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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Use short focal length. cause fisheye distortion. increase the depth of the shot
camerawork
Multi-Channel Era
theme songs
wide angle lenses
2. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
standard camera height
offscreen space
editing
cut
3. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
wipes
textual form
master shot
cultural representations
4. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
editing
video switcher
closeups
multi-camera live production
5. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
standard camera height
presentational
cut
democratic regulations
6. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
cut
camera movement: dolly
cultural representations
live-to-tape
7. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
kinescope
camerawork
long take
multi- camera telefilm studio production
8. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
musical montage
camera movement: pan
cross-fades
9. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
two/three shot
wide angle lenses
focus
fade-in
10. Live - filmed - in-studio - on-location. form is linked to specific genres
flashback
split-screen
textual form
instant replay
11. When viewers outgrew the radio. network programming consisted of only 3 networks -
multi-camera live production
Multi-Channel Era
closeups
Classic Network Era
12. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
telefilms
vocal performance
staging
speed
13. Rhythmically edits a number of visual sequence over a song that signals an emotional response
vocal sounds
sound effects
onscreen space
musical montage
14. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
closeups
computer generated animation
videotape
chroma key
15. The entire visual world is created non-photographically
master shot
crane shot
animation
chroma key
16. Represent the program as a whole. become part of the identity (iconic)
theme songs
media technologies
hand-held
camera movement: tracking
17. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
sound effects
video switcher
jump cut
split-screen
18. Conveys a visual relationship to the staging
framing
keying
two/three shot
music
19. When a shot had a narrow depth of field and part of the image is out of focus
telephoto lenses
rack of focus
Realism
sound bridge
20. The back and forth editing between closeups in a dialogue
two shot west
extreme closeup
fade-out
shot/reverse shot
21. Graphically generated visuals are placed atop a video image. ex: credits or captions
presentational
keying
dialogue
two/three shot
22. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
cultural representations
score
dissolves
wipes
23. Allow a high degree of intimacy and emotional expression
long take
low camera angle
closeups
medium shots
24. The technique that captures that image for viewers
hand-held
musical montage
environmental sound
camerawork
25. Omitting intervening moments. used to condense time. turn a day in 30minutes
telephoto lenses
stedicam
videotape
ellipsis
26. Rarely has an impacts on viewers comprehension. works to convey naturalism
telephoto lenses
sililoquies
camera movement: pan
environmental sound
27. Moving backwards in time to provide earlier story information or reflect on past events
flashback
vocal sounds
democratic regulations
staging
28. Government intervention of the airwaves FCC
offscreen space
wipes
democratic regulations
presentational
29. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
long shots
two/three shot
sound effects
30. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
long shots
naturalistic
medium closeup
shot/reverse shot
31. Chest up. provide facial detail without feeling overtly intrusive
medium closeup
fade-out
speed
extreme long shot
32. Establishing shot of entire scene
environmental sound
standard camera height
sound effects
master shot
33. A particular character's sound
vocal performance
Convergence Era
sound effects
voiceover narration
34. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
camera movement: tilt
two shot west
style
cut
35. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
split-screen
flashback
computer generated images
Multi-Channel Era
36. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
shot/reverse shot
naturalistic
telefilms
medium shots
37. Presents the speech of multiple people interacting
vocal sounds
dissolves
dialogue
environmental sound
38. Alternative to recording on film. 1950's - limited storage capacity and image quality
multi- camera telefilm studio production
videotape
textual form
dissolves
39. When a character is speaking to themselves to express their emotional states
sililoquies
chroma key
fade-in
fade-out
40. The creation or manipulation of images using non-photographic techniques
graphics
master shot
diegesis
framing
41. Space that exists inside the frame.
style
onscreen space
videotape
long take
42. Eye level
standard camera height
split-screen
shot/reverse shot
long take
43. A (usually long) dramatic speech by a single actor
monologue
cels
camera movement: tracking
long shots
44. Mimics the motion of turning your head left or right
camera movement: pan
extreme closeup
computer generated images
crane shot
45. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
rack of focus
media technologies
shot/reverse shot
narrowcasting
46. Where two/three people converse in the frame
two/three shot
narrowcasting
flashback
anthology drama
47. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
split-screen
camera movement: tracking
monologue
editing
48. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
cels
anthology drama
extreme long shot
editing
49. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
fade-out
animation
stedicam
computer generated animation
50. Used as a transition to pull out of a scene
crane shot
editing
master shot
camerawork