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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When line of action suddenly switches
Off-Broadway
Musical Theatre
Reversal
Slapstick
2. Seats less than 100; amateur.
Royalty
Off-off-Broadway
Melodrama
Verse
3. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Antiquarianism
Proscenium
Constantin Stanislavski
Bertolt Brecht
4. 'dancing space'
Designer's job
Duke of Saxe Meiningen
Orchestra
Antagonist
5. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Wings
Actor's tools
Reversal
Perspective Scenery
6. Attempts to represent reality on stage
Dionysus
Representational
Components of Production
Commedia Dell'Arte
7. Attempts to represent reality on stage
Representational
Aristophanes
sound designer
Costume Designer
8. The most popular form of performance in the 20th century
Thrust
Off-off-Broadway
Aristotle
Musical Theatre
9. First director
Duke of Saxe Meiningen
Morality Plays
Casting Director
Dramaturg
10. Spoken words
Verisimilitude
Aesthetic Distance
Hypokrites
Dialogue
11. Written by Aeschylus. Only surviving trilogy
The Orestia
Dionysus
Sense memory
Black box
12. Wrote the Orestia which is the only surviving trilogy
Neoclassicism
Presentational
Scenic Designer
Aeschylus
13. 'seeing place'
lighting designer
Subplot
Theatron
Realism
14. An actor/audience configuration in which the audience completely surrounds the performance area
Commedia Dell'Arte
Miracle Plays
Arena
Concept
15. Movement based on study of ancient Greek and Roman culture
Neoclassicism
Liturgical Drama
Stage manager
Director
16. Planned actor movement
Mystery Plays
Skene
Designer
Blocking
17. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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18. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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19. The actors recall of sights - sounds - touch - and smell from specific past events.
Alienation Effect
Front of House
Sense memory
Theatron
20. Creates a visual home for the play
Types of professional theater
Alienation Effect
Scenic Designer
Rendering
21. Sentences/paragraph structure
Mystery Plays
Emile Zola
Prose
Sense memory
22. The central element of causal plot; two forces working against each other
Components of Production
Chorus
Stage manager
Conflict
23. Humanity's struggle with good and evil
Catharsis
Morality Plays
Neoclassicism
Off-off-Broadway
24. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Thrust
Verisimilitude
Designer
Dialogue
25. God of wine and fertility
collaborator
Off-off-Broadway
Dionysus
Components of Actor's job
26. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Alienation Effect
Designer
Bertolt Brecht
Designer's job
27. 'old comedy'. Lewd humor - attacks on government
Types of professional theater
Aristophanes
Off-Broadway
Rhetorical Tradition
28. Recognize plays as intellectual property of playwright
Chorus
Proscenium
Slapstick
Copyright
29. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Book musical
Realism
Broadway
Antagonist
30. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Neoclassic goals defining verisimilitude
Auditions
Subtext
Aesthetic Distance
31. Was in favor of theater
Aristotle's Six Elements of a Play
Components of Production
Representational
Aristotle
32. When line of action suddenly switches
Reversal
Liturgical Drama
Callbacks
Vomitories
33. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Aesthetic Distance
Stage Manager
Proscenium
Dialogue
34. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Verse
Orchestra
Black box
Presentational
35. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Orchestra
Royalty
Skene
Liturgical Drama
36. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Romantic Theory
Broadway
Auditions
Rhetorical Tradition
37. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Proscenium
Liturgical Drama
sound designer
Early Church's reasons for distaining theatre
38. Director champions intention of playwright
collaborator
Thrust
Off-off-Broadway
Raked Stage
39. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Romanticism
Callbacks
The Orestia
sound designer
40. Silhouette (overall shape) - color - texture - accent
Variables of costume design
Thrust
Emile Zola
Constantin Stanislavski
41. Author of play
Dionysus
Playwright
Linear Plot
Proscenium
42. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Verisimilitude
Romanticism
Musical Theatre
Constantin Stanislavski
43. Greatest dramatist of all time
William Shakespeare
Subtext
Actor's tools
Wings
44. Action - place - time
Neoclassic unities
Director
Thespis
Copyright
45. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Off-off-Broadway
Rhetorical Tradition
Catharsis
Linear Plot
46. Actor in 5th century Greece
Eugene Scribe
Subplot
Dramaturg
Hypokrites
47. In charge of communication and call cues. 'Busiest person in theater.'
Copyright
Arena
Stage manager
Theatron
48. A chart that records items of clothing worn by each actor in each scene of the play
Costume plot
Downstage
Chorus
Auditions
49. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Front of House
Linear Plot
Melodrama
Playwright
50. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Copyright
Realism
Melodrama
Musical Theatre