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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What elements in the frame are clear or blurry
focus
cels
naturalistic
camera movement: tracking
2. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
sound effects
screen direction
cut
Multi-Channel Era
3. Moving backwards in time to provide earlier story information or reflect on past events
flashback
cultural representations
cross-cutting
style
4. An edit where the shots do not sufficiently re-frame the action
jump cut
low camera angle
Classic Network Era
single camera
5. Establishing shot of entire scene
master shot
telefilms
ambient sound
democratic regulations
6. When camera is looking down at a character
sililoquies
high camera angle
vocal performance
focal length
7. Documentary staple - less steady and jumpier. attempts to be realistic
computer generated images
hand-held
editing
telephoto lenses
8. Where two/three people converse in the frame
two/three shot
stedicam
graphics
theme songs
9. Live - filmed - in-studio - on-location. form is linked to specific genres
video switcher
textual form
laugh track
music
10. Alters the degree of magnification and depth of an image
sound bridge
dialogue
focal length
fade-in
11. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
cross-cutting
onscreen space
cross-fades
cut
12. Targets media to specific segments of the audience
narrowcasting
staging
master shot
naturalistic
13. Used as a transition to pull out of a scene
staging
standard camera height
camera movement: pan
crane shot
14. Transparent paper that animations are drawn onto and then shot
keying
sililoquies
cels
low camera angle
15. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
anthology drama
focal length
computer generated animation
Classic Network Era
16. Space that exists inside the frame.
onscreen space
extreme closeup
master shot
cultural representations
17. Rhythmically edits a number of visual sequence over a song that signals an emotional response
textual form
single camera
musical montage
voiceover narration
18. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
score
telefilms
graphics
screen direction
19. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
score
camerawork
two shot west
camera movement: tracking
20. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
voiceover narration
long take
graphics
two shot west
21. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
wipes
long take
instant replay
dissolves
22. Presents the speech of multiple people interacting
dialogue
multi-camera live production
environmental sound
wipes
23. The entire visual world is created non-photographically
presentational
textual form
vocal performance
animation
24. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
Convergence Era
extreme closeup
democratic regulations
score
25. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
focus
cross-cutting
two shot west
sound effects
26. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
laugh track
framing
telephoto lenses
Multi-Channel Era
27. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cultural representations
Convergence Era
videotape
closeups
28. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
speed
focus
multi- camera telefilm studio production
telefilms
29. Determines which cameras will be broadcast - transitions in between shots - added graphics
dialogue
video switcher
two shot west
computer generated animation
30. When a shot had a narrow depth of field and part of the image is out of focus
multi-camera live production
focal length
rack of focus
editing
31. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
anthology drama
voiceover narration
two shot west
extreme closeup
32. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
multi- camera telefilm studio production
ellipsis
cross-cutting
live-to-tape
33. Puts shots together into a larger program. appears almost unnoticeable
extreme closeup
cross-cutting
long take
editing
34. The creation or manipulation of images using non-photographic techniques
presentational
rack of focus
standard camera height
graphics
35. When a character is speaking to themselves to express their emotional states
sililoquies
speed
rhythm
staging
36. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
keying
split-screen
long take
media technologies
37. Use long focal length. captures images from far away. compresses the depth of the shot
telephoto lenses
theme songs
medium closeup
cut
38. Allow a high degree of intimacy and emotional expression
ellipsis
closeups
offscreen space
long take
39. Represent the program as a whole. become part of the identity (iconic)
theme songs
medium shots
medium closeup
rack of focus
40. Graphically generated visuals are placed atop a video image. ex: credits or captions
monologue
videotape
telefilms
keying
41. Rarely has an impacts on viewers comprehension. works to convey naturalism
flashback
chroma key
Realism
environmental sound
42. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
staging
vocal sounds
computer generated images
fade-out
43. Omitting intervening moments. used to condense time. turn a day in 30minutes
computer generated animation
canted camera angle
ellipsis
narrowcasting
44. Refers to the world representing in a program
diegesis
flashback
fade-out
two shot west
45. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
speed
multi-camera live production
Realism
standard camera height
46. Waist up. distance allows viewers to see character's facial expressions. mimics a real life conversation. viewer doesn't feel too invasive
medium shots
dissolves
canted camera angle
screen direction
47. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
cross-cutting
vocal performance
Convergence Era
cross-fades
48. When camera is looking up at a character
high camera angle
jump cut
camerawork
low camera angle
49. Alternative to recording on film. 1950's - limited storage capacity and image quality
camera movement: pan
videotape
music
canted camera angle
50. Mobile-- on site. multiple takes from multiple angles - shot out of order
high camera angle
single camera
master shot
telephoto lenses