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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Actors do not acknowledge the presence of an audience
Proscenium Space
Fourth Wall
Meyerhold
Subplot
2. Physical comedy that became popular with the downslide of religious theatre
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3. The period of work in which the show is made ready for the stage.
Fourth Wall
Rendering
Rehearsal Process
Thought
4. Relates to the emotional response that the play creates
Dramatic Genre
Representational Approach
Falling Action
Eugene Scribe
5. Busiest person in the theatre
Actor
Upstage
Sophocles
Stage Manager
6. Stock characters (servants - masters - lovers)
Casting Director
Plot
Lazzi
Renaissance
7. A group of actors - not just one star
Thought
Aesthetic Distance
Naturalism
Ensemble
8. Plot - Character - Thought - Language - Music - Spectacle
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9. Used alienation to encourage distance
Bertolt Brecht
The Three Ways in Which Information is Given About a Character
Educational Theatre
Non-Profit Theatre
10. Physical comedy that became popular with the downslide of religious theatre
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11. Grammatically based
Prose
Euripides
Representational Acting
Tragicomedy
12. Two or more opposing forces working towards different goals
Conflict
Situation Comedy
Rendering
Vomitories
13. Not many props or detailed scenery
Miracle Plays
Ensemble
Sense Memory
Renaissance
14. Stick used to add noise to physical comedy
Tragedy
Renaissance
Cycles
Slapstick
15. Emotional identification - sense of identification with the character
The Progression of Elements in a Causal Play Structure
Protagonist
Climax
Empathy
16. Audience observes from a similar viewpoint
Proscenium Space
Comedy of Ideas
Subplot
Wings
17. A specialist in finding actors for specific roles
Casting Director
Emile Zola
Aesthetic Distance
Off-Broadway
18. What characters do - what characters say about themselves - what others say about them
Skene
Eugene Scribe
The Three Ways in Which Information is Given About a Character
Dramatic Genre
19. In ancient Greece - a stage house upstage from the circular orchestra
Slapstick
Presentational Approach
Thought
Skene
20. Works published before 1923
Off-Off-Broadway
Rising Action
Thrust Space
Public Domain
21. Focused on thought - controversial
Anton Chekhov
Realism and Realistic Developments
Comedy of Ideas
Plot
22. Occurs when something important is found - learned - or realized - during the action of the play
Which Type of Language Was Used First by Playwrights?
Plato
Discovery
Who was the Proscenium Invented by?
23. Series of short stories
Anton Chekhov
Light Plot
Antiquarianism
Antagonist
24. 'New Comedy' wrote The Grouch
Community Theatre
Off-Broadway
The Progression of Elements in a Causal Play Structure
Meander
25. Major character at odds with social expectations
Comedy of Manners
Dramaturg
Who was the Proscenium Invented by?
Components of Concept
26. Drop in emotional intensity following the climax
Plato's Attitude Toward Theatre
William Shakespeare
Fourth Wall
Falling Action
27. Units of action that build emotional intensity
Rising Action
Producer
Antiquarianism
Antagonist
28. Appearance of truth
Verisimilitude
Plato's Attitude Toward Theatre
Bertolt Brecht
Director
29. Emotional release
Catharsis
Anton Chekhov
Rising Action
Avant-Garde
30. The recall of physical sensations surrounding emotional events
Copyright
Sense Memory
Sophocles
Melodrama
31. High point of action
Downstage
Climax
Aeschylus
Vomitories
32. Busiest person in the theatre
Downstage
Stage Manager
Rehearsal Process
What Does It Mean to 'See in 3D'?
33. Meetings before casting - brainstorming - shaping work into a unified concept
Process of Director/Designer Collaboration
Practical
Which Type of Language Was Used First by Playwrights?
Melodrama (def)
34. Events that set off a major conflict
Thrust Space
Naturalism
Slapstick
Inciting Incident
35. Occurs when a line of action suddenly veers to the opposite
Falling Action
Producer
Hypokrites
Reversal
36. Verse
Community Theatre
Rising Action
Meyerhold
Which Type of Language Was Used First by Playwrights?
37. A drawing created by the lighting designer showing where each lighting instrument is to be hung
Melodrama (def)
Auditions
Practical
Light Plot
38. 'The Well Made Play' Credited with writing in between 440-500 plays - featured a melodramatic strategy
Subplot
Eugene Scribe
Dialogue
Components of Concept
39. Part of What is included in the text
Dialogue
Orchestra
Broadway
Aesthetic Distance
40. Main character
Proscenium Space
Protagonist
Falling Action
Melodrama (def)
41. Organization of action
Plot
Blocking
Conflict
Mystery Plays
42. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Theatre of Cruelty
Tragedy
Linear Plot
Off-Off-Broadway
43. Blend of union and non-union actors - sometimes housed in non-traditional locations
Hybrid Theatre
Commedia Dell'Arte
Exposition
Emile Zola
44. The era we are currently in
Plot
Difference Between Stage & Film Acting
Community Theatre
Postmodernism
45. Experimented with symbolism in an unconventional setting
Climax
Hybrid Theatre
Meyerhold
Non-Profit Theatre
46. Naturalism - throw away traditional structure - 'slice of life'
Exposition
Romanticism & Romantic Theory
Auditions
Emile Zola
47. Movement of art and literature in 16th century - based on Greek and Roman works
Catharsis
Neoclassicism (def)
Linear Plot
Subplot
48. The standard tool for casting a production
Mimesis
Comedy of Manners
Anton Chekhov
Auditions
49. Focused on thought - controversial
Comedy of Ideas
Thrust Space
Renaissance
Tragedy
50. Audience observes from a similar viewpoint
Auditions
Proscenium Space
Fourth Wall
The Meaning of the Neoclassic Unities