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Test your basic knowledge |
Praxis II Music Education Vocab
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Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Consists entirely of whole steps.
Programme Music
Whole Tone Scale
Monophonic
Dissonance
2. I - V ii - V IV - V
Glissando
Imperfect Cadence
ASCAP
Lydian
3. Sounds a perfect fifth lower than it is written. Music is written without a key.
French Horn Transposition
A instruments
Tonal Sequence
B flat instruments
4. Three part musical form created by repeating the first section without changing. A B A.
Inversions of chords
ACDA
Ternary Form
MM
5. Turning upside down. Change of the relative position of an interval - chord - or melody.
ASCAP
Inversion
ASTA
Rhythm
6. Exact transposition of each note in a sequence.
Real Sequence
Texture
Dissonance
Augmented
7. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
B flat Soprano Saxophone Transposition
Passing Notes
Dalcroze
Appoggiaturas
8. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Primary Triads
Coda
A instruments
Tenor Clef
9. Tones that sound alike but have different names (C sharp and D flat)
ACDA
Timbre
Figured Bass
Enharmonic
10. Breaking of a theme into segments in order to develop it
Fragmentation
Blues
E flat Soprano Cornet Transposition
Harmonic
11. American Orff - Schulwerk Association
Rhythm
Timbre
Leading Note
AOSA
12. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Melody
MM
Polytonality
Alberti Bass
13. Only the rhythm of a passage is imitated - not the melody.
Rhythmic Imitation
Tonality
Glissando
Polyphonic
14. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Tenor Clef
ABA
Ternary Form
Hornbostel - Sachs System of Musical Instruments Classification
15. Accenting of a beat that is not normally accented
Diminution
Syncopation
Ionian
Kodaly Method
16. Highest natural adult male voice
Pull off
Tenor
Figured Bass
Dominant
17. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Atonal
Riff
Extension
Aeolian
18. Sounds Major 9th lower. i.e. major second + octave
Tempo
Baritone - Euphonium - Tenor Trombone Transposition
Tonic Minor
Harmonic Minor Scale Semitones
19. A B A C A. Usually sections B and C are in a different key.
Rondo Form
Ostinato
Texture
Monophonic
20. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
B flat instruments
Smear
Hornbostel - Sachs System of Musical Instruments Classification
Whole Tone Scale
21. Without key center
Rhythmic displacement
Atonal
ABA
Ionian
22. Repeating a rhythm in a different part of the bar.
Hornbostel - Sachs System of Musical Instruments Classification
ASCAP
Rhythmic displacement
Polyphonic
23. Sixth tone in a major or minor scale
Instruments that transpose at the octave
Homophonic
Submediant
Register
24. Occurs when a phrase is repeated immediately at exactly the same pitch.
Retrograde
Repetition
Notes of Anticipation
Appoggiaturas
25. Repetition by one or more different voices of a phrase.
Imitation
B flat instruments
Antiphonal
E flat Soprano Cornet Transposition
26. Steady beat that is present in almost every musical composition.
French Horn Transposition
Pulse
Timbre
Blues
27. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Tonal Sequence
Arpeggio
Anacrusis
Hocket
28. Organization of musical notes in time.
B flat instruments
Bassoon
Rhythm
Augmented
29. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Lydian
Tonic Minor
Homophonic
Arpeggio
30. Journal of Research for Music Education
C instruments
Smear
JRME
Friedrich Froebel
31. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Register
Blues
Rubato
E flat Soprano Cornet Transposition
32. A- A
Aeolian
Interrupted Cadence
C Clefs
ABA
33. Only occur in the melody over an independent bass.
Smear
Atonal
Harmonic Minor Scale
Melodic Sequences
34. Sharpened 6 and 7 - but reverted to naturals when descending
Tempo
Bare chord
Contrary motion
Melodic Minor Scale
35. E- E
MM
Phrygian
Ionian
Rondo Form
36. G- G
Interrupted Cadence
Mixolydian
Fragmentation
C Clefs
37. Where a composer imitates a passage - but the second part enters before the first part has ended.
Semitone
Tonic
Perfect Cadence
Stretto
38. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Fanfare
Blues
Cross Rhythm
Imitation by Inversion
39. Fifth tone in a major or minor scale.
Baritone - Euphonium - Tenor Trombone Transposition
Dominant
Aeolian
8
40. Background support for a melody.
Accented Passing Note
Motif
Accompaniment
Cross Rhythm
41. D- D
Imperfect Cadence
Dorian Mode
Fanfare
Hocket
42. Made larger.
Dalcroze
Augmented
Bennet Reimer
Melody
43. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Programme Music
Ternary Form
45
Irregular rhythm
44. General music courses involve listening - composing - and performing for all students.
Melody
Bennet Reimer
Monophonic
Stretto
45. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Figured Bass
Real Sequence
Accompaniment
Phrase
46. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Hammer on
Absolute Music
Accompaniment
Antiphonal
47. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Supertonic
Friedrich Froebel
Chromatic
Harmonic Minor Scale
48. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Binary form
Phrygian
Rubato
5%
49. Actual pitch at which an instrument sounds.
Syncopation
Concert pitch
Harmonic Minor Scale Semitones
ABA
50. American Bandmaster's Association
Absolute Music
ABA
Harmonic Minor Scale
Semitone