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Test your basic knowledge |
Television Vocab
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Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
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.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Diegetic - and non-diegetic
telephoto lenses
textual form
music
vocal performance
2. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
long take
computer generated images
multi- camera telefilm studio production
textual form
3. Represent the program as a whole. become part of the identity (iconic)
voiceover narration
theme songs
fade-out
telephoto lenses
4. A (usually long) dramatic speech by a single actor
stedicam
music
monologue
sound effects
5. Refers to the world representing in a program
monologue
stedicam
diegesis
narrowcasting
6. Comprised of internal and extradiegetic
single camera
Convergence Era
crane shot
voiceover narration
7. Determines which cameras will be broadcast - transitions in between shots - added graphics
video switcher
crane shot
speed
extreme long shot
8. The back and forth editing between closeups in a dialogue
Classic Network Era
long shots
long take
shot/reverse shot
9. Government intervention of the airwaves FCC
computer generated images
videotape
democratic regulations
vocal performance
10. Images are created and animated digitally
computer generated animation
theme songs
kinescope
two/three shot
11. Presents the speech of multiple people interacting
instant replay
sililoquies
dialogue
speed
12. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
onscreen space
live-to-tape
hand-held
master shot
13. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
computer generated images
high camera angle
multi-camera live production
long take
14. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
ellipsis
video switcher
chroma key
canted camera angle
15. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
style
sound effects
camera movement: dolly
naturalistic
16. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
long shots
medium shots
staging
flashback
17. Transparent paper that animations are drawn onto and then shot
anthology drama
instant replay
stedicam
cels
18. An edit where the shots do not sufficiently re-frame the action
multi- camera telefilm studio production
low camera angle
fade-in
jump cut
19. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
diegesis
fade-in
environmental sound
cut
20. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
ellipsis
live-to-tape
vocal sounds
sound bridge
21. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
Realism
sound effects
multi- camera telefilm studio production
fade-in
22. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
monologue
cross-fades
multi-camera live production
speed
23. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
theme songs
high camera angle
editing
medium shots
24. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
telefilms
offscreen space
shot/reverse shot
long take
25. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
theme songs
split-screen
sound bridge
cross-fades
26. A particular character's sound
staging
focus
multi-camera live production
vocal performance
27. Targets media to specific segments of the audience
musical montage
rack of focus
narrowcasting
kinescope
28. When camera is looking down at a character
high camera angle
presentational
cut
dialogue
29. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cultural representations
chroma key
medium shots
textual form
30. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
screen direction
telephoto lenses
diegesis
presentational
31. Use short focal length. cause fisheye distortion. increase the depth of the shot
wide angle lenses
music
vocal performance
narrowcasting
32. When camera is looking up at a character
fade-out
environmental sound
canted camera angle
low camera angle
33. When the camera is angled. provided a disorienting slant perspective
telephoto lenses
canted camera angle
fade-in
style
34. Used as a transition to pull out of a scene
high camera angle
fade-in
long take
crane shot
35. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
camerawork
chroma key
long shots
instant replay
36. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
sound bridge
high camera angle
low camera angle
37. Chest up. provide facial detail without feeling overtly intrusive
stedicam
medium closeup
vocal sounds
split-screen
38. Motion of a given sequence
sound effects
speed
wipes
environmental sound
39. When a character is speaking to themselves to express their emotional states
Convergence Era
medium closeup
sililoquies
hand-held
40. Omitting intervening moments. used to condense time. turn a day in 30minutes
laugh track
jump cut
kinescope
ellipsis
41. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
camerawork
dissolves
environmental sound
perspective
42. The creation or manipulation of images using non-photographic techniques
computer generated animation
graphics
voiceover narration
hand-held
43. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
canted camera angle
standard camera height
fade-out
camera movement: dolly
44. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
offscreen space
single camera
perspective
long shots
45. Allow a high degree of intimacy and emotional expression
fade-out
closeups
keying
kinescope
46. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
wide angle lenses
dialogue
textual form
47. Moving backwards in time to provide earlier story information or reflect on past events
flashback
cut
multi- camera telefilm studio production
long take
48. Spacial relation between elements
dialogue
extreme closeup
cels
perspective
49. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
wide angle lenses
narrowcasting
long take
50. Mobile-- on site. multiple takes from multiple angles - shot out of order
single camera
fade-in
sound bridge
speed
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