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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A position onstage where one actor mirrors another actor's body position
monologue
motivation
shared position
cast
2. Using your own memories to help understand a characters emotions
fourth wall
subtext
focus
Emotional Memory
3. A characteristic gesture
subtext
master gesture
subtext
keep open on stage while entering through doors
4. Turn in the direction of your downstage hand
leading center
Spiking the set
keeping open on stage while turning
subtext
5. A final line that signals an actor to begin the next speech
cold reading
presentational style
emotional memory
cue line
6. Something preventing the character from getting the objective
Upstaging
strategy
obstacle
Beats
7. A complete reading of the play
keep open on stage while entering through doors
read through
sense memory
cross
8. Movements to strengthen the personality of the character
Keeping open on stage while gesturing
keep open on stage while entering
your dropping line
stage business
9. Auditioning with a script you have not read
cross
subtext
cold reading
cue line
10. Being asked to come back and see the auditors again
callback
motivation
action
subtext
11. To move from one place to another on stage
role
poise
cross
open
12. When actors work on building characterization
working rehearsal
Keeping open on stage while standing
monologue
Upstaging
13. What is at risk
Sense memory
Emotional Memory
keeping open on stage while crossing
stakes
14. When you preform actions and they generate an emotion within yourself
Acting Generated emotion
objective
master gesture
presentational style
15. To mark the floor of the rehearsal space to show the floor plan for the play
sense memory
Spiking the set
strategy
status quo
16. Where an actor mirrors another actors position
upstage
upstage
outcome
Shared position
17. Open the door with your upstage hand
your topping the line
keep open on stage while entering through doors
monologue
keep open on stage while entering
18. Turn in the direction of your downstage hand
stage business
working rehearsal
presentational style
keeping open on stage while turning
19. Where the actors acknowledge the audience
monologue
presentational style
strategy
cast
20. Chosen for a role
status quo
cast
monologue
stakes
21. A position onstage where one actor mirrors another actor's body position
outcome
strategy
shared position
role
22. How a character overcomes the obstacle
strategy
your dropping line
cross
motivation
23. Where actors do not acknowledge the audience
role
representational style
cold reading
subtext
24. Positive attitude - good communication - ask before you change your physical appearance
action
Sense memory
poise
3 ways to have a positive relationship with your director
25. To mark the floor of the rehearsal space to show the floor plan for the play
read through
audition
your topping the line
Spiking the set
26. What the character does
Shared position
Status quo
leading center
action
27. To keep your face and the front of your body as visible to the audience as much as possible
emotional memory
keeping open on stage while crossing
presentational style
open
28. A characteristic gesture
Shared position
master gesture
Upstaging
working rehearsal
29. Memories of sights - sounds - smells - tastes and textures - used to define a character
Sense memory
role
stakes
poise
30. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
Status quo
stage business
auditors
31. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
objective
keep open on stage while entering through doors
representational style
32. When actors work on building characterization
keep open on stage while entering
outcome
working rehearsal
cue line
33. The intended point of interest on stage
cue line
callback
callback
focus
34. Smaller sections of a scene divided where shifts in emotion or topic occur
Leading center
Beats
focus
leading center
35. A imaginary wall between the audience and the stage
keep open on stage while entering
poise
leading center
fourth wall
36. Your voice gets quieter as you say your line
your dropping line
working rehearsal
Acting Generated emotion
3 ways to have a positive relationship with your director
37. What makes a character do something
motivation
callback
Keeping open on stage while standing
monologue
38. To keep your face and the front of your body as visible to the audience as much as possible
Keeping open on stage while standing
monologue
open
Upstaging
39. Where an actor mirrors another actors position
Beats
Shared position
fourth wall
keeping open on stage while turning
40. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
pick up your cues
representational style
keep open on stage while entering
Upstaging
41. Memories of sights - sounds - smells - tastes and textures - used to define a character
open
role
Keeping open on a proscenium stage while
Sense memory
42. Move right by moving with your right foot and vice versa with left
objective
Emotional Memory
Keeping open on stage while moving left or right
cross
43. Make crosses upstage in an upward arc
keeping open on stage while turning
Upstaging
Beats
keeping open on stage while crossing
44. Part in a play
cold reading
representational style
role
cue line
45. Where actors do not acknowledge the audience
Acting Generated emotion
Sense memory
representational style
fourth wall
46. Calling upon memories of your own emotions to understand the emotions of a character
emotional memory
Upstaging
callback
fourth wall
47. Information that is implied but not spoken - thoughts or actions
status quo
sense memory
Keeping open on a proscenium stage while
subtext
48. Where the actors acknowledge the audience
subtext
pick up your cues
Shared position
presentational style
49. Chosen for a role
action
Upstaging
Spiking the set
cast
50. Information that is implied but not spoken - thoughts or actions
subtext
fourth wall
shared position
fourth wall