SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Adjusted to take into account the amount of light that is lost - dissipated - or absorbed by that particular lens
T-Stops
Protagonist
Shot List
Lens Speed
2. The things that our characters actually handle in a scene
Pulling Focus
'In the Mud'
Props
Boom Operator
3. Drawings of each scene from a bird's eye perspective. They help figure out important details like the axis of action - camera placement - and blocking.
Overheads
Script Breakdown Sheet
Key Light
Plot
4. The subject of the story - the central character whom the audience will follow as they attempt to achieve their goal
Cutaway Shot
Protagonist
Cable Wrangler
Motivated Move
5. Simple but comprehensive prose description of a film's plot
Rendering
'In the Mud'
Nondestructive Editing
Treatment
6. Lighting unit that is 45
T-Stops
Motivated Move
Automatic Dialogue Replacement
3/4 Back Light
7. Process of combining the video and audio with the applied effect to create a new media file
Three Essential Elements of Drama
Nondestructive Editing
Rendering
Location Scouting
8. Lens that has one fixed focal length for more precise manipulation of image quality
Prime Lens
Four Basic Elements in the Visual Language of Cinema
Fill Light
Cross Cutting
9. Clearly shows both subjects in the scene and defines the spatial relationship of the two to each other and the space around them
Camera Setup
Three Pre-Visualization Tools
Master Shot
Shot Size
10. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverse Shots
Zooming In
Protagonist
Levels
11. Recording is too low
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
12. A shot in which the subject looks directly at the camera
Art Direction
Zooming In
Direct Address
Three Pre-Visualization Tools
13. The person who pulls focus
Focus Puller
Direct Address
Director of Photography
Narrative Films
14. The range of apparent focus along the z-axis
Depth of Field
Four Basic Elements in the Visual Language of Cinema
Unmotivated Move
Props
15. The look of the environment in which your scenes take place - and the choice and design of the objects and costumes employed in the film have a profound impact on the tone - the characterizations - and the meaning of your movie.
Art Direction
Pulling Focus
Pick-Ups
Location Technical Survey
16. The measurement of acceptable diameter which creates the appearance of focus
'In the Mud'
Circle of Confusion
Shot Size
Setting Levels
17. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Green Room
Five Ways to Create a Parallel Action Sequence
Unmotivated Move
Zooming Out
18. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Cold Reading
Director of Photography
Narrative Films
Location Scouting
19. The strategy of using movie lights to duplicate where light would logically be emanating from
Pick-Ups
Motivated Lighting
Storyboards
Four Basic Properties of Sound
20. Expresses the director's visual strategy for every scene in the film. It shows you what shots are used to cover a scene and in how they connect together as an edited scene. Camera angles - shot sizes - camera moves - etc. are all marked.
Shooting (Lined) Script
Blocking
3/4 Back Light
High-Key Lighting
21. Form used in film production to keep track of all the mise-en-sc
Reverse Shots
Script Breakdown Sheet
Motivated Move
Storyboards
22. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Plot
Green Room
Rendering
Elliptical Editing
23. First complete version of the narrative in proper screenplay format
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
24. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Reverse Shots
Shot Size
Key Light
Pick-Ups
25. Controlling the strength of the signal
Call Sheets
Overheads
Setting Levels
Talent Release
26. Shooting a scene from various angles
Shot Size
Automatic Dialogue Replacement
Coverage
Five Ways to Create a Parallel Action Sequence
27. To alternate between two or more scenes when editing a sequence
Cutaway Shot
Setting Levels
Art Direction
Cross Cutting
28. Executing more than one move at a time
Sound Recordist
Peak Meter
Combination Move
Wild Sound (Non-Sync Sound)
29. Another name for backlight because of the effect it gives the actor
Plot
Wild Sound (Non-Sync Sound)
Rim Light
Master Shot
30. Frequency - Amplitude - Timbre - and Velocity
Dramatization
Overheads
Four Basic Properties of Sound
'In the Mud'
31. Point to the original data without altering the media file
Rendering
Media File Indicators
Fine Cut
Audition
32. Reading from the script pages that actors are given minutes before the audition
Cross Cutting
Lens Speed
Levels
Cold Reading
33. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Script Breakdown Sheet
Circle of Confusion
Direct Address
Talent Release
34. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
Back Light
Cold Reading
Cutaway Shot
Five Ways to Create a Parallel Action Sequence
35. Loud - sudden sound that exceeds 0dB
Automatic Dialogue Replacement
Spike
Back Light
Talent Release
36. Sound that includes both room acoustics and background noise
Cold Reading
Camera Setup
Ambient Sound
Dramatization
37. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Elliptical Editing
T-Stops
Wild Sound (Non-Sync Sound)
Zooming In
38. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
Reverse Shots
Audition
Location Technical Survey
Script Breakdown Sheet
39. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Nonlinear Editing System
Call Sheets
Four Basic Properties of Sound
Lens Speed
40. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
Director of Photography
Blocking
Pick-Ups
41. Light that separates the subject from the background by positioning a somewhat lower intensity light at a high angle and behind the subject. It traces the edges of the figure and creates depth.
Back Light
Author's Draft
Spike
Plot
42. Standard calling card. 8x10 photograph on one side and a resume on the other.
Cable Wrangler
Dramatization
Plot
Headshot/Bio
43. Lighting unit that is 45
Circle of Confusion
Depth of Field
3/4 Back Light
Three Pre-Visualization Tools
44. Lighting unit that is position 90
Elliptical Editing
Direct Address
Side Light
Audition
45. List of all the shots that make up the film in the order in which they will be shot
Protagonist
Green Room
Shot List
Camera Setup
46. List of all the shots that make up the film in the order in which they will be shot
1/3 - 2/3 Rule
Narrative Films
Zooming In
Shot List
47. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Low-Key Lighting
Zooming Out
Plot
Narrative Films
48. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Narrative Films
Headshot/Bio
Shooting (Lined) Script
Zooming In
49. Sound bouncing off surfaces. Results in a booming or echo-y sound as the signal duplicates itself over and over again which is refereed to as 'acoustically live.'
Overheads
Reverberation
Location Scouting
Setting Levels
50. The person who pulls focus
Side Light
Master Shot
Focus Puller
Headroom