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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Causal play structure. A ? B ? C
Verse
Linear Plot
Subtext
Thespis
2. Pioneer of realism who challenged audiences to face their personal demons
Henrik Ibsen
Designer's job
University Wits
Proscenium
3. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Auteur
Alienation Effect
Concept
Slapstick
4. Greatest dramatist of all time
Director
Subtext
Casting Director
William Shakespeare
5. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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6. In the middle ages - wagons with scenery used in processional staging
Pageants
Linear Plot
Verisimilitude
Designer's job
7. Silhouette (overall shape) - color - texture - accent
lighting designer
Raked Stage
Skene
Variables of costume design
8. Was in favor of theater
Miracle Plays
Director
Bertolt Brecht
Aristotle
9. Group of influential - educated Renaissance playwrights
University Wits
Aeschylus
Director
Stage Manager
10. Body - voice - mind
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11. Handles business aspects of show
Eugene Scribe
Producer
Black box
Proscenium
12. Push idea of reality - morality - and universality
Proscenium
Off-Broadway
Neoclassic goals defining verisimilitude
Costume plot
13. Collection of mystery plays
Cycles
Pageants
Aristophanes
Actor's tools
14. Second round of auditions to which specific actors are invited
Pageants
Costume plot
Callbacks
Variables of costume design
15. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Emile Zola
Chorus
Prose
Dramaturg
16. The area farthest away from the audience
Cycles
Upstage
Presentational
University Wits
17. Wrote the Orestia which is the only surviving trilogy
Aeschylus
Aesthetic Distance
Auditions
Front of House
18. Called for naturalism - claiming that plays should show a 'slice of life'
Upstage
Emile Zola
Alienation Effect
Public Domain
19. A musical play that tells a story and has spoken words as well as songs
Costume plot
Book musical
Downstage
Plato
20. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Presentational
Downstage
William Shakespeare
Scenic Designer
21. Fee for each performance
Eugene Scribe
Royalty
Verisimilitude
Plato
22. Group of influential - educated Renaissance playwrights
Emile Zola
University Wits
Designer
Romantic Theory
23. Purgation of pity and fear experienced upon watching theater.
Duke of Saxe Meiningen
Catharsis
Black box
Commedia Dell'Arte
24. Movement based on study of ancient Greek and Roman culture
Neoclassicism
Antagonist
Actor's tools
Theatron
25. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Designer's job
Aristotle
University Wits
Alienation Effect
26. Physical commedy
Ground plan
Slapstick
Empathy
Dramaturg
27. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Bertolt Brecht
Aeschylus
Actor's tools
Representational
28. Seats 100-500; professional
Off-Broadway
Actor's tools
Components of Actor's job
Public Domain
29. When line of action suddenly switches
Emile Zola
William Shakespeare
Conflict
Reversal
30. Secondary line of action
Subplot
collaborator
Orchestra
Rendering
31. Second round of auditions to which specific actors are invited
Callbacks
Prose
Henrik Ibsen
Arena
32. Designs costumes for the show
Costume Designer
Verse
Alienation Effect
Thespis
33. Convincing actors were too powerful a tool of persuasion
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34. Appearance of truth
Miracle Plays
Empathy
Arena
Verisimilitude
35. The actual meaning of dialogue behind the spoken words
Subtext
University Wits
Dramaturg
Aristotle
36. Handles business aspects of show
Black box
Producer
Neoclassic goals defining verisimilitude
Linear Plot
37. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Front of House
Director
Rhetorical Tradition
Proscenium
38. Creates a visual home for the play
Constantin Stanislavski
Scenic Designer
The Globe
Costume Designer
39. Saint's plays
Representational
Miracle Plays
Neoclassic goals defining verisimilitude
Perspective Scenery
40. Idea/script - sets - lights - costumes - props - performers
Arena
Rhetorical Tradition
Components of Production
Neoclassicism
41. An actor/audience configuration in which the audience completely surrounds the performance area
Arena
Blocking
Neoclassic unities
Representational
42. Didn't support theater. Believed a convincing actor was harmful to society
Mystery Plays
collaborator
Plato
Musical Theatre
43. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Black box
Prose
Off-off-Broadway
Scenic Designer
44. 'dancing space'
Book musical
Neoclassicism
Presentational
Orchestra
45. Standard tool for casting productions
Rendering
Auditions
Aristophanes
Morality Plays
46. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Eugene Scribe
Designer
Public Domain
Proscenium
47. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Aristotle's Six Elements of a Play
Copyright
Black box
Book musical
48. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Concept
The Globe
Presentational
Vomitories
49. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Rhetorical Tradition
Ground plan
Musical Theatre
The Globe
50. Seats less than 100; amateur.
Blocking
Linear Plot
Off-off-Broadway
Vomitories