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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Master Shot
Shooting (Lined) Script
Reverse Shots
Sound Recordist
2. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Levels
Dramatization
Rendering
Low-Key Lighting
3. Lens that has one fixed focal length for more precise manipulation of image quality
Parallel Action
Prime Lens
Back Light
Rendering
4. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Cutaway Shot
Narrative Films
Elliptical Editing
High-Key Lighting
5. Changing the plane of critical focus during a take while the camera is running
Art Direction
Zoom Lens (Variable Focal Length Lens)
Pulling Focus
Props
6. Drawings of shots - arranged on paper in the order they appear in a sequence
Audition
Shot Size
Storyboards
Rim Light
7. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Zooming Out
Shot Size
Circle of Confusion
8. Another name for backlight because of the effect it gives the actor
Rim Light
Rendering
Side Light
Shot List
9. Lens that has one fixed focal length for more precise manipulation of image quality
Three Pre-Visualization Tools
Art Direction
Prime Lens
Boom Operator
10. Lighting unit that is position 90
Peak Meter
Location Technical Survey
Blocking
Side Light
11. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Director of Photography
Shot List
Four Basic Elements in the Visual Language of Cinema
Author's Draft
12. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Cable Wrangler
3/4 Back Light
Narrative Films
Zooming Out
13. The person who pulls focus
Storyboards
Focus Puller
Elliptical Editing
Boom Operator
14. Executing more than one move at a time
Ambient Sound
Combination Move
Fine Cut
Sound Recordist
15. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Media File Indicators
Location Scouting
Cable Wrangler
T-Stops
16. List of all the shots that make up the film in the order in which they will be shot
Key Light
Director of Photography
Shot List
Four Basic Elements in the Visual Language of Cinema
17. Primary source of illumination in your scene. Usually it is a motivated light source.
Key Light
Props
Cutaway Shot
Ambient Sound
18. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Boom Operator
Five Ways to Create a Parallel Action Sequence
Headshot/Bio
Wild Sound (Non-Sync Sound)
19. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Camera Setup
Green Room
Shot List
Art Direction
20. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Parallel Action
Three Essential Elements of Drama
Five Ways to Create a Parallel Action Sequence
Cover-Set
21. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Talent Release
Call Sheets
Parallel Action
Focus Puller
22. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Overheads
Cover-Set
Art Direction
Depth of Field
23. This type of move breaks the promise of showing something else to the viewer
Fill Light
Unmotivated Move
Four Basic Elements in the Visual Language of Cinema
Cover-Set
24. The physical placement of the camera on the set necessary to get each shot in your shooting script
Pulling Focus
Setting Levels
Camera Setup
Headshot/Bio
25. Primary source of illumination in your scene. Usually it is a motivated light source.
Headshot/Bio
T-Stops
Key Light
Zooming In
26. First complete version of the narrative in proper screenplay format
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27. The measurement of acceptable diameter which creates the appearance of focus
Circle of Confusion
Focus Puller
Protagonist
Cross Cutting
28. Lighting unit that is 45
3/4 Back Light
Lens Speed
Assistant Camera
Setting Levels
29. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Four Basic Elements in the Visual Language of Cinema
Cable Wrangler
Boom Operator
Art Direction
30. The recording of sync dialogue in a studio in cases where the production sound is not usable
Automatic Dialogue Replacement
Depth of Field
Sound Recordist
Zooming Out
31. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Low-Key Lighting
Three Essential Elements of Drama
Three Pre-Visualization Tools
Talent Release
32. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Three Pre-Visualization Tools
Five Ways to Create a Parallel Action Sequence
Pick-Ups
Unmotivated Move
33. Soft light that fills in the shadows created by the Key Light
Five Ways to Create a Parallel Action Sequence
3/4 Back Light
Fine Cut
Fill Light
34. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Shot List
Headroom
Nonlinear Editing System
Reverberation
35. Controlling the strength of the signal
Setting Levels
Motivated Lighting
Rim Light
Rim Light
36. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Dramatization
Nonlinear Editing System
Motivated Lighting
Script Breakdown Sheet
37. Soft light that fills in the shadows created by the Key Light
Rim Light
Director of Photography
Audition
Fill Light
38. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Script Breakdown Sheet
Shooting (Lined) Script
Cover-Set
Pulling Focus
39. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
T-Stops
Four Basic Elements in the Visual Language of Cinema
Shooting (Lined) Script
Unmotivated Move
40. Refers to the size of your subject in the frame
Shot Size
Location Scouting
Cutaway Shot
Director of Photography
41. A shot in which the subject looks directly at the camera
Zoom Lens (Variable Focal Length Lens)
Setting Levels
T-Stops
Direct Address
42. Shot - Shot Sequence - Scene - and Dramatic Sequence
Sound Recordist
Protagonist
Four Basic Elements in the Visual Language of Cinema
Spike
43. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
T-Stops
Cable Wrangler
Plot
Depth of Field
44. List of all the shots that make up the film in the order in which they will be shot
Prime Lens
Shooting (Lined) Script
Low-Key Lighting
Shot List
45. The movement of characters in the space
Storyboards
Blocking
Pulling Focus
Gaffer
46. The order of events in your film
Back Light
Plot
Three Pre-Visualization Tools
Side Light
47. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Motivated Lighting
Location Scouting
Circle of Confusion
Sound Recordist
48. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Motivated Lighting
Overheads
Nonlinear Editing System
49. Standard calling card. 8x10 photograph on one side and a resume on the other.
Headshot/Bio
Coverage
Shot Size
Rule of Thirds
50. Reading from the script pages that actors are given minutes before the audition
Boom Operator
Author's Draft
Call Sheets
Cold Reading