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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Set at an angle. Early proscenium theatres featured a raked stage: the stage was elevated much higher at the back of the stage (upstage) than closer to the stage (downstage). Modern designers sometimes build a raked stage for a particular production
Neoclassicism
Stage manager
Concept
Raked Stage
2. Author of play
Neoclassic unities
Perspective Scenery
Book musical
Playwright
3. Sentences/paragraph structure
Protagonist
Orchestra
Proscenium
Prose
4. Passageways located underneath the seating that generally give access to the stage. (there are some in Maybee theatre
Empathy
Vomitories
Thrust
Orchestra
5. Body - voice - mind
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6. Commercial (meant to make profit). Non-profit (profits go to production of future plays. May be professional or amateur.)
Off-off-Broadway
Slapstick
Types of professional theater
Skene
7. Director champions intention of playwright
Broadway
collaborator
Reversal
Rendering
8. A musical play that tells a story and has spoken words as well as songs
Book musical
Thespis
Stage manager
Neoclassic goals defining verisimilitude
9. Collection of mystery plays
Chorus
Aristophanes
Cycles
Components of Actor's job
10. Wrote the Orestia which is the only surviving trilogy
Aeschylus
Antiquarianism
Chorus
Proscenium
11. Helps establish mood - place - & intensity with the use of light
Callbacks
Presentational
Variables of costume design
lighting designer
12. A picture created by a designer to communicate with other production personnel
Auteur
Blocking
Casting Director
Rendering
13. The area farthest away from the audience
Melodrama
Upstage
Casting Director
Morality Plays
14. Usher. Shows people to seats - checks tickets
Rhetorical Tradition
Commedia Dell'Arte
Romantic Theory
Front of House
15. Written by Aeschylus. Only surviving trilogy
Thespis
Stage manager
The Orestia
Black box
16. Standard tool for casting productions
Costume Designer
Constantin Stanislavski
Avant-Garde
Auditions
17. Central character
Thespis
Protagonist
Proscenium
Pageants
18. 'dancing space'
Orchestra
Stage manager
The Globe
Blocking
19. Theatre where Shakespeare's company of actors worked primarily
Romanticism
Playwright
Costume plot
The Globe
20. Seats less than 100; amateur.
Plato
Black box
Aristophanes
Off-off-Broadway
21. Written by Aeschylus. Only surviving trilogy
Callbacks
Auteur
The Orestia
Costume plot
22. Wrote the Orestia which is the only surviving trilogy
Upstage
Avant-Garde
Aeschylus
Variables of costume design
23. Action - place - time
Pageants
Neoclassic unities
Musical Theatre
Morality Plays
24. Causal play structure. A ? B ? C
Linear Plot
Aristophanes
Actor's tools
Mystery Plays
25. Was in favor of theater
Neoclassicism
Costume Designer
Aristotle
Broadway
26. A specialist in dramatic literature and theatre history who serves as a consultant for production
Dramaturg
Antagonist
Neoclassic goals defining verisimilitude
Off-Broadway
27. Seats 500-1800; professional.
Emile Zola
Antiquarianism
Broadway
Mystery Plays
28. The most popular form of performance in the 20th century
Musical Theatre
Proscenium
Mystery Plays
Upstage
29. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Miracle Plays
Sense memory
Ground plan
Rhetorical Tradition
30. Planned actor movement
Downstage
Playwright
Blocking
Scenic Designer
31. Creates a visual home for the play
Theatron
Cycles
collaborator
Scenic Designer
32. God of wine and fertility
Dialogue
Melodrama
Components of Actor's job
Dionysus
33. A musical play that tells a story and has spoken words as well as songs
Components of Actor's job
Musical Theatre
Book musical
Ground plan
34. Handles business aspects of show
collaborator
Producer
Arena
Subplot
35. To control the environment in the theatre - influence audience's emotional involvement - and communicate information
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36. The central element of causal plot; two forces working against each other
The Orestia
Proscenium
Conflict
Musical Theatre
37. An actor/audience configuration in which the audience completely surrounds the performance area
Prose
Arena
Emile Zola
Aristotle
38. Secondary line of action
Verisimilitude
Thrust
Subplot
Off-off-Broadway
39. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Costume Designer
The Globe
Proscenium
Slapstick
40. Collection of mystery plays
Cycles
Ground plan
Off-Broadway
lighting designer
41. Author of play
Verisimilitude
Playwright
Chorus
lighting designer
42. Idea/script - sets - lights - costumes - props - performers
Components of Production
Casting Director
Dialogue
Subtext
43. Plot - character - thought - language - music - spectacle
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44. Changeable scenery for specific plays (tragedies - comedies - pastoral tragicomedies). Appeared as early as 1508 and standardized approaches to such scenery were popularized by Sebastian Serlio. Ex: Wings - flats
Antiquarianism
Perspective Scenery
Neoclassicism
Stage manager
45. Designs costumes for the show
Antiquarianism
Costume Designer
Catharsis
Presentational
46. Controls the environment in the theatre - influence audience's emotional involvement - and communicate information (time and place).
Off-off-Broadway
Components of Actor's job
Designer
Perspective Scenery
47. Plays written before 1923 are no longer protected
Early Church's reasons for distaining theatre
Antagonist
Public Domain
Ground plan
48. Person in charge of artistic aspect of theater production
Morality Plays
Neoclassic unities
Director
Thespis
49. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Costume Designer
Dionysus
Casting Director
Chorus
50. In the middle ages - wagons with scenery used in processional staging
Pageants
Off-Broadway
Neoclassic goals defining verisimilitude
Subtext