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Test your basic knowledge |
Praxis II Music Education Vocab
Start Test
Study First
Subjects
:
praxis
,
teaching
,
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Simultaneous use of two or more keys.
Diminution
Polytonality
Chromatic Scale
Inversions of chords
2. Sharpened 6 and 7 - but reverted to naturals when descending
Melodic Minor Scale
Fragmentation
Dissonance
Pedal Point
3. Alternate singing or playing by different groups.
Figured Bass
Polytonality
Antiphonal
Smear
4. Occurs when a phrase is repeated immediately at exactly the same pitch.
Monophonic
Repetition
Stretto
Programme Music
5. Gliding or sliding from one note to another. Can be shown by a line between notes or by writing the actual notes to be played.
Arco
Natural Minor Scale
Rubato
Glissando
6. C clef used by the viola. C is on the middle line.
Irregular rhythm
Baritone - Euphonium - Tenor Trombone Transposition
Alto Clef
Extension
7. Tones that sound alike but have different names (C sharp and D flat)
Enharmonic
Figured Bass
ABA
Binary form
8. Where a composer imitates a passage - but the second part enters before the first part has ended.
Pedal Point
Stretto
45
Introduction
9. Sounds a perfect fifth lower than it is written. Music is written without a key.
Diminution
Hornbostel - Sachs System of Musical Instruments Classification
Motif
French Horn Transposition
10. Chord without a third.
Dominant
Locrian
Bare chord
Pentatonic Scale
11. General music is required until grade...
Blues
B flat instruments
Accent
8
12. Highest natural adult male voice
Motif
Hocket
Plagal Cadence
Tenor
13. Steady beat that is present in almost every musical composition.
Smear
Pulse
Tonality
E flat Soprano Cornet Transposition
14. Second tone in a major/minor scale
Tonic Minor
Melody
Supertonic
Arpeggio
15. Journal of Research for Music Education
B flat Bass Transposition
Unrelated Chord
JRME
Binary form
16. Articulation on guitar produced by sliding the finger from one fret to the next up and back.
Hammer on
Tenor Clef
Inverted Pedal
Harmonic
17. Child - developmental approach. Quarter note = ta. Eight note pairs = ti ti. Half note = ta - a. Moveable do and hand signs.
Rhythmic Imitation
Inversion
Ostinato
Kodaly Method
18. Sounds major 13th lower. i.e. major sixth + octave
Augmented
Inverted Pedal
E flat Bass/E flat Baritone Saxophone Transposition
Ternary Form
19. Sounds Major 9th lower. i.e. major second + octave
Baritone - Euphonium - Tenor Trombone Transposition
B flat Soprano Saxophone Transposition
Melodic Sequences
Portamento
20. How high or low a note is.
Concert pitch
5%
Polytonality
Pitch
21. Glissando in jazz music
Relative (Major/Minor)
Imitation
Melody
Smear
22. E- E
Rubato
Phrygian
45
Major Scale Semitones
23. C clef sometimes used by the cello - bassoon - and trombone. C is on the second to top line
Arco
Imitation
Tenor Clef
Hammer on
24. Sounds major sixth lower. Written with key signature.
Monophonic
E flat Tenor Horn/E flat Alto Sax Transposition
5%
Imitation
25. Music that moves in harmonic blocks (as opposed to the linear way polyphonic music moves)
B flat Bass Transposition
Homophonic
Whole Tone Scale
Fragmentation
26. Needs to be written a minor third higher.
A instruments
Canon
JRME
Comenius
27. Increasing the note values of a musical theme - usually to twice their value.
Programme Music
Augmentation
Kodaly Method
5%
28. Combination of aggreable tones.
Gordon's Music Learning Theory
Tenor Clef
Sequence
Consonance
29. American Bandmaster's Association
ABA
Polytonality
B flat Bass Transposition
Monophonic
30. High - clear - pure sound produced on a string instrument by lightly stopping the string at its halfway point.
JRME
Pitch
Bye - tones
Harmonic
31. 1. Avoiding ledger lines 2. Provide a better key signature 3. Avoid changing the pattern of fingering for different pitches
Portamento
Pitch
Rhythmic displacement
Reasons for Transposing
32. Part of the total pitch range of an instrument that has a distinctive quality.
45
Inversion
Register
Rondo Form
33. Smallest interval in common use in western music. The interval between one note on the piano and the next.
Semitone
Atonal
Harmonic
Leading Note
34. Scale made entirely of semitones.
Major Scale Semitones
Supertonic
Chromatic Scale
Notes of Anticipation
35. Thick or thin - How many instruments or voices are performing together.
Auxiliary Notes
Texture
Harmony
Motif
36. Used by composers in the Baroque period. Numbers underneath the bass line told the performer which chords to play. The bass part was called the continuo. Each number represents an interval between the bass and the note to be supplied.
Programme Music
Development
Arco
Figured Bass
37. Sounds major second lower. Same as B flat trumpets.
B flat Cornet Flugel Horn Transposition
Harmonic Sequences
Rhythm
Blues
38. Sounds major 16th lower. i.e. major second + two octaves
Repetition
Mixolydian
Whole Tone Scale
B flat Bass Transposition
39. Interval of less than a semitone
Irregular rhythm
Microtone
Inversions of chords
ACDA
40. Repetition of a musical idea at a higher or lower pitch.
Sequence
Natural Minor Scale
Mediant
Ternary Form
41. Only occur in the melody over an independent bass.
Melodic Sequences
Real Sequence
Syncopation
Reasons for Transposing
42. Idiophones - Membranophones - Chordophones - Aerophones - Electrophones
Hornbostel - Sachs System of Musical Instruments Classification
Subdominant
Auxiliary Notes
French Horn Transposition
43. American Choral Director's Association
5%
Major Scale Semitones
Figured Bass
ACDA
44. Exercises played by beginning pianists using only five consecutive notes of the scale.
Five finger exercise
Pentatonic Scale
A instruments
ACDA
45. Repeating a rhythm in a different part of the bar.
Rhythmic displacement
B flat Cornet Flugel Horn Transposition
Ostinato
Figured Bass
46. Founder of kindergarten. Advocated dance and music in regards to nature as they played outside. Wrote Mother Play and Nursery songs with tunes.
ASCAP
Friedrich Froebel
Semitone
A instruments
47. Actual pitch at which an instrument sounds.
Unrelated Chord
Concert pitch
Smear
E flat Tenor Horn/E flat Alto Sax Transposition
48. Middle C
Natural Minor Scale
Reasons for Transposing
Friedrich Froebel
Note that is transposing figured around
49. An unessential note that falls on the beat
Cross Rhythm
E flat Tenor Horn/E flat Alto Sax Transposition
Mixolydian
Accented Passing Note
50. Made larger.
Rondo Form
Supertonic
Augmented
Notes of Anticipation