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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Standard calling card. 8x10 photograph on one side and a resume on the other.
Back Light
Overheads
Assistant Camera
Headshot/Bio
2. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Protagonist
Motivated Move
Peak Meter
Rim Light
3. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Direct Address
Ambient Sound
Shooting (Lined) Script
Three Pre-Visualization Tools
4. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Four Basic Elements in the Visual Language of Cinema
Art Direction
Nondestructive Editing
Headroom
5. A shot in which the subject looks directly at the camera
Direct Address
Elliptical Editing
Author's Draft
Cold Reading
6. To alternate between two or more scenes when editing a sequence
Blocking
Sound Recordist
Cross Cutting
Green Room
7. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Cold Reading
3/4 Back Light
Director of Photography
Blocking
8. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Assistant Camera
Coverage
Headshot/Bio
Cover-Set
9. Refers to the size of your subject in the frame
Sound Recordist
Shot Size
Cold Reading
Headshot/Bio
10. Drawings of shots - arranged on paper in the order they appear in a sequence
Storyboards
High-Key Lighting
Gaffer
Nonlinear Editing System
11. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Prime Lens
Back Light
Five Ways to Create a Parallel Action Sequence
3/4 Back Light
12. First complete version of the narrative in proper screenplay format
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13. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Call Sheets
Lens Speed
Art Direction
Cutaway Shot
14. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverberation
Narrative Films
Storyboards
Reverse Shots
15. The movement of characters in the space
Blocking
Focus Puller
Prime Lens
Parallel Action
16. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Assistant Camera
Shot List
High-Key Lighting
Shot List
17. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Shooting (Lined) Script
Overheads
Motivated Lighting
Green Room
18. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Protagonist
Rim Light
Rendering
Levels
19. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Treatment
Rim Light
Assistant Camera
Reverse Shots
20. Reading from the script pages that actors are given minutes before the audition
Art Direction
Boom Operator
Media File Indicators
Cold Reading
21. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Combination Move
Four Basic Properties of Sound
Storyboards
22. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Assistant Camera
Three Essential Elements of Drama
Call Sheets
Pick-Ups
23. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Location Technical Survey
Audition
Location Scouting
Wild Sound (Non-Sync Sound)
24. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Cross Cutting
Side Light
Rendering
Narrative Films
25. The strategy of using movie lights to duplicate where light would logically be emanating from
Plot
Back Light
Motivated Lighting
Treatment
26. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Prime Lens
Cable Wrangler
Director of Photography
27. List of all the shots that make up the film in the order in which they will be shot
Treatment
Shot List
Shooting (Lined) Script
Plot
28. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Shot Size
Script Breakdown Sheet
Cold Reading
29. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Pick-Ups
Lens Speed
Three Pre-Visualization Tools
Master Shot
30. Finessing all of the edits one-by-one
Unmotivated Move
Fine Cut
Headroom
Nondestructive Editing
31. Another name for backlight because of the effect it gives the actor
Key Light
Assistant Camera
Rim Light
Audition
32. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Nondestructive Editing
Assistant Camera
Ambient Sound
Unmotivated Move
33. The strategy of using movie lights to duplicate where light would logically be emanating from
Sound Recordist
Cable Wrangler
Nondestructive Editing
Motivated Lighting
34. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Focus Puller
'In the Mud'
Pick-Ups
Cold Reading
35. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Media File Indicators
Cutaway Shot
Sound Recordist
36. Measures the strength of the incoming signal.
Treatment
Fine Cut
Pick-Ups
Peak Meter
37. The range of apparent focus along the z-axis
Depth of Field
Back Light
Pick-Ups
Call Sheets
38. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Motivated Move
Cable Wrangler
Prime Lens
Side Light
39. Transforming what is vague and internal into a series of viewable and audible actions and events
Dramatization
Headroom
Coverage
Headshot/Bio
40. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Plot
Talent Release
Assistant Camera
Zoom Lens (Variable Focal Length Lens)
41. Form used in film production to keep track of all the mise-en-sc
Script Breakdown Sheet
Props
Shot Size
Pulling Focus
42. Lighting unit that is 45
Boom Operator
Motivated Move
3/4 Back Light
Headroom
43. Simple but comprehensive prose description of a film's plot
Four Basic Properties of Sound
Green Room
Treatment
Art Direction
44. First complete version of the narrative in proper screenplay format
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45. Changing the plane of critical focus during a take while the camera is running
Master Shot
Pulling Focus
Gaffer
1/3 - 2/3 Rule
46. Executing more than one move at a time
Combination Move
Five Ways to Create a Parallel Action Sequence
Coverage
Call Sheets
47. Controlling the strength of the signal
Cold Reading
Reverse Shots
Setting Levels
Rule of Thirds
48. All camera moves need to be...
Prime Lens
Shooting (Lined) Script
Call Sheets
Motivated Move
49. Shooting a scene from various angles
Coverage
Pick-Ups
High-Key Lighting
Author's Draft
50. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Elliptical Editing
Back Light
Call Sheets
Low-Key Lighting
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