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Test your basic knowledge |
Praxis II Music Education Vocab
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Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
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This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Minor key with the same tonic as a major one. C major and C minor.
Five finger exercise
Consonance
Tonic Minor
45
2. Sounds major 13th lower. i.e. major sixth + octave
Dominant
Inverted Pedal
E flat Bass/E flat Baritone Saxophone Transposition
Binary form
3. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Pull off
Inverted Pedal
Friedrich Froebel
Fanfare
4. Maelzel's Metronome
Accidentals
MM
Homophonic
Comenius
5. V - I
Timbre
Submediant
Interval
Perfect Cadence
6. Highest natural adult male voice
Tonic Minor
Imperfect Cadence
Polytonality
Tenor
7. Alternate singing or playing by different groups.
Submediant
Antiphonal
5
Reasons for Transposing
8. F- F
Lydian
Harmony
Timbre
Repetition
9. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Ostinato
Rondo Form
Locrian
45
10. American Orff - Schulwerk Association
Harmonic
Canon
Interrupted Cadence
AOSA
11. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Pull off
Syncopation
Harmonic Sequences
C instruments
12. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Pull off
Locrian
Phrase
B flat instruments
13. Journal of Research for Music Education
JRME
Accent
Arco
Register
14. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Rondo Form
Development
Hornbostel - Sachs System of Musical Instruments Classification
8
15. Used to give a more melodic bass part and to give variety to the music.
Articulation
Pentatonic Scale
Inversions of chords
Blues
16. I - V ii - V IV - V
Rhythmic displacement
B flat Cornet Flugel Horn Transposition
B flat instruments
Imperfect Cadence
17. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Cross Rhythm
Pentatonic Scale
Melody
Harmony
18. Steady beat that is present in almost every musical composition.
Harmonic Minor Scale
Programme Music
Pulse
Retrograde
19. Chord without a third.
Bare chord
E flat Tenor Horn/E flat Alto Sax Transposition
Figured Bass
Bassoon
20. Needs to be written a minor third higher.
ACDA
Tonality
A instruments
Chromatic Scale
21. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Blues
Pedal Point
Homophonic
B flat instruments
22. Scales that share the same key signature (C major - A minor)
Relative (Major/Minor)
ACDA
Friedrich Froebel
Riff
23. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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24. Sharpened leading note ascending and descending
Alberti Bass
Ostinato
Rhythmic Imitation
Harmonic Minor Scale
25. Stress placed on a particular note in relation to others around it.
Tenor Clef
Alto Clef
Accent
JRME
26. Phrase is imitated by turning it upsidedown.
Pulse
Imitation by Inversion
Riff
Figured Bass
27. B- B
Syncopation
Locrian
Auxiliary Notes
Instruments that transpose at the octave
28. American Society of Composers - Authors - and Publishers
Microtone
Bennet Reimer
ASCAP
Augmented
29. Seventh tone in a major or minor scale
ACDA
Melody
Harmonic Sequences
Leading Note
30. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
C Clefs
Kodaly Method
Tenor Clef
Melodic Sequences
31. Middle C
Irregular rhythm
Note that is transposing figured around
Stretto
Pitch
32. Repeating a theme or motif with notes of smaller value (usually half)
Diminution
5%
Dominant
Comenius
33. Rhythms that constantly change or are grouped in a different way.
Irregular rhythm
MM
Note that is transposing figured around
Stretto
34. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Dissonance
Monophonic
Imperfect Cadence
Comenius
35. Bed post - double reed - connected with a bocal
Harmonic
Dorian Mode
Bassoon
Texture
36. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Five finger exercise
Melodic Minor Scale
Hammer on
Chromatic
37. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Introduction
B flat instruments
Arco
Reasons for Transposing
38. If the pedal is in any part other than the bass.
Mediant
Inverted Pedal
Diminished
Accented Passing Note
39. Glissando in vocal music
Bare chord
Portamento
Plagal Cadence
Introduction
40. Consists entirely of whole steps.
Pitch
B flat instruments
Melodic Sequences
Whole Tone Scale
41. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Supertonic
Five finger exercise
Riff
C instruments
42. Part of the total pitch range of an instrument that has a distinctive quality.
Hornbostel - Sachs System of Musical Instruments Classification
Register
Bennet Reimer
Plagal Cadence
43. Bars of music before the main tune begins.
Introduction
Riff
Dalcroze
Polyphonic
44. Come between notes of the same pitch - either a note higher or note lower.
Passing Notes
Auxiliary Notes
Polyphonic
Instruments that transpose at the octave
45. American Choral Director's Association
ACDA
Bye - tones
E flat Soprano Cornet Transposition
Diminished
46. Another word for key.
Imitation by Inversion
Notes of Anticipation
Tonality
Tonal Sequence
47. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Pedal Point
Retrograde
Contrary motion
Portamento
48. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Coda
Comenius
Figured Bass
Bassoon
49. Piccolo - Guitar - Bass Guitar
Repetition
Chromatic
Instruments that transpose at the octave
Imperfect Cadence
50. Exact transposition of each note in a sequence.
5%
Real Sequence
C instruments
Gordon's Music Learning Theory
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