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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
extreme closeup
framing
voiceover narration
low camera angle
2. The entire visual world is created non-photographically
laugh track
animation
perspective
narrowcasting
3. What elements in the frame are clear or blurry
monologue
animation
rhythm
focus
4. Chest up. provide facial detail without feeling overtly intrusive
ellipsis
voiceover narration
medium closeup
score
5. A particular character's sound
video switcher
vocal performance
high camera angle
textual form
6. Live - filmed - in-studio - on-location. form is linked to specific genres
jump cut
closeups
instant replay
textual form
7. Moving backwards in time to provide earlier story information or reflect on past events
democratic regulations
Convergence Era
flashback
editing
8. Refers to the world representing in a program
ambient sound
sound bridge
diegesis
fade-in
9. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
computer generated images
telefilms
camera movement: tilt
environmental sound
10. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
presentational
focal length
sililoquies
two/three shot
11. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
instant replay
speed
framing
two/three shot
12. Rarely has an impacts on viewers comprehension. works to convey naturalism
Convergence Era
environmental sound
onscreen space
keying
13. When people are talking
chroma key
focal length
hand-held
vocal sounds
14. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
sound effects
sound bridge
camera movement: pan
hand-held
15. Targets media to specific segments of the audience
democratic regulations
narrowcasting
presentational
score
16. The technique that captures that image for viewers
camerawork
long shots
computer generated animation
narrowcasting
17. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
sililoquies
kinescope
voiceover narration
Convergence Era
18. Straps the camera to the operator to make it glide. attempts to be realistic
single camera
stedicam
flashback
environmental sound
19. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
rack of focus
perspective
camera movement: dolly
Multi-Channel Era
20. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
editing
two shot west
wipes
medium closeup
21. Conveys a visual relationship to the staging
single camera
framing
stedicam
closeups
22. Diegetic - and non-diegetic
cross-cutting
focus
music
ellipsis
23. Use short focal length. cause fisheye distortion. increase the depth of the shot
vocal sounds
Convergence Era
wide angle lenses
low camera angle
24. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
ambient sound
chroma key
closeups
wide angle lenses
25. Government intervention of the airwaves FCC
cut
fade-out
monologue
democratic regulations
26. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
computer generated animation
telephoto lenses
media technologies
27. The creation or manipulation of images using non-photographic techniques
perspective
score
live-to-tape
graphics
28. Allow a high degree of intimacy and emotional expression
closeups
computer generated images
theme songs
graphics
29. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
telefilms
sound bridge
split-screen
camera movement: dolly
30. Omitting intervening moments. used to condense time. turn a day in 30minutes
presentational
ellipsis
video switcher
two shot west
31. Establishing shot of entire scene
cut
vocal performance
cultural representations
master shot
32. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
flashback
stedicam
multi-camera live production
ellipsis
33. Rhythmically edits a number of visual sequence over a song that signals an emotional response
musical montage
camera movement: dolly
Classic Network Era
keying
34. Images are created and animated digitally
jump cut
computer generated animation
textual form
presentational
35. When a character is speaking to themselves to express their emotional states
sililoquies
chroma key
fade-out
speed
36. Puts shots together into a larger program. appears almost unnoticeable
camera movement: tracking
computer generated images
animation
editing
37. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
long take
chroma key
standard camera height
two shot west
38. Motion of a given sequence
shot/reverse shot
vocal performance
speed
computer generated animation
39. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
camera movement: tracking
animation
offscreen space
low camera angle
40. The formal characteristics that help express meaning independently of a text's context
telefilms
videotape
music
style
41. Determines which cameras will be broadcast - transitions in between shots - added graphics
video switcher
screen direction
cross-cutting
wide angle lenses
42. An edit where the shots do not sufficiently re-frame the action
jump cut
framing
chroma key
long shots
43. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
extreme closeup
fade-in
keying
anthology drama
44. A (usually long) dramatic speech by a single actor
monologue
master shot
multi- camera telefilm studio production
media technologies
45. When camera is looking down at a character
onscreen space
split-screen
high camera angle
shot/reverse shot
46. When viewers outgrew the radio. network programming consisted of only 3 networks -
hand-held
Classic Network Era
split-screen
speed
47. Space that exists inside the frame.
wide angle lenses
onscreen space
telephoto lenses
diegesis
48. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
sililoquies
keying
rhythm
49. Pacing edits can provide counterpoint to the music's beats
sound bridge
speed
rhythm
standard camera height
50. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
speed
Convergence Era
cultural representations
kinescope