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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Pentatonic Scale
Supertonic
Arpeggio
Irregular rhythm
2. Come at the end of a passage and anticipate the final chord.
ACDA
Binary form
Instruments that transpose at the octave
Notes of Anticipation
3. Steady beat that is present in almost every musical composition.
Introduction
Harmonic Minor Scale Semitones
ABA
Pulse
4. F- F
Lydian
Chromatic Scale
Bennet Reimer
Pedal Point
5. Repetition of a musical idea at a higher or lower pitch.
Sequence
Accent
Pull off
Leading Note
6. Exercises played by beginning pianists using only five consecutive notes of the scale.
B flat Soprano Saxophone Transposition
Melodic Sequences
Tonic Minor
Five finger exercise
7. Highest natural adult male voice
Melodic Sequences
Binary form
Timbre
Tenor
8. Piccolo - Guitar - Bass Guitar
Instruments that transpose at the octave
Hornbostel - Sachs System of Musical Instruments Classification
Arpeggio
Countermelody
9. Rhythms that constantly change or are grouped in a different way.
Appoggiaturas
Irregular rhythm
Tenor Clef
Rhythm
10. Music with a single melody line and no harmony.
Ionian
Monophonic
Cross Rhythm
Lydian
11. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Tenor Clef
JRME
Tonality
Accidentals
12. Repeating a rhythm in a different part of the bar.
Arpeggio
Rhythmic displacement
8
Repetition
13. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
JRME
Rubato
Mediant
45
14. Between 3/4 and 7/8
Stretto
Major Scale Semitones
Submediant
Inversions of chords
15. Sounds a minor third higher.
E flat Bass/E flat Baritone Saxophone Transposition
E flat Soprano Cornet Transposition
Comenius
Perfect Cadence
16. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Smear
Accompaniment
Appoggiaturas
Phrase
17. Combination of aggreable tones.
Primary Triads
Kodaly
Consonance
Harmonic
18. Sharpened leading note ascending and descending
Harmonic Minor Scale
Tempo
Bennet Reimer
Ionian
19. Sounds Major 9th lower. i.e. major second + octave
Note that is transposing figured around
Baritone - Euphonium - Tenor Trombone Transposition
B flat instruments
Diminished
20. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
E flat Bass/E flat Baritone Saxophone Transposition
Primary Triads
5
Binary form
21. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Cor Anglais Transposition
Bare chord
Chromatic Scale
Programme Music
22. Thick or thin - How many instruments or voices are performing together.
Texture
Hocket
Perfect Cadence
Fragmentation
23. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Phrase
Canon
Rhythm
Leading Note
24. American Choral Director's Association
AOSA
Friedrich Froebel
Submediant
ACDA
25. Minor key with the same tonic as a major one. C major and C minor.
B flat Bass Transposition
Tonic Minor
Instruments that transpose at the octave
Arco
26. Sixth tone in a major or minor scale
Submediant
C instruments
Friedrich Froebel
Coda
27. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Figured Bass
Bye - tones
Cadence
Sequence
28. Sounds major 13th lower. i.e. major sixth + octave
Pull off
E flat Bass/E flat Baritone Saxophone Transposition
5%
French Horn Transposition
29. Second tone in a major/minor scale
Bennet Reimer
Supertonic
Register
Inversion
30. Fifth tone in a major or minor scale.
Tonality
Inversions of chords
Microtone
Dominant
31. Middle C
Note that is transposing figured around
Lydian
French Horn Transposition
Phrase
32. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
33. Alto and tenor clefs
C Clefs
Unrelated Chord
Lydian
Glissando
34. Occurs when a phrase is repeated immediately at exactly the same pitch.
Repetition
Cor Anglais Transposition
Monophonic
Contrary motion
35. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Atonal
Semitone
Chromatic
5%
36. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Figured Bass
Dissonance
B flat instruments
Polyphonic
37. A B A C A. Usually sections B and C are in a different key.
Mediant
Rondo Form
Phrygian
B flat instruments
38. E- E
Mixolydian
AOSA
Phrygian
Irregular rhythm
39. Simultaneous use of two or more keys.
Leading Note
Locrian
Polytonality
Fragmentation
40. Background support for a melody.
Supertonic
Kodaly
Accompaniment
E flat Bass/E flat Baritone Saxophone Transposition
41. Distance between any two notes
Arco
Interval
Harmonic
Absolute Music
42. Third tone in a major or minor scale
Harmonic Minor Scale
Cadence
Mediant
Tempo
43. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Passing Notes
B flat instruments
Antiphonal
Pentatonic Scale
44. Natural Pitch
Polytonality
Inversions of chords
Natural Minor Scale
Rhythm
45. Glissando in jazz music
Harmonic Sequences
8
Auxiliary Notes
Smear
46. IV - I
Absolute Music
A instruments
C Clefs
Plagal Cadence
47. Made smaller.
Diminished
Dominant
Extension
AOSA
48. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Antiphonal
Diminished
Dalcroze
Figured Bass
49. V - vi
Major Scale Semitones
Interrupted Cadence
Smear
Bye - tones
50. Between 2/3 - 5/6 - 7/8
ASCAP
Harmonic Minor Scale Semitones
Semitone
Development