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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Your voice gets quieter as you say your line
master gesture
your dropping line
your topping the line
focus
2. What is at risk
cross
stakes
motivation
keeping open on stage while turning
3. The intended point of interest on stage
focus
Sense memory
status quo
subtext
4. A characters present circumstances
Status quo
callback
keep open on stage while entering through doors
audition
5. A imaginary wall between the audience and the stage
transitions
Upstaging
fourth wall
subtext
6. Turn in the direction of your downstage hand
keeping open on stage while turning
cross
outcome
Beats
7. Where an actor mirrors another actors position
Keeping open on a proscenium stage while
Shared position
monologue
cold reading
8. Bridges between the beats
Shared position
transitions
cue line
keeping open on stage while turning
9. Your voice gets quieter as you say your line
master gesture
cast
your dropping line
Upstaging
10. Where actors do not acknowledge the audience
shared position
audition
read through
representational style
11. Turn your hand upstage
strategy
subtext
poise
Keeping open on stage while gesturing
12. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
upstage
focus
Leading center
representational style
13. To move from one place to another on stage
cross
Emotional Memory
Upstaging
Leading center
14. Bridges between the beats
fourth wall
transitions
sense memory
monologue
15. A story - speech or scene performed by one actor only
monologue
Sense memory
role
obstacle
16. Full front - or one quarter left or right
Keeping open on stage while standing
representational style
cold reading
your topping the line
17. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
audition
Keeping open on stage while moving left or right
Keeping open on a proscenium stage while
18. The people conducting the auditions
your topping the line
auditors
objective
upstage
19. A characteristic gesture
sense memory
open
subtext
master gesture
20. A story - speech or scene performed by one actor only
shared position
transitions
monologue
keeping open on stage while crossing
21. Make crosses upstage in an upward arc
cue line
Keeping open on stage while standing
keeping open on stage while crossing
master gesture
22. A complete reading of the play
emotional memory
Beats
read through
focus
23. Using a one quarter to the person your talking to
subtext
monologue
Keeping open on a proscenium stage while
keep open on stage while entering through doors
24. Calling upon memories of your own emotions to understand the emotions of a character
Beats
emotional memory
keep open on stage while entering
cast
25. Something preventing the character from getting the objective
stage business
subtext
obstacle
objective
26. Make crosses upstage in an upward arc
Leading center
Keeping open on stage while standing
keeping open on stage while crossing
callback
27. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Spiking the set
Upstaging
emotional memory
Status quo
28. Result of action the characters take to overcome the obstacle
upstage
open
outcome
your topping the line
29. Your memory of sights - smells - tastes - sounds and textures
Upstaging
sense memory
Shared position
fourth wall
30. What the character does
action
Keeping open on a proscenium stage while
callback
focus
31. Part in a play
transitions
role
status quo
upstage
32. Using your own memories to help understand a characters emotions
Keeping open on a proscenium stage while
your topping the line
3 ways to have a positive relationship with your director
Emotional Memory
33. When you preform actions and they generate an emotion within yourself
representational style
Acting Generated emotion
Status quo
keeping open on stage while crossing
34. Full front - or one quarter left or right
action
Keeping open on stage while standing
keep open on stage while entering
keeping open on stage while turning
35. The people conducting the auditions
auditors
action
motivation
keeping open on stage while crossing
36. Your saying the line louder than the person before you
your topping the line
Beats
Emotional Memory
action
37. Calling upon memories of your own emotions to understand the emotions of a character
outcome
cross
Keeping open on stage while moving left or right
emotional memory
38. Something preventing the character from getting the objective
Sense memory
obstacle
your dropping line
poise
39. To move from one place to another on stage
cross
monologue
strategy
motivation
40. What your character wants
motivation
objective
master gesture
Sense memory
41. Movements to strengthen the personality of the character
stage business
monologue
fourth wall
emotional memory
42. Smaller sections of a scene divided where shifts in emotion or topic occur
auditors
cast
Beats
audition
43. When you preform actions and they generate an emotion within yourself
Acting Generated emotion
cast
open
outcome
44. Result of action the characters take to overcome the obstacle
presentational style
outcome
open
3 ways to have a positive relationship with your director
45. When actors work on building characterization
audition
your dropping line
working rehearsal
open
46. A characters present circumstances
pick up your cues
Status quo
outcome
stakes
47. How a character overcomes the obstacle
presentational style
Status quo
master gesture
strategy
48. Enter with your upstage foot
3 ways to have a positive relationship with your director
role
keep open on stage while entering
status quo
49. To keep your face and the front of your body as visible to the audience as much as possible
Keeping open on stage while gesturing
open
Sense memory
your dropping line
50. Your memory of sights - smells - tastes - sounds and textures
sense memory
role
subtext
keeping open on stage while crossing