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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. American Orff - Schulwerk Association
Harmony
Subdominant
AOSA
Diminution
2. Sixth tone in a major or minor scale
Glissando
Submediant
Dissonance
Diminution
3. Exact transposition of each note in a sequence.
Fanfare
Real Sequence
Ternary Form
5
4. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Bassoon
Dalcroze
Tenor
ASCAP
5. Sounds major 13th lower. i.e. major sixth + octave
45
E flat Bass/E flat Baritone Saxophone Transposition
Accented Passing Note
Anacrusis
6. An unessential note that falls on the beat
Harmony
Accented Passing Note
Articulation
Pitch
7. If the pedal is in any part other than the bass.
ACDA
Inverted Pedal
Supertonic
B flat Bass Transposition
8. Turning upside down. Change of the relative position of an interval - chord - or melody.
Inversion
Natural Minor Scale
Notes of Anticipation
Harmonic Sequences
9. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Rhythm
Chromatic Scale
Augmentation
Dissonance
10. Another word for key.
Tonality
Whole Tone Scale
Homophonic
Tonic Minor
11. D- D
C Clefs
Chromatic
Smear
Dorian Mode
12. C- C
ACDA
Accented Passing Note
Ionian
C Clefs
13. Musical shaping and phrasing. Marks include staccato - legato - accent.
Polyphonic
Development
Articulation
Harmonic Sequences
14. Minor key with the same tonic as a major one. C major and C minor.
Harmony
Inversion
Tonic Minor
Pull off
15. Chord without a third.
Bare chord
Instruments that transpose at the octave
Mixolydian
Tenor
16. Instruction on string instruments begins no later than grade...
Lydian
Dalcroze
5
Inverted Pedal
17. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Concert pitch
Passing Notes
ACDA
Harmonic Minor Scale Semitones
18. A composition or part of a composition that can be performed backwards as well as forwards.
Gordon's Music Learning Theory
Harmonic
Retrograde
Rubato
19. Between 3/4 and 7/8
Major Scale Semitones
Binary form
Alberti Bass
Microtone
20. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Absolute Music
Hocket
Cross Rhythm
Development
21. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Homophonic
Dominant
Dissonance
Locrian
22. Repeating a theme or motif with notes of smaller value (usually half)
Diminution
Development
ABA
B flat Cornet Flugel Horn Transposition
23. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Retrograde
AOSA
Hocket
Phrase
24. Sharpened 6 and 7 - but reverted to naturals when descending
Antiphonal
E flat Tenor Horn/E flat Alto Sax Transposition
Alto Clef
Melodic Minor Scale
25. Tone color or quality of sound.
Perfect Cadence
Leading Note
Cadence
Timbre
26. V - I
Gordon's Music Learning Theory
Perfect Cadence
Countermelody
Submediant
27. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
5
Hammer on
Chromatic Scale
Contrary motion
28. Steady beat that is present in almost every musical composition.
Auxiliary Notes
Pulse
Unrelated Chord
Introduction
29. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
A instruments
Dorian Mode
Gordon's Music Learning Theory
Polyphonic
30. Sounds Major 9th lower. i.e. major second + octave
Augmentation
Baritone - Euphonium - Tenor Trombone Transposition
45
Tonal Sequence
31. Where a composer imitates a passage - but the second part enters before the first part has ended.
E flat Soprano Cornet Transposition
Ternary Form
Stretto
Bassoon
32. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Retrograde
Auxiliary Notes
Fanfare
B flat instruments
33. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Pitch
Fragmentation
Dominant
45
34. A- A
Plagal Cadence
Bassoon
Aeolian
Supertonic
35. Sounds a minor third higher.
ABA
E flat Soprano Cornet Transposition
Tonic Minor
Phrygian
36. Developing a phrase or motif by making it longer.
Semitone
Extension
Real Sequence
Pull off
37. Sounds a perfect fifth lower than it is written. Music is written with a key.
Anacrusis
Whole Tone Scale
Cor Anglais Transposition
Kodaly Method
38. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Portamento
Chromatic
Passing Notes
Inverted Pedal
39. Intervals of the first phrase are NOT reproduced exactly.
Tonal Sequence
Kodaly
Harmonic Sequences
Baritone - Euphonium - Tenor Trombone Transposition
40. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Lydian
Smear
Dorian Mode
Pedal Point
41. Alternate singing or playing by different groups.
Retrograde
Bye - tones
E flat Tenor Horn/E flat Alto Sax Transposition
Antiphonal
42. Come at the end of a passage and anticipate the final chord.
Glissando
Notes of Anticipation
Monophonic
Tenor
43. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Canon
Alto Clef
Accidentals
Register
44. Combination of aggreable tones.
Rubato
Phrygian
Accompaniment
Consonance
45. Repetition by one or more different voices of a phrase.
Imitation
Passing Notes
Ostinato
Gordon's Music Learning Theory
46. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
B flat instruments
Stretto
Bare chord
Whole Tone Scale
47. Actual pitch at which an instrument sounds.
Auxiliary Notes
Fragmentation
Concert pitch
Natural Minor Scale
48. Sounds major sixth lower. Written with key signature.
Comenius
Inverted Pedal
E flat Tenor Horn/E flat Alto Sax Transposition
8
49. B- B
Submediant
Arpeggio
Locrian
JRME
50. Used to give a more melodic bass part and to give variety to the music.
Arco
Inversions of chords
Tempo
Dalcroze