SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Transparent paper that animations are drawn onto and then shot
Classic Network Era
ambient sound
cels
instant replay
2. Mimics the motion of turning your head left or right
monologue
sound effects
camera movement: pan
style
3. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
Realism
two shot west
wide angle lenses
two/three shot
4. Establishing shot of entire scene
fade-in
environmental sound
vocal performance
master shot
5. Alters the degree of magnification and depth of an image
focal length
wide angle lenses
closeups
videotape
6. The creation or manipulation of images using non-photographic techniques
camera movement: tilt
sililoquies
graphics
wide angle lenses
7. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
kinescope
split-screen
fade-out
medium shots
8. A (usually long) dramatic speech by a single actor
standard camera height
Classic Network Era
Realism
monologue
9. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
vocal sounds
extreme long shot
sound bridge
multi- camera telefilm studio production
10. Use long focal length. captures images from far away. compresses the depth of the shot
single camera
telephoto lenses
music
camera movement: pan
11. Spacial relation between elements
narrowcasting
perspective
extreme closeup
Realism
12. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
live-to-tape
two/three shot
stedicam
camerawork
13. When camera is looking down at a character
rack of focus
high camera angle
sound bridge
sound effects
14. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
canted camera angle
kinescope
medium closeup
naturalistic
15. Refers to the world representing in a program
narrowcasting
Convergence Era
diegesis
long shots
16. Presents the speech of multiple people interacting
dialogue
cultural representations
anthology drama
speed
17. Rhythmically edits a number of visual sequence over a song that signals an emotional response
musical montage
multi- camera telefilm studio production
monologue
cels
18. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
extreme closeup
cross-fades
camera movement: dolly
hand-held
19. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
offscreen space
fade-out
single camera
extreme long shot
20. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
cross-fades
chroma key
medium shots
style
21. Images are created and animated digitally
cultural representations
camerawork
keying
computer generated animation
22. Chest up. provide facial detail without feeling overtly intrusive
medium closeup
music
computer generated images
voiceover narration
23. Eye level
camera movement: tilt
standard camera height
music
editing
24. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
dialogue
cut
cross-fades
camerawork
25. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cultural representations
dissolves
rack of focus
media technologies
26. Determines which cameras will be broadcast - transitions in between shots - added graphics
telephoto lenses
video switcher
two shot west
standard camera height
27. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
kinescope
closeups
media technologies
Realism
28. Use short focal length. cause fisheye distortion. increase the depth of the shot
media technologies
two shot west
onscreen space
wide angle lenses
29. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
music
live-to-tape
dialogue
30. Allow a high degree of intimacy and emotional expression
stedicam
keying
closeups
democratic regulations
31. Mobile-- on site. multiple takes from multiple angles - shot out of order
naturalistic
cultural representations
single camera
focal length
32. Used as a transition to pull out of a scene
shot/reverse shot
animation
crane shot
camerawork
33. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
long shots
long take
Multi-Channel Era
medium shots
34. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
ambient sound
master shot
speed
sound effects
35. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
camera movement: tracking
dissolves
camera movement: tilt
perspective
36. Motion of a given sequence
cross-fades
wide angle lenses
speed
graphics
37. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
videotape
Classic Network Era
multi-camera live production
telefilms
38. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two shot west
staging
multi- camera telefilm studio production
long take
39. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
Realism
camera movement: dolly
kinescope
rhythm
40. Diegetic - and non-diegetic
stedicam
screen direction
music
chroma key
41. An edit where the shots do not sufficiently re-frame the action
Classic Network Era
jump cut
sound effects
staging
42. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
screen direction
monologue
wide angle lenses
medium closeup
43. Government intervention of the airwaves FCC
staging
sound effects
kinescope
democratic regulations
44. Live - filmed - in-studio - on-location. form is linked to specific genres
framing
naturalistic
textual form
cut
45. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
animation
naturalistic
score
editing
46. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
wipes
medium shots
telephoto lenses
narrowcasting
47. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
anthology drama
chroma key
low camera angle
perspective
48. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
wide angle lenses
editing
flashback
ambient sound
49. Mimics the motion of turning your head up or down. shows the height of the subject
two/three shot
narrowcasting
vocal performance
camera movement: tilt
50. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
low camera angle
keying
telephoto lenses
camera movement: tracking