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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The actual meaning of dialogue behind the spoken words
Miracle Plays
Subtext
Director
Alienation Effect
2. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Raked Stage
Melodrama
Slapstick
Designer's job
3. A chart that records items of clothing worn by each actor in each scene of the play
Upstage
Avant-Garde
Aesthetic Distance
Costume plot
4. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Early Church's reasons for distaining theatre
Arena
Proscenium
Morality Plays
5. Planned actor movement
Arena
Blocking
Stage manager
Aristotle's Six Elements of a Play
6. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Royalty
Prose
Concept
Conflict
7. Seats 500-1800; professional.
Broadway
Rhetorical Tradition
Stage manager
Theatron
8. Creates a visual home for the play
Off-off-Broadway
Constantin Stanislavski
Scenic Designer
Romantic Theory
9. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Neoclassicism
Aristophanes
Designer
Actor's tools
10. Saint's plays
Chorus
Emile Zola
Neoclassic goals defining verisimilitude
Miracle Plays
11. Planned actor movement
Aeschylus
Blocking
Black box
Neoclassic goals defining verisimilitude
12. Idea/script - sets - lights - costumes - props - performers
Presentational
Subplot
Components of Production
Henrik Ibsen
13. Pioneer of realism who challenged audiences to face their personal demons
Early Church's reasons for distaining theatre
Actor's tools
Proscenium
Henrik Ibsen
14. Who or what opposes the central character
Antagonist
Presentational
Subtext
Verisimilitude
15. Central character
Protagonist
collaborator
Designer's job
Wings
16. Seats 100-500; professional
collaborator
Off-Broadway
Chorus
Liturgical Drama
17. Sentences/paragraph structure
Skene
Reversal
Public Domain
Prose
18. Seats less than 100; amateur.
Auditions
collaborator
Perspective Scenery
Off-off-Broadway
19. 'seeing place'
Plato
William Shakespeare
Representational
Theatron
20. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Antagonist
Copyright
Costume plot
Perspective Scenery
21. Seats 500-1800; professional.
Alienation Effect
Pageants
Plato
Broadway
22. Author of play
Black box
Stage Manager
Playwright
Catharsis
23. Handles business aspects of show
Wings
Producer
Rhetorical Tradition
Emile Zola
24. Appearance of truth
Scenic Designer
Orchestra
Alienation Effect
Verisimilitude
25. Emotional identification. Refers to audience participation
The Orestia
Empathy
University Wits
Linear Plot
26. Purgation of pity and fear experienced upon watching theater.
Catharsis
Dramaturg
Verse
Hypokrites
27. In the middle ages - wagons with scenery used in processional staging
Raked Stage
Pageants
Chorus
Dionysus
28. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Realism
Antiquarianism
William Shakespeare
Casting Director
29. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Designer
Blocking
Melodrama
Concept
30. Theatre where Shakespeare's company of actors worked primarily
Components of Production
The Globe
Proscenium
William Shakespeare
31. Written by Aeschylus. Only surviving trilogy
Broadway
Chorus
Scenic Designer
The Orestia
32. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Presentational
Upstage
The Globe
Stage manager
33. The area farthest away from the audience
Director
Upstage
Thespis
Hypokrites
34. Didn't support theater. Believed a convincing actor was harmful to society
Slapstick
Public Domain
Plato
Melodrama
35. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Perspective Scenery
Romanticism
Variables of costume design
Public Domain
36. Fee for each performance
Representational
Dramaturg
Subplot
Royalty
37. Emotional identification. Refers to audience participation
Empathy
Black box
Realism
Auteur
38. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Off-off-Broadway
Aristophanes
Musical Theatre
Downstage
39. Body - voice - mind
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40. Second round of auditions to which specific actors are invited
Thespis
Callbacks
Sense memory
Skene
41. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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42. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Chorus
Proscenium
Catharsis
University Wits
43. Generally rhyming
Types of professional theater
Alienation Effect
Verse
Auditions
44. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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45. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Melodrama
Bertolt Brecht
Casting Director
Designer
46. The actual meaning of dialogue behind the spoken words
Public Domain
Vomitories
Subtext
Copyright
47. Silhouette (overall shape) - color - texture - accent
Upstage
lighting designer
Variables of costume design
Musical Theatre
48. The actors recall of sights - sounds - touch - and smell from specific past events.
Antiquarianism
sound designer
Sense memory
Pageants
49. Causal play structure. A ? B ? C
Stage Manager
Perspective Scenery
Hypokrites
Linear Plot
50. Oversees artistic aspects of show
Raked Stage
Verisimilitude
Emile Zola
Director