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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Phrase
Gordon's Music Learning Theory
Figured Bass
Kodaly
2. Sounds a perfect fifth lower than it is written. Music is written without a key.
5%
Rhythmic displacement
French Horn Transposition
Tempo
3. Tone color or quality of sound.
Development
Mixolydian
Rhythm
Timbre
4. Repetition of a musical idea at a higher or lower pitch.
Sequence
Instruments that transpose at the octave
Pentatonic Scale
E flat Bass/E flat Baritone Saxophone Transposition
5. Instruction on string instruments begins no later than grade...
Riff
Tonality
5
Tenor Clef
6. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Cadence
Articulation
B flat instruments
Reasons for Transposing
7. Where a composer imitates a passage - but the second part enters before the first part has ended.
Stretto
Leading Note
Interval
Pulse
8. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Tenor
Alberti Bass
Diminished
ASTA
9. How high or low a note is.
45
Introduction
Pitch
Five finger exercise
10. If the pedal is in any part other than the bass.
Inverted Pedal
Rhythmic displacement
Baritone - Euphonium - Tenor Trombone Transposition
Plagal Cadence
11. An unessential note that falls on the beat
Submediant
Accented Passing Note
Figured Bass
Portamento
12. Occur in all parts.
Harmonic Minor Scale
Monophonic
French Horn Transposition
Harmonic Sequences
13. Second melody above or below the main melody. Descant is a type of countermelody.
Countermelody
Smear
Inversion
Antiphonal
14. Rate of speed at which a musical composition is to be played.
Melodic Sequences
Bennet Reimer
Tempo
B flat instruments
15. V - I
Perfect Cadence
Tonic Minor
Development
Hornbostel - Sachs System of Musical Instruments Classification
16. Sounds a perfect fifth lower than it is written. Music is written with a key.
Major Scale Semitones
Auxiliary Notes
Cor Anglais Transposition
5%
17. Part of the total pitch range of an instrument that has a distinctive quality.
Register
Rondo Form
Cross Rhythm
Pitch
18. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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19. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Appoggiaturas
Blues
French Horn Transposition
Interval
20. Bars of music before the main tune begins.
Introduction
Five finger exercise
Comenius
Arpeggio
21. Thick or thin - How many instruments or voices are performing together.
Extension
Augmentation
Whole Tone Scale
Texture
22. Exact transposition of each note in a sequence.
Inversions of chords
Real Sequence
Pull off
Phrase
23. Organization of musical notes in time.
Tonality
Hornbostel - Sachs System of Musical Instruments Classification
Rhythm
Natural Minor Scale
24. Short - constantly repeated motif. Usually - but not always in the bass.
Semitone
Ostinato
Harmonic
5%
25. Breaking of a theme into segments in order to develop it
Fragmentation
Smear
Introduction
Coda
26. Sixth tone in a major or minor scale
Harmonic
Binary form
Submediant
ASCAP
27. Combination of aggreable tones.
Alberti Bass
Consonance
Supertonic
Hammer on
28. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Homophonic
Programme Music
Accompaniment
Smear
29. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Pentatonic Scale
Lydian
Atonal
Aeolian
30. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Polytonality
Register
Absolute Music
AOSA
31. Minor key with the same tonic as a major one. C major and C minor.
Lydian
Locrian
Tonic Minor
Bare chord
32. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Aeolian
Gordon's Music Learning Theory
Mediant
Passing Notes
33. Glissando in vocal music
Dalcroze
Chromatic Scale
Portamento
Interrupted Cadence
34. Highest natural adult male voice
Repetition
E flat Bass/E flat Baritone Saxophone Transposition
Tenor
Harmonic Minor Scale
35. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Hocket
French Horn Transposition
Tempo
Subdominant
36. Phrase is imitated by turning it upsidedown.
Countermelody
Smear
Imitation by Inversion
Augmentation
37. American Orff - Schulwerk Association
Harmonic Sequences
B flat Bass Transposition
Submediant
AOSA
38. F- F
Atonal
Cor Anglais Transposition
Lydian
Repetition
39. Fifth tone in a major or minor scale.
Dominant
Appoggiaturas
Monophonic
Antiphonal
40. Developing a phrase or motif by making it longer.
Kodaly Method
Melodic Minor Scale
Ostinato
Extension
41. I - V ii - V IV - V
Imitation by Inversion
JRME
Harmony
Imperfect Cadence
42. Interval of less than a semitone
Accented Passing Note
Irregular rhythm
Microtone
Homophonic
43. Alternate singing or playing by different groups.
Accented Passing Note
Major Scale Semitones
Concert pitch
Antiphonal
44. C- C
Imitation
Tempo
Natural Minor Scale
Ionian
45. Chord without a third.
Harmonic Minor Scale
Bare chord
Chromatic
Portamento
46. Scale made entirely of semitones.
ASCAP
B flat instruments
5
Chromatic Scale
47. Stress placed on a particular note in relation to others around it.
Pull off
Polyphonic
Accent
45
48. Sounds major 16th lower. i.e. major second + two octaves
B flat Bass Transposition
Syncopation
Primary Triads
Rondo Form
49. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Real Sequence
Mediant
Ionian
Chromatic
50. B- B
Bye - tones
Locrian
Semitone
Cadence