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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 'seeing place'
Rhetorical Tradition
Theatron
Duke of Saxe Meiningen
Prose
2. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
3. Body - voice - mind
4. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Hypokrites
Designer's job
Casting Director
Chorus
5. 'old comedy'. Lewd humor - attacks on government
Aristophanes
Black box
Hypokrites
Morality Plays
6. Grecian attributed to writing the first tragedies then acting in them.
Variables of costume design
Costume plot
Thespis
Neoclassic goals defining verisimilitude
7. Wrote the Orestia which is the only surviving trilogy
Aristophanes
Constantin Stanislavski
Aeschylus
Morality Plays
8. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Proscenium
Neoclassic goals defining verisimilitude
Components of Production
Rendering
9. When line of action suddenly switches
Reversal
Costume Designer
Melodrama
Hypokrites
10. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Downstage
sound designer
Slapstick
Representational
11. God of wine and fertility
Proscenium
Chorus
Bertolt Brecht
Dionysus
12. Director champions intention of playwright
William Shakespeare
collaborator
Presentational
Black box
13. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Neoclassic goals defining verisimilitude
Miracle Plays
Realism
Black box
14. 'dancing space'
Alienation Effect
Skene
Scenic Designer
Orchestra
15. Theatre where Shakespeare's company of actors worked primarily
The Globe
Blocking
Prose
Perspective Scenery
16. Was in favor of theater
Eugene Scribe
Verse
Aristotle
Designer
17. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
18. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Sense memory
Dionysus
Designer
Book musical
19. In charge of communication and call cues. 'Busiest person in theater.'
Costume plot
Aesthetic Distance
Components of Production
Stage manager
20. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Types of professional theater
Melodrama
Romanticism
The Orestia
21. Designs costumes for the show
Book musical
Costume Designer
Mystery Plays
Raked Stage
22. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
23. Plays written before 1923 are no longer protected
Slapstick
Public Domain
Dramaturg
Stage manager
24. Group of influential - educated Renaissance playwrights
Romantic Theory
University Wits
Auteur
Verisimilitude
25. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Rhetorical Tradition
Arena
Morality Plays
Subplot
26. Written by Aeschylus. Only surviving trilogy
Melodrama
The Orestia
Rendering
Romantic Theory
27. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Off-Broadway
Arena
Downstage
Variables of costume design
28. A picture created by a designer to communicate with other production personnel
Slapstick
Rendering
Perspective Scenery
Blocking
29. Oversees the entire production crew - rehearsals & performance
Stage Manager
Perspective Scenery
Hypokrites
Aesthetic Distance
30. Action - place - time
Early Church's reasons for distaining theatre
Blocking
Antiquarianism
Neoclassic unities
31. Person in charge of artistic aspect of theater production
Subplot
Ground plan
Director
Concept
32. Plot - character - thought - language - music - spectacle
33. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Protagonist
Off-off-Broadway
Proscenium
Actor's tools
34. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Actor's tools
Designer
Romantic Theory
Antiquarianism
35. Author of play
Playwright
Broadway
Realism
The Globe
36. Plot - character - thought - language - music - spectacle
37. Group of influential - educated Renaissance playwrights
University Wits
Avant-Garde
Black box
lighting designer
38. Art that pushes recognized boundaries
collaborator
Empathy
Avant-Garde
Types of professional theater
39. A chart that records items of clothing worn by each actor in each scene of the play
Costume plot
The Globe
Auditions
sound designer
40. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Raked Stage
Morality Plays
Emile Zola
Catharsis
41. Biblical stories. From word Misterium meaning crafts/guild
Sense memory
Mystery Plays
Pageants
Conflict
42. Appearance of truth
Plato
Verisimilitude
Raked Stage
Producer
43. Attempts to represent reality on stage
Reversal
Romanticism
Director
Representational
44. The actors recall of sights - sounds - touch - and smell from specific past events.
sound designer
Chorus
Stage Manager
Sense memory
45. Sentences/paragraph structure
Representational
Prose
Variables of costume design
Aristotle's Six Elements of a Play
46. Seats 500-1800; professional.
Thrust
Broadway
Aeschylus
Off-off-Broadway
47. Movement based on study of ancient Greek and Roman culture
Raked Stage
lighting designer
Neoclassicism
Verisimilitude
48. Push idea of reality - morality - and universality
Neoclassic goals defining verisimilitude
Rendering
collaborator
Auteur
49. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Proscenium
Director
Emile Zola
The Orestia
50. Causal play structure. A ? B ? C
Blocking
Linear Plot
Reversal
Orchestra