SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Oversees artistic aspects of show
Perspective Scenery
Henrik Ibsen
Director
Neoclassic unities
2. Idea/script - sets - lights - costumes - props - performers
Hypokrites
Components of Production
Early Church's reasons for distaining theatre
Melodrama
3. Fee for each performance
Verisimilitude
Royalty
Pageants
Stage Manager
4. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Neoclassic unities
Romantic Theory
Playwright
Raked Stage
5. 'dancing space'
Verisimilitude
Scenic Designer
Dramaturg
Orchestra
6. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Neoclassic goals defining verisimilitude
Components of Production
Upstage
Chorus
7. Usher. Shows people to seats - checks tickets
Off-Broadway
Wings
Front of House
Designer
8. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Musical Theatre
Presentational
Perspective Scenery
Neoclassic unities
9. Oversees artistic aspects of show
Director
Empathy
Orchestra
Broadway
10. Actor in 5th century Greece
Hypokrites
Avant-Garde
Melodrama
Upstage
11. The actual meaning of dialogue behind the spoken words
Dionysus
Producer
Playwright
Subtext
12. Usher. Shows people to seats - checks tickets
Proscenium
Director
Cycles
Front of House
13. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Hypokrites
The Globe
Broadway
Proscenium
14. A specialist in dramatic literature and theatre history who serves as a consultant for production
Realism
Ground plan
Costume plot
Dramaturg
15. 'seeing place'
Theatron
Arena
collaborator
Variables of costume design
16. The most popular form of performance in the 20th century
Types of professional theater
Subtext
Dionysus
Musical Theatre
17. First director
Dionysus
Dialogue
Callbacks
Duke of Saxe Meiningen
18. Art that pushes recognized boundaries
Avant-Garde
Broadway
Melodrama
Designer
19. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Aesthetic Distance
Romanticism
sound designer
Wings
20. Actor in 5th century Greece
Hypokrites
Presentational
Front of House
Costume plot
21. Fee for each performance
Royalty
Scenic Designer
Henrik Ibsen
Mystery Plays
22. Physical commedy
collaborator
Skene
Presentational
Slapstick
23. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Concept
Dionysus
Book musical
Variables of costume design
24. Written by Aeschylus. Only surviving trilogy
The Orestia
Designer's job
Verse
Rhetorical Tradition
25. 'seeing place'
Theatron
Subtext
Off-off-Broadway
Bertolt Brecht
26. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Emile Zola
Scenic Designer
Emile Zola
Aesthetic Distance
27. Push idea of reality - morality - and universality
Rhetorical Tradition
Conflict
Romantic Theory
Neoclassic goals defining verisimilitude
28. Attributed to writing over 700 plays
Eugene Scribe
Producer
Romantic Theory
Aristotle's Six Elements of a Play
29. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
30. Scenery
Stage Manager
Callbacks
Aeschylus
Skene
31. Action - place - time
Raked Stage
Antagonist
Neoclassic unities
Director
32. Movement based on study of ancient Greek and Roman culture
Neoclassicism
William Shakespeare
Presentational
Subplot
33. Spoken words
Neoclassicism
Dialogue
sound designer
Constantin Stanislavski
34. In the middle ages - wagons with scenery used in processional staging
Blocking
Constantin Stanislavski
Pageants
Musical Theatre
35. Plays written before 1923 are no longer protected
Actor's tools
Empathy
Public Domain
Scenic Designer
36. Sentences/paragraph structure
Thespis
Prose
Mystery Plays
Sense memory
37. Causal play structure. A ? B ? C
Linear Plot
Auditions
University Wits
Prose
38. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Proscenium
Vomitories
Melodrama
Thrust
39. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Rendering
Linear Plot
Raked Stage
Neoclassicism
40. Handles business aspects of show
Arena
Producer
The Globe
Neoclassicism
41. Group of influential - educated Renaissance playwrights
Catharsis
University Wits
Morality Plays
William Shakespeare
42. Theatre where Shakespeare's company of actors worked primarily
Rhetorical Tradition
Producer
Mystery Plays
The Globe
43. Directors who operate with total control
Presentational
Playwright
Auteur
Early Church's reasons for distaining theatre
44. Action - place - time
Neoclassic unities
Thespis
Proscenium
Slapstick
45. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Bertolt Brecht
Scenic Designer
Antiquarianism
Alienation Effect
46. Biblical stories. From word Misterium meaning crafts/guild
Thrust
Skene
Variables of costume design
Mystery Plays
47. The most popular form of performance in the 20th century
Concept
sound designer
Aeschylus
Musical Theatre
48. Creates a soundtrack to support the show. It may be recorded or live
Commedia Dell'Arte
sound designer
Director
Concept
49. Emotional identification. Refers to audience participation
Aristophanes
Director
Plato
Empathy
50. When line of action suddenly switches
Reversal
Aristophanes
Stage manager
Types of professional theater