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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. C- C
Ionian
Rhythm
Timbre
Kodaly
2. F- F
Phrase
Lydian
Microtone
Cor Anglais Transposition
3. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Texture
Pedal Point
Kodaly Method
Ternary Form
4. B- B
Reasons for Transposing
Locrian
Binary form
Instruments that transpose at the octave
5. How high or low a note is.
Pitch
Imitation by Inversion
Hocket
Tonic
6. Scales that share the same key signature (C major - A minor)
Lydian
Tenor
Real Sequence
Relative (Major/Minor)
7. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Accidentals
Pentatonic Scale
Extension
A instruments
8. Intervals of the first phrase are NOT reproduced exactly.
Tonal Sequence
Kodaly
Passing Notes
Pull off
9. Between 3/4 and 7/8
Inverted Pedal
Dominant
Major Scale Semitones
Kodaly Method
10. IV - I
Five finger exercise
Plagal Cadence
Perfect Cadence
Portamento
11. Occurs when a phrase is repeated immediately at exactly the same pitch.
Syncopation
Relative (Major/Minor)
Repetition
Texture
12. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Tonic Minor
Alto Clef
45
Bassoon
13. Scale made entirely of semitones.
Binary form
Dalcroze
Chromatic Scale
Five finger exercise
14. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Accent
Tonic Minor
Bassoon
Hammer on
15. Repetition of a musical idea at a higher or lower pitch.
Rondo Form
Sequence
Natural Minor Scale
Blues
16. Used to give a more melodic bass part and to give variety to the music.
Inversion
Plagal Cadence
Harmonic
Inversions of chords
17. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Polyphonic
B flat instruments
Tempo
Lydian
18. Sharpened leading note ascending and descending
Harmonic Minor Scale
Gordon's Music Learning Theory
Accidentals
Accented Passing Note
19. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Hocket
Passing Notes
Comenius
E flat Soprano Cornet Transposition
20. Made larger.
B flat instruments
E flat Soprano Cornet Transposition
Rhythm
Augmented
21. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Kodaly Method
Accidentals
Enharmonic
Glissando
22. Rhythms that constantly change or are grouped in a different way.
Irregular rhythm
Tenor
ASCAP
Locrian
23. A composition or part of a composition that can be performed backwards as well as forwards.
Retrograde
Antiphonal
Harmony
Rubato
24. Simultaneous use of two or more keys.
Phrase
Polytonality
Pentatonic Scale
Aeolian
25. General music is required until grade...
Augmented
8
Retrograde
Baritone - Euphonium - Tenor Trombone Transposition
26. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Dissonance
Note that is transposing figured around
Imitation by Inversion
Cross Rhythm
27. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Semitone
JRME
Rhythm
Riff
28. Fifth tone in a major or minor scale.
Mixolydian
Extension
Dominant
Lydian
29. Second melody above or below the main melody. Descant is a type of countermelody.
Chromatic
Countermelody
Harmonic
Natural Minor Scale
30. Repeating a rhythm in a different part of the bar.
Inversions of chords
ABA
Rhythmic displacement
Homophonic
31. Rate of speed at which a musical composition is to be played.
Instruments that transpose at the octave
Relative (Major/Minor)
Real Sequence
Tempo
32. Interval of less than a semitone
Ternary Form
Fanfare
Relative (Major/Minor)
Microtone
33. Needs to be written a minor third higher.
Unrelated Chord
Arco
A instruments
Canon
34. Highest natural adult male voice
Augmentation
Imperfect Cadence
Tenor
Five finger exercise
35. Sounds major 13th lower. i.e. major sixth + octave
Ostinato
Pentatonic Scale
Accompaniment
E flat Bass/E flat Baritone Saxophone Transposition
36. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Imperfect Cadence
Arco
Development
Augmented
37. Short - constantly repeated motif. Usually - but not always in the bass.
Primary Triads
Harmonic Sequences
Five finger exercise
Ostinato
38. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Notes of Anticipation
Accented Passing Note
A instruments
Polyphonic
39. Fourth tone in a major/minor scale
Coda
Subdominant
Rubato
Notes of Anticipation
40. Bars of music before the main tune begins.
Accidentals
Pull off
Introduction
Development
41. Three part musical form created by repeating the first section without changing. A B A.
Ostinato
Ternary Form
E flat Tenor Horn/E flat Alto Sax Transposition
Phrygian
42. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
45
Relative (Major/Minor)
Contrary motion
Tenor Clef
43. V - I
Fanfare
Pull off
Subdominant
Perfect Cadence
44. Combination of aggreable tones.
Alto Clef
Consonance
Register
Chromatic Scale
45. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Development
Tempo
Syncopation
Rubato
46. Background support for a melody.
Accompaniment
Tonal Sequence
Alto Clef
Dominant
47. Only the rhythm of a passage is imitated - not the melody.
Rhythmic Imitation
Polyphonic
Contrary motion
Tonic Minor
48. Sixth tone in a major or minor scale
Accompaniment
E flat Soprano Cornet Transposition
Submediant
Sequence
49. Phrase is imitated by turning it upsidedown.
B flat instruments
Chromatic Scale
5
Imitation by Inversion
50. Sound that results when two or more notes are played at the same time.
Glissando
Homophonic
Whole Tone Scale
Harmony