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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
focal length
cross-cutting
ambient sound
telephoto lenses
2. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
fade-in
kinescope
flashback
staging
3. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
multi-camera live production
split-screen
medium shots
narrowcasting
4. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
wipes
staging
camera movement: tilt
two/three shot
5. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
environmental sound
long shots
laugh track
onscreen space
6. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
laugh track
camera movement: pan
long take
live-to-tape
7. Puts shots together into a larger program. appears almost unnoticeable
editing
animation
canted camera angle
wide angle lenses
8. Conveys a visual relationship to the staging
musical montage
camera movement: tracking
framing
sililoquies
9. Diegetic - and non-diegetic
multi- camera telefilm studio production
narrowcasting
extreme long shot
music
10. Use long focal length. captures images from far away. compresses the depth of the shot
telephoto lenses
two/three shot
telefilms
chroma key
11. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
low camera angle
chroma key
multi-camera live production
diegesis
12. Space that exists inside the frame.
monologue
onscreen space
cross-cutting
wide angle lenses
13. Motion of a given sequence
dissolves
speed
computer generated animation
graphics
14. Used as a transition to pull out of a scene
dissolves
crane shot
long take
instant replay
15. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
sound effects
computer generated images
sililoquies
16. An edit where the shots do not sufficiently re-frame the action
jump cut
cut
computer generated animation
chroma key
17. Mimics the motion of turning your head up or down. shows the height of the subject
computer generated images
cut
split-screen
camera movement: tilt
18. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
camera movement: dolly
sound effects
ambient sound
extreme long shot
19. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
multi- camera telefilm studio production
camera movement: tracking
hand-held
laugh track
20. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
presentational
framing
Convergence Era
editing
21. Refers to the world representing in a program
cels
editing
diegesis
focus
22. Comprised of internal and extradiegetic
rhythm
shot/reverse shot
telefilms
voiceover narration
23. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
medium closeup
music
extreme closeup
dissolves
24. Pacing edits can provide counterpoint to the music's beats
rhythm
video switcher
canted camera angle
telefilms
25. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
style
two/three shot
narrowcasting
26. Alters the degree of magnification and depth of an image
editing
rhythm
cross-cutting
focal length
27. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
cut
offscreen space
camera movement: tilt
computer generated animation
28. Straps the camera to the operator to make it glide. attempts to be realistic
extreme long shot
score
stedicam
focus
29. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
chroma key
telefilms
camera movement: tracking
staging
30. Mobile-- on site. multiple takes from multiple angles - shot out of order
single camera
wide angle lenses
cels
master shot
31. Transparent paper that animations are drawn onto and then shot
cels
telephoto lenses
theme songs
single camera
32. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
dialogue
wide angle lenses
Multi-Channel Era
fade-out
33. The creation or manipulation of images using non-photographic techniques
graphics
dialogue
flashback
high camera angle
34. When camera is looking up at a character
low camera angle
editing
anthology drama
naturalistic
35. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
medium shots
two shot west
instant replay
multi-camera live production
36. Graphically generated visuals are placed atop a video image. ex: credits or captions
keying
standard camera height
monologue
focal length
37. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
staging
live-to-tape
keying
diegesis
38. Allow a high degree of intimacy and emotional expression
cels
computer generated images
canted camera angle
closeups
39. Determines which cameras will be broadcast - transitions in between shots - added graphics
monologue
video switcher
wide angle lenses
cross-fades
40. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
single camera
shot/reverse shot
screen direction
style
41. A (usually long) dramatic speech by a single actor
sound bridge
monologue
anthology drama
Convergence Era
42. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
sililoquies
staging
camera movement: tracking
chroma key
43. When a shot had a narrow depth of field and part of the image is out of focus
focus
screen direction
computer generated images
rack of focus
44. Moving backwards in time to provide earlier story information or reflect on past events
cross-fades
animation
hand-held
flashback
45. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
sound effects
video switcher
jump cut
editing
46. The technique that captures that image for viewers
presentational
vocal performance
camerawork
two/three shot
47. A particular character's sound
extreme closeup
master shot
theme songs
vocal performance
48. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
wipes
cut
camera movement: dolly
fade-out
49. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
Realism
telephoto lenses
sililoquies
cultural representations
50. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
extreme closeup
fade-out
staging
computer generated images