SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Tonic Minor
Hammer on
Tenor
C Clefs
2. Bed post - double reed - connected with a bocal
ACDA
Semitone
Tonic
Bassoon
3. Sixth tone in a major or minor scale
Submediant
Unrelated Chord
C Clefs
Inversion
4. C- C
Irregular rhythm
E flat Soprano Cornet Transposition
Timbre
Ionian
5. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
French Horn Transposition
Tempo
Phrase
Cadence
6. How high or low a note is.
Pull off
Pitch
Sequence
Natural Minor Scale
7. American Orff - Schulwerk Association
Hornbostel - Sachs System of Musical Instruments Classification
Interrupted Cadence
Chromatic
AOSA
8. Scale made entirely of semitones.
Stretto
Plagal Cadence
Bassoon
Chromatic Scale
9. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Notes of Anticipation
Melodic Sequences
Dorian Mode
Arpeggio
10. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Hocket
Interval
Dalcroze
5%
11. A B A C A. Usually sections B and C are in a different key.
Melody
Hocket
Rondo Form
Programme Music
12. Second melody above or below the main melody. Descant is a type of countermelody.
Rhythm
Ionian
Countermelody
Diminished
13. Part of the total pitch range of an instrument that has a distinctive quality.
Register
Tonal Sequence
Tempo
Imitation
14. Consists entirely of whole steps.
Auxiliary Notes
Contrary motion
Whole Tone Scale
Natural Minor Scale
15. Bars of music before the main tune begins.
A instruments
Harmony
Harmonic Minor Scale Semitones
Introduction
16. B- B
Locrian
Interval
Riff
E flat Bass/E flat Baritone Saxophone Transposition
17. Occur in all parts.
Dissonance
Harmonic Sequences
Binary form
A instruments
18. Only occur in the melody over an independent bass.
Melodic Sequences
Phrase
Programme Music
Arco
19. Sounds major 16th lower. i.e. major second + two octaves
Major Scale Semitones
Phrygian
French Horn Transposition
B flat Bass Transposition
20. I - IV - V
Primary Triads
Hammer on
Texture
Harmony
21. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Bye - tones
Passing Notes
ACDA
Bennet Reimer
22. Seventh tone in a major or minor scale
JRME
Enharmonic
Leading Note
Tenor
23. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Fanfare
Kodaly Method
Chromatic Scale
Bassoon
24. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Alberti Bass
Five finger exercise
Introduction
Pull off
25. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Melody
Rhythmic Imitation
Reasons for Transposing
Homophonic
26. Second tone in a major/minor scale
Semitone
Supertonic
Consonance
Register
27. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
Accent
Smear
Fanfare
Inverted Pedal
28. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Polyphonic
45
Whole Tone Scale
Phrygian
29. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Pitch
Cross Rhythm
Fragmentation
B flat Bass Transposition
30. Sharpened leading note ascending and descending
Semitone
Harmonic Minor Scale
Tenor Clef
Subdominant
31. Based on a chord pattern using primary chords (I IV V).
Rhythm
Imitation by Inversion
Blues
Whole Tone Scale
32. Developing a phrase or motif by making it longer.
Supertonic
Extension
Irregular rhythm
Passing Notes
33. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Interrupted Cadence
Motif
Gordon's Music Learning Theory
Consonance
34. Occurs when a phrase is repeated immediately at exactly the same pitch.
Blues
Melodic Sequences
Diminution
Repetition
35. Instruction to use the bow after a plucked passage of music.
Monophonic
Arco
Note that is transposing figured around
Passing Notes
36. Ending section designed to round off a musical composition.
Coda
MM
Hocket
JRME
37. Distance between any two notes
Harmonic Minor Scale Semitones
Interval
Phrygian
Cadence
38. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
ASTA
B flat instruments
Dalcroze
Binary form
39. Middle C
Pulse
Accidentals
Stretto
Note that is transposing figured around
40. Alto and tenor clefs
Polyphonic
Note that is transposing figured around
C Clefs
Alberti Bass
41. Highest natural adult male voice
Register
Tenor
Ostinato
Bare chord
42. Needs to be written a minor third higher.
A instruments
Natural Minor Scale
Programme Music
Arpeggio
43. Where a composer imitates a passage - but the second part enters before the first part has ended.
Rhythm
Stretto
B flat Soprano Saxophone Transposition
Diminution
44. Sharpened 6 and 7 - but reverted to naturals when descending
Ionian
Real Sequence
E flat Tenor Horn/E flat Alto Sax Transposition
Melodic Minor Scale
45. F- F
C instruments
Pulse
Lydian
Supertonic
46. Come at the end of a passage and anticipate the final chord.
Notes of Anticipation
Alberti Bass
Glissando
Articulation
47. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Anacrusis
5
Irregular rhythm
45
48. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
B flat instruments
Real Sequence
B flat Bass Transposition
French Horn Transposition
49. Come between notes of the same pitch - either a note higher or note lower.
Relative (Major/Minor)
Ionian
Kodaly
Auxiliary Notes
50. IV - I
Articulation
ASTA
Arpeggio
Plagal Cadence