SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What your character wants
objective
status quo
transitions
Sense memory
2. What makes a character do something
Acting Generated emotion
motivation
stakes
Sense memory
3. Where actors do not acknowledge the audience
keep open on stage while entering through doors
stakes
representational style
subtext
4. Your memory of sights - smells - tastes - sounds and textures
sense memory
subtext
emotional memory
your topping the line
5. What the character does
Keeping open on stage while moving left or right
Keeping open on a proscenium stage while
shared position
action
6. Being asked to come back and see the auditors again
callback
presentational style
Sense memory
fourth wall
7. A characteristic gesture
stakes
open
obstacle
master gesture
8. A final line that signals an actor to begin the next speech
keep open on stage while entering
Shared position
Leading center
cue line
9. A story - speech or scene performed by one actor only
monologue
pick up your cues
Keeping open on a proscenium stage while
keep open on stage while entering
10. Your saying the line louder than the person before you
keep open on stage while entering
your topping the line
cast
Keeping open on a proscenium stage while
11. Full front - or one quarter left or right
Keeping open on a proscenium stage while
Keeping open on stage while standing
working rehearsal
Spiking the set
12. The people conducting the auditions
auditors
monologue
Keeping open on stage while moving left or right
Keeping open on stage while moving left or right
13. To keep your face and the front of your body as visible to the audience as much as possible
keep open on stage while entering through doors
poise
fourth wall
open
14. Positive attitude - good communication - ask before you change your physical appearance
outcome
emotional memory
3 ways to have a positive relationship with your director
Emotional Memory
15. Using a one quarter to the person your talking to
Keeping open on a proscenium stage while
Spiking the set
Emotional Memory
audition
16. Result of action the characters take to overcome the obstacle
cast
Leading center
your topping the line
outcome
17. Turn in the direction of your downstage hand
subtext
sense memory
monologue
keeping open on stage while turning
18. Part in a play
your topping the line
action
role
subtext
19. To move from one place to another on stage
cross
Emotional Memory
leading center
cue line
20. A position onstage where one actor mirrors another actor's body position
monologue
Beats
transitions
shared position
21. Interview for the play. make an impression and show talent
status quo
transitions
audition
upstage
22. A characters present circumstances
Keeping open on a proscenium stage while
leading center
Shared position
Status quo
23. The people conducting the auditions
stage business
auditors
audition
Keeping open on stage while gesturing
24. Present circumstances
obstacle
status quo
Keeping open on a proscenium stage while
keep open on stage while entering
25. Say your lines quicker after your cue line
keep open on stage while entering through doors
pick up your cues
outcome
shared position
26. Control in posture
subtext
poise
Beats
Spiking the set
27. What makes a character do something
callback
motivation
obstacle
leading center
28. Your saying the line louder than the person before you
keep open on stage while entering through doors
your topping the line
status quo
shared position
29. What part of the body you lead with
cross
leading center
subtext
strategy
30. Using a one quarter to the person your talking to
subtext
Keeping open on a proscenium stage while
subtext
keep open on stage while entering
31. Using your own memories to help understand a characters emotions
Spiking the set
Emotional Memory
subtext
role
32. Full front - or one quarter left or right
fourth wall
Shared position
Keeping open on stage while standing
Spiking the set
33. Part in a play
role
Shared position
keeping open on stage while turning
Status quo
34. Being asked to come back and see the auditors again
callback
poise
objective
your dropping line
35. Where actors do not acknowledge the audience
Acting Generated emotion
stakes
master gesture
representational style
36. Where an actor mirrors another actors position
Shared position
action
Emotional Memory
stage business
37. Open the door with your upstage hand
role
strategy
keep open on stage while entering through doors
fourth wall
38. Enter with your upstage foot
cross
Keeping open on stage while standing
status quo
keep open on stage while entering
39. A characters present circumstances
cross
Beats
Status quo
Emotional Memory
40. A position onstage where one actor mirrors another actor's body position
pick up your cues
shared position
auditors
working rehearsal
41. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
master gesture
Upstaging
Acting Generated emotion
3 ways to have a positive relationship with your director
42. How a character overcomes the obstacle
Upstaging
cast
Leading center
strategy
43. How a character overcomes the obstacle
auditors
role
status quo
strategy
44. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
shared position
Keeping open on a proscenium stage while
action
subtext
45. Positive attitude - good communication - ask before you change your physical appearance
strategy
keep open on stage while entering through doors
Keeping open on stage while standing
3 ways to have a positive relationship with your director
46. Say your lines quicker after your cue line
your topping the line
pick up your cues
keep open on stage while entering through doors
subtext
47. Your voice gets quieter as you say your line
cue line
your dropping line
emotional memory
keeping open on stage while crossing
48. Your memory of sights - smells - tastes - sounds and textures
status quo
sense memory
Upstaging
working rehearsal
49. Auditioning with a script you have not read
cold reading
poise
master gesture
audition
50. To keep your face and the front of your body as visible to the audience as much as possible
cue line
outcome
open
Acting Generated emotion