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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When camera is looking up at a character
Classic Network Era
camera movement: tilt
vocal performance
low camera angle
2. Comprised of internal and extradiegetic
voiceover narration
high camera angle
Realism
sililoquies
3. When people are talking
crane shot
standard camera height
vocal sounds
Realism
4. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
editing
multi- camera telefilm studio production
ellipsis
cels
5. Presumably not heard by characters. can be either from audience or pre-recorded
laugh track
screen direction
telefilms
naturalistic
6. Use long focal length. captures images from far away. compresses the depth of the shot
musical montage
voiceover narration
telephoto lenses
framing
7. Used as a transition to pull out of a scene
long take
video switcher
multi-camera live production
crane shot
8. Diegetic - and non-diegetic
split-screen
music
long shots
two shot west
9. The back and forth editing between closeups in a dialogue
cultural representations
framing
Realism
shot/reverse shot
10. The formal characteristics that help express meaning independently of a text's context
video switcher
style
musical montage
fade-out
11. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
camera movement: dolly
telefilms
music
camera movement: pan
12. A particular character's sound
crane shot
long take
vocal performance
wide angle lenses
13. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
anthology drama
long take
dissolves
camera movement: tracking
14. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
Realism
flashback
perspective
framing
15. The technique that captures that image for viewers
camerawork
naturalistic
dissolves
multi- camera telefilm studio production
16. Straps the camera to the operator to make it glide. attempts to be realistic
stedicam
cross-fades
Convergence Era
computer generated animation
17. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
cross-fades
flashback
voiceover narration
high camera angle
18. Space that exists inside the frame.
rack of focus
onscreen space
telephoto lenses
democratic regulations
19. Eye level
presentational
camera movement: tilt
focus
standard camera height
20. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
media technologies
split-screen
single camera
dialogue
21. Rhythmically edits a number of visual sequence over a song that signals an emotional response
musical montage
environmental sound
standard camera height
video switcher
22. Moving backwards in time to provide earlier story information or reflect on past events
telefilms
camera movement: tracking
flashback
camerawork
23. Images are created and animated digitally
editing
videotape
computer generated animation
jump cut
24. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
screen direction
chroma key
speed
animation
25. Determines which cameras will be broadcast - transitions in between shots - added graphics
editing
video switcher
Classic Network Era
long shots
26. Transparent paper that animations are drawn onto and then shot
wipes
presentational
cels
two/three shot
27. Motion of a given sequence
cels
speed
style
sound bridge
28. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
Classic Network Era
telephoto lenses
offscreen space
instant replay
29. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
media technologies
environmental sound
cross-cutting
framing
30. Rarely has an impacts on viewers comprehension. works to convey naturalism
environmental sound
camera movement: pan
dissolves
focus
31. When camera is looking down at a character
narrowcasting
high camera angle
graphics
live-to-tape
32. Refers to the world representing in a program
camera movement: dolly
diegesis
rack of focus
camerawork
33. Allow a high degree of intimacy and emotional expression
narrowcasting
dialogue
closeups
voiceover narration
34. An edit where the shots do not sufficiently re-frame the action
ambient sound
sililoquies
jump cut
long shots
35. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
low camera angle
camera movement: dolly
wipes
chroma key
36. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
multi- camera telefilm studio production
extreme closeup
high camera angle
camera movement: pan
37. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
two shot west
hand-held
presentational
38. Mimics the motion of turning your head left or right
editing
monologue
focus
camera movement: pan
39. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
extreme closeup
editing
anthology drama
telefilms
40. A (usually long) dramatic speech by a single actor
medium shots
videotape
monologue
Multi-Channel Era
41. Puts shots together into a larger program. appears almost unnoticeable
shot/reverse shot
editing
perspective
ellipsis
42. Presents the speech of multiple people interacting
dialogue
diegesis
graphics
laugh track
43. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
Classic Network Era
camera movement: dolly
onscreen space
multi-camera live production
44. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
video switcher
computer generated images
fade-out
dissolves
45. Pacing edits can provide counterpoint to the music's beats
rhythm
camerawork
monologue
chroma key
46. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
style
naturalistic
shot/reverse shot
videotape
47. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
camera movement: tracking
sound effects
chroma key
video switcher
48. When a shot had a narrow depth of field and part of the image is out of focus
sound bridge
focus
rack of focus
theme songs
49. Establishing shot of entire scene
two shot west
master shot
speed
voiceover narration
50. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
camera movement: dolly
medium shots
ambient sound
monologue