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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Historical accuracy
Wings
Emile Zola
The Orestia
Antiquarianism
2. 'old comedy'. Lewd humor - attacks on government
Downstage
Aristophanes
Commedia Dell'Arte
Duke of Saxe Meiningen
3. Physical commedy
Neoclassic unities
Conflict
Slapstick
Subtext
4. A picture created by a designer to communicate with other production personnel
Rendering
collaborator
Costume Designer
Front of House
5. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Realism
Bertolt Brecht
Raked Stage
Aesthetic Distance
6. Handles business aspects of show
Producer
Thespis
Thespis
Alienation Effect
7. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Linear Plot
Downstage
Protagonist
Director
8. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Costume plot
Wings
Cycles
Royalty
9. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
lighting designer
Alienation Effect
Plato
Casting Director
10. Actor in 5th century Greece
Aristotle
Hypokrites
Duke of Saxe Meiningen
Ground plan
11. Convincing actors were too powerful a tool of persuasion
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12. When line of action suddenly switches
Representational
Reversal
Thrust
Wings
13. Written by Aeschylus. Only surviving trilogy
Aristotle's Six Elements of a Play
Components of Production
Front of House
The Orestia
14. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Sense memory
Bertolt Brecht
Public Domain
Variables of costume design
15. Grecian attributed to writing the first tragedies then acting in them.
Thespis
Components of Actor's job
Verse
Romantic Theory
16. Grecian attributed to writing the first tragedies then acting in them.
Early Church's reasons for distaining theatre
The Orestia
Thespis
Alienation Effect
17. Push idea of reality - morality - and universality
Neoclassic goals defining verisimilitude
Miracle Plays
Auteur
Callbacks
18. Collection of mystery plays
Vomitories
Cycles
Early Church's reasons for distaining theatre
Antiquarianism
19. Group of influential - educated Renaissance playwrights
University Wits
The Orestia
Stage Manager
Thespis
20. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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21. Directors who operate with total control
Auteur
Constantin Stanislavski
Plato
Sense memory
22. The area farthest away from the audience
Rhetorical Tradition
Book musical
Upstage
Subplot
23. Who or what opposes the central character
Aristotle's Six Elements of a Play
Rhetorical Tradition
Constantin Stanislavski
Antagonist
24. Second round of auditions to which specific actors are invited
Stage manager
Downstage
Neoclassicism
Callbacks
25. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Downstage
The Orestia
Director
Liturgical Drama
26. Generally rhyming
Aristophanes
Morality Plays
Verse
Neoclassic unities
27. Attempts to represent reality on stage
Eugene Scribe
collaborator
Representational
Ground plan
28. Greatest dramatist of all time
Henrik Ibsen
William Shakespeare
Public Domain
Bertolt Brecht
29. Biblical stories. From word Misterium meaning crafts/guild
Mystery Plays
Realism
Director
Dramaturg
30. Designs costumes for the show
Designer's job
Costume Designer
Off-Broadway
Aristotle
31. Purgation of pity and fear experienced upon watching theater.
Upstage
sound designer
Verisimilitude
Catharsis
32. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Theatron
Musical Theatre
Public Domain
Vomitories
33. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Stage Manager
William Shakespeare
Melodrama
Empathy
34. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Aesthetic Distance
Public Domain
Black box
Casting Director
35. Author of play
Eugene Scribe
Liturgical Drama
Neoclassic goals defining verisimilitude
Playwright
36. Causal play structure. A ? B ? C
Verse
Sense memory
Hypokrites
Linear Plot
37. Usher. Shows people to seats - checks tickets
Upstage
Front of House
Early Church's reasons for distaining theatre
Musical Theatre
38. Secondary line of action
Concept
Neoclassic unities
Aristotle
Subplot
39. Attempts to represent reality on stage
Aristotle
sound designer
Broadway
Representational
40. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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41. When line of action suddenly switches
Proscenium
sound designer
Reversal
Rendering
42. A chart that records items of clothing worn by each actor in each scene of the play
Commedia Dell'Arte
Neoclassic goals defining verisimilitude
Costume plot
Mystery Plays
43. Standard tool for casting productions
Orchestra
Rhetorical Tradition
sound designer
Auditions
44. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Rhetorical Tradition
Conflict
Presentational
Prose
45. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Raked Stage
Emile Zola
lighting designer
Aristotle's Six Elements of a Play
46. Work developed actors in realism and naturalism
Miracle Plays
Mystery Plays
Designer
Constantin Stanislavski
47. Attributed to writing over 700 plays
Ground plan
Avant-Garde
Eugene Scribe
Presentational
48. Pioneer of realism who challenged audiences to face their personal demons
Costume plot
Neoclassic unities
Casting Director
Henrik Ibsen
49. Creates a soundtrack to support the show. It may be recorded or live
sound designer
Arena
Morality Plays
Producer
50. Scenery
Verse
Skene
Slapstick
Catharsis