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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Chord without a third.
Bare chord
Bye - tones
C Clefs
Melodic Sequences
2. Come between notes of the same pitch - either a note higher or note lower.
Unrelated Chord
Auxiliary Notes
Dominant
Blues
3. Exact transposition of each note in a sequence.
Alto Clef
B flat Soprano Saxophone Transposition
Imperfect Cadence
Real Sequence
4. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Binary form
Five finger exercise
Locrian
Tenor Clef
5. Instruction to use the bow after a plucked passage of music.
Tenor
Programme Music
Arco
MM
6. Middle C
Tenor Clef
Note that is transposing figured around
ASTA
Interval
7. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Inversions of chords
Harmony
Polyphonic
Tenor Clef
8. General music is required until grade...
8
Passing Notes
MM
5
9. Thick or thin - How many instruments or voices are performing together.
Notes of Anticipation
Perfect Cadence
Texture
Alberti Bass
10. F- F
Alberti Bass
Lydian
MM
Microtone
11. G- G
Mixolydian
E flat Soprano Cornet Transposition
Accidentals
Five finger exercise
12. V - I
Whole Tone Scale
Perfect Cadence
5
5%
13. Based on a chord pattern using primary chords (I IV V).
Development
Blues
Accent
Melodic Sequences
14. Ending section designed to round off a musical composition.
Tenor Clef
Interrupted Cadence
Coda
Friedrich Froebel
15. Chord that is in a different key to the one before it with no notes in common.
Imperfect Cadence
B flat Cornet Flugel Horn Transposition
Dissonance
Unrelated Chord
16. E- E
Tonic
Phrygian
Diminished
AOSA
17. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Augmentation
Stretto
B flat instruments
Diminished
18. Consists entirely of whole steps.
Rhythmic displacement
Rubato
Appoggiaturas
Whole Tone Scale
19. Sounds a perfect fifth lower than it is written. Music is written without a key.
C instruments
Kodaly
Homophonic
French Horn Transposition
20. Fourth tone in a major/minor scale
Dalcroze
Polyphonic
Subdominant
Interrupted Cadence
21. V - vi
Harmonic Sequences
Riff
Sequence
Interrupted Cadence
22. Without key center
ASTA
Atonal
Stretto
Natural Minor Scale
23. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Phrase
Baritone - Euphonium - Tenor Trombone Transposition
Melodic Sequences
Consonance
24. Rhythms that constantly change or are grouped in a different way.
5
Irregular rhythm
Supertonic
Figured Bass
25. Turning upside down. Change of the relative position of an interval - chord - or melody.
Natural Minor Scale
Motif
Hocket
Inversion
26. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Anacrusis
Instruments that transpose at the octave
Introduction
Rubato
27. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Hammer on
Supertonic
5%
Tonic
28. Sounds Major 9th lower. i.e. major second + octave
Stretto
Kodaly Method
Baritone - Euphonium - Tenor Trombone Transposition
C instruments
29. Sounds major 13th lower. i.e. major sixth + octave
Bennet Reimer
Coda
Tonal Sequence
E flat Bass/E flat Baritone Saxophone Transposition
30. Bars of music before the main tune begins.
Introduction
Melodic Minor Scale
Pulse
Hornbostel - Sachs System of Musical Instruments Classification
31. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
C Clefs
Binary form
Kodaly Method
Ternary Form
32. Developing a phrase or motif by making it longer.
Lydian
Interrupted Cadence
Extension
Introduction
33. Between 3/4 and 7/8
Major Scale Semitones
Ostinato
Canon
Relative (Major/Minor)
34. Only the rhythm of a passage is imitated - not the melody.
B flat Cornet Flugel Horn Transposition
Bennet Reimer
Rhythmic Imitation
Rhythmic displacement
35. Actual pitch at which an instrument sounds.
A instruments
Cadence
Concert pitch
Syncopation
36. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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37. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Comenius
Binary form
Harmonic Sequences
Rhythmic displacement
38. Used to give a more melodic bass part and to give variety to the music.
Inversions of chords
Alto Clef
Register
Leading Note
39. IV - I
Hornbostel - Sachs System of Musical Instruments Classification
Plagal Cadence
Programme Music
Timbre
40. Sound that results when two or more notes are played at the same time.
Harmony
Major Scale Semitones
Melodic Minor Scale
Tonic
41. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Semitone
Melody
JRME
Natural Minor Scale
42. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Aeolian
Pedal Point
ABA
Real Sequence
43. Flutes - oboes - bassoons - trombones - tubas - string instruments
45
Smear
Ternary Form
C instruments
44. Between 2/3 - 5/6 - 7/8
Tenor
Chromatic Scale
Natural Minor Scale
Harmonic Minor Scale Semitones
45. I - IV - V
Primary Triads
Syncopation
E flat Bass/E flat Baritone Saxophone Transposition
Hornbostel - Sachs System of Musical Instruments Classification
46. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Harmonic Minor Scale Semitones
Canon
C instruments
Tempo
47. Occurs when a phrase is repeated immediately at exactly the same pitch.
Pitch
Bare chord
Kodaly
Repetition
48. Instruction on string instruments begins no later than grade...
B flat Cornet Flugel Horn Transposition
Harmonic Sequences
5
Mediant
49. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
JRME
Natural Minor Scale
AOSA
Arpeggio
50. A B A C A. Usually sections B and C are in a different key.
Harmonic
Passing Notes
Rondo Form
Melodic Sequences