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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Minor key with the same tonic as a major one. C major and C minor.
Consonance
Tonic Minor
Tenor Clef
Rhythmic displacement
2. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Imitation
B flat instruments
Unrelated Chord
Articulation
3. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Major Scale Semitones
Accent
Tenor Clef
5%
4. Without key center
MM
Ionian
Natural Minor Scale
Atonal
5. Sounds major 13th lower. i.e. major sixth + octave
Cor Anglais Transposition
Inversion
E flat Bass/E flat Baritone Saxophone Transposition
B flat Soprano Saxophone Transposition
6. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
45
E flat Soprano Cornet Transposition
Kodaly Method
Relative (Major/Minor)
7. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Comenius
Stretto
Real Sequence
Auxiliary Notes
8. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Melody
Antiphonal
Pull off
Ternary Form
9. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Leading Note
Polyphonic
Melody
Motif
10. Seventh tone in a major or minor scale
Consonance
ASTA
Lydian
Leading Note
11. Glissando in vocal music
Coda
Portamento
Baritone - Euphonium - Tenor Trombone Transposition
Hornbostel - Sachs System of Musical Instruments Classification
12. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Arpeggio
Development
Notes of Anticipation
Dissonance
13. G- G
Absolute Music
Arco
Mixolydian
Friedrich Froebel
14. Interval of less than a semitone
Texture
8
Submediant
Microtone
15. Occur in all parts.
Bare chord
Imperfect Cadence
Harmonic Sequences
Stretto
16. Sounds major 16th lower. i.e. major second + two octaves
45
Development
B flat Bass Transposition
AOSA
17. Phrase is imitated by turning it upsidedown.
5%
Imitation by Inversion
Accompaniment
Tenor
18. Background support for a melody.
Polyphonic
Figured Bass
Accompaniment
Development
19. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
JRME
Major Scale Semitones
Kodaly Method
Harmonic
20. Key note. Tonic of C major is C. The tonic triad is C E G.
Interrupted Cadence
AOSA
Diminished
Tonic
21. Only occur in the melody over an independent bass.
Rhythm
Melodic Sequences
Instruments that transpose at the octave
Melody
22. Tone color or quality of sound.
Kodaly
Timbre
E flat Bass/E flat Baritone Saxophone Transposition
ACDA
23. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Tempo
Dissonance
Ostinato
Blues
24. Sounds a perfect fifth lower than it is written. Music is written without a key.
French Horn Transposition
Rondo Form
Programme Music
Tonal Sequence
25. Used to give a more melodic bass part and to give variety to the music.
Inversions of chords
Hammer on
Concert pitch
Inversion
26. Ending section designed to round off a musical composition.
Diminished
Appoggiaturas
Coda
Bennet Reimer
27. C clef used by the viola. C is on the middle line.
Monophonic
Register
Concert pitch
Alto Clef
28. Consists entirely of whole steps.
Consonance
Whole Tone Scale
Relative (Major/Minor)
Mediant
29. Repeating a theme or motif with notes of smaller value (usually half)
Rondo Form
Diminution
Augmentation
Tempo
30. Flutes - oboes - bassoons - trombones - tubas - string instruments
C instruments
Arco
Riff
Binary form
31. Natural Pitch
Rhythmic displacement
Natural Minor Scale
Instruments that transpose at the octave
A instruments
32. Instruction to use the bow after a plucked passage of music.
Arco
Introduction
Diminished
Tonic Minor
33. Alternate singing or playing by different groups.
Atonal
Tenor Clef
Diminished
Antiphonal
34. American Choral Director's Association
Semitone
Riff
ACDA
Chromatic Scale
35. Bars of music before the main tune begins.
Introduction
Melodic Sequences
Major Scale Semitones
Mixolydian
36. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Retrograde
Riff
Perfect Cadence
Hornbostel - Sachs System of Musical Instruments Classification
37. General music courses involve listening - composing - and performing for all students.
Fragmentation
Chromatic Scale
Mixolydian
Bennet Reimer
38. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Glissando
JRME
Bassoon
Cross Rhythm
39. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Dalcroze
Monophonic
AOSA
Polytonality
40. Rhythms that constantly change or are grouped in a different way.
Irregular rhythm
French Horn Transposition
Tonic Minor
Stretto
41. Sounds a minor third higher.
E flat Soprano Cornet Transposition
Alto Clef
Subdominant
Arpeggio
42. Maelzel's Metronome
MM
Melodic Sequences
Hocket
Fanfare
43. Rate of speed at which a musical composition is to be played.
Portamento
Tempo
Development
Relative (Major/Minor)
44. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Instruments that transpose at the octave
Cadence
Ternary Form
Semitone
45. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Imitation
Accented Passing Note
Alberti Bass
Subdominant
46. C- C
C instruments
Dominant
Ionian
Ostinato
47. Three part musical form created by repeating the first section without changing. A B A.
Pitch
Alberti Bass
Ternary Form
C instruments
48. If the pedal is in any part other than the bass.
Kodaly
5%
Inverted Pedal
Hocket
49. Between 2/3 - 5/6 - 7/8
Bennet Reimer
Concert pitch
Harmonic Minor Scale Semitones
E flat Bass/E flat Baritone Saxophone Transposition
50. IV - I
Smear
Semitone
Plagal Cadence
Harmonic Minor Scale