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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Plato thought it was harmful to be one thing and act like another
2. 19th century - action - thrillers - domestic stories of love and divorce
Climax
Off-Off-Broadway
Melodrama
Black Box
3. In ancient Greece - the audience seating area at floor level immediately in front of the stage
Orchestra
Light Plot
Variables of Costume Design
Amateur Theatre
4. Causes trouble for the main character
Thrust Space
Naturalism
Antagonist
Auditions
5. Events progress forward in time
Black Box
Aristotle
Linear Plot
Exposition
6. Events that set off a major conflict
Duke of Saxe Meiningen
Inciting Incident
Casting Director
Plato
7. Business aspect of theatre: House manager - box office manager - ushers
Wings
Neoclassicism (def)
Front of House
Henrik Ibsen
8. Information needed to understand the play
Cycles
Eugene Scribe
Producer
Exposition
9. The Oresteia - only surviving Greek trilogy - added 2nd actor
Aeschylus
The Progression of Elements in a Causal Play Structure
Technical Developments of the 19th Century
Affective Memory
10. Ideas within the play
Light Plot
Thought
Sturm & Drang Movement
Linear Plot
11. Gas lights - etc.
Avant-Garde
Technical Developments of the 19th Century
Presentational Approach
Exposition
12. Controls the environment in the theatre
Renaissance
Designer
Fourth Wall
Printing Press
13. Imitation of character and action
Mimesis
Melodrama (def)
Commedia Dell'Arte
Playwright
14. Proscenium arch/stage
Educational Theatre
Empathy
Vomitories
Italian Contributions to Theatre During the Renaissance
15. Occurs when something important is found - learned - or realized - during the action of the play
Discovery
Downstage
Protagonist
Aeschylus
16. Focused on thought - controversial
Comedy of Ideas
Subtext
Dramaturg
Falling Action
17. Silhouette - color - texture - accent
Lazzi
Thought
Variables of Costume Design
Reversal
18. Serious and comedic qualities are mixed
Mystery Plays
Tragicomedy
Black Box
Director
19. Less than 100 people - experimental theatre - not exactly commercial
Anton Chekhov
Playwright
Off-Off-Broadway
Hybrid Theatre
20. Not many props or detailed scenery
Components of Concept
Printing Press
Renaissance
Sturm & Drang Movement
21. Performs Actions of the Play
The Meaning of the Neoclassic Goals That Define Verisimilitude
Character
Off-Broadway
Difference Between Stage & Film Acting
22. Historically accurate costumes and scenery
Actor
Antiquarianism
Proscenium Space
Protagonist
23. Thomas Aquinas - literature can be dispersed at a faster rate
Printing Press
Community Theatre
Dialogue
Mimesis
24. Italians
ostume Plot
Cycles
Inciting Incident
Who was the Proscenium Invented by?
25. A type of performance in which dialogue and action are not planned ahead of time and written down - but are made of on the spot by the actors
Melodrama
University Wits
Improv
Subtext
26. Information needed to understand the play
Exposition
Theatron
Aristophanes
Casting Director
27. Organization of action
Character
Plot
Non-Profit Theatre
Casting Director
28. Not many props or detailed scenery
Renaissance
Sense Memory
Protagonist
Actor
29. Series of short stories
The Three Ways in Which Information is Given About a Character
Which Type of Language Was Used First by Playwrights?
Pageants
Anton Chekhov
30. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
Plato's Attitude Toward Theatre
The Meaning of the Neoclassic Goals That Define Verisimilitude
Aristotle's Six Elements of a Play
Konstantin Stanislavski
31. In ancient Greece - a stage house upstage from the circular orchestra
Front of House
Thought
Producer
Skene
32. What characters do - what characters say about themselves - what others say about them
Verisimilitude
Emile Zola
The Three Ways in Which Information is Given About a Character
Which Type of Language Was Used First by Playwrights?
33. Writer and first actor
Practical
Dramatic Genre
Theatron
Thespis
34. Humorous - objective view point
Conflict
Renaissance
Comedy
Inciting Incident
35. A specialist in finding actors for specific roles
Casting Director
Plot
Black Box
Rising Action
36. Linear events progress forward in time
Empathy
Causal Play Structure
Eugene Scribe
Improv
37. The standard tool for casting a production
What Does It Mean to 'See in 3D'?
Auditions
Thought
Orchestra
38. Feel more in stage acting.
Avant-Garde
Difference Between Stage & Film Acting
Antiquarianism
Theatron
39. Main character
Protagonist
Konstantin Stanislavski
Wings
Theatre of Cruelty
40. Emile Zola - throws away traditional structure - 'slice of life'
Technical Developments of the 19th Century
Protagonist
Naturalism
Royalty
41. Scenery - costume - lighting - rhythm - movement - composition
Director
Language
Components of Concept
Rising Action
42. Plot - Character - Thought - Language - Music - Spectacle
43. To see something in a 3 dimensional way
44. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
The Meaning of the Neoclassic Goals That Define Verisimilitude
Pageants
Dramaturg
Callbacks
45. Requires actors to call on personal memories of situations similar to those of their characters
Components of Concept
Dialogue
Emile Zola
Affective Memory
46. Humorous - objective view point
Comedy
Mystery Plays
Process of Director/Designer Collaboration
University Wits
47. A second or later round of auditions to which specific actors are invited
Sense Memory
Situation Comedy
Callbacks
Presentational Approach
48. Gas lights - etc.
Ground Plan
Subplot
Technical Developments of the 19th Century
The Meaning of the Neoclassic Goals That Define Verisimilitude
49. Emotional identification - sense of identification with the character
Rising Action
Presentational Approach
Hybrid Theatre
Empathy
50. The person in charge of the artistic aspects of theatrical production
Tragedy
Designer
Emile Zola
Director