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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Make crosses upstage in an upward arc
3 ways to have a positive relationship with your director
auditors
keeping open on stage while crossing
open
2. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
outcome
keep open on stage while entering through doors
your dropping line
subtext
3. Part in a play
status quo
Emotional Memory
master gesture
role
4. Enter with your upstage foot
keep open on stage while entering
3 ways to have a positive relationship with your director
Keeping open on stage while moving left or right
keep open on stage while entering through doors
5. To mark the floor of the rehearsal space to show the floor plan for the play
Spiking the set
monologue
objective
stage business
6. When you preform actions and they generate an emotion within yourself
Status quo
callback
keep open on stage while entering through doors
Acting Generated emotion
7. Say your lines quicker after your cue line
cross
Keeping open on stage while gesturing
pick up your cues
role
8. What is at risk
Sense memory
strategy
subtext
stakes
9. The people conducting the auditions
focus
auditors
emotional memory
keep open on stage while entering
10. Auditioning with a script you have not read
Leading center
Emotional Memory
cold reading
keep open on stage while entering through doors
11. When actors work on building characterization
representational style
working rehearsal
leading center
Upstaging
12. Chosen for a role
Keeping open on stage while moving left or right
role
presentational style
cast
13. The intended point of interest on stage
focus
3 ways to have a positive relationship with your director
stakes
Upstaging
14. Your memory of sights - smells - tastes - sounds and textures
sense memory
objective
Beats
3 ways to have a positive relationship with your director
15. A complete reading of the play
read through
motivation
stakes
poise
16. Turn in the direction of your downstage hand
outcome
poise
Keeping open on a proscenium stage while
keeping open on stage while turning
17. The intended point of interest on stage
Keeping open on a proscenium stage while
focus
motivation
Leading center
18. When you preform actions and they generate an emotion within yourself
Acting Generated emotion
strategy
cast
Spiking the set
19. Smaller sections of a scene divided where shifts in emotion or topic occur
stage business
Beats
presentational style
Shared position
20. Where the actors acknowledge the audience
presentational style
poise
subtext
your topping the line
21. Where actors do not acknowledge the audience
representational style
Spiking the set
keeping open on stage while crossing
stage business
22. What part of the body you lead with
leading center
working rehearsal
Shared position
status quo
23. Present circumstances
transitions
pick up your cues
status quo
monologue
24. Open the door with your upstage hand
keep open on stage while entering through doors
outcome
Shared position
your topping the line
25. Your saying the line louder than the person before you
Upstaging
motivation
outcome
your topping the line
26. Part in a play
role
transitions
cue line
focus
27. Interview for the play. make an impression and show talent
Sense memory
upstage
audition
stage business
28. Using your own memories to help understand a characters emotions
Spiking the set
3 ways to have a positive relationship with your director
Emotional Memory
strategy
29. Smaller sections of a scene divided where shifts in emotion or topic occur
Keeping open on stage while gesturing
Beats
objective
open
30. A characteristic gesture
pick up your cues
obstacle
monologue
master gesture
31. A imaginary wall between the audience and the stage
fourth wall
stage business
Keeping open on stage while moving left or right
cold reading
32. Using a one quarter to the person your talking to
Keeping open on a proscenium stage while
role
poise
sense memory
33. Bridges between the beats
cold reading
poise
transitions
Emotional Memory
34. How a character overcomes the obstacle
Leading center
status quo
Leading center
strategy
35. A complete reading of the play
representational style
representational style
read through
audition
36. Auditioning with a script you have not read
Beats
cold reading
Keeping open on stage while standing
status quo
37. Control in posture
poise
obstacle
Keeping open on stage while moving left or right
transitions
38. Enter with your upstage foot
Spiking the set
emotional memory
keep open on stage while entering
Shared position
39. Chosen for a role
cast
Upstaging
keeping open on stage while turning
sense memory
40. Movements to strengthen the personality of the character
keep open on stage while entering through doors
cross
stage business
Sense memory
41. Information that is implied but not spoken - thoughts or actions
subtext
keeping open on stage while turning
leading center
stakes
42. A final line that signals an actor to begin the next speech
cue line
transitions
cast
keep open on stage while entering through doors
43. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
pick up your cues
upstage
subtext
emotional memory
44. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
master gesture
pick up your cues
leading center
45. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
role
emotional memory
pick up your cues
46. Control in posture
poise
emotional memory
Upstaging
read through
47. Your saying the line louder than the person before you
poise
subtext
your topping the line
representational style
48. Result of action the characters take to overcome the obstacle
outcome
Shared position
Upstaging
Beats
49. Being asked to come back and see the auditors again
focus
focus
Emotional Memory
callback
50. Present circumstances
working rehearsal
status quo
Emotional Memory
working rehearsal