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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Pacing edits can provide counterpoint to the music's beats
live-to-tape
telefilms
textual form
rhythm
2. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
animation
style
chroma key
graphics
3. When a shot had a narrow depth of field and part of the image is out of focus
rack of focus
dialogue
cultural representations
fade-out
4. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
extreme closeup
camera movement: tracking
textual form
long take
5. Puts shots together into a larger program. appears almost unnoticeable
editing
multi-camera live production
score
vocal performance
6. A (usually long) dramatic speech by a single actor
diegesis
Realism
long take
monologue
7. Eye level
standard camera height
laugh track
graphics
two shot west
8. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
cross-cutting
chroma key
cut
naturalistic
9. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
sililoquies
rhythm
multi- camera telefilm studio production
computer generated animation
10. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
extreme long shot
cross-fades
musical montage
telefilms
11. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
sound bridge
perspective
cross-fades
two/three shot
12. When the camera is angled. provided a disorienting slant perspective
cut
focal length
master shot
canted camera angle
13. Space that exists inside the frame.
Realism
naturalistic
Convergence Era
onscreen space
14. When viewers outgrew the radio. network programming consisted of only 3 networks -
jump cut
theme songs
Convergence Era
Classic Network Era
15. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
multi-camera live production
wide angle lenses
kinescope
live-to-tape
16. Presumably not heard by characters. can be either from audience or pre-recorded
laugh track
cels
presentational
camera movement: dolly
17. What elements in the frame are clear or blurry
multi-camera live production
monologue
focus
camerawork
18. When a character is speaking to themselves to express their emotional states
wipes
sililoquies
ellipsis
jump cut
19. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
canted camera angle
Multi-Channel Era
two/three shot
dissolves
20. The creation or manipulation of images using non-photographic techniques
keying
graphics
editing
closeups
21. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
computer generated animation
video switcher
jump cut
media technologies
22. Presents the speech of multiple people interacting
two/three shot
dialogue
two shot west
textual form
23. Mimics the motion of turning your head left or right
camera movement: tilt
camera movement: pan
two shot west
single camera
24. Transparent paper that animations are drawn onto and then shot
cels
multi-camera live production
vocal performance
two/three shot
25. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
extreme closeup
jump cut
cross-fades
fade-out
26. Mobile-- on site. multiple takes from multiple angles - shot out of order
single camera
camera movement: tilt
long take
fade-out
27. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
cross-cutting
staging
videotape
Classic Network Era
28. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
graphics
cut
musical montage
split-screen
29. A particular character's sound
environmental sound
vocal performance
two shot west
theme songs
30. The technique that captures that image for viewers
two/three shot
dissolves
textual form
camerawork
31. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
Multi-Channel Era
animation
medium shots
sound effects
32. Use short focal length. cause fisheye distortion. increase the depth of the shot
Convergence Era
vocal performance
wide angle lenses
cultural representations
33. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
animation
telefilms
camera movement: tracking
34. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
medium shots
canted camera angle
shot/reverse shot
kinescope
35. When camera is looking up at a character
cross-fades
dialogue
multi- camera telefilm studio production
low camera angle
36. Conveys a visual relationship to the staging
two/three shot
naturalistic
theme songs
framing
37. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
animation
instant replay
textual form
stedicam
38. Determines which cameras will be broadcast - transitions in between shots - added graphics
focal length
cultural representations
video switcher
editing
39. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
live-to-tape
ambient sound
instant replay
dissolves
40. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
camera movement: dolly
medium closeup
shot/reverse shot
crane shot
41. Images are created and animated digitally
telephoto lenses
computer generated animation
stedicam
graphics
42. Targets media to specific segments of the audience
Classic Network Era
single camera
narrowcasting
sililoquies
43. Straps the camera to the operator to make it glide. attempts to be realistic
standard camera height
camerawork
sililoquies
stedicam
44. Refers to the world representing in a program
extreme closeup
medium closeup
diegesis
environmental sound
45. Rhythmically edits a number of visual sequence over a song that signals an emotional response
vocal performance
Convergence Era
split-screen
musical montage
46. Alters the degree of magnification and depth of an image
camera movement: dolly
live-to-tape
focal length
presentational
47. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
environmental sound
editing
cels
48. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
live-to-tape
keying
telefilms
49. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
dissolves
multi- camera telefilm studio production
ellipsis
onscreen space
50. Graphically generated visuals are placed atop a video image. ex: credits or captions
style
split-screen
cross-cutting
keying