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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Without key center
E flat Tenor Horn/E flat Alto Sax Transposition
Atonal
ACDA
French Horn Transposition
2. Sounds Major 9th lower. i.e. major second + octave
B flat instruments
ACDA
Baritone - Euphonium - Tenor Trombone Transposition
A instruments
3. Instruction on string instruments begins no later than grade...
5
Relative (Major/Minor)
Accidentals
Tonality
4. Occur in all parts.
E flat Soprano Cornet Transposition
5%
Harmonic Sequences
Kodaly Method
5. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Phrase
Figured Bass
Gordon's Music Learning Theory
Friedrich Froebel
6. Intervals of the first phrase are NOT reproduced exactly.
Polyphonic
Retrograde
Fanfare
Tonal Sequence
7. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Hocket
Tonic Minor
B flat instruments
Rubato
8. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Phrase
Imitation
Kodaly Method
Canon
9. Sounds minor seventh higher.
Reasons for Transposing
Instruments that transpose at the octave
Register
B flat Soprano Saxophone Transposition
10. Developing a phrase or motif by making it longer.
Accidentals
Bennet Reimer
Phrygian
Extension
11. A- A
Cross Rhythm
Aeolian
Harmony
Rhythm
12. F- F
Lydian
Auxiliary Notes
Inverted Pedal
Pulse
13. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Submediant
Arpeggio
Consonance
Microtone
14. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
ACDA
Chromatic
Gordon's Music Learning Theory
Enharmonic
15. Used to give a more melodic bass part and to give variety to the music.
Harmony
Consonance
Inversions of chords
Note that is transposing figured around
16. Consists entirely of whole steps.
Whole Tone Scale
Coda
Unrelated Chord
Pedal Point
17. I - V ii - V IV - V
Imperfect Cadence
Pitch
Plagal Cadence
Alberti Bass
18. Accenting of a beat that is not normally accented
Arpeggio
Syncopation
Pull off
Homophonic
19. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Kodaly Method
Imitation by Inversion
Alberti Bass
Dalcroze
20. Rhythms that constantly change or are grouped in a different way.
Irregular rhythm
Appoggiaturas
Accompaniment
Timbre
21. Third tone in a major or minor scale
Five finger exercise
Imitation by Inversion
Countermelody
Mediant
22. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Relative (Major/Minor)
Melody
Alto Clef
Bennet Reimer
23. V - vi
Interrupted Cadence
Subdominant
Alberti Bass
Interval
24. I - IV - V
Harmony
Retrograde
Primary Triads
Real Sequence
25. General music is required until grade...
Motif
8
Fanfare
Stretto
26. Steady beat that is present in almost every musical composition.
Gordon's Music Learning Theory
Hocket
Pulse
Anacrusis
27. Combination of aggreable tones.
Canon
Semitone
Consonance
Ternary Form
28. IV - I
Interrupted Cadence
Programme Music
Accidentals
Plagal Cadence
29. Come at the end of a passage and anticipate the final chord.
Real Sequence
Notes of Anticipation
C instruments
Melodic Minor Scale
30. Scale made entirely of semitones.
Accidentals
Pedal Point
Supertonic
Chromatic Scale
31. Tone color or quality of sound.
Timbre
Harmonic Minor Scale
Auxiliary Notes
Riff
32. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
ASTA
Dalcroze
Melody
Tonality
33. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Pedal Point
Harmony
45
5%
34. Tones that sound alike but have different names (C sharp and D flat)
JRME
B flat Bass Transposition
Portamento
Enharmonic
35. Sounds major sixth lower. Written with key signature.
E flat Soprano Cornet Transposition
MM
Tonic Minor
E flat Tenor Horn/E flat Alto Sax Transposition
36. Sound that results when two or more notes are played at the same time.
Harmony
MM
Contrary motion
Subdominant
37. Simultaneous use of two or more keys.
Semitone
Monophonic
Polytonality
45
38. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Passing Notes
Tonic
A instruments
Pentatonic Scale
39. Rate of speed at which a musical composition is to be played.
5
Rubato
Tempo
Imperfect Cadence
40. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
B flat instruments
Phrase
Rhythmic Imitation
8
41. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Imitation
Pentatonic Scale
Comenius
Harmonic Sequences
42. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Ostinato
MM
Cross Rhythm
ABA
43. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Unrelated Chord
Passing Notes
Imperfect Cadence
Notes of Anticipation
44. V - I
Mixolydian
Perfect Cadence
Stretto
Whole Tone Scale
45. Exercises played by beginning pianists using only five consecutive notes of the scale.
Five finger exercise
Accent
5
AOSA
46. Sounds a minor third higher.
ASTA
Submediant
E flat Soprano Cornet Transposition
Tenor
47. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Pedal Point
Rhythmic displacement
Gordon's Music Learning Theory
Absolute Music
48. Turning upside down. Change of the relative position of an interval - chord - or melody.
Binary form
Inversion
Polyphonic
Aeolian
49. Sounds a perfect fifth lower than it is written. Music is written without a key.
French Horn Transposition
Fragmentation
Pull off
Repetition
50. American Orff - Schulwerk Association
AOSA
5
Interrupted Cadence
Anacrusis