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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A shot in which the subject looks directly at the camera
Cover-Set
Direct Address
Circle of Confusion
Props
2. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Props
Zooming Out
Script Breakdown Sheet
Five Ways to Create a Parallel Action Sequence
3. A shot in which the subject looks directly at the camera
Art Direction
Direct Address
Nonlinear Editing System
Sound Recordist
4. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
'In the Mud'
Shot List
Wild Sound (Non-Sync Sound)
Reverse Shots
5. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Automatic Dialogue Replacement
Headshot/Bio
Combination Move
Headroom
6. Drawings of shots - arranged on paper in the order they appear in a sequence
Headshot/Bio
Lens Speed
Headshot/Bio
Storyboards
7. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Reverberation
Cover-Set
Fine Cut
Unmotivated Move
8. Controlling the strength of the signal
Headshot/Bio
Setting Levels
Headroom
Rim Light
9. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Four Basic Elements in the Visual Language of Cinema
Five Ways to Create a Parallel Action Sequence
Overheads
Direct Address
10. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Setting Levels
Pick-Ups
Director of Photography
Rule of Thirds
11. Executing more than one move at a time
Fine Cut
Four Basic Properties of Sound
Combination Move
Setting Levels
12. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Reverberation
Audition
Protagonist
Wild Sound (Non-Sync Sound)
13. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Zooming In
Nonlinear Editing System
Props
14. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Shot Size
Ambient Sound
Assistant Camera
15. Another name for backlight because of the effect it gives the actor
Gaffer
Gaffer
Zooming Out
Rim Light
16. All camera moves need to be...
Motivated Move
Four Basic Elements in the Visual Language of Cinema
Automatic Dialogue Replacement
Treatment
17. Another name for backlight because of the effect it gives the actor
Four Basic Properties of Sound
Camera Setup
Three Essential Elements of Drama
Rim Light
18. Lighting unit that is 45
3/4 Back Light
Headroom
Dramatization
Sound Recordist
19. A shot of a detail within your scene other than the characters' faces
Nondestructive Editing
Cutaway Shot
Shot Size
High-Key Lighting
20. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
Four Basic Elements in the Visual Language of Cinema
Rendering
Automatic Dialogue Replacement
21. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Low-Key Lighting
Shot Size
Shot List
22. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
High-Key Lighting
Zooming In
Blocking
Location Scouting
23. Removing extraneous time and territory
Lens Speed
Props
Cross Cutting
Elliptical Editing
24. Finessing all of the edits one-by-one
Fine Cut
Circle of Confusion
Unmotivated Move
Author's Draft
25. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Reverse Shots
Shooting (Lined) Script
Prime Lens
26. Shooting a scene from various angles
Pick-Ups
Unmotivated Move
Coverage
Zoom Lens (Variable Focal Length Lens)
27. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Coverage
Art Direction
Zooming In
Blocking
28. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zooming In
Headroom
Three Essential Elements of Drama
Zooming Out
29. Process of combining the video and audio with the applied effect to create a new media file
Art Direction
Shooting (Lined) Script
Motivated Lighting
Rendering
30. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Rendering
Side Light
Levels
Combination Move
31. The range of apparent focus along the z-axis
Depth of Field
Ambient Sound
Sound Recordist
Fill Light
32. Closely scrutinizing the location for its technical and aesthetic capabilities
Parallel Action
Location Technical Survey
Lens Speed
Green Room
33. Reading from the script pages that actors are given minutes before the audition
Headroom
Headroom
Cable Wrangler
Cold Reading
34. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Reverse Shots
Unmotivated Move
Director of Photography
35. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Reverberation
Narrative Films
Low-Key Lighting
Treatment
36. Lighting unit that is 45
Shot Size
Four Basic Elements in the Visual Language of Cinema
3/4 Back Light
Call Sheets
37. Form used in film production to keep track of all the mise-en-sc
Cross Cutting
Circle of Confusion
Script Breakdown Sheet
Boom Operator
38. The recording of sync dialogue in a studio in cases where the production sound is not usable
Automatic Dialogue Replacement
Nonlinear Editing System
Motivated Lighting
Cable Wrangler
39. Removing extraneous time and territory
'In the Mud'
Elliptical Editing
Rim Light
Zooming Out
40. This type of move breaks the promise of showing something else to the viewer
Headshot/Bio
Location Scouting
Rule of Thirds
Unmotivated Move
41. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Lens Speed
Talent Release
Cover-Set
Protagonist
42. Simple but comprehensive prose description of a film's plot
Combination Move
Treatment
Reverse Shots
High-Key Lighting
43. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Art Direction
Call Sheets
3/4 Back Light
Director of Photography
44. The things that our characters actually handle in a scene
Props
Author's Draft
Peak Meter
Zooming In
45. Shot - Shot Sequence - Scene - and Dramatic Sequence
Focus Puller
Shot List
Four Basic Elements in the Visual Language of Cinema
Plot
46. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Focus Puller
Three Essential Elements of Drama
Camera Setup
47. Sound that includes both room acoustics and background noise
Cutaway Shot
Parallel Action
Ambient Sound
1/3 - 2/3 Rule
48. Lighting unit that is position 90
Author's Draft
Side Light
Script Breakdown Sheet
Zoom Lens (Variable Focal Length Lens)
49. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Coverage
Narrative Films
Audition
Lens Speed
50. The strategy of using movie lights to duplicate where light would logically be emanating from
Motivated Lighting
Audition
Automatic Dialogue Replacement
Focus Puller
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