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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sounds a perfect fifth lower than it is written. Music is written with a key.
Semitone
Cor Anglais Transposition
Passing Notes
Reasons for Transposing
2. Background support for a melody.
Tonality
Interval
Chromatic Scale
Accompaniment
3. Bed post - double reed - connected with a bocal
Programme Music
Plagal Cadence
Bassoon
Tonal Sequence
4. D- D
Concert pitch
MM
Subdominant
Dorian Mode
5. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Phrygian
AOSA
Alto Clef
Development
6. Sounds a minor third higher.
Inversion
E flat Soprano Cornet Transposition
Appoggiaturas
Ternary Form
7. Occurs when a phrase is repeated immediately at exactly the same pitch.
Repetition
Major Scale Semitones
5
Pedal Point
8. IV - I
Plagal Cadence
Melody
Note that is transposing figured around
Semitone
9. F- F
Five finger exercise
Friedrich Froebel
Lydian
MM
10. Another word for key.
Harmonic Sequences
Tonality
Riff
Accompaniment
11. Scale made entirely of semitones.
Microtone
Chromatic Scale
Portamento
Stretto
12. B- B
Plagal Cadence
Cadence
Imitation
Locrian
13. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Anacrusis
Binary form
Inversion
Natural Minor Scale
14. Sounds major 16th lower. i.e. major second + two octaves
Comenius
Arco
Harmonic
B flat Bass Transposition
15. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Augmented
Texture
ASCAP
Kodaly
16. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Tempo
Kodaly Method
Aeolian
8
17. Thick or thin - How many instruments or voices are performing together.
A instruments
Texture
Cor Anglais Transposition
Introduction
18. Sounds major second lower. Same as B flat trumpets.
Retrograde
Dominant
Leading Note
B flat Cornet Flugel Horn Transposition
19. Between 3/4 and 7/8
Supertonic
Blues
Imitation
Major Scale Semitones
20. Tones that sound alike but have different names (C sharp and D flat)
Enharmonic
Semitone
Tonality
Aeolian
21. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Pulse
Hammer on
Notes of Anticipation
B flat instruments
22. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Coda
Diminution
Contrary motion
Accent
23. Repetition by one or more different voices of a phrase.
Imperfect Cadence
Imitation
Register
Enharmonic
24. Instruction on string instruments begins no later than grade...
ABA
5
B flat Bass Transposition
Passing Notes
25. Sharpened leading note ascending and descending
Relative (Major/Minor)
Melody
Countermelody
Harmonic Minor Scale
26. Repeating a theme or motif with notes of smaller value (usually half)
Blues
Diminution
Tenor Clef
Primary Triads
27. Chord without a third.
Consonance
Bare chord
Retrograde
Aeolian
28. Breaking of a theme into segments in order to develop it
Development
Friedrich Froebel
Hocket
Fragmentation
29. Part of the total pitch range of an instrument that has a distinctive quality.
E flat Soprano Cornet Transposition
Register
5%
Augmentation
30. Sixth tone in a major or minor scale
Tempo
Hammer on
Tonic
Submediant
31. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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32. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
ACDA
Repetition
Tonic Minor
Comenius
33. Organization of musical notes in time.
Comenius
Pull off
Rhythm
Tempo
34. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Dissonance
Ternary Form
Submediant
5%
35. Sharpened 6 and 7 - but reverted to naturals when descending
E flat Soprano Cornet Transposition
Tenor Clef
Ternary Form
Melodic Minor Scale
36. Repetition of a musical idea at a higher or lower pitch.
Sequence
A instruments
Tonic Minor
Interrupted Cadence
37. Combination of aggreable tones.
Ostinato
Harmonic Minor Scale
Consonance
Texture
38. Seventh tone in a major or minor scale
Friedrich Froebel
Leading Note
ASCAP
Accidentals
39. Actual pitch at which an instrument sounds.
Tonic Minor
Concert pitch
Aeolian
Augmentation
40. Without key center
Atonal
Bassoon
Locrian
Five finger exercise
41. Exact transposition of each note in a sequence.
Augmented
Real Sequence
Microtone
Rondo Form
42. A B A C A. Usually sections B and C are in a different key.
Note that is transposing figured around
Harmonic Sequences
Anacrusis
Rondo Form
43. Middle C
AOSA
Note that is transposing figured around
Stretto
Homophonic
44. Gives stopping place to breathe. Signals the end of both small and large musical sections.
5%
C Clefs
Cadence
Comenius
45. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
JRME
B flat instruments
Anacrusis
Programme Music
46. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
E flat Bass/E flat Baritone Saxophone Transposition
Hornbostel - Sachs System of Musical Instruments Classification
5%
Glissando
47. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Concert pitch
B flat Bass Transposition
Absolute Music
Introduction
48. Tone color or quality of sound.
Timbre
Bassoon
Articulation
Perfect Cadence
49. Ending section designed to round off a musical composition.
Coda
Ionian
Alto Clef
8
50. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
B flat Bass Transposition
Note that is transposing figured around
Pitch
Fanfare