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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Represent the program as a whole. become part of the identity (iconic)
theme songs
ambient sound
camera movement: tilt
framing
2. The creation or manipulation of images using non-photographic techniques
musical montage
multi-camera live production
graphics
Classic Network Era
3. Comprised of internal and extradiegetic
canted camera angle
voiceover narration
sound bridge
onscreen space
4. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
long shots
telephoto lenses
low camera angle
instant replay
5. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
Convergence Era
narrowcasting
camera movement: tilt
medium shots
6. A particular character's sound
video switcher
staging
vocal performance
cross-cutting
7. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
Convergence Era
camera movement: dolly
naturalistic
ambient sound
8. Rhythmically edits a number of visual sequence over a song that signals an emotional response
voiceover narration
score
musical montage
screen direction
9. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
chroma key
sililoquies
multi- camera telefilm studio production
sound effects
10. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
textual form
offscreen space
multi-camera live production
dialogue
11. Diegetic - and non-diegetic
music
jump cut
crane shot
video switcher
12. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
rack of focus
framing
multi- camera telefilm studio production
wipes
13. When camera is looking up at a character
sililoquies
flashback
low camera angle
hand-held
14. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
multi- camera telefilm studio production
democratic regulations
camera movement: dolly
camera movement: tracking
15. The formal characteristics that help express meaning independently of a text's context
speed
Classic Network Era
style
framing
16. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
fade-in
textual form
staging
long shots
17. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
chroma key
diegesis
kinescope
animation
18. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
diegesis
cross-cutting
instant replay
long shots
19. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
video switcher
ambient sound
sililoquies
Multi-Channel Era
20. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
staging
naturalistic
long take
cross-cutting
21. An edit where the shots do not sufficiently re-frame the action
jump cut
hand-held
low camera angle
editing
22. Establishing shot of entire scene
sound effects
master shot
video switcher
textual form
23. Mimics the motion of turning your head left or right
editing
cels
camera movement: pan
graphics
24. Space that exists inside the frame.
two/three shot
onscreen space
video switcher
diegesis
25. Determines which cameras will be broadcast - transitions in between shots - added graphics
extreme long shot
score
video switcher
theme songs
26. Pacing edits can provide counterpoint to the music's beats
video switcher
music
rhythm
screen direction
27. The entire visual world is created non-photographically
animation
cels
long take
stedicam
28. When viewers outgrew the radio. network programming consisted of only 3 networks -
theme songs
ambient sound
voiceover narration
Classic Network Era
29. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
cross-fades
extreme long shot
instant replay
perspective
30. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
dialogue
onscreen space
telefilms
wide angle lenses
31. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
monologue
dialogue
presentational
music
32. Omitting intervening moments. used to condense time. turn a day in 30minutes
dissolves
extreme closeup
ellipsis
live-to-tape
33. When a character is speaking to themselves to express their emotional states
rack of focus
wide angle lenses
focal length
sililoquies
34. When people are talking
laugh track
split-screen
vocal sounds
theme songs
35. Allow a high degree of intimacy and emotional expression
closeups
kinescope
live-to-tape
framing
36. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
two/three shot
extreme long shot
focus
live-to-tape
37. Presumably not heard by characters. can be either from audience or pre-recorded
diegesis
camera movement: dolly
chroma key
laugh track
38. Mimics the motion of turning your head up or down. shows the height of the subject
dialogue
animation
low camera angle
camera movement: tilt
39. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
rhythm
sound bridge
ellipsis
camera movement: dolly
40. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
video switcher
multi-camera live production
dissolves
videotape
41. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two shot west
camerawork
musical montage
camera movement: dolly
42. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
laugh track
naturalistic
Convergence Era
cultural representations
43. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
camera movement: pan
focal length
score
wipes
44. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
screen direction
computer generated images
framing
vocal sounds
45. Spacial relation between elements
focus
computer generated animation
computer generated images
perspective
46. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
fade-out
stedicam
score
perspective
47. Transparent paper that animations are drawn onto and then shot
computer generated images
jump cut
cels
hand-held
48. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
high camera angle
cels
wipes
camera movement: dolly
49. Mobile-- on site. multiple takes from multiple angles - shot out of order
multi- camera telefilm studio production
single camera
focus
camera movement: tilt
50. Chest up. provide facial detail without feeling overtly intrusive
focus
anthology drama
instant replay
medium closeup