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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Lens that has one fixed focal length for more precise manipulation of image quality
Spike
Pulling Focus
Location Technical Survey
Prime Lens
2. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Art Direction
Overheads
Cutaway Shot
Master Shot
3. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Talent Release
Key Light
Four Basic Elements in the Visual Language of Cinema
Parallel Action
4. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Media File Indicators
Assistant Camera
Spike
Elliptical Editing
5. Recording is too low
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6. Character - Goal - and Conflict or Obstacles
Rim Light
Wild Sound (Non-Sync Sound)
Three Essential Elements of Drama
Camera Setup
7. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Assistant Camera
Circle of Confusion
Peak Meter
Five Ways to Create a Parallel Action Sequence
8. Finessing all of the edits one-by-one
Cold Reading
Nonlinear Editing System
Fine Cut
Back Light
9. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Three Essential Elements of Drama
Lens Speed
Gaffer
Four Basic Properties of Sound
10. The range of apparent focus along the z-axis
Camera Setup
Depth of Field
Ambient Sound
Props
11. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Nonlinear Editing System
Lens Speed
Cold Reading
Cover-Set
12. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
Location Technical Survey
Call Sheets
Audition
13. Process of combining the video and audio with the applied effect to create a new media file
Rendering
Elliptical Editing
T-Stops
Author's Draft
14. Soft light that fills in the shadows created by the Key Light
Fill Light
Motivated Lighting
Three Essential Elements of Drama
T-Stops
15. The order of events in your film
Plot
Unmotivated Move
Motivated Lighting
Script Breakdown Sheet
16. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Storyboards
Cross Cutting
Overheads
Gaffer
17. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Plot
Location Technical Survey
Overheads
Shot Size
18. Loud - sudden sound that exceeds 0dB
Setting Levels
Three Pre-Visualization Tools
Props
Spike
19. The recording of sync dialogue in a studio in cases where the production sound is not usable
Automatic Dialogue Replacement
Blocking
Four Basic Properties of Sound
Sound Recordist
20. Character - Goal - and Conflict or Obstacles
Depth of Field
Setting Levels
Wild Sound (Non-Sync Sound)
Three Essential Elements of Drama
21. Refers to the size of your subject in the frame
Automatic Dialogue Replacement
Focus Puller
Shot Size
High-Key Lighting
22. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Levels
Sound Recordist
Automatic Dialogue Replacement
Reverberation
23. To alternate between two or more scenes when editing a sequence
Fine Cut
Blocking
Storyboards
Cross Cutting
24. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Rim Light
Three Pre-Visualization Tools
Depth of Field
Sound Recordist
25. Measures the strength of the incoming signal.
Cold Reading
Peak Meter
Shot List
Focus Puller
26. A shot of a detail within your scene other than the characters' faces
Cutaway Shot
Cold Reading
Boom Operator
Narrative Films
27. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Combination Move
Wild Sound (Non-Sync Sound)
Art Direction
Reverse Shots
28. To alternate between two or more scenes when editing a sequence
Cross Cutting
Four Basic Properties of Sound
Cold Reading
Author's Draft
29. Form used in film production to keep track of all the mise-en-sc
Three Pre-Visualization Tools
Nonlinear Editing System
Media File Indicators
Script Breakdown Sheet
30. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zoom Lens (Variable Focal Length Lens)
Zooming Out
Setting Levels
Ambient Sound
31. Removing extraneous time and territory
Prime Lens
Peak Meter
Nondestructive Editing
Elliptical Editing
32. Another name for backlight because of the effect it gives the actor
Pulling Focus
Four Basic Elements in the Visual Language of Cinema
Rim Light
Reverse Shots
33. A shot of a detail within your scene other than the characters' faces
Lens Speed
Cutaway Shot
Props
Blocking
34. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Motivated Lighting
Lens Speed
Key Light
Art Direction
35. The movement of characters in the space
Blocking
Props
T-Stops
Assistant Camera
36. The things that our characters actually handle in a scene
Props
Elliptical Editing
Low-Key Lighting
Director of Photography
37. First complete version of the narrative in proper screenplay format
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38. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Cross Cutting
Gaffer
Zooming In
Props
39. The movement of characters in the space
Treatment
Shot Size
Pick-Ups
Blocking
40. Lens that offers a continuous range of focal lengths in one lens housing
Cross Cutting
Zoom Lens (Variable Focal Length Lens)
Cable Wrangler
Shooting (Lined) Script
41. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Unmotivated Move
Lens Speed
Call Sheets
Protagonist
42. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Audition
3/4 Back Light
Narrative Films
Ambient Sound
43. Reading from the script pages that actors are given minutes before the audition
Cover-Set
Prime Lens
Cold Reading
Nondestructive Editing
44. Refers to the size of your subject in the frame
Zoom Lens (Variable Focal Length Lens)
Reverse Shots
Shot Size
Boom Operator
45. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Headroom
Cable Wrangler
Fill Light
Headshot/Bio
46. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Pulling Focus
Zooming In
Low-Key Lighting
47. The measurement of acceptable diameter which creates the appearance of focus
Zooming Out
Four Basic Elements in the Visual Language of Cinema
Circle of Confusion
1/3 - 2/3 Rule
48. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Plot
Protagonist
Four Basic Properties of Sound
49. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Side Light
Prime Lens
Ambient Sound
Director of Photography
50. Removing extraneous time and territory
Elliptical Editing
Storyboards
Cover-Set
Cross Cutting
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