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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Planned actor movement
Vomitories
Blocking
lighting designer
Mystery Plays
2. Biblical stories. From word Misterium meaning crafts/guild
Theatron
Mystery Plays
Eugene Scribe
Proscenium
3. Written by Aeschylus. Only surviving trilogy
The Orestia
Plato
Thespis
Raked Stage
4. Silhouette (overall shape) - color - texture - accent
Variables of costume design
Morality Plays
Prose
Arena
5. Body - voice - mind
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6. Historical accuracy
University Wits
Avant-Garde
Antiquarianism
Variables of costume design
7. Grecian attributed to writing the first tragedies then acting in them.
Stage Manager
The Globe
Front of House
Thespis
8. Attributed to writing over 700 plays
Romanticism
Linear Plot
Pageants
Eugene Scribe
9. A chart that records items of clothing worn by each actor in each scene of the play
Commedia Dell'Arte
Playwright
Dionysus
Costume plot
10. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Designer
Producer
Slapstick
Alienation Effect
11. Recognize plays as intellectual property of playwright
Upstage
Types of professional theater
Designer's job
Copyright
12. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Raked Stage
Alienation Effect
Sense memory
Commedia Dell'Arte
13. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Catharsis
Black box
Subtext
Thrust
14. Attempts to represent reality on stage
Morality Plays
Romantic Theory
Eugene Scribe
Representational
15. Convincing actors were too powerful a tool of persuasion
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16. Movement based on study of ancient Greek and Roman culture
Neoclassicism
Slapstick
William Shakespeare
Morality Plays
17. Scenery
Proscenium
Skene
Slapstick
Romanticism
18. Director champions intention of playwright
Aristotle's Six Elements of a Play
collaborator
Morality Plays
Catharsis
19. Appearance of truth
Neoclassic goals defining verisimilitude
Morality Plays
Verisimilitude
Verse
20. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Components of Production
Blocking
Thrust
Stage Manager
21. Handles business aspects of show
Producer
Henrik Ibsen
Director
Dialogue
22. Person in charge of artistic aspect of theater production
Director
Auditions
Neoclassic goals defining verisimilitude
Playwright
23. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Liturgical Drama
Romantic Theory
Off-off-Broadway
Aesthetic Distance
24. An actor/audience configuration in which the audience completely surrounds the performance area
Linear Plot
collaborator
Arena
Antagonist
25. Planned actor movement
Costume plot
Stage manager
Dionysus
Blocking
26. Action - place - time
Theatron
Eugene Scribe
Neoclassicism
Neoclassic unities
27. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Thrust
Subtext
The Globe
Perspective Scenery
28. Second round of auditions to which specific actors are invited
Bertolt Brecht
Callbacks
Dionysus
Antagonist
29. Plot - character - thought - language - music - spectacle
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30. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Pageants
Playwright
Wings
Cycles
31. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Eugene Scribe
Morality Plays
Thrust
Chorus
32. Humanity's struggle with good and evil
Dialogue
Commedia Dell'Arte
Thrust
Morality Plays
33. When line of action suddenly switches
Plato
Auditions
Sense memory
Reversal
34. A specialist in dramatic literature and theatre history who serves as a consultant for production
Protagonist
Theatron
Dramaturg
Broadway
35. Usher. Shows people to seats - checks tickets
Front of House
Plato
Pageants
Upstage
36. A picture created by a designer to communicate with other production personnel
Rendering
lighting designer
Romanticism
Auteur
37. God of wine and fertility
Pageants
Dionysus
Public Domain
Romantic Theory
38. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Plato
Callbacks
Liturgical Drama
Designer
39. Spoken words
Prose
Prose
Downstage
Dialogue
40. Wrote the Orestia which is the only surviving trilogy
Dionysus
Early Church's reasons for distaining theatre
Aeschylus
Designer
41. Generally rhyming
Playwright
Aristotle's Six Elements of a Play
Hypokrites
Verse
42. Oversees artistic aspects of show
Auteur
Thrust
Representational
Director
43. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
collaborator
Director
Costume Designer
Perspective Scenery
44. Oversees the entire production crew - rehearsals & performance
lighting designer
Stage Manager
Linear Plot
Presentational
45. Actor in 5th century Greece
Hypokrites
Variables of costume design
Director
Eugene Scribe
46. Convincing actors were too powerful a tool of persuasion
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47. Emotional identification. Refers to audience participation
Empathy
Concept
Raked Stage
Slapstick
48. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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49. Directors who operate with total control
Auteur
Broadway
Designer's job
Miracle Plays
50. Plot - character - thought - language - music - spectacle
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