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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Rhyming
Practical
Comedy
Verse
The Meaning of the Neoclassic Unities
2. Experimented with symbolism in an unconventional setting
Hybrid Theatre
ostume Plot
Meyerhold
Fourth Wall
3. Drop in emotional intensity following the climax
Emile Zola
Falling Action
University Wits
Character
4. Linear events progress forward in time
Concept
Off-Off-Broadway
Representational Acting
Causal Play Structure
5. A specialist in finding actors for specific roles
Casting Director
Prose
Mystery Plays
Rendering
6. Play reenacting biblical stories
Mystery Plays
Off-Broadway
Downstage
Non-Profit Theatre
7. Plot - Character - Thought - Language - Music - Spectacle
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8. Ideas within the play
Dramaturg
Thought
Rising Action
Plot
9. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Amateur Theatre
Rising Action
Theatre of Cruelty
Antagonist
10. Experimental - popular between 1890's-1960's
Aeschylus
Avant-Garde
Conflict
Concept
11. The era we are currently in
Prose
Technical Developments of the 19th Century
Postmodernism
The Progression of Elements in a Causal Play Structure
12. Actors do not acknowledge the presence of an audience
Skene
Fourth Wall
Meander
Rendering
13. Movement of art and literature in 16th century - based on Greek and Roman works
Casting Director
Plato's Attitude Toward Theatre
Pageants
Neoclassicism (def)
14. A chart that records the items of clothing worn by each actor in each scene of the play
Comedy of Manners
The Meaning of the Neoclassic Unities
ostume Plot
Dialogue
15. An entrance to elevated seating for the audience that runs underneath the audience and comes up to empty to the seating area
Vomitories
Aeschylus
Producer
The Meaning of the Neoclassic Unities
16. Secondary line of action that is included in the plot/story
Technical Developments of the 19th Century
Postmodernism
Subplot
Tragedy
17. What characters do - what characters say about themselves - what others say about them
Actor
Neoclassicism (def)
The Three Ways in Which Information is Given About a Character
Ground Plan
18. In the middle ages - wagons with scenery used in professional staging
Emile Zola
Pageants
Meander
Antiquarianism
19. The Clouds - The Frogs - Lysistrata
Aristophanes
Black Box
Stage Manager
Light Plot
20. Events progress forward in time
Linear Plot
Designer
The Three Ways in Which Information is Given About a Character
Eugene Scribe
21. Drawn by eccentricities of major character
Rising Action
Comedy of Character
Subplot
Inciting Incident
22. Someone who writes plays
Representational Acting
Black Box
Plot
Playwright
23. Planned actor movement
Catharsis
Aesthetic Distance
Italian Contributions to Theatre During the Renaissance
Blocking
24. Controls the environment in the theatre
Melodrama (def)
Off-Broadway
Designer
Aeschylus
25. Units of action that build emotional intensity
Sophocles
Rising Action
Cycles
Representational Approach
26. Psychological separation - or a sense of detachment
William Shakespeare
Practical
Aesthetic Distance
Theatron
27. Major character at odds with social expectations
Comedy of Manners
Avant-Garde
Commercial Theatre
Reversal
28. England's type of theatre
The Globe
Verse
Copyright
Anton Chekhov
29. The actual meaning of the dialogue behind the words spoken
Konstantin Stanislavski
Verisimilitude
Off-Broadway
Subtext
30. Experimental - popular between 1890's-1960's
Playwright
Avant-Garde
Public Domain
Presentational Approach
31. Does not acknowledge the presence of an audience
Anton Chekhov
Representational Acting
Tragicomedy
Renaissance
32. Professional - but all proceeds go back into the theatre - may require grants/donations
Non-Profit Theatre
Theatre of Cruelty
Exposition
Dialogue
33. Fast paced - uses reversal and discovery
Representational Approach
Verse
The Globe
Melodrama (def)
34. Scenery - costume - lighting - rhythm - movement - composition
The Progression of Elements in a Causal Play Structure
Components of Concept
Comedy of Manners
Protagonist
35. A fee for each performance
Representational Approach
Royalty
Presentational Approach
Broadway
36. Physical comedy that became popular with the downslide of religious theatre
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37. Artistic decisions meant to communicate a specific interpretation to the audience
The Meaning of the Neoclassic Goals That Define Verisimilitude
Public Domain
Empathy
Concept
38. Stock characters (servants - masters - lovers)
Discovery
Miracle Plays
Lazzi
Components of Concept
39. A drafting of the set as seen from overhead
Aristophanes
Ground Plan
Representational Approach
Renaissance
40. Professional - but all proceeds go back into the theatre - may require grants/donations
Rehearsal Process
Non-Profit Theatre
Process of Director/Designer Collaboration
Representational Acting
41. Silhouette - color - texture - accent
Public Domain
Commercial Theatre
Variables of Costume Design
Director
42. Main character
Rendering
Broadway
Protagonist
Sophocles
43. Production of plays in schools at primary - secondary - undergraduate - and graduate levels
Educational Theatre
Subplot
Affective Memory
Fourth Wall
44. Meetings before casting - brainstorming - shaping work into a unified concept
Broadway
Process of Director/Designer Collaboration
Neoclassicism (def)
Commedia Dell'Arte
45. Practitioners do not rely on theatrical activity for their livelihood
Amateur Theatre
Chorus
Climax
Copyright
46. Exaggerated comedy derived from situations
Sophocles
Technical Developments of the 19th Century
Discovery
Situation Comedy
47. England's type of theatre
Lazzi
Proscenium Space
The Globe
The Box Set
48. Born in Stafford Upon Avon - studied Latin in school - wrote 30 plays
Protagonist
Subplot
Subtext
William Shakespeare
49. The first director
Slapstick
Emile Zola
Duke of Saxe Meiningen
Melodrama
50. Grammatically based
Prose
Mystery Plays
Upstage
Off-Off-Broadway