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Praxis II Music Education Vocab
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Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
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This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. D- D
Ionian
Perfect Cadence
Imitation
Dorian Mode
2. B- B
Cor Anglais Transposition
Locrian
French Horn Transposition
Phrygian
3. Come between notes of the same pitch - either a note higher or note lower.
Auxiliary Notes
Pulse
Irregular rhythm
Bye - tones
4. American Society of Composers - Authors - and Publishers
Polytonality
ABA
Cor Anglais Transposition
ASCAP
5. Come at the end of a passage and anticipate the final chord.
Articulation
Melody
Notes of Anticipation
Ostinato
6. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Dominant
Chromatic Scale
Homophonic
Reasons for Transposing
7. Key note. Tonic of C major is C. The tonic triad is C E G.
Rhythmic Imitation
Tonic
Primary Triads
Timbre
8. Second tone in a major/minor scale
Supertonic
Instruments that transpose at the octave
Syncopation
Cross Rhythm
9. Alto and tenor clefs
C Clefs
Alto Clef
Bare chord
Rhythmic Imitation
10. Between 2/3 - 5/6 - 7/8
Harmonic Minor Scale Semitones
Atonal
Imitation by Inversion
Anacrusis
11. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Hocket
Figured Bass
Notes of Anticipation
Rhythmic displacement
12. Sounds major sixth lower. Written with key signature.
E flat Tenor Horn/E flat Alto Sax Transposition
Harmonic
Figured Bass
Gordon's Music Learning Theory
13. If the pedal is in any part other than the bass.
JRME
Polytonality
Inverted Pedal
Interval
14. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Riff
Inversion
B flat Cornet Flugel Horn Transposition
Pentatonic Scale
15. Exact transposition of each note in a sequence.
Fanfare
Harmony
Real Sequence
B flat Cornet Flugel Horn Transposition
16. Simultaneous use of two or more keys.
Polytonality
Tonal Sequence
Tenor Clef
Retrograde
17. Occurs when a phrase is repeated immediately at exactly the same pitch.
Baritone - Euphonium - Tenor Trombone Transposition
Repetition
Tonic Minor
ASCAP
18. Sounds a minor third higher.
Ostinato
E flat Soprano Cornet Transposition
Instruments that transpose at the octave
AOSA
19. I - V ii - V IV - V
Development
Interval
Rubato
Imperfect Cadence
20. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Dalcroze
Alto Clef
Phrase
Repetition
21. Exercises played by beginning pianists using only five consecutive notes of the scale.
ACDA
Hammer on
Five finger exercise
Accented Passing Note
22. Chord without a third.
Kodaly
Figured Bass
Inverted Pedal
Bare chord
23. Scales that share the same key signature (C major - A minor)
Cross Rhythm
Harmonic Minor Scale Semitones
Augmented
Relative (Major/Minor)
24. American String Teachers Assocation
Retrograde
45
Natural Minor Scale
ASTA
25. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Polytonality
Alberti Bass
Tempo
Absolute Music
26. Distance between any two notes
Cross Rhythm
Microtone
Interval
JRME
27. A composition or part of a composition that can be performed backwards as well as forwards.
Relative (Major/Minor)
JRME
Real Sequence
Retrograde
28. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Accidentals
Accented Passing Note
Binary form
Appoggiaturas
29. Developing a phrase or motif by making it longer.
Alberti Bass
Tonal Sequence
Dominant
Extension
30. General music courses involve listening - composing - and performing for all students.
Concert pitch
Primary Triads
Bennet Reimer
Blues
31. Interval of less than a semitone
Anacrusis
Microtone
Stretto
Homophonic
32. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Accidentals
Tenor Clef
Chromatic Scale
Tonality
33. IV - I
Interval
Plagal Cadence
Auxiliary Notes
Relative (Major/Minor)
34. Sounds minor seventh higher.
Accent
B flat Soprano Saxophone Transposition
Bye - tones
Phrygian
35. Music with a single melody line and no harmony.
Stretto
Monophonic
Ternary Form
Melodic Sequences
36. Without key center
Atonal
Articulation
Rhythm
Interval
37. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Atonal
Tenor Clef
Repetition
Comenius
38. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Dissonance
Accent
Major Scale Semitones
Kodaly Method
39. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
8
Fanfare
Rondo Form
Comenius
40. Maelzel's Metronome
C Clefs
Phrygian
Inverted Pedal
MM
41. American Choral Director's Association
Harmony
ACDA
Polyphonic
Supertonic
42. Thick or thin - How many instruments or voices are performing together.
Antiphonal
Auxiliary Notes
Texture
Ternary Form
43. Second melody above or below the main melody. Descant is a type of countermelody.
Natural Minor Scale
B flat Soprano Saxophone Transposition
Inversion
Countermelody
44. General music is required until grade...
ASTA
Gordon's Music Learning Theory
8
Sequence
45. Sharpened leading note ascending and descending
Diminished
Programme Music
45
Harmonic Minor Scale
46. Glissando in jazz music
Monophonic
Smear
Baritone - Euphonium - Tenor Trombone Transposition
Portamento
47. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Polyphonic
Register
Rhythmic displacement
Leading Note
48. Stress placed on a particular note in relation to others around it.
Alberti Bass
Accent
ASTA
Instruments that transpose at the octave
49. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Imitation by Inversion
Pentatonic Scale
Development
Leading Note
50. Occur in all parts.
Articulation
Syncopation
Harmonic Sequences
Tonality
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