Test your basic knowledge |

Animation Hall Of Fame

Subjects : it-skills, arts
Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. _________ TV's first prime time animated series - was written with more sophistication that the likes of huckleberry hound or yogi bear - and it appealed equally to adults and children






2. One of the creative obstacles associated with __________ was the fact that the films would eventually be shown on television - so the main action had to occur in the middle of the screen






3. During the 1970's and 80's _____________________ almost single-handedly revitalized stop-motion animationwith his trademarded claymation shorts and helped establish the viability of regional animaion in the US






4. After publicly quitting Disney Studios - ____________________ created the critically acclaimed film THE SECRET OF NIMH - which received the almost-forgotten art of pre-war disney animation






5. With the depression and wartime rationing over - many new american goods and services were for sale - the most dynamic medium for selling them was the __________ film






6. The film - LA PLANET SAUVAGE - directed by __________________ was one of the first feature length animations dedicated to adults and science fiction






7. _______________ was the Czech master of Stop-motion puppet animation. his talent lay in creating the illusion that the puppets were acting out of their own will rahter that being controled by a puppeteer






8. The idea of a feature cartoon that dealt with such seious subject as anti-communisms and contained little or no laughs was a challenge to the Halas and Batchelor team - but the proceeded and started production on __________________ in '51






9. One of the pioneering distinctions of _________________ was the interchangability of the artists working on direction - design - drawing - and story. the most talented artists all worked on eachothers films and the result was bold cartoons unified in






10. In the early '50's the style of _________a departure from the traditional realistic design approach was so ingluential that nearly all the other studios went in that direction.






11. He created the rotoscope wich combined a film projector and easel for frame by frame tracking and animation reference






12. Action for Children's Television (ACT) grew out of the suburban Boston living room of the housewife and mother _____________ - who used her organization to lobby washington to impose new rules on kids' programming on cartoons






13. He created humorous phases of funny faces using frame-frame animation drawn on a chalkboard






14. In '58 under ___________ and _______________ - toie doga began the modern japanese animation industryby producion one color feature per year






15. Action for Children's Television (ACT) grew out of the suburban Boston living room of the housewife and mother _____________ - who used her organization to lobby washington to impose new rules on kids' programming on cartoons






16. _________ TV's first prime time animated series - was written with more sophistication that the likes of huckleberry hound or yogi bear - and it appealed equally to adults and children






17. This japanese artist was a second wave animator that studed western animation tecks and pioneered the use of cel animation in japan






18. This japanese artist was a second wave animator that studed western animation tecks and pioneered the use of cel animation in japan






19. Because it offered almost no depth of character or story - neither the press nor the movie goers gave ___________ a warm welcome - and even it s animators seemed eager to disown it.






20. In '62 'ersatz' or 'substitute' in english became the first film from outside the US to win an academy award for best animated short. directed by _____________ it tells the story of a tourist on a beach who 'inflates' an entire village






21. He created humorous phases of funny faces using frame-frame animation drawn on a chalkboard






22. This animation pioneer got his start designing postes and comic strips and one of this first films LITTLE NEMO - was based on a comic star






23. A disillusioned disney animator - ______________ supplemented the cost of 'little island' by working on commercials for dog food - Guinness - and the mothers pride sliced bread during the day and his won project by night






24. Music all songs and merchandising tie ins propelled his fame






25. After 'why crows are black' was mistakedn at the '55 venice festival for soviet animation - ________ was determined that chinese animation shoult have a distinctive chinese look






26. _____________ have always claimed that they 'want to make a world that is seen through a dirty pane of glass.' they make puppets that look like old dolls abused by many generations of children - construct the sets - arrange the lighting - and do the






27. _______________ was the Czech master of Stop-motion puppet animation. his talent lay in creating the illusion that the puppets were acting out of their own will rahter that being controled by a puppeteer






28. His film fantasmagorie - often thought to be the first animated film with drawings on paper - was made with thick black lines






29. Russian animator is known for establishing the art of stop-motion animation. his puppets - were made with wire and plaster






30. ________'s work is full of bizarre kafka-esque fantasies - such as a man-eating baby carriage - elephantine chickens descending from above and squashing and unsuspecting onlooker - flying houses - and an unhealthy obsession with dismembered feet






31. In '58 under ___________ and _______________ - toie doga began the modern japanese animation industryby producion one color feature per year






32. By 1958. CBS terrytoons was out UPA-ing UPA!__________ picked up the ball and kept running - fulfilling the promise of UPA by producing contemporary cartoons that reflicted modern life using modern art






33. AKIRA began life ans a best selling manga series in Japan -. when first financial interests wanted to turn it into a feature film ________________ refused to sell the rights unless he had total artistic control as director






34. The idea of a feature cartoon that dealt with such seious subject as anti-communisms and contained little or no laughs was a challenge to the Halas and Batchelor team - but the proceeded and started production on __________________ in '51






35. Nothing prepared __________ and _________ for the shock of going from $50000 they typically spent on once short at MGM to $2700 they had to switch to






36. _____________ have always claimed that they 'want to make a world that is seen through a dirty pane of glass.' they make puppets that look like old dolls abused by many generations of children - construct the sets - arrange the lighting - and do the






37. This animation pioneer got his start designing postes and comic strips and one of this first films LITTLE NEMO - was based on a comic star






38. During the 1970's and 80's _____________________ almost single-handedly revitalized stop-motion animationwith his trademarded claymation shorts and helped establish the viability of regional animaion in the US






39. One of the creative obstacles associated with __________ was the fact that the films would eventually be shown on television - so the main action had to occur in the middle of the screen






40. Nothing prepared __________ and _________ for the shock of going from $50000 they typically spent on once short at MGM to $2700 they had to switch to






41. Worked on the Warner Bros. stock characters






42. This animator devised a streamlined method of printing backgrounds - and then employed celluloid overlays containing the background elements as an imporvenment over the printing method.






43. His film fantasmagorie - often thought to be the first animated film with drawings on paper - was made with thick black lines






44. Russian animator is known for establishing the art of stop-motion animation. his puppets - were made with wire and plaster






45. Worked on the Warner Bros. stock characters






46. The films of ______________________ were not commercially succesful in Japan until he reluctantly allowed his characters to be merchandised. after selling the rights - his films became some of the top-grossing films in japan






47. After publicly quitting Disney Studios - ____________________ created the critically acclaimed film THE SECRET OF NIMH - which received the almost-forgotten art of pre-war disney animation






48. In the early '50's the style of _________a departure from the traditional realistic design approach was so ingluential that nearly all the other studios went in that direction.






49. One of the pioneering distinctions of _________________ was the interchangability of the artists working on direction - design - drawing - and story. the most talented artists all worked on eachothers films and the result was bold cartoons unified in






50. The film - LA PLANET SAUVAGE - directed by __________________ was one of the first feature length animations dedicated to adults and science fiction