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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
multi-camera live production
extreme long shot
environmental sound
fade-in
2. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
live-to-tape
dialogue
multi-camera live production
sound effects
3. Presumably not heard by characters. can be either from audience or pre-recorded
ellipsis
sound effects
laugh track
medium shots
4. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
live-to-tape
fade-in
cultural representations
graphics
5. Eye level
textual form
standard camera height
graphics
sound bridge
6. The creation or manipulation of images using non-photographic techniques
graphics
medium closeup
live-to-tape
laugh track
7. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two shot west
camera movement: pan
editing
animation
8. Use long focal length. captures images from far away. compresses the depth of the shot
hand-held
ellipsis
two/three shot
telephoto lenses
9. Mimics the motion of turning your head left or right
rack of focus
camera movement: pan
two/three shot
media technologies
10. Alternative to recording on film. 1950's - limited storage capacity and image quality
videotape
camera movement: pan
wipes
stedicam
11. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
crane shot
rhythm
long shots
telefilms
12. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
animation
monologue
focus
13. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
focus
crane shot
fade-out
screen direction
14. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
extreme closeup
staging
fade-out
camera movement: tilt
15. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
keying
cels
Convergence Era
instant replay
16. A particular character's sound
dialogue
long take
vocal performance
cross-fades
17. Establishing shot of entire scene
voiceover narration
master shot
democratic regulations
focus
18. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
stedicam
medium shots
live-to-tape
sililoquies
19. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
focus
graphics
score
chroma key
20. The technique that captures that image for viewers
speed
camerawork
sound bridge
style
21. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
cross-fades
computer generated images
style
telefilms
22. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
camera movement: dolly
camerawork
medium shots
long shots
23. The formal characteristics that help express meaning independently of a text's context
style
naturalistic
two shot west
fade-in
24. When viewers outgrew the radio. network programming consisted of only 3 networks -
ambient sound
narrowcasting
camera movement: tracking
Classic Network Era
25. What elements in the frame are clear or blurry
video switcher
long take
speed
focus
26. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
vocal sounds
extreme long shot
perspective
cross-fades
27. Puts shots together into a larger program. appears almost unnoticeable
style
computer generated images
computer generated animation
editing
28. Where two/three people converse in the frame
stedicam
style
Convergence Era
two/three shot
29. Pacing edits can provide counterpoint to the music's beats
high camera angle
rhythm
telephoto lenses
speed
30. Used as a transition to pull out of a scene
vocal performance
crane shot
stedicam
textual form
31. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
two shot west
camera movement: tracking
shot/reverse shot
cut
32. Presents the speech of multiple people interacting
dialogue
medium closeup
video switcher
dissolves
33. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
computer generated images
animation
monologue
34. Allow a high degree of intimacy and emotional expression
crane shot
closeups
music
shot/reverse shot
35. Mobile-- on site. multiple takes from multiple angles - shot out of order
low camera angle
keying
single camera
rhythm
36. Mimics the motion of turning your head up or down. shows the height of the subject
Multi-Channel Era
monologue
dialogue
camera movement: tilt
37. Images are created and animated digitally
extreme long shot
computer generated animation
long shots
flashback
38. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
master shot
extreme closeup
staging
Classic Network Era
39. When a character is speaking to themselves to express their emotional states
jump cut
sililoquies
offscreen space
computer generated images
40. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
wipes
crane shot
camera movement: dolly
textual form
41. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
wide angle lenses
kinescope
cultural representations
animation
42. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
laugh track
long take
cross-fades
naturalistic
43. Rhythmically edits a number of visual sequence over a song that signals an emotional response
musical montage
computer generated images
fade-in
live-to-tape
44. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
medium shots
computer generated images
animation
dissolves
45. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
musical montage
camera movement: pan
Multi-Channel Era
cultural representations
46. When camera is looking down at a character
high camera angle
ambient sound
split-screen
democratic regulations
47. Motion of a given sequence
videotape
speed
wide angle lenses
editing
48. Spacial relation between elements
perspective
ellipsis
rhythm
music
49. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
anthology drama
screen direction
canted camera angle
staging
50. Refers to the world representing in a program
vocal performance
two shot west
diegesis
music