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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A B A C A. Usually sections B and C are in a different key.
Phrase
Locrian
Dalcroze
Rondo Form
2. Sounds Major 9th lower. i.e. major second + octave
B flat Bass Transposition
Baritone - Euphonium - Tenor Trombone Transposition
Rhythmic displacement
Anacrusis
3. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Phrase
Fragmentation
ABA
French Horn Transposition
4. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Phrase
5%
Harmonic
Enharmonic
5. Sounds major 13th lower. i.e. major sixth + octave
Perfect Cadence
B flat instruments
E flat Bass/E flat Baritone Saxophone Transposition
Enharmonic
6. Pick up bar.
Anacrusis
Homophonic
Imitation by Inversion
Friedrich Froebel
7. Continuously repeated musical phrase in jazz music - played over changing harmonies.
5
Riff
E flat Tenor Horn/E flat Alto Sax Transposition
JRME
8. Third tone in a major or minor scale
Mediant
Plagal Cadence
Development
Locrian
9. How high or low a note is.
Absolute Music
Pitch
Auxiliary Notes
Figured Bass
10. Exercises played by beginning pianists using only five consecutive notes of the scale.
Five finger exercise
Unrelated Chord
Major Scale Semitones
Programme Music
11. Sounds major 16th lower. i.e. major second + two octaves
B flat Bass Transposition
Accent
Reasons for Transposing
C Clefs
12. Chord without a third.
ACDA
Tonic
Bare chord
Reasons for Transposing
13. Three part musical form created by repeating the first section without changing. A B A.
B flat instruments
Ternary Form
Chromatic
Aeolian
14. B- B
Blues
5
Countermelody
Locrian
15. Journal of Research for Music Education
Chromatic
Canon
JRME
Motif
16. Exact transposition of each note in a sequence.
B flat instruments
Real Sequence
Polytonality
B flat instruments
17. Sharpened 6 and 7 - but reverted to naturals when descending
Kodaly
Supertonic
Melodic Minor Scale
Accent
18. Accenting of a beat that is not normally accented
Bennet Reimer
Hocket
Submediant
Syncopation
19. Minor key with the same tonic as a major one. C major and C minor.
E flat Soprano Cornet Transposition
Tonic Minor
Syncopation
B flat Cornet Flugel Horn Transposition
20. Used to give a more melodic bass part and to give variety to the music.
Fragmentation
Inversions of chords
Baritone - Euphonium - Tenor Trombone Transposition
French Horn Transposition
21. Chord that is in a different key to the one before it with no notes in common.
Programme Music
Imitation by Inversion
Unrelated Chord
Ionian
22. An unessential note that falls on the beat
Concert pitch
Supertonic
Accented Passing Note
Hornbostel - Sachs System of Musical Instruments Classification
23. D- D
Dorian Mode
Absolute Music
Repetition
Five finger exercise
24. Tone color or quality of sound.
Timbre
Perfect Cadence
Dominant
Natural Minor Scale
25. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Kodaly Method
Cor Anglais Transposition
Absolute Music
Tonic Minor
26. Sounds major second lower. Same as B flat trumpets.
B flat Cornet Flugel Horn Transposition
5
Hammer on
E flat Bass/E flat Baritone Saxophone Transposition
27. Repetition by one or more different voices of a phrase.
Notes of Anticipation
Introduction
Imitation
Dorian Mode
28. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
5
A instruments
Microtone
Reasons for Transposing
29. Seventh tone in a major or minor scale
Leading Note
Fragmentation
Dalcroze
Tonic Minor
30. American Choral Director's Association
ACDA
Coda
Tempo
Appoggiaturas
31. Developing a phrase or motif by making it longer.
Real Sequence
B flat instruments
Monophonic
Extension
32. Second melody above or below the main melody. Descant is a type of countermelody.
Diminution
Countermelody
Consonance
Whole Tone Scale
33. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Harmonic Minor Scale Semitones
ASCAP
B flat instruments
Chromatic
34. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Tenor Clef
Harmonic Sequences
Diminution
Polyphonic
35. Needs to be written a minor third higher.
Appoggiaturas
Bye - tones
Fanfare
A instruments
36. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Tonic Minor
Cross Rhythm
C Clefs
Cadence
37. Breaking of a theme into segments in order to develop it
Imitation by Inversion
Primary Triads
Fragmentation
Hocket
38. Organization of musical notes in time.
Rhythm
French Horn Transposition
Comenius
Monophonic
39. I - IV - V
Primary Triads
Harmonic Sequences
E flat Bass/E flat Baritone Saxophone Transposition
Interval
40. Second tone in a major/minor scale
Inverted Pedal
Supertonic
Alto Clef
Tonality
41. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Pull off
Real Sequence
Auxiliary Notes
Bare chord
42. IV - I
Homophonic
Figured Bass
Plagal Cadence
Relative (Major/Minor)
43. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Contrary motion
Motif
Leading Note
Hocket
44. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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45. Sounds minor seventh higher.
Riff
Inversions of chords
Pedal Point
B flat Soprano Saxophone Transposition
46. Ending section designed to round off a musical composition.
Harmonic Sequences
Cor Anglais Transposition
5
Coda
47. Sixth tone in a major or minor scale
Programme Music
Dorian Mode
Countermelody
Submediant
48. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Harmonic Sequences
Stretto
Alberti Bass
Hammer on
49. American Bandmaster's Association
Cadence
Hocket
Relative (Major/Minor)
ABA
50. I - V ii - V IV - V
C instruments
Texture
Syncopation
Imperfect Cadence