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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
Convergence Era
voiceover narration
two shot west
2. Comprised of internal and extradiegetic
voiceover narration
ellipsis
animation
camerawork
3. Pacing edits can provide counterpoint to the music's beats
rhythm
camera movement: pan
extreme long shot
graphics
4. The creation or manipulation of images using non-photographic techniques
graphics
Convergence Era
long shots
dialogue
5. Presumably not heard by characters. can be either from audience or pre-recorded
ellipsis
cultural representations
laugh track
media technologies
6. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
Realism
long take
offscreen space
rack of focus
7. Determines which cameras will be broadcast - transitions in between shots - added graphics
video switcher
textual form
camera movement: tracking
long shots
8. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
multi- camera telefilm studio production
sound bridge
ellipsis
cross-fades
9. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
screen direction
monologue
vocal performance
camera movement: dolly
10. Establishing shot of entire scene
sililoquies
master shot
extreme closeup
focal length
11. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
chroma key
computer generated images
extreme long shot
12. Eye level
monologue
textual form
sound bridge
standard camera height
13. Straps the camera to the operator to make it glide. attempts to be realistic
high camera angle
cut
stedicam
laugh track
14. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
ellipsis
wide angle lenses
ambient sound
long shots
15. Space that exists inside the frame.
Convergence Era
canted camera angle
onscreen space
theme songs
16. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
flashback
anthology drama
voiceover narration
17. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
sound effects
voiceover narration
vocal performance
telephoto lenses
18. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
extreme long shot
high camera angle
Multi-Channel Era
sound effects
19. The back and forth editing between closeups in a dialogue
camera movement: pan
low camera angle
Convergence Era
shot/reverse shot
20. Use short focal length. cause fisheye distortion. increase the depth of the shot
vocal sounds
low camera angle
wide angle lenses
rhythm
21. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
camera movement: pan
theme songs
focal length
22. Mobile-- on site. multiple takes from multiple angles - shot out of order
single camera
keying
fade-out
graphics
23. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
split-screen
sound effects
live-to-tape
camera movement: tracking
24. Graphically generated visuals are placed atop a video image. ex: credits or captions
medium closeup
focal length
keying
camera movement: pan
25. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
ambient sound
telefilms
anthology drama
26. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
Realism
rack of focus
naturalistic
27. Mimics the motion of turning your head left or right
multi- camera telefilm studio production
camera movement: pan
canted camera angle
cross-cutting
28. When a character is speaking to themselves to express their emotional states
ambient sound
camera movement: dolly
sililoquies
screen direction
29. Diegetic - and non-diegetic
closeups
music
camera movement: tilt
environmental sound
30. Refers to the world representing in a program
cross-fades
diegesis
camerawork
vocal performance
31. Conveys a visual relationship to the staging
framing
monologue
sound bridge
sililoquies
32. When viewers outgrew the radio. network programming consisted of only 3 networks -
Classic Network Era
wide angle lenses
camera movement: pan
hand-held
33. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
Multi-Channel Era
Convergence Era
long take
two shot west
34. Moving backwards in time to provide earlier story information or reflect on past events
score
flashback
staging
medium shots
35. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
dissolves
hand-held
diegesis
cross-fades
36. Alters the degree of magnification and depth of an image
Convergence Era
ellipsis
staging
focal length
37. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
sound effects
extreme long shot
fade-out
38. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
monologue
presentational
two shot west
fade-in
39. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
diegesis
media technologies
offscreen space
sililoquies
40. A (usually long) dramatic speech by a single actor
media technologies
canted camera angle
monologue
hand-held
41. Use long focal length. captures images from far away. compresses the depth of the shot
medium shots
telephoto lenses
long take
live-to-tape
42. When a shot had a narrow depth of field and part of the image is out of focus
long shots
music
rack of focus
focus
43. Rhythmically edits a number of visual sequence over a song that signals an emotional response
musical montage
dialogue
environmental sound
voiceover narration
44. An edit where the shots do not sufficiently re-frame the action
flashback
editing
cross-cutting
jump cut
45. Images are created and animated digitally
perspective
kinescope
split-screen
computer generated animation
46. Alternative to recording on film. 1950's - limited storage capacity and image quality
extreme closeup
animation
dissolves
videotape
47. Spacial relation between elements
presentational
computer generated images
perspective
computer generated animation
48. The formal characteristics that help express meaning independently of a text's context
ellipsis
dialogue
narrowcasting
style
49. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
music
monologue
anthology drama
chroma key
50. Puts shots together into a larger program. appears almost unnoticeable
musical montage
editing
standard camera height
Multi-Channel Era