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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When you preform actions and they generate an emotion within yourself
cue line
callback
Acting Generated emotion
master gesture
2. Part in a play
pick up your cues
role
master gesture
audition
3. When you preform actions and they generate an emotion within yourself
Emotional Memory
transitions
role
Acting Generated emotion
4. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
cold reading
keep open on stage while entering through doors
subtext
master gesture
5. The part of a characters's body that leads in movements - and reflects the nature of the character
objective
Status quo
Leading center
fourth wall
6. A final line that signals an actor to begin the next speech
pick up your cues
focus
cast
cue line
7. Positive attitude - good communication - ask before you change your physical appearance
3 ways to have a positive relationship with your director
Keeping open on stage while moving left or right
Sense memory
Acting Generated emotion
8. Bridges between the beats
keeping open on stage while crossing
cross
transitions
cue line
9. What your character wants
representational style
objective
leading center
Leading center
10. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
objective
Keeping open on a proscenium stage while
sense memory
Upstaging
11. A complete reading of the play
auditors
motivation
read through
Emotional Memory
12. A characteristic gesture
poise
master gesture
upstage
stage business
13. Part in a play
strategy
obstacle
role
3 ways to have a positive relationship with your director
14. What part of the body you lead with
Keeping open on stage while standing
representational style
upstage
leading center
15. Using your own memories to help understand a characters emotions
master gesture
subtext
Spiking the set
Emotional Memory
16. Smaller sections of a scene divided where shifts in emotion or topic occur
Acting Generated emotion
Beats
subtext
role
17. A characteristic gesture
master gesture
keep open on stage while entering through doors
Leading center
Upstaging
18. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
action
Spiking the set
Status quo
Upstaging
19. Turn in the direction of your downstage hand
keeping open on stage while turning
audition
stakes
Spiking the set
20. Calling upon memories of your own emotions to understand the emotions of a character
Status quo
Leading center
emotional memory
keep open on stage while entering
21. A position onstage where one actor mirrors another actor's body position
representational style
shared position
Keeping open on stage while moving left or right
Acting Generated emotion
22. When actors work on building characterization
working rehearsal
objective
cast
3 ways to have a positive relationship with your director
23. A story - speech or scene performed by one actor only
audition
monologue
Shared position
Acting Generated emotion
24. Calling upon memories of your own emotions to understand the emotions of a character
monologue
Leading center
emotional memory
Spiking the set
25. Memories of sights - sounds - smells - tastes and textures - used to define a character
working rehearsal
your dropping line
Sense memory
Keeping open on stage while gesturing
26. Full front - or one quarter left or right
focus
Keeping open on stage while standing
auditors
stage business
27. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
poise
sense memory
subtext
28. Where an actor mirrors another actors position
pick up your cues
Shared position
upstage
working rehearsal
29. A characters present circumstances
Sense memory
Status quo
motivation
callback
30. Positive attitude - good communication - ask before you change your physical appearance
Sense memory
3 ways to have a positive relationship with your director
strategy
Keeping open on stage while gesturing
31. Result of action the characters take to overcome the obstacle
outcome
obstacle
read through
motivation
32. Result of action the characters take to overcome the obstacle
Leading center
status quo
outcome
callback
33. How a character overcomes the obstacle
subtext
Keeping open on stage while standing
emotional memory
strategy
34. The people conducting the auditions
representational style
auditors
working rehearsal
your dropping line
35. Where actors do not acknowledge the audience
Sense memory
transitions
representational style
obstacle
36. To keep your face and the front of your body as visible to the audience as much as possible
pick up your cues
open
keep open on stage while entering
objective
37. Enter with your upstage foot
presentational style
your topping the line
status quo
keep open on stage while entering
38. Something preventing the character from getting the objective
Sense memory
obstacle
subtext
subtext
39. Auditioning with a script you have not read
leading center
read through
poise
cold reading
40. Movements to strengthen the personality of the character
objective
stage business
auditors
role
41. Movements to strengthen the personality of the character
Status quo
read through
callback
stage business
42. Chosen for a role
Shared position
cast
monologue
subtext
43. Say your lines quicker after your cue line
master gesture
Keeping open on a proscenium stage while
subtext
pick up your cues
44. Turn your hand upstage
callback
Keeping open on stage while gesturing
stage business
3 ways to have a positive relationship with your director
45. Make crosses upstage in an upward arc
objective
keeping open on stage while crossing
fourth wall
Acting Generated emotion
46. Interview for the play. make an impression and show talent
keeping open on stage while crossing
audition
keeping open on stage while turning
emotional memory
47. Auditioning with a script you have not read
callback
cue line
cold reading
keeping open on stage while turning
48. Where an actor mirrors another actors position
Shared position
poise
Upstaging
fourth wall
49. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
upstage
Upstaging
Emotional Memory
read through
50. Turn in the direction of your downstage hand
keep open on stage while entering
keeping open on stage while turning
Keeping open on a proscenium stage while
Keeping open on stage while standing