SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Middle C
Mediant
Note that is transposing figured around
Contrary motion
Tonal Sequence
2. Sounds major 13th lower. i.e. major sixth + octave
Ternary Form
AOSA
E flat Bass/E flat Baritone Saxophone Transposition
Monophonic
3. Fourth tone in a major/minor scale
Mixolydian
Subdominant
Tonal Sequence
Development
4. B- B
Imitation by Inversion
Five finger exercise
Locrian
Harmonic
5. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Concert pitch
Tenor Clef
Canon
Relative (Major/Minor)
6. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Inverted Pedal
Dorian Mode
Comenius
Arco
7. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Mixolydian
B flat Soprano Saxophone Transposition
Harmonic Minor Scale Semitones
Riff
8. Second melody above or below the main melody. Descant is a type of countermelody.
Tenor
Reasons for Transposing
Tonal Sequence
Countermelody
9. American String Teachers Assocation
Aeolian
ASTA
Canon
Rondo Form
10. I - IV - V
Plagal Cadence
Primary Triads
Gordon's Music Learning Theory
Harmonic Sequences
11. Made smaller.
Diminished
Rhythmic Imitation
Consonance
Imitation
12. American Orff - Schulwerk Association
AOSA
Accented Passing Note
Tonic Minor
Tonality
13. Sounds major second lower. Same as B flat trumpets.
Augmentation
Cross Rhythm
AOSA
B flat Cornet Flugel Horn Transposition
14. C- C
Dominant
MM
Ionian
Tempo
15. How high or low a note is.
Five finger exercise
Smear
Pitch
Melodic Minor Scale
16. Scale made entirely of semitones.
Programme Music
Bye - tones
Stretto
Chromatic Scale
17. Repetition of a musical idea at a higher or lower pitch.
Canon
Dorian Mode
Alto Clef
Sequence
18. Alto and tenor clefs
Rubato
Bare chord
C Clefs
Cadence
19. Sounds Major 9th lower. i.e. major second + octave
Phrygian
Programme Music
Baritone - Euphonium - Tenor Trombone Transposition
Texture
20. Needs to be written a minor third higher.
Programme Music
Augmented
Chromatic
A instruments
21. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Hammer on
Articulation
Cadence
Friedrich Froebel
22. Repetition by one or more different voices of a phrase.
Imitation
Locrian
Canon
Development
23. Intervals of the first phrase are NOT reproduced exactly.
Tonal Sequence
Imperfect Cadence
Auxiliary Notes
French Horn Transposition
24. Repeating a theme or motif with notes of smaller value (usually half)
Diminution
Motif
Comenius
Harmonic
25. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Diminished
Hocket
Semitone
Aeolian
26. G- G
Lydian
Coda
Mixolydian
Figured Bass
27. Note that does not form part of the harmony and is approached by a leap and quitted by a step
ABA
Appoggiaturas
Diminution
Mixolydian
28. Turning upside down. Change of the relative position of an interval - chord - or melody.
Pentatonic Scale
Accidentals
Arpeggio
Inversion
29. Breaking of a theme into segments in order to develop it
Enharmonic
Unrelated Chord
Imperfect Cadence
Fragmentation
30. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
B flat instruments
Chromatic
Locrian
Diminished
31. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
B flat Cornet Flugel Horn Transposition
Tempo
Hocket
Contrary motion
32. Come between notes of the same pitch - either a note higher or note lower.
Lydian
Anacrusis
Natural Minor Scale
Auxiliary Notes
33. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Figured Bass
Accented Passing Note
Pedal Point
Portamento
34. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Dalcroze
Alberti Bass
Supertonic
Ionian
35. Flutes - oboes - bassoons - trombones - tubas - string instruments
Dalcroze
Dominant
C instruments
B flat instruments
36. Chord that is in a different key to the one before it with no notes in common.
Harmonic Minor Scale
Dominant
Unrelated Chord
Harmonic
37. E- E
Hocket
Submediant
Mixolydian
Phrygian
38. Repeating a rhythm in a different part of the bar.
Baritone - Euphonium - Tenor Trombone Transposition
Submediant
Rhythmic displacement
Plagal Cadence
39. American Society of Composers - Authors - and Publishers
ASCAP
Semitone
Tonic
Instruments that transpose at the octave
40. D- D
Chromatic
Whole Tone Scale
Natural Minor Scale
Dorian Mode
41. Combination of aggreable tones.
Concert pitch
Arpeggio
5
Consonance
42. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
5%
Bassoon
Motif
Stretto
43. Instruction to use the bow after a plucked passage of music.
Arco
C Clefs
Dissonance
Perfect Cadence
44. Maelzel's Metronome
Tenor Clef
Cadence
MM
Harmonic Sequences
45. Chord without a third.
Semitone
Ostinato
Comenius
Bare chord
46. Exact transposition of each note in a sequence.
Instruments that transpose at the octave
ACDA
Real Sequence
5
47. Background support for a melody.
Ternary Form
Accompaniment
Melodic Sequences
Imitation by Inversion
48. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Augmentation
B flat instruments
45
Melody
49. Sixth tone in a major or minor scale
Rondo Form
Interrupted Cadence
Submediant
Smear
50. Phrase is imitated by turning it upsidedown.
Submediant
Imitation by Inversion
Articulation
ABA