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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. I - V ii - V IV - V
Harmonic
Stretto
Imperfect Cadence
Fanfare
2. Based on a chord pattern using primary chords (I IV V).
Blues
Lydian
Hammer on
French Horn Transposition
3. Actual pitch at which an instrument sounds.
Concert pitch
Real Sequence
Alberti Bass
Articulation
4. Fourth tone in a major/minor scale
Subdominant
B flat Soprano Saxophone Transposition
C instruments
Pedal Point
5. Glissando in jazz music
Smear
Articulation
Imitation by Inversion
Enharmonic
6. Bed post - double reed - connected with a bocal
Bassoon
Register
Smear
Imperfect Cadence
7. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Arpeggio
Harmonic Sequences
Polytonality
Extension
8. Instruction on string instruments begins no later than grade...
Accompaniment
Hammer on
Real Sequence
5
9. D- D
Pedal Point
Consonance
JRME
Dorian Mode
10. Breaking of a theme into segments in order to develop it
Smear
Repetition
Fragmentation
Microtone
11. Sharps - flats - and naturals placed in front of notes that alter their pitch.
B flat Cornet Flugel Horn Transposition
Glissando
Accidentals
Diminution
12. Seventh tone in a major or minor scale
Glissando
Programme Music
8
Leading Note
13. V - I
Atonal
Relative (Major/Minor)
Mediant
Perfect Cadence
14. Stress placed on a particular note in relation to others around it.
Bassoon
Accent
Relative (Major/Minor)
Absolute Music
15. Sound that results when two or more notes are played at the same time.
Alto Clef
Harmony
Imitation
Melodic Sequences
16. Sharpened leading note ascending and descending
Locrian
Hocket
Augmentation
Harmonic Minor Scale
17. Key note. Tonic of C major is C. The tonic triad is C E G.
Rhythmic displacement
Accidentals
Anacrusis
Tonic
18. Repetition by one or more different voices of a phrase.
Syncopation
Imitation
Motif
Accompaniment
19. Background support for a melody.
Subdominant
Accompaniment
Ternary Form
Primary Triads
20. American Society of Composers - Authors - and Publishers
Tempo
ASCAP
Accompaniment
Kodaly Method
21. Short - constantly repeated motif. Usually - but not always in the bass.
Tenor
Unrelated Chord
Melody
Ostinato
22. An unessential note that falls on the beat
Imitation by Inversion
Alberti Bass
Accented Passing Note
ACDA
23. Another word for key.
Dominant
Tonality
Fanfare
B flat Bass Transposition
24. Turning upside down. Change of the relative position of an interval - chord - or melody.
Auxiliary Notes
Accented Passing Note
Inversion
Primary Triads
25. Combination of aggreable tones.
Figured Bass
Consonance
Kodaly Method
Augmentation
26. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Lydian
Harmony
Pentatonic Scale
Enharmonic
27. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Pentatonic Scale
Lydian
Dalcroze
Binary form
28. Instruction to use the bow after a plucked passage of music.
Arco
Mixolydian
Smear
Instruments that transpose at the octave
29. Distance between any two notes
Binary form
Coda
ASTA
Interval
30. Without key center
Atonal
Dorian Mode
Inversion
Melody
31. Made larger.
Augmented
Inversions of chords
Blues
45
32. Scale made entirely of semitones.
ABA
Accent
B flat Cornet Flugel Horn Transposition
Chromatic Scale
33. Minor key with the same tonic as a major one. C major and C minor.
B flat Cornet Flugel Horn Transposition
Tempo
Tonic Minor
Retrograde
34. G- G
Tenor Clef
Pulse
Mixolydian
B flat Cornet Flugel Horn Transposition
35. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
C instruments
Consonance
Polyphonic
AOSA
36. Tone color or quality of sound.
Imitation
Blues
8
Timbre
37. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Natural Minor Scale
Contrary motion
Appoggiaturas
Semitone
38. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Cross Rhythm
Mediant
Passing Notes
Homophonic
39. Between 2/3 - 5/6 - 7/8
8
Harmonic Minor Scale Semitones
Alto Clef
Riff
40. Sounds minor seventh higher.
Note that is transposing figured around
B flat Soprano Saxophone Transposition
Alberti Bass
Development
41. C- C
Register
Ionian
B flat Bass Transposition
Primary Triads
42. Pick up bar.
Baritone - Euphonium - Tenor Trombone Transposition
Tenor Clef
Hornbostel - Sachs System of Musical Instruments Classification
Anacrusis
43. Music with a single melody line and no harmony.
Monophonic
Kodaly
Ionian
Subdominant
44. Sounds Major 9th lower. i.e. major second + octave
Stretto
Development
Baritone - Euphonium - Tenor Trombone Transposition
Harmony
45. Sounds major 13th lower. i.e. major sixth + octave
Accompaniment
E flat Bass/E flat Baritone Saxophone Transposition
Real Sequence
Timbre
46. American String Teachers Assocation
ASTA
Notes of Anticipation
Coda
Imperfect Cadence
47. Maelzel's Metronome
Ternary Form
Pentatonic Scale
Harmonic Sequences
MM
48. Part of the total pitch range of an instrument that has a distinctive quality.
Register
Canon
Alberti Bass
Tonality
49. Glissando in vocal music
Instruments that transpose at the octave
Harmony
Portamento
Subdominant
50. Exercises played by beginning pianists using only five consecutive notes of the scale.
Register
Hammer on
Fanfare
Five finger exercise