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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Breaking of a theme into segments in order to develop it
Irregular rhythm
Fragmentation
Imitation by Inversion
AOSA
2. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Harmonic Sequences
Semitone
Pitch
Consonance
3. Chord that is in a different key to the one before it with no notes in common.
Bennet Reimer
Introduction
Passing Notes
Unrelated Chord
4. IV - I
Plagal Cadence
Absolute Music
B flat instruments
Diminution
5. Piccolo - Guitar - Bass Guitar
Rubato
Instruments that transpose at the octave
Anacrusis
Plagal Cadence
6. A- A
Pentatonic Scale
Aeolian
Harmonic Minor Scale
Polytonality
7. Flutes - oboes - bassoons - trombones - tubas - string instruments
Homophonic
Tenor Clef
Supertonic
C instruments
8. Chord without a third.
Bare chord
Register
Dissonance
Ostinato
9. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Harmonic Minor Scale
Countermelody
5%
Polytonality
10. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Blues
Polyphonic
Hornbostel - Sachs System of Musical Instruments Classification
Figured Bass
11. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Reasons for Transposing
Homophonic
45
Accent
12. Second tone in a major/minor scale
Subdominant
5
Melodic Sequences
Supertonic
13. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Lydian
Articulation
Canon
8
14. Used to give a more melodic bass part and to give variety to the music.
Kodaly Method
Pedal Point
Chromatic
Inversions of chords
15. G- G
Kodaly Method
Lydian
Diminution
Mixolydian
16. Come at the end of a passage and anticipate the final chord.
Leading Note
Notes of Anticipation
B flat Bass Transposition
JRME
17. How high or low a note is.
Harmonic Minor Scale Semitones
Comenius
Tonal Sequence
Pitch
18. Thick or thin - How many instruments or voices are performing together.
Texture
C Clefs
Ternary Form
Real Sequence
19. Steady beat that is present in almost every musical composition.
C Clefs
Submediant
Pulse
Tempo
20. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Polyphonic
Rubato
Repetition
Articulation
21. Bars of music before the main tune begins.
ACDA
Introduction
Alberti Bass
Inverted Pedal
22. Only the rhythm of a passage is imitated - not the melody.
Rubato
Dorian Mode
Rhythmic Imitation
Riff
23. Instruction on string instruments begins no later than grade...
Harmonic Sequences
Five finger exercise
5
Glissando
24. Seventh tone in a major or minor scale
Chromatic Scale
Dominant
Leading Note
Semitone
25. An unessential note that falls on the beat
Accented Passing Note
French Horn Transposition
Introduction
5
26. Repetition of a musical idea at a higher or lower pitch.
Real Sequence
Phrase
Sequence
ASCAP
27. Exercises played by beginning pianists using only five consecutive notes of the scale.
C Clefs
ABA
Melody
Five finger exercise
28. American Choral Director's Association
Harmony
ACDA
Plagal Cadence
45
29. F- F
Tonal Sequence
Ionian
Lydian
Accompaniment
30. Sounds a perfect fifth lower than it is written. Music is written without a key.
B flat instruments
Motif
Inversion
French Horn Transposition
31. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
45
Phrase
Harmonic Minor Scale Semitones
Figured Bass
32. V - I
Appoggiaturas
Perfect Cadence
Programme Music
Syncopation
33. Made larger.
Appoggiaturas
Aeolian
Augmented
Sequence
34. D- D
Pitch
Dorian Mode
Development
JRME
35. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
E flat Tenor Horn/E flat Alto Sax Transposition
Anacrusis
Friedrich Froebel
Pentatonic Scale
36. Tones that sound alike but have different names (C sharp and D flat)
Major Scale Semitones
Enharmonic
Primary Triads
Alto Clef
37. Consists entirely of whole steps.
Chromatic Scale
Inverted Pedal
Whole Tone Scale
Harmonic Minor Scale
38. Exact transposition of each note in a sequence.
Arco
Real Sequence
Register
Dorian Mode
39. Scale made entirely of semitones.
Rhythm
Melodic Minor Scale
Inversion
Chromatic Scale
40. Unessential note that forms part of the harmony
Bye - tones
Natural Minor Scale
Harmonic Minor Scale
Binary form
41. Distance between any two notes
Rubato
Interval
Harmonic
Enharmonic
42. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Harmonic Minor Scale
B flat instruments
Tonic
Instruments that transpose at the octave
43. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Tonic
B flat Cornet Flugel Horn Transposition
Inverted Pedal
Figured Bass
44. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Register
Alberti Bass
Augmented
Interval
45. Scales that share the same key signature (C major - A minor)
Baritone - Euphonium - Tenor Trombone Transposition
Relative (Major/Minor)
Comenius
Development
46. B- B
Repetition
Tonic
Locrian
Kodaly Method
47. Increasing the note values of a musical theme - usually to twice their value.
Bye - tones
Dalcroze
Chromatic Scale
Augmentation
48. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Cadence
Submediant
E flat Bass/E flat Baritone Saxophone Transposition
ABA
49. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Irregular rhythm
45
Auxiliary Notes
Hocket
50. American Bandmaster's Association
Melodic Minor Scale
Pitch
ABA
Fanfare