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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
dissolves
cels
cross-fades
2. When a character is speaking to themselves to express their emotional states
offscreen space
computer generated images
sililoquies
presentational
3. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
dissolves
camera movement: pan
cels
ambient sound
4. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
theme songs
multi-camera live production
keying
speed
5. Images are created and animated digitally
ambient sound
computer generated animation
animation
offscreen space
6. Establishing shot of entire scene
stedicam
master shot
cut
closeups
7. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
sound effects
wipes
live-to-tape
vocal performance
8. Live - filmed - in-studio - on-location. form is linked to specific genres
vocal sounds
textual form
dissolves
graphics
9. Eye level
standard camera height
camera movement: dolly
two/three shot
shot/reverse shot
10. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
Realism
sound bridge
single camera
extreme closeup
11. Mobile-- on site. multiple takes from multiple angles - shot out of order
single camera
closeups
master shot
dissolves
12. The formal characteristics that help express meaning independently of a text's context
style
camera movement: dolly
single camera
music
13. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
ellipsis
cross-cutting
offscreen space
telefilms
14. Diegetic - and non-diegetic
musical montage
ellipsis
music
multi- camera telefilm studio production
15. Rarely has an impacts on viewers comprehension. works to convey naturalism
monologue
cut
animation
environmental sound
16. Comprised of internal and extradiegetic
voiceover narration
Multi-Channel Era
cross-cutting
fade-out
17. Presents the speech of multiple people interacting
split-screen
focal length
dialogue
focus
18. When people are talking
vocal sounds
jump cut
multi-camera live production
cross-cutting
19. The back and forth editing between closeups in a dialogue
naturalistic
high camera angle
graphics
shot/reverse shot
20. Conveys a visual relationship to the staging
Classic Network Era
videotape
vocal sounds
framing
21. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
vocal performance
extreme closeup
two/three shot
focus
22. Puts shots together into a larger program. appears almost unnoticeable
editing
canted camera angle
framing
stedicam
23. Graphically generated visuals are placed atop a video image. ex: credits or captions
keying
closeups
video switcher
style
24. Moving backwards in time to provide earlier story information or reflect on past events
music
cels
onscreen space
flashback
25. Straps the camera to the operator to make it glide. attempts to be realistic
stedicam
musical montage
cultural representations
anthology drama
26. Allow a high degree of intimacy and emotional expression
presentational
Classic Network Era
long take
closeups
27. Mimics the motion of turning your head left or right
medium closeup
camera movement: tilt
camera movement: pan
sound bridge
28. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
democratic regulations
master shot
presentational
closeups
29. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
videotape
shot/reverse shot
musical montage
cross-cutting
30. Government intervention of the airwaves FCC
environmental sound
democratic regulations
cross-cutting
sound effects
31. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
fade-in
medium shots
shot/reverse shot
split-screen
32. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
sililoquies
musical montage
rack of focus
two shot west
33. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
animation
Convergence Era
medium shots
live-to-tape
34. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
kinescope
camerawork
monologue
cels
35. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
keying
long take
Convergence Era
camera movement: dolly
36. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
extreme closeup
camera movement: tracking
fade-in
staging
37. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
music
long shots
computer generated animation
camera movement: dolly
38. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
canted camera angle
naturalistic
score
39. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
videotape
editing
camera movement: tracking
vocal performance
40. When camera is looking down at a character
video switcher
high camera angle
closeups
low camera angle
41. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
camera movement: tracking
vocal performance
stedicam
42. Chest up. provide facial detail without feeling overtly intrusive
Multi-Channel Era
medium closeup
wipes
Convergence Era
43. Use short focal length. cause fisheye distortion. increase the depth of the shot
chroma key
wide angle lenses
Multi-Channel Era
cels
44. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
sound effects
long shots
cross-fades
45. The creation or manipulation of images using non-photographic techniques
staging
live-to-tape
narrowcasting
graphics
46. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
videotape
keying
rhythm
instant replay
47. Pacing edits can provide counterpoint to the music's beats
rhythm
vocal sounds
multi-camera live production
two/three shot
48. Represent the program as a whole. become part of the identity (iconic)
Classic Network Era
theme songs
speed
fade-in
49. Where two/three people converse in the frame
medium shots
dissolves
hand-held
two/three shot
50. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
fade-in
kinescope
shot/reverse shot