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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Location Technical Survey
T-Stops
Reverse Shots
Call Sheets
2. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Wild Sound (Non-Sync Sound)
Ambient Sound
Four Basic Properties of Sound
Low-Key Lighting
3. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
1/3 - 2/3 Rule
Overheads
Nonlinear Editing System
4. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Shot List
Sound Recordist
Rim Light
Side Light
5. Loud - sudden sound that exceeds 0dB
Spike
Narrative Films
Automatic Dialogue Replacement
Script Breakdown Sheet
6. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Storyboards
Assistant Camera
Plot
Sound Recordist
7. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
Headroom
Three Pre-Visualization Tools
Parallel Action
8. Finessing all of the edits one-by-one
Reverse Shots
Fine Cut
Five Ways to Create a Parallel Action Sequence
Motivated Lighting
9. The recording of sync dialogue in a studio in cases where the production sound is not usable
Cover-Set
Automatic Dialogue Replacement
Nonlinear Editing System
Setting Levels
10. Drawings of shots - arranged on paper in the order they appear in a sequence
Storyboards
Cable Wrangler
Peak Meter
Automatic Dialogue Replacement
11. Loud - sudden sound that exceeds 0dB
Props
Spike
Back Light
Fill Light
12. Soft light that fills in the shadows created by the Key Light
Four Basic Properties of Sound
Call Sheets
Fill Light
Coverage
13. Point to the original data without altering the media file
Plot
Media File Indicators
Elliptical Editing
Boom Operator
14. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Master Shot
Master Shot
Sound Recordist
Storyboards
15. All camera moves need to be...
Art Direction
Overheads
Motivated Move
Three Essential Elements of Drama
16. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Location Scouting
Spike
Wild Sound (Non-Sync Sound)
Audition
17. Measures the strength of the incoming signal.
Location Technical Survey
Unmotivated Move
1/3 - 2/3 Rule
Peak Meter
18. The movement of characters in the space
1/3 - 2/3 Rule
Wild Sound (Non-Sync Sound)
Blocking
Talent Release
19. Soft light that fills in the shadows created by the Key Light
Fill Light
Ambient Sound
Audition
Pick-Ups
20. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Blocking
Circle of Confusion
Master Shot
Nondestructive Editing
21. Shooting a scene from various angles
Call Sheets
Ambient Sound
Sound Recordist
Coverage
22. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Wild Sound (Non-Sync Sound)
Director of Photography
Audition
Plot
23. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Reverberation
Narrative Films
Audition
Peak Meter
24. Standard calling card. 8x10 photograph on one side and a resume on the other.
Director of Photography
Elliptical Editing
Headshot/Bio
Elliptical Editing
25. The range of apparent focus along the z-axis
Coverage
Depth of Field
T-Stops
Automatic Dialogue Replacement
26. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Pick-Ups
Art Direction
T-Stops
Parallel Action
27. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Camera Setup
Shot Size
Zooming Out
Zooming In
28. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Circle of Confusion
Wild Sound (Non-Sync Sound)
Narrative Films
Peak Meter
29. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Motivated Lighting
Director of Photography
Nonlinear Editing System
Reverse Shots
30. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Headroom
Motivated Move
Ambient Sound
Pick-Ups
31. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Audition
Headroom
Rendering
32. Shooting a scene from various angles
Shooting (Lined) Script
Blocking
Author's Draft
Coverage
33. Executing more than one move at a time
Back Light
Combination Move
Spike
Talent Release
34. Simple but comprehensive prose description of a film's plot
Location Technical Survey
Location Scouting
Treatment
3/4 Back Light
35. Frequency - Amplitude - Timbre - and Velocity
Headroom
Side Light
Four Basic Properties of Sound
Protagonist
36. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zooming In
Cross Cutting
Reverse Shots
Zooming Out
37. Lighting unit that is 45
Depth of Field
Protagonist
3/4 Back Light
Combination Move
38. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Rendering
Nonlinear Editing System
Fill Light
Zooming In
39. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Rendering
Talent Release
Treatment
Master Shot
40. Character - Goal - and Conflict or Obstacles
Three Essential Elements of Drama
Director of Photography
Location Scouting
Setting Levels
41. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
High-Key Lighting
Cross Cutting
Motivated Lighting
42. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Unmotivated Move
3/4 Back Light
Storyboards
Nondestructive Editing
43. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Talent Release
Blocking
Circle of Confusion
Director of Photography
44. Sound that includes both room acoustics and background noise
Ambient Sound
Back Light
Wild Sound (Non-Sync Sound)
Media File Indicators
45. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Green Room
Props
Shot Size
46. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Storyboards
Protagonist
Motivated Move
Elliptical Editing
47. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Reverberation
Overheads
1/3 - 2/3 Rule
Assistant Camera
48. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Location Scouting
Unmotivated Move
Setting Levels
Cable Wrangler
49. Lighting unit that is 45
Setting Levels
Key Light
3/4 Back Light
Pulling Focus
50. First complete version of the narrative in proper screenplay format
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