SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Ideas within the play
Lazzi
Thought
Representational Acting
Hypokrites
2. Plato thought it was harmful to be one thing and act like another
3. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
Producer
Neoclassicism (def)
The Meaning of the Neoclassic Unities
Hybrid Theatre
4. Fast paced - uses reversal and discovery
Callbacks
Proscenium Space
Fourth Wall
Melodrama (def)
5. Linear events progress forward in time
Linear Plot
Causal Play Structure
Aristophanes
The Three Ways in Which Information is Given About a Character
6. Practical considerations - atmosphere - visual images.
Konstantin Stanislavski
Representational Approach
Casting Director
Skene
7. Rejection of neoclassicism -
Printing Press
The Three Ways in Which Information is Given About a Character
Anton Chekhov
Romanticism & Romantic Theory
8. Planned actor movement
Blocking
Cycles
Aristophanes
Non-Profit Theatre
9. Practical considerations - atmosphere - visual images.
Catharsis
Concept
Representational Approach
Plot
10. Writer and first actor
Thespis
The Meaning of the Neoclassic Unities
Stage Manager
Regional Theatre
11. A type of performance in which dialogue and action are not planned ahead of time and written down - but are made of on the spot by the actors
Climax
Comedy of Ideas
Improv
Falling Action
12. Historically accurate costumes and scenery
Euripides
Antiquarianism
Ensemble
Copyright
13. Based on the lives of the saints
Aristotle's Six Elements of a Play
Variables of Costume Design
Plato
Miracle Plays
14. The audience seating are 'sitting place'
The Box Set
Theatron
Ground Plan
Actor
15. Events progress forward in time
Duke of Saxe Meiningen
Public Domain
Morality Plays
Linear Plot
16. A picture of the scene from the audience perspective
Rendering
The Three Ways in Which Information is Given About a Character
Producer
Representational Acting
17. Thomas Aquinas - literature can be dispersed at a faster rate
Director
Thrust Space
Bertolt Brecht
Printing Press
18. Part of What is included in the text
Dialogue
Practical
Thought
Downstage
19. Experimental - popular between 1890's-1960's
Blocking
Avant-Garde
Italian Contributions to Theatre During the Renaissance
The Progression of Elements in a Causal Play Structure
20. Secondary line of action that is included in the plot/story
Verse
Community Theatre
Exposition
Subplot
21. Drawn by eccentricities of major character
Aristophanes
Royalty
Playwright
Comedy of Character
22. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Discovery
Tragedy
Theatre of Cruelty
Verisimilitude
23. Plato thought it was harmful to be one thing and act like another
24. In a proscenium space - spaces offstage to the left and right for actors - crew - and scenery not yet in the visible performance space
Romanticism & Romantic Theory
Callbacks
Wings
Light Plot
25. A second or later round of auditions to which specific actors are invited
Callbacks
Comedy of Ideas
Pageants
Rising Action
26. The standard tool for casting a production
Royalty
Auditions
Neoclassicism (def)
Euripides
27. Imitation of character and action
Prose
Theatron
Director
Mimesis
28. Rhyming
The Three Ways in Which Information is Given About a Character
Ground Plan
Vomitories
Verse
29. Moscow arts theatre - ensemble acting - psychological evaluation of character
Plot
Theatre of Cruelty
Konstantin Stanislavski
The Three Ways in Which Information is Given About a Character
30. Recognizes plays as intellectual property of the playwright
Dialogue
Commedia Dell'Arte
Copyright
Verse
31. Relates to the emotional response that the play creates
The Box Set
Casting Director
Anton Chekhov
Dramatic Genre
32. 'New Comedy' wrote The Grouch
Dialogue
Meander
Verisimilitude
Postmodernism
33. Audience observes from a similar viewpoint
Royalty
Non-Profit Theatre
Inciting Incident
Proscenium Space
34. Controls the environment in the theatre
Designer
Dialogue
Henrik Ibsen
Melodrama (def)
35. Space can be manipulated to suit the production
Broadway
Orchestra
Black Box
The Three Ways in Which Information is Given About a Character
36. Causes trouble for the main character
Euripides
Comedy of Manners
Antagonist
Realism and Realistic Developments
37. The person in charge of the artistic aspects of theatrical production
Neoclassicism (def)
Director
Playwright
Auditions
38. Events progress forward in time
Representational Approach
Technical Developments of the 19th Century
Linear Plot
Aristotle's Six Elements of a Play
39. Audience watches from 3 sides
Thrust Space
The Meaning of the Neoclassic Unities
Upstage
Sturm & Drang Movement
40. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
Regional Theatre
Postmodernism
The Meaning of the Neoclassic Goals That Define Verisimilitude
Empathy
41. Movement of art and literature in 16th century - based on Greek and Roman works
Dialogue
Neoclassicism (def)
Postmodernism
Affective Memory
42. Works published before 1923
William Shakespeare
Public Domain
The Three Ways in Which Information is Given About a Character
Theatron
43. Two or more opposing forces working towards different goals
Conflict
Representational Approach
Stage Manager
Comedy of Character
44. Psychological separation - or a sense of detachment
Aesthetic Distance
Thrust Space
Off-Off-Broadway
Front of House
45. Silhouette - color - texture - accent
Variables of Costume Design
Non-Profit Theatre
Eugene Scribe
Chorus
46. Events that set off a major conflict
Inciting Incident
Verisimilitude
Aesthetic Distance
Duke of Saxe Meiningen
47. Experimented with symbolism in an unconventional setting
Comedy of Character
Lazzi
Melodrama
Meyerhold
48. Less than 100 people - experimental theatre - not exactly commercial
Hypokrites
Melodrama (def)
Prose
Off-Off-Broadway
49. Main character
Antagonist
Protagonist
Who was the Proscenium Invented by?
Improv
50. Stock characters (servants - masters - lovers)
Lazzi
Ground Plan
Concept
Bertolt Brecht