SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
multi-camera live production
fade-out
cut
narrowcasting
2. When viewers outgrew the radio. network programming consisted of only 3 networks -
extreme closeup
Classic Network Era
canted camera angle
dissolves
3. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
extreme closeup
naturalistic
cultural representations
extreme long shot
4. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
cross-cutting
musical montage
screen direction
keying
5. The creation or manipulation of images using non-photographic techniques
media technologies
graphics
onscreen space
camera movement: dolly
6. Represent the program as a whole. become part of the identity (iconic)
vocal sounds
camera movement: pan
theme songs
music
7. Government intervention of the airwaves FCC
environmental sound
speed
camera movement: tracking
democratic regulations
8. When a shot had a narrow depth of field and part of the image is out of focus
dissolves
graphics
rack of focus
jump cut
9. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
long take
cross-cutting
ambient sound
offscreen space
10. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
telephoto lenses
environmental sound
sound bridge
two/three shot
11. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
stedicam
environmental sound
media technologies
naturalistic
12. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
naturalistic
focal length
cross-cutting
staging
13. Straps the camera to the operator to make it glide. attempts to be realistic
hand-held
stedicam
canted camera angle
wide angle lenses
14. Mimics the motion of turning your head left or right
fade-in
rhythm
camera movement: pan
diegesis
15. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
live-to-tape
wipes
standard camera height
16. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
laugh track
textual form
wipes
videotape
17. Use long focal length. captures images from far away. compresses the depth of the shot
telephoto lenses
theme songs
long take
staging
18. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
canted camera angle
camera movement: pan
high camera angle
19. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
fade-out
cels
flashback
voiceover narration
20. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
multi-camera live production
cross-cutting
naturalistic
keying
21. Targets media to specific segments of the audience
jump cut
narrowcasting
extreme long shot
multi-camera live production
22. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
camera movement: tracking
vocal performance
long shots
editing
23. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
camera movement: dolly
crane shot
chroma key
sililoquies
24. Rarely has an impacts on viewers comprehension. works to convey naturalism
kinescope
environmental sound
screen direction
style
25. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
long take
graphics
presentational
medium shots
26. The back and forth editing between closeups in a dialogue
shot/reverse shot
Multi-Channel Era
master shot
perspective
27. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
keying
anthology drama
dissolves
score
28. Eye level
standard camera height
dialogue
kinescope
anthology drama
29. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
low camera angle
sililoquies
wide angle lenses
instant replay
30. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated animation
rack of focus
computer generated images
ellipsis
31. Pacing edits can provide counterpoint to the music's beats
speed
naturalistic
long shots
rhythm
32. Determines which cameras will be broadcast - transitions in between shots - added graphics
computer generated animation
camera movement: dolly
ellipsis
video switcher
33. Transparent paper that animations are drawn onto and then shot
two/three shot
flashback
cels
onscreen space
34. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
sililoquies
video switcher
wipes
kinescope
35. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
telefilms
wide angle lenses
narrowcasting
music
36. A (usually long) dramatic speech by a single actor
monologue
rack of focus
textual form
Classic Network Era
37. Refers to the world representing in a program
diegesis
graphics
keying
camera movement: pan
38. Mimics the motion of turning your head up or down. shows the height of the subject
camera movement: tilt
environmental sound
diegesis
single camera
39. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
ellipsis
textual form
sililoquies
multi- camera telefilm studio production
40. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
perspective
medium shots
multi-camera live production
long shots
41. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
long take
cels
dissolves
fade-in
42. Mobile-- on site. multiple takes from multiple angles - shot out of order
single camera
staging
crane shot
split-screen
43. When people are talking
ambient sound
theme songs
vocal sounds
telefilms
44. Use short focal length. cause fisheye distortion. increase the depth of the shot
laugh track
musical montage
wide angle lenses
fade-out
45. Diegetic - and non-diegetic
extreme closeup
style
camerawork
music
46. When the camera is angled. provided a disorienting slant perspective
split-screen
canted camera angle
multi- camera telefilm studio production
wipes
47. Puts shots together into a larger program. appears almost unnoticeable
music
voiceover narration
editing
speed
48. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
fade-out
multi- camera telefilm studio production
wide angle lenses
49. Used as a transition to pull out of a scene
onscreen space
staging
crane shot
focal length
50. Presumably not heard by characters. can be either from audience or pre-recorded
Multi-Channel Era
democratic regulations
framing
laugh track