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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Handles business aspects of show
Producer
Actor's tools
Morality Plays
Aesthetic Distance
2. Secondary line of action
sound designer
Playwright
Playwright
Subplot
3. A specialist in dramatic literature and theatre history who serves as a consultant for production
Arena
Neoclassicism
Dramaturg
Prose
4. When line of action suddenly switches
Plato
Reversal
University Wits
Producer
5. Grecian attributed to writing the first tragedies then acting in them.
Thespis
Casting Director
Designer's job
Rhetorical Tradition
6. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Alienation Effect
Aristophanes
Emile Zola
Scenic Designer
7. Purgation of pity and fear experienced upon watching theater.
Musical Theatre
Reversal
Catharsis
Protagonist
8. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Musical Theatre
Ground plan
Aesthetic Distance
Thespis
9. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Constantin Stanislavski
Verisimilitude
Morality Plays
Melodrama
10. Work developed actors in realism and naturalism
Casting Director
Dionysus
Constantin Stanislavski
The Globe
11. 'seeing place'
Casting Director
Subplot
Theatron
Aesthetic Distance
12. An actor/audience configuration in which the audience completely surrounds the performance area
Neoclassic goals defining verisimilitude
Arena
Copyright
Reversal
13. The area farthest away from the audience
Black box
lighting designer
Early Church's reasons for distaining theatre
Upstage
14. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Designer's job
Off-off-Broadway
Types of professional theater
Royalty
15. Pioneer of realism who challenged audiences to face their personal demons
Casting Director
Dionysus
Producer
Henrik Ibsen
16. Humanity's struggle with good and evil
Empathy
Copyright
Morality Plays
Actor's tools
17. Attempts to represent reality on stage
Representational
Plato
Realism
Rendering
18. 'dancing space'
Morality Plays
Reversal
Romanticism
Orchestra
19. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Proscenium
Plato
Dialogue
Liturgical Drama
20. : a specialist in finding actors for specific roles who assists the director in some professional productions
Casting Director
Auteur
Costume plot
Mystery Plays
21. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Antagonist
Romantic Theory
Chorus
Representational
22. Work developed actors in realism and naturalism
Scenic Designer
Protagonist
Morality Plays
Constantin Stanislavski
23. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Callbacks
Proscenium
Concept
Dionysus
24. Director champions intention of playwright
Alienation Effect
Representational
Henrik Ibsen
collaborator
25. The actors recall of sights - sounds - touch - and smell from specific past events.
Callbacks
Sense memory
Proscenium
Director
26. Theatre where Shakespeare's company of actors worked primarily
Pageants
Sense memory
Melodrama
The Globe
27. Emotional identification. Refers to audience participation
Constantin Stanislavski
Black box
Empathy
Rendering
28. Recognize plays as intellectual property of playwright
Slapstick
Skene
Upstage
Copyright
29. Saint's plays
Miracle Plays
Proscenium
Representational
Actor's tools
30. Push idea of reality - morality - and universality
Dionysus
Scenic Designer
Neoclassic goals defining verisimilitude
Early Church's reasons for distaining theatre
31. Seats 500-1800; professional.
Slapstick
Avant-Garde
Broadway
Antagonist
32. 'dancing space'
Miracle Plays
Components of Production
Skene
Orchestra
33. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Auteur
Perspective Scenery
Antiquarianism
Front of House
34. Generally rhyming
Thespis
Auteur
Thespis
Verse
35. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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36. Biblical stories. From word Misterium meaning crafts/guild
Plato
Neoclassic goals defining verisimilitude
Designer
Mystery Plays
37. Theatre where Shakespeare's company of actors worked primarily
Costume Designer
Broadway
The Globe
Concept
38. Didn't support theater. Believed a convincing actor was harmful to society
University Wits
Proscenium
Concept
Plato
39. Director champions intention of playwright
Callbacks
Stage Manager
Neoclassicism
collaborator
40. Seats 100-500; professional
Ground plan
Off-Broadway
Catharsis
Realism
41. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Types of professional theater
Bertolt Brecht
Realism
Wings
42. Oversees the entire production crew - rehearsals & performance
Costume plot
Stage Manager
Neoclassic unities
Ground plan
43. Creates a visual home for the play
Catharsis
Scenic Designer
Aristophanes
Catharsis
44. Silhouette (overall shape) - color - texture - accent
Variables of costume design
Catharsis
Orchestra
Arena
45. The most popular form of performance in the 20th century
Aeschylus
Musical Theatre
Black box
Raked Stage
46. Usher. Shows people to seats - checks tickets
Front of House
Broadway
Rendering
Miracle Plays
47. Pioneer of realism who challenged audiences to face their personal demons
Catharsis
Arena
Proscenium
Henrik Ibsen
48. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Broadway
Romantic Theory
Romanticism
Vomitories
49. Physical commedy
Stage Manager
Director
Pageants
Slapstick
50. The area farthest away from the audience
Morality Plays
Auteur
Upstage
Commedia Dell'Arte