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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Third tone in a major or minor scale
Mediant
Polyphonic
Tempo
Interval
2. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Ostinato
Hornbostel - Sachs System of Musical Instruments Classification
Whole Tone Scale
C Clefs
3. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Harmonic Sequences
Programme Music
C Clefs
Development
4. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Hammer on
Monophonic
5%
Fragmentation
5. IV - I
Accidentals
45
Lydian
Plagal Cadence
6. General music courses involve listening - composing - and performing for all students.
Plagal Cadence
Melodic Minor Scale
Kodaly Method
Bennet Reimer
7. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Dominant
Development
Countermelody
Natural Minor Scale
8. American String Teachers Assocation
Inversions of chords
Canon
ASTA
Articulation
9. Interval of less than a semitone
Microtone
Fanfare
Plagal Cadence
Repetition
10. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Major Scale Semitones
Polytonality
A instruments
Phrase
11. I - V ii - V IV - V
Dalcroze
Microtone
Imperfect Cadence
Tenor Clef
12. Minor key with the same tonic as a major one. C major and C minor.
Tonic Minor
Extension
Absolute Music
Notes of Anticipation
13. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Inverted Pedal
Development
Inversions of chords
Pentatonic Scale
14. How high or low a note is.
Pitch
Tonality
Ostinato
Canon
15. Increasing the note values of a musical theme - usually to twice their value.
Melodic Minor Scale
Real Sequence
Inverted Pedal
Augmentation
16. Fourth tone in a major/minor scale
Subdominant
Imitation
Texture
Dissonance
17. If the pedal is in any part other than the bass.
Natural Minor Scale
C Clefs
Ostinato
Inverted Pedal
18. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Pitch
B flat Bass Transposition
Glissando
Instruments that transpose at the octave
19. Come at the end of a passage and anticipate the final chord.
Tenor
Notes of Anticipation
Tonal Sequence
Blues
20. Sounds major sixth lower. Written with key signature.
Harmonic Sequences
Binary form
E flat Tenor Horn/E flat Alto Sax Transposition
Sequence
21. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
22. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Natural Minor Scale
Gordon's Music Learning Theory
Ternary Form
Chromatic
23. Maelzel's Metronome
MM
Cadence
Bennet Reimer
Aeolian
24. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Note that is transposing figured around
Portamento
Pentatonic Scale
Cross Rhythm
25. A- A
Aeolian
Primary Triads
Articulation
Bye - tones
26. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Pedal Point
Real Sequence
Bye - tones
Diminished
27. Without key center
Bassoon
Atonal
Repetition
Relative (Major/Minor)
28. Repetition by one or more different voices of a phrase.
Instruments that transpose at the octave
E flat Tenor Horn/E flat Alto Sax Transposition
Binary form
Imitation
29. Stress placed on a particular note in relation to others around it.
B flat instruments
Relative (Major/Minor)
Accent
Augmentation
30. American Bandmaster's Association
ABA
Mediant
Diminution
Diminished
31. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Dalcroze
ACDA
Inversions of chords
Countermelody
32. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Stretto
Bassoon
Accidentals
Arco
33. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Polyphonic
Motif
Stretto
Ostinato
34. Steady beat that is present in almost every musical composition.
Bennet Reimer
C instruments
B flat instruments
Pulse
35. Musical shaping and phrasing. Marks include staccato - legato - accent.
ASTA
Dalcroze
Auxiliary Notes
Articulation
36. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Dominant
Absolute Music
Canon
Augmented
37. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Perfect Cadence
Dissonance
Bassoon
Submediant
38. V - vi
Interrupted Cadence
Riff
French Horn Transposition
Rhythm
39. Accenting of a beat that is not normally accented
Syncopation
Irregular rhythm
Bennet Reimer
French Horn Transposition
40. Tone color or quality of sound.
Diminished
Timbre
E flat Tenor Horn/E flat Alto Sax Transposition
Locrian
41. Gives stopping place to breathe. Signals the end of both small and large musical sections.
B flat instruments
Passing Notes
Coda
Cadence
42. Sounds a minor third higher.
Melody
Motif
E flat Soprano Cornet Transposition
B flat Cornet Flugel Horn Transposition
43. Repeating a rhythm in a different part of the bar.
Gordon's Music Learning Theory
Blues
Semitone
Rhythmic displacement
44. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Appoggiaturas
Chromatic
B flat instruments
Melody
45. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
French Horn Transposition
Pull off
Canon
Programme Music
46. Part of the total pitch range of an instrument that has a distinctive quality.
Register
Gordon's Music Learning Theory
Kodaly
MM
47. Repetition of a musical idea at a higher or lower pitch.
Sequence
Antiphonal
Diminished
Anacrusis
48. I - IV - V
Semitone
Primary Triads
Binary form
Pulse
49. Sounds minor seventh higher.
B flat Soprano Saxophone Transposition
Pulse
Tonic
Augmentation
50. American Orff - Schulwerk Association
Syncopation
Stretto
Kodaly
AOSA