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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Musical shaping and phrasing. Marks include staccato - legato - accent.
Atonal
JRME
Articulation
Register
2. Turning upside down. Change of the relative position of an interval - chord - or melody.
Inversion
Rubato
Instruments that transpose at the octave
E flat Tenor Horn/E flat Alto Sax Transposition
3. Key note. Tonic of C major is C. The tonic triad is C E G.
Anacrusis
Dissonance
Development
Tonic
4. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Extension
Texture
Contrary motion
Homophonic
5. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Tonic
Programme Music
Rhythmic displacement
Introduction
6. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Phrygian
C Clefs
Riff
Polyphonic
7. Phrase is imitated by turning it upsidedown.
Articulation
Imitation by Inversion
Tonic Minor
Blues
8. Without key center
Reasons for Transposing
Lydian
Harmony
Atonal
9. I - V ii - V IV - V
Fanfare
Glissando
Development
Imperfect Cadence
10. Combination of aggreable tones.
Pulse
Plagal Cadence
Consonance
Real Sequence
11. Glissando in vocal music
Alto Clef
Primary Triads
Portamento
Chromatic Scale
12. E- E
Rubato
Friedrich Froebel
Rondo Form
Phrygian
13. Sounds major 13th lower. i.e. major sixth + octave
Bassoon
E flat Bass/E flat Baritone Saxophone Transposition
Glissando
Fragmentation
14. American Orff - Schulwerk Association
Hammer on
Concert pitch
Anacrusis
AOSA
15. Journal of Research for Music Education
Note that is transposing figured around
JRME
Aeolian
Mediant
16. Music with a single melody line and no harmony.
Inverted Pedal
Polyphonic
MM
Monophonic
17. Fourth tone in a major/minor scale
Perfect Cadence
Sequence
Subdominant
Alto Clef
18. Scales that share the same key signature (C major - A minor)
ABA
B flat Soprano Saxophone Transposition
Relative (Major/Minor)
Harmonic Minor Scale Semitones
19. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
5
Inverted Pedal
Locrian
Figured Bass
20. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Homophonic
Pull off
Tonal Sequence
Hocket
21. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
45
Contrary motion
Dorian Mode
Ostinato
22. Alternate singing or playing by different groups.
Absolute Music
Antiphonal
Appoggiaturas
Hammer on
23. Made larger.
Augmented
ASCAP
Augmentation
Polytonality
24. Bed post - double reed - connected with a bocal
Polytonality
Bassoon
Appoggiaturas
C Clefs
25. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Alberti Bass
Chromatic Scale
Harmony
Dorian Mode
26. Sixth tone in a major or minor scale
Atonal
Submediant
Extension
Imperfect Cadence
27. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Interrupted Cadence
Rondo Form
Microtone
Friedrich Froebel
28. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Development
Reasons for Transposing
Harmonic
Harmonic Sequences
29. Chord that is in a different key to the one before it with no notes in common.
Kodaly
Imitation by Inversion
Tonal Sequence
Unrelated Chord
30. An unessential note that falls on the beat
Pull off
B flat Cornet Flugel Horn Transposition
Cadence
Accented Passing Note
31. Three part musical form created by repeating the first section without changing. A B A.
Articulation
8
Ternary Form
Binary form
32. Background support for a melody.
Friedrich Froebel
Major Scale Semitones
Accompaniment
Register
33. Occurs when a phrase is repeated immediately at exactly the same pitch.
Harmonic
Irregular rhythm
Repetition
Perfect Cadence
34. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Tonic Minor
Pentatonic Scale
Stretto
Subdominant
35. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Friedrich Froebel
Interval
Canon
Mixolydian
36. Sound that results when two or more notes are played at the same time.
Irregular rhythm
Gordon's Music Learning Theory
Harmony
MM
37. Come between notes of the same pitch - either a note higher or note lower.
Harmonic Sequences
Auxiliary Notes
Figured Bass
Dalcroze
38. Sharpened leading note ascending and descending
Harmonic Minor Scale
E flat Soprano Cornet Transposition
Atonal
Enharmonic
39. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Reasons for Transposing
Tonality
Harmonic Minor Scale
Semitone
40. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Harmonic Minor Scale Semitones
Absolute Music
C instruments
Five finger exercise
41. Organization of musical notes in time.
B flat instruments
Auxiliary Notes
Stretto
Rhythm
42. Seventh tone in a major or minor scale
Leading Note
Kodaly Method
Introduction
Pull off
43. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Kodaly
8
Fanfare
Notes of Anticipation
44. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Tenor Clef
Reasons for Transposing
ABA
Phrase
45. Stress placed on a particular note in relation to others around it.
Five finger exercise
Accent
B flat Bass Transposition
C Clefs
46. C clef used by the viola. C is on the middle line.
B flat Soprano Saxophone Transposition
Natural Minor Scale
E flat Soprano Cornet Transposition
Alto Clef
47. Repetition of a musical idea at a higher or lower pitch.
Aeolian
Sequence
Homophonic
Repetition
48. IV - I
Arco
45
B flat Soprano Saxophone Transposition
Plagal Cadence
49. Increasing the note values of a musical theme - usually to twice their value.
Glissando
Pentatonic Scale
Canon
Augmentation
50. Minor key with the same tonic as a major one. C major and C minor.
Semitone
Harmonic
Tonic Minor
Notes of Anticipation