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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Rejection of neoclassicism -
Rendering
Naturalism
Representational Acting
Romanticism & Romantic Theory
2. An individual that aids the director in researching the play and its historical time period
Eugene Scribe
Dramaturg
Comedy
Designer
3. Meetings before casting - brainstorming - shaping work into a unified concept
Black Box
Comedy
Process of Director/Designer Collaboration
Theatre of Cruelty
4. Psychological separation - or a sense of detachment
Naturalism
Melodrama (def)
Realism and Realistic Developments
Aesthetic Distance
5. Moscow arts theatre - ensemble acting - psychological evaluation of character
Orchestra
Konstantin Stanislavski
Catharsis
Aesthetic Distance
6. Stick used to add noise to physical comedy
Language
Slapstick
Components of Concept
ostume Plot
7. Proscenium space
Designer
The Box Set
Renaissance
Royalty
8. Used alienation to encourage distance
Meyerhold
Rehearsal Process
Bertolt Brecht
Variables of Costume Design
9. 'Storm and stress'
Sturm & Drang Movement
Rendering
Casting Director
Character
10. Artistic decisions meant to communicate a specific interpretation to the audience
Sturm & Drang Movement
Blocking
Concept
Off-Off-Broadway
11. Recognizes plays as intellectual property of the playwright
Public Domain
Exposition
Theatre of Cruelty
Copyright
12. The period of work in which the show is made ready for the stage.
William Shakespeare
The Meaning of the Neoclassic Unities
Rehearsal Process
Presentational Approach
13. Greek - actor
Commedia Dell'Arte
Hypokrites
Falling Action
Mystery Plays
14. Audience observes from a similar viewpoint
Inciting Incident
The Globe
Proscenium Space
Skene
15. Play reenacting biblical stories
Italian Contributions to Theatre During the Renaissance
The Box Set
Mystery Plays
Actor
16. Busiest person in the theatre
Stage Manager
Realism and Realistic Developments
Skene
Copyright
17. Italians
Avant-Garde
Comedy
University Wits
Who was the Proscenium Invented by?
18. Actors do not acknowledge the presence of an audience
What Does It Mean to 'See in 3D'?
Mystery Plays
Fourth Wall
Pageants
19. Emile Zola - throws away traditional structure - 'slice of life'
Naturalism
University Wits
Playwright
Callbacks
20. 500-1800 people
Broadway
Front of House
The Globe
Educational Theatre
21. Production of plays in schools at primary - secondary - undergraduate - and graduate levels
Educational Theatre
Off-Broadway
Community Theatre
Dramatic Genre
22. Space can be manipulated to suit the production
Which Type of Language Was Used First by Playwrights?
Downstage
Morality Plays
Black Box
23. A group of performers working together vocally and physically
Chorus
Comedy of Ideas
Actor
Off-Off-Broadway
24. To see something in a 3 dimensional way
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25. A drawing created by the lighting designer showing where each lighting instrument is to be hung
Light Plot
Downstage
Melodrama
Amateur Theatre
26. Series of short stories
Anton Chekhov
Rendering
Eugene Scribe
Romanticism & Romantic Theory
27. Blend of union and non-union actors - sometimes housed in non-traditional locations
Who was the Proscenium Invented by?
Hybrid Theatre
Duke of Saxe Meiningen
Difference Between Stage & Film Acting
28. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
The Meaning of the Neoclassic Unities
Sturm & Drang Movement
Melodrama (def)
Antiquarianism
29. Events that set off a major conflict
Auditions
Thrust Space
Aristophanes
Inciting Incident
30. Non-profit and sells a full season theatre
Aesthetic Distance
Tragedy
Regional Theatre
Euripides
31. A>B>C>D
Euripides
Aesthetic Distance
Broadway
The Progression of Elements in a Causal Play Structure
32. Practical considerations - atmosphere - visual images.
Conflict
Representational Approach
Morality Plays
The Three Ways in Which Information is Given About a Character
33. Person who embodies a character on stage
Actor
Upstage
Prose
Off-Off-Broadway
34. The standard tool for casting a production
Non-Profit Theatre
Bertolt Brecht
Auditions
Comedy
35. Audience observes from a similar viewpoint
Proscenium Space
Aristotle
Naturalism
Exposition
36. The standard tool for casting a production
Thrust Space
Representational Approach
Hypokrites
Auditions
37. Two or more opposing forces working towards different goals
Conflict
Duke of Saxe Meiningen
Rendering
Aeschylus
38. Proscenium arch/stage
Italian Contributions to Theatre During the Renaissance
Causal Play Structure
Euripides
Process of Director/Designer Collaboration
39. Wrote 'The Republic' about people who would be allowed in his society
Plato
Lazzi
Linear Plot
Konstantin Stanislavski
40. Six elements - catharsis
Meyerhold
Commercial Theatre
Melodrama (def)
Aristotle
41. In ancient Greece - a stage house upstage from the circular orchestra
Skene
Rehearsal Process
Rendering
University Wits
42. 19th century - action - thrillers - domestic stories of love and divorce
Verse
Slapstick
Aristotle's Six Elements of a Play
Melodrama
43. Physical comedy that became popular with the downslide of religious theatre
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44. Naturalism - throw away traditional structure - 'slice of life'
Emile Zola
Catharsis
Rising Action
Auditions
45. Events that set off a major conflict
Black Box
Avant-Garde
Inciting Incident
Off-Off-Broadway
46. Stock characters (servants - masters - lovers)
Lazzi
Stage Manager
Naturalism
Off-Broadway
47. Experimental - popular between 1890's-1960's
Avant-Garde
Variables of Costume Design
Comedy
Anton Chekhov
48. In ancient Greece - a stage house upstage from the circular orchestra
Rising Action
Emile Zola
Skene
Eugene Scribe
49. Plato thought it was harmful to be one thing and act like another
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50. Focused on thought - controversial
Educational Theatre
ostume Plot
Discovery
Comedy of Ideas