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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Experimental - popular between 1890's-1960's
Bertolt Brecht
Avant-Garde
Off-Broadway
Euripides
2. Drop in emotional intensity following the climax
Antiquarianism
Technical Developments of the 19th Century
Fourth Wall
Falling Action
3. Practical considerations - atmosphere - visual images.
Variables of Costume Design
Downstage
Verse
Representational Approach
4. The first director
Duke of Saxe Meiningen
Front of House
Representational Approach
Meyerhold
5. The recall of physical sensations surrounding emotional events
Sense Memory
Difference Between Stage & Film Acting
Stage Manager
Thespis
6. A drawing created by the lighting designer showing where each lighting instrument is to be hung
Representational Approach
Regional Theatre
Light Plot
Situation Comedy
7. Practical considerations - atmosphere - visual images.
Blocking
Wings
Representational Approach
Sturm & Drang Movement
8. Shows that are produced to earn a profit for investors
Commercial Theatre
Euripides
Actor
Linear Plot
9. A picture of the scene from the audience perspective
Ground Plan
Royalty
Thespis
Rendering
10. Used alienation to encourage distance
Bertolt Brecht
Dialogue
Naturalism
Which Type of Language Was Used First by Playwrights?
11. Emotional identification - sense of identification with the character
Broadway
Meyerhold
Blocking
Empathy
12. Suggest - distort - or abstract reality - deliberately incomplete - impossible in real life
Rehearsal Process
Romanticism & Romantic Theory
Theatre of Cruelty
Presentational Approach
13. Oedipus - Antigone - added 3rd actor
Falling Action
Verisimilitude
Sophocles
Difference Between Stage & Film Acting
14. 100-499 people
Designer
Practical
Off-Broadway
Romanticism & Romantic Theory
15. Italians
Henrik Ibsen
Upstage
Who was the Proscenium Invented by?
Avant-Garde
16. Italians
Who was the Proscenium Invented by?
Climax
Casting Director
Designer
17. Emotional release
Broadway
Rehearsal Process
Catharsis
Off-Off-Broadway
18. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
Hypokrites
Melodrama
Subplot
The Meaning of the Neoclassic Unities
19. The standard tool for casting a production
The Progression of Elements in a Causal Play Structure
ostume Plot
Auditions
Comedy
20. To see something in a 3 dimensional way
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21. Experimented with symbolism in an unconventional setting
Meyerhold
Who was the Proscenium Invented by?
Improv
Language
22. In the middle ages - wagons with scenery used in professional staging
Pageants
Regional Theatre
Plot
Upstage
23. Experimented with symbolism in an unconventional setting
Meyerhold
Representational Acting
Commercial Theatre
Front of House
24. The standard tool for casting a production
Practical
Auditions
Community Theatre
Empathy
25. Drawn by eccentricities of major character
Comedy of Character
Affective Memory
ostume Plot
William Shakespeare
26. Business aspect of theatre: House manager - box office manager - ushers
Front of House
Anton Chekhov
Director
Meyerhold
27. Secondary line of action that is included in the plot/story
Comedy
Postmodernism
Variables of Costume Design
Subplot
28. Events progress forward in time
Chorus
The Meaning of the Neoclassic Unities
Linear Plot
Romanticism & Romantic Theory
29. Causes trouble for the main character
Antagonist
Components of Concept
Prose
Renaissance
30. England's type of theatre
Practical
Theatre of Cruelty
The Globe
Inciting Incident
31. Was poetry for many years
Language
Discovery
Antiquarianism
Light Plot
32. Wrote 'The Republic' about people who would be allowed in his society
Plato
Melodrama (def)
Ground Plan
Wings
33. Naturalism - throw away traditional structure - 'slice of life'
Comedy of Manners
Emile Zola
Tragicomedy
Meander
34. Events progress forward in time
Henrik Ibsen
Ground Plan
Discovery
Linear Plot
35. A picture of the scene from the audience perspective
Rendering
Sophocles
Thrust Space
Catharsis
36. Proscenium arch/stage
Italian Contributions to Theatre During the Renaissance
The Meaning of the Neoclassic Goals That Define Verisimilitude
What Does It Mean to 'See in 3D'?
Reversal
37. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Process of Director/Designer Collaboration
Blocking
Theatre of Cruelty
Aesthetic Distance
38. Performs Actions of the Play
Meander
Henrik Ibsen
Character
Anton Chekhov
39. Experimental - popular between 1890's-1960's
Off-Broadway
Callbacks
Euripides
Avant-Garde
40. Greek - actor
Commercial Theatre
Plot
Hypokrites
Representational Acting
41. Based on the lives of the saints
Broadway
Miracle Plays
The Globe
Verisimilitude
42. Visible light source on stage
Tragedy
Aristotle's Six Elements of a Play
Upstage
Practical
43. A group of actors - not just one star
Representational Acting
Comedy of Character
Neoclassicism (def)
Ensemble
44. Serious and comedic qualities are mixed
Tragicomedy
Aristophanes
Broadway
Chorus
45. Controls the environment in the theatre
Proscenium Space
Catharsis
Designer
Henrik Ibsen
46. Thomas Aquinas - literature can be dispersed at a faster rate
Printing Press
Linear Plot
Aesthetic Distance
Theatre of Cruelty
47. Writer and first actor
Commercial Theatre
Language
Dramatic Genre
Thespis
48. The period of work in which the show is made ready for the stage.
Falling Action
Rehearsal Process
Meyerhold
William Shakespeare
49. In ancient Greece - a stage house upstage from the circular orchestra
University Wits
Plato
Theatre of Cruelty
Skene
50. A second or later round of auditions to which specific actors are invited
Subplot
Representational Approach
Off-Off-Broadway
Callbacks