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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sixth tone in a major or minor scale
Melodic Minor Scale
Supertonic
Submediant
Mixolydian
2. Phrase is imitated by turning it upsidedown.
Imitation by Inversion
JRME
Fanfare
A instruments
3. B- B
Concert pitch
Locrian
Polytonality
Dissonance
4. Made larger.
Semitone
Augmented
Programme Music
Accent
5. C- C
Passing Notes
Kodaly Method
Ionian
Harmonic
6. Repetition by one or more different voices of a phrase.
Subdominant
Tenor Clef
Imitation
C instruments
7. Gives stopping place to breathe. Signals the end of both small and large musical sections.
8
Cadence
Rondo Form
Sequence
8. Exact transposition of each note in a sequence.
Fragmentation
Tonal Sequence
Real Sequence
Glissando
9. Come at the end of a passage and anticipate the final chord.
Notes of Anticipation
Inversion
Polyphonic
Fragmentation
10. Breaking of a theme into segments in order to develop it
Harmonic Sequences
Baritone - Euphonium - Tenor Trombone Transposition
Fragmentation
Rhythmic Imitation
11. Actual pitch at which an instrument sounds.
Five finger exercise
Relative (Major/Minor)
B flat instruments
Concert pitch
12. Interval of less than a semitone
Interrupted Cadence
Harmonic Sequences
Pulse
Microtone
13. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Relative (Major/Minor)
Sequence
Phrase
Accidentals
14. Come between notes of the same pitch - either a note higher or note lower.
Antiphonal
Augmentation
Auxiliary Notes
Mediant
15. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Inversion
Riff
Sequence
Rhythmic displacement
16. Needs to be written a minor third higher.
A instruments
Polytonality
Programme Music
Augmentation
17. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Bassoon
Unrelated Chord
Pentatonic Scale
Timbre
18. Occur in all parts.
Harmonic Sequences
Monophonic
Hornbostel - Sachs System of Musical Instruments Classification
5
19. Highest natural adult male voice
Baritone - Euphonium - Tenor Trombone Transposition
Tenor
Tonic
Chromatic
20. Natural Pitch
Natural Minor Scale
Primary Triads
Tonic
AOSA
21. Sounds Major 9th lower. i.e. major second + octave
Baritone - Euphonium - Tenor Trombone Transposition
Articulation
Major Scale Semitones
Appoggiaturas
22. American Choral Director's Association
ACDA
Fragmentation
Accent
Accompaniment
23. Minor key with the same tonic as a major one. C major and C minor.
Accompaniment
Rhythmic displacement
Tonic Minor
ACDA
24. V - I
Antiphonal
Polytonality
Introduction
Perfect Cadence
25. Used to give a more melodic bass part and to give variety to the music.
Mediant
Harmonic Minor Scale Semitones
Inversions of chords
Baritone - Euphonium - Tenor Trombone Transposition
26. Sounds minor seventh higher.
Glissando
B flat Soprano Saxophone Transposition
Antiphonal
Texture
27. General music is required until grade...
Anacrusis
Bennet Reimer
Plagal Cadence
8
28. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Motif
Timbre
Kodaly
Phrase
29. Ending section designed to round off a musical composition.
Cross Rhythm
Coda
B flat instruments
Baritone - Euphonium - Tenor Trombone Transposition
30. How high or low a note is.
B flat instruments
Stretto
Tonic
Pitch
31. Distance between any two notes
ASCAP
Tonal Sequence
Irregular rhythm
Interval
32. Exercises played by beginning pianists using only five consecutive notes of the scale.
Five finger exercise
Bassoon
Timbre
Glissando
33. F- F
Tenor Clef
Accompaniment
Comenius
Lydian
34. Tones that sound alike but have different names (C sharp and D flat)
Auxiliary Notes
Tempo
Bassoon
Enharmonic
35. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Ternary Form
Accidentals
Hammer on
Concert pitch
36. Rhythmic Gymnastics - teaches concept of rhythm - structure - and expression through movement.
Dalcroze
Hammer on
Bennet Reimer
Accent
37. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Notes of Anticipation
Tenor Clef
Imperfect Cadence
Hammer on
38. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Comenius
Note that is transposing figured around
Polyphonic
Cross Rhythm
39. Simultaneous use of two or more keys.
Polytonality
Reasons for Transposing
Mixolydian
Enharmonic
40. Thick or thin - How many instruments or voices are performing together.
Imitation
Articulation
Smear
Texture
41. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Primary Triads
Melodic Sequences
French Horn Transposition
Development
42. Sharpened 6 and 7 - but reverted to naturals when descending
Bassoon
Melodic Minor Scale
Leading Note
ACDA
43. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Harmonic Sequences
Appoggiaturas
B flat instruments
Tenor
44. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Irregular rhythm
Antiphonal
Primary Triads
5%
45. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Smear
Harmonic Minor Scale Semitones
Rhythm
Absolute Music
46. General music courses involve listening - composing - and performing for all students.
Phrygian
Supertonic
Accented Passing Note
Bennet Reimer
47. C clef used by the viola. C is on the middle line.
Alto Clef
Pull off
Rhythm
Bassoon
48. An unessential note that falls on the beat
5%
Accented Passing Note
Friedrich Froebel
Cadence
49. Sounds a perfect fifth lower than it is written. Music is written with a key.
Imperfect Cadence
Cor Anglais Transposition
Auxiliary Notes
B flat instruments
50. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Canon
Interrupted Cadence
Leading Note
Irregular rhythm