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Test your basic knowledge |
Theatre Appreciation 2
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Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Spoken words
Dramaturg
Variables of costume design
Cycles
Dialogue
2. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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3. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Subplot
Conflict
Realism
Linear Plot
4. Who or what opposes the central character
Callbacks
Antagonist
Proscenium
Plato
5. Helps establish mood - place - & intensity with the use of light
The Orestia
Sense memory
Prose
lighting designer
6. 'dancing space'
Avant-Garde
Emile Zola
Orchestra
Aeschylus
7. Movement based on study of ancient Greek and Roman culture
Neoclassicism
Stage Manager
Producer
Early Church's reasons for distaining theatre
8. Plays written before 1923 are no longer protected
Vomitories
Neoclassic unities
Public Domain
Melodrama
9. Creates a visual home for the play
Public Domain
Linear Plot
Scenic Designer
Alienation Effect
10. Author of play
Director
Playwright
Reversal
Antagonist
11. Historical accuracy
Auditions
Antiquarianism
sound designer
Book musical
12. In the middle ages - wagons with scenery used in processional staging
Pageants
Neoclassic unities
Raked Stage
Neoclassicism
13. Handles business aspects of show
Director
Producer
Vomitories
Raked Stage
14. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Downstage
Dialogue
Scenic Designer
Callbacks
15. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Romanticism
Director
Duke of Saxe Meiningen
Antiquarianism
16. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Auteur
Duke of Saxe Meiningen
Neoclassic goals defining verisimilitude
Proscenium
17. Sentences/paragraph structure
Neoclassic unities
Concept
Actor's tools
Prose
18. Work developed actors in realism and naturalism
Aeschylus
Perspective Scenery
Morality Plays
Constantin Stanislavski
19. An actor/audience configuration in which the audience completely surrounds the performance area
Antiquarianism
The Orestia
Arena
Theatron
20. Silhouette (overall shape) - color - texture - accent
Variables of costume design
Stage Manager
Liturgical Drama
Hypokrites
21. Convincing actors were too powerful a tool of persuasion
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22. Seats 500-1800; professional.
Director
Broadway
Bertolt Brecht
Off-Broadway
23. 'old comedy'. Lewd humor - attacks on government
Miracle Plays
Aristophanes
Sense memory
Henrik Ibsen
24. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Proscenium
Commedia Dell'Arte
Types of professional theater
The Globe
25. Didn't support theater. Believed a convincing actor was harmful to society
Reversal
Types of professional theater
Playwright
Plato
26. Standard tool for casting productions
Auditions
Duke of Saxe Meiningen
Components of Actor's job
Costume Designer
27. Seats 100-500; professional
Off-Broadway
Downstage
Raked Stage
Morality Plays
28. Actor in 5th century Greece
Romanticism
Scenic Designer
Morality Plays
Hypokrites
29. Planned actor movement
The Orestia
Producer
Blocking
Playwright
30. Push idea of reality - morality - and universality
Morality Plays
Variables of costume design
Neoclassic goals defining verisimilitude
Designer
31. Actor in 5th century Greece
Romantic Theory
Mystery Plays
Hypokrites
Morality Plays
32. Fee for each performance
Royalty
Off-Broadway
Realism
Catharsis
33. A musical play that tells a story and has spoken words as well as songs
Book musical
Raked Stage
Off-off-Broadway
Liturgical Drama
34. Plot - character - thought - language - music - spectacle
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35. Didn't support theater. Believed a convincing actor was harmful to society
Proscenium
Alienation Effect
Plato
Eugene Scribe
36. Central character
Auditions
Rhetorical Tradition
Plato
Protagonist
37. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Henrik Ibsen
William Shakespeare
Perspective Scenery
Verisimilitude
38. God of wine and fertility
Thrust
Conflict
Dionysus
Prose
39. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Linear Plot
Downstage
Book musical
Stage manager
40. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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41. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Emile Zola
Wings
Empathy
Black box
42. Grecian attributed to writing the first tragedies then acting in them.
Raked Stage
Thespis
Verisimilitude
Orchestra
43. Action - place - time
Neoclassic unities
Orchestra
Types of professional theater
Rendering
44. Seats 100-500; professional
Components of Actor's job
collaborator
Off-Broadway
Emile Zola
45. Group of influential - educated Renaissance playwrights
Wings
University Wits
Front of House
Perspective Scenery
46. The most popular form of performance in the 20th century
Auditions
Wings
Musical Theatre
Proscenium
47. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Stage manager
Romantic Theory
University Wits
Musical Theatre
48. Usher. Shows people to seats - checks tickets
Front of House
Components of Actor's job
Dionysus
Designer's job
49. Historical accuracy
Neoclassic unities
Commedia Dell'Arte
Antiquarianism
lighting designer
50. Recognize plays as intellectual property of playwright
Costume Designer
Public Domain
Copyright
lighting designer
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