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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Romantic Theory
Antiquarianism
Prose
Components of Actor's job
2. Generally rhyming
Public Domain
Catharsis
Verse
Conflict
3. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Copyright
The Globe
Aeschylus
Wings
4. 'old comedy'. Lewd humor - attacks on government
Blocking
Aristophanes
University Wits
Cycles
5. Silhouette (overall shape) - color - texture - accent
Neoclassicism
Dramaturg
Romanticism
Variables of costume design
6. Spoken words
Royalty
Sense memory
Dialogue
The Globe
7. Who or what opposes the central character
Perspective Scenery
Romanticism
Catharsis
Antagonist
8. Called for naturalism - claiming that plays should show a 'slice of life'
Neoclassicism
Bertolt Brecht
Designer
Emile Zola
9. Attributed to writing over 700 plays
Sense memory
Proscenium
Eugene Scribe
Romanticism
10. Sentences/paragraph structure
Prose
Chorus
Producer
Skene
11. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Chorus
Black box
Eugene Scribe
Upstage
12. Pioneer of realism who challenged audiences to face their personal demons
Henrik Ibsen
Cycles
Subplot
Upstage
13. 'dancing space'
Eugene Scribe
Orchestra
Director
Catharsis
14. In charge of communication and call cues. 'Busiest person in theater.'
Director
Neoclassic goals defining verisimilitude
Aristotle
Stage manager
15. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Types of professional theater
Proscenium
University Wits
lighting designer
16. The actors recall of sights - sounds - touch - and smell from specific past events.
Thespis
Auditions
Front of House
Sense memory
17. Designs costumes for the show
Dramaturg
Costume Designer
Downstage
Arena
18. Actor in 5th century Greece
Hypokrites
Conflict
Stage manager
Front of House
19. Director champions intention of playwright
Producer
Cycles
Proscenium
collaborator
20. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Protagonist
Neoclassic goals defining verisimilitude
Vomitories
Henrik Ibsen
21. Humanity's struggle with good and evil
Concept
Reversal
Morality Plays
Representational
22. Work developed actors in realism and naturalism
Off-Broadway
Henrik Ibsen
Constantin Stanislavski
Musical Theatre
23. The central element of causal plot; two forces working against each other
Neoclassic goals defining verisimilitude
Conflict
Theatron
Realism
24. Appearance of truth
Auteur
Verisimilitude
Aristophanes
Melodrama
25. The most popular form of performance in the 20th century
Commedia Dell'Arte
Skene
Musical Theatre
Romanticism
26. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Concept
Ground plan
Blocking
Presentational
27. Creates a visual home for the play
Designer
Hypokrites
Aristotle
Scenic Designer
28. Standard tool for casting productions
Auditions
Costume Designer
Henrik Ibsen
Dramaturg
29. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Pageants
Perspective Scenery
Reversal
Skene
30. Attempts to represent reality on stage
Blocking
Thespis
Sense memory
Representational
31. Convincing actors were too powerful a tool of persuasion
32. A specialist in dramatic literature and theatre history who serves as a consultant for production
Skene
Designer
Dramaturg
Auditions
33. Scenery
Skene
Sense memory
Auditions
Proscenium
34. Fee for each performance
Auteur
Prose
Avant-Garde
Royalty
35. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
36. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Rhetorical Tradition
Aesthetic Distance
Stage manager
Public Domain
37. An actor/audience configuration in which the audience completely surrounds the performance area
Downstage
Arena
Representational
Stage manager
38. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
39. Work developed actors in realism and naturalism
Designer
Skene
Duke of Saxe Meiningen
Constantin Stanislavski
40. Seats 500-1800; professional.
Antagonist
The Orestia
Dialogue
Broadway
41. 'dancing space'
Auditions
Morality Plays
Orchestra
Mystery Plays
42. Causal play structure. A ? B ? C
Linear Plot
Protagonist
Neoclassic unities
The Globe
43. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
44. Oversees artistic aspects of show
Types of professional theater
Director
Morality Plays
Proscenium
45. God of wine and fertility
Miracle Plays
Dionysus
Presentational
Vomitories
46. Saint's plays
lighting designer
Dramaturg
Presentational
Miracle Plays
47. The central element of causal plot; two forces working against each other
Conflict
Director
Royalty
Early Church's reasons for distaining theatre
48. Movement based on study of ancient Greek and Roman culture
lighting designer
Rendering
Neoclassicism
Constantin Stanislavski
49. Secondary line of action
Liturgical Drama
Dialogue
Subplot
Actor's tools
50. Helps establish mood - place - & intensity with the use of light
lighting designer
Commedia Dell'Arte
Stage manager
Verse