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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Distance between any two notes
Chromatic Scale
Hammer on
Augmented
Interval
2. C- C
ABA
Pedal Point
Ionian
Concert pitch
3. Come between notes of the same pitch - either a note higher or note lower.
Antiphonal
Accidentals
Supertonic
Auxiliary Notes
4. Developing a phrase or motif by making it longer.
Canon
Extension
Subdominant
Sequence
5. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
6. Come at the end of a passage and anticipate the final chord.
Rhythmic Imitation
Pentatonic Scale
Notes of Anticipation
Relative (Major/Minor)
7. Piccolo - Guitar - Bass Guitar
Plagal Cadence
Instruments that transpose at the octave
Pentatonic Scale
Tonic
8. General music is required until grade...
A instruments
Sequence
8
Appoggiaturas
9. American String Teachers Assocation
Anacrusis
B flat instruments
ASTA
Real Sequence
10. Where a composer imitates a passage - but the second part enters before the first part has ended.
Inversions of chords
Stretto
Submediant
Locrian
11. Instruction to use the bow after a plucked passage of music.
Primary Triads
Arco
Natural Minor Scale
Auxiliary Notes
12. I - V ii - V IV - V
Accompaniment
Harmonic Minor Scale Semitones
Imperfect Cadence
Tonal Sequence
13. Sounds a perfect fifth lower than it is written. Music is written without a key.
Polytonality
Friedrich Froebel
French Horn Transposition
Harmonic Minor Scale
14. Thick or thin - How many instruments or voices are performing together.
Comenius
Tempo
Texture
E flat Soprano Cornet Transposition
15. Part of the total pitch range of an instrument that has a distinctive quality.
Cadence
Register
Primary Triads
Tenor
16. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Concert pitch
Instruments that transpose at the octave
Relative (Major/Minor)
Kodaly
17. Rate of speed at which a musical composition is to be played.
Fanfare
E flat Bass/E flat Baritone Saxophone Transposition
Ternary Form
Tempo
18. Chord without a third.
Ostinato
Rondo Form
Bare chord
Imitation by Inversion
19. V - I
Perfect Cadence
Pull off
Figured Bass
Instruments that transpose at the octave
20. Seventh tone in a major or minor scale
Arpeggio
Leading Note
Polytonality
Articulation
21. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
5%
45
Monophonic
Figured Bass
22. Sharpened leading note ascending and descending
Semitone
Harmonic Minor Scale
Interval
Ostinato
23. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Register
Reasons for Transposing
Inversion
Notes of Anticipation
24. Sounds major second lower. Same as B flat trumpets.
Locrian
B flat Cornet Flugel Horn Transposition
B flat instruments
Fanfare
25. Sounds a minor third higher.
Canon
E flat Soprano Cornet Transposition
Development
Alto Clef
26. Tones that sound alike but have different names (C sharp and D flat)
Comenius
Riff
Sequence
Enharmonic
27. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Tonality
Reasons for Transposing
Pull off
Melody
28. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Alberti Bass
Appoggiaturas
Absolute Music
Motif
29. Music with a single melody line and no harmony.
Monophonic
Phrygian
Dalcroze
Repetition
30. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Development
ASCAP
Absolute Music
Timbre
31. Another word for key.
Antiphonal
Tonality
Repetition
Inversions of chords
32. Minor key with the same tonic as a major one. C major and C minor.
Diminution
Chromatic
Cadence
Tonic Minor
33. Scales that share the same key signature (C major - A minor)
Relative (Major/Minor)
Microtone
AOSA
Diminution
34. Intervals of the first phrase are NOT reproduced exactly.
Reasons for Transposing
Tonal Sequence
B flat instruments
Leading Note
35. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
E flat Soprano Cornet Transposition
Motif
Imperfect Cadence
Fragmentation
36. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Comenius
Rondo Form
Stretto
Harmonic Minor Scale
37. Sounds major 13th lower. i.e. major sixth + octave
Harmony
E flat Bass/E flat Baritone Saxophone Transposition
B flat Bass Transposition
Antiphonal
38. Sounds major sixth lower. Written with key signature.
Imperfect Cadence
Bye - tones
E flat Tenor Horn/E flat Alto Sax Transposition
Reasons for Transposing
39. G- G
Development
Mixolydian
Friedrich Froebel
E flat Tenor Horn/E flat Alto Sax Transposition
40. Sounds minor seventh higher.
Gordon's Music Learning Theory
B flat Soprano Saxophone Transposition
Polyphonic
Concert pitch
41. E- E
Relative (Major/Minor)
Phrygian
Hornbostel - Sachs System of Musical Instruments Classification
Bare chord
42. Ending section designed to round off a musical composition.
Coda
MM
B flat Soprano Saxophone Transposition
French Horn Transposition
43. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Dissonance
Polyphonic
Major Scale Semitones
Concert pitch
44. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Locrian
Canon
Mixolydian
Melodic Sequences
45. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Cross Rhythm
Lydian
Fanfare
Dalcroze
46. Sound that results when two or more notes are played at the same time.
Notes of Anticipation
Kodaly
Harmony
Diminution
47. Organization of musical notes in time.
Smear
Rhythm
Major Scale Semitones
Plagal Cadence
48. If the pedal is in any part other than the bass.
Notes of Anticipation
Chromatic Scale
Inverted Pedal
Pentatonic Scale
49. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Concert pitch
Fragmentation
Rubato
Binary form
50. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Accidentals
Arpeggio
Arco
Primary Triads