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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Prime Lens
Elliptical Editing
Assistant Camera
Storyboards
2. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Motivated Move
Rule of Thirds
Narrative Films
Coverage
3. Primary source of illumination in your scene. Usually it is a motivated light source.
Reverberation
Key Light
Blocking
Headroom
4. Sound that includes both room acoustics and background noise
Ambient Sound
Props
Cable Wrangler
Gaffer
5. Shooting Script - Overheads - and Storyboards
Parallel Action
Headshot/Bio
Motivated Move
Three Pre-Visualization Tools
6. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Shooting (Lined) Script
Headroom
Cover-Set
Cross Cutting
7. Drawings of shots - arranged on paper in the order they appear in a sequence
Storyboards
Wild Sound (Non-Sync Sound)
Treatment
Director of Photography
8. Refers to the size of your subject in the frame
Shot Size
Props
Focus Puller
Protagonist
9. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Art Direction
Direct Address
Headroom
Zoom Lens (Variable Focal Length Lens)
10. List of all the shots that make up the film in the order in which they will be shot
Rendering
Cold Reading
Camera Setup
Shot List
11. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
Fine Cut
Ambient Sound
Parallel Action
12. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Talent Release
Zooming In
Protagonist
Depth of Field
13. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Props
Three Essential Elements of Drama
Levels
3/4 Back Light
14. Transforming what is vague and internal into a series of viewable and audible actions and events
Low-Key Lighting
Call Sheets
Dramatization
Spike
15. Closely scrutinizing the location for its technical and aesthetic capabilities
Overheads
Wild Sound (Non-Sync Sound)
Location Technical Survey
Protagonist
16. Shooting Script - Overheads - and Storyboards
Cable Wrangler
Three Pre-Visualization Tools
'In the Mud'
Setting Levels
17. Lighting unit that is 45
Audition
Rim Light
3/4 Back Light
Ambient Sound
18. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Shot List
Rendering
Parallel Action
Green Room
19. Sound that includes both room acoustics and background noise
Headroom
Ambient Sound
Automatic Dialogue Replacement
Call Sheets
20. Point to the original data without altering the media file
Parallel Action
Wild Sound (Non-Sync Sound)
Media File Indicators
Back Light
21. The order of events in your film
'In the Mud'
Director of Photography
Plot
High-Key Lighting
22. A shot of a detail within your scene other than the characters' faces
Cutaway Shot
Location Technical Survey
Five Ways to Create a Parallel Action Sequence
Focus Puller
23. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Shooting (Lined) Script
Audition
Headroom
Zooming Out
24. Character - Goal - and Conflict or Obstacles
Sound Recordist
Cover-Set
Three Essential Elements of Drama
Nondestructive Editing
25. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Director of Photography
Overheads
Cover-Set
Shooting (Lined) Script
26. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Boom Operator
Author's Draft
Parallel Action
Assistant Camera
27. Removing extraneous time and territory
Depth of Field
Reverse Shots
Elliptical Editing
Rendering
28. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Cross Cutting
Lens Speed
Talent Release
Script Breakdown Sheet
29. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Rule of Thirds
Location Scouting
Motivated Move
30. Executing more than one move at a time
Combination Move
Assistant Camera
Headshot/Bio
Direct Address
31. Recording is too low
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32. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Back Light
Four Basic Elements in the Visual Language of Cinema
Blocking
33. Point to the original data without altering the media file
Media File Indicators
Combination Move
Rim Light
Rendering
34. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Author's Draft
High-Key Lighting
Three Essential Elements of Drama
35. Lighting unit that is position 90
Zooming In
Three Essential Elements of Drama
Side Light
Lens Speed
36. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Props
T-Stops
High-Key Lighting
Five Ways to Create a Parallel Action Sequence
37. List of all the shots that make up the film in the order in which they will be shot
Master Shot
3/4 Back Light
Shot List
Headroom
38. A shot in which the subject looks directly at the camera
Camera Setup
Direct Address
Side Light
Automatic Dialogue Replacement
39. A shot of a detail within your scene other than the characters' faces
Shot List
Circle of Confusion
Back Light
Cutaway Shot
40. Reading from the script pages that actors are given minutes before the audition
Cold Reading
Four Basic Properties of Sound
Art Direction
Sound Recordist
41. Soft light that fills in the shadows created by the Key Light
Fill Light
Master Shot
Location Technical Survey
Spike
42. The things that our characters actually handle in a scene
Motivated Lighting
Media File Indicators
Props
Shot Size
43. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Headroom
Nonlinear Editing System
Assistant Camera
Four Basic Properties of Sound
44. Drawings of shots - arranged on paper in the order they appear in a sequence
Headroom
Storyboards
Four Basic Properties of Sound
Circle of Confusion
45. Loud - sudden sound that exceeds 0dB
Three Pre-Visualization Tools
Spike
Headshot/Bio
Narrative Films
46. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Cold Reading
Master Shot
Location Scouting
Nonlinear Editing System
47. Executing more than one move at a time
Cover-Set
Combination Move
Blocking
Four Basic Properties of Sound
48. To alternate between two or more scenes when editing a sequence
Cross Cutting
Location Scouting
Zooming In
1/3 - 2/3 Rule
49. The strategy of using movie lights to duplicate where light would logically be emanating from
Reverse Shots
Rule of Thirds
Low-Key Lighting
Motivated Lighting
50. The order of events in your film
Setting Levels
Plot
Zooming Out
Cold Reading