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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Where an actor mirrors another actors position
presentational style
Shared position
motivation
subtext
2. A characteristic gesture
keep open on stage while entering through doors
presentational style
master gesture
upstage
3. A final line that signals an actor to begin the next speech
representational style
cue line
Status quo
objective
4. What is at risk
read through
upstage
keeping open on stage while turning
stakes
5. Make crosses upstage in an upward arc
obstacle
cue line
Emotional Memory
keeping open on stage while crossing
6. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
your topping the line
Sense memory
Shared position
7. A position onstage where one actor mirrors another actor's body position
Upstaging
shared position
keeping open on stage while turning
Keeping open on stage while gesturing
8. Your saying the line louder than the person before you
action
your topping the line
Keeping open on stage while moving left or right
transitions
9. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
Leading center
strategy
cast
subtext
10. Interview for the play. make an impression and show talent
open
your dropping line
Sense memory
audition
11. Smaller sections of a scene divided where shifts in emotion or topic occur
Beats
action
cold reading
Emotional Memory
12. The intended point of interest on stage
focus
your topping the line
monologue
monologue
13. Using your own memories to help understand a characters emotions
keep open on stage while entering through doors
Spiking the set
Shared position
Emotional Memory
14. Memories of sights - sounds - smells - tastes and textures - used to define a character
Emotional Memory
Sense memory
poise
keeping open on stage while crossing
15. What makes a character do something
Leading center
subtext
cold reading
motivation
16. Your voice gets quieter as you say your line
strategy
stage business
your dropping line
stakes
17. Turn your hand upstage
master gesture
Keeping open on stage while gesturing
Leading center
your topping the line
18. How a character overcomes the obstacle
strategy
Keeping open on stage while standing
cold reading
action
19. Say your lines quicker after your cue line
Leading center
pick up your cues
role
your topping the line
20. Where the actors acknowledge the audience
presentational style
leading center
motivation
stage business
21. Auditioning with a script you have not read
subtext
cold reading
obstacle
Acting Generated emotion
22. Enter with your upstage foot
objective
obstacle
keep open on stage while entering
Leading center
23. Positive attitude - good communication - ask before you change your physical appearance
leading center
keeping open on stage while turning
3 ways to have a positive relationship with your director
callback
24. What your character wants
objective
obstacle
strategy
3 ways to have a positive relationship with your director
25. Positive attitude - good communication - ask before you change your physical appearance
action
outcome
Acting Generated emotion
3 ways to have a positive relationship with your director
26. Your saying the line louder than the person before you
read through
your topping the line
pick up your cues
transitions
27. The part of a characters's body that leads in movements - and reflects the nature of the character
Keeping open on stage while standing
Keeping open on stage while moving left or right
Leading center
Spiking the set
28. Chosen for a role
cast
role
focus
read through
29. To keep your face and the front of your body as visible to the audience as much as possible
poise
transitions
action
open
30. When you preform actions and they generate an emotion within yourself
transitions
objective
Acting Generated emotion
audition
31. Part in a play
keep open on stage while entering
Keeping open on a proscenium stage while
role
keeping open on stage while crossing
32. Using a one quarter to the person your talking to
working rehearsal
upstage
open
Keeping open on a proscenium stage while
33. A characters present circumstances
callback
Status quo
presentational style
Keeping open on stage while moving left or right
34. A characters present circumstances
motivation
audition
Status quo
subtext
35. A imaginary wall between the audience and the stage
motivation
status quo
fourth wall
3 ways to have a positive relationship with your director
36. A position onstage where one actor mirrors another actor's body position
Emotional Memory
Leading center
Sense memory
shared position
37. Where the actors acknowledge the audience
your topping the line
role
presentational style
callback
38. Movements to strengthen the personality of the character
objective
cue line
stage business
monologue
39. Where actors do not acknowledge the audience
emotional memory
your dropping line
focus
representational style
40. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
representational style
presentational style
outcome
41. Smaller sections of a scene divided where shifts in emotion or topic occur
Spiking the set
working rehearsal
stakes
Beats
42. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
Shared position
role
open
43. What the character does
your topping the line
action
role
Keeping open on stage while standing
44. Open the door with your upstage hand
keep open on stage while entering through doors
pick up your cues
read through
stakes
45. Chosen for a role
Shared position
leading center
stakes
cast
46. The people conducting the auditions
auditors
open
3 ways to have a positive relationship with your director
working rehearsal
47. Say your lines quicker after your cue line
cast
cast
subtext
pick up your cues
48. The people conducting the auditions
read through
Sense memory
auditors
strategy
49. What makes a character do something
stakes
your dropping line
motivation
cold reading
50. Interview for the play. make an impression and show talent
keep open on stage while entering through doors
focus
audition
focus