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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Causal play structure. A ? B ? C
Proscenium
Emile Zola
Linear Plot
Dramaturg
2. Plays written before 1923 are no longer protected
Public Domain
The Orestia
Designer's job
Constantin Stanislavski
3. In the middle ages - wagons with scenery used in processional staging
Representational
Proscenium
Pageants
Aristotle
4. Designs costumes for the show
Costume Designer
Scenic Designer
Antagonist
Raked Stage
5. Attributed to writing over 700 plays
Auteur
Eugene Scribe
Commedia Dell'Arte
Antiquarianism
6. Grecian attributed to writing the first tragedies then acting in them.
Thespis
Playwright
Melodrama
Neoclassic unities
7. Usher. Shows people to seats - checks tickets
Romantic Theory
Duke of Saxe Meiningen
Front of House
Realism
8. Seats 100-500; professional
Proscenium
The Globe
Off-Broadway
Off-off-Broadway
9. Physical commedy
Melodrama
Subtext
Musical Theatre
Slapstick
10. Seats less than 100; amateur.
Arena
Vomitories
Off-off-Broadway
Realism
11. Grecian attributed to writing the first tragedies then acting in them.
Thespis
Royalty
Subtext
Off-off-Broadway
12. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Linear Plot
Chorus
Arena
Designer
13. Art that pushes recognized boundaries
Duke of Saxe Meiningen
Dramaturg
Mystery Plays
Avant-Garde
14. Collection of mystery plays
Proscenium
Emile Zola
Cycles
Thespis
15. Art that pushes recognized boundaries
Avant-Garde
Henrik Ibsen
Auteur
Off-off-Broadway
16. The central element of causal plot; two forces working against each other
Dialogue
Aristotle
sound designer
Conflict
17. The actors recall of sights - sounds - touch - and smell from specific past events.
University Wits
Broadway
Sense memory
Constantin Stanislavski
18. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Morality Plays
Catharsis
Vomitories
Callbacks
19. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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20. Scenery
Linear Plot
Cycles
Skene
William Shakespeare
21. Physical commedy
Concept
collaborator
Auditions
Slapstick
22. Person in charge of artistic aspect of theater production
Constantin Stanislavski
Aristophanes
Melodrama
Director
23. 'dancing space'
Neoclassic goals defining verisimilitude
Orchestra
Verse
Verisimilitude
24. Humanity's struggle with good and evil
Subplot
Morality Plays
Conflict
Plato
25. First director
Aristotle
Liturgical Drama
Duke of Saxe Meiningen
Mystery Plays
26. Emotional identification. Refers to audience participation
Empathy
Dionysus
William Shakespeare
Subplot
27. Emotional identification. Refers to audience participation
Stage manager
Variables of costume design
Raked Stage
Empathy
28. Group of influential - educated Renaissance playwrights
Perspective Scenery
Costume Designer
University Wits
Scenic Designer
29. Work developed actors in realism and naturalism
Neoclassic unities
Morality Plays
Constantin Stanislavski
Alienation Effect
30. Idea/script - sets - lights - costumes - props - performers
Proscenium
Antagonist
Components of Production
Musical Theatre
31. Sentences/paragraph structure
Henrik Ibsen
Pageants
Director
Prose
32. Person in charge of artistic aspect of theater production
Broadway
Dramaturg
Director
Callbacks
33. Author of play
Liturgical Drama
Playwright
Slapstick
Commedia Dell'Arte
34. An actor/audience configuration in which the audience completely surrounds the performance area
Components of Production
Constantin Stanislavski
Arena
Aristophanes
35. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Concept
Callbacks
Royalty
Components of Production
36. Wrote the Orestia which is the only surviving trilogy
Actor's tools
Neoclassic unities
Aeschylus
Miracle Plays
37. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
collaborator
Bertolt Brecht
Eugene Scribe
Catharsis
38. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
University Wits
Alienation Effect
Rhetorical Tradition
Linear Plot
39. Attempts to represent reality on stage
Vomitories
Representational
Antiquarianism
Raked Stage
40. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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41. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Commedia Dell'Arte
Arena
Concept
Blocking
42. When line of action suddenly switches
Pageants
Costume plot
Costume Designer
Reversal
43. Plot - character - thought - language - music - spectacle
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44. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Aristotle
Auditions
Neoclassicism
Presentational
45. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Front of House
Representational
Upstage
Rhetorical Tradition
46. Fee for each performance
Broadway
Alienation Effect
Royalty
Aristotle's Six Elements of a Play
47. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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48. Written by Aeschylus. Only surviving trilogy
Representational
Director
The Orestia
Cycles
49. 'dancing space'
Orchestra
Rendering
Reversal
Bertolt Brecht
50. Seats 100-500; professional
Mystery Plays
Off-Broadway
Costume plot
Thespis