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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Two conflicting rhythms used at the same time. Also known as polyrhythm.
MM
Cross Rhythm
JRME
B flat instruments
2. Pick up bar.
Anacrusis
Canon
Absolute Music
Imitation by Inversion
3. American Orff - Schulwerk Association
Contrary motion
AOSA
Blues
Phrase
4. Seventh tone in a major or minor scale
Absolute Music
Rhythm
Leading Note
Augmentation
5. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Melodic Sequences
B flat Bass Transposition
Pull off
Binary form
6. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
B flat instruments
Rhythmic displacement
Reasons for Transposing
Pitch
7. If the pedal is in any part other than the bass.
Inverted Pedal
Canon
Kodaly Method
Microtone
8. Sounds a perfect fifth lower than it is written. Music is written without a key.
Glissando
Pitch
Perfect Cadence
French Horn Transposition
9. G- G
Mixolydian
C instruments
Lydian
Pitch
10. IV - I
Dominant
Harmony
Plagal Cadence
E flat Bass/E flat Baritone Saxophone Transposition
11. Made smaller.
B flat instruments
Diminished
Instruments that transpose at the octave
Chromatic Scale
12. Three part musical form created by repeating the first section without changing. A B A.
Ternary Form
Phrygian
Augmentation
Texture
13. Ending section designed to round off a musical composition.
Absolute Music
Accent
Passing Notes
Coda
14. American String Teachers Assocation
Inversion
ASTA
AOSA
Accented Passing Note
15. Interval of less than a semitone
Retrograde
Alto Clef
Microtone
Hocket
16. Scale made entirely of semitones.
Chromatic Scale
Dorian Mode
Bassoon
Rhythmic displacement
17. Scales that share the same key signature (C major - A minor)
Relative (Major/Minor)
Harmonic Minor Scale
Monophonic
Mixolydian
18. Highest natural adult male voice
Tenor
Pull off
Rhythmic displacement
Portamento
19. Alto and tenor clefs
5
Hornbostel - Sachs System of Musical Instruments Classification
Portamento
C Clefs
20. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Augmentation
Kodaly Method
Canon
Pitch
21. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Imperfect Cadence
8
Development
B flat Bass Transposition
22. Glissando in vocal music
Hammer on
ACDA
Portamento
Ternary Form
23. Sound that results when two or more notes are played at the same time.
A instruments
Bennet Reimer
Harmony
Pulse
24. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Harmonic Minor Scale
Rubato
Chromatic
Coda
25. Bed post - double reed - connected with a bocal
Bassoon
Supertonic
Register
Harmonic Minor Scale
26. Actual pitch at which an instrument sounds.
Arco
Concert pitch
C Clefs
Bye - tones
27. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Chromatic
Tonic
Hocket
Stretto
28. Alternate singing or playing by different groups.
Aeolian
Rondo Form
Chromatic
Antiphonal
29. Sharpened leading note ascending and descending
Phrase
Harmonic Minor Scale
Texture
Bennet Reimer
30. Breaking of a theme into segments in order to develop it
Whole Tone Scale
Interval
Dominant
Fragmentation
31. Chord that is in a different key to the one before it with no notes in common.
Notes of Anticipation
8
Cor Anglais Transposition
Unrelated Chord
32. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Texture
5%
Passing Notes
8
33. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Cadence
Canon
Enharmonic
ASTA
34. Where a composer imitates a passage - but the second part enters before the first part has ended.
Stretto
Accompaniment
Mixolydian
Fragmentation
35. Musical shaping and phrasing. Marks include staccato - legato - accent.
Articulation
Anacrusis
Tenor Clef
Programme Music
36. Phrase is imitated by turning it upsidedown.
Imitation by Inversion
Chromatic Scale
Coda
Polytonality
37. Bars of music before the main tune begins.
Polytonality
Harmonic
Introduction
Augmentation
38. Only the rhythm of a passage is imitated - not the melody.
Timbre
Arpeggio
Consonance
Rhythmic Imitation
39. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
MM
Melodic Minor Scale
Tonality
Pentatonic Scale
40. A B A C A. Usually sections B and C are in a different key.
Rondo Form
Reasons for Transposing
Accidentals
Concert pitch
41. Piccolo - Guitar - Bass Guitar
Instruments that transpose at the octave
Pull off
Baritone - Euphonium - Tenor Trombone Transposition
Phrase
42. Sounds Major 9th lower. i.e. major second + octave
Interval
Pulse
Baritone - Euphonium - Tenor Trombone Transposition
Polyphonic
43. Repetition by one or more different voices of a phrase.
Note that is transposing figured around
Imitation
Irregular rhythm
C instruments
44. V - I
Riff
Accented Passing Note
Perfect Cadence
French Horn Transposition
45. Sixth tone in a major or minor scale
Timbre
Submediant
Interval
Sequence
46. E- E
Phrase
Harmony
Phrygian
Repetition
47. Sounds major 13th lower. i.e. major sixth + octave
5
Dalcroze
E flat Bass/E flat Baritone Saxophone Transposition
Arpeggio
48. General music courses involve listening - composing - and performing for all students.
Rubato
Unrelated Chord
Interval
Bennet Reimer
49. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Augmented
Plagal Cadence
Tenor Clef
Figured Bass
50. Simultaneous use of two or more keys.
Canon
Passing Notes
Polytonality
Inverted Pedal