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Test your basic knowledge |
Television Vocab
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Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
videotape
sililoquies
ellipsis
2. Graphically generated visuals are placed atop a video image. ex: credits or captions
wipes
keying
offscreen space
Convergence Era
3. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
multi- camera telefilm studio production
telefilms
camerawork
diegesis
4. Mimics the motion of turning your head up or down. shows the height of the subject
camera movement: tilt
cross-cutting
Classic Network Era
single camera
5. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
camera movement: pan
Realism
narrowcasting
6. The creation or manipulation of images using non-photographic techniques
graphics
ambient sound
medium shots
multi- camera telefilm studio production
7. Allow a high degree of intimacy and emotional expression
ellipsis
telefilms
cut
closeups
8. Live - filmed - in-studio - on-location. form is linked to specific genres
rhythm
master shot
textual form
sound bridge
9. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
medium closeup
dialogue
wide angle lenses
camera movement: tracking
10. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
vocal sounds
standard camera height
closeups
anthology drama
11. The technique that captures that image for viewers
diegesis
closeups
camerawork
sound bridge
12. Targets media to specific segments of the audience
crane shot
narrowcasting
vocal performance
cut
13. Images are created and animated digitally
vocal performance
medium closeup
computer generated animation
perspective
14. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
sililoquies
animation
two shot west
focus
15. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
high camera angle
sound bridge
Classic Network Era
canted camera angle
16. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
screen direction
closeups
computer generated animation
textual form
17. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
keying
live-to-tape
laugh track
dissolves
18. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
dialogue
crane shot
sililoquies
fade-in
19. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
long shots
jump cut
naturalistic
media technologies
20. Eye level
standard camera height
camera movement: tracking
musical montage
videotape
21. Use short focal length. cause fisheye distortion. increase the depth of the shot
wide angle lenses
score
high camera angle
laugh track
22. Use long focal length. captures images from far away. compresses the depth of the shot
score
video switcher
monologue
telephoto lenses
23. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
diegesis
rack of focus
canted camera angle
ambient sound
24. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
kinescope
extreme long shot
speed
cut
25. Where two/three people converse in the frame
offscreen space
two/three shot
camera movement: tilt
two shot west
26. A (usually long) dramatic speech by a single actor
monologue
wipes
staging
split-screen
27. Rhythmically edits a number of visual sequence over a song that signals an emotional response
screen direction
sound bridge
telefilms
musical montage
28. When a shot had a narrow depth of field and part of the image is out of focus
score
rack of focus
hand-held
vocal performance
29. Space that exists inside the frame.
onscreen space
voiceover narration
cels
fade-in
30. Omitting intervening moments. used to condense time. turn a day in 30minutes
ellipsis
live-to-tape
style
musical montage
31. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
framing
long take
score
long shots
32. Comprised of internal and extradiegetic
Convergence Era
rhythm
dissolves
voiceover narration
33. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
multi-camera live production
cross-cutting
cross-fades
rhythm
34. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
theme songs
multi-camera live production
live-to-tape
Classic Network Era
35. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
single camera
cultural representations
camerawork
standard camera height
36. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
animation
media technologies
Multi-Channel Era
extreme closeup
37. When the camera is angled. provided a disorienting slant perspective
fade-in
canted camera angle
multi- camera telefilm studio production
medium shots
38. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
laugh track
media technologies
wipes
videotape
39. Represent the program as a whole. become part of the identity (iconic)
long shots
rack of focus
theme songs
dissolves
40. Presumably not heard by characters. can be either from audience or pre-recorded
wipes
Classic Network Era
laugh track
monologue
41. Determines which cameras will be broadcast - transitions in between shots - added graphics
hand-held
video switcher
rhythm
monologue
42. Spacial relation between elements
voiceover narration
perspective
speed
sound effects
43. Used as a transition to pull out of a scene
sound effects
editing
videotape
crane shot
44. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
live-to-tape
style
offscreen space
cross-cutting
45. Puts shots together into a larger program. appears almost unnoticeable
textual form
monologue
camera movement: tilt
editing
46. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
graphics
camerawork
Convergence Era
wipes
47. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
graphics
computer generated animation
wide angle lenses
kinescope
48. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
vocal performance
focus
extreme closeup
two shot west
49. Alternative to recording on film. 1950's - limited storage capacity and image quality
offscreen space
laugh track
videotape
flashback
50. Rarely has an impacts on viewers comprehension. works to convey naturalism
music
long take
environmental sound
monologue
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