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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Finessing all of the edits one-by-one
Rule of Thirds
High-Key Lighting
Fine Cut
Cutaway Shot
2. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Blocking
Boom Operator
Cable Wrangler
Cutaway Shot
3. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Cold Reading
Green Room
Headshot/Bio
4. Character - Goal - and Conflict or Obstacles
Automatic Dialogue Replacement
Five Ways to Create a Parallel Action Sequence
Assistant Camera
Three Essential Elements of Drama
5. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Headroom
Storyboards
Four Basic Properties of Sound
Fill Light
6. Lens that offers a continuous range of focal lengths in one lens housing
Low-Key Lighting
Spike
Zoom Lens (Variable Focal Length Lens)
Cutaway Shot
7. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
T-Stops
Five Ways to Create a Parallel Action Sequence
Direct Address
Cable Wrangler
8. This type of move breaks the promise of showing something else to the viewer
'In the Mud'
Shot Size
Blocking
Unmotivated Move
9. Primary source of illumination in your scene. Usually it is a motivated light source.
Key Light
Shot List
Camera Setup
Reverse Shots
10. Simple but comprehensive prose description of a film's plot
Headshot/Bio
Lens Speed
Treatment
Cutaway Shot
11. Lighting unit that is 45
Pulling Focus
Five Ways to Create a Parallel Action Sequence
3/4 Back Light
Focus Puller
12. Refers to the size of your subject in the frame
Shot Size
Side Light
Call Sheets
Storyboards
13. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Headshot/Bio
Fine Cut
Zooming Out
Audition
14. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Pick-Ups
Talent Release
Coverage
Cover-Set
15. Controlling the strength of the signal
Setting Levels
Reverse Shots
Parallel Action
Rim Light
16. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Dramatization
Levels
Depth of Field
Boom Operator
17. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Low-Key Lighting
Green Room
Director of Photography
Camera Setup
18. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Three Essential Elements of Drama
1/3 - 2/3 Rule
Talent Release
Assistant Camera
19. Loud - sudden sound that exceeds 0dB
Prime Lens
Gaffer
Zooming Out
Spike
20. Standard calling card. 8x10 photograph on one side and a resume on the other.
Unmotivated Move
Depth of Field
Headshot/Bio
Pulling Focus
21. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Unmotivated Move
Call Sheets
Author's Draft
Direct Address
22. Another name for backlight because of the effect it gives the actor
Rim Light
Plot
Reverberation
Reverse Shots
23. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Peak Meter
Parallel Action
Cover-Set
Three Pre-Visualization Tools
24. Lighting unit that is position 90
Side Light
Media File Indicators
Combination Move
Location Scouting
25. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Key Light
Four Basic Properties of Sound
Zoom Lens (Variable Focal Length Lens)
26. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Focus Puller
Three Essential Elements of Drama
Setting Levels
Green Room
27. Changing the plane of critical focus during a take while the camera is running
Side Light
Art Direction
Pulling Focus
Fine Cut
28. To alternate between two or more scenes when editing a sequence
Parallel Action
Cross Cutting
Unmotivated Move
Shot List
29. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Script Breakdown Sheet
Motivated Lighting
Shot List
Low-Key Lighting
30. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Combination Move
Three Essential Elements of Drama
Nonlinear Editing System
Rule of Thirds
31. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Wild Sound (Non-Sync Sound)
Fine Cut
Reverse Shots
Five Ways to Create a Parallel Action Sequence
32. Recording is too low
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33. Drawings of shots - arranged on paper in the order they appear in a sequence
Talent Release
Spike
Storyboards
Cable Wrangler
34. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Automatic Dialogue Replacement
Reverberation
Nonlinear Editing System
Shooting (Lined) Script
35. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Depth of Field
Low-Key Lighting
Side Light
36. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Art Direction
Rim Light
Talent Release
T-Stops
37. Executing more than one move at a time
Pulling Focus
Side Light
Gaffer
Combination Move
38. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Reverberation
Rule of Thirds
Green Room
Peak Meter
39. Lens that offers a continuous range of focal lengths in one lens housing
Coverage
Wild Sound (Non-Sync Sound)
3/4 Back Light
Zoom Lens (Variable Focal Length Lens)
40. A shot of a detail within your scene other than the characters' faces
Talent Release
Cutaway Shot
Levels
Unmotivated Move
41. Not limited by the linear characteristics of video tape. We can move around in the footage in any direction - instantaneously. All film projects - whether shot on film of DV are edited on NLE. All visual and aural components must be turned into dig
Nonlinear Editing System
Fine Cut
Low-Key Lighting
Back Light
42. Lens that has one fixed focal length for more precise manipulation of image quality
Prime Lens
Pulling Focus
Motivated Lighting
Author's Draft
43. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Plot
Nondestructive Editing
Parallel Action
Pulling Focus
44. The order of events in your film
Reverse Shots
Plot
Back Light
Rule of Thirds
45. The range of apparent focus along the z-axis
Overheads
Depth of Field
Direct Address
Pulling Focus
46. Shot - Shot Sequence - Scene - and Dramatic Sequence
Storyboards
Blocking
Direct Address
Four Basic Elements in the Visual Language of Cinema
47. List of all the shots that make up the film in the order in which they will be shot
Shot List
Automatic Dialogue Replacement
Sound Recordist
Pick-Ups
48. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Master Shot
Motivated Move
Levels
Assistant Camera
49. The things that our characters actually handle in a scene
Coverage
Zoom Lens (Variable Focal Length Lens)
Props
Boom Operator
50. Transforming what is vague and internal into a series of viewable and audible actions and events
Rim Light
Elliptical Editing
Dramatization
Shot List