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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Presents the speech of multiple people interacting
dialogue
long take
narrowcasting
video switcher
2. Pacing edits can provide counterpoint to the music's beats
animation
long shots
rhythm
ellipsis
3. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
two/three shot
staging
offscreen space
ambient sound
4. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
extreme closeup
single camera
musical montage
editing
5. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
anthology drama
long take
extreme closeup
perspective
6. Space that exists inside the frame.
standard camera height
onscreen space
framing
editing
7. When camera is looking down at a character
cels
high camera angle
video switcher
cultural representations
8. Refers to the world representing in a program
camera movement: tracking
diegesis
camera movement: dolly
high camera angle
9. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
multi-camera live production
focus
screen direction
naturalistic
10. Alternative to recording on film. 1950's - limited storage capacity and image quality
score
master shot
telephoto lenses
videotape
11. Diegetic - and non-diegetic
music
dialogue
narrowcasting
multi-camera live production
12. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
multi-camera live production
extreme long shot
standard camera height
style
13. Allow a high degree of intimacy and emotional expression
closeups
theme songs
dissolves
rhythm
14. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
diegesis
cultural representations
two shot west
multi-camera live production
15. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
framing
two shot west
sound bridge
camerawork
16. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
sound bridge
vocal performance
jump cut
computer generated images
17. Used as a transition to pull out of a scene
crane shot
cels
editing
telefilms
18. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
camera movement: tracking
fade-in
Multi-Channel Era
screen direction
19. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
kinescope
focal length
media technologies
hand-held
20. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
two shot west
crane shot
chroma key
media technologies
21. Images are created and animated digitally
textual form
extreme closeup
computer generated animation
camera movement: tilt
22. Government intervention of the airwaves FCC
rack of focus
shot/reverse shot
democratic regulations
fade-out
23. What elements in the frame are clear or blurry
long shots
telefilms
focus
keying
24. Use short focal length. cause fisheye distortion. increase the depth of the shot
camerawork
videotape
hand-held
wide angle lenses
25. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
staging
presentational
split-screen
extreme long shot
26. Conveys a visual relationship to the staging
score
multi- camera telefilm studio production
closeups
framing
27. Mimics the motion of turning your head left or right
vocal performance
chroma key
medium shots
camera movement: pan
28. Presumably not heard by characters. can be either from audience or pre-recorded
canted camera angle
video switcher
wide angle lenses
laugh track
29. Graphically generated visuals are placed atop a video image. ex: credits or captions
keying
single camera
monologue
graphics
30. When a character is speaking to themselves to express their emotional states
split-screen
extreme long shot
sililoquies
camera movement: tracking
31. The creation or manipulation of images using non-photographic techniques
master shot
dialogue
graphics
ellipsis
32. The entire visual world is created non-photographically
animation
crane shot
focal length
fade-out
33. Chest up. provide facial detail without feeling overtly intrusive
vocal performance
Multi-Channel Era
medium closeup
rhythm
34. Eye level
fade-out
staging
standard camera height
framing
35. When the camera is angled. provided a disorienting slant perspective
canted camera angle
video switcher
hand-held
monologue
36. Mimics the motion of turning your head up or down. shows the height of the subject
long take
speed
two/three shot
camera movement: tilt
37. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
instant replay
shot/reverse shot
score
wipes
38. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
cross-fades
camera movement: tracking
sililoquies
camerawork
39. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
low camera angle
Realism
environmental sound
dissolves
40. When a shot had a narrow depth of field and part of the image is out of focus
rack of focus
camera movement: dolly
music
diegesis
41. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
cross-fades
split-screen
hand-held
screen direction
42. Determines which cameras will be broadcast - transitions in between shots - added graphics
media technologies
vocal sounds
video switcher
videotape
43. When camera is looking up at a character
rack of focus
wipes
crane shot
low camera angle
44. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
onscreen space
cross-cutting
graphics
telefilms
45. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
vocal performance
long shots
sound effects
live-to-tape
46. When people are talking
vocal sounds
Multi-Channel Era
video switcher
animation
47. When viewers outgrew the radio. network programming consisted of only 3 networks -
presentational
multi- camera telefilm studio production
hand-held
Classic Network Era
48. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
focus
Realism
long take
flashback
49. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
Convergence Era
framing
telefilms
multi- camera telefilm studio production
50. The formal characteristics that help express meaning independently of a text's context
style
Convergence Era
voiceover narration
closeups