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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Repeating a rhythm in a different part of the bar.
Major Scale Semitones
Aeolian
Rhythmic displacement
ASCAP
2. Maelzel's Metronome
MM
Mediant
Programme Music
Arco
3. Musical shaping and phrasing. Marks include staccato - legato - accent.
Canon
Bye - tones
Microtone
Articulation
4. American String Teachers Assocation
Alberti Bass
Plagal Cadence
Harmonic Sequences
ASTA
5. I - V ii - V IV - V
Homophonic
Semitone
Imperfect Cadence
E flat Soprano Cornet Transposition
6. Interval of less than a semitone
Microtone
Relative (Major/Minor)
Pull off
Augmented
7. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Introduction
Development
Bare chord
B flat instruments
8. Second tone in a major/minor scale
E flat Bass/E flat Baritone Saxophone Transposition
Antiphonal
Supertonic
Rondo Form
9. V - I
Perfect Cadence
Rhythmic Imitation
Canon
Extension
10. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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11. F- F
Irregular rhythm
Lydian
Syncopation
Major Scale Semitones
12. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Leading Note
Atonal
Canon
Binary form
13. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Dalcroze
E flat Soprano Cornet Transposition
Imitation by Inversion
Development
14. C- C
Accidentals
Ionian
Melody
Alto Clef
15. Exact transposition of each note in a sequence.
Real Sequence
Imitation
Kodaly
Enharmonic
16. Piccolo - Guitar - Bass Guitar
Locrian
Pitch
Programme Music
Instruments that transpose at the octave
17. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
B flat instruments
Fragmentation
Pentatonic Scale
Pitch
18. Occur in all parts.
Submediant
Harmonic Sequences
Smear
A instruments
19. Sounds minor seventh higher.
Fanfare
Rondo Form
B flat Soprano Saxophone Transposition
Alberti Bass
20. Sounds a minor third higher.
E flat Soprano Cornet Transposition
Diminution
Inverted Pedal
Rondo Form
21. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Riff
Kodaly
Introduction
Accidentals
22. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Articulation
Accent
Comenius
Inversions of chords
23. Natural Pitch
Rubato
Augmentation
Natural Minor Scale
Canon
24. Highest natural adult male voice
Dominant
Tenor
B flat Bass Transposition
A instruments
25. G- G
Alto Clef
Alberti Bass
Mixolydian
Countermelody
26. Part of the total pitch range of an instrument that has a distinctive quality.
Inversion
Kodaly Method
Comenius
Register
27. Exercises played by beginning pianists using only five consecutive notes of the scale.
Consonance
Arco
Five finger exercise
Irregular rhythm
28. Second melody above or below the main melody. Descant is a type of countermelody.
B flat Soprano Saxophone Transposition
B flat Bass Transposition
E flat Bass/E flat Baritone Saxophone Transposition
Countermelody
29. Actual pitch at which an instrument sounds.
ASCAP
Motif
Passing Notes
Concert pitch
30. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Hocket
Diminution
Imperfect Cadence
Harmonic Minor Scale Semitones
31. Sounds a perfect fifth lower than it is written. Music is written without a key.
Cadence
French Horn Transposition
Tenor
Appoggiaturas
32. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Concert pitch
Melody
Hocket
Primary Triads
33. Increasing the note values of a musical theme - usually to twice their value.
Augmentation
Consonance
Imperfect Cadence
AOSA
34. Chord without a third.
Baritone - Euphonium - Tenor Trombone Transposition
Bare chord
Pedal Point
Notes of Anticipation
35. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Arpeggio
Polyphonic
E flat Bass/E flat Baritone Saxophone Transposition
Locrian
36. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Passing Notes
Pedal Point
Perfect Cadence
Harmonic
37. Repetition by one or more different voices of a phrase.
Pentatonic Scale
Imitation
Mixolydian
MM
38. Instruction on string instruments begins no later than grade...
Tenor Clef
Unrelated Chord
C Clefs
5
39. General music is required until grade...
Dominant
8
Chromatic
Arco
40. Occurs when a phrase is repeated immediately at exactly the same pitch.
Chromatic
Repetition
Natural Minor Scale
C instruments
41. American Choral Director's Association
B flat Bass Transposition
Harmonic
ACDA
Dorian Mode
42. Short - constantly repeated motif. Usually - but not always in the bass.
Pulse
Extension
Ostinato
Ternary Form
43. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Development
Imitation
B flat instruments
Phrygian
44. Rate of speed at which a musical composition is to be played.
Tempo
Harmonic Sequences
Mediant
AOSA
45. Fourth tone in a major/minor scale
Subdominant
Timbre
Kodaly
Dalcroze
46. Minor key with the same tonic as a major one. C major and C minor.
Tonic Minor
Tonic
Programme Music
ASTA
47. Bars of music before the main tune begins.
8
Introduction
Interrupted Cadence
45
48. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Bye - tones
Portamento
Friedrich Froebel
Chromatic
49. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Glissando
Subdominant
Motif
Pedal Point
50. Between 3/4 and 7/8
Harmonic Minor Scale Semitones
Major Scale Semitones
Instruments that transpose at the octave
Pull off