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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A shot of a detail within your scene other than the characters' faces
Script Breakdown Sheet
Talent Release
Cutaway Shot
Unmotivated Move
2. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Nonlinear Editing System
Reverberation
Levels
Dramatization
3. Lighting unit that is 45
3/4 Back Light
Focus Puller
Pulling Focus
Setting Levels
4. All camera moves need to be...
Depth of Field
Fine Cut
Direct Address
Motivated Move
5. Primary source of illumination in your scene. Usually it is a motivated light source.
Rule of Thirds
Key Light
Gaffer
Location Scouting
6. The measurement of acceptable diameter which creates the appearance of focus
Three Pre-Visualization Tools
Unmotivated Move
Cutaway Shot
Circle of Confusion
7. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Elliptical Editing
Call Sheets
Cover-Set
Wild Sound (Non-Sync Sound)
8. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Rule of Thirds
Wild Sound (Non-Sync Sound)
'In the Mud'
Pulling Focus
9. Sound that includes both room acoustics and background noise
Focus Puller
Low-Key Lighting
Ambient Sound
Rendering
10. Process of combining the video and audio with the applied effect to create a new media file
T-Stops
1/3 - 2/3 Rule
Rendering
Key Light
11. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Four Basic Elements in the Visual Language of Cinema
Location Technical Survey
Ambient Sound
12. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Art Direction
Depth of Field
T-Stops
13. Frequency - Amplitude - Timbre - and Velocity
Levels
Elliptical Editing
Four Basic Properties of Sound
3/4 Back Light
14. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Four Basic Properties of Sound
Call Sheets
Location Technical Survey
Cable Wrangler
15. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Plot
Focus Puller
Shooting (Lined) Script
Script Breakdown Sheet
16. Lens that has one fixed focal length for more precise manipulation of image quality
Sound Recordist
Back Light
Props
Prime Lens
17. Frequency - Amplitude - Timbre - and Velocity
Three Pre-Visualization Tools
Zoom Lens (Variable Focal Length Lens)
Four Basic Properties of Sound
Zooming Out
18. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Location Scouting
Zooming Out
Low-Key Lighting
Cross Cutting
19. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Treatment
Parallel Action
Sound Recordist
Master Shot
20. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Back Light
Headshot/Bio
Direct Address
Plot
21. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
T-Stops
Audition
Cover-Set
Director of Photography
22. Standard calling card. 8x10 photograph on one side and a resume on the other.
Ambient Sound
Headshot/Bio
Blocking
Protagonist
23. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Audition
Low-Key Lighting
Reverberation
Media File Indicators
24. Simple but comprehensive prose description of a film's plot
Headroom
Director of Photography
Treatment
Parallel Action
25. Refers to the size of your subject in the frame
3/4 Back Light
Narrative Films
Key Light
Shot Size
26. Shooting a scene from various angles
Nonlinear Editing System
Three Pre-Visualization Tools
Coverage
Combination Move
27. Refers to the size of your subject in the frame
Wild Sound (Non-Sync Sound)
Shot Size
Three Pre-Visualization Tools
Zooming In
28. Character - Goal - and Conflict or Obstacles
Nonlinear Editing System
Wild Sound (Non-Sync Sound)
Dramatization
Three Essential Elements of Drama
29. The strategy of using movie lights to duplicate where light would logically be emanating from
Fine Cut
Nondestructive Editing
Motivated Lighting
Cross Cutting
30. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Automatic Dialogue Replacement
Five Ways to Create a Parallel Action Sequence
Director of Photography
Master Shot
31. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Focus Puller
'In the Mud'
Shot Size
Pick-Ups
32. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Coverage
Depth of Field
Elliptical Editing
33. Lens that offers a continuous range of focal lengths in one lens housing
Lens Speed
Zoom Lens (Variable Focal Length Lens)
Props
Green Room
34. Shooting Script - Overheads - and Storyboards
Cover-Set
Direct Address
Three Pre-Visualization Tools
Fine Cut
35. Shot - Shot Sequence - Scene - and Dramatic Sequence
Elliptical Editing
Four Basic Elements in the Visual Language of Cinema
Master Shot
Prime Lens
36. List of all the shots that make up the film in the order in which they will be shot
Nonlinear Editing System
Five Ways to Create a Parallel Action Sequence
1/3 - 2/3 Rule
Shot List
37. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Assistant Camera
Gaffer
Protagonist
Key Light
38. Form used in film production to keep track of all the mise-en-sc
Green Room
Narrative Films
Script Breakdown Sheet
Setting Levels
39. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Narrative Films
Reverse Shots
Lens Speed
Cross Cutting
40. Transforming what is vague and internal into a series of viewable and audible actions and events
Cable Wrangler
Dramatization
Motivated Move
Wild Sound (Non-Sync Sound)
41. Controlling the strength of the signal
Three Pre-Visualization Tools
Fill Light
Setting Levels
Props
42. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Fine Cut
Talent Release
Combination Move
Motivated Move
43. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Overheads
Sound Recordist
Shooting (Lined) Script
Nondestructive Editing
44. Character - Goal - and Conflict or Obstacles
Focus Puller
Three Essential Elements of Drama
Art Direction
Cold Reading
45. The physical placement of the camera on the set necessary to get each shot in your shooting script
Side Light
Camera Setup
Pulling Focus
Plot
46. Lens that has one fixed focal length for more precise manipulation of image quality
Dramatization
Prime Lens
Boom Operator
Motivated Lighting
47. The measurement of acceptable diameter which creates the appearance of focus
Overheads
Five Ways to Create a Parallel Action Sequence
Low-Key Lighting
Circle of Confusion
48. Point to the original data without altering the media file
Ambient Sound
Zoom Lens (Variable Focal Length Lens)
Unmotivated Move
Media File Indicators
49. First complete version of the narrative in proper screenplay format
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50. The movement of characters in the space
Cutaway Shot
Master Shot
Blocking
Headroom