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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Seats 500-1800; professional.
Miracle Plays
Actor's tools
Playwright
Broadway
2. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Vomitories
Book musical
Romanticism
Casting Director
3. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Presentational
Linear Plot
Auditions
Romantic Theory
4. A musical play that tells a story and has spoken words as well as songs
Plato
Off-Broadway
Book musical
Designer
5. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Ground plan
Casting Director
Liturgical Drama
Constantin Stanislavski
6. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Downstage
Arena
Proscenium
Chorus
7. : a specialist in finding actors for specific roles who assists the director in some professional productions
Aristotle's Six Elements of a Play
Casting Director
Presentational
Stage Manager
8. Appearance of truth
Bertolt Brecht
Verisimilitude
Conflict
Prose
9. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Raked Stage
Director
Emile Zola
Reversal
10. Action - place - time
Thespis
collaborator
Public Domain
Neoclassic unities
11. Second round of auditions to which specific actors are invited
Sense memory
Callbacks
Dialogue
Proscenium
12. Psychological separation - or a sense of detachment; the recognition that what happens on stage is not reality; literally - 'the distance of art'
Director
Slapstick
Aesthetic Distance
Aristophanes
13. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Front of House
Aristophanes
Proscenium
Wings
14. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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15. Didn't support theater. Believed a convincing actor was harmful to society
Aeschylus
Plato
Henrik Ibsen
Eugene Scribe
16. Work developed actors in realism and naturalism
Stage Manager
Callbacks
Constantin Stanislavski
Alienation Effect
17. Saint's plays
Perspective Scenery
Miracle Plays
Slapstick
Representational
18. Body - voice - mind
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19. The central element of causal plot; two forces working against each other
Subtext
Aesthetic Distance
Conflict
Downstage
20. Called for naturalism - claiming that plays should show a 'slice of life'
Protagonist
Director
Emile Zola
Costume Designer
21. The actors recall of sights - sounds - touch - and smell from specific past events.
Black box
Morality Plays
Mystery Plays
Sense memory
22. Designs costumes for the show
The Orestia
Costume Designer
Subplot
Bertolt Brecht
23. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Thespis
Rendering
Alienation Effect
Public Domain
24. Generally rhyming
Verse
Components of Production
Royalty
Morality Plays
25. A chart that records items of clothing worn by each actor in each scene of the play
Presentational
Neoclassicism
Catharsis
Costume plot
26. Fee for each performance
University Wits
Royalty
Realism
Henrik Ibsen
27. Emotional identification. Refers to audience participation
Empathy
sound designer
Casting Director
Royalty
28. Creates a visual home for the play
Vomitories
Scenic Designer
Aeschylus
Front of House
29. Movement based on study of ancient Greek and Roman culture
Romantic Theory
Realism
Raked Stage
Neoclassicism
30. Creates a soundtrack to support the show. It may be recorded or live
Components of Actor's job
Downstage
sound designer
Slapstick
31. 'dancing space'
Playwright
lighting designer
Orchestra
Verse
32. When line of action suddenly switches
Wings
Reversal
Dialogue
The Globe
33. Art that pushes recognized boundaries
Plato
Casting Director
Avant-Garde
Aesthetic Distance
34. Group of influential - educated Renaissance playwrights
Wings
University Wits
Copyright
Callbacks
35. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Alienation Effect
Presentational
Wings
Costume Designer
36. Saint's plays
Morality Plays
Miracle Plays
Stage manager
Chorus
37. Helps establish mood - place - & intensity with the use of light
Arena
lighting designer
Bertolt Brecht
Designer
38. Seats 100-500; professional
Casting Director
Off-Broadway
Commedia Dell'Arte
William Shakespeare
39. Usher. Shows people to seats - checks tickets
Presentational
Front of House
Representational
Verse
40. A picture created by a designer to communicate with other production personnel
Sense memory
Emile Zola
Rendering
collaborator
41. Wrote the Orestia which is the only surviving trilogy
Thrust
Aeschylus
Book musical
Actor's tools
42. Plot - character - thought - language - music - spectacle
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43. First director
Off-off-Broadway
Presentational
Components of Production
Duke of Saxe Meiningen
44. Attempts to represent reality on stage
Miracle Plays
Representational
Verisimilitude
sound designer
45. Fee for each performance
Raked Stage
Henrik Ibsen
Aristotle's Six Elements of a Play
Royalty
46. An actor/audience configuration in which the audience completely surrounds the performance area
Variables of costume design
Aristophanes
Sense memory
Arena
47. Emotional identification. Refers to audience participation
Bertolt Brecht
Auteur
Empathy
Director
48. Historical accuracy
Public Domain
Upstage
Components of Actor's job
Antiquarianism
49. An actor/audience configuration in which the audience completely surrounds the performance area
Commedia Dell'Arte
Subplot
Arena
Antagonist
50. A chart that records items of clothing worn by each actor in each scene of the play
Bertolt Brecht
Costume plot
Off-off-Broadway
Duke of Saxe Meiningen