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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. American Bandmaster's Association
Chromatic
ABA
Whole Tone Scale
Augmented
2. Repetition of a musical idea at a higher or lower pitch.
Pulse
ABA
Homophonic
Sequence
3. I - IV - V
B flat Bass Transposition
Major Scale Semitones
Primary Triads
Ostinato
4. American Choral Director's Association
Harmony
Syncopation
ACDA
Comenius
5. Seventh tone in a major or minor scale
Leading Note
Development
Locrian
Tenor
6. Glissando in jazz music
Smear
Texture
ASCAP
Interrupted Cadence
7. Come at the end of a passage and anticipate the final chord.
Bye - tones
Notes of Anticipation
Ternary Form
Portamento
8. American Society of Composers - Authors - and Publishers
ASCAP
Reasons for Transposing
MM
Inverted Pedal
9. Actual pitch at which an instrument sounds.
Accented Passing Note
Concert pitch
ABA
Primary Triads
10. Organization of musical notes in time.
Natural Minor Scale
Rhythm
Rhythmic Imitation
Lydian
11. Sounds Major 9th lower. i.e. major second + octave
ASTA
Retrograde
Arpeggio
Baritone - Euphonium - Tenor Trombone Transposition
12. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
Development
Binary form
Dalcroze
Friedrich Froebel
13. Chord that is in a different key to the one before it with no notes in common.
B flat instruments
Primary Triads
Unrelated Chord
Canon
14. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Cor Anglais Transposition
Melodic Sequences
Ostinato
Canon
15. How high or low a note is.
Aeolian
Pitch
Ternary Form
E flat Tenor Horn/E flat Alto Sax Transposition
16. Phrase is imitated by turning it upsidedown.
Imitation by Inversion
Alberti Bass
Atonal
Inversions of chords
17. Scales that share the same key signature (C major - A minor)
Relative (Major/Minor)
Ternary Form
Inverted Pedal
Bye - tones
18. General music is required until grade...
Canon
A instruments
Tonal Sequence
8
19. Educator in Moravian church in 1600s. Believed music ed was instinctual for children who first learn to make sounds through vocalizations..
Dominant
JRME
Comenius
Accent
20. A- A
Aeolian
Imitation
Portamento
Lydian
21. Alto and tenor clefs
Kodaly Method
Repetition
C Clefs
B flat Bass Transposition
22. G- G
Coda
Tenor Clef
Mixolydian
Augmented
23. Teaching methods help teachers establish ewquential curricular objectives in accord with their own teaching styles and beliefs.
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24. Chord whose notes are played one after another. Sometimes it is written as a chord preceded by a wiggly line.
Binary form
Arpeggio
Fragmentation
MM
25. Music that attemtps to paint a picture or mood - describe an action - or tell a story. Very popular in the Romantic period.
Extension
Development
Programme Music
E flat Tenor Horn/E flat Alto Sax Transposition
26. Sounds major second lower. Same as B flat trumpets.
Antiphonal
Dalcroze
B flat Cornet Flugel Horn Transposition
Cross Rhythm
27. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Real Sequence
Dalcroze
Hammer on
Whole Tone Scale
28. Consists entirely of whole steps.
Whole Tone Scale
Phrygian
Harmonic Minor Scale Semitones
Phrase
29. F- F
Riff
Lydian
Figured Bass
AOSA
30. Without key center
Microtone
Accented Passing Note
Atonal
Interval
31. B- B
Locrian
Harmony
Coda
Motif
32. Steady beat that is present in almost every musical composition.
Tenor Clef
Pulse
Contrary motion
French Horn Transposition
33. C clef used by the viola. C is on the middle line.
Alto Clef
Extension
Rhythmic Imitation
Submediant
34. V - I
Dissonance
Plagal Cadence
Chromatic
Perfect Cadence
35. General music courses involve listening - composing - and performing for all students.
Countermelody
Accent
Bennet Reimer
Cor Anglais Transposition
36. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
45
Harmonic Sequences
Ostinato
B flat instruments
37. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
5%
Dalcroze
JRME
Monophonic
38. Way of playing or singing in which some of the notes are slightly hurried while others are slowed down. Free flowing expressiveness according to the performer.
Coda
Rubato
Polytonality
Texture
39. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
Homophonic
Fanfare
Gordon's Music Learning Theory
Texture
40. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
Chromatic
Contrary motion
A instruments
Bassoon
41. Sounds a minor third higher.
Dalcroze
Bennet Reimer
E flat Soprano Cornet Transposition
Chromatic
42. Smallest complete unit of musical form containing about as much as can be held in a normal breath. Can be two to eight bars long.
Perfect Cadence
Whole Tone Scale
Riff
Phrase
43. Combination of aggreable tones.
Hornbostel - Sachs System of Musical Instruments Classification
Consonance
Timbre
B flat instruments
44. Simultaneous use of two or more keys.
Polytonality
Countermelody
Plagal Cadence
Timbre
45. E- E
A instruments
Phrygian
Comenius
Tonal Sequence
46. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Pull off
Hocket
Irregular rhythm
B flat Cornet Flugel Horn Transposition
47. Come between notes of the same pitch - either a note higher or note lower.
Pulse
Interrupted Cadence
Inverted Pedal
Auxiliary Notes
48. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Ostinato
Bassoon
Enharmonic
Kodaly
49. Rate of speed at which a musical composition is to be played.
Appoggiaturas
Tempo
Contrary motion
Kodaly
50. C- C
Notes of Anticipation
Gordon's Music Learning Theory
Ionian
Fragmentation