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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Physical commedy
Representational
Cycles
Slapstick
Duke of Saxe Meiningen
2. Seats 100-500; professional
Romanticism
The Orestia
Director
Off-Broadway
3. Pioneer of realism who challenged audiences to face their personal demons
Henrik Ibsen
Hypokrites
Duke of Saxe Meiningen
Aristophanes
4. The most popular form of performance in the 20th century
Actor's tools
Callbacks
Chorus
Musical Theatre
5. Push idea of reality - morality - and universality
Eugene Scribe
Aristotle
Neoclassic goals defining verisimilitude
Empathy
6. A picture created by a designer to communicate with other production personnel
Director
Components of Production
Upstage
Rendering
7. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
8. Wrote the Orestia which is the only surviving trilogy
Chorus
Aeschylus
collaborator
Copyright
9. Movement based on study of ancient Greek and Roman culture
Designer
Constantin Stanislavski
Neoclassicism
Protagonist
10. Planned actor movement
Blocking
Sense memory
Hypokrites
Thespis
11. Who or what opposes the central character
Constantin Stanislavski
Components of Production
Antagonist
Variables of costume design
12. In the middle ages - wagons with scenery used in processional staging
Slapstick
Aristophanes
Morality Plays
Pageants
13. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Concept
Proscenium
Liturgical Drama
Proscenium
14. Generally rhyming
Verse
Early Church's reasons for distaining theatre
Early Church's reasons for distaining theatre
Antagonist
15. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
16. Oversees the entire production crew - rehearsals & performance
Stage Manager
Raked Stage
Auditions
Verse
17. Appearance of truth
Aristotle
Downstage
Protagonist
Verisimilitude
18. First director
Playwright
Duke of Saxe Meiningen
Aristophanes
Proscenium
19. Convincing actors were too powerful a tool of persuasion
20. Saint's plays
Perspective Scenery
Emile Zola
Commedia Dell'Arte
Miracle Plays
21. Purgation of pity and fear experienced upon watching theater.
Catharsis
Dionysus
Neoclassicism
Director
22. Director champions intention of playwright
Miracle Plays
collaborator
Neoclassicism
Dionysus
23. Author of play
Casting Director
Playwright
Off-Broadway
Emile Zola
24. Attempts to represent reality on stage
Stage Manager
Commedia Dell'Arte
Representational
Rhetorical Tradition
25. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Concept
Cycles
Romantic Theory
Romanticism
26. Plot - character - thought - language - music - spectacle
27. A chart that records items of clothing worn by each actor in each scene of the play
Cycles
Empathy
Dialogue
Costume plot
28. Theatre where Shakespeare's company of actors worked primarily
Antiquarianism
Components of Actor's job
The Globe
Copyright
29. Fee for each performance
Cycles
Royalty
Dramaturg
Stage Manager
30. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Thrust
Aesthetic Distance
Hypokrites
Downstage
31. A chart that records items of clothing worn by each actor in each scene of the play
Avant-Garde
Costume plot
Melodrama
Empathy
32. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Wings
Plato
Thrust
Musical Theatre
33. Historical accuracy
Dionysus
Antiquarianism
lighting designer
Musical Theatre
34. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Auditions
Theatron
Book musical
Realism
35. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Proscenium
Downstage
Mystery Plays
Costume Designer
36. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Dramaturg
Neoclassicism
Verisimilitude
Aesthetic Distance
37. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Wings
Designer's job
collaborator
Aeschylus
38. Secondary line of action
Empathy
Conflict
Eugene Scribe
Subplot
39. Second round of auditions to which specific actors are invited
Aristotle's Six Elements of a Play
Pageants
Conflict
Callbacks
40. Grecian attributed to writing the first tragedies then acting in them.
Pageants
Thespis
Neoclassicism
Aesthetic Distance
41. Seats less than 100; amateur.
Thrust
Subtext
Costume plot
Off-off-Broadway
42. A musical play that tells a story and has spoken words as well as songs
Downstage
Book musical
Designer
Musical Theatre
43. A specialist in dramatic literature and theatre history who serves as a consultant for production
Dramaturg
Arena
Aristotle
Romantic Theory
44. Plot - character - thought - language - music - spectacle
45. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Melodrama
The Orestia
Neoclassic goals defining verisimilitude
Auditions
46. Convincing actors were too powerful a tool of persuasion
47. Creates a soundtrack to support the show. It may be recorded or live
Director
sound designer
William Shakespeare
Morality Plays
48. When line of action suddenly switches
Costume plot
Duke of Saxe Meiningen
Reversal
Public Domain
49. Seats 100-500; professional
Off-Broadway
Romanticism
The Globe
Catharsis
50. Greatest dramatist of all time
Cycles
William Shakespeare
Aristophanes
The Orestia