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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Plays with a moral message - good vs. evil
Morality Plays
Rising Action
Chorus
Commedia Dell'Arte
2. Fast paced - uses reversal and discovery
The Three Ways in Which Information is Given About a Character
Theatre of Cruelty
The Box Set
Melodrama (def)
3. Recognizes plays as intellectual property of the playwright
Konstantin Stanislavski
Meyerhold
Copyright
Printing Press
4. The audience seating are 'sitting place'
Wings
Theatron
Broadway
Front of House
5. 'Father of Realism'
Henrik Ibsen
University Wits
Front of House
Plato
6. Controls the environment in the theatre
Thespis
Designer
ostume Plot
Protagonist
7. A picture of the scene from the audience perspective
Rendering
Callbacks
Producer
Plato
8. To see something in a 3 dimensional way
9. Moscow arts theatre - ensemble acting - psychological evaluation of character
Downstage
Konstantin Stanislavski
Blocking
Community Theatre
10. The person in charge of the artistic aspects of theatrical production
Affective Memory
Meander
Director
Neoclassicism (def)
11. Two or more opposing forces working towards different goals
Conflict
Lazzi
Verisimilitude
Slapstick
12. Appearance of truth
Euripides
Plato's Attitude Toward Theatre
Black Box
Verisimilitude
13. Emotional identification - sense of identification with the character
Practical
Thespis
Downstage
Empathy
14. Serious and comedic qualities are mixed
Neoclassicism (def)
Prose
Tragicomedy
Rising Action
15. Secondary line of action that is included in the plot/story
Black Box
Subplot
Amateur Theatre
Callbacks
16. Main character
University Wits
Protagonist
ostume Plot
Plato
17. Imitation of character and action
Bertolt Brecht
Mimesis
Off-Broadway
Chorus
18. Works published before 1923
Prose
Non-Profit Theatre
Theatre of Cruelty
Public Domain
19. Experimental - popular between 1890's-1960's
Ensemble
Variables of Costume Design
Casting Director
Avant-Garde
20. The first director
The Globe
Duke of Saxe Meiningen
Climax
Front of House
21. Six elements - catharsis
Emile Zola
Community Theatre
Public Domain
Aristotle
22. Controls the environment in the theatre
Designer
Aesthetic Distance
The Box Set
Cycles
23. Proscenium arch/stage
Italian Contributions to Theatre During the Renaissance
Affective Memory
Aristophanes
Miracle Plays
24. What characters do - what characters say about themselves - what others say about them
Representational Approach
Inciting Incident
Auditions
The Three Ways in Which Information is Given About a Character
25. Meetings before casting - brainstorming - shaping work into a unified concept
Wings
The Meaning of the Neoclassic Goals That Define Verisimilitude
Process of Director/Designer Collaboration
Rising Action
26. Information needed to understand the play
Exposition
Commercial Theatre
William Shakespeare
Inciting Incident
27. The actual meaning of the dialogue behind the words spoken
Neoclassicism (def)
Commercial Theatre
Catharsis
Subtext
28. Audience observes from a similar viewpoint
William Shakespeare
Plato's Attitude Toward Theatre
Components of Concept
Proscenium Space
29. Units of action that build emotional intensity
Rising Action
Commedia Dell'Arte
Aristotle
Cycles
30. Major character at odds with social expectations
Presentational Approach
Comedy of Manners
Hypokrites
Components of Concept
31. The era we are currently in
Postmodernism
Comedy of Character
Blocking
Educational Theatre
32. Rejection of neoclassicism -
Royalty
Romanticism & Romantic Theory
Plot
Mimesis
33. A picture of the scene from the audience perspective
Rendering
Educational Theatre
Sturm & Drang Movement
Commedia Dell'Arte
34. What characters do - what characters say about themselves - what others say about them
Printing Press
Aristophanes
Regional Theatre
The Three Ways in Which Information is Given About a Character
35. Grammatically based
Dramatic Genre
Prose
Melodrama (def)
Representational Approach
36. Production of plays in schools at primary - secondary - undergraduate - and graduate levels
Sophocles
Designer
Mystery Plays
Educational Theatre
37. The person in charge of the artistic aspects of theatrical production
Sophocles
Director
Antiquarianism
Climax
38. Proscenium arch/stage
Italian Contributions to Theatre During the Renaissance
Catharsis
Tragicomedy
Sense Memory
39. Professional - but all proceeds go back into the theatre - may require grants/donations
Non-Profit Theatre
Plato's Attitude Toward Theatre
Plato
Avant-Garde
40. 100-499 people
Difference Between Stage & Film Acting
Plot
Off-Broadway
Auditions
41. Major character at odds with social expectations
Comedy of Manners
Exposition
Amateur Theatre
Melodrama (def)
42. The Clouds - The Frogs - Lysistrata
Aristophanes
Stage Manager
Rendering
The Globe
43. Does not acknowledge the presence of an audience
Ensemble
Designer
Copyright
Representational Acting
44. An entrance to elevated seating for the audience that runs underneath the audience and comes up to empty to the seating area
Thrust Space
Vomitories
Casting Director
Meyerhold
45. Experimented with symbolism in an unconventional setting
Meyerhold
Eugene Scribe
Aristophanes
Antagonist
46. Moscow arts theatre - ensemble acting - psychological evaluation of character
Antagonist
Konstantin Stanislavski
Producer
Dramatic Genre
47. Italians
Playwright
Antagonist
Renaissance
Who was the Proscenium Invented by?
48. Play reenacting biblical stories
Sophocles
The Three Ways in Which Information is Given About a Character
Community Theatre
Mystery Plays
49. Humorous - objective view point
Educational Theatre
Comedy
Which Type of Language Was Used First by Playwrights?
Subplot
50. Plot - Character - Thought - Language - Music - Spectacle