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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. If the pedal is in any part other than the bass.
Inverted Pedal
Ionian
Canon
Stretto
2. Instruction on string instruments begins no later than grade...
5
Inverted Pedal
Real Sequence
45
3. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Pedal Point
Five finger exercise
ABA
Augmented
4. Natural Pitch
Natural Minor Scale
Coda
Rhythm
Accidentals
5. Bars of music before the main tune begins.
Diminution
Introduction
Fragmentation
Diminished
6. Sounds a perfect fifth lower than it is written. Music is written with a key.
Texture
Cor Anglais Transposition
Countermelody
Locrian
7. Sounds Major 9th lower. i.e. major second + octave
Accompaniment
Interval
Comenius
Baritone - Euphonium - Tenor Trombone Transposition
8. Only occur in the melody over an independent bass.
Fragmentation
Melodic Sequences
Whole Tone Scale
Bye - tones
9. Come at the end of a passage and anticipate the final chord.
Notes of Anticipation
Imitation
Accented Passing Note
Chromatic
10. Actual pitch at which an instrument sounds.
Portamento
B flat Cornet Flugel Horn Transposition
Polyphonic
Concert pitch
11. Sounds a minor third higher.
Rubato
5
E flat Soprano Cornet Transposition
Ostinato
12. Where a composer imitates a passage - but the second part enters before the first part has ended.
Stretto
Irregular rhythm
Ostinato
ASCAP
13. A- A
Smear
Major Scale Semitones
Rhythm
Aeolian
14. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Accidentals
B flat Bass Transposition
Microtone
Ostinato
15. Increasing the note values of a musical theme - usually to twice their value.
Repetition
Dalcroze
Augmentation
AOSA
16. Made larger.
Augmented
Diminution
Cor Anglais Transposition
B flat Bass Transposition
17. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Dissonance
Appoggiaturas
B flat instruments
Polyphonic
18. Flutes - oboes - bassoons - trombones - tubas - string instruments
Retrograde
C instruments
Notes of Anticipation
ASTA
19. Interval of less than a semitone
Microtone
ASTA
Comenius
Imitation
20. Sixth tone in a major or minor scale
Pentatonic Scale
Submediant
8
Rhythm
21. Between 3/4 and 7/8
Glissando
Five finger exercise
Real Sequence
Major Scale Semitones
22. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Appoggiaturas
Rubato
Ionian
Accent
23. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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24. Occurs when a phrase is repeated immediately at exactly the same pitch.
Accented Passing Note
Motif
Repetition
Rhythm
25. American Orff - Schulwerk Association
Relative (Major/Minor)
Whole Tone Scale
E flat Tenor Horn/E flat Alto Sax Transposition
AOSA
26. Glissando in jazz music
Diminution
Augmentation
Smear
Notes of Anticipation
27. Rhythms that constantly change or are grouped in a different way.
Harmony
Irregular rhythm
Hammer on
Harmonic
28. Sounds major sixth lower. Written with key signature.
Polyphonic
E flat Tenor Horn/E flat Alto Sax Transposition
Dorian Mode
Rhythmic Imitation
29. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Bare chord
Accompaniment
Arpeggio
Appoggiaturas
30. E- E
Melody
Tonality
Phrygian
Inversion
31. Made smaller.
Unrelated Chord
Gordon's Music Learning Theory
Rubato
Diminished
32. Alternate singing or playing by different groups.
Pulse
45
Extension
Antiphonal
33. Highest natural adult male voice
Programme Music
Semitone
Dissonance
Tenor
34. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Rhythmic Imitation
Instruments that transpose at the octave
Augmentation
Melody
35. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Polyphonic
Glissando
Perfect Cadence
ASCAP
36. Needs to be written a minor third higher.
Interval
Motif
Programme Music
A instruments
37. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Imperfect Cadence
Chromatic
Harmonic
Harmonic Minor Scale
38. Chord without a third.
Syncopation
Note that is transposing figured around
Bare chord
Melodic Minor Scale
39. Rate of speed at which a musical composition is to be played.
Phrygian
Tempo
Extension
Plagal Cadence
40. Simultaneous use of two or more keys.
Hocket
B flat instruments
Polytonality
Bassoon
41. Tones that sound alike but have different names (C sharp and D flat)
Enharmonic
B flat instruments
Pull off
C Clefs
42. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Whole Tone Scale
Plagal Cadence
Canon
Arco
43. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Homophonic
Mixolydian
Kodaly
Appoggiaturas
44. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Riff
Retrograde
Articulation
Alberti Bass
45. American Society of Composers - Authors - and Publishers
Timbre
Relative (Major/Minor)
Hornbostel - Sachs System of Musical Instruments Classification
ASCAP
46. Fourth tone in a major/minor scale
Tonality
Comenius
Major Scale Semitones
Subdominant
47. A composition or part of a composition that can be performed backwards as well as forwards.
Retrograde
Irregular rhythm
Baritone - Euphonium - Tenor Trombone Transposition
Antiphonal
48. Sounds major second lower. Same as B flat trumpets.
Articulation
Inversions of chords
Major Scale Semitones
B flat Cornet Flugel Horn Transposition
49. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Augmentation
Rhythm
45
Tenor Clef
50. Turning upside down. Change of the relative position of an interval - chord - or melody.
E flat Bass/E flat Baritone Saxophone Transposition
Inversion
Tonal Sequence
Fragmentation