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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
computer generated animation
Classic Network Era
camera movement: dolly
closeups
2. Refers to the world representing in a program
animation
Convergence Era
diegesis
camera movement: tilt
3. The entire visual world is created non-photographically
graphics
vocal sounds
animation
cut
4. When people are talking
high camera angle
monologue
vocal sounds
two/three shot
5. When a shot had a narrow depth of field and part of the image is out of focus
rack of focus
videotape
fade-in
Realism
6. Where two/three people converse in the frame
editing
master shot
two/three shot
screen direction
7. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
camera movement: tracking
long shots
closeups
kinescope
8. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
music
computer generated images
narrowcasting
two shot west
9. Chest up. provide facial detail without feeling overtly intrusive
medium closeup
musical montage
focus
canted camera angle
10. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
standard camera height
sililoquies
Realism
perspective
11. Mimics the motion of turning your head left or right
theme songs
camera movement: pan
style
keying
12. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
split-screen
camerawork
low camera angle
canted camera angle
13. An edit where the shots do not sufficiently re-frame the action
naturalistic
split-screen
jump cut
dissolves
14. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
ambient sound
cross-fades
democratic regulations
camera movement: dolly
15. Spacial relation between elements
long shots
perspective
textual form
offscreen space
16. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
rack of focus
sound effects
vocal performance
offscreen space
17. Eye level
democratic regulations
naturalistic
standard camera height
vocal performance
18. Diegetic - and non-diegetic
low camera angle
sililoquies
fade-in
music
19. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
sound bridge
ellipsis
sililoquies
extreme long shot
20. Rarely has an impacts on viewers comprehension. works to convey naturalism
diegesis
camera movement: tilt
environmental sound
multi- camera telefilm studio production
21. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two shot west
multi-camera live production
sililoquies
Classic Network Era
22. The back and forth editing between closeups in a dialogue
camera movement: pan
shot/reverse shot
offscreen space
presentational
23. Presumably not heard by characters. can be either from audience or pre-recorded
ambient sound
split-screen
framing
laugh track
24. A (usually long) dramatic speech by a single actor
cross-cutting
monologue
cut
canted camera angle
25. Rhythmically edits a number of visual sequence over a song that signals an emotional response
musical montage
wipes
Realism
long take
26. Documentary staple - less steady and jumpier. attempts to be realistic
keying
hand-held
telefilms
offscreen space
27. The formal characteristics that help express meaning independently of a text's context
rhythm
stedicam
high camera angle
style
28. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
two shot west
media technologies
Classic Network Era
sound bridge
29. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
multi-camera live production
editing
long take
focal length
30. Alters the degree of magnification and depth of an image
focal length
diegesis
jump cut
monologue
31. What elements in the frame are clear or blurry
staging
telephoto lenses
ellipsis
focus
32. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
democratic regulations
flashback
cultural representations
camerawork
33. Use long focal length. captures images from far away. compresses the depth of the shot
onscreen space
ellipsis
telephoto lenses
screen direction
34. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
long shots
musical montage
framing
fade-in
35. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
cross-cutting
medium closeup
camera movement: tracking
environmental sound
36. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
monologue
musical montage
camera movement: tracking
editing
37. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
cross-cutting
vocal sounds
multi- camera telefilm studio production
38. Motion of a given sequence
voiceover narration
ellipsis
anthology drama
speed
39. Conveys a visual relationship to the staging
environmental sound
offscreen space
wipes
framing
40. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
anthology drama
textual form
stedicam
fade-out
41. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
long shots
multi- camera telefilm studio production
single camera
42. Omitting intervening moments. used to condense time. turn a day in 30minutes
ellipsis
computer generated animation
focus
cels
43. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
media technologies
focal length
vocal sounds
naturalistic
44. Establishing shot of entire scene
master shot
closeups
extreme long shot
live-to-tape
45. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
Multi-Channel Era
staging
shot/reverse shot
graphics
46. A particular character's sound
vocal performance
rack of focus
vocal sounds
environmental sound
47. Represent the program as a whole. become part of the identity (iconic)
graphics
canted camera angle
theme songs
closeups
48. Targets media to specific segments of the audience
Classic Network Era
dissolves
musical montage
narrowcasting
49. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
rhythm
live-to-tape
Realism
narrowcasting
50. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
music
low camera angle
cross-fades
dissolves