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Test your basic knowledge |
Television Vocab
Start Test
Study First
Subject
:
journalism-and-media
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Graphically generated visuals are placed atop a video image. ex: credits or captions
democratic regulations
keying
stedicam
master shot
2. When a line or shape passes through the screen to switch to another shot. less naturalistic and usually reserved for highly presentational programming
wipes
ellipsis
keying
telephoto lenses
3. Common in soaps where two people face camera in the same direction so they cant see each other's reactions
two shot west
extreme long shot
long take
fade-in
4. Spacial relation between elements
camerawork
perspective
medium shots
Classic Network Era
5. Space that exists inside the frame.
sound bridge
monologue
media technologies
onscreen space
6. When viewers outgrew the radio. network programming consisted of only 3 networks -
Classic Network Era
theme songs
style
Convergence Era
7. From black to action. common when retuning from breaks. gradual- naturalistic. signify shift in time or space
fade-in
screen direction
sound bridge
theme songs
8. Rhythmically edits a number of visual sequence over a song that signals an emotional response
narrowcasting
focus
hand-held
musical montage
9. Alters the degree of magnification and depth of an image
telephoto lenses
cross-fades
focal length
focus
10. Moving cameras that can wheel any direction. moves the entire camera along with someone. follows actors steadily through space
focal length
extreme long shot
camera movement: dolly
high camera angle
11. Based off industry's conception of how audience relate. Assert as set of ideas to unite viewers in their national identities as Americans (hegemony)
cultural representations
anthology drama
fade-in
sound effects
12. I love lucy - used multi camera to take in front of a live audience - but video signals weren't sent to the control room to edit live-- instead signals were recoded while the audio tape was mixed in. costly lucile footed the bill w/ husband desi. sho
score
cultural representations
multi- camera telefilm studio production
chroma key
13. Allow a high degree of intimacy and emotional expression
two/three shot
framing
telefilms
closeups
14. A (usually long) dramatic speech by a single actor
fade-out
monologue
computer generated images
long take
15. Viewers expect content to be believable and relate to their world-- tricky b/c TV is inherently unrealistic
multi- camera telefilm studio production
fade-in
long take
Realism
16. The formal characteristics that help express meaning independently of a text's context
offscreen space
fade-in
telephoto lenses
style
17. When people are talking
vocal sounds
fade-out
Classic Network Era
telefilms
18. Omitting intervening moments. used to condense time. turn a day in 30minutes
framing
ellipsis
two shot west
presentational
19. Rarely has an impacts on viewers comprehension. works to convey naturalism
focal length
live-to-tape
environmental sound
laugh track
20. Audio and video in an edits are staggered: the next's scenes sound is heard before cutting to the shot
framing
sound bridge
staging
cultural representations
21. Includes a range of technologies such as TV - internet - video games. Provided and even wider range of video-based technologies.
Convergence Era
offscreen space
musical montage
low camera angle
22. Allows and isolated detail - object - or body part to fill the screen. commonly used to highlight a piece of evidence or object contributing to the narrative
wide angle lenses
extreme closeup
instant replay
diegesis
23. Comprised of internal and extradiegetic
voiceover narration
medium closeup
anthology drama
presentational
24. Filmed TV show - sold to stations and syndicators to reduce financial risk. better quality than kinescope. allowed for flexibility in editing as well as single camera
telefilms
Convergence Era
rack of focus
two shot west
25. Alternative to recording on film. 1950's - limited storage capacity and image quality
extreme closeup
camera movement: tilt
screen direction
videotape
26. When graphic images are incorporated into traditionally shot programming. used to create creatures or complex effects-- sci fi and horror
kinescope
fade-in
computer generated images
laugh track
27. Puts shots together into a larger program. appears almost unnoticeable
framing
dialogue
stedicam
editing
28. When the camera is angled. provided a disorienting slant perspective
crane shot
animation
canted camera angle
multi-camera live production
29. When camera is looking up at a character
low camera angle
wipes
focus
music
30. The action is staged in front of a green screen and electronically replaced with another image. ex: weather reports
multi-camera live production
telephoto lenses
computer generated images
chroma key
31. Can be incidental (footsteps or crown laughing) or artificially enhanced. creates a richer environment
staging
framing
ambient sound
sound effects
32. Pacing edits can provide counterpoint to the music's beats
anthology drama
rhythm
kinescope
computer generated images
33. Motion of a given sequence
kinescope
camera movement: tilt
speed
framing
34. Moving cameras along a line. moves the entire camera along with someone. follows actors steadily through space
cross-cutting
instant replay
flashback
camera movement: tracking
35. Where two/three people converse in the frame
cut
telefilms
rack of focus
two/three shot
36. Shift from dominant networks to cable and satellite. there was a wide range of target audiences. viewed TV as the central information and communication medium for the American public.
high camera angle
dissolves
music
Multi-Channel Era
37. Used as a transition to pull out of a scene
crane shot
camera movement: tracking
graphics
extreme long shot
38. Determines which cameras will be broadcast - transitions in between shots - added graphics
framing
video switcher
narrowcasting
graphics
39. Presumably not heard by characters. can be either from audience or pre-recorded
laugh track
editing
medium closeup
cross-fades
40. Found in live edit programs - sports and new. viewers are able to consume multiple streams of information simultaneously
split-screen
perspective
wipes
video switcher
41. Use long focal length. captures images from far away. compresses the depth of the shot
telephoto lenses
videotape
staging
graphics
42. Footage sent to a control room and director indicates when to cut back and forth from each camera. 4th wall-- doesn't feel natural. rooted in theater
staging
onscreen space
multi-camera live production
theme songs
43. Diegetic - and non-diegetic
staging
computer generated animation
music
laugh track
44. Images are created and animated digitally
computer generated images
style
anthology drama
computer generated animation
45. The musical (instrumental) soundtrack that can define a scene's mood - tone - and genre. can help determine the genre. usually original compositions
long take
closeups
score
video switcher
46. The creation or manipulation of images using non-photographic techniques
Classic Network Era
fade-in
graphics
instant replay
47. Presents the speech of multiple people interacting
sound bridge
telephoto lenses
dialogue
diegesis
48. We cannot loose ourselves in the programming because it is so artificial-- people don't randomly break out into song. very stylized. realistic in content vs. form-- ex: glee
sound bridge
canted camera angle
standard camera height
presentational
49. The back and forth editing between closeups in a dialogue
narrowcasting
cultural representations
shot/reverse shot
media technologies
50. A popular form of early TV programming that brought live dramatic theater to television; influenced by stage plays - anthologies offered new teleplays - casts - directors - writers and sets from week to week
multi-camera live production
sound bridge
high camera angle
anthology drama