Test your basic knowledge |

Animation Hall Of Fame

Subjects : it-skills, arts
Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. By 1958. CBS terrytoons was out UPA-ing UPA!__________ picked up the ball and kept running - fulfilling the promise of UPA by producing contemporary cartoons that reflicted modern life using modern art






2. His film fantasmagorie - often thought to be the first animated film with drawings on paper - was made with thick black lines






3. Worked on the Warner Bros. stock characters






4. This animation pioneer got his start designing postes and comic strips and one of this first films LITTLE NEMO - was based on a comic star






5. Known for creating cartooon for both adult audiences and young children - _________ promoted 'roobabr and custard' the first animated TV series to be made in the UK that is remembered for its colorful use of magic markers






6. _________ TV's first prime time animated series - was written with more sophistication that the likes of huckleberry hound or yogi bear - and it appealed equally to adults and children






7. With the depression and wartime rationing over - many new american goods and services were for sale - the most dynamic medium for selling them was the __________ film






8. While willis o'brian animated KING KONG appeared jerky and moved too fast on screen - _______________ created mighty joe young with more subtlety and slowed the animation down to convey a sense of scale.






9. The film - LA PLANET SAUVAGE - directed by __________________ was one of the first feature length animations dedicated to adults and science fiction






10. _____________ have always claimed that they 'want to make a world that is seen through a dirty pane of glass.' they make puppets that look like old dolls abused by many generations of children - construct the sets - arrange the lighting - and do the






11. The expressionist german animator is knon for emplying her love for chinese shadowtheater. she used finely cut paper






12. ________'s work is full of bizarre kafka-esque fantasies - such as a man-eating baby carriage - elephantine chickens descending from above and squashing and unsuspecting onlooker - flying houses - and an unhealthy obsession with dismembered feet






13. Music all songs and merchandising tie ins propelled his fame






14. This animator devised a streamlined method of printing backgrounds - and then employed celluloid overlays containing the background elements as an imporvenment over the printing method.






15. Known for creating cartooon for both adult audiences and young children - _________ promoted 'roobabr and custard' the first animated TV series to be made in the UK that is remembered for its colorful use of magic markers






16. Music all songs and merchandising tie ins propelled his fame






17. This japanese artist was a second wave animator that studed western animation tecks and pioneered the use of cel animation in japan






18. After publicly quitting Disney Studios - ____________________ created the critically acclaimed film THE SECRET OF NIMH - which received the almost-forgotten art of pre-war disney animation






19. The films of ______________________ were not commercially succesful in Japan until he reluctantly allowed his characters to be merchandised. after selling the rights - his films became some of the top-grossing films in japan






20. His film fantasmagorie - often thought to be the first animated film with drawings on paper - was made with thick black lines






21. He created humorous phases of funny faces using frame-frame animation drawn on a chalkboard






22. Swedish artist played an integral role in the enhancement of experimental animation. he pained abstact designs on to scrolls






23. The idea of a feature cartoon that dealt with such seious subject as anti-communisms and contained little or no laughs was a challenge to the Halas and Batchelor team - but the proceeded and started production on __________________ in '51






24. During the 1970's and 80's _____________________ almost single-handedly revitalized stop-motion animationwith his trademarded claymation shorts and helped establish the viability of regional animaion in the US






25. This animator devised a streamlined method of printing backgrounds - and then employed celluloid overlays containing the background elements as an imporvenment over the printing method.






26. AKIRA began life ans a best selling manga series in Japan -. when first financial interests wanted to turn it into a feature film ________________ refused to sell the rights unless he had total artistic control as director






27. Worked on the Warner Bros. stock characters






28. By 1958. CBS terrytoons was out UPA-ing UPA!__________ picked up the ball and kept running - fulfilling the promise of UPA by producing contemporary cartoons that reflicted modern life using modern art






29. Russian animator is known for establishing the art of stop-motion animation. his puppets - were made with wire and plaster






30. Russian animator is known for establishing the art of stop-motion animation. his puppets - were made with wire and plaster






31. After 'why crows are black' was mistakedn at the '55 venice festival for soviet animation - ________ was determined that chinese animation shoult have a distinctive chinese look






32. Because it offered almost no depth of character or story - neither the press nor the movie goers gave ___________ a warm welcome - and even it s animators seemed eager to disown it.






33. During the 1970's and 80's _____________________ almost single-handedly revitalized stop-motion animationwith his trademarded claymation shorts and helped establish the viability of regional animaion in the US






34. While willis o'brian animated KING KONG appeared jerky and moved too fast on screen - _______________ created mighty joe young with more subtlety and slowed the animation down to convey a sense of scale.






35. The idea of a feature cartoon that dealt with such seious subject as anti-communisms and contained little or no laughs was a challenge to the Halas and Batchelor team - but the proceeded and started production on __________________ in '51






36. Nothing prepared __________ and _________ for the shock of going from $50000 they typically spent on once short at MGM to $2700 they had to switch to






37. ___________ is just as its title suggests; a series of comic-strip style drawings filmed sequentially - with an occasional animated effect






38. In 1972 - Brooklyn born animator __________________ directed the first X-rated animated feature - fritz the cat - which recieved much critical and commercial success - but his promise seemed increasingly to diminish as the decade wore on.






39. The film - LA PLANET SAUVAGE - directed by __________________ was one of the first feature length animations dedicated to adults and science fiction






40. The films of ______________________ were not commercially succesful in Japan until he reluctantly allowed his characters to be merchandised. after selling the rights - his films became some of the top-grossing films in japan






41. After publicly quitting Disney Studios - ____________________ created the critically acclaimed film THE SECRET OF NIMH - which received the almost-forgotten art of pre-war disney animation






42. Swedish artist played an integral role in the enhancement of experimental animation. he pained abstact designs on to scrolls






43. In '62 'ersatz' or 'substitute' in english became the first film from outside the US to win an academy award for best animated short. directed by _____________ it tells the story of a tourist on a beach who 'inflates' an entire village






44. AKIRA began life ans a best selling manga series in Japan -. when first financial interests wanted to turn it into a feature film ________________ refused to sell the rights unless he had total artistic control as director






45. In 1972 - Brooklyn born animator __________________ directed the first X-rated animated feature - fritz the cat - which recieved much critical and commercial success - but his promise seemed increasingly to diminish as the decade wore on.






46. This animation pioneer got his start designing postes and comic strips and one of this first films LITTLE NEMO - was based on a comic star






47. This japanese artist was a second wave animator that studed western animation tecks and pioneered the use of cel animation in japan






48. Nothing prepared __________ and _________ for the shock of going from $50000 they typically spent on once short at MGM to $2700 they had to switch to






49. One of the pioneering distinctions of _________________ was the interchangability of the artists working on direction - design - drawing - and story. the most talented artists all worked on eachothers films and the result was bold cartoons unified in






50. He created the rotoscope wich combined a film projector and easel for frame by frame tracking and animation reference