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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Imitation of character and action
Mimesis
Difference Between Stage & Film Acting
Amateur Theatre
Melodrama (def)
2. Units of action that build emotional intensity
Melodrama (def)
Theatron
Neoclassicism (def)
Rising Action
3. To see something in a 3 dimensional way
4. Linear events progress forward in time
The Progression of Elements in a Causal Play Structure
Tragicomedy
Causal Play Structure
Comedy
5. Plot - Character - Thought - Language - Music - Spectacle
6. Series of short stories
Anton Chekhov
The Meaning of the Neoclassic Unities
Playwright
Chorus
7. The recall of physical sensations surrounding emotional events
Sense Memory
Discovery
Cycles
Auditions
8. The era we are currently in
Postmodernism
Improv
Off-Off-Broadway
Process of Director/Designer Collaboration
9. A chart that records the items of clothing worn by each actor in each scene of the play
Conflict
Presentational Approach
Vomitories
ostume Plot
10. Non-profit and sells a full season theatre
Who was the Proscenium Invented by?
Sturm & Drang Movement
Regional Theatre
Hypokrites
11. Ideas within the play
Casting Director
The Meaning of the Neoclassic Unities
Thought
Protagonist
12. 100-499 people
Tragedy
Affective Memory
Downstage
Off-Broadway
13. Visible light source on stage
Neoclassicism (def)
Verisimilitude
Practical
Verisimilitude
14. Stick used to add noise to physical comedy
Thespis
Casting Director
Antagonist
Slapstick
15. Planned actor movement
Italian Contributions to Theatre During the Renaissance
Concept
Playwright
Blocking
16. Events that set off a major conflict
Aesthetic Distance
Inciting Incident
Theatron
Presentational Approach
17. Events progress forward in time
Plato's Attitude Toward Theatre
Linear Plot
Empathy
Conflict
18. Physical comedy that became popular with the downslide of religious theatre
19. The standard tool for casting a production
Practical
Auditions
Konstantin Stanislavski
Sturm & Drang Movement
20. The audience seating are 'sitting place'
Printing Press
Sophocles
Dramaturg
Theatron
21. 'The Well Made Play' Credited with writing in between 440-500 plays - featured a melodramatic strategy
Eugene Scribe
Rendering
Community Theatre
Commedia Dell'Arte
22. The person in charge of the artistic aspects of theatrical production
Konstantin Stanislavski
Subplot
Director
Sophocles
23. Experimented with symbolism in an unconventional setting
Meyerhold
Hypokrites
Which Type of Language Was Used First by Playwrights?
Difference Between Stage & Film Acting
24. Less than 100 people - experimental theatre - not exactly commercial
Off-Off-Broadway
Improv
Language
Tragicomedy
25. The Oresteia - only surviving Greek trilogy - added 2nd actor
Renaissance
Aeschylus
Rehearsal Process
Protagonist
26. Greek - actor
Orchestra
Comedy of Manners
Hypokrites
Henrik Ibsen
27. Fast paced - uses reversal and discovery
Educational Theatre
Downstage
Casting Director
Melodrama (def)
28. In ancient Greece - a stage house upstage from the circular orchestra
Skene
Falling Action
Concept
Dramatic Genre
29. Artistic decisions meant to communicate a specific interpretation to the audience
Dramaturg
Commedia Dell'Arte
The Globe
Concept
30. A drafting of the set as seen from overhead
Comedy
Wings
Falling Action
Ground Plan
31. 'Storm and stress'
Sturm & Drang Movement
Commercial Theatre
Anton Chekhov
Light Plot
32. Emile Zola - throws away traditional structure - 'slice of life'
Comedy of Manners
Director
Naturalism
Morality Plays
33. Occurs when something important is found - learned - or realized - during the action of the play
The Three Ways in Which Information is Given About a Character
Copyright
Discovery
Melodrama
34. Rejection of neoclassicism -
Practical
Romanticism & Romantic Theory
Tragicomedy
Miracle Plays
35. Based on the lives of the saints
Character
Blocking
Bertolt Brecht
Miracle Plays
36. Busiest person in the theatre
Stage Manager
The Meaning of the Neoclassic Goals That Define Verisimilitude
Front of House
Proscenium Space
37. Top of stage
Who was the Proscenium Invented by?
Euripides
Upstage
Concept
38. Professional - but all proceeds go back into the theatre - may require grants/donations
Non-Profit Theatre
Educational Theatre
University Wits
Naturalism
39. Psychological separation - or a sense of detachment
Rehearsal Process
Playwright
Causal Play Structure
Aesthetic Distance
40. A type of performance in which dialogue and action are not planned ahead of time and written down - but are made of on the spot by the actors
Hybrid Theatre
Thought
Proscenium Space
Improv
41. Occurs when something important is found - learned - or realized - during the action of the play
Discovery
Downstage
Konstantin Stanislavski
Improv
42. A>B>C>D
Konstantin Stanislavski
The Progression of Elements in a Causal Play Structure
Difference Between Stage & Film Acting
Improv
43. A drawing created by the lighting designer showing where each lighting instrument is to be hung
Avant-Garde
Light Plot
Proscenium Space
Henrik Ibsen
44. Information needed to understand the play
Broadway
The Three Ways in Which Information is Given About a Character
Exposition
Hybrid Theatre
45. Emile Zola - throws away traditional structure - 'slice of life'
Mystery Plays
Theatre of Cruelty
Variables of Costume Design
Naturalism
46. Secondary line of action that is included in the plot/story
Playwright
Euripides
William Shakespeare
Subplot
47. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
Empathy
Exposition
The Box Set
The Meaning of the Neoclassic Unities
48. Actors do not acknowledge the presence of an audience
Royalty
Fourth Wall
Slapstick
Verse
49. Person who embodies a character on stage
Ensemble
Actor
Postmodernism
Eugene Scribe
50. Not many props or detailed scenery
Naturalism
Concept
Comedy
Renaissance