SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Pioneer of realism who challenged audiences to face their personal demons
Henrik Ibsen
Callbacks
Commedia Dell'Arte
Callbacks
2. Artistic decisions meant to communicate a specific interpretation of a play to the audience.
Constantin Stanislavski
Raked Stage
Concept
Empathy
3. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Types of professional theater
Neoclassic goals defining verisimilitude
Commedia Dell'Arte
Upstage
4. The actors recall of sights - sounds - touch - and smell from specific past events.
Playwright
Mystery Plays
Sense memory
Linear Plot
5. Physical commedy
Callbacks
Neoclassic unities
Producer
Slapstick
6. Handles business aspects of show
Producer
Duke of Saxe Meiningen
Rhetorical Tradition
Slapstick
7. Sentences/paragraph structure
Constantin Stanislavski
Prose
Upstage
Realism
8. Father of Epic theater - wanted people to think about what they were seeing - alienation effect.
Subplot
Bertolt Brecht
Thespis
The Orestia
9. Action - place - time
The Globe
The Orestia
Presentational
Neoclassic unities
10. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Slapstick
Ground plan
Aristotle's Six Elements of a Play
Antagonist
11. Called for naturalism - claiming that plays should show a 'slice of life'
Types of professional theater
Cycles
Emile Zola
Protagonist
12. Work developed actors in realism and naturalism
Early Church's reasons for distaining theatre
Constantin Stanislavski
Neoclassic goals defining verisimilitude
Theatron
13. Body - voice - mind
14. Style of production that acknowledges theatricality and does not attempt to created the impression of 'real life' on the stage. Presentational scenery - costumes - and lighting may suggest - distort - or even abstract reality. Presentational acting m
Presentational
Variables of costume design
Romanticism
Duke of Saxe Meiningen
15. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Director
Rhetorical Tradition
Sense memory
Types of professional theater
16. Named after craftsmen. Had travelling players - masked performers - physical comedy - and stock characters
17. Directors who operate with total control
Aristophanes
Liturgical Drama
Auteur
Linear Plot
18. Body - voice - mind
19. : a specialist in finding actors for specific roles who assists the director in some professional productions
Alienation Effect
Miracle Plays
Casting Director
Morality Plays
20. Handles business aspects of show
Dramaturg
sound designer
Producer
Plato
21. Fee for each performance
Royalty
William Shakespeare
Aristotle's Six Elements of a Play
Costume Designer
22. : a specialist in finding actors for specific roles who assists the director in some professional productions
Casting Director
Off-Broadway
Early Church's reasons for distaining theatre
Stage manager
23. Humanity's struggle with good and evil
Early Church's reasons for distaining theatre
University Wits
Morality Plays
Pageants
24. Recognize plays as intellectual property of playwright
Romanticism
Playwright
Copyright
Public Domain
25. A musical play that tells a story and has spoken words as well as songs
sound designer
Costume plot
Book musical
Alienation Effect
26. The area farthest away from the audience
Aristotle
lighting designer
Upstage
Royalty
27. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Cycles
Casting Director
Alienation Effect
Playwright
28. A flexible performance space (usually small) in which the actor/audience configuration can be easily changed for each production
Black box
Catharsis
Pageants
Catharsis
29. Person in charge of artistic aspect of theater production
Miracle Plays
Neoclassic unities
Director
Auteur
30. Push idea of reality - morality - and universality
Neoclassicism
Proscenium
Perspective Scenery
Neoclassic goals defining verisimilitude
31. Purgation of pity and fear experienced upon watching theater.
Linear Plot
Bertolt Brecht
Variables of costume design
Catharsis
32. Push idea of reality - morality - and universality
Costume Designer
Neoclassic goals defining verisimilitude
Director
Eugene Scribe
33. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Upstage
Rhetorical Tradition
Director
Plato
34. Planned actor movement
Blocking
Downstage
Components of Production
Realism
35. Designs costumes for the show
Perspective Scenery
Off-Broadway
Costume Designer
Stage manager
36. Plays performed by the clergy in latin as part of the worship service in Christian monasteries and cathedrals during the Middle Ages.
Blocking
lighting designer
University Wits
Liturgical Drama
37. Appearance of truth
Aristophanes
Aeschylus
Protagonist
Verisimilitude
38. Recognize plays as intellectual property of playwright
Copyright
Wings
Stage manager
Scenic Designer
39. Historical accuracy
Casting Director
Antiquarianism
Plato
Bertolt Brecht
40. Bertolt Brecht; wanted audience to think about what they were seeing rather than blindly feel. Accomplished by interrupting dramatic moments.
Public Domain
Actor's tools
Alienation Effect
Hypokrites
41. A picture created by a designer to communicate with other production personnel
Front of House
Chorus
Scenic Designer
Rendering
42. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Proscenium
sound designer
Variables of costume design
Alienation Effect
43. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
44. Theatre where Shakespeare's company of actors worked primarily
Early Church's reasons for distaining theatre
Theatron
Aristophanes
The Globe
45. 'old comedy'. Lewd humor - attacks on government
Off-Broadway
Aristophanes
Costume Designer
Avant-Garde
46. Didn't support theater. Believed a convincing actor was harmful to society
Auteur
Miracle Plays
Plato
The Globe
47. The actual meaning of dialogue behind the spoken words
Aristotle's Six Elements of a Play
Neoclassicism
Subtext
collaborator
48. The actors recall of sights - sounds - touch - and smell from specific past events.
Romantic Theory
Sense memory
Mystery Plays
Black box
49. God of wine and fertility
Vomitories
Presentational
Blocking
Dionysus
50. Oversees artistic aspects of show
Dialogue
Director
Aristophanes
Representational