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Test your basic knowledge |
Television Vocab
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Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
long shots
camera movement: dolly
presentational
sound bridge
2. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
Multi-Channel Era
telefilms
standard camera height
Convergence Era
3. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
perspective
standard camera height
wipes
dissolves
4. When camera is looking up at a character
low camera angle
kinescope
wipes
wide angle lenses
5. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
focal length
multi- camera telefilm studio production
cut
high camera angle
6. Mobile-- on site. multiple takes from multiple angles - shot out of order
single camera
closeups
ambient sound
cultural representations
7. The creation or manipulation of images using non-photographic techniques
editing
Realism
monologue
graphics
8. Used as a transition to pull out of a scene
crane shot
focus
medium closeup
multi-camera live production
9. When viewers outgrew the radio. network programming consisted of only 3 networks -
anthology drama
ellipsis
master shot
Classic Network Era
10. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
monologue
naturalistic
cultural representations
democratic regulations
11. A (usually long) dramatic speech by a single actor
Multi-Channel Era
extreme long shot
monologue
stedicam
12. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
theme songs
monologue
two shot west
standard camera height
13. Alternative to recording on film. 1950's - limited storage capacity and image quality
extreme closeup
videotape
presentational
focal length
14. Rhythmically edits a number of visual sequence over a song that signals an emotional response
musical montage
fade-out
sound bridge
ellipsis
15. Government intervention of the airwaves FCC
dissolves
closeups
live-to-tape
democratic regulations
16. Where two/three people converse in the frame
standard camera height
speed
computer generated animation
two/three shot
17. Establishing shot of entire scene
style
master shot
naturalistic
low camera angle
18. Graphically generated visuals are placed atop a video image. ex: credits or captions
onscreen space
cut
keying
multi-camera live production
19. Conveys a visual relationship to the staging
instant replay
camera movement: tracking
framing
cels
20. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
camera movement: dolly
closeups
live-to-tape
chroma key
21. Presents the speech of multiple people interacting
two shot west
textual form
dialogue
vocal sounds
22. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
cels
extreme long shot
laugh track
fade-out
23. Space that exists inside the frame.
split-screen
onscreen space
perspective
shot/reverse shot
24. Rarely has an impacts on viewers comprehension. works to convey naturalism
multi- camera telefilm studio production
environmental sound
music
videotape
25. Mimics the motion of turning your head left or right
democratic regulations
camera movement: pan
two/three shot
fade-out
26. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
long take
medium shots
textual form
fade-out
27. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
anthology drama
single camera
extreme long shot
two/three shot
28. Presumably not heard by characters. can be either from audience or pre-recorded
sound bridge
camera movement: pan
laugh track
rack of focus
29. Chest up. provide facial detail without feeling overtly intrusive
laugh track
extreme closeup
medium closeup
vocal performance
30. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
focus
hand-held
framing
fade-out
31. Diegetic - and non-diegetic
vocal sounds
music
two/three shot
monologue
32. Comprised of internal and extradiegetic
graphics
cultural representations
voiceover narration
stedicam
33. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
multi- camera telefilm studio production
split-screen
narrowcasting
naturalistic
34. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
musical montage
long shots
extreme long shot
framing
35. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
rack of focus
long take
camera movement: pan
sound bridge
36. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
presentational
live-to-tape
jump cut
Multi-Channel Era
37. Refers to the world representing in a program
camera movement: dolly
animation
framing
diegesis
38. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
sililoquies
theme songs
screen direction
fade-out
39. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
narrowcasting
split-screen
jump cut
camera movement: tilt
40. Represent the program as a whole. become part of the identity (iconic)
computer generated animation
theme songs
ellipsis
Classic Network Era
41. What elements in the frame are clear or blurry
sound effects
camerawork
medium closeup
focus
42. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
camera movement: dolly
style
vocal sounds
sililoquies
43. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
two/three shot
cross-fades
wide angle lenses
music
44. An edit where the shots do not sufficiently re-frame the action
telefilms
jump cut
musical montage
high camera angle
45. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
hand-held
presentational
dissolves
focus
46. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
staging
fade-in
naturalistic
framing
47. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
laugh track
dialogue
style
camera movement: tracking
48. When camera is looking down at a character
high camera angle
vocal sounds
flashback
computer generated images
49. When a character is speaking to themselves to express their emotional states
two/three shot
wipes
anthology drama
sililoquies
50. Puts shots together into a larger program. appears almost unnoticeable
diegesis
editing
rhythm
democratic regulations
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