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Test your basic knowledge |
Praxis II Music Education Vocab
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Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Timbre
Polyphonic
Comenius
Mediant
2. Journal of Research for Music Education
Submediant
Friedrich Froebel
Cross Rhythm
JRME
3. Used to give a more melodic bass part and to give variety to the music.
Inversions of chords
JRME
ASCAP
Countermelody
4. Occurs when a phrase is repeated immediately at exactly the same pitch.
Primary Triads
Portamento
Repetition
Rhythmic Imitation
5. Sounds Major 9th lower. i.e. major second + octave
Instruments that transpose at the octave
Baritone - Euphonium - Tenor Trombone Transposition
Five finger exercise
ASCAP
6. An unessential note that falls on the beat
JRME
Cor Anglais Transposition
Accented Passing Note
Sequence
7. Stress placed on a particular note in relation to others around it.
Accent
B flat instruments
Harmonic Minor Scale
Register
8. Phrase is imitated by turning it upsidedown.
Imitation by Inversion
Pitch
Figured Bass
Stretto
9. Sound that results when two or more notes are played at the same time.
Harmony
Mixolydian
Coda
B flat Cornet Flugel Horn Transposition
10. Thick or thin - How many instruments or voices are performing together.
Consonance
Ionian
B flat instruments
Texture
11. Only occur in the melody over an independent bass.
Atonal
Melodic Sequences
Countermelody
Tenor Clef
12. Made larger.
Contrary motion
Augmented
Submediant
Imitation
13. Exact transposition of each note in a sequence.
Melody
5
Real Sequence
Bare chord
14. Breaking of a theme into segments in order to develop it
Hornbostel - Sachs System of Musical Instruments Classification
Sequence
Fragmentation
Smear
15. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Harmonic Minor Scale Semitones
Tenor Clef
Diminution
Phrase
16. Organization of musical notes in time.
Rhythm
Ternary Form
Melody
Syncopation
17. Steady beat that is present in almost every musical composition.
Tonality
Comenius
Contrary motion
Pulse
18. How high or low a note is.
Riff
Note that is transposing figured around
Pitch
Mixolydian
19. American String Teachers Assocation
Ternary Form
ASTA
Real Sequence
Inversions of chords
20. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Kodaly
Notes of Anticipation
Unrelated Chord
Reasons for Transposing
21. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Harmonic Sequences
Hocket
ASTA
Stretto
22. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Contrary motion
Baritone - Euphonium - Tenor Trombone Transposition
5%
Kodaly
23. American Society of Composers - Authors - and Publishers
Harmonic Minor Scale Semitones
B flat instruments
Riff
ASCAP
24. Bed post - double reed - connected with a bocal
C instruments
Accent
Harmony
Bassoon
25. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
A instruments
Imitation by Inversion
Chromatic Scale
Glissando
26. Sounds major 13th lower. i.e. major sixth + octave
Enharmonic
E flat Bass/E flat Baritone Saxophone Transposition
Melodic Minor Scale
Tonic
27. Instruction on string instruments begins no later than grade...
Baritone - Euphonium - Tenor Trombone Transposition
Tonal Sequence
5
Harmony
28. Seventh tone in a major or minor scale
Leading Note
Articulation
Canon
A instruments
29. Sharpened 6 and 7 - but reverted to naturals when descending
Melodic Minor Scale
Texture
Rubato
Retrograde
30. Key note. Tonic of C major is C. The tonic triad is C E G.
Monophonic
Bassoon
Tonic
Stretto
31. F- F
Lydian
Notes of Anticipation
Natural Minor Scale
Hocket
32. Background support for a melody.
Introduction
Accompaniment
Five finger exercise
Mixolydian
33. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Relative (Major/Minor)
Repetition
Polyphonic
Syncopation
34. Flutes - oboes - bassoons - trombones - tubas - string instruments
Rhythmic displacement
C instruments
Harmony
Canon
35. E- E
Pitch
Harmony
Phrygian
Melodic Sequences
36. V - I
Countermelody
Canon
Perfect Cadence
Atonal
37. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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38. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Accented Passing Note
Microtone
Harmonic Minor Scale Semitones
Dalcroze
39. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Countermelody
Whole Tone Scale
Dissonance
Ostinato
40. General music courses involve listening - composing - and performing for all students.
Texture
Bennet Reimer
Enharmonic
Arpeggio
41. American Bandmaster's Association
Interrupted Cadence
ABA
Rhythm
Tonal Sequence
42. IV - I
Development
Sequence
Plagal Cadence
Rhythmic displacement
43. Highest natural adult male voice
Homophonic
Articulation
Primary Triads
Tenor
44. If the pedal is in any part other than the bass.
Imitation
C instruments
Alberti Bass
Inverted Pedal
45. Musical shaping and phrasing. Marks include staccato - legato - accent.
Articulation
Inversion
Antiphonal
Riff
46. Third tone in a major or minor scale
Mediant
Notes of Anticipation
Hocket
B flat Soprano Saxophone Transposition
47. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Phrygian
Cadence
Sequence
Tonic Minor
48. I - V ii - V IV - V
Whole Tone Scale
Locrian
Imperfect Cadence
Arpeggio
49. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Riff
Retrograde
Harmonic
Dominant
50. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Subdominant
5
Texture
Arpeggio