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Test your basic knowledge |
Television Vocab
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Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
ellipsis
two shot west
stedicam
extreme closeup
2. Alters the degree of magnification and depth of an image
focal length
two/three shot
videotape
dialogue
3. When viewers outgrew the radio. network programming consisted of only 3 networks -
onscreen space
telefilms
anthology drama
Classic Network Era
4. Transparent paper that animations are drawn onto and then shot
two/three shot
standard camera height
cels
shot/reverse shot
5. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
shot/reverse shot
instant replay
dialogue
camera movement: dolly
6. Images are created and animated digitally
multi-camera live production
focus
kinescope
computer generated animation
7. Comprised of internal and extradiegetic
voiceover narration
Convergence Era
Realism
telefilms
8. Government intervention of the airwaves FCC
democratic regulations
keying
camera movement: pan
dialogue
9. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
Convergence Era
score
two shot west
extreme long shot
10. Graphically generated visuals are placed atop a video image. ex: credits or captions
narrowcasting
camerawork
keying
videotape
11. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
computer generated animation
fade-in
videotape
cut
12. Presumably not heard by characters. can be either from audience or pre-recorded
style
laugh track
multi-camera live production
music
13. Puts shots together into a larger program. appears almost unnoticeable
editing
democratic regulations
split-screen
musical montage
14. Conveys a visual relationship to the staging
long take
framing
computer generated images
long shots
15. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
laugh track
fade-in
sound bridge
long take
16. Establishing shot of entire scene
master shot
chroma key
textual form
kinescope
17. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
two/three shot
theme songs
presentational
camera movement: pan
18. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
narrowcasting
staging
video switcher
19. Targets media to specific segments of the audience
narrowcasting
animation
cels
theme songs
20. Allow a high degree of intimacy and emotional expression
staging
closeups
rhythm
naturalistic
21. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
offscreen space
rhythm
staging
computer generated animation
22. When a character is speaking to themselves to express their emotional states
rhythm
textual form
long shots
sililoquies
23. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
camera movement: tracking
focus
stedicam
master shot
24. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
computer generated images
ellipsis
sound effects
live-to-tape
25. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated images
camera movement: tracking
focus
music
26. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
narrowcasting
environmental sound
dialogue
split-screen
27. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
chroma key
wipes
high camera angle
28. Pacing edits can provide counterpoint to the music's beats
master shot
fade-out
rhythm
dissolves
29. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
theme songs
onscreen space
ambient sound
Convergence Era
30. Spacial relation between elements
perspective
two shot west
crane shot
live-to-tape
31. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
hand-held
single camera
onscreen space
32. Use long focal length. captures images from far away. compresses the depth of the shot
textual form
telephoto lenses
computer generated animation
diegesis
33. The entire visual world is created non-photographically
animation
camera movement: tilt
master shot
videotape
34. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
environmental sound
Realism
two/three shot
single camera
35. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
vocal sounds
fade-out
musical montage
36. When people are talking
presentational
vocal performance
framing
vocal sounds
37. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
Convergence Era
two shot west
narrowcasting
wide angle lenses
38. Alternative to recording on film. 1950's - limited storage capacity and image quality
vocal sounds
camera movement: tracking
videotape
Multi-Channel Era
39. Used as a transition to pull out of a scene
offscreen space
computer generated animation
low camera angle
crane shot
40. Where two/three people converse in the frame
stedicam
crane shot
two/three shot
narrowcasting
41. Space that exists inside the frame.
onscreen space
hand-held
cross-cutting
ellipsis
42. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
keying
cross-cutting
medium closeup
theme songs
43. When a shot had a narrow depth of field and part of the image is out of focus
musical montage
rack of focus
ambient sound
vocal sounds
44. An edit where the shots do not sufficiently re-frame the action
camera movement: pan
jump cut
Realism
camera movement: dolly
45. The formal characteristics that help express meaning independently of a text's context
wide angle lenses
cultural representations
Convergence Era
style
46. The back and forth editing between closeups in a dialogue
ellipsis
dissolves
shot/reverse shot
media technologies
47. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
video switcher
focal length
fade-out
environmental sound
48. When camera is looking up at a character
extreme closeup
low camera angle
environmental sound
dissolves
49. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
monologue
keying
diegesis
50. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
stedicam
anthology drama
diegesis
video switcher
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