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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sharpened leading note ascending and descending
Melody
Harmonic Minor Scale
Diminished
Canon
2. E- E
B flat Soprano Saxophone Transposition
Riff
Unrelated Chord
Phrygian
3. I - IV - V
Inversions of chords
Primary Triads
Reasons for Transposing
Chromatic
4. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Harmony
Dissonance
Pedal Point
Figured Bass
5. A- A
Canon
Absolute Music
Aeolian
E flat Tenor Horn/E flat Alto Sax Transposition
6. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Contrary motion
Rhythmic Imitation
Aeolian
Extension
7. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Blues
Dalcroze
Portamento
B flat Cornet Flugel Horn Transposition
8. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Melody
Hocket
5%
Dalcroze
9. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Alberti Bass
AOSA
Extension
Accented Passing Note
10. Tones that sound alike but have different names (C sharp and D flat)
Enharmonic
Primary Triads
Notes of Anticipation
Cross Rhythm
11. Only the rhythm of a passage is imitated - not the melody.
Five finger exercise
Hammer on
Polytonality
Rhythmic Imitation
12. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Hammer on
Inversion
Melodic Sequences
Kodaly Method
13. V - vi
Ternary Form
Interrupted Cadence
Supertonic
Rubato
14. A B A C A. Usually sections B and C are in a different key.
Rondo Form
Imperfect Cadence
Instruments that transpose at the octave
ASCAP
15. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Rhythm
Harmonic
ASTA
Chromatic Scale
16. Sounds major sixth lower. Written with key signature.
Locrian
Notes of Anticipation
E flat Tenor Horn/E flat Alto Sax Transposition
Atonal
17. G- G
MM
Fragmentation
Rhythmic displacement
Mixolydian
18. Seventh tone in a major or minor scale
Leading Note
Inversions of chords
MM
Antiphonal
19. Rate of speed at which a musical composition is to be played.
Auxiliary Notes
Bassoon
Cadence
Tempo
20. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Imitation
Inversion
Pentatonic Scale
B flat instruments
21. Come at the end of a passage and anticipate the final chord.
E flat Tenor Horn/E flat Alto Sax Transposition
Notes of Anticipation
Antiphonal
Five finger exercise
22. Repeating a rhythm in a different part of the bar.
C instruments
B flat Soprano Saxophone Transposition
Unrelated Chord
Rhythmic displacement
23. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
E flat Tenor Horn/E flat Alto Sax Transposition
Polyphonic
Retrograde
45
24. Highest natural adult male voice
Countermelody
Tenor
Harmony
Tenor Clef
25. Made larger.
Augmented
Imitation
Arpeggio
Interrupted Cadence
26. I - V ii - V IV - V
Perfect Cadence
Imperfect Cadence
Reasons for Transposing
E flat Tenor Horn/E flat Alto Sax Transposition
27. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Passing Notes
Chromatic
Augmentation
Imitation
28. Exercises played by beginning pianists using only five consecutive notes of the scale.
E flat Soprano Cornet Transposition
Semitone
Five finger exercise
Lydian
29. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Absolute Music
Pentatonic Scale
Bye - tones
Real Sequence
30. Sound that results when two or more notes are played at the same time.
Bennet Reimer
8
Harmony
Five finger exercise
31. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Coda
Unrelated Chord
Arpeggio
Rhythmic Imitation
32. Chord without a third.
Absolute Music
Retrograde
Bare chord
Relative (Major/Minor)
33. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Accompaniment
Relative (Major/Minor)
B flat instruments
Contrary motion
34. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Dalcroze
5%
French Horn Transposition
Reasons for Transposing
35. American Choral Director's Association
Figured Bass
Diminished
Hornbostel - Sachs System of Musical Instruments Classification
ACDA
36. Sounds a perfect fifth lower than it is written. Music is written with a key.
ABA
Syncopation
Cor Anglais Transposition
Bye - tones
37. Only occur in the melody over an independent bass.
Mediant
C instruments
Melodic Sequences
Pull off
38. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Pedal Point
Bennet Reimer
Cadence
Fragmentation
39. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Tempo
Kodaly Method
Tenor Clef
Dissonance
40. Repetition of a musical idea at a higher or lower pitch.
Smear
B flat instruments
ASTA
Sequence
41. Intervals of the first phrase are NOT reproduced exactly.
B flat Soprano Saxophone Transposition
Kodaly Method
Tonal Sequence
Notes of Anticipation
42. Alto and tenor clefs
5%
Supertonic
C Clefs
Binary form
43. General music courses involve listening - composing - and performing for all students.
Timbre
AOSA
Bennet Reimer
Harmony
44. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Hornbostel - Sachs System of Musical Instruments Classification
Pitch
Tonic Minor
Dominant
45. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Register
Canon
Glissando
Imitation
46. How high or low a note is.
Pitch
Pull off
Imperfect Cadence
Chromatic Scale
47. Scale made entirely of semitones.
Harmonic
Real Sequence
Chromatic Scale
Polyphonic
48. Tone color or quality of sound.
Timbre
E flat Tenor Horn/E flat Alto Sax Transposition
Passing Notes
Interval
49. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Accent
Semitone
5
Tempo
50. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Cadence
Accent
Microtone
B flat Bass Transposition