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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Make crosses upstage in an upward arc
callback
monologue
keeping open on stage while crossing
Status quo
2. Turn your hand upstage
cold reading
Keeping open on stage while gesturing
emotional memory
Shared position
3. Information that is implied but not spoken - thoughts or actions
cold reading
subtext
sense memory
Keeping open on stage while moving left or right
4. Where an actor mirrors another actors position
strategy
keep open on stage while entering
Shared position
obstacle
5. Where actors do not acknowledge the audience
cast
action
representational style
cold reading
6. A story - speech or scene performed by one actor only
motivation
monologue
strategy
Upstaging
7. Memories of sights - sounds - smells - tastes and textures - used to define a character
monologue
subtext
Sense memory
your dropping line
8. Full front - or one quarter left or right
role
working rehearsal
Keeping open on stage while standing
keep open on stage while entering
9. When you preform actions and they generate an emotion within yourself
Spiking the set
stakes
Acting Generated emotion
objective
10. Something preventing the character from getting the objective
representational style
obstacle
stage business
working rehearsal
11. A characters present circumstances
keeping open on stage while turning
presentational style
Status quo
3 ways to have a positive relationship with your director
12. Present circumstances
Keeping open on a proscenium stage while
3 ways to have a positive relationship with your director
Keeping open on stage while moving left or right
status quo
13. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
cue line
keeping open on stage while crossing
focus
14. Result of action the characters take to overcome the obstacle
focus
Sense memory
outcome
read through
15. Turn in the direction of your downstage hand
Leading center
keeping open on stage while turning
Sense memory
stakes
16. Your memory of sights - smells - tastes - sounds and textures
cold reading
Spiking the set
keep open on stage while entering
sense memory
17. A characteristic gesture
your dropping line
subtext
master gesture
cold reading
18. What the character does
callback
keeping open on stage while turning
upstage
action
19. To keep your face and the front of your body as visible to the audience as much as possible
open
subtext
Acting Generated emotion
motivation
20. Say your lines quicker after your cue line
pick up your cues
Sense memory
Emotional Memory
open
21. Your voice gets quieter as you say your line
your dropping line
stakes
working rehearsal
cast
22. Open the door with your upstage hand
Upstaging
sense memory
keep open on stage while entering through doors
monologue
23. A story - speech or scene performed by one actor only
transitions
read through
working rehearsal
monologue
24. Where an actor mirrors another actors position
monologue
Shared position
Keeping open on a proscenium stage while
sense memory
25. Make crosses upstage in an upward arc
open
working rehearsal
presentational style
keeping open on stage while crossing
26. A final line that signals an actor to begin the next speech
keeping open on stage while turning
transitions
representational style
cue line
27. A complete reading of the play
auditors
callback
read through
fourth wall
28. The part of a characters's body that leads in movements - and reflects the nature of the character
Emotional Memory
shared position
transitions
Leading center
29. When actors work on building characterization
Spiking the set
sense memory
working rehearsal
keeping open on stage while crossing
30. What is at risk
working rehearsal
stakes
motivation
stage business
31. Interview for the play. make an impression and show talent
keep open on stage while entering through doors
Beats
audition
cue line
32. Being asked to come back and see the auditors again
callback
keep open on stage while entering through doors
Spiking the set
cue line
33. Your voice gets quieter as you say your line
fourth wall
focus
Upstaging
your dropping line
34. A position onstage where one actor mirrors another actor's body position
status quo
shared position
pick up your cues
auditors
35. Information that is implied but not spoken - thoughts or actions
Sense memory
obstacle
subtext
cold reading
36. Bridges between the beats
keeping open on stage while crossing
transitions
motivation
audition
37. Using your own memories to help understand a characters emotions
Emotional Memory
stage business
presentational style
Leading center
38. A complete reading of the play
strategy
read through
action
your dropping line
39. Say your lines quicker after your cue line
status quo
callback
Keeping open on stage while standing
pick up your cues
40. Control in posture
poise
open
shared position
action
41. A imaginary wall between the audience and the stage
objective
Keeping open on stage while gesturing
fourth wall
Shared position
42. Using your own memories to help understand a characters emotions
Acting Generated emotion
Keeping open on stage while gesturing
keep open on stage while entering
Emotional Memory
43. Turn in the direction of your downstage hand
outcome
outcome
keeping open on stage while turning
strategy
44. What part of the body you lead with
cold reading
upstage
transitions
leading center
45. Where the actors acknowledge the audience
presentational style
subtext
read through
stakes
46. Enter with your upstage foot
keep open on stage while entering
outcome
3 ways to have a positive relationship with your director
upstage
47. Move right by moving with your right foot and vice versa with left
Emotional Memory
master gesture
cross
Keeping open on stage while moving left or right
48. What makes a character do something
motivation
Keeping open on stage while standing
Status quo
cue line
49. The intended point of interest on stage
focus
monologue
keeping open on stage while turning
stakes
50. A final line that signals an actor to begin the next speech
pick up your cues
subtext
cue line
action