SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lighting unit that is position 90
Narrative Films
Reverse Shots
High-Key Lighting
Side Light
2. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Plot
Four Basic Properties of Sound
Direct Address
3. Executing more than one move at a time
Assistant Camera
Combination Move
Reverberation
Motivated Lighting
4. The person who pulls focus
Dramatization
Focus Puller
Peak Meter
Zooming Out
5. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Cover-Set
Automatic Dialogue Replacement
Nondestructive Editing
Headshot/Bio
6. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Cold Reading
Nondestructive Editing
1/3 - 2/3 Rule
Low-Key Lighting
7. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Cold Reading
Fine Cut
Zoom Lens (Variable Focal Length Lens)
8. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Cross Cutting
Sound Recordist
Three Essential Elements of Drama
Five Ways to Create a Parallel Action Sequence
9. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Master Shot
Director of Photography
Camera Setup
Cross Cutting
10. Lens that offers a continuous range of focal lengths in one lens housing
Sound Recordist
Zoom Lens (Variable Focal Length Lens)
Cross Cutting
Depth of Field
11. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Green Room
Three Pre-Visualization Tools
Ambient Sound
Zoom Lens (Variable Focal Length Lens)
12. Frequency - Amplitude - Timbre - and Velocity
Script Breakdown Sheet
Three Pre-Visualization Tools
Four Basic Properties of Sound
High-Key Lighting
13. Recording is too low
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
14. A shot of a detail within your scene other than the characters' faces
Cable Wrangler
Dramatization
Automatic Dialogue Replacement
Cutaway Shot
15. This type of move breaks the promise of showing something else to the viewer
Headroom
Author's Draft
Boom Operator
Unmotivated Move
16. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Audition
Five Ways to Create a Parallel Action Sequence
Protagonist
Setting Levels
17. List of all the shots that make up the film in the order in which they will be shot
Dramatization
Rule of Thirds
Cross Cutting
Shot List
18. The things that our characters actually handle in a scene
Back Light
Props
Rendering
Zoom Lens (Variable Focal Length Lens)
19. Standard calling card. 8x10 photograph on one side and a resume on the other.
Pick-Ups
Storyboards
Headshot/Bio
Motivated Lighting
20. The things that our characters actually handle in a scene
Props
Nonlinear Editing System
Four Basic Properties of Sound
Fill Light
21. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Reverberation
Gaffer
Three Pre-Visualization Tools
Five Ways to Create a Parallel Action Sequence
22. A shot of a detail within your scene other than the characters' faces
Zooming Out
Elliptical Editing
Cutaway Shot
Four Basic Properties of Sound
23. Lighting unit that is 45
Automatic Dialogue Replacement
Coverage
3/4 Back Light
Elliptical Editing
24. The physical placement of the camera on the set necessary to get each shot in your shooting script
Treatment
Camera Setup
Cover-Set
Ambient Sound
25. Shooting a scene from various angles
Wild Sound (Non-Sync Sound)
Coverage
Fine Cut
Four Basic Properties of Sound
26. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Call Sheets
Narrative Films
Headshot/Bio
Headroom
27. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Rendering
Three Pre-Visualization Tools
Cover-Set
Overheads
28. Lighting unit that is 45
Art Direction
3/4 Back Light
Circle of Confusion
Setting Levels
29. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Location Scouting
Headroom
Media File Indicators
Treatment
30. Controlling the strength of the signal
Setting Levels
Art Direction
Storyboards
Gaffer
31. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Blocking
Reverberation
Art Direction
Cover-Set
32. Changing the plane of critical focus during a take while the camera is running
Parallel Action
Five Ways to Create a Parallel Action Sequence
Pulling Focus
Talent Release
33. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Pick-Ups
Lens Speed
Peak Meter
Low-Key Lighting
34. Removing extraneous time and territory
Storyboards
Gaffer
Elliptical Editing
Key Light
35. The strategy of using movie lights to duplicate where light would logically be emanating from
Motivated Lighting
Protagonist
Overheads
Fine Cut
36. Soft light that fills in the shadows created by the Key Light
Storyboards
Fill Light
Reverse Shots
Sound Recordist
37. First complete version of the narrative in proper screenplay format
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
38. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Four Basic Elements in the Visual Language of Cinema
Narrative Films
Elliptical Editing
Headroom
39. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
Plot
Nonlinear Editing System
Automatic Dialogue Replacement
40. Drawings of shots - arranged on paper in the order they appear in a sequence
Reverberation
Storyboards
Four Basic Elements in the Visual Language of Cinema
Author's Draft
41. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Unmotivated Move
Zooming In
Combination Move
Prime Lens
42. Closely scrutinizing the location for its technical and aesthetic capabilities
Nonlinear Editing System
Peak Meter
Location Technical Survey
Sound Recordist
43. Executing more than one move at a time
Depth of Field
Cable Wrangler
Combination Move
Automatic Dialogue Replacement
44. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Treatment
Side Light
Five Ways to Create a Parallel Action Sequence
Gaffer
45. Shooting a scene from various angles
Fill Light
Nonlinear Editing System
Coverage
Talent Release
46. Recording is too low
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
47. The person who pulls focus
Levels
Motivated Lighting
Blocking
Focus Puller
48. Process of combining the video and audio with the applied effect to create a new media file
Props
Author's Draft
Rendering
Four Basic Properties of Sound
49. A shot in which the subject looks directly at the camera
Narrative Films
Zooming In
Key Light
Direct Address
50. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Rim Light
Setting Levels
Art Direction
Gaffer