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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Bridges between the beats
leading center
transitions
shared position
outcome
2. Full front - or one quarter left or right
audition
outcome
Keeping open on stage while standing
cue line
3. A characters present circumstances
outcome
callback
strategy
Status quo
4. A final line that signals an actor to begin the next speech
cue line
pick up your cues
your topping the line
read through
5. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
outcome
objective
subtext
Beats
6. Using a one quarter to the person your talking to
your dropping line
stage business
Keeping open on a proscenium stage while
keeping open on stage while turning
7. Open the door with your upstage hand
keep open on stage while entering through doors
fourth wall
Beats
callback
8. Move right by moving with your right foot and vice versa with left
auditors
objective
Keeping open on stage while moving left or right
strategy
9. What your character wants
pick up your cues
Spiking the set
representational style
objective
10. A characters present circumstances
obstacle
Status quo
Acting Generated emotion
motivation
11. To move from one place to another on stage
Shared position
Sense memory
cross
your dropping line
12. Move right by moving with your right foot and vice versa with left
Upstaging
strategy
Keeping open on stage while moving left or right
cast
13. Your voice gets quieter as you say your line
3 ways to have a positive relationship with your director
your dropping line
leading center
your topping the line
14. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
fourth wall
outcome
cast
15. A complete reading of the play
shared position
read through
Keeping open on a proscenium stage while
keep open on stage while entering through doors
16. A characteristic gesture
Upstaging
master gesture
cast
Emotional Memory
17. Present circumstances
Keeping open on a proscenium stage while
cold reading
upstage
status quo
18. Where the actors acknowledge the audience
cold reading
Keeping open on a proscenium stage while
Keeping open on stage while standing
presentational style
19. What part of the body you lead with
fourth wall
keeping open on stage while turning
callback
leading center
20. Being asked to come back and see the auditors again
Beats
subtext
cast
callback
21. Using your own memories to help understand a characters emotions
keep open on stage while entering
monologue
Emotional Memory
poise
22. How a character overcomes the obstacle
poise
strategy
outcome
status quo
23. How a character overcomes the obstacle
shared position
master gesture
pick up your cues
strategy
24. Open the door with your upstage hand
Sense memory
keep open on stage while entering through doors
representational style
presentational style
25. The intended point of interest on stage
auditors
Acting Generated emotion
callback
focus
26. Part in a play
Emotional Memory
role
keeping open on stage while turning
Status quo
27. Turn your hand upstage
Keeping open on stage while gesturing
cold reading
cast
motivation
28. When actors work on building characterization
Leading center
obstacle
keeping open on stage while turning
working rehearsal
29. What the character does
Keeping open on stage while gesturing
your topping the line
Status quo
action
30. Something preventing the character from getting the objective
Emotional Memory
read through
obstacle
status quo
31. Being asked to come back and see the auditors again
status quo
monologue
callback
upstage
32. Something preventing the character from getting the objective
Acting Generated emotion
obstacle
Spiking the set
subtext
33. When you preform actions and they generate an emotion within yourself
your topping the line
cue line
action
Acting Generated emotion
34. The people conducting the auditions
auditors
keeping open on stage while crossing
objective
Sense memory
35. Your saying the line louder than the person before you
your topping the line
read through
audition
auditors
36. Result of action the characters take to overcome the obstacle
Keeping open on stage while moving left or right
keep open on stage while entering through doors
status quo
outcome
37. Movements to strengthen the personality of the character
subtext
stage business
Status quo
keeping open on stage while crossing
38. Full front - or one quarter left or right
subtext
your dropping line
Keeping open on stage while standing
representational style
39. Your saying the line louder than the person before you
your topping the line
cross
audition
obstacle
40. To mark the floor of the rehearsal space to show the floor plan for the play
master gesture
Emotional Memory
Spiking the set
working rehearsal
41. Turn in the direction of your downstage hand
Keeping open on stage while gesturing
representational style
keeping open on stage while turning
your dropping line
42. Make crosses upstage in an upward arc
pick up your cues
leading center
keeping open on stage while crossing
your topping the line
43. Chosen for a role
cast
focus
monologue
audition
44. Say your lines quicker after your cue line
open
callback
upstage
pick up your cues
45. A position onstage where one actor mirrors another actor's body position
transitions
shared position
keep open on stage while entering through doors
subtext
46. A imaginary wall between the audience and the stage
fourth wall
Keeping open on stage while gesturing
objective
Beats
47. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
monologue
read through
Keeping open on stage while moving left or right
48. Smaller sections of a scene divided where shifts in emotion or topic occur
Beats
Keeping open on stage while standing
monologue
Emotional Memory
49. Movements to strengthen the personality of the character
monologue
stage business
Acting Generated emotion
3 ways to have a positive relationship with your director
50. Positive attitude - good communication - ask before you change your physical appearance
Upstaging
3 ways to have a positive relationship with your director
master gesture
Keeping open on stage while standing