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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. If the pedal is in any part other than the bass.
B flat instruments
Pedal Point
Accompaniment
Inverted Pedal
2. Sounds minor seventh higher.
Baritone - Euphonium - Tenor Trombone Transposition
B flat Soprano Saxophone Transposition
Accompaniment
MM
3. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Kodaly
Tenor Clef
Accented Passing Note
Chromatic Scale
4. Occurs when a phrase is repeated immediately at exactly the same pitch.
Repetition
8
Imperfect Cadence
Augmentation
5. Three part musical form created by repeating the first section without changing. A B A.
Ternary Form
Plagal Cadence
B flat Bass Transposition
ABA
6. D- D
Imitation by Inversion
B flat Cornet Flugel Horn Transposition
Rubato
Dorian Mode
7. Sounds Major 9th lower. i.e. major second + octave
Comenius
Baritone - Euphonium - Tenor Trombone Transposition
Tenor
Bassoon
8. Only the rhythm of a passage is imitated - not the melody.
Locrian
Programme Music
Harmonic Minor Scale Semitones
Rhythmic Imitation
9. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Supertonic
Mixolydian
Melody
C instruments
10. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Aeolian
Hornbostel - Sachs System of Musical Instruments Classification
Tenor Clef
Rondo Form
11. Articulation for guitar produced by sliding the finger from one fret to the next down and back. Similar to a slur.
Syncopation
Pull off
Submediant
ASCAP
12. Actual pitch at which an instrument sounds.
Concert pitch
Plagal Cadence
Five finger exercise
Imitation
13. Combination of aggreable tones.
Phrygian
Consonance
Note that is transposing figured around
Portamento
14. Bed post - double reed - connected with a bocal
Dorian Mode
E flat Bass/E flat Baritone Saxophone Transposition
Inversions of chords
Bassoon
15. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Mixolydian
Locrian
Hocket
Alberti Bass
16. Flutes - oboes - bassoons - trombones - tubas - string instruments
Tonality
Dominant
Coda
C instruments
17. Highest natural adult male voice
Tenor
Countermelody
Kodaly Method
Binary form
18. Sounds a minor third higher.
E flat Soprano Cornet Transposition
Gordon's Music Learning Theory
Rhythmic Imitation
Harmonic Minor Scale Semitones
19. Sounds major second lower. Same as B flat trumpets.
Hocket
B flat Cornet Flugel Horn Transposition
Repetition
Fragmentation
20. Made smaller.
A instruments
Baritone - Euphonium - Tenor Trombone Transposition
Diminished
AOSA
21. Only occur in the melody over an independent bass.
Figured Bass
Melodic Sequences
Rhythm
Irregular rhythm
22. Maelzel's Metronome
Inversions of chords
Bare chord
C Clefs
MM
23. I - V ii - V IV - V
Melodic Sequences
Binary form
Imperfect Cadence
Polyphonic
24. Sounds a perfect fifth lower than it is written. Music is written with a key.
Ternary Form
Harmonic
Interval
Cor Anglais Transposition
25. Alternate singing or playing by different groups.
JRME
Antiphonal
Inversion
Tonic Minor
26. Second melody above or below the main melody. Descant is a type of countermelody.
Timbre
Melody
Countermelody
Programme Music
27. Chord without a third.
Hammer on
Bare chord
Fanfare
B flat instruments
28. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
Reasons for Transposing
45
Fanfare
Augmented
29. Fourth tone in a major/minor scale
B flat Soprano Saxophone Transposition
Harmonic Minor Scale Semitones
Subdominant
Imitation by Inversion
30. Rate of speed at which a musical composition is to be played.
Tempo
Glissando
Accented Passing Note
Interval
31. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Canon
Whole Tone Scale
Subdominant
Portamento
32. Piccolo - Guitar - Bass Guitar
Inversions of chords
Instruments that transpose at the octave
Rondo Form
Dissonance
33. Journal of Research for Music Education
JRME
B flat instruments
B flat instruments
Pitch
34. F- F
B flat Cornet Flugel Horn Transposition
Lydian
Dorian Mode
Melody
35. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Note that is transposing figured around
Rhythmic displacement
Programme Music
Real Sequence
36. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
AOSA
Rhythm
B flat instruments
Major Scale Semitones
37. Alto and tenor clefs
C Clefs
Whole Tone Scale
Appoggiaturas
Anacrusis
38. C clef used by the viola. C is on the middle line.
Alto Clef
B flat Bass Transposition
Introduction
Hocket
39. Sixth tone in a major or minor scale
Notes of Anticipation
C Clefs
Glissando
Submediant
40. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Tenor Clef
Introduction
Arpeggio
Instruments that transpose at the octave
41. C- C
ABA
Ionian
Leading Note
Absolute Music
42. Glissando in jazz music
Bye - tones
Smear
Interrupted Cadence
Pentatonic Scale
43. Music with a single melody line and no harmony.
E flat Bass/E flat Baritone Saxophone Transposition
Monophonic
Register
Tenor Clef
44. American Orff - Schulwerk Association
C Clefs
Hammer on
Interrupted Cadence
AOSA
45. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Microtone
Homophonic
B flat Soprano Saxophone Transposition
Antiphonal
46. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Major Scale Semitones
Figured Bass
French Horn Transposition
Ionian
47. Stress placed on a particular note in relation to others around it.
Bassoon
Accent
Cross Rhythm
Tonic
48. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Gordon's Music Learning Theory
Extension
Rubato
Countermelody
49. Sounds major sixth lower. Written with key signature.
E flat Tenor Horn/E flat Alto Sax Transposition
Register
Natural Minor Scale
ACDA
50. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Pull off
Kodaly Method
E flat Tenor Horn/E flat Alto Sax Transposition
Melodic Sequences