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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Experimented with symbolism in an unconventional setting
Exposition
Meyerhold
Naturalism
Technical Developments of the 19th Century
2. Rebellion against melodrama and romanticism - more based on character's psychological journey - controversial subject matter
Stage Manager
Realism and Realistic Developments
The Box Set
Rendering
3. Thomas Aquinas - literature can be dispersed at a faster rate
Renaissance
Catharsis
Components of Concept
Printing Press
4. Used alienation to encourage distance
Designer
Improv
Thought
Bertolt Brecht
5. Does not acknowledge the presence of an audience
Affective Memory
Aristotle's Six Elements of a Play
Representational Acting
William Shakespeare
6. Space can be manipulated to suit the production
Community Theatre
Verse
Components of Concept
Black Box
7. Scenery - costume - lighting - rhythm - movement - composition
Aristophanes
Affective Memory
Components of Concept
Falling Action
8. Causes trouble for the main character
Eugene Scribe
Antagonist
Thrust Space
Tragedy
9. Stock characters (servants - masters - lovers)
Rendering
Lazzi
Subplot
Sense Memory
10. A second or later round of auditions to which specific actors are invited
Commercial Theatre
Proscenium Space
Avant-Garde
Callbacks
11. The Oresteia - only surviving Greek trilogy - added 2nd actor
Aeschylus
Dialogue
Which Type of Language Was Used First by Playwrights?
Black Box
12. Plot - Character - Thought - Language - Music - Spectacle
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13. A second or later round of auditions to which specific actors are invited
Callbacks
Orchestra
Variables of Costume Design
Actor
14. A drawing created by the lighting designer showing where each lighting instrument is to be hung
Falling Action
Playwright
Light Plot
Auditions
15. A group of actors - not just one star
Commercial Theatre
University Wits
Ensemble
Light Plot
16. A group of performers working together vocally and physically
Chorus
Community Theatre
Aesthetic Distance
Process of Director/Designer Collaboration
17. The first director
The Globe
Copyright
Plato's Attitude Toward Theatre
Duke of Saxe Meiningen
18. The recall of physical sensations surrounding emotional events
Public Domain
Presentational Approach
Sense Memory
Actor
19. Experimental - popular between 1890's-1960's
Renaissance
Sophocles
Melodrama
Avant-Garde
20. Was poetry for many years
Language
Situation Comedy
Orchestra
Hybrid Theatre
21. The actual meaning of the dialogue behind the words spoken
The Globe
Subtext
Hybrid Theatre
Affective Memory
22. 19th century - action - thrillers - domestic stories of love and divorce
Community Theatre
Thrust Space
Melodrama
Regional Theatre
23. The period of work in which the show is made ready for the stage.
Language
Comedy of Ideas
Rehearsal Process
Italian Contributions to Theatre During the Renaissance
24. High point of action
Linear Plot
Climax
Community Theatre
Verisimilitude
25. Occurs when something important is found - learned - or realized - during the action of the play
Printing Press
Concept
Emile Zola
Discovery
26. Moscow arts theatre - ensemble acting - psychological evaluation of character
Konstantin Stanislavski
Off-Off-Broadway
Exposition
Antiquarianism
27. High point of action
Climax
Character
Eugene Scribe
Falling Action
28. Drawn by eccentricities of major character
Process of Director/Designer Collaboration
Variables of Costume Design
Naturalism
Comedy of Character
29. 100-499 people
Melodrama
Off-Broadway
Thrust Space
Character
30. Emile Zola - throws away traditional structure - 'slice of life'
Naturalism
Falling Action
Causal Play Structure
Language
31. Plot - Character - Thought - Language - Music - Spectacle
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32. Artistic decisions meant to communicate a specific interpretation to the audience
Concept
Dramatic Genre
The Meaning of the Neoclassic Goals That Define Verisimilitude
Thrust Space
33. Experimental - popular between 1890's-1960's
Situation Comedy
Avant-Garde
Comedy of Character
Aristotle
34. Six elements - catharsis
Cycles
Dramaturg
Language
Aristotle
35. Ideas within the play
Tragedy
Thought
Protagonist
Aeschylus
36. The audience seating are 'sitting place'
Hybrid Theatre
Discovery
Theatron
Eugene Scribe
37. A chart that records the items of clothing worn by each actor in each scene of the play
The Three Ways in Which Information is Given About a Character
ostume Plot
Concept
Skene
38. Wrote 'The Republic' about people who would be allowed in his society
Pageants
Educational Theatre
Plato
Climax
39. Business aspect of theatre: House manager - box office manager - ushers
Exposition
Who was the Proscenium Invented by?
Morality Plays
Front of House
40. Does not acknowledge the presence of an audience
Stage Manager
Representational Acting
Playwright
Emile Zola
41. Based on the lives of the saints
Subtext
Miracle Plays
ostume Plot
Skene
42. Secondary line of action that is included in the plot/story
Hybrid Theatre
Catharsis
Thought
Subplot
43. Italians
Who was the Proscenium Invented by?
Orchestra
Mimesis
Duke of Saxe Meiningen
44. Causes trouble for the main character
Blocking
Antagonist
Comedy of Manners
Aristotle
45. Emotional identification - sense of identification with the character
Plot
Rising Action
Empathy
Subtext
46. Bottom of stage (closest to audience)
Light Plot
Comedy of Character
Situation Comedy
Downstage
47. 500-1800 people
Broadway
Subtext
Catharsis
Practical
48. Gas lights - etc.
Technical Developments of the 19th Century
Affective Memory
Thespis
Language
49. Space can be manipulated to suit the production
Black Box
Subplot
Naturalism
Upstage
50. Performs Actions of the Play
Character
Wings
Aristotle
Fourth Wall
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