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Test your basic knowledge |
Theatre Appreciation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Evokes emotions of pity and fear - serious - ends unhappily
Theatre of Cruelty
Sense Memory
Tragedy
Neoclassicism (def)
2. Verse
Which Type of Language Was Used First by Playwrights?
Aesthetic Distance
Melodrama
Broadway
3. Meetings before casting - brainstorming - shaping work into a unified concept
Sturm & Drang Movement
Process of Director/Designer Collaboration
Falling Action
The Meaning of the Neoclassic Goals That Define Verisimilitude
4. A type of performance in which dialogue and action are not planned ahead of time and written down - but are made of on the spot by the actors
Climax
Improv
Casting Director
Community Theatre
5. Emile Zola - throws away traditional structure - 'slice of life'
Conflict
Downstage
Naturalism
Emile Zola
6. A group of performers working together vocally and physically
Chorus
Non-Profit Theatre
Blocking
University Wits
7. Non-profit and sells a full season theatre
Tragicomedy
Components of Concept
Non-Profit Theatre
Regional Theatre
8. Not many props or detailed scenery
Renaissance
Falling Action
Sturm & Drang Movement
Lazzi
9. Drawn by eccentricities of major character
Copyright
Thespis
Comedy of Character
Comedy
10. What characters do - what characters say about themselves - what others say about them
Actor
The Three Ways in Which Information is Given About a Character
Duke of Saxe Meiningen
Subplot
11. Ideas within the play
Comedy of Manners
Thought
Sense Memory
Difference Between Stage & Film Acting
12. A drafting of the set as seen from overhead
Ground Plan
Mystery Plays
Naturalism
Conflict
13. The first director
The Three Ways in Which Information is Given About a Character
Anton Chekhov
Thespis
Duke of Saxe Meiningen
14. Greek - actor
Eugene Scribe
Public Domain
Ground Plan
Hypokrites
15. A drafting of the set as seen from overhead
Lazzi
Sense Memory
Aristotle
Ground Plan
16. A>B>C>D
Thrust Space
Technical Developments of the 19th Century
Thought
The Progression of Elements in a Causal Play Structure
17. Events progress forward in time
Linear Plot
William Shakespeare
Technical Developments of the 19th Century
Off-Off-Broadway
18. A picture of the scene from the audience perspective
Non-Profit Theatre
Hybrid Theatre
Rendering
Printing Press
19. Proscenium space
The Three Ways in Which Information is Given About a Character
Italian Contributions to Theatre During the Renaissance
The Box Set
Front of House
20. An individual that aids the director in researching the play and its historical time period
Non-Profit Theatre
Reversal
Dramaturg
Theatron
21. Amateur theatre in which shows are created by residents of a particular area who come together without being part of a professional or academic institution
Community Theatre
Which Type of Language Was Used First by Playwrights?
Bertolt Brecht
Exposition
22. Major character at odds with social expectations
Amateur Theatre
Off-Broadway
Blocking
Comedy of Manners
23. Units of action that build emotional intensity
Cycles
Empathy
Naturalism
Rising Action
24. Organization of action
Improv
Cycles
Plot
Theatron
25. Born in Stafford Upon Avon - studied Latin in school - wrote 30 plays
Mimesis
William Shakespeare
Variables of Costume Design
Rising Action
26. Moscow arts theatre - ensemble acting - psychological evaluation of character
Callbacks
Dramatic Genre
Konstantin Stanislavski
Callbacks
27. Emotional release
Neoclassicism (def)
Rendering
Catharsis
Character
28. A fee for each performance
Subplot
Commercial Theatre
Royalty
Renaissance
29. Moscow arts theatre - ensemble acting - psychological evaluation of character
Aeschylus
Vomitories
Henrik Ibsen
Konstantin Stanislavski
30. A group of actors - not just one star
Sturm & Drang Movement
Theatre of Cruelty
Ensemble
Practical
31. The audience seating are 'sitting place'
Callbacks
Theatron
Slapstick
Falling Action
32. Experimental - popular between 1890's-1960's
Naturalism
Chorus
Avant-Garde
Neoclassicism (def)
33. Drawn by eccentricities of major character
Comedy of Character
Rehearsal Process
Anton Chekhov
The Box Set
34. Meetings before casting - brainstorming - shaping work into a unified concept
Konstantin Stanislavski
Which Type of Language Was Used First by Playwrights?
Aristophanes
Process of Director/Designer Collaboration
35. Planned actor movement
Pageants
Educational Theatre
Blocking
Subtext
36. 100-499 people
Off-Broadway
Morality Plays
Verse
Pageants
37. The era we are currently in
Postmodernism
The Globe
Components of Concept
The Meaning of the Neoclassic Goals That Define Verisimilitude
38. Scenery - costume - lighting - rhythm - movement - composition
Components of Concept
Sturm & Drang Movement
Postmodernism
Downstage
39. England's type of theatre
The Globe
Thespis
Causal Play Structure
Aesthetic Distance
40. Exaggerated comedy derived from situations
Public Domain
Situation Comedy
Aristophanes
Meyerhold
41. The person in charge of the financial business and aspects of a production.
Fourth Wall
Chorus
Producer
Director
42. Feel more in stage acting.
Front of House
Variables of Costume Design
Mystery Plays
Difference Between Stage & Film Acting
43. Rejection of neoclassicism -
William Shakespeare
Skene
Lazzi
Romanticism & Romantic Theory
44. 'New Comedy' wrote The Grouch
Conflict
Verisimilitude
Light Plot
Meander
45. Rebellion against melodrama and romanticism - more based on character's psychological journey - controversial subject matter
Character
Euripides
Realism and Realistic Developments
Dramatic Genre
46. Emotional identification - sense of identification with the character
ostume Plot
Empathy
Language
Rising Action
47. Person who embodies a character on stage
Actor
ostume Plot
William Shakespeare
Realism and Realistic Developments
48. Production of plays in schools at primary - secondary - undergraduate - and graduate levels
Mimesis
The Progression of Elements in a Causal Play Structure
Educational Theatre
Theatron
49. Silhouette - color - texture - accent
Italian Contributions to Theatre During the Renaissance
Proscenium Space
Variables of Costume Design
Realism and Realistic Developments
50. Time (play had to take place within a 24 hour period) - place (the whole play must take place in a single location) - and action (single plot)
The Meaning of the Neoclassic Unities
Black Box
Plato
Subplot