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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Polytonality
Consonance
Phrase
Plagal Cadence
2. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
Alto Clef
Accented Passing Note
Fanfare
Notes of Anticipation
3. Part of the total pitch range of an instrument that has a distinctive quality.
Phrygian
Polyphonic
Register
Kodaly
4. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Hammer on
Notes of Anticipation
Chromatic Scale
Appoggiaturas
5. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Figured Bass
Real Sequence
Kodaly Method
Pulse
6. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Retrograde
E flat Bass/E flat Baritone Saxophone Transposition
5%
Rubato
7. Second melody above or below the main melody. Descant is a type of countermelody.
Consonance
Countermelody
Inversion
Hammer on
8. Repeating a theme or motif with notes of smaller value (usually half)
Accent
45
Diminution
Tempo
9. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Harmonic Minor Scale Semitones
Antiphonal
Glissando
Binary form
10. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Interval
Chromatic Scale
B flat instruments
ACDA
11. Accenting of a beat that is not normally accented
Major Scale Semitones
Syncopation
Comenius
Cor Anglais Transposition
12. Glissando in jazz music
ASCAP
Smear
Ternary Form
Baritone - Euphonium - Tenor Trombone Transposition
13. Third tone in a major or minor scale
Mediant
MM
Passing Notes
Melodic Minor Scale
14. Organization of musical notes in time.
Inverted Pedal
Mixolydian
Rhythm
Five finger exercise
15. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Homophonic
5
Pull off
Atonal
16. An unessential note that falls on the beat
Rhythmic Imitation
Imitation by Inversion
Accented Passing Note
Tonal Sequence
17. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Coda
Contrary motion
ACDA
Pedal Point
18. Only occur in the melody over an independent bass.
Sequence
Melodic Sequences
Introduction
Gordon's Music Learning Theory
19. Highest natural adult male voice
Leading Note
Chromatic
Tenor
Harmonic Sequences
20. Sounds major 16th lower. i.e. major second + two octaves
Rhythmic displacement
Tenor
Primary Triads
B flat Bass Transposition
21. Fourth tone in a major/minor scale
Harmony
Subdominant
Imperfect Cadence
MM
22. Only the rhythm of a passage is imitated - not the melody.
Polytonality
Rhythmic Imitation
Natural Minor Scale
Melodic Minor Scale
23. Sounds major 13th lower. i.e. major sixth + octave
E flat Bass/E flat Baritone Saxophone Transposition
Unrelated Chord
Rhythmic displacement
Arpeggio
24. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Chromatic
Reasons for Transposing
Monophonic
Register
25. Come between notes of the same pitch - either a note higher or note lower.
Auxiliary Notes
Friedrich Froebel
Canon
ACDA
26. Minor key with the same tonic as a major one. C major and C minor.
Major Scale Semitones
Passing Notes
Tonic Minor
Motif
27. Sharpened 6 and 7 - but reverted to naturals when descending
Retrograde
ASTA
Hocket
Melodic Minor Scale
28. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
AOSA
Polyphonic
C instruments
Alberti Bass
29. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Polytonality
MM
Glissando
Cadence
30. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Portamento
Kodaly
Augmentation
Harmonic Minor Scale Semitones
31. Exact transposition of each note in a sequence.
Consonance
Cor Anglais Transposition
Real Sequence
E flat Soprano Cornet Transposition
32. If the pedal is in any part other than the bass.
Inverted Pedal
Mixolydian
Harmony
Dissonance
33. Sounds minor seventh higher.
Rubato
Major Scale Semitones
B flat Soprano Saxophone Transposition
Semitone
34. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Monophonic
Imitation by Inversion
Cross Rhythm
Diminution
35. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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36. A B A C A. Usually sections B and C are in a different key.
Cadence
Rondo Form
Accompaniment
Introduction
37. Alto and tenor clefs
C Clefs
Dominant
Cross Rhythm
Blues
38. Seventh tone in a major or minor scale
Dorian Mode
Real Sequence
Countermelody
Leading Note
39. Scale made entirely of semitones.
Mixolydian
Relative (Major/Minor)
Chromatic Scale
Mediant
40. Breaking of a theme into segments in order to develop it
Imitation by Inversion
Whole Tone Scale
Fragmentation
Programme Music
41. Sounds a perfect fifth lower than it is written. Music is written with a key.
Stretto
Rhythmic displacement
Cor Anglais Transposition
Imperfect Cadence
42. Interval of less than a semitone
Homophonic
Microtone
Introduction
Hornbostel - Sachs System of Musical Instruments Classification
43. Alternate singing or playing by different groups.
B flat instruments
Antiphonal
Dissonance
Consonance
44. Repetition by one or more different voices of a phrase.
Imitation
B flat Soprano Saxophone Transposition
Chromatic
Accented Passing Note
45. Occur in all parts.
Harmonic Minor Scale Semitones
Antiphonal
Harmonic Sequences
Figured Bass
46. V - I
Anacrusis
Perfect Cadence
Inversion
Figured Bass
47. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Harmonic Minor Scale
Glissando
Passing Notes
Figured Bass
48. General music is required until grade...
Tempo
8
Mediant
Hornbostel - Sachs System of Musical Instruments Classification
49. Tones that sound alike but have different names (C sharp and D flat)
Development
Introduction
Enharmonic
Timbre
50. A composition or part of a composition that can be performed backwards as well as forwards.
Retrograde
E flat Soprano Cornet Transposition
Accompaniment
Dissonance