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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Six elements - catharsis
Aristotle
Bertolt Brecht
Empathy
Situation Comedy
2. Shows that are produced to earn a profit for investors
Character
Subplot
Postmodernism
Commercial Theatre
3. Secondary line of action that is included in the plot/story
Meander
Components of Concept
Subplot
Meyerhold
4. Audience observes from a similar viewpoint
Presentational Approach
Prose
Proscenium Space
Eugene Scribe
5. Organization of action
Plot
Off-Off-Broadway
Catharsis
Language
6. Does not acknowledge the presence of an audience
Comedy of Ideas
Representational Acting
Auditions
The Progression of Elements in a Causal Play Structure
7. Meetings before casting - brainstorming - shaping work into a unified concept
Process of Director/Designer Collaboration
Rehearsal Process
Verse
Playwright
8. Wrote 'The Republic' about people who would be allowed in his society
University Wits
Callbacks
Plato
Representational Approach
9. Exaggerated comedy derived from situations
Situation Comedy
Emile Zola
Producer
Avant-Garde
10. The person in charge of the artistic aspects of theatrical production
ostume Plot
Prose
Director
The Progression of Elements in a Causal Play Structure
11. 19th century - action - thrillers - domestic stories of love and divorce
William Shakespeare
Melodrama
Subtext
Off-Off-Broadway
12. High point of action
Conflict
Antagonist
Climax
Actor
13. Organization of action
Naturalism
Plot
Konstantin Stanislavski
Language
14. Experimental - popular between 1890's-1960's
Off-Broadway
Avant-Garde
Naturalism
Non-Profit Theatre
15. Evokes emotions of pity and fear - serious - ends unhappily
Orchestra
Ground Plan
Tragedy
Regional Theatre
16. Italians
Neoclassicism (def)
Who was the Proscenium Invented by?
Theatron
Protagonist
17. A picture of the scene from the audience perspective
Sophocles
Rendering
Tragedy
Callbacks
18. Plato thought it was harmful to be one thing and act like another
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19. Relates to the emotional response that the play creates
Dramaturg
Broadway
Dramatic Genre
Theatre of Cruelty
20. The recall of physical sensations surrounding emotional events
Sense Memory
Rendering
Empathy
Verse
21. Units of action that build emotional intensity
The Meaning of the Neoclassic Goals That Define Verisimilitude
Sense Memory
Rising Action
Language
22. Naturalism - throw away traditional structure - 'slice of life'
The Box Set
Commedia Dell'Arte
Emile Zola
Producer
23. Rebellion against melodrama and romanticism - more based on character's psychological journey - controversial subject matter
Realism and Realistic Developments
Sophocles
Protagonist
Concept
24. A group of performers working together vocally and physically
Miracle Plays
Chorus
Subtext
Catharsis
25. Events progress forward in time
Difference Between Stage & Film Acting
Copyright
Linear Plot
Comedy of Manners
26. England's type of theatre
The Globe
Rendering
Comedy of Ideas
Tragedy
27. The first director
Sense Memory
Neoclassicism (def)
Duke of Saxe Meiningen
Thought
28. Fast paced - uses reversal and discovery
Comedy of Ideas
Antagonist
Auditions
Melodrama (def)
29. Practical considerations - atmosphere - visual images.
Avant-Garde
Representational Approach
Lazzi
Technical Developments of the 19th Century
30. Rhyming
Verse
Naturalism
Character
Catharsis
31. The period of work in which the show is made ready for the stage.
Miracle Plays
Rehearsal Process
Fourth Wall
Black Box
32. Events that set off a major conflict
Verisimilitude
Aristophanes
Non-Profit Theatre
Inciting Incident
33. A second or later round of auditions to which specific actors are invited
Callbacks
Plot
Blocking
Rising Action
34. Visible light source on stage
Aristotle
Practical
Representational Approach
Theatron
35. 'Storm and stress'
Bertolt Brecht
Sturm & Drang Movement
Representational Acting
Romanticism & Romantic Theory
36. Writer and first actor
The Globe
Inciting Incident
Plato
Thespis
37. 'The Well Made Play' Credited with writing in between 440-500 plays - featured a melodramatic strategy
Printing Press
Eugene Scribe
Sturm & Drang Movement
Anton Chekhov
38. Major character at odds with social expectations
Thought
Printing Press
Rising Action
Comedy of Manners
39. 'Storm and stress'
Melodrama (def)
Community Theatre
Henrik Ibsen
Sturm & Drang Movement
40. Information needed to understand the play
Off-Off-Broadway
Inciting Incident
Melodrama
Exposition
41. Scenery - costume - lighting - rhythm - movement - composition
Components of Concept
Director
Naturalism
Lazzi
42. Psychological separation - or a sense of detachment
Callbacks
Aesthetic Distance
Director
Verisimilitude
43. Controls the environment in the theatre
Postmodernism
Designer
Auditions
Exposition
44. Linear events progress forward in time
Causal Play Structure
Designer
Catharsis
Stage Manager
45. Evokes emotions of pity and fear - serious - ends unhappily
Tragedy
Protagonist
Educational Theatre
Improv
46. Part of What is included in the text
Theatre of Cruelty
Black Box
Dialogue
Auditions
47. Secondary line of action that is included in the plot/story
Subplot
Mimesis
Character
Off-Off-Broadway
48. Born in Stafford Upon Avon - studied Latin in school - wrote 30 plays
Emile Zola
Inciting Incident
William Shakespeare
Royalty
49. Rebellion against melodrama and romanticism - more based on character's psychological journey - controversial subject matter
Anton Chekhov
Black Box
Realism and Realistic Developments
University Wits
50. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
Black Box
Meyerhold
Euripides
The Meaning of the Neoclassic Goals That Define Verisimilitude