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Subjects : performing-arts, music
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  • Answer 50 questions in 15 minutes.
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  • Match each statement with the correct term.
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This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Nickname for a stretch of 28th Street in New York City where music publishers had their offices—a dense hive of small rooms with pianos where composers and 'song pluggers' produced and promoted popular songs. The term - which evoked the clanging soun






2. Popularly known as the 'Mother of the Blues -' was the first of the great women blues singers and had a direct influence on Bessie Smith.

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3. Black female vocal group who were featured artists with Motown Records in the 1960s. Their song 'You Can't Hurry Love' was a Number One hit in 1966.






4. Repeating section within a song - consisting of a fixed melody and lyrics repeated exactly - typically following one or more verses.






5. Blues piano tradition that sprang up during the early twentieth century in the 'southwest territory' states of Texas - Arkansas - Missouri - and Oklahoma. In boogie-woogie performances - the pianist typically plays a repeated pattern with his left ha






6. American popular songs from the Tin Pan Alley style of songwriting that remain an essential part of the repertoire of today's jazz musicians and pop singers.






7. The musical pattern created by parts being played or sung together






8. Record company founded by Berry Gordy Jr. in Detroit.






9. Developed in 1925 using a new device - the microphone. Electric recording converts sounds into electrical signals.






10. Country vocalist who scored crossover hits with songs such as 'I Fall to Pieces -' and 'Crazy -' both recorded in 1961.






11. The musical pattern created by parts being played or sung together






12. Founder of Motown Records.






13. Pianist - composer - arranger - and bandleader; widely regarded as one of the most important American musicians of the twentieth century. As a composer and arranger - he devised unusual musical forms - combined instruments in unusual ways - and creat






14. Africanized version of the European quadrille (a kind of square dance). The cakewalk was developed by slaves as a parody of the 'refined' dance movements of the white slave owners






15. Vigorous form of country and western music informed by the rhythms of black R&B and electric blues. Exemplified by artists such as Carl Perkins and the young Elvis Presley.






16. A person who writes the words for songs






17. Musical texture with interlocking melodies and rhythms.






18. A memorable musical phrase or riff.






19. The words of a song.






20. Recordings of performances by African American musicians produced mainly for sale to African American listeners.






21. Born into a wealthy family in Indiana; studied classical music at Yale - Harvard - and the Schola Cantorum in Paris.






22. Host of the popular teen-oriented television show American Bandstand






23. Country music style involving polished arrangements and a sophisticated approach to vocal presentation. The recordings of Patsy Cline were among the most important manifestations of the Nashville sound.






24. Trombonist and bandleader; formed his own band in 1937. Miller developed a peppy - clean-sounding style that appealed to small-town Midwestern people as well as to the big-city - East and West Coast constituency.






25. Four- or five-stringed instrument with a membrane stretched over a wooden or metal hoop that is strummed or plucked. It was developed by slave musicians from African prototypes during the early colonial period. The banjo was used in the music of the






26. 'Time' in Italian; the rate at which a musical composition proceeds - regulated by the speed of the beats or pulse to which it is performed.






27. A guitarist and inventor - designed his own eight-track tape recorder and began in 1948 to release a series of popular recordings featuring his own playing - overdubbed to sound like an ensemble of six or more guitars.






28. The B section of AABA song form found in the refrain of a Tin Pan Alley song. The bridge presents new material: a new melody - chord changes - and lyrics.






29. A version of a previously recorded performance; often an adaptation of the original's style and sensibility - and usually aimed at cashing in on its success.






30. Called the 'Empress of the Blues -' She was born in Chattanooga - Tennessee - and performed in traveling shows and vaudeville before embarking on a recording career with Columbia Records. Her recordings include W. C. Handy's 'St. Louis Blues' and Irv






31. The most significant single figure to emerge in country music during the immediate post-World War II period. Williams wrote and sang many songs in the course of his brief career that were enormously popular with country audiences at the time; between






32. Known as 'The King of Rock 'n' Roll -' the biggest star to come from the country side of the music world. Born in Tupelo - Mississippi - made his first recordings in Memphis at Sun Records - and later recorded for RCA and became a Hollywood film star






33. Rock group from Liverpool - England - who dominated American popular music during the mid-1960s and started the 'British Invasion.' The band included John Lennon and George Harrison on lead and rhythm guitars and vocals - Paul McCartney on bass and v






34. Africanized version of the European quadrille (a kind of square dance). The cakewalk was developed by slaves as a parody of the 'refined' dance movements of the white slave owners






35. The standard form of a blues song: a twelve-bar structure made up of three phrases of four bars each; a basic three-chord pattern; and a three-line AAB text.






36. 'The Queen of Soul -' she began singing gospel music at an early age and had several hit records with Atlantic - including 'Respect' in 1967 and 'Think' in 1968.






37. Born in New Orleans; a cornetist and singer - he established certain core features of jazz - particularly its rhythmic drive and its emphasis on solo instrumental virtuosity. Armstrong also profoundly influenced the development of mainstream popular






38. A guitar whose sound comes chiefly from electro-magnetic amplification The pioneer of electric blues guitar was Aaron T-Bone Walker - whose urban blues recordings just after World War II were extremely popular - Les Paul created






39. A musical rhythm accenting a normally weak beat






40. Technique that involves the use of nonsense syllables as a vehicle for wordless vocal improvisation.






41. In the verse-refrain song - the refrain is the 'main part' of the song - usually constructed in AABA or ABAC form.






42. African American musical genre that emerged after World War II. Consisted of a loose cluster of styles derived from black musical traditions - characterized by energetic and hard-swinging rhythms. At first performed exclusively by black musicians for






43. Pitched/unpitched - dynamic - timbre or tone color






44. Called the 'Empress of the Blues -' She was born in Chattanooga - Tennessee - and performed in traveling shows and vaudeville before embarking on a recording career with Columbia Records. Her recordings include W. C. Handy's 'St. Louis Blues' and Irv






45. A version of a previously recorded performance; often an adaptation of the original's style and sensibility - and usually aimed at cashing in on its success.






46. Beat - meter - syncopation






47. A guitar whose sound comes chiefly from electro-magnetic amplification The pioneer of electric blues guitar was Aaron T-Bone Walker - whose urban blues recordings just after World War II were extremely popular - Les Paul created






48. A musical genre that emerged in black communities of the Deep South-especially the region from the Mississippi Delta to East Texas-sometime around the end of the nineteenth century






49. Brilliantly clever and articulate lyricist and songwriter - fine rock 'n' roll vocal stylist - and pioneering electric guitarist. One of the first black musicians to consciously forge his own R&B styles for appeal to the mass market. Also known for h






50. A style of singing made possible by the invention of the microphone. It involves an intimate approach to vocal timbre.







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