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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
canted camera angle
narrowcasting
cultural representations
2. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
editing
theme songs
long shots
ellipsis
3. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two shot west
framing
dissolves
naturalistic
4. Where two/three people converse in the frame
music
framing
two/three shot
computer generated images
5. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
monologue
sound bridge
split-screen
dialogue
6. Allow a high degree of intimacy and emotional expression
perspective
Multi-Channel Era
dissolves
closeups
7. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
rack of focus
Multi-Channel Era
wide angle lenses
wipes
8. Rhythmically edits a number of visual sequence over a song that signals an emotional response
cross-cutting
musical montage
presentational
keying
9. Targets media to specific segments of the audience
animation
vocal performance
narrowcasting
vocal sounds
10. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
stedicam
camera movement: dolly
two/three shot
media technologies
11. Alternative to recording on film. 1950's - limited storage capacity and image quality
anthology drama
perspective
videotape
canted camera angle
12. Determines which cameras will be broadcast - transitions in between shots - added graphics
closeups
master shot
video switcher
sililoquies
13. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
camera movement: tracking
screen direction
sound effects
medium closeup
14. When a character is speaking to themselves to express their emotional states
sound bridge
long shots
style
sililoquies
15. When camera is looking down at a character
single camera
framing
perspective
high camera angle
16. When people are talking
vocal sounds
single camera
media technologies
dialogue
17. Use short focal length. cause fisheye distortion. increase the depth of the shot
fade-out
style
wide angle lenses
diegesis
18. Used as a transition to pull out of a scene
crane shot
musical montage
cross-cutting
multi-camera live production
19. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
musical montage
videotape
computer generated images
20. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
camerawork
two/three shot
ambient sound
keying
21. Refers to the world representing in a program
diegesis
screen direction
focus
fade-in
22. Chest up. provide facial detail without feeling overtly intrusive
fade-in
medium closeup
Convergence Era
videotape
23. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
live-to-tape
sililoquies
telephoto lenses
cut
24. An edit where the shots do not sufficiently re-frame the action
sound bridge
monologue
jump cut
score
25. Moving backwards in time to provide earlier story information or reflect on past events
video switcher
perspective
Multi-Channel Era
flashback
26. The creation or manipulation of images using non-photographic techniques
perspective
multi-camera live production
graphics
two/three shot
27. Mobile-- on site. multiple takes from multiple angles - shot out of order
rack of focus
jump cut
single camera
monologue
28. Mimics the motion of turning your head left or right
camera movement: pan
long take
multi-camera live production
camera movement: tracking
29. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
perspective
dissolves
cross-cutting
graphics
30. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
onscreen space
environmental sound
Multi-Channel Era
computer generated images
31. When a shot had a narrow depth of field and part of the image is out of focus
jump cut
rack of focus
focus
videotape
32. What elements in the frame are clear or blurry
focus
stedicam
camerawork
editing
33. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
chroma key
onscreen space
camera movement: pan
34. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
anthology drama
extreme closeup
medium closeup
closeups
35. Establishing shot of entire scene
master shot
split-screen
staging
presentational
36. The formal characteristics that help express meaning independently of a text's context
Classic Network Era
extreme long shot
crane shot
style
37. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
staging
framing
closeups
screen direction
38. The entire visual world is created non-photographically
animation
hand-held
single camera
cels
39. A particular character's sound
laugh track
long take
low camera angle
vocal performance
40. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
closeups
presentational
democratic regulations
chroma key
41. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
ambient sound
telefilms
rhythm
multi-camera live production
42. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
keying
cultural representations
video switcher
sililoquies
43. Spacial relation between elements
video switcher
flashback
laugh track
perspective
44. When camera is looking up at a character
fade-out
dialogue
screen direction
low camera angle
45. Pacing edits can provide counterpoint to the music's beats
sound effects
rhythm
stedicam
framing
46. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
cultural representations
focus
medium shots
vocal performance
47. A (usually long) dramatic speech by a single actor
music
videotape
graphics
monologue
48. Comprised of internal and extradiegetic
voiceover narration
fade-out
master shot
telefilms
49. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
diegesis
animation
fade-in
speed
50. Government intervention of the airwaves FCC
democratic regulations
medium closeup
camera movement: pan
video switcher