SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Removing extraneous time and territory
Three Essential Elements of Drama
Elliptical Editing
Assistant Camera
Treatment
2. The person who pulls focus
Cover-Set
Props
Focus Puller
Cable Wrangler
3. Process of combining the video and audio with the applied effect to create a new media file
Camera Setup
Rendering
Zoom Lens (Variable Focal Length Lens)
Nonlinear Editing System
4. Form used in film production to keep track of all the mise-en-sc
Plot
Combination Move
Script Breakdown Sheet
Media File Indicators
5. Form used in film production to keep track of all the mise-en-sc
Blocking
Script Breakdown Sheet
Treatment
Plot
6. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Fill Light
Automatic Dialogue Replacement
Audition
Direct Address
7. The movement of characters in the space
Lens Speed
Blocking
Zooming In
Location Scouting
8. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Reverse Shots
Circle of Confusion
Cold Reading
9. Standard calling card. 8x10 photograph on one side and a resume on the other.
Props
Reverberation
Headshot/Bio
Automatic Dialogue Replacement
10. To alternate between two or more scenes when editing a sequence
Depth of Field
Four Basic Properties of Sound
Cross Cutting
Boom Operator
11. Simple but comprehensive prose description of a film's plot
Five Ways to Create a Parallel Action Sequence
High-Key Lighting
Treatment
Combination Move
12. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Lens Speed
Master Shot
Rule of Thirds
Low-Key Lighting
13. Primary source of illumination in your scene. Usually it is a motivated light source.
Key Light
Call Sheets
Coverage
Pulling Focus
14. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Motivated Lighting
Lens Speed
Reverberation
Side Light
15. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Headshot/Bio
High-Key Lighting
Location Scouting
Three Pre-Visualization Tools
16. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Wild Sound (Non-Sync Sound)
Coverage
Fine Cut
Master Shot
17. Shot - Shot Sequence - Scene - and Dramatic Sequence
Zooming In
Nondestructive Editing
Four Basic Elements in the Visual Language of Cinema
Green Room
18. All camera moves need to be...
Shot Size
Motivated Move
Circle of Confusion
Cross Cutting
19. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Talent Release
Five Ways to Create a Parallel Action Sequence
Gaffer
20. The recording of sync dialogue in a studio in cases where the production sound is not usable
Peak Meter
Coverage
Automatic Dialogue Replacement
Parallel Action
21. A shot in which the subject looks directly at the camera
Unmotivated Move
Zooming Out
Direct Address
Peak Meter
22. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Storyboards
Low-Key Lighting
Protagonist
Audition
23. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Props
Master Shot
3/4 Back Light
24. The things that our characters actually handle in a scene
Reverse Shots
Green Room
Protagonist
Props
25. A shot of a detail within your scene other than the characters' faces
Location Scouting
Cutaway Shot
Key Light
Four Basic Elements in the Visual Language of Cinema
26. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Automatic Dialogue Replacement
3/4 Back Light
Reverse Shots
Blocking
27. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Motivated Move
Dramatization
Zoom Lens (Variable Focal Length Lens)
28. Changing the plane of critical focus during a take while the camera is running
Reverberation
Treatment
Five Ways to Create a Parallel Action Sequence
Pulling Focus
29. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Gaffer
Five Ways to Create a Parallel Action Sequence
Prime Lens
Unmotivated Move
30. Lens that offers a continuous range of focal lengths in one lens housing
Four Basic Properties of Sound
Narrative Films
Prime Lens
Zoom Lens (Variable Focal Length Lens)
31. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Spike
Cold Reading
Call Sheets
Low-Key Lighting
32. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Ambient Sound
3/4 Back Light
Sound Recordist
Treatment
33. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Author's Draft
High-Key Lighting
Four Basic Elements in the Visual Language of Cinema
Cover-Set
34. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Four Basic Properties of Sound
Audition
High-Key Lighting
Talent Release
35. The movement of characters in the space
Rendering
Reverberation
'In the Mud'
Blocking
36. The strategy of using movie lights to duplicate where light would logically be emanating from
T-Stops
Location Technical Survey
Treatment
Motivated Lighting
37. Drawings of shots - arranged on paper in the order they appear in a sequence
Headroom
Storyboards
Green Room
Circle of Confusion
38. First complete version of the narrative in proper screenplay format
39. Executing more than one move at a time
Cold Reading
Combination Move
Gaffer
Back Light
40. Frequency - Amplitude - Timbre - and Velocity
Zooming In
Four Basic Properties of Sound
Headshot/Bio
Script Breakdown Sheet
41. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Ambient Sound
Spike
Shooting (Lined) Script
Headroom
42. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Location Technical Survey
Back Light
Ambient Sound
Levels
43. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Three Pre-Visualization Tools
Location Scouting
Lens Speed
Boom Operator
44. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Art Direction
Motivated Lighting
Low-Key Lighting
Cover-Set
45. Recording is too low
46. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Audition
Assistant Camera
Cover-Set
Master Shot
47. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Camera Setup
Four Basic Properties of Sound
Nondestructive Editing
Zooming Out
48. Process of combining the video and audio with the applied effect to create a new media file
Three Pre-Visualization Tools
Back Light
Rendering
3/4 Back Light
49. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Peak Meter
Prime Lens
Pick-Ups
Cutaway Shot
50. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Gaffer
Talent Release
Blocking
'In the Mud'