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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The Clouds - The Frogs - Lysistrata
Actor
Subtext
Aristophanes
Renaissance
2. Writer and first actor
University Wits
Thespis
Improv
Discovery
3. Occurs when a line of action suddenly veers to the opposite
Reversal
Catharsis
Eugene Scribe
Aristotle
4. A second or later round of auditions to which specific actors are invited
Callbacks
Reversal
Eugene Scribe
Theatre of Cruelty
5. Collection of mystery plays - performed outdoors - festivals lasted 1-25 days
Rendering
Postmodernism
Cycles
Character
6. Plot - Character - Thought - Language - Music - Spectacle
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7. Emile Zola - throws away traditional structure - 'slice of life'
Aesthetic Distance
Orchestra
Tragedy
Naturalism
8. In ancient Greece - the audience seating area at floor level immediately in front of the stage
Regional Theatre
University Wits
Orchestra
Subplot
9. Humorous - objective view point
Comedy of Manners
Skene
Comedy
Renaissance
10. A chart that records the items of clothing worn by each actor in each scene of the play
Community Theatre
Educational Theatre
ostume Plot
Downstage
11. Events progress forward in time
Linear Plot
Black Box
Duke of Saxe Meiningen
The Progression of Elements in a Causal Play Structure
12. Rejection of neoclassicism -
Protagonist
Sense Memory
Improv
Romanticism & Romantic Theory
13. Part of What is included in the text
Dialogue
Postmodernism
Subplot
Aesthetic Distance
14. Proscenium space
Tragicomedy
The Box Set
Empathy
Sophocles
15. The period of work in which the show is made ready for the stage.
Variables of Costume Design
Rising Action
Rehearsal Process
Plato's Attitude Toward Theatre
16. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
The Meaning of the Neoclassic Unities
Discovery
Protagonist
Comedy of Ideas
17. Wrote 'The Republic' about people who would be allowed in his society
Plato
Improv
Aristophanes
Proscenium Space
18. High point of action
Climax
Antiquarianism
Reversal
Empathy
19. Requires actors to call on personal memories of situations similar to those of their characters
Chorus
Affective Memory
William Shakespeare
William Shakespeare
20. A group of performers working together vocally and physically
Subtext
Chorus
Postmodernism
Verisimilitude
21. A drafting of the set as seen from overhead
Educational Theatre
What Does It Mean to 'See in 3D'?
Vomitories
Ground Plan
22. Practical considerations - atmosphere - visual images.
Fourth Wall
Representational Approach
University Wits
Conflict
23. Works published before 1923
Thought
Variables of Costume Design
Dialogue
Public Domain
24. The audience seating are 'sitting place'
Renaissance
William Shakespeare
Italian Contributions to Theatre During the Renaissance
Theatron
25. Relates to the emotional response that the play creates
The Globe
Improv
Verse
Dramatic Genre
26. Main character
Auditions
Melodrama
Protagonist
Non-Profit Theatre
27. Recognizes plays as intellectual property of the playwright
Aristotle's Six Elements of a Play
Stage Manager
Copyright
Royalty
28. Plato thought it was harmful to be one thing and act like another
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29. The person in charge of the artistic aspects of theatrical production
Causal Play Structure
Lazzi
Educational Theatre
Director
30. A picture of the scene from the audience perspective
Tragicomedy
Anton Chekhov
Plato's Attitude Toward Theatre
Rendering
31. 500-1800 people
Regional Theatre
Which Type of Language Was Used First by Playwrights?
Broadway
Aesthetic Distance
32. Historically accurate costumes and scenery
Antiquarianism
Presentational Approach
Discovery
Henrik Ibsen
33. Exaggerated comedy derived from situations
Difference Between Stage & Film Acting
Situation Comedy
The Box Set
Plato
34. Ideas within the play
Vomitories
Producer
Thought
Language
35. Psychological separation - or a sense of detachment
Aesthetic Distance
Plato
Inciting Incident
Affective Memory
36. England's type of theatre
Anton Chekhov
The Globe
Situation Comedy
Variables of Costume Design
37. Was poetry for many years
Renaissance
Henrik Ibsen
Sturm & Drang Movement
Language
38. Used alienation to encourage distance
Fourth Wall
Aeschylus
Bertolt Brecht
Henrik Ibsen
39. Organization of action
Plot
Avant-Garde
Director
The Globe
40. Serious and comedic qualities are mixed
Improv
Anton Chekhov
Tragicomedy
Meyerhold
41. Rebellion against melodrama and romanticism - more based on character's psychological journey - controversial subject matter
Lazzi
Realism and Realistic Developments
Front of House
Romanticism & Romantic Theory
42. Moscow arts theatre - ensemble acting - psychological evaluation of character
Emile Zola
William Shakespeare
Non-Profit Theatre
Konstantin Stanislavski
43. 'The Well Made Play' Credited with writing in between 440-500 plays - featured a melodramatic strategy
Slapstick
Process of Director/Designer Collaboration
Eugene Scribe
Chorus
44. Controls the environment in the theatre
Producer
Casting Director
Designer
Copyright
45. A>B>C>D
Chorus
The Progression of Elements in a Causal Play Structure
Rising Action
Prose
46. Based on the lives of the saints
Royalty
Miracle Plays
Mimesis
Comedy of Character
47. Verse
Which Type of Language Was Used First by Playwrights?
The Box Set
The Meaning of the Neoclassic Unities
Inciting Incident
48. Imitation of character and action
Concept
Konstantin Stanislavski
Actor
Mimesis
49. Non-profit and sells a full season theatre
Off-Off-Broadway
Regional Theatre
Situation Comedy
Plot
50. Production of plays in schools at primary - secondary - undergraduate - and graduate levels
Educational Theatre
Components of Concept
Cycles
Dialogue