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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What makes a character do something
objective
subtext
role
motivation
2. Where the actors acknowledge the audience
presentational style
Shared position
subtext
sense memory
3. Turn your hand upstage
Keeping open on stage while gesturing
monologue
subtext
sense memory
4. Memories of sights - sounds - smells - tastes and textures - used to define a character
Keeping open on stage while standing
outcome
Sense memory
Upstaging
5. Using a one quarter to the person your talking to
cross
Keeping open on a proscenium stage while
Leading center
subtext
6. Your memory of sights - smells - tastes - sounds and textures
sense memory
cold reading
motivation
working rehearsal
7. Result of action the characters take to overcome the obstacle
strategy
sense memory
outcome
cast
8. Open the door with your upstage hand
Beats
subtext
motivation
keep open on stage while entering through doors
9. To move from one place to another on stage
keeping open on stage while turning
cross
stakes
Emotional Memory
10. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
keep open on stage while entering through doors
subtext
Keeping open on a proscenium stage while
status quo
11. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
upstage
pick up your cues
poise
representational style
12. A characters present circumstances
working rehearsal
stakes
Status quo
open
13. What your character wants
keep open on stage while entering through doors
subtext
transitions
objective
14. Part in a play
status quo
keep open on stage while entering
3 ways to have a positive relationship with your director
role
15. Your saying the line louder than the person before you
open
transitions
your topping the line
read through
16. When you preform actions and they generate an emotion within yourself
Status quo
Acting Generated emotion
keeping open on stage while turning
keep open on stage while entering
17. Memories of sights - sounds - smells - tastes and textures - used to define a character
open
Keeping open on stage while moving left or right
focus
Sense memory
18. Chosen for a role
Leading center
pick up your cues
Leading center
cast
19. Auditioning with a script you have not read
cold reading
auditors
read through
Emotional Memory
20. Control in posture
representational style
poise
keep open on stage while entering
Sense memory
21. Your voice gets quieter as you say your line
cue line
Spiking the set
Keeping open on stage while gesturing
your dropping line
22. Movements to strengthen the personality of the character
Keeping open on a proscenium stage while
stage business
sense memory
3 ways to have a positive relationship with your director
23. Make crosses upstage in an upward arc
Acting Generated emotion
keeping open on stage while crossing
cold reading
cold reading
24. Information that is implied but not spoken - thoughts or actions
status quo
representational style
Keeping open on a proscenium stage while
subtext
25. Enter with your upstage foot
read through
representational style
action
keep open on stage while entering
26. Present circumstances
status quo
cross
your dropping line
Sense memory
27. Say your lines quicker after your cue line
representational style
Leading center
pick up your cues
fourth wall
28. What the character does
stage business
keeping open on stage while crossing
role
action
29. When actors work on building characterization
working rehearsal
motivation
sense memory
Status quo
30. To move from one place to another on stage
subtext
upstage
cross
Keeping open on a proscenium stage while
31. What the character does
auditors
shared position
presentational style
action
32. Your memory of sights - smells - tastes - sounds and textures
presentational style
sense memory
cast
3 ways to have a positive relationship with your director
33. What part of the body you lead with
Upstaging
motivation
leading center
poise
34. Positive attitude - good communication - ask before you change your physical appearance
3 ways to have a positive relationship with your director
pick up your cues
strategy
monologue
35. What makes a character do something
Keeping open on stage while standing
pick up your cues
motivation
master gesture
36. A position onstage where one actor mirrors another actor's body position
shared position
sense memory
Emotional Memory
cue line
37. What part of the body you lead with
keeping open on stage while crossing
leading center
role
upstage
38. What is at risk
audition
stakes
Keeping open on a proscenium stage while
Emotional Memory
39. Calling upon memories of your own emotions to understand the emotions of a character
status quo
leading center
emotional memory
poise
40. Auditioning with a script you have not read
your topping the line
outcome
Keeping open on a proscenium stage while
cold reading
41. A complete reading of the play
read through
your dropping line
audition
shared position
42. Turn in the direction of your downstage hand
Status quo
keeping open on stage while turning
outcome
Keeping open on stage while gesturing
43. Turn your hand upstage
Keeping open on stage while gesturing
subtext
presentational style
upstage
44. Using your own memories to help understand a characters emotions
keeping open on stage while crossing
Status quo
Emotional Memory
Spiking the set
45. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
subtext
emotional memory
Sense memory
46. To keep your face and the front of your body as visible to the audience as much as possible
Shared position
Upstaging
open
audition
47. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
transitions
Upstaging
cross
your dropping line
48. Chosen for a role
motivation
cast
stage business
pick up your cues
49. A story - speech or scene performed by one actor only
monologue
Status quo
objective
transitions
50. Being asked to come back and see the auditors again
Emotional Memory
stage business
callback
role