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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer
50
questions in
15 minutes
.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Come at the end of a passage and anticipate the final chord.
Instruments that transpose at the octave
5
Primary Triads
Notes of Anticipation
2. IV - I
Plagal Cadence
E flat Bass/E flat Baritone Saxophone Transposition
Bennet Reimer
Dorian Mode
3. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Diminution
Kodaly Method
Appoggiaturas
Instruments that transpose at the octave
4. Actual pitch at which an instrument sounds.
Pedal Point
Concert pitch
Texture
Harmonic Sequences
5. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Reasons for Transposing
Melodic Sequences
Arpeggio
Repetition
6. Rhythms that constantly change or are grouped in a different way.
Smear
Alto Clef
Perfect Cadence
Irregular rhythm
7. I - IV - V
Tonality
Fanfare
Chromatic Scale
Primary Triads
8. Made smaller.
45
Figured Bass
Diminished
Harmonic Sequences
9. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Natural Minor Scale
Baritone - Euphonium - Tenor Trombone Transposition
B flat instruments
Tonic Minor
10. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Interval
Tonic
Cross Rhythm
Extension
11. Without key center
Semitone
Atonal
Whole Tone Scale
Portamento
12. Only the rhythm of a passage is imitated - not the melody.
Stretto
Syncopation
Rhythmic Imitation
Introduction
13. V - I
Glissando
Perfect Cadence
Accompaniment
Plagal Cadence
14. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Binary form
Note that is transposing figured around
Antiphonal
Tonic
15. An unessential note that falls on the beat
Fanfare
Homophonic
Accented Passing Note
Instruments that transpose at the octave
16. Tones that sound alike but have different names (C sharp and D flat)
Natural Minor Scale
Enharmonic
Blues
Subdominant
17. Natural Pitch
Dissonance
Texture
Passing Notes
Natural Minor Scale
18. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Tonality
Retrograde
Harmonic
Passing Notes
19. Glissando in vocal music
Homophonic
Portamento
Kodaly
Coda
20. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Articulation
Kodaly
Accent
Antiphonal
21. American Bandmaster's Association
Tenor
Motif
ABA
Rondo Form
22. A long held note or series of repeated notes - usually in the bass - above which harmonies constantly change. Tonic and dominant pedals are the most common.
Chromatic
Appoggiaturas
Pedal Point
Tonic Minor
23. Chord that is in a different key to the one before it with no notes in common.
Alberti Bass
Concert pitch
Unrelated Chord
Reasons for Transposing
24. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Blues
Melody
Tenor
Ostinato
25. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Melody
Microtone
B flat instruments
Homophonic
26. Gives stopping place to breathe. Signals the end of both small and large musical sections.
Monophonic
Alto Clef
Enharmonic
Cadence
27. Another word for key.
French Horn Transposition
Five finger exercise
Baritone - Euphonium - Tenor Trombone Transposition
Tonality
28. Sound that results when two or more notes are played at the same time.
Relative (Major/Minor)
Blues
Pentatonic Scale
Harmony
29. Second tone in a major/minor scale
Submediant
Supertonic
Ternary Form
Accented Passing Note
30. Minor key with the same tonic as a major one. C major and C minor.
Tonic Minor
Augmented
Texture
Interval
31. Come between notes of the same pitch - either a note higher or note lower.
Auxiliary Notes
Mediant
Binary form
Aeolian
32. American Choral Director's Association
Inverted Pedal
Harmonic Minor Scale Semitones
ACDA
Accented Passing Note
33. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Harmonic
Hammer on
Natural Minor Scale
Major Scale Semitones
34. Fifth tone in a major or minor scale.
Phrygian
Figured Bass
Inversion
Dominant
35. Sounds a minor third higher.
E flat Soprano Cornet Transposition
Relative (Major/Minor)
Mediant
Imitation by Inversion
36. Pure music - not linked to words or descriptive ideas. Opposite of program music.
C Clefs
Absolute Music
Dorian Mode
French Horn Transposition
37. Simultaneous use of two or more keys.
Polytonality
C instruments
Bye - tones
Smear
38. Repetition of a musical idea at a higher or lower pitch.
45
Appoggiaturas
Glissando
Sequence
39. Sharpened 6 and 7 - but reverted to naturals when descending
Bennet Reimer
Harmonic Minor Scale Semitones
Melodic Minor Scale
Ostinato
40. Alto and tenor clefs
C Clefs
ABA
Anacrusis
Microtone
41. Sounds a perfect fifth lower than it is written. Music is written without a key.
Dorian Mode
Melody
French Horn Transposition
Hammer on
42. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Hocket
Homophonic
ASCAP
Canon
43. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Dalcroze
Smear
Phrase
Major Scale Semitones
44. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Passing Notes
Blues
5%
Rhythmic Imitation
45. Music with a single melody line and no harmony.
Relative (Major/Minor)
Monophonic
Subdominant
ABA
46. A- A
Aeolian
Imperfect Cadence
Rondo Form
Anacrusis
47. Ending section designed to round off a musical composition.
E flat Soprano Cornet Transposition
Extension
Tonality
Coda
48. Highest natural adult male voice
Bennet Reimer
Tenor
Repetition
Harmonic
49. Sounds major 13th lower. i.e. major sixth + octave
ASTA
Ternary Form
E flat Bass/E flat Baritone Saxophone Transposition
Bassoon
50. Stress placed on a particular note in relation to others around it.
Accent
Tenor Clef
Subdominant
E flat Bass/E flat Baritone Saxophone Transposition