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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Components of Actor's job
Alienation Effect
Rhetorical Tradition
Wings
2. Person in charge of artistic aspect of theater production
Front of House
Orchestra
Director
Bertolt Brecht
3. Central character
William Shakespeare
Vomitories
Protagonist
Black box
4. Oversees artistic aspects of show
Director
Dialogue
Casting Director
Representational
5. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Proscenium
Chorus
Costume plot
Thrust
6. Idea/script - sets - lights - costumes - props - performers
Thrust
Aristotle's Six Elements of a Play
Subtext
Components of Production
7. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Melodrama
Components of Actor's job
Proscenium
Liturgical Drama
8. Actor in 5th century Greece
Playwright
Upstage
Casting Director
Hypokrites
9. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Alienation Effect
Broadway
Miracle Plays
Presentational
10. A picture created by a designer to communicate with other production personnel
Rendering
Downstage
Plato
Melodrama
11. Seats 100-500; professional
Designer's job
Neoclassic unities
sound designer
Off-Broadway
12. Historical accuracy
University Wits
Antiquarianism
Sense memory
Romanticism
13. Plot - character - thought - language - music - spectacle
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14. 'seeing place'
Theatron
Arena
Proscenium
Raked Stage
15. Group of influential - educated Renaissance playwrights
University Wits
Skene
Musical Theatre
Orchestra
16. In charge of communication and call cues. 'Busiest person in theater.'
Melodrama
Stage manager
Catharsis
Producer
17. In the middle ages - wagons with scenery used in processional staging
Pageants
Aristophanes
Black box
Ground plan
18. The actors recall of sights - sounds - touch - and smell from specific past events.
Sense memory
Book musical
Mystery Plays
Reversal
19. Person in charge of artistic aspect of theater production
Henrik Ibsen
Proscenium
Stage manager
Director
20. Scenery
Neoclassicism
Mystery Plays
Skene
Neoclassic goals defining verisimilitude
21. An actor/audience configuration in which the audience completely surrounds the performance area
Miracle Plays
Arena
Pageants
Subplot
22. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Book musical
Costume plot
Romanticism
Broadway
23. The area farthest away from the audience
Producer
Melodrama
Upstage
Aeschylus
24. Creates a visual home for the play
Subtext
sound designer
Scenic Designer
The Orestia
25. Helps establish mood - place - & intensity with the use of light
Verse
lighting designer
Producer
Casting Director
26. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Henrik Ibsen
Musical Theatre
Morality Plays
Proscenium
27. Movement based on study of ancient Greek and Roman culture
Downstage
Neoclassicism
Stage Manager
Melodrama
28. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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29. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Realism
Liturgical Drama
Components of Actor's job
Callbacks
30. The most popular form of performance in the 20th century
Protagonist
Stage manager
Components of Actor's job
Musical Theatre
31. In charge of communication and call cues. 'Busiest person in theater.'
Producer
Stage manager
Chorus
Public Domain
32. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Alienation Effect
Neoclassicism
Aesthetic Distance
Conflict
33. Art that pushes recognized boundaries
Black box
Costume Designer
Romantic Theory
Avant-Garde
34. Silhouette (overall shape) - color - texture - accent
Public Domain
Miracle Plays
Actor's tools
Variables of costume design
35. Attempts to represent reality on stage
Theatron
Slapstick
Representational
Raked Stage
36. Handles business aspects of show
Realism
Off-Broadway
Romanticism
Producer
37. Greatest dramatist of all time
Scenic Designer
Bertolt Brecht
Subplot
William Shakespeare
38. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Ground plan
Public Domain
Blocking
Eugene Scribe
39. Creates a soundtrack to support the show. It may be recorded or live
sound designer
Subtext
Director
Verse
40. In the middle ages - wagons with scenery used in processional staging
Director
Thespis
Pageants
Early Church's reasons for distaining theatre
41. Directors who operate with total control
Auteur
Proscenium
Melodrama
Commedia Dell'Arte
42. Was in favor of theater
Verisimilitude
Aristotle
Royalty
Scenic Designer
43. Saint's plays
Aeschylus
Miracle Plays
Antagonist
Neoclassic unities
44. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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45. Convincing actors were too powerful a tool of persuasion
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46. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Off-off-Broadway
Callbacks
Raked Stage
Rhetorical Tradition
47. Saint's plays
Romantic Theory
Linear Plot
Miracle Plays
Neoclassic unities
48. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Off-off-Broadway
collaborator
Aristotle's Six Elements of a Play
Melodrama
49. First director
Neoclassic goals defining verisimilitude
University Wits
Duke of Saxe Meiningen
sound designer
50. Didn't support theater. Believed a convincing actor was harmful to society
Blocking
Off-Broadway
Plato
Vomitories