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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
low camera angle
fade-in
long shots
instant replay
2. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
chroma key
master shot
computer generated animation
camera movement: pan
3. Puts shots together into a larger program. appears almost unnoticeable
long take
editing
telefilms
keying
4. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
screen direction
flashback
monologue
telephoto lenses
5. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
framing
Realism
kinescope
naturalistic
6. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
rack of focus
extreme long shot
master shot
media technologies
7. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
dissolves
two/three shot
Realism
score
8. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
perspective
staging
media technologies
cross-cutting
9. Refers to the world representing in a program
two shot west
naturalistic
diegesis
video switcher
10. When the camera is angled. provided a disorienting slant perspective
jump cut
master shot
voiceover narration
canted camera angle
11. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
camera movement: tracking
staging
hand-held
sililoquies
12. Represent the program as a whole. become part of the identity (iconic)
theme songs
textual form
Multi-Channel Era
canted camera angle
13. Determines which cameras will be broadcast - transitions in between shots - added graphics
video switcher
rack of focus
extreme closeup
medium closeup
14. When a character is speaking to themselves to express their emotional states
camerawork
computer generated images
sililoquies
offscreen space
15. Targets media to specific segments of the audience
chroma key
sound effects
focal length
narrowcasting
16. Presents the speech of multiple people interacting
dialogue
media technologies
rhythm
musical montage
17. Motion of a given sequence
speed
focus
long take
extreme long shot
18. Eye level
stedicam
keying
sound effects
standard camera height
19. Alters the degree of magnification and depth of an image
focal length
multi- camera telefilm studio production
Classic Network Era
extreme long shot
20. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
telefilms
cross-fades
crane shot
naturalistic
21. When viewers outgrew the radio. network programming consisted of only 3 networks -
cultural representations
medium shots
sound bridge
Classic Network Era
22. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
single camera
dialogue
two shot west
screen direction
23. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
theme songs
camera movement: tilt
live-to-tape
offscreen space
24. A (usually long) dramatic speech by a single actor
low camera angle
live-to-tape
camera movement: pan
monologue
25. Government intervention of the airwaves FCC
democratic regulations
Convergence Era
speed
sound bridge
26. Spacial relation between elements
musical montage
laugh track
live-to-tape
perspective
27. Establishing shot of entire scene
multi- camera telefilm studio production
jump cut
master shot
voiceover narration
28. Mimics the motion of turning your head up or down. shows the height of the subject
single camera
multi-camera live production
video switcher
camera movement: tilt
29. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated images
live-to-tape
score
sound effects
30. When people are talking
single camera
vocal sounds
rack of focus
split-screen
31. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
extreme closeup
animation
shot/reverse shot
ellipsis
32. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
focal length
Multi-Channel Era
dissolves
two/three shot
33. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
long shots
score
media technologies
theme songs
34. Graphically generated visuals are placed atop a video image. ex: credits or captions
keying
textual form
vocal sounds
camera movement: tilt
35. Use long focal length. captures images from far away. compresses the depth of the shot
anthology drama
telephoto lenses
democratic regulations
instant replay
36. Rarely has an impacts on viewers comprehension. works to convey naturalism
environmental sound
flashback
medium shots
screen direction
37. The entire visual world is created non-photographically
animation
split-screen
multi- camera telefilm studio production
keying
38. Documentary staple - less steady and jumpier. attempts to be realistic
perspective
standard camera height
hand-held
focal length
39. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
dissolves
kinescope
Classic Network Era
musical montage
40. Allow a high degree of intimacy and emotional expression
voiceover narration
musical montage
camerawork
closeups
41. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cultural representations
music
canted camera angle
graphics
42. Pacing edits can provide counterpoint to the music's beats
computer generated images
jump cut
rhythm
camera movement: tracking
43. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
canted camera angle
camera movement: tracking
long take
Multi-Channel Era
44. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
camerawork
dissolves
camera movement: tracking
keying
45. When camera is looking down at a character
theme songs
single camera
focus
high camera angle
46. Use short focal length. cause fisheye distortion. increase the depth of the shot
dissolves
cut
wide angle lenses
multi-camera live production
47. An edit where the shots do not sufficiently re-frame the action
hand-held
speed
jump cut
chroma key
48. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
long take
dissolves
ambient sound
cut
49. Moving backwards in time to provide earlier story information or reflect on past events
long shots
offscreen space
flashback
single camera
50. Space that exists inside the frame.
naturalistic
democratic regulations
onscreen space
videotape