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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. V - I
Cross Rhythm
Perfect Cadence
MM
Gordon's Music Learning Theory
2. Sounds major 13th lower. i.e. major sixth + octave
Syncopation
Register
Portamento
E flat Bass/E flat Baritone Saxophone Transposition
3. Sounds a minor third higher.
Polyphonic
E flat Soprano Cornet Transposition
Rubato
45
4. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Development
Harmony
Rhythmic Imitation
Arpeggio
5. Minor key with the same tonic as a major one. C major and C minor.
Pulse
Submediant
Tonic Minor
B flat instruments
6. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Semitone
45
Appoggiaturas
Tonality
7. Interval of less than a semitone
Microtone
Pentatonic Scale
Natural Minor Scale
Hornbostel - Sachs System of Musical Instruments Classification
8. Come at the end of a passage and anticipate the final chord.
Extension
Notes of Anticipation
Appoggiaturas
Diminished
9. American String Teachers Assocation
ACDA
ASTA
Irregular rhythm
Harmonic
10. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Whole Tone Scale
Motif
C Clefs
Dorian Mode
11. D- D
Dorian Mode
45
E flat Tenor Horn/E flat Alto Sax Transposition
8
12. Bed post - double reed - connected with a bocal
Gordon's Music Learning Theory
Accent
Comenius
Bassoon
13. Sharpened leading note ascending and descending
Harmonic Minor Scale
Contrary motion
Rubato
Glissando
14. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Bare chord
Harmonic Minor Scale Semitones
Smear
5%
15. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Programme Music
Absolute Music
Subdominant
Figured Bass
16. Sounds minor seventh higher.
Chromatic
Augmented
Kodaly Method
B flat Soprano Saxophone Transposition
17. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Augmentation
Locrian
Pull off
Absolute Music
18. Fourth tone in a major/minor scale
Major Scale Semitones
Subdominant
Kodaly
Pull off
19. Without key center
Inversion
Atonal
Submediant
Plagal Cadence
20. Occurs when a phrase is repeated immediately at exactly the same pitch.
Plagal Cadence
Cadence
Repetition
Kodaly Method
21. Ending section designed to round off a musical composition.
Motif
Coda
B flat instruments
Harmonic Sequences
22. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Augmentation
Primary Triads
E flat Bass/E flat Baritone Saxophone Transposition
Kodaly Method
23. Between 3/4 and 7/8
Major Scale Semitones
B flat Soprano Saxophone Transposition
Microtone
Smear
24. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Tenor Clef
Supertonic
Semitone
Chromatic Scale
25. Natural Pitch
Absolute Music
Natural Minor Scale
Locrian
Inversion
26. IV - I
Reasons for Transposing
Absolute Music
Melodic Minor Scale
Plagal Cadence
27. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Passing Notes
Imitation by Inversion
Portamento
Natural Minor Scale
28. Music with a single melody line and no harmony.
Monophonic
Melodic Minor Scale
Figured Bass
B flat Soprano Saxophone Transposition
29. Come between notes of the same pitch - either a note higher or note lower.
Natural Minor Scale
Auxiliary Notes
Introduction
Rondo Form
30. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Stretto
Accidentals
Appoggiaturas
B flat instruments
31. Second melody above or below the main melody. Descant is a type of countermelody.
Alberti Bass
Countermelody
Contrary motion
Pentatonic Scale
32. Sounds major 16th lower. i.e. major second + two octaves
Blues
B flat Bass Transposition
Imitation
Diminished
33. Glissando in vocal music
Pitch
Real Sequence
Portamento
Primary Triads
34. Third tone in a major or minor scale
Glissando
Ostinato
Natural Minor Scale
Mediant
35. Piccolo - Guitar - Bass Guitar
Instruments that transpose at the octave
Primary Triads
Fragmentation
Pentatonic Scale
36. Sharpened 6 and 7 - but reverted to naturals when descending
Kodaly Method
Harmonic
Melodic Minor Scale
ASCAP
37. Fifth tone in a major or minor scale.
Dominant
Antiphonal
Alto Clef
Hornbostel - Sachs System of Musical Instruments Classification
38. Between 2/3 - 5/6 - 7/8
Interrupted Cadence
E flat Tenor Horn/E flat Alto Sax Transposition
Motif
Harmonic Minor Scale Semitones
39. Phrase is imitated by turning it upsidedown.
Sequence
Imitation by Inversion
Ternary Form
Accidentals
40. G- G
Mixolydian
Blues
45
Harmonic Sequences
41. Steady beat that is present in almost every musical composition.
Alto Clef
Dominant
Rubato
Pulse
42. Sounds a perfect fifth lower than it is written. Music is written without a key.
French Horn Transposition
Fanfare
Tonic
A instruments
43. Repeating a theme or motif with notes of smaller value (usually half)
Melodic Sequences
8
A instruments
Diminution
44. Repetition by one or more different voices of a phrase.
Imitation
E flat Bass/E flat Baritone Saxophone Transposition
Supertonic
Syncopation
45. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Sequence
Pedal Point
Rondo Form
Antiphonal
46. Instruction on string instruments begins no later than grade...
5
Polyphonic
Instruments that transpose at the octave
Subdominant
47. Sounds major second lower. Same as B flat trumpets.
Accent
Supertonic
B flat Cornet Flugel Horn Transposition
Rondo Form
48. Alternate singing or playing by different groups.
B flat instruments
Rhythmic displacement
Antiphonal
JRME
49. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Instruments that transpose at the octave
Programme Music
Unrelated Chord
ACDA
50. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Harmonic Sequences
Glissando
5
Alberti Bass