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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The formal characteristics that help express meaning independently of a text's context
screen direction
style
hand-held
wide angle lenses
2. An edit where the shots do not sufficiently re-frame the action
fade-out
camera movement: tracking
music
jump cut
3. Live - filmed - in-studio - on-location. form is linked to specific genres
offscreen space
cut
textual form
Convergence Era
4. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
musical montage
long take
cut
narrowcasting
5. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
ambient sound
cels
live-to-tape
video switcher
6. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
instant replay
score
focus
voiceover narration
7. Use short focal length. cause fisheye distortion. increase the depth of the shot
monologue
wide angle lenses
cultural representations
camera movement: pan
8. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
cels
Multi-Channel Era
ambient sound
ellipsis
9. The creation or manipulation of images using non-photographic techniques
cut
democratic regulations
graphics
dialogue
10. Presents the speech of multiple people interacting
Classic Network Era
telefilms
editing
dialogue
11. Government intervention of the airwaves FCC
democratic regulations
onscreen space
dialogue
rhythm
12. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
presentational
camerawork
offscreen space
Convergence Era
13. Alters the degree of magnification and depth of an image
focal length
score
cels
computer generated animation
14. Refers to the world representing in a program
graphics
ellipsis
Realism
diegesis
15. When camera is looking down at a character
narrowcasting
high camera angle
two shot west
score
16. Mimics the motion of turning your head up or down. shows the height of the subject
speed
two shot west
camera movement: tilt
fade-in
17. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
ellipsis
cultural representations
telefilms
cross-cutting
18. What elements in the frame are clear or blurry
focus
extreme closeup
camera movement: pan
long take
19. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
ambient sound
flashback
hand-held
cels
20. Used as a transition to pull out of a scene
kinescope
crane shot
computer generated animation
master shot
21. Mimics the motion of turning your head left or right
cut
camera movement: pan
wipes
sound bridge
22. Spacial relation between elements
crane shot
sound bridge
perspective
offscreen space
23. Documentary staple - less steady and jumpier. attempts to be realistic
fade-in
dialogue
perspective
hand-held
24. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
screen direction
flashback
computer generated animation
25. Transparent paper that animations are drawn onto and then shot
instant replay
computer generated animation
cels
vocal performance
26. When camera is looking up at a character
multi-camera live production
low camera angle
hand-held
two/three shot
27. Space that exists inside the frame.
perspective
multi-camera live production
editing
onscreen space
28. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
flashback
presentational
multi- camera telefilm studio production
shot/reverse shot
29. When people are talking
screen direction
vocal sounds
offscreen space
computer generated animation
30. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
cut
kinescope
focus
perspective
31. Allow a high degree of intimacy and emotional expression
two shot west
naturalistic
closeups
ellipsis
32. A particular character's sound
video switcher
vocal performance
stedicam
Realism
33. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
videotape
medium shots
animation
score
34. Presumably not heard by characters. can be either from audience or pre-recorded
live-to-tape
vocal sounds
laugh track
Multi-Channel Era
35. Puts shots together into a larger program. appears almost unnoticeable
rhythm
editing
extreme closeup
master shot
36. Eye level
dialogue
keying
wide angle lenses
standard camera height
37. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
wide angle lenses
telephoto lenses
animation
fade-out
38. Pacing edits can provide counterpoint to the music's beats
rhythm
monologue
theme songs
hand-held
39. Conveys a visual relationship to the staging
fade-out
multi- camera telefilm studio production
score
framing
40. When viewers outgrew the radio. network programming consisted of only 3 networks -
telefilms
Classic Network Era
chroma key
monologue
41. Comprised of internal and extradiegetic
kinescope
voiceover narration
computer generated animation
naturalistic
42. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
narrowcasting
dissolves
keying
multi- camera telefilm studio production
43. Diegetic - and non-diegetic
Multi-Channel Era
music
graphics
shot/reverse shot
44. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
narrowcasting
Convergence Era
extreme closeup
master shot
45. The entire visual world is created non-photographically
Realism
cultural representations
two shot west
animation
46. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
shot/reverse shot
sound bridge
computer generated images
high camera angle
47. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
shot/reverse shot
cultural representations
camera movement: pan
cut
48. Rhythmically edits a number of visual sequence over a song that signals an emotional response
monologue
kinescope
editing
musical montage
49. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
presentational
narrowcasting
chroma key
split-screen
50. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
cultural representations
screen direction
staging
offscreen space