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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
monologue
Realism
multi- camera telefilm studio production
extreme long shot
2. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
Multi-Channel Era
Realism
sound bridge
fade-in
3. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
dialogue
instant replay
anthology drama
4. Where two/three people converse in the frame
two shot west
rhythm
two/three shot
computer generated animation
5. Spacial relation between elements
perspective
diegesis
theme songs
canted camera angle
6. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
camera movement: tracking
camera movement: dolly
long take
two/three shot
7. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
jump cut
focus
democratic regulations
anthology drama
8. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
music
video switcher
theme songs
cut
9. Rarely has an impacts on viewers comprehension. works to convey naturalism
perspective
videotape
environmental sound
cross-cutting
10. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
stedicam
ambient sound
flashback
cross-cutting
11. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two shot west
long take
multi-camera live production
fade-in
12. Moving backwards in time to provide earlier story information or reflect on past events
flashback
Classic Network Era
keying
speed
13. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
shot/reverse shot
sound bridge
long take
Multi-Channel Era
14. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
animation
media technologies
perspective
voiceover narration
15. Omitting intervening moments. used to condense time. turn a day in 30minutes
musical montage
stedicam
chroma key
ellipsis
16. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
narrowcasting
voiceover narration
instant replay
camera movement: pan
17. The formal characteristics that help express meaning independently of a text's context
two shot west
camera movement: tilt
style
vocal sounds
18. Alters the degree of magnification and depth of an image
dialogue
onscreen space
anthology drama
focal length
19. Motion of a given sequence
flashback
speed
camera movement: dolly
instant replay
20. Conveys a visual relationship to the staging
cut
dialogue
framing
ellipsis
21. Rhythmically edits a number of visual sequence over a song that signals an emotional response
environmental sound
musical montage
instant replay
textual form
22. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
kinescope
extreme closeup
hand-held
camera movement: dolly
23. Space that exists inside the frame.
onscreen space
two shot west
camerawork
naturalistic
24. Use short focal length. cause fisheye distortion. increase the depth of the shot
extreme closeup
wide angle lenses
multi-camera live production
dissolves
25. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
onscreen space
animation
Realism
musical montage
26. The technique that captures that image for viewers
telephoto lenses
camerawork
chroma key
Classic Network Era
27. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
ambient sound
wipes
dissolves
28. When a shot had a narrow depth of field and part of the image is out of focus
jump cut
medium closeup
cross-cutting
rack of focus
29. Presumably not heard by characters. can be either from audience or pre-recorded
dissolves
kinescope
laugh track
onscreen space
30. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
naturalistic
live-to-tape
dissolves
anthology drama
31. When viewers outgrew the radio. network programming consisted of only 3 networks -
Classic Network Era
naturalistic
crane shot
monologue
32. When the camera is angled. provided a disorienting slant perspective
multi- camera telefilm studio production
live-to-tape
canted camera angle
multi-camera live production
33. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cross-fades
cultural representations
score
perspective
34. Targets media to specific segments of the audience
naturalistic
screen direction
narrowcasting
standard camera height
35. Pacing edits can provide counterpoint to the music's beats
rhythm
speed
Multi-Channel Era
computer generated animation
36. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
live-to-tape
rhythm
environmental sound
multi-camera live production
37. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
split-screen
jump cut
cut
staging
38. Use long focal length. captures images from far away. compresses the depth of the shot
framing
live-to-tape
focal length
telephoto lenses
39. Diegetic - and non-diegetic
music
dialogue
Convergence Era
anthology drama
40. Refers to the world representing in a program
score
diegesis
multi- camera telefilm studio production
cut
41. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
anthology drama
standard camera height
telefilms
long take
42. Comprised of internal and extradiegetic
multi-camera live production
staging
voiceover narration
closeups
43. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
medium closeup
long shots
telephoto lenses
split-screen
44. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
screen direction
speed
presentational
fade-out
45. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
narrowcasting
framing
chroma key
score
46. A particular character's sound
long shots
standard camera height
vocal performance
Multi-Channel Era
47. Eye level
medium closeup
standard camera height
ellipsis
multi-camera live production
48. Allow a high degree of intimacy and emotional expression
diegesis
fade-out
closeups
animation
49. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
extreme closeup
monologue
jump cut
chroma key
50. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
long take
sililoquies
offscreen space
telephoto lenses