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Theatre Appreciation 2
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Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
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This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An actor/audience configuration in which the audience completely surrounds the performance area
Commedia Dell'Arte
Arena
Broadway
Aesthetic Distance
2. Seats 500-1800; professional.
Verisimilitude
Linear Plot
Broadway
Aesthetic Distance
3. Seats 100-500; professional
Conflict
Arena
Off-Broadway
Cycles
4. Central character
Protagonist
Designer
Emile Zola
Types of professional theater
5. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Actor's tools
Aristotle's Six Elements of a Play
Vomitories
Realism
6. Collection of mystery plays
Conflict
Cycles
The Globe
Broadway
7. Grecian attributed to writing the first tragedies then acting in them.
Verse
Thespis
Cycles
Antagonist
8. 'old comedy'. Lewd humor - attacks on government
Director
Hypokrites
Aristophanes
Proscenium
9. Actor in 5th century Greece
Miracle Plays
Antiquarianism
Antiquarianism
Hypokrites
10. Usher. Shows people to seats - checks tickets
Front of House
Designer's job
Black box
Costume Designer
11. Art that pushes recognized boundaries
Proscenium
William Shakespeare
Avant-Garde
Components of Actor's job
12. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Proscenium
Reversal
Callbacks
Mystery Plays
13. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Wings
Types of professional theater
Upstage
Theatron
14. Designs costumes for the show
Realism
Alienation Effect
Costume Designer
Proscenium
15. Convincing actors were too powerful a tool of persuasion
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16. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Dialogue
Henrik Ibsen
Designer
Eugene Scribe
17. 'dancing space'
Auditions
Playwright
Orchestra
Components of Actor's job
18. Fee for each performance
Verse
Cycles
Royalty
Pageants
19. The actual meaning of dialogue behind the spoken words
Wings
Subtext
Director
Prose
20. First director
Duke of Saxe Meiningen
Components of Production
Commedia Dell'Arte
Thespis
21. A picture created by a designer to communicate with other production personnel
Rendering
Slapstick
Raked Stage
Off-off-Broadway
22. Silhouette (overall shape) - color - texture - accent
Variables of costume design
Public Domain
Orchestra
Auditions
23. The most popular form of performance in the 20th century
Variables of costume design
Musical Theatre
Public Domain
Constantin Stanislavski
24. Idea/script - sets - lights - costumes - props - performers
Bertolt Brecht
Presentational
Aristotle
Components of Production
25. Designs costumes for the show
Components of Production
Neoclassicism
Costume Designer
Aristotle
26. The area farthest away from the audience
Antagonist
Liturgical Drama
Aesthetic Distance
Upstage
27. Emotional identification. Refers to audience participation
Avant-Garde
Skene
Perspective Scenery
Empathy
28. Wrote the Orestia which is the only surviving trilogy
Hypokrites
Dialogue
Aristophanes
Aeschylus
29. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Duke of Saxe Meiningen
Realism
Melodrama
sound designer
30. Recognize plays as intellectual property of playwright
Callbacks
Commedia Dell'Arte
Copyright
Scenic Designer
31. A specialist in dramatic literature and theatre history who serves as a consultant for production
Liturgical Drama
Subplot
Avant-Garde
Dramaturg
32. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Sense memory
Rhetorical Tradition
The Orestia
Antagonist
33. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Director
Verse
Alienation Effect
Skene
34. Second round of auditions to which specific actors are invited
Callbacks
Aristotle
Auditions
Conflict
35. Recognize plays as intellectual property of playwright
Copyright
Black box
Skene
Conflict
36. Written by Aeschylus. Only surviving trilogy
Rendering
The Orestia
Costume Designer
Director
37. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Reversal
Chorus
Neoclassic unities
Alienation Effect
38. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Aristophanes
Presentational
Subplot
Aeschylus
39. The most popular form of performance in the 20th century
Musical Theatre
The Globe
Actor's tools
The Orestia
40. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Producer
Miracle Plays
Bertolt Brecht
Empathy
41. Theatre where Shakespeare's company of actors worked primarily
Emile Zola
Thespis
The Globe
Antagonist
42. The actors recall of sights - sounds - touch - and smell from specific past events.
Rendering
Designer's job
Sense memory
Producer
43. Biblical stories. From word Misterium meaning crafts/guild
Representational
Mystery Plays
Upstage
William Shakespeare
44. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Designer
University Wits
Off-Broadway
Aeschylus
45. A musical play that tells a story and has spoken words as well as songs
Verse
Scenic Designer
Off-Broadway
Book musical
46. Oversees artistic aspects of show
Director
Arena
Morality Plays
Avant-Garde
47. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Director
Wings
Thrust
Stage Manager
48. Planned actor movement
Skene
Blocking
Prose
Perspective Scenery
49. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Concept
Eugene Scribe
Empathy
The Globe
50. Directors who operate with total control
Aesthetic Distance
Slapstick
Auteur
Neoclassic goals defining verisimilitude
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