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Test your basic knowledge |
Acting Motivation
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. To mark the floor of the rehearsal space to show the floor plan for the play
poise
Spiking the set
Keeping open on a proscenium stage while
callback
2. Using a one quarter to the person your talking to
shared position
Keeping open on a proscenium stage while
subtext
working rehearsal
3. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
Acting Generated emotion
subtext
upstage
Keeping open on stage while moving left or right
4. Turn your hand upstage
leading center
cast
Keeping open on stage while gesturing
fourth wall
5. Bridges between the beats
Keeping open on stage while standing
leading center
stakes
transitions
6. A characteristic gesture
transitions
working rehearsal
master gesture
Emotional Memory
7. Turn your hand upstage
Keeping open on stage while gesturing
your dropping line
obstacle
Leading center
8. Where an actor mirrors another actors position
open
keeping open on stage while turning
Shared position
poise
9. The part of a characters's body that leads in movements - and reflects the nature of the character
Leading center
obstacle
focus
pick up your cues
10. Part in a play
read through
role
status quo
action
11. What the character does
transitions
action
subtext
Leading center
12. Open the door with your upstage hand
presentational style
3 ways to have a positive relationship with your director
Spiking the set
keep open on stage while entering through doors
13. Calling upon memories of your own emotions to understand the emotions of a character
subtext
subtext
cue line
emotional memory
14. Bridges between the beats
subtext
transitions
your dropping line
Keeping open on stage while gesturing
15. Where actors do not acknowledge the audience
poise
representational style
auditors
Emotional Memory
16. Result of action the characters take to overcome the obstacle
strategy
stage business
cast
outcome
17. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
sense memory
your dropping line
subtext
3 ways to have a positive relationship with your director
18. A complete reading of the play
read through
3 ways to have a positive relationship with your director
3 ways to have a positive relationship with your director
shared position
19. Interview for the play. make an impression and show talent
audition
focus
Spiking the set
Keeping open on stage while moving left or right
20. The intended point of interest on stage
pick up your cues
monologue
representational style
focus
21. To mark the floor of the rehearsal space to show the floor plan for the play
representational style
Spiking the set
cast
open
22. What the character does
Upstaging
action
poise
working rehearsal
23. Make crosses upstage in an upward arc
keeping open on stage while crossing
read through
your dropping line
shared position
24. Your voice gets quieter as you say your line
your dropping line
keep open on stage while entering through doors
cold reading
Keeping open on stage while moving left or right
25. Say your lines quicker after your cue line
stakes
pick up your cues
your dropping line
Beats
26. Control in posture
poise
subtext
Keeping open on stage while moving left or right
cast
27. To stand upstage of another actor on a proscenium stage forcing the downstage actor to turn away from the audience to communicate with the actor - stealing the focus of the scene.
shared position
keep open on stage while entering through doors
keep open on stage while entering
upstage
28. A complete reading of the play
subtext
Keeping open on stage while standing
read through
Status quo
29. Open the door with your upstage hand
Status quo
keep open on stage while entering through doors
Acting Generated emotion
cold reading
30. Turn in the direction of your downstage hand
objective
fourth wall
Leading center
keeping open on stage while turning
31. Result of action the characters take to overcome the obstacle
monologue
obstacle
Spiking the set
outcome
32. Using your own memories to help understand a characters emotions
focus
Emotional Memory
Status quo
your topping the line
33. A story - speech or scene performed by one actor only
transitions
callback
Keeping open on stage while moving left or right
monologue
34. Where an actor mirrors another actors position
working rehearsal
audition
Shared position
cold reading
35. Information that is implied but not directly stated by the actor- thoughts or actions of a character that do not express the same idea as the spoken words.
Emotional Memory
role
obstacle
subtext
36. How a character overcomes the obstacle
Keeping open on a proscenium stage while
focus
strategy
upstage
37. Smaller sections of a scene divided where shifts in emotion or topic occur
Beats
auditors
master gesture
obstacle
38. Move right by moving with your right foot and vice versa with left
Keeping open on stage while moving left or right
cross
Shared position
keeping open on stage while turning
39. Information that is implied but not spoken - thoughts or actions
Beats
subtext
cue line
your dropping line
40. Control in posture
poise
presentational style
role
Upstaging
41. A characters present circumstances
Status quo
Acting Generated emotion
cross
keep open on stage while entering through doors
42. A imaginary wall between the audience and the stage
auditors
fourth wall
action
working rehearsal
43. What is at risk
stakes
3 ways to have a positive relationship with your director
open
Upstaging
44. What makes a character do something
fourth wall
Spiking the set
3 ways to have a positive relationship with your director
motivation
45. A position onstage where one actor mirrors another actor's body position
shared position
auditors
stage business
cast
46. Move right by moving with your right foot and vice versa with left
Upstaging
emotional memory
Shared position
Keeping open on stage while moving left or right
47. What your character wants
objective
Upstaging
representational style
cast
48. A final line that signals an actor to begin the next speech
subtext
Status quo
cue line
Keeping open on a proscenium stage while
49. Your saying the line louder than the person before you
cue line
your topping the line
focus
cue line
50. The people conducting the auditions
auditors
presentational style
cue line
fourth wall