SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Blocking
Proscenium
Dialogue
Realism
2. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
sound designer
Early Church's reasons for distaining theatre
Romantic Theory
Producer
3. Humanity's struggle with good and evil
Morality Plays
Wings
Presentational
Callbacks
4. Directors who operate with total control
Actor's tools
Protagonist
Auteur
Scenic Designer
5. Standard tool for casting productions
William Shakespeare
Neoclassicism
Pageants
Auditions
6. Who or what opposes the central character
Aristotle's Six Elements of a Play
Antagonist
Aesthetic Distance
Romantic Theory
7. Usher. Shows people to seats - checks tickets
Components of Production
Cycles
Front of House
Neoclassic goals defining verisimilitude
8. Idea/script - sets - lights - costumes - props - performers
Morality Plays
Musical Theatre
Off-Broadway
Components of Production
9. First director
Blocking
Linear Plot
Duke of Saxe Meiningen
Scenic Designer
10. Sentences/paragraph structure
Prose
William Shakespeare
Callbacks
Aristophanes
11. Oversees the entire production crew - rehearsals & performance
Stage Manager
Components of Production
Slapstick
Proscenium
12. Grecian attributed to writing the first tragedies then acting in them.
Stage Manager
Thespis
Alienation Effect
Casting Director
13. Handles business aspects of show
Producer
Constantin Stanislavski
Linear Plot
Callbacks
14. Movement based on study of ancient Greek and Roman culture
Neoclassicism
Henrik Ibsen
Empathy
lighting designer
15. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Romantic Theory
Sense memory
Scenic Designer
Theatron
16. Theatre where Shakespeare's company of actors worked primarily
Auditions
Auditions
The Globe
Broadway
17. Planned actor movement
The Globe
Blocking
Romanticism
The Orestia
18. Creates a soundtrack to support the show. It may be recorded or live
sound designer
Off-off-Broadway
Producer
Morality Plays
19. Sentences/paragraph structure
Aristophanes
sound designer
Avant-Garde
Prose
20. Art that pushes recognized boundaries
Avant-Garde
Book musical
Vomitories
Melodrama
21. Idea/script - sets - lights - costumes - props - performers
Components of Production
Duke of Saxe Meiningen
Casting Director
Book musical
22. First director
Duke of Saxe Meiningen
Concept
Miracle Plays
Producer
23. Physical commedy
Verisimilitude
Slapstick
Designer
Cycles
24. 'seeing place'
Sense memory
Designer
Verisimilitude
Theatron
25. Generally rhyming
Dramaturg
University Wits
Neoclassic goals defining verisimilitude
Verse
26. A chart that records items of clothing worn by each actor in each scene of the play
Concept
Eugene Scribe
Costume plot
Verse
27. Director champions intention of playwright
collaborator
Aeschylus
Actor's tools
Vomitories
28. The actors recall of sights - sounds - touch - and smell from specific past events.
Aristotle
Aristophanes
Off-off-Broadway
Sense memory
29. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Vomitories
Verisimilitude
Liturgical Drama
Bertolt Brecht
30. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Catharsis
Alienation Effect
Dialogue
Morality Plays
31. The most popular form of performance in the 20th century
Producer
Musical Theatre
Dialogue
Components of Actor's job
32. Planned actor movement
Broadway
Playwright
Blocking
Alienation Effect
33. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Downstage
Early Church's reasons for distaining theatre
collaborator
Vomitories
34. A picture created by a designer to communicate with other production personnel
Bertolt Brecht
Rendering
Cycles
Antiquarianism
35. Helps establish mood - place - & intensity with the use of light
lighting designer
Realism
Pageants
Stage Manager
36. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Verse
Front of House
Skene
Perspective Scenery
37. Written by Aeschylus. Only surviving trilogy
Aristotle
Eugene Scribe
The Orestia
Alienation Effect
38. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
39. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
40. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Black box
Romanticism
Designer
Raked Stage
41. Silhouette (overall shape) - color - texture - accent
Callbacks
Variables of costume design
Constantin Stanislavski
Downstage
42. Silhouette (overall shape) - color - texture - accent
Aristophanes
Conflict
sound designer
Variables of costume design
43. A musical play that tells a story and has spoken words as well as songs
Rendering
Orchestra
Book musical
Catharsis
44. Who or what opposes the central character
Copyright
Orchestra
Bertolt Brecht
Antagonist
45. When line of action suddenly switches
Reversal
Aeschylus
Upstage
Raked Stage
46. Attributed to writing over 700 plays
Chorus
Hypokrites
Eugene Scribe
Front of House
47. Saint's plays
Miracle Plays
Costume plot
Reversal
Skene
48. Director champions intention of playwright
Chorus
Aristotle's Six Elements of a Play
Early Church's reasons for distaining theatre
collaborator
49. Plot - character - thought - language - music - spectacle
50. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)