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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Turn your hand upstage
Leading center
Keeping open on stage while gesturing
audition
shared position
2. Information that is implied but not spoken - thoughts or actions
subtext
keeping open on stage while crossing
audition
transitions
3. Auditioning with a script you have not read
cold reading
cue line
leading center
emotional memory
4. To mark the floor of the rehearsal space to show the floor plan for the play
Spiking the set
working rehearsal
leading center
subtext
5. Interview for the play. make an impression and show talent
callback
obstacle
audition
keeping open on stage while crossing
6. What the character does
callback
action
your topping the line
focus
7. To mark the floor of the rehearsal space to show the floor plan for the play
subtext
read through
objective
Spiking the set
8. What makes a character do something
keep open on stage while entering
open
open
motivation
9. Full front - or one quarter left or right
fourth wall
Keeping open on stage while standing
stakes
subtext
10. Memories of sights - sounds - smells - tastes and textures - used to define a character
callback
Sense memory
objective
3 ways to have a positive relationship with your director
11. Say your lines quicker after your cue line
status quo
fourth wall
pick up your cues
read through
12. What your character wants
transitions
Keeping open on stage while gesturing
role
objective
13. Where the actors acknowledge the audience
keep open on stage while entering
open
leading center
presentational style
14. A complete reading of the play
status quo
read through
Spiking the set
objective
15. Calling upon memories of your own emotions to understand the emotions of a character
keeping open on stage while turning
emotional memory
Keeping open on stage while gesturing
cross
16. Chosen for a role
Keeping open on a proscenium stage while
open
leading center
cast
17. The intended point of interest on stage
monologue
status quo
focus
motivation
18. Turn in the direction of your downstage hand
keeping open on stage while turning
cue line
outcome
Emotional Memory
19. When actors work on building characterization
Keeping open on stage while standing
your topping the line
open
working rehearsal
20. Result of action the characters take to overcome the obstacle
callback
Acting Generated emotion
outcome
presentational style
21. What is at risk
keep open on stage while entering through doors
stakes
Status quo
Acting Generated emotion
22. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
master gesture
your topping the line
status quo
subtext
23. A characters present circumstances
sense memory
emotional memory
Acting Generated emotion
Status quo
24. A imaginary wall between the audience and the stage
fourth wall
obstacle
subtext
transitions
25. A final line that signals an actor to begin the next speech
transitions
working rehearsal
leading center
cue line
26. Bridges between the beats
Spiking the set
Keeping open on a proscenium stage while
transitions
cold reading
27. Positive attitude - good communication - ask before you change your physical appearance
master gesture
obstacle
master gesture
3 ways to have a positive relationship with your director
28. Where actors do not acknowledge the audience
Leading center
audition
representational style
pick up your cues
29. The people conducting the auditions
auditors
transitions
read through
your topping the line
30. Movements to strengthen the personality of the character
Keeping open on stage while moving left or right
stage business
objective
Beats
31. Part in a play
role
Keeping open on stage while moving left or right
Emotional Memory
status quo
32. Move right by moving with your right foot and vice versa with left
shared position
callback
Keeping open on stage while moving left or right
role
33. When you preform actions and they generate an emotion within yourself
master gesture
keeping open on stage while crossing
Acting Generated emotion
your topping the line
34. Something preventing the character from getting the objective
your topping the line
obstacle
presentational style
subtext
35. Control in posture
poise
motivation
3 ways to have a positive relationship with your director
auditors
36. The people conducting the auditions
keeping open on stage while crossing
auditors
outcome
Emotional Memory
37. What the character does
action
keeping open on stage while crossing
shared position
pick up your cues
38. Smaller sections of a scene divided where shifts in emotion or topic occur
keeping open on stage while crossing
subtext
working rehearsal
Beats
39. Say your lines quicker after your cue line
open
subtext
pick up your cues
focus
40. Calling upon memories of your own emotions to understand the emotions of a character
status quo
leading center
pick up your cues
emotional memory
41. A characteristic gesture
master gesture
cold reading
Keeping open on a proscenium stage while
status quo
42. Where the actors acknowledge the audience
cast
Shared position
Spiking the set
presentational style
43. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
sense memory
Upstaging
Acting Generated emotion
obstacle
44. What your character wants
objective
representational style
Beats
auditors
45. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
upstage
pick up your cues
keeping open on stage while crossing
cross
46. Using a one quarter to the person your talking to
poise
Keeping open on a proscenium stage while
keeping open on stage while turning
subtext
47. Open the door with your upstage hand
keep open on stage while entering through doors
subtext
focus
action
48. Memories of sights - sounds - smells - tastes and textures - used to define a character
action
Sense memory
obstacle
Keeping open on a proscenium stage while
49. A final line that signals an actor to begin the next speech
Upstaging
cue line
Upstaging
keeping open on stage while crossing
50. Turn in the direction of your downstage hand
poise
presentational style
keeping open on stage while turning
action