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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Rondo Form
Pull off
Imitation by Inversion
Antiphonal
2. American Orff - Schulwerk Association
45
AOSA
Dalcroze
Enharmonic
3. Natural Pitch
Natural Minor Scale
Dominant
Portamento
Supertonic
4. Continuously repeated musical phrase in jazz music - played over changing harmonies.
B flat Soprano Saxophone Transposition
Tonality
Pedal Point
Riff
5. Phrase is imitated by turning it upsidedown.
JRME
Polytonality
Pull off
Imitation by Inversion
6. Rate of speed at which a musical composition is to be played.
Glissando
Irregular rhythm
Tempo
Tenor Clef
7. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Aeolian
Note that is transposing figured around
Antiphonal
Harmonic
8. Musical shaping and phrasing. Marks include staccato - legato - accent.
Reasons for Transposing
Augmentation
Inverted Pedal
Articulation
9. Chord that is in a different key to the one before it with no notes in common.
Lydian
Unrelated Chord
Fanfare
ABA
10. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
5%
Dissonance
Texture
Riff
11. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Leading Note
Arco
Comenius
Imperfect Cadence
12. Three part musical form created by repeating the first section without changing. A B A.
Hammer on
Ternary Form
Rhythm
Five finger exercise
13. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Semitone
Portamento
Inversion
B flat Cornet Flugel Horn Transposition
14. Repeating a rhythm in a different part of the bar.
Phrygian
Tonality
Rhythm
Rhythmic displacement
15. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
E flat Soprano Cornet Transposition
Interrupted Cadence
ASTA
Contrary motion
16. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Comenius
Primary Triads
Hornbostel - Sachs System of Musical Instruments Classification
Rhythmic Imitation
17. Exercises played by beginning pianists using only five consecutive notes of the scale.
ABA
Polytonality
Absolute Music
Five finger exercise
18. Steady beat that is present in almost every musical composition.
Melodic Sequences
Pulse
Cor Anglais Transposition
Bare chord
19. Tone color or quality of sound.
Relative (Major/Minor)
Natural Minor Scale
Timbre
Ionian
20. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Ostinato
Phrase
Pedal Point
Polytonality
21. Come at the end of a passage and anticipate the final chord.
Five finger exercise
E flat Bass/E flat Baritone Saxophone Transposition
Perfect Cadence
Notes of Anticipation
22. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Binary form
Microtone
Ostinato
Bassoon
23. Combination of aggreable tones.
Relative (Major/Minor)
Subdominant
Consonance
Cadence
24. I - IV - V
Primary Triads
Fragmentation
Polyphonic
Perfect Cadence
25. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Phrase
Microtone
45
Extension
26. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Articulation
Alberti Bass
Imitation
Tonal Sequence
27. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Harmonic Minor Scale Semitones
Harmony
Stretto
Phrase
28. Organization of musical notes in time.
Accidentals
Lydian
Rhythm
Mixolydian
29. Sounds minor seventh higher.
B flat Soprano Saxophone Transposition
ACDA
Rhythmic displacement
Natural Minor Scale
30. Used to give a more melodic bass part and to give variety to the music.
Harmonic
Tonic
Inversions of chords
Tonality
31. Only the rhythm of a passage is imitated - not the melody.
Natural Minor Scale
Development
Rhythmic Imitation
Sequence
32. Increasing the note values of a musical theme - usually to twice their value.
Alberti Bass
Augmentation
B flat Cornet Flugel Horn Transposition
Dissonance
33. Developing a phrase or motif by making it longer.
Bare chord
Irregular rhythm
Natural Minor Scale
Extension
34. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Cross Rhythm
ASTA
Diminished
Motif
35. Occur in all parts.
ABA
Harmonic Sequences
Accompaniment
Antiphonal
36. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Glissando
C instruments
Canon
Ionian
37. Stress placed on a particular note in relation to others around it.
Retrograde
Diminished
Accent
Portamento
38. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Coda
Hocket
Portamento
Tonic Minor
39. Where a composer imitates a passage - but the second part enters before the first part has ended.
Arpeggio
Mediant
Stretto
MM
40. I - V ii - V IV - V
Imperfect Cadence
Introduction
Ostinato
Ternary Form
41. B- B
Articulation
Rondo Form
Stretto
Locrian
42. Glissando in vocal music
Anacrusis
Retrograde
Portamento
Primary Triads
43. V - I
Contrary motion
Perfect Cadence
Diminished
Glissando
44. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Syncopation
Coda
Imperfect Cadence
Programme Music
45. Needs to be written a minor third higher.
A instruments
Plagal Cadence
Dissonance
Motif
46. Sounds major 16th lower. i.e. major second + two octaves
Plagal Cadence
B flat Bass Transposition
Binary form
Syncopation
47. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Cross Rhythm
Mixolydian
E flat Tenor Horn/E flat Alto Sax Transposition
Subdominant
48. Fourth tone in a major/minor scale
Phrygian
Instruments that transpose at the octave
Subdominant
Microtone
49. Repetition by one or more different voices of a phrase.
5
Interval
Imitation
Inversions of chords
50. General music is required until grade...
Syncopation
B flat instruments
Whole Tone Scale
8