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Test your basic knowledge |
Intro To Film Production
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Revolve around conflict - and express ideas and cocepts through stories in which a character who needs to accomplish something encounters obastacles and much struggle to get what they need
Shot List
Motivated Move
Blocking
Narrative Films
2. Closely scrutinizing the location for its technical and aesthetic capabilities
Location Technical Survey
Unmotivated Move
Fill Light
Prime Lens
3. List of all the shots that make up the film in the order in which they will be shot
Coverage
Shot List
Dramatization
1/3 - 2/3 Rule
4. The range of apparent focus along the z-axis
Depth of Field
Zooming In
Spike
Five Ways to Create a Parallel Action Sequence
5. Hands-on lighting person who implements the lighting designs of the Director of Photography. In charge of setup and proper functioning of the lights.
Gaffer
Setting Levels
Coverage
Cover-Set
6. Closer shots of the subjects in the scene from and angle that includes a portion of the other person's shoulder or head. This is also called and over-the-shoulder shot.
T-Stops
Reverse Shots
Fill Light
Dramatization
7. The things that our characters actually handle in a scene
Treatment
Props
High-Key Lighting
Overheads
8. Responsible for the proper use and actual placement of the microphones for optimal quality
Reverse Shots
Boom Operator
Five Ways to Create a Parallel Action Sequence
Talent Release
9. Changing the plane of critical focus during a take while the camera is running
Pulling Focus
Sound Recordist
Automatic Dialogue Replacement
Shot Size
10. Shooting a scene from various angles
Rule of Thirds
Master Shot
Back Light
Coverage
11. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Parallel Action
Focus Puller
Treatment
Audition
12. Sound that includes both room acoustics and background noise
Pick-Ups
Camera Setup
Cable Wrangler
Ambient Sound
13. Refers to the size of your subject in the frame
Location Scouting
Shooting (Lined) Script
Shot Size
Treatment
14. The strategy of using movie lights to duplicate where light would logically be emanating from
Camera Setup
Cover-Set
Motivated Lighting
Key Light
15. Drawings of shots - arranged on paper in the order they appear in a sequence
3/4 Back Light
Automatic Dialogue Replacement
Director of Photography
Storyboards
16. The measurement of acceptable diameter which creates the appearance of focus
Cross Cutting
Four Basic Properties of Sound
Pulling Focus
Circle of Confusion
17. Dramatic Structure Matches - Content and Activity Matches - Matched Action Cuts - Graphic Matches - and Sound Bridges
'In the Mud'
Levels
1/3 - 2/3 Rule
Five Ways to Create a Parallel Action Sequence
18. The movement of characters in the space
Motivated Lighting
Location Scouting
Blocking
Motivated Lighting
19. The recording of sync dialogue in a studio in cases where the production sound is not usable
Automatic Dialogue Replacement
Elliptical Editing
Circle of Confusion
Audition
20. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Location Scouting
Audition
Treatment
High-Key Lighting
21. Reading from the script pages that actors are given minutes before the audition
Three Pre-Visualization Tools
Motivated Move
Cold Reading
Spike
22. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Side Light
Props
Fine Cut
Zooming Out
23. Legal document - signed before cameras roll - simply stating that the performer gives you the right to use his image and voice in your film
Four Basic Properties of Sound
Rendering
Talent Release
Combination Move
24. Measures the strength of the incoming signal.
Combination Move
Unmotivated Move
Peak Meter
Sound Recordist
25. Refers to the loudness of a signal as it enters the audio recorder which determines the strength of the recorded audio signal
Overheads
Wild Sound (Non-Sync Sound)
Prime Lens
Levels
26. Loud - sudden sound that exceeds 0dB
Spike
Zooming Out
Setting Levels
Three Essential Elements of Drama
27. Finessing all of the edits one-by-one
Fine Cut
Shooting (Lined) Script
Plot
Rule of Thirds
28. Another name for backlight because of the effect it gives the actor
Shot Size
Three Essential Elements of Drama
Rim Light
Green Room
29. Lighting unit that is position 90
Zooming Out
Cable Wrangler
Camera Setup
Side Light
30. Lighting unit that is 45
3/4 Back Light
Reverse Shots
Green Room
Blocking
31. Adjusting the optical center back toward the focal plane causing the image to become more wide-angle
Zooming Out
Headshot/Bio
Plot
Unmotivated Move
32. Lens that offers a continuous range of focal lengths in one lens housing
Depth of Field
Cover-Set
Zoom Lens (Variable Focal Length Lens)
Setting Levels
33. This type of move breaks the promise of showing something else to the viewer
Audition
Cover-Set
Unmotivated Move
Wild Sound (Non-Sync Sound)
34. Separate comfortable waiting space to put the next-in line actor. A place where actors can relax - drink some water - and go over their lines.
Four Basic Properties of Sound
Key Light
Location Technical Survey
Green Room
35. Organized process by which you schedule and work with a number of potential performers to determine their suitability to your film
Audition
Rendering
Automatic Dialogue Replacement
'In the Mud'
36. Works closely with the director on the visual interprataino of the script and the photographic look of the movie (cinematography). This involves lighting - film stocks - video format - expressive camera angles - compositions - exposures - and f
Director of Photography
Shot Size
1/3 - 2/3 Rule
3/4 Back Light
37. Sets up cables - holds second boom when necessary - and wrangles the cables when the boom operator follows a moving shot
Wild Sound (Non-Sync Sound)
Cable Wrangler
Reverberation
Three Essential Elements of Drama
38. Drawings of shots - arranged on paper in the order they appear in a sequence
Rendering
Fill Light
Setting Levels
Storyboards
39. Shooting Script - Overheads - and Storyboards
Plot
Nonlinear Editing System
Three Pre-Visualization Tools
Blocking
40. First complete version of the narrative in proper screenplay format
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41. A shot in which the subject looks directly at the camera
Direct Address
Zooming In
Headroom
Storyboards
42. The range between -12dB and 0dB that gives a buffer for any unforeseen audio spikes
Shot Size
Nonlinear Editing System
Headroom
Back Light
43. The head of the sound department responsible for recording the best possible quality sound. Chooses the appropriate microphones and mic placement for each and every scene that requires sound. They also monitor and maintain proper recording levels.
Sound Recordist
Pick-Ups
Fill Light
Art Direction
44. Deciding where you want to shoot (the look - the access - the logistics - the sound - and securing it)
Dramatization
Location Scouting
Media File Indicators
Three Pre-Visualization Tools
45. The physical placement of the camera on the set necessary to get each shot in your shooting script
Three Essential Elements of Drama
Camera Setup
Talent Release
Blocking
46. Shots that don't require any actors to be present like landscapes - location-establishing shots - and shots of objects and cutaways
Pick-Ups
Media File Indicators
Shot List
Rim Light
47. Sheets for each shooting day; they detail what portion of the script is being shot on a specific day - who needs to be on the set - when they need to be there - and how to get to the set.
Call Sheets
Dramatization
Art Direction
Director of Photography
48. Closely scrutinizing the location for its technical and aesthetic capabilities
Zooming Out
Shot Size
Location Technical Survey
Author's Draft
49. Adjusting the optical center away from the focal plane and therefore increasing the magnification power of the lens (telephoto)
Motivated Move
Pulling Focus
Zooming In
Pulling Focus
50. Form used in film production to keep track of all the mise-en-sc
Spike
Script Breakdown Sheet
Call Sheets
Location Scouting