SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Increasing the note values of a musical theme - usually to twice their value.
Augmentation
Dalcroze
Tonal Sequence
Whole Tone Scale
2. Sounds major 16th lower. i.e. major second + two octaves
B flat Bass Transposition
A instruments
Alto Clef
Locrian
3. Another word for key.
Tonality
Dissonance
Irregular rhythm
Rhythm
4. Part of the total pitch range of an instrument that has a distinctive quality.
ASCAP
Register
Aeolian
Five finger exercise
5. Sharpened 6 and 7 - but reverted to naturals when descending
Tempo
Melodic Minor Scale
Tenor Clef
Binary form
6. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Imperfect Cadence
Whole Tone Scale
Glissando
Augmented
7. Rhythms that constantly change or are grouped in a different way.
Irregular rhythm
Bassoon
Note that is transposing figured around
Accidentals
8. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Diminution
Atonal
Semitone
Hocket
9. Sounds a perfect fifth lower than it is written. Music is written with a key.
Supertonic
Riff
Cor Anglais Transposition
Lydian
10. Sounds major 13th lower. i.e. major sixth + octave
Hammer on
Register
Reasons for Transposing
E flat Bass/E flat Baritone Saxophone Transposition
11. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Fragmentation
Harmonic
Rhythmic Imitation
Coda
12. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Semitone
B flat instruments
Phrygian
Harmony
13. Occurs when a phrase is repeated immediately at exactly the same pitch.
Repetition
Primary Triads
Development
AOSA
14. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Ternary Form
5%
B flat Cornet Flugel Horn Transposition
Monophonic
15. Sounds Major 9th lower. i.e. major second + octave
C instruments
Polytonality
Baritone - Euphonium - Tenor Trombone Transposition
Coda
16. Distance between any two notes
Contrary motion
Auxiliary Notes
Major Scale Semitones
Interval
17. Sounds a perfect fifth lower than it is written. Music is written without a key.
Passing Notes
Auxiliary Notes
Five finger exercise
French Horn Transposition
18. Two conflicting rhythms used at the same time. Also known as polyrhythm.
ASCAP
Note that is transposing figured around
Inversions of chords
Cross Rhythm
19. Bars of music before the main tune begins.
Figured Bass
Cadence
Introduction
Notes of Anticipation
20. Fourth tone in a major/minor scale
Kodaly Method
Unrelated Chord
Subdominant
Tonic Minor
21. Breaking of a theme into segments in order to develop it
Fragmentation
Melody
Accented Passing Note
Diminished
22. Second melody above or below the main melody. Descant is a type of countermelody.
Aeolian
Countermelody
Diminished
Chromatic
23. Sounds major sixth lower. Written with key signature.
Figured Bass
E flat Tenor Horn/E flat Alto Sax Transposition
Note that is transposing figured around
Texture
24. If the pedal is in any part other than the bass.
Inverted Pedal
Motif
Fanfare
Cross Rhythm
25. E- E
Phrygian
Sequence
Kodaly
Antiphonal
26. Tone color or quality of sound.
Timbre
Texture
Ostinato
Absolute Music
27. American Bandmaster's Association
Syncopation
Whole Tone Scale
Harmonic Minor Scale Semitones
ABA
28. An unessential note that falls on the beat
Arpeggio
Portamento
ABA
Accented Passing Note
29. Maelzel's Metronome
MM
Programme Music
Imitation by Inversion
B flat instruments
30. American Choral Director's Association
Repetition
ACDA
Locrian
Note that is transposing figured around
31. Come at the end of a passage and anticipate the final chord.
Primary Triads
Notes of Anticipation
Imitation
Harmonic Minor Scale Semitones
32. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
ACDA
Bye - tones
Contrary motion
Fanfare
33. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
34. Flutes - oboes - bassoons - trombones - tubas - string instruments
Rhythmic displacement
Portamento
Supertonic
C instruments
35. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Kodaly
Sequence
Harmonic Minor Scale
Kodaly Method
36. Alternate singing or playing by different groups.
Cross Rhythm
Irregular rhythm
Antiphonal
Rondo Form
37. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Hocket
Bye - tones
Development
Notes of Anticipation
38. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Relative (Major/Minor)
Melody
Rhythm
Bassoon
39. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
45
C instruments
Major Scale Semitones
ASTA
40. Repeating a rhythm in a different part of the bar.
Tenor Clef
Auxiliary Notes
Rhythmic displacement
Hocket
41. Simultaneous use of two or more keys.
Gordon's Music Learning Theory
Polytonality
Phrase
Mixolydian
42. Repetition by one or more different voices of a phrase.
Texture
Imitation
Submediant
Sequence
43. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Hornbostel - Sachs System of Musical Instruments Classification
Harmonic Minor Scale Semitones
Fanfare
Accompaniment
44. Instruction on string instruments begins no later than grade...
5
Tonality
Accented Passing Note
Bassoon
45. Developing a phrase or motif by making it longer.
Register
Harmonic Minor Scale
Extension
Harmonic Sequences
46. Come between notes of the same pitch - either a note higher or note lower.
C Clefs
Interval
Auxiliary Notes
Tonal Sequence
47. Second tone in a major/minor scale
Anacrusis
Supertonic
Imitation
Bare chord
48. Only the rhythm of a passage is imitated - not the melody.
Homophonic
Rhythmic Imitation
Tonic Minor
Unrelated Chord
49. V - I
Perfect Cadence
Tonic Minor
Dalcroze
Diminution
50. A B A C A. Usually sections B and C are in a different key.
Rondo Form
Tonality
Dominant
Extension