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Test your basic knowledge |
Television Vocab
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Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The entire visual world is created non-photographically
animation
chroma key
anthology drama
closeups
2. When camera is looking up at a character
media technologies
shot/reverse shot
diegesis
low camera angle
3. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
two/three shot
screen direction
cultural representations
sililoquies
4. Government intervention of the airwaves FCC
editing
democratic regulations
long shots
naturalistic
5. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
anthology drama
narrowcasting
canted camera angle
6. Transparent paper that animations are drawn onto and then shot
style
camerawork
cels
cross-fades
7. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
video switcher
chroma key
cross-fades
jump cut
8. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
camera movement: tilt
hand-held
high camera angle
9. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
video switcher
camera movement: pan
score
kinescope
10. Use short focal length. cause fisheye distortion. increase the depth of the shot
master shot
perspective
wide angle lenses
jump cut
11. Establishing shot of entire scene
master shot
camerawork
closeups
animation
12. The formal characteristics that help express meaning independently of a text's context
style
cross-fades
score
wipes
13. Presents the speech of multiple people interacting
naturalistic
closeups
dialogue
ellipsis
14. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
split-screen
telefilms
voiceover narration
camera movement: pan
15. Alternative to recording on film. 1950's - limited storage capacity and image quality
style
focus
videotape
vocal sounds
16. Rhythmically edits a number of visual sequence over a song that signals an emotional response
graphics
musical montage
editing
theme songs
17. When a character is speaking to themselves to express their emotional states
editing
sililoquies
camera movement: tilt
monologue
18. Moving backwards in time to provide earlier story information or reflect on past events
focal length
laugh track
framing
flashback
19. When a shot had a narrow depth of field and part of the image is out of focus
diegesis
editing
wide angle lenses
rack of focus
20. The technique that captures that image for viewers
sililoquies
vocal performance
dissolves
camerawork
21. Use long focal length. captures images from far away. compresses the depth of the shot
voiceover narration
hand-held
dissolves
telephoto lenses
22. Graphically generated visuals are placed atop a video image. ex: credits or captions
camera movement: tilt
live-to-tape
keying
perspective
23. Mimics the motion of turning your head left or right
staging
camera movement: pan
animation
media technologies
24. An edit where the shots do not sufficiently re-frame the action
telefilms
standard camera height
jump cut
offscreen space
25. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
crane shot
ambient sound
two/three shot
dialogue
26. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
rack of focus
fade-out
chroma key
canted camera angle
27. Conveys a visual relationship to the staging
framing
voiceover narration
telephoto lenses
cels
28. When viewers outgrew the radio. network programming consisted of only 3 networks -
Classic Network Era
chroma key
camerawork
textual form
29. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
camera movement: pan
music
Multi-Channel Era
dialogue
30. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
fade-out
multi- camera telefilm studio production
focal length
chroma key
31. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
telephoto lenses
sound bridge
extreme long shot
Multi-Channel Era
32. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
chroma key
Convergence Era
computer generated animation
perspective
33. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
score
two shot west
fade-in
music
34. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
keying
computer generated images
video switcher
computer generated animation
35. A (usually long) dramatic speech by a single actor
long shots
rhythm
monologue
ellipsis
36. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
sound effects
score
extreme long shot
fade-in
37. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
naturalistic
canted camera angle
stedicam
media technologies
38. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
democratic regulations
presentational
standard camera height
anthology drama
39. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
telephoto lenses
instant replay
offscreen space
naturalistic
40. Used as a transition to pull out of a scene
Realism
computer generated animation
cultural representations
crane shot
41. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
computer generated images
long take
cross-cutting
cut
42. When people are talking
long shots
ambient sound
music
vocal sounds
43. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
kinescope
extreme closeup
rack of focus
offscreen space
44. Represent the program as a whole. become part of the identity (iconic)
dialogue
framing
camera movement: tracking
theme songs
45. Refers to the world representing in a program
animation
diegesis
crane shot
rack of focus
46. Motion of a given sequence
speed
presentational
vocal performance
computer generated images
47. Allow a high degree of intimacy and emotional expression
extreme long shot
high camera angle
fade-in
closeups
48. When camera is looking down at a character
high camera angle
narrowcasting
fade-in
media technologies
49. Presumably not heard by characters. can be either from audience or pre-recorded
Classic Network Era
laugh track
cross-fades
staging
50. Images are created and animated digitally
theme songs
naturalistic
computer generated animation
sound effects
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