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Test your basic knowledge |
Ballet Basics Vocab
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Step of the cat. Jump where legs come up to double passa.
Pas de chat
Releva
Fouetta
Coda
2. Behind you - movements done behind you.
Daveloppa
a
Derriare
Coda
3. A step traveling in a diagonal direction.
Fouetta
Sickling
Diagonale
Ballotta
4. Step in which legs/thighs beat in the air
Sauta - sautae
Pencha
Demi pointe - sur la
Cabriole
5. To put together - to make a jump from one foot then landing on both feet.
Cloche - en
Assembla
En arriare
Pas de chat
6. Foot rises about four inches from the floor with a well-pointed toe - then slides back into the the first or fifth position.
Retira or Passa
Deux
Pas de trios
Dagaga
7. At the neck of the foot. Wrapped around.
a
Dedans - en
Sur le cou-de-pied
Cabriole
8. Flying brisa. In this brisa the dancer finishes on one foot after the beat - the other leg crossed either front or back.
Brisa vola
Arabesque
a
Ca
9. Chains - links. A series of rapid turns on the points or demi-pointes done in a straight line or circle.
Cha
Pointes - sur le
Ballon
Demi pointe - sur la
10. To lean
Pencha
Chassa
Brisa vola
Corps
11. Ground to ground. Feet never leave the floor.
Fish Dive
Terre a
Dehors - en
Divertissement
12. Step in which the fotot goes in back coupa and you turn ¾ of a circle then do a grand jeta to complete the turn. Usually done in a circle or diagonal.
Coupa jeta
Dehors - en
Jeta
En arriare
13. Borken/breaking
Piqua
Royale
a
Brisa
14. Diversion - enjoyment. A suite of numbers called 'entraes -' inserted into a classic ballet. These short dances are calculated to display the talents of individuals or groups of dancers.
a
Promenade
Divertissement
Temps lia sur les pointes
15. Over. Indicates that the working foot passes in front of the supporting foot.
Seconde - a
Dessus
En l'air
Sur le cou-de-pied
16. Slow - sustained movement
Arabesque
Adagio
Pencha
a
17. To escape. From 5th to second. Feet slide and don't leave floor.
Sissone
Allonga
Dehors - en
a
18. Under. Indicates that the working foot passes behind the supporting foot.
Sauta - sautae
Dessous
Port de bras
Retira or Passa
19. This is a term used in double (supported) work for various lifts in which the danseuse is supported by the danseur in a poisson position. He may hold her above his head in a horizontal fish dive or she may fall from a sitting position on his shoulder
Pencha
Derriare
Daveloppa
Fish Dive
20. To face hips square. Not particularly to the front.
Cavalier
En face
Battement (Grand)
Pas de bourra
21. Small rise on the ball of the foot - usually in pointe shoes.
Poisson
Demi pointe - sur la
Temps lia sur les pointes
Fondu - fondue
22. Like a bell. Refers to grand battements to the front and back sliding through first position.
Piqua
a
Pas de trios
Cloche - en
23. In the shape of a cross. (Front - side - back - side)
Demi plia
Croix - en
Battu
Ouvert - ouverte
24. Chased. A step in which one foot literally chases the other foot out of its position; done in a series.
Chassa
Royale
Tournant - en
Sur le cou-de-pied
25. Two
Couru
Deux
Piqua
Coupa jeta
26. Grand dance for two. Has a definite 5 parts.
Sickling
Port de bras
Pas de valse
Grande pas de deux
27. Developing movement. A daveloppa is a movement in which the working leg is drawn up to the knee of the supporting leg and slowly extended to an open position en l'air and held there with perfect control.
Fouetta - en tournant
Frappa
Daveloppa
Pencha
28. This jeta is done in all directions and in a circle.
Battu
Tour jeta
Pas de deux
Ballotta
29. This term is used for a fault in which the dancer turns his or her foot in from the ankle - thereby breaking the straight line of the leg.
Cabriole
Sickling
Bras bas
Petit jeta
30. Outward. Leg moves clockwise in a circular motion
Pas de trios
Dehors - en
Glissade
Pas de chat
31. Term used to describe the ability of a dancer to raise and hold her extended leg en l'air.
Pointe shoes
Extension
Rond de jambe
Barre
32. Running.
Tendu
Bras bas
Fouetta - en tournant
Couru
33. Basque jump. A traveling step in which the dancer turns in the air with one foot drawn up to the knee of the other leg. Fifth position are foot front.
Adagio
Balanca
Saut de basque
Sissone fermae
34. Line. The outline of a dancer as she executes certain steps.
a
Ligne
Glissade
Demi plia
35. Carried. Refers either to a step which is traveled in the air from one spot to another.
Terre a
Porta - portae
Ouvert - ouverte
Pas de deux
36. Jumped - jumping. When this name is added to a step - that step is done in the air.
Fouetta
Cecchetti Method
Pencha
Sauta - sautae
37. Interweaving or braiding. A step of beating in which the dancer jumps into the air and rapidly crosses the legs before and behind each other.
Tour en lair
Entrechat
Pas de quatre
Ballon
38. To turn in a walk. The dancer turns slowly in place on one foot by a series of slight movements of the heel to the required side while maintaining a definite pose.
Changement
Battu
Promenade
Jeta
39. Whirl - or spin
Piroette
Pas de quatre
Chassa
Sissone
40. Small - half bend of the knees.
Demi plia
Dedans - en
En l'air
Petit
41. Big - large. (movements)
Glissade
Temps lia sur les pointes
Grand - grande
Sissone fermae
42. This means to pose on one leg whilst extending the other leg to the back.
Arabesque
Demi pointe - sur la
Pencha
a
43. Sinking down. A term used to describe a lowering of the body made by bending the knee of the supporting leg.
Dehors - en
Piqua
Fondu - fondue
Sauta - sautae
44. The crossing of the legs with the body placed at an oblique angle to the audience.
Glissade
Saut de basque
Crois - croisa
Tendu
45. (Movements) in the air
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46. This means 'moving' the leg.
Cecchetti Method
Pas de chat
Ouvert - ouverte
Battement (Grand)
47. Shouldering. The placing of the shoulders.
a
Sauta - sautae
Coda
Pointes - sur le
48. On the points. Rising to the tips of the toes.
Barre
Plia
Jeta
Pointes - sur le
49. Arms low or down. This is the dancer's 'attention.' The arms form a circle with the palms facing each other and the back edge of the hands resting on the thighs. The arms should hang quite loosely but not allowing the elbows to touch the sides.
Daveloppa
Jambe
Bras bas
Petit
50. Closed sissone. Low elevation and a quick tempo - this sissonne finishes on two feet with the working foot gliding along the floor into the demi-plia in the fifth position.
Sissone fermae
Corps
a
Cha