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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The actual meaning of dialogue behind the spoken words
Aristotle
Vomitories
Subtext
Morality Plays
2. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Stage Manager
Neoclassic goals defining verisimilitude
Pageants
Proscenium
3. Work developed actors in realism and naturalism
Aristotle's Six Elements of a Play
Hypokrites
Costume Designer
Constantin Stanislavski
4. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Designer's job
Designer
Concept
Vomitories
5. Person in charge of artistic aspect of theater production
Copyright
Morality Plays
Director
Aesthetic Distance
6. Greatest dramatist of all time
William Shakespeare
Broadway
Rhetorical Tradition
Miracle Plays
7. An actor/audience configuration in which the audience completely surrounds the performance area
Empathy
Dionysus
Aristotle's Six Elements of a Play
Arena
8. 'seeing place'
Conflict
Theatron
Morality Plays
Black box
9. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
10. Push idea of reality - morality - and universality
Playwright
Blocking
The Globe
Neoclassic goals defining verisimilitude
11. Theatre where Shakespeare's company of actors worked primarily
The Globe
Hypokrites
Variables of costume design
Components of Actor's job
12. Plot - character - thought - language - music - spectacle
13. Didn't support theater. Believed a convincing actor was harmful to society
Scenic Designer
Plato
Director
Realism
14. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Romantic Theory
Concept
Alienation Effect
Designer
15. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
16. Sentences/paragraph structure
Aeschylus
Prose
Antiquarianism
Arena
17. The central element of causal plot; two forces working against each other
Duke of Saxe Meiningen
Romantic Theory
William Shakespeare
Conflict
18. In the middle ages - wagons with scenery used in processional staging
Early Church's reasons for distaining theatre
Director
Auteur
Pageants
19. Helps establish mood - place - & intensity with the use of light
Antiquarianism
Mystery Plays
Mystery Plays
lighting designer
20. Humanity's struggle with good and evil
Stage Manager
Morality Plays
Variables of costume design
Antagonist
21. Generally rhyming
Neoclassicism
Director
Verse
Arena
22. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Bertolt Brecht
Plato
Designer's job
Subplot
23. God of wine and fertility
Dionysus
Henrik Ibsen
Presentational
Book musical
24. Person in charge of artistic aspect of theater production
Antagonist
Pageants
Proscenium
Director
25. Action - place - time
Mystery Plays
Neoclassic unities
Auditions
Rhetorical Tradition
26. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
27. Humanity's struggle with good and evil
Antagonist
Morality Plays
Playwright
Costume Designer
28. Secondary line of action
Subplot
Raked Stage
Bertolt Brecht
Miracle Plays
29. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Subplot
Blocking
Raked Stage
Components of Production
30. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Melodrama
Slapstick
Aesthetic Distance
Front of House
31. Art that pushes recognized boundaries
Avant-Garde
Costume Designer
Stage Manager
Pageants
32. An actor/audience configuration in which the audience completely surrounds the performance area
Upstage
Hypokrites
Arena
Emile Zola
33. Designs costumes for the show
The Orestia
Costume Designer
Director
Antagonist
34. Was in favor of theater
Concept
Aristotle
Director
Orchestra
35. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Reversal
Commedia Dell'Arte
Avant-Garde
Proscenium
36. Idea/script - sets - lights - costumes - props - performers
Public Domain
Aristotle
Neoclassic unities
Components of Production
37. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Ground plan
Linear Plot
Downstage
Scenic Designer
38. Recognize plays as intellectual property of playwright
Proscenium
Copyright
Miracle Plays
Actor's tools
39. Appearance of truth
Off-off-Broadway
Black box
Wings
Verisimilitude
40. Movement based on study of ancient Greek and Roman culture
Protagonist
Neoclassicism
Copyright
Royalty
41. Planned actor movement
Verse
lighting designer
Hypokrites
Blocking
42. Handles business aspects of show
Actor's tools
Director
Producer
Copyright
43. 'dancing space'
Orchestra
Subplot
Sense memory
Bertolt Brecht
44. Body - voice - mind
45. A musical play that tells a story and has spoken words as well as songs
Presentational
Book musical
Arena
Eugene Scribe
46. Creates a visual home for the play
Neoclassicism
Director
Subplot
Scenic Designer
47. Plot - character - thought - language - music - spectacle
48. Seats less than 100; amateur.
Variables of costume design
Romantic Theory
Off-off-Broadway
Off-Broadway
49. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Linear Plot
Wings
Aristophanes
Raked Stage
50. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Playwright
Thrust
Verse
Emile Zola