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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
cross-fades
focal length
fade-out
instant replay
2. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
kinescope
standard camera height
multi-camera live production
telefilms
3. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
flashback
jump cut
sound bridge
4. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
extreme long shot
naturalistic
onscreen space
chroma key
5. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
focus
computer generated images
musical montage
sound effects
6. The formal characteristics that help express meaning independently of a text's context
speed
textual form
canted camera angle
style
7. Omitting intervening moments. used to condense time. turn a day in 30minutes
ellipsis
editing
keying
fade-in
8. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
master shot
vocal performance
medium shots
Multi-Channel Era
9. Use long focal length. captures images from far away. compresses the depth of the shot
single camera
wipes
telephoto lenses
camera movement: dolly
10. Alters the degree of magnification and depth of an image
democratic regulations
focal length
jump cut
cels
11. Documentary staple - less steady and jumpier. attempts to be realistic
jump cut
standard camera height
hand-held
cultural representations
12. Use short focal length. cause fisheye distortion. increase the depth of the shot
extreme closeup
wide angle lenses
camerawork
Classic Network Era
13. When people are talking
vocal sounds
hand-held
fade-out
score
14. Motion of a given sequence
speed
low camera angle
laugh track
camera movement: pan
15. A particular character's sound
vocal performance
extreme long shot
hand-held
ambient sound
16. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cut
cels
cultural representations
computer generated images
17. Moving backwards in time to provide earlier story information or reflect on past events
perspective
medium closeup
flashback
theme songs
18. Rarely has an impacts on viewers comprehension. works to convey naturalism
environmental sound
split-screen
high camera angle
telephoto lenses
19. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
vocal sounds
Classic Network Era
Realism
long take
20. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
kinescope
vocal sounds
telefilms
offscreen space
21. The technique that captures that image for viewers
cut
vocal performance
shot/reverse shot
camerawork
22. Determines which cameras will be broadcast - transitions in between shots - added graphics
environmental sound
sililoquies
monologue
video switcher
23. Refers to the world representing in a program
media technologies
telephoto lenses
onscreen space
diegesis
24. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
long shots
camera movement: dolly
cultural representations
closeups
25. Used as a transition to pull out of a scene
camera movement: pan
single camera
crane shot
animation
26. Diegetic - and non-diegetic
animation
music
perspective
single camera
27. When a shot had a narrow depth of field and part of the image is out of focus
camera movement: tracking
video switcher
dialogue
rack of focus
28. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
live-to-tape
camerawork
Classic Network Era
wipes
29. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
fade-in
narrowcasting
live-to-tape
medium closeup
30. Spacial relation between elements
perspective
medium closeup
presentational
onscreen space
31. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
computer generated animation
narrowcasting
multi-camera live production
32. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
camera movement: tracking
camera movement: tilt
two/three shot
33. An edit where the shots do not sufficiently re-frame the action
standard camera height
jump cut
diegesis
cross-cutting
34. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
laugh track
anthology drama
democratic regulations
theme songs
35. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
dialogue
high camera angle
camera movement: dolly
hand-held
36. When a character is speaking to themselves to express their emotional states
sililoquies
framing
chroma key
graphics
37. The back and forth editing between closeups in a dialogue
shot/reverse shot
score
keying
style
38. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
perspective
democratic regulations
ellipsis
Multi-Channel Era
39. Rhythmically edits a number of visual sequence over a song that signals an emotional response
kinescope
chroma key
canted camera angle
musical montage
40. Allow a high degree of intimacy and emotional expression
closeups
rhythm
onscreen space
score
41. When the camera is angled. provided a disorienting slant perspective
environmental sound
canted camera angle
graphics
instant replay
42. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
anthology drama
naturalistic
staging
long shots
43. Mimics the motion of turning your head left or right
two/three shot
cut
camera movement: pan
naturalistic
44. The entire visual world is created non-photographically
speed
naturalistic
animation
narrowcasting
45. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
multi-camera live production
master shot
Multi-Channel Era
46. The creation or manipulation of images using non-photographic techniques
two/three shot
Multi-Channel Era
graphics
cross-fades
47. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
textual form
presentational
hand-held
camera movement: pan
48. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
Convergence Era
wipes
instant replay
cut
49. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
videotape
sililoquies
offscreen space
50. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
telefilms
computer generated images
dissolves
instant replay