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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Top of stage
Sophocles
Subtext
Reversal
Upstage
2. Focused on thought - controversial
Tragedy
Comedy of Ideas
Exposition
Subtext
3. Part of What is included in the text
Playwright
Tragedy
Orchestra
Dialogue
4. Collection of mystery plays - performed outdoors - festivals lasted 1-25 days
Antagonist
Neoclassicism (def)
Cycles
Presentational Approach
5. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Printing Press
Director
Theatre of Cruelty
Conflict
6. Humorous - objective view point
Downstage
Variables of Costume Design
Skene
Comedy
7. Play reenacting biblical stories
Meander
Rendering
Mystery Plays
Emile Zola
8. Naturalism - throw away traditional structure - 'slice of life'
Actor
Emile Zola
Euripides
Printing Press
9. Audience watches from 3 sides
Vomitories
Postmodernism
Non-Profit Theatre
Thrust Space
10. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
Neoclassicism (def)
The Meaning of the Neoclassic Unities
Stage Manager
Plot
11. Blend of union and non-union actors - sometimes housed in non-traditional locations
Copyright
Hybrid Theatre
Concept
Causal Play Structure
12. Stock characters (servants - masters - lovers)
Linear Plot
Auditions
Lazzi
Plato's Attitude Toward Theatre
13. Recognizes plays as intellectual property of the playwright
Miracle Plays
The Meaning of the Neoclassic Goals That Define Verisimilitude
Copyright
Aristophanes
14. 'Father of Realism'
Proscenium Space
Duke of Saxe Meiningen
Henrik Ibsen
Naturalism
15. Secondary line of action that is included in the plot/story
Verisimilitude
Subtext
Melodrama (def)
Subplot
16. A drafting of the set as seen from overhead
Ground Plan
Aesthetic Distance
Auditions
Difference Between Stage & Film Acting
17. Business aspect of theatre: House manager - box office manager - ushers
Front of House
Improv
The Three Ways in Which Information is Given About a Character
Falling Action
18. The era we are currently in
Prose
Postmodernism
Slapstick
Variables of Costume Design
19. Verse
Representational Acting
Which Type of Language Was Used First by Playwrights?
Mimesis
Antiquarianism
20. Plays with a moral message - good vs. evil
Mimesis
Non-Profit Theatre
Catharsis
Morality Plays
21. Meetings before casting - brainstorming - shaping work into a unified concept
Process of Director/Designer Collaboration
Thought
Italian Contributions to Theatre During the Renaissance
Presentational Approach
22. Planned actor movement
Printing Press
University Wits
Blocking
Italian Contributions to Theatre During the Renaissance
23. Plot - Character - Thought - Language - Music - Spectacle
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24. Historically accurate costumes and scenery
Antiquarianism
Mimesis
Verse
Rehearsal Process
25. Not many props or detailed scenery
Stage Manager
Renaissance
Vomitories
Dramatic Genre
26. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
Catharsis
University Wits
Upstage
The Meaning of the Neoclassic Goals That Define Verisimilitude
27. A group of performers working together vocally and physically
Miracle Plays
Difference Between Stage & Film Acting
Linear Plot
Chorus
28. The first director
Eugene Scribe
Protagonist
Duke of Saxe Meiningen
Avant-Garde
29. Grammatically based
Sense Memory
Plot
Prose
Subplot
30. The actual meaning of the dialogue behind the words spoken
Comedy of Manners
Sturm & Drang Movement
Front of House
Subtext
31. Writer and first actor
Thespis
Subplot
Non-Profit Theatre
Plato's Attitude Toward Theatre
32. Fast paced - uses reversal and discovery
Theatre of Cruelty
Melodrama (def)
Theatre of Cruelty
Variables of Costume Design
33. Rhyming
Who was the Proscenium Invented by?
Rehearsal Process
Inciting Incident
Verse
34. Business aspect of theatre: House manager - box office manager - ushers
Dialogue
Verisimilitude
Front of House
The Meaning of the Neoclassic Goals That Define Verisimilitude
35. Historically accurate costumes and scenery
Orchestra
Antiquarianism
Causal Play Structure
Catharsis
36. Series of short stories
Callbacks
Protagonist
Anton Chekhov
Presentational Approach
37. The Oresteia - only surviving Greek trilogy - added 2nd actor
Aeschylus
Aristotle
Practical
Amateur Theatre
38. Oedipus - Antigone - added 3rd actor
Eugene Scribe
Euripides
Protagonist
Sophocles
39. Wrote 'The Republic' about people who would be allowed in his society
Dramaturg
Plato
Falling Action
Lazzi
40. Top of stage
Variables of Costume Design
Upstage
Commedia Dell'Arte
Cycles
41. Occurs when a line of action suddenly veers to the opposite
Subplot
Upstage
Reversal
Downstage
42. The period of work in which the show is made ready for the stage.
Downstage
Rehearsal Process
Director
Melodrama (def)
43. Exaggerated comedy derived from situations
Playwright
Commercial Theatre
Situation Comedy
Amateur Theatre
44. Visible light source on stage
Morality Plays
Neoclassicism (def)
Practical
ostume Plot
45. Proscenium arch/stage
Regional Theatre
Hypokrites
Which Type of Language Was Used First by Playwrights?
Italian Contributions to Theatre During the Renaissance
46. High point of action
Climax
Blocking
Wings
Falling Action
47. Bottom of stage (closest to audience)
Falling Action
Rising Action
The Globe
Downstage
48. Major character at odds with social expectations
Light Plot
Situation Comedy
Aristotle
Comedy of Manners
49. Plato thought it was harmful to be one thing and act like another
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50. Oedipus - Antigone - added 3rd actor
Subplot
Rendering
Practical
Sophocles