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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Between 2/3 - 5/6 - 7/8
Harmonic Minor Scale Semitones
Chromatic Scale
Bye - tones
Kodaly Method
2. American Choral Director's Association
ACDA
Unrelated Chord
Accent
Natural Minor Scale
3. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Binary form
AOSA
Glissando
Irregular rhythm
4. Intervals of the first phrase are NOT reproduced exactly.
Tonal Sequence
Diminution
Real Sequence
Bassoon
5. Scale consisting of five notes. No semitones. One major third - two minor thirds. All fifths are perfect.
Bennet Reimer
ASTA
Primary Triads
Pentatonic Scale
6. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
AOSA
Concert pitch
Melody
Harmonic
7. An unessential note that falls on the beat
Ionian
Harmonic Minor Scale
Microtone
Accented Passing Note
8. Sounds a minor third higher.
E flat Soprano Cornet Transposition
Tonic
Polytonality
Primary Triads
9. Key note. Tonic of C major is C. The tonic triad is C E G.
Tonic Minor
Tonic
Lydian
ASTA
10. Part of the total pitch range of an instrument that has a distinctive quality.
Rhythmic Imitation
Interrupted Cadence
Register
Ternary Form
11. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Arco
Development
Antiphonal
Enharmonic
12. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
5%
Register
Tonic Minor
Homophonic
13. Without key center
MM
Atonal
Register
Accent
14. Tones that sound alike but have different names (C sharp and D flat)
Timbre
Enharmonic
Register
Gordon's Music Learning Theory
15. Alto and tenor clefs
C Clefs
Semitone
Introduction
Articulation
16. Short - constantly repeated motif. Usually - but not always in the bass.
Aeolian
Polyphonic
Ostinato
B flat instruments
17. General music is required until grade...
Tenor Clef
Bassoon
Polytonality
8
18. Sharpened 6 and 7 - but reverted to naturals when descending
Melodic Minor Scale
Motif
Relative (Major/Minor)
Major Scale Semitones
19. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Kodaly
Timbre
Arpeggio
Pulse
20. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Stretto
Development
Glissando
B flat instruments
21. Repetition of a musical idea at a higher or lower pitch.
Sequence
Tempo
Motif
Rubato
22. Maelzel's Metronome
Tonic Minor
Aeolian
MM
Mediant
23. C clef used by the viola. C is on the middle line.
Alto Clef
Kodaly
French Horn Transposition
Dorian Mode
24. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Harmonic Minor Scale Semitones
Kodaly Method
Reasons for Transposing
Blues
25. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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26. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Contrary motion
Hornbostel - Sachs System of Musical Instruments Classification
Interrupted Cadence
Friedrich Froebel
27. Journal of Research for Music Education
Inversion
Pentatonic Scale
JRME
Register
28. Based on a chord pattern using primary chords (I IV V).
Countermelody
Binary form
Blues
Extension
29. Bed post - double reed - connected with a bocal
Bassoon
Hocket
Arpeggio
Primary Triads
30. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
Tonic
Augmented
B flat instruments
Mixolydian
31. Fourth tone in a major/minor scale
Plagal Cadence
Bye - tones
Imperfect Cadence
Subdominant
32. Fifth tone in a major or minor scale.
Cadence
Harmonic
Dominant
Rhythmic Imitation
33. Steady beat that is present in almost every musical composition.
Relative (Major/Minor)
Microtone
Repetition
Pulse
34. Actual pitch at which an instrument sounds.
Whole Tone Scale
Concert pitch
ABA
Hornbostel - Sachs System of Musical Instruments Classification
35. Another word for key.
Melodic Sequences
Plagal Cadence
Accidentals
Tonality
36. Pick up bar.
Polytonality
Anacrusis
Five finger exercise
Retrograde
37. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Alto Clef
Phrase
Hocket
Concert pitch
38. Note that does not form part of the harmony and is approached by a leap and quitted by a step
Polyphonic
Extension
Kodaly Method
Appoggiaturas
39. Series of tones arranged in a rhythmic pattern - often built by repeating and varying a motif.
Timbre
Countermelody
Melody
ABA
40. A composition or part of a composition that can be performed backwards as well as forwards.
Absolute Music
Retrograde
Rondo Form
Dominant
41. Accenting of a beat that is not normally accented
Syncopation
Canon
Interval
Kodaly
42. Come between notes of the same pitch - either a note higher or note lower.
Extension
Ionian
Auxiliary Notes
Enharmonic
43. F- F
Aeolian
Lydian
B flat instruments
E flat Tenor Horn/E flat Alto Sax Transposition
44. Come at the end of a passage and anticipate the final chord.
Articulation
Notes of Anticipation
Sequence
Texture
45. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
Articulation
45
Development
Mixolydian
46. Sharpened leading note ascending and descending
Melody
Inversion
Harmonic Minor Scale
Fanfare
47. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Glissando
Comenius
Natural Minor Scale
Interval
48. Exercises played by beginning pianists using only five consecutive notes of the scale.
Five finger exercise
Polyphonic
Timbre
Pitch
49. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Figured Bass
Baritone - Euphonium - Tenor Trombone Transposition
Stretto
Tonal Sequence
50. C- C
B flat Soprano Saxophone Transposition
5%
Ionian
Diminution