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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. In the middle ages - wagons with scenery used in processional staging
sound designer
Aesthetic Distance
Costume plot
Pageants
2. Pioneer of realism who challenged audiences to face their personal demons
Aristotle
Designer's job
Henrik Ibsen
Wings
3. Action - place - time
Commedia Dell'Arte
Neoclassic unities
Hypokrites
Neoclassicism
4. Collection of mystery plays
Blocking
Morality Plays
Aristophanes
Cycles
5. Who or what opposes the central character
William Shakespeare
Romanticism
Antagonist
Miracle Plays
6. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Copyright
Arena
Aeschylus
Presentational
7. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Copyright
Concept
Musical Theatre
Arena
8. Causal play structure. A ? B ? C
Casting Director
Protagonist
Front of House
Linear Plot
9. Greatest dramatist of all time
Dialogue
Verse
Downstage
William Shakespeare
10. In charge of communication and call cues. 'Busiest person in theater.'
The Globe
Stage manager
Avant-Garde
Director
11. Person in charge of artistic aspect of theater production
Verisimilitude
Director
Concept
Aeschylus
12. Emotional identification. Refers to audience participation
Perspective Scenery
Empathy
Conflict
William Shakespeare
13. Central character
The Globe
Protagonist
Variables of costume design
Prose
14. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Actor's tools
Miracle Plays
Rhetorical Tradition
Aristotle
15. Secondary line of action
Subplot
Rhetorical Tradition
Costume Designer
Reversal
16. Greatest dramatist of all time
William Shakespeare
Public Domain
Prose
Early Church's reasons for distaining theatre
17. Second round of auditions to which specific actors are invited
Rhetorical Tradition
Duke of Saxe Meiningen
Scenic Designer
Callbacks
18. 'seeing place'
Dialogue
Theatron
Representational
Rhetorical Tradition
19. Was in favor of theater
Representational
Aristotle
Perspective Scenery
Aristotle's Six Elements of a Play
20. Recognize plays as intellectual property of playwright
Neoclassic goals defining verisimilitude
Copyright
Eugene Scribe
Bertolt Brecht
21. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Prose
sound designer
University Wits
Rhetorical Tradition
22. The actual meaning of dialogue behind the spoken words
Subtext
Duke of Saxe Meiningen
Melodrama
Subplot
23. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Director
Concept
Representational
Casting Director
24. Idea/script - sets - lights - costumes - props - performers
Components of Production
Types of professional theater
lighting designer
Director
25. Spoken words
Aristotle's Six Elements of a Play
Auditions
Dialogue
Neoclassic unities
26. Appearance of truth
Theatron
Black box
Scenic Designer
Verisimilitude
27. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Rhetorical Tradition
Variables of costume design
Producer
Perspective Scenery
28. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Thespis
Aesthetic Distance
Hypokrites
Vomitories
29. Art that pushes recognized boundaries
Rendering
Rhetorical Tradition
Avant-Garde
Conflict
30. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Costume plot
Romantic Theory
Rendering
lighting designer
31. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Orchestra
Melodrama
Chorus
Eugene Scribe
32. The area farthest away from the audience
Raked Stage
Auditions
Upstage
Auteur
33. Wrote the Orestia which is the only surviving trilogy
Romantic Theory
Aeschylus
Musical Theatre
Neoclassic goals defining verisimilitude
34. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Duke of Saxe Meiningen
Melodrama
Playwright
Rhetorical Tradition
35. Creates a soundtrack to support the show. It may be recorded or live
Black box
sound designer
Mystery Plays
Types of professional theater
36. Secondary line of action
Antiquarianism
Director
Subplot
Hypokrites
37. The central element of causal plot; two forces working against each other
Components of Actor's job
Stage manager
Rendering
Conflict
38. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Wings
Conflict
Aesthetic Distance
Auditions
39. An actor/audience configuration in which the audience completely surrounds the performance area
Alienation Effect
Arena
Auteur
Aesthetic Distance
40. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Presentational
Bertolt Brecht
Front of House
Costume Designer
41. Actor in 5th century Greece
Antagonist
Realism
Upstage
Hypokrites
42. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Alienation Effect
Copyright
Perspective Scenery
Casting Director
43. Usher. Shows people to seats - checks tickets
Front of House
Producer
Proscenium
Ground plan
44. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Director
Romantic Theory
Skene
Early Church's reasons for distaining theatre
45. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Thrust
Prose
Duke of Saxe Meiningen
Hypokrites
46. Author of play
Musical Theatre
Aesthetic Distance
Playwright
Off-off-Broadway
47. Who or what opposes the central character
Antagonist
Thespis
Thrust
Verse
48. Body - voice - mind
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49. A musical play that tells a story and has spoken words as well as songs
Costume Designer
Book musical
Arena
Neoclassic unities
50. Body - voice - mind
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