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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Dionysus
Concept
Proscenium
Public Domain
2. A specialist in dramatic literature and theatre history who serves as a consultant for production
lighting designer
Conflict
Dramaturg
Off-off-Broadway
3. Humanity's struggle with good and evil
Morality Plays
The Orestia
William Shakespeare
Broadway
4. A musical play that tells a story and has spoken words as well as songs
lighting designer
Book musical
Broadway
Vomitories
5. Greatest dramatist of all time
Types of professional theater
Prose
William Shakespeare
Thrust
6. In the middle ages - wagons with scenery used in processional staging
Public Domain
Book musical
Pageants
Catharsis
7. Oversees artistic aspects of show
Director
Hypokrites
Components of Production
Variables of costume design
8. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Designer's job
Avant-Garde
Romanticism
Presentational
9. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Morality Plays
Realism
Concept
Vomitories
10. Spoken words
Neoclassic unities
Eugene Scribe
Romanticism
Dialogue
11. Scenery
Aeschylus
Neoclassic unities
Skene
Concept
12. Silhouette (overall shape) - color - texture - accent
Aesthetic Distance
Mystery Plays
Ground plan
Variables of costume design
13. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Liturgical Drama
Proscenium
Antiquarianism
Auteur
14. Creates a visual home for the play
Auditions
Director
Scenic Designer
Variables of costume design
15. A chart that records items of clothing worn by each actor in each scene of the play
Romantic Theory
Duke of Saxe Meiningen
Costume plot
Vomitories
16. Body - voice - mind
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17. Movement based on study of ancient Greek and Roman culture
Types of professional theater
Black box
Neoclassicism
Prose
18. A picture created by a designer to communicate with other production personnel
Designer's job
collaborator
Stage manager
Rendering
19. Push idea of reality - morality - and universality
Prose
Neoclassic goals defining verisimilitude
Subtext
Casting Director
20. Convincing actors were too powerful a tool of persuasion
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21. Movement based on study of ancient Greek and Roman culture
Wings
Neoclassicism
Book musical
Melodrama
22. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Raked Stage
Aesthetic Distance
Rendering
Types of professional theater
23. Biblical stories. From word Misterium meaning crafts/guild
Musical Theatre
Bertolt Brecht
Chorus
Mystery Plays
24. Actor in 5th century Greece
Perspective Scenery
Chorus
Hypokrites
Miracle Plays
25. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Neoclassicism
Casting Director
Dionysus
Romantic Theory
26. God of wine and fertility
Verisimilitude
Aeschylus
Dionysus
Miracle Plays
27. Handles business aspects of show
Prose
Scenic Designer
Producer
Components of Production
28. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Henrik Ibsen
Proscenium
Neoclassicism
Antagonist
29. An actor/audience configuration in which the audience completely surrounds the performance area
Neoclassic unities
Henrik Ibsen
Arena
Neoclassic goals defining verisimilitude
30. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Types of professional theater
Stage Manager
sound designer
Aristophanes
31. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Realism
Concept
Blocking
Upstage
32. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Henrik Ibsen
Neoclassic goals defining verisimilitude
Blocking
Rhetorical Tradition
33. 'old comedy'. Lewd humor - attacks on government
Hypokrites
Aristophanes
Broadway
Conflict
34. Silhouette (overall shape) - color - texture - accent
collaborator
Director
Orchestra
Variables of costume design
35. Humanity's struggle with good and evil
Morality Plays
Neoclassic goals defining verisimilitude
Off-off-Broadway
Antagonist
36. Attempts to represent reality on stage
Actor's tools
Representational
lighting designer
Early Church's reasons for distaining theatre
37. Attempts to represent reality on stage
Dionysus
Presentational
Book musical
Representational
38. A musical play that tells a story and has spoken words as well as songs
Stage Manager
Commedia Dell'Arte
Antiquarianism
Book musical
39. Historical accuracy
Antiquarianism
Verse
The Orestia
Auditions
40. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Raked Stage
Dialogue
Conflict
Subplot
41. Creates a soundtrack to support the show. It may be recorded or live
sound designer
Reversal
Rhetorical Tradition
Representational
42. The actors recall of sights - sounds - touch - and smell from specific past events.
Sense memory
Types of professional theater
Aristotle
Musical Theatre
43. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Types of professional theater
sound designer
collaborator
Aeschylus
44. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Wings
Copyright
Downstage
Realism
45. 'seeing place'
Stage Manager
Book musical
Theatron
sound designer
46. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Melodrama
Stage Manager
The Orestia
Commedia Dell'Arte
47. : a specialist in finding actors for specific roles who assists the director in some professional productions
Aeschylus
Alienation Effect
Dramaturg
Casting Director
48. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Verisimilitude
Eugene Scribe
lighting designer
Wings
49. Art that pushes recognized boundaries
Subplot
Avant-Garde
Dionysus
Miracle Plays
50. In charge of communication and call cues. 'Busiest person in theater.'
Morality Plays
Liturgical Drama
Stage manager
Thespis