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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 'Storm and stress'
Hypokrites
Sturm & Drang Movement
Educational Theatre
Royalty
2. 500-1800 people
Broadway
Aeschylus
Prose
Postmodernism
3. 'Emotion over intellect' - made to assault the senses - developed by Antonin Artaud
Eugene Scribe
Postmodernism
Antiquarianism
Theatre of Cruelty
4. High point of action
Climax
Euripides
Hypokrites
Representational Approach
5. A fee for each performance
Melodrama
Sense Memory
Royalty
Difference Between Stage & Film Acting
6. A type of performance in which dialogue and action are not planned ahead of time and written down - but are made of on the spot by the actors
Sophocles
Catharsis
The Three Ways in Which Information is Given About a Character
Improv
7. Used alienation to encourage distance
Proscenium Space
Components of Concept
Bertolt Brecht
Theatron
8. Physical comedy that became popular with the downslide of religious theatre
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9. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
Non-Profit Theatre
Representational Acting
Royalty
The Meaning of the Neoclassic Unities
10. Less than 100 people - experimental theatre - not exactly commercial
Presentational Approach
Aristotle
Off-Off-Broadway
Inciting Incident
11. 'The Well Made Play' Credited with writing in between 440-500 plays - featured a melodramatic strategy
Eugene Scribe
Emile Zola
Printing Press
Rising Action
12. Experimented with symbolism in an unconventional setting
Director
Components of Concept
Meyerhold
Aristophanes
13. The person in charge of the artistic aspects of theatrical production
Director
Plato
Theatron
Process of Director/Designer Collaboration
14. Space can be manipulated to suit the production
Black Box
Chorus
Presentational Approach
Melodrama
15. Audience observes from a similar viewpoint
Variables of Costume Design
Designer
Representational Acting
Proscenium Space
16. Plays with a moral message - good vs. evil
Thespis
Components of Concept
Morality Plays
Verse
17. A drafting of the set as seen from overhead
Climax
Director
Ground Plan
The Meaning of the Neoclassic Unities
18. Drop in emotional intensity following the climax
Off-Off-Broadway
Falling Action
Director
Royalty
19. Top of stage
Upstage
Callbacks
Copyright
Inciting Incident
20. Not many props or detailed scenery
Rising Action
Regional Theatre
Lazzi
Renaissance
21. Requires actors to call on personal memories of situations similar to those of their characters
Who was the Proscenium Invented by?
Antagonist
Comedy
Affective Memory
22. England's type of theatre
The Globe
University Wits
Character
Light Plot
23. Professional - but all proceeds go back into the theatre - may require grants/donations
Non-Profit Theatre
Wings
Which Type of Language Was Used First by Playwrights?
Ensemble
24. Greek - actor
Aristotle's Six Elements of a Play
Stage Manager
Hypokrites
What Does It Mean to 'See in 3D'?
25. Recognizes plays as intellectual property of the playwright
Pageants
Theatre of Cruelty
Copyright
Broadway
26. 'Storm and stress'
Sturm & Drang Movement
Situation Comedy
Falling Action
Lazzi
27. Silhouette - color - texture - accent
Fourth Wall
Cycles
Variables of Costume Design
Commercial Theatre
28. Was poetry for many years
Subtext
Prose
Language
Renaissance
29. Works published before 1923
William Shakespeare
Printing Press
Who was the Proscenium Invented by?
Public Domain
30. Historically accurate costumes and scenery
Renaissance
Antiquarianism
Front of House
Difference Between Stage & Film Acting
31. Serious and comedic qualities are mixed
Tragicomedy
Theatron
Comedy of Manners
Theatre of Cruelty
32. Proscenium arch/stage
Italian Contributions to Theatre During the Renaissance
Meyerhold
The Globe
Printing Press
33. An entrance to elevated seating for the audience that runs underneath the audience and comes up to empty to the seating area
University Wits
Chorus
Vomitories
Actor
34. Rejection of neoclassicism -
Romanticism & Romantic Theory
Postmodernism
Representational Approach
Comedy
35. Psychological separation - or a sense of detachment
Causal Play Structure
Aesthetic Distance
Sturm & Drang Movement
Italian Contributions to Theatre During the Renaissance
36. Experimented with symbolism in an unconventional setting
Playwright
Henrik Ibsen
Meyerhold
Climax
37. Imitation of character and action
Mimesis
Thought
Difference Between Stage & Film Acting
Chorus
38. The period of work in which the show is made ready for the stage.
Commercial Theatre
Auditions
Rehearsal Process
Lazzi
39. 'New Comedy' wrote The Grouch
Antiquarianism
Meander
Rehearsal Process
Hybrid Theatre
40. Appearance of truth
The Progression of Elements in a Causal Play Structure
Aristophanes
Verisimilitude
Postmodernism
41. Requires actors to call on personal memories of situations similar to those of their characters
Henrik Ibsen
Auditions
Pageants
Affective Memory
42. 19th century - action - thrillers - domestic stories of love and divorce
Chorus
Anton Chekhov
Aristophanes
Melodrama
43. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
Melodrama (def)
Rendering
The Meaning of the Neoclassic Goals That Define Verisimilitude
Process of Director/Designer Collaboration
44. Reality (violence happens offstage) - morality (needs to teach a moral lesson) - and universality
The Meaning of the Neoclassic Goals That Define Verisimilitude
The Three Ways in Which Information is Given About a Character
Representational Acting
Aristotle's Six Elements of a Play
45. Main character
Aristophanes
Royalty
Protagonist
Plato
46. Proscenium space
Theatron
Non-Profit Theatre
Comedy
The Box Set
47. Play reenacting biblical stories
Process of Director/Designer Collaboration
Comedy of Manners
Mystery Plays
University Wits
48. Experimental - popular between 1890's-1960's
Miracle Plays
Comedy of Ideas
Falling Action
Avant-Garde
49. The Oresteia - only surviving Greek trilogy - added 2nd actor
Thrust Space
Aeschylus
Linear Plot
Melodrama
50. Actors do not acknowledge the presence of an audience
Thespis
Fourth Wall
Protagonist
Rehearsal Process