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Test your basic knowledge |
Praxis II Music Education Vocab
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Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Riff
Tonic
Chromatic
C instruments
2. American Choral Director's Association
Inversion
Countermelody
ACDA
Pulse
3. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Contrary motion
MM
Figured Bass
Phrase
4. Organization of musical notes in time.
Smear
Hocket
Note that is transposing figured around
Rhythm
5. Based on a chord pattern using primary chords (I IV V).
Rhythmic Imitation
Instruments that transpose at the octave
Blues
Retrograde
6. Interval of less than a semitone
Consonance
Microtone
Programme Music
Irregular rhythm
7. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Polyphonic
Countermelody
E flat Bass/E flat Baritone Saxophone Transposition
Arpeggio
8. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Enharmonic
Pedal Point
Irregular rhythm
8
9. Rhythms that constantly change or are grouped in a different way.
A instruments
Timbre
Bare chord
Irregular rhythm
10. Alto and tenor clefs
Diminution
Rhythmic Imitation
B flat Soprano Saxophone Transposition
C Clefs
11. Second melody above or below the main melody. Descant is a type of countermelody.
Pedal Point
Harmony
Countermelody
Binary form
12. Chord that is in a different key to the one before it with no notes in common.
MM
Unrelated Chord
Subdominant
Arco
13. Consists entirely of whole steps.
Whole Tone Scale
Tenor
Rhythmic Imitation
Pull off
14. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Harmonic Sequences
Hornbostel - Sachs System of Musical Instruments Classification
5
Motif
15. Occur in all parts.
Semitone
Five finger exercise
Harmonic Sequences
Passing Notes
16. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Rubato
JRME
Ostinato
Hocket
17. Between 3/4 and 7/8
Interval
Major Scale Semitones
Canon
Smear
18. V - I
Submediant
Homophonic
Perfect Cadence
Real Sequence
19. E- E
Chromatic
Major Scale Semitones
Phrygian
Rubato
20. C- C
Ionian
Note that is transposing figured around
Diminished
ACDA
21. Tones that sound alike but have different names (C sharp and D flat)
Antiphonal
Enharmonic
Interrupted Cadence
Five finger exercise
22. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Mediant
Microtone
Semitone
Texture
23. Sixth tone in a major or minor scale
AOSA
Diminution
Real Sequence
Submediant
24. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Dominant
Contrary motion
E flat Tenor Horn/E flat Alto Sax Transposition
B flat instruments
25. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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26. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Gordon's Music Learning Theory
Cross Rhythm
E flat Tenor Horn/E flat Alto Sax Transposition
Imperfect Cadence
27. Instruction on string instruments begins no later than grade...
Monophonic
Submediant
Tonic
5
28. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
MM
Pitch
Chromatic
Polytonality
29. Highest natural adult male voice
Inversion
Submediant
Tenor
B flat Bass Transposition
30. Exercises played by beginning pianists using only five consecutive notes of the scale.
Arpeggio
Figured Bass
Submediant
Five finger exercise
31. Natural Pitch
Gordon's Music Learning Theory
Comenius
Homophonic
Natural Minor Scale
32. Breaking of a theme into segments in order to develop it
Mixolydian
Harmonic
Fragmentation
Absolute Music
33. C clef used by the viola. C is on the middle line.
Blues
Alto Clef
B flat Cornet Flugel Horn Transposition
Diminished
34. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Hornbostel - Sachs System of Musical Instruments Classification
Friedrich Froebel
Kodaly Method
Kodaly
35. Sound that results when two or more notes are played at the same time.
Arco
Tonic Minor
Microtone
Harmony
36. Phrase is imitated by turning it upsidedown.
B flat Cornet Flugel Horn Transposition
Imitation by Inversion
Melodic Sequences
Subdominant
37. Instruction to use the bow after a plucked passage of music.
Rondo Form
Rubato
Arco
Figured Bass
38. B- B
Figured Bass
Locrian
Relative (Major/Minor)
Antiphonal
39. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Ostinato
Plagal Cadence
Kodaly Method
45
40. Occurs when a phrase is repeated immediately at exactly the same pitch.
Harmony
Repetition
Melody
Diminished
41. Exact transposition of each note in a sequence.
Gordon's Music Learning Theory
Real Sequence
Baritone - Euphonium - Tenor Trombone Transposition
Inversions of chords
42. Accenting of a beat that is not normally accented
Notes of Anticipation
Syncopation
Motif
Tenor Clef
43. Gives stopping place to breathe. Signals the end of both small and large musical sections.
A instruments
Rondo Form
Cadence
Primary Triads
44. Glissando in jazz music
Polyphonic
B flat instruments
Harmonic Sequences
Smear
45. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Accent
Passing Notes
AOSA
Contrary motion
46. Where a composer imitates a passage - but the second part enters before the first part has ended.
Bare chord
A instruments
Countermelody
Stretto
47. Only occur in the melody over an independent bass.
Melodic Sequences
Tempo
Whole Tone Scale
5%
48. Needs to be written a minor third higher.
Perfect Cadence
Inversions of chords
A instruments
Rhythmic displacement
49. Stress placed on a particular note in relation to others around it.
45
Passing Notes
Accent
Rubato
50. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Harmonic
Introduction
Alto Clef
Kodaly Method