SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Accidentals
Reasons for Transposing
Rhythmic Imitation
ASTA
2. Ending section designed to round off a musical composition.
Coda
8
B flat instruments
ABA
3. Exact transposition of each note in a sequence.
Harmony
Gordon's Music Learning Theory
Real Sequence
Lydian
4. Highest natural adult male voice
Interrupted Cadence
Accent
Tenor
Texture
5. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Glissando
Reasons for Transposing
Arco
Lydian
6. American Choral Director's Association
Diminished
Microtone
ACDA
Reasons for Transposing
7. Bed post - double reed - connected with a bocal
Bassoon
Introduction
JRME
Texture
8. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Alberti Bass
Bennet Reimer
Augmented
AOSA
9. Exercises played by beginning pianists using only five consecutive notes of the scale.
Antiphonal
Harmony
Five finger exercise
Ternary Form
10. Intervals of the first phrase are NOT reproduced exactly.
Tonal Sequence
Cross Rhythm
Unrelated Chord
Register
11. Seventh tone in a major or minor scale
French Horn Transposition
Leading Note
Harmony
Imitation
12. Repetition by one or more different voices of a phrase.
Imitation
Comenius
Dalcroze
Anacrusis
13. Sounds major 13th lower. i.e. major sixth + octave
Natural Minor Scale
E flat Bass/E flat Baritone Saxophone Transposition
Notes of Anticipation
Anacrusis
14. A- A
Diminution
Aeolian
Notes of Anticipation
JRME
15. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Polytonality
Homophonic
ACDA
Riff
16. Sounds major second lower. Same as B flat trumpets.
Hocket
B flat Cornet Flugel Horn Transposition
Augmentation
Interrupted Cadence
17. Pick up bar.
Auxiliary Notes
Cor Anglais Transposition
Anacrusis
Friedrich Froebel
18. Fifth tone in a major or minor scale.
Introduction
8
Dominant
Dissonance
19. Without key center
Atonal
Extension
Accidentals
8
20. V - vi
Hammer on
Cross Rhythm
MM
Interrupted Cadence
21. Sounds major sixth lower. Written with key signature.
Microtone
ASCAP
Subdominant
E flat Tenor Horn/E flat Alto Sax Transposition
22. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Primary Triads
Imperfect Cadence
Appoggiaturas
Cross Rhythm
23. Sounds a minor third higher.
Glissando
Mixolydian
Atonal
E flat Soprano Cornet Transposition
24. Part of the total pitch range of an instrument that has a distinctive quality.
B flat Cornet Flugel Horn Transposition
Register
B flat Soprano Saxophone Transposition
Tenor Clef
25. American Bandmaster's Association
Pull off
Dalcroze
ABA
Phrase
26. C- C
Ionian
Tonic
Canon
Timbre
27. Sounds a perfect fifth lower than it is written. Music is written without a key.
French Horn Transposition
45
Syncopation
Imitation
28. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Dalcroze
E flat Soprano Cornet Transposition
Cadence
Kodaly Method
29. Used to give a more melodic bass part and to give variety to the music.
Programme Music
Friedrich Froebel
8
Inversions of chords
30. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
Accidentals
Fanfare
ACDA
5
31. Natural Pitch
Aeolian
Natural Minor Scale
Irregular rhythm
Countermelody
32. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Timbre
Accented Passing Note
Interval
Friedrich Froebel
33. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Pentatonic Scale
E flat Bass/E flat Baritone Saxophone Transposition
Mixolydian
Pull off
34. Maelzel's Metronome
Imitation by Inversion
Enharmonic
B flat instruments
MM
35. American Society of Composers - Authors - and Publishers
Accented Passing Note
Polyphonic
Harmonic
ASCAP
36. Tones that sound alike but have different names (C sharp and D flat)
Harmonic Minor Scale Semitones
Enharmonic
Atonal
Melodic Minor Scale
37. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Extension
Dissonance
MM
45
38. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Augmentation
Irregular rhythm
Rubato
Absolute Music
39. Only occur in the melody over an independent bass.
Cadence
Leading Note
Dominant
Melodic Sequences
40. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Kodaly
Interrupted Cadence
Aeolian
Phrase
41. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Coda
Accompaniment
Ostinato
Arpeggio
42. Scale made entirely of semitones.
Diminution
Arpeggio
Rhythmic Imitation
Chromatic Scale
43. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Hocket
Auxiliary Notes
ASTA
Figured Bass
44. Rhythms that constantly change or are grouped in a different way.
Lydian
Five finger exercise
Consonance
Irregular rhythm
45. Consists entirely of whole steps.
Whole Tone Scale
Programme Music
Harmonic Sequences
Consonance
46. A composition or part of a composition that can be performed backwards as well as forwards.
Retrograde
Augmentation
5
Accent
47. Needs to be written a minor third higher.
Anacrusis
A instruments
Melodic Sequences
B flat Soprano Saxophone Transposition
48. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Imitation by Inversion
E flat Bass/E flat Baritone Saxophone Transposition
Dorian Mode
Binary form
49. Occur in all parts.
Anacrusis
Polytonality
Ternary Form
Harmonic Sequences
50. Sounds Major 9th lower. i.e. major second + octave
Plagal Cadence
Baritone - Euphonium - Tenor Trombone Transposition
Diminution
E flat Tenor Horn/E flat Alto Sax Transposition