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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A position onstage where one actor mirrors another actor's body position
working rehearsal
shared position
subtext
presentational style
2. Full front - or one quarter left or right
obstacle
Keeping open on stage while standing
cue line
read through
3. Turn in the direction of your downstage hand
focus
keeping open on stage while turning
your topping the line
Keeping open on stage while gesturing
4. A characters present circumstances
Status quo
objective
emotional memory
fourth wall
5. To mark the floor of the rehearsal space to show the floor plan for the play
sense memory
Sense memory
Spiking the set
representational style
6. A characters present circumstances
keeping open on stage while crossing
poise
Status quo
transitions
7. Where an actor mirrors another actors position
callback
your dropping line
Shared position
fourth wall
8. Where an actor mirrors another actors position
cross
working rehearsal
Shared position
cross
9. Information that is implied but not spoken - thoughts or actions
Emotional Memory
sense memory
strategy
subtext
10. A imaginary wall between the audience and the stage
fourth wall
obstacle
representational style
3 ways to have a positive relationship with your director
11. Result of action the characters take to overcome the obstacle
Sense memory
outcome
Shared position
objective
12. Open the door with your upstage hand
keep open on stage while entering through doors
read through
Sense memory
Status quo
13. Part in a play
Leading center
role
upstage
auditors
14. To move from one place to another on stage
master gesture
cross
leading center
Keeping open on stage while standing
15. Full front - or one quarter left or right
transitions
read through
Sense memory
Keeping open on stage while standing
16. Bridges between the beats
action
transitions
Spiking the set
Leading center
17. Your memory of sights - smells - tastes - sounds and textures
sense memory
Keeping open on stage while gesturing
cross
subtext
18. The part of a characters's body that leads in movements - and reflects the nature of the character
Keeping open on stage while standing
stage business
Leading center
outcome
19. Chosen for a role
role
Status quo
cast
action
20. A complete reading of the play
shared position
3 ways to have a positive relationship with your director
read through
Leading center
21. Memories of sights - sounds - smells - tastes and textures - used to define a character
callback
Sense memory
upstage
cross
22. When actors work on building characterization
Keeping open on stage while moving left or right
monologue
upstage
working rehearsal
23. Your memory of sights - smells - tastes - sounds and textures
Spiking the set
pick up your cues
objective
sense memory
24. Positive attitude - good communication - ask before you change your physical appearance
objective
callback
Status quo
3 ways to have a positive relationship with your director
25. Your saying the line louder than the person before you
Spiking the set
Upstaging
your topping the line
3 ways to have a positive relationship with your director
26. Move right by moving with your right foot and vice versa with left
Keeping open on stage while moving left or right
Acting Generated emotion
upstage
callback
27. Your voice gets quieter as you say your line
3 ways to have a positive relationship with your director
Keeping open on stage while moving left or right
Status quo
your dropping line
28. A complete reading of the play
Status quo
Keeping open on stage while moving left or right
read through
focus
29. Make crosses upstage in an upward arc
keeping open on stage while crossing
read through
sense memory
keep open on stage while entering
30. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
representational style
obstacle
your dropping line
31. The intended point of interest on stage
open
cast
read through
focus
32. Bridges between the beats
transitions
monologue
your dropping line
Keeping open on stage while moving left or right
33. Being asked to come back and see the auditors again
audition
poise
monologue
callback
34. Where actors do not acknowledge the audience
read through
representational style
Shared position
objective
35. The intended point of interest on stage
focus
leading center
pick up your cues
Upstaging
36. Interview for the play. make an impression and show talent
working rehearsal
keep open on stage while entering
auditors
audition
37. Memories of sights - sounds - smells - tastes and textures - used to define a character
objective
Upstaging
Acting Generated emotion
Sense memory
38. To move from one place to another on stage
cross
3 ways to have a positive relationship with your director
stakes
keep open on stage while entering through doors
39. How a character overcomes the obstacle
cast
strategy
subtext
cross
40. What is at risk
action
stakes
Acting Generated emotion
role
41. When you preform actions and they generate an emotion within yourself
Keeping open on stage while standing
Keeping open on stage while gesturing
sense memory
Acting Generated emotion
42. Where the actors acknowledge the audience
keep open on stage while entering through doors
presentational style
action
leading center
43. What your character wants
status quo
objective
Acting Generated emotion
Keeping open on stage while gesturing
44. Chosen for a role
transitions
upstage
cast
presentational style
45. To keep your face and the front of your body as visible to the audience as much as possible
pick up your cues
Status quo
role
open
46. When you preform actions and they generate an emotion within yourself
keeping open on stage while crossing
Acting Generated emotion
upstage
outcome
47. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
Spiking the set
upstage
stakes
Leading center
48. The part of a characters's body that leads in movements - and reflects the nature of the character
emotional memory
Leading center
audition
emotional memory
49. Say your lines quicker after your cue line
pick up your cues
Acting Generated emotion
poise
Sense memory
50. Move right by moving with your right foot and vice versa with left
focus
upstage
Keeping open on stage while moving left or right
Sense memory