
38. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Storyboards
Master Shot
Cable Wrangler
Cutaway Shot
39. Responsible for the proper use and actual placement of the microphones for optimal quality
Boom Operator
Four Basic Elements in the Visual Language of Cinema
Focus Puller
Rendering
40. Changing the plane of critical focus during a take while the camera is running
Rendering
Cold Reading
Pulling Focus
Location Technical Survey
41. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Location Technical Survey
Protagonist
Circle of Confusion
Storyboards
42. Transforming what is vague and internal into a series of viewable and audible actions and events
'In the Mud'
Blocking
Dramatization
Parallel Action
43. Executing more than one move at a time
Plot
Overheads
Combination Move
Spike
44. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Parallel Action
Cable Wrangler
Four Basic Elements in the Visual Language of Cinema
Nonlinear Editing System
45. Lens that offers a continuous range of focal lengths in one lens housing
Audition
Zoom Lens (Variable Focal Length Lens)
Key Light
Spike
46. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Storyboards
Art Direction
Fine Cut
3/4 Back Light
47. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Art Direction
Storyboards
Low-Key Lighting
Nondestructive Editing
48. Controlling the strength of the signal
Author's Draft
Four Basic Properties of Sound
Setting Levels
Ambient Sound
49. Primary source of illumination in your scene. Usually it is a motivated light source.
Gaffer
Key Light
Camera Setup
Art Direction
50. Removing extraneous time and territory
Circle of Confusion
Elliptical Editing
Setting Levels
Nonlinear Editing System
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