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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
upstage
auditors
cue line
leading center
2. Say your lines quicker after your cue line
stakes
subtext
pick up your cues
strategy
3. Something preventing the character from getting the objective
Emotional Memory
Upstaging
obstacle
Emotional Memory
4. Your saying the line louder than the person before you
your topping the line
Spiking the set
outcome
read through
5. What the character does
action
fourth wall
motivation
Spiking the set
6. Open the door with your upstage hand
focus
Sense memory
keep open on stage while entering through doors
pick up your cues
7. A story - speech or scene performed by one actor only
Leading center
monologue
master gesture
Keeping open on a proscenium stage while
8. Make crosses upstage in an upward arc
keeping open on stage while crossing
obstacle
Keeping open on stage while moving left or right
callback
9. Full front - or one quarter left or right
obstacle
your dropping line
strategy
Keeping open on stage while standing
10. Chosen for a role
Keeping open on stage while moving left or right
auditors
cast
stage business
11. What the character does
your topping the line
role
action
keep open on stage while entering through doors
12. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
transitions
working rehearsal
Status quo
subtext
13. The intended point of interest on stage
poise
presentational style
focus
strategy
14. Result of action the characters take to overcome the obstacle
Status quo
stage business
outcome
pick up your cues
15. When you preform actions and they generate an emotion within yourself
open
audition
Keeping open on a proscenium stage while
Acting Generated emotion
16. Smaller sections of a scene divided where shifts in emotion or topic occur
Beats
cast
action
your dropping line
17. Movements to strengthen the personality of the character
your topping the line
cross
Keeping open on stage while moving left or right
stage business
18. Interview for the play. make an impression and show talent
audition
transitions
cold reading
Keeping open on stage while moving left or right
19. Turn in the direction of your downstage hand
action
Spiking the set
Acting Generated emotion
keeping open on stage while turning
20. A characters present circumstances
Beats
Status quo
Keeping open on a proscenium stage while
master gesture
21. Where actors do not acknowledge the audience
representational style
objective
stakes
your dropping line
22. Positive attitude - good communication - ask before you change your physical appearance
Keeping open on stage while gesturing
3 ways to have a positive relationship with your director
subtext
emotional memory
23. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
action
role
upstage
working rehearsal
24. How a character overcomes the obstacle
Sense memory
working rehearsal
strategy
your dropping line
25. Make crosses upstage in an upward arc
transitions
cue line
obstacle
keeping open on stage while crossing
26. Being asked to come back and see the auditors again
keep open on stage while entering through doors
pick up your cues
emotional memory
callback
27. Where the actors acknowledge the audience
motivation
Status quo
role
presentational style
28. Using your own memories to help understand a characters emotions
transitions
Keeping open on stage while moving left or right
Keeping open on stage while gesturing
Emotional Memory
29. Open the door with your upstage hand
keep open on stage while entering through doors
sense memory
read through
action
30. Enter with your upstage foot
callback
keep open on stage while entering
Spiking the set
status quo
31. To mark the floor of the rehearsal space to show the floor plan for the play
cross
pick up your cues
objective
Spiking the set
32. Auditioning with a script you have not read
stage business
cold reading
cue line
outcome
33. A complete reading of the play
leading center
keeping open on stage while turning
read through
Keeping open on a proscenium stage while
34. Memories of sights - sounds - smells - tastes and textures - used to define a character
auditors
Sense memory
leading center
Status quo
35. A position onstage where one actor mirrors another actor's body position
keep open on stage while entering
shared position
cold reading
read through
36. What part of the body you lead with
audition
leading center
callback
keep open on stage while entering through doors
37. Full front - or one quarter left or right
cast
Keeping open on stage while standing
subtext
monologue
38. Your voice gets quieter as you say your line
keep open on stage while entering through doors
your dropping line
objective
Leading center
39. Something preventing the character from getting the objective
Acting Generated emotion
obstacle
your dropping line
Sense memory
40. Turn your hand upstage
Keeping open on stage while gesturing
upstage
audition
keeping open on stage while turning
41. Part in a play
cross
stage business
your topping the line
role
42. Calling upon memories of your own emotions to understand the emotions of a character
emotional memory
master gesture
your topping the line
shared position
43. To keep your face and the front of your body as visible to the audience as much as possible
callback
auditors
open
Spiking the set
44. The part of a characters's body that leads in movements - and reflects the nature of the character
Acting Generated emotion
Leading center
Shared position
action
45. What is at risk
Keeping open on stage while gesturing
read through
stakes
motivation
46. Information that is implied but not spoken - thoughts or actions
subtext
your dropping line
keeping open on stage while turning
emotional memory
47. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
Sense memory
subtext
cross
transitions
48. Where the actors acknowledge the audience
shared position
callback
presentational style
your topping the line
49. Auditioning with a script you have not read
transitions
Shared position
cold reading
Keeping open on stage while gesturing
50. Turn your hand upstage
Keeping open on stage while gesturing
monologue
representational style
Leading center