Test your basic knowledge |

Subjects : performing-arts, music
Instructions:
  • Answer 50 questions in 15 minutes.
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  • Match each statement with the correct term.
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This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The musical structure of a piece of music; its basic building blocks and the ways they are combined.






2. Known as 'The King of Rock 'n' Roll -' the biggest star to come from the country side of the music world. Born in Tupelo - Mississippi - made his first recordings in Memphis at Sun Records - and later recorded for RCA and became a Hollywood film star






3. Behind-the-scenes role at a record company. Can be responsible for booking time in the recording studio - hiring backup singers and instrumentalists - assisting with the engineering process - and imprinting the characteristic sound of the finished re






4. A theme that is elaborated on in a piece of music






5. The scale systems central to Western music; a series of pitches organized in a specific order of whole- and half-step intervals. The major scale can give music a feeling of openness and brightness - whereas a minor scale can give music the feeling of






6. Usually sets up a dramatic context or emotional tone. Although verses were the most important part of nineteenth-century popular songs - they were regarded as mere introductions by the 1920s - and today the verses of Tin Pan Alley songs are infrequen






7. African American musical style rooted in R&B and gospel that became popular during the 1960s.






8. Popularly known as the 'Mother of the Blues -' was the first of the great women blues singers and had a direct influence on Bessie Smith.

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9. Known as the 'Genius of Soul'; songwriter - arranger - keyboard player - and vocalist fluent in R&B - jazz - and mainstream pop.






10. Country vocalist who scored crossover hits with songs such as 'I Fall to Pieces -' and 'Crazy -' both recorded in 1961.






11. Style of folk music that grew in popularity in the burgeoning New York folk scene during the 1960s. It included artists such as Bob Dylan.






12. Short for reverberation. An effect produced with an electronic device that adds a time delay to a sound and then adds it back to the signal.






13. A short musical passage






14. The lead singer for the Supremes. After leaving the Supremes in 1970 - she became a successful solo artist.






15. The standard form of a blues song: a twelve-bar structure made up of three phrases of four bars each; a basic three-chord pattern; and a three-line AAB text.






16. Played records and provided entertaining patter on the radio.






17. Four- or five-stringed instrument with a membrane stretched over a wooden or metal hoop that is strummed or plucked. It was developed by slave musicians from African prototypes during the early colonial period. The banjo was used in the music of the






18. The son of an immigrant leatherworker - did much to bridge the gulf between art music and popular music. Studied European classical music but also spent a great deal of time listening to jazz musicians in New York City. Wrote Porgy and Bess (1935) -






19. A person who adapts (or arranges) the melody and chords to songs to exploit the capabilities and instrumental resources of a particular musical ensemble.






20. A style of singing made possible by the invention of the microphone. It involves an intimate approach to vocal timbre.






21. A person who writes the words for songs






22. Urban folk singer and songwriter; he took his stage name from his favorite poet - Dylan Thomas. His songs include hits such as 'Blowin' in the Wind -' 'Mr. Tambourine Man -' and 'Like a Rolling Stone.'






23. Technique that involves the use of nonsense syllables as a vehicle for wordless vocal improvisation.






24. Musical texture with interlocking melodies and rhythms.






25. Teen-oriented rock 'n' roll song using a twelve-bar blues structure; it celebrated a simple - hip-swiveling dance step.

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26. Vocal singing without instrumental accompaniment.






27. Album conceived as an integrated whole - with interrelated songs arranged in a deliberate sequence.






28. Called the 'Empress of the Blues -' She was born in Chattanooga - Tennessee - and performed in traveling shows and vaudeville before embarking on a recording career with Columbia Records. Her recordings include W. C. Handy's 'St. Louis Blues' and Irv






29. A guitar whose sound comes chiefly from electro-magnetic amplification The pioneer of electric blues guitar was Aaron T-Bone Walker - whose urban blues recordings just after World War II were extremely popular - Les Paul created






30. The underlying pulse of a song or piece of music; a unit of rhythmic measure in music.






31. A musical genre that emerged in black communities of the Deep South-especially the region from the Mississippi Delta to East Texas-sometime around the end of the nineteenth century






32. Popular dance ensemble during the swing era - consisting of brass - reeds - and rhythm sections.






33. At the age of twenty-one - introduced 'I Got Rhythm' in the stage show Girl Crazy written by George Gershwin.






34. A version of a previously recorded performance; often an adaptation of the original's style and sensibility - and usually aimed at cashing in on its success.






35. Behind-the-scenes role at a record company. Can be responsible for booking time in the recording studio - hiring backup singers and instrumentalists - assisting with the engineering process - and imprinting the characteristic sound of the finished re






36. Dubbed the 'first tycoon of teen -' his studio production techniques are known as the 'wall of sound' because of his utilization of dense orchestrations - multiple instruments - and heavy reverb.






37. Known as 'The King of Rock 'n' Roll -' the biggest star to come from the country side of the music world. Born in Tupelo - Mississippi - made his first recordings in Memphis at Sun Records - and later recorded for RCA and became a Hollywood film star






38. 'Time' in Italian; the rate at which a musical composition proceeds - regulated by the speed of the beats or pulse to which it is performed.






39. The first form of musical and theatrical entertainment to be regarded by European audiences as distinctively American in character. Featured mainly white performers who artificially blackened their skin and carried out parodies of African American mu






40. Motive - phrase - cadence






41. A recurrent rhythmical series






42. Vigorous form of country and western music informed by the rhythms of black R&B and electric blues. Exemplified by artists such as Carl Perkins and the young Elvis Presley.






43. Nickname for a stretch of 28th Street in New York City where music publishers had their offices—a dense hive of small rooms with pianos where composers and 'song pluggers' produced and promoted popular songs. The term - which evoked the clanging soun






44. A style of singing made possible by the invention of the microphone. It involves an intimate approach to vocal timbre.






45. Founded in 1914 in an attempt to force all business establishments that featured live music to pay fees ('royalties') for the public use of music.






46. Founded in 1914 in an attempt to force all business establishments that featured live music to pay fees ('royalties') for the public use of music.






47. The son of an immigrant leatherworker - did much to bridge the gulf between art music and popular music. Studied European classical music but also spent a great deal of time listening to jazz musicians in New York City. Wrote Porgy and Bess (1935) -






48. Founder of Motown Records.






49. Urban folk singer and songwriter; he took his stage name from his favorite poet - Dylan Thomas. His songs include hits such as 'Blowin' in the Wind -' 'Mr. Tambourine Man -' and 'Like a Rolling Stone.'






50. Bandleader for the most successful dance orchestra of the 1920s. He billed himself as the 'King of Jazz -' widened the market for jazz-based dance music - and paved the way for the Swing Era.






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