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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
working rehearsal
presentational style
Sense memory
Upstaging
2. What is at risk
stakes
read through
open
strategy
3. A position onstage where one actor mirrors another actor's body position
shared position
action
stakes
keeping open on stage while turning
4. Make crosses upstage in an upward arc
keeping open on stage while crossing
Leading center
stakes
presentational style
5. Where actors do not acknowledge the audience
open
Leading center
keep open on stage while entering
representational style
6. A final line that signals an actor to begin the next speech
cue line
read through
cold reading
keep open on stage while entering
7. Bridges between the beats
Leading center
subtext
transitions
leading center
8. Using a one quarter to the person your talking to
open
transitions
Keeping open on a proscenium stage while
your topping the line
9. Your voice gets quieter as you say your line
keep open on stage while entering
Sense memory
3 ways to have a positive relationship with your director
your dropping line
10. The intended point of interest on stage
stage business
pick up your cues
Shared position
focus
11. Enter with your upstage foot
keep open on stage while entering
cross
objective
motivation
12. The people conducting the auditions
motivation
Spiking the set
open
auditors
13. Your memory of sights - smells - tastes - sounds and textures
sense memory
callback
stage business
emotional memory
14. What the character does
action
master gesture
Keeping open on a proscenium stage while
Upstaging
15. How a character overcomes the obstacle
strategy
cross
callback
Acting Generated emotion
16. Where the actors acknowledge the audience
Keeping open on stage while standing
outcome
presentational style
sense memory
17. Movements to strengthen the personality of the character
stakes
subtext
poise
stage business
18. Using your own memories to help understand a characters emotions
fourth wall
Emotional Memory
leading center
poise
19. Where an actor mirrors another actors position
Beats
cue line
upstage
Shared position
20. When you preform actions and they generate an emotion within yourself
shared position
Acting Generated emotion
stage business
callback
21. What part of the body you lead with
audition
auditors
leading center
cast
22. Being asked to come back and see the auditors again
subtext
leading center
callback
Leading center
23. Open the door with your upstage hand
representational style
fourth wall
monologue
keep open on stage while entering through doors
24. Chosen for a role
cast
Keeping open on stage while moving left or right
fourth wall
transitions
25. A complete reading of the play
your topping the line
upstage
obstacle
read through
26. Information that is implied but not spoken - thoughts or actions
focus
keep open on stage while entering through doors
subtext
your topping the line
27. Control in posture
poise
Leading center
callback
pick up your cues
28. A characteristic gesture
master gesture
open
subtext
keeping open on stage while crossing
29. Present circumstances
Keeping open on a proscenium stage while
keep open on stage while entering
Emotional Memory
status quo
30. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
representational style
strategy
keeping open on stage while crossing
31. Result of action the characters take to overcome the obstacle
status quo
outcome
Leading center
action
32. Using your own memories to help understand a characters emotions
keeping open on stage while crossing
role
Emotional Memory
motivation
33. Your memory of sights - smells - tastes - sounds and textures
sense memory
focus
subtext
cold reading
34. A story - speech or scene performed by one actor only
role
open
keeping open on stage while turning
monologue
35. Smaller sections of a scene divided where shifts in emotion or topic occur
focus
pick up your cues
Beats
open
36. To keep your face and the front of your body as visible to the audience as much as possible
read through
emotional memory
open
role
37. Chosen for a role
cast
motivation
working rehearsal
shared position
38. What your character wants
objective
Sense memory
cast
focus
39. Interview for the play. make an impression and show talent
subtext
your dropping line
keep open on stage while entering
audition
40. Calling upon memories of your own emotions to understand the emotions of a character
3 ways to have a positive relationship with your director
obstacle
callback
emotional memory
41. When actors work on building characterization
your dropping line
working rehearsal
Keeping open on a proscenium stage while
fourth wall
42. Control in posture
callback
leading center
3 ways to have a positive relationship with your director
poise
43. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
focus
subtext
Keeping open on a proscenium stage while
upstage
44. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
cross
subtext
upstage
leading center
45. Where an actor mirrors another actors position
objective
keeping open on stage while crossing
Emotional Memory
Shared position
46. Result of action the characters take to overcome the obstacle
shared position
outcome
Sense memory
pick up your cues
47. Full front - or one quarter left or right
open
callback
shared position
Keeping open on stage while standing
48. Calling upon memories of your own emotions to understand the emotions of a character
3 ways to have a positive relationship with your director
emotional memory
outcome
working rehearsal
49. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
focus
cold reading
open
50. Where actors do not acknowledge the audience
representational style
Sense memory
monologue
subtext
Can you answer 50 questions in 15 minutes?
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