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Test your basic knowledge |
Theatre Appreciation 2
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Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A picture created by a designer to communicate with other production personnel
Skene
Aristotle
Rendering
Theatron
2. Central character
Proscenium
Book musical
Stage Manager
Protagonist
3. Pioneer of realism who challenged audiences to face their personal demons
Costume plot
Henrik Ibsen
Linear Plot
Neoclassic goals defining verisimilitude
4. Creates a visual home for the play
Casting Director
Scenic Designer
Callbacks
Protagonist
5. Recognize plays as intellectual property of playwright
Chorus
The Globe
Copyright
Slapstick
6. Physical commedy
Slapstick
Avant-Garde
Concept
collaborator
7. Wrote the Orestia which is the only surviving trilogy
Designer's job
Proscenium
Bertolt Brecht
Aeschylus
8. Oversees artistic aspects of show
Antiquarianism
Director
Duke of Saxe Meiningen
Neoclassicism
9. Called for naturalism - claiming that plays should show a 'slice of life'
Director
Empathy
Emile Zola
Director
10. Grecian attributed to writing the first tragedies then acting in them.
Linear Plot
Avant-Garde
Book musical
Thespis
11. : a specialist in finding actors for specific roles who assists the director in some professional productions
Casting Director
Playwright
Arena
Aesthetic Distance
12. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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13. Sentences/paragraph structure
Henrik Ibsen
Prose
Chorus
Wings
14. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Orchestra
Neoclassicism
Alienation Effect
The Orestia
15. Was in favor of theater
Black box
Reversal
Cycles
Aristotle
16. Person in charge of artistic aspect of theater production
Morality Plays
Director
Verisimilitude
Rhetorical Tradition
17. Greatest dramatist of all time
Pageants
Auditions
William Shakespeare
Variables of costume design
18. Handles business aspects of show
lighting designer
Ground plan
Auteur
Producer
19. The area farthest away from the audience
Antagonist
Casting Director
Presentational
Upstage
20. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Musical Theatre
Eugene Scribe
Components of Production
Concept
21. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Neoclassic goals defining verisimilitude
Raked Stage
Copyright
Concept
22. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Theatron
Designer
Auteur
Verisimilitude
23. Recognize plays as intellectual property of playwright
Stage Manager
Copyright
Aesthetic Distance
Types of professional theater
24. Creates a visual home for the play
Downstage
Scenic Designer
Perspective Scenery
Costume plot
25. Wrote the Orestia which is the only surviving trilogy
Ground plan
Reversal
Aeschylus
Romantic Theory
26. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Presentational
Alienation Effect
Rhetorical Tradition
William Shakespeare
27. Seats 100-500; professional
Aristophanes
Off-Broadway
Designer's job
Prose
28. Director champions intention of playwright
collaborator
Protagonist
Proscenium
Romanticism
29. Push idea of reality - morality - and universality
Neoclassic goals defining verisimilitude
Auteur
Protagonist
Perspective Scenery
30. Work developed actors in realism and naturalism
Constantin Stanislavski
Musical Theatre
Antiquarianism
Proscenium
31. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Morality Plays
Romanticism
Liturgical Drama
Vomitories
32. : a specialist in finding actors for specific roles who assists the director in some professional productions
Orchestra
Presentational
Director
Casting Director
33. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Liturgical Drama
lighting designer
Components of Actor's job
Proscenium
34. In the middle ages - wagons with scenery used in processional staging
Aeschylus
Front of House
Verisimilitude
Pageants
35. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Aristotle's Six Elements of a Play
Ground plan
Duke of Saxe Meiningen
Miracle Plays
36. Purgation of pity and fear experienced upon watching theater.
Stage Manager
Catharsis
Neoclassic goals defining verisimilitude
Protagonist
37. Author of play
Dialogue
Director
Playwright
Presentational
38. 'old comedy'. Lewd humor - attacks on government
Wings
Aristophanes
Alienation Effect
Antagonist
39. Spoken words
Dramaturg
Dialogue
Callbacks
The Orestia
40. Attempts to represent reality on stage
Aristophanes
Casting Director
lighting designer
Representational
41. Silhouette (overall shape) - color - texture - accent
The Globe
Auditions
Variables of costume design
Vomitories
42. Written by Aeschylus. Only surviving trilogy
The Orestia
Perspective Scenery
Pageants
Downstage
43. Generally rhyming
Verse
Constantin Stanislavski
Neoclassic goals defining verisimilitude
Casting Director
44. The central element of causal plot; two forces working against each other
Conflict
Eugene Scribe
Aesthetic Distance
Aristophanes
45. Scenery
Skene
Representational
lighting designer
Designer's job
46. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Mystery Plays
Liturgical Drama
Emile Zola
Costume Designer
47. Push idea of reality - morality - and universality
Neoclassic goals defining verisimilitude
Types of professional theater
Prose
Aristotle's Six Elements of a Play
48. Saint's plays
Cycles
Miracle Plays
Realism
Neoclassic goals defining verisimilitude
49. Attributed to writing over 700 plays
lighting designer
Stage manager
Actor's tools
Eugene Scribe
50. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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