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Test your basic knowledge |
Show Production Basics
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Vocals --> (Basic Rhythm) Kick - Snare - Hat --> Primary Instruments --> Toms - FX - etc.
Flying Sound
Splitter System Components
Building a Mix
Monitor Signal Flow
2. Running monitors; Running house system; Communicating with the stage
AFL
Midas Verona
Uses for Return Lines
True or False: The monitor engineer has creative control over how each artist's mix will sound...
3. Primary purpose is to send signal to additional sound systems
Matrix
Band Limiter
Splitter Box
Vocal Mic Setup
4. Splits full range audio into frequencies from high end of the spectrum to the high speakers - mids to the mid speakers and lows to the low speakers
Radial Horn
Crossover
Time Based Processors
FOH Engineer
5. The standard in live sound reinforcement for both digital and analog shows
Showco PRISM
Dynamic Based Processors
Radial Horn
Building a Mix
6. Typically contains 4 amplifiers on average (Max = 6);
Aux/CO
Monitor Amp Rack
Sound Reinforcement Before Electricity
Return Lines
7. Shop Technician --> System Technician --> System Engineer --> Band Engineer
Crossover
Altec Lansing
Show Production Organization
Upstage
8. (1953) - 1st wireless microphone available to the public developed by Shure
Sound Booth
Showco
Monitor System
Vagabond
9. Verification that all the cables for mics & amplies are connected and sending signal properly
Production Manager
Line Check
Judy Garland
Sir Oliver Lodge
10. AFL; On the Mix OUTS the Cue or Solo Button is an example
Benefits of In-Ear Monitors
Lee DeForest
After Fader Listen
Shearer Horn System
11. Package tours and the Motown Era created the need for these in the 1950's
Time Based Processors
Mobile Reinforcement Systems
Matrix
Down Fill
12. Low frequency sound absorber used to reduce the effects of standing waves in a room
Public Address
Bass Trap
Benefits of In-Ear Monitors
The Who
13. AFL; On the Mix OUTS the Cue or Solo Button is an example
Supplemental Speaker Systems
Stereophonic Sound
Auditorium
After Fader Listen
14. From the FOH; Can be used in addition to stereo clusters of speakers to give a stronger center channel; Generally used for lead vocals
Dynamic Based Processors
Transducer
Drive Rack Signal Flow
Center Fill
15. Developed for the motion picture industry and used for live event production
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16. True
Production Manager
Phasing Plug
Lee DeForest
True or False: It is preferred by many to have the drive rack and FX Racks separated...
17. 1st recorded published work on acoustics for the purpose of understanding the propagation of sound waves written by Gaspare P. Schotto (1657).
Distance
Magiae Universal
True or False: The primary purpose for a mix EQ is feedback reduction/elimination...
Emile Berliner
18. System for feeding one or more separate mixes to the performers for use while recording and overdubbing; Also known as a Cue Mix ~ MONITORS
Foldback
Band Limiter
Greek Amphitheater
FOH Engineer
19. Contains fan outputs from stage - fan outs from effects - and fan outs to drive racks; Interface can stay plugged into console jacks
Aux/CO
Workbox
Auditorium
Sensurround
20. Masks with acoustic horns in the design; High-soled shoes to help with projection; Reflective acoustic shells designed into staging; Stadium stye seating for patrons; Jars filled with different layers of ash used for sound absorption and diffusion
Line Array
Sound Reinforcement Before Electricity
Rack Position
Radial Horn
21. Electronic system that blends sounds from more than one source; First demonstrated at Constitution Hall by Bell Labs
Stereophonic Sound
Drive Rack
Mix Position
Mass Connectors
22. Can quickly change gain in response to many different detectors looking at same signal; Used in really tough situations where u want strict control over level and dynamics
Balloon Meadow
Pre/Post Button
Center Fill
VCA
23. Covers a room from a single line of speakers over the rest of the venue saving time and labor costs; Multiple speakers hung together - either vertically or horizontally - so that they can act as one huge speaker
Crossover
Line Array
Midas XL4
Band Limiter
24. Usualluy always RED; Numbered; Used for return signal and communication
Output Transducer
Distance
Return Lines
Components of Good Mixing
25. Hired by the sound company or venue and paid salary; Set-up and maintain FOH system and often mix opening artists; Responsible for set-up - teardown - and maintenance of systems
True or False: Monitor systems always have drive racks...
System Engineer
Hanley Sound
Drive Rack Signal Flow
26. Large format live console for show production and sound reinforcement
Matrix Section
Aux/CO
Midas XL4
Balloon Meadow
27. British physicist and writer involved in the development of key patents in wireless telegraphy; Also improved loudspeaker with nonmagnetic spacers to keep the air gap between the inner and outer poles of a moving coil transducer
Mix Position
Sir Oliver Lodge
Delay Fill
Midas XL4
28. Device used to compensate for undesired sound system characteristics or room acoustics
Return Lines
Showco PRISM
True or False: Monitor systems always have drive racks...
Equalizer
29. From the FOH; Used in addition or instead of an apron fill to cover audience members seated under or below the FOH speaker clusters
R.G. Jones
House System
Down Fill
Uses for Return Lines
30. Time; Acoustics; Microphones & Placement; Stage Volume; Condition & Level of Gear
Apron Fill
Aux/CO
Live Mixing Issues
Line Array
31. Radial horn with vanes placed in the mouth of the horn for the stated purpose of pattern control
Sectorial Horn
Near-Fields
Rack Position
Types of Output Transducers
32. From the FOH; Used to cover audience members located beyond the coverage of the front of house sound systems; Speaker system's signal is delayed to let the sound from FOH speaker systems catch up
Live Mixing Issues
Delay Fill
Uses for Return Lines
Dynamic Based Processors
33. From the FOH; Can be used in addition to stereo clusters of speakers to give a stronger center channel; Generally used for lead vocals
Butt Fill
Upstage
Sub Snakes
Center Fill
34. Debuted at the George Strait Country Music Festival in 1999
Sir Oliver Lodge
ShowConsole
After Fader Listen
Emile Berliner
35. Converts electrical information into acoustic energy
Output Transducer
Hanley Sound
Vocal Mic Setup
Side Fill
36. Vacuum tube that improved and amplified weak wireless signals
Pink Noise
Audion Tube
Outside
Emile Berliner
37. Held reputation as the world's loudest band in the 1970's
The Who
True or False: The monitor engineer has creative control over how each artist's mix will sound...
Building a Mix
Supplemental Speaker Systems
38. Held reputation as the world's loudest band in the 1970's
Near-Fields
The Who
Monitor System
True or False: The monitor system is essentially one large system...
39. Usually colored red and lettered; Gender reversed from the channels; Allow for sending of any signal from the console areas back to the splitter box; Final mix from the console is the first priority; Optional and must be specified; If splitter does n
Altec Lansing
RAT Sound
Side Fill
Return Lines
40. Microphones -> Mic Cables -> Subsnakes -> Splitter -> Monitor Fanout -> Console -> EQ Rack (Mix Inserts) -> EQ -> Console -> Mix Outs -> Amp Racks -> Multiple Monitor Wedges
Mix Position
1940's P/A Systems
Sir Oliver Lodge
Monitor Signal Flow
41. Early form of sound reinforcement made of various materials including silver and tortoise shell
Ear Trumpets
When building mixes and presented with multiple requests from one Artist - one should...
Shearer Horn System
Rigging Basket
42. Developed by George Lucas and Thomlinson Holman; Debuted with the film 'Return of the Jedi'; Proprietary electronic crossover network and rigorous audio equipment specifications and performance standards
Matrix
THX
Low End Problem
Artist's (or Band) Engineer
43. 1st stage of protection; Prevents damage to sound system by limiting and/or compressing overall ouput
Equalizer
Uses for Return Lines
System Limiter
Midas Verona
44. Usually located in the rear of the house or in the balcony; Houses technicians who complete any music or sound effects
Gain Structure
Sound Booth
Pink Noise
Clair Brothers
45. Allows use of two or more consoles; 1 House & 1 Monitor; Can be wall mounted or placed in a rack; Basically a big set of Y-cables in a box; Does not belong in FOH area
Midas XL4
Rigging Basket
Phasing Plug
Splitter Box
46. Microphones -> Mic Cables -> Subsnakes -> Splitter -> Monitor Fanout -> Console -> EQ Rack (Mix Inserts) -> EQ -> Console -> Mix Outs -> Amp Racks -> Multiple Monitor Wedges
Monitor Signal Flow
Benefits of In-Ear Monitors
Rigging Basket
House System
47. Could be in a bass trap or a dead zone at the mix position
Vagabond
Compression Driver
Transducer
Low End Problem
48. EQ -> Limiter -> Crossover
Bass Trap
Vocal Mic Setup
Mix Position
Drive Rack Signal Flow
49. Stage area to the rear of stage performers that is furthest away from the audience
Upstage
Workbox
Front of the House
Judy Garland
50. Latin word meaning 'a place of hearing'
Auditorium
Line Array
RAT Sound
Emile Berliner