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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The entire visual world is created non-photographically
animation
crane shot
low camera angle
laugh track
2. Used as a transition to pull out of a scene
score
crane shot
stedicam
multi-camera live production
3. Eye level
videotape
telefilms
chroma key
standard camera height
4. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
dialogue
narrowcasting
crane shot
long take
5. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
wide angle lenses
sound bridge
telefilms
Classic Network Era
6. The back and forth editing between closeups in a dialogue
cultural representations
shot/reverse shot
media technologies
single camera
7. Presumably not heard by characters. can be either from audience or pre-recorded
multi-camera live production
framing
fade-in
laugh track
8. The technique that captures that image for viewers
hand-held
videotape
camerawork
extreme long shot
9. When the camera is angled. provided a disorienting slant perspective
wipes
camera movement: tracking
extreme closeup
canted camera angle
10. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
score
extreme closeup
focal length
staging
11. Targets media to specific segments of the audience
multi- camera telefilm studio production
narrowcasting
vocal sounds
Classic Network Era
12. Government intervention of the airwaves FCC
canted camera angle
democratic regulations
naturalistic
vocal performance
13. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
framing
wipes
editing
14. When camera is looking down at a character
animation
high camera angle
anthology drama
vocal sounds
15. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
camera movement: dolly
keying
extreme long shot
sound bridge
16. When viewers outgrew the radio. network programming consisted of only 3 networks -
wide angle lenses
sound bridge
Classic Network Era
rhythm
17. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
cross-fades
shot/reverse shot
media technologies
cross-cutting
18. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
offscreen space
telefilms
camera movement: tracking
graphics
19. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
narrowcasting
focal length
media technologies
fade-in
20. Alters the degree of magnification and depth of an image
focal length
cross-cutting
anthology drama
wide angle lenses
21. Use long focal length. captures images from far away. compresses the depth of the shot
flashback
dialogue
telephoto lenses
cross-fades
22. Refers to the world representing in a program
diegesis
graphics
staging
naturalistic
23. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cultural representations
vocal sounds
crane shot
rhythm
24. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
editing
kinescope
long take
multi-camera live production
25. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
jump cut
cross-fades
cut
screen direction
26. Establishing shot of entire scene
cut
graphics
master shot
vocal sounds
27. When people are talking
sound effects
style
extreme long shot
vocal sounds
28. Pacing edits can provide counterpoint to the music's beats
rhythm
wide angle lenses
presentational
standard camera height
29. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
keying
telephoto lenses
medium shots
sound effects
30. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
offscreen space
screen direction
vocal performance
single camera
31. Graphically generated visuals are placed atop a video image. ex: credits or captions
keying
environmental sound
sound effects
single camera
32. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
environmental sound
Multi-Channel Era
speed
canted camera angle
33. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
closeups
instant replay
ellipsis
camera movement: dolly
34. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
cels
anthology drama
democratic regulations
extreme closeup
35. A (usually long) dramatic speech by a single actor
perspective
monologue
Realism
style
36. Straps the camera to the operator to make it glide. attempts to be realistic
framing
musical montage
theme songs
stedicam
37. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
multi-camera live production
extreme long shot
ambient sound
presentational
38. The formal characteristics that help express meaning independently of a text's context
computer generated images
standard camera height
jump cut
style
39. Diegetic - and non-diegetic
multi- camera telefilm studio production
music
framing
videotape
40. Mobile-- on site. multiple takes from multiple angles - shot out of order
sound bridge
single camera
screen direction
split-screen
41. Use short focal length. cause fisheye distortion. increase the depth of the shot
Multi-Channel Era
wide angle lenses
music
sound effects
42. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
fade-out
master shot
chroma key
ambient sound
43. The creation or manipulation of images using non-photographic techniques
graphics
wipes
dialogue
long take
44. Spacial relation between elements
extreme long shot
perspective
staging
monologue
45. Conveys a visual relationship to the staging
videotape
framing
ambient sound
vocal sounds
46. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
presentational
video switcher
wide angle lenses
computer generated images
47. When a shot had a narrow depth of field and part of the image is out of focus
keying
vocal performance
medium shots
rack of focus
48. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated images
live-to-tape
voiceover narration
video switcher
49. Where two/three people converse in the frame
onscreen space
two/three shot
sililoquies
fade-out
50. Live - filmed - in-studio - on-location. form is linked to specific genres
camera movement: pan
textual form
offscreen space
democratic regulations