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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Generally rhyming
Verse
Empathy
Off-off-Broadway
Blocking
2. Recognize plays as intellectual property of playwright
Copyright
Stage Manager
Theatron
Costume plot
3. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Perspective Scenery
Types of professional theater
Eugene Scribe
Sense memory
4. 'seeing place'
Theatron
Raked Stage
Musical Theatre
Book musical
5. Work developed actors in realism and naturalism
Rhetorical Tradition
Constantin Stanislavski
Duke of Saxe Meiningen
Aristotle
6. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Avant-Garde
Alienation Effect
sound designer
Commedia Dell'Arte
7. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Romanticism
Royalty
Costume Designer
collaborator
8. Plot - character - thought - language - music - spectacle
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9. Historical accuracy
Plato
Prose
Skene
Antiquarianism
10. A chart that records items of clothing worn by each actor in each scene of the play
Vomitories
Dramaturg
Perspective Scenery
Costume plot
11. Usher. Shows people to seats - checks tickets
Neoclassic goals defining verisimilitude
Concept
Front of House
Chorus
12. Generally rhyming
Thrust
Designer's job
Verse
Emile Zola
13. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Callbacks
Skene
Presentational
Downstage
14. Person in charge of artistic aspect of theater production
Eugene Scribe
Producer
Director
The Orestia
15. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Constantin Stanislavski
Ground plan
Liturgical Drama
Henrik Ibsen
16. Seats 100-500; professional
Callbacks
Off-Broadway
Neoclassic unities
Avant-Garde
17. 'seeing place'
Costume Designer
Playwright
Sense memory
Theatron
18. In charge of communication and call cues. 'Busiest person in theater.'
Aristotle
Designer's job
Rendering
Stage manager
19. Movement based on study of ancient Greek and Roman culture
Neoclassicism
Dionysus
Pageants
Producer
20. Plays written before 1923 are no longer protected
Public Domain
Aristophanes
Duke of Saxe Meiningen
The Globe
21. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
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22. Oversees artistic aspects of show
Director
Actor's tools
Catharsis
Pageants
23. Grecian attributed to writing the first tragedies then acting in them.
Thespis
The Orestia
Black box
Neoclassicism
24. The area farthest away from the audience
Hypokrites
Upstage
Orchestra
Actor's tools
25. Second round of auditions to which specific actors are invited
Romantic Theory
Morality Plays
Liturgical Drama
Callbacks
26. 'old comedy'. Lewd humor - attacks on government
Stage manager
Aristophanes
Designer's job
Broadway
27. Collection of mystery plays
Upstage
Playwright
Variables of costume design
Cycles
28. Spoken words
Dialogue
Romantic Theory
Conflict
Aeschylus
29. Seats less than 100; amateur.
Aesthetic Distance
Director
sound designer
Off-off-Broadway
30. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Mystery Plays
Aristotle's Six Elements of a Play
Liturgical Drama
Eugene Scribe
31. The area farthest away from the audience
collaborator
Upstage
Romantic Theory
Proscenium
32. Theatre where Shakespeare's company of actors worked primarily
Costume Designer
The Globe
Aesthetic Distance
Variables of costume design
33. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Realism
Designer
University Wits
Eugene Scribe
34. Director champions intention of playwright
Commedia Dell'Arte
Realism
collaborator
Empathy
35. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Designer
Vomitories
Concept
Aeschylus
36. Greatest dramatist of all time
Raked Stage
William Shakespeare
Liturgical Drama
Director
37. Wrote the Orestia which is the only surviving trilogy
Linear Plot
Aeschylus
Costume Designer
Ground plan
38. Art that pushes recognized boundaries
Royalty
Designer's job
Skene
Avant-Garde
39. Directors who operate with total control
Auteur
Designer's job
Proscenium
Royalty
40. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Theatron
Designer's job
Conflict
Rhetorical Tradition
41. Convincing actors were too powerful a tool of persuasion
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42. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Broadway
Off-Broadway
Black box
Wings
43. A picture created by a designer to communicate with other production personnel
Arena
The Globe
Rendering
Neoclassic unities
44. Central character
Prose
Raked Stage
Protagonist
Components of Production
45. In charge of communication and call cues. 'Busiest person in theater.'
Rendering
Designer's job
Antagonist
Stage manager
46. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Dramaturg
The Orestia
Black box
Reversal
47. The central element of causal plot; two forces working against each other
Protagonist
Perspective Scenery
Conflict
Designer
48. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Rhetorical Tradition
Chorus
Romanticism
Early Church's reasons for distaining theatre
49. God of wine and fertility
Director
Auditions
Dionysus
Neoclassicism
50. Plays written before 1923 are no longer protected
Rhetorical Tradition
Public Domain
Components of Actor's job
Miracle Plays