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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Canon
C Clefs
Bassoon
Pentatonic Scale
2. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Concert pitch
Microtone
B flat Bass Transposition
Pedal Point
3. I - V ii - V IV - V
Consonance
Cor Anglais Transposition
Blues
Imperfect Cadence
4. Between 3/4 and 7/8
Major Scale Semitones
Plagal Cadence
Timbre
Arpeggio
5. Bed post - double reed - connected with a bocal
Fanfare
ASCAP
Tenor
Bassoon
6. Steady beat that is present in almost every musical composition.
Tonality
Inverted Pedal
Extension
Pulse
7. Bars of music before the main tune begins.
Relative (Major/Minor)
Bare chord
E flat Tenor Horn/E flat Alto Sax Transposition
Introduction
8. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Inversions of chords
Polytonality
Motif
Plagal Cadence
9. Come at the end of a passage and anticipate the final chord.
Friedrich Froebel
Notes of Anticipation
E flat Soprano Cornet Transposition
Concert pitch
10. Only the rhythm of a passage is imitated - not the melody.
Comenius
B flat instruments
Rhythmic Imitation
Diminution
11. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
ACDA
Harmonic
Whole Tone Scale
Tonal Sequence
12. Piccolo - Guitar - Bass Guitar
Instruments that transpose at the octave
Chromatic Scale
Tempo
Pentatonic Scale
13. Sixth tone in a major or minor scale
Cross Rhythm
Rubato
Atonal
Submediant
14. Music with a single melody line and no harmony.
Reasons for Transposing
Melodic Minor Scale
Alberti Bass
Monophonic
15. Rate of speed at which a musical composition is to be played.
Rhythmic displacement
Pedal Point
Tempo
Chromatic Scale
16. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Rhythmic Imitation
Concert pitch
Five finger exercise
Development
17. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Hornbostel - Sachs System of Musical Instruments Classification
Accidentals
Riff
Chromatic Scale
18. Where a composer imitates a passage - but the second part enters before the first part has ended.
Real Sequence
Rhythmic Imitation
Stretto
Harmony
19. American Bandmaster's Association
Coda
Cadence
B flat Bass Transposition
ABA
20. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Cadence
Rhythm
Dalcroze
Melody
21. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Interrupted Cadence
Cross Rhythm
Stretto
Figured Bass
22. Sound that results when two or more notes are played at the same time.
Harmonic
Harmony
ABA
Tenor
23. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Kodaly
Riff
Rhythmic Imitation
Inverted Pedal
24. Used to give a more melodic bass part and to give variety to the music.
Subdominant
Atonal
Perfect Cadence
Inversions of chords
25. A B A C A. Usually sections B and C are in a different key.
Harmony
Rondo Form
Perfect Cadence
Harmonic
26. A composition or part of a composition that can be performed backwards as well as forwards.
Dalcroze
Sequence
Gordon's Music Learning Theory
Retrograde
27. Sharpened leading note ascending and descending
Kodaly Method
Pull off
Harmonic Minor Scale
Chromatic
28. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Instruments that transpose at the octave
B flat instruments
Phrase
Kodaly Method
29. Increasing the note values of a musical theme - usually to twice their value.
Subdominant
Augmentation
Dissonance
Dominant
30. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
A instruments
Arpeggio
B flat Soprano Saxophone Transposition
Irregular rhythm
31. Instruction on string instruments begins no later than grade...
Tonality
5
E flat Tenor Horn/E flat Alto Sax Transposition
C Clefs
32. Organization of musical notes in time.
Harmonic Sequences
C Clefs
Lydian
Rhythm
33. I - IV - V
5%
Mediant
Primary Triads
E flat Bass/E flat Baritone Saxophone Transposition
34. Alternate singing or playing by different groups.
Kodaly
Antiphonal
Stretto
Bare chord
35. Repeating a theme or motif with notes of smaller value (usually half)
A instruments
Rhythm
Diminution
JRME
36. Rhythms that constantly change or are grouped in a different way.
Glissando
Melodic Minor Scale
Irregular rhythm
Bye - tones
37. Sounds a minor third higher.
Consonance
E flat Soprano Cornet Transposition
Cadence
Rubato
38. Background support for a melody.
Accompaniment
Pentatonic Scale
AOSA
Augmentation
39. Occurs when a phrase is repeated immediately at exactly the same pitch.
Leading Note
Bassoon
Repetition
Tonality
40. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
C Clefs
Programme Music
Timbre
Ternary Form
41. Come between notes of the same pitch - either a note higher or note lower.
Tonality
Auxiliary Notes
Rhythm
Tonal Sequence
42. American String Teachers Assocation
Monophonic
Phrase
Microtone
ASTA
43. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Accent
Glissando
Bare chord
Cadence
44. Sounds minor seventh higher.
Tonic Minor
B flat Soprano Saxophone Transposition
Real Sequence
Hocket
45. E- E
Phrygian
Friedrich Froebel
45
Smear
46. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Inverted Pedal
Bassoon
Comenius
Cor Anglais Transposition
47. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Hammer on
Friedrich Froebel
45
Gordon's Music Learning Theory
48. Thick or thin - How many instruments or voices are performing together.
Sequence
Texture
Polytonality
Accent
49. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Real Sequence
Accidentals
Imitation
Bennet Reimer
50. Sounds major second lower. Same as B flat trumpets.
Countermelody
Inversion
B flat Cornet Flugel Horn Transposition
Arpeggio