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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Conveys a visual relationship to the staging
framing
animation
textual form
music
2. Documentary staple - less steady and jumpier. attempts to be realistic
voiceover narration
canted camera angle
diegesis
hand-held
3. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
high camera angle
video switcher
low camera angle
multi- camera telefilm studio production
4. The creation or manipulation of images using non-photographic techniques
offscreen space
telephoto lenses
graphics
standard camera height
5. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
rack of focus
high camera angle
multi-camera live production
telefilms
6. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
live-to-tape
long shots
staging
Realism
7. The entire visual world is created non-photographically
monologue
animation
graphics
medium closeup
8. Space that exists inside the frame.
Multi-Channel Era
multi- camera telefilm studio production
dialogue
onscreen space
9. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
medium closeup
camera movement: dolly
camera movement: tracking
10. Presents the speech of multiple people interacting
dialogue
jump cut
diegesis
presentational
11. When camera is looking down at a character
stedicam
crane shot
hand-held
high camera angle
12. Spacial relation between elements
anthology drama
perspective
style
cultural representations
13. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
telefilms
extreme closeup
two shot west
cels
14. Used as a transition to pull out of a scene
diegesis
ambient sound
wipes
crane shot
15. Use short focal length. cause fisheye distortion. increase the depth of the shot
perspective
chroma key
canted camera angle
wide angle lenses
16. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
onscreen space
Convergence Era
dialogue
medium shots
17. Mimics the motion of turning your head left or right
voiceover narration
camera movement: pan
extreme long shot
multi- camera telefilm studio production
18. The technique that captures that image for viewers
sound bridge
camerawork
two/three shot
multi-camera live production
19. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
stedicam
camera movement: dolly
sound effects
20. Comprised of internal and extradiegetic
screen direction
voiceover narration
vocal sounds
camera movement: tilt
21. Rarely has an impacts on viewers comprehension. works to convey naturalism
perspective
environmental sound
camera movement: tracking
wipes
22. Graphically generated visuals are placed atop a video image. ex: credits or captions
animation
multi-camera live production
anthology drama
keying
23. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
onscreen space
Multi-Channel Era
Convergence Era
naturalistic
24. Targets media to specific segments of the audience
environmental sound
narrowcasting
wide angle lenses
long take
25. Alters the degree of magnification and depth of an image
cross-fades
focus
naturalistic
focal length
26. Presumably not heard by characters. can be either from audience or pre-recorded
medium closeup
computer generated images
laugh track
cross-fades
27. What elements in the frame are clear or blurry
focus
media technologies
ambient sound
telefilms
28. Moving backwards in time to provide earlier story information or reflect on past events
vocal performance
flashback
wipes
sound effects
29. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
dissolves
camera movement: tracking
focal length
medium closeup
30. Government intervention of the airwaves FCC
monologue
democratic regulations
shot/reverse shot
textual form
31. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
video switcher
narrowcasting
ellipsis
two shot west
32. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
sililoquies
fade-out
dialogue
focal length
33. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
anthology drama
laugh track
fade-in
split-screen
34. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
split-screen
animation
flashback
long shots
35. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
keying
camera movement: pan
long take
telefilms
36. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
videotape
offscreen space
stedicam
chroma key
37. Eye level
standard camera height
two/three shot
Classic Network Era
dissolves
38. Transparent paper that animations are drawn onto and then shot
ellipsis
sound bridge
cels
cross-fades
39. An edit where the shots do not sufficiently re-frame the action
diegesis
jump cut
dissolves
cultural representations
40. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
shot/reverse shot
musical montage
keying
dissolves
41. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
focal length
ambient sound
multi- camera telefilm studio production
camera movement: pan
42. Determines which cameras will be broadcast - transitions in between shots - added graphics
video switcher
camera movement: dolly
theme songs
diegesis
43. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
camera movement: pan
fade-in
medium shots
monologue
44. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
cross-fades
laugh track
closeups
hand-held
45. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
music
two shot west
staging
long take
46. Rhythmically edits a number of visual sequence over a song that signals an emotional response
cultural representations
cut
camera movement: pan
musical montage
47. Live - filmed - in-studio - on-location. form is linked to specific genres
chroma key
graphics
textual form
fade-out
48. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
media technologies
Realism
sililoquies
wide angle lenses
49. Mobile-- on site. multiple takes from multiple angles - shot out of order
textual form
vocal sounds
cels
single camera
50. Straps the camera to the operator to make it glide. attempts to be realistic
computer generated images
animation
stedicam
multi- camera telefilm studio production