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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Royalty
Raked Stage
Rhetorical Tradition
Early Church's reasons for distaining theatre
2. Wrote the Orestia which is the only surviving trilogy
Aeschylus
Off-Broadway
Neoclassic goals defining verisimilitude
Book musical
3. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Miracle Plays
Aesthetic Distance
Reversal
Empathy
4. When line of action suddenly switches
Reversal
Antiquarianism
Verse
Morality Plays
5. Usher. Shows people to seats - checks tickets
Front of House
Sense memory
Linear Plot
Producer
6. Historical accuracy
Royalty
Antiquarianism
Musical Theatre
Melodrama
7. Second round of auditions to which specific actors are invited
Callbacks
Avant-Garde
Scenic Designer
Blocking
8. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Dionysus
Vomitories
collaborator
Downstage
9. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Verisimilitude
Verisimilitude
Alienation Effect
Concept
10. 'seeing place'
Theatron
lighting designer
Neoclassic goals defining verisimilitude
Off-off-Broadway
11. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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12. Scenery
Off-Broadway
Perspective Scenery
Skene
Concept
13. Causal play structure. A ? B ? C
Thespis
Linear Plot
Front of House
Costume plot
14. In charge of communication and call cues. 'Busiest person in theater.'
Morality Plays
Stage manager
lighting designer
Public Domain
15. Causal play structure. A ? B ? C
Linear Plot
Front of House
Miracle Plays
Orchestra
16. Spoken words
Aesthetic Distance
Dialogue
Downstage
Auditions
17. Helps establish mood - place - & intensity with the use of light
Off-Broadway
Aristotle
Public Domain
lighting designer
18. Plays written before 1923 are no longer protected
Melodrama
Public Domain
Off-Broadway
Aristotle
19. Fee for each performance
Royalty
Bertolt Brecht
Slapstick
Auteur
20. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Casting Director
sound designer
Liturgical Drama
Actor's tools
21. Push idea of reality - morality - and universality
Proscenium
Verisimilitude
Neoclassic goals defining verisimilitude
Empathy
22. Written by Aeschylus. Only surviving trilogy
Front of House
lighting designer
The Orestia
Producer
23. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Romantic Theory
Components of Production
Rendering
Aristotle's Six Elements of a Play
24. Action - place - time
Stage Manager
Neoclassic unities
Realism
Wings
25. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Proscenium
Blocking
Plato
Ground plan
26. Plot - character - thought - language - music - spectacle
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27. Directors who operate with total control
Representational
Blocking
Miracle Plays
Auteur
28. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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29. Humanity's struggle with good and evil
Antiquarianism
Morality Plays
Empathy
Slapstick
30. Attributed to writing over 700 plays
Proscenium
Prose
Downstage
Eugene Scribe
31. Helps establish mood - place - & intensity with the use of light
Orchestra
lighting designer
Skene
Blocking
32. Called for naturalism - claiming that plays should show a 'slice of life'
Blocking
Emile Zola
Avant-Garde
Arena
33. Attempts to represent reality on stage
Representational
Downstage
Hypokrites
Thrust
34. A picture created by a designer to communicate with other production personnel
Director
Front of House
Rendering
Variables of costume design
35. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Antagonist
Types of professional theater
Bertolt Brecht
lighting designer
36. Greatest dramatist of all time
Verse
Stage manager
William Shakespeare
Conflict
37. Attributed to writing over 700 plays
Components of Production
Romantic Theory
Dialogue
Eugene Scribe
38. : a specialist in finding actors for specific roles who assists the director in some professional productions
Casting Director
Emile Zola
Thrust
Aristotle's Six Elements of a Play
39. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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40. Pioneer of realism who challenged audiences to face their personal demons
Playwright
Hypokrites
Henrik Ibsen
Book musical
41. Person in charge of artistic aspect of theater production
Rendering
Director
Subplot
Stage manager
42. Spoken words
Mystery Plays
Bertolt Brecht
Dionysus
Dialogue
43. Grecian attributed to writing the first tragedies then acting in them.
Duke of Saxe Meiningen
Realism
Thespis
Catharsis
44. Biblical stories. From word Misterium meaning crafts/guild
Mystery Plays
Wings
Emile Zola
Broadway
45. Group of influential - educated Renaissance playwrights
University Wits
Bertolt Brecht
Concept
Subtext
46. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Book musical
sound designer
Proscenium
Producer
47. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Alienation Effect
Wings
Vomitories
Arena
48. Physical commedy
Pageants
Slapstick
Dialogue
Romantic Theory
49. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Royalty
Designer
Callbacks
Romanticism
50. Wrote the Orestia which is the only surviving trilogy
Aeschylus
Designer
lighting designer
Book musical