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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Push idea of reality - morality - and universality
Chorus
Slapstick
Neoclassic goals defining verisimilitude
Director
2. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Callbacks
University Wits
Vomitories
Melodrama
3. Central character
Aristotle
Commedia Dell'Arte
Verse
Protagonist
4. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
University Wits
Alienation Effect
Bertolt Brecht
Neoclassic unities
5. Fee for each performance
Designer's job
Royalty
Neoclassicism
The Globe
6. Emotional identification. Refers to audience participation
Empathy
Raked Stage
Black box
Designer's job
7. Helps establish mood - place - & intensity with the use of light
Subplot
lighting designer
Raked Stage
Public Domain
8. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Raked Stage
lighting designer
Commedia Dell'Arte
Duke of Saxe Meiningen
9. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Realism
Skene
Arena
Alienation Effect
10. The actual meaning of dialogue behind the spoken words
Costume plot
Mystery Plays
Subtext
Commedia Dell'Arte
11. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Eugene Scribe
Miracle Plays
Proscenium
Concept
12. Recognize plays as intellectual property of playwright
Dionysus
Chorus
Copyright
Romanticism
13. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Auteur
Blocking
Components of Actor's job
Proscenium
14. Recognize plays as intellectual property of playwright
Stage manager
Copyright
Director
Thespis
15. Generally rhyming
Prose
Subtext
Henrik Ibsen
Verse
16. Grecian attributed to writing the first tragedies then acting in them.
Thespis
collaborator
Designer's job
Black box
17. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Vomitories
Duke of Saxe Meiningen
Pageants
Antagonist
18. Group of influential - educated Renaissance playwrights
University Wits
Producer
Henrik Ibsen
Aristotle
19. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Ground plan
Morality Plays
Liturgical Drama
Wings
20. Creates a soundtrack to support the show. It may be recorded or live
Playwright
sound designer
Costume plot
Copyright
21. A specialist in dramatic literature and theatre history who serves as a consultant for production
Representational
Playwright
Dramaturg
Front of House
22. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Melodrama
Presentational
Auteur
Romantic Theory
23. Handles business aspects of show
Producer
Miracle Plays
Aristophanes
University Wits
24. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Actor's tools
Director
Downstage
Designer's job
25. Attempts to represent reality on stage
Representational
Liturgical Drama
Musical Theatre
Black box
26. Person in charge of artistic aspect of theater production
Neoclassicism
Romantic Theory
Director
Catharsis
27. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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28. Was in favor of theater
Public Domain
Aristotle
Callbacks
Early Church's reasons for distaining theatre
29. An actor/audience configuration in which the audience completely surrounds the performance area
Arena
University Wits
Auditions
Morality Plays
30. Creates a visual home for the play
Romanticism
Scenic Designer
Black box
Costume plot
31. Idea/script - sets - lights - costumes - props - performers
Book musical
Components of Production
Melodrama
Constantin Stanislavski
32. Secondary line of action
Alienation Effect
Plato
Costume Designer
Subplot
33. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Romanticism
Thrust
Bertolt Brecht
Director
34. Push idea of reality - morality - and universality
Early Church's reasons for distaining theatre
Off-Broadway
Verisimilitude
Neoclassic goals defining verisimilitude
35. The actors recall of sights - sounds - touch - and smell from specific past events.
Verse
Director
Theatron
Sense memory
36. A chart that records items of clothing worn by each actor in each scene of the play
The Globe
Costume plot
Morality Plays
Dialogue
37. Second round of auditions to which specific actors are invited
Dramaturg
Callbacks
Casting Director
Plato
38. A musical play that tells a story and has spoken words as well as songs
Protagonist
Blocking
Avant-Garde
Book musical
39. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Liturgical Drama
Orchestra
Designer
Linear Plot
40. Oversees the entire production crew - rehearsals & performance
Liturgical Drama
Concept
Dramaturg
Stage Manager
41. The area farthest away from the audience
Prose
Presentational
Upstage
Subtext
42. Plot - character - thought - language - music - spectacle
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43. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Stage Manager
Concept
Types of professional theater
Director
44. Physical commedy
Playwright
Mystery Plays
Slapstick
Hypokrites
45. Seats 500-1800; professional.
Concept
Broadway
Catharsis
Types of professional theater
46. Creates a soundtrack to support the show. It may be recorded or live
Raked Stage
Aesthetic Distance
Romantic Theory
sound designer
47. Second round of auditions to which specific actors are invited
Auditions
Callbacks
Realism
Linear Plot
48. Silhouette (overall shape) - color - texture - accent
Alienation Effect
Variables of costume design
Scenic Designer
Dialogue
49. The actors recall of sights - sounds - touch - and smell from specific past events.
Raked Stage
Sense memory
Concept
Rhetorical Tradition
50. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Off-off-Broadway
Vomitories
Romantic Theory
Variables of costume design