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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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2. Sounds a perfect fifth lower than it is written. Music is written with a key.
B flat Bass Transposition
Cor Anglais Transposition
Major Scale Semitones
Mixolydian
3. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Tenor
B flat instruments
Pentatonic Scale
Imitation
4. Accenting of a beat that is not normally accented
Friedrich Froebel
Syncopation
Consonance
Submediant
5. Used to give a more melodic bass part and to give variety to the music.
Diminished
Inversions of chords
Accompaniment
Microtone
6. An unessential note that falls on the beat
Programme Music
Accented Passing Note
Contrary motion
5%
7. American Bandmaster's Association
8
ABA
Notes of Anticipation
Portamento
8. C- C
Ionian
Concert pitch
Rubato
Accidentals
9. Developing a phrase or motif by making it longer.
Pull off
Extension
Plagal Cadence
Retrograde
10. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Passing Notes
Atonal
Motif
Phrase
11. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Pulse
Subdominant
Dorian Mode
Figured Bass
12. Occurs when a phrase is repeated immediately at exactly the same pitch.
Repetition
Note that is transposing figured around
E flat Soprano Cornet Transposition
Accent
13. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Real Sequence
Melodic Minor Scale
Comenius
Tenor Clef
14. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Cadence
Fanfare
C instruments
Chromatic
15. Sounds minor seventh higher.
Monophonic
Canon
45
B flat Soprano Saxophone Transposition
16. IV - I
Plagal Cadence
Comenius
Enharmonic
Pulse
17. Third tone in a major or minor scale
Relative (Major/Minor)
Note that is transposing figured around
Enharmonic
Mediant
18. Alternate singing or playing by different groups.
Comenius
A instruments
Antiphonal
Appoggiaturas
19. Ending section designed to round off a musical composition.
Atonal
Coda
Dalcroze
Cor Anglais Transposition
20. Without key center
Perfect Cadence
Microtone
Hocket
Atonal
21. Between 3/4 and 7/8
Semitone
AOSA
Dorian Mode
Major Scale Semitones
22. A composition or part of a composition that can be performed backwards as well as forwards.
Retrograde
Glissando
Subdominant
Imitation by Inversion
23. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
5%
Programme Music
Antiphonal
Timbre
24. Tones that sound alike but have different names (C sharp and D flat)
Phrygian
Enharmonic
Articulation
Locrian
25. Piccolo - Guitar - Bass Guitar
Glissando
E flat Bass/E flat Baritone Saxophone Transposition
Instruments that transpose at the octave
E flat Soprano Cornet Transposition
26. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Auxiliary Notes
Kodaly Method
Melodic Sequences
Friedrich Froebel
27. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
B flat instruments
Pull off
Inversion
Melodic Minor Scale
28. Sounds a minor third higher.
E flat Tenor Horn/E flat Alto Sax Transposition
E flat Soprano Cornet Transposition
Kodaly
Alto Clef
29. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Alberti Bass
Harmonic Minor Scale Semitones
Inversion
Bassoon
30. I - IV - V
Pull off
Glissando
Microtone
Primary Triads
31. A- A
Natural Minor Scale
Aeolian
Whole Tone Scale
Primary Triads
32. F- F
5
Major Scale Semitones
Lydian
Dorian Mode
33. American Orff - Schulwerk Association
Unrelated Chord
Pentatonic Scale
Glissando
AOSA
34. Consists entirely of whole steps.
Bennet Reimer
Repetition
ASCAP
Whole Tone Scale
35. I - V ii - V IV - V
Stretto
Bennet Reimer
Dissonance
Imperfect Cadence
36. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Baritone - Euphonium - Tenor Trombone Transposition
Riff
Ostinato
Syncopation
37. C clef used by the viola. C is on the middle line.
E flat Soprano Cornet Transposition
B flat instruments
Alto Clef
Appoggiaturas
38. Music with a single melody line and no harmony.
Monophonic
8
Rhythm
E flat Soprano Cornet Transposition
39. Alto and tenor clefs
C Clefs
JRME
Kodaly Method
Auxiliary Notes
40. Middle C
Note that is transposing figured around
Atonal
Stretto
Fanfare
41. Breaking of a theme into segments in order to develop it
Fragmentation
Extension
Countermelody
ASCAP
42. Sound that results when two or more notes are played at the same time.
Cor Anglais Transposition
Accompaniment
Harmony
French Horn Transposition
43. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Appoggiaturas
Pentatonic Scale
Baritone - Euphonium - Tenor Trombone Transposition
Rondo Form
44. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Extension
Harmonic Minor Scale
Auxiliary Notes
Cross Rhythm
45. Key note. Tonic of C major is C. The tonic triad is C E G.
Cadence
Accidentals
Cross Rhythm
Tonic
46. Where a composer imitates a passage - but the second part enters before the first part has ended.
Tonality
Programme Music
Auxiliary Notes
Stretto
47. Musical shaping and phrasing. Marks include staccato - legato - accent.
Pitch
Chromatic Scale
Programme Music
Articulation
48. Made smaller.
Retrograde
45
Relative (Major/Minor)
Diminished
49. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Cadence
B flat instruments
MM
Enharmonic
50. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Pedal Point
Cor Anglais Transposition
Unrelated Chord
French Horn Transposition