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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. : a specialist in finding actors for specific roles who assists the director in some professional productions
Casting Director
Protagonist
Duke of Saxe Meiningen
Proscenium
2. Causal play structure. A ? B ? C
Proscenium
Melodrama
Rhetorical Tradition
Linear Plot
3. Oversees the entire production crew - rehearsals & performance
Components of Production
The Orestia
Concept
Stage Manager
4. Directors who operate with total control
Wings
Public Domain
Theatron
Auteur
5. Creates a visual home for the play
Components of Production
Designer's job
Eugene Scribe
Scenic Designer
6. Scenery
Verse
Skene
Costume plot
Thespis
7. Fee for each performance
Aristotle
Royalty
Downstage
Director
8. Wrote the Orestia which is the only surviving trilogy
Miracle Plays
The Orestia
Prose
Aeschylus
9. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Director
Downstage
Romanticism
Producer
10. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Book musical
Chorus
Duke of Saxe Meiningen
Alienation Effect
11. 'dancing space'
Orchestra
Variables of costume design
lighting designer
Types of professional theater
12. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Melodrama
Book musical
Aristotle's Six Elements of a Play
Stage manager
13. When line of action suddenly switches
Presentational
Reversal
Black box
Early Church's reasons for distaining theatre
14. Seats less than 100; amateur.
Off-off-Broadway
Constantin Stanislavski
Catharsis
Avant-Garde
15. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
William Shakespeare
Black box
Upstage
Off-off-Broadway
16. Creates a soundtrack to support the show. It may be recorded or live
Aristophanes
Neoclassic goals defining verisimilitude
sound designer
Reversal
17. Planned actor movement
Early Church's reasons for distaining theatre
Presentational
Blocking
Public Domain
18. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Black box
Front of House
Constantin Stanislavski
Auteur
19. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Plato
Romanticism
Reversal
Presentational
20. A chart that records items of clothing worn by each actor in each scene of the play
Commedia Dell'Arte
Costume plot
collaborator
Public Domain
21. Physical commedy
Slapstick
Constantin Stanislavski
Plato
Pageants
22. Directors who operate with total control
Downstage
Auteur
Duke of Saxe Meiningen
Stage Manager
23. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Public Domain
Antiquarianism
Romanticism
sound designer
24. Second round of auditions to which specific actors are invited
Callbacks
Realism
Playwright
Commedia Dell'Arte
25. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Broadway
Off-off-Broadway
Neoclassic unities
Types of professional theater
26. When line of action suddenly switches
Mystery Plays
Reversal
Rhetorical Tradition
Alienation Effect
27. Written by Aeschylus. Only surviving trilogy
Aristotle
The Orestia
Alienation Effect
Presentational
28. First director
Subplot
Blocking
Callbacks
Duke of Saxe Meiningen
29. Helps establish mood - place - & intensity with the use of light
Duke of Saxe Meiningen
Copyright
lighting designer
University Wits
30. A musical play that tells a story and has spoken words as well as songs
Book musical
Subplot
Orchestra
Callbacks
31. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Cycles
Stage Manager
Bertolt Brecht
Types of professional theater
32. Fee for each performance
University Wits
Costume Designer
Alienation Effect
Royalty
33. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Stage Manager
Antagonist
Raked Stage
Types of professional theater
34. Actor in 5th century Greece
Hypokrites
Aristophanes
The Orestia
Antagonist
35. Seats 500-1800; professional.
Dionysus
Rendering
Broadway
Antagonist
36. Sentences/paragraph structure
Costume Designer
Prose
Duke of Saxe Meiningen
Actor's tools
37. Director champions intention of playwright
Constantin Stanislavski
collaborator
Sense memory
Miracle Plays
38. The central element of causal plot; two forces working against each other
Subtext
Representational
Miracle Plays
Conflict
39. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Catharsis
Dionysus
Bertolt Brecht
Perspective Scenery
40. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Ground plan
Empathy
Concept
Aristotle's Six Elements of a Play
41. Purgation of pity and fear experienced upon watching theater.
sound designer
Thespis
Catharsis
Linear Plot
42. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Orchestra
Verisimilitude
Subplot
Realism
43. The most popular form of performance in the 20th century
Off-off-Broadway
Theatron
Wings
Musical Theatre
44. Body - voice - mind
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45. 'old comedy'. Lewd humor - attacks on government
Aristophanes
sound designer
The Globe
Dionysus
46. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Aristophanes
Avant-Garde
Vomitories
Dionysus
47. The area farthest away from the audience
Subtext
Rendering
Dionysus
Upstage
48. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Representational
Royalty
Proscenium
Copyright
49. The actual meaning of dialogue behind the spoken words
Henrik Ibsen
University Wits
Subtext
Musical Theatre
50. Usher. Shows people to seats - checks tickets
Aristotle's Six Elements of a Play
Front of House
Skene
Costume Designer