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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Positive attitude - good communication - ask before you change your physical appearance
callback
3 ways to have a positive relationship with your director
keep open on stage while entering through doors
auditors
2. Being asked to come back and see the auditors again
keeping open on stage while turning
callback
keep open on stage while entering
stakes
3. What your character wants
motivation
objective
Acting Generated emotion
stage business
4. Say your lines quicker after your cue line
Emotional Memory
pick up your cues
subtext
keep open on stage while entering
5. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
transitions
Keeping open on a proscenium stage while
subtext
your topping the line
6. Calling upon memories of your own emotions to understand the emotions of a character
master gesture
Shared position
3 ways to have a positive relationship with your director
emotional memory
7. The people conducting the auditions
read through
outcome
auditors
working rehearsal
8. Where an actor mirrors another actors position
cold reading
Shared position
Sense memory
callback
9. A final line that signals an actor to begin the next speech
cue line
Beats
objective
Keeping open on stage while moving left or right
10. A story - speech or scene performed by one actor only
action
emotional memory
monologue
keep open on stage while entering through doors
11. Using a one quarter to the person your talking to
fourth wall
Keeping open on a proscenium stage while
presentational style
subtext
12. Using your own memories to help understand a characters emotions
cue line
Keeping open on stage while moving left or right
monologue
Emotional Memory
13. Auditioning with a script you have not read
master gesture
objective
sense memory
cold reading
14. Smaller sections of a scene divided where shifts in emotion or topic occur
Beats
pick up your cues
Upstaging
stakes
15. What makes a character do something
motivation
cast
keeping open on stage while crossing
master gesture
16. Interview for the play. make an impression and show talent
poise
audition
keeping open on stage while crossing
strategy
17. Movements to strengthen the personality of the character
Keeping open on stage while standing
stage business
3 ways to have a positive relationship with your director
leading center
18. When you preform actions and they generate an emotion within yourself
keep open on stage while entering through doors
Keeping open on stage while standing
Acting Generated emotion
keep open on stage while entering through doors
19. When actors work on building characterization
keeping open on stage while turning
working rehearsal
upstage
auditors
20. To move from one place to another on stage
stakes
upstage
cross
transitions
21. Information that is implied but not spoken - thoughts or actions
3 ways to have a positive relationship with your director
subtext
your topping the line
keep open on stage while entering through doors
22. Turn your hand upstage
Keeping open on stage while gesturing
keep open on stage while entering through doors
poise
focus
23. Where the actors acknowledge the audience
monologue
presentational style
role
keeping open on stage while crossing
24. Where an actor mirrors another actors position
Upstaging
Shared position
3 ways to have a positive relationship with your director
status quo
25. Your voice gets quieter as you say your line
outcome
Keeping open on a proscenium stage while
representational style
your dropping line
26. Using your own memories to help understand a characters emotions
Emotional Memory
subtext
Keeping open on stage while gesturing
shared position
27. To keep your face and the front of your body as visible to the audience as much as possible
focus
3 ways to have a positive relationship with your director
open
read through
28. Where actors do not acknowledge the audience
Status quo
representational style
motivation
Spiking the set
29. A complete reading of the play
Keeping open on stage while gesturing
read through
Keeping open on stage while moving left or right
sense memory
30. Part in a play
objective
role
pick up your cues
3 ways to have a positive relationship with your director
31. Turn in the direction of your downstage hand
keep open on stage while entering
Spiking the set
pick up your cues
keeping open on stage while turning
32. A position onstage where one actor mirrors another actor's body position
callback
obstacle
Keeping open on stage while gesturing
shared position
33. Control in posture
status quo
poise
sense memory
motivation
34. The part of a characters's body that leads in movements - and reflects the nature of the character
cast
pick up your cues
Leading center
audition
35. Your voice gets quieter as you say your line
leading center
your dropping line
Beats
sense memory
36. Being asked to come back and see the auditors again
working rehearsal
status quo
obstacle
callback
37. Where actors do not acknowledge the audience
representational style
obstacle
Keeping open on stage while moving left or right
Keeping open on stage while moving left or right
38. Auditioning with a script you have not read
3 ways to have a positive relationship with your director
cold reading
keep open on stage while entering through doors
Status quo
39. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
emotional memory
pick up your cues
subtext
upstage
40. Bridges between the beats
transitions
keep open on stage while entering through doors
motivation
keep open on stage while entering
41. Your memory of sights - smells - tastes - sounds and textures
keeping open on stage while crossing
Keeping open on stage while gesturing
Keeping open on stage while standing
sense memory
42. How a character overcomes the obstacle
transitions
Keeping open on stage while standing
stage business
strategy
43. To keep your face and the front of your body as visible to the audience as much as possible
Leading center
cast
open
motivation
44. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
your topping the line
Shared position
Upstaging
Leading center
45. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
focus
monologue
upstage
outcome
46. What part of the body you lead with
action
Spiking the set
emotional memory
leading center
47. What the character does
monologue
action
focus
keep open on stage while entering
48. Your saying the line louder than the person before you
representational style
your topping the line
stakes
monologue
49. A position onstage where one actor mirrors another actor's body position
shared position
representational style
focus
working rehearsal
50. Result of action the characters take to overcome the obstacle
outcome
cast
pick up your cues
action