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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
textual form
sililoquies
chroma key
screen direction
2. Where two/three people converse in the frame
rack of focus
camerawork
master shot
two/three shot
3. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
low camera angle
cross-cutting
live-to-tape
staging
4. Alters the degree of magnification and depth of an image
cut
focal length
computer generated images
long shots
5. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
telefilms
sound bridge
instant replay
cross-cutting
6. Comprised of internal and extradiegetic
instant replay
voiceover narration
graphics
telefilms
7. When camera is looking up at a character
two/three shot
jump cut
low camera angle
Multi-Channel Era
8. Rhythmically edits a number of visual sequence over a song that signals an emotional response
flashback
musical montage
style
jump cut
9. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
video switcher
staging
computer generated animation
10. The entire visual world is created non-photographically
telefilms
rack of focus
animation
camerawork
11. What elements in the frame are clear or blurry
focus
canted camera angle
extreme long shot
Multi-Channel Era
12. Targets media to specific segments of the audience
narrowcasting
animation
focal length
offscreen space
13. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
style
stedicam
dialogue
ambient sound
14. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
telephoto lenses
voiceover narration
Realism
15. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
musical montage
split-screen
single camera
environmental sound
16. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
anthology drama
medium shots
cross-fades
media technologies
17. Rarely has an impacts on viewers comprehension. works to convey naturalism
onscreen space
environmental sound
speed
offscreen space
18. Spacial relation between elements
animation
Convergence Era
perspective
medium closeup
19. Determines which cameras will be broadcast - transitions in between shots - added graphics
camera movement: dolly
video switcher
camera movement: tracking
instant replay
20. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
sound effects
ambient sound
shot/reverse shot
low camera angle
21. Live - filmed - in-studio - on-location. form is linked to specific genres
closeups
dissolves
focal length
textual form
22. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
chroma key
speed
multi- camera telefilm studio production
dissolves
23. Eye level
stedicam
flashback
standard camera height
fade-out
24. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
laugh track
sound bridge
computer generated images
fade-out
25. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
telephoto lenses
low camera angle
media technologies
Multi-Channel Era
26. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
environmental sound
ambient sound
offscreen space
fade-in
27. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
cross-fades
crane shot
computer generated animation
sililoquies
28. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
sililoquies
computer generated animation
instant replay
screen direction
29. Diegetic - and non-diegetic
voiceover narration
multi-camera live production
ambient sound
music
30. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
long shots
Classic Network Era
flashback
multi- camera telefilm studio production
31. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
media technologies
framing
hand-held
keying
32. Establishing shot of entire scene
Multi-Channel Era
master shot
camera movement: tracking
low camera angle
33. The technique that captures that image for viewers
sound effects
offscreen space
cultural representations
camerawork
34. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
two/three shot
naturalistic
wipes
shot/reverse shot
35. Use long focal length. captures images from far away. compresses the depth of the shot
telephoto lenses
ellipsis
naturalistic
low camera angle
36. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
closeups
focus
multi- camera telefilm studio production
37. When viewers outgrew the radio. network programming consisted of only 3 networks -
Classic Network Era
wide angle lenses
laugh track
cross-cutting
38. The formal characteristics that help express meaning independently of a text's context
kinescope
style
perspective
ambient sound
39. Mobile-- on site. multiple takes from multiple angles - shot out of order
cross-cutting
flashback
single camera
offscreen space
40. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
computer generated animation
extreme closeup
presentational
standard camera height
41. When a character is speaking to themselves to express their emotional states
extreme closeup
monologue
master shot
sililoquies
42. Images are created and animated digitally
kinescope
computer generated animation
single camera
instant replay
43. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
wipes
presentational
score
naturalistic
44. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
sound bridge
editing
single camera
live-to-tape
45. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
media technologies
screen direction
dissolves
Realism
46. Omitting intervening moments. used to condense time. turn a day in 30minutes
cross-cutting
ellipsis
extreme closeup
chroma key
47. Mimics the motion of turning your head left or right
camera movement: pan
Realism
long shots
canted camera angle
48. A particular character's sound
low camera angle
vocal performance
cels
Convergence Era
49. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
live-to-tape
anthology drama
wide angle lenses
cut
50. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
two shot west
focal length
monologue
camera movement: dolly