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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The technique that captures that image for viewers
crane shot
camerawork
closeups
theme songs
2. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
staging
anthology drama
fade-out
Multi-Channel Era
3. Where two/three people converse in the frame
two/three shot
Convergence Era
musical montage
computer generated animation
4. Pacing edits can provide counterpoint to the music's beats
master shot
rhythm
standard camera height
long shots
5. Puts shots together into a larger program. appears almost unnoticeable
editing
telefilms
crane shot
narrowcasting
6. Mimics the motion of turning your head up or down. shows the height of the subject
hand-held
master shot
camera movement: tilt
textual form
7. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
medium closeup
camera movement: dolly
high camera angle
ambient sound
8. When a character is speaking to themselves to express their emotional states
sililoquies
telephoto lenses
diegesis
screen direction
9. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
rack of focus
medium closeup
camera movement: tracking
long take
10. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
fade-in
multi-camera live production
laugh track
Realism
11. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
camera movement: dolly
master shot
multi-camera live production
12. Diegetic - and non-diegetic
music
standard camera height
democratic regulations
dissolves
13. Motion of a given sequence
rhythm
closeups
vocal sounds
speed
14. Alternative to recording on film. 1950's - limited storage capacity and image quality
vocal sounds
videotape
rack of focus
telefilms
15. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
democratic regulations
ellipsis
long shots
live-to-tape
16. Presents the speech of multiple people interacting
cultural representations
long take
closeups
dialogue
17. Used as a transition to pull out of a scene
shot/reverse shot
chroma key
perspective
crane shot
18. Use short focal length. cause fisheye distortion. increase the depth of the shot
fade-in
anthology drama
democratic regulations
wide angle lenses
19. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
canted camera angle
cultural representations
animation
fade-out
20. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
multi-camera live production
diegesis
camera movement: dolly
two/three shot
21. Spacial relation between elements
dissolves
vocal sounds
crane shot
perspective
22. Establishing shot of entire scene
master shot
laugh track
two shot west
telephoto lenses
23. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
sililoquies
presentational
high camera angle
camerawork
24. Comprised of internal and extradiegetic
cultural representations
kinescope
voiceover narration
sililoquies
25. Use long focal length. captures images from far away. compresses the depth of the shot
crane shot
anthology drama
fade-in
telephoto lenses
26. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
graphics
cut
narrowcasting
speed
27. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
fade-out
cross-cutting
ambient sound
graphics
28. When camera is looking down at a character
laugh track
presentational
multi-camera live production
high camera angle
29. Determines which cameras will be broadcast - transitions in between shots - added graphics
Classic Network Era
rhythm
ambient sound
video switcher
30. Omitting intervening moments. used to condense time. turn a day in 30minutes
ellipsis
canted camera angle
graphics
sound effects
31. Mimics the motion of turning your head left or right
offscreen space
camera movement: pan
telefilms
Realism
32. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
framing
wipes
split-screen
offscreen space
33. An edit where the shots do not sufficiently re-frame the action
cultural representations
fade-in
jump cut
multi-camera live production
34. Graphically generated visuals are placed atop a video image. ex: credits or captions
monologue
high camera angle
keying
focus
35. The formal characteristics that help express meaning independently of a text's context
stedicam
sound bridge
style
hand-held
36. Straps the camera to the operator to make it glide. attempts to be realistic
democratic regulations
standard camera height
stedicam
single camera
37. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
anthology drama
environmental sound
Convergence Era
onscreen space
38. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
videotape
telefilms
laugh track
Multi-Channel Era
39. When viewers outgrew the radio. network programming consisted of only 3 networks -
low camera angle
computer generated animation
Classic Network Era
stedicam
40. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
videotape
kinescope
flashback
theme songs
41. Mobile-- on site. multiple takes from multiple angles - shot out of order
fade-out
video switcher
laugh track
single camera
42. A (usually long) dramatic speech by a single actor
Classic Network Era
computer generated images
editing
monologue
43. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
diegesis
voiceover narration
laugh track
44. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cultural representations
fade-out
kinescope
wipes
45. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
keying
score
media technologies
live-to-tape
46. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
multi-camera live production
wipes
low camera angle
score
47. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
Convergence Era
medium closeup
cross-fades
cut
48. Conveys a visual relationship to the staging
keying
graphics
framing
computer generated images
49. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
camera movement: dolly
staging
closeups
screen direction
50. The creation or manipulation of images using non-photographic techniques
two shot west
graphics
long shots
cut