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Test your basic knowledge |
Television Vocab
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Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Where two/three people converse in the frame
two/three shot
environmental sound
master shot
focal length
2. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
perspective
extreme closeup
standard camera height
cut
3. Represent the program as a whole. become part of the identity (iconic)
theme songs
telephoto lenses
split-screen
camerawork
4. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
textual form
voiceover narration
rhythm
Realism
5. Determines which cameras will be broadcast - transitions in between shots - added graphics
cultural representations
computer generated images
telefilms
video switcher
6. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
fade-in
vocal performance
editing
chroma key
7. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
vocal sounds
Classic Network Era
long shots
long take
8. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
split-screen
sound effects
extreme long shot
chroma key
9. Comprised of internal and extradiegetic
voiceover narration
cels
cut
framing
10. Images are created and animated digitally
computer generated animation
sound effects
wide angle lenses
multi- camera telefilm studio production
11. Graphically generated visuals are placed atop a video image. ex: credits or captions
narrowcasting
keying
cross-cutting
laugh track
12. Eye level
flashback
computer generated images
stedicam
standard camera height
13. Diegetic - and non-diegetic
music
low camera angle
long take
cross-fades
14. Use short focal length. cause fisheye distortion. increase the depth of the shot
cultural representations
instant replay
high camera angle
wide angle lenses
15. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
camera movement: tracking
anthology drama
extreme closeup
cultural representations
16. An edit where the shots do not sufficiently re-frame the action
kinescope
Convergence Era
extreme long shot
jump cut
17. When people are talking
democratic regulations
narrowcasting
vocal sounds
split-screen
18. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
sound bridge
jump cut
presentational
flashback
19. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
cross-cutting
flashback
high camera angle
cross-fades
20. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
medium closeup
multi-camera live production
wipes
cut
21. The entire visual world is created non-photographically
textual form
focus
flashback
animation
22. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
multi- camera telefilm studio production
framing
laugh track
staging
23. Mobile-- on site. multiple takes from multiple angles - shot out of order
camera movement: tilt
camera movement: dolly
camerawork
single camera
24. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
sililoquies
musical montage
split-screen
score
25. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
Classic Network Era
chroma key
live-to-tape
cultural representations
26. Rarely has an impacts on viewers comprehension. works to convey naturalism
environmental sound
music
musical montage
stedicam
27. Space that exists inside the frame.
onscreen space
shot/reverse shot
monologue
high camera angle
28. Documentary staple - less steady and jumpier. attempts to be realistic
telephoto lenses
screen direction
two/three shot
hand-held
29. Presumably not heard by characters. can be either from audience or pre-recorded
staging
laugh track
sililoquies
Realism
30. Allow a high degree of intimacy and emotional expression
closeups
focal length
rack of focus
laugh track
31. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
framing
democratic regulations
extreme long shot
Realism
32. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
democratic regulations
speed
instant replay
ambient sound
33. Use long focal length. captures images from far away. compresses the depth of the shot
fade-out
telephoto lenses
camerawork
extreme closeup
34. Transparent paper that animations are drawn onto and then shot
medium shots
videotape
diegesis
cels
35. When camera is looking up at a character
low camera angle
sililoquies
rhythm
presentational
36. When a shot had a narrow depth of field and part of the image is out of focus
rack of focus
long take
ellipsis
medium shots
37. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
multi-camera live production
high camera angle
camera movement: tilt
sound bridge
38. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
cels
fade-in
master shot
sound effects
39. Mimics the motion of turning your head up or down. shows the height of the subject
screen direction
camera movement: tilt
perspective
videotape
40. When camera is looking down at a character
musical montage
cels
high camera angle
camera movement: tilt
41. Mimics the motion of turning your head left or right
split-screen
medium shots
camera movement: pan
chroma key
42. The technique that captures that image for viewers
medium closeup
camerawork
fade-in
Multi-Channel Era
43. Omitting intervening moments. used to condense time. turn a day in 30minutes
long take
perspective
ellipsis
music
44. Government intervention of the airwaves FCC
textual form
two shot west
democratic regulations
anthology drama
45. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
camera movement: tilt
medium shots
speed
naturalistic
46. Moving backwards in time to provide earlier story information or reflect on past events
two/three shot
theme songs
flashback
screen direction
47. When a character is speaking to themselves to express their emotional states
kinescope
sililoquies
dissolves
two/three shot
48. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
canted camera angle
telephoto lenses
computer generated images
perspective
49. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
score
Classic Network Era
stedicam
50. The formal characteristics that help express meaning independently of a text's context
camera movement: pan
style
score
extreme long shot
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