SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Camera and lens expert. They are responsible for the proper functioning of the camera - which includes setting it up - cleaning the gate - checking and pulling focus - and selecting filters and lenses. They know precise details about what various
Direct Address
Assistant Camera
Author's Draft
Plot
2. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Shooting (Lined) Script
Levels
Script Breakdown Sheet
Gaffer
3. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Motivated Move
Prime Lens
Headroom
4. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Rendering
Audition
Three Pre-Visualization Tools
Gaffer
5. Measures the strength of the incoming signal.
Plot
Call Sheets
Location Technical Survey
Peak Meter
6. The ability of a lens to gather light is determined by the largest possible f-stop of that particular lens (a fast lens can open up to allow more light than a slow lens)
Cover-Set
Lens Speed
Zooming Out
Setting Levels
7. Lens that offers a continuous range of focal lengths in one lens housing
Zoom Lens (Variable Focal Length Lens)
Three Pre-Visualization Tools
Treatment
Levels
8. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Cover-Set
Narrative Films
Three Essential Elements of Drama
Headroom
9. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Five Ways to Create a Parallel Action Sequence
Protagonist
Coverage
Rule of Thirds
10. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
'In the Mud'
Art Direction
Shooting (Lined) Script
Ambient Sound
11. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Headshot/Bio
Zooming In
Back Light
Shooting (Lined) Script
12. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Ambient Sound
Cover-Set
Gaffer
Rendering
13. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverse Shots
Master Shot
3/4 Back Light
Narrative Films
14. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
Three Essential Elements of Drama
Pulling Focus
Low-Key Lighting
High-Key Lighting
15. The things that our characters actually handle in a scene
Depth of Field
Zoom Lens (Variable Focal Length Lens)
1/3 - 2/3 Rule
Props
16. Finessing all of the edits one-by-one
Key Light
Spike
Cable Wrangler
Fine Cut
17. The measurement of acceptable diameter which creates the appearance of focus
Gaffer
Circle of Confusion
Lens Speed
Four Basic Properties of Sound
18. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Three Pre-Visualization Tools
Script Breakdown Sheet
Four Basic Properties of Sound
Gaffer
19. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Assistant Camera
Zooming Out
Shot List
20. The strategy of using movie lights to duplicate where light would logically be emanating from
Fill Light
Motivated Lighting
'In the Mud'
Audition
21. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
Nondestructive Editing
1/3 - 2/3 Rule
Side Light
Talent Release
22. Two-thirds of the depth range along the z-axis is behind the focus point and one-third is in front of the focus point
1/3 - 2/3 Rule
Combination Move
Protagonist
Four Basic Properties of Sound
23. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Nondestructive Editing
Circle of Confusion
Gaffer
Pick-Ups
24. Removing extraneous time and territory
Narrative Films
Elliptical Editing
Zooming Out
Four Basic Elements in the Visual Language of Cinema
25. Primary source of illumination in your scene. Usually it is a motivated light source.
Author's Draft
T-Stops
Location Scouting
Key Light
26. A shot of a detail within your scene other than the characters' faces
3/4 Back Light
Cutaway Shot
Direct Address
Gaffer
27. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Overheads
Four Basic Properties of Sound
Nondestructive Editing
Talent Release
28. Lighting unit that is 45
Side Light
Back Light
3/4 Back Light
Rim Light
29. Refers to the size of your subject in the frame
Shot Size
Fine Cut
Master Shot
Overheads
30. Recording is too low
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
31. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Location Scouting
Script Breakdown Sheet
Wild Sound (Non-Sync Sound)
32. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Key Light
Cutaway Shot
Dramatization
33. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Low-Key Lighting
Zooming In
Art Direction
Overheads
34. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Reverberation
Green Room
Nonlinear Editing System
Four Basic Elements in the Visual Language of Cinema
35. A shot in which the subject looks directly at the camera
Pick-Ups
Cover-Set
Direct Address
Location Technical Survey
36. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Reverberation
Cable Wrangler
Talent Release
Depth of Field
37. The things that our characters actually handle in a scene
Props
Talent Release
Treatment
Script Breakdown Sheet
38. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Prime Lens
Blocking
Reverberation
Four Basic Properties of Sound
39. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Levels
Key Light
Headroom
'In the Mud'
40. Simple but comprehensive prose description of a film's plot
Cross Cutting
Treatment
Back Light
Director of Photography
41. Loud - sudden sound that exceeds 0dB
Director of Photography
Spike
Art Direction
Reverse Shots
42. Controlling the strength of the signal
Setting Levels
Side Light
Rim Light
3/4 Back Light
43. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Three Essential Elements of Drama
Location Scouting
Nondestructive Editing
Low-Key Lighting
44. Character - Goal - and Conflict or Obstacles
Cold Reading
Three Essential Elements of Drama
Reverberation
Levels
45. Lens that offers a continuous range of focal lengths in one lens housing
Levels
1/3 - 2/3 Rule
Zoom Lens (Variable Focal Length Lens)
Cold Reading
46. Lighting unit that is position 90
Location Technical Survey
Depth of Field
Side Light
Key Light
47. Measures the strength of the incoming signal.
Art Direction
Cover-Set
Peak Meter
Rule of Thirds
48. A type of location sound that isn't recorded simultaneously with the picture. Two types are Ambient Sound and Location Sound.
Media File Indicators
Props
Coverage
Wild Sound (Non-Sync Sound)
49. Soft light that fills in the shadows created by the Key Light
Low-Key Lighting
Zooming Out
Zooming In
Fill Light
50. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
T-Stops
Location Scouting
Location Technical Survey
Fine Cut