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Test your basic knowledge |
Audio By Video Vocab
Start Test
Study First
Subjects
:
performing-arts
,
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A type of solo circuit that allows listening to a channel before the fader of after (solo)
Preview
Listen Circuits
Mixer
Lift
2. The change in frequency if a wave for an observer moving relative to the source of the wave.
Dub
MIDI sample Dump
Production Studio
Doppler Effect
3. I don't know! Go do your own research! No - really....
Preview
MIDI sample Dump
Ambient Miking
MIDI clock w/Song Pointer (FSK)
4. Narrowing the Stereo image to match the image and/or increase the mono-compatibility
Ambient Field
Barrier Miking
Blending
ST
5. A single extension cord. Most often referred to a single 'hot' extension that is left lying around for occassional use. (Grip/Lighting)
MDM
Cascade
Lift
Stinger
6. 500 Ohms or less
Offset
Lo-Z
Midi Clock
Critical Distance
7. The level difference between the signal and the noise and distortion caused by converting analog audio signals into digital audio and then back into analog.
Production Studio
Signal to Error Ratio
Clip
MIDI clock w/Song Pointer (FSK)
8. Assistant Director (No Analog to Digital here!)
Midi Clock
AD
Null
Mixer
9. (reverberant field)
Pilot Tone
Ambient Field
MIDI clock w/Song Pointer (FSK)
Blending
10. EQ - Boost gain
Production Studio
Margin
Assemble Edit
Lift
11. Safety Take (an additional recording done as an acceptable backup)
Blending
Ambient Sound
Lo-Z
ST
12. The SMPTE time that will trigger a transport to begin - or the amount of position difference needed to get two sources to synchronize
Precedence effect
MDM
NYBBLE
Offset
13. Assistant Director (No Analog to Digital here!)
AD
Preview
Pre emphasis
Lift
14. In stereo - This is the breakthough between channels measured as separation between the wanted sounds of the desired channel and the unwanted sounds from the second channel. (OR - bleed across multiple channels)
Audio Dub
Crosstalk
MIDI clock w/Song Pointer (FSK)
Precedence effect
15. To set and interconnect two mixers so that the stereo mixing buss(es) are linked
Slate
Assemble Edit
Cascade
Midi Clock
16. Using the MIDI cable to transfer digital
Pilot Tone
MIDI sample Dump
Cascade
Blending
17. A condition of Zero - or (original position for an automation control)
NAB
MIDI clock w/Song Pointer (FSK)
Null
Barrier Miking
18. Pressure zone miking
MDM
NYBBLE
Clip
Barrier Miking
19. (reverberant field)
NYBBLE
Ambient Field
Load
Dub
20. A studio that specializes in assembly of pre-recorded material such as music - VO - and dialogue
Ambient Field
Precedence effect
Ambient Sound
Production Studio
21. (Headroom) The amount of dB between the highest peak level of the program and the overload point (clip point)
Dropout
Slate
Margin
Critical Distance
22. A factor of human hearing where delay has a much bigger effect on the human perception of sound than does amplitude
Precedence effect
Margin
Barrier Miking
Audio Dub
23. Natural background audio representative of the given recording environment. (Recorded as over-rolling)
Ambient Sound
Barrier Miking
Cascade
Midi Clock
24. The point a distance away from the sound source where the direct sound and the reverberant sound are equal in volume
Precedence effect
Slate
Critical Distance
AD
25. Duh! The signal level exceeds the processing capacity of the signal chain components
Margin
Doppler Effect
Mixer
Clip
26. National Association of Broadcasters -
MDM
Assemble Edit
NAB
AD
27. Narrowing the Stereo image to match the image and/or increase the mono-compatibility
Clip
Barrier Miking
Ambient Miking
Blending
28. A signal in disc recording that is earlier than the signal being recorded. It allows the operator to 'listen in' in order to anticipate amplitude changes and adjust.
Offset
Preview
AD
Load
29. Recording video and/or audio in sequence immediately following previous material
Assemble Edit
Production Studio
Dub
MIDI sample Dump
30. One half byte - 4 information bits
ST
ST
NYBBLE
Precedence effect
31. A boosting of high frequencies during the recording process to keep the signal above the noise at high frequencies
Ambient Field
Pre emphasis
Load
MDM
32. Could mean anything. Most commonly used to describe the ADR process or that of duplication
Dub
Precedence effect
Audio Dub
Ambient Miking
33. The level difference between the signal and the noise and distortion caused by converting analog audio signals into digital audio and then back into analog.
Ambient Miking
Signal to Error Ratio
Pilot Tone
Pre emphasis
34. A very short absence of signal in magnetic recording usually caused by dirt or defects in the magnetic coating of tapes and discs or any very short loss to an audio signal.
Production Studio
Dropout
MDM
Assemble Edit
35. A system of recording a 60Hz tone - used for syncing on a 1/4 inch tape - developed by Nagra
Doppler Effect
Ambient Miking
Pilot Tone
Stinger
36. Could mean anything. Most commonly used to describe the ADR process or that of duplication
Precedence effect
Midi Clock
Dub
Assemble Edit
37. Modular Digital Multitrack: A multitrack digital recorder with (usually) 8 tracks that can be run in sunchronization with other machines (of the same type) to attain more tracks. ADAT brand recorders are an example
MIDI clock w/Song Pointer (FSK)
MDM
Stinger
Dropout
38. Rerecording the audio. The picture stays the same.
Audio Dub
Blending
Ambient Sound
Lift
39. Pressure zone miking
Barrier Miking
Audio Dub
Doppler Effect
Crosstalk
40. A factor of human hearing where delay has a much bigger effect on the human perception of sound than does amplitude
Clip
Slate
Precedence effect
Listen Circuits
41. A signal in disc recording that is earlier than the signal being recorded. It allows the operator to 'listen in' in order to anticipate amplitude changes and adjust.
Blending
Preview
Margin
Barrier Miking
42. Natural background audio representative of the given recording environment. (Recorded as over-rolling)
Null
Lo-Z
Ambient Sound
Barrier Miking
43. Placing a microphone in the reverberant field
Crosstalk
Ambient Miking
ST
Dub
44. 500 Ohms or less
NAB
Production Studio
Lo-Z
Blending
45. The point a distance away from the sound source where the direct sound and the reverberant sound are equal in volume
Ambient Sound
Ambient Miking
Crosstalk
Critical Distance
46. A single extension cord. Most often referred to a single 'hot' extension that is left lying around for occassional use. (Grip/Lighting)
Blending
Stinger
Dub
Preview
47. Using the MIDI cable to transfer digital
Audio Dub
Assemble Edit
Ambient Miking
MIDI sample Dump
48. A condition of Zero - or (original position for an automation control)
Slate
Blending
Null
Ambient Miking
49. Placing a microphone in the reverberant field
Ambient Miking
Clip
Null
AD
50. Recording video and/or audio in sequence immediately following previous material
Assemble Edit
Load
Audio Dub
MIDI clock w/Song Pointer (FSK)