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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The actors recall of sights - sounds - touch - and smell from specific past events.
Sense memory
collaborator
Plato
Playwright
2. Plays written before 1923 are no longer protected
Romanticism
Eugene Scribe
University Wits
Public Domain
3. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Ground plan
Components of Production
Aristotle
Vomitories
4. Designs costumes for the show
Aesthetic Distance
Costume Designer
Constantin Stanislavski
Theatron
5. Appearance of truth
Presentational
Upstage
Chorus
Verisimilitude
6. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Eugene Scribe
Wings
Realism
Black box
7. Seats 500-1800; professional.
Cycles
Realism
Broadway
Antagonist
8. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Proscenium
Pageants
Raked Stage
Costume plot
9. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Linear Plot
University Wits
Dramaturg
Rhetorical Tradition
10. A picture created by a designer to communicate with other production personnel
Rendering
Mystery Plays
Avant-Garde
Commedia Dell'Arte
11. Attributed to writing over 700 plays
Components of Production
Costume Designer
Eugene Scribe
Neoclassic goals defining verisimilitude
12. 'old comedy'. Lewd humor - attacks on government
Representational
Protagonist
Book musical
Aristophanes
13. Planned actor movement
Variables of costume design
Presentational
Blocking
Rhetorical Tradition
14. The area farthest away from the audience
Duke of Saxe Meiningen
Upstage
Director
Aristotle's Six Elements of a Play
15. Oversees artistic aspects of show
Director
Musical Theatre
Neoclassic unities
Blocking
16. Purgation of pity and fear experienced upon watching theater.
Slapstick
Broadway
Catharsis
Costume plot
17. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Romantic Theory
University Wits
Aristotle
Black box
18. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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19. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
The Globe
Plato
Rhetorical Tradition
Musical Theatre
20. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Downstage
Components of Production
Costume plot
Subtext
21. Action - place - time
Public Domain
Neoclassic unities
Skene
Mystery Plays
22. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Emile Zola
Thrust
Representational
Henrik Ibsen
23. Didn't support theater. Believed a convincing actor was harmful to society
Plato
Cycles
The Globe
The Globe
24. Secondary line of action
Subplot
Casting Director
Alienation Effect
Perspective Scenery
25. 'old comedy'. Lewd humor - attacks on government
Arena
Dialogue
Front of House
Aristophanes
26. Saint's plays
Early Church's reasons for distaining theatre
Auditions
Miracle Plays
Ground plan
27. In charge of communication and call cues. 'Busiest person in theater.'
Stage manager
Mystery Plays
Conflict
Empathy
28. The actors recall of sights - sounds - touch - and smell from specific past events.
Casting Director
Upstage
Concept
Sense memory
29. 'seeing place'
The Globe
Early Church's reasons for distaining theatre
Callbacks
Theatron
30. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Callbacks
Alienation Effect
Duke of Saxe Meiningen
Dionysus
31. God of wine and fertility
Chorus
Upstage
Emile Zola
Dionysus
32. Oversees the entire production crew - rehearsals & performance
Stage Manager
Duke of Saxe Meiningen
Neoclassic goals defining verisimilitude
Aristotle's Six Elements of a Play
33. Directors who operate with total control
collaborator
Mystery Plays
Auteur
Early Church's reasons for distaining theatre
34. Idea/script - sets - lights - costumes - props - performers
Components of Production
Broadway
Representational
Copyright
35. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Romantic Theory
Aesthetic Distance
collaborator
Costume plot
36. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Proscenium
Arena
Concept
Antagonist
37. Causal play structure. A ? B ? C
Henrik Ibsen
Linear Plot
Commedia Dell'Arte
Musical Theatre
38. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Aesthetic Distance
Royalty
Proscenium
Plato
39. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Thrust
Henrik Ibsen
Proscenium
Aristotle
40. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Reversal
Neoclassicism
Proscenium
Romanticism
41. Convincing actors were too powerful a tool of persuasion
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42. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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43. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Sense memory
Emile Zola
Perspective Scenery
Aristotle's Six Elements of a Play
44. Creates a soundtrack to support the show. It may be recorded or live
Front of House
Cycles
sound designer
Front of House
45. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Concept
Alienation Effect
Linear Plot
The Orestia
46. Creates a visual home for the play
Orchestra
Scenic Designer
Proscenium
Variables of costume design
47. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Aristotle's Six Elements of a Play
Catharsis
Thespis
Bertolt Brecht
48. Usher. Shows people to seats - checks tickets
Neoclassic goals defining verisimilitude
Upstage
Front of House
Morality Plays
49. Humanity's struggle with good and evil
Conflict
Morality Plays
sound designer
Designer
50. When line of action suddenly switches
sound designer
Vomitories
Sense memory
Reversal