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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Emile Zola
Rhetorical Tradition
Proscenium
Conflict
2. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Copyright
Constantin Stanislavski
Verisimilitude
Ground plan
3. Oversees the entire production crew - rehearsals & performance
Blocking
Stage Manager
Costume plot
Antiquarianism
4. Action - place - time
Black box
Public Domain
Neoclassic unities
Raked Stage
5. Work developed actors in realism and naturalism
Auditions
Neoclassic goals defining verisimilitude
Constantin Stanislavski
Antiquarianism
6. Who or what opposes the central character
Variables of costume design
Romanticism
Neoclassic goals defining verisimilitude
Antagonist
7. When line of action suddenly switches
Reversal
Stage manager
Components of Actor's job
Rhetorical Tradition
8. A specialist in dramatic literature and theatre history who serves as a consultant for production
Rendering
Aristotle's Six Elements of a Play
Dramaturg
Designer
9. Creates a visual home for the play
Scenic Designer
Bertolt Brecht
Linear Plot
Musical Theatre
10. Push idea of reality - morality - and universality
Director
Bertolt Brecht
Neoclassic goals defining verisimilitude
Scenic Designer
11. : a specialist in finding actors for specific roles who assists the director in some professional productions
Arena
Casting Director
Rhetorical Tradition
Pageants
12. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Vomitories
Prose
Protagonist
Dramaturg
13. The actual meaning of dialogue behind the spoken words
Subtext
Musical Theatre
Callbacks
Components of Actor's job
14. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Copyright
Royalty
Reversal
Designer
15. 'old comedy'. Lewd humor - attacks on government
Miracle Plays
Aristophanes
Arena
Auditions
16. Oversees artistic aspects of show
Aristotle
Components of Production
Morality Plays
Director
17. Designs costumes for the show
Royalty
Eugene Scribe
Costume Designer
Casting Director
18. Biblical stories. From word Misterium meaning crafts/guild
Scenic Designer
Ground plan
Pageants
Mystery Plays
19. Movement based on study of ancient Greek and Roman culture
Dionysus
Mystery Plays
Blocking
Neoclassicism
20. Pioneer of realism who challenged audiences to face their personal demons
The Globe
Protagonist
Henrik Ibsen
Thespis
21. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Perspective Scenery
Neoclassic unities
Ground plan
Prose
22. First director
Director
Concept
Duke of Saxe Meiningen
Skene
23. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Reversal
Costume plot
Romanticism
Wings
24. Grecian attributed to writing the first tragedies then acting in them.
Thespis
Bertolt Brecht
Auditions
Rendering
25. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Broadway
Producer
Liturgical Drama
Copyright
26. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Scenic Designer
Pageants
Chorus
Bertolt Brecht
27. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Henrik Ibsen
Director
Royalty
Realism
28. The area farthest away from the audience
Black box
Rhetorical Tradition
Upstage
Theatron
29. A specialist in dramatic literature and theatre history who serves as a consultant for production
Dramaturg
Slapstick
Off-off-Broadway
Presentational
30. Attempts to represent reality on stage
Blocking
Representational
Designer
Aristophanes
31. Actor in 5th century Greece
Hypokrites
Types of professional theater
Musical Theatre
Components of Production
32. Wrote the Orestia which is the only surviving trilogy
Hypokrites
Aeschylus
Variables of costume design
Neoclassicism
33. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Morality Plays
Verisimilitude
Ground plan
Aristotle's Six Elements of a Play
34. Collection of mystery plays
Off-Broadway
Cycles
Blocking
Protagonist
35. Idea/script - sets - lights - costumes - props - performers
Rhetorical Tradition
Components of Production
collaborator
Blocking
36. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Aristotle's Six Elements of a Play
Aeschylus
Pageants
Proscenium
37. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Aeschylus
Pageants
Proscenium
Designer
38. Pioneer of realism who challenged audiences to face their personal demons
Sense memory
Director
Prose
Henrik Ibsen
39. Grecian attributed to writing the first tragedies then acting in them.
Thespis
Off-Broadway
Subplot
Black box
40. Physical commedy
Slapstick
Off-off-Broadway
Verisimilitude
Miracle Plays
41. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Romanticism
Neoclassic goals defining verisimilitude
Proscenium
Liturgical Drama
42. The central element of causal plot; two forces working against each other
Conflict
Henrik Ibsen
Public Domain
Upstage
43. A chart that records items of clothing worn by each actor in each scene of the play
Costume plot
Constantin Stanislavski
Emile Zola
Eugene Scribe
44. Author of play
Theatron
Playwright
Linear Plot
Avant-Garde
45. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Alienation Effect
Aesthetic Distance
Variables of costume design
Director
46. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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47. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Black box
Components of Actor's job
Rhetorical Tradition
Playwright
48. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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49. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Liturgical Drama
Auteur
University Wits
Wings
50. Directors who operate with total control
Dionysus
Auteur
Pageants
Neoclassicism