SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Animation Hall Of Fame
Start Test
Study First
Subjects
:
it-skills
,
arts
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. By 1958. CBS terrytoons was out UPA-ing UPA!__________ picked up the ball and kept running - fulfilling the promise of UPA by producing contemporary cartoons that reflicted modern life using modern art
Terry Gilliam
Alice in wonderland
Gene Deitch
Will Vinton
2. While willis o'brian animated KING KONG appeared jerky and moved too fast on screen - _______________ created mighty joe young with more subtlety and slowed the animation down to convey a sense of scale.
UPA
Zagreb school
Ray Harryhausen
Alice in wonderland
3. The expressionist german animator is knon for emplying her love for chinese shadowtheater. she used finely cut paper
Yasuji marata
Lotte reineger
animal farm
felix the cat
4. In '58 under ___________ and _______________ - toie doga began the modern japanese animation industryby producion one color feature per year
UPA
Stuart Blackton
Tarji Yabushita and Yasuji Mori
Dusan Vukotic
5. In 1972 - Brooklyn born animator __________________ directed the first X-rated animated feature - fritz the cat - which recieved much critical and commercial success - but his promise seemed increasingly to diminish as the decade wore on.
Hayao Miyazaki
Max fleischer
Ladislas Starewitch
Ralph Bakshi
6. One of the creative obstacles associated with __________ was the fact that the films would eventually be shown on television - so the main action had to occur in the middle of the screen
felix the cat
cinemascope
Gene Deitch
Will Vinton
7. This animator devised a streamlined method of printing backgrounds - and then employed celluloid overlays containing the background elements as an imporvenment over the printing method.
winsor mccay
John are bray
Bob Godfrey
tei wei
8. He created the rotoscope wich combined a film projector and easel for frame by frame tracking and animation reference
cinemascope
Katsuhiro Otomo
Max fleischer
cinemascope
9. After 'why crows are black' was mistakedn at the '55 venice festival for soviet animation - ________ was determined that chinese animation shoult have a distinctive chinese look
Tarji Yabushita and Yasuji Mori
felix the cat
tei wei
telecomics
10. The films of ______________________ were not commercially succesful in Japan until he reluctantly allowed his characters to be merchandised. after selling the rights - his films became some of the top-grossing films in japan
Ray Harryhausen
UPA
Hayao Miyazaki
Tarji Yabushita and Yasuji Mori
11. This japanese artist was a second wave animator that studed western animation tecks and pioneered the use of cel animation in japan
tei wei
Yasuji marata
Will Vinton
Will Vinton
12. Swedish artist played an integral role in the enhancement of experimental animation. he pained abstact designs on to scrolls
viking eggeling
telecomics
Jiri Trnka
felix the cat
13. His film fantasmagorie - often thought to be the first animated film with drawings on paper - was made with thick black lines
Ralph Bakshi
animal farm
Hayao Miyazaki
Emile cohl
14. AKIRA began life ans a best selling manga series in Japan -. when first financial interests wanted to turn it into a feature film ________________ refused to sell the rights unless he had total artistic control as director
Katsuhiro Otomo
Flintstones
cinemascope
cinemascope
15. _____________ have always claimed that they 'want to make a world that is seen through a dirty pane of glass.' they make puppets that look like old dolls abused by many generations of children - construct the sets - arrange the lighting - and do the
Gene Deitch
UPA
Quay Brothers
Don Bluth
16. The idea of a feature cartoon that dealt with such seious subject as anti-communisms and contained little or no laughs was a challenge to the Halas and Batchelor team - but the proceeded and started production on __________________ in '51
UPA
viking eggeling
animal farm
viking eggeling
17. ___________ is just as its title suggests; a series of comic-strip style drawings filmed sequentially - with an occasional animated effect
Flintstones
telecomics
Joseph Babera and William Hannah
felix the cat
18. The films of ______________________ were not commercially succesful in Japan until he reluctantly allowed his characters to be merchandised. after selling the rights - his films became some of the top-grossing films in japan
Lotte reineger
Hayao Miyazaki
winsor mccay
Rene Laloux
19. This japanese artist was a second wave animator that studed western animation tecks and pioneered the use of cel animation in japan
Industrial
Peggy Charen
Yasuji marata
Hayao Miyazaki
20. With the depression and wartime rationing over - many new american goods and services were for sale - the most dynamic medium for selling them was the __________ film
Industrial
animal farm
Rene Laloux
Gene Deitch
21. ________'s work is full of bizarre kafka-esque fantasies - such as a man-eating baby carriage - elephantine chickens descending from above and squashing and unsuspecting onlooker - flying houses - and an unhealthy obsession with dismembered feet
Quay Brothers
Terry Gilliam
telecomics
tei wei
22. Action for Children's Television (ACT) grew out of the suburban Boston living room of the housewife and mother _____________ - who used her organization to lobby washington to impose new rules on kids' programming on cartoons
Peggy Charen
Chuck Jones
Dusan Vukotic
Bob Godfrey
23. One of the creative obstacles associated with __________ was the fact that the films would eventually be shown on television - so the main action had to occur in the middle of the screen
Don Bluth
telecomics
John are bray
cinemascope
24. _______________ was the Czech master of Stop-motion puppet animation. his talent lay in creating the illusion that the puppets were acting out of their own will rahter that being controled by a puppeteer
Jiri Trnka
Joseph Babera and William Hannah
Flintstones
Dusan Vukotic
25. After publicly quitting Disney Studios - ____________________ created the critically acclaimed film THE SECRET OF NIMH - which received the almost-forgotten art of pre-war disney animation
Alice in wonderland
Don Bluth
Chuck Jones
Hayao Miyazaki
26. Because it offered almost no depth of character or story - neither the press nor the movie goers gave ___________ a warm welcome - and even it s animators seemed eager to disown it.
Chuck Jones
telecomics
Alice in wonderland
Industrial
27. Because it offered almost no depth of character or story - neither the press nor the movie goers gave ___________ a warm welcome - and even it s animators seemed eager to disown it.
Alice in wonderland
Will Vinton
Ray Harryhausen
Ralph Bakshi
28. Action for Children's Television (ACT) grew out of the suburban Boston living room of the housewife and mother _____________ - who used her organization to lobby washington to impose new rules on kids' programming on cartoons
Richard Williams
Alice in wonderland
Peggy Charen
Lotte reineger
29. In '62 'ersatz' or 'substitute' in english became the first film from outside the US to win an academy award for best animated short. directed by _____________ it tells the story of a tourist on a beach who 'inflates' an entire village
Dusan Vukotic
winsor mccay
Gene Deitch
Bob Godfrey
30. In '62 'ersatz' or 'substitute' in english became the first film from outside the US to win an academy award for best animated short. directed by _____________ it tells the story of a tourist on a beach who 'inflates' an entire village
Dusan Vukotic
felix the cat
Will Vinton
winsor mccay
31. By 1958. CBS terrytoons was out UPA-ing UPA!__________ picked up the ball and kept running - fulfilling the promise of UPA by producing contemporary cartoons that reflicted modern life using modern art
Will Vinton
Don Bluth
Gene Deitch
Emile cohl
32. He created humorous phases of funny faces using frame-frame animation drawn on a chalkboard
Lotte reineger
Stuart Blackton
Ray Harryhausen
Ladislas Starewitch
33. Known for creating cartooon for both adult audiences and young children - _________ promoted 'roobabr and custard' the first animated TV series to be made in the UK that is remembered for its colorful use of magic markers
Will Vinton
Yasuji marata
Joseph Babera and William Hannah
Bob Godfrey
34. Nothing prepared __________ and _________ for the shock of going from $50000 they typically spent on once short at MGM to $2700 they had to switch to
Joseph Babera and William Hannah
UPA
viking eggeling
Gene Deitch
35. The film - LA PLANET SAUVAGE - directed by __________________ was one of the first feature length animations dedicated to adults and science fiction
Rene Laloux
Jiri Trnka
Katsuhiro Otomo
Emile cohl
36. During the 1970's and 80's _____________________ almost single-handedly revitalized stop-motion animationwith his trademarded claymation shorts and helped establish the viability of regional animaion in the US
Emile cohl
Will Vinton
telecomics
UPA
37. Music all songs and merchandising tie ins propelled his fame
Hayao Miyazaki
felix the cat
Rene Laloux
cinemascope
38. Known for creating cartooon for both adult audiences and young children - _________ promoted 'roobabr and custard' the first animated TV series to be made in the UK that is remembered for its colorful use of magic markers
Bob Godfrey
telecomics
Stuart Blackton
Industrial
39. During the 1970's and 80's _____________________ almost single-handedly revitalized stop-motion animationwith his trademarded claymation shorts and helped establish the viability of regional animaion in the US
Lotte reineger
Will Vinton
Chuck Jones
Ladislas Starewitch
40. He created the rotoscope wich combined a film projector and easel for frame by frame tracking and animation reference
Zagreb school
Flintstones
Stuart Blackton
Max fleischer
41. Swedish artist played an integral role in the enhancement of experimental animation. he pained abstact designs on to scrolls
viking eggeling
Peggy Charen
Bob Godfrey
Joseph Babera and William Hannah
42. He created humorous phases of funny faces using frame-frame animation drawn on a chalkboard
Gene Deitch
Stuart Blackton
Jiri Trnka
Ray Harryhausen
43. In '58 under ___________ and _______________ - toie doga began the modern japanese animation industryby producion one color feature per year
John are bray
Will Vinton
animal farm
Tarji Yabushita and Yasuji Mori
44. ________'s work is full of bizarre kafka-esque fantasies - such as a man-eating baby carriage - elephantine chickens descending from above and squashing and unsuspecting onlooker - flying houses - and an unhealthy obsession with dismembered feet
Terry Gilliam
Jiri Trnka
Emile cohl
Ladislas Starewitch
45. _____________ have always claimed that they 'want to make a world that is seen through a dirty pane of glass.' they make puppets that look like old dolls abused by many generations of children - construct the sets - arrange the lighting - and do the
Bob Godfrey
John are bray
Max fleischer
Quay Brothers
46. This animation pioneer got his start designing postes and comic strips and one of this first films LITTLE NEMO - was based on a comic star
winsor mccay
John are bray
UPA
Hayao Miyazaki
47. Worked on the Warner Bros. stock characters
viking eggeling
Chuck Jones
Dusan Vukotic
Dusan Vukotic
48. The idea of a feature cartoon that dealt with such seious subject as anti-communisms and contained little or no laughs was a challenge to the Halas and Batchelor team - but the proceeded and started production on __________________ in '51
Jiri Trnka
animal farm
felix the cat
viking eggeling
49. _______________ was the Czech master of Stop-motion puppet animation. his talent lay in creating the illusion that the puppets were acting out of their own will rahter that being controled by a puppeteer
Jiri Trnka
Richard Williams
Katsuhiro Otomo
Ralph Bakshi
50. Worked on the Warner Bros. stock characters
Industrial
UPA
Chuck Jones
Katsuhiro Otomo