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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Natural Pitch
Anacrusis
B flat Soprano Saxophone Transposition
Homophonic
Natural Minor Scale
2. Sounds a minor third higher.
E flat Soprano Cornet Transposition
Inversions of chords
Harmony
Fanfare
3. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Five finger exercise
Dalcroze
ABA
Instruments that transpose at the octave
4. Three part musical form created by repeating the first section without changing. A B A.
AOSA
Smear
Harmonic
Ternary Form
5. Chord that is in a different key to the one before it with no notes in common.
MM
Blues
Unrelated Chord
Locrian
6. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
B flat Bass Transposition
Hornbostel - Sachs System of Musical Instruments Classification
Unrelated Chord
Tenor Clef
7. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Figured Bass
Augmentation
Imitation
Chromatic Scale
8. Alternate singing or playing by different groups.
Introduction
Antiphonal
Extension
Tenor Clef
9. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Articulation
Kodaly
5
Tempo
10. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Arpeggio
Harmonic Minor Scale Semitones
Relative (Major/Minor)
Diminished
11. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
Phrygian
Alto Clef
Fanfare
Gordon's Music Learning Theory
12. Developing a phrase or motif by making it longer.
Phrase
Hornbostel - Sachs System of Musical Instruments Classification
AOSA
Extension
13. General music is required until grade...
Inverted Pedal
Tonality
8
Ternary Form
14. Instruction on string instruments begins no later than grade...
Motif
Articulation
5
Natural Minor Scale
15. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Tonic
Chromatic
Melody
Phrase
16. Occurs when a phrase is repeated immediately at exactly the same pitch.
Bennet Reimer
Bare chord
Kodaly
Repetition
17. Accenting of a beat that is not normally accented
Tonic Minor
Absolute Music
Accidentals
Syncopation
18. Between 3/4 and 7/8
Diminution
Major Scale Semitones
AOSA
Augmentation
19. Seventh tone in a major or minor scale
Tenor Clef
Leading Note
Pitch
Extension
20. Repetition by one or more different voices of a phrase.
Major Scale Semitones
Rondo Form
Imitation
Interrupted Cadence
21. If the pedal is in any part other than the bass.
Bare chord
Inverted Pedal
Chromatic
Baritone - Euphonium - Tenor Trombone Transposition
22. American Orff - Schulwerk Association
AOSA
Dorian Mode
Rhythm
Aeolian
23. Unessential note that forms part of the harmony
Harmonic Minor Scale
8
Bye - tones
Tempo
24. Repeating a theme or motif with notes of smaller value (usually half)
Bare chord
Diminution
Rondo Form
Plagal Cadence
25. Rate of speed at which a musical composition is to be played.
Tenor Clef
Timbre
Interval
Tempo
26. Repeating a rhythm in a different part of the bar.
Harmony
Rhythmic displacement
Arco
Harmonic Sequences
27. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Note that is transposing figured around
Alberti Bass
Register
Anacrusis
28. Consists entirely of whole steps.
Dorian Mode
E flat Tenor Horn/E flat Alto Sax Transposition
Countermelody
Whole Tone Scale
29. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Texture
Rhythmic displacement
Development
Articulation
30. Music with a single melody line and no harmony.
Atonal
C instruments
Monophonic
Articulation
31. Fifth tone in a major or minor scale.
Ternary Form
Dominant
Bassoon
B flat Cornet Flugel Horn Transposition
32. Come at the end of a passage and anticipate the final chord.
Riff
Concert pitch
Notes of Anticipation
Auxiliary Notes
33. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Imitation
Interval
Repetition
B flat instruments
34. Another word for key.
Rondo Form
Tonality
Chromatic
Auxiliary Notes
35. Made smaller.
Pedal Point
5%
Syncopation
Diminished
36. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Accompaniment
A instruments
Submediant
Hammer on
37. Needs to be written a minor third higher.
Mediant
Accidentals
A instruments
Melodic Sequences
38. Rhythms that constantly change or are grouped in a different way.
Figured Bass
Irregular rhythm
Diminution
Chromatic
39. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Rhythmic Imitation
Canon
Polyphonic
Five finger exercise
40. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Semitone
Glissando
Supertonic
Tonic
41. Sound that results when two or more notes are played at the same time.
Hornbostel - Sachs System of Musical Instruments Classification
Real Sequence
Harmony
Plagal Cadence
42. Occur in all parts.
Tonal Sequence
Blues
Harmonic Sequences
Polytonality
43. Musical shaping and phrasing. Marks include staccato - legato - accent.
ASTA
Blues
Articulation
Arpeggio
44. V - I
Rhythmic displacement
Binary form
ACDA
Perfect Cadence
45. IV - I
Plagal Cadence
Tonic Minor
Alto Clef
Pull off
46. Second melody above or below the main melody. Descant is a type of countermelody.
Countermelody
Natural Minor Scale
Consonance
5
47. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Baritone - Euphonium - Tenor Trombone Transposition
Major Scale Semitones
Concert pitch
Friedrich Froebel
48. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Countermelody
Major Scale Semitones
Dorian Mode
Reasons for Transposing
49. Bed post - double reed - connected with a bocal
Bassoon
Phrase
Dalcroze
Alto Clef
50. Highest natural adult male voice
Harmonic Sequences
Mixolydian
Texture
Tenor