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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Unessential note that forms part of the harmony
Bassoon
Contrary motion
Bye - tones
Subdominant
2. Chord that is in a different key to the one before it with no notes in common.
Unrelated Chord
Imperfect Cadence
Rhythm
Accent
3. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Imitation by Inversion
Polyphonic
C instruments
Glissando
4. Musical announcement played on brass instruments before the arrival of an important person. Usually played on trumpets and built from the notes of one major triad.
Pentatonic Scale
Fanfare
Dorian Mode
Absolute Music
5. Intervals of the first phrase are NOT reproduced exactly.
Inversion
Tonal Sequence
Harmonic Minor Scale
Figured Bass
6. Accenting of a beat that is not normally accented
Syncopation
Inversions of chords
Antiphonal
Bennet Reimer
7. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Hornbostel - Sachs System of Musical Instruments Classification
Hocket
Imitation
JRME
8. Two part form - A B. The first section modulates (usually to the dominant). The second section is often longer than the first and uses similar material.
Binary form
5%
Polytonality
Polyphonic
9. Sixth tone in a major or minor scale
Submediant
Notes of Anticipation
Locrian
Accidentals
10. Musical shaping and phrasing. Marks include staccato - legato - accent.
Articulation
Tonal Sequence
Programme Music
Monophonic
11. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Hammer on
Tonal Sequence
Reasons for Transposing
Fragmentation
12. Organization of musical notes in time.
Imitation by Inversion
Rhythm
Alto Clef
B flat instruments
13. If the pedal is in any part other than the bass.
Primary Triads
Subdominant
Semitone
Inverted Pedal
14. Sounds major 13th lower. i.e. major sixth + octave
Phrase
Major Scale Semitones
Harmonic Minor Scale Semitones
E flat Bass/E flat Baritone Saxophone Transposition
15. Occur in all parts.
E flat Tenor Horn/E flat Alto Sax Transposition
B flat Soprano Saxophone Transposition
Harmonic Sequences
Gordon's Music Learning Theory
16. Turning upside down. Change of the relative position of an interval - chord - or melody.
Sequence
A instruments
Accented Passing Note
Inversion
17. Three part musical form created by repeating the first section without changing. A B A.
ASCAP
MM
Ternary Form
Accompaniment
18. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Polytonality
Reasons for Transposing
Blues
French Horn Transposition
19. Sounds major 16th lower. i.e. major second + two octaves
Smear
B flat Bass Transposition
Microtone
Articulation
20. Bars of music before the main tune begins.
Aeolian
5%
Introduction
Microtone
21. Flutes - oboes - bassoons - trombones - tubas - string instruments
Note that is transposing figured around
C instruments
Alto Clef
Portamento
22. Repetition of a musical idea at a higher or lower pitch.
Leading Note
Sequence
Cross Rhythm
Ternary Form
23. Another word for key.
Interrupted Cadence
Tonality
Instruments that transpose at the octave
ACDA
24. Come between notes of the same pitch - either a note higher or note lower.
Five finger exercise
Notes of Anticipation
Articulation
Auxiliary Notes
25. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Development
Homophonic
Tonal Sequence
Ostinato
26. Needs to be written a minor third higher.
Cor Anglais Transposition
Supertonic
A instruments
Instruments that transpose at the octave
27. Distance between any two notes
Interval
5%
Submediant
Microtone
28. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Cross Rhythm
Diminution
Phrygian
Imitation by Inversion
29. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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30. A composition or part of a composition that can be performed backwards as well as forwards.
Inverted Pedal
Chromatic Scale
Lydian
Retrograde
31. Used to give a more melodic bass part and to give variety to the music.
Cross Rhythm
Unrelated Chord
Consonance
Inversions of chords
32. Actual pitch at which an instrument sounds.
Harmonic
Pull off
Concert pitch
MM
33. Smallest unit of musical form. Can be as short as two notes or as long as six. A motif has Clear rhythmic patterns as well as a clear melodic outline.
Binary form
Motif
Homophonic
Development
34. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Riff
ABA
Tenor Clef
Antiphonal
35. Accompaniment style popular in the classical period. Instead of writing simple chords for the left hand - the composer arranges the same notes in a pattern of broken chords.
Inverted Pedal
Chromatic
Diminished
Alberti Bass
36. E- E
Phrygian
Figured Bass
Atonal
Tonality
37. Maelzel's Metronome
MM
Accent
Extension
Inversion
38. Background support for a melody.
Canon
Accompaniment
Homophonic
Dalcroze
39. C- C
Ionian
Antiphonal
Reasons for Transposing
Ostinato
40. Sounds major second lower. Same as B flat trumpets.
Relative (Major/Minor)
Primary Triads
Dissonance
B flat Cornet Flugel Horn Transposition
41. Alternate singing or playing by different groups.
Tenor Clef
Augmentation
Gordon's Music Learning Theory
Antiphonal
42. Fourth tone in a major/minor scale
Tonic
Chromatic
Ostinato
Subdominant
43. Combination of aggreable tones.
Passing Notes
Cadence
Dalcroze
Consonance
44. Repeating a theme or motif with notes of smaller value (usually half)
Pulse
Alberti Bass
Diminution
Tenor
45. Highest natural adult male voice
Tenor
Bennet Reimer
Note that is transposing figured around
Chromatic Scale
46. V - I
Perfect Cadence
Tonality
Five finger exercise
Antiphonal
47. V - vi
Dalcroze
Interrupted Cadence
Friedrich Froebel
Arco
48. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
Dorian Mode
Dalcroze
B flat instruments
C instruments
49. Rate of speed at which a musical composition is to be played.
E flat Soprano Cornet Transposition
AOSA
Tempo
Submediant
50. Pick up bar.
Anacrusis
Comenius
Chromatic Scale
Accompaniment