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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Protagonist
Assistant Camera
Elliptical Editing
Key Light
2. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Cover-Set
Media File Indicators
Fill Light
3. Simple but comprehensive prose description of a film's plot
Treatment
Reverse Shots
Sound Recordist
Motivated Move
4. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
3/4 Back Light
Audition
Talent Release
Script Breakdown Sheet
5. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Wild Sound (Non-Sync Sound)
Nonlinear Editing System
Camera Setup
6. Frequency - Amplitude - Timbre - and Velocity
Cable Wrangler
Four Basic Elements in the Visual Language of Cinema
Elliptical Editing
Four Basic Properties of Sound
7. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
Storyboards
Depth of Field
Shot Size
8. The recording of sync dialogue in a studio in cases where the production sound is not usable
Automatic Dialogue Replacement
Wild Sound (Non-Sync Sound)
Overheads
Shot List
9. To alternate between two or more scenes when editing a sequence
Boom Operator
Cutaway Shot
Fine Cut
Cross Cutting
10. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Rim Light
Five Ways to Create a Parallel Action Sequence
Director of Photography
Zooming In
11. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Three Essential Elements of Drama
Prime Lens
Coverage
12. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Location Scouting
Plot
Coverage
Back Light
13. List of all the shots that make up the film in the order in which they will be shot
Parallel Action
Cold Reading
Shot List
Headshot/Bio
14. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Location Scouting
Assistant Camera
Pick-Ups
Side Light
15. Measures the strength of the incoming signal.
Camera Setup
Focus Puller
1/3 - 2/3 Rule
Peak Meter
16. Sound that includes both room acoustics and background noise
Fine Cut
Ambient Sound
Key Light
Talent Release
17. The recording of sync dialogue in a studio in cases where the production sound is not usable
Ambient Sound
Automatic Dialogue Replacement
Three Essential Elements of Drama
Script Breakdown Sheet
18. Character - Goal - and Conflict or Obstacles
Three Essential Elements of Drama
Reverse Shots
Fill Light
Narrative Films
19. Recording is too low
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20. Process of combining the video and audio with the applied effect to create a new media file
Peak Meter
Combination Move
Rendering
Narrative Films
21. A shot of a detail within your scene other than the characters' faces
Call Sheets
Cutaway Shot
Green Room
'In the Mud'
22. Drawings of shots - arranged on paper in the order they appear in a sequence
Side Light
Storyboards
Circle of Confusion
Headroom
23. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Art Direction
High-Key Lighting
Headshot/Bio
Parallel Action
24. Shooting Script - Overheads - and Storyboards
Pick-Ups
Zooming Out
Three Pre-Visualization Tools
Direct Address
25. List of all the shots that make up the film in the order in which they will be shot
Cable Wrangler
Shot List
Rim Light
Overheads
26. Executing more than one move at a time
Media File Indicators
Combination Move
Motivated Lighting
Sound Recordist
27. A shot in which the subject looks directly at the camera
Green Room
Direct Address
Motivated Lighting
Nonlinear Editing System
28. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Levels
Lens Speed
Fine Cut
Rim Light
29. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
Script Breakdown Sheet
'In the Mud'
Elliptical Editing
30. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Combination Move
Boom Operator
Overheads
Cable Wrangler
31. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Narrative Films
Levels
Side Light
32. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Lens Speed
Camera Setup
'In the Mud'
Levels
33. Simple but comprehensive prose description of a film's plot
Shot List
Four Basic Elements in the Visual Language of Cinema
Treatment
Direct Address
34. Lighting unit that is 45
Author's Draft
Director of Photography
Levels
3/4 Back Light
35. Lens that has one fixed focal length for more precise manipulation of image quality
Shooting (Lined) Script
Pulling Focus
Art Direction
Prime Lens
36. Soft light that fills in the shadows created by the Key Light
Fill Light
Rule of Thirds
Reverberation
Author's Draft
37. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Elliptical Editing
Author's Draft
Five Ways to Create a Parallel Action Sequence
Wild Sound (Non-Sync Sound)
38. The order of events in your film
Coverage
Headshot/Bio
Lens Speed
Plot
39. The order of events in your film
Plot
Parallel Action
Zoom Lens (Variable Focal Length Lens)
Director of Photography
40. The range of apparent focus along the z-axis
Storyboards
Elliptical Editing
Media File Indicators
Depth of Field
41. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Depth of Field
Ambient Sound
Script Breakdown Sheet
Audition
42. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Wild Sound (Non-Sync Sound)
Pulling Focus
Zooming Out
Lens Speed
43. Lighting unit that is position 90
Side Light
Peak Meter
Cold Reading
Location Technical Survey
44. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Depth of Field
Art Direction
Camera Setup
Levels
45. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Rendering
Parallel Action
Audition
Spike
46. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Location Scouting
Back Light
Combination Move
Coverage
47. Drawings of shots - arranged on paper in the order they appear in a sequence
Cover-Set
Pulling Focus
Storyboards
Talent Release
48. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Location Scouting
Cover-Set
Protagonist
Wild Sound (Non-Sync Sound)
49. First complete version of the narrative in proper screenplay format
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50. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Nonlinear Editing System
Pick-Ups
Cover-Set
Spike