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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What elements in the frame are clear or blurry
focus
cels
long shots
jump cut
2. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
Realism
narrowcasting
Classic Network Era
multi-camera live production
3. Mimics the motion of turning your head up or down. shows the height of the subject
single camera
democratic regulations
ambient sound
camera movement: tilt
4. Allow a high degree of intimacy and emotional expression
closeups
textual form
staging
camera movement: tilt
5. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
Realism
medium shots
master shot
camera movement: dolly
6. When camera is looking down at a character
vocal performance
high camera angle
voiceover narration
perspective
7. When a character is speaking to themselves to express their emotional states
sililoquies
rack of focus
diegesis
naturalistic
8. Rarely has an impacts on viewers comprehension. works to convey naturalism
narrowcasting
environmental sound
split-screen
Classic Network Era
9. Images are created and animated digitally
video switcher
long shots
shot/reverse shot
computer generated animation
10. Establishing shot of entire scene
extreme closeup
fade-out
master shot
framing
11. Space that exists outside the frame. can still be a part of the staging or when a character walks out of a room-- the story still follows them
fade-out
camera movement: dolly
offscreen space
democratic regulations
12. Straps the camera to the operator to make it glide. attempts to be realistic
voiceover narration
vocal performance
editing
stedicam
13. When camera is looking up at a character
Convergence Era
textual form
low camera angle
dialogue
14. Use short focal length. cause fisheye distortion. increase the depth of the shot
wide angle lenses
jump cut
videotape
computer generated images
15. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
music
instant replay
multi- camera telefilm studio production
camera movement: pan
16. Eye level
hand-held
presentational
onscreen space
standard camera height
17. Everything that takes place in front of the camera: set. props - lighting - costume - makeup - and actor movements and performance
fade-in
staging
narrowcasting
Multi-Channel Era
18. Conveys a visual relationship to the staging
framing
sound effects
low camera angle
multi- camera telefilm studio production
19. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
extreme closeup
naturalistic
dissolves
rack of focus
20. Designed to mimic the sounds that would be created in the environment depicted on screen. can heighten impact of staged actions
cross-cutting
sound effects
cels
master shot
21. Represent the program as a whole. become part of the identity (iconic)
medium closeup
animation
theme songs
canted camera angle
22. Use long focal length. captures images from far away. compresses the depth of the shot
two/three shot
telephoto lenses
standard camera height
high camera angle
23. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
anthology drama
split-screen
shot/reverse shot
multi-camera live production
24. An edit where the shots do not sufficiently re-frame the action
camera movement: tilt
sound bridge
low camera angle
jump cut
25. When images overlap - one to another. gradual- naturalistic. signify shift in time or space`
anthology drama
dissolves
staging
focus
26. Motion of a given sequence
graphics
animation
speed
perspective
27. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
speed
fade-out
chroma key
vocal sounds
28. Determines which cameras will be broadcast - transitions in between shots - added graphics
rhythm
video switcher
media technologies
videotape
29. Chest up. provide facial detail without feeling overtly intrusive
editing
medium closeup
cultural representations
canted camera angle
30. Documentary staple - less steady and jumpier. attempts to be realistic
hand-held
canted camera angle
presentational
cut
31. Presumably not heard by characters. can be either from audience or pre-recorded
musical montage
sililoquies
laugh track
rack of focus
32. Low cost of live production with the repeatability of telefilm. recorded on videotape and saved for a future broadcast
closeups
live-to-tape
single camera
crane shot
33. A (usually long) dramatic speech by a single actor
screen direction
democratic regulations
monologue
master shot
34. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
staging
score
dissolves
anthology drama
35. When people are talking
musical montage
vocal sounds
sound bridge
dialogue
36. Comprised of internal and extradiegetic
two/three shot
ellipsis
voiceover narration
graphics
37. Alternative to recording on film. 1950's - limited storage capacity and image quality
cultural representations
extreme long shot
videotape
ambient sound
38. Cutting to a sequence occurring simultaneous in another location. creates suspense or thematic parallels
low camera angle
cut
camera movement: tracking
cross-cutting
39. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
style
videotape
computer generated images
camera movement: tilt
40. VCR - DVR: digital technologies have given viewers more power to replay - redistribute - watch when convenient - fast forward commercials
media technologies
telephoto lenses
closeups
camerawork
41. Moving backwards in time to provide earlier story information or reflect on past events
flashback
live-to-tape
instant replay
camera movement: dolly
42. Where two/three people converse in the frame
staging
live-to-tape
two/three shot
fade-out
43. When a shot had a narrow depth of field and part of the image is out of focus
camera movement: dolly
split-screen
rack of focus
cels
44. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
split-screen
presentational
videotape
wide angle lenses
45. Omitting intervening moments. used to condense time. turn a day in 30minutes
onscreen space
speed
ellipsis
musical montage
46. Diegetic - and non-diegetic
extreme closeup
videotape
kinescope
music
47. A single shot with a lengthy duration. allows viewers to be emerged in the intense action with out disruption
long take
videotape
hand-held
score
48. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
closeups
ellipsis
anthology drama
cultural representations
49. Rhythmically edits a number of visual sequence over a song that signals an emotional response
standard camera height
keying
musical montage
flashback
50. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
fade-in
Classic Network Era
framing
vocal performance