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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Polyphonic
Inversions of chords
Reasons for Transposing
Semitone
2. Maelzel's Metronome
Articulation
Figured Bass
MM
A instruments
3. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Passing Notes
Subdominant
Melody
Perfect Cadence
4. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Contrary motion
Kodaly
Relative (Major/Minor)
Rhythmic displacement
5. Scales that share the same key signature (C major - A minor)
Irregular rhythm
JRME
Pentatonic Scale
Relative (Major/Minor)
6. Between 2/3 - 5/6 - 7/8
Harmonic Minor Scale Semitones
French Horn Transposition
Pedal Point
Countermelody
7. A B A C A. Usually sections B and C are in a different key.
Rondo Form
Monophonic
Imperfect Cadence
Passing Notes
8. G- G
Mixolydian
Ternary Form
Motif
Smear
9. Tone color or quality of sound.
Accented Passing Note
Note that is transposing figured around
Melodic Sequences
Timbre
10. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Tenor
Accidentals
Arpeggio
Hammer on
11. Highest natural adult male voice
Accompaniment
Smear
Tenor
Aeolian
12. Piccolo - Guitar - Bass Guitar
Instruments that transpose at the octave
Fragmentation
Harmonic Sequences
Polytonality
13. American Society of Composers - Authors - and Publishers
Rubato
ASCAP
Subdominant
Microtone
14. V - vi
B flat instruments
Rubato
Tonic Minor
Interrupted Cadence
15. I - V ii - V IV - V
Instruments that transpose at the octave
Sequence
Canon
Imperfect Cadence
16. Phrase is imitated by turning it upsidedown.
Lydian
Imitation by Inversion
Cadence
Aeolian
17. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
JRME
Notes of Anticipation
E flat Tenor Horn/E flat Alto Sax Transposition
Alberti Bass
18. Exact transposition of each note in a sequence.
Locrian
Gordon's Music Learning Theory
Instruments that transpose at the octave
Real Sequence
19. IV - I
Portamento
Texture
Countermelody
Plagal Cadence
20. C- C
Kodaly
Rhythmic displacement
Diminished
Ionian
21. Sounds major 13th lower. i.e. major sixth + octave
Fanfare
Bennet Reimer
E flat Bass/E flat Baritone Saxophone Transposition
B flat Cornet Flugel Horn Transposition
22. Scale made entirely of semitones.
Aeolian
Inversions of chords
Tempo
Chromatic Scale
23. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Consonance
Hornbostel - Sachs System of Musical Instruments Classification
Blues
Development
24. Simultaneous use of two or more keys.
Ternary Form
Mediant
Polytonality
Pull off
25. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Ostinato
B flat Cornet Flugel Horn Transposition
Motif
Tonic
26. Three part musical form created by repeating the first section without changing. A B A.
C Clefs
Ternary Form
Pulse
Introduction
27. Chord without a third.
Diminution
45
Cross Rhythm
Bare chord
28. Repetition by one or more different voices of a phrase.
Register
Absolute Music
Imitation
Arpeggio
29. Occur in all parts.
Interrupted Cadence
Articulation
Notes of Anticipation
Harmonic Sequences
30. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Bassoon
AOSA
Polyphonic
Atonal
31. Chord that is in a different key to the one before it with no notes in common.
Dorian Mode
Accompaniment
Unrelated Chord
Melody
32. Come between notes of the same pitch - either a note higher or note lower.
Auxiliary Notes
Programme Music
Contrary motion
Hornbostel - Sachs System of Musical Instruments Classification
33. Part of the total pitch range of an instrument that has a distinctive quality.
Lydian
Cross Rhythm
Register
Imitation by Inversion
34. Journal of Research for Music Education
45
JRME
Repetition
Augmentation
35. I - IV - V
Melodic Sequences
Glissando
Whole Tone Scale
Primary Triads
36. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Inversion
Enharmonic
Canon
Real Sequence
37. A- A
Timbre
Aeolian
Cor Anglais Transposition
Instruments that transpose at the octave
38. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Natural Minor Scale
Imitation by Inversion
Friedrich Froebel
5%
39. Sharpened 6 and 7 - but reverted to naturals when descending
Accented Passing Note
Melodic Minor Scale
Natural Minor Scale
Motif
40. Needs to be written a minor third higher.
Primary Triads
Rhythmic displacement
Reasons for Transposing
A instruments
41. Accenting of a beat that is not normally accented
Coda
Extension
Comenius
Syncopation
42. Instruction on string instruments begins no later than grade...
Dorian Mode
5
E flat Bass/E flat Baritone Saxophone Transposition
Locrian
43. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Tempo
Pentatonic Scale
Hammer on
Introduction
44. Minor key with the same tonic as a major one. C major and C minor.
Texture
Tonic Minor
Ternary Form
Inverted Pedal
45. How high or low a note is.
French Horn Transposition
Hocket
Pitch
Ostinato
46. Sounds a minor third higher.
Absolute Music
Antiphonal
Arco
E flat Soprano Cornet Transposition
47. Sounds major second lower. Same as B flat trumpets.
B flat Cornet Flugel Horn Transposition
Ostinato
Inversion
B flat Soprano Saxophone Transposition
48. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Aeolian
E flat Tenor Horn/E flat Alto Sax Transposition
B flat instruments
Primary Triads
49. Turning upside down. Change of the relative position of an interval - chord - or melody.
Pitch
Chromatic Scale
Inversion
Dominant
50. Increasing the note values of a musical theme - usually to twice their value.
Aeolian
Augmentation
Melodic Minor Scale
ASCAP