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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Representational
Proscenium
Royalty
Dialogue
2. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Perspective Scenery
Downstage
University Wits
Raked Stage
3. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Romantic Theory
Rhetorical Tradition
Conflict
Duke of Saxe Meiningen
4. Grecian attributed to writing the first tragedies then acting in them.
Thespis
Miracle Plays
Verisimilitude
Designer
5. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Dionysus
Aeschylus
Melodrama
Dramaturg
6. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Empathy
Miracle Plays
Vomitories
Prose
7. Creates a soundtrack to support the show. It may be recorded or live
Upstage
Mystery Plays
sound designer
Alienation Effect
8. Plot - character - thought - language - music - spectacle
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9. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Prose
Bertolt Brecht
Wings
Neoclassic goals defining verisimilitude
10. Who or what opposes the central character
Scenic Designer
Slapstick
Wings
Antagonist
11. Saint's plays
Auditions
Auteur
University Wits
Miracle Plays
12. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Plato
Romanticism
Subplot
Catharsis
13. Theatre where Shakespeare's company of actors worked primarily
Off-off-Broadway
Subtext
Miracle Plays
The Globe
14. Greatest dramatist of all time
Variables of costume design
Director
Cycles
William Shakespeare
15. When line of action suddenly switches
Neoclassic unities
Plato
Reversal
Miracle Plays
16. Body - voice - mind
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17. Director champions intention of playwright
Subtext
Conflict
Proscenium
collaborator
18. Central character
Auditions
Dramaturg
Protagonist
Types of professional theater
19. Helps establish mood - place - & intensity with the use of light
lighting designer
Realism
Constantin Stanislavski
Components of Production
20. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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21. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Perspective Scenery
Neoclassic goals defining verisimilitude
Director
Proscenium
22. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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23. Spoken words
Casting Director
Dialogue
Rhetorical Tradition
Theatron
24. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Representational
Alienation Effect
Dionysus
Eugene Scribe
25. Designs costumes for the show
Arena
Costume Designer
collaborator
Avant-Garde
26. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Components of Production
Types of professional theater
Empathy
Neoclassic goals defining verisimilitude
27. Convincing actors were too powerful a tool of persuasion
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28. Body - voice - mind
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29. Spoken words
Off-Broadway
Dialogue
collaborator
Dramaturg
30. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Chorus
Subplot
Auditions
Director
31. In the middle ages - wagons with scenery used in processional staging
Blocking
Callbacks
Casting Director
Pageants
32. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Verse
Thrust
Commedia Dell'Arte
Blocking
33. Appearance of truth
Alienation Effect
Neoclassic unities
Verisimilitude
Wings
34. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Components of Production
Concept
Melodrama
Orchestra
35. Physical commedy
Aristophanes
Sense memory
Wings
Slapstick
36. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Protagonist
Early Church's reasons for distaining theatre
Henrik Ibsen
Realism
37. Didn't support theater. Believed a convincing actor was harmful to society
Romanticism
Aesthetic Distance
Aristotle's Six Elements of a Play
Plato
38. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Romanticism
Alienation Effect
Rendering
Black box
39. 'old comedy'. Lewd humor - attacks on government
Aristophanes
sound designer
Protagonist
Components of Actor's job
40. Silhouette (overall shape) - color - texture - accent
sound designer
Variables of costume design
Royalty
Types of professional theater
41. Art that pushes recognized boundaries
Components of Actor's job
Prose
University Wits
Avant-Garde
42. In charge of communication and call cues. 'Busiest person in theater.'
Front of House
Scenic Designer
Book musical
Stage manager
43. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Raked Stage
Antiquarianism
Aesthetic Distance
Alienation Effect
44. Creates a visual home for the play
Copyright
Duke of Saxe Meiningen
Scenic Designer
Emile Zola
45. Grecian attributed to writing the first tragedies then acting in them.
Thespis
Aeschylus
Neoclassic unities
Black box
46. First director
Aristophanes
Eugene Scribe
Duke of Saxe Meiningen
Presentational
47. Oversees artistic aspects of show
Auditions
Director
Romantic Theory
Constantin Stanislavski
48. Seats 500-1800; professional.
Broadway
Off-Broadway
Antagonist
Avant-Garde
49. Wrote the Orestia which is the only surviving trilogy
Presentational
Aeschylus
Neoclassicism
Emile Zola
50. Oversees the entire production crew - rehearsals & performance
Stage Manager
Sense memory
Components of Production
Aristotle