SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Information needed to understand the play
Emile Zola
Exposition
Front of House
Dialogue
2. Historically accurate costumes and scenery
Antiquarianism
Fourth Wall
Wings
Avant-Garde
3. Not many props or detailed scenery
Aesthetic Distance
Renaissance
Practical
Subplot
4. Meetings before casting - brainstorming - shaping work into a unified concept
Process of Director/Designer Collaboration
Hypokrites
Aristotle's Six Elements of a Play
Commercial Theatre
5. England's type of theatre
The Globe
Playwright
Henrik Ibsen
Antiquarianism
6. Italians
Who was the Proscenium Invented by?
Ensemble
Community Theatre
Aristotle's Six Elements of a Play
7. Verse
Which Type of Language Was Used First by Playwrights?
Emile Zola
Presentational Approach
Rendering
8. Serious and comedic qualities are mixed
Copyright
Tragicomedy
Skene
Comedy of Manners
9. Humorous - objective view point
Plot
Designer
Director
Comedy
10. Main character
Neoclassicism (def)
Vomitories
Protagonist
Renaissance
11. Planned actor movement
Designer
Blocking
Commercial Theatre
Downstage
12. Actors do not acknowledge the presence of an audience
William Shakespeare
Avant-Garde
Slapstick
Fourth Wall
13. The era we are currently in
University Wits
Postmodernism
Meander
Konstantin Stanislavski
14. Drawn by eccentricities of major character
Representational Approach
Verisimilitude
Wings
Comedy of Character
15. Part of What is included in the text
Rising Action
Casting Director
Euripides
Dialogue
16. Ideas within the play
Catharsis
Light Plot
The Progression of Elements in a Causal Play Structure
Thought
17. To see something in a 3 dimensional way
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
18. An individual that aids the director in researching the play and its historical time period
Dramaturg
Sturm & Drang Movement
Actor
Presentational Approach
19. Based on the lives of the saints
Anton Chekhov
Thespis
Conflict
Miracle Plays
20. Rhyming
Verse
Aeschylus
Comedy
The Meaning of the Neoclassic Goals That Define Verisimilitude
21. A second or later round of auditions to which specific actors are invited
Anton Chekhov
Callbacks
The Box Set
Wings
22. Practical considerations - atmosphere - visual images.
Aristotle
Playwright
Exposition
Representational Approach
23. The person in charge of the financial business and aspects of a production.
Skene
Producer
Meyerhold
Components of Concept
24. Person who embodies a character on stage
Empathy
Stage Manager
Antagonist
Actor
25. A specialist in finding actors for specific roles
Melodrama (def)
Casting Director
Cycles
Reversal
26. What characters do - what characters say about themselves - what others say about them
The Three Ways in Which Information is Given About a Character
Avant-Garde
Causal Play Structure
Conflict
27. Emotional identification - sense of identification with the character
Downstage
Wings
Pageants
Empathy
28. Relates to the emotional response that the play creates
Dramatic Genre
Variables of Costume Design
Ground Plan
Konstantin Stanislavski
29. In the middle ages - wagons with scenery used in professional staging
Catharsis
Pageants
Variables of Costume Design
Light Plot
30. Drop in emotional intensity following the climax
Falling Action
Realism and Realistic Developments
Comedy
Verisimilitude
31. Verse
University Wits
Comedy of Ideas
Hypokrites
Which Type of Language Was Used First by Playwrights?
32. Thomas Aquinas - literature can be dispersed at a faster rate
Casting Director
Wings
Printing Press
Konstantin Stanislavski
33. 100-499 people
Off-Broadway
Sophocles
Italian Contributions to Theatre During the Renaissance
Process of Director/Designer Collaboration
34. Italians
Aristotle's Six Elements of a Play
Hybrid Theatre
Who was the Proscenium Invented by?
Exposition
35. Six elements - catharsis
Mystery Plays
Aristotle
Anton Chekhov
Process of Director/Designer Collaboration
36. The Clouds - The Frogs - Lysistrata
Regional Theatre
Director
Which Type of Language Was Used First by Playwrights?
Aristophanes
37. Proscenium arch/stage
Copyright
Melodrama (def)
Italian Contributions to Theatre During the Renaissance
Technical Developments of the 19th Century
38. A type of performance in which dialogue and action are not planned ahead of time and written down - but are made of on the spot by the actors
Dialogue
Improv
Romanticism & Romantic Theory
Bertolt Brecht
39. Gas lights - etc.
Technical Developments of the 19th Century
Thought
Dramaturg
Euripides
40. Born in Stafford Upon Avon - studied Latin in school - wrote 30 plays
Light Plot
William Shakespeare
Sense Memory
Tragicomedy
41. Recognizes plays as intellectual property of the playwright
Protagonist
Copyright
Rendering
Aesthetic Distance
42. Less than 100 people - experimental theatre - not exactly commercial
Thrust Space
Empathy
Off-Off-Broadway
The Box Set
43. Emile Zola - throws away traditional structure - 'slice of life'
Naturalism
Theatre of Cruelty
Antagonist
Protagonist
44. The person in charge of the artistic aspects of theatrical production
Aeschylus
Dramaturg
Director
Neoclassicism (def)
45. In a proscenium space - spaces offstage to the left and right for actors - crew - and scenery not yet in the visible performance space
Slapstick
Director
Wings
Commedia Dell'Arte
46. Psychological separation - or a sense of detachment
Playwright
Meyerhold
Aesthetic Distance
Difference Between Stage & Film Acting
47. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Euripides
Auditions
Designer
Theatre of Cruelty
48. Appearance of truth
Community Theatre
Neoclassicism (def)
Verisimilitude
Miracle Plays
49. Controls the environment in the theatre
Prose
Designer
Discovery
Dialogue
50. The audience seating are 'sitting place'
Difference Between Stage & Film Acting
Casting Director
Black Box
Theatron