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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer
50
questions in
15 minutes
.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When you preform actions and they generate an emotion within yourself
keeping open on stage while turning
cross
Acting Generated emotion
leading center
2. A imaginary wall between the audience and the stage
stakes
fourth wall
subtext
stage business
3. Control in posture
strategy
Upstaging
poise
monologue
4. Using a one quarter to the person your talking to
Sense memory
Keeping open on a proscenium stage while
sense memory
stage business
5. Turn your hand upstage
action
Keeping open on stage while gesturing
motivation
your dropping line
6. Make crosses upstage in an upward arc
focus
transitions
cue line
keeping open on stage while crossing
7. How a character overcomes the obstacle
keep open on stage while entering through doors
your dropping line
auditors
strategy
8. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
auditors
subtext
keeping open on stage while turning
Emotional Memory
9. Positive attitude - good communication - ask before you change your physical appearance
monologue
3 ways to have a positive relationship with your director
read through
strategy
10. Auditioning with a script you have not read
Emotional Memory
Emotional Memory
stage business
cold reading
11. To keep your face and the front of your body as visible to the audience as much as possible
objective
open
shared position
Upstaging
12. When actors work on building characterization
stage business
obstacle
Keeping open on a proscenium stage while
working rehearsal
13. How a character overcomes the obstacle
focus
stage business
objective
strategy
14. Where actors do not acknowledge the audience
working rehearsal
poise
stakes
representational style
15. Your saying the line louder than the person before you
Keeping open on stage while moving left or right
obstacle
your topping the line
open
16. Open the door with your upstage hand
leading center
keep open on stage while entering through doors
audition
Upstaging
17. What makes a character do something
leading center
poise
motivation
auditors
18. What makes a character do something
working rehearsal
pick up your cues
poise
motivation
19. Part in a play
Keeping open on stage while standing
focus
cold reading
role
20. Something preventing the character from getting the objective
cross
Status quo
obstacle
Keeping open on stage while standing
21. The people conducting the auditions
keeping open on stage while turning
motivation
auditors
sense memory
22. To mark the floor of the rehearsal space to show the floor plan for the play
Spiking the set
upstage
your dropping line
keeping open on stage while turning
23. Bridges between the beats
transitions
fourth wall
keeping open on stage while turning
role
24. Say your lines quicker after your cue line
your topping the line
pick up your cues
keeping open on stage while turning
emotional memory
25. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
subtext
Upstaging
audition
upstage
26. A characters present circumstances
cold reading
role
keeping open on stage while turning
Status quo
27. Move right by moving with your right foot and vice versa with left
Keeping open on stage while moving left or right
Leading center
Keeping open on stage while gesturing
leading center
28. A characteristic gesture
master gesture
Keeping open on stage while gesturing
read through
Spiking the set
29. Movements to strengthen the personality of the character
stage business
keeping open on stage while crossing
obstacle
open
30. The part of a characters's body that leads in movements - and reflects the nature of the character
audition
stage business
emotional memory
Leading center
31. What part of the body you lead with
leading center
emotional memory
presentational style
cue line
32. Smaller sections of a scene divided where shifts in emotion or topic occur
cross
keeping open on stage while turning
Beats
strategy
33. Your memory of sights - smells - tastes - sounds and textures
cold reading
emotional memory
sense memory
focus
34. Turn in the direction of your downstage hand
your dropping line
stage business
keeping open on stage while turning
Keeping open on a proscenium stage while
35. The part of a characters's body that leads in movements - and reflects the nature of the character
keeping open on stage while turning
Leading center
read through
3 ways to have a positive relationship with your director
36. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
upstage
audition
subtext
your topping the line
37. A story - speech or scene performed by one actor only
status quo
Keeping open on stage while moving left or right
Keeping open on a proscenium stage while
monologue
38. Present circumstances
status quo
Beats
sense memory
cast
39. When actors work on building characterization
transitions
working rehearsal
callback
your dropping line
40. What is at risk
Emotional Memory
stakes
auditors
presentational style
41. What your character wants
focus
objective
your topping the line
role
42. Interview for the play. make an impression and show talent
emotional memory
Keeping open on stage while standing
transitions
audition
43. Smaller sections of a scene divided where shifts in emotion or topic occur
leading center
keeping open on stage while turning
Beats
auditors
44. Auditioning with a script you have not read
role
poise
cold reading
Leading center
45. Calling upon memories of your own emotions to understand the emotions of a character
emotional memory
Keeping open on stage while standing
Spiking the set
sense memory
46. Where the actors acknowledge the audience
presentational style
callback
outcome
obstacle
47. What the character does
subtext
read through
sense memory
action
48. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
strategy
poise
Sense memory
Upstaging
49. Your voice gets quieter as you say your line
your dropping line
shared position
role
strategy
50. A position onstage where one actor mirrors another actor's body position
action
shared position
your dropping line
stage business