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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Present circumstances
status quo
Upstaging
strategy
role
2. Turn your hand upstage
Keeping open on stage while gesturing
working rehearsal
cue line
keeping open on stage while turning
3. When actors work on building characterization
audition
Keeping open on stage while standing
working rehearsal
subtext
4. Open the door with your upstage hand
keep open on stage while entering through doors
Shared position
your topping the line
your topping the line
5. Enter with your upstage foot
cross
obstacle
keep open on stage while entering
cold reading
6. Move right by moving with your right foot and vice versa with left
your topping the line
cross
Keeping open on stage while moving left or right
transitions
7. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
working rehearsal
keeping open on stage while turning
leading center
Upstaging
8. Positive attitude - good communication - ask before you change your physical appearance
fourth wall
3 ways to have a positive relationship with your director
keeping open on stage while turning
Acting Generated emotion
9. How a character overcomes the obstacle
keep open on stage while entering
strategy
Spiking the set
motivation
10. What makes a character do something
motivation
upstage
3 ways to have a positive relationship with your director
focus
11. When you preform actions and they generate an emotion within yourself
audition
keep open on stage while entering
emotional memory
Acting Generated emotion
12. A characteristic gesture
master gesture
poise
keeping open on stage while crossing
3 ways to have a positive relationship with your director
13. The people conducting the auditions
Sense memory
keep open on stage while entering
auditors
Shared position
14. Say your lines quicker after your cue line
focus
auditors
pick up your cues
open
15. Bridges between the beats
keep open on stage while entering through doors
cold reading
poise
transitions
16. What part of the body you lead with
Status quo
role
leading center
master gesture
17. Interview for the play. make an impression and show talent
keep open on stage while entering
strategy
audition
cold reading
18. Where an actor mirrors another actors position
obstacle
Status quo
Shared position
strategy
19. A complete reading of the play
keeping open on stage while crossing
objective
keeping open on stage while turning
read through
20. Your memory of sights - smells - tastes - sounds and textures
upstage
poise
keep open on stage while entering through doors
sense memory
21. A story - speech or scene performed by one actor only
leading center
auditors
audition
monologue
22. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
focus
Upstaging
objective
callback
23. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
Sense memory
strategy
poise
24. A characters present circumstances
strategy
callback
3 ways to have a positive relationship with your director
Status quo
25. Result of action the characters take to overcome the obstacle
read through
Upstaging
Shared position
outcome
26. What is at risk
objective
stakes
Upstaging
read through
27. Result of action the characters take to overcome the obstacle
emotional memory
outcome
poise
action
28. Where an actor mirrors another actors position
Status quo
action
poise
Shared position
29. Using your own memories to help understand a characters emotions
cold reading
cue line
Emotional Memory
3 ways to have a positive relationship with your director
30. A imaginary wall between the audience and the stage
obstacle
transitions
focus
fourth wall
31. Move right by moving with your right foot and vice versa with left
strategy
Keeping open on stage while moving left or right
callback
auditors
32. Your saying the line louder than the person before you
your topping the line
sense memory
Beats
stage business
33. Smaller sections of a scene divided where shifts in emotion or topic occur
Upstaging
objective
action
Beats
34. A characters present circumstances
motivation
emotional memory
Status quo
keeping open on stage while crossing
35. Full front - or one quarter left or right
Spiking the set
strategy
shared position
Keeping open on stage while standing
36. What is at risk
poise
Keeping open on a proscenium stage while
stakes
fourth wall
37. Smaller sections of a scene divided where shifts in emotion or topic occur
Beats
Sense memory
strategy
outcome
38. Make crosses upstage in an upward arc
keeping open on stage while crossing
3 ways to have a positive relationship with your director
Acting Generated emotion
master gesture
39. Turn in the direction of your downstage hand
keeping open on stage while turning
keep open on stage while entering
Leading center
shared position
40. What part of the body you lead with
cue line
leading center
obstacle
Keeping open on stage while gesturing
41. Your saying the line louder than the person before you
your topping the line
Acting Generated emotion
stage business
open
42. Using a one quarter to the person your talking to
subtext
subtext
Sense memory
Keeping open on a proscenium stage while
43. Part in a play
subtext
role
obstacle
3 ways to have a positive relationship with your director
44. Make crosses upstage in an upward arc
read through
auditors
cast
keeping open on stage while crossing
45. Movements to strengthen the personality of the character
objective
read through
working rehearsal
stage business
46. Using a one quarter to the person your talking to
emotional memory
read through
obstacle
Keeping open on a proscenium stage while
47. When actors work on building characterization
objective
leading center
your dropping line
working rehearsal
48. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
upstage
subtext
focus
callback
49. Chosen for a role
Sense memory
cast
Acting Generated emotion
representational style
50. To mark the floor of the rehearsal space to show the floor plan for the play
keep open on stage while entering through doors
Spiking the set
cast
status quo
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