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Test your basic knowledge |
Music
Start Test
Study First
Subjects
:
performing-arts
,
music
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Born into a wealthy family in Indiana; studied classical music at Yale - Harvard - and the Schola Cantorum in Paris.
Gertrude 'Ma' Rainey
Ray Charles
Bluegrass
Cole Porter
2. One of the most common structures that Tin Pan Alley composers used to organize their melodic and harmonic material. This structure would be found in the refrain of a verse-refrain song.
Glenn Miller
Chuck Berry
Sheet music
AABA form
3. 'Time' in Italian; the rate at which a musical composition proceeds - regulated by the speed of the beats or pulse to which it is performed.
Glenn Miller
Tempo
Herman Parker
Ethel Merman
4. The first successful singing cowboy; born in Texas - He was a successful film star and a popular country and western musician. Helped establish the 'western' component of country and western music. Developed a style designed to reach out to a broader
Banjo
Gene Autry
Blues
Classic blues
5. The 'Godfather of Soul.' He was known for his acrobatic physicality and remarkable charisma on stage. No other single musician has proven to be as influential on the sound and style of black music as James Brown.
Diana Ross
Banjo
James Brown
Reverb
6. Founded in 1914 in an attempt to force all business establishments that featured live music to pay fees ('royalties') for the public use of music.
Paul Whiteman
ASCAP
Race Records
Diana Ross
7. In the verse-refrain song - the refrain is the 'main part' of the song - usually constructed in AABA or ABAC form.
Strophic
Jerry Lee Lewis
Reverb
Refrain
8. Style of folk music that grew in popularity in the burgeoning New York folk scene during the 1960s. It included artists such as Bob Dylan.
'The twist'
Verse
Cover version
urban folk
9. Chord - consonance - dissonance
'The twist'
Crooning
Beat
Harmony
10. The principal medium for disseminating popular sings until the advent of recording in the 1890s.
Sheet music
Jerry Lee Lewis
cadence
Brian Wilson
11. A short musical passage
Reverb
A cappella
phrase
Lyricist
12. The son of an immigrant leatherworker - did much to bridge the gulf between art music and popular music. Studied European classical music but also spent a great deal of time listening to jazz musicians in New York City. Wrote Porgy and Bess (1935) -
cadence
George Gershwin
Chorus
Lyricist
13. Repeating section within a song - consisting of a fixed melody and lyrics repeated exactly - typically following one or more verses.
Blues
Rhythm
Chorus
Louis Armstrong
14. Chord - consonance - dissonance
Janis Joplin
Verse
The Rolling Stones
Harmony
15. Motive - phrase - cadence
Melody
motive
Nashville sound
Timbre
16. Record company founded by Berry Gordy Jr. in Detroit.
12-bar Blues
Bob Dylan
Motown
George Gershwin
17. Rock group from Liverpool - England - who dominated American popular music during the mid-1960s and started the 'British Invasion.' The band included John Lennon and George Harrison on lead and rhythm guitars and vocals - Paul McCartney on bass and v
Electronic recording
Big Band
The Beatles
Payola
18. Popularly known as the 'Mother of the Blues -' was the first of the great women blues singers and had a direct influence on Bessie Smith.
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19. Africanized version of the European quadrille (a kind of square dance). The cakewalk was developed by slaves as a parody of the 'refined' dance movements of the white slave owners
The Rolling Stones
Cakewalk
Janis Joplin
Rhythm
20. A theme that is elaborated on in a piece of music
motive
Payola
Bob Dylan
Crooning
21. Pitched/unpitched - dynamic - timbre or tone color
Beach Boys
sound
Aretha Franklin
Major/Minor
22. A musical genre that emerged in black communities of the Deep South-especially the region from the Mississippi Delta to East Texas-sometime around the end of the nineteenth century
Glenn Miller
Polyphonic
Les Paul
Blues
23. Rock group from Liverpool - England - who dominated American popular music during the mid-1960s and started the 'British Invasion.' The band included John Lennon and George Harrison on lead and rhythm guitars and vocals - Paul McCartney on bass and v
Melody
The Beatles
A cappella
Ragtime
24. Africanized version of the European quadrille (a kind of square dance). The cakewalk was developed by slaves as a parody of the 'refined' dance movements of the white slave owners
Herman Parker
Cakewalk
Les Paul
phrase
25. Album conceived as an integrated whole - with interrelated songs arranged in a deliberate sequence.
Beach Boys
Beat
Bob Dylan
Concept album
26. The first form of musical and theatrical entertainment to be regarded by European audiences as distinctively American in character. Featured mainly white performers who artificially blackened their skin and carried out parodies of African American mu
Melody
Minstrel Show
Paul Whiteman
Elvis Presley
27. Black female vocal group who were featured artists with Motown Records in the 1960s. Their song 'You Can't Hurry Love' was a Number One hit in 1966.
Boogie Woogie
Race Records
Beach Boys
The Supremes
28. At the age of twenty-one - introduced 'I Got Rhythm' in the stage show Girl Crazy written by George Gershwin.
Reverb
George Gershwin
Ethel Merman
Frank Sinatra
29. Teen-oriented rock 'n' roll song using a twelve-bar blues structure; it celebrated a simple - hip-swiveling dance step.
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30. Nickname for a stretch of 28th Street in New York City where music publishers had their offices—a dense hive of small rooms with pianos where composers and 'song pluggers' produced and promoted popular songs. The term - which evoked the clanging soun
AABA form
soul music
Tin Pan Alley
Rockabilly
31. Singer - songwriter - and harmonica player who achieved some success with his R&B band - Little Junior's Blue Flames; recorded 'Mystery Train' for Sam Phillips's Sun label.
Verse
Aretha Franklin
Herman Parker
Timbre
32. The standard form of a blues song: a twelve-bar structure made up of three phrases of four bars each; a basic three-chord pattern; and a three-line AAB text.
Payola
Big Band
Countrypolitan
12-bar Blues
33. Sophisticated approach to the vocal presentation and instrumental arrangement of country music; a fusion of 'country' and 'cosmopolitan.'
Countrypolitan
Scat singing
The Supremes
Major/Minor
34. Sophisticated approach to the vocal presentation and instrumental arrangement of country music; a fusion of 'country' and 'cosmopolitan.'
soul music
James Brown
Duke Ellington
Countrypolitan
35. The leader and guiding spirit of the Beach Boys during their first decade. He wrote and produced many of the Beach Boys' biggest hits - including 'Good Vibrations.'
Timbre
Gene Autry
Rockabilly
Brian Wilson
36. A person who writes the words for songs
Lyricist
Janis Joplin
Form
Classic blues
37. Popular dance ensemble during the swing era - consisting of brass - reeds - and rhythm sections.
Scat singing
Scat singing
12-bar Blues
Big Band
38. Singer - songwriter - and harmonica player who achieved some success with his R&B band - Little Junior's Blue Flames; recorded 'Mystery Train' for Sam Phillips's Sun label.
Big Band
Herman Parker
motive
Ethel Merman
39. A technique used by opera singers that emphasizes breath control - a fluid and relaxed voice - and the use of subtle variations in pitch and rhythmic phrasing for dramatic effect.
Bel canto
Chuck Berry
Dick Clark
Producer
40. Four- or five-stringed instrument with a membrane stretched over a wooden or metal hoop that is strummed or plucked. It was developed by slave musicians from African prototypes during the early colonial period. The banjo was used in the music of the
Aretha Franklin
Gene Autry
Banjo
Ballad
41. Pitched/unpitched - dynamic - timbre or tone color
Bob Dylan
sound
Bridge
Cover version
42. The standard form of a blues song: a twelve-bar structure made up of three phrases of four bars each; a basic three-chord pattern; and a three-line AAB text.
Refrain
12-bar Blues
Polyphonic
Ragtime
43. Host of the popular teen-oriented television show American Bandstand
Reverb
A cappella
Countrypolitan
Dick Clark
44. Illegal practice - common throughout the music industry - of paying bribes to radio disc jockeys to get certain artists' records played more frequently.
Hook
Classic blues
Rhythm
Payola
45. African American musical genre that emerged after World War II. Consisted of a loose cluster of styles derived from black musical traditions - characterized by energetic and hard-swinging rhythms. At first performed exclusively by black musicians for
R&B
Cole Porter
Bob Dylan
Harmony
46. Brilliantly clever and articulate lyricist and songwriter - fine rock 'n' roll vocal stylist - and pioneering electric guitarist. One of the first black musicians to consciously forge his own R&B styles for appeal to the mass market. Also known for h
Reverb
Janis Joplin
Phil Spector
Chuck Berry
47. A type of song in which a series of verses telling a story - often about a historical event or personal tragedy - are sung to a repeating melody (this sort of musical form is called strophic).
motive
Ballad
Janis Joplin
Verse
48. At the age of twenty-one - introduced 'I Got Rhythm' in the stage show Girl Crazy written by George Gershwin.
Aretha Franklin
Buddy Holly
Ethel Merman
Chuck Berry
49. Blues written by professional songwriters and performed by professional female blues singers such as Bessie Smith and Ma Rainey.
Classic blues
Banjo
Refrain
Berry Gordy - Jr.
50. The B section of AABA song form found in the refrain of a Tin Pan Alley song. The bridge presents new material: a new melody - chord changes - and lyrics.
Bridge
Paul Whiteman
Chorus
Tempo