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Test your basic knowledge |
Television Vocab
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Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Moving backwards in time to provide earlier story information or reflect on past events
flashback
master shot
closeups
fade-out
2. Space that exists inside the frame.
offscreen space
telefilms
music
onscreen space
3. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
extreme long shot
long shots
closeups
sound bridge
4. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
presentational
instant replay
high camera angle
wide angle lenses
5. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
camerawork
music
cultural representations
focal length
6. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
camera movement: dolly
laugh track
master shot
medium shots
7. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
closeups
Classic Network Era
ambient sound
cross-cutting
8. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
speed
musical montage
cels
staging
9. Straps the camera to the operator to make it glide. attempts to be realistic
cross-cutting
standard camera height
ellipsis
stedicam
10. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
fade-out
Classic Network Era
environmental sound
Convergence Era
11. When camera is looking up at a character
cut
sililoquies
camera movement: dolly
low camera angle
12. Omitting intervening moments. used to condense time. turn a day in 30minutes
Classic Network Era
ellipsis
instant replay
medium shots
13. Represent the program as a whole. become part of the identity (iconic)
focus
diegesis
voiceover narration
theme songs
14. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
long shots
multi- camera telefilm studio production
wipes
cultural representations
15. Spacial relation between elements
single camera
onscreen space
perspective
media technologies
16. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
democratic regulations
fade-in
two/three shot
computer generated animation
17. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated images
diegesis
ambient sound
jump cut
18. Live - filmed - in-studio - on-location. form is linked to specific genres
speed
textual form
closeups
camera movement: dolly
19. Images are created and animated digitally
stedicam
live-to-tape
computer generated animation
environmental sound
20. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
high camera angle
closeups
Multi-Channel Era
21. Puts shots together into a larger program. appears almost unnoticeable
editing
split-screen
onscreen space
videotape
22. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
jump cut
long take
long shots
fade-in
23. A (usually long) dramatic speech by a single actor
framing
naturalistic
monologue
score
24. Mimics the motion of turning your head left or right
camera movement: pan
multi- camera telefilm studio production
fade-out
music
25. The entire visual world is created non-photographically
rhythm
dialogue
long shots
animation
26. When people are talking
closeups
vocal sounds
score
master shot
27. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two shot west
anthology drama
Realism
style
28. Graphically generated visuals are placed atop a video image. ex: credits or captions
stedicam
sound effects
two shot west
keying
29. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
stedicam
master shot
telefilms
vocal sounds
30. Rarely has an impacts on viewers comprehension. works to convey naturalism
chroma key
environmental sound
staging
ellipsis
31. Alters the degree of magnification and depth of an image
score
focal length
extreme closeup
single camera
32. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
live-to-tape
fade-in
ambient sound
sililoquies
33. Documentary staple - less steady and jumpier. attempts to be realistic
telefilms
two/three shot
canted camera angle
hand-held
34. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
framing
anthology drama
ellipsis
rhythm
35. Chest up. provide facial detail without feeling overtly intrusive
cels
ellipsis
medium closeup
Classic Network Era
36. The back and forth editing between closeups in a dialogue
dissolves
long shots
shot/reverse shot
cultural representations
37. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
medium shots
staging
narrowcasting
38. When camera is looking down at a character
laugh track
low camera angle
high camera angle
anthology drama
39. The formal characteristics that help express meaning independently of a text's context
voiceover narration
sound effects
style
perspective
40. Presumably not heard by characters. can be either from audience or pre-recorded
offscreen space
media technologies
environmental sound
laugh track
41. Allow a high degree of intimacy and emotional expression
sound effects
closeups
kinescope
cultural representations
42. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
kinescope
textual form
multi-camera live production
ellipsis
43. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
vocal sounds
Convergence Era
shot/reverse shot
multi-camera live production
44. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
camera movement: tilt
computer generated animation
multi- camera telefilm studio production
instant replay
45. When a shot had a narrow depth of field and part of the image is out of focus
multi- camera telefilm studio production
long shots
computer generated images
rack of focus
46. Establishing shot of entire scene
master shot
crane shot
cut
kinescope
47. Conveys a visual relationship to the staging
musical montage
vocal sounds
videotape
framing
48. Refers to the world representing in a program
textual form
diegesis
narrowcasting
sound bridge
49. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
dissolves
perspective
telefilms
rhythm
50. Targets media to specific segments of the audience
camera movement: tracking
anthology drama
onscreen space
narrowcasting
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