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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Saint's plays
Perspective Scenery
Miracle Plays
Stage manager
Linear Plot
2. Plot - character - thought - language - music - spectacle
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3. A musical play that tells a story and has spoken words as well as songs
Neoclassicism
The Orestia
Book musical
University Wits
4. Planned actor movement
Cycles
Concept
Subplot
Blocking
5. Saint's plays
Types of professional theater
Rendering
Duke of Saxe Meiningen
Miracle Plays
6. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Bertolt Brecht
Reversal
Playwright
Designer's job
7. Oversees artistic aspects of show
Actor's tools
Black box
Director
Chorus
8. Actor in 5th century Greece
Duke of Saxe Meiningen
Hypokrites
William Shakespeare
Proscenium
9. Group of influential - educated Renaissance playwrights
Neoclassicism
Raked Stage
Raked Stage
University Wits
10. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Types of professional theater
Pageants
Copyright
Theatron
11. Oversees the entire production crew - rehearsals & performance
Emile Zola
Wings
Stage Manager
Casting Director
12. Purgation of pity and fear experienced upon watching theater.
Catharsis
Commedia Dell'Arte
lighting designer
Director
13. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Romanticism
Blocking
Upstage
Aristotle
14. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Thrust
Concept
Constantin Stanislavski
Dionysus
15. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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16. An actor/audience configuration in which the audience is on 3 sides of the performance area. (maybe theatre)
Thespis
Neoclassic unities
Thrust
Aristotle's Six Elements of a Play
17. created by Augest von Schegel - the replacement of neoclassical structure: form should be directed by subject matter - not classical precedent. Romantics were fascinated with natural forces - the unexplainable - gothic - and mystical. Romantics drama
Morality Plays
Romantic Theory
Alienation Effect
Sense memory
18. The area farthest away from the audience
Upstage
Variables of costume design
Aristotle's Six Elements of a Play
Eugene Scribe
19. Called for naturalism - claiming that plays should show a 'slice of life'
Catharsis
Concept
Emile Zola
Downstage
20. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Chorus
Costume Designer
Broadway
Raked Stage
21. Push idea of reality - morality - and universality
Neoclassic goals defining verisimilitude
Emile Zola
Royalty
University Wits
22. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Proscenium
Antiquarianism
Rhetorical Tradition
Broadway
23. Greatest dramatist of all time
Verse
Thespis
William Shakespeare
Actor's tools
24. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
sound designer
Bertolt Brecht
Off-Broadway
Aeschylus
25. : a specialist in finding actors for specific roles who assists the director in some professional productions
Casting Director
Conflict
Constantin Stanislavski
lighting designer
26. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Musical Theatre
Romanticism
Vomitories
Proscenium
27. Fee for each performance
Royalty
Slapstick
Neoclassicism
Neoclassic goals defining verisimilitude
28. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
sound designer
Director
Stage Manager
Downstage
29. Secondary line of action
Antagonist
Aesthetic Distance
Eugene Scribe
Subplot
30. Directors who operate with total control
Producer
Aristophanes
Henrik Ibsen
Auteur
31. Collection of mystery plays
Cycles
Costume plot
Black box
Vomitories
32. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Morality Plays
collaborator
Avant-Garde
Proscenium
33. A movement of the late 19th century championing the depiction of everyday life on the stage and the frank treatment of social problems in the theatre. The plays of Henrick Ibsen of the 1870s were important in establishing a dramatic style for realism
Copyright
Alienation Effect
Realism
Pageants
34. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Callbacks
Aristotle
Ground plan
Downstage
35. Grecian attributed to writing the first tragedies then acting in them.
Thespis
William Shakespeare
Romanticism
Reversal
36. Plays written before 1923 are no longer protected
Public Domain
Dialogue
Aristotle's Six Elements of a Play
Melodrama
37. The most popular form of performance in the 20th century
Realism
Musical Theatre
Commedia Dell'Arte
The Globe
38. When line of action suddenly switches
Prose
Rendering
Reversal
Empathy
39. Seats less than 100; amateur.
Subtext
Orchestra
Components of Actor's job
Off-off-Broadway
40. Convincing actors were too powerful a tool of persuasion
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41. A dramatic genre featuring a conflict between good and bad characters - fast paced action - a spectacular climax - and poetic justice
Melodrama
Front of House
Conflict
collaborator
42. Attempts to represent reality on stage
Commedia Dell'Arte
Representational
Off-off-Broadway
Dramaturg
43. The actual meaning of dialogue behind the spoken words
Director
Aristophanes
Subtext
Neoclassicism
44. 'seeing place'
Theatron
Dionysus
Components of Actor's job
Costume Designer
45. Creates a visual home for the play
Scenic Designer
Cycles
Skene
Verisimilitude
46. Handles business aspects of show
Designer
Vomitories
Aristophanes
Producer
47. Recognize plays as intellectual property of playwright
Aristotle
collaborator
Black box
Copyright
48. Physical commedy
Slapstick
Pageants
Ground plan
Neoclassic goals defining verisimilitude
49. Designs costumes for the show
Costume Designer
Proscenium
Empathy
Off-off-Broadway
50. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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