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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Fee for each performance
Plato
Verse
Royalty
Verisimilitude
2. Collection of mystery plays
Constantin Stanislavski
Cycles
Sense memory
Blocking
3. Grecian attributed to writing the first tragedies then acting in them.
Romantic Theory
Thespis
Director
Royalty
4. Oversees artistic aspects of show
Dramaturg
Constantin Stanislavski
Components of Production
Director
5. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Plato
Conflict
Romantic Theory
Realism
6. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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7. In charge of communication and call cues. 'Busiest person in theater.'
Stage manager
Dramaturg
Musical Theatre
Proscenium
8. When line of action suddenly switches
The Orestia
Liturgical Drama
Reversal
Variables of costume design
9. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
University Wits
The Orestia
Stage manager
Ground plan
10. Seats 500-1800; professional.
Broadway
Off-Broadway
Components of Production
Hypokrites
11. Movement based on study of ancient Greek and Roman culture
Liturgical Drama
Black box
Neoclassicism
Subplot
12. Designs costumes for the show
Costume Designer
Realism
Thrust
Empathy
13. Idea/script - sets - lights - costumes - props - performers
Black box
Linear Plot
Components of Production
Thespis
14. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Chorus
Aristotle
Designer's job
Vomitories
15. 'seeing place'
Slapstick
Theatron
Aristotle
Avant-Garde
16. Creates a visual home for the play
Dionysus
Scenic Designer
Antagonist
Commedia Dell'Arte
17. A specialist in dramatic literature and theatre history who serves as a consultant for production
Representational
Antagonist
Thespis
Dramaturg
18. Helps establish mood - place - & intensity with the use of light
Neoclassic unities
lighting designer
Types of professional theater
The Globe
19. A musical play that tells a story and has spoken words as well as songs
Playwright
Black box
Book musical
Off-off-Broadway
20. In charge of communication and call cues. 'Busiest person in theater.'
Designer's job
Neoclassic unities
Alienation Effect
Stage manager
21. Author of play
Chorus
Playwright
Auditions
Concept
22. 'dancing space'
Director
Types of professional theater
Playwright
Orchestra
23. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Sense memory
Off-off-Broadway
collaborator
Ground plan
24. Attempts to represent reality on stage
Morality Plays
Royalty
Representational
Alienation Effect
25. Central character
Melodrama
Protagonist
Subtext
Downstage
26. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Chorus
Romanticism
Proscenium
Actor's tools
27. Theatre where Shakespeare's company of actors worked primarily
Orchestra
Perspective Scenery
The Globe
Vomitories
28. Group of influential - educated Renaissance playwrights
Concept
University Wits
Rhetorical Tradition
Dialogue
29. Work developed actors in realism and naturalism
Aeschylus
Constantin Stanislavski
Hypokrites
Blocking
30. Physical commedy
Hypokrites
Reversal
Cycles
Slapstick
31. Scenery
Skene
Antagonist
Components of Production
Casting Director
32. Plays written before 1923 are no longer protected
Empathy
Public Domain
Miracle Plays
Concept
33. Spoken words
Dialogue
Plato
Blocking
Components of Production
34. Idea/script - sets - lights - costumes - props - performers
Costume plot
Components of Production
Pageants
Broadway
35. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Miracle Plays
Antiquarianism
Sense memory
Chorus
36. Historical accuracy
Romanticism
Costume Designer
Verisimilitude
Antiquarianism
37. Theatre where Shakespeare's company of actors worked primarily
Auditions
Presentational
The Globe
Aristotle
38. Action - place - time
Cycles
Stage Manager
Director
Neoclassic unities
39. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Auteur
Wings
Morality Plays
Producer
40. Handles business aspects of show
Neoclassicism
Catharsis
Producer
Verisimilitude
41. Oversees the entire production crew - rehearsals & performance
Stage Manager
Aesthetic Distance
Aeschylus
Designer's job
42. Saint's plays
Linear Plot
Designer's job
Miracle Plays
Romantic Theory
43. Plays written before 1923 are no longer protected
Antiquarianism
Rhetorical Tradition
Public Domain
Aristophanes
44. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Representational
Realism
Chorus
Aristotle
45. 'seeing place'
Thrust
Auditions
Variables of costume design
Theatron
46. Usher. Shows people to seats - checks tickets
Front of House
Henrik Ibsen
Musical Theatre
Empathy
47. Sentences/paragraph structure
Prose
Antiquarianism
Front of House
Thespis
48. Generally rhyming
Upstage
Verse
Callbacks
Dialogue
49. Attempts to represent reality on stage
Avant-Garde
Verisimilitude
Representational
Prose
50. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Downstage
Proscenium
Downstage
Romanticism