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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sounds a minor third higher.
AOSA
Pentatonic Scale
E flat Soprano Cornet Transposition
Bye - tones
2. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Rubato
MM
Dominant
E flat Tenor Horn/E flat Alto Sax Transposition
3. Made larger.
B flat instruments
Dissonance
Augmented
Rubato
4. American Choral Director's Association
Five finger exercise
C Clefs
ACDA
Microtone
5. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Chromatic
B flat Cornet Flugel Horn Transposition
Imitation by Inversion
Plagal Cadence
6. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Rondo Form
Polyphonic
Stretto
Hammer on
7. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Baritone - Euphonium - Tenor Trombone Transposition
Stretto
Introduction
Motif
8. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Inverted Pedal
Figured Bass
Primary Triads
Rhythmic displacement
9. Short - constantly repeated motif. Usually - but not always in the bass.
Ostinato
Natural Minor Scale
Ternary Form
French Horn Transposition
10. Sounds major 16th lower. i.e. major second + two octaves
Reasons for Transposing
Unrelated Chord
B flat Bass Transposition
Relative (Major/Minor)
11. Made smaller.
Diminished
Coda
Accent
Inverted Pedal
12. Natural Pitch
Contrary motion
Gordon's Music Learning Theory
ABA
Natural Minor Scale
13. Music with a single melody line and no harmony.
Monophonic
Melodic Sequences
B flat Soprano Saxophone Transposition
A instruments
14. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Rondo Form
Tonic
Dorian Mode
Hocket
15. Accenting of a beat that is not normally accented
Syncopation
JRME
Ternary Form
B flat instruments
16. Where a composer imitates a passage - but the second part enters before the first part has ended.
Stretto
Rhythmic Imitation
Natural Minor Scale
Pedal Point
17. Exact transposition of each note in a sequence.
Phrase
Real Sequence
B flat instruments
B flat instruments
18. Piccolo - Guitar - Bass Guitar
Fragmentation
Instruments that transpose at the octave
Harmonic Minor Scale
Augmentation
19. I - V ii - V IV - V
Arpeggio
Melodic Minor Scale
Imperfect Cadence
ABA
20. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Programme Music
Arpeggio
Mediant
Harmonic
21. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Dorian Mode
Hammer on
Pedal Point
Timbre
22. Sounds major 13th lower. i.e. major sixth + octave
Notes of Anticipation
Kodaly
Dominant
E flat Bass/E flat Baritone Saxophone Transposition
23. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Contrary motion
MM
Leading Note
Pull off
24. Background support for a melody.
Supertonic
Accompaniment
Fanfare
Primary Triads
25. Third tone in a major or minor scale
Mediant
Melodic Sequences
Programme Music
Five finger exercise
26. Sharpened 6 and 7 - but reverted to naturals when descending
Rondo Form
Melodic Minor Scale
Rhythm
Absolute Music
27. Fifth tone in a major or minor scale.
Alberti Bass
Dominant
Reasons for Transposing
Relative (Major/Minor)
28. Come between notes of the same pitch - either a note higher or note lower.
Articulation
Kodaly Method
Auxiliary Notes
Irregular rhythm
29. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Figured Bass
5%
Kodaly Method
Retrograde
30. Highest natural adult male voice
Hammer on
Tenor
Chromatic
Bennet Reimer
31. General music is required until grade...
Bare chord
Harmonic Minor Scale
JRME
8
32. Glissando in jazz music
Whole Tone Scale
Smear
Instruments that transpose at the octave
Irregular rhythm
33. Sounds Major 9th lower. i.e. major second + octave
Ternary Form
Pitch
Syncopation
Baritone - Euphonium - Tenor Trombone Transposition
34. Musical shaping and phrasing. Marks include staccato - legato - accent.
Melodic Sequences
Semitone
Arco
Articulation
35. Thick or thin - How many instruments or voices are performing together.
Gordon's Music Learning Theory
Polyphonic
Harmonic Sequences
Texture
36. A- A
Tempo
Aeolian
Concert pitch
Interrupted Cadence
37. Journal of Research for Music Education
Augmentation
Comenius
Imperfect Cadence
JRME
38. Middle C
Anacrusis
Note that is transposing figured around
Texture
Five finger exercise
39. Sounds a perfect fifth lower than it is written. Music is written with a key.
Cor Anglais Transposition
Harmonic
Kodaly Method
Accompaniment
40. How high or low a note is.
Rhythmic Imitation
Microtone
Accompaniment
Pitch
41. Pick up bar.
Plagal Cadence
Perfect Cadence
Alberti Bass
Anacrusis
42. Bars of music before the main tune begins.
Bennet Reimer
Introduction
Pentatonic Scale
Repetition
43. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Ternary Form
Rhythm
Alberti Bass
Locrian
44. Breaking of a theme into segments in order to develop it
B flat Soprano Saxophone Transposition
Hammer on
Fragmentation
Binary form
45. Actual pitch at which an instrument sounds.
Cross Rhythm
Tenor
Aeolian
Concert pitch
46. Turning upside down. Change of the relative position of an interval - chord - or melody.
Enharmonic
Tenor
Absolute Music
Inversion
47. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Semitone
Polyphonic
Reasons for Transposing
Supertonic
48. Second melody above or below the main melody. Descant is a type of countermelody.
Development
Countermelody
Tenor
Real Sequence
49. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Consonance
Repetition
Submediant
Canon
50. A composition or part of a composition that can be performed backwards as well as forwards.
Auxiliary Notes
Plagal Cadence
Riff
Retrograde