Test your basic knowledge |

Animation Hall Of Fame

Subjects : it-skills, arts
Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. _____________ have always claimed that they 'want to make a world that is seen through a dirty pane of glass.' they make puppets that look like old dolls abused by many generations of children - construct the sets - arrange the lighting - and do the






2. One of the pioneering distinctions of _________________ was the interchangability of the artists working on direction - design - drawing - and story. the most talented artists all worked on eachothers films and the result was bold cartoons unified in






3. One of the creative obstacles associated with __________ was the fact that the films would eventually be shown on television - so the main action had to occur in the middle of the screen






4. While willis o'brian animated KING KONG appeared jerky and moved too fast on screen - _______________ created mighty joe young with more subtlety and slowed the animation down to convey a sense of scale.






5. Music all songs and merchandising tie ins propelled his fame






6. In 1972 - Brooklyn born animator __________________ directed the first X-rated animated feature - fritz the cat - which recieved much critical and commercial success - but his promise seemed increasingly to diminish as the decade wore on.






7. Music all songs and merchandising tie ins propelled his fame






8. He created humorous phases of funny faces using frame-frame animation drawn on a chalkboard






9. Action for Children's Television (ACT) grew out of the suburban Boston living room of the housewife and mother _____________ - who used her organization to lobby washington to impose new rules on kids' programming on cartoons






10. A disillusioned disney animator - ______________ supplemented the cost of 'little island' by working on commercials for dog food - Guinness - and the mothers pride sliced bread during the day and his won project by night






11. _________ TV's first prime time animated series - was written with more sophistication that the likes of huckleberry hound or yogi bear - and it appealed equally to adults and children






12. The film - LA PLANET SAUVAGE - directed by __________________ was one of the first feature length animations dedicated to adults and science fiction






13. This animation pioneer got his start designing postes and comic strips and one of this first films LITTLE NEMO - was based on a comic star






14. With the depression and wartime rationing over - many new american goods and services were for sale - the most dynamic medium for selling them was the __________ film






15. His film fantasmagorie - often thought to be the first animated film with drawings on paper - was made with thick black lines






16. Swedish artist played an integral role in the enhancement of experimental animation. he pained abstact designs on to scrolls






17. ________'s work is full of bizarre kafka-esque fantasies - such as a man-eating baby carriage - elephantine chickens descending from above and squashing and unsuspecting onlooker - flying houses - and an unhealthy obsession with dismembered feet






18. _______________ was the Czech master of Stop-motion puppet animation. his talent lay in creating the illusion that the puppets were acting out of their own will rahter that being controled by a puppeteer






19. Nothing prepared __________ and _________ for the shock of going from $50000 they typically spent on once short at MGM to $2700 they had to switch to






20. One of the pioneering distinctions of _________________ was the interchangability of the artists working on direction - design - drawing - and story. the most talented artists all worked on eachothers films and the result was bold cartoons unified in






21. The films of ______________________ were not commercially succesful in Japan until he reluctantly allowed his characters to be merchandised. after selling the rights - his films became some of the top-grossing films in japan






22. The expressionist german animator is knon for emplying her love for chinese shadowtheater. she used finely cut paper






23. ___________ is just as its title suggests; a series of comic-strip style drawings filmed sequentially - with an occasional animated effect






24. ________'s work is full of bizarre kafka-esque fantasies - such as a man-eating baby carriage - elephantine chickens descending from above and squashing and unsuspecting onlooker - flying houses - and an unhealthy obsession with dismembered feet






25. The idea of a feature cartoon that dealt with such seious subject as anti-communisms and contained little or no laughs was a challenge to the Halas and Batchelor team - but the proceeded and started production on __________________ in '51






26. _______________ was the Czech master of Stop-motion puppet animation. his talent lay in creating the illusion that the puppets were acting out of their own will rahter that being controled by a puppeteer






27. He created the rotoscope wich combined a film projector and easel for frame by frame tracking and animation reference






28. In the early '50's the style of _________a departure from the traditional realistic design approach was so ingluential that nearly all the other studios went in that direction.






29. He created the rotoscope wich combined a film projector and easel for frame by frame tracking and animation reference






30. The expressionist german animator is knon for emplying her love for chinese shadowtheater. she used finely cut paper






31. In '62 'ersatz' or 'substitute' in english became the first film from outside the US to win an academy award for best animated short. directed by _____________ it tells the story of a tourist on a beach who 'inflates' an entire village






32. During the 1970's and 80's _____________________ almost single-handedly revitalized stop-motion animationwith his trademarded claymation shorts and helped establish the viability of regional animaion in the US






33. One of the creative obstacles associated with __________ was the fact that the films would eventually be shown on television - so the main action had to occur in the middle of the screen






34. _________ TV's first prime time animated series - was written with more sophistication that the likes of huckleberry hound or yogi bear - and it appealed equally to adults and children






35. By 1958. CBS terrytoons was out UPA-ing UPA!__________ picked up the ball and kept running - fulfilling the promise of UPA by producing contemporary cartoons that reflicted modern life using modern art






36. In '58 under ___________ and _______________ - toie doga began the modern japanese animation industryby producion one color feature per year






37. In the early '50's the style of _________a departure from the traditional realistic design approach was so ingluential that nearly all the other studios went in that direction.






38. Russian animator is known for establishing the art of stop-motion animation. his puppets - were made with wire and plaster






39. In 1972 - Brooklyn born animator __________________ directed the first X-rated animated feature - fritz the cat - which recieved much critical and commercial success - but his promise seemed increasingly to diminish as the decade wore on.






40. By 1958. CBS terrytoons was out UPA-ing UPA!__________ picked up the ball and kept running - fulfilling the promise of UPA by producing contemporary cartoons that reflicted modern life using modern art






41. After 'why crows are black' was mistakedn at the '55 venice festival for soviet animation - ________ was determined that chinese animation shoult have a distinctive chinese look






42. In '58 under ___________ and _______________ - toie doga began the modern japanese animation industryby producion one color feature per year






43. Russian animator is known for establishing the art of stop-motion animation. his puppets - were made with wire and plaster






44. He created humorous phases of funny faces using frame-frame animation drawn on a chalkboard






45. After 'why crows are black' was mistakedn at the '55 venice festival for soviet animation - ________ was determined that chinese animation shoult have a distinctive chinese look






46. This animator devised a streamlined method of printing backgrounds - and then employed celluloid overlays containing the background elements as an imporvenment over the printing method.






47. AKIRA began life ans a best selling manga series in Japan -. when first financial interests wanted to turn it into a feature film ________________ refused to sell the rights unless he had total artistic control as director






48. The film - LA PLANET SAUVAGE - directed by __________________ was one of the first feature length animations dedicated to adults and science fiction






49. This animator devised a streamlined method of printing backgrounds - and then employed celluloid overlays containing the background elements as an imporvenment over the printing method.






50. During the 1970's and 80's _____________________ almost single-handedly revitalized stop-motion animationwith his trademarded claymation shorts and helped establish the viability of regional animaion in the US