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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Art that pushes recognized boundaries
Commedia Dell'Arte
Avant-Garde
Aristotle's Six Elements of a Play
Verse
2. Didn't support theater. Believed a convincing actor was harmful to society
Romanticism
Variables of costume design
Plato
Arena
3. Work developed actors in realism and naturalism
Royalty
Constantin Stanislavski
Dionysus
Auteur
4. Fee for each performance
Romanticism
Dialogue
Royalty
Sense memory
5. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Ground plan
Auditions
Components of Production
Constantin Stanislavski
6. Planned actor movement
Blocking
Chorus
Dialogue
Vomitories
7. Who or what opposes the central character
Morality Plays
Orchestra
Verse
Antagonist
8. Standard tool for casting productions
Auditions
Morality Plays
Playwright
Antagonist
9. Plays written before 1923 are no longer protected
Romantic Theory
Front of House
Public Domain
Subplot
10. The area farthest away from the audience
Upstage
Subplot
Representational
Miracle Plays
11. Wrote the Orestia which is the only surviving trilogy
Components of Production
Aeschylus
Avant-Garde
Rhetorical Tradition
12. Helps establish mood - place - & intensity with the use of light
Early Church's reasons for distaining theatre
William Shakespeare
lighting designer
Neoclassic unities
13. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Romanticism
Wings
Empathy
collaborator
14. Causal play structure. A ? B ? C
Linear Plot
William Shakespeare
Henrik Ibsen
Director
15. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Black box
Henrik Ibsen
Romanticism
Representational
16. Usher. Shows people to seats - checks tickets
Bertolt Brecht
Front of House
Conflict
Subtext
17. Seats 100-500; professional
Hypokrites
Auditions
Off-Broadway
Neoclassic goals defining verisimilitude
18. Oversees artistic aspects of show
Proscenium
Director
Musical Theatre
Emile Zola
19. The central element of causal plot; two forces working against each other
Variables of costume design
Proscenium
Conflict
Callbacks
20. An actor/audience configuration in which the audience completely surrounds the performance area
Types of professional theater
Dionysus
Scenic Designer
Arena
21. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Components of Actor's job
Realism
Orchestra
Stage Manager
22. First director
Rhetorical Tradition
Thrust
Duke of Saxe Meiningen
Broadway
23. Body - voice - mind
24. Written by Aeschylus. Only surviving trilogy
Stage manager
Variables of costume design
Black box
The Orestia
25. Actor in 5th century Greece
Hypokrites
Verisimilitude
Commedia Dell'Arte
Off-Broadway
26. In charge of communication and call cues. 'Busiest person in theater.'
Stage manager
Aeschylus
Copyright
Dramaturg
27. Group of influential - educated Renaissance playwrights
Miracle Plays
Empathy
Realism
University Wits
28. : a specialist in finding actors for specific roles who assists the director in some professional productions
Costume Designer
Casting Director
Slapstick
Variables of costume design
29. Appearance of truth
Aesthetic Distance
Verisimilitude
Book musical
Subplot
30. Humanity's struggle with good and evil
Morality Plays
Blocking
Pageants
lighting designer
31. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Henrik Ibsen
Ground plan
Emile Zola
Verisimilitude
32. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Presentational
Bertolt Brecht
sound designer
Theatron
33. Seats less than 100; amateur.
Melodrama
Antagonist
Components of Production
Off-off-Broadway
34. When line of action suddenly switches
Types of professional theater
Reversal
Constantin Stanislavski
Proscenium
35. Author of play
Perspective Scenery
Aeschylus
Callbacks
Playwright
36. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Vomitories
Costume plot
Realism
William Shakespeare
37. Plays written before 1923 are no longer protected
Public Domain
Avant-Garde
The Orestia
Stage Manager
38. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Orchestra
Concept
collaborator
Designer's job
39. 'dancing space'
Copyright
Alienation Effect
Orchestra
Romantic Theory
40. Convincing actors were too powerful a tool of persuasion
41. Author of play
Playwright
lighting designer
Blocking
sound designer
42. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Scenic Designer
Presentational
Off-Broadway
Emile Zola
43. Pioneer of realism who challenged audiences to face their personal demons
Rhetorical Tradition
Subtext
Henrik Ibsen
The Orestia
44. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Early Church's reasons for distaining theatre
Protagonist
Rhetorical Tradition
Presentational
45. Causal play structure. A ? B ? C
Downstage
Thrust
Thespis
Linear Plot
46. Secondary line of action
Subplot
Emile Zola
Conflict
Auditions
47. Oversees the entire production crew - rehearsals & performance
Liturgical Drama
Eugene Scribe
Dialogue
Stage Manager
48. Standard tool for casting productions
Auditions
Arena
sound designer
Sense memory
49. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
50. Designs costumes for the show
Melodrama
Skene
Costume Designer
Aristophanes