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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Linear events progress forward in time
Variables of Costume Design
Causal Play Structure
Printing Press
Thought
2. Audience watches from 3 sides
Exposition
Technical Developments of the 19th Century
Thrust Space
Aesthetic Distance
3. A picture of the scene from the audience perspective
Front of House
Plato's Attitude Toward Theatre
Printing Press
Rendering
4. Rejection of neoclassicism -
Blocking
Commercial Theatre
Romanticism & Romantic Theory
Rendering
5. The recall of physical sensations surrounding emotional events
The Three Ways in Which Information is Given About a Character
Tragicomedy
Actor
Sense Memory
6. Controls the environment in the theatre
Verisimilitude
Designer
Morality Plays
Language
7. The actual meaning of the dialogue behind the words spoken
Subtext
Director
Lazzi
Thrust Space
8. Verse
The Meaning of the Neoclassic Goals That Define Verisimilitude
Aristotle
Postmodernism
Which Type of Language Was Used First by Playwrights?
9. Medea - The Bacchae
Euripides
Amateur Theatre
Casting Director
Auditions
10. Italians
Dramaturg
Wings
Who was the Proscenium Invented by?
Callbacks
11. A chart that records the items of clothing worn by each actor in each scene of the play
ostume Plot
Anton Chekhov
Improv
Public Domain
12. The standard tool for casting a production
Tragedy
Anton Chekhov
Dramaturg
Auditions
13. The Clouds - The Frogs - Lysistrata
Aristophanes
Prose
Practical
Upstage
14. Someone who writes plays
University Wits
Wings
Black Box
Playwright
15. Writer and first actor
Melodrama (def)
Thespis
Lazzi
Who was the Proscenium Invented by?
16. The standard tool for casting a production
Auditions
Educational Theatre
Thrust Space
The Progression of Elements in a Causal Play Structure
17. Suggest - distort - or abstract reality - deliberately incomplete - impossible in real life
Which Type of Language Was Used First by Playwrights?
Copyright
Educational Theatre
Presentational Approach
18. Appearance of truth
Upstage
Euripides
Verisimilitude
Thought
19. England's type of theatre
Wings
The Globe
Improv
Sense Memory
20. A group of actors - not just one star
Rendering
Ensemble
Conflict
Bertolt Brecht
21. The era we are currently in
Representational Approach
Vomitories
Postmodernism
Playwright
22. Suggest - distort - or abstract reality - deliberately incomplete - impossible in real life
Presentational Approach
Bertolt Brecht
Discovery
Renaissance
23. Two or more opposing forces working towards different goals
Linear Plot
Character
Off-Broadway
Conflict
24. High point of action
Catharsis
Climax
Practical
Bertolt Brecht
25. Professional - but all proceeds go back into the theatre - may require grants/donations
Mimesis
Non-Profit Theatre
Black Box
Off-Broadway
26. The person in charge of the artistic aspects of theatrical production
Director
Neoclassicism (def)
Front of House
Theatron
27. Business aspect of theatre: House manager - box office manager - ushers
Front of House
Educational Theatre
Renaissance
Bertolt Brecht
28. 'Storm and stress'
Situation Comedy
Sturm & Drang Movement
Postmodernism
Plato's Attitude Toward Theatre
29. Visible light source on stage
Sturm & Drang Movement
Subtext
Affective Memory
Practical
30. Works published before 1923
Mystery Plays
Public Domain
Ensemble
Romanticism & Romantic Theory
31. Writer and first actor
Who was the Proscenium Invented by?
Thespis
Euripides
Dialogue
32. Practical considerations - atmosphere - visual images.
Character
Naturalism
Representational Approach
Skene
33. Practitioners do not rely on theatrical activity for their livelihood
Melodrama
University Wits
Commedia Dell'Arte
Amateur Theatre
34. The era we are currently in
Morality Plays
Postmodernism
Morality Plays
Technical Developments of the 19th Century
35. Emile Zola - throws away traditional structure - 'slice of life'
Naturalism
Theatron
Technical Developments of the 19th Century
Mimesis
36. Artistic decisions meant to communicate a specific interpretation to the audience
Off-Broadway
Situation Comedy
Concept
ostume Plot
37. Audience observes from a similar viewpoint
Proscenium Space
Aristophanes
Presentational Approach
Sense Memory
38. Movement of art and literature in 16th century - based on Greek and Roman works
Dialogue
Anton Chekhov
Aristophanes
Neoclassicism (def)
39. Space can be manipulated to suit the production
Concept
Copyright
Orchestra
Black Box
40. Moscow arts theatre - ensemble acting - psychological evaluation of character
Theatre of Cruelty
Technical Developments of the 19th Century
Konstantin Stanislavski
Anton Chekhov
41. Proscenium space
Slapstick
Variables of Costume Design
Antagonist
The Box Set
42. Psychological separation - or a sense of detachment
Dialogue
Thrust Space
Aesthetic Distance
Slapstick
43. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Non-Profit Theatre
University Wits
Theatre of Cruelty
Catharsis
44. In the middle ages - wagons with scenery used in professional staging
Pageants
Mystery Plays
Representational Acting
Prose
45. Events progress forward in time
Downstage
Eugene Scribe
Linear Plot
Tragicomedy
46. Practitioners do not rely on theatrical activity for their livelihood
Difference Between Stage & Film Acting
Comedy of Character
Amateur Theatre
Affective Memory
47. Person who embodies a character on stage
Aristotle
Actor
The Meaning of the Neoclassic Unities
Pageants
48. A specialist in finding actors for specific roles
Causal Play Structure
Variables of Costume Design
Casting Director
Meander
49. The person in charge of the artistic aspects of theatrical production
Antagonist
Playwright
Director
Neoclassicism (def)
50. Meetings before casting - brainstorming - shaping work into a unified concept
Verisimilitude
Broadway
Process of Director/Designer Collaboration
The Three Ways in Which Information is Given About a Character