SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Not many props or detailed scenery
Rehearsal Process
Renaissance
Thrust Space
Proscenium Space
2. Requires actors to call on personal memories of situations similar to those of their characters
Components of Concept
Affective Memory
The Meaning of the Neoclassic Goals That Define Verisimilitude
Fourth Wall
3. Major character at odds with social expectations
Educational Theatre
Comedy of Manners
Skene
Henrik Ibsen
4. Someone who writes plays
Mimesis
Aesthetic Distance
Meander
Playwright
5. Occurs when something important is found - learned - or realized - during the action of the play
Antagonist
Fourth Wall
Dramatic Genre
Discovery
6. Evokes emotions of pity and fear - serious - ends unhappily
Director
Tragedy
Chorus
Antagonist
7. The person in charge of the financial business and aspects of a production.
Henrik Ibsen
Postmodernism
Subtext
Producer
8. England's type of theatre
Chorus
Subplot
The Globe
Comedy of Ideas
9. Moscow arts theatre - ensemble acting - psychological evaluation of character
Discovery
Konstantin Stanislavski
Plato's Attitude Toward Theatre
Henrik Ibsen
10. Recognizes plays as intellectual property of the playwright
Comedy of Ideas
Copyright
Commercial Theatre
Off-Broadway
11. Events that set off a major conflict
Thrust Space
Prose
Inciting Incident
Wings
12. Actors do not acknowledge the presence of an audience
Fourth Wall
Subplot
Emile Zola
Verisimilitude
13. Wrote 'The Republic' about people who would be allowed in his society
Producer
Casting Director
Plato
What Does It Mean to 'See in 3D'?
14. An entrance to elevated seating for the audience that runs underneath the audience and comes up to empty to the seating area
Vomitories
Fourth Wall
Meyerhold
Public Domain
15. Plot - Character - Thought - Language - Music - Spectacle
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
16. The recall of physical sensations surrounding emotional events
Light Plot
Sense Memory
Broadway
Morality Plays
17. Imitation of character and action
Mimesis
Off-Off-Broadway
Hybrid Theatre
Representational Approach
18. Rejection of neoclassicism -
Romanticism & Romantic Theory
Mystery Plays
Aristotle
Protagonist
19. A>B>C>D
Upstage
The Progression of Elements in a Causal Play Structure
Lazzi
Italian Contributions to Theatre During the Renaissance
20. Scenery - costume - lighting - rhythm - movement - composition
Components of Concept
Slapstick
Designer
Lazzi
21. The era we are currently in
University Wits
Rising Action
Discovery
Postmodernism
22. In a proscenium space - spaces offstage to the left and right for actors - crew - and scenery not yet in the visible performance space
Verisimilitude
Aristotle
Wings
Meander
23. Historically accurate costumes and scenery
Public Domain
Antiquarianism
Improv
Improv
24. Production of plays in schools at primary - secondary - undergraduate - and graduate levels
Who was the Proscenium Invented by?
Royalty
Educational Theatre
Reversal
25. Requires actors to call on personal memories of situations similar to those of their characters
The Globe
Melodrama (def)
Affective Memory
Improv
26. Humorous - objective view point
Romanticism & Romantic Theory
The Globe
Comedy
Exposition
27. Italians
Who was the Proscenium Invented by?
Emile Zola
Comedy of Manners
Tragedy
28. Practical considerations - atmosphere - visual images.
Antagonist
Neoclassicism (def)
Callbacks
Representational Approach
29. Two or more opposing forces working towards different goals
Ground Plan
The Three Ways in Which Information is Given About a Character
Antagonist
Conflict
30. Ideas within the play
Thought
Eugene Scribe
Theatron
Amateur Theatre
31. Main character
Protagonist
Lazzi
Director
Verse
32. 19th century - action - thrillers - domestic stories of love and divorce
Melodrama
Commedia Dell'Arte
Stage Manager
Henrik Ibsen
33. The standard tool for casting a production
Thought
Off-Off-Broadway
Auditions
Catharsis
34. Play reenacting biblical stories
Rendering
Broadway
Realism and Realistic Developments
Mystery Plays
35. In a proscenium space - spaces offstage to the left and right for actors - crew - and scenery not yet in the visible performance space
Language
Proscenium Space
Educational Theatre
Wings
36. Person who embodies a character on stage
Actor
Playwright
Eugene Scribe
Blocking
37. Grammatically based
Blocking
Producer
Prose
Tragicomedy
38. Emotional release
Causal Play Structure
Melodrama (def)
Catharsis
Mystery Plays
39. Works published before 1923
Subtext
Anton Chekhov
Skene
Public Domain
40. Medea - The Bacchae
Broadway
Situation Comedy
Euripides
The Three Ways in Which Information is Given About a Character
41. Planned actor movement
University Wits
Blocking
Melodrama
Verse
42. The audience seating are 'sitting place'
Community Theatre
Miracle Plays
Konstantin Stanislavski
Theatron
43. Controls the environment in the theatre
Thrust Space
Designer
Thrust Space
Upstage
44. Emotional identification - sense of identification with the character
Emile Zola
Upstage
Improv
Empathy
45. Experimental - popular between 1890's-1960's
Tragicomedy
Avant-Garde
Conflict
Verisimilitude
46. Less than 100 people - experimental theatre - not exactly commercial
Off-Off-Broadway
Thrust Space
Duke of Saxe Meiningen
Plato
47. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Theatre of Cruelty
Orchestra
Variables of Costume Design
Blocking
48. Professional - but all proceeds go back into the theatre - may require grants/donations
Commercial Theatre
Components of Concept
Neoclassicism (def)
Non-Profit Theatre
49. Greek - actor
Hypokrites
Character
Callbacks
Empathy
50. A type of performance in which dialogue and action are not planned ahead of time and written down - but are made of on the spot by the actors
Producer
Miracle Plays
Improv
Inciting Incident