SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The creation or manipulation of images using non-photographic techniques
fade-out
laugh track
keying
graphics
2. An edit where the shots do not sufficiently re-frame the action
animation
dialogue
jump cut
vocal sounds
3. The back and forth editing between closeups in a dialogue
kinescope
shot/reverse shot
cultural representations
multi- camera telefilm studio production
4. Rhythmically edits a number of visual sequence over a song that signals an emotional response
vocal sounds
musical montage
voiceover narration
rack of focus
5. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
crane shot
focus
Multi-Channel Era
hand-held
6. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
standard camera height
perspective
Realism
camera movement: dolly
7. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
fade-out
keying
presentational
staging
8. What elements in the frame are clear or blurry
presentational
ellipsis
sound effects
focus
9. Alternative to recording on film. 1950's - limited storage capacity and image quality
democratic regulations
Multi-Channel Era
ellipsis
videotape
10. Graphically generated visuals are placed atop a video image. ex: credits or captions
low camera angle
keying
Classic Network Era
theme songs
11. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
onscreen space
voiceover narration
laugh track
cultural representations
12. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
screen direction
laugh track
chroma key
kinescope
13. Mimics the motion of turning your head left or right
cultural representations
camera movement: pan
style
medium shots
14. Spacial relation between elements
computer generated images
perspective
closeups
stedicam
15. Motion of a given sequence
rhythm
speed
closeups
computer generated animation
16. Comprised of internal and extradiegetic
master shot
voiceover narration
textual form
fade-out
17. Used as a transition to pull out of a scene
dissolves
Realism
music
crane shot
18. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
democratic regulations
kinescope
extreme long shot
rack of focus
19. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
telephoto lenses
onscreen space
multi-camera live production
20. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
media technologies
presentational
medium shots
videotape
21. Chest up. provide facial detail without feeling overtly intrusive
high camera angle
Convergence Era
instant replay
medium closeup
22. When viewers outgrew the radio. network programming consisted of only 3 networks -
Classic Network Era
camera movement: tilt
standard camera height
Multi-Channel Era
23. Represent the program as a whole. become part of the identity (iconic)
Multi-Channel Era
style
theme songs
environmental sound
24. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
theme songs
dissolves
multi- camera telefilm studio production
instant replay
25. Conveys a visual relationship to the staging
sound bridge
hand-held
framing
camerawork
26. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
sililoquies
master shot
low camera angle
27. Use long focal length. captures images from far away. compresses the depth of the shot
Convergence Era
split-screen
music
telephoto lenses
28. Eye level
voiceover narration
canted camera angle
telephoto lenses
standard camera height
29. Mobile-- on site. multiple takes from multiple angles - shot out of order
standard camera height
single camera
medium closeup
staging
30. A (usually long) dramatic speech by a single actor
high camera angle
sound bridge
monologue
focus
31. Alters the degree of magnification and depth of an image
shot/reverse shot
focal length
closeups
long shots
32. Targets media to specific segments of the audience
media technologies
graphics
sound bridge
narrowcasting
33. Omitting intervening moments. used to condense time. turn a day in 30minutes
sound bridge
ellipsis
multi- camera telefilm studio production
wide angle lenses
34. Pacing edits can provide counterpoint to the music's beats
rhythm
monologue
narrowcasting
cels
35. Puts shots together into a larger program. appears almost unnoticeable
computer generated images
editing
hand-held
chroma key
36. When a character is speaking to themselves to express their emotional states
live-to-tape
long take
diegesis
sililoquies
37. When camera is looking down at a character
dissolves
democratic regulations
high camera angle
onscreen space
38. Where two/three people converse in the frame
extreme long shot
fade-out
telephoto lenses
two/three shot
39. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
wipes
telefilms
stedicam
kinescope
40. A particular character's sound
media technologies
diegesis
vocal performance
fade-in
41. Establishing shot of entire scene
master shot
keying
extreme long shot
Convergence Era
42. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
vocal sounds
camera movement: tilt
closeups
presentational
43. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
wipes
graphics
fade-out
live-to-tape
44. The formal characteristics that help express meaning independently of a text's context
jump cut
closeups
onscreen space
style
45. Moving backwards in time to provide earlier story information or reflect on past events
extreme closeup
sound effects
flashback
telefilms
46. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
multi-camera live production
score
hand-held
47. Determines which cameras will be broadcast - transitions in between shots - added graphics
video switcher
cross-cutting
vocal performance
instant replay
48. Refers to the world representing in a program
vocal performance
diegesis
long take
live-to-tape
49. Images are created and animated digitally
stedicam
telephoto lenses
medium shots
computer generated animation
50. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
diegesis
computer generated animation
two shot west
kinescope