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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Without key center
Atonal
Unrelated Chord
Friedrich Froebel
Polytonality
2. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Appoggiaturas
Pull off
Accompaniment
Polyphonic
3. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Rondo Form
Appoggiaturas
Coda
JRME
4. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Rhythmic Imitation
Kodaly Method
Appoggiaturas
Tonic
5. Instruction on string instruments begins no later than grade...
Appoggiaturas
5
Kodaly
Syncopation
6. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Bassoon
Riff
Hocket
Glissando
7. Based on a chord pattern using primary chords (I IV V).
Blues
ASTA
MM
Hocket
8. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Accidentals
Gordon's Music Learning Theory
Imitation
Polytonality
9. Chord without a third.
B flat instruments
Melody
Bare chord
JRME
10. Sounds a perfect fifth lower than it is written. Music is written without a key.
Five finger exercise
French Horn Transposition
Syncopation
Monophonic
11. V - I
Kodaly Method
Accented Passing Note
Rhythmic Imitation
Perfect Cadence
12. Breaking of a theme into segments in order to develop it
Pull off
Fragmentation
Irregular rhythm
Bye - tones
13. Only occur in the melody over an independent bass.
Melodic Sequences
Accented Passing Note
Timbre
Bare chord
14. Consists entirely of whole steps.
Whole Tone Scale
Tenor Clef
Unrelated Chord
Antiphonal
15. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Dalcroze
Contrary motion
B flat Bass Transposition
Melodic Minor Scale
16. Sharpened 6 and 7 - but reverted to naturals when descending
Chromatic
Absolute Music
Melodic Minor Scale
Bennet Reimer
17. Fifth tone in a major or minor scale.
Dominant
Rhythmic Imitation
Melodic Sequences
Unrelated Chord
18. Increasing the note values of a musical theme - usually to twice their value.
Lydian
Countermelody
Augmentation
Bare chord
19. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
ABA
Cadence
Homophonic
Gordon's Music Learning Theory
20. Exercises played by beginning pianists using only five consecutive notes of the scale.
ASCAP
Rubato
Five finger exercise
Phrygian
21. General music courses involve listening - composing - and performing for all students.
Primary Triads
MM
Bennet Reimer
Dalcroze
22. Exact transposition of each note in a sequence.
Countermelody
Hornbostel - Sachs System of Musical Instruments Classification
Portamento
Real Sequence
23. Another word for key.
Pitch
Ternary Form
Tonality
5
24. G- G
Mixolydian
Smear
Tenor
Natural Minor Scale
25. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Dorian Mode
Rhythmic Imitation
Hammer on
Microtone
26. General music is required until grade...
Smear
8
Auxiliary Notes
ASCAP
27. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
45
Arpeggio
Figured Bass
Motif
28. A- A
Aeolian
Passing Notes
Augmented
Baritone - Euphonium - Tenor Trombone Transposition
29. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Antiphonal
Note that is transposing figured around
Rondo Form
Canon
30. Piccolo - Guitar - Bass Guitar
Hammer on
Instruments that transpose at the octave
Arpeggio
Gordon's Music Learning Theory
31. Background support for a melody.
Passing Notes
Repetition
Accompaniment
Inversions of chords
32. American String Teachers Assocation
ASTA
Homophonic
Diminished
Instruments that transpose at the octave
33. I - V ii - V IV - V
Antiphonal
Notes of Anticipation
Imperfect Cadence
Imitation
34. Sounds major second lower. Same as B flat trumpets.
Note that is transposing figured around
Phrygian
Alberti Bass
B flat Cornet Flugel Horn Transposition
35. Music with a single melody line and no harmony.
Accompaniment
Portamento
Monophonic
Notes of Anticipation
36. Flutes - oboes - bassoons - trombones - tubas - string instruments
C instruments
ABA
Plagal Cadence
5%
37. Repetition of a musical idea at a higher or lower pitch.
Extension
Sequence
Imitation by Inversion
Atonal
38. Combination of aggreable tones.
Tonality
Cadence
Cross Rhythm
Consonance
39. Middle C
Arco
C instruments
Note that is transposing figured around
Accented Passing Note
40. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Five finger exercise
45
Tonic Minor
Whole Tone Scale
41. If the pedal is in any part other than the bass.
Polyphonic
Tonality
Diminished
Inverted Pedal
42. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Melody
Polyphonic
Tonality
Antiphonal
43. Natural Pitch
Timbre
Natural Minor Scale
Hocket
Leading Note
44. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
Fanfare
Ostinato
Polyphonic
Tonal Sequence
45. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Timbre
Monophonic
Cadence
E flat Tenor Horn/E flat Alto Sax Transposition
46. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Harmonic Sequences
Chromatic
Leading Note
Tempo
47. A composition or part of a composition that can be performed backwards as well as forwards.
Accidentals
Retrograde
Imitation by Inversion
45
48. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Note that is transposing figured around
Unrelated Chord
Natural Minor Scale
Programme Music
49. Third tone in a major or minor scale
Mediant
French Horn Transposition
Tenor
Rondo Form
50. Bars of music before the main tune begins.
Timbre
C Clefs
Introduction
AOSA