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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Government intervention of the airwaves FCC
democratic regulations
kinescope
rack of focus
canted camera angle
2. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
media technologies
textual form
ellipsis
multi-camera live production
3. The formal characteristics that help express meaning independently of a text's context
screen direction
style
perspective
cross-cutting
4. Comprised of internal and extradiegetic
voiceover narration
long shots
videotape
rack of focus
5. Used as a transition to pull out of a scene
diegesis
crane shot
monologue
hand-held
6. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
score
two/three shot
chroma key
focus
7. Where two/three people converse in the frame
video switcher
two/three shot
kinescope
camerawork
8. When a shot had a narrow depth of field and part of the image is out of focus
cross-cutting
kinescope
rack of focus
wipes
9. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
perspective
vocal sounds
staging
10. Sequence is consistent. one character is always on the left - other on the right. avoids distorting
screen direction
medium shots
score
Convergence Era
11. Aka the master shot. offer more details of a scene. typically show the entire body-- hard to read gestures or convey emotion
long shots
perspective
fade-in
music
12. An edit where the shots do not sufficiently re-frame the action
wipes
jump cut
framing
stedicam
13. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
wipes
wide angle lenses
offscreen space
sound effects
14. Refers to the world representing in a program
diegesis
laugh track
theme songs
master shot
15. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
presentational
speed
theme songs
cross-fades
16. Use short focal length. cause fisheye distortion. increase the depth of the shot
medium closeup
dissolves
wide angle lenses
speed
17. What elements in the frame are clear or blurry
computer generated images
Multi-Channel Era
focus
dialogue
18. Omitting intervening moments. used to condense time. turn a day in 30minutes
ellipsis
rhythm
Convergence Era
theme songs
19. Mimics the motion of turning your head left or right
musical montage
camera movement: pan
diegesis
focal length
20. The back and forth editing between closeups in a dialogue
video switcher
shot/reverse shot
medium shots
medium closeup
21. Diegetic - and non-diegetic
framing
music
ellipsis
Realism
22. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
sound bridge
multi- camera telefilm studio production
flashback
chroma key
23. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
fade-in
camerawork
master shot
Convergence Era
24. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
monologue
chroma key
textual form
master shot
25. Chest up. provide facial detail without feeling overtly intrusive
medium closeup
Classic Network Era
low camera angle
master shot
26. Mimics the motion of turning your head up or down. shows the height of the subject
crane shot
camera movement: tilt
rack of focus
anthology drama
27. When camera is looking down at a character
Convergence Era
high camera angle
fade-in
cels
28. These early versions of recordings were created by pointing a camera at a television and were the only way to preserve TV until much later
Realism
telefilms
kinescope
animation
29. Straps the camera to the operator to make it glide. attempts to be realistic
media technologies
stedicam
rhythm
vocal sounds
30. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
sound effects
camerawork
multi- camera telefilm studio production
cultural representations
31. When a character is speaking to themselves to express their emotional states
master shot
sililoquies
naturalistic
staging
32. Pacing edits can provide counterpoint to the music's beats
sound effects
long shots
rhythm
shot/reverse shot
33. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
stedicam
score
shot/reverse shot
fade-in
34. Alters the degree of magnification and depth of an image
wipes
focal length
canted camera angle
fade-in
35. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
staging
medium shots
naturalistic
computer generated animation
36. Images are created and animated digitally
ambient sound
extreme closeup
environmental sound
computer generated animation
37. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
dissolves
single camera
Multi-Channel Era
sililoquies
38. When the viewer can become lost in the story. even in sci-fi as long as the world they are in seem relate-able to our world. realistic in form vs. content
naturalistic
keying
fade-in
long shots
39. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
score
democratic regulations
cross-cutting
sound bridge
40. Mobile-- on site. multiple takes from multiple angles - shot out of order
ambient sound
camera movement: tilt
screen direction
single camera
41. A particular character's sound
environmental sound
music
vocal performance
keying
42. Puts shots together into a larger program. appears almost unnoticeable
sound bridge
laugh track
editing
vocal sounds
43. Allow a high degree of intimacy and emotional expression
dialogue
focus
telephoto lenses
closeups
44. Eye level
standard camera height
live-to-tape
chroma key
score
45. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
ellipsis
cultural representations
shot/reverse shot
extreme closeup
46. The basic unit of editing. an instant switch from one shot to another. re-frames the visual perspective on the action
cut
camera movement: dolly
theme songs
extreme long shot
47. Moving backwards in time to provide earlier story information or reflect on past events
textual form
musical montage
flashback
cels
48. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
musical montage
animation
split-screen
music
49. Determines which cameras will be broadcast - transitions in between shots - added graphics
videotape
camera movement: tilt
shot/reverse shot
video switcher
50. A (usually long) dramatic speech by a single actor
long take
monologue
telephoto lenses
chroma key