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Test your basic knowledge |
Ballet Basics Vocab
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Turning fouetta.
Barre
Fouetta - en tournant
Pencha
Bras bas
2. To rock - or to swing.
Crois - croisa
Balanca
Cloche - en
Brisa
3. To escape. From 5th to second. Feet slide and don't leave floor.
Demi pointe - sur la
a
Attitude
Pas de chat
4. Small jeta - from a demi plia.
Crois - croisa
Brisa
Assembla
Petit jeta
5. Bourrae step - done on pointe of demi-point.
Chassa
Adagio
Allonga
Pas de bourra
6. Dance for two.
a
Pas de deux
Avant
Dehors - en
7. Leg.
a
Adagio
En face
Jambe
8. To the front. Any step in front of your body.
Glissade
Croix - en
Devant
Dessous
9. In the shape of a cross. (Front - side - back - side)
Coupa jeta
Croix - en
Brisa
Ca
10. To the second. Applies to legs or arms. Second position.
Dessous
Ballotta
Seconde - a
Pointe shoes
11. Bent or bending. Bending of the knee or knees
Pas de quatre
Saut de basque
Plia
Grand - grande
12. Foot rises about four inches from the floor with a well-pointed toe - then slides back into the the first or fifth position.
Dagaga
Adagio
Glissade
Battu
13. To strike powerfully. An exercise in which the dancer forcefully extends the working leg from a cou-de-pied position to the front - side or back.
Frappa
Dagaga
Pas
Brisa vola
14. Sating ballet slippers dancers use when dancing in sur le point.
Pointe shoes
Bras bas
Brisa vola
Barre
15. Running.
a
Petit
Couru
Cha
16. The ability to jump easily and lightly into the air. Springy - usually men.
Ligne
Pas de deux
Ballon
Retira or Passa
17. Arms low or down. This is the dancer's 'attention.' The arms form a circle with the palms facing each other and the back edge of the hands resting on the thighs. The arms should hang quite loosely but not allowing the elbows to touch the sides.
Bras bas
Pas de valse
Sur le cou-de-pied
Pencha
18. Section that brings you to the end of a dance - its big and important.
Crois - croisa
Coda
Sissone fermae
Pas de valse
19. Step of the cat. Jump where legs come up to double passa.
Pas de chat
Arabesque
Brisa vola
Glissade
20. Fish. A position of the body in which the legs are crossed in the fifth position and held tightly together with the back arched. This pose is taken while jumping into the air.
a
Pointe shoes
Grande pas de deux
Poisson
21. Male dance partner to the ballerina
Jeta
Crois - croisa
Battement (Grand)
Cavalier
22. A stationary handrail that is used during ballet warm up exercises. The term also refers to the exercises that are performed at the barre - as well as that part of a ballet class that incorporates barre exercises. Much of a ballet dancer's training t
Sickling
Barre
Pencha
Dagaga
23. To turn in a walk. The dancer turns slowly in place on one foot by a series of slight movements of the heel to the required side while maintaining a definite pose.
Promenade
Fouetta
Crois - croisa
Barre
24. This means to pose on one leg whilst extending the other leg to the back.
Temps lia sur les pointes
Cha
Piqua
Arabesque
25. Enrico Cecchetti was a ballet teacher. He had a system of passing the tradition of ballet down to the next generation. The method has a definite program of strict routine and includes a table of principal set daily exercises for each day of the week.
Pointe shoes
Dessus
Jeta
Cecchetti Method
26. To throw. A jump from one foot to the other in which the working leg is brushed into the air and appears to have been thrown.
Jeta
Grand - grande
Sickling
Petit
27. Pas de bourra - running. This is a progression on the points or demi-pointes by a series of small - even steps with the feet close together. It may be done in all directions or in a circle.
Poisson
Pas de bourra couru
Fish Dive
Balanca
28. Carriage of the arm. The changing of arm positions.
Port de bras
Cavalier
Fouetta - en tournant
a
29. Inward. Indicates that the leg moves in a circular direction - counterclockewise - from the back to the front.
Saut de basque
Dedans - en
Porta - portae
Port de bras
30. A jump from both feet onto one foot
Coupa jeta
Daveloppa
Sissone
a
31. A step traveling in a diagonal direction.
Diagonale
Port de bras
Porta - portae
Fouetta
32. Open - opened.
Ouvert - ouverte
Devant
Deux
En arriare
33. Change of the feet in the air.
Changement
Sickling
Pointes - sur le
Sissone fermae
34. Slow - sustained movement
Sauta - sautae
Adagio
Fouetta
Dessous
35. Ground to ground. Feet never leave the floor.
Pas de bourra couru
Terre a
Pencha
Crois - croisa
36. Raised
Pas
Releva
Fondu - fondue
Bras
37. Waltz step. Done with a graceful swaying body. Like a balanca but feet do not cross.
En l'air
Tendu
Attitude
Pas de valse
38. Big - large. (movements)
Glissade
Balanca
Grand - grande
Bras bas
39. At the neck of the foot. Wrapped around.
Seconde - a
Sur le cou-de-pied
Tournant - en
Sickling
40. Dance for three
Dessus
Ballotta
En l'air
Pas de trios
41. To the front.
Glissade
Avant
Seconde - a
Port de bras
42. Sinking down. A term used to describe a lowering of the body made by bending the knee of the supporting leg.
Adagio
a
Seconde - a
Fondu - fondue
43. Interweaving or braiding. A step of beating in which the dancer jumps into the air and rapidly crosses the legs before and behind each other.
Bras bas
Entrechat
Devant
Port de bras
44. Like a bell. Refers to grand battements to the front and back sliding through first position.
Cloche - en
Tournant - en
Chassa
Fondu - fondue
45. Shaded. Position in which the dancer stands at an oblique angle to the audience so that a part of the body is taken back - almost hidden from view.
Poisson
a
Chassa
Battu
46. Body.
Releva
Fouetta
Corps
Bras bas
47. Flying brisa. In this brisa the dancer finishes on one foot after the beat - the other leg crossed either front or back.
Croix - en
Brisa vola
Cecchetti Method
Polonaise
48. Small - half bend of the knees.
Demi plia
Deux
En l'air
Tournant - en
49. Backwards - reverse.
En arriare
Polonaise
Sickling
Promenade
50. Closed sissone. Low elevation and a quick tempo - this sissonne finishes on two feet with the working foot gliding along the floor into the demi-plia in the fifth position.
Pas de bourra
Jambe
Glissade
Sissone fermae