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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What elements in the frame are clear or blurry
editing
long take
focus
theme songs
2. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
chroma key
wide angle lenses
graphics
environmental sound
3. Straps the camera to the operator to make it glide. attempts to be realistic
diegesis
stedicam
extreme long shot
long shots
4. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
extreme closeup
jump cut
live-to-tape
theme songs
5. Presumably not heard by characters. can be either from audience or pre-recorded
framing
camera movement: tilt
laugh track
extreme long shot
6. Represent the program as a whole. become part of the identity (iconic)
master shot
speed
theme songs
Multi-Channel Era
7. Where two/three people converse in the frame
focal length
music
offscreen space
two/three shot
8. When the camera is angled. provided a disorienting slant perspective
canted camera angle
long take
medium shots
standard camera height
9. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
camera movement: tracking
shot/reverse shot
multi- camera telefilm studio production
camera movement: tilt
10. The creation or manipulation of images using non-photographic techniques
instant replay
multi- camera telefilm studio production
graphics
focal length
11. The formal characteristics that help express meaning independently of a text's context
perspective
style
cross-fades
stedicam
12. Conveys a visual relationship to the staging
narrowcasting
framing
democratic regulations
telefilms
13. Use short focal length. cause fisheye distortion. increase the depth of the shot
offscreen space
music
staging
wide angle lenses
14. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
onscreen space
media technologies
sound bridge
two shot west
15. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
perspective
medium shots
Multi-Channel Era
video switcher
16. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
computer generated images
cultural representations
medium shots
cross-fades
17. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
offscreen space
low camera angle
presentational
laugh track
18. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
textual form
dialogue
screen direction
long shots
19. Omitting intervening moments. used to condense time. turn a day in 30minutes
camera movement: tracking
ellipsis
fade-in
offscreen space
20. Graphically generated visuals are placed atop a video image. ex: credits or captions
keying
long shots
onscreen space
focal length
21. Used as a transition to pull out of a scene
sound effects
crane shot
sililoquies
democratic regulations
22. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
stedicam
split-screen
camera movement: pan
sound bridge
23. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
media technologies
extreme closeup
split-screen
laugh track
24. Pacing edits can provide counterpoint to the music's beats
medium closeup
score
multi-camera live production
rhythm
25. Determines which cameras will be broadcast - transitions in between shots - added graphics
camera movement: tilt
ellipsis
video switcher
democratic regulations
26. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
two shot west
computer generated images
extreme closeup
camera movement: tracking
27. The technique that captures that image for viewers
live-to-tape
screen direction
extreme long shot
camerawork
28. Establishing shot of entire scene
master shot
music
musical montage
theme songs
29. Mimics the motion of turning your head up or down. shows the height of the subject
crane shot
two/three shot
video switcher
camera movement: tilt
30. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
extreme long shot
instant replay
dissolves
framing
31. Puts shots together into a larger program. appears almost unnoticeable
fade-out
framing
stedicam
editing
32. Diegetic - and non-diegetic
offscreen space
perspective
two/three shot
music
33. Moving backwards in time to provide earlier story information or reflect on past events
cels
extreme closeup
flashback
Classic Network Era
34. The entire visual world is created non-photographically
long take
Convergence Era
naturalistic
animation
35. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
medium shots
multi- camera telefilm studio production
monologue
sound bridge
36. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
Convergence Era
long shots
hand-held
instant replay
37. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
videotape
textual form
kinescope
democratic regulations
38. Eye level
multi-camera live production
standard camera height
telephoto lenses
cross-cutting
39. Mobile-- on site. multiple takes from multiple angles - shot out of order
cut
single camera
multi-camera live production
two/three shot
40. Transparent paper that animations are drawn onto and then shot
chroma key
cels
extreme long shot
framing
41. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
jump cut
closeups
perspective
42. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
live-to-tape
focus
Realism
fade-in
43. Use long focal length. captures images from far away. compresses the depth of the shot
telephoto lenses
master shot
offscreen space
graphics
44. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated images
video switcher
editing
Multi-Channel Era
45. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
cultural representations
Classic Network Era
telefilms
naturalistic
46. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
vocal performance
score
camera movement: dolly
rhythm
47. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
split-screen
theme songs
dissolves
framing
48. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
Realism
two/three shot
fade-out
dialogue
49. Allow a high degree of intimacy and emotional expression
two shot west
crane shot
closeups
theme songs
50. When viewers outgrew the radio. network programming consisted of only 3 networks -
anthology drama
Classic Network Era
environmental sound
standard camera height