SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Establishing shot of entire scene
multi- camera telefilm studio production
monologue
onscreen space
master shot
2. A (usually long) dramatic speech by a single actor
keying
monologue
cross-cutting
laugh track
3. Rarely has an impacts on viewers comprehension. works to convey naturalism
camera movement: dolly
crane shot
camera movement: tracking
environmental sound
4. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
fade-in
stedicam
vocal performance
diegesis
5. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
staging
camerawork
monologue
shot/reverse shot
6. Images are created and animated digitally
perspective
stedicam
computer generated animation
presentational
7. The technique that captures that image for viewers
laugh track
camerawork
stedicam
camera movement: tilt
8. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
presentational
kinescope
cut
vocal performance
9. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
telephoto lenses
chroma key
instant replay
video switcher
10. Mobile-- on site. multiple takes from multiple angles - shot out of order
medium shots
Realism
single camera
shot/reverse shot
11. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
cross-cutting
multi-camera live production
single camera
camera movement: dolly
12. Diegetic - and non-diegetic
fade-out
speed
music
presentational
13. Presumably not heard by characters. can be either from audience or pre-recorded
cross-cutting
voiceover narration
laugh track
Realism
14. Motion of a given sequence
Convergence Era
animation
low camera angle
speed
15. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
music
two shot west
multi-camera live production
Realism
16. Transparent paper that animations are drawn onto and then shot
vocal sounds
democratic regulations
cels
crane shot
17. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
camera movement: dolly
long shots
score
fade-out
18. A particular character's sound
music
theme songs
vocal performance
Classic Network Era
19. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
chroma key
monologue
live-to-tape
focal length
20. When the camera is angled. provided a disorienting slant perspective
canted camera angle
dialogue
monologue
music
21. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
media technologies
musical montage
extreme closeup
multi-camera live production
22. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
multi-camera live production
two/three shot
onscreen space
anthology drama
23. Use short focal length. cause fisheye distortion. increase the depth of the shot
wide angle lenses
democratic regulations
multi- camera telefilm studio production
fade-out
24. Used as a transition to pull out of a scene
crane shot
standard camera height
perspective
ambient sound
25. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
wide angle lenses
theme songs
sililoquies
cross-fades
26. Comprised of internal and extradiegetic
sound bridge
voiceover narration
rack of focus
theme songs
27. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
democratic regulations
sound bridge
telefilms
ellipsis
28. The creation or manipulation of images using non-photographic techniques
graphics
video switcher
telefilms
ellipsis
29. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
wide angle lenses
Classic Network Era
Multi-Channel Era
30. Refers to the world representing in a program
diegesis
presentational
low camera angle
onscreen space
31. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
canted camera angle
camera movement: tracking
diegesis
staging
32. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
extreme long shot
extreme closeup
onscreen space
monologue
33. An edit where the shots do not sufficiently re-frame the action
flashback
framing
jump cut
ambient sound
34. Allow a high degree of intimacy and emotional expression
dialogue
sound effects
closeups
telephoto lenses
35. Where two/three people converse in the frame
canted camera angle
two/three shot
live-to-tape
computer generated images
36. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
rack of focus
computer generated images
hand-held
Multi-Channel Era
37. Pacing edits can provide counterpoint to the music's beats
shot/reverse shot
presentational
jump cut
rhythm
38. When a character is speaking to themselves to express their emotional states
media technologies
stedicam
laugh track
sililoquies
39. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
instant replay
staging
extreme closeup
closeups
40. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
low camera angle
wipes
offscreen space
musical montage
41. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
telefilms
theme songs
master shot
high camera angle
42. Documentary staple - less steady and jumpier. attempts to be realistic
cross-fades
camera movement: tilt
single camera
hand-held
43. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
graphics
dissolves
multi-camera live production
screen direction
44. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
speed
Multi-Channel Era
multi- camera telefilm studio production
two shot west
45. When camera is looking up at a character
camerawork
vocal sounds
chroma key
low camera angle
46. Live - filmed - in-studio - on-location. form is linked to specific genres
textual form
speed
rhythm
editing
47. Puts shots together into a larger program. appears almost unnoticeable
editing
single camera
vocal performance
extreme long shot
48. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
fade-out
long shots
cross-fades
graphics
49. Government intervention of the airwaves FCC
democratic regulations
long shots
extreme long shot
extreme closeup
50. Alternative to recording on film. 1950's - limited storage capacity and image quality
framing
telefilms
textual form
videotape