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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Presentational
Emile Zola
Downstage
Pageants
2. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
The Globe
Duke of Saxe Meiningen
Designer
Casting Director
3. Director champions intention of playwright
Avant-Garde
collaborator
Callbacks
Subplot
4. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Reversal
Types of professional theater
Downstage
Front of House
5. Push idea of reality - morality - and universality
Director
Neoclassic goals defining verisimilitude
Emile Zola
Arena
6. Creates a visual home for the play
Liturgical Drama
Henrik Ibsen
Upstage
Scenic Designer
7. Was in favor of theater
Auteur
Conflict
Director
Aristotle
8. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Prose
Ground plan
Upstage
Playwright
9. Written by Aeschylus. Only surviving trilogy
The Orestia
Chorus
Vomitories
Proscenium
10. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Variables of costume design
Romantic Theory
Chorus
Subplot
11. Central character
Scenic Designer
Protagonist
Subplot
Front of House
12. Attributed to writing over 700 plays
Cycles
Duke of Saxe Meiningen
Front of House
Eugene Scribe
13. A specialist in dramatic literature and theatre history who serves as a consultant for production
Linear Plot
Dionysus
Dramaturg
Auteur
14. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Proscenium
Skene
Ground plan
Neoclassic goals defining verisimilitude
15. The most popular form of performance in the 20th century
Components of Actor's job
Musical Theatre
Designer
Components of Actor's job
16. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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17. The area farthest away from the audience
Stage Manager
Conflict
Upstage
Protagonist
18. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Alienation Effect
Slapstick
Raked Stage
Bertolt Brecht
19. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Proscenium
Skene
Alienation Effect
Costume Designer
20. Helps establish mood - place - & intensity with the use of light
Playwright
Auditions
lighting designer
Wings
21. Movement based on study of ancient Greek and Roman culture
Duke of Saxe Meiningen
Stage manager
Neoclassicism
Subtext
22. Idea/script - sets - lights - costumes - props - performers
Romantic Theory
Upstage
Components of Production
Royalty
23. Seats 500-1800; professional.
Broadway
Slapstick
Thrust
Thrust
24. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Blocking
Stage Manager
Rhetorical Tradition
Antagonist
25. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Antiquarianism
Eugene Scribe
Ground plan
Aristotle
26. In charge of communication and call cues. 'Busiest person in theater.'
Stage manager
Neoclassic unities
Costume Designer
Liturgical Drama
27. A picture created by a designer to communicate with other production personnel
Rendering
Playwright
Stage manager
Realism
28. Group of influential - educated Renaissance playwrights
University Wits
Broadway
lighting designer
Melodrama
29. Plays written before 1923 are no longer protected
Public Domain
The Orestia
Linear Plot
Bertolt Brecht
30. Author of play
Designer
Cycles
Duke of Saxe Meiningen
Playwright
31. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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32. Seats 500-1800; professional.
Broadway
Empathy
Raked Stage
Black box
33. Recognize plays as intellectual property of playwright
Copyright
Off-Broadway
Miracle Plays
Commedia Dell'Arte
34. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Thespis
Plato
Aristophanes
Realism
35. The actual meaning of dialogue behind the spoken words
Producer
Proscenium
Subtext
Stage Manager
36. Plot - character - thought - language - music - spectacle
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37. Handles business aspects of show
Off-Broadway
Producer
Dramaturg
Theatron
38. Fee for each performance
Early Church's reasons for distaining theatre
Royalty
Components of Production
Proscenium
39. Oversees artistic aspects of show
Director
Romantic Theory
Verisimilitude
Arena
40. Didn't support theater. Believed a convincing actor was harmful to society
Musical Theatre
Off-Broadway
Auteur
Plato
41. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Components of Production
Scenic Designer
Chorus
Neoclassicism
42. Purgation of pity and fear experienced upon watching theater.
Avant-Garde
Catharsis
Theatron
lighting designer
43. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Reversal
sound designer
Wings
Aristotle
44. The actors recall of sights - sounds - touch - and smell from specific past events.
Arena
Sense memory
Plato
William Shakespeare
45. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Neoclassic unities
Realism
Concept
Chorus
46. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Blocking
Variables of costume design
Romanticism
Stage manager
47. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Skene
Hypokrites
Off-off-Broadway
Downstage
48. Saint's plays
Copyright
Morality Plays
Scenic Designer
Miracle Plays
49. Appearance of truth
Verisimilitude
Playwright
Catharsis
Antagonist
50. Standard tool for casting productions
Scenic Designer
Director
Off-Broadway
Auditions