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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A specialist in dramatic literature and theatre history who serves as a consultant for production
Costume plot
Off-off-Broadway
Dramaturg
Representational
2. Work developed actors in realism and naturalism
Playwright
Designer's job
lighting designer
Constantin Stanislavski
3. 'old comedy'. Lewd humor - attacks on government
Aristophanes
Rhetorical Tradition
Early Church's reasons for distaining theatre
Auditions
4. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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5. Planned actor movement
The Orestia
Neoclassicism
Neoclassic goals defining verisimilitude
Blocking
6. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Representational
Wings
Types of professional theater
Catharsis
7. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Thrust
Chorus
Plato
Cycles
8. Plot - character - thought - language - music - spectacle
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9. Biblical stories. From word Misterium meaning crafts/guild
Verse
Musical Theatre
Mystery Plays
Front of House
10. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Alienation Effect
Slapstick
Aesthetic Distance
Aeschylus
11. Wrote the Orestia which is the only surviving trilogy
Aeschylus
Designer's job
Vomitories
Bertolt Brecht
12. Seats 500-1800; professional.
Vomitories
Off-off-Broadway
Pageants
Broadway
13. Causal play structure. A ? B ? C
Commedia Dell'Arte
Rhetorical Tradition
Theatron
Linear Plot
14. Generally rhyming
Verse
Conflict
Components of Production
Henrik Ibsen
15. Historical accuracy
Liturgical Drama
Antiquarianism
Neoclassic unities
lighting designer
16. 'seeing place'
Musical Theatre
Theatron
Cycles
sound designer
17. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Variables of costume design
Aesthetic Distance
Proscenium
Vomitories
18. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Presentational
Neoclassicism
Realism
Costume plot
19. A picture created by a designer to communicate with other production personnel
Rendering
Linear Plot
Slapstick
Neoclassicism
20. First director
Duke of Saxe Meiningen
Concept
Casting Director
Presentational
21. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Raked Stage
Concept
Aesthetic Distance
Romanticism
22. The most popular form of performance in the 20th century
Musical Theatre
Early Church's reasons for distaining theatre
William Shakespeare
Catharsis
23. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Raked Stage
Aristophanes
Copyright
Designer's job
24. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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25. God of wine and fertility
Avant-Garde
Musical Theatre
Dionysus
Blocking
26. Idea/script - sets - lights - costumes - props - performers
Realism
Auditions
Emile Zola
Components of Production
27. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Thrust
Costume plot
Representational
Emile Zola
28. Author of play
Rhetorical Tradition
Playwright
Raked Stage
Reversal
29. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Thrust
Variables of costume design
Romantic Theory
Raked Stage
30. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Aesthetic Distance
Director
Theatron
Bertolt Brecht
31. Seats less than 100; amateur.
Off-off-Broadway
Skene
Antiquarianism
Liturgical Drama
32. The central element of causal plot; two forces working against each other
Verisimilitude
Downstage
Conflict
Chorus
33. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Vomitories
Ground plan
Presentational
Miracle Plays
34. Creates a visual home for the play
Scenic Designer
Antiquarianism
Thespis
Rendering
35. Actor in 5th century Greece
Hypokrites
Eugene Scribe
Protagonist
Antagonist
36. Was in favor of theater
Aristotle
Prose
Chorus
Linear Plot
37. Grecian attributed to writing the first tragedies then acting in them.
University Wits
Off-Broadway
Thespis
Front of House
38. Pioneer of realism who challenged audiences to face their personal demons
Commedia Dell'Arte
collaborator
Henrik Ibsen
Aristotle
39. Generally rhyming
Presentational
Wings
Eugene Scribe
Verse
40. The actual meaning of dialogue behind the spoken words
Subtext
Thespis
Downstage
sound designer
41. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Rendering
Wings
Stage manager
Proscenium
42. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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43. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Verisimilitude
Actor's tools
Liturgical Drama
Rhetorical Tradition
44. Author of play
Playwright
Verisimilitude
Aristophanes
Empathy
45. Didn't support theater. Believed a convincing actor was harmful to society
Plato
University Wits
Liturgical Drama
Off-off-Broadway
46. Written by Aeschylus. Only surviving trilogy
Ground plan
Chorus
Presentational
The Orestia
47. Greatest dramatist of all time
William Shakespeare
Costume plot
Cycles
The Orestia
48. Body - voice - mind
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49. The most popular form of performance in the 20th century
Variables of costume design
Components of Production
Musical Theatre
Plato
50. Grecian attributed to writing the first tragedies then acting in them.
Plato
Thrust
The Globe
Thespis