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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Blocking
Treatment
1/3 - 2/3 Rule
Author's Draft
2. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Narrative Films
Fine Cut
Shooting (Lined) Script
Reverberation
3. Recording is too low
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4. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Pulling Focus
Media File Indicators
Fill Light
Zooming Out
5. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Four Basic Elements in the Visual Language of Cinema
Shot List
Four Basic Properties of Sound
6. Refers to the size of your subject in the frame
Coverage
Shot Size
Back Light
Treatment
7. The movement of characters in the space
Rim Light
Cross Cutting
Blocking
Three Essential Elements of Drama
8. Responsible for the proper use and actual placement of the microphones for optimal quality
Four Basic Elements in the Visual Language of Cinema
Fill Light
Talent Release
Boom Operator
9. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Narrative Films
Sound Recordist
Plot
10. Transforming what is vague and internal into a series of viewable and audible actions and events
Ambient Sound
Combination Move
Cold Reading
Dramatization
11. The range of apparent focus along the z-axis
Depth of Field
Motivated Lighting
Call Sheets
Nonlinear Editing System
12. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Camera Setup
Setting Levels
Nondestructive Editing
Rendering
13. A shot of a detail within your scene other than the characters' faces
Side Light
Author's Draft
Three Pre-Visualization Tools
Cutaway Shot
14. The person who pulls focus
1/3 - 2/3 Rule
Automatic Dialogue Replacement
Talent Release
Focus Puller
15. All camera moves need to be...
Rim Light
Motivated Move
Fill Light
T-Stops
16. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Rim Light
Sound Recordist
Lens Speed
Cross Cutting
17. Measures the strength of the incoming signal.
'In the Mud'
Four Basic Elements in the Visual Language of Cinema
Peak Meter
Cable Wrangler
18. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Master Shot
Director of Photography
Direct Address
Assistant Camera
19. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Shot Size
Boom Operator
Reverberation
Reverse Shots
20. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Art Direction
Green Room
Props
Shot Size
21. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Audition
Coverage
Cover-Set
Master Shot
22. Simple but comprehensive prose description of a film's plot
Shot List
Peak Meter
Treatment
Shooting (Lined) Script
23. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Storyboards
T-Stops
Location Technical Survey
24. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Reverse Shots
Blocking
Cold Reading
Zooming In
25. The things that our characters actually handle in a scene
Treatment
Audition
Depth of Field
Props
26. The strategy of using movie lights to duplicate where light would logically be emanating from
Fine Cut
Treatment
Pulling Focus
Motivated Lighting
27. The things that our characters actually handle in a scene
Headroom
Shot Size
Unmotivated Move
Props
28. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Assistant Camera
Green Room
Direct Address
Storyboards
29. Responsible for the proper use and actual placement of the microphones for optimal quality
Fine Cut
Sound Recordist
Art Direction
Boom Operator
30. The order of events in your film
Plot
Overheads
Fine Cut
Coverage
31. Soft light that fills in the shadows created by the Key Light
Storyboards
Ambient Sound
Fill Light
Direct Address
32. Lens that has one fixed focal length for more precise manipulation of image quality
Low-Key Lighting
Rule of Thirds
Pulling Focus
Prime Lens
33. Form used in film production to keep track of all the mise-en-sc
Plot
High-Key Lighting
Wild Sound (Non-Sync Sound)
Script Breakdown Sheet
34. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Shooting (Lined) Script
Headroom
Blocking
Author's Draft
35. Shot - Shot Sequence - Scene - and Dramatic Sequence
Four Basic Elements in the Visual Language of Cinema
Prime Lens
Sound Recordist
Shot List
36. Closely scrutinizing the location for its technical and aesthetic capabilities
Four Basic Properties of Sound
Location Technical Survey
Rim Light
Media File Indicators
37. Character - Goal - and Conflict or Obstacles
Three Essential Elements of Drama
Headroom
Nonlinear Editing System
Four Basic Properties of Sound
38. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Nondestructive Editing
Location Technical Survey
Plot
Coverage
39. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Circle of Confusion
Reverse Shots
Side Light
Zooming Out
40. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Assistant Camera
Levels
Setting Levels
41. The recording of sync dialogue in a studio in cases where the production sound is not usable
Five Ways to Create a Parallel Action Sequence
Automatic Dialogue Replacement
Plot
3/4 Back Light
42. This type of move breaks the promise of showing something else to the viewer
Cross Cutting
Unmotivated Move
Blocking
Cold Reading
43. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Dramatization
Nondestructive Editing
Cable Wrangler
Audition
44. Frequency - Amplitude - Timbre - and Velocity
Four Basic Properties of Sound
Location Technical Survey
Direct Address
Shot List
45. Recording is too low
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46. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Headroom
3/4 Back Light
Side Light
T-Stops
47. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Zoom Lens (Variable Focal Length Lens)
Wild Sound (Non-Sync Sound)
Director of Photography
Assistant Camera
48. Form used in film production to keep track of all the mise-en-sc
Shooting (Lined) Script
Script Breakdown Sheet
Cover-Set
Cold Reading
49. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Location Scouting
Pulling Focus
Side Light
Ambient Sound
50. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Pulling Focus
Fine Cut
Author's Draft
Headroom
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