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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. General music is required until grade...
Cross Rhythm
Pentatonic Scale
8
Appoggiaturas
2. Music with a single melody line and no harmony.
Hocket
Contrary motion
Rhythmic Imitation
Monophonic
3. I - IV - V
Primary Triads
Tonality
Major Scale Semitones
Whole Tone Scale
4. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Ostinato
5
MM
Polyphonic
5. Short - constantly repeated motif. Usually - but not always in the bass.
Rhythmic Imitation
Ostinato
Diminished
Interrupted Cadence
6. Instruction on string instruments begins no later than grade...
Concert pitch
AOSA
Melodic Sequences
5
7. Phrase is imitated by turning it upsidedown.
Hammer on
Pedal Point
Rubato
Imitation by Inversion
8. A composition or part of a composition that can be performed backwards as well as forwards.
Pedal Point
Retrograde
Friedrich Froebel
Tonic Minor
9. Flutes - oboes - bassoons - trombones - tubas - string instruments
Bennet Reimer
Comenius
JRME
C instruments
10. Exercises played by beginning pianists using only five consecutive notes of the scale.
Motif
ABA
Five finger exercise
French Horn Transposition
11. Exact transposition of each note in a sequence.
Syncopation
Real Sequence
Accent
Kodaly Method
12. Unessential note that forms part of the harmony
Introduction
Canon
Bye - tones
Instruments that transpose at the octave
13. Occurs when a phrase is repeated immediately at exactly the same pitch.
Repetition
Texture
Alberti Bass
Homophonic
14. Tones that sound alike but have different names (C sharp and D flat)
Enharmonic
Lydian
Augmentation
Pull off
15. Part of the total pitch range of an instrument that has a distinctive quality.
Rhythmic displacement
Tenor
Register
Arpeggio
16. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Rondo Form
Phrase
Pitch
Hocket
17. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Pull off
ACDA
B flat Soprano Saxophone Transposition
Accidentals
18. Fifth tone in a major or minor scale.
Contrary motion
C Clefs
Dominant
Tonic
19. Chord without a third.
Bare chord
ASCAP
Chromatic
Tonality
20. Made smaller.
Consonance
Smear
Diminished
Syncopation
21. C clef used by the viola. C is on the middle line.
Rhythmic displacement
Smear
Alto Clef
Cross Rhythm
22. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Pedal Point
B flat instruments
AOSA
Inversions of chords
23. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Accidentals
Repetition
B flat instruments
Reasons for Transposing
24. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Accidentals
Diminished
Accented Passing Note
Ostinato
25. Only occur in the melody over an independent bass.
C Clefs
Atonal
Figured Bass
Melodic Sequences
26. A- A
Atonal
5%
Aeolian
Antiphonal
27. Developing a phrase or motif by making it longer.
Extension
Harmonic Minor Scale Semitones
Natural Minor Scale
Diminution
28. Stress placed on a particular note in relation to others around it.
Tempo
Stretto
A instruments
Accent
29. Breaking of a theme into segments in order to develop it
Fragmentation
5
E flat Tenor Horn/E flat Alto Sax Transposition
Rondo Form
30. Second melody above or below the main melody. Descant is a type of countermelody.
Harmonic Minor Scale Semitones
Homophonic
Countermelody
Bare chord
31. Intervals of the first phrase are NOT reproduced exactly.
Hammer on
Tonal Sequence
Atonal
Riff
32. Come at the end of a passage and anticipate the final chord.
Subdominant
C Clefs
ASTA
Notes of Anticipation
33. Sounds Major 9th lower. i.e. major second + octave
Tempo
Baritone - Euphonium - Tenor Trombone Transposition
ABA
Reasons for Transposing
34. Another word for key.
Baritone - Euphonium - Tenor Trombone Transposition
Tonality
Register
Bennet Reimer
35. Natural Pitch
Interval
Natural Minor Scale
Appoggiaturas
Tonic
36. Background support for a melody.
Blues
Harmonic Sequences
Accompaniment
JRME
37. Bed post - double reed - connected with a bocal
Natural Minor Scale
French Horn Transposition
Kodaly Method
Bassoon
38. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Mediant
Harmonic Minor Scale Semitones
Development
Melodic Minor Scale
39. If the pedal is in any part other than the bass.
Antiphonal
Harmonic Minor Scale
Chromatic
Inverted Pedal
40. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Perfect Cadence
Rubato
Melody
Contrary motion
41. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Imperfect Cadence
Inverted Pedal
Passing Notes
Blues
42. Distance between any two notes
Interval
Semitone
Harmonic Sequences
Articulation
43. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Semitone
Comenius
Accent
Reasons for Transposing
44. Alternate singing or playing by different groups.
Unrelated Chord
Antiphonal
Plagal Cadence
Aeolian
45. Based on a chord pattern using primary chords (I IV V).
Blues
Development
Rhythmic displacement
Augmentation
46. Glissando in jazz music
Auxiliary Notes
Blues
Hammer on
Smear
47. Sounds major 13th lower. i.e. major sixth + octave
Rhythmic Imitation
Articulation
Hammer on
E flat Bass/E flat Baritone Saxophone Transposition
48. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Subdominant
Dalcroze
Arco
Cross Rhythm
49. Glissando in vocal music
Portamento
Chromatic
Lydian
Alto Clef
50. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Inversion
Bennet Reimer
Binary form
Accent