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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Events progress forward in time
Subplot
Comedy of Ideas
Euripides
Linear Plot
2. An entrance to elevated seating for the audience that runs underneath the audience and comes up to empty to the seating area
Which Type of Language Was Used First by Playwrights?
Melodrama (def)
Actor
Vomitories
3. Grammatically based
Lazzi
Naturalism
Prose
Mimesis
4. Person who embodies a character on stage
Actor
Auditions
Public Domain
Rising Action
5. Does not acknowledge the presence of an audience
Prose
Community Theatre
Representational Acting
The Box Set
6. Greek - actor
Actor
Hypokrites
Off-Off-Broadway
Aristophanes
7. Emile Zola - throws away traditional structure - 'slice of life'
Naturalism
Who was the Proscenium Invented by?
Postmodernism
Light Plot
8. Psychological separation - or a sense of detachment
Prose
Aesthetic Distance
Which Type of Language Was Used First by Playwrights?
Affective Memory
9. Serious and comedic qualities are mixed
Light Plot
Tragicomedy
Blocking
Slapstick
10. Ideas within the play
Naturalism
Skene
Thought
Exposition
11. Was poetry for many years
Language
Dialogue
Catharsis
William Shakespeare
12. Imitation of character and action
Subtext
Mimesis
Thought
Upstage
13. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
William Shakespeare
The Meaning of the Neoclassic Unities
Bertolt Brecht
Off-Broadway
14. Plays with a moral message - good vs. evil
Downstage
Morality Plays
Protagonist
Printing Press
15. Secondary line of action that is included in the plot/story
Subplot
Plato
Representational Acting
Concept
16. Secondary line of action that is included in the plot/story
Subplot
Fourth Wall
Printing Press
Thought
17. What characters do - what characters say about themselves - what others say about them
Catharsis
The Three Ways in Which Information is Given About a Character
Sophocles
Melodrama (def)
18. Audience observes from a similar viewpoint
Dramaturg
Proscenium Space
Rendering
Designer
19. The Oresteia - only surviving Greek trilogy - added 2nd actor
Subtext
Aeschylus
Representational Approach
Sense Memory
20. Verse
Renaissance
Which Type of Language Was Used First by Playwrights?
Designer
Director
21. Non-profit and sells a full season theatre
Language
Actor
Regional Theatre
Front of House
22. Physical comedy that became popular with the downslide of religious theatre
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23. Rhyming
Verse
Community Theatre
Variables of Costume Design
Avant-Garde
24. Main character
Educational Theatre
Subtext
Discovery
Protagonist
25. Information needed to understand the play
Exposition
Discovery
Linear Plot
Renaissance
26. A picture of the scene from the audience perspective
Mystery Plays
Regional Theatre
Comedy of Ideas
Rendering
27. Events progress forward in time
Rendering
Ground Plan
Broadway
Linear Plot
28. Rebellion against melodrama and romanticism - more based on character's psychological journey - controversial subject matter
Renaissance
Realism and Realistic Developments
Falling Action
Broadway
29. A group of actors - not just one star
Ensemble
Comedy of Manners
Naturalism
Henrik Ibsen
30. Born in Stafford Upon Avon - studied Latin in school - wrote 30 plays
Upstage
Bertolt Brecht
Royalty
William Shakespeare
31. Verse
Which Type of Language Was Used First by Playwrights?
Downstage
Thought
Protagonist
32. An individual that aids the director in researching the play and its historical time period
Reversal
Character
Who was the Proscenium Invented by?
Dramaturg
33. Planned actor movement
The Progression of Elements in a Causal Play Structure
Blocking
Avant-Garde
Prose
34. 'Storm and stress'
Meyerhold
Sturm & Drang Movement
Off-Off-Broadway
Ensemble
35. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Miracle Plays
Plato's Attitude Toward Theatre
Theatre of Cruelty
Off-Broadway
36. Audience observes from a similar viewpoint
Downstage
Proscenium Space
Naturalism
Plato
37. Units of action that build emotional intensity
Verisimilitude
Auditions
Rising Action
Melodrama
38. The actual meaning of the dialogue behind the words spoken
Italian Contributions to Theatre During the Renaissance
Representational Acting
Subtext
Anton Chekhov
39. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
The Meaning of the Neoclassic Goals That Define Verisimilitude
Casting Director
Falling Action
Conflict
40. The era we are currently in
Designer
Empathy
Postmodernism
Language
41. England's type of theatre
Aeschylus
Thrust Space
The Globe
Realism and Realistic Developments
42. Planned actor movement
Blocking
Comedy of Manners
Light Plot
Italian Contributions to Theatre During the Renaissance
43. Space can be manipulated to suit the production
Process of Director/Designer Collaboration
Casting Director
Hybrid Theatre
Black Box
44. Major character at odds with social expectations
Henrik Ibsen
Comedy of Manners
Callbacks
Antiquarianism
45. To see something in a 3 dimensional way
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46. Suggest - distort - or abstract reality - deliberately incomplete - impossible in real life
Educational Theatre
Theatron
Presentational Approach
The Three Ways in Which Information is Given About a Character
47. A specialist in finding actors for specific roles
Slapstick
Who was the Proscenium Invented by?
Casting Director
Variables of Costume Design
48. Rebellion against melodrama and romanticism - more based on character's psychological journey - controversial subject matter
Realism and Realistic Developments
Casting Director
Character
Affective Memory
49. Person who embodies a character on stage
Melodrama (def)
Rehearsal Process
Orchestra
Actor
50. A type of performance in which dialogue and action are not planned ahead of time and written down - but are made of on the spot by the actors
Subtext
Amateur Theatre
ostume Plot
Improv