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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
Classic Network Era
camera movement: tracking
extreme long shot
jump cut
2. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
staging
camera movement: dolly
cut
dialogue
3. When camera is looking up at a character
rhythm
diegesis
low camera angle
kinescope
4. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
ambient sound
fade-in
keying
long take
5. Rarely has an impacts on viewers comprehension. works to convey naturalism
environmental sound
camera movement: tracking
shot/reverse shot
naturalistic
6. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
offscreen space
fade-out
camera movement: pan
focal length
7. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
naturalistic
focal length
computer generated images
vocal performance
8. Mimics the motion of turning your head left or right
camera movement: pan
style
focus
multi- camera telefilm studio production
9. Refers to the world representing in a program
voiceover narration
cut
diegesis
rhythm
10. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
live-to-tape
Multi-Channel Era
multi-camera live production
canted camera angle
11. The technique that captures that image for viewers
speed
videotape
medium shots
camerawork
12. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
instant replay
cultural representations
offscreen space
diegesis
13. Space that exists inside the frame.
onscreen space
cultural representations
medium shots
jump cut
14. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
editing
split-screen
two shot west
style
15. Where two/three people converse in the frame
two/three shot
focus
rack of focus
vocal performance
16. When a character is speaking to themselves to express their emotional states
multi- camera telefilm studio production
Classic Network Era
wide angle lenses
sililoquies
17. Straps the camera to the operator to make it glide. attempts to be realistic
stedicam
perspective
musical montage
narrowcasting
18. Targets media to specific segments of the audience
sound effects
naturalistic
ellipsis
narrowcasting
19. Conveys a visual relationship to the staging
camera movement: tracking
fade-out
framing
multi- camera telefilm studio production
20. Used as a transition to pull out of a scene
telephoto lenses
crane shot
voiceover narration
telefilms
21. Graphically generated visuals are placed atop a video image. ex: credits or captions
keying
presentational
animation
cross-cutting
22. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
instant replay
sililoquies
ellipsis
chroma key
23. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
fade-out
cross-cutting
camera movement: dolly
narrowcasting
24. Allow a high degree of intimacy and emotional expression
closeups
score
dissolves
anthology drama
25. The formal characteristics that help express meaning independently of a text's context
camera movement: pan
style
laugh track
dialogue
26. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
textual form
score
computer generated animation
medium shots
27. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
camera movement: tracking
voiceover narration
Realism
cut
28. An edit where the shots do not sufficiently re-frame the action
split-screen
sound effects
low camera angle
jump cut
29. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
dissolves
naturalistic
media technologies
standard camera height
30. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
stedicam
fade-out
computer generated images
master shot
31. When camera is looking down at a character
screen direction
staging
high camera angle
canted camera angle
32. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
animation
two shot west
single camera
33. Alters the degree of magnification and depth of an image
video switcher
cultural representations
camerawork
focal length
34. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
shot/reverse shot
canted camera angle
ambient sound
musical montage
35. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
cross-fades
video switcher
extreme closeup
camera movement: tracking
36. Documentary staple - less steady and jumpier. attempts to be realistic
screen direction
videotape
hand-held
Realism
37. Rhythmically edits a number of visual sequence over a song that signals an emotional response
musical montage
ambient sound
telefilms
vocal performance
38. Comprised of internal and extradiegetic
voiceover narration
cut
extreme long shot
extreme closeup
39. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
multi- camera telefilm studio production
medium shots
ellipsis
textual form
40. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
presentational
computer generated images
long take
single camera
41. The back and forth editing between closeups in a dialogue
fade-out
fade-in
naturalistic
shot/reverse shot
42. Use short focal length. cause fisheye distortion. increase the depth of the shot
wipes
laugh track
perspective
wide angle lenses
43. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
focal length
rack of focus
screen direction
chroma key
44. Pacing edits can provide counterpoint to the music's beats
telefilms
perspective
rhythm
naturalistic
45. Diegetic - and non-diegetic
extreme closeup
graphics
music
extreme long shot
46. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
Realism
split-screen
presentational
staging
47. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
environmental sound
rhythm
media technologies
dissolves
48. Government intervention of the airwaves FCC
stedicam
jump cut
democratic regulations
fade-in
49. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
staging
speed
computer generated images
vocal performance
50. Eye level
long shots
standard camera height
multi-camera live production
sililoquies