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Test your basic knowledge |
Ballet Basics Vocab
Start Test
Study First
Subjects
:
performing-arts
,
dance
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Fish. A position of the body in which the legs are crossed in the fifth position and held tightly together with the back arched. This pose is taken while jumping into the air.
Sur le cou-de-pied
Pas de bourra
Poisson
Cha
2. Term used to describe the ability of a dancer to raise and hold her extended leg en l'air.
Fondu - fondue
Pas de bourra
Extension
a
3. This means 'moving' the leg.
Pencha
a
Port de bras
Battement (Grand)
4. To put together - to make a jump from one foot then landing on both feet.
Assembla
Coupa jeta
Dehors - en
Glissade
5. This is a term used in double (supported) work for various lifts in which the danseuse is supported by the danseur in a poisson position. He may hold her above his head in a horizontal fish dive or she may fall from a sitting position on his shoulder
Croix - en
Fish Dive
Sur le cou-de-pied
a
6. To throw about. This is a jump from either one foot or both feet. Jump up to double passe and extend out.
Porta - portae
Pas de bourra couru
Dessus
Ballotta
7. Step in which legs/thighs beat in the air
Croix - en
Cabriole
Corps
Cha
8. This jeta is done in all directions and in a circle.
Temps lia sur les pointes
Dessus
Tour jeta
Arabesque
9. Dance for two.
Fouetta - en tournant
Arabesque
Pas de deux
Jeta
10. The working foot slides from the first or fifth position to the second or fourth position without lifting the toe from the ground.
Cavalier
Grande pas de deux
Seconde - a
Tendu
11. A step traveling in a diagonal direction.
Diagonale
a
Sickling
Bras bas
12. Carriage of the arm. The changing of arm positions.
Port de bras
Brisa vola
Balanca
Frappa
13. Diversion - enjoyment. A suite of numbers called 'entraes -' inserted into a classic ballet. These short dances are calculated to display the talents of individuals or groups of dancers.
Divertissement
Devant
Derriare
Sissone fermae
14. This describes certain jumps and steps - for example - jumping and landing from two feet - or a specific movement that is usually performed at the 'barre' - to stand on one leg - the other leg will then beat against it.
Pointe shoes
Battu
Cha
Pas de bourra couru
15. To get bigger/ big fast movements
Allegro
Cha
Royale
Saut de basque
16. Inward. Indicates that the leg moves in a circular direction - counterclockewise - from the back to the front.
Allegro
Promenade
Pencha
Dedans - en
17. Backwards - reverse.
Cloche - en
Petit
En arriare
a
18. Round of the leg. Circular movement of the leg.
Rond de jambe
Balletomane
Ligne
Tour en lair
19. To prick
Dedans - en
Extension
Porta - portae
Piqua
20. Shaded. Position in which the dancer stands at an oblique angle to the audience so that a part of the body is taken back - almost hidden from view.
Adagio
Sur le cou-de-pied
a
Bras bas
21. Waltz step. Done with a graceful swaying body. Like a balanca but feet do not cross.
Seconde - a
Pas de quatre
Pas de valse
Cabriole
22. Sating ballet slippers dancers use when dancing in sur le point.
Sickling
Pointe shoes
Piroette
Chassa
23. Turning fouetta.
Port de bras
Ligne
Fouetta - en tournant
Coupa jeta
24. Shouldering. The placing of the shoulders.
a
Pas de valse
Releva
Pas de trios
25. Leg.
Jambe
Polonaise
Pas de deux
Ballotta
26. Carried. Refers either to a step which is traveled in the air from one spot to another.
Battu
Royale
Saut de basque
Porta - portae
27. Dance for four
Crois - croisa
Pointe shoes
Pas de valse
Pas de quatre
28. Bent or bending. Bending of the knee or knees
Deux
Glissade
Pas
Plia
29. Royal. A changement in which the calves are beaten together before the feet change position.
Daveloppa
Sissone fermae
Royale
Cabriole
30. To rock - or to swing.
Sauta - sautae
Balanca
Pointes - sur le
Pas de bourra couru
31. A jump from both feet onto one foot
Dedans - en
Seconde - a
Sissone
Arabesque
32. Separated or thrown apart. Body position.
Changement
Cabriole
a
Chassa
33. Interweaving or braiding. A step of beating in which the dancer jumps into the air and rapidly crosses the legs before and behind each other.
Entrechat
Royale
Grand - grande
Pointe shoes
34. Ground to ground. Feet never leave the floor.
Tour en lair
Cloche - en
Battu
Terre a
35. Small jeta - from a demi plia.
En arriare
Coda
Petit jeta
Tournant - en
36. To the front. Any step in front of your body.
Pointes - sur le
Allegro
Devant
En arriare
37. To escape. From 5th to second. Feet slide and don't leave floor.
Releva
a
Glissade
Pas de quatre
38. Foot rises about four inches from the floor with a well-pointed toe - then slides back into the the first or fifth position.
Dagaga
Jeta
Diagonale
Dehors - en
39. Enrico Cecchetti was a ballet teacher. He had a system of passing the tradition of ballet down to the next generation. The method has a definite program of strict routine and includes a table of principal set daily exercises for each day of the week.
Grand - grande
Cecchetti Method
a
Pas de trios
40. A ballet fan or enthusiast. The word was invented in Russia in the early nineteenth century.
Grande pas de deux
a
Bras
Balletomane
41. Small - little
Balanca
Petit
En l'air
Pointe shoes
42. Connected movements on the points
Pas de trios
Temps lia sur les pointes
Attitude
Cecchetti Method
43. (Movements) in the air
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44. Body.
Barre
Battement (Grand)
Sissone
Corps
45. To face hips square. Not particularly to the front.
Rond de jambe
Attitude
En face
Divertissement
46. A march in which two steps are taken forward on the demi-pointes and then the third step is taken flat with the supporting knee bent in fondu and the other leg raised in front.
Brisa
Polonaise
Ouvert - ouverte
a
47. Arms low or down. This is the dancer's 'attention.' The arms form a circle with the palms facing each other and the back edge of the hands resting on the thighs. The arms should hang quite loosely but not allowing the elbows to touch the sides.
Derriare
Couru
Bras bas
Fouetta
48. Borken/breaking
Balanca
Extension
Brisa
Cavalier
49. Jumped - jumping. When this name is added to a step - that step is done in the air.
Pas de bourra couru
Sauta - sautae
Coda
Grand - grande
50. Section that brings you to the end of a dance - its big and important.
Porta - portae
Polonaise
Coda
Diagonale