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Test your basic knowledge |
Television Vocab
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Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
presentational
music
standard camera height
multi- camera telefilm studio production
2. Mimics the motion of turning your head left or right
camera movement: pan
canted camera angle
camera movement: tilt
theme songs
3. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
musical montage
music
ambient sound
instant replay
4. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
musical montage
screen direction
camera movement: tilt
chroma key
5. The back and forth editing between closeups in a dialogue
multi-camera live production
perspective
low camera angle
shot/reverse shot
6. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
two/three shot
laugh track
medium shots
Multi-Channel Era
7. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
offscreen space
canted camera angle
style
Realism
8. Used as a transition to pull out of a scene
crane shot
screen direction
Multi-Channel Era
perspective
9. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
graphics
instant replay
Multi-Channel Era
10. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
closeups
telefilms
fade-out
long take
11. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
presentational
keying
score
instant replay
12. Alternative to recording on film. 1950's - limited storage capacity and image quality
music
videotape
sililoquies
jump cut
13. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
vocal sounds
fade-out
long shots
crane shot
14. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
extreme closeup
flashback
naturalistic
fade-in
15. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
voiceover narration
shot/reverse shot
camera movement: tilt
16. Refers to the world representing in a program
style
vocal sounds
canted camera angle
diegesis
17. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
ambient sound
anthology drama
rhythm
media technologies
18. What elements in the frame are clear or blurry
focus
presentational
stedicam
multi- camera telefilm studio production
19. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
canted camera angle
offscreen space
low camera angle
camerawork
20. When viewers outgrew the radio. network programming consisted of only 3 networks -
Classic Network Era
extreme closeup
closeups
crane shot
21. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
cross-cutting
extreme closeup
multi- camera telefilm studio production
long shots
22. Use long focal length. captures images from far away. compresses the depth of the shot
focus
dissolves
textual form
telephoto lenses
23. Presents the speech of multiple people interacting
dialogue
graphics
medium shots
camera movement: tilt
24. Images are created and animated digitally
master shot
medium closeup
computer generated animation
multi-camera live production
25. Documentary staple - less steady and jumpier. attempts to be realistic
videotape
extreme long shot
hand-held
wide angle lenses
26. Puts shots together into a larger program. appears almost unnoticeable
dissolves
style
crane shot
editing
27. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
Multi-Channel Era
long shots
computer generated images
democratic regulations
28. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
cross-cutting
kinescope
graphics
presentational
29. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
music
cut
canted camera angle
wide angle lenses
30. When camera is looking up at a character
Convergence Era
low camera angle
cels
high camera angle
31. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
naturalistic
Convergence Era
graphics
media technologies
32. Alters the degree of magnification and depth of an image
musical montage
focal length
media technologies
kinescope
33. A particular character's sound
vocal performance
media technologies
musical montage
staging
34. Eye level
medium shots
standard camera height
style
Multi-Channel Era
35. The technique that captures that image for viewers
camerawork
live-to-tape
chroma key
music
36. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
onscreen space
cels
long take
fade-in
37. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
videotape
camera movement: pan
diegesis
dissolves
38. Pacing edits can provide counterpoint to the music's beats
cross-fades
live-to-tape
vocal sounds
rhythm
39. Omitting intervening moments. used to condense time. turn a day in 30minutes
computer generated animation
multi-camera live production
low camera angle
ellipsis
40. Rhythmically edits a number of visual sequence over a song that signals an emotional response
anthology drama
musical montage
monologue
theme songs
41. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
computer generated images
speed
diegesis
screen direction
42. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
canted camera angle
perspective
cultural representations
naturalistic
43. The creation or manipulation of images using non-photographic techniques
Realism
graphics
laugh track
computer generated animation
44. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
single camera
cross-fades
telefilms
fade-in
45. Moving backwards in time to provide earlier story information or reflect on past events
jump cut
textual form
presentational
flashback
46. Spacial relation between elements
fade-out
single camera
cels
perspective
47. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
keying
fade-in
naturalistic
sound bridge
48. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
environmental sound
computer generated images
high camera angle
ambient sound
49. Motion of a given sequence
closeups
medium shots
speed
standard camera height
50. When a shot had a narrow depth of field and part of the image is out of focus
multi-camera live production
rack of focus
media technologies
focal length
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