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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Turn your hand upstage
subtext
stakes
leading center
Keeping open on stage while gesturing
2. A final line that signals an actor to begin the next speech
cue line
auditors
Emotional Memory
motivation
3. When actors work on building characterization
stakes
fourth wall
keep open on stage while entering
working rehearsal
4. Bridges between the beats
Keeping open on stage while gesturing
subtext
transitions
monologue
5. How a character overcomes the obstacle
strategy
stakes
presentational style
auditors
6. The part of a characters's body that leads in movements - and reflects the nature of the character
Beats
shared position
working rehearsal
Leading center
7. Memories of sights - sounds - smells - tastes and textures - used to define a character
keep open on stage while entering through doors
audition
keeping open on stage while turning
Sense memory
8. Make crosses upstage in an upward arc
objective
strategy
keeping open on stage while crossing
keep open on stage while entering through doors
9. Enter with your upstage foot
keeping open on stage while crossing
cross
keep open on stage while entering
Keeping open on stage while standing
10. Full front - or one quarter left or right
3 ways to have a positive relationship with your director
Keeping open on stage while standing
read through
Beats
11. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
subtext
keeping open on stage while turning
upstage
sense memory
12. Part in a play
role
read through
shared position
your topping the line
13. Your voice gets quieter as you say your line
shared position
Sense memory
keeping open on stage while crossing
your dropping line
14. Being asked to come back and see the auditors again
callback
keep open on stage while entering
stage business
cue line
15. Your memory of sights - smells - tastes - sounds and textures
your topping the line
auditors
sense memory
Leading center
16. When actors work on building characterization
Sense memory
working rehearsal
pick up your cues
cast
17. A complete reading of the play
Beats
emotional memory
read through
Emotional Memory
18. To keep your face and the front of your body as visible to the audience as much as possible
open
cast
sense memory
Keeping open on stage while gesturing
19. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
pick up your cues
subtext
Acting Generated emotion
20. To mark the floor of the rehearsal space to show the floor plan for the play
action
Spiking the set
subtext
Sense memory
21. Smaller sections of a scene divided where shifts in emotion or topic occur
keeping open on stage while turning
Beats
focus
Spiking the set
22. Bridges between the beats
read through
Beats
role
transitions
23. Open the door with your upstage hand
obstacle
sense memory
Sense memory
keep open on stage while entering through doors
24. A imaginary wall between the audience and the stage
audition
Sense memory
fourth wall
cast
25. A characters present circumstances
fourth wall
transitions
shared position
Status quo
26. When you preform actions and they generate an emotion within yourself
Acting Generated emotion
Upstaging
Keeping open on stage while moving left or right
keeping open on stage while turning
27. What your character wants
objective
Keeping open on stage while standing
read through
Acting Generated emotion
28. A characteristic gesture
cue line
master gesture
auditors
cross
29. What makes a character do something
Keeping open on stage while gesturing
Leading center
motivation
3 ways to have a positive relationship with your director
30. A final line that signals an actor to begin the next speech
motivation
Leading center
cue line
open
31. Where the actors acknowledge the audience
cue line
read through
audition
presentational style
32. Turn in the direction of your downstage hand
motivation
focus
leading center
keeping open on stage while turning
33. Information that is implied but not spoken - thoughts or actions
3 ways to have a positive relationship with your director
keeping open on stage while crossing
stakes
subtext
34. Where the actors acknowledge the audience
auditors
representational style
3 ways to have a positive relationship with your director
presentational style
35. The people conducting the auditions
Sense memory
focus
auditors
keeping open on stage while turning
36. Positive attitude - good communication - ask before you change your physical appearance
3 ways to have a positive relationship with your director
stakes
role
cross
37. What is at risk
monologue
poise
stakes
fourth wall
38. Information that is implied but not spoken - thoughts or actions
sense memory
Acting Generated emotion
status quo
subtext
39. Control in posture
Keeping open on stage while standing
obstacle
poise
3 ways to have a positive relationship with your director
40. Calling upon memories of your own emotions to understand the emotions of a character
poise
sense memory
audition
emotional memory
41. What the character does
action
objective
keep open on stage while entering
Beats
42. Where actors do not acknowledge the audience
monologue
presentational style
outcome
representational style
43. Where an actor mirrors another actors position
upstage
motivation
Shared position
working rehearsal
44. Something preventing the character from getting the objective
strategy
cast
fourth wall
obstacle
45. Your voice gets quieter as you say your line
keeping open on stage while turning
3 ways to have a positive relationship with your director
your dropping line
Beats
46. Chosen for a role
outcome
leading center
cast
3 ways to have a positive relationship with your director
47. What your character wants
Beats
Emotional Memory
leading center
objective
48. Make crosses upstage in an upward arc
audition
leading center
representational style
keeping open on stage while crossing
49. A characters present circumstances
Status quo
Emotional Memory
working rehearsal
transitions
50. Say your lines quicker after your cue line
pick up your cues
keep open on stage while entering
stage business
Emotional Memory