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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer
50
questions in
15 minutes
.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
standard camera height
sound bridge
computer generated animation
telefilms
2. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
media technologies
graphics
camera movement: pan
sililoquies
3. Images are created and animated digitally
style
long shots
musical montage
computer generated animation
4. Alters the degree of magnification and depth of an image
computer generated animation
democratic regulations
focal length
environmental sound
5. Documentary staple - less steady and jumpier. attempts to be realistic
cut
animation
stedicam
hand-held
6. Establishing shot of entire scene
editing
master shot
sound bridge
videotape
7. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
sililoquies
editing
graphics
8. A particular character's sound
naturalistic
closeups
sililoquies
vocal performance
9. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
cultural representations
screen direction
Multi-Channel Era
medium shots
10. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
sound effects
canted camera angle
cels
camera movement: dolly
11. Refers to the world representing in a program
monologue
diegesis
framing
media technologies
12. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
videotape
democratic regulations
Multi-Channel Era
split-screen
13. Omitting intervening moments. used to condense time. turn a day in 30minutes
score
ellipsis
fade-in
monologue
14. Presents the speech of multiple people interacting
editing
videotape
camera movement: tracking
dialogue
15. A (usually long) dramatic speech by a single actor
instant replay
perspective
sound bridge
monologue
16. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
ambient sound
dissolves
master shot
staging
17. Transparent paper that animations are drawn onto and then shot
medium closeup
cels
closeups
extreme closeup
18. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
vocal performance
presentational
framing
offscreen space
19. Targets media to specific segments of the audience
sound bridge
video switcher
narrowcasting
style
20. Presumably not heard by characters. can be either from audience or pre-recorded
environmental sound
hand-held
framing
laugh track
21. The back and forth editing between closeups in a dialogue
shot/reverse shot
rack of focus
music
hand-held
22. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
multi- camera telefilm studio production
wide angle lenses
telephoto lenses
video switcher
23. Use short focal length. cause fisheye distortion. increase the depth of the shot
wide angle lenses
music
framing
camera movement: pan
24. Comprised of internal and extradiegetic
Classic Network Era
voiceover narration
musical montage
telefilms
25. Chest up. provide facial detail without feeling overtly intrusive
multi- camera telefilm studio production
flashback
shot/reverse shot
medium closeup
26. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
camera movement: tracking
camerawork
dialogue
music
27. Mobile-- on site. multiple takes from multiple angles - shot out of order
vocal sounds
camera movement: tilt
monologue
single camera
28. When a character is speaking to themselves to express their emotional states
dissolves
laugh track
medium shots
sililoquies
29. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
graphics
sound effects
theme songs
30. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
democratic regulations
telephoto lenses
music
presentational
31. Represent the program as a whole. become part of the identity (iconic)
theme songs
kinescope
perspective
laugh track
32. Used as a transition to pull out of a scene
crane shot
laugh track
fade-in
editing
33. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
laugh track
style
focal length
camera movement: dolly
34. An edit where the shots do not sufficiently re-frame the action
long shots
cultural representations
jump cut
shot/reverse shot
35. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
single camera
style
wide angle lenses
cultural representations
36. Motion of a given sequence
high camera angle
jump cut
speed
two shot west
37. When viewers outgrew the radio. network programming consisted of only 3 networks -
cels
cut
Classic Network Era
keying
38. Pacing edits can provide counterpoint to the music's beats
ambient sound
rhythm
computer generated images
monologue
39. Diegetic - and non-diegetic
music
media technologies
cross-cutting
score
40. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
multi-camera live production
dissolves
presentational
41. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
telephoto lenses
split-screen
extreme long shot
voiceover narration
42. Eye level
standard camera height
focal length
vocal sounds
graphics
43. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
fade-out
closeups
low camera angle
graphics
44. Conveys a visual relationship to the staging
multi- camera telefilm studio production
keying
theme songs
framing
45. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
focal length
environmental sound
two/three shot
anthology drama
46. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
speed
two shot west
Classic Network Era
stedicam
47. When people are talking
telefilms
perspective
vocal sounds
extreme closeup
48. When the camera is angled. provided a disorienting slant perspective
videotape
canted camera angle
dialogue
narrowcasting
49. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
long shots
fade-out
high camera angle
live-to-tape
50. When a shot had a narrow depth of field and part of the image is out of focus
dissolves
editing
rack of focus
kinescope