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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Storyboards
Circle of Confusion
Focus Puller
2. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Location Technical Survey
Call Sheets
Depth of Field
Reverse Shots
3. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Four Basic Elements in the Visual Language of Cinema
High-Key Lighting
Setting Levels
Dramatization
4. The things that our characters actually handle in a scene
Prime Lens
Props
Master Shot
Cutaway Shot
5. Simple but comprehensive prose description of a film's plot
Treatment
Fine Cut
Nonlinear Editing System
Rule of Thirds
6. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Overheads
Prime Lens
Assistant Camera
Circle of Confusion
7. Drawings of shots - arranged on paper in the order they appear in a sequence
Media File Indicators
Motivated Move
Levels
Storyboards
8. Shooting a scene from various angles
Spike
Coverage
Combination Move
Automatic Dialogue Replacement
9. Executing more than one move at a time
Cutaway Shot
Four Basic Elements in the Visual Language of Cinema
Combination Move
Fine Cut
10. A shot in which the subject looks directly at the camera
Cross Cutting
Direct Address
Four Basic Properties of Sound
Author's Draft
11. Loud - sudden sound that exceeds 0dB
Spike
Cold Reading
Boom Operator
Sound Recordist
12. All camera moves need to be...
Motivated Move
Sound Recordist
Zooming In
Coverage
13. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Four Basic Properties of Sound
Cross Cutting
Elliptical Editing
14. To alternate between two or more scenes when editing a sequence
Cross Cutting
Shooting (Lined) Script
Narrative Films
Cover-Set
15. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Shot Size
Wild Sound (Non-Sync Sound)
Levels
Director of Photography
16. Responsible for the proper use and actual placement of the microphones for optimal quality
Back Light
Ambient Sound
Setting Levels
Boom Operator
17. Finessing all of the edits one-by-one
Spike
Nonlinear Editing System
Fine Cut
Key Light
18. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Cutaway Shot
'In the Mud'
Cover-Set
Audition
19. The recording of sync dialogue in a studio in cases where the production sound is not usable
Key Light
Automatic Dialogue Replacement
Shot List
High-Key Lighting
20. Process of combining the video and audio with the applied effect to create a new media file
Author's Draft
Director of Photography
Rendering
Protagonist
21. Reading from the script pages that actors are given minutes before the audition
3/4 Back Light
Cold Reading
Four Basic Elements in the Visual Language of Cinema
Low-Key Lighting
22. Removing extraneous time and territory
Wild Sound (Non-Sync Sound)
Elliptical Editing
Zoom Lens (Variable Focal Length Lens)
Ambient Sound
23. Standard calling card. 8x10 photograph on one side and a resume on the other.
Headshot/Bio
Cover-Set
Ambient Sound
Treatment
24. The order of events in your film
1/3 - 2/3 Rule
Plot
Dramatization
Key Light
25. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Director of Photography
High-Key Lighting
Nondestructive Editing
Spike
26. The recording of sync dialogue in a studio in cases where the production sound is not usable
Combination Move
Cold Reading
Director of Photography
Automatic Dialogue Replacement
27. The measurement of acceptable diameter which creates the appearance of focus
Media File Indicators
'In the Mud'
Pulling Focus
Circle of Confusion
28. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Levels
Dramatization
Camera Setup
29. The person who pulls focus
Shot Size
Focus Puller
Four Basic Elements in the Visual Language of Cinema
Props
30. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Headroom
Protagonist
Peak Meter
Audition
31. Simple but comprehensive prose description of a film's plot
Spike
Cold Reading
Treatment
Spike
32. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Author's Draft
Cold Reading
Gaffer
Rim Light
33. Controlling the strength of the signal
Sound Recordist
Treatment
Setting Levels
Dramatization
34. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Side Light
Cable Wrangler
Cutaway Shot
Depth of Field
35. Measures the strength of the incoming signal.
Peak Meter
Four Basic Elements in the Visual Language of Cinema
Five Ways to Create a Parallel Action Sequence
Props
36. Responsible for the proper use and actual placement of the microphones for optimal quality
Key Light
Boom Operator
Prime Lens
Storyboards
37. A shot of a detail within your scene other than the characters' faces
Shooting (Lined) Script
Art Direction
Cutaway Shot
Automatic Dialogue Replacement
38. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Four Basic Properties of Sound
Call Sheets
3/4 Back Light
39. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
Combination Move
Five Ways to Create a Parallel Action Sequence
Rule of Thirds
40. Sound that includes both room acoustics and background noise
Fine Cut
Ambient Sound
Headroom
Motivated Move
41. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Fill Light
Reverse Shots
High-Key Lighting
Low-Key Lighting
42. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Art Direction
Motivated Lighting
Props
Three Pre-Visualization Tools
43. Finessing all of the edits one-by-one
Fine Cut
Shot Size
Wild Sound (Non-Sync Sound)
Assistant Camera
44. List of all the shots that make up the film in the order in which they will be shot
Green Room
1/3 - 2/3 Rule
Storyboards
Shot List
45. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Headroom
Low-Key Lighting
Motivated Move
Rendering
46. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
High-Key Lighting
Headroom
Nondestructive Editing
Nonlinear Editing System
47. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Back Light
Talent Release
Wild Sound (Non-Sync Sound)
Fine Cut
48. The movement of characters in the space
Blocking
Cutaway Shot
Location Technical Survey
Lens Speed
49. First complete version of the narrative in proper screenplay format
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50. Shot - Shot Sequence - Scene - and Dramatic Sequence
Spike
'In the Mud'
Protagonist
Four Basic Elements in the Visual Language of Cinema