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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Unessential note that forms part of the harmony
Ternary Form
Monophonic
Bye - tones
Cross Rhythm
2. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Friedrich Froebel
Melodic Minor Scale
Interval
Supertonic
3. A composition or part of a composition that can be performed backwards as well as forwards.
Concert pitch
Retrograde
C instruments
Melodic Sequences
4. Consists entirely of whole steps.
Whole Tone Scale
Lydian
ACDA
Tenor
5. Accenting of a beat that is not normally accented
Syncopation
Accent
Interrupted Cadence
Hornbostel - Sachs System of Musical Instruments Classification
6. I - IV - V
Primary Triads
Gordon's Music Learning Theory
Bassoon
Development
7. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Contrary motion
Accidentals
Pull off
Tempo
8. Minor key with the same tonic as a major one. C major and C minor.
Comenius
Reasons for Transposing
Phrase
Tonic Minor
9. American Choral Director's Association
Inversion
Melodic Minor Scale
Tonic Minor
ACDA
10. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
E flat Tenor Horn/E flat Alto Sax Transposition
Natural Minor Scale
Relative (Major/Minor)
45
11. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Comenius
Polyphonic
Pedal Point
Monophonic
12. Sounds major 13th lower. i.e. major sixth + octave
Register
Lydian
Glissando
E flat Bass/E flat Baritone Saxophone Transposition
13. Occurs when a phrase is repeated immediately at exactly the same pitch.
Auxiliary Notes
Arpeggio
Bennet Reimer
Repetition
14. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Lydian
Subdominant
Reasons for Transposing
Pedal Point
15. Sounds a perfect fifth lower than it is written. Music is written with a key.
Gordon's Music Learning Theory
Dorian Mode
Texture
Cor Anglais Transposition
16. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Rubato
Figured Bass
Ostinato
Mixolydian
17. Second melody above or below the main melody. Descant is a type of countermelody.
Tenor Clef
Countermelody
Cadence
Atonal
18. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Ostinato
Antiphonal
Semitone
Rondo Form
19. Where a composer imitates a passage - but the second part enters before the first part has ended.
Locrian
Stretto
Syncopation
E flat Tenor Horn/E flat Alto Sax Transposition
20. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Imitation
Fragmentation
Alberti Bass
Pedal Point
21. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Development
Diminution
Relative (Major/Minor)
Semitone
22. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Sequence
Accented Passing Note
Melody
Rhythmic displacement
23. Instruction on string instruments begins no later than grade...
5
Extension
Texture
Ternary Form
24. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Tonic
Fanfare
Chromatic
Kodaly Method
25. Repetition of a musical idea at a higher or lower pitch.
Syncopation
Chromatic Scale
Sequence
Tonality
26. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Contrary motion
Bennet Reimer
Diminished
B flat instruments
27. Interval of less than a semitone
Microtone
Imitation by Inversion
Timbre
Rhythmic displacement
28. Short - constantly repeated motif. Usually - but not always in the bass.
Countermelody
Sequence
Supertonic
Ostinato
29. Repeating a theme or motif with notes of smaller value (usually half)
Diminution
Mixolydian
B flat Cornet Flugel Horn Transposition
5
30. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Absolute Music
Bassoon
ASTA
Ionian
31. Between 2/3 - 5/6 - 7/8
Interval
Harmonic Minor Scale Semitones
Augmentation
Kodaly
32. Stress placed on a particular note in relation to others around it.
Monophonic
Glissando
Dalcroze
Accent
33. Rhythms that constantly change or are grouped in a different way.
Arpeggio
Leading Note
Tonic Minor
Irregular rhythm
34. Three part musical form created by repeating the first section without changing. A B A.
Ternary Form
Imitation by Inversion
Figured Bass
Binary form
35. V - vi
Cadence
Melodic Sequences
Diminution
Interrupted Cadence
36. Exact transposition of each note in a sequence.
Real Sequence
Anacrusis
B flat instruments
Phrase
37. Tone color or quality of sound.
Ternary Form
Timbre
French Horn Transposition
Plagal Cadence
38. IV - I
French Horn Transposition
Plagal Cadence
Polytonality
Figured Bass
39. Developing a phrase or motif by making it longer.
Tenor
Accompaniment
Extension
Arpeggio
40. How high or low a note is.
Pitch
Binary form
Programme Music
B flat Soprano Saxophone Transposition
41. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
A instruments
Stretto
Polyphonic
Contrary motion
42. C- C
Inverted Pedal
Subdominant
Ionian
Tonality
43. Exercises played by beginning pianists using only five consecutive notes of the scale.
Five finger exercise
Ostinato
Rondo Form
Dalcroze
44. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
ASCAP
Hornbostel - Sachs System of Musical Instruments Classification
Harmonic
Accent
45. Sharpened leading note ascending and descending
Texture
Harmonic Minor Scale
Friedrich Froebel
8
46. Flutes - oboes - bassoons - trombones - tubas - string instruments
5
ABA
Binary form
C instruments
47. Chord that is in a different key to the one before it with no notes in common.
Alberti Bass
B flat Bass Transposition
Rubato
Unrelated Chord
48. Sixth tone in a major or minor scale
Note that is transposing figured around
Submediant
Ionian
Tonic
49. Between 3/4 and 7/8
Hornbostel - Sachs System of Musical Instruments Classification
Smear
Notes of Anticipation
Major Scale Semitones
50. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Riff
Instruments that transpose at the octave
Smear
Melodic Sequences