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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A characters present circumstances
motivation
open
Status quo
Beats
2. Bridges between the beats
monologue
Keeping open on stage while gesturing
keep open on stage while entering through doors
transitions
3. How a character overcomes the obstacle
keeping open on stage while turning
strategy
stage business
stakes
4. How a character overcomes the obstacle
callback
strategy
keeping open on stage while turning
master gesture
5. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
working rehearsal
Leading center
strategy
upstage
6. To move from one place to another on stage
master gesture
presentational style
cross
Status quo
7. A characteristic gesture
open
master gesture
working rehearsal
cast
8. Positive attitude - good communication - ask before you change your physical appearance
callback
Keeping open on stage while gesturing
monologue
3 ways to have a positive relationship with your director
9. The people conducting the auditions
auditors
Keeping open on stage while moving left or right
Shared position
stage business
10. Where actors do not acknowledge the audience
your dropping line
representational style
emotional memory
cross
11. What is at risk
stakes
3 ways to have a positive relationship with your director
read through
keep open on stage while entering
12. When actors work on building characterization
working rehearsal
Keeping open on stage while standing
subtext
Keeping open on a proscenium stage while
13. Full front - or one quarter left or right
Keeping open on stage while standing
keep open on stage while entering through doors
cross
Acting Generated emotion
14. To mark the floor of the rehearsal space to show the floor plan for the play
fourth wall
Keeping open on stage while gesturing
your topping the line
Spiking the set
15. A characteristic gesture
master gesture
status quo
Beats
subtext
16. The intended point of interest on stage
focus
auditors
3 ways to have a positive relationship with your director
your topping the line
17. To keep your face and the front of your body as visible to the audience as much as possible
Keeping open on stage while standing
open
poise
cross
18. Where an actor mirrors another actors position
Beats
Shared position
3 ways to have a positive relationship with your director
focus
19. A complete reading of the play
subtext
shared position
subtext
read through
20. What is at risk
leading center
keep open on stage while entering through doors
focus
stakes
21. Open the door with your upstage hand
your dropping line
Keeping open on stage while standing
keeping open on stage while crossing
keep open on stage while entering through doors
22. Enter with your upstage foot
Keeping open on stage while moving left or right
Emotional Memory
keep open on stage while entering
emotional memory
23. To move from one place to another on stage
keep open on stage while entering through doors
leading center
cross
Keeping open on stage while moving left or right
24. Being asked to come back and see the auditors again
callback
3 ways to have a positive relationship with your director
Keeping open on stage while standing
transitions
25. Open the door with your upstage hand
your dropping line
working rehearsal
leading center
keep open on stage while entering through doors
26. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
objective
Sense memory
subtext
representational style
27. A final line that signals an actor to begin the next speech
working rehearsal
cue line
auditors
Status quo
28. When you preform actions and they generate an emotion within yourself
Keeping open on stage while moving left or right
cast
Acting Generated emotion
transitions
29. Smaller sections of a scene divided where shifts in emotion or topic occur
Keeping open on stage while standing
Beats
Leading center
monologue
30. Make crosses upstage in an upward arc
Upstaging
Emotional Memory
keeping open on stage while crossing
action
31. Being asked to come back and see the auditors again
action
Spiking the set
callback
objective
32. Make crosses upstage in an upward arc
Acting Generated emotion
3 ways to have a positive relationship with your director
keeping open on stage while crossing
status quo
33. Part in a play
role
leading center
Emotional Memory
audition
34. Using your own memories to help understand a characters emotions
Emotional Memory
sense memory
your dropping line
transitions
35. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
Shared position
upstage
cross
keep open on stage while entering
36. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
transitions
Upstaging
sense memory
cue line
37. Auditioning with a script you have not read
cast
Keeping open on stage while moving left or right
keep open on stage while entering
cold reading
38. What part of the body you lead with
leading center
objective
outcome
pick up your cues
39. What your character wants
leading center
Spiking the set
presentational style
objective
40. Turn your hand upstage
Keeping open on stage while gesturing
Acting Generated emotion
audition
Acting Generated emotion
41. Movements to strengthen the personality of the character
presentational style
Beats
auditors
stage business
42. Your memory of sights - smells - tastes - sounds and textures
obstacle
sense memory
open
Beats
43. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
obstacle
cue line
subtext
transitions
44. Move right by moving with your right foot and vice versa with left
monologue
Keeping open on stage while moving left or right
sense memory
Beats
45. A complete reading of the play
status quo
read through
cross
Shared position
46. A position onstage where one actor mirrors another actor's body position
Spiking the set
objective
shared position
Acting Generated emotion
47. Say your lines quicker after your cue line
pick up your cues
cold reading
Spiking the set
cast
48. Something preventing the character from getting the objective
cold reading
obstacle
upstage
focus
49. Your saying the line louder than the person before you
Keeping open on stage while gesturing
sense memory
your topping the line
keeping open on stage while crossing
50. Enter with your upstage foot
audition
your dropping line
keep open on stage while entering
monologue