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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of performance in which dialogue and action are not planned ahead of time and written down - but are made of on the spot by the actors
Upstage
Improv
Prose
Avant-Garde
2. Blend of union and non-union actors - sometimes housed in non-traditional locations
Tragedy
Hybrid Theatre
Bertolt Brecht
Designer
3. Emotional identification - sense of identification with the character
Empathy
Rendering
Antagonist
Henrik Ibsen
4. Drop in emotional intensity following the climax
Causal Play Structure
Antagonist
Pageants
Falling Action
5. Feel more in stage acting.
Process of Director/Designer Collaboration
Affective Memory
Difference Between Stage & Film Acting
Reversal
6. Psychological separation - or a sense of detachment
Aesthetic Distance
Amateur Theatre
Plato
Situation Comedy
7. The recall of physical sensations surrounding emotional events
Antagonist
Stage Manager
Sense Memory
Italian Contributions to Theatre During the Renaissance
8. The period of work in which the show is made ready for the stage.
Rehearsal Process
Melodrama
Which Type of Language Was Used First by Playwrights?
Verisimilitude
9. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
The Meaning of the Neoclassic Unities
Auditions
Royalty
Dramatic Genre
10. Shows that are produced to earn a profit for investors
Designer
Comedy of Ideas
Commercial Theatre
Cycles
11. Two or more opposing forces working towards different goals
Representational Acting
Henrik Ibsen
Lazzi
Conflict
12. Was poetry for many years
Lazzi
Affective Memory
Language
Realism and Realistic Developments
13. A second or later round of auditions to which specific actors are invited
Downstage
Callbacks
Representational Approach
Commedia Dell'Arte
14. Series of short stories
Designer
Anton Chekhov
Sturm & Drang Movement
Dialogue
15. Ideas within the play
Producer
Thought
Dramatic Genre
Playwright
16. Writer and first actor
Falling Action
Italian Contributions to Theatre During the Renaissance
Situation Comedy
Thespis
17. The person in charge of the artistic aspects of theatrical production
Renaissance
Director
Variables of Costume Design
Black Box
18. Shows that are produced to earn a profit for investors
Thought
Commercial Theatre
Fourth Wall
Melodrama (def)
19. Play reenacting biblical stories
Mystery Plays
Dramatic Genre
Realism and Realistic Developments
Public Domain
20. Events progress forward in time
Technical Developments of the 19th Century
Duke of Saxe Meiningen
Linear Plot
Sophocles
21. What characters do - what characters say about themselves - what others say about them
Vomitories
The Three Ways in Which Information is Given About a Character
Vomitories
Hybrid Theatre
22. Major character at odds with social expectations
Henrik Ibsen
Comedy of Manners
Discovery
Callbacks
23. Occurs when a line of action suddenly veers to the opposite
Neoclassicism (def)
Commercial Theatre
Prose
Reversal
24. Occurs when a line of action suddenly veers to the opposite
Meander
Plot
Director
Reversal
25. 'The Well Made Play' Credited with writing in between 440-500 plays - featured a melodramatic strategy
Dramatic Genre
Eugene Scribe
Language
The Progression of Elements in a Causal Play Structure
26. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
The Meaning of the Neoclassic Goals That Define Verisimilitude
Theatre of Cruelty
Avant-Garde
Reversal
27. Humorous - objective view point
Comedy
Renaissance
Climax
Chorus
28. Requires actors to call on personal memories of situations similar to those of their characters
Language
Neoclassicism (def)
Who was the Proscenium Invented by?
Affective Memory
29. Someone who writes plays
The Box Set
The Globe
Comedy of Ideas
Playwright
30. Humorous - objective view point
Comedy
Front of House
Off-Off-Broadway
Variables of Costume Design
31. Drop in emotional intensity following the climax
Anton Chekhov
Duke of Saxe Meiningen
Representational Approach
Falling Action
32. Experimental - popular between 1890's-1960's
Avant-Garde
Thrust Space
Melodrama
Difference Between Stage & Film Acting
33. Audience observes from a similar viewpoint
Front of House
Proscenium Space
Exposition
Chorus
34. The Oresteia - only surviving Greek trilogy - added 2nd actor
Tragicomedy
Aeschylus
Actor
Thrust Space
35. Rhyming
Components of Concept
Verse
Comedy of Character
Naturalism
36. England's type of theatre
Actor
Tragicomedy
Skene
The Globe
37. Does not acknowledge the presence of an audience
Representational Acting
Melodrama (def)
Regional Theatre
Ground Plan
38. Greek - actor
Hypokrites
Variables of Costume Design
The Three Ways in Which Information is Given About a Character
Ground Plan
39. Movement of art and literature in 16th century - based on Greek and Roman works
Neoclassicism (def)
Representational Acting
Public Domain
Royalty
40. A>B>C>D
Subtext
Morality Plays
Comedy of Manners
The Progression of Elements in a Causal Play Structure
41. Events that set off a major conflict
Auditions
Rehearsal Process
Inciting Incident
Playwright
42. Secondary line of action that is included in the plot/story
Verse
The Progression of Elements in a Causal Play Structure
Subtext
Subplot
43. Two or more opposing forces working towards different goals
Conflict
Mimesis
Who was the Proscenium Invented by?
Callbacks
44. The standard tool for casting a production
Vomitories
Language
Auditions
Process of Director/Designer Collaboration
45. A drawing created by the lighting designer showing where each lighting instrument is to be hung
Actor
Light Plot
Meander
Technical Developments of the 19th Century
46. Moscow arts theatre - ensemble acting - psychological evaluation of character
Climax
Language
Konstantin Stanislavski
Sturm & Drang Movement
47. Actors do not acknowledge the presence of an audience
Emile Zola
Fourth Wall
Empathy
Orchestra
48. Plays with a moral message - good vs. evil
Director
Morality Plays
ostume Plot
Aristotle's Six Elements of a Play
49. Wrote 'The Republic' about people who would be allowed in his society
Plato
Non-Profit Theatre
Broadway
Antagonist
50. The actual meaning of the dialogue behind the words spoken
Plato
Subtext
Comedy of Manners
Front of House