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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Chest up. provide facial detail without feeling overtly intrusive
dialogue
sound bridge
environmental sound
medium closeup
2. Space that exists inside the frame.
wide angle lenses
telefilms
camerawork
onscreen space
3. Use short focal length. cause fisheye distortion. increase the depth of the shot
rhythm
long take
graphics
wide angle lenses
4. Rhythmically edits a number of visual sequence over a song that signals an emotional response
Multi-Channel Era
multi-camera live production
cross-cutting
musical montage
5. Graphically generated visuals are placed atop a video image. ex: credits or captions
style
extreme closeup
dissolves
keying
6. Omitting intervening moments. used to condense time. turn a day in 30minutes
fade-out
flashback
ellipsis
score
7. Mimics the motion of turning your head up or down. shows the height of the subject
camera movement: tilt
standard camera height
hand-held
wide angle lenses
8. A (usually long) dramatic speech by a single actor
voiceover narration
focus
cels
monologue
9. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
extreme closeup
democratic regulations
staging
video switcher
10. The technique that captures that image for viewers
camerawork
offscreen space
split-screen
democratic regulations
11. What elements in the frame are clear or blurry
perspective
focus
camera movement: dolly
score
12. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
standard camera height
Multi-Channel Era
fade-in
computer generated animation
13. Comprised of internal and extradiegetic
editing
voiceover narration
cultural representations
low camera angle
14. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
chroma key
dialogue
focal length
editing
15. Government intervention of the airwaves FCC
monologue
two shot west
offscreen space
democratic regulations
16. Motion of a given sequence
long take
speed
anthology drama
laugh track
17. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
fade-in
naturalistic
high camera angle
speed
18. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
textual form
canted camera angle
medium shots
long shots
19. Eye level
live-to-tape
Realism
standard camera height
cross-fades
20. When a shot had a narrow depth of field and part of the image is out of focus
offscreen space
rack of focus
staging
telefilms
21. Puts shots together into a larger program. appears almost unnoticeable
offscreen space
computer generated images
editing
sound bridge
22. Straps the camera to the operator to make it glide. attempts to be realistic
stedicam
video switcher
medium closeup
telephoto lenses
23. Images are created and animated digitally
two/three shot
flashback
jump cut
computer generated animation
24. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
environmental sound
narrowcasting
live-to-tape
musical montage
25. Documentary staple - less steady and jumpier. attempts to be realistic
narrowcasting
hand-held
telefilms
shot/reverse shot
26. Live - filmed - in-studio - on-location. form is linked to specific genres
jump cut
video switcher
textual form
telefilms
27. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
offscreen space
cultural representations
Classic Network Era
28. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
monologue
long shots
live-to-tape
29. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
kinescope
monologue
screen direction
stedicam
30. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cultural representations
wide angle lenses
dialogue
live-to-tape
31. When people are talking
cross-fades
theme songs
dialogue
vocal sounds
32. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated images
musical montage
vocal performance
fade-out
33. When the camera is angled. provided a disorienting slant perspective
music
canted camera angle
presentational
closeups
34. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
wide angle lenses
graphics
anthology drama
fade-in
35. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
kinescope
vocal sounds
cross-cutting
hand-held
36. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
chroma key
split-screen
media technologies
style
37. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
ambient sound
master shot
narrowcasting
framing
38. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
wide angle lenses
dissolves
closeups
39. Mimics the motion of turning your head left or right
videotape
camera movement: pan
video switcher
style
40. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
diegesis
medium shots
environmental sound
textual form
41. Determines which cameras will be broadcast - transitions in between shots - added graphics
cultural representations
jump cut
video switcher
two shot west
42. Spacial relation between elements
speed
perspective
music
presentational
43. Rarely has an impacts on viewers comprehension. works to convey naturalism
long take
textual form
dialogue
environmental sound
44. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
camera movement: tracking
extreme closeup
ambient sound
telephoto lenses
45. When camera is looking up at a character
screen direction
low camera angle
perspective
focus
46. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
extreme closeup
low camera angle
two/three shot
presentational
47. Alters the degree of magnification and depth of an image
focal length
naturalistic
cels
fade-out
48. Pacing edits can provide counterpoint to the music's beats
cross-fades
telephoto lenses
rhythm
cut
49. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
graphics
shot/reverse shot
fade-in
score
50. Conveys a visual relationship to the staging
Multi-Channel Era
music
framing
camera movement: tilt