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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Fifth tone in a major or minor scale.
Alto Clef
Instruments that transpose at the octave
Augmentation
Dominant
2. IV - I
Homophonic
MM
Diminution
Plagal Cadence
3. C clef used by the viola. C is on the middle line.
Phrygian
Alto Clef
Development
C instruments
4. A- A
Retrograde
B flat Soprano Saxophone Transposition
Polytonality
Aeolian
5. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Harmonic
C Clefs
Development
Friedrich Froebel
6. Rate of speed at which a musical composition is to be played.
Inversion
Smear
Tempo
Blues
7. I - IV - V
Friedrich Froebel
Pentatonic Scale
Primary Triads
Hammer on
8. Second tone in a major/minor scale
Supertonic
Plagal Cadence
Development
E flat Tenor Horn/E flat Alto Sax Transposition
9. Phrase is imitated by turning it upsidedown.
ABA
E flat Tenor Horn/E flat Alto Sax Transposition
Imitation by Inversion
Harmony
10. Sharpened 6 and 7 - but reverted to naturals when descending
Register
Ionian
Portamento
Melodic Minor Scale
11. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
B flat instruments
Polyphonic
Smear
Melodic Minor Scale
12. Thick or thin - How many instruments or voices are performing together.
Texture
Syncopation
8
Instruments that transpose at the octave
13. Tone color or quality of sound.
45
Homophonic
Timbre
Pulse
14. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Chromatic Scale
Cross Rhythm
French Horn Transposition
5%
15. Only occur in the melody over an independent bass.
Instruments that transpose at the octave
Melodic Sequences
Submediant
Binary form
16. Occurs when a phrase is repeated immediately at exactly the same pitch.
Inverted Pedal
Canon
Repetition
Imitation
17. A B A C A. Usually sections B and C are in a different key.
Interrupted Cadence
Interval
ASCAP
Rondo Form
18. Repeating a theme or motif with notes of smaller value (usually half)
Harmonic
Accompaniment
Diminution
Extension
19. G- G
Mixolydian
Arco
5%
Melody
20. Sounds major 16th lower. i.e. major second + two octaves
Relative (Major/Minor)
Bare chord
B flat Bass Transposition
Inverted Pedal
21. Based on a chord pattern using primary chords (I IV V).
Locrian
Alberti Bass
Blues
Cadence
22. Chord that is in a different key to the one before it with no notes in common.
Unrelated Chord
Enharmonic
Melodic Minor Scale
Homophonic
23. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Diminution
Leading Note
Hornbostel - Sachs System of Musical Instruments Classification
Relative (Major/Minor)
24. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Imitation by Inversion
Arpeggio
Polyphonic
Kodaly Method
25. Ending section designed to round off a musical composition.
Coda
Retrograde
Kodaly
Dalcroze
26. Part of the total pitch range of an instrument that has a distinctive quality.
Register
Homophonic
Lydian
Submediant
27. Interval of less than a semitone
Hocket
ACDA
Microtone
Accented Passing Note
28. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Phrygian
Kodaly
Diminution
Alberti Bass
29. Chord without a third.
Bare chord
Accidentals
Passing Notes
Lydian
30. Occur in all parts.
Bye - tones
Perfect Cadence
Tempo
Harmonic Sequences
31. Exact transposition of each note in a sequence.
Extension
Locrian
E flat Tenor Horn/E flat Alto Sax Transposition
Real Sequence
32. Sounds a perfect fifth lower than it is written. Music is written without a key.
B flat Bass Transposition
Pentatonic Scale
French Horn Transposition
Tenor
33. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Appoggiaturas
B flat instruments
Rhythmic Imitation
Inversion
34. Music with a single melody line and no harmony.
Harmonic Minor Scale Semitones
Canon
Rhythmic Imitation
Monophonic
35. Sharps - flats - and naturals placed in front of notes that alter their pitch.
Accidentals
Augmentation
Note that is transposing figured around
Phrase
36. Another word for key.
B flat instruments
Tonality
Chromatic Scale
Absolute Music
37. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Absolute Music
Tonality
Inversion
Fanfare
38. Needs to be written a minor third higher.
Relative (Major/Minor)
Absolute Music
Irregular rhythm
A instruments
39. Notes that are not in the key of the composition. Romatic period is known as the period of chromaticism.
Unrelated Chord
JRME
Chromatic
Leading Note
40. Come at the end of a passage and anticipate the final chord.
Perfect Cadence
Notes of Anticipation
Tenor
Tempo
41. Glissando in jazz music
Smear
Ternary Form
Binary form
Dalcroze
42. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Alto Clef
Melodic Minor Scale
Phrase
Friedrich Froebel
43. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
JRME
Tonality
Tenor
Kodaly
44. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Arco
45
C Clefs
Melodic Sequences
45. V - vi
Arco
Countermelody
Interrupted Cadence
Tenor Clef
46. Piccolo - Guitar - Bass Guitar
Harmonic Sequences
Accidentals
Instruments that transpose at the octave
Relative (Major/Minor)
47. Sound that results when two or more notes are played at the same time.
Harmony
Hammer on
Monophonic
Lydian
48. F- F
Atonal
Kodaly Method
E flat Soprano Cornet Transposition
Lydian
49. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Dominant
Canon
Phrase
Imitation
50. Sharpened leading note ascending and descending
Retrograde
Harmonic Minor Scale
Hocket
Texture