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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When you preform actions and they generate an emotion within yourself
focus
Acting Generated emotion
Spiking the set
sense memory
2. A imaginary wall between the audience and the stage
stakes
outcome
fourth wall
Leading center
3. Movements to strengthen the personality of the character
shared position
Keeping open on a proscenium stage while
keeping open on stage while crossing
stage business
4. Auditioning with a script you have not read
audition
status quo
cold reading
stage business
5. Where an actor mirrors another actors position
emotional memory
Keeping open on stage while gesturing
Shared position
focus
6. To move from one place to another on stage
cross
Acting Generated emotion
cast
stakes
7. The intended point of interest on stage
focus
cross
cue line
Upstaging
8. Say your lines quicker after your cue line
outcome
pick up your cues
strategy
subtext
9. To move from one place to another on stage
Sense memory
sense memory
cross
keep open on stage while entering through doors
10. Interview for the play. make an impression and show talent
audition
cold reading
master gesture
focus
11. Something preventing the character from getting the objective
keeping open on stage while crossing
working rehearsal
obstacle
poise
12. Your voice gets quieter as you say your line
Keeping open on stage while gesturing
role
leading center
your dropping line
13. What your character wants
role
objective
Spiking the set
pick up your cues
14. Say your lines quicker after your cue line
cue line
3 ways to have a positive relationship with your director
pick up your cues
your topping the line
15. Bridges between the beats
Keeping open on stage while moving left or right
callback
transitions
your dropping line
16. Result of action the characters take to overcome the obstacle
Keeping open on stage while gesturing
representational style
outcome
pick up your cues
17. What part of the body you lead with
cue line
keeping open on stage while crossing
subtext
leading center
18. A characteristic gesture
master gesture
Spiking the set
presentational style
strategy
19. Positive attitude - good communication - ask before you change your physical appearance
your dropping line
action
3 ways to have a positive relationship with your director
sense memory
20. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
sense memory
Beats
subtext
3 ways to have a positive relationship with your director
21. Using your own memories to help understand a characters emotions
Emotional Memory
shared position
action
cue line
22. When actors work on building characterization
working rehearsal
Emotional Memory
keeping open on stage while turning
cast
23. Memories of sights - sounds - smells - tastes and textures - used to define a character
Keeping open on stage while moving left or right
Sense memory
fourth wall
Shared position
24. The people conducting the auditions
auditors
status quo
Keeping open on stage while gesturing
audition
25. A characteristic gesture
master gesture
Upstaging
open
keeping open on stage while turning
26. Open the door with your upstage hand
poise
keep open on stage while entering through doors
Leading center
focus
27. Where actors do not acknowledge the audience
master gesture
representational style
poise
keep open on stage while entering
28. What is at risk
transitions
stakes
keep open on stage while entering through doors
subtext
29. A imaginary wall between the audience and the stage
keep open on stage while entering
leading center
transitions
fourth wall
30. Where an actor mirrors another actors position
sense memory
Status quo
Acting Generated emotion
Shared position
31. The intended point of interest on stage
Keeping open on stage while moving left or right
focus
presentational style
3 ways to have a positive relationship with your director
32. What part of the body you lead with
Sense memory
keep open on stage while entering through doors
cold reading
leading center
33. Control in posture
poise
your dropping line
Shared position
Keeping open on a proscenium stage while
34. When actors work on building characterization
working rehearsal
upstage
read through
Emotional Memory
35. Full front - or one quarter left or right
status quo
cold reading
role
Keeping open on stage while standing
36. Being asked to come back and see the auditors again
callback
transitions
monologue
Upstaging
37. Memories of sights - sounds - smells - tastes and textures - used to define a character
your dropping line
working rehearsal
subtext
Sense memory
38. A complete reading of the play
representational style
read through
Beats
strategy
39. Turn your hand upstage
Status quo
keeping open on stage while turning
Keeping open on stage while gesturing
focus
40. Bridges between the beats
cold reading
keeping open on stage while crossing
transitions
objective
41. Enter with your upstage foot
keep open on stage while entering
cast
subtext
Emotional Memory
42. Chosen for a role
callback
sense memory
cast
3 ways to have a positive relationship with your director
43. Chosen for a role
action
cast
Emotional Memory
focus
44. Using a one quarter to the person your talking to
cross
Keeping open on a proscenium stage while
leading center
callback
45. A position onstage where one actor mirrors another actor's body position
leading center
shared position
Emotional Memory
read through
46. To mark the floor of the rehearsal space to show the floor plan for the play
pick up your cues
subtext
3 ways to have a positive relationship with your director
Spiking the set
47. What is at risk
Shared position
stakes
pick up your cues
role
48. Open the door with your upstage hand
keep open on stage while entering through doors
keeping open on stage while turning
fourth wall
cross
49. A final line that signals an actor to begin the next speech
3 ways to have a positive relationship with your director
fourth wall
cue line
fourth wall
50. Being asked to come back and see the auditors again
cue line
read through
callback
Spiking the set