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Praxis II Music Education Vocab
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Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
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This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Tempo
Melody
Interval
Retrograde
2. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Hornbostel - Sachs System of Musical Instruments Classification
ASTA
Aeolian
Hammer on
3. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Binary form
Repetition
E flat Tenor Horn/E flat Alto Sax Transposition
Extension
4. American Bandmaster's Association
Stretto
Coda
ABA
Pentatonic Scale
5. Occur in all parts.
Harmonic Sequences
Note that is transposing figured around
Passing Notes
ABA
6. Only the rhythm of a passage is imitated - not the melody.
Interval
Absolute Music
Rhythmic Imitation
Homophonic
7. Alternate singing or playing by different groups.
Binary form
5%
Antiphonal
Chromatic Scale
8. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Extension
Kodaly Method
ABA
Chromatic
9. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Alberti Bass
Pitch
Hammer on
Appoggiaturas
10. General music courses involve listening - composing - and performing for all students.
Hornbostel - Sachs System of Musical Instruments Classification
Bennet Reimer
Extension
Hammer on
11. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Atonal
Concert pitch
Pull off
Absolute Music
12. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Locrian
E flat Soprano Cornet Transposition
Comenius
Rhythmic Imitation
13. Short - constantly repeated motif. Usually - but not always in the bass.
Concert pitch
Aeolian
Ostinato
Inversion
14. Journal of Research for Music Education
8
Melodic Sequences
JRME
Cor Anglais Transposition
15. Consists entirely of whole steps.
Development
Tonal Sequence
Appoggiaturas
Whole Tone Scale
16. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Relative (Major/Minor)
5%
Locrian
Contrary motion
17. If the pedal is in any part other than the bass.
Dissonance
E flat Soprano Cornet Transposition
Melody
Inverted Pedal
18. American Society of Composers - Authors - and Publishers
B flat Bass Transposition
Chromatic
Five finger exercise
ASCAP
19. Between 3/4 and 7/8
Major Scale Semitones
Mixolydian
Extension
Coda
20. American String Teachers Assocation
Imitation by Inversion
Programme Music
ASTA
Rhythmic Imitation
21. Key note. Tonic of C major is C. The tonic triad is C E G.
Augmentation
Real Sequence
Harmonic Sequences
Tonic
22. Accenting of a beat that is not normally accented
Polytonality
Syncopation
E flat Tenor Horn/E flat Alto Sax Transposition
Comenius
23. Without key center
Irregular rhythm
Texture
Harmonic Minor Scale
Atonal
24. Only occur in the melody over an independent bass.
Texture
Smear
Countermelody
Melodic Sequences
25. Exact transposition of each note in a sequence.
Unrelated Chord
Real Sequence
Imitation
Introduction
26. Bars of music before the main tune begins.
Introduction
Semitone
Primary Triads
Reasons for Transposing
27. Turning upside down. Change of the relative position of an interval - chord - or melody.
Inversion
Absolute Music
Comenius
Phrygian
28. Sounds major 16th lower. i.e. major second + two octaves
Kodaly
Leading Note
Reasons for Transposing
B flat Bass Transposition
29. Music with a single melody line and no harmony.
Monophonic
Rubato
Lydian
Note that is transposing figured around
30. Fifth tone in a major or minor scale.
Appoggiaturas
Supertonic
Primary Triads
Dominant
31. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Subdominant
Imperfect Cadence
45
Rhythmic Imitation
32. Distance between any two notes
Augmented
Introduction
Interval
Dalcroze
33. Second melody above or below the main melody. Descant is a type of countermelody.
Countermelody
Perfect Cadence
Polytonality
Irregular rhythm
34. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Arpeggio
Alberti Bass
Ionian
Rubato
35. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Melody
Kodaly Method
Major Scale Semitones
B flat Bass Transposition
36. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Locrian
Cross Rhythm
Subdominant
B flat Bass Transposition
37. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Motif
5%
Friedrich Froebel
Portamento
38. Fourth tone in a major/minor scale
Rondo Form
Imperfect Cadence
Whole Tone Scale
Subdominant
39. A B A C A. Usually sections B and C are in a different key.
Homophonic
Accompaniment
Sequence
Rondo Form
40. Stress placed on a particular note in relation to others around it.
Accidentals
Accent
Chromatic Scale
Auxiliary Notes
41. Sounds Major 9th lower. i.e. major second + octave
Tempo
Mixolydian
Baritone - Euphonium - Tenor Trombone Transposition
Note that is transposing figured around
42. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Canon
ASTA
Dorian Mode
B flat instruments
43. Phrase is imitated by turning it upsidedown.
Harmonic Sequences
Concert pitch
Imitation by Inversion
Five finger exercise
44. V - vi
Interrupted Cadence
Inversion
ACDA
A instruments
45. Bed post - double reed - connected with a bocal
Figured Bass
5
Bassoon
Pitch
46. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Extension
Chromatic Scale
Pedal Point
Absolute Music
47. C clef used by the viola. C is on the middle line.
Mixolydian
Rondo Form
Portamento
Alto Clef
48. Used to give a more melodic bass part and to give variety to the music.
Inversions of chords
Consonance
Polytonality
Hammer on
49. An unessential note that falls on the beat
Diminution
Fanfare
Riff
Accented Passing Note
50. Tone color or quality of sound.
Homophonic
Tonality
Arpeggio
Timbre
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