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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cels
Realism
high camera angle
cut
2. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
cut
split-screen
fade-out
dialogue
3. Transparent paper that animations are drawn onto and then shot
cels
multi-camera live production
computer generated animation
fade-out
4. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
extreme closeup
textual form
keying
canted camera angle
5. When a shot had a narrow depth of field and part of the image is out of focus
split-screen
vocal sounds
rack of focus
wipes
6. When a character is speaking to themselves to express their emotional states
sililoquies
vocal sounds
style
camera movement: pan
7. Documentary staple - less steady and jumpier. attempts to be realistic
live-to-tape
hand-held
camera movement: pan
extreme long shot
8. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
high camera angle
Multi-Channel Era
telephoto lenses
screen direction
9. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
videotape
camera movement: tracking
sound effects
anthology drama
10. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
editing
Classic Network Era
rhythm
11. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
crane shot
cels
kinescope
framing
12. Puts shots together into a larger program. appears almost unnoticeable
cultural representations
low camera angle
hand-held
editing
13. Determines which cameras will be broadcast - transitions in between shots - added graphics
camera movement: tilt
sililoquies
video switcher
dialogue
14. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
medium shots
multi-camera live production
telefilms
speed
15. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two shot west
fade-in
high camera angle
extreme closeup
16. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
musical montage
fade-out
extreme closeup
naturalistic
17. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
narrowcasting
camera movement: dolly
score
jump cut
18. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
sound effects
screen direction
canted camera angle
vocal performance
19. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
offscreen space
speed
environmental sound
stedicam
20. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
canted camera angle
medium shots
live-to-tape
graphics
21. Government intervention of the airwaves FCC
camera movement: tilt
democratic regulations
stedicam
medium shots
22. Rarely has an impacts on viewers comprehension. works to convey naturalism
multi- camera telefilm studio production
keying
environmental sound
Classic Network Era
23. Comprised of internal and extradiegetic
vocal performance
focal length
voiceover narration
live-to-tape
24. When viewers outgrew the radio. network programming consisted of only 3 networks -
animation
Classic Network Era
medium shots
videotape
25. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
Realism
cels
shot/reverse shot
ellipsis
26. Where two/three people converse in the frame
live-to-tape
two/three shot
ellipsis
laugh track
27. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
framing
computer generated animation
video switcher
naturalistic
28. A particular character's sound
video switcher
vocal performance
medium closeup
cross-cutting
29. The technique that captures that image for viewers
dialogue
hand-held
narrowcasting
camerawork
30. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
democratic regulations
speed
camera movement: dolly
naturalistic
31. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
sound effects
computer generated animation
perspective
multi- camera telefilm studio production
32. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
high camera angle
wide angle lenses
camera movement: dolly
Convergence Era
33. Establishing shot of entire scene
staging
high camera angle
environmental sound
master shot
34. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
keying
cross-fades
telefilms
fade-out
35. Rhythmically edits a number of visual sequence over a song that signals an emotional response
multi- camera telefilm studio production
framing
musical montage
cels
36. A (usually long) dramatic speech by a single actor
staging
two shot west
monologue
Realism
37. Conveys a visual relationship to the staging
sililoquies
camera movement: tracking
camerawork
framing
38. Spacial relation between elements
perspective
cross-fades
voiceover narration
chroma key
39. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
musical montage
sililoquies
extreme long shot
40. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
long shots
two/three shot
sound effects
dissolves
41. Live - filmed - in-studio - on-location. form is linked to specific genres
extreme closeup
multi-camera live production
textual form
offscreen space
42. Eye level
media technologies
standard camera height
speed
environmental sound
43. Use long focal length. captures images from far away. compresses the depth of the shot
telephoto lenses
Realism
camera movement: dolly
fade-out
44. Targets media to specific segments of the audience
Classic Network Era
score
narrowcasting
dissolves
45. Straps the camera to the operator to make it glide. attempts to be realistic
camera movement: dolly
low camera angle
screen direction
stedicam
46. The formal characteristics that help express meaning independently of a text's context
cut
style
closeups
editing
47. Alters the degree of magnification and depth of an image
multi- camera telefilm studio production
focal length
camera movement: pan
low camera angle
48. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
theme songs
graphics
presentational
two/three shot
49. Moving backwards in time to provide earlier story information or reflect on past events
long take
flashback
extreme closeup
animation
50. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
dissolves
focal length
naturalistic
cut