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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Where the actors acknowledge the audience
Keeping open on stage while gesturing
presentational style
representational style
Keeping open on a proscenium stage while
2. The intended point of interest on stage
focus
sense memory
outcome
keep open on stage while entering through doors
3. A characteristic gesture
master gesture
focus
status quo
cast
4. Being asked to come back and see the auditors again
emotional memory
callback
cross
role
5. Make crosses upstage in an upward arc
your dropping line
transitions
keeping open on stage while crossing
subtext
6. To keep your face and the front of your body as visible to the audience as much as possible
cast
open
cast
fourth wall
7. Information that is implied but not spoken - thoughts or actions
Upstaging
subtext
auditors
status quo
8. The people conducting the auditions
your topping the line
cold reading
Upstaging
auditors
9. Movements to strengthen the personality of the character
shared position
your topping the line
Beats
stage business
10. Smaller sections of a scene divided where shifts in emotion or topic occur
auditors
Beats
audition
auditors
11. When actors work on building characterization
monologue
working rehearsal
role
pick up your cues
12. To keep your face and the front of your body as visible to the audience as much as possible
Acting Generated emotion
monologue
open
cast
13. The part of a characters's body that leads in movements - and reflects the nature of the character
subtext
presentational style
Leading center
pick up your cues
14. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
auditors
objective
upstage
representational style
15. Part in a play
monologue
Spiking the set
role
action
16. Say your lines quicker after your cue line
cast
pick up your cues
action
obstacle
17. Result of action the characters take to overcome the obstacle
cross
outcome
sense memory
keep open on stage while entering through doors
18. Enter with your upstage foot
Spiking the set
subtext
3 ways to have a positive relationship with your director
keep open on stage while entering
19. What is at risk
subtext
stakes
Keeping open on stage while moving left or right
Keeping open on stage while gesturing
20. What part of the body you lead with
fourth wall
leading center
cold reading
subtext
21. A final line that signals an actor to begin the next speech
cue line
Beats
upstage
motivation
22. What your character wants
representational style
focus
Upstaging
objective
23. The people conducting the auditions
stage business
monologue
auditors
3 ways to have a positive relationship with your director
24. Being asked to come back and see the auditors again
Acting Generated emotion
Shared position
callback
Keeping open on stage while moving left or right
25. A characteristic gesture
master gesture
strategy
sense memory
leading center
26. Positive attitude - good communication - ask before you change your physical appearance
3 ways to have a positive relationship with your director
subtext
keeping open on stage while crossing
presentational style
27. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
Keeping open on stage while gesturing
focus
auditors
28. Interview for the play. make an impression and show talent
monologue
audition
keep open on stage while entering through doors
leading center
29. Auditioning with a script you have not read
cold reading
Keeping open on stage while gesturing
outcome
pick up your cues
30. A imaginary wall between the audience and the stage
your dropping line
3 ways to have a positive relationship with your director
Status quo
fourth wall
31. Memories of sights - sounds - smells - tastes and textures - used to define a character
your dropping line
Sense memory
Upstaging
upstage
32. Bridges between the beats
transitions
focus
objective
cast
33. When you preform actions and they generate an emotion within yourself
Sense memory
role
poise
Acting Generated emotion
34. How a character overcomes the obstacle
Keeping open on stage while moving left or right
strategy
upstage
working rehearsal
35. The intended point of interest on stage
Acting Generated emotion
sense memory
focus
outcome
36. Present circumstances
Keeping open on stage while standing
representational style
status quo
stage business
37. To mark the floor of the rehearsal space to show the floor plan for the play
Leading center
Status quo
pick up your cues
Spiking the set
38. Auditioning with a script you have not read
cold reading
monologue
Spiking the set
Upstaging
39. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
subtext
Keeping open on stage while moving left or right
3 ways to have a positive relationship with your director
representational style
40. Your saying the line louder than the person before you
Keeping open on stage while moving left or right
Status quo
Leading center
your topping the line
41. Chosen for a role
cold reading
cast
cross
callback
42. Using your own memories to help understand a characters emotions
Beats
working rehearsal
Acting Generated emotion
Emotional Memory
43. A complete reading of the play
transitions
read through
Keeping open on stage while gesturing
representational style
44. Present circumstances
status quo
stakes
role
Keeping open on stage while gesturing
45. Result of action the characters take to overcome the obstacle
Upstaging
subtext
outcome
callback
46. Movements to strengthen the personality of the character
subtext
keep open on stage while entering through doors
Keeping open on a proscenium stage while
stage business
47. A characters present circumstances
emotional memory
keep open on stage while entering through doors
Status quo
Upstaging
48. A complete reading of the play
role
read through
keeping open on stage while crossing
master gesture
49. Forces the downstage actor to turn away from the audience to communicate with the upstage actor
Upstaging
subtext
role
subtext
50. Your memory of sights - smells - tastes - sounds and textures
your topping the line
sense memory
your dropping line
Keeping open on stage while gesturing
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