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Test your basic knowledge |
Praxis II Music Education Vocab
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Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Needs to be written a minor third higher.
A instruments
Programme Music
Fanfare
Diminution
2. Ending section designed to round off a musical composition.
Instruments that transpose at the octave
Bare chord
Ostinato
Coda
3. C clef used by the viola. C is on the middle line.
Chromatic Scale
Mediant
Alto Clef
Polytonality
4. Fourth tone in a major/minor scale
Imitation
Subdominant
Locrian
Retrograde
5. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Tenor Clef
Extension
Cross Rhythm
Gordon's Music Learning Theory
6. A composition or part of a composition that can be performed backwards as well as forwards.
Leading Note
Retrograde
Chromatic Scale
Tonality
7. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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8. Only the rhythm of a passage is imitated - not the melody.
Inverted Pedal
Harmonic Sequences
Rhythmic Imitation
Atonal
9. Alternate singing or playing by different groups.
Antiphonal
Anacrusis
Smear
Pedal Point
10. Actual pitch at which an instrument sounds.
Countermelody
Concert pitch
Portamento
ASCAP
11. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Cor Anglais Transposition
Motif
Homophonic
Kodaly
12. General music is required until grade...
Melodic Minor Scale
Augmentation
8
Kodaly Method
13. Bars of music before the main tune begins.
Syncopation
Friedrich Froebel
French Horn Transposition
Introduction
14. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Dalcroze
Dominant
Comenius
Contrary motion
15. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Rubato
Binary form
Polyphonic
Chromatic Scale
16. Simultaneous use of two or more keys.
Tenor Clef
Kodaly
Five finger exercise
Polytonality
17. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Primary Triads
Development
Diminution
Absolute Music
18. Repetition of a musical idea at a higher or lower pitch.
C Clefs
Sequence
Timbre
Chromatic
19. Developing a phrase or motif by making it longer.
Programme Music
French Horn Transposition
Extension
B flat instruments
20. D- D
Dissonance
Dorian Mode
French Horn Transposition
Harmonic
21. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Dissonance
Imperfect Cadence
Repetition
E flat Soprano Cornet Transposition
22. American Society of Composers - Authors - and Publishers
Inversion
Unrelated Chord
Introduction
ASCAP
23. Fifth tone in a major or minor scale.
Aeolian
Dominant
Rubato
E flat Bass/E flat Baritone Saxophone Transposition
24. Used to give a more melodic bass part and to give variety to the music.
Monophonic
French Horn Transposition
Inversions of chords
Kodaly Method
25. Come at the end of a passage and anticipate the final chord.
A instruments
Notes of Anticipation
Whole Tone Scale
Dominant
26. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Comenius
Monophonic
Lydian
Melodic Minor Scale
27. Stress placed on a particular note in relation to others around it.
Hammer on
Coda
B flat instruments
Accent
28. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Motif
Passing Notes
B flat instruments
Accent
29. G- G
Alberti Bass
Polyphonic
Mixolydian
B flat Bass Transposition
30. Flutes - oboes - bassoons - trombones - tubas - string instruments
Plagal Cadence
Diminished
C instruments
Arco
31. Musical shaping and phrasing. Marks include staccato - legato - accent.
Articulation
Retrograde
Cross Rhythm
Tenor Clef
32. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Kodaly Method
Perfect Cadence
Pedal Point
Polyphonic
33. Short - constantly repeated motif. Usually - but not always in the bass.
Rondo Form
Rubato
Riff
Ostinato
34. Sounds major second lower. Same as B flat trumpets.
B flat Cornet Flugel Horn Transposition
Kodaly Method
E flat Tenor Horn/E flat Alto Sax Transposition
Alto Clef
35. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Pentatonic Scale
Semitone
Pulse
Bassoon
36. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Repetition
Microtone
Timbre
Chromatic
37. Journal of Research for Music Education
Rhythmic Imitation
Articulation
JRME
ASTA
38. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Melodic Minor Scale
Alberti Bass
Auxiliary Notes
Appoggiaturas
39. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Blues
Alberti Bass
Subdominant
Motif
40. Between 2/3 - 5/6 - 7/8
Instruments that transpose at the octave
Hammer on
Harmonic Minor Scale Semitones
Cross Rhythm
41. Made larger.
Stretto
B flat instruments
Augmented
Perfect Cadence
42. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Lydian
Melody
Development
Polytonality
43. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Motif
Lydian
Contrary motion
C instruments
44. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Aeolian
Motif
Notes of Anticipation
Passing Notes
45. Sounds a perfect fifth lower than it is written. Music is written without a key.
Repetition
ACDA
French Horn Transposition
Melodic Minor Scale
46. Increasing the note values of a musical theme - usually to twice their value.
Harmonic
Augmentation
Hammer on
Augmented
47. How high or low a note is.
Binary form
Pitch
Smear
Real Sequence
48. Natural Pitch
Auxiliary Notes
45
Natural Minor Scale
Diminution
49. American Choral Director's Association
Syncopation
ACDA
Dorian Mode
B flat Cornet Flugel Horn Transposition
50. Second melody above or below the main melody. Descant is a type of countermelody.
Countermelody
Arpeggio
Atonal
Syncopation