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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Humanity's struggle with good and evil
Dramaturg
Realism
Designer
Morality Plays
2. Didn't support theater. Believed a convincing actor was harmful to society
Reversal
Components of Production
Plato
Antagonist
3. Handles business aspects of show
Producer
Morality Plays
Aristotle's Six Elements of a Play
Theatron
4. Biblical stories. From word Misterium meaning crafts/guild
Mystery Plays
Plato
Dramaturg
Avant-Garde
5. Action - place - time
Early Church's reasons for distaining theatre
Neoclassic unities
Playwright
Thespis
6. Second round of auditions to which specific actors are invited
Dialogue
Copyright
Callbacks
Broadway
7. Greatest dramatist of all time
Public Domain
Callbacks
William Shakespeare
Ground plan
8. Was in favor of theater
Aristotle
University Wits
Designer's job
Alienation Effect
9. Written by Aeschylus. Only surviving trilogy
The Orestia
Proscenium
Protagonist
Public Domain
10. Group of influential - educated Renaissance playwrights
Miracle Plays
Public Domain
University Wits
Cycles
11. Recognize plays as intellectual property of playwright
Antagonist
Copyright
Types of professional theater
Off-Broadway
12. Who or what opposes the central character
Upstage
Perspective Scenery
Bertolt Brecht
Antagonist
13. An actor/audience configuration in which the audience completely surrounds the performance area
Variables of costume design
Aristophanes
Playwright
Arena
14. Idea/script - sets - lights - costumes - props - performers
Slapstick
Reversal
Variables of costume design
Components of Production
15. Director champions intention of playwright
Neoclassicism
collaborator
Sense memory
Raked Stage
16. Silhouette (overall shape) - color - texture - accent
Aristotle's Six Elements of a Play
Proscenium
Variables of costume design
lighting designer
17. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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18. Emotional identification. Refers to audience participation
Theatron
Empathy
Morality Plays
Upstage
19. Didn't support theater. Believed a convincing actor was harmful to society
Sense memory
Verisimilitude
Thespis
Plato
20. Actor in 5th century Greece
Hypokrites
Rhetorical Tradition
Public Domain
Antiquarianism
21. The actual meaning of dialogue behind the spoken words
Eugene Scribe
Liturgical Drama
Subtext
Callbacks
22. An actor/audience configuration in which the audience completely surrounds the performance area
Casting Director
Components of Actor's job
Arena
Miracle Plays
23. Physical commedy
Auditions
Stage manager
Director
Slapstick
24. 'dancing space'
The Orestia
Miracle Plays
Morality Plays
Orchestra
25. Called for naturalism - claiming that plays should show a 'slice of life'
Royalty
Subtext
Upstage
Emile Zola
26. A chart that records items of clothing worn by each actor in each scene of the play
Slapstick
Emile Zola
Concept
Costume plot
27. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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28. Director champions intention of playwright
Raked Stage
collaborator
Raked Stage
Representational
29. Causal play structure. A ? B ? C
Perspective Scenery
Linear Plot
Ground plan
Broadway
30. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Aesthetic Distance
Vomitories
Presentational
Dramaturg
31. In the middle ages - wagons with scenery used in processional staging
Components of Actor's job
Pageants
Neoclassic unities
Black box
32. Purgation of pity and fear experienced upon watching theater.
The Globe
Catharsis
Constantin Stanislavski
Reversal
33. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Designer
Stage Manager
Antagonist
Casting Director
34. Attributed to writing over 700 plays
collaborator
Auditions
Eugene Scribe
Neoclassicism
35. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Antiquarianism
Thrust
Proscenium
Sense memory
36. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Callbacks
Casting Director
Alienation Effect
Public Domain
37. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Verse
Liturgical Drama
Hypokrites
Empathy
38. Oversees the entire production crew - rehearsals & performance
Melodrama
Stage Manager
Catharsis
University Wits
39. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Rhetorical Tradition
Book musical
Raked Stage
Thespis
40. Creates a soundtrack to support the show. It may be recorded or live
Blocking
Emile Zola
Playwright
sound designer
41. A chart that records items of clothing worn by each actor in each scene of the play
Ground plan
Thrust
Bertolt Brecht
Costume plot
42. God of wine and fertility
Book musical
Neoclassicism
Black box
Dionysus
43. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Ground plan
University Wits
Miracle Plays
Perspective Scenery
44. Second round of auditions to which specific actors are invited
Callbacks
Constantin Stanislavski
Downstage
Director
45. Who or what opposes the central character
Ground plan
Costume Designer
Director
Antagonist
46. Central character
Director
Cycles
Orchestra
Protagonist
47. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Dialogue
Concept
Bertolt Brecht
Chorus
48. Pioneer of realism who challenged audiences to face their personal demons
Henrik Ibsen
Thrust
lighting designer
collaborator
49. The actors recall of sights - sounds - touch - and smell from specific past events.
Antagonist
Downstage
Sense memory
Aeschylus
50. A specialist in dramatic literature and theatre history who serves as a consultant for production
Dramaturg
Romanticism
Proscenium
Morality Plays