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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Realism
Arena
Director
Pageants
2. Author of play
Dionysus
Eugene Scribe
Playwright
Producer
3. Push idea of reality - morality - and universality
Orchestra
Proscenium
Melodrama
Neoclassic goals defining verisimilitude
4. Directors who operate with total control
Prose
Cycles
Producer
Auteur
5. 'dancing space'
Stage manager
Downstage
Orchestra
collaborator
6. Seats 500-1800; professional.
Broadway
Raked Stage
Subplot
Linear Plot
7. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Aesthetic Distance
Morality Plays
Verisimilitude
Melodrama
8. Oversees the entire production crew - rehearsals & performance
Stage Manager
William Shakespeare
Rhetorical Tradition
Alienation Effect
9. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Components of Actor's job
Sense memory
Proscenium
Copyright
10. Sentences/paragraph structure
Musical Theatre
Proscenium
Prose
Scenic Designer
11. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Romantic Theory
sound designer
Raked Stage
Protagonist
12. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Aesthetic Distance
Avant-Garde
Proscenium
Public Domain
13. Oversees artistic aspects of show
Verse
Wings
Director
Actor's tools
14. When line of action suddenly switches
Mystery Plays
Auteur
Theatron
Reversal
15. The actual meaning of dialogue behind the spoken words
Subtext
Auditions
Slapstick
Proscenium
16. Seats less than 100; amateur.
Linear Plot
Reversal
Off-off-Broadway
Chorus
17. Art that pushes recognized boundaries
Thespis
Components of Production
Commedia Dell'Arte
Avant-Garde
18. Sentences/paragraph structure
Front of House
Prose
sound designer
Dionysus
19. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Commedia Dell'Arte
Verse
Thrust
Wings
20. Didn't support theater. Believed a convincing actor was harmful to society
Plato
Aesthetic Distance
Producer
Dialogue
21. Plot - character - thought - language - music - spectacle
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22. A chart that records items of clothing worn by each actor in each scene of the play
Subtext
Avant-Garde
Costume plot
Bertolt Brecht
23. Usher. Shows people to seats - checks tickets
Front of House
Vomitories
Representational
Bertolt Brecht
24. Humanity's struggle with good and evil
Concept
Alienation Effect
Catharsis
Morality Plays
25. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Proscenium
Callbacks
Catharsis
Thespis
26. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Musical Theatre
Pageants
Antagonist
Liturgical Drama
27. Person in charge of artistic aspect of theater production
Wings
Director
Presentational
Linear Plot
28. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Constantin Stanislavski
Neoclassic unities
Designer
Neoclassicism
29. Oversees the entire production crew - rehearsals & performance
University Wits
Subplot
Stage Manager
Subtext
30. In charge of communication and call cues. 'Busiest person in theater.'
Upstage
Front of House
Early Church's reasons for distaining theatre
Stage manager
31. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Morality Plays
Musical Theatre
Constantin Stanislavski
Wings
32. Emotional identification. Refers to audience participation
Presentational
Realism
Empathy
Commedia Dell'Arte
33. Silhouette (overall shape) - color - texture - accent
Variables of costume design
Skene
Wings
Verse
34. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Verse
Royalty
Proscenium
Romantic Theory
35. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
sound designer
Producer
Thrust
Neoclassic goals defining verisimilitude
36. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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37. Seats 500-1800; professional.
lighting designer
Vomitories
Broadway
Playwright
38. Who or what opposes the central character
Antagonist
Director
Plato
lighting designer
39. Group of influential - educated Renaissance playwrights
collaborator
University Wits
Skene
Protagonist
40. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Casting Director
Perspective Scenery
Henrik Ibsen
Mystery Plays
41. Called for naturalism - claiming that plays should show a 'slice of life'
sound designer
Linear Plot
Miracle Plays
Emile Zola
42. Designs costumes for the show
Types of professional theater
Antagonist
Downstage
Costume Designer
43. Causal play structure. A ? B ? C
Conflict
Linear Plot
William Shakespeare
Producer
44. Second round of auditions to which specific actors are invited
Callbacks
Bertolt Brecht
Slapstick
Antiquarianism
45. Idea/script - sets - lights - costumes - props - performers
Components of Production
Liturgical Drama
Downstage
Miracle Plays
46. A picture created by a designer to communicate with other production personnel
Rendering
Concept
Thespis
Theatron
47. Work developed actors in realism and naturalism
Emile Zola
Neoclassic unities
Alienation Effect
Constantin Stanislavski
48. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Rhetorical Tradition
Blocking
Melodrama
Downstage
49. Plot - character - thought - language - music - spectacle
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50. Seats 100-500; professional
Off-Broadway
Thrust
Rhetorical Tradition
Aeschylus