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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Standard tool for casting productions
Blocking
Auditions
Costume plot
Aeschylus
2. Director champions intention of playwright
Thrust
collaborator
Auteur
Commedia Dell'Arte
3. Collection of mystery plays
Perspective Scenery
Cycles
Neoclassic unities
Producer
4. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Verisimilitude
Prose
Aristotle's Six Elements of a Play
Concept
5. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Hypokrites
Romanticism
Front of House
Liturgical Drama
6. Humanity's struggle with good and evil
Cycles
Morality Plays
Types of professional theater
Neoclassic goals defining verisimilitude
7. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Black box
Rendering
Downstage
Types of professional theater
8. Fee for each performance
Dionysus
Designer
Royalty
Linear Plot
9. Oversees artistic aspects of show
lighting designer
Romanticism
Early Church's reasons for distaining theatre
Director
10. Group of influential - educated Renaissance playwrights
University Wits
Components of Production
Director
Slapstick
11. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Prose
Costume Designer
Neoclassic goals defining verisimilitude
Rhetorical Tradition
12. Seats less than 100; amateur.
Conflict
Off-off-Broadway
Actor's tools
Stage manager
13. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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14. Seats 100-500; professional
Designer's job
Mystery Plays
Cycles
Off-Broadway
15. Seats 100-500; professional
Slapstick
Neoclassic goals defining verisimilitude
Neoclassic unities
Off-Broadway
16. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Melodrama
Musical Theatre
Wings
Front of House
17. Convincing actors were too powerful a tool of persuasion
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18. Sentences/paragraph structure
Antagonist
Rhetorical Tradition
Representational
Prose
19. Director champions intention of playwright
Skene
collaborator
Neoclassic goals defining verisimilitude
Perspective Scenery
20. Author of play
Playwright
Neoclassicism
Musical Theatre
Casting Director
21. Author of play
Aristophanes
William Shakespeare
Playwright
Rhetorical Tradition
22. Plays written before 1923 are no longer protected
Neoclassic unities
Downstage
Costume Designer
Public Domain
23. Action - place - time
Romanticism
Neoclassic unities
Thrust
Black box
24. Attempts to represent reality on stage
Stage Manager
Representational
Liturgical Drama
Theatron
25. Emotional identification. Refers to audience participation
Empathy
Dionysus
Aesthetic Distance
Presentational
26. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Realism
Thrust
Plato
Downstage
27. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Types of professional theater
Henrik Ibsen
Dionysus
Auteur
28. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Ground plan
Avant-Garde
Miracle Plays
Actor's tools
29. Historical accuracy
Antiquarianism
Front of House
Off-Broadway
collaborator
30. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Arena
Royalty
Conflict
Perspective Scenery
31. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Pageants
Chorus
Alienation Effect
Emile Zola
32. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Concept
Dramaturg
Chorus
Miracle Plays
33. Saint's plays
Director
Theatron
Empathy
Miracle Plays
34. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Designer's job
Producer
Types of professional theater
Black box
35. Attempts to represent reality on stage
Proscenium
Costume Designer
Representational
Prose
36. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Ground plan
Alienation Effect
Designer
Avant-Garde
37. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Rendering
Vomitories
Henrik Ibsen
Conflict
38. Body - voice - mind
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39. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Wings
Book musical
Morality Plays
Book musical
40. The actors recall of sights - sounds - touch - and smell from specific past events.
Auteur
Alienation Effect
Sense memory
Public Domain
41. 'seeing place'
Henrik Ibsen
Reversal
Subtext
Theatron
42. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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43. In the middle ages - wagons with scenery used in processional staging
Commedia Dell'Arte
Pageants
Sense memory
Neoclassic unities
44. The central element of causal plot; two forces working against each other
Musical Theatre
Callbacks
Conflict
Proscenium
45. Scenery
University Wits
Skene
Front of House
Verisimilitude
46. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Romantic Theory
Ground plan
Romanticism
Romanticism
47. Creates a soundtrack to support the show. It may be recorded or live
Antiquarianism
sound designer
Hypokrites
Off-off-Broadway
48. Historical accuracy
Prose
Stage Manager
Presentational
Antiquarianism
49. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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50. Emotional identification. Refers to audience participation
Off-off-Broadway
Henrik Ibsen
Thrust
Empathy