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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A characters present circumstances
subtext
Status quo
cue line
action
2. Your memory of sights - smells - tastes - sounds and textures
sense memory
subtext
emotional memory
Emotional Memory
3. Your memory of sights - smells - tastes - sounds and textures
Keeping open on stage while gesturing
subtext
outcome
sense memory
4. Something preventing the character from getting the objective
callback
obstacle
subtext
subtext
5. What the character does
emotional memory
Sense memory
stage business
action
6. Say your lines quicker after your cue line
pick up your cues
motivation
fourth wall
poise
7. When actors work on building characterization
working rehearsal
stakes
action
pick up your cues
8. Where actors do not acknowledge the audience
motivation
Keeping open on a proscenium stage while
open
representational style
9. What part of the body you lead with
Emotional Memory
role
leading center
cross
10. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
keeping open on stage while crossing
master gesture
Upstaging
keep open on stage while entering through doors
11. A story - speech or scene performed by one actor only
monologue
focus
role
stage business
12. A complete reading of the play
open
read through
poise
subtext
13. Where the actors acknowledge the audience
presentational style
sense memory
representational style
keeping open on stage while turning
14. Positive attitude - good communication - ask before you change your physical appearance
keep open on stage while entering
callback
monologue
3 ways to have a positive relationship with your director
15. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
upstage
obstacle
Spiking the set
16. Using a one quarter to the person your talking to
cross
poise
Keeping open on a proscenium stage while
Upstaging
17. A imaginary wall between the audience and the stage
fourth wall
obstacle
working rehearsal
presentational style
18. Part in a play
your dropping line
role
strategy
sense memory
19. Your saying the line louder than the person before you
monologue
your dropping line
your topping the line
cold reading
20. Chosen for a role
action
cast
Beats
stakes
21. Result of action the characters take to overcome the obstacle
status quo
outcome
keep open on stage while entering through doors
pick up your cues
22. Present circumstances
monologue
leading center
status quo
open
23. To mark the floor of the rehearsal space to show the floor plan for the play
Spiking the set
representational style
outcome
cross
24. Where an actor mirrors another actors position
presentational style
auditors
Keeping open on stage while moving left or right
Shared position
25. Make crosses upstage in an upward arc
your dropping line
emotional memory
keeping open on stage while crossing
cue line
26. A position onstage where one actor mirrors another actor's body position
shared position
poise
strategy
working rehearsal
27. Your voice gets quieter as you say your line
your dropping line
sense memory
Keeping open on stage while moving left or right
Keeping open on stage while standing
28. Auditioning with a script you have not read
role
callback
cold reading
auditors
29. A complete reading of the play
stage business
your topping the line
subtext
read through
30. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
auditors
Keeping open on stage while moving left or right
upstage
presentational style
31. When you preform actions and they generate an emotion within yourself
cold reading
transitions
working rehearsal
Acting Generated emotion
32. What your character wants
cue line
objective
focus
shared position
33. The part of a characters's body that leads in movements - and reflects the nature of the character
Keeping open on stage while standing
role
cast
Leading center
34. Memories of sights - sounds - smells - tastes and textures - used to define a character
Keeping open on stage while moving left or right
presentational style
subtext
Sense memory
35. Information that is implied but not spoken - thoughts or actions
subtext
pick up your cues
objective
cue line
36. Present circumstances
cast
status quo
audition
action
37. Using a one quarter to the person your talking to
read through
Keeping open on a proscenium stage while
role
sense memory
38. Result of action the characters take to overcome the obstacle
Leading center
subtext
cue line
outcome
39. Where an actor mirrors another actors position
focus
Beats
Status quo
Shared position
40. The people conducting the auditions
sense memory
auditors
outcome
read through
41. Calling upon memories of your own emotions to understand the emotions of a character
emotional memory
obstacle
Sense memory
3 ways to have a positive relationship with your director
42. Interview for the play. make an impression and show talent
Beats
audition
poise
subtext
43. The people conducting the auditions
shared position
subtext
leading center
auditors
44. Part in a play
role
poise
your topping the line
stage business
45. Bridges between the beats
Keeping open on stage while standing
sense memory
shared position
transitions
46. To keep your face and the front of your body as visible to the audience as much as possible
open
Spiking the set
stakes
keeping open on stage while crossing
47. Chosen for a role
Sense memory
open
cross
cast
48. The intended point of interest on stage
focus
motivation
callback
your topping the line
49. The part of a characters's body that leads in movements - and reflects the nature of the character
Acting Generated emotion
cue line
role
Leading center
50. Smaller sections of a scene divided where shifts in emotion or topic occur
Upstaging
motivation
callback
Beats