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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A musical play that tells a story and has spoken words as well as songs
Scenic Designer
Musical Theatre
Book musical
Conflict
2. Silhouette (overall shape) - color - texture - accent
Variables of costume design
Pageants
William Shakespeare
Cycles
3. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Constantin Stanislavski
Linear Plot
Bertolt Brecht
Playwright
4. Group of influential - educated Renaissance playwrights
Ground plan
Subplot
Plato
University Wits
5. Biblical stories. From word Misterium meaning crafts/guild
Off-Broadway
Mystery Plays
Copyright
Romantic Theory
6. : a specialist in finding actors for specific roles who assists the director in some professional productions
Sense memory
Scenic Designer
Verse
Casting Director
7. Humanity's struggle with good and evil
Thrust
Stage Manager
Morality Plays
Constantin Stanislavski
8. Historical accuracy
Mystery Plays
Prose
Antiquarianism
Dramaturg
9. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Skene
William Shakespeare
Hypokrites
Proscenium
10. Central character
Director
Pageants
Protagonist
Bertolt Brecht
11. The actual meaning of dialogue behind the spoken words
Constantin Stanislavski
collaborator
Variables of costume design
Subtext
12. Grecian attributed to writing the first tragedies then acting in them.
Thespis
sound designer
lighting designer
Antagonist
13. Sentences/paragraph structure
Verisimilitude
Prose
Costume Designer
Downstage
14. God of wine and fertility
Dramaturg
Antiquarianism
Dionysus
Plato
15. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Variables of costume design
Front of House
Concept
Rendering
16. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Orchestra
Hypokrites
Aesthetic Distance
Perspective Scenery
17. A picture created by a designer to communicate with other production personnel
Alienation Effect
Rendering
Aeschylus
Director
18. Plot - character - thought - language - music - spectacle
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19. Called for naturalism - claiming that plays should show a 'slice of life'
Aeschylus
Off-Broadway
sound designer
Emile Zola
20. Greatest dramatist of all time
Auditions
Emile Zola
William Shakespeare
Romanticism
21. Who or what opposes the central character
Antagonist
Black box
Scenic Designer
Director
22. Standard tool for casting productions
Upstage
Copyright
Commedia Dell'Arte
Auditions
23. Planned actor movement
Producer
Blocking
William Shakespeare
Constantin Stanislavski
24. Appearance of truth
Public Domain
Melodrama
Casting Director
Verisimilitude
25. Didn't support theater. Believed a convincing actor was harmful to society
Plato
Prose
Slapstick
Cycles
26. A specialist in dramatic literature and theatre history who serves as a consultant for production
Perspective Scenery
Presentational
Dramaturg
Cycles
27. Recognize plays as intellectual property of playwright
Designer
Copyright
Actor's tools
Front of House
28. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Designer
Linear Plot
Thrust
Dionysus
29. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Black box
Copyright
Aeschylus
Miracle Plays
30. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Auteur
Chorus
Black box
Wings
31. Called for naturalism - claiming that plays should show a 'slice of life'
Miracle Plays
Theatron
Realism
Emile Zola
32. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Ground plan
Callbacks
Director
William Shakespeare
33. Art that pushes recognized boundaries
Henrik Ibsen
Aeschylus
Avant-Garde
Slapstick
34. Action - place - time
Callbacks
Miracle Plays
Neoclassic unities
Sense memory
35. Usher. Shows people to seats - checks tickets
Front of House
Constantin Stanislavski
Slapstick
Copyright
36. Author of play
Royalty
Playwright
Musical Theatre
Wings
37. Seats 100-500; professional
Aristotle
Scenic Designer
Skene
Off-Broadway
38. Oversees the entire production crew - rehearsals & performance
Stage Manager
Front of House
Upstage
Orchestra
39. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Aesthetic Distance
Catharsis
Raked Stage
Ground plan
40. Body - voice - mind
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41. Pioneer of realism who challenged audiences to face their personal demons
Ground plan
Dionysus
William Shakespeare
Henrik Ibsen
42. Action - place - time
Neoclassic unities
Theatron
Vomitories
Antagonist
43. Written by Aeschylus. Only surviving trilogy
Linear Plot
Costume plot
The Orestia
Orchestra
44. Spoken words
Subtext
Dialogue
Costume plot
Wings
45. Seats less than 100; amateur.
Off-off-Broadway
Auteur
Theatron
Designer
46. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Commedia Dell'Arte
Scenic Designer
Liturgical Drama
Callbacks
47. Theatre where Shakespeare's company of actors worked primarily
Bertolt Brecht
Neoclassic goals defining verisimilitude
The Globe
Duke of Saxe Meiningen
48. Who or what opposes the central character
Romanticism
Dramaturg
Rhetorical Tradition
Antagonist
49. Was in favor of theater
Types of professional theater
Emile Zola
Thespis
Aristotle
50. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Linear Plot
Dialogue
Ground plan
Rhetorical Tradition