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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
video switcher
long take
two/three shot
medium closeup
2. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
shot/reverse shot
videotape
ellipsis
3. Presents the speech of multiple people interacting
computer generated images
narrowcasting
cut
dialogue
4. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
theme songs
sound bridge
computer generated animation
sound effects
5. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
camerawork
crane shot
two shot west
cross-cutting
6. Transparent paper that animations are drawn onto and then shot
videotape
cels
musical montage
voiceover narration
7. Straps the camera to the operator to make it glide. attempts to be realistic
stedicam
musical montage
telefilms
graphics
8. Rhythmically edits a number of visual sequence over a song that signals an emotional response
crane shot
cut
musical montage
instant replay
9. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
telefilms
canted camera angle
cels
chroma key
10. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
telefilms
vocal performance
medium closeup
long shots
11. Use short focal length. cause fisheye distortion. increase the depth of the shot
dissolves
focal length
narrowcasting
wide angle lenses
12. Omitting intervening moments. used to condense time. turn a day in 30minutes
Realism
cels
ellipsis
medium closeup
13. When viewers outgrew the radio. network programming consisted of only 3 networks -
anthology drama
master shot
animation
Classic Network Era
14. Images are created and animated digitally
graphics
computer generated animation
music
perspective
15. A particular character's sound
keying
vocal performance
telefilms
narrowcasting
16. Motion of a given sequence
fade-out
computer generated animation
medium closeup
speed
17. Part of the continuity system - create a naturalistic sense of seamless flow between sequences
cross-fades
multi- camera telefilm studio production
canted camera angle
ellipsis
18. What elements in the frame are clear or blurry
focus
telefilms
speed
monologue
19. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
perspective
graphics
high camera angle
kinescope
20. Videotape allowed individual camera angles to be replayed in slow motion-- allowed for the growth of football
instant replay
videotape
medium closeup
anthology drama
21. Pacing edits can provide counterpoint to the music's beats
rhythm
computer generated animation
focal length
standard camera height
22. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
wipes
flashback
Multi-Channel Era
focal length
23. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
theme songs
camerawork
cels
cultural representations
24. The creation or manipulation of images using non-photographic techniques
graphics
dialogue
laugh track
staging
25. The formal characteristics that help express meaning independently of a text's context
video switcher
style
camerawork
onscreen space
26. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
standard camera height
voiceover narration
editing
screen direction
27. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
camerawork
environmental sound
presentational
style
28. Aka the establishing shot. sets the scene from a distance. they help ground the program in a particular location
graphics
rhythm
style
extreme long shot
29. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
camera movement: tracking
two shot west
monologue
dialogue
30. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
cultural representations
videotape
live-to-tape
focal length
31. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
keying
monologue
style
anthology drama
32. Graphically generated visuals are placed atop a video image. ex: credits or captions
kinescope
focal length
keying
style
33. Action to black. common when cutting to commercial breaks. gradual- naturalistic. signify shift in time or space
sililoquies
fade-out
cut
rhythm
34. The entire visual world is created non-photographically
closeups
onscreen space
extreme long shot
animation
35. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
keying
media technologies
multi-camera live production
split-screen
36. Allow a high degree of intimacy and emotional expression
camera movement: pan
closeups
computer generated images
onscreen space
37. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
style
ambient sound
telephoto lenses
keying
38. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
fade-in
dissolves
telefilms
media technologies
39. Conveys a visual relationship to the staging
master shot
canted camera angle
framing
presentational
40. When camera is looking down at a character
high camera angle
cross-fades
medium shots
music
41. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
diegesis
rhythm
vocal performance
Multi-Channel Era
42. Mimics the motion of turning your head left or right
monologue
camera movement: pan
musical montage
dialogue
43. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
long shots
canted camera angle
voiceover narration
multi- camera telefilm studio production
44. Comprised of internal and extradiegetic
camera movement: dolly
editing
medium shots
voiceover narration
45. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
media technologies
offscreen space
cross-fades
diegesis
46. Live - filmed - in-studio - on-location. form is linked to specific genres
narrowcasting
presentational
textual form
long shots
47. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
computer generated images
two/three shot
diegesis
laugh track
48. When the camera is angled. provided a disorienting slant perspective
single camera
live-to-tape
canted camera angle
democratic regulations
49. Establishing shot of entire scene
diegesis
master shot
jump cut
single camera
50. Presumably not heard by characters. can be either from audience or pre-recorded
editing
canted camera angle
laugh track
diegesis