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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
democratic regulations
videotape
style
fade-out
2. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
Realism
camera movement: tracking
videotape
two shot west
3. When viewers outgrew the radio. network programming consisted of only 3 networks -
fade-out
video switcher
Classic Network Era
crane shot
4. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
medium closeup
Classic Network Era
sound effects
cross-fades
5. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
diegesis
editing
screen direction
Multi-Channel Era
6. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
hand-held
jump cut
medium closeup
7. The creation or manipulation of images using non-photographic techniques
textual form
high camera angle
graphics
video switcher
8. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
single camera
offscreen space
rack of focus
camerawork
9. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
dissolves
computer generated images
perspective
screen direction
10. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
telefilms
cels
Realism
jump cut
11. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
camera movement: dolly
anthology drama
naturalistic
Classic Network Era
12. Puts shots together into a larger program. appears almost unnoticeable
single camera
medium shots
editing
diegesis
13. Presents the speech of multiple people interacting
cels
master shot
flashback
dialogue
14. When a shot had a narrow depth of field and part of the image is out of focus
videotape
Classic Network Era
rack of focus
vocal performance
15. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
theme songs
computer generated animation
vocal sounds
live-to-tape
16. Pacing edits can provide counterpoint to the music's beats
rhythm
cross-cutting
presentational
computer generated images
17. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
Convergence Era
medium shots
media technologies
long take
18. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium closeup
medium shots
split-screen
screen direction
19. An edit where the shots do not sufficiently re-frame the action
voiceover narration
score
medium closeup
jump cut
20. Allow a high degree of intimacy and emotional expression
cels
Convergence Era
master shot
closeups
21. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
voiceover narration
speed
single camera
multi- camera telefilm studio production
22. Where two/three people converse in the frame
shot/reverse shot
canted camera angle
naturalistic
two/three shot
23. Targets media to specific segments of the audience
medium closeup
democratic regulations
narrowcasting
Classic Network Era
24. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
diegesis
kinescope
vocal performance
computer generated images
25. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
extreme long shot
kinescope
cut
cels
26. Transparent paper that animations are drawn onto and then shot
cels
textual form
chroma key
kinescope
27. Space that exists inside the frame.
theme songs
Convergence Era
onscreen space
speed
28. Used as a transition to pull out of a scene
crane shot
rack of focus
musical montage
cross-fades
29. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cross-cutting
wipes
cultural representations
extreme closeup
30. What elements in the frame are clear or blurry
single camera
focus
music
naturalistic
31. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
cross-fades
graphics
stedicam
multi-camera live production
32. Government intervention of the airwaves FCC
democratic regulations
master shot
long shots
screen direction
33. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
jump cut
dissolves
wipes
flashback
34. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
instant replay
score
split-screen
musical montage
35. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
camera movement: dolly
theme songs
camerawork
36. Eye level
computer generated animation
chroma key
standard camera height
cross-cutting
37. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated images
speed
vocal sounds
kinescope
38. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
dissolves
textual form
presentational
canted camera angle
39. Straps the camera to the operator to make it glide. attempts to be realistic
extreme long shot
stedicam
sound bridge
Classic Network Era
40. When camera is looking up at a character
computer generated images
theme songs
low camera angle
offscreen space
41. Rhythmically edits a number of visual sequence over a song that signals an emotional response
musical montage
staging
cels
standard camera height
42. Images are created and animated digitally
computer generated animation
long take
jump cut
anthology drama
43. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
fade-in
democratic regulations
jump cut
multi- camera telefilm studio production
44. Omitting intervening moments. used to condense time. turn a day in 30minutes
master shot
focal length
ellipsis
onscreen space
45. When the camera is angled. provided a disorienting slant perspective
closeups
cross-fades
canted camera angle
style
46. Motion of a given sequence
framing
speed
fade-out
graphics
47. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
split-screen
chroma key
telephoto lenses
offscreen space
48. Use short focal length. cause fisheye distortion. increase the depth of the shot
ambient sound
extreme long shot
wide angle lenses
cut
49. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
single camera
master shot
wipes
medium closeup
50. Conveys a visual relationship to the staging
framing
music
jump cut
standard camera height