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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Finessing all of the edits one-by-one
Four Basic Elements in the Visual Language of Cinema
Fine Cut
Cable Wrangler
Sound Recordist
2. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Boom Operator
Combination Move
Rule of Thirds
Pick-Ups
3. Loud - sudden sound that exceeds 0dB
Camera Setup
Reverse Shots
Focus Puller
Spike
4. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Levels
Direct Address
Shooting (Lined) Script
Ambient Sound
5. List of all the shots that make up the film in the order in which they will be shot
Combination Move
High-Key Lighting
Cutaway Shot
Shot List
6. Executing more than one move at a time
Combination Move
Focus Puller
Director of Photography
'In the Mud'
7. A shot of a detail within your scene other than the characters' faces
Automatic Dialogue Replacement
Plot
Four Basic Properties of Sound
Cutaway Shot
8. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Master Shot
Five Ways to Create a Parallel Action Sequence
Key Light
Talent Release
9. Refers to the size of your subject in the frame
Shot Size
Reverse Shots
Rule of Thirds
3/4 Back Light
10. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Cable Wrangler
Location Scouting
Director of Photography
Props
11. Transforming what is vague and internal into a series of viewable and audible actions and events
Pulling Focus
Treatment
Camera Setup
Dramatization
12. Simple but comprehensive prose description of a film's plot
Shot Size
Gaffer
Treatment
Cable Wrangler
13. Transforming what is vague and internal into a series of viewable and audible actions and events
Location Scouting
Props
Reverse Shots
Dramatization
14. Any cutting - arranging - trimming - corrections - or effects you might perform occur only virtually - in a preview mode. Original media files are not altered in any way. (Digital NLE is an example)
Shot List
Nondestructive Editing
Three Pre-Visualization Tools
Protagonist
15. Refers to the size of your subject in the frame
Motivated Move
Shot Size
Rim Light
Nondestructive Editing
16. The measurement of acceptable diameter which creates the appearance of focus
Three Essential Elements of Drama
Motivated Lighting
Media File Indicators
Circle of Confusion
17. Sound that includes both room acoustics and background noise
Prime Lens
Ambient Sound
Zoom Lens (Variable Focal Length Lens)
Pulling Focus
18. The order of events in your film
Fine Cut
1/3 - 2/3 Rule
Plot
Nondestructive Editing
19. Shot - Shot Sequence - Scene - and Dramatic Sequence
Media File Indicators
Four Basic Elements in the Visual Language of Cinema
Motivated Lighting
Boom Operator
20. The physical placement of the camera on the set necessary to get each shot in your shooting script
Camera Setup
Green Room
Levels
Location Technical Survey
21. Reading from the script pages that actors are given minutes before the audition
Shot Size
Camera Setup
Cold Reading
Three Essential Elements of Drama
22. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Reverberation
Zoom Lens (Variable Focal Length Lens)
Blocking
23. Removing extraneous time and territory
Key Light
Elliptical Editing
Pick-Ups
Reverberation
24. Removing extraneous time and territory
Pulling Focus
Elliptical Editing
Low-Key Lighting
Setting Levels
25. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
Levels
T-Stops
Motivated Lighting
Peak Meter
26. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
'In the Mud'
Gaffer
Back Light
Call Sheets
27. The range of apparent focus along the z-axis
Rule of Thirds
Parallel Action
Levels
Depth of Field
28. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Shot List
Cutaway Shot
Location Scouting
Cable Wrangler
29. Often used as a guide for framing human subjects and for composition in general. The frame is divided into thirds with imaginary lines along the horizontal and vertical axes and then place significant objects - focus points - and elements of intere
Prime Lens
Rule of Thirds
Cable Wrangler
Sound Recordist
30. A shot of a detail within your scene other than the characters' faces
Depth of Field
Reverse Shots
High-Key Lighting
Cutaway Shot
31. Form used in film production to keep track of all the mise-en-sc
T-Stops
Headroom
Zooming Out
Script Breakdown Sheet
32. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Levels
Plot
Reverse Shots
Pick-Ups
33. Ensures visibility in all parts of your scene with overall bright and even illumination. Minimizes shadows - texture and dimensionality.
High-Key Lighting
Location Scouting
Prime Lens
Boom Operator
34. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Script Breakdown Sheet
Narrative Films
Spike
High-Key Lighting
35. Character - Goal - and Conflict or Obstacles
Depth of Field
Three Essential Elements of Drama
Sound Recordist
Director of Photography
36. This type of move breaks the promise of showing something else to the viewer
Motivated Move
Side Light
Storyboards
Unmotivated Move
37. Reading from the script pages that actors are given minutes before the audition
Low-Key Lighting
Cold Reading
Rendering
Key Light
38. Narrative technique that involves intercutting between two or more separate areas of action in such a way that the viewer assumes the scenes are occurring simulataneously
Focus Puller
Parallel Action
Shooting (Lined) Script
Unmotivated Move
39. The things that our characters actually handle in a scene
Author's Draft
Reverberation
Props
Combination Move
40. The range of apparent focus along the z-axis
Narrative Films
Call Sheets
Depth of Field
Boom Operator
41. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Art Direction
Plot
Cable Wrangler
Location Scouting
42. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Director of Photography
Author's Draft
Zoom Lens (Variable Focal Length Lens)
Boom Operator
43. Point to the original data without altering the media file
Cold Reading
Media File Indicators
Motivated Move
Levels
44. Shooting a scene from various angles
Coverage
Motivated Lighting
Peak Meter
Cover-Set
45. An interior scene that can be used in case your exterior shoot is cancelled because of bad weather
Zooming In
Parallel Action
Shot List
Cover-Set
46. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
3/4 Back Light
Talent Release
Nondestructive Editing
Art Direction
47. Lighting unit that is 45
Low-Key Lighting
Parallel Action
Depth of Field
3/4 Back Light
48. The order of events in your film
Pulling Focus
Depth of Field
Shot Size
Plot
49. Yields very dark and prominent shadow areas. Occurs when the fill light is considerable lower than the key - allowing areas to be submerged in shadows.
Low-Key Lighting
Reverse Shots
Call Sheets
Camera Setup
50. Recording is too low
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