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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Liturgical Drama
Raked Stage
Cycles
Slapstick
2. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Types of professional theater
Romanticism
Dionysus
Producer
3. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Vomitories
Aristotle
Presentational
Off-Broadway
4. Planned actor movement
Blocking
Antagonist
Melodrama
Dialogue
5. Was in favor of theater
Aristotle
Thespis
Director
Costume Designer
6. Causal play structure. A ? B ? C
Subplot
Cycles
Linear Plot
collaborator
7. Wrote the Orestia which is the only surviving trilogy
Aeschylus
Romantic Theory
Front of House
Downstage
8. Director champions intention of playwright
collaborator
Producer
Cycles
Off-Broadway
9. Theatre where Shakespeare's company of actors worked primarily
Liturgical Drama
Components of Actor's job
The Globe
Costume Designer
10. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Alienation Effect
Cycles
Types of professional theater
Conflict
11. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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12. Wrote the Orestia which is the only surviving trilogy
Avant-Garde
Costume plot
Dramaturg
Aeschylus
13. Appearance of truth
Proscenium
Verisimilitude
Early Church's reasons for distaining theatre
Verse
14. Usher. Shows people to seats - checks tickets
Front of House
Stage Manager
Public Domain
Slapstick
15. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Rhetorical Tradition
Aesthetic Distance
Skene
Variables of costume design
16. Work developed actors in realism and naturalism
Public Domain
Realism
Constantin Stanislavski
Off-off-Broadway
17. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Royalty
Concept
Early Church's reasons for distaining theatre
Auteur
18. The actual meaning of dialogue behind the spoken words
Theatron
Cycles
Subtext
Henrik Ibsen
19. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Musical Theatre
sound designer
Romanticism
Downstage
20. The central element of causal plot; two forces working against each other
lighting designer
Upstage
Conflict
Pageants
21. Actor in 5th century Greece
Constantin Stanislavski
Hypokrites
Henrik Ibsen
Avant-Garde
22. Handles business aspects of show
Representational
Sense memory
Producer
Neoclassic goals defining verisimilitude
23. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Wings
Sense memory
Avant-Garde
Raked Stage
24. Biblical stories. From word Misterium meaning crafts/guild
Mystery Plays
Neoclassicism
Pageants
Casting Director
25. Fee for each performance
Off-off-Broadway
Arena
Royalty
Early Church's reasons for distaining theatre
26. Sentences/paragraph structure
Public Domain
Arena
University Wits
Prose
27. Written by Aeschylus. Only surviving trilogy
Callbacks
The Orestia
Linear Plot
Slapstick
28. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Components of Production
Sense memory
Costume Designer
Rhetorical Tradition
29. Secondary line of action
The Globe
Skene
Subplot
Director
30. Push idea of reality - morality - and universality
Neoclassic goals defining verisimilitude
Avant-Garde
Proscenium
William Shakespeare
31. An actor/audience configuration in which the audience completely surrounds the performance area
Hypokrites
Early Church's reasons for distaining theatre
Arena
Romanticism
32. 'dancing space'
Broadway
Proscenium
Mystery Plays
Orchestra
33. Recognize plays as intellectual property of playwright
Musical Theatre
Copyright
Off-Broadway
Eugene Scribe
34. Author of play
Conflict
Playwright
Neoclassic goals defining verisimilitude
Upstage
35. 'dancing space'
Orchestra
Auditions
Off-Broadway
The Orestia
36. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Thrust
Dramaturg
Mystery Plays
Linear Plot
37. 'old comedy'. Lewd humor - attacks on government
Aristophanes
Neoclassic unities
Early Church's reasons for distaining theatre
Protagonist
38. The most popular form of performance in the 20th century
Slapstick
Musical Theatre
Copyright
Chorus
39. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Emile Zola
Henrik Ibsen
Ground plan
Realism
40. Grecian attributed to writing the first tragedies then acting in them.
Thespis
Emile Zola
Blocking
Conflict
41. Written by Aeschylus. Only surviving trilogy
Orchestra
Royalty
The Orestia
Variables of costume design
42. Recognize plays as intellectual property of playwright
Neoclassic unities
Perspective Scenery
Copyright
Concept
43. When line of action suddenly switches
Realism
Reversal
The Globe
Dialogue
44. Standard tool for casting productions
Orchestra
Components of Production
Vomitories
Auditions
45. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Auteur
Raked Stage
Proscenium
Broadway
46. The area farthest away from the audience
Upstage
Types of professional theater
Pageants
Front of House
47. Called for naturalism - claiming that plays should show a 'slice of life'
The Orestia
Actor's tools
Presentational
Emile Zola
48. A chart that records items of clothing worn by each actor in each scene of the play
Costume plot
Reversal
Copyright
Stage manager
49. 'old comedy'. Lewd humor - attacks on government
Alienation Effect
Morality Plays
Types of professional theater
Aristophanes
50. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Skene
Verisimilitude
Front of House
Melodrama