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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Soft light that fills in the shadows created by the Key Light
Location Scouting
Fill Light
Cutaway Shot
Plot
2. Standard calling card. 8x10 photograph on one side and a resume on the other.
Media File Indicators
Cable Wrangler
Spike
Headshot/Bio
3. The person who pulls focus
Coverage
Author's Draft
Unmotivated Move
Focus Puller
4. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Five Ways to Create a Parallel Action Sequence
Audition
Lens Speed
Cover-Set
5. A shot of a detail within your scene other than the characters' faces
Cross Cutting
Art Direction
Cutaway Shot
Protagonist
6. Frequency - Amplitude - Timbre - and Velocity
1/3 - 2/3 Rule
Sound Recordist
Four Basic Properties of Sound
Rule of Thirds
7. The recording of sync dialogue in a studio in cases where the production sound is not usable
Automatic Dialogue Replacement
Treatment
'In the Mud'
Talent Release
8. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Depth of Field
Direct Address
Fine Cut
Location Scouting
9. To alternate between two or more scenes when editing a sequence
Automatic Dialogue Replacement
Green Room
Cross Cutting
Focus Puller
10. Simple but comprehensive prose description of a film's plot
Nondestructive Editing
Headshot/Bio
Zoom Lens (Variable Focal Length Lens)
Treatment
11. Shooting a scene from various angles
Rendering
Coverage
Prime Lens
Pick-Ups
12. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Zoom Lens (Variable Focal Length Lens)
Art Direction
Dramatization
Levels
13. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Media File Indicators
Art Direction
Camera Setup
Ambient Sound
14. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Location Scouting
Headroom
Protagonist
Cutaway Shot
15. Changing the plane of critical focus during a take while the camera is running
Protagonist
Pulling Focus
Assistant Camera
Ambient Sound
16. Measures the strength of the incoming signal.
Camera Setup
Rule of Thirds
Combination Move
Peak Meter
17. Recording is too low
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18. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Low-Key Lighting
Cutaway Shot
Assistant Camera
Three Essential Elements of Drama
19. Frequency - Amplitude - Timbre - and Velocity
T-Stops
Four Basic Properties of Sound
Reverse Shots
Art Direction
20. The recording of sync dialogue in a studio in cases where the production sound is not usable
High-Key Lighting
Three Essential Elements of Drama
Cable Wrangler
Automatic Dialogue Replacement
21. Reading from the script pages that actors are given minutes before the audition
Five Ways to Create a Parallel Action Sequence
Cold Reading
Director of Photography
Sound Recordist
22. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Lens Speed
Peak Meter
Treatment
Four Basic Elements in the Visual Language of Cinema
23. To alternate between two or more scenes when editing a sequence
Cross Cutting
Ambient Sound
Back Light
Coverage
24. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Green Room
Blocking
High-Key Lighting
25. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Nondestructive Editing
Assistant Camera
Zooming Out
Talent Release
26. The strategy of using movie lights to duplicate where light would logically be emanating from
Motivated Lighting
Green Room
Setting Levels
Author's Draft
27. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Focus Puller
Green Room
Pulling Focus
Treatment
28. Lens that offers a continuous range of focal lengths in one lens housing
Combination Move
Location Scouting
Sound Recordist
Zoom Lens (Variable Focal Length Lens)
29. Lighting unit that is position 90
Wild Sound (Non-Sync Sound)
Key Light
Talent Release
Side Light
30. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Back Light
Narrative Films
Combination Move
T-Stops
31. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Rule of Thirds
Fine Cut
Nonlinear Editing System
32. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Headshot/Bio
Zooming Out
Circle of Confusion
Treatment
33. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Dramatization
Elliptical Editing
High-Key Lighting
34. The movement of characters in the space
Blocking
Pulling Focus
Parallel Action
Master Shot
35. Character - Goal - and Conflict or Obstacles
Talent Release
1/3 - 2/3 Rule
Cutaway Shot
Three Essential Elements of Drama
36. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Coverage
Green Room
Director of Photography
Four Basic Elements in the Visual Language of Cinema
37. The things that our characters actually handle in a scene
Three Pre-Visualization Tools
Ambient Sound
Props
Zooming Out
38. Controlling the strength of the signal
Cold Reading
Setting Levels
Blocking
Reverse Shots
39. The person who pulls focus
Spike
Green Room
Shot Size
Focus Puller
40. Shooting a scene from various angles
Low-Key Lighting
Coverage
Side Light
Focus Puller
41. Refers to the size of your subject in the frame
Pulling Focus
1/3 - 2/3 Rule
Shot Size
Nondestructive Editing
42. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Green Room
Protagonist
Cold Reading
Elliptical Editing
43. Responsible for the proper use and actual placement of the microphones for optimal quality
Boom Operator
Nondestructive Editing
Cover-Set
3/4 Back Light
44. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Coverage
Nondestructive Editing
Cable Wrangler
Headroom
45. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Zoom Lens (Variable Focal Length Lens)
Art Direction
Reverse Shots
Zooming In
46. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Location Technical Survey
Peak Meter
Shot List
Green Room
47. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Motivated Lighting
Elliptical Editing
Pick-Ups
Motivated Move
48. The order of events in your film
Sound Recordist
Plot
Reverberation
Levels
49. List of all the shots that make up the film in the order in which they will be shot
Cable Wrangler
Shot List
Dramatization
Storyboards
50. Shot - Shot Sequence - Scene - and Dramatic Sequence
Location Technical Survey
1/3 - 2/3 Rule
Back Light
Four Basic Elements in the Visual Language of Cinema
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