SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Interval of less than a semitone
A instruments
Countermelody
Microtone
Introduction
2. E- E
Melodic Sequences
Augmented
Fragmentation
Phrygian
3. Background support for a melody.
Imitation by Inversion
Baritone - Euphonium - Tenor Trombone Transposition
Cor Anglais Transposition
Accompaniment
4. Exercises played by beginning pianists using only five consecutive notes of the scale.
Programme Music
Stretto
Blues
Five finger exercise
5. Turning upside down. Change of the relative position of an interval - chord - or melody.
Lydian
Plagal Cadence
Irregular rhythm
Inversion
6. Maelzel's Metronome
Countermelody
Imitation by Inversion
MM
Whole Tone Scale
7. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Irregular rhythm
Plagal Cadence
Kodaly
E flat Soprano Cornet Transposition
8. American Bandmaster's Association
ABA
Irregular rhythm
Arco
Countermelody
9. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Cross Rhythm
Melody
Melodic Sequences
Pentatonic Scale
10. Sounds minor seventh higher.
Binary form
C instruments
Pulse
B flat Soprano Saxophone Transposition
11. I - IV - V
Register
Tonal Sequence
Augmented
Primary Triads
12. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Reasons for Transposing
Real Sequence
Whole Tone Scale
Register
13. Natural Pitch
B flat instruments
Harmony
Natural Minor Scale
45
14. Sounds major sixth lower. Written with key signature.
Interval
Pitch
E flat Tenor Horn/E flat Alto Sax Transposition
Articulation
15. Musical shaping and phrasing. Marks include staccato - legato - accent.
Pull off
Sequence
Articulation
Rondo Form
16. Ending section designed to round off a musical composition.
Motif
Coda
Melodic Minor Scale
Passing Notes
17. How high or low a note is.
Development
Hornbostel - Sachs System of Musical Instruments Classification
Auxiliary Notes
Pitch
18. F- F
Concert pitch
C instruments
Lydian
Leading Note
19. Scale made entirely of semitones.
Appoggiaturas
Supertonic
Chromatic Scale
Imitation by Inversion
20. Music with a single melody line and no harmony.
Repetition
Imitation
Monophonic
5
21. American Choral Director's Association
AOSA
Ionian
Dissonance
ACDA
22. Glissando in jazz music
Chromatic Scale
Augmentation
Smear
Cross Rhythm
23. Middle C
Alto Clef
Five finger exercise
Sequence
Note that is transposing figured around
24. Rhythms that constantly change or are grouped in a different way.
Melody
Irregular rhythm
Primary Triads
Notes of Anticipation
25. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Riff
Development
Absolute Music
Whole Tone Scale
26. Made larger.
Harmonic Minor Scale
Augmented
French Horn Transposition
Baritone - Euphonium - Tenor Trombone Transposition
27. Actual pitch at which an instrument sounds.
5
Auxiliary Notes
Locrian
Concert pitch
28. Flutes - oboes - bassoons - trombones - tubas - string instruments
Concert pitch
Monophonic
Ionian
C instruments
29. A B A C A. Usually sections B and C are in a different key.
Cross Rhythm
Melodic Minor Scale
Ionian
Rondo Form
30. C- C
B flat instruments
Real Sequence
Locrian
Ionian
31. General music courses involve listening - composing - and performing for all students.
Perfect Cadence
Bennet Reimer
Accent
Appoggiaturas
32. Between 2/3 - 5/6 - 7/8
Consonance
Phrase
Harmonic Minor Scale Semitones
Binary form
33. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Glissando
5
Bye - tones
Rubato
34. IV - I
Dorian Mode
Accidentals
Plagal Cadence
Augmented
35. Bars of music before the main tune begins.
Natural Minor Scale
Bye - tones
Introduction
Dissonance
36. Based on a chord pattern using primary chords (I IV V).
Coda
Interval
Blues
Bye - tones
37. Only occur in the melody over an independent bass.
Augmentation
Melodic Sequences
Fragmentation
Semitone
38. Repeating a theme or motif with notes of smaller value (usually half)
Diminution
JRME
Cross Rhythm
Imitation
39. Part of the total pitch range of an instrument that has a distinctive quality.
Alberti Bass
Cross Rhythm
Dalcroze
Register
40. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Polyphonic
Microtone
Dalcroze
Supertonic
41. A- A
Aeolian
Timbre
Register
Figured Bass
42. Made smaller.
Homophonic
Diminished
Syncopation
MM
43. Intervals of the first phrase are NOT reproduced exactly.
Riff
Glissando
Tonal Sequence
Pulse
44. I - V ii - V IV - V
Rhythm
C instruments
Harmonic Sequences
Imperfect Cadence
45. Seventh tone in a major or minor scale
A instruments
Note that is transposing figured around
Leading Note
Primary Triads
46. Minor key with the same tonic as a major one. C major and C minor.
Tonic Minor
Kodaly
Chromatic
A instruments
47. Steady beat that is present in almost every musical composition.
Syncopation
Pulse
Hocket
Rhythm
48. American String Teachers Assocation
Harmony
Plagal Cadence
Melody
ASTA
49. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Leading Note
Real Sequence
Bennet Reimer
Homophonic
50. Where a composer imitates a passage - but the second part enters before the first part has ended.
Stretto
Alberti Bass
Appoggiaturas
Ternary Form