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Test your basic knowledge |
Television Vocab
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Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
computer generated animation
two shot west
editing
master shot
2. Presumably not heard by characters. can be either from audience or pre-recorded
laugh track
framing
camera movement: tilt
standard camera height
3. Conveys a visual relationship to the staging
framing
presentational
shot/reverse shot
single camera
4. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
high camera angle
naturalistic
single camera
camera movement: tracking
5. Mobile-- on site. multiple takes from multiple angles - shot out of order
videotape
single camera
screen direction
computer generated images
6. Use short focal length. cause fisheye distortion. increase the depth of the shot
telephoto lenses
wide angle lenses
stedicam
onscreen space
7. Comprised of internal and extradiegetic
score
medium closeup
crane shot
voiceover narration
8. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
naturalistic
cut
focal length
focus
9. Government intervention of the airwaves FCC
staging
closeups
democratic regulations
camera movement: dolly
10. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
live-to-tape
cultural representations
two/three shot
Convergence Era
11. What elements in the frame are clear or blurry
wipes
multi-camera live production
focus
environmental sound
12. Alters the degree of magnification and depth of an image
computer generated animation
fade-in
focal length
anthology drama
13. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
wipes
focus
vocal performance
camera movement: tracking
14. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
split-screen
telefilms
standard camera height
extreme closeup
15. When viewers outgrew the radio. network programming consisted of only 3 networks -
split-screen
long take
Classic Network Era
democratic regulations
16. A (usually long) dramatic speech by a single actor
master shot
hand-held
extreme long shot
monologue
17. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
Realism
closeups
narrowcasting
camera movement: pan
18. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
framing
focal length
standard camera height
sound effects
19. Pacing edits can provide counterpoint to the music's beats
camerawork
rhythm
extreme long shot
music
20. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
music
cultural representations
single camera
fade-in
21. When camera is looking down at a character
high camera angle
media technologies
videotape
focus
22. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
dissolves
voiceover narration
style
long take
23. The technique that captures that image for viewers
camerawork
cels
presentational
camera movement: dolly
24. An edit where the shots do not sufficiently re-frame the action
jump cut
crane shot
Multi-Channel Era
chroma key
25. Targets media to specific segments of the audience
narrowcasting
vocal performance
instant replay
closeups
26. Straps the camera to the operator to make it glide. attempts to be realistic
hand-held
high camera angle
stedicam
multi-camera live production
27. Alternative to recording on film. 1950's - limited storage capacity and image quality
long shots
sound bridge
stedicam
videotape
28. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
screen direction
stedicam
music
29. Allow a high degree of intimacy and emotional expression
cultural representations
wide angle lenses
closeups
computer generated images
30. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
shot/reverse shot
crane shot
vocal performance
31. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
master shot
wipes
speed
vocal performance
32. Graphically generated visuals are placed atop a video image. ex: credits or captions
presentational
textual form
keying
score
33. When a character is speaking to themselves to express their emotional states
screen direction
cross-cutting
sililoquies
dialogue
34. Omitting intervening moments. used to condense time. turn a day in 30minutes
media technologies
Classic Network Era
musical montage
ellipsis
35. Puts shots together into a larger program. appears almost unnoticeable
stedicam
editing
keying
rack of focus
36. Represent the program as a whole. become part of the identity (iconic)
hand-held
wide angle lenses
crane shot
theme songs
37. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
keying
cut
dissolves
multi-camera live production
38. Diegetic - and non-diegetic
two/three shot
computer generated images
music
ambient sound
39. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
camera movement: tracking
media technologies
dialogue
jump cut
40. Chest up. provide facial detail without feeling overtly intrusive
offscreen space
medium closeup
wide angle lenses
split-screen
41. Eye level
flashback
screen direction
standard camera height
camera movement: tilt
42. The formal characteristics that help express meaning independently of a text's context
style
master shot
onscreen space
graphics
43. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
cross-cutting
vocal sounds
telephoto lenses
44. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
style
diegesis
multi-camera live production
Realism
45. The creation or manipulation of images using non-photographic techniques
media technologies
sound effects
ambient sound
graphics
46. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
score
wipes
style
telefilms
47. When a shot had a narrow depth of field and part of the image is out of focus
camera movement: dolly
cels
rack of focus
low camera angle
48. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
wipes
computer generated images
ambient sound
democratic regulations
49. A particular character's sound
multi-camera live production
vocal performance
master shot
computer generated images
50. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
narrowcasting
staging
extreme long shot
presentational
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