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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Accenting of a beat that is not normally accented
Relative (Major/Minor)
Supertonic
Hocket
Syncopation
2. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
3. Repeating a theme or motif with notes of smaller value (usually half)
Enharmonic
Ionian
Diminution
Monophonic
4. Only the rhythm of a passage is imitated - not the melody.
Passing Notes
Cadence
Rhythmic Imitation
Supertonic
5. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Submediant
B flat instruments
AOSA
Perfect Cadence
6. General music is required until grade...
Phrygian
8
Cor Anglais Transposition
Dorian Mode
7. I - V ii - V IV - V
Imperfect Cadence
Diminution
Ostinato
Melodic Sequences
8. Effect of tension or disturbance made by using discords in music. Jazz uses many colorful dissonant chords.
Dissonance
Tenor
Bennet Reimer
B flat Cornet Flugel Horn Transposition
9. Music with a single melody line and no harmony.
Passing Notes
Smear
French Horn Transposition
Monophonic
10. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Phrase
Pitch
Programme Music
Dalcroze
11. C clef used by the viola. C is on the middle line.
Harmony
Alto Clef
French Horn Transposition
Subdominant
12. Background support for a melody.
Cor Anglais Transposition
Accompaniment
C Clefs
Instruments that transpose at the octave
13. Key note. Tonic of C major is C. The tonic triad is C E G.
Tonic
ACDA
Appoggiaturas
Rhythm
14. Piccolo - Guitar - Bass Guitar
Phrygian
MM
Instruments that transpose at the octave
French Horn Transposition
15. Glissando in vocal music
Portamento
Locrian
Subdominant
Inversions of chords
16. Based on a chord pattern using primary chords (I IV V).
Retrograde
Blues
Antiphonal
Tenor Clef
17. F- F
Arpeggio
Augmented
Lydian
C instruments
18. Intervals of the first phrase are NOT reproduced exactly.
Real Sequence
Tonal Sequence
Antiphonal
Introduction
19. Repetition by one or more different voices of a phrase.
Glissando
ASTA
Imitation
Baritone - Euphonium - Tenor Trombone Transposition
20. Where a composer imitates a passage - but the second part enters before the first part has ended.
Stretto
Tempo
B flat Cornet Flugel Horn Transposition
Tenor
21. Rate of speed at which a musical composition is to be played.
E flat Soprano Cornet Transposition
Tempo
Kodaly
Semitone
22. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Hocket
5%
Bye - tones
Hornbostel - Sachs System of Musical Instruments Classification
23. Scale made entirely of semitones.
Monophonic
Contrary motion
Harmony
Chromatic Scale
24. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Binary form
Melodic Sequences
Antiphonal
Dorian Mode
25. Come at the end of a passage and anticipate the final chord.
C Clefs
Anacrusis
Imitation by Inversion
Notes of Anticipation
26. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
45
A instruments
Primary Triads
Tenor Clef
27. Tone color or quality of sound.
Timbre
Real Sequence
Binary form
Imperfect Cadence
28. E- E
Tenor Clef
Instruments that transpose at the octave
Phrygian
Augmentation
29. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Accidentals
Harmonic Sequences
Cadence
Sequence
30. IV - I
Arco
ABA
Concert pitch
Plagal Cadence
31. Bed post - double reed - connected with a bocal
Subdominant
Bassoon
AOSA
Primary Triads
32. Unessential note that forms part of the harmony
Harmonic
Atonal
Bye - tones
B flat Bass Transposition
33. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Harmonic Minor Scale
Supertonic
Kodaly
Hornbostel - Sachs System of Musical Instruments Classification
34. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Appoggiaturas
Texture
Rubato
Kodaly
35. G- G
Mixolydian
Comenius
Bennet Reimer
Fanfare
36. Actual pitch at which an instrument sounds.
Leading Note
Inverted Pedal
Repetition
Concert pitch
37. Chord without a third.
Introduction
ASCAP
MM
Bare chord
38. Flutes - oboes - bassoons - trombones - tubas - string instruments
C instruments
Register
Countermelody
ACDA
39. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
B flat Cornet Flugel Horn Transposition
Imitation
Bennet Reimer
Kodaly Method
40. American Bandmaster's Association
Melodic Minor Scale
Antiphonal
ABA
MM
41. Used to give a more melodic bass part and to give variety to the music.
Dorian Mode
Submediant
Pulse
Inversions of chords
42. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Bye - tones
Chromatic
Harmony
E flat Soprano Cornet Transposition
43. Stress placed on a particular note in relation to others around it.
Tonic
Accent
Rhythm
Bare chord
44. Occur in all parts.
Harmonic Sequences
Accompaniment
Polytonality
Comenius
45. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Articulation
Tonal Sequence
Contrary motion
Imitation by Inversion
46. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Antiphonal
Polytonality
Whole Tone Scale
Polyphonic
47. Combination of aggreable tones.
ACDA
B flat instruments
Interrupted Cadence
Consonance
48. American String Teachers Assocation
Tempo
Submediant
Repetition
ASTA
49. Seventh tone in a major or minor scale
Leading Note
Enharmonic
Dalcroze
Inverted Pedal
50. Instruction on string instruments begins no later than grade...
Melodic Minor Scale
Dissonance
5
Bennet Reimer