SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Positive attitude - good communication - ask before you change your physical appearance
3 ways to have a positive relationship with your director
Keeping open on stage while gesturing
Keeping open on a proscenium stage while
Keeping open on stage while standing
2. The part of a characters's body that leads in movements - and reflects the nature of the character
read through
your dropping line
Leading center
stakes
3. Where an actor mirrors another actors position
cross
Shared position
Keeping open on stage while gesturing
read through
4. A characteristic gesture
callback
Upstaging
master gesture
keeping open on stage while turning
5. Your voice gets quieter as you say your line
cast
your dropping line
callback
your topping the line
6. To move from one place to another on stage
cross
Keeping open on stage while gesturing
Leading center
leading center
7. When actors work on building characterization
working rehearsal
subtext
keeping open on stage while crossing
keeping open on stage while turning
8. To mark the floor of the rehearsal space to show the floor plan for the play
shared position
Leading center
Spiking the set
keep open on stage while entering
9. Part in a play
subtext
objective
role
Status quo
10. Your saying the line louder than the person before you
upstage
auditors
keep open on stage while entering
your topping the line
11. Calling upon memories of your own emotions to understand the emotions of a character
upstage
upstage
emotional memory
objective
12. Something preventing the character from getting the objective
motivation
obstacle
working rehearsal
Acting Generated emotion
13. To move from one place to another on stage
cross
status quo
Status quo
Shared position
14. A story - speech or scene performed by one actor only
subtext
monologue
callback
motivation
15. Open the door with your upstage hand
keep open on stage while entering through doors
Status quo
Sense memory
audition
16. Movements to strengthen the personality of the character
keeping open on stage while turning
representational style
Keeping open on a proscenium stage while
stage business
17. A imaginary wall between the audience and the stage
keeping open on stage while crossing
transitions
fourth wall
strategy
18. Enter with your upstage foot
keep open on stage while entering
action
subtext
upstage
19. Memories of sights - sounds - smells - tastes and textures - used to define a character
action
your topping the line
Sense memory
Beats
20. Make crosses upstage in an upward arc
keeping open on stage while crossing
poise
keep open on stage while entering through doors
master gesture
21. Auditioning with a script you have not read
representational style
transitions
subtext
cold reading
22. What the character does
auditors
action
poise
outcome
23. What makes a character do something
motivation
subtext
read through
working rehearsal
24. A final line that signals an actor to begin the next speech
your dropping line
pick up your cues
status quo
cue line
25. Control in posture
auditors
poise
pick up your cues
cold reading
26. A final line that signals an actor to begin the next speech
audition
leading center
keep open on stage while entering
cue line
27. When you preform actions and they generate an emotion within yourself
keep open on stage while entering through doors
Leading center
Acting Generated emotion
Leading center
28. When actors work on building characterization
working rehearsal
Keeping open on a proscenium stage while
Acting Generated emotion
master gesture
29. Interview for the play. make an impression and show talent
emotional memory
pick up your cues
audition
keep open on stage while entering
30. Being asked to come back and see the auditors again
pick up your cues
callback
shared position
objective
31. A characters present circumstances
subtext
transitions
poise
Status quo
32. Movements to strengthen the personality of the character
stage business
Status quo
Upstaging
working rehearsal
33. Information that is implied but not spoken - thoughts or actions
role
master gesture
subtext
cast
34. Full front - or one quarter left or right
Keeping open on stage while standing
cast
keeping open on stage while crossing
keeping open on stage while crossing
35. Your memory of sights - smells - tastes - sounds and textures
emotional memory
sense memory
Emotional Memory
cast
36. Present circumstances
callback
obstacle
status quo
stage business
37. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
upstage
callback
Upstaging
sense memory
38. What part of the body you lead with
leading center
Keeping open on stage while standing
cue line
Upstaging
39. Using a one quarter to the person your talking to
cast
Keeping open on a proscenium stage while
obstacle
emotional memory
40. To keep your face and the front of your body as visible to the audience as much as possible
your dropping line
open
status quo
cast
41. Smaller sections of a scene divided where shifts in emotion or topic occur
keep open on stage while entering
Beats
poise
monologue
42. What your character wants
objective
upstage
callback
obstacle
43. Information that is implied but not spoken - thoughts or actions
3 ways to have a positive relationship with your director
fourth wall
cross
subtext
44. Say your lines quicker after your cue line
leading center
motivation
emotional memory
pick up your cues
45. The intended point of interest on stage
focus
subtext
cast
upstage
46. Result of action the characters take to overcome the obstacle
outcome
Spiking the set
Leading center
Keeping open on stage while moving left or right
47. Your voice gets quieter as you say your line
open
stakes
keeping open on stage while crossing
your dropping line
48. Chosen for a role
Sense memory
read through
cast
shared position
49. Where actors do not acknowledge the audience
keep open on stage while entering
keeping open on stage while turning
transitions
representational style
50. A imaginary wall between the audience and the stage
3 ways to have a positive relationship with your director
pick up your cues
fourth wall
Keeping open on stage while moving left or right