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Test your basic knowledge |
Audio By Video Vocab
Start Test
Study First
Subjects
:
performing-arts
,
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The SMPTE time that will trigger a transport to begin - or the amount of position difference needed to get two sources to synchronize
Null
Offset
NYBBLE
Lift
2. The point a distance away from the sound source where the direct sound and the reverberant sound are equal in volume
Mixer
Ambient Field
Listen Circuits
Critical Distance
3. Time data in the MIDI signal that advances one step each 1/24 of a beat and can be used to sync two sequencer together
Critical Distance
MDM
Critical Distance
Midi Clock
4. Mix Engineer
Doppler Effect
Mixer
Dub
Cascade
5. Rerecording the audio. The picture stays the same.
Crosstalk
Slate
Margin
Audio Dub
6. (reverberant field)
Margin
Barrier Miking
Ambient Field
Precedence effect
7. Modular Digital Multitrack: A multitrack digital recorder with (usually) 8 tracks that can be run in sunchronization with other machines (of the same type) to attain more tracks. ADAT brand recorders are an example
Preview
MDM
Production Studio
Stinger
8. A system of recording a 60Hz tone - used for syncing on a 1/4 inch tape - developed by Nagra
Blending
Pilot Tone
NYBBLE
Lift
9. A very short absence of signal in magnetic recording usually caused by dirt or defects in the magnetic coating of tapes and discs or any very short loss to an audio signal.
ST
ST
Dropout
AD
10. Assistant Director (No Analog to Digital here!)
Ambient Miking
Margin
Margin
AD
11. A studio that specializes in assembly of pre-recorded material such as music - VO - and dialogue
Doppler Effect
Production Studio
MIDI clock w/Song Pointer (FSK)
Signal to Error Ratio
12. A type of solo circuit that allows listening to a channel before the fader of after (solo)
Signal to Error Ratio
Lift
Margin
Listen Circuits
13. A signal in disc recording that is earlier than the signal being recorded. It allows the operator to 'listen in' in order to anticipate amplitude changes and adjust.
Ambient Miking
Listen Circuits
Ambient Sound
Preview
14. Physical slap-board used to sync location recording. A voice recording at the beginning of a master tape (or recording) to identify the run and take
Ambient Field
Slate
Signal to Error Ratio
Mixer
15. In stereo - This is the breakthough between channels measured as separation between the wanted sounds of the desired channel and the unwanted sounds from the second channel. (OR - bleed across multiple channels)
MDM
Crosstalk
Barrier Miking
Margin
16. National Association of Broadcasters -
Midi Clock
Lo-Z
NAB
Slate
17. Natural background audio representative of the given recording environment. (Recorded as over-rolling)
MIDI clock w/Song Pointer (FSK)
Ambient Sound
Doppler Effect
Midi Clock
18. Using the MIDI cable to transfer digital
Clip
Crosstalk
MIDI sample Dump
Barrier Miking
19. Physical slap-board used to sync location recording. A voice recording at the beginning of a master tape (or recording) to identify the run and take
MDM
NYBBLE
Mixer
Slate
20. A boosting of high frequencies during the recording process to keep the signal above the noise at high frequencies
NAB
Pre emphasis
Preview
AD
21. A factor of human hearing where delay has a much bigger effect on the human perception of sound than does amplitude
Stinger
Dropout
Precedence effect
NYBBLE
22. The SMPTE time that will trigger a transport to begin - or the amount of position difference needed to get two sources to synchronize
Offset
Ambient Miking
MDM
NYBBLE
23. I don't know! Go do your own research! No - really....
Barrier Miking
MIDI clock w/Song Pointer (FSK)
Ambient Sound
Lift
24. National Association of Broadcasters -
Crosstalk
NAB
Precedence effect
Blending
25. One half byte - 4 information bits
Lift
Midi Clock
NYBBLE
MIDI clock w/Song Pointer (FSK)
26. The level difference between the signal and the noise and distortion caused by converting analog audio signals into digital audio and then back into analog.
Critical Distance
Signal to Error Ratio
Ambient Miking
Dropout
27. One half byte - 4 information bits
NAB
Margin
NYBBLE
Audio Dub
28. A type of solo circuit that allows listening to a channel before the fader of after (solo)
Slate
Listen Circuits
Ambient Field
Cascade
29. Pressure zone miking
Cascade
Barrier Miking
MIDI clock w/Song Pointer (FSK)
Listen Circuits
30. Rerecording the audio. The picture stays the same.
Mixer
Audio Dub
Stinger
Pilot Tone
31. 500 Ohms or less
Lo-Z
AD
Lift
Ambient Sound
32. Using the MIDI cable to transfer digital
Margin
Doppler Effect
MIDI sample Dump
Listen Circuits
33. The change in frequency if a wave for an observer moving relative to the source of the wave.
NAB
Preview
Dub
Doppler Effect
34. A single extension cord. Most often referred to a single 'hot' extension that is left lying around for occassional use. (Grip/Lighting)
Stinger
Null
Barrier Miking
Midi Clock
35. A system of recording a 60Hz tone - used for syncing on a 1/4 inch tape - developed by Nagra
Crosstalk
Stinger
Pilot Tone
Ambient Field
36. Modular Digital Multitrack: A multitrack digital recorder with (usually) 8 tracks that can be run in sunchronization with other machines (of the same type) to attain more tracks. ADAT brand recorders are an example
Dub
MDM
NAB
Signal to Error Ratio
37. Natural background audio representative of the given recording environment. (Recorded as over-rolling)
MIDI clock w/Song Pointer (FSK)
MIDI sample Dump
Ambient Sound
Mixer
38. Mix Engineer
Null
Mixer
AD
Crosstalk
39. (Headroom) The amount of dB between the highest peak level of the program and the overload point (clip point)
Lo-Z
Load
Margin
Ambient Sound
40. A boosting of high frequencies during the recording process to keep the signal above the noise at high frequencies
Ambient Field
Pre emphasis
Ambient Sound
Pilot Tone
41. The level difference between the signal and the noise and distortion caused by converting analog audio signals into digital audio and then back into analog.
Signal to Error Ratio
Ambient Field
Stinger
Midi Clock
42. To copy the diital data off a storage medium in the RAM of a computer
Barrier Miking
Lift
Load
Pre emphasis
43. The point a distance away from the sound source where the direct sound and the reverberant sound are equal in volume
Ambient Miking
Critical Distance
Clip
Barrier Miking
44. Narrowing the Stereo image to match the image and/or increase the mono-compatibility
Pre emphasis
Dub
Blending
Signal to Error Ratio
45. Could mean anything. Most commonly used to describe the ADR process or that of duplication
Ambient Field
Dub
Clip
Critical Distance
46. To set and interconnect two mixers so that the stereo mixing buss(es) are linked
Offset
Cascade
Midi Clock
Margin
47. Assistant Director (No Analog to Digital here!)
Lo-Z
AD
Pre emphasis
Ambient Sound
48. Safety Take (an additional recording done as an acceptable backup)
Critical Distance
Crosstalk
ST
Preview
49. Recording video and/or audio in sequence immediately following previous material
Assemble Edit
Midi Clock
Critical Distance
Preview
50. 500 Ohms or less
Blending
Cascade
Lo-Z
Precedence effect