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Test your basic knowledge |
Praxis II Music Education Vocab
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Subjects
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praxis
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teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
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This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Repetition
Tenor Clef
ABA
Consonance
2. Actual pitch at which an instrument sounds.
Phrase
Accompaniment
Pedal Point
Concert pitch
3. A B A C A. Usually sections B and C are in a different key.
Sequence
Rondo Form
Portamento
Pitch
4. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Friedrich Froebel
Rhythmic displacement
Inverted Pedal
Development
5. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Articulation
Passing Notes
Blues
Motif
6. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Polytonality
B flat instruments
A instruments
Timbre
7. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Real Sequence
Aeolian
Submediant
Canon
8. Glissando in jazz music
ASTA
Polyphonic
Smear
Diminution
9. Combination of aggreable tones.
Consonance
Appoggiaturas
ABA
Bennet Reimer
10. How high or low a note is.
Retrograde
Whole Tone Scale
Binary form
Pitch
11. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Contrary motion
Accent
Countermelody
Tonal Sequence
12. Made larger.
Consonance
Note that is transposing figured around
Pentatonic Scale
Augmented
13. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Enharmonic
Passing Notes
Hornbostel - Sachs System of Musical Instruments Classification
Friedrich Froebel
14. Fourth tone in a major/minor scale
Subdominant
Lydian
Interrupted Cadence
Fragmentation
15. Only the rhythm of a passage is imitated - not the melody.
Extension
Ternary Form
Accidentals
Rhythmic Imitation
16. D- D
Dorian Mode
Major Scale Semitones
B flat instruments
Phrygian
17. I - IV - V
Pulse
C instruments
Primary Triads
Atonal
18. Needs to be written a minor third higher.
Retrograde
A instruments
Blues
Tenor
19. Sharpened leading note ascending and descending
Hammer on
JRME
Harmonic Minor Scale
Coda
20. American Choral Director's Association
Lydian
ACDA
5
Contrary motion
21. Organization of musical notes in time.
Arpeggio
Rhythm
Friedrich Froebel
B flat instruments
22. Music with a single melody line and no harmony.
Antiphonal
Cadence
Monophonic
Whole Tone Scale
23. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Whole Tone Scale
Natural Minor Scale
Kodaly Method
Harmonic
24. B- B
Phrase
ACDA
Locrian
Irregular rhythm
25. Sounds a perfect fifth lower than it is written. Music is written without a key.
Tonal Sequence
French Horn Transposition
Harmonic Minor Scale
Homophonic
26. Journal of Research for Music Education
Arco
JRME
Binary form
Syncopation
27. Based on a chord pattern using primary chords (I IV V).
Hammer on
Blues
Rhythmic displacement
Semitone
28. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Semitone
Absolute Music
Binary form
Sequence
29. American Society of Composers - Authors - and Publishers
Rhythm
Atonal
Arco
ASCAP
30. Repeating a rhythm in a different part of the bar.
Reasons for Transposing
Submediant
Rhythmic displacement
Figured Bass
31. American Orff - Schulwerk Association
AOSA
Irregular rhythm
Note that is transposing figured around
Diminution
32. IV - I
E flat Bass/E flat Baritone Saxophone Transposition
Plagal Cadence
Arco
Inversions of chords
33. Sounds minor seventh higher.
Pedal Point
B flat Soprano Saxophone Transposition
ASCAP
Pitch
34. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Ionian
Bennet Reimer
C Clefs
Pedal Point
35. Seventh tone in a major or minor scale
Auxiliary Notes
Leading Note
Diminution
Melodic Sequences
36. Sharpened 6 and 7 - but reverted to naturals when descending
C instruments
Melodic Minor Scale
E flat Tenor Horn/E flat Alto Sax Transposition
ASCAP
37. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Relative (Major/Minor)
Dalcroze
Polytonality
Tempo
38. Exercises played by beginning pianists using only five consecutive notes of the scale.
Dorian Mode
Polyphonic
Five finger exercise
Syncopation
39. Sounds a perfect fifth lower than it is written. Music is written with a key.
Hammer on
Pedal Point
Cor Anglais Transposition
Monophonic
40. A- A
Tonic
Natural Minor Scale
Aeolian
Tenor Clef
41. Chord that is in a different key to the one before it with no notes in common.
Unrelated Chord
Rhythmic Imitation
B flat instruments
Imitation by Inversion
42. I - V ii - V IV - V
B flat Bass Transposition
Locrian
ASTA
Imperfect Cadence
43. Increasing the note values of a musical theme - usually to twice their value.
Submediant
Augmentation
MM
Harmonic Sequences
44. Scale made entirely of semitones.
Chromatic Scale
Accidentals
Dalcroze
Major Scale Semitones
45. Bed post - double reed - connected with a bocal
Bennet Reimer
Bassoon
Passing Notes
Stretto
46. Distance between any two notes
Accidentals
Dalcroze
Interval
French Horn Transposition
47. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
Interval
Fanfare
Monophonic
Perfect Cadence
48. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
5%
Five finger exercise
Syncopation
Inversions of chords
49. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Articulation
JRME
Hammer on
Contrary motion
50. Repetition by one or more different voices of a phrase.
Dominant
Homophonic
Imitation
Ionian
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