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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Space that exists inside the frame.
multi- camera telefilm studio production
single camera
fade-in
onscreen space
2. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
fade-out
Multi-Channel Era
master shot
3. Where two/three people converse in the frame
musical montage
shot/reverse shot
animation
two/three shot
4. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
multi- camera telefilm studio production
offscreen space
chroma key
high camera angle
5. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
two shot west
staging
long shots
environmental sound
6. Transparent paper that animations are drawn onto and then shot
long take
cels
offscreen space
dissolves
7. A particular character's sound
screen direction
cultural representations
staging
vocal performance
8. The formal characteristics that help express meaning independently of a text's context
instant replay
perspective
style
onscreen space
9. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
speed
wipes
score
medium shots
10. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
instant replay
monologue
laugh track
Realism
11. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
framing
instant replay
camera movement: tilt
perspective
12. The creation or manipulation of images using non-photographic techniques
Classic Network Era
graphics
camera movement: tracking
monologue
13. A (usually long) dramatic speech by a single actor
monologue
cross-fades
multi-camera live production
extreme closeup
14. Eye level
focal length
dissolves
medium closeup
standard camera height
15. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
camera movement: dolly
rhythm
ambient sound
camera movement: tracking
16. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
Multi-Channel Era
camera movement: dolly
jump cut
kinescope
17. Graphically generated visuals are placed atop a video image. ex: credits or captions
diegesis
keying
cultural representations
presentational
18. Diegetic - and non-diegetic
sound effects
multi- camera telefilm studio production
music
dissolves
19. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
textual form
cut
long take
hand-held
20. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
telefilms
multi-camera live production
closeups
standard camera height
21. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
rack of focus
extreme long shot
camera movement: pan
offscreen space
22. Spacial relation between elements
perspective
framing
sound bridge
sound effects
23. Rhythmically edits a number of visual sequence over a song that signals an emotional response
multi- camera telefilm studio production
perspective
textual form
musical montage
24. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
rhythm
musical montage
screen direction
camera movement: dolly
25. When camera is looking up at a character
crane shot
dissolves
vocal performance
low camera angle
26. When people are talking
shot/reverse shot
vocal sounds
monologue
speed
27. Mobile-- on site. multiple takes from multiple angles - shot out of order
single camera
ambient sound
presentational
democratic regulations
28. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
extreme long shot
cross-fades
telefilms
kinescope
29. Omitting intervening moments. used to condense time. turn a day in 30minutes
shot/reverse shot
staging
ellipsis
split-screen
30. The back and forth editing between closeups in a dialogue
cultural representations
instant replay
shot/reverse shot
telefilms
31. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
camera movement: tracking
anthology drama
telefilms
multi-camera live production
32. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
kinescope
rhythm
media technologies
33. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
medium closeup
long take
anthology drama
Realism
34. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
diegesis
flashback
split-screen
35. Presents the speech of multiple people interacting
live-to-tape
camera movement: tracking
cross-cutting
dialogue
36. Puts shots together into a larger program. appears almost unnoticeable
multi- camera telefilm studio production
editing
vocal performance
textual form
37. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
medium closeup
framing
cultural representations
shot/reverse shot
38. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
theme songs
textual form
live-to-tape
sound effects
39. When a character is speaking to themselves to express their emotional states
camera movement: dolly
sililoquies
media technologies
narrowcasting
40. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
naturalistic
multi-camera live production
anthology drama
extreme closeup
41. The entire visual world is created non-photographically
vocal performance
presentational
animation
narrowcasting
42. When viewers outgrew the radio. network programming consisted of only 3 networks -
Classic Network Era
Realism
focus
sound bridge
43. Documentary staple - less steady and jumpier. attempts to be realistic
dissolves
hand-held
multi- camera telefilm studio production
Classic Network Era
44. Government intervention of the airwaves FCC
democratic regulations
editing
instant replay
high camera angle
45. Use short focal length. cause fisheye distortion. increase the depth of the shot
computer generated images
ambient sound
wide angle lenses
rack of focus
46. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
Multi-Channel Era
telephoto lenses
monologue
cross-cutting
47. When a shot had a narrow depth of field and part of the image is out of focus
computer generated animation
stedicam
rack of focus
extreme closeup
48. Establishing shot of entire scene
master shot
diegesis
vocal performance
media technologies
49. Rarely has an impacts on viewers comprehension. works to convey naturalism
videotape
environmental sound
medium closeup
sound effects
50. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
wide angle lenses
keying
single camera
naturalistic