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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
long take
dissolves
extreme long shot
vocal sounds
2. Establishing shot of entire scene
anthology drama
master shot
offscreen space
two/three shot
3. Rarely has an impacts on viewers comprehension. works to convey naturalism
environmental sound
hand-held
camera movement: tracking
low camera angle
4. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
jump cut
camera movement: pan
live-to-tape
voiceover narration
5. Targets media to specific segments of the audience
jump cut
camera movement: dolly
graphics
narrowcasting
6. A (usually long) dramatic speech by a single actor
monologue
rack of focus
perspective
dialogue
7. Mimics the motion of turning your head left or right
Realism
camera movement: pan
musical montage
telephoto lenses
8. Diegetic - and non-diegetic
media technologies
music
vocal sounds
jump cut
9. Allow a high degree of intimacy and emotional expression
long shots
crane shot
live-to-tape
closeups
10. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
naturalistic
flashback
animation
Realism
11. Space that exists inside the frame.
chroma key
low camera angle
onscreen space
focal length
12. Documentary staple - less steady and jumpier. attempts to be realistic
videotape
two/three shot
hand-held
naturalistic
13. Determines which cameras will be broadcast - transitions in between shots - added graphics
presentational
diegesis
animation
video switcher
14. Live - filmed - in-studio - on-location. form is linked to specific genres
cross-cutting
fade-in
long shots
textual form
15. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
wide angle lenses
rhythm
screen direction
two/three shot
16. Mobile-- on site. multiple takes from multiple angles - shot out of order
single camera
jump cut
vocal sounds
ambient sound
17. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
theme songs
canted camera angle
kinescope
flashback
18. Mimics the motion of turning your head up or down. shows the height of the subject
focal length
camera movement: tilt
laugh track
diegesis
19. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
long shots
single camera
narrowcasting
standard camera height
20. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
textual form
presentational
flashback
cross-cutting
21. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
computer generated animation
sound bridge
cultural representations
multi-camera live production
22. Use long focal length. captures images from far away. compresses the depth of the shot
telephoto lenses
Realism
cultural representations
split-screen
23. Used as a transition to pull out of a scene
crane shot
medium closeup
theme songs
editing
24. When camera is looking down at a character
shot/reverse shot
multi- camera telefilm studio production
high camera angle
animation
25. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
cels
sound bridge
telefilms
dialogue
26. What elements in the frame are clear or blurry
dialogue
focus
telefilms
ambient sound
27. When viewers outgrew the radio. network programming consisted of only 3 networks -
two shot west
musical montage
camera movement: tracking
Classic Network Era
28. Eye level
dialogue
wipes
crane shot
standard camera height
29. When a shot had a narrow depth of field and part of the image is out of focus
rack of focus
medium closeup
Classic Network Era
extreme closeup
30. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
screen direction
ellipsis
editing
split-screen
31. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
canted camera angle
extreme closeup
rhythm
music
32. Refers to the world representing in a program
vocal sounds
diegesis
wide angle lenses
speed
33. The technique that captures that image for viewers
monologue
high camera angle
camerawork
camera movement: pan
34. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
anthology drama
offscreen space
canted camera angle
computer generated images
35. Puts shots together into a larger program. appears almost unnoticeable
editing
telephoto lenses
Convergence Era
style
36. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
monologue
media technologies
ellipsis
video switcher
37. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
offscreen space
camera movement: pan
cultural representations
chroma key
38. When camera is looking up at a character
fade-in
low camera angle
monologue
high camera angle
39. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
cross-fades
focal length
fade-out
40. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated images
graphics
offscreen space
camera movement: pan
41. The entire visual world is created non-photographically
animation
high camera angle
multi- camera telefilm studio production
sililoquies
42. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
ambient sound
offscreen space
environmental sound
Convergence Era
43. Omitting intervening moments. used to condense time. turn a day in 30minutes
diegesis
low camera angle
live-to-tape
ellipsis
44. Alters the degree of magnification and depth of an image
focal length
environmental sound
jump cut
flashback
45. Moving backwards in time to provide earlier story information or reflect on past events
high camera angle
flashback
animation
anthology drama
46. Comprised of internal and extradiegetic
laugh track
long shots
voiceover narration
crane shot
47. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
hand-held
telephoto lenses
fade-in
master shot
48. Government intervention of the airwaves FCC
vocal performance
low camera angle
democratic regulations
ellipsis
49. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
dissolves
long shots
live-to-tape
camera movement: dolly
50. Use short focal length. cause fisheye distortion. increase the depth of the shot
wide angle lenses
textual form
shot/reverse shot
standard camera height