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Test your basic knowledge |
Theatre Appreciation 2
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Theatre where Shakespeare's company of actors worked primarily
Avant-Garde
Slapstick
Melodrama
The Globe
2. Planned actor movement
Linear Plot
Blocking
Slapstick
Melodrama
3. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Wings
Verse
Ground plan
Alienation Effect
4. Invented by the Italians - a large open arch that marks the primary division between audience and performance space in a proscenium space. The proscenium arch frames the action of the play for the audience and limits the view of backstage areas
Proscenium
sound designer
Prose
Concept
5. Who or what opposes the central character
Antagonist
Aristotle
Neoclassic unities
Black box
6. Humanity's struggle with good and evil
Morality Plays
Casting Director
Presentational
Constantin Stanislavski
7. Purgation of pity and fear experienced upon watching theater.
Alienation Effect
Catharsis
lighting designer
Commedia Dell'Arte
8. Wrote the Orestia which is the only surviving trilogy
Aristotle
Playwright
Director
Aeschylus
9. Saint's plays
Emile Zola
Callbacks
Miracle Plays
Empathy
10. Generally rhyming
Dionysus
Aristophanes
The Globe
Verse
11. A specialist in dramatic literature and theatre history who serves as a consultant for production
Romanticism
Bertolt Brecht
Dramaturg
Liturgical Drama
12. A drafting of the plan of the set as seen from overhead. A ground plan shows where any scenic pieces or set props (such as furniture) are to be placed
Variables of costume design
Ground plan
Rendering
Sense memory
13. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Types of professional theater
Auteur
Off-Broadway
Downstage
14. Sentences/paragraph structure
Neoclassicism
Early Church's reasons for distaining theatre
Prose
Slapstick
15. Oversees artistic aspects of show
Verse
Vomitories
Producer
Director
16. Plays written before 1923 are no longer protected
University Wits
Early Church's reasons for distaining theatre
Public Domain
Raked Stage
17. Director champions intention of playwright
William Shakespeare
collaborator
Morality Plays
Pageants
18. 'seeing place'
Aeschylus
Theatron
Upstage
Components of Actor's job
19. Secondary line of action
Wings
Melodrama
Subplot
Costume plot
20. Fee for each performance
Vomitories
Musical Theatre
Director
Royalty
21. Central character
Concept
Subplot
Protagonist
Catharsis
22. Helps establish mood - place - & intensity with the use of light
Off-Broadway
Playwright
Commedia Dell'Arte
lighting designer
23. Art that pushes recognized boundaries
Off-Broadway
Black box
Off-off-Broadway
Avant-Garde
24. Standard tool for casting productions
Melodrama
Auditions
Theatron
Blocking
25. A group of performers working together vocally and physically. A chorus of approximately 12-15 singer-dancers who interacted with and responded to the actors was an important element of ancient Greek theatre.
Book musical
Romanticism
Chorus
Proscenium
26. An actor/audience configuration in which the audience completely surrounds the performance area
Proscenium
Aristophanes
Arena
Miracle Plays
27. Purgation of pity and fear experienced upon watching theater.
Royalty
Director
Catharsis
Dionysus
28. Body (dance - martial arts) - voice (projection - articulation - breathing) - and mind (improve - script analysis - character development)
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29. Presentation style - external characteristics manipulated for desired effect - emphasis on vocal delivery
Subtext
Front of House
Rhetorical Tradition
Realism
30. Biblical stories. From word Misterium meaning crafts/guild
Realism
Skene
Book musical
Mystery Plays
31. Called for naturalism - claiming that plays should show a 'slice of life'
Emile Zola
Catharsis
Reversal
Costume Designer
32. Biblical stories. From word Misterium meaning crafts/guild
Mystery Plays
William Shakespeare
Romanticism
Front of House
33. Emotional identification. Refers to audience participation
Henrik Ibsen
Representational
Empathy
Commedia Dell'Arte
34. Work developed actors in realism and naturalism
Actor's tools
Constantin Stanislavski
Off-Broadway
Henrik Ibsen
35. Causal play structure. A ? B ? C
Reversal
Rendering
Downstage
Linear Plot
36. Work developed actors in realism and naturalism
Scenic Designer
Cycles
Constantin Stanislavski
Early Church's reasons for distaining theatre
37. Action - place - time
Verisimilitude
Aristotle
Neoclassic unities
Copyright
38. Seats 500-1800; professional.
Auditions
Dialogue
Broadway
University Wits
39. Who or what opposes the central character
Commedia Dell'Arte
Antagonist
Vomitories
Neoclassicism
40. Actor in 5th century Greece
Liturgical Drama
The Globe
Hypokrites
Avant-Garde
41. Causal play structure. A ? B ? C
Miracle Plays
Linear Plot
Dialogue
Constantin Stanislavski
42. In a proscenium theatre - spaces offstage left and right for actors - crew - and scenery not yet in the visible performance space
Orchestra
Wings
Henrik Ibsen
Theatron
43. Action - place - time
Concept
Neoclassic unities
Pageants
Stage manager
44. Creates a visual home for the play
Conflict
Black box
Auteur
Scenic Designer
45. Fee for each performance
Proscenium
Reversal
Royalty
Hypokrites
46. Seats 100-500; professional
Subplot
Off-Broadway
Henrik Ibsen
Henrik Ibsen
47. A movement that rejected nearly every aspect of neoclassicism - celebrated the natural world - and valued intense emotion and individuality.
Plato
Variables of costume design
Blocking
Romanticism
48. An actor/ audience configuration in which the audience is on only one side of the performance area; all audience members face the same direction.
Downstage
Proscenium
Aristotle's Six Elements of a Play
Designer's job
49. The stage area closest to the audience; on the raked stage of the Renaissance theatres - the stage literally sloped downward as it got closer to the audience
Raked Stage
Theatron
Stage Manager
Downstage
50. 'old comedy'. Lewd humor - attacks on government
Aristophanes
Hypokrites
Sense memory
Director