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Test your basic knowledge |
Music
Start Test
Study First
Subjects
:
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The underlying pulse of a song or piece of music; a unit of rhythmic measure in music.
Timbre
Major/Minor
Beat
Janis Joplin
2. Motive - phrase - cadence
Banjo
Payola
Melody
Glenn Miller
3. Known as 'The King of Rock 'n' Roll -' the biggest star to come from the country side of the music world. Born in Tupelo - Mississippi - made his first recordings in Memphis at Sun Records - and later recorded for RCA and became a Hollywood film star
Rhythm
Blues
Ragtime
Elvis Presley
4. The quality of a sound - sometimes called 'tone color.'
Ragtime
A cappella
Timbre
Gene Autry
5. A musical genre that emerged in black communities of the Deep South-especially the region from the Mississippi Delta to East Texas-sometime around the end of the nineteenth century
Blues
Standards
Paul Whiteman
Rhythm
6. The principal medium for disseminating popular sings until the advent of recording in the 1890s.
Polyphonic
The Rolling Stones
R&B
Sheet music
7. Usually sets up a dramatic context or emotional tone. Although verses were the most important part of nineteenth-century popular songs - they were regarded as mere introductions by the 1920s - and today the verses of Tin Pan Alley songs are infrequen
Verse
Hank Williams
Scat singing
Bob Dylan
8. At the age of twenty-one - introduced 'I Got Rhythm' in the stage show Girl Crazy written by George Gershwin.
Hank Williams
Ethel Merman
Timbre
Patsy Cline
9. Teen-oriented rock 'n' roll song using a twelve-bar blues structure; it celebrated a simple - hip-swiveling dance step.
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10. Nickname for a stretch of 28th Street in New York City where music publishers had their offices—a dense hive of small rooms with pianos where composers and 'song pluggers' produced and promoted popular songs. The term - which evoked the clanging soun
George Gershwin
Scat singing
Tin Pan Alley
Chuck Berry
11. The lead singer for the Supremes. After leaving the Supremes in 1970 - she became a successful solo artist.
Texture
Janis Joplin
Diana Ross
Beat
12. A type of song in which a series of verses telling a story - often about a historical event or personal tragedy - are sung to a repeating melody (this sort of musical form is called strophic).
Brian Wilson
Minstrel Show
Hank Williams
Ballad
13. In the verse-refrain song - the refrain is the 'main part' of the song - usually constructed in AABA or ABAC form.
Refrain
sound
Dick Clark
Payola
14. A person who adapts (or arranges) the melody and chords to songs to exploit the capabilities and instrumental resources of a particular musical ensemble.
Refrain
Race Records
Ray Charles
Arranger
15. A recurrent rhythmical series
Verse
Rock 'n' Roll
Motown
cadence
16. One of the most common structures that Tin Pan Alley composers used to organize their melodic and harmonic material. This structure would be found in the refrain of a verse-refrain song.
AABA form
Bel canto
Irving Berlin
The Supremes
17. Introduced as a commercial and marketing term in the mid-1950s for the purpose of identifying a new target audience for musical products. Encompassed a variety of styles and artists from R&B - country - and pop music.
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18. Born into a wealthy family in Indiana; studied classical music at Yale - Harvard - and the Schola Cantorum in Paris.
Cole Porter
Ethel Merman
Countrypolitan
James Brown
19. Founder of Motown Records.
Ballad
Berry Gordy - Jr.
Lyricist
Gertrude 'Ma' Rainey
20. Africanized version of the European quadrille (a kind of square dance). The cakewalk was developed by slaves as a parody of the 'refined' dance movements of the white slave owners
Strophic
Buddy Holly
Cakewalk
soul music
21. A memorable musical phrase or riff.
Hook
Bessie Smith
Hank Williams
Rock 'n' Roll
22. A version of a previously recorded performance; often an adaptation of the original's style and sensibility - and usually aimed at cashing in on its success.
Countrypolitan
Cover version
Glenn Miller
Classic blues
23. Album conceived as an integrated whole - with interrelated songs arranged in a deliberate sequence.
Timbre
Gene Autry
Patsy Cline
Concept album
24. Rock group from Liverpool - England - who dominated American popular music during the mid-1960s and started the 'British Invasion.' The band included John Lennon and George Harrison on lead and rhythm guitars and vocals - Paul McCartney on bass and v
Crooning
The Beatles
Strophic
Rock 'n' Roll
25. Singer - songwriter - and harmonica player who achieved some success with his R&B band - Little Junior's Blue Flames; recorded 'Mystery Train' for Sam Phillips's Sun label.
Herman Parker
Acoustic recording
Big Band
Bel canto
26. White rockabilly singer and pianist.
Ragtime
Bel canto
Jerry Lee Lewis
The Beatles
27. Rock group from Liverpool - England - who dominated American popular music during the mid-1960s and started the 'British Invasion.' The band included John Lennon and George Harrison on lead and rhythm guitars and vocals - Paul McCartney on bass and v
Crooning
Bob Dylan
motive
The Beatles
28. African American musical style rooted in R&B and gospel that became popular during the 1960s.
The Beatles
soul music
Rock 'n' Roll
Jerry Lee Lewis
29. Clarinetist and popular band leader; known as the 'King of Swing.' His popularity and the success of his band helped establish the swing era in the early 1930s. He was the first white bandleader to hire black musicians in his band
Tempo
Nashville sound
Bel canto
Benny Goodman
30. Style of folk music that grew in popularity in the burgeoning New York folk scene during the 1960s. It included artists such as Bob Dylan.
Polyphonic
urban folk
Gertrude 'Ma' Rainey
ASCAP
31. Founder of Motown Records.
Crooning
Ethel Merman
Irving Berlin
Berry Gordy - Jr.
32. A theme that is elaborated on in a piece of music
Louis Armstrong
Herman Parker
motive
Polyphonic
33. A short musical passage
Ragtime
Refrain
Duke Ellington
phrase
34. Blues piano tradition that sprang up during the early twentieth century in the 'southwest territory' states of Texas - Arkansas - Missouri - and Oklahoma. In boogie-woogie performances - the pianist typically plays a repeated pattern with his left ha
Boogie Woogie
Standards
Duke Ellington
Beat
35. Black female vocal group who were featured artists with Motown Records in the 1960s. Their song 'You Can't Hurry Love' was a Number One hit in 1966.
The Supremes
Race Records
Duke Ellington
Elvis Presley
36. The most successful white blues singer of the 1960s. Born in Port Arthur - Texas - Joplin came to San Francisco in the mid-1960s and joined a band called Big Brother and the Holding Company.
Bob Dylan
12-bar Blues
Janis Joplin
Elvis Presley
37. Behind-the-scenes role at a record company. Can be responsible for booking time in the recording studio - hiring backup singers and instrumentalists - assisting with the engineering process - and imprinting the characteristic sound of the finished re
Producer
cadence
Glenn Miller
Harmony
38. The first successful singing cowboy; born in Texas - He was a successful film star and a popular country and western musician. Helped establish the 'western' component of country and western music. Developed a style designed to reach out to a broader
Gene Autry
Hook
The Supremes
Glenn Miller
39. Developed in 1925 using a new device - the microphone. Electric recording converts sounds into electrical signals.
Aretha Franklin
Beat
Electronic recording
Herman Parker
40. A guitar whose sound comes chiefly from electro-magnetic amplification The pioneer of electric blues guitar was Aaron T-Bone Walker - whose urban blues recordings just after World War II were extremely popular - Les Paul created
Tempo
Herman Parker
Irving Berlin
Electric Guitar
41. Four- or five-stringed instrument with a membrane stretched over a wooden or metal hoop that is strummed or plucked. It was developed by slave musicians from African prototypes during the early colonial period. The banjo was used in the music of the
Bel canto
Major/Minor
Strophic
Banjo
42. The word derives from the African American term 'to rag -' meaning to enliven a piece of music by shifting melodic accents onto the offbeats (a technique known as syncopation). Ragtime music emerged in the 1880s - its popularity peaking in the decade
Refrain
Chuck Berry
Ragtime
Louis Armstrong
43. A technique used by opera singers that emphasizes breath control - a fluid and relaxed voice - and the use of subtle variations in pitch and rhythmic phrasing for dramatic effect.
Motown
Bel canto
R&B
Gertrude 'Ma' Rainey
44. Beat - meter - syncopation
Banjo
Rhythm
Bel canto
Paul Whiteman
45. African American musical genre that emerged after World War II. Consisted of a loose cluster of styles derived from black musical traditions - characterized by energetic and hard-swinging rhythms. At first performed exclusively by black musicians for
Benny Goodman
Hook
R&B
Gertrude 'Ma' Rainey
46. The most significant single figure to emerge in country music during the immediate post-World War II period. Williams wrote and sang many songs in the course of his brief career that were enormously popular with country audiences at the time; between
Rockabilly
Buddy Holly
Hank Williams
Boogie Woogie
47. A musical genre that emerged in black communities of the Deep South-especially the region from the Mississippi Delta to East Texas-sometime around the end of the nineteenth century
Sheet music
Blues
Diana Ross
Beat
48. Introduced as a commercial and marketing term in the mid-1950s for the purpose of identifying a new target audience for musical products. Encompassed a variety of styles and artists from R&B - country - and pop music.
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49. Called the 'Empress of the Blues -' She was born in Chattanooga - Tennessee - and performed in traveling shows and vaudeville before embarking on a recording career with Columbia Records. Her recordings include W. C. Handy's 'St. Louis Blues' and Irv
George Gershwin
Herman Parker
Syncopation
Bessie Smith
50. Usually sets up a dramatic context or emotional tone. Although verses were the most important part of nineteenth-century popular songs - they were regarded as mere introductions by the 1920s - and today the verses of Tin Pan Alley songs are infrequen
Minstrel Show
Major/Minor
Verse
Banjo