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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Recording is too low
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2. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Wild Sound (Non-Sync Sound)
T-Stops
Talent Release
3. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Motivated Lighting
Audition
Levels
Script Breakdown Sheet
4. Finessing all of the edits one-by-one
Fine Cut
Nonlinear Editing System
Peak Meter
Coverage
5. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Spike
Director of Photography
Combination Move
Elliptical Editing
6. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Four Basic Elements in the Visual Language of Cinema
Protagonist
Rule of Thirds
Depth of Field
7. The strategy of using movie lights to duplicate where light would logically be emanating from
Rim Light
Motivated Lighting
Talent Release
Three Essential Elements of Drama
8. The measurement of acceptable diameter which creates the appearance of focus
Protagonist
Plot
Circle of Confusion
Peak Meter
9. The movement of characters in the space
Blocking
Camera Setup
Reverse Shots
Wild Sound (Non-Sync Sound)
10. Sound that includes both room acoustics and background noise
Audition
Fine Cut
Ambient Sound
Focus Puller
11. The order of events in your film
Plot
Rule of Thirds
Lens Speed
3/4 Back Light
12. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Motivated Move
Automatic Dialogue Replacement
Circle of Confusion
Narrative Films
13. Shooting Script - Overheads - and Storyboards
Author's Draft
Rim Light
Four Basic Elements in the Visual Language of Cinema
Three Pre-Visualization Tools
14. Lighting unit that is position 90
Master Shot
Side Light
Zoom Lens (Variable Focal Length Lens)
Pulling Focus
15. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Zooming Out
Gaffer
Location Scouting
Wild Sound (Non-Sync Sound)
16. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Focus Puller
Director of Photography
Audition
17. Another name for backlight because of the effect it gives the actor
Rule of Thirds
Rim Light
Direct Address
Assistant Camera
18. Primary source of illumination in your scene. Usually it is a motivated light source.
Key Light
Fine Cut
Spike
Headroom
19. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Cold Reading
Green Room
Reverse Shots
Talent Release
20. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Director of Photography
Gaffer
Audition
Motivated Move
21. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Motivated Lighting
Overheads
'In the Mud'
22. The movement of characters in the space
Rule of Thirds
Focus Puller
Call Sheets
Blocking
23. The things that our characters actually handle in a scene
Boom Operator
Nondestructive Editing
Setting Levels
Props
24. Responsible for the proper use and actual placement of the microphones for optimal quality
Boom Operator
Levels
Direct Address
Four Basic Elements in the Visual Language of Cinema
25. The physical placement of the camera on the set necessary to get each shot in your shooting script
Ambient Sound
Four Basic Properties of Sound
Camera Setup
Cable Wrangler
26. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Five Ways to Create a Parallel Action Sequence
Lens Speed
Lens Speed
Back Light
27. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Cross Cutting
Depth of Field
Five Ways to Create a Parallel Action Sequence
Art Direction
28. To alternate between two or more scenes when editing a sequence
Cross Cutting
Three Essential Elements of Drama
Ambient Sound
Assistant Camera
29. Point to the original data without altering the media file
Four Basic Elements in the Visual Language of Cinema
Media File Indicators
Four Basic Elements in the Visual Language of Cinema
Three Essential Elements of Drama
30. This type of move breaks the promise of showing something else to the viewer
Narrative Films
Levels
Unmotivated Move
Circle of Confusion
31. List of all the shots that make up the film in the order in which they will be shot
Cold Reading
Art Direction
Setting Levels
Shot List
32. To alternate between two or more scenes when editing a sequence
Unmotivated Move
3/4 Back Light
Cross Cutting
Shot List
33. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Elliptical Editing
Headshot/Bio
Reverberation
Camera Setup
34. Lens that has one fixed focal length for more precise manipulation of image quality
Prime Lens
Key Light
Plot
3/4 Back Light
35. Reading from the script pages that actors are given minutes before the audition
Circle of Confusion
Cold Reading
Headshot/Bio
Side Light
36. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Zoom Lens (Variable Focal Length Lens)
Treatment
Author's Draft
Master Shot
37. Lighting unit that is position 90
Master Shot
Art Direction
Side Light
Rim Light
38. Measures the strength of the incoming signal.
Shot Size
'In the Mud'
Automatic Dialogue Replacement
Peak Meter
39. A shot in which the subject looks directly at the camera
Motivated Move
Automatic Dialogue Replacement
Green Room
Direct Address
40. Shooting Script - Overheads - and Storyboards
Location Scouting
Three Pre-Visualization Tools
Spike
Talent Release
41. Refers to the size of your subject in the frame
Shot Size
Props
Circle of Confusion
Rule of Thirds
42. Measures the strength of the incoming signal.
Peak Meter
Motivated Lighting
Cross Cutting
Blocking
43. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
'In the Mud'
Peak Meter
Location Scouting
Overheads
44. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Focus Puller
Call Sheets
Assistant Camera
Depth of Field
45. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Assistant Camera
Side Light
Circle of Confusion
Green Room
46. Lighting unit that is 45
Fill Light
3/4 Back Light
Setting Levels
Talent Release
47. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Green Room
Rendering
Protagonist
Narrative Films
48. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Props
Motivated Lighting
Rendering
Zooming In
49. Executing more than one move at a time
Director of Photography
Spike
Prime Lens
Combination Move
50. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Plot
Four Basic Elements in the Visual Language of Cinema
Three Pre-Visualization Tools
Rule of Thirds