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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The part of a characters's body that leads in movements - and reflects the nature of the character
Sense memory
obstacle
keep open on stage while entering through doors
Leading center
2. To move from one place to another on stage
Shared position
poise
audition
cross
3. Your voice gets quieter as you say your line
cue line
your dropping line
master gesture
sense memory
4. Positive attitude - good communication - ask before you change your physical appearance
focus
cross
status quo
3 ways to have a positive relationship with your director
5. What part of the body you lead with
cold reading
outcome
emotional memory
leading center
6. A complete reading of the play
shared position
keeping open on stage while turning
pick up your cues
read through
7. Full front - or one quarter left or right
Acting Generated emotion
Leading center
Keeping open on stage while standing
Spiking the set
8. Smaller sections of a scene divided where shifts in emotion or topic occur
3 ways to have a positive relationship with your director
role
callback
Beats
9. Your memory of sights - smells - tastes - sounds and textures
Leading center
sense memory
monologue
your topping the line
10. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
keeping open on stage while crossing
monologue
transitions
subtext
11. Move right by moving with your right foot and vice versa with left
Upstaging
Keeping open on stage while moving left or right
working rehearsal
focus
12. Part in a play
read through
role
pick up your cues
Shared position
13. The intended point of interest on stage
monologue
working rehearsal
focus
Keeping open on stage while standing
14. When actors work on building characterization
status quo
working rehearsal
3 ways to have a positive relationship with your director
audition
15. Your voice gets quieter as you say your line
your dropping line
representational style
audition
keeping open on stage while crossing
16. Bridges between the beats
cold reading
transitions
Sense memory
cast
17. Your saying the line louder than the person before you
master gesture
your topping the line
keeping open on stage while turning
3 ways to have a positive relationship with your director
18. Open the door with your upstage hand
keep open on stage while entering through doors
subtext
Keeping open on stage while moving left or right
upstage
19. What your character wants
Upstaging
objective
strategy
keeping open on stage while crossing
20. Turn your hand upstage
callback
cast
Keeping open on stage while gesturing
action
21. A story - speech or scene performed by one actor only
Shared position
working rehearsal
monologue
cold reading
22. A final line that signals an actor to begin the next speech
action
cue line
representational style
Keeping open on stage while gesturing
23. Auditioning with a script you have not read
callback
shared position
sense memory
cold reading
24. When you preform actions and they generate an emotion within yourself
pick up your cues
Acting Generated emotion
role
sense memory
25. To move from one place to another on stage
cross
Spiking the set
keeping open on stage while turning
Sense memory
26. Turn in the direction of your downstage hand
Keeping open on stage while moving left or right
presentational style
Keeping open on stage while gesturing
keeping open on stage while turning
27. Where an actor mirrors another actors position
Shared position
status quo
subtext
keeping open on stage while crossing
28. Turn your hand upstage
Keeping open on stage while standing
Keeping open on stage while gesturing
subtext
read through
29. What part of the body you lead with
leading center
subtext
action
Status quo
30. A characters present circumstances
Status quo
cue line
open
Spiking the set
31. Being asked to come back and see the auditors again
emotional memory
callback
Leading center
focus
32. The intended point of interest on stage
upstage
master gesture
focus
your dropping line
33. Make crosses upstage in an upward arc
keeping open on stage while crossing
cue line
monologue
objective
34. Where an actor mirrors another actors position
Shared position
3 ways to have a positive relationship with your director
auditors
leading center
35. Say your lines quicker after your cue line
pick up your cues
poise
your topping the line
outcome
36. To mark the floor of the rehearsal space to show the floor plan for the play
Spiking the set
master gesture
Sense memory
monologue
37. Your saying the line louder than the person before you
audition
subtext
your topping the line
upstage
38. Interview for the play. make an impression and show talent
audition
keeping open on stage while crossing
transitions
focus
39. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
subtext
Shared position
Beats
Upstaging
40. Enter with your upstage foot
focus
keeping open on stage while turning
keep open on stage while entering
Shared position
41. Smaller sections of a scene divided where shifts in emotion or topic occur
focus
presentational style
Beats
keeping open on stage while turning
42. A position onstage where one actor mirrors another actor's body position
shared position
audition
cross
pick up your cues
43. Information that is implied but not spoken - thoughts or actions
cast
subtext
master gesture
your topping the line
44. What the character does
callback
keeping open on stage while turning
action
cold reading
45. Using a one quarter to the person your talking to
representational style
Upstaging
Keeping open on a proscenium stage while
cold reading
46. What is at risk
stakes
keep open on stage while entering
Shared position
Shared position
47. Bridges between the beats
stakes
motivation
transitions
cross
48. Control in posture
cast
cold reading
Upstaging
poise
49. Using a one quarter to the person your talking to
cast
Keeping open on a proscenium stage while
subtext
objective
50. Say your lines quicker after your cue line
pick up your cues
Leading center
obstacle
monologue
Can you answer 50 questions in 15 minutes?
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