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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Enter with your upstage foot
Upstaging
keep open on stage while entering
cue line
open
2. Chosen for a role
cast
Keeping open on stage while moving left or right
role
fourth wall
3. Smaller sections of a scene divided where shifts in emotion or topic occur
poise
cue line
Beats
Upstaging
4. Present circumstances
outcome
keep open on stage while entering through doors
status quo
keep open on stage while entering through doors
5. The people conducting the auditions
auditors
obstacle
subtext
status quo
6. When you preform actions and they generate an emotion within yourself
read through
Keeping open on stage while standing
emotional memory
Acting Generated emotion
7. Turn in the direction of your downstage hand
action
keeping open on stage while turning
fourth wall
status quo
8. What your character wants
Upstaging
status quo
keeping open on stage while turning
objective
9. Movements to strengthen the personality of the character
strategy
stage business
Leading center
callback
10. Being asked to come back and see the auditors again
read through
callback
shared position
auditors
11. Where actors do not acknowledge the audience
Status quo
shared position
Upstaging
representational style
12. Using a one quarter to the person your talking to
Keeping open on a proscenium stage while
cue line
Status quo
master gesture
13. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
Emotional Memory
callback
shared position
upstage
14. What is at risk
stakes
pick up your cues
working rehearsal
keep open on stage while entering through doors
15. Turn your hand upstage
Keeping open on stage while gesturing
obstacle
pick up your cues
keeping open on stage while crossing
16. Open the door with your upstage hand
keep open on stage while entering through doors
outcome
Leading center
keeping open on stage while crossing
17. What your character wants
leading center
objective
transitions
keeping open on stage while crossing
18. Positive attitude - good communication - ask before you change your physical appearance
3 ways to have a positive relationship with your director
subtext
Acting Generated emotion
open
19. The people conducting the auditions
Spiking the set
Leading center
subtext
auditors
20. What part of the body you lead with
Beats
objective
3 ways to have a positive relationship with your director
leading center
21. What is at risk
stakes
Status quo
Shared position
action
22. A characters present circumstances
Keeping open on stage while moving left or right
keeping open on stage while crossing
your dropping line
Status quo
23. Move right by moving with your right foot and vice versa with left
Keeping open on stage while standing
monologue
Keeping open on stage while moving left or right
subtext
24. Part in a play
master gesture
Keeping open on stage while standing
transitions
role
25. Say your lines quicker after your cue line
open
transitions
poise
pick up your cues
26. A imaginary wall between the audience and the stage
upstage
Spiking the set
fourth wall
outcome
27. Calling upon memories of your own emotions to understand the emotions of a character
focus
Beats
fourth wall
emotional memory
28. Using a one quarter to the person your talking to
Keeping open on stage while moving left or right
Beats
Keeping open on stage while standing
Keeping open on a proscenium stage while
29. Information that is implied but not spoken - thoughts or actions
strategy
your dropping line
subtext
monologue
30. Interview for the play. make an impression and show talent
audition
open
pick up your cues
Keeping open on stage while standing
31. What the character does
pick up your cues
Keeping open on stage while moving left or right
emotional memory
action
32. Your saying the line louder than the person before you
Beats
your topping the line
representational style
audition
33. Where an actor mirrors another actors position
Emotional Memory
cast
Shared position
presentational style
34. Your voice gets quieter as you say your line
transitions
status quo
role
your dropping line
35. To mark the floor of the rehearsal space to show the floor plan for the play
Upstaging
Spiking the set
Acting Generated emotion
cross
36. A complete reading of the play
read through
callback
role
Shared position
37. Where the actors acknowledge the audience
cross
motivation
presentational style
stakes
38. Auditioning with a script you have not read
outcome
cold reading
callback
motivation
39. To keep your face and the front of your body as visible to the audience as much as possible
open
transitions
your topping the line
action
40. Turn your hand upstage
cue line
working rehearsal
objective
Keeping open on stage while gesturing
41. A story - speech or scene performed by one actor only
Beats
monologue
Leading center
obstacle
42. Where the actors acknowledge the audience
your dropping line
Beats
presentational style
keeping open on stage while turning
43. How a character overcomes the obstacle
Shared position
strategy
upstage
transitions
44. Using your own memories to help understand a characters emotions
Upstaging
Emotional Memory
status quo
cast
45. Open the door with your upstage hand
keep open on stage while entering through doors
representational style
your topping the line
Keeping open on stage while standing
46. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
cross
obstacle
emotional memory
47. To move from one place to another on stage
cross
subtext
representational style
keep open on stage while entering
48. To mark the floor of the rehearsal space to show the floor plan for the play
Spiking the set
strategy
outcome
sense memory
49. What the character does
action
Sense memory
keep open on stage while entering
Shared position
50. Interview for the play. make an impression and show talent
Spiking the set
keeping open on stage while turning
sense memory
audition
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