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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The intended point of interest on stage
sense memory
focus
presentational style
obstacle
2. Smaller sections of a scene divided where shifts in emotion or topic occur
transitions
Beats
keeping open on stage while crossing
open
3. Make crosses upstage in an upward arc
auditors
read through
keeping open on stage while crossing
3 ways to have a positive relationship with your director
4. A characteristic gesture
leading center
Leading center
upstage
master gesture
5. Calling upon memories of your own emotions to understand the emotions of a character
callback
Status quo
stakes
emotional memory
6. Turn your hand upstage
Keeping open on stage while gesturing
Status quo
subtext
objective
7. Where the actors acknowledge the audience
transitions
presentational style
objective
stage business
8. Using your own memories to help understand a characters emotions
your dropping line
subtext
open
Emotional Memory
9. Auditioning with a script you have not read
focus
cold reading
3 ways to have a positive relationship with your director
stage business
10. Control in posture
Keeping open on stage while gesturing
3 ways to have a positive relationship with your director
poise
audition
11. The part of a characters's body that leads in movements - and reflects the nature of the character
your dropping line
obstacle
open
Leading center
12. To move from one place to another on stage
Emotional Memory
leading center
cross
read through
13. Being asked to come back and see the auditors again
callback
focus
keeping open on stage while turning
working rehearsal
14. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
strategy
read through
3 ways to have a positive relationship with your director
15. Your memory of sights - smells - tastes - sounds and textures
keep open on stage while entering through doors
Keeping open on stage while standing
sense memory
Leading center
16. What the character does
stakes
your topping the line
Keeping open on stage while moving left or right
action
17. Chosen for a role
Acting Generated emotion
emotional memory
motivation
cast
18. A imaginary wall between the audience and the stage
obstacle
Emotional Memory
fourth wall
Keeping open on a proscenium stage while
19. Movements to strengthen the personality of the character
stage business
auditors
cast
subtext
20. Open the door with your upstage hand
keeping open on stage while turning
keep open on stage while entering through doors
keeping open on stage while crossing
Keeping open on stage while gesturing
21. To keep your face and the front of your body as visible to the audience as much as possible
open
Status quo
auditors
sense memory
22. Present circumstances
your topping the line
working rehearsal
status quo
Leading center
23. Interview for the play. make an impression and show talent
Emotional Memory
audition
presentational style
working rehearsal
24. When you preform actions and they generate an emotion within yourself
Emotional Memory
presentational style
callback
Acting Generated emotion
25. Your memory of sights - smells - tastes - sounds and textures
Spiking the set
working rehearsal
sense memory
subtext
26. Something preventing the character from getting the objective
transitions
stage business
cast
obstacle
27. Open the door with your upstage hand
Keeping open on stage while standing
subtext
Keeping open on a proscenium stage while
keep open on stage while entering through doors
28. Smaller sections of a scene divided where shifts in emotion or topic occur
read through
cast
3 ways to have a positive relationship with your director
Beats
29. Make crosses upstage in an upward arc
representational style
fourth wall
Leading center
keeping open on stage while crossing
30. A complete reading of the play
read through
presentational style
callback
cross
31. Calling upon memories of your own emotions to understand the emotions of a character
callback
Upstaging
cast
emotional memory
32. Using your own memories to help understand a characters emotions
Emotional Memory
cold reading
objective
audition
33. Part in a play
stage business
objective
role
Status quo
34. Where actors do not acknowledge the audience
3 ways to have a positive relationship with your director
cast
objective
representational style
35. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
upstage
Keeping open on stage while standing
Spiking the set
Shared position
36. To keep your face and the front of your body as visible to the audience as much as possible
working rehearsal
open
cast
outcome
37. What part of the body you lead with
Status quo
keep open on stage while entering through doors
status quo
leading center
38. The people conducting the auditions
auditors
transitions
subtext
action
39. Bridges between the beats
transitions
stakes
master gesture
shared position
40. The part of a characters's body that leads in movements - and reflects the nature of the character
callback
emotional memory
Leading center
auditors
41. Where the actors acknowledge the audience
motivation
Keeping open on a proscenium stage while
master gesture
presentational style
42. Interview for the play. make an impression and show talent
Keeping open on stage while standing
cast
audition
sense memory
43. Memories of sights - sounds - smells - tastes and textures - used to define a character
Sense memory
Leading center
Keeping open on stage while standing
cold reading
44. Present circumstances
status quo
focus
working rehearsal
cross
45. Your voice gets quieter as you say your line
your dropping line
status quo
Keeping open on stage while moving left or right
objective
46. The intended point of interest on stage
audition
open
stage business
focus
47. What the character does
fourth wall
your dropping line
action
motivation
48. Auditioning with a script you have not read
representational style
keep open on stage while entering
Status quo
cold reading
49. Move right by moving with your right foot and vice versa with left
auditors
callback
Keeping open on stage while moving left or right
upstage
50. Say your lines quicker after your cue line
open
stakes
Leading center
pick up your cues