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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Between 2/3 - 5/6 - 7/8
Leading Note
Fragmentation
Imitation by Inversion
Harmonic Minor Scale Semitones
2. How high or low a note is.
Alberti Bass
Pitch
Submediant
Fanfare
3. Maelzel's Metronome
MM
Smear
Harmonic Minor Scale Semitones
Chromatic
4. Alternate singing or playing by different groups.
Harmonic
Antiphonal
MM
Polytonality
5. American Orff - Schulwerk Association
Retrograde
Melodic Minor Scale
Rubato
AOSA
6. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Binary form
Locrian
B flat instruments
Dalcroze
7. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Kodaly Method
Retrograde
Inversion
Canon
8. If the pedal is in any part other than the bass.
Pentatonic Scale
Bassoon
Inverted Pedal
Bennet Reimer
9. Chord without a third.
Subdominant
Atonal
Pull off
Bare chord
10. Chord that is in a different key to the one before it with no notes in common.
C instruments
Unrelated Chord
Programme Music
Dorian Mode
11. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Dissonance
Blues
Kodaly Method
Primary Triads
12. Unessential note that forms part of the harmony
Bye - tones
Phrygian
Primary Triads
Rubato
13. Breaking of a theme into segments in order to develop it
Irregular rhythm
Fragmentation
Reasons for Transposing
Submediant
14. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Harmonic Sequences
Figured Bass
Retrograde
Hornbostel - Sachs System of Musical Instruments Classification
15. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Articulation
Blues
Pentatonic Scale
ASCAP
16. Second melody above or below the main melody. Descant is a type of countermelody.
Contrary motion
Countermelody
Melodic Minor Scale
Augmented
17. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Appoggiaturas
Comenius
Passing Notes
Rhythmic Imitation
18. Simultaneous use of two or more keys.
ABA
Polytonality
Programme Music
Five finger exercise
19. Fourth tone in a major/minor scale
Glissando
A instruments
Subdominant
MM
20. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Homophonic
Development
Chromatic
B flat instruments
21. Instruction to use the bow after a plucked passage of music.
Monophonic
Imitation
Arco
Polytonality
22. Part of the total pitch range of an instrument that has a distinctive quality.
Register
Perfect Cadence
Whole Tone Scale
Timbre
23. Key note. Tonic of C major is C. The tonic triad is C E G.
Countermelody
Tonic
Diminished
Concert pitch
24. American Society of Composers - Authors - and Publishers
ASCAP
B flat Bass Transposition
Contrary motion
Rondo Form
25. C clef used by the viola. C is on the middle line.
Supertonic
MM
Binary form
Alto Clef
26. Rate of speed at which a musical composition is to be played.
Atonal
Tempo
Chromatic
Cadence
27. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Syncopation
Enharmonic
Bennet Reimer
Hocket
28. D- D
Dorian Mode
Bare chord
Bassoon
Chromatic
29. Sounds a minor third higher.
Tonality
B flat Cornet Flugel Horn Transposition
E flat Soprano Cornet Transposition
Extension
30. Phrase is imitated by turning it upsidedown.
Rhythmic displacement
Primary Triads
Imitation by Inversion
Syncopation
31. Piccolo - Guitar - Bass Guitar
Blues
ASTA
Phrase
Instruments that transpose at the octave
32. Short - constantly repeated motif. Usually - but not always in the bass.
Note that is transposing figured around
Ostinato
B flat Soprano Saxophone Transposition
Blues
33. Combination of aggreable tones.
Register
Harmonic
Consonance
Inversion
34. Where a composer imitates a passage - but the second part enters before the first part has ended.
Stretto
Tempo
Relative (Major/Minor)
Canon
35. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Dorian Mode
Reasons for Transposing
Perfect Cadence
E flat Soprano Cornet Transposition
36. A- A
Five finger exercise
Whole Tone Scale
Aeolian
Rhythmic displacement
37. Middle C
Harmonic
Alto Clef
Interrupted Cadence
Note that is transposing figured around
38. Sounds major 16th lower. i.e. major second + two octaves
Kodaly Method
Stretto
Relative (Major/Minor)
B flat Bass Transposition
39. Needs to be written a minor third higher.
Countermelody
A instruments
Melodic Minor Scale
Melody
40. Interval of less than a semitone
Ostinato
Homophonic
Microtone
Dissonance
41. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Programme Music
Sequence
Harmonic Sequences
Consonance
42. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Chromatic
Phrase
Pull off
ACDA
43. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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44. Pick up bar.
Anacrusis
French Horn Transposition
Tonal Sequence
Smear
45. Based on a chord pattern using primary chords (I IV V).
Diminution
Atonal
Aeolian
Blues
46. Fifth tone in a major or minor scale.
Dominant
Perfect Cadence
Pitch
Repetition
47. C- C
Inversions of chords
Tonal Sequence
Absolute Music
Ionian
48. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Texture
Relative (Major/Minor)
Unrelated Chord
Melody
49. Made smaller.
Inversions of chords
Friedrich Froebel
Diminution
Diminished
50. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Irregular rhythm
Unrelated Chord
Pedal Point
Development