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Praxis II Music Education Vocab
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Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
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This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Tone color or quality of sound.
Repetition
Timbre
AOSA
Rhythmic Imitation
2. Third tone in a major or minor scale
Mediant
Major Scale Semitones
Augmented
Motif
3. General music courses involve listening - composing - and performing for all students.
Monophonic
Bennet Reimer
5
Hornbostel - Sachs System of Musical Instruments Classification
4. Middle C
Notes of Anticipation
Enharmonic
Tonal Sequence
Note that is transposing figured around
5. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Absolute Music
Phrase
Relative (Major/Minor)
Arco
6. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Baritone - Euphonium - Tenor Trombone Transposition
Alberti Bass
45
C Clefs
7. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
C instruments
E flat Tenor Horn/E flat Alto Sax Transposition
Polyphonic
ASTA
8. I - V ii - V IV - V
Pedal Point
Imperfect Cadence
Friedrich Froebel
Hocket
9. Sounds a minor third higher.
Dalcroze
Supertonic
Cor Anglais Transposition
E flat Soprano Cornet Transposition
10. Between 3/4 and 7/8
Kodaly
Major Scale Semitones
Whole Tone Scale
Inversions of chords
11. Intervals of the first phrase are NOT reproduced exactly.
Pull off
Supertonic
Mixolydian
Tonal Sequence
12. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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13. Sounds a perfect fifth lower than it is written. Music is written with a key.
Cor Anglais Transposition
Pull off
Interrupted Cadence
Unrelated Chord
14. Organization of musical notes in time.
Cross Rhythm
Rhythm
Unrelated Chord
Augmented
15. G- G
Fragmentation
Cadence
Mixolydian
B flat Bass Transposition
16. Combination of aggreable tones.
Bare chord
Rhythm
Consonance
Syncopation
17. Seventh tone in a major or minor scale
Leading Note
Dominant
Diminished
Rondo Form
18. Sounds major second lower. Same as B flat trumpets.
B flat Cornet Flugel Horn Transposition
Chromatic Scale
Rhythmic displacement
Gordon's Music Learning Theory
19. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Melodic Minor Scale
Fragmentation
Appoggiaturas
Phrase
20. Consists entirely of whole steps.
Rhythmic Imitation
B flat Bass Transposition
Whole Tone Scale
Cross Rhythm
21. Repeating a theme or motif with notes of smaller value (usually half)
Subdominant
Auxiliary Notes
Diminution
Rondo Form
22. I - IV - V
Note that is transposing figured around
Submediant
Absolute Music
Primary Triads
23. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Contrary motion
Harmony
Baritone - Euphonium - Tenor Trombone Transposition
Tenor Clef
24. Second tone in a major/minor scale
Imperfect Cadence
Supertonic
Real Sequence
Harmonic
25. Alternate singing or playing by different groups.
Antiphonal
45
Programme Music
Friedrich Froebel
26. Part of the total pitch range of an instrument that has a distinctive quality.
Pentatonic Scale
Register
Texture
Rhythmic displacement
27. Distance between any two notes
Baritone - Euphonium - Tenor Trombone Transposition
Leading Note
Passing Notes
Interval
28. V - vi
Phrygian
Interrupted Cadence
C Clefs
Baritone - Euphonium - Tenor Trombone Transposition
29. Occurs when a phrase is repeated immediately at exactly the same pitch.
Repetition
Melodic Minor Scale
Augmented
Harmonic Minor Scale
30. Rhythms that constantly change or are grouped in a different way.
Inversions of chords
Development
Irregular rhythm
MM
31. Musical shaping and phrasing. Marks include staccato - legato - accent.
Articulation
Diminished
E flat Soprano Cornet Transposition
E flat Bass/E flat Baritone Saxophone Transposition
32. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Friedrich Froebel
JRME
Augmented
Atonal
33. Come between notes of the same pitch - either a note higher or note lower.
B flat instruments
Harmonic
Auxiliary Notes
Semitone
34. Phrase is imitated by turning it upsidedown.
Auxiliary Notes
Rhythmic Imitation
Augmented
Imitation by Inversion
35. Repetition by one or more different voices of a phrase.
Natural Minor Scale
Imitation
Five finger exercise
B flat Cornet Flugel Horn Transposition
36. Occur in all parts.
Rondo Form
Harmonic Sequences
Semitone
Pitch
37. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Syncopation
Rondo Form
Alberti Bass
Coda
38. C- C
Ionian
Polyphonic
JRME
Tonal Sequence
39. Rate of speed at which a musical composition is to be played.
Accented Passing Note
Tempo
Tonality
Dissonance
40. A B A C A. Usually sections B and C are in a different key.
Pitch
Rondo Form
C instruments
Diminished
41. Bars of music before the main tune begins.
Introduction
B flat instruments
Ionian
ASTA
42. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Inversions of chords
Harmonic Minor Scale
Enharmonic
Reasons for Transposing
43. Highest natural adult male voice
Extension
Tenor
Rhythm
Contrary motion
44. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
French Horn Transposition
Passing Notes
B flat Bass Transposition
Dalcroze
45. If the pedal is in any part other than the bass.
Inverted Pedal
Programme Music
8
45
46. Key note. Tonic of C major is C. The tonic triad is C E G.
Absolute Music
Polyphonic
Tonic
E flat Soprano Cornet Transposition
47. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Binary form
8
Tonic
Pitch
48. Background support for a melody.
Accompaniment
Plagal Cadence
Pitch
Interrupted Cadence
49. C clef used by the viola. C is on the middle line.
Augmentation
5
Alto Clef
Melody
50. Breaking of a theme into segments in order to develop it
Rhythm
Dalcroze
Portamento
Fragmentation
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