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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Plot - character - thought - language - music - spectacle
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2. Silhouette (overall shape) - color - texture - accent
Designer's job
Front of House
Variables of costume design
Vomitories
3. Attributed to writing over 700 plays
Eugene Scribe
Rhetorical Tradition
William Shakespeare
Perspective Scenery
4. Theatre where Shakespeare's company of actors worked primarily
Eugene Scribe
University Wits
The Globe
Concept
5. Spoken words
Romanticism
Emile Zola
Dialogue
Prose
6. Central character
sound designer
Antagonist
Protagonist
Proscenium
7. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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8. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Emile Zola
Proscenium
Rendering
Dionysus
9. Causal play structure. A ? B ? C
Verse
Antiquarianism
Linear Plot
Off-off-Broadway
10. Greatest dramatist of all time
William Shakespeare
Duke of Saxe Meiningen
Producer
Stage manager
11. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Dramaturg
Commedia Dell'Arte
Chorus
The Globe
12. 'dancing space'
Aristotle's Six Elements of a Play
University Wits
Orchestra
Proscenium
13. Historical accuracy
Dionysus
Antiquarianism
Producer
Representational
14. Author of play
Royalty
Playwright
Dialogue
Stage manager
15. A picture created by a designer to communicate with other production personnel
Rendering
The Globe
Subplot
Chorus
16. Work developed actors in realism and naturalism
Constantin Stanislavski
Ground plan
Emile Zola
Costume Designer
17. Grecian attributed to writing the first tragedies then acting in them.
collaborator
Thespis
Antagonist
Chorus
18. Standard tool for casting productions
Verisimilitude
Thespis
Skene
Auditions
19. When line of action suddenly switches
Rendering
Reversal
Auditions
Off-Broadway
20. Was in favor of theater
Wings
Empathy
Aristotle
Subplot
21. Seats 500-1800; professional.
Emile Zola
Actor's tools
Broadway
Skene
22. Plays written before 1923 are no longer protected
Subtext
Public Domain
Empathy
Realism
23. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Wings
Realism
Blocking
Costume plot
24. 'old comedy'. Lewd humor - attacks on government
Public Domain
Conflict
Stage Manager
Aristophanes
25. God of wine and fertility
Casting Director
Verse
Playwright
Dionysus
26. Art that pushes recognized boundaries
sound designer
Avant-Garde
Alienation Effect
Components of Actor's job
27. Creates a soundtrack to support the show. It may be recorded or live
sound designer
Prose
William Shakespeare
Auditions
28. Emotional identification. Refers to audience participation
Costume plot
Empathy
Hypokrites
Antagonist
29. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Scenic Designer
Upstage
Aesthetic Distance
Components of Production
30. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Cycles
Alienation Effect
Copyright
Aristotle
31. Oversees the entire production crew - rehearsals & performance
Front of House
Antagonist
Components of Actor's job
Stage Manager
32. In the middle ages - wagons with scenery used in processional staging
Pageants
Dramaturg
Alienation Effect
Stage Manager
33. Seats less than 100; amateur.
Off-off-Broadway
Skene
Variables of costume design
Costume plot
34. 'dancing space'
Actor's tools
Orchestra
Designer
Liturgical Drama
35. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
University Wits
Components of Production
Concept
Realism
36. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Miracle Plays
Downstage
Antiquarianism
Verisimilitude
37. Appearance of truth
Wings
Callbacks
Verisimilitude
Producer
38. Attributed to writing over 700 plays
Antagonist
Aristophanes
Eugene Scribe
Reversal
39. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Prose
Eugene Scribe
Designer
Wings
40. In charge of communication and call cues. 'Busiest person in theater.'
Melodrama
Orchestra
Stage manager
Subplot
41. Convincing actors were too powerful a tool of persuasion
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42. Planned actor movement
Blocking
Alienation Effect
Aristophanes
Costume Designer
43. Handles business aspects of show
Catharsis
Producer
Melodrama
Thespis
44. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Callbacks
Verisimilitude
Perspective Scenery
Blocking
45. When line of action suddenly switches
Antagonist
Neoclassic unities
Neoclassic goals defining verisimilitude
Reversal
46. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Reversal
Thrust
Public Domain
Antiquarianism
47. Seats 100-500; professional
Variables of costume design
Reversal
Off-Broadway
Realism
48. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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49. First director
Duke of Saxe Meiningen
Neoclassic unities
Cycles
Components of Production
50. Handles business aspects of show
Producer
Plato
Thrust
Skene