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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Rhythmic displacement
Pedal Point
E flat Bass/E flat Baritone Saxophone Transposition
Register
2. Repetition of a musical idea at a higher or lower pitch.
Sequence
Rhythm
Fragmentation
Notes of Anticipation
3. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Introduction
Arco
Absolute Music
Register
4. Key note. Tonic of C major is C. The tonic triad is C E G.
Semitone
ACDA
Instruments that transpose at the octave
Tonic
5. Chord that is in a different key to the one before it with no notes in common.
Cor Anglais Transposition
B flat Cornet Flugel Horn Transposition
Melody
Unrelated Chord
6. Sharpened 6 and 7 - but reverted to naturals when descending
Melodic Minor Scale
Pentatonic Scale
B flat Bass Transposition
Polytonality
7. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Reasons for Transposing
Introduction
Friedrich Froebel
Portamento
8. Fourth tone in a major/minor scale
Subdominant
Tenor Clef
Inversions of chords
Pull off
9. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Contrary motion
Bassoon
Pedal Point
Syncopation
10. B- B
Locrian
Programme Music
Anacrusis
5%
11. Repeating a theme or motif with notes of smaller value (usually half)
Sequence
Diminution
Pull off
Interval
12. Increasing the note values of a musical theme - usually to twice their value.
Augmentation
ACDA
Accompaniment
Relative (Major/Minor)
13. A B A C A. Usually sections B and C are in a different key.
Rondo Form
JRME
Bassoon
Syncopation
14. Rate of speed at which a musical composition is to be played.
Tempo
Monophonic
Inverted Pedal
Cor Anglais Transposition
15. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Riff
Unrelated Chord
Glissando
Accented Passing Note
16. Sounds major 16th lower. i.e. major second + two octaves
Dalcroze
E flat Soprano Cornet Transposition
Programme Music
B flat Bass Transposition
17. Piccolo - Guitar - Bass Guitar
Antiphonal
Note that is transposing figured around
Instruments that transpose at the octave
Imitation
18. Exercises played by beginning pianists using only five consecutive notes of the scale.
Coda
Imperfect Cadence
Five finger exercise
Cadence
19. American Choral Director's Association
ACDA
Baritone - Euphonium - Tenor Trombone Transposition
Appoggiaturas
Canon
20. I - V ii - V IV - V
Texture
B flat Cornet Flugel Horn Transposition
Imperfect Cadence
Tonic Minor
21. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Aeolian
Tonal Sequence
Tonic Minor
Tenor Clef
22. Background support for a melody.
Accompaniment
Glissando
Melody
Gordon's Music Learning Theory
23. Middle C
Repetition
Note that is transposing figured around
Extension
Supertonic
24. Sixth tone in a major or minor scale
ABA
Submediant
C Clefs
Accompaniment
25. Turning upside down. Change of the relative position of an interval - chord - or melody.
Pentatonic Scale
Inversion
Anacrusis
Cadence
26. Sharpened leading note ascending and descending
Melodic Sequences
5%
Harmonic Minor Scale
Hammer on
27. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Tenor Clef
Rubato
Portamento
ASCAP
28. Minor key with the same tonic as a major one. C major and C minor.
Passing Notes
Natural Minor Scale
Tonic Minor
Appoggiaturas
29. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Pentatonic Scale
Passing Notes
Whole Tone Scale
Baritone - Euphonium - Tenor Trombone Transposition
30. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
ABA
ASCAP
MM
Glissando
31. Without key center
Appoggiaturas
Atonal
A instruments
Tonic Minor
32. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Melody
Hocket
Mixolydian
Tonality
33. Alternate singing or playing by different groups.
Antiphonal
Tonic
Semitone
Inverted Pedal
34. Instruction to use the bow after a plucked passage of music.
Melodic Sequences
Tonality
Pitch
Arco
35. Sounds major sixth lower. Written with key signature.
E flat Tenor Horn/E flat Alto Sax Transposition
Augmented
B flat instruments
Gordon's Music Learning Theory
36. General music is required until grade...
8
Coda
Hocket
Passing Notes
37. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
MM
Canon
Motif
Ostinato
38. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Rubato
Tempo
Relative (Major/Minor)
Pentatonic Scale
39. V - I
Perfect Cadence
Ostinato
Countermelody
Homophonic
40. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Melodic Minor Scale
Bare chord
Cadence
Tenor Clef
41. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Mixolydian
Rhythmic Imitation
Rhythmic displacement
Dalcroze
42. Interval of less than a semitone
Microtone
Chromatic
JRME
Alto Clef
43. Third tone in a major or minor scale
Comenius
Mediant
Pitch
Canon
44. Sounds major 13th lower. i.e. major sixth + octave
Pedal Point
Reasons for Transposing
E flat Bass/E flat Baritone Saxophone Transposition
Pulse
45. Unessential note that forms part of the harmony
Bare chord
Augmented
Augmentation
Bye - tones
46. If the pedal is in any part other than the bass.
Monophonic
Accented Passing Note
C Clefs
Inverted Pedal
47. Musical shaping and phrasing. Marks include staccato - legato - accent.
Relative (Major/Minor)
ASTA
5
Articulation
48. An unessential note that falls on the beat
Arpeggio
Mixolydian
Accented Passing Note
Fragmentation
49. Short - constantly repeated motif. Usually - but not always in the bass.
Sequence
E flat Bass/E flat Baritone Saxophone Transposition
Motif
Ostinato
50. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Bennet Reimer
Hammer on
Atonal
Inversion