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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Evokes emotions of pity and fear - serious - ends unhappily
Tragedy
Anton Chekhov
Konstantin Stanislavski
Neoclassicism (def)
2. Production of plays in schools at primary - secondary - undergraduate - and graduate levels
Educational Theatre
Melodrama (def)
Pageants
Actor
3. Space can be manipulated to suit the production
William Shakespeare
Comedy of Character
Black Box
Process of Director/Designer Collaboration
4. Planned actor movement
Blocking
Wings
Ensemble
Eugene Scribe
5. Scenery - costume - lighting - rhythm - movement - composition
Protagonist
Representational Approach
Components of Concept
Variables of Costume Design
6. 19th century - action - thrillers - domestic stories of love and divorce
Regional Theatre
Playwright
Melodrama
University Wits
7. Writer and first actor
What Does It Mean to 'See in 3D'?
Thespis
Sense Memory
Presentational Approach
8. Less than 100 people - experimental theatre - not exactly commercial
Verse
Off-Off-Broadway
Royalty
Lazzi
9. Top of stage
ostume Plot
Theatre of Cruelty
Rehearsal Process
Upstage
10. A group of actors - not just one star
Discovery
Ensemble
Empathy
Who was the Proscenium Invented by?
11. Works published before 1923
Subtext
Representational Approach
Public Domain
Vomitories
12. The Clouds - The Frogs - Lysistrata
Aristophanes
Process of Director/Designer Collaboration
Comedy of Ideas
Practical
13. Recognizes plays as intellectual property of the playwright
Callbacks
Skene
Copyright
Actor
14. High point of action
Emile Zola
Difference Between Stage & Film Acting
Climax
Callbacks
15. Emotional identification - sense of identification with the character
Comedy of Ideas
Empathy
Practical
Mystery Plays
16. A drafting of the set as seen from overhead
Ground Plan
Difference Between Stage & Film Acting
Avant-Garde
Dialogue
17. Was poetry for many years
Aristophanes
Language
Konstantin Stanislavski
Black Box
18. To see something in a 3 dimensional way
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19. Six elements - catharsis
Catharsis
Neoclassicism (def)
Romanticism & Romantic Theory
Aristotle
20. Naturalism - throw away traditional structure - 'slice of life'
Actor
Plato's Attitude Toward Theatre
Emile Zola
Reversal
21. The actual meaning of the dialogue behind the words spoken
Pageants
Slapstick
Subtext
Plato
22. A group of performers working together vocally and physically
Anton Chekhov
Callbacks
Reversal
Chorus
23. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
The Meaning of the Neoclassic Goals That Define Verisimilitude
Postmodernism
Dramaturg
Actor
24. Humorous - objective view point
Comedy
Subplot
Actor
The Globe
25. Linear events progress forward in time
Ground Plan
Educational Theatre
Casting Director
Causal Play Structure
26. 100-499 people
Public Domain
Melodrama (def)
Off-Broadway
Exposition
27. Emile Zola - throws away traditional structure - 'slice of life'
Callbacks
Naturalism
Romanticism & Romantic Theory
Sturm & Drang Movement
28. Drawn by eccentricities of major character
Comedy of Character
Wings
Climax
Royalty
29. Italians
Cycles
Who was the Proscenium Invented by?
Aristotle's Six Elements of a Play
Pageants
30. A fee for each performance
Royalty
Blocking
Emile Zola
The Three Ways in Which Information is Given About a Character
31. Gas lights - etc.
Technical Developments of the 19th Century
Linear Plot
Representational Acting
Hypokrites
32. Causes trouble for the main character
Hypokrites
Casting Director
Public Domain
Antagonist
33. Greek - actor
Ensemble
Hypokrites
Printing Press
Tragicomedy
34. Fast paced - uses reversal and discovery
Renaissance
Skene
Producer
Melodrama (def)
35. Units of action that build emotional intensity
Commercial Theatre
Rising Action
Konstantin Stanislavski
Community Theatre
36. Not many props or detailed scenery
Aristotle's Six Elements of a Play
Practical
Renaissance
Romanticism & Romantic Theory
37. 500-1800 people
Miracle Plays
Process of Director/Designer Collaboration
Subplot
Broadway
38. Oedipus - Antigone - added 3rd actor
Dialogue
Lazzi
Tragicomedy
Sophocles
39. Writer and first actor
Thespis
Upstage
Aristotle's Six Elements of a Play
What Does It Mean to 'See in 3D'?
40. Occurs when a line of action suddenly veers to the opposite
ostume Plot
Process of Director/Designer Collaboration
Light Plot
Reversal
41. Emotional identification - sense of identification with the character
Empathy
Commedia Dell'Arte
Renaissance
Character
42. The standard tool for casting a production
Pageants
Off-Broadway
Auditions
Antiquarianism
43. Artistic decisions meant to communicate a specific interpretation to the audience
Concept
Practical
Inciting Incident
Morality Plays
44. Events that set off a major conflict
Inciting Incident
The Meaning of the Neoclassic Unities
Cycles
Theatre of Cruelty
45. Experimental - popular between 1890's-1960's
Avant-Garde
William Shakespeare
Sophocles
Plato
46. High point of action
Practical
Euripides
Vomitories
Climax
47. A>B>C>D
Director
The Progression of Elements in a Causal Play Structure
Aristotle's Six Elements of a Play
Theatre of Cruelty
48. 'Storm and stress'
Sturm & Drang Movement
Producer
Commedia Dell'Arte
Bertolt Brecht
49. Used alienation to encourage distance
Bertolt Brecht
Aeschylus
Fourth Wall
Producer
50. Stick used to add noise to physical comedy
Director
Slapstick
Thought
Blocking