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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Called for naturalism - claiming that plays should show a 'slice of life'
Scenic Designer
Auditions
Emile Zola
Catharsis
2. Push idea of reality - morality - and universality
Reversal
Auteur
Neoclassic goals defining verisimilitude
William Shakespeare
3. Was in favor of theater
Commedia Dell'Arte
Aristotle
Emile Zola
The Globe
4. Causal play structure. A ? B ? C
Book musical
Plato
Dialogue
Linear Plot
5. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Casting Director
Verse
Downstage
Variables of costume design
6. Director champions intention of playwright
collaborator
Public Domain
Components of Production
Henrik Ibsen
7. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Ground plan
Copyright
Slapstick
Stage Manager
8. The most popular form of performance in the 20th century
Aristotle's Six Elements of a Play
Pageants
Eugene Scribe
Musical Theatre
9. Second round of auditions to which specific actors are invited
Callbacks
Aeschylus
Off-Broadway
Liturgical Drama
10. Attempts to represent reality on stage
Presentational
Representational
Upstage
Rendering
11. 'old comedy'. Lewd humor - attacks on government
Representational
Aesthetic Distance
Director
Aristophanes
12. Recognize plays as intellectual property of playwright
Copyright
Emile Zola
Representational
Neoclassic goals defining verisimilitude
13. Directors who operate with total control
Henrik Ibsen
Empathy
Auteur
Royalty
14. Spoken words
Cycles
Verisimilitude
Costume Designer
Dialogue
15. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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16. Fee for each performance
Auteur
Royalty
Commedia Dell'Arte
Costume Designer
17. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Dialogue
Aristotle's Six Elements of a Play
Neoclassic goals defining verisimilitude
Vomitories
18. The area farthest away from the audience
Off-Broadway
Avant-Garde
Upstage
Pageants
19. Group of influential - educated Renaissance playwrights
University Wits
Components of Production
collaborator
Constantin Stanislavski
20. Emotional identification. Refers to audience participation
Morality Plays
Empathy
Director
Types of professional theater
21. Generally rhyming
Blocking
Verse
Skene
Morality Plays
22. Plays written before 1923 are no longer protected
Blocking
Neoclassicism
Public Domain
Aristotle
23. The actual meaning of dialogue behind the spoken words
Raked Stage
collaborator
Subtext
sound designer
24. Attributed to writing over 700 plays
Eugene Scribe
Copyright
Romantic Theory
Thespis
25. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Empathy
Off-Broadway
Types of professional theater
Black box
26. Planned actor movement
Blocking
Melodrama
Realism
Conflict
27. A picture created by a designer to communicate with other production personnel
Skene
Ground plan
Rendering
Public Domain
28. Creates a visual home for the play
Neoclassic goals defining verisimilitude
Scenic Designer
Commedia Dell'Arte
Proscenium
29. Movement based on study of ancient Greek and Roman culture
Reversal
Scenic Designer
Neoclassicism
Antagonist
30. Movement based on study of ancient Greek and Roman culture
Sense memory
Neoclassicism
Dramaturg
Romanticism
31. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Constantin Stanislavski
Bertolt Brecht
Black box
Antiquarianism
32. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Vomitories
Director
Theatron
Actor's tools
33. Written by Aeschylus. Only surviving trilogy
Empathy
The Orestia
Arena
Romanticism
34. Greatest dramatist of all time
Subtext
Vomitories
William Shakespeare
Dialogue
35. Body - voice - mind
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36. An actor/audience configuration in which the audience completely surrounds the performance area
Rhetorical Tradition
Neoclassic unities
Arena
Bertolt Brecht
37. The area farthest away from the audience
Aesthetic Distance
Upstage
Auteur
Conflict
38. In the middle ages - wagons with scenery used in processional staging
Orchestra
Pageants
Off-off-Broadway
Catharsis
39. Fee for each performance
University Wits
Royalty
Duke of Saxe Meiningen
Subtext
40. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Reversal
Bertolt Brecht
The Orestia
Alienation Effect
41. Attributed to writing over 700 plays
Dialogue
Playwright
Eugene Scribe
Orchestra
42. Appearance of truth
Verisimilitude
Thrust
Verse
Variables of costume design
43. Recognize plays as intellectual property of playwright
Casting Director
Concept
Copyright
Neoclassic unities
44. Convincing actors were too powerful a tool of persuasion
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45. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Conflict
Perspective Scenery
Musical Theatre
Proscenium
46. Saint's plays
Slapstick
Subplot
Verse
Miracle Plays
47. Biblical stories. From word Misterium meaning crafts/guild
Mystery Plays
Auditions
Proscenium
collaborator
48. Seats 100-500; professional
William Shakespeare
Director
Off-Broadway
Chorus
49. Sentences/paragraph structure
Raked Stage
Downstage
Emile Zola
Prose
50. Creates a visual home for the play
Aristotle
Dionysus
Duke of Saxe Meiningen
Scenic Designer