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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Rhyming
Realism and Realistic Developments
Verse
Broadway
Tragicomedy
2. Proscenium space
Causal Play Structure
What Does It Mean to 'See in 3D'?
The Box Set
Community Theatre
3. Emotional identification - sense of identification with the character
Theatre of Cruelty
Broadway
Thrust Space
Empathy
4. Grammatically based
Prose
Plot
Difference Between Stage & Film Acting
Royalty
5. A group of performers working together vocally and physically
Prose
The Globe
Chorus
Vomitories
6. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
Avant-Garde
Mystery Plays
The Meaning of the Neoclassic Goals That Define Verisimilitude
Causal Play Structure
7. Plays with a moral message - good vs. evil
Chorus
Morality Plays
The Meaning of the Neoclassic Unities
Director
8. The first director
Sense Memory
Commedia Dell'Arte
Duke of Saxe Meiningen
Rising Action
9. Proscenium space
The Box Set
Aristophanes
Educational Theatre
Difference Between Stage & Film Acting
10. An entrance to elevated seating for the audience that runs underneath the audience and comes up to empty to the seating area
Ground Plan
Thrust Space
Wings
Vomitories
11. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Royalty
Theatre of Cruelty
The Progression of Elements in a Causal Play Structure
Upstage
12. The standard tool for casting a production
Mimesis
Verse
Sense Memory
Auditions
13. Serious and comedic qualities are mixed
Thrust Space
Process of Director/Designer Collaboration
Tragicomedy
University Wits
14. Born in Stafford Upon Avon - studied Latin in school - wrote 30 plays
William Shakespeare
Verse
Dramatic Genre
Concept
15. A group of actors - not just one star
Wings
Director
Ensemble
Causal Play Structure
16. Shows that are produced to earn a profit for investors
Representational Acting
Educational Theatre
Commercial Theatre
Plot
17. Rebellion against melodrama and romanticism - more based on character's psychological journey - controversial subject matter
Realism and Realistic Developments
Upstage
Comedy
Plot
18. Shows that are produced to earn a profit for investors
Prose
Upstage
Commercial Theatre
Thespis
19. Less than 100 people - experimental theatre - not exactly commercial
Theatron
Discovery
Variables of Costume Design
Off-Off-Broadway
20. Bottom of stage (closest to audience)
Sense Memory
Downstage
Rising Action
Inciting Incident
21. To see something in a 3 dimensional way
22. In the middle ages - wagons with scenery used in professional staging
The Meaning of the Neoclassic Unities
Regional Theatre
Pageants
Dramaturg
23. Occurs when something important is found - learned - or realized - during the action of the play
Amateur Theatre
Discovery
The Meaning of the Neoclassic Unities
Variables of Costume Design
24. In a proscenium space - spaces offstage to the left and right for actors - crew - and scenery not yet in the visible performance space
Dialogue
Konstantin Stanislavski
Subplot
Wings
25. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
Black Box
Commedia Dell'Arte
The Meaning of the Neoclassic Goals That Define Verisimilitude
Sturm & Drang Movement
26. Amateur theatre in which shows are created by residents of a particular area who come together without being part of a professional or academic institution
Aesthetic Distance
Community Theatre
Comedy
Public Domain
27. The recall of physical sensations surrounding emotional events
Thespis
Sense Memory
William Shakespeare
Comedy of Manners
28. Was poetry for many years
Regional Theatre
Language
Konstantin Stanislavski
Playwright
29. Feel more in stage acting.
Difference Between Stage & Film Acting
Verisimilitude
Language
Orchestra
30. Performs Actions of the Play
Character
Tragicomedy
Ground Plan
Lazzi
31. Rebellion against melodrama and romanticism - more based on character's psychological journey - controversial subject matter
Variables of Costume Design
Realism and Realistic Developments
Melodrama
Comedy of Manners
32. Top of stage
Vomitories
Dramatic Genre
Upstage
University Wits
33. Appearance of truth
Tragicomedy
Rehearsal Process
Verisimilitude
Sturm & Drang Movement
34. Production of plays in schools at primary - secondary - undergraduate - and graduate levels
Romanticism & Romantic Theory
Miracle Plays
Educational Theatre
Hypokrites
35. Performs Actions of the Play
Orchestra
Stage Manager
Character
Fourth Wall
36. Experimented with symbolism in an unconventional setting
Meyerhold
Italian Contributions to Theatre During the Renaissance
Linear Plot
Melodrama
37. A picture of the scene from the audience perspective
William Shakespeare
Components of Concept
Rendering
Catharsis
38. A second or later round of auditions to which specific actors are invited
Broadway
Sturm & Drang Movement
Callbacks
Slapstick
39. Two or more opposing forces working towards different goals
Community Theatre
Conflict
Comedy of Ideas
Wings
40. In the middle ages - wagons with scenery used in professional staging
Pageants
Upstage
Auditions
Causal Play Structure
41. What characters do - what characters say about themselves - what others say about them
Neoclassicism (def)
The Three Ways in Which Information is Given About a Character
Rendering
Actor
42. 19th century - action - thrillers - domestic stories of love and divorce
Melodrama
Eugene Scribe
Climax
Meander
43. Requires actors to call on personal memories of situations similar to those of their characters
Off-Broadway
Hypokrites
Meyerhold
Affective Memory
44. Main character
University Wits
Representational Approach
William Shakespeare
Protagonist
45. Proscenium arch/stage
Light Plot
Mimesis
Neoclassicism (def)
Italian Contributions to Theatre During the Renaissance
46. Emotional release
Catharsis
Difference Between Stage & Film Acting
Sense Memory
Avant-Garde
47. Artistic decisions meant to communicate a specific interpretation to the audience
Concept
Morality Plays
Black Box
Meander
48. Silhouette - color - texture - accent
Verse
The Globe
Variables of Costume Design
The Meaning of the Neoclassic Unities
49. Main character
Protagonist
Subtext
Melodrama (def)
Affective Memory
50. Busiest person in the theatre
Comedy of Manners
Stage Manager
Auditions
Slapstick