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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Calling upon memories of your own emotions to understand the emotions of a character
sense memory
focus
keeping open on stage while turning
emotional memory
2. The people conducting the auditions
Status quo
emotional memory
auditors
stakes
3. Interview for the play. make an impression and show talent
Beats
subtext
audition
leading center
4. A story - speech or scene performed by one actor only
monologue
focus
Shared position
motivation
5. Your voice gets quieter as you say your line
Spiking the set
callback
your dropping line
objective
6. Bridges between the beats
transitions
strategy
keeping open on stage while crossing
Leading center
7. Smaller sections of a scene divided where shifts in emotion or topic occur
auditors
Beats
obstacle
upstage
8. To mark the floor of the rehearsal space to show the floor plan for the play
callback
Spiking the set
read through
auditors
9. Calling upon memories of your own emotions to understand the emotions of a character
emotional memory
subtext
read through
outcome
10. Where actors do not acknowledge the audience
Keeping open on stage while moving left or right
auditors
representational style
your dropping line
11. Your saying the line louder than the person before you
upstage
read through
subtext
your topping the line
12. Using your own memories to help understand a characters emotions
stakes
Sense memory
3 ways to have a positive relationship with your director
Emotional Memory
13. To move from one place to another on stage
role
cross
transitions
Upstaging
14. Full front - or one quarter left or right
Leading center
motivation
Keeping open on stage while standing
cross
15. When you preform actions and they generate an emotion within yourself
cue line
Acting Generated emotion
shared position
master gesture
16. When actors work on building characterization
shared position
working rehearsal
Status quo
open
17. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Keeping open on stage while standing
Acting Generated emotion
Upstaging
objective
18. Being asked to come back and see the auditors again
status quo
emotional memory
callback
open
19. How a character overcomes the obstacle
strategy
leading center
keep open on stage while entering
audition
20. Enter with your upstage foot
keep open on stage while entering
working rehearsal
stakes
motivation
21. Smaller sections of a scene divided where shifts in emotion or topic occur
Emotional Memory
your dropping line
fourth wall
Beats
22. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
shared position
subtext
role
Spiking the set
23. What the character does
status quo
Acting Generated emotion
cold reading
action
24. Something preventing the character from getting the objective
obstacle
cue line
auditors
your topping the line
25. Using a one quarter to the person your talking to
Keeping open on stage while moving left or right
Keeping open on a proscenium stage while
subtext
Keeping open on stage while standing
26. Memories of sights - sounds - smells - tastes and textures - used to define a character
Keeping open on stage while gesturing
Sense memory
subtext
pick up your cues
27. What your character wants
upstage
Beats
objective
Emotional Memory
28. Auditioning with a script you have not read
cold reading
Status quo
upstage
Keeping open on stage while standing
29. To move from one place to another on stage
focus
pick up your cues
subtext
cross
30. A characters present circumstances
role
cast
representational style
Status quo
31. Say your lines quicker after your cue line
motivation
pick up your cues
Spiking the set
Shared position
32. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Shared position
sense memory
Upstaging
Emotional Memory
33. Move right by moving with your right foot and vice versa with left
Keeping open on stage while moving left or right
status quo
Emotional Memory
transitions
34. Result of action the characters take to overcome the obstacle
Leading center
pick up your cues
Acting Generated emotion
outcome
35. What part of the body you lead with
leading center
Acting Generated emotion
cold reading
action
36. Open the door with your upstage hand
cold reading
keep open on stage while entering through doors
open
callback
37. Chosen for a role
upstage
Keeping open on stage while moving left or right
cast
shared position
38. What the character does
your topping the line
monologue
action
status quo
39. Present circumstances
focus
master gesture
fourth wall
status quo
40. Result of action the characters take to overcome the obstacle
stakes
stage business
outcome
representational style
41. Movements to strengthen the personality of the character
stage business
status quo
subtext
your topping the line
42. The part of a characters's body that leads in movements - and reflects the nature of the character
status quo
monologue
Leading center
subtext
43. Turn in the direction of your downstage hand
keeping open on stage while crossing
keeping open on stage while turning
role
callback
44. Using your own memories to help understand a characters emotions
keep open on stage while entering
Leading center
Emotional Memory
poise
45. A imaginary wall between the audience and the stage
transitions
Status quo
fourth wall
poise
46. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
poise
upstage
your dropping line
Acting Generated emotion
47. A position onstage where one actor mirrors another actor's body position
master gesture
Sense memory
shared position
Status quo
48. Say your lines quicker after your cue line
pick up your cues
outcome
your dropping line
representational style
49. Where the actors acknowledge the audience
presentational style
objective
auditors
read through
50. Your memory of sights - smells - tastes - sounds and textures
keeping open on stage while turning
read through
sense memory
auditors