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Theatre Appreciation 2
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Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Emotional identification. Refers to audience participation
Empathy
Melodrama
Blocking
Designer
2. Actor in 5th century Greece
Hypokrites
Auditions
Stage manager
Subtext
3. Person in charge of artistic aspect of theater production
Eugene Scribe
Playwright
Director
Plato
4. Spoken words
Prose
Dialogue
Neoclassic unities
Scenic Designer
5. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Designer's job
William Shakespeare
Protagonist
Downstage
6. A picture created by a designer to communicate with other production personnel
Neoclassic goals defining verisimilitude
Proscenium
Commedia Dell'Arte
Rendering
7. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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8. 'dancing space'
Proscenium
Empathy
Orchestra
Protagonist
9. Director champions intention of playwright
Royalty
Raked Stage
Empathy
collaborator
10. Collection of mystery plays
Cycles
Dramaturg
The Globe
Proscenium
11. An actor/audience configuration in which the audience completely surrounds the performance area
Ground plan
Arena
Protagonist
Orchestra
12. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Aristotle
Duke of Saxe Meiningen
Ground plan
Cycles
13. 'seeing place'
Neoclassic goals defining verisimilitude
Perspective Scenery
Theatron
Stage manager
14. 'seeing place'
Off-Broadway
Rendering
Theatron
Front of House
15. Secondary line of action
Designer
Skene
Subplot
Designer
16. Helps establish mood - place - & intensity with the use of light
Romanticism
lighting designer
Hypokrites
Aristotle
17. Director champions intention of playwright
collaborator
Designer's job
Rhetorical Tradition
Musical Theatre
18. Movement based on study of ancient Greek and Roman culture
Neoclassicism
Designer's job
Playwright
Chorus
19. Collection of mystery plays
Costume plot
Cycles
Public Domain
Proscenium
20. The actors recall of sights - sounds - touch - and smell from specific past events.
Wings
Copyright
Morality Plays
Sense memory
21. A specialist in dramatic literature and theatre history who serves as a consultant for production
Chorus
Front of House
Sense memory
Dramaturg
22. Oversees the entire production crew - rehearsals & performance
Neoclassic unities
Off-off-Broadway
Stage Manager
Callbacks
23. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Reversal
Thrust
Variables of costume design
Concept
24. The most popular form of performance in the 20th century
Skene
Antagonist
Musical Theatre
Sense memory
25. Body - voice - mind
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26. Was in favor of theater
Catharsis
Linear Plot
Mystery Plays
Aristotle
27. Greatest dramatist of all time
Melodrama
William Shakespeare
Copyright
Pageants
28. First director
Stage Manager
Liturgical Drama
University Wits
Duke of Saxe Meiningen
29. In the middle ages - wagons with scenery used in processional staging
Prose
Pageants
Actor's tools
Director
30. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Stage Manager
Antiquarianism
Presentational
Wings
31. Second round of auditions to which specific actors are invited
Catharsis
Stage Manager
Concept
Callbacks
32. Actor in 5th century Greece
Hypokrites
Duke of Saxe Meiningen
Components of Production
Rendering
33. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Types of professional theater
Upstage
lighting designer
Slapstick
34. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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35. Called for naturalism - claiming that plays should show a 'slice of life'
Miracle Plays
The Orestia
Neoclassicism
Emile Zola
36. Secondary line of action
Producer
Subplot
Subtext
Components of Actor's job
37. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Aeschylus
Alienation Effect
Upstage
Stage manager
38. Convincing actors were too powerful a tool of persuasion
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39. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Designer
Emile Zola
Perspective Scenery
Skene
40. Second round of auditions to which specific actors are invited
Callbacks
Off-off-Broadway
Front of House
Representational
41. Sentences/paragraph structure
Costume Designer
Prose
Mystery Plays
Theatron
42. God of wine and fertility
Dionysus
Neoclassic unities
Dialogue
Auditions
43. Spoken words
Rhetorical Tradition
Dialogue
Playwright
Front of House
44. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Costume Designer
Casting Director
Rendering
Concept
45. Planned actor movement
Emile Zola
Reversal
Morality Plays
Blocking
46. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
lighting designer
Ground plan
Perspective Scenery
Bertolt Brecht
47. Recognize plays as intellectual property of playwright
Copyright
Downstage
Rhetorical Tradition
Proscenium
48. Push idea of reality - morality - and universality
Neoclassic goals defining verisimilitude
Neoclassic unities
Antiquarianism
Romanticism
49. Group of influential - educated Renaissance playwrights
University Wits
Off-Broadway
Director
Proscenium
50. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Book musical
Early Church's reasons for distaining theatre
Thrust
Presentational
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