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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Rate of speed at which a musical composition is to be played.
Harmonic
Tempo
Friedrich Froebel
Interrupted Cadence
2. Sounds Major 9th lower. i.e. major second + octave
Baritone - Euphonium - Tenor Trombone Transposition
Instruments that transpose at the octave
Accented Passing Note
Rhythmic displacement
3. G- G
Alberti Bass
French Horn Transposition
Register
Mixolydian
4. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Polytonality
Dalcroze
Five finger exercise
B flat instruments
5. General music is required until grade...
Relative (Major/Minor)
Hammer on
Inverted Pedal
8
6. American Bandmaster's Association
ABA
Enharmonic
Absolute Music
Chromatic Scale
7. Based on a chord pattern using primary chords (I IV V).
Plagal Cadence
Polytonality
Blues
Chromatic Scale
8. Part of the total pitch range of an instrument that has a distinctive quality.
Cross Rhythm
Register
E flat Tenor Horn/E flat Alto Sax Transposition
Figured Bass
9. Repeating a rhythm in a different part of the bar.
Hammer on
Figured Bass
Rhythmic displacement
Alberti Bass
10. Thick or thin - How many instruments or voices are performing together.
Unrelated Chord
Dissonance
Harmonic Sequences
Texture
11. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Pedal Point
Passing Notes
Imperfect Cadence
Accidentals
12. Repeating a theme or motif with notes of smaller value (usually half)
Phrase
Diminution
Introduction
Microtone
13. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Cadence
B flat Soprano Saxophone Transposition
Pentatonic Scale
Hammer on
14. Piccolo - Guitar - Bass Guitar
Mediant
Instruments that transpose at the octave
Microtone
Augmented
15. Simultaneous use of two or more keys.
Accidentals
Instruments that transpose at the octave
Natural Minor Scale
Polytonality
16. Intervals of the first phrase are NOT reproduced exactly.
Tonal Sequence
Comenius
Diminished
45
17. Bed post - double reed - connected with a bocal
AOSA
Plagal Cadence
B flat Cornet Flugel Horn Transposition
Bassoon
18. Short - constantly repeated motif. Usually - but not always in the bass.
Subdominant
French Horn Transposition
Ostinato
B flat Soprano Saxophone Transposition
19. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Reasons for Transposing
Portamento
Primary Triads
Kodaly
20. Fifth tone in a major or minor scale.
Phrygian
Cadence
Development
Dominant
21. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Canon
Accompaniment
Stretto
Dissonance
22. Flutes - oboes - bassoons - trombones - tubas - string instruments
5%
Relative (Major/Minor)
C instruments
Imperfect Cadence
23. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Instruments that transpose at the octave
Tenor Clef
Fanfare
ACDA
24. Developing a phrase or motif by making it longer.
Hammer on
Locrian
Harmonic Sequences
Extension
25. Accenting of a beat that is not normally accented
Diminution
Syncopation
Harmonic Sequences
Diminished
26. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Imitation
Pedal Point
Coda
E flat Bass/E flat Baritone Saxophone Transposition
27. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Plagal Cadence
Canon
Subdominant
Enharmonic
28. Journal of Research for Music Education
JRME
Countermelody
Melody
Imitation
29. Rhythms that constantly change or are grouped in a different way.
Irregular rhythm
Melodic Sequences
Syncopation
Plagal Cadence
30. V - vi
Repetition
Dissonance
Interrupted Cadence
Bare chord
31. Glissando in jazz music
Smear
Canon
E flat Tenor Horn/E flat Alto Sax Transposition
Rhythmic Imitation
32. D- D
Motif
Note that is transposing figured around
Dorian Mode
Instruments that transpose at the octave
33. A- A
Aeolian
Mixolydian
Baritone - Euphonium - Tenor Trombone Transposition
Plagal Cadence
34. Background support for a melody.
Augmented
Accompaniment
Tonic Minor
Submediant
35. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Interrupted Cadence
Tonic
Canon
Polyphonic
36. Ending section designed to round off a musical composition.
B flat Bass Transposition
Auxiliary Notes
Pull off
Coda
37. Sounds a perfect fifth lower than it is written. Music is written with a key.
Coda
Cor Anglais Transposition
Timbre
ACDA
38. Fourth tone in a major/minor scale
Subdominant
Ostinato
Submediant
Whole Tone Scale
39. Instruction to use the bow after a plucked passage of music.
Melodic Sequences
Kodaly Method
Arco
Diminution
40. Made larger.
Augmented
Mediant
Pedal Point
Tonal Sequence
41. Chord without a third.
Portamento
Pulse
French Horn Transposition
Bare chord
42. Sharpened leading note ascending and descending
Harmonic Minor Scale
Anacrusis
Rhythm
Tempo
43. Chord that is in a different key to the one before it with no notes in common.
Baritone - Euphonium - Tenor Trombone Transposition
Bye - tones
Melody
Unrelated Chord
44. Only the rhythm of a passage is imitated - not the melody.
Pull off
Rhythmic Imitation
Tonic
Whole Tone Scale
45. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Concert pitch
Friedrich Froebel
Alberti Bass
Motif
46. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Subdominant
Irregular rhythm
Cor Anglais Transposition
Kodaly Method
47. Sounds a perfect fifth lower than it is written. Music is written without a key.
French Horn Transposition
Inversions of chords
Harmony
Tempo
48. Pure music - not linked to words or descriptive ideas. Opposite of program music.
E flat Tenor Horn/E flat Alto Sax Transposition
Natural Minor Scale
Absolute Music
Hammer on
49. Combination of aggreable tones.
Consonance
ASTA
Major Scale Semitones
Programme Music
50. Natural Pitch
Natural Minor Scale
ABA
Whole Tone Scale
Ostinato