SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Where actors do not acknowledge the audience
auditors
representational style
poise
Spiking the set
2. Enter with your upstage foot
keep open on stage while entering
Sense memory
Emotional Memory
keeping open on stage while turning
3. Being asked to come back and see the auditors again
Shared position
Shared position
callback
leading center
4. A story - speech or scene performed by one actor only
monologue
auditors
keep open on stage while entering
keeping open on stage while turning
5. Calling upon memories of your own emotions to understand the emotions of a character
emotional memory
representational style
subtext
poise
6. Where actors do not acknowledge the audience
poise
representational style
stage business
Keeping open on a proscenium stage while
7. Auditioning with a script you have not read
motivation
subtext
action
cold reading
8. Enter with your upstage foot
strategy
keep open on stage while entering
Sense memory
motivation
9. Using your own memories to help understand a characters emotions
Emotional Memory
Acting Generated emotion
master gesture
your dropping line
10. Your saying the line louder than the person before you
your topping the line
outcome
read through
monologue
11. How a character overcomes the obstacle
keep open on stage while entering
leading center
Leading center
strategy
12. Where an actor mirrors another actors position
motivation
Shared position
strategy
audition
13. The part of a characters's body that leads in movements - and reflects the nature of the character
your topping the line
subtext
Leading center
Upstaging
14. A characteristic gesture
sense memory
stakes
master gesture
keep open on stage while entering through doors
15. Chosen for a role
status quo
pick up your cues
keeping open on stage while crossing
cast
16. What the character does
pick up your cues
motivation
action
Leading center
17. What the character does
3 ways to have a positive relationship with your director
action
Upstaging
working rehearsal
18. A imaginary wall between the audience and the stage
presentational style
fourth wall
emotional memory
keep open on stage while entering through doors
19. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
keeping open on stage while crossing
leading center
poise
20. Open the door with your upstage hand
cross
keep open on stage while entering through doors
role
fourth wall
21. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
Keeping open on a proscenium stage while
upstage
representational style
sense memory
22. A complete reading of the play
keep open on stage while entering through doors
read through
stage business
motivation
23. What part of the body you lead with
Upstaging
Acting Generated emotion
leading center
cross
24. Turn your hand upstage
Keeping open on stage while gesturing
subtext
keeping open on stage while crossing
cast
25. Positive attitude - good communication - ask before you change your physical appearance
fourth wall
Beats
3 ways to have a positive relationship with your director
fourth wall
26. When actors work on building characterization
strategy
transitions
working rehearsal
poise
27. When you preform actions and they generate an emotion within yourself
Acting Generated emotion
3 ways to have a positive relationship with your director
Leading center
keep open on stage while entering
28. Smaller sections of a scene divided where shifts in emotion or topic occur
Emotional Memory
your topping the line
Beats
keeping open on stage while crossing
29. To move from one place to another on stage
master gesture
subtext
cross
keeping open on stage while turning
30. To mark the floor of the rehearsal space to show the floor plan for the play
objective
outcome
audition
Spiking the set
31. Using a one quarter to the person your talking to
poise
Keeping open on a proscenium stage while
monologue
callback
32. Make crosses upstage in an upward arc
Leading center
keep open on stage while entering
keeping open on stage while crossing
emotional memory
33. The people conducting the auditions
working rehearsal
auditors
read through
subtext
34. Auditioning with a script you have not read
objective
callback
master gesture
cold reading
35. When actors work on building characterization
keep open on stage while entering
working rehearsal
presentational style
pick up your cues
36. Part in a play
your dropping line
cold reading
role
Keeping open on stage while moving left or right
37. Say your lines quicker after your cue line
fourth wall
pick up your cues
Keeping open on stage while standing
stakes
38. A characters present circumstances
stakes
your topping the line
your topping the line
Status quo
39. Something preventing the character from getting the objective
obstacle
subtext
pick up your cues
Beats
40. Your voice gets quieter as you say your line
motivation
Leading center
your dropping line
emotional memory
41. When you preform actions and they generate an emotion within yourself
Acting Generated emotion
transitions
subtext
cross
42. The intended point of interest on stage
3 ways to have a positive relationship with your director
focus
monologue
pick up your cues
43. Turn your hand upstage
fourth wall
Keeping open on stage while gesturing
Spiking the set
Acting Generated emotion
44. Memories of sights - sounds - smells - tastes and textures - used to define a character
objective
status quo
Sense memory
objective
45. Bridges between the beats
transitions
audition
read through
Leading center
46. Movements to strengthen the personality of the character
audition
representational style
stage business
Sense memory
47. Control in posture
Beats
poise
your topping the line
leading center
48. Full front - or one quarter left or right
Upstaging
Keeping open on stage while standing
Upstaging
monologue
49. To keep your face and the front of your body as visible to the audience as much as possible
open
cross
your topping the line
stakes
50. Being asked to come back and see the auditors again
callback
master gesture
Keeping open on stage while gesturing
strategy