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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. To keep your face and the front of your body as visible to the audience as much as possible
open
cross
motivation
shared position
2. Turn your hand upstage
cast
leading center
Keeping open on stage while gesturing
obstacle
3. Your saying the line louder than the person before you
Keeping open on stage while standing
your topping the line
monologue
representational style
4. Part in a play
sense memory
role
strategy
emotional memory
5. What the character does
read through
action
Beats
representational style
6. A position onstage where one actor mirrors another actor's body position
shared position
master gesture
master gesture
outcome
7. When you preform actions and they generate an emotion within yourself
pick up your cues
Acting Generated emotion
Keeping open on stage while standing
keep open on stage while entering
8. Enter with your upstage foot
cold reading
keep open on stage while entering
your topping the line
Shared position
9. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
upstage
Sense memory
representational style
stakes
10. Turn in the direction of your downstage hand
keeping open on stage while turning
Sense memory
Keeping open on stage while moving left or right
subtext
11. The intended point of interest on stage
focus
Leading center
fourth wall
master gesture
12. The part of a characters's body that leads in movements - and reflects the nature of the character
Shared position
keeping open on stage while turning
your topping the line
Leading center
13. Positive attitude - good communication - ask before you change your physical appearance
action
Leading center
3 ways to have a positive relationship with your director
upstage
14. Auditioning with a script you have not read
upstage
master gesture
cold reading
keep open on stage while entering
15. Using a one quarter to the person your talking to
Keeping open on a proscenium stage while
fourth wall
callback
subtext
16. Control in posture
poise
Keeping open on stage while moving left or right
Emotional Memory
Keeping open on a proscenium stage while
17. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
leading center
stage business
open
Upstaging
18. Result of action the characters take to overcome the obstacle
status quo
emotional memory
outcome
representational style
19. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
audition
cross
monologue
20. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
keeping open on stage while turning
cold reading
Status quo
21. To move from one place to another on stage
stage business
subtext
cross
keep open on stage while entering through doors
22. Bridges between the beats
transitions
motivation
subtext
action
23. Your voice gets quieter as you say your line
your dropping line
Status quo
presentational style
focus
24. Smaller sections of a scene divided where shifts in emotion or topic occur
Beats
representational style
role
upstage
25. Smaller sections of a scene divided where shifts in emotion or topic occur
audition
Beats
fourth wall
cast
26. Being asked to come back and see the auditors again
master gesture
Spiking the set
pick up your cues
callback
27. Interview for the play. make an impression and show talent
status quo
Upstaging
audition
cold reading
28. Something preventing the character from getting the objective
role
obstacle
Sense memory
keep open on stage while entering
29. Move right by moving with your right foot and vice versa with left
Emotional Memory
audition
Keeping open on stage while moving left or right
upstage
30. What is at risk
obstacle
presentational style
stakes
cold reading
31. How a character overcomes the obstacle
poise
Leading center
strategy
Beats
32. A characters present circumstances
sense memory
Status quo
read through
transitions
33. The people conducting the auditions
keeping open on stage while turning
3 ways to have a positive relationship with your director
auditors
motivation
34. A complete reading of the play
shared position
motivation
read through
Sense memory
35. Where the actors acknowledge the audience
status quo
working rehearsal
presentational style
Keeping open on stage while moving left or right
36. Enter with your upstage foot
keep open on stage while entering
audition
shared position
subtext
37. The intended point of interest on stage
motivation
focus
strategy
keeping open on stage while crossing
38. Your saying the line louder than the person before you
your topping the line
shared position
stakes
Sense memory
39. Positive attitude - good communication - ask before you change your physical appearance
shared position
action
Status quo
3 ways to have a positive relationship with your director
40. Memories of sights - sounds - smells - tastes and textures - used to define a character
Sense memory
your dropping line
objective
Spiking the set
41. Using your own memories to help understand a characters emotions
Emotional Memory
cold reading
motivation
callback
42. What your character wants
audition
objective
cast
subtext
43. Control in posture
strategy
keeping open on stage while turning
poise
pick up your cues
44. What part of the body you lead with
leading center
representational style
Keeping open on a proscenium stage while
focus
45. When you preform actions and they generate an emotion within yourself
stakes
Acting Generated emotion
action
fourth wall
46. To mark the floor of the rehearsal space to show the floor plan for the play
Spiking the set
callback
Keeping open on a proscenium stage while
leading center
47. Information that is implied but not spoken - thoughts or actions
subtext
3 ways to have a positive relationship with your director
Upstaging
monologue
48. Movements to strengthen the personality of the character
stage business
Keeping open on stage while gesturing
obstacle
subtext
49. How a character overcomes the obstacle
read through
Leading center
strategy
3 ways to have a positive relationship with your director
50. Make crosses upstage in an upward arc
your dropping line
3 ways to have a positive relationship with your director
keeping open on stage while crossing
sense memory
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