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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
keying
multi-camera live production
wipes
presentational
2. Space that exists inside the frame.
animation
two shot west
framing
onscreen space
3. When camera is looking down at a character
diegesis
voiceover narration
multi- camera telefilm studio production
high camera angle
4. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
vocal performance
camera movement: tracking
low camera angle
Multi-Channel Era
5. The creation or manipulation of images using non-photographic techniques
screen direction
graphics
wide angle lenses
camera movement: pan
6. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
wide angle lenses
two shot west
shot/reverse shot
medium shots
7. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
stedicam
single camera
presentational
anthology drama
8. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
textual form
monologue
camerawork
medium shots
9. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
perspective
multi-camera live production
textual form
split-screen
10. Diegetic - and non-diegetic
fade-out
perspective
Convergence Era
music
11. Images are created and animated digitally
diegesis
camera movement: pan
keying
computer generated animation
12. A particular character's sound
telefilms
media technologies
vocal performance
camera movement: dolly
13. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
environmental sound
score
computer generated animation
fade-in
14. Alters the degree of magnification and depth of an image
telephoto lenses
keying
focal length
flashback
15. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
framing
live-to-tape
camera movement: dolly
medium closeup
16. Chest up. provide facial detail without feeling overtly intrusive
medium closeup
medium shots
high camera angle
monologue
17. The technique that captures that image for viewers
medium closeup
vocal performance
live-to-tape
camerawork
18. Rhythmically edits a number of visual sequence over a song that signals an emotional response
offscreen space
hand-held
cultural representations
musical montage
19. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
camera movement: tilt
anthology drama
textual form
standard camera height
20. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
cultural representations
wide angle lenses
vocal sounds
Convergence Era
21. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
live-to-tape
multi- camera telefilm studio production
medium shots
vocal sounds
22. Mimics the motion of turning your head left or right
computer generated animation
camera movement: pan
speed
closeups
23. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
cultural representations
chroma key
musical montage
fade-out
24. Rarely has an impacts on viewers comprehension. works to convey naturalism
naturalistic
environmental sound
animation
jump cut
25. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
camera movement: pan
keying
kinescope
vocal performance
26. Omitting intervening moments. used to condense time. turn a day in 30minutes
ellipsis
laugh track
long take
keying
27. Documentary staple - less steady and jumpier. attempts to be realistic
extreme closeup
theme songs
Realism
hand-held
28. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
focal length
telefilms
offscreen space
instant replay
29. Live - filmed - in-studio - on-location. form is linked to specific genres
low camera angle
master shot
textual form
multi- camera telefilm studio production
30. Use short focal length. cause fisheye distortion. increase the depth of the shot
sililoquies
voiceover narration
wide angle lenses
focus
31. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
camerawork
flashback
Convergence Era
32. When a shot had a narrow depth of field and part of the image is out of focus
sound bridge
voiceover narration
rack of focus
cut
33. Presents the speech of multiple people interacting
split-screen
onscreen space
canted camera angle
dialogue
34. When a character is speaking to themselves to express their emotional states
medium shots
sililoquies
camera movement: pan
onscreen space
35. Determines which cameras will be broadcast - transitions in between shots - added graphics
speed
video switcher
chroma key
split-screen
36. Comprised of internal and extradiegetic
long shots
voiceover narration
dialogue
cut
37. Moving backwards in time to provide earlier story information or reflect on past events
extreme long shot
canted camera angle
presentational
flashback
38. Graphically generated visuals are placed atop a video image. ex: credits or captions
cross-fades
keying
flashback
telefilms
39. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
extreme closeup
wipes
focal length
multi-camera live production
40. Where two/three people converse in the frame
telefilms
two/three shot
standard camera height
textual form
41. When the camera is angled. provided a disorienting slant perspective
Realism
canted camera angle
dissolves
music
42. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
cross-fades
single camera
perspective
Classic Network Era
43. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
jump cut
hand-held
fade-out
camera movement: tracking
44. When viewers outgrew the radio. network programming consisted of only 3 networks -
canted camera angle
camera movement: dolly
Classic Network Era
anthology drama
45. When people are talking
low camera angle
cross-cutting
two shot west
vocal sounds
46. Puts shots together into a larger program. appears almost unnoticeable
monologue
editing
long shots
camera movement: dolly
47. The entire visual world is created non-photographically
animation
instant replay
computer generated images
long take
48. The formal characteristics that help express meaning independently of a text's context
Multi-Channel Era
hand-held
sound effects
style
49. Transparent paper that animations are drawn onto and then shot
vocal sounds
cels
dissolves
closeups
50. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
two/three shot
narrowcasting
stedicam
cultural representations