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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Artistic decisions meant to communicate a specific interpretation to the audience
Inciting Incident
Hypokrites
Tragicomedy
Concept
2. Stock characters (servants - masters - lovers)
Lazzi
Auditions
Anton Chekhov
Eugene Scribe
3. Audience watches from 3 sides
Thrust Space
Light Plot
Blocking
Chorus
4. The first director
Duke of Saxe Meiningen
Aesthetic Distance
Morality Plays
Thought
5. Feel more in stage acting.
Ensemble
What Does It Mean to 'See in 3D'?
Sophocles
Difference Between Stage & Film Acting
6. Bottom of stage (closest to audience)
Verse
The Progression of Elements in a Causal Play Structure
Downstage
The Box Set
7. Serious and comedic qualities are mixed
Miracle Plays
Educational Theatre
Off-Off-Broadway
Tragicomedy
8. Stick used to add noise to physical comedy
Slapstick
Empathy
Variables of Costume Design
Pageants
9. Humorous - objective view point
Sense Memory
Melodrama (def)
Comedy
Aristotle
10. To see something in a 3 dimensional way
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11. Performs Actions of the Play
ostume Plot
Falling Action
Morality Plays
Character
12. Drawn by eccentricities of major character
Ground Plan
Comedy of Character
Reversal
Copyright
13. Top of stage
Upstage
Theatron
Emile Zola
Neoclassicism (def)
14. 'New Comedy' wrote The Grouch
Reversal
Meander
Postmodernism
Plato
15. Italians
Linear Plot
Blocking
Who was the Proscenium Invented by?
William Shakespeare
16. Someone who writes plays
Dialogue
Theatre of Cruelty
ostume Plot
Playwright
17. A drawing created by the lighting designer showing where each lighting instrument is to be hung
Pageants
The Meaning of the Neoclassic Unities
Light Plot
Representational Approach
18. Person who embodies a character on stage
Antagonist
Duke of Saxe Meiningen
Renaissance
Actor
19. Requires actors to call on personal memories of situations similar to those of their characters
Variables of Costume Design
Proscenium Space
Affective Memory
Euripides
20. Drop in emotional intensity following the climax
Rising Action
Falling Action
Commedia Dell'Arte
ostume Plot
21. 'Storm and stress'
Sturm & Drang Movement
Auditions
Chorus
Commercial Theatre
22. Artistic decisions meant to communicate a specific interpretation to the audience
Concept
Miracle Plays
Auditions
Discovery
23. Writer and first actor
Affective Memory
Meyerhold
University Wits
Thespis
24. Audience observes from a similar viewpoint
Royalty
Aristotle
Proscenium Space
Plot
25. Secondary line of action that is included in the plot/story
Aristotle's Six Elements of a Play
Upstage
Subplot
Pageants
26. Writer and first actor
Director
Actor
Sense Memory
Thespis
27. Silhouette - color - texture - accent
Practical
Variables of Costume Design
Rising Action
Henrik Ibsen
28. Suggest - distort - or abstract reality - deliberately incomplete - impossible in real life
Inciting Incident
Hypokrites
Presentational Approach
The Box Set
29. Someone who writes plays
Comedy
Playwright
Protagonist
Konstantin Stanislavski
30. Used alienation to encourage distance
Subplot
Neoclassicism (def)
Bertolt Brecht
Euripides
31. Secondary line of action that is included in the plot/story
Dialogue
Euripides
Rising Action
Subplot
32. Organization of action
Sophocles
Plot
Plato's Attitude Toward Theatre
Plato
33. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
Fourth Wall
The Meaning of the Neoclassic Unities
Mimesis
Pageants
34. Blend of union and non-union actors - sometimes housed in non-traditional locations
Aristophanes
The Meaning of the Neoclassic Goals That Define Verisimilitude
Plato
Hybrid Theatre
35. Experimental - popular between 1890's-1960's
Hybrid Theatre
Affective Memory
The Globe
Avant-Garde
36. A chart that records the items of clothing worn by each actor in each scene of the play
Casting Director
ostume Plot
Who was the Proscenium Invented by?
Aristotle's Six Elements of a Play
37. Italians
Who was the Proscenium Invented by?
Character
Antiquarianism
Orchestra
38. Production of plays in schools at primary - secondary - undergraduate - and graduate levels
Commercial Theatre
Front of House
Educational Theatre
Dramaturg
39. Wrote 'The Republic' about people who would be allowed in his society
Plato
Anton Chekhov
Thrust Space
Theatre of Cruelty
40. Greek - actor
Hypokrites
Euripides
Conflict
Rising Action
41. Oedipus - Antigone - added 3rd actor
Hybrid Theatre
Sophocles
Miracle Plays
Subplot
42. Experimented with symbolism in an unconventional setting
Meyerhold
Comedy
Slapstick
Process of Director/Designer Collaboration
43. A group of educated men from Oxford and Cambridge Who wrote and performed for the professional public theatre
Non-Profit Theatre
Avant-Garde
University Wits
Morality Plays
44. Busiest person in the theatre
Process of Director/Designer Collaboration
Melodrama
Stage Manager
The Meaning of the Neoclassic Goals That Define Verisimilitude
45. An entrance to elevated seating for the audience that runs underneath the audience and comes up to empty to the seating area
Practical
Vomitories
Actor
Verisimilitude
46. Thomas Aquinas - literature can be dispersed at a faster rate
Orchestra
Sturm & Drang Movement
Printing Press
The Globe
47. In ancient Greece - a stage house upstage from the circular orchestra
Producer
Subtext
The Meaning of the Neoclassic Goals That Define Verisimilitude
Skene
48. Units of action that build emotional intensity
Rising Action
Aristotle
Thought
Comedy of Ideas
49. Oedipus - Antigone - added 3rd actor
Sophocles
Dramaturg
Comedy of Manners
Stage Manager
50. A second or later round of auditions to which specific actors are invited
Aristotle
Representational Acting
Plot
Callbacks