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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When you preform actions and they generate an emotion within yourself
read through
Keeping open on stage while standing
Acting Generated emotion
focus
2. A final line that signals an actor to begin the next speech
pick up your cues
cue line
open
poise
3. A position onstage where one actor mirrors another actor's body position
objective
strategy
Emotional Memory
shared position
4. Auditioning with a script you have not read
Keeping open on stage while gesturing
cast
cold reading
read through
5. To mark the floor of the rehearsal space to show the floor plan for the play
leading center
Spiking the set
shared position
audition
6. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
Sense memory
outcome
role
subtext
7. A characters present circumstances
3 ways to have a positive relationship with your director
Status quo
Spiking the set
Spiking the set
8. Information that is implied but not spoken - thoughts or actions
shared position
subtext
status quo
stage business
9. Result of action the characters take to overcome the obstacle
action
keep open on stage while entering through doors
your dropping line
outcome
10. When actors work on building characterization
stage business
audition
working rehearsal
Keeping open on stage while moving left or right
11. A position onstage where one actor mirrors another actor's body position
shared position
pick up your cues
obstacle
strategy
12. Turn in the direction of your downstage hand
representational style
Emotional Memory
3 ways to have a positive relationship with your director
keeping open on stage while turning
13. Smaller sections of a scene divided where shifts in emotion or topic occur
Status quo
Beats
Upstaging
role
14. A complete reading of the play
read through
Emotional Memory
keep open on stage while entering
action
15. Chosen for a role
read through
Spiking the set
cast
monologue
16. Interview for the play. make an impression and show talent
your topping the line
action
role
audition
17. Open the door with your upstage hand
audition
keep open on stage while entering through doors
obstacle
callback
18. Result of action the characters take to overcome the obstacle
Keeping open on a proscenium stage while
representational style
outcome
strategy
19. Where an actor mirrors another actors position
focus
Shared position
keep open on stage while entering
your dropping line
20. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
upstage
role
keeping open on stage while turning
Acting Generated emotion
21. Make crosses upstage in an upward arc
keeping open on stage while crossing
representational style
Upstaging
transitions
22. Where an actor mirrors another actors position
stakes
Shared position
presentational style
your dropping line
23. Where the actors acknowledge the audience
sense memory
presentational style
read through
Sense memory
24. How a character overcomes the obstacle
Shared position
emotional memory
strategy
Shared position
25. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
working rehearsal
upstage
poise
role
26. Being asked to come back and see the auditors again
open
open
callback
action
27. Using your own memories to help understand a characters emotions
cue line
Emotional Memory
role
shared position
28. To mark the floor of the rehearsal space to show the floor plan for the play
Keeping open on stage while standing
cue line
Spiking the set
cue line
29. A final line that signals an actor to begin the next speech
action
subtext
poise
cue line
30. Using a one quarter to the person your talking to
Keeping open on a proscenium stage while
Leading center
keeping open on stage while turning
cast
31. The people conducting the auditions
auditors
your dropping line
action
leading center
32. Something preventing the character from getting the objective
fourth wall
obstacle
action
Emotional Memory
33. Your saying the line louder than the person before you
your topping the line
working rehearsal
read through
upstage
34. Turn in the direction of your downstage hand
keep open on stage while entering
keeping open on stage while turning
Keeping open on stage while standing
strategy
35. Move right by moving with your right foot and vice versa with left
transitions
keep open on stage while entering
Keeping open on stage while moving left or right
Shared position
36. What the character does
outcome
upstage
Keeping open on stage while standing
action
37. Enter with your upstage foot
shared position
Shared position
monologue
keep open on stage while entering
38. Part in a play
role
sense memory
Keeping open on stage while standing
objective
39. The intended point of interest on stage
upstage
focus
monologue
master gesture
40. Calling upon memories of your own emotions to understand the emotions of a character
emotional memory
open
Leading center
Status quo
41. Say your lines quicker after your cue line
sense memory
pick up your cues
cold reading
keep open on stage while entering through doors
42. To move from one place to another on stage
cross
leading center
keeping open on stage while turning
keep open on stage while entering
43. Your memory of sights - smells - tastes - sounds and textures
sense memory
cross
leading center
your topping the line
44. Turn your hand upstage
Status quo
Keeping open on stage while gesturing
motivation
cross
45. The intended point of interest on stage
strategy
your topping the line
keep open on stage while entering
focus
46. Positive attitude - good communication - ask before you change your physical appearance
3 ways to have a positive relationship with your director
upstage
pick up your cues
auditors
47. The people conducting the auditions
auditors
representational style
Sense memory
your topping the line
48. Where actors do not acknowledge the audience
your topping the line
keeping open on stage while turning
representational style
upstage
49. Information that is implied but not spoken - thoughts or actions
open
Spiking the set
subtext
cross
50. When actors work on building characterization
working rehearsal
Beats
Shared position
Keeping open on a proscenium stage while