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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Interval of less than a semitone
Microtone
Subdominant
Relative (Major/Minor)
Tonic
2. Repetition of a musical idea at a higher or lower pitch.
Pedal Point
Pitch
Extension
Sequence
3. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Friedrich Froebel
Atonal
Notes of Anticipation
45
4. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
ABA
Pedal Point
B flat Soprano Saxophone Transposition
Coda
5. Flutes - oboes - bassoons - trombones - tubas - string instruments
C instruments
Interval
B flat Soprano Saxophone Transposition
Concert pitch
6. Piccolo - Guitar - Bass Guitar
Diminution
Bare chord
Instruments that transpose at the octave
45
7. Exercises played by beginning pianists using only five consecutive notes of the scale.
Five finger exercise
Gordon's Music Learning Theory
Comenius
Ternary Form
8. Highest natural adult male voice
Phrase
Tenor
Harmonic Minor Scale
Atonal
9. American Bandmaster's Association
Repetition
Submediant
ACDA
ABA
10. Sharpened leading note ascending and descending
Rhythmic Imitation
Lydian
Harmonic Minor Scale
Aeolian
11. Without key center
Atonal
Rhythmic Imitation
Friedrich Froebel
Imperfect Cadence
12. Consists entirely of whole steps.
Pull off
Augmentation
Baritone - Euphonium - Tenor Trombone Transposition
Whole Tone Scale
13. V - I
Perfect Cadence
Relative (Major/Minor)
Inversion
Alto Clef
14. Glissando in vocal music
Imitation
Portamento
Note that is transposing figured around
Melodic Sequences
15. Key note. Tonic of C major is C. The tonic triad is C E G.
Absolute Music
Dominant
Fragmentation
Tonic
16. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Dorian Mode
Arpeggio
Introduction
Pitch
17. D- D
Tonal Sequence
Riff
Interrupted Cadence
Dorian Mode
18. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Pedal Point
Tenor
Accidentals
B flat instruments
19. Occur in all parts.
B flat instruments
Harmonic Sequences
Rhythmic displacement
8
20. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
B flat instruments
Pulse
Phrygian
French Horn Transposition
21. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Syncopation
Phrase
Timbre
Rondo Form
22. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Anacrusis
Contrary motion
Friedrich Froebel
Arco
23. Developing a phrase or motif by making it longer.
Chromatic Scale
Binary form
Whole Tone Scale
Extension
24. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
B flat instruments
Real Sequence
Fanfare
45
25. Chord without a third.
Countermelody
Chromatic
Bare chord
Alberti Bass
26. B- B
Locrian
Alberti Bass
Homophonic
Dalcroze
27. Repetition by one or more different voices of a phrase.
Imitation
Tempo
ASTA
Hocket
28. Journal of Research for Music Education
Introduction
JRME
Mediant
Aeolian
29. American Choral Director's Association
5
ACDA
Hornbostel - Sachs System of Musical Instruments Classification
Bare chord
30. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Mixolydian
Tempo
Hornbostel - Sachs System of Musical Instruments Classification
ASTA
31. Only the rhythm of a passage is imitated - not the melody.
Rhythmic Imitation
Tonic Minor
Irregular rhythm
C instruments
32. Short - constantly repeated motif. Usually - but not always in the bass.
Ostinato
Subdominant
Unrelated Chord
Monophonic
33. Stress placed on a particular note in relation to others around it.
Repetition
Ionian
Accent
Kodaly
34. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Harmonic Sequences
Tonal Sequence
Alberti Bass
Arco
35. Another word for key.
Ionian
Tonality
Articulation
Hammer on
36. Sharpened 6 and 7 - but reverted to naturals when descending
Melodic Minor Scale
Fragmentation
Rubato
Cross Rhythm
37. Glissando in jazz music
Retrograde
Smear
Accent
Harmonic Minor Scale
38. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Dorian Mode
Dalcroze
Rondo Form
Ostinato
39. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Pulse
Kodaly
Repetition
Smear
40. Based on a chord pattern using primary chords (I IV V).
Extension
Blues
Dominant
B flat Cornet Flugel Horn Transposition
41. A composition or part of a composition that can be performed backwards as well as forwards.
Retrograde
Bassoon
Ternary Form
ASCAP
42. General music courses involve listening - composing - and performing for all students.
Rhythmic displacement
Inversion
Dissonance
Bennet Reimer
43. Sounds a minor third higher.
E flat Soprano Cornet Transposition
Appoggiaturas
Arpeggio
Mixolydian
44. Pure music - not linked to words or descriptive ideas. Opposite of program music.
45
Interrupted Cadence
Absolute Music
Dorian Mode
45. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Figured Bass
Notes of Anticipation
Polytonality
AOSA
46. Used to give a more melodic bass part and to give variety to the music.
Diminution
Pull off
Inversions of chords
Homophonic
47. Breaking of a theme into segments in order to develop it
Pentatonic Scale
Fragmentation
Absolute Music
Tempo
48. C clef used by the viola. C is on the middle line.
JRME
Alto Clef
Bennet Reimer
Augmentation
49. Sounds minor seventh higher.
Accented Passing Note
B flat Soprano Saxophone Transposition
Friedrich Froebel
E flat Bass/E flat Baritone Saxophone Transposition
50. Come at the end of a passage and anticipate the final chord.
E flat Soprano Cornet Transposition
Notes of Anticipation
Tonality
Homophonic