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Test your basic knowledge |
Television Vocab
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Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
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.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
chroma key
cross-cutting
ambient sound
screen direction
2. The technique that captures that image for viewers
camerawork
fade-out
diegesis
split-screen
3. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
kinescope
Multi-Channel Era
long take
environmental sound
4. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
wipes
cut
camera movement: dolly
multi- camera telefilm studio production
5. Space that exists inside the frame.
cultural representations
split-screen
two shot west
onscreen space
6. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
standard camera height
Realism
camera movement: tracking
diegesis
7. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
democratic regulations
extreme closeup
sound bridge
ellipsis
8. Mimics the motion of turning your head left or right
sound bridge
focal length
camera movement: pan
single camera
9. What elements in the frame are clear or blurry
camera movement: dolly
multi-camera live production
naturalistic
focus
10. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
screen direction
presentational
theme songs
long shots
11. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
low camera angle
keying
vocal sounds
Multi-Channel Era
12. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
perspective
videotape
sililoquies
13. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
chroma key
cut
wipes
score
14. Motion of a given sequence
telefilms
textual form
cross-cutting
speed
15. Transparent paper that animations are drawn onto and then shot
dialogue
medium closeup
cels
split-screen
16. When camera is looking down at a character
high camera angle
telephoto lenses
multi- camera telefilm studio production
sound effects
17. Puts shots together into a larger program. appears almost unnoticeable
offscreen space
textual form
editing
vocal sounds
18. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
kinescope
ellipsis
computer generated images
videotape
19. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
staging
editing
offscreen space
live-to-tape
20. Rhythmically edits a number of visual sequence over a song that signals an emotional response
animation
democratic regulations
musical montage
editing
21. Mobile-- on site. multiple takes from multiple angles - shot out of order
kinescope
single camera
screen direction
voiceover narration
22. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
single camera
camera movement: dolly
multi-camera live production
vocal performance
23. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
wipes
video switcher
naturalistic
screen direction
24. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
laugh track
staging
anthology drama
chroma key
25. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
cross-fades
presentational
camera movement: dolly
two shot west
26. Establishing shot of entire scene
cross-cutting
high camera angle
master shot
onscreen space
27. Rarely has an impacts on viewers comprehension. works to convey naturalism
environmental sound
sound bridge
low camera angle
focal length
28. Use short focal length. cause fisheye distortion. increase the depth of the shot
narrowcasting
instant replay
wide angle lenses
live-to-tape
29. Use long focal length. captures images from far away. compresses the depth of the shot
wide angle lenses
chroma key
telephoto lenses
camera movement: tracking
30. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
extreme closeup
vocal sounds
democratic regulations
31. The entire visual world is created non-photographically
Classic Network Era
multi- camera telefilm studio production
animation
ambient sound
32. Documentary staple - less steady and jumpier. attempts to be realistic
fade-in
flashback
screen direction
hand-held
33. Omitting intervening moments. used to condense time. turn a day in 30minutes
Multi-Channel Era
extreme long shot
extreme closeup
ellipsis
34. Moving backwards in time to provide earlier story information or reflect on past events
music
framing
screen direction
flashback
35. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
cels
fade-out
anthology drama
musical montage
36. Diegetic - and non-diegetic
focus
music
vocal sounds
offscreen space
37. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
video switcher
long shots
dialogue
cels
38. Determines which cameras will be broadcast - transitions in between shots - added graphics
multi-camera live production
video switcher
onscreen space
flashback
39. Pacing edits can provide counterpoint to the music's beats
democratic regulations
canted camera angle
rhythm
extreme long shot
40. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
Multi-Channel Era
Classic Network Era
cels
dissolves
41. When a character is speaking to themselves to express their emotional states
sililoquies
closeups
multi- camera telefilm studio production
medium closeup
42. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
videotape
camera movement: tracking
laugh track
score
43. Chest up. provide facial detail without feeling overtly intrusive
medium closeup
crane shot
keying
live-to-tape
44. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
high camera angle
ellipsis
multi-camera live production
sound effects
45. Where two/three people converse in the frame
two/three shot
long take
video switcher
hand-held
46. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
video switcher
media technologies
framing
environmental sound
47. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
editing
cross-cutting
telephoto lenses
focus
48. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
sililoquies
democratic regulations
kinescope
closeups
49. Represent the program as a whole. become part of the identity (iconic)
chroma key
dialogue
diegesis
theme songs
50. Live - filmed - in-studio - on-location. form is linked to specific genres
laugh track
long take
Classic Network Era
textual form
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