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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Tonal Sequence
Chromatic
Aeolian
Extension
2. C- C
Ostinato
Ionian
Motif
Subdominant
3. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Contrary motion
Bassoon
Enharmonic
ASCAP
4. Maelzel's Metronome
Note that is transposing figured around
Inversion
Harmony
MM
5. Instruction on string instruments begins no later than grade...
5
ABA
Diminished
Chromatic Scale
6. Bars of music before the main tune begins.
ABA
Tonal Sequence
A instruments
Introduction
7. An unessential note that falls on the beat
Ostinato
Accented Passing Note
Diminution
C instruments
8. Glissando in vocal music
Absolute Music
B flat instruments
Portamento
Harmonic Sequences
9. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Accidentals
Tonality
Harmonic Sequences
Ostinato
10. Glissando in jazz music
Tonality
Cor Anglais Transposition
Smear
Interrupted Cadence
11. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Ionian
Phrygian
Glissando
Reasons for Transposing
12. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Riff
Semitone
Hocket
Canon
13. Chord that is in a different key to the one before it with no notes in common.
Harmony
Rondo Form
Unrelated Chord
ACDA
14. Occur in all parts.
Friedrich Froebel
Semitone
Chromatic
Harmonic Sequences
15. Made smaller.
Diminished
Antiphonal
Tempo
Tonality
16. Distance between any two notes
Submediant
Interval
Plagal Cadence
Monophonic
17. Sounds major second lower. Same as B flat trumpets.
Chromatic
B flat Cornet Flugel Horn Transposition
E flat Tenor Horn/E flat Alto Sax Transposition
Friedrich Froebel
18. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Mediant
Pentatonic Scale
Motif
Melodic Minor Scale
19. G- G
Fanfare
Mixolydian
Sequence
Accompaniment
20. A composition or part of a composition that can be performed backwards as well as forwards.
Kodaly Method
Lydian
Retrograde
Pull off
21. Repeating a rhythm in a different part of the bar.
Interval
Dissonance
Rubato
Rhythmic displacement
22. Exact transposition of each note in a sequence.
Real Sequence
Augmentation
Ternary Form
Texture
23. Scales that share the same key signature (C major - A minor)
Contrary motion
Relative (Major/Minor)
Enharmonic
ACDA
24. Highest natural adult male voice
Riff
Tenor
Stretto
Microtone
25. I - V ii - V IV - V
Alto Clef
Plagal Cadence
Interval
Imperfect Cadence
26. Continuously repeated musical phrase in jazz music - played over changing harmonies.
B flat Soprano Saxophone Transposition
Timbre
Retrograde
Riff
27. Sounds a perfect fifth lower than it is written. Music is written with a key.
Cor Anglais Transposition
Dorian Mode
Irregular rhythm
Monophonic
28. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Relative (Major/Minor)
Programme Music
Harmonic
Pedal Point
29. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
Fanfare
Articulation
Melodic Sequences
Ostinato
30. A- A
Dissonance
Inversions of chords
Aeolian
Irregular rhythm
31. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Whole Tone Scale
Hammer on
Rondo Form
Kodaly Method
32. Third tone in a major or minor scale
Harmonic Sequences
Blues
Anacrusis
Mediant
33. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Figured Bass
Polytonality
Dorian Mode
Pull off
34. Without key center
Cross Rhythm
Hocket
Atonal
Augmentation
35. Natural Pitch
Chromatic
Pull off
Natural Minor Scale
Enharmonic
36. General music is required until grade...
8
Bye - tones
Absolute Music
Primary Triads
37. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Cross Rhythm
Pedal Point
Whole Tone Scale
B flat instruments
38. Pick up bar.
Bennet Reimer
Anacrusis
Ionian
B flat instruments
39. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Dissonance
Bare chord
ASCAP
B flat instruments
40. Flutes - oboes - bassoons - trombones - tubas - string instruments
Absolute Music
Dissonance
Cross Rhythm
C instruments
41. Between 3/4 and 7/8
B flat instruments
Major Scale Semitones
Real Sequence
Harmony
42. Key note. Tonic of C major is C. The tonic triad is C E G.
Appoggiaturas
Programme Music
Imperfect Cadence
Tonic
43. Sounds Major 9th lower. i.e. major second + octave
C Clefs
Imitation
Arpeggio
Baritone - Euphonium - Tenor Trombone Transposition
44. Sound that results when two or more notes are played at the same time.
Timbre
Harmony
B flat instruments
Auxiliary Notes
45. Accenting of a beat that is not normally accented
MM
Syncopation
Mixolydian
Hornbostel - Sachs System of Musical Instruments Classification
46. Sounds major 16th lower. i.e. major second + two octaves
B flat Bass Transposition
Consonance
Mediant
Instruments that transpose at the octave
47. Where a composer imitates a passage - but the second part enters before the first part has ended.
Imperfect Cadence
Accented Passing Note
Pitch
Stretto
48. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Cross Rhythm
Coda
Semitone
Figured Bass
49. American Society of Composers - Authors - and Publishers
Friedrich Froebel
ASCAP
Register
Augmentation
50. Intervals of the first phrase are NOT reproduced exactly.
Supertonic
Portamento
Tonal Sequence
Submediant