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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Motion of a given sequence
single camera
low camera angle
speed
extreme closeup
2. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
diegesis
monologue
Realism
textual form
3. Comprised of internal and extradiegetic
Multi-Channel Era
voiceover narration
sililoquies
videotape
4. Use long focal length. captures images from far away. compresses the depth of the shot
two shot west
cross-cutting
telephoto lenses
diegesis
5. An edit where the shots do not sufficiently re-frame the action
narrowcasting
jump cut
hand-held
extreme long shot
6. The back and forth editing between closeups in a dialogue
shot/reverse shot
style
telefilms
sililoquies
7. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
offscreen space
live-to-tape
extreme long shot
focal length
8. Chest up. provide facial detail without feeling overtly intrusive
wide angle lenses
medium closeup
ambient sound
focal length
9. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
screen direction
single camera
chroma key
narrowcasting
10. The formal characteristics that help express meaning independently of a text's context
style
wipes
chroma key
multi- camera telefilm studio production
11. The creation or manipulation of images using non-photographic techniques
ellipsis
graphics
cross-fades
two shot west
12. When viewers outgrew the radio. network programming consisted of only 3 networks -
dialogue
keying
long take
Classic Network Era
13. Moving backwards in time to provide earlier story information or reflect on past events
flashback
anthology drama
speed
camera movement: tilt
14. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
style
multi- camera telefilm studio production
standard camera height
editing
15. Establishing shot of entire scene
multi- camera telefilm studio production
high camera angle
master shot
stedicam
16. A particular character's sound
vocal performance
sound bridge
jump cut
animation
17. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
anthology drama
camera movement: tracking
extreme closeup
single camera
18. Presents the speech of multiple people interacting
dialogue
stedicam
fade-in
wipes
19. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
rhythm
cut
fade-in
vocal performance
20. A (usually long) dramatic speech by a single actor
vocal sounds
long shots
offscreen space
monologue
21. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
long shots
perspective
cross-fades
jump cut
22. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
cross-fades
chroma key
extreme closeup
flashback
23. Alternative to recording on film. 1950's - limited storage capacity and image quality
telephoto lenses
videotape
shot/reverse shot
ambient sound
24. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
diegesis
voiceover narration
long take
sililoquies
25. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
jump cut
monologue
camera movement: tilt
dissolves
26. Omitting intervening moments. used to condense time. turn a day in 30minutes
ellipsis
jump cut
vocal sounds
Multi-Channel Era
27. Space that exists inside the frame.
ambient sound
Multi-Channel Era
onscreen space
medium closeup
28. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
cross-fades
environmental sound
medium shots
jump cut
29. Graphically generated visuals are placed atop a video image. ex: credits or captions
onscreen space
keying
camera movement: dolly
fade-out
30. Images are created and animated digitally
computer generated animation
chroma key
animation
rhythm
31. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
presentational
extreme closeup
framing
ellipsis
32. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
media technologies
textual form
extreme closeup
camera movement: dolly
33. Represent the program as a whole. become part of the identity (iconic)
two/three shot
theme songs
perspective
camera movement: pan
34. Pacing edits can provide counterpoint to the music's beats
video switcher
rhythm
Classic Network Era
music
35. Documentary staple - less steady and jumpier. attempts to be realistic
extreme closeup
perspective
hand-held
media technologies
36. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
voiceover narration
instant replay
computer generated images
fade-out
37. Straps the camera to the operator to make it glide. attempts to be realistic
master shot
offscreen space
animation
stedicam
38. Rhythmically edits a number of visual sequence over a song that signals an emotional response
video switcher
musical montage
jump cut
voiceover narration
39. Conveys a visual relationship to the staging
computer generated images
monologue
framing
keying
40. Allow a high degree of intimacy and emotional expression
cultural representations
vocal performance
closeups
video switcher
41. Spacial relation between elements
speed
perspective
instant replay
diegesis
42. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
Multi-Channel Era
medium closeup
standard camera height
multi-camera live production
43. Government intervention of the airwaves FCC
democratic regulations
monologue
long take
perspective
44. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
score
Convergence Era
videotape
computer generated images
45. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
fade-in
perspective
extreme closeup
Realism
46. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
media technologies
fade-in
video switcher
47. Refers to the world representing in a program
Multi-Channel Era
diegesis
rack of focus
graphics
48. When camera is looking down at a character
ellipsis
high camera angle
camera movement: pan
Classic Network Era
49. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
cut
instant replay
anthology drama
hand-held
50. When a shot had a narrow depth of field and part of the image is out of focus
closeups
sililoquies
rack of focus
medium shots