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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Smaller sections of a scene divided where shifts in emotion or topic occur
focus
Beats
Keeping open on stage while standing
Keeping open on a proscenium stage while
2. Say your lines quicker after your cue line
pick up your cues
cross
audition
Emotional Memory
3. Where an actor mirrors another actors position
keeping open on stage while turning
obstacle
focus
Shared position
4. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
keeping open on stage while turning
subtext
objective
working rehearsal
5. Where actors do not acknowledge the audience
your dropping line
cue line
representational style
transitions
6. What the character does
action
sense memory
Upstaging
keep open on stage while entering
7. The intended point of interest on stage
focus
sense memory
working rehearsal
Keeping open on stage while gesturing
8. Interview for the play. make an impression and show talent
audition
outcome
Keeping open on a proscenium stage while
status quo
9. When actors work on building characterization
working rehearsal
transitions
Acting Generated emotion
action
10. A final line that signals an actor to begin the next speech
callback
cue line
obstacle
objective
11. Bridges between the beats
Keeping open on stage while moving left or right
Sense memory
transitions
Leading center
12. The people conducting the auditions
auditors
keep open on stage while entering through doors
Emotional Memory
Keeping open on stage while moving left or right
13. To keep your face and the front of your body as visible to the audience as much as possible
presentational style
stakes
cold reading
open
14. What your character wants
Beats
objective
Acting Generated emotion
Keeping open on a proscenium stage while
15. Present circumstances
Emotional Memory
status quo
obstacle
monologue
16. Move right by moving with your right foot and vice versa with left
cast
master gesture
upstage
Keeping open on stage while moving left or right
17. To move from one place to another on stage
audition
open
cross
your topping the line
18. Memories of sights - sounds - smells - tastes and textures - used to define a character
Beats
status quo
leading center
Sense memory
19. To mark the floor of the rehearsal space to show the floor plan for the play
Spiking the set
your dropping line
pick up your cues
focus
20. Present circumstances
upstage
audition
poise
status quo
21. Turn your hand upstage
action
Keeping open on stage while gesturing
audition
objective
22. Result of action the characters take to overcome the obstacle
objective
outcome
strategy
strategy
23. Say your lines quicker after your cue line
cast
pick up your cues
emotional memory
presentational style
24. Your voice gets quieter as you say your line
representational style
your dropping line
keeping open on stage while turning
objective
25. To keep your face and the front of your body as visible to the audience as much as possible
working rehearsal
master gesture
open
presentational style
26. Auditioning with a script you have not read
open
cold reading
objective
monologue
27. Being asked to come back and see the auditors again
cue line
presentational style
cold reading
callback
28. Memories of sights - sounds - smells - tastes and textures - used to define a character
auditors
Sense memory
upstage
monologue
29. The part of a characters's body that leads in movements - and reflects the nature of the character
working rehearsal
cast
Leading center
representational style
30. Information that is implied but not spoken - thoughts or actions
outcome
keep open on stage while entering
emotional memory
subtext
31. How a character overcomes the obstacle
Leading center
objective
cross
strategy
32. Using your own memories to help understand a characters emotions
your topping the line
Emotional Memory
monologue
working rehearsal
33. Control in posture
poise
Emotional Memory
focus
presentational style
34. Bridges between the beats
master gesture
subtext
transitions
your dropping line
35. A position onstage where one actor mirrors another actor's body position
cast
shared position
Leading center
3 ways to have a positive relationship with your director
36. To move from one place to another on stage
objective
obstacle
cross
Leading center
37. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
Emotional Memory
read through
upstage
subtext
38. Your memory of sights - smells - tastes - sounds and textures
leading center
callback
sense memory
auditors
39. A story - speech or scene performed by one actor only
monologue
stakes
read through
Emotional Memory
40. What part of the body you lead with
leading center
representational style
Shared position
master gesture
41. Positive attitude - good communication - ask before you change your physical appearance
3 ways to have a positive relationship with your director
strategy
cue line
keeping open on stage while turning
42. Part in a play
role
Leading center
representational style
cross
43. A imaginary wall between the audience and the stage
focus
role
fourth wall
callback
44. Part in a play
Shared position
keep open on stage while entering through doors
role
Leading center
45. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
strategy
Emotional Memory
subtext
motivation
46. Your voice gets quieter as you say your line
your dropping line
focus
Keeping open on a proscenium stage while
emotional memory
47. What your character wants
objective
callback
Upstaging
poise
48. Something preventing the character from getting the objective
role
representational style
obstacle
your topping the line
49. Full front - or one quarter left or right
Keeping open on stage while standing
Upstaging
obstacle
strategy
50. A position onstage where one actor mirrors another actor's body position
Acting Generated emotion
shared position
Keeping open on stage while moving left or right
keep open on stage while entering