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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer
50
questions in
15 minutes
.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The Clouds - The Frogs - Lysistrata
Aristophanes
The Three Ways in Which Information is Given About a Character
Plato's Attitude Toward Theatre
William Shakespeare
2. Oedipus - Antigone - added 3rd actor
Cycles
Italian Contributions to Theatre During the Renaissance
Sophocles
Romanticism & Romantic Theory
3. Thomas Aquinas - literature can be dispersed at a faster rate
Catharsis
Tragicomedy
Commedia Dell'Arte
Printing Press
4. Italians
Renaissance
The Globe
Who was the Proscenium Invented by?
Empathy
5. Proscenium arch/stage
Antagonist
Discovery
Dramatic Genre
Italian Contributions to Theatre During the Renaissance
6. The Oresteia - only surviving Greek trilogy - added 2nd actor
Postmodernism
Auditions
Aeschylus
Who was the Proscenium Invented by?
7. Scenery - costume - lighting - rhythm - movement - composition
Components of Concept
Representational Approach
Vomitories
Emile Zola
8. Events that set off a major conflict
The Meaning of the Neoclassic Unities
Slapstick
Inciting Incident
Thespis
9. Focused on thought - controversial
Emile Zola
Hypokrites
Orchestra
Comedy of Ideas
10. Suggest - distort - or abstract reality - deliberately incomplete - impossible in real life
Designer
Tragedy
Presentational Approach
Playwright
11. Emile Zola - throws away traditional structure - 'slice of life'
Off-Off-Broadway
Prose
Fourth Wall
Naturalism
12. Emotional release
Catharsis
Copyright
Casting Director
Slapstick
13. The person in charge of the financial business and aspects of a production.
Producer
Konstantin Stanislavski
Prose
Emile Zola
14. Experimental - popular between 1890's-1960's
Comedy of Character
Avant-Garde
The Meaning of the Neoclassic Goals That Define Verisimilitude
Aristophanes
15. A drafting of the set as seen from overhead
Realism and Realistic Developments
Ground Plan
Royalty
Commedia Dell'Arte
16. Practitioners do not rely on theatrical activity for their livelihood
Rising Action
Romanticism & Romantic Theory
Amateur Theatre
Subtext
17. Two or more opposing forces working towards different goals
Difference Between Stage & Film Acting
Conflict
Meander
Variables of Costume Design
18. Occurs when a line of action suddenly veers to the opposite
Postmodernism
Meander
Meyerhold
Reversal
19. To see something in a 3 dimensional way
20. Main character
Naturalism
Improv
Duke of Saxe Meiningen
Protagonist
21. Shows that are produced to earn a profit for investors
The Three Ways in Which Information is Given About a Character
Commercial Theatre
Naturalism
Representational Approach
22. 100-499 people
Meyerhold
Renaissance
Ensemble
Off-Broadway
23. Oedipus - Antigone - added 3rd actor
Lazzi
Sophocles
Theatron
Components of Concept
24. Plato thought it was harmful to be one thing and act like another
25. Secondary line of action that is included in the plot/story
Non-Profit Theatre
Subplot
Rehearsal Process
Miracle Plays
26. Artistic decisions meant to communicate a specific interpretation to the audience
Realism and Realistic Developments
Pageants
Which Type of Language Was Used First by Playwrights?
Concept
27. Proscenium arch/stage
Director
Skene
Conflict
Italian Contributions to Theatre During the Renaissance
28. The first director
Bertolt Brecht
Designer
Linear Plot
Duke of Saxe Meiningen
29. Less than 100 people - experimental theatre - not exactly commercial
Comedy
Callbacks
Off-Off-Broadway
Light Plot
30. Imitation of character and action
Dramaturg
Variables of Costume Design
Light Plot
Mimesis
31. The recall of physical sensations surrounding emotional events
Sense Memory
Skene
Prose
Proscenium Space
32. Emotional identification - sense of identification with the character
Emile Zola
Empathy
Aristotle's Six Elements of a Play
Non-Profit Theatre
33. A fee for each performance
Royalty
ostume Plot
Language
Stage Manager
34. Information needed to understand the play
Aristotle
Concept
Exposition
Chorus
35. A chart that records the items of clothing worn by each actor in each scene of the play
Comedy
Conflict
Protagonist
ostume Plot
36. Grammatically based
Tragedy
Prose
Technical Developments of the 19th Century
Skene
37. A second or later round of auditions to which specific actors are invited
Prose
Callbacks
Non-Profit Theatre
Conflict
38. The actual meaning of the dialogue behind the words spoken
Mimesis
Melodrama
The Progression of Elements in a Causal Play Structure
Subtext
39. Plays with a moral message - good vs. evil
The Box Set
Actor
Thought
Morality Plays
40. The standard tool for casting a production
Auditions
Black Box
Eugene Scribe
Avant-Garde
41. Medea - The Bacchae
Naturalism
Euripides
Downstage
Antiquarianism
42. Naturalism - throw away traditional structure - 'slice of life'
Emile Zola
Meyerhold
Off-Broadway
Conflict
43. Bottom of stage (closest to audience)
Downstage
Slapstick
Representational Approach
Neoclassicism (def)
44. In a proscenium space - spaces offstage to the left and right for actors - crew - and scenery not yet in the visible performance space
Verisimilitude
Wings
Romanticism & Romantic Theory
Realism and Realistic Developments
45. Collection of mystery plays - performed outdoors - festivals lasted 1-25 days
Cycles
University Wits
Commercial Theatre
Aristophanes
46. Audience observes from a similar viewpoint
Proscenium Space
William Shakespeare
Rehearsal Process
Slapstick
47. The period of work in which the show is made ready for the stage.
William Shakespeare
Concept
Rendering
Rehearsal Process
48. Greek - actor
Hypokrites
Mystery Plays
Realism and Realistic Developments
Off-Off-Broadway
49. Moscow arts theatre - ensemble acting - psychological evaluation of character
Konstantin Stanislavski
Callbacks
Mimesis
Difference Between Stage & Film Acting
50. A fee for each performance
Postmodernism
What Does It Mean to 'See in 3D'?
Conflict
Royalty