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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Memories of sights - sounds - smells - tastes and textures - used to define a character
status quo
your topping the line
3 ways to have a positive relationship with your director
Sense memory
2. Turn in the direction of your downstage hand
keeping open on stage while turning
Shared position
Keeping open on stage while gesturing
status quo
3. Enter with your upstage foot
cast
transitions
focus
keep open on stage while entering
4. A imaginary wall between the audience and the stage
fourth wall
Keeping open on stage while gesturing
role
cast
5. Your saying the line louder than the person before you
your topping the line
strategy
motivation
master gesture
6. A complete reading of the play
master gesture
read through
cast
keeping open on stage while crossing
7. Say your lines quicker after your cue line
stakes
keep open on stage while entering through doors
objective
pick up your cues
8. A position onstage where one actor mirrors another actor's body position
shared position
master gesture
Keeping open on a proscenium stage while
Spiking the set
9. Calling upon memories of your own emotions to understand the emotions of a character
obstacle
motivation
emotional memory
Upstaging
10. Where actors do not acknowledge the audience
Beats
cast
representational style
your topping the line
11. Something preventing the character from getting the objective
keeping open on stage while crossing
obstacle
strategy
read through
12. Being asked to come back and see the auditors again
status quo
callback
upstage
focus
13. Where the actors acknowledge the audience
presentational style
transitions
Beats
keep open on stage while entering through doors
14. Your voice gets quieter as you say your line
your dropping line
role
Spiking the set
subtext
15. Auditioning with a script you have not read
read through
3 ways to have a positive relationship with your director
Keeping open on stage while moving left or right
cold reading
16. Using your own memories to help understand a characters emotions
working rehearsal
role
Keeping open on a proscenium stage while
Emotional Memory
17. Memories of sights - sounds - smells - tastes and textures - used to define a character
Sense memory
Beats
Shared position
objective
18. Movements to strengthen the personality of the character
upstage
stage business
strategy
Status quo
19. When you preform actions and they generate an emotion within yourself
Sense memory
role
fourth wall
Acting Generated emotion
20. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
Sense memory
outcome
3 ways to have a positive relationship with your director
21. Your memory of sights - smells - tastes - sounds and textures
sense memory
Status quo
leading center
Keeping open on stage while moving left or right
22. Full front - or one quarter left or right
auditors
Keeping open on a proscenium stage while
master gesture
Keeping open on stage while standing
23. A complete reading of the play
keep open on stage while entering
outcome
sense memory
read through
24. Auditioning with a script you have not read
cold reading
monologue
Keeping open on stage while standing
Spiking the set
25. To mark the floor of the rehearsal space to show the floor plan for the play
keep open on stage while entering through doors
Spiking the set
keeping open on stage while crossing
read through
26. Interview for the play. make an impression and show talent
open
Shared position
Spiking the set
audition
27. Where an actor mirrors another actors position
Shared position
Keeping open on stage while moving left or right
cue line
monologue
28. Smaller sections of a scene divided where shifts in emotion or topic occur
focus
Beats
subtext
keeping open on stage while turning
29. What is at risk
representational style
working rehearsal
status quo
stakes
30. Positive attitude - good communication - ask before you change your physical appearance
your topping the line
3 ways to have a positive relationship with your director
subtext
leading center
31. Smaller sections of a scene divided where shifts in emotion or topic occur
Spiking the set
Beats
cold reading
presentational style
32. To move from one place to another on stage
poise
cross
Beats
Status quo
33. Positive attitude - good communication - ask before you change your physical appearance
your dropping line
3 ways to have a positive relationship with your director
leading center
pick up your cues
34. A story - speech or scene performed by one actor only
monologue
representational style
Acting Generated emotion
3 ways to have a positive relationship with your director
35. Interview for the play. make an impression and show talent
your dropping line
audition
cast
stage business
36. The part of a characters's body that leads in movements - and reflects the nature of the character
Keeping open on stage while moving left or right
status quo
upstage
Leading center
37. Part in a play
role
poise
monologue
obstacle
38. When actors work on building characterization
working rehearsal
emotional memory
3 ways to have a positive relationship with your director
Status quo
39. Using a one quarter to the person your talking to
leading center
Keeping open on a proscenium stage while
stakes
cue line
40. Information that is implied but not spoken - thoughts or actions
callback
subtext
Emotional Memory
upstage
41. Control in posture
poise
Acting Generated emotion
Leading center
monologue
42. Open the door with your upstage hand
keep open on stage while entering through doors
sense memory
status quo
strategy
43. Enter with your upstage foot
Emotional Memory
cold reading
presentational style
keep open on stage while entering
44. Move right by moving with your right foot and vice versa with left
Keeping open on stage while moving left or right
Emotional Memory
Leading center
Status quo
45. Turn your hand upstage
Keeping open on stage while gesturing
cue line
emotional memory
stage business
46. Where actors do not acknowledge the audience
sense memory
keeping open on stage while crossing
representational style
upstage
47. A characters present circumstances
Beats
action
Status quo
master gesture
48. Chosen for a role
pick up your cues
open
outcome
cast
49. What your character wants
objective
audition
leading center
your topping the line
50. Present circumstances
status quo
open
action
your topping the line