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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Transparent paper that animations are drawn onto and then shot
extreme long shot
cels
master shot
graphics
2. Documentary staple - less steady and jumpier. attempts to be realistic
laugh track
hand-held
vocal sounds
sound effects
3. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
staging
anthology drama
standard camera height
rack of focus
4. Use long focal length. captures images from far away. compresses the depth of the shot
telephoto lenses
extreme closeup
cels
offscreen space
5. Live - filmed - in-studio - on-location. form is linked to specific genres
democratic regulations
textual form
extreme closeup
camera movement: dolly
6. When the camera is angled. provided a disorienting slant perspective
camerawork
anthology drama
canted camera angle
style
7. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
stedicam
screen direction
rhythm
chroma key
8. Determines which cameras will be broadcast - transitions in between shots - added graphics
telefilms
framing
video switcher
camera movement: tracking
9. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
instant replay
medium shots
sililoquies
live-to-tape
10. Use short focal length. cause fisheye distortion. increase the depth of the shot
wide angle lenses
telephoto lenses
cut
cross-fades
11. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
chroma key
master shot
two shot west
extreme long shot
12. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
camera movement: dolly
chroma key
fade-in
sound effects
13. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
Classic Network Era
low camera angle
cross-cutting
cross-fades
14. An edit where the shots do not sufficiently re-frame the action
long take
speed
style
jump cut
15. When a shot had a narrow depth of field and part of the image is out of focus
vocal sounds
closeups
rack of focus
flashback
16. Motion of a given sequence
graphics
speed
shot/reverse shot
cross-fades
17. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
fade-in
multi-camera live production
chroma key
instant replay
18. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
telephoto lenses
camera movement: dolly
cross-cutting
19. Mobile-- on site. multiple takes from multiple angles - shot out of order
narrowcasting
single camera
score
camerawork
20. A (usually long) dramatic speech by a single actor
cross-fades
monologue
laugh track
master shot
21. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cultural representations
camera movement: tracking
long shots
computer generated animation
22. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
multi-camera live production
cross-fades
theme songs
animation
23. Represent the program as a whole. become part of the identity (iconic)
anthology drama
theme songs
fade-in
musical montage
24. Presumably not heard by characters. can be either from audience or pre-recorded
two/three shot
laugh track
medium closeup
fade-in
25. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
videotape
music
telefilms
instant replay
26. Spacial relation between elements
live-to-tape
perspective
wide angle lenses
stedicam
27. The creation or manipulation of images using non-photographic techniques
graphics
standard camera height
cultural representations
rhythm
28. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
narrowcasting
multi- camera telefilm studio production
anthology drama
graphics
29. Where two/three people converse in the frame
keying
naturalistic
two/three shot
sound bridge
30. Mimics the motion of turning your head up or down. shows the height of the subject
camera movement: tilt
sound effects
low camera angle
computer generated animation
31. Graphically generated visuals are placed atop a video image. ex: credits or captions
keying
naturalistic
computer generated images
Convergence Era
32. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
telephoto lenses
Convergence Era
keying
ambient sound
33. Moving backwards in time to provide earlier story information or reflect on past events
musical montage
single camera
flashback
focal length
34. When people are talking
vocal sounds
offscreen space
sililoquies
dialogue
35. Comprised of internal and extradiegetic
voiceover narration
kinescope
framing
closeups
36. Alternative to recording on film. 1950's - limited storage capacity and image quality
cross-cutting
staging
videotape
ambient sound
37. When a character is speaking to themselves to express their emotional states
staging
wide angle lenses
hand-held
sililoquies
38. When camera is looking up at a character
editing
low camera angle
camera movement: tracking
extreme long shot
39. Allow a high degree of intimacy and emotional expression
camera movement: tilt
computer generated images
closeups
shot/reverse shot
40. Straps the camera to the operator to make it glide. attempts to be realistic
dissolves
keying
stedicam
long shots
41. Images are created and animated digitally
computer generated animation
diegesis
two/three shot
hand-held
42. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
focal length
textual form
camera movement: dolly
dissolves
43. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
master shot
long shots
camerawork
graphics
44. When camera is looking down at a character
high camera angle
staging
fade-out
offscreen space
45. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
extreme long shot
high camera angle
computer generated images
score
46. The formal characteristics that help express meaning independently of a text's context
long take
dissolves
rhythm
style
47. Eye level
standard camera height
keying
cross-fades
offscreen space
48. Refers to the world representing in a program
two/three shot
Multi-Channel Era
instant replay
diegesis
49. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
fade-out
standard camera height
camera movement: pan
chroma key
50. Pacing edits can provide counterpoint to the music's beats
rhythm
Multi-Channel Era
high camera angle
dialogue