SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Interview for the play. make an impression and show talent
audition
working rehearsal
upstage
keeping open on stage while turning
2. Information that is implied but not spoken - thoughts or actions
Spiking the set
stakes
motivation
subtext
3. Information that is implied but not spoken - thoughts or actions
keep open on stage while entering through doors
strategy
subtext
cross
4. Using your own memories to help understand a characters emotions
shared position
Emotional Memory
Status quo
cue line
5. The intended point of interest on stage
Keeping open on a proscenium stage while
Status quo
focus
role
6. What your character wants
role
action
objective
Status quo
7. Positive attitude - good communication - ask before you change your physical appearance
status quo
3 ways to have a positive relationship with your director
Keeping open on a proscenium stage while
Keeping open on stage while gesturing
8. Say your lines quicker after your cue line
upstage
keep open on stage while entering through doors
subtext
pick up your cues
9. Your saying the line louder than the person before you
3 ways to have a positive relationship with your director
audition
keeping open on stage while crossing
your topping the line
10. A imaginary wall between the audience and the stage
Acting Generated emotion
fourth wall
status quo
cold reading
11. Auditioning with a script you have not read
representational style
cold reading
auditors
status quo
12. Bridges between the beats
role
monologue
shared position
transitions
13. Part in a play
transitions
Acting Generated emotion
role
action
14. What part of the body you lead with
leading center
Acting Generated emotion
callback
keep open on stage while entering through doors
15. What the character does
action
Sense memory
working rehearsal
objective
16. Chosen for a role
open
cast
your dropping line
obstacle
17. Movements to strengthen the personality of the character
3 ways to have a positive relationship with your director
Beats
stage business
master gesture
18. Where an actor mirrors another actors position
your dropping line
obstacle
Shared position
cast
19. Full front - or one quarter left or right
Status quo
Keeping open on stage while standing
keep open on stage while entering
obstacle
20. Where the actors acknowledge the audience
presentational style
status quo
shared position
role
21. Positive attitude - good communication - ask before you change your physical appearance
presentational style
motivation
subtext
3 ways to have a positive relationship with your director
22. Move right by moving with your right foot and vice versa with left
sense memory
Keeping open on stage while gesturing
status quo
Keeping open on stage while moving left or right
23. Calling upon memories of your own emotions to understand the emotions of a character
emotional memory
cross
stage business
subtext
24. What is at risk
Keeping open on stage while gesturing
leading center
sense memory
stakes
25. Using your own memories to help understand a characters emotions
Emotional Memory
callback
cross
Shared position
26. Auditioning with a script you have not read
presentational style
Acting Generated emotion
role
cold reading
27. Your voice gets quieter as you say your line
Beats
strategy
your dropping line
subtext
28. Enter with your upstage foot
keep open on stage while entering
upstage
Spiking the set
strategy
29. The people conducting the auditions
Keeping open on a proscenium stage while
leading center
action
auditors
30. A characteristic gesture
keeping open on stage while turning
keep open on stage while entering
auditors
master gesture
31. A final line that signals an actor to begin the next speech
status quo
poise
Emotional Memory
cue line
32. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
Acting Generated emotion
open
stakes
33. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
cross
Upstaging
keeping open on stage while crossing
subtext
34. A position onstage where one actor mirrors another actor's body position
strategy
emotional memory
shared position
monologue
35. To mark the floor of the rehearsal space to show the floor plan for the play
Spiking the set
Sense memory
3 ways to have a positive relationship with your director
keeping open on stage while crossing
36. How a character overcomes the obstacle
strategy
stakes
pick up your cues
Spiking the set
37. Result of action the characters take to overcome the obstacle
outcome
Emotional Memory
obstacle
Keeping open on stage while gesturing
38. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
auditors
shared position
upstage
cue line
39. A characters present circumstances
obstacle
strategy
leading center
Status quo
40. Being asked to come back and see the auditors again
monologue
working rehearsal
callback
Keeping open on stage while standing
41. Where the actors acknowledge the audience
3 ways to have a positive relationship with your director
presentational style
leading center
emotional memory
42. Full front - or one quarter left or right
obstacle
Acting Generated emotion
Keeping open on stage while standing
action
43. Open the door with your upstage hand
keep open on stage while entering through doors
Emotional Memory
poise
Beats
44. Using a one quarter to the person your talking to
objective
Keeping open on a proscenium stage while
cross
fourth wall
45. To keep your face and the front of your body as visible to the audience as much as possible
sense memory
subtext
Emotional Memory
open
46. Where actors do not acknowledge the audience
upstage
callback
status quo
representational style
47. When actors work on building characterization
working rehearsal
Keeping open on stage while standing
leading center
stage business
48. Turn in the direction of your downstage hand
Sense memory
Shared position
keeping open on stage while turning
Keeping open on stage while moving left or right
49. Your memory of sights - smells - tastes - sounds and textures
sense memory
Upstaging
Emotional Memory
Status quo
50. Smaller sections of a scene divided where shifts in emotion or topic occur
action
audition
sense memory
Beats