SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A- A
Aeolian
Accented Passing Note
Interval
Countermelody
2. An unessential note that falls on the beat
Accented Passing Note
ASCAP
E flat Soprano Cornet Transposition
Register
3. General music courses involve listening - composing - and performing for all students.
Pentatonic Scale
Augmentation
Anacrusis
Bennet Reimer
4. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Augmented
Friedrich Froebel
Monophonic
B flat instruments
5. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Cor Anglais Transposition
Real Sequence
Passing Notes
Kodaly
6. A B A C A. Usually sections B and C are in a different key.
Rhythmic Imitation
Rondo Form
Lydian
Note that is transposing figured around
7. Combination of aggreable tones.
Consonance
Riff
Stretto
B flat Soprano Saxophone Transposition
8. Between 3/4 and 7/8
Atonal
Note that is transposing figured around
Pentatonic Scale
Major Scale Semitones
9. Sounds a perfect fifth lower than it is written. Music is written without a key.
Chromatic
5%
French Horn Transposition
MM
10. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
11. V - I
Perfect Cadence
Bye - tones
Leading Note
Chromatic
12. Where a composer imitates a passage - but the second part enters before the first part has ended.
Rhythm
ACDA
Accented Passing Note
Stretto
13. Form of decoration; Unessential note that is not part of the harmony. Occurs off the beat.
Passing Notes
Retrograde
45
Harmonic Minor Scale
14. Background support for a melody.
Chromatic
Cadence
Accompaniment
Harmonic Minor Scale
15. Sounds major 13th lower. i.e. major sixth + octave
E flat Bass/E flat Baritone Saxophone Transposition
Inversion
MM
Imitation by Inversion
16. Repeating a theme or motif with notes of smaller value (usually half)
8
Arpeggio
Instruments that transpose at the octave
Diminution
17. Simultaneous use of two or more keys.
Perfect Cadence
Polytonality
Kodaly
Mixolydian
18. Steady beat that is present in almost every musical composition.
Pentatonic Scale
Smear
Pulse
Concert pitch
19. Alternate singing or playing by different groups.
B flat Soprano Saxophone Transposition
Antiphonal
Stretto
Glissando
20. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Rubato
Phrygian
Introduction
ASTA
21. Glissando in jazz music
Unrelated Chord
Smear
Accidentals
Supertonic
22. Flutes - oboes - bassoons - trombones - tubas - string instruments
C instruments
A instruments
Arco
Passing Notes
23. Sharpened 6 and 7 - but reverted to naturals when descending
Cadence
Melodic Minor Scale
Tenor
Tempo
24. Rhythms that constantly change or are grouped in a different way.
Irregular rhythm
Lydian
Blues
E flat Soprano Cornet Transposition
25. Breaking of a theme into segments in order to develop it
Alberti Bass
Retrograde
Microtone
Fragmentation
26. Without key center
Mediant
Inversions of chords
Atonal
Absolute Music
27. Chord without a third.
Aeolian
Sequence
C instruments
Bare chord
28. Three part musical form created by repeating the first section without changing. A B A.
Semitone
Arco
Ternary Form
Riff
29. Pure music - not linked to words or descriptive ideas. Opposite of program music.
Absolute Music
Polyphonic
Alto Clef
Accompaniment
30. Seventh tone in a major or minor scale
Lydian
Alberti Bass
Leading Note
Rubato
31. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Repetition
Perfect Cadence
Interval
Homophonic
32. Rate of speed at which a musical composition is to be played.
Lydian
Antiphonal
Appoggiaturas
Tempo
33. American String Teachers Assocation
ASTA
Gordon's Music Learning Theory
5
Antiphonal
34. Part of the total pitch range of an instrument that has a distinctive quality.
Register
French Horn Transposition
Pedal Point
Atonal
35. Needs to be written a minor third higher.
Bye - tones
A instruments
B flat Soprano Saxophone Transposition
Tonic Minor
36. Thick or thin - How many instruments or voices are performing together.
Anacrusis
Texture
Bye - tones
Phrygian
37. Chord that is in a different key to the one before it with no notes in common.
Baritone - Euphonium - Tenor Trombone Transposition
Anacrusis
Unrelated Chord
Melodic Sequences
38. Bars of music before the main tune begins.
Concert pitch
Introduction
Dalcroze
Kodaly Method
39. Sounds major sixth lower. Written with key signature.
Whole Tone Scale
Chromatic Scale
Arpeggio
E flat Tenor Horn/E flat Alto Sax Transposition
40. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Friedrich Froebel
ACDA
Programme Music
Cadence
41. Minor key with the same tonic as a major one. C major and C minor.
Ostinato
Note that is transposing figured around
Tonic Minor
Hocket
42. Repetition by one or more different voices of a phrase.
Imitation
Rhythm
Gordon's Music Learning Theory
Imitation by Inversion
43. Exact transposition of each note in a sequence.
Submediant
Real Sequence
Tempo
Consonance
44. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Development
Irregular rhythm
Perfect Cadence
Mixolydian
45. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Harmonic Minor Scale Semitones
B flat Bass Transposition
Hornbostel - Sachs System of Musical Instruments Classification
Articulation
46. Intervals of the first phrase are NOT reproduced exactly.
Ionian
Tonal Sequence
Comenius
8
47. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Real Sequence
Polyphonic
Blues
Tonal Sequence
48. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Pedal Point
B flat Bass Transposition
Harmonic Minor Scale Semitones
Friedrich Froebel
49. American Choral Director's Association
Accompaniment
B flat instruments
Interval
ACDA
50. Sounds major 16th lower. i.e. major second + two octaves
B flat Bass Transposition
MM
Reasons for Transposing
Tenor Clef