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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Pioneer of realism who challenged audiences to face their personal demons
Emile Zola
Henrik Ibsen
Raked Stage
The Globe
2. Written by Aeschylus. Only surviving trilogy
Skene
The Orestia
Pageants
Stage Manager
3. Greatest dramatist of all time
Alienation Effect
Antiquarianism
William Shakespeare
Verisimilitude
4. Central character
Auteur
Protagonist
Copyright
lighting designer
5. Theatre where Shakespeare's company of actors worked primarily
Representational
Reversal
The Globe
Catharsis
6. Oversees the entire production crew - rehearsals & performance
Stage Manager
Eugene Scribe
The Globe
Plato
7. Generally rhyming
Bertolt Brecht
Verse
Aesthetic Distance
Blocking
8. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Aristotle
Public Domain
Aesthetic Distance
Types of professional theater
9. Seats 500-1800; professional.
Broadway
Antagonist
Casting Director
Antiquarianism
10. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Neoclassicism
Black box
Variables of costume design
Off-off-Broadway
11. Designs costumes for the show
Costume Designer
Representational
Cycles
Eugene Scribe
12. Seats less than 100; amateur.
Upstage
Subplot
Off-off-Broadway
Theatron
13. Biblical stories. From word Misterium meaning crafts/guild
Auditions
Mystery Plays
Director
Protagonist
14. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Constantin Stanislavski
Alienation Effect
collaborator
Upstage
15. Standard tool for casting productions
Producer
Auditions
Slapstick
Neoclassic goals defining verisimilitude
16. Sentences/paragraph structure
Linear Plot
Prose
Mystery Plays
Front of House
17. Handles business aspects of show
Aeschylus
Sense memory
Alienation Effect
Producer
18. The most popular form of performance in the 20th century
Early Church's reasons for distaining theatre
Musical Theatre
Casting Director
Producer
19. Idea/script - sets - lights - costumes - props - performers
Romantic Theory
Dialogue
Components of Production
Thespis
20. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Proscenium
Aesthetic Distance
Prose
Reversal
21. Person in charge of artistic aspect of theater production
Raked Stage
Director
Mystery Plays
Aristotle's Six Elements of a Play
22. When line of action suddenly switches
Musical Theatre
Neoclassic unities
Thrust
Reversal
23. Grecian attributed to writing the first tragedies then acting in them.
Subtext
Aristotle's Six Elements of a Play
Aristotle
Thespis
24. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Slapstick
Romantic Theory
Pageants
Types of professional theater
25. Emotional identification. Refers to audience participation
Aristotle's Six Elements of a Play
Director
Linear Plot
Empathy
26. Second round of auditions to which specific actors are invited
Wings
Aristotle
Callbacks
Constantin Stanislavski
27. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Conflict
Subtext
Casting Director
Chorus
28. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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29. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Romantic Theory
Commedia Dell'Arte
Stage manager
Romanticism
30. An actor/audience configuration in which the audience completely surrounds the performance area
Variables of costume design
Arena
Aeschylus
Designer
31. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Bertolt Brecht
Front of House
Eugene Scribe
Concept
32. Didn't support theater. Believed a convincing actor was harmful to society
Producer
Plato
Hypokrites
Eugene Scribe
33. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Aesthetic Distance
Designer's job
Antagonist
Neoclassicism
34. Who or what opposes the central character
Proscenium
Arena
Antagonist
The Globe
35. Appearance of truth
Liturgical Drama
Verisimilitude
Designer's job
Wings
36. 'dancing space'
The Globe
Hypokrites
Copyright
Orchestra
37. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Raked Stage
Sense memory
Public Domain
Dionysus
38. Appearance of truth
Verisimilitude
Perspective Scenery
Dramaturg
collaborator
39. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Emile Zola
Aristotle
Sense memory
Romantic Theory
40. Seats 500-1800; professional.
Hypokrites
Playwright
Cycles
Broadway
41. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Liturgical Drama
Aristophanes
Verisimilitude
Blocking
42. A specialist in dramatic literature and theatre history who serves as a consultant for production
Copyright
Aeschylus
Dramaturg
Aesthetic Distance
43. Work developed actors in realism and naturalism
Constantin Stanislavski
Stage Manager
Realism
Components of Production
44. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Dramaturg
Realism
Catharsis
sound designer
45. Body - voice - mind
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46. Humanity's struggle with good and evil
Plato
Morality Plays
Empathy
Director
47. A musical play that tells a story and has spoken words as well as songs
Realism
Blocking
Sense memory
Book musical
48. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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49. Actor in 5th century Greece
Hypokrites
Melodrama
Presentational
Aristophanes
50. In charge of communication and call cues. 'Busiest person in theater.'
Vomitories
Director
Early Church's reasons for distaining theatre
Stage manager