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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Automatic Dialogue Replacement
Key Light
Narrative Films
Reverberation
2. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Three Essential Elements of Drama
Camera Setup
Location Scouting
Shot List
3. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Script Breakdown Sheet
Back Light
Green Room
4. Changing the plane of critical focus during a take while the camera is running
Peak Meter
Pulling Focus
Overheads
Rule of Thirds
5. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Plot
Three Pre-Visualization Tools
Audition
Rim Light
6. Shooting Script - Overheads - and Storyboards
Three Pre-Visualization Tools
Shooting (Lined) Script
Reverse Shots
Back Light
7. Simple but comprehensive prose description of a film's plot
Rule of Thirds
Treatment
Cable Wrangler
Pick-Ups
8. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Four Basic Elements in the Visual Language of Cinema
Direct Address
Cover-Set
Key Light
9. This type of move breaks the promise of showing something else to the viewer
Narrative Films
Combination Move
Unmotivated Move
Cold Reading
10. To alternate between two or more scenes when editing a sequence
Cross Cutting
Headroom
Camera Setup
Fill Light
11. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Parallel Action
Call Sheets
Cross Cutting
Coverage
12. Shooting a scene from various angles
Three Essential Elements of Drama
Coverage
Direct Address
Rule of Thirds
13. Sound that includes both room acoustics and background noise
Headshot/Bio
Pick-Ups
Ambient Sound
Four Basic Properties of Sound
14. Process of combining the video and audio with the applied effect to create a new media file
Director of Photography
Author's Draft
Unmotivated Move
Rendering
15. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Motivated Lighting
Master Shot
Pick-Ups
16. Recording is too low
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17. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Coverage
Rim Light
Talent Release
Audition
18. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Plot
T-Stops
1/3 - 2/3 Rule
Green Room
19. All camera moves need to be...
Peak Meter
Shooting (Lined) Script
Motivated Move
Four Basic Elements in the Visual Language of Cinema
20. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
Zooming Out
T-Stops
Five Ways to Create a Parallel Action Sequence
21. Finessing all of the edits one-by-one
Automatic Dialogue Replacement
Fine Cut
Unmotivated Move
Back Light
22. The range of apparent focus along the z-axis
Headshot/Bio
Depth of Field
Key Light
T-Stops
23. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Pulling Focus
Gaffer
Setting Levels
Nondestructive Editing
24. Primary source of illumination in your scene. Usually it is a motivated light source.
Key Light
Fill Light
Green Room
3/4 Back Light
25. Lighting unit that is position 90
Side Light
Coverage
Camera Setup
Focus Puller
26. Transforming what is vague and internal into a series of viewable and audible actions and events
Protagonist
Narrative Films
Dramatization
Unmotivated Move
27. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Script Breakdown Sheet
Motivated Move
Blocking
Master Shot
28. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Headshot/Bio
Motivated Move
Fine Cut
29. The order of events in your film
Blocking
Plot
Levels
Three Essential Elements of Drama
30. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Levels
Direct Address
Director of Photography
Rim Light
31. Form used in film production to keep track of all the mise-en-sc
Elliptical Editing
Overheads
Script Breakdown Sheet
Shooting (Lined) Script
32. Simple but comprehensive prose description of a film's plot
Zoom Lens (Variable Focal Length Lens)
Treatment
Gaffer
Headroom
33. The movement of characters in the space
Prime Lens
Director of Photography
Cutaway Shot
Blocking
34. List of all the shots that make up the film in the order in which they will be shot
Author's Draft
Three Pre-Visualization Tools
Shot List
Headshot/Bio
35. A shot of a detail within your scene other than the characters' faces
Cutaway Shot
Treatment
Nondestructive Editing
Ambient Sound
36. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Zooming In
Nonlinear Editing System
Narrative Films
Low-Key Lighting
37. The person who pulls focus
Coverage
Dramatization
Pick-Ups
Focus Puller
38. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Automatic Dialogue Replacement
Media File Indicators
Parallel Action
Location Scouting
39. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Unmotivated Move
Reverse Shots
Fine Cut
Automatic Dialogue Replacement
40. The strategy of using movie lights to duplicate where light would logically be emanating from
Automatic Dialogue Replacement
Boom Operator
Motivated Lighting
Camera Setup
41. Transforming what is vague and internal into a series of viewable and audible actions and events
Dramatization
Four Basic Properties of Sound
Sound Recordist
Green Room
42. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
T-Stops
Wild Sound (Non-Sync Sound)
3/4 Back Light
Narrative Films
43. Measures the strength of the incoming signal.
Parallel Action
Peak Meter
Camera Setup
Headshot/Bio
44. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Motivated Lighting
Pick-Ups
Dramatization
Focus Puller
45. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Back Light
Prime Lens
Script Breakdown Sheet
Reverse Shots
46. First complete version of the narrative in proper screenplay format
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47. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
'In the Mud'
Gaffer
Narrative Films
Nonlinear Editing System
48. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Peak Meter
Five Ways to Create a Parallel Action Sequence
Rule of Thirds
Cable Wrangler
49. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Elliptical Editing
Shot List
Cable Wrangler
Motivated Lighting
50. Lens that offers a continuous range of focal lengths in one lens housing
Back Light
Props
Zoom Lens (Variable Focal Length Lens)
Unmotivated Move
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