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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Developing a phrase or motif by making it longer.
B flat instruments
Tenor Clef
Primary Triads
Extension
2. Musical shaping and phrasing. Marks include staccato - legato - accent.
Cadence
ASTA
Articulation
E flat Tenor Horn/E flat Alto Sax Transposition
3. American Choral Director's Association
ACDA
Enharmonic
Augmentation
Countermelody
4. Bars of music before the main tune begins.
Fanfare
Introduction
AOSA
Tenor
5. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Polyphonic
Accompaniment
Five finger exercise
JRME
6. Fourth tone in a major/minor scale
Register
Contrary motion
Tenor
Subdominant
7. Made larger.
Mediant
ASTA
Augmented
Appoggiaturas
8. V - I
Bare chord
Perfect Cadence
Melodic Minor Scale
Timbre
9. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Dalcroze
Absolute Music
ACDA
Tempo
10. American String Teachers Assocation
Glissando
Repetition
Diminished
ASTA
11. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Harmonic
Ternary Form
Rhythmic Imitation
Chromatic Scale
12. V - vi
Enharmonic
Leading Note
Chromatic Scale
Interrupted Cadence
13. Repeating a theme or motif with notes of smaller value (usually half)
French Horn Transposition
Pedal Point
Anacrusis
Diminution
14. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Polyphonic
Appoggiaturas
B flat instruments
Riff
15. Alto and tenor clefs
C Clefs
Harmonic Minor Scale
Diminished
Comenius
16. Sounds Major 9th lower. i.e. major second + octave
Microtone
Rhythm
Baritone - Euphonium - Tenor Trombone Transposition
E flat Soprano Cornet Transposition
17. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Tonality
Arpeggio
Smear
Alberti Bass
18. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Leading Note
Accompaniment
French Horn Transposition
Kodaly Method
19. B- B
Imitation by Inversion
Locrian
B flat Bass Transposition
Pulse
20. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Perfect Cadence
Mixolydian
Chromatic
5
21. Repetition of a musical idea at a higher or lower pitch.
Perfect Cadence
Note that is transposing figured around
Sequence
ACDA
22. Interval of less than a semitone
Microtone
Inversion
Bassoon
Retrograde
23. Sounds major second lower. Same as B flat trumpets.
Natural Minor Scale
Harmonic Sequences
Timbre
B flat Cornet Flugel Horn Transposition
24. A- A
Consonance
Tenor
Major Scale Semitones
Aeolian
25. Pick up bar.
Instruments that transpose at the octave
Anacrusis
B flat instruments
Aeolian
26. Third tone in a major or minor scale
Mediant
Ternary Form
Homophonic
ASCAP
27. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Introduction
Bare chord
Absolute Music
Canon
28. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
5
Lydian
5%
Dissonance
29. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Comenius
Augmentation
Retrograde
Aeolian
30. I - IV - V
Contrary motion
Primary Triads
E flat Soprano Cornet Transposition
E flat Bass/E flat Baritone Saxophone Transposition
31. Stress placed on a particular note in relation to others around it.
Comenius
Extension
Accent
Anacrusis
32. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Perfect Cadence
Motif
Melody
Lydian
33. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Hornbostel - Sachs System of Musical Instruments Classification
Binary form
Perfect Cadence
C Clefs
34. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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35. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Figured Bass
Timbre
Antiphonal
Tonal Sequence
36. Without key center
Fragmentation
Atonal
Leading Note
Chromatic Scale
37. Tones that sound alike but have different names (C sharp and D flat)
JRME
Baritone - Euphonium - Tenor Trombone Transposition
Whole Tone Scale
Enharmonic
38. Glissando in vocal music
Portamento
Comenius
Introduction
Melodic Sequences
39. Journal of Research for Music Education
JRME
Dominant
8
Rhythm
40. Based on a chord pattern using primary chords (I IV V).
Microtone
Blues
Arpeggio
Concert pitch
41. Background support for a melody.
Phrase
Chromatic Scale
Accompaniment
Primary Triads
42. Three part musical form created by repeating the first section without changing. A B A.
Ternary Form
Natural Minor Scale
Augmentation
Accented Passing Note
43. IV - I
Tonic Minor
Bassoon
Tenor Clef
Plagal Cadence
44. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Dissonance
Motif
Development
Riff
45. A B A C A. Usually sections B and C are in a different key.
Rondo Form
Melodic Minor Scale
Inverted Pedal
Dorian Mode
46. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Submediant
Rhythm
Friedrich Froebel
Harmonic Minor Scale
47. Second tone in a major/minor scale
Accompaniment
Supertonic
Semitone
Dissonance
48. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Augmentation
Contrary motion
Smear
Dalcroze
49. Sounds major sixth lower. Written with key signature.
E flat Tenor Horn/E flat Alto Sax Transposition
Major Scale Semitones
Interrupted Cadence
Extension
50. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
5%
Cor Anglais Transposition
Phrase
Accompaniment