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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Continuously repeated musical phrase in jazz music - played over changing harmonies.
Canon
Riff
AOSA
Natural Minor Scale
2. Modification of motif and themes. The main ways of developing a theme are by imitation - sequence - inversion - fragmentation - augmentation - and diminution.
Development
MM
Hornbostel - Sachs System of Musical Instruments Classification
B flat Soprano Saxophone Transposition
3. American Bandmaster's Association
Binary form
Friedrich Froebel
Relative (Major/Minor)
ABA
4. American Orff - Schulwerk Association
Baritone - Euphonium - Tenor Trombone Transposition
Note that is transposing figured around
AOSA
Development
5. A melody moves by inversion if it moves in ___________ when repeated. Sometimes the intervals are not exact.
ASCAP
Submediant
Contrary motion
Augmentation
6. Organization of musical notes in time.
Rhythm
Supertonic
Harmonic Minor Scale
Polytonality
7. Developing a phrase or motif by making it longer.
Motif
Syncopation
E flat Bass/E flat Baritone Saxophone Transposition
Extension
8. Unessential note that forms part of the harmony
Bye - tones
JRME
5
Kodaly
9. Sounds major 16th lower. i.e. major second + two octaves
Glissando
B flat Cornet Flugel Horn Transposition
B flat Bass Transposition
Cadence
10. Journal of Research for Music Education
Microtone
JRME
Plagal Cadence
Accented Passing Note
11. Sounds a perfect fifth lower than it is written. Music is written with a key.
French Horn Transposition
Homophonic
Cor Anglais Transposition
Relative (Major/Minor)
12. Type of counterpoint (polyphony) where one or more voices imitate a leading voice.
Melody
Cadence
E flat Bass/E flat Baritone Saxophone Transposition
Canon
13. Third tone in a major or minor scale
Introduction
Consonance
E flat Bass/E flat Baritone Saxophone Transposition
Mediant
14. Natural Pitch
Interval
Cross Rhythm
Rhythmic Imitation
Natural Minor Scale
15. Made smaller.
Chromatic Scale
Diminished
Atonal
Harmonic Sequences
16. General music courses involve listening - composing - and performing for all students.
Bennet Reimer
Extension
Melodic Sequences
Smear
17. Only the rhythm of a passage is imitated - not the melody.
Extension
Locrian
Rhythmic Imitation
Fanfare
18. Phrase is imitated by turning it upsidedown.
Rondo Form
B flat instruments
B flat Bass Transposition
Imitation by Inversion
19. Repetition of a musical idea at a higher or lower pitch.
Timbre
Hammer on
Sequence
Inversions of chords
20. Maelzel's Metronome
Melodic Minor Scale
Motif
C instruments
MM
21. Alto and tenor clefs
Ionian
C Clefs
Dominant
Locrian
22. G- G
Instruments that transpose at the octave
Inversions of chords
Mixolydian
Extension
23. Between 3/4 and 7/8
Notes of Anticipation
E flat Bass/E flat Baritone Saxophone Transposition
Major Scale Semitones
Kodaly
24. Trademark teaching methods using solfege hand signs - musical shorthand - rhythm solmization
Diminution
Appoggiaturas
Ternary Form
Kodaly
25. Sounds major 13th lower. i.e. major sixth + octave
Accent
Arpeggio
E flat Bass/E flat Baritone Saxophone Transposition
Dalcroze
26. Interval of less than a semitone
Bassoon
B flat instruments
Development
Microtone
27. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
Passing Notes
B flat Cornet Flugel Horn Transposition
Rhythm
Harmonic
28. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Inverted Pedal
Hammer on
Sequence
Countermelody
29. Short - constantly repeated motif. Usually - but not always in the bass.
Notes of Anticipation
Ostinato
B flat instruments
Interval
30. Sharpened 6 and 7 - but reverted to naturals when descending
Homophonic
Melodic Minor Scale
Natural Minor Scale
Harmonic Sequences
31. Where a composer imitates a passage - but the second part enters before the first part has ended.
Stretto
Pull off
Dominant
Inversion
32. Occurs when a phrase is repeated immediately at exactly the same pitch.
Stretto
Tonic
Riff
Repetition
33. Made larger.
Notes of Anticipation
Dominant
Augmented
Kodaly Method
34. Pick up bar.
French Horn Transposition
Imitation by Inversion
Anacrusis
Tempo
35. Highest natural adult male voice
Tenor
Kodaly
Fanfare
Aeolian
36. Instruction to use the bow after a plucked passage of music.
Rhythm
Arco
Augmented
Homophonic
37. Repeating a rhythm in a different part of the bar.
Rhythmic displacement
Coda
E flat Soprano Cornet Transposition
Five finger exercise
38. Repeating a theme or motif with notes of smaller value (usually half)
Coda
Mixolydian
MM
Diminution
39. (Elementary/Middle School) Every music course meets at least every other day in periods of at least ____ minutes.
45
Dominant
Rhythmic Imitation
Arco
40. An annual budget is provided for the replacement of school - owned instruments that is equivalent to at least ______ of the current replacement value of the total inventory.
Inversions of chords
Rubato
Canon
5%
41. Music where two or more equally important melodic lines are combined and woven together with rhythmic contrast happening between the voices.
Dominant
Polyphonic
Appoggiaturas
Subdominant
42. Used to give a more melodic bass part and to give variety to the music.
Subdominant
Perfect Cadence
Inversions of chords
Tenor
43. For these instruments to sound a major second lower than it is written - their music needs to be written a major second higher.
B flat instruments
Natural Minor Scale
Homophonic
Monophonic
44. Intervals of the first phrase are NOT reproduced exactly.
Relative (Major/Minor)
Tonal Sequence
Hornbostel - Sachs System of Musical Instruments Classification
French Horn Transposition
45. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Reasons for Transposing
B flat instruments
Imitation
Mediant
46. Clarinets - bass clarinets - trumpets - tenor saxes - baritones
B flat instruments
Polytonality
Programme Music
Glissando
47. Two conflicting rhythms used at the same time. Also known as polyrhythm.
Cross Rhythm
Alto Clef
Accent
Portamento
48. Sounds major second lower. Same as B flat trumpets.
B flat Cornet Flugel Horn Transposition
E flat Bass/E flat Baritone Saxophone Transposition
Harmonic Minor Scale
Tenor
49. Breaking of a melody into single notes or very short phrases by using rests. The melody is then shared between different voices.
Leading Note
Alberti Bass
Hocket
Real Sequence
50. Bars of music before the main tune begins.
Submediant
Augmentation
Inversions of chords
Introduction