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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A final line that signals an actor to begin the next speech
cue line
Status quo
keeping open on stage while crossing
keeping open on stage while turning
2. A characters present circumstances
Status quo
transitions
leading center
cold reading
3. What part of the body you lead with
sense memory
Keeping open on a proscenium stage while
role
leading center
4. When actors work on building characterization
callback
working rehearsal
pick up your cues
shared position
5. Full front - or one quarter left or right
cold reading
cold reading
Keeping open on stage while standing
poise
6. What your character wants
open
obstacle
Shared position
objective
7. Bridges between the beats
callback
shared position
leading center
transitions
8. A characteristic gesture
Keeping open on a proscenium stage while
cross
master gesture
Shared position
9. Open the door with your upstage hand
Acting Generated emotion
keep open on stage while entering through doors
Keeping open on stage while standing
fourth wall
10. Where an actor mirrors another actors position
Keeping open on stage while gesturing
Shared position
sense memory
action
11. Chosen for a role
role
cast
sense memory
fourth wall
12. Memories of sights - sounds - smells - tastes and textures - used to define a character
audition
Sense memory
objective
cross
13. Make crosses upstage in an upward arc
stage business
monologue
cross
keeping open on stage while crossing
14. Enter with your upstage foot
obstacle
keep open on stage while entering
stakes
upstage
15. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
Keeping open on a proscenium stage while
stage business
Acting Generated emotion
upstage
16. Move right by moving with your right foot and vice versa with left
representational style
fourth wall
subtext
Keeping open on stage while moving left or right
17. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
cross
obstacle
stakes
18. Auditioning with a script you have not read
cold reading
working rehearsal
cross
Upstaging
19. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
stage business
cross
role
20. When actors work on building characterization
cue line
working rehearsal
keep open on stage while entering
Spiking the set
21. To mark the floor of the rehearsal space to show the floor plan for the play
outcome
cue line
emotional memory
Spiking the set
22. The intended point of interest on stage
your topping the line
open
focus
upstage
23. Present circumstances
subtext
stage business
status quo
upstage
24. Your memory of sights - smells - tastes - sounds and textures
keeping open on stage while crossing
stakes
cold reading
sense memory
25. The part of a characters's body that leads in movements - and reflects the nature of the character
outcome
Leading center
representational style
shared position
26. Your memory of sights - smells - tastes - sounds and textures
Keeping open on stage while gesturing
monologue
objective
sense memory
27. Present circumstances
status quo
Emotional Memory
Keeping open on stage while gesturing
Leading center
28. A characters present circumstances
objective
Status quo
representational style
role
29. What is at risk
shared position
stakes
Spiking the set
cross
30. Information that is implied but not spoken - thoughts or actions
cross
cross
subtext
callback
31. Movements to strengthen the personality of the character
stage business
Keeping open on a proscenium stage while
Keeping open on a proscenium stage while
Keeping open on stage while gesturing
32. Interview for the play. make an impression and show talent
audition
outcome
poise
strategy
33. The people conducting the auditions
action
auditors
your topping the line
fourth wall
34. What the character does
action
Keeping open on stage while standing
sense memory
Acting Generated emotion
35. To move from one place to another on stage
your topping the line
transitions
cross
cast
36. Where the actors acknowledge the audience
open
Spiking the set
presentational style
keeping open on stage while turning
37. Result of action the characters take to overcome the obstacle
working rehearsal
leading center
outcome
keep open on stage while entering through doors
38. Using a one quarter to the person your talking to
sense memory
motivation
Beats
Keeping open on a proscenium stage while
39. Control in posture
Spiking the set
keeping open on stage while crossing
representational style
poise
40. Movements to strengthen the personality of the character
stage business
Shared position
read through
objective
41. Turn your hand upstage
stage business
Keeping open on stage while gesturing
action
master gesture
42. What your character wants
keeping open on stage while crossing
strategy
objective
keep open on stage while entering through doors
43. To move from one place to another on stage
fourth wall
cross
stakes
focus
44. What part of the body you lead with
leading center
Status quo
cross
cast
45. The part of a characters's body that leads in movements - and reflects the nature of the character
auditors
strategy
upstage
Leading center
46. Being asked to come back and see the auditors again
obstacle
callback
cast
shared position
47. A characteristic gesture
Keeping open on stage while standing
master gesture
working rehearsal
auditors
48. To mark the floor of the rehearsal space to show the floor plan for the play
stakes
Spiking the set
monologue
master gesture
49. Auditioning with a script you have not read
motivation
pick up your cues
cross
cold reading
50. Smaller sections of a scene divided where shifts in emotion or topic occur
Keeping open on a proscenium stage while
Beats
keep open on stage while entering through doors
leading center
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