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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Planned actor movement
Blocking
Thespis
William Shakespeare
Slapstick
2. Didn't support theater. Believed a convincing actor was harmful to society
Types of professional theater
Hypokrites
Plato
The Orestia
3. The actors recall of sights - sounds - touch - and smell from specific past events.
Producer
Dialogue
Concept
Sense memory
4. First director
Callbacks
Rhetorical Tradition
Designer's job
Duke of Saxe Meiningen
5. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Empathy
Types of professional theater
Subtext
Dionysus
6. 'seeing place'
Theatron
Antagonist
Proscenium
Plato
7. Sentences/paragraph structure
Broadway
Proscenium
Black box
Prose
8. Causal play structure. A ? B ? C
Book musical
Linear Plot
Callbacks
Liturgical Drama
9. 'old comedy'. Lewd humor - attacks on government
Early Church's reasons for distaining theatre
Aristophanes
Theatron
Presentational
10. Helps establish mood - place - & intensity with the use of light
Aristotle
University Wits
lighting designer
Sense memory
11. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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12. Greatest dramatist of all time
Off-Broadway
Black box
William Shakespeare
Liturgical Drama
13. Appearance of truth
Verisimilitude
Callbacks
Blocking
Costume plot
14. The central element of causal plot; two forces working against each other
Antiquarianism
Blocking
sound designer
Conflict
15. A musical play that tells a story and has spoken words as well as songs
Dramaturg
Book musical
Neoclassic unities
Producer
16. Standard tool for casting productions
Dionysus
Auditions
Upstage
Plato
17. Group of influential - educated Renaissance playwrights
University Wits
Costume Designer
Aeschylus
Thespis
18. Handles business aspects of show
Verse
Blocking
Conflict
Producer
19. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Costume plot
University Wits
Actor's tools
Romanticism
20. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Presentational
Realism
Neoclassic unities
Linear Plot
21. Author of play
Eugene Scribe
Duke of Saxe Meiningen
Playwright
Proscenium
22. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
The Globe
Chorus
Commedia Dell'Arte
Components of Actor's job
23. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Types of professional theater
Neoclassicism
Presentational
Actor's tools
24. Central character
Protagonist
Proscenium
Skene
University Wits
25. Scenery
Dionysus
Sense memory
Skene
William Shakespeare
26. When line of action suddenly switches
Front of House
Aristophanes
Reversal
Proscenium
27. Collection of mystery plays
sound designer
Cycles
Representational
Thrust
28. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Proscenium
Miracle Plays
Aesthetic Distance
Ground plan
29. Fee for each performance
Linear Plot
Royalty
Arena
Book musical
30. Saint's plays
Dialogue
Neoclassic unities
Duke of Saxe Meiningen
Miracle Plays
31. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Chorus
Verse
Melodrama
Off-Broadway
32. Emotional identification. Refers to audience participation
Romanticism
Orchestra
Empathy
Off-off-Broadway
33. Seats less than 100; amateur.
Pageants
Rhetorical Tradition
Off-off-Broadway
Skene
34. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Antagonist
Dialogue
Thrust
Romanticism
35. Grecian attributed to writing the first tragedies then acting in them.
Conflict
Dionysus
Vomitories
Thespis
36. Purgation of pity and fear experienced upon watching theater.
Catharsis
Thespis
Linear Plot
Reversal
37. Attributed to writing over 700 plays
Eugene Scribe
Public Domain
Catharsis
Verisimilitude
38. Oversees artistic aspects of show
Arena
Director
Off-off-Broadway
Dialogue
39. Body - voice - mind
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40. Group of influential - educated Renaissance playwrights
Director
University Wits
Musical Theatre
Verisimilitude
41. Convincing actors were too powerful a tool of persuasion
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42. Recognize plays as intellectual property of playwright
Scenic Designer
Front of House
Prose
Copyright
43. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Avant-Garde
Ground plan
Designer's job
Vomitories
44. A chart that records items of clothing worn by each actor in each scene of the play
Theatron
Costume plot
Downstage
Producer
45. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Proscenium
Designer
Conflict
Rhetorical Tradition
46. Creates a soundtrack to support the show. It may be recorded or live
Catharsis
Plato
Director
sound designer
47. 'dancing space'
Orchestra
lighting designer
Designer
Theatron
48. Oversees artistic aspects of show
Aeschylus
Book musical
Director
Copyright
49. The area farthest away from the audience
Romantic Theory
Auteur
Plato
Upstage
50. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Conflict
Rhetorical Tradition
Designer's job
Thrust
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