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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Refers to the world representing in a program
diegesis
wipes
cultural representations
theme songs
2. The entire visual world is created non-photographically
medium shots
video switcher
animation
rhythm
3. Images are created and animated digitally
telephoto lenses
multi-camera live production
computer generated animation
rhythm
4. A (usually long) dramatic speech by a single actor
video switcher
monologue
ambient sound
focus
5. Chest up. provide facial detail without feeling overtly intrusive
medium closeup
vocal performance
dissolves
cut
6. When a character is speaking to themselves to express their emotional states
extreme closeup
media technologies
sililoquies
theme songs
7. Alters the degree of magnification and depth of an image
focal length
style
perspective
environmental sound
8. When the camera is angled. provided a disorienting slant perspective
canted camera angle
textual form
sound bridge
musical montage
9. Pacing edits can provide counterpoint to the music's beats
Convergence Era
diegesis
keying
rhythm
10. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
extreme long shot
cross-fades
wipes
extreme closeup
11. Spacial relation between elements
music
voiceover narration
perspective
shot/reverse shot
12. Eye level
low camera angle
medium closeup
standard camera height
ambient sound
13. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
fade-out
narrowcasting
screen direction
framing
14. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
telefilms
split-screen
master shot
cross-cutting
15. Where two/three people converse in the frame
diegesis
two/three shot
hand-held
medium closeup
16. The technique that captures that image for viewers
ellipsis
jump cut
long take
camerawork
17. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
long take
extreme closeup
screen direction
textual form
18. Comprised of internal and extradiegetic
kinescope
perspective
cultural representations
voiceover narration
19. Allow a high degree of intimacy and emotional expression
democratic regulations
Convergence Era
closeups
media technologies
20. Transparent paper that animations are drawn onto and then shot
master shot
single camera
cels
extreme long shot
21. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
single camera
onscreen space
ambient sound
low camera angle
22. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
flashback
long shots
crane shot
telefilms
23. Use long focal length. captures images from far away. compresses the depth of the shot
camera movement: pan
screen direction
wipes
telephoto lenses
24. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
onscreen space
rack of focus
cut
framing
25. The formal characteristics that help express meaning independently of a text's context
dissolves
environmental sound
style
camera movement: tracking
26. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
textual form
camera movement: tracking
video switcher
camera movement: pan
27. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
Realism
dissolves
live-to-tape
Classic Network Era
28. Conveys a visual relationship to the staging
framing
theme songs
closeups
cross-fades
29. Moving backwards in time to provide earlier story information or reflect on past events
flashback
anthology drama
kinescope
theme songs
30. Used as a transition to pull out of a scene
cut
computer generated animation
crane shot
telefilms
31. The creation or manipulation of images using non-photographic techniques
focal length
graphics
wipes
musical montage
32. Establishing shot of entire scene
musical montage
music
master shot
style
33. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two/three shot
two shot west
camera movement: pan
master shot
34. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
kinescope
Convergence Era
diegesis
cels
35. Mimics the motion of turning your head up or down. shows the height of the subject
textual form
diegesis
camera movement: tilt
onscreen space
36. Represent the program as a whole. become part of the identity (iconic)
extreme long shot
dissolves
theme songs
monologue
37. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
anthology drama
chroma key
staging
Realism
38. An edit where the shots do not sufficiently re-frame the action
long shots
jump cut
offscreen space
two/three shot
39. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
fade-in
musical montage
theme songs
single camera
40. Graphically generated visuals are placed atop a video image. ex: credits or captions
dissolves
camera movement: dolly
wide angle lenses
keying
41. When viewers outgrew the radio. network programming consisted of only 3 networks -
Classic Network Era
videotape
ellipsis
cross-cutting
42. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
Multi-Channel Era
camera movement: tracking
long shots
diegesis
43. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
theme songs
extreme long shot
telephoto lenses
animation
44. Rarely has an impacts on viewers comprehension. works to convey naturalism
style
environmental sound
textual form
ellipsis
45. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
multi- camera telefilm studio production
sound bridge
closeups
ellipsis
46. Omitting intervening moments. used to condense time. turn a day in 30minutes
style
ellipsis
laugh track
flashback
47. When people are talking
vocal sounds
instant replay
Classic Network Era
camera movement: tilt
48. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
camera movement: pan
cross-fades
camerawork
ellipsis
49. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
camera movement: tilt
jump cut
computer generated images
50. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
screen direction
instant replay
camerawork
computer generated images