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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Auxiliary Notes
Bye - tones
B flat instruments
Rhythmic Imitation
2. Key note. Tonic of C major is C. The tonic triad is C E G.
Blues
Inversions of chords
Tonic
Microtone
3. Tones that sound alike but have different names (C sharp and D flat)
Augmented
Accidentals
Canon
Enharmonic
4. American Choral Director's Association
Melody
Inversion
ACDA
ABA
5. Three part musical form created by repeating the first section without changing. A B A.
B flat Bass Transposition
A instruments
Ternary Form
Irregular rhythm
6. Occur in all parts.
Harmonic Sequences
Arco
Microtone
Alberti Bass
7. Phrase is imitated by turning it upsidedown.
Imitation by Inversion
JRME
B flat Cornet Flugel Horn Transposition
Tenor Clef
8. Music with a single melody line and no harmony.
Reasons for Transposing
Monophonic
Development
Consonance
9. Consists entirely of whole steps.
Extension
E flat Tenor Horn/E flat Alto Sax Transposition
Whole Tone Scale
Five finger exercise
10. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Appoggiaturas
Semitone
Atonal
Antiphonal
11. Rate of speed at which a musical composition is to be played.
Tempo
Ternary Form
Augmentation
E flat Soprano Cornet Transposition
12. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Phrygian
Mediant
B flat instruments
Riff
13. Combination of aggreable tones.
Rhythmic Imitation
Five finger exercise
Rhythmic displacement
Consonance
14. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Harmonic
Note that is transposing figured around
Subdominant
Stretto
15. G- G
Pentatonic Scale
Mixolydian
Pull off
Arpeggio
16. Rhythms that constantly change or are grouped in a different way.
Harmony
Chromatic Scale
Melody
Irregular rhythm
17. Instruction on string instruments begins no later than grade...
ASCAP
E flat Soprano Cornet Transposition
Blues
5
18. Only occur in the melody over an independent bass.
Harmonic Minor Scale
Melodic Sequences
Perfect Cadence
AOSA
19. C clef used by the viola. C is on the middle line.
Dominant
Alto Clef
Imitation
Accented Passing Note
20. Exact transposition of each note in a sequence.
Consonance
Perfect Cadence
Auxiliary Notes
Real Sequence
21. Only the rhythm of a passage is imitated - not the melody.
Rhythmic Imitation
Riff
Cor Anglais Transposition
French Horn Transposition
22. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Diminution
Bassoon
Programme Music
Kodaly
23. Needs to be written a minor third higher.
A instruments
French Horn Transposition
Enharmonic
Rhythmic displacement
24. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Imperfect Cadence
Tenor Clef
Tempo
Chromatic Scale
25. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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26. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Augmented
A instruments
Pull off
Phrase
27. Without key center
45
Accidentals
Atonal
Repetition
28. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Accidentals
Bare chord
Programme Music
Diminution
29. Fifth tone in a major or minor scale.
Rondo Form
Figured Bass
Binary form
Dominant
30. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Phrase
Portamento
Cross Rhythm
Introduction
31. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Rhythm
Chromatic
Semitone
Kodaly
32. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Arpeggio
MM
Note that is transposing figured around
Texture
33. Exercises played by beginning pianists using only five consecutive notes of the scale.
Canon
Development
Five finger exercise
Polyphonic
34. Sounds major sixth lower. Written with key signature.
Cadence
Smear
Interrupted Cadence
E flat Tenor Horn/E flat Alto Sax Transposition
35. Journal of Research for Music Education
JRME
Bare chord
Dalcroze
B flat instruments
36. American Society of Composers - Authors - and Publishers
Enharmonic
A instruments
Polyphonic
ASCAP
37. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Accompaniment
B flat instruments
Consonance
A instruments
38. Sounds Major 9th lower. i.e. major second + octave
Baritone - Euphonium - Tenor Trombone Transposition
Interval
Rhythm
E flat Tenor Horn/E flat Alto Sax Transposition
39. Second tone in a major/minor scale
Rondo Form
Introduction
Supertonic
Leading Note
40. Steady beat that is present in almost every musical composition.
Tenor Clef
Bennet Reimer
Locrian
Pulse
41. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Hammer on
ASTA
Enharmonic
Dominant
42. Sounds major 16th lower. i.e. major second + two octaves
Glissando
Whole Tone Scale
Absolute Music
B flat Bass Transposition
43. Sounds a minor third higher.
Gordon's Music Learning Theory
Bassoon
E flat Soprano Cornet Transposition
Fanfare
44. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Supertonic
Concert pitch
Reasons for Transposing
Comenius
45. Repeating a theme or motif with notes of smaller value (usually half)
Tempo
Cadence
Bassoon
Diminution
46. Alternate singing or playing by different groups.
Harmony
Pitch
Accent
Antiphonal
47. F- F
JRME
Binary form
E flat Bass/E flat Baritone Saxophone Transposition
Lydian
48. Made smaller.
Mixolydian
Diminished
Tonal Sequence
C Clefs
49. Occurs when a phrase is repeated immediately at exactly the same pitch.
Repetition
Kodaly Method
Pulse
Reasons for Transposing
50. Made larger.
Interval
Harmonic
Phrygian
Augmented