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Test your basic knowledge |
Ballet Basics Vocab
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. To the second. Applies to legs or arms. Second position.
Ouvert - ouverte
Assembla
Pas de bourra
Seconde - a
2. Bent or bending. Bending of the knee or knees
Poisson
Fouetta
Plia
Pas de deux
3. This means to pose on one leg whilst extending the other leg to the back.
Arabesque
Dagaga
En face
Ballotta
4. A stationary handrail that is used during ballet warm up exercises. The term also refers to the exercises that are performed at the barre - as well as that part of a ballet class that incorporates barre exercises. Much of a ballet dancer's training t
Entrechat
Barre
Dessus
Jambe
5. To lean
Grande pas de deux
Pas de deux
Entrechat
Pencha
6. Open - opened.
Brisa vola
Daveloppa
Royale
Ouvert - ouverte
7. To the front. Any step in front of your body.
Divertissement
Piroette
Ballotta
Devant
8. This term is used for a fault in which the dancer turns his or her foot in from the ankle - thereby breaking the straight line of the leg.
Tour jeta
Allonga
Bras
Sickling
9. Whirl - or spin
Coupa jeta
Attitude
Corps
Piroette
10. Inward. Indicates that the leg moves in a circular direction - counterclockewise - from the back to the front.
Arabesque
Seconde - a
Dedans - en
Changement
11. Jumped - jumping. When this name is added to a step - that step is done in the air.
Sauta - sautae
Attitude
Ouvert - ouverte
Crois - croisa
12. Leg.
Sauta - sautae
Fish Dive
Jambe
Entrechat
13. To rock - or to swing.
Fondu - fondue
Pas de chat
Balanca
a
14. Term used to describe the ability of a dancer to raise and hold her extended leg en l'air.
Fish Dive
Corps
Extension
Pointe shoes
15. Outward. Leg moves clockwise in a circular motion
Dehors - en
Cabriole
Changement
Cha
16. Basque jump. A traveling step in which the dancer turns in the air with one foot drawn up to the knee of the other leg. Fifth position are foot front.
Saut de basque
Pas de bourra couru
Avant
a
17. The ability to jump easily and lightly into the air. Springy - usually men.
a
Dessus
Tour jeta
Ballon
18. To pose - balanced on one leg while the other leg is slightly bent at the knee - extended to either the front - side or back.
Pointe shoes
Piqua
Assembla
Attitude
19. Carriage of the arm. The changing of arm positions.
Piqua
a
Port de bras
Grande pas de deux
20. Chains - links. A series of rapid turns on the points or demi-pointes done in a straight line or circle.
a
Jambe
Promenade
Cha
21. Raised
Battement (Grand)
Corps
Releva
Demi pointe - sur la
22. Slow - sustained movement
Assembla
Adagio
Cloche - en
Bras bas
23. Chased. A step in which one foot literally chases the other foot out of its position; done in a series.
Chassa
Brisa vola
Corps
Retira or Passa
24. Male dance partner to the ballerina
Port de bras
a
Cavalier
Deux
25. Like a bell. Refers to grand battements to the front and back sliding through first position.
Cloche - en
Jambe
Arabesque
Chassa
26. Running.
Couru
Changement
Ouvert - ouverte
Petit
27. Shaded. Position in which the dancer stands at an oblique angle to the audience so that a part of the body is taken back - almost hidden from view.
a
Dessus
Pointes - sur le
Coda
28. Step in which the fotot goes in back coupa and you turn ¾ of a circle then do a grand jeta to complete the turn. Usually done in a circle or diagonal.
Pas de bourra couru
Cha
Pas de quatre
Coupa jeta
29. In the shape of a cross. (Front - side - back - side)
Devant
Coupa jeta
Changement
Croix - en
30. Line. The outline of a dancer as she executes certain steps.
Changement
Ligne
Seconde - a
Pas de deux
31. Dance for two.
Pas de deux
Allonga
Crois - croisa
Tendu
32. Connected movements on the points
Temps lia sur les pointes
Dehors - en
Jambe
Pas de bourra
33. Developing movement. A daveloppa is a movement in which the working leg is drawn up to the knee of the supporting leg and slowly extended to an open position en l'air and held there with perfect control.
Entrechat
Daveloppa
Fouetta - en tournant
Cloche - en
34. Step in which legs/thighs beat in the air
Cabriole
Tour jeta
Bras
Poisson
35. Under. Indicates that the working foot passes behind the supporting foot.
Pointes - sur le
Dessous
Pas de chat
a
36. Fish. A position of the body in which the legs are crossed in the fifth position and held tightly together with the back arched. This pose is taken while jumping into the air.
Sur le cou-de-pied
Pencha
Poisson
Plia
37. The crossing of the legs with the body placed at an oblique angle to the audience.
Grande pas de deux
Crois - croisa
Tour jeta
Balletomane
38. Bourrae step - done on pointe of demi-point.
Pas de bourra
Grande pas de deux
Sept
Pencha
39. Dance for three
Demi pointe - sur la
Seconde - a
Pas de trios
Dessous
40. Withdrawn. A position in which the thigh is raised to the second position.
Barre
Releva
Retira or Passa
Pas de chat
41. Behind you - movements done behind you.
Petit jeta
Assembla
Derriare
Pas
42. This jeta is done in all directions and in a circle.
Croix - en
En arriare
Tour jeta
Plia
43. The working foot slides from the first or fifth position to the second or fourth position without lifting the toe from the ground.
Balletomane
Bras bas
Tendu
Sept
44. Round of the leg. Circular movement of the leg.
Allegro
Dessous
Rond de jambe
Sur le cou-de-pied
45. Sating ballet slippers dancers use when dancing in sur le point.
Coupa jeta
Seconde - a
Jambe
Pointe shoes
46. Pas de bourra - running. This is a progression on the points or demi-pointes by a series of small - even steps with the feet close together. It may be done in all directions or in a circle.
Pas
Pas de bourra couru
Demi pointe - sur la
Cloche - en
47. Arms low or down. This is the dancer's 'attention.' The arms form a circle with the palms facing each other and the back edge of the hands resting on the thighs. The arms should hang quite loosely but not allowing the elbows to touch the sides.
Tour en lair
Bras bas
Pas de bourra
Pas
48. To prick
Daveloppa
Ballon
Piqua
Plia
49. Section that brings you to the end of a dance - its big and important.
Coda
a
Dedans - en
Terre a
50. To throw about. This is a jump from either one foot or both feet. Jump up to double passe and extend out.
Pas de bourra couru
Deux
Ballotta
Diagonale