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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The actual meaning of dialogue behind the spoken words
Broadway
Stage Manager
Proscenium
Subtext
2. Creates a visual home for the play
Romanticism
Aristophanes
Scenic Designer
Raked Stage
3. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Proscenium
Subtext
Book musical
Vomitories
4. Actor in 5th century Greece
Prose
Director
Designer's job
Hypokrites
5. Pioneer of realism who challenged audiences to face their personal demons
Emile Zola
Eugene Scribe
Protagonist
Henrik Ibsen
6. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Constantin Stanislavski
Designer
Skene
Proscenium
7. Didn't support theater. Believed a convincing actor was harmful to society
Plato
Variables of costume design
Morality Plays
Actor's tools
8. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Neoclassic goals defining verisimilitude
Black box
Aristophanes
Aeschylus
9. Standard tool for casting productions
Dionysus
Auditions
Callbacks
Constantin Stanislavski
10. Historical accuracy
Bertolt Brecht
Antiquarianism
Morality Plays
Aeschylus
11. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Stage Manager
Rhetorical Tradition
Designer
Aesthetic Distance
12. Group of influential - educated Renaissance playwrights
The Globe
Aeschylus
University Wits
Slapstick
13. Designs costumes for the show
Callbacks
Casting Director
Costume Designer
Reversal
14. Appearance of truth
Director
Verisimilitude
Protagonist
Protagonist
15. 'seeing place'
Aristotle
Theatron
Skene
collaborator
16. Purgation of pity and fear experienced upon watching theater.
Catharsis
Neoclassic unities
Rhetorical Tradition
Empathy
17. Emotional identification. Refers to audience participation
Thespis
Aesthetic Distance
Romanticism
Empathy
18. Biblical stories. From word Misterium meaning crafts/guild
Skene
Mystery Plays
Producer
Variables of costume design
19. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
20. Written by Aeschylus. Only surviving trilogy
Actor's tools
The Orestia
Playwright
Designer
21. Directors who operate with total control
Front of House
Director
Auteur
Empathy
22. Scenery
Morality Plays
Callbacks
Wings
Skene
23. Planned actor movement
Scenic Designer
Miracle Plays
Prose
Blocking
24. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Ground plan
Downstage
Off-off-Broadway
Early Church's reasons for distaining theatre
25. Person in charge of artistic aspect of theater production
Reversal
Director
Rendering
Aeschylus
26. Handles business aspects of show
Aristotle
Romanticism
Producer
Alienation Effect
27. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Presentational
Designer's job
Verisimilitude
Vomitories
28. Greatest dramatist of all time
Arena
Broadway
William Shakespeare
Verse
29. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Director
Aesthetic Distance
Wings
Romanticism
30. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Hypokrites
Off-off-Broadway
Wings
Eugene Scribe
31. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Theatron
Concept
Pageants
Skene
32. Was in favor of theater
Playwright
Aristotle
Producer
Theatron
33. Convincing actors were too powerful a tool of persuasion
34. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
William Shakespeare
Emile Zola
Raked Stage
Alienation Effect
35. Greatest dramatist of all time
Slapstick
William Shakespeare
Ground plan
Liturgical Drama
36. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Scenic Designer
Rhetorical Tradition
Front of House
Stage manager
37. Sentences/paragraph structure
Thespis
Variables of costume design
Prose
Neoclassic goals defining verisimilitude
38. Second round of auditions to which specific actors are invited
Wings
Verse
Callbacks
Realism
39. A picture created by a designer to communicate with other production personnel
Early Church's reasons for distaining theatre
Skene
Rendering
collaborator
40. Historical accuracy
Aristotle's Six Elements of a Play
Antiquarianism
The Globe
Stage Manager
41. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Aristotle's Six Elements of a Play
Thrust
Henrik Ibsen
Off-Broadway
42. The most popular form of performance in the 20th century
Realism
Musical Theatre
Actor's tools
Presentational
43. : a specialist in finding actors for specific roles who assists the director in some professional productions
Director
Casting Director
Upstage
Aristotle
44. The actors recall of sights - sounds - touch - and smell from specific past events.
Eugene Scribe
Sense memory
Chorus
Henrik Ibsen
45. Didn't support theater. Believed a convincing actor was harmful to society
Plato
lighting designer
Director
Wings
46. When line of action suddenly switches
Reversal
Henrik Ibsen
Playwright
Producer
47. In charge of communication and call cues. 'Busiest person in theater.'
Public Domain
Antagonist
Stage manager
Henrik Ibsen
48. Idea/script - sets - lights - costumes - props - performers
Actor's tools
sound designer
Components of Production
Stage manager
49. Physical commedy
Producer
Neoclassic goals defining verisimilitude
The Globe
Slapstick
50. Oversees artistic aspects of show
Director
Subplot
Pageants
Proscenium