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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The degree to which the aperture opens
Focal length
Nats
Turn-over Frequency
F-stop
2. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Light is a form of...
Zoom Recorder
Timing Sheet
Distortion
3. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
ADR (Automatic Dialogue Replacement)
The greater the size of the aperture opening...
XLR Connector
a shot marked OS to Sally
4. tinted orange - 3200 degrees Kelvin - Studio lighting
Absolute Zero
Foley Setup Sheet
Tungsten Light
Shorter focal length =
5. Overlapping action - Match cut - Jump cut
Foley
Room Tone
Logical Continuity
Overlapping Action
6. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Band Width
Turn-over Frequency
Flat
Double system sound
7. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
Aspect Ratio
Tungsten Light
RCA Connector
Clipping
8. Source microphones go into - Has up to 4 channels
a shot marked OS to Sally
Band Width
Zoom Recorder
Formula for figuring the f-stop
9. Natural sound - Must be attached to all B-Roll
Nats
Medium Shot
Sound Waves
Reverb
10. Record all the music in a control room
Male end
Reverb
Score Mixers
F-stop
11. Want boom coming down not out - Can add a track to cover it (Fill Grit - Glue Fill) - Can add other noises
Foley Setup Sheet
F-stop
incident and reflected
How do you fix Room Tone?
12. Directional (Cardiod) - Omnidirectional - Bidirectional
a shot marked OS to Sally
Classic Hollywood Editing
Dynamic Range
3 Pickup Patterns
13. Uses a diaphragm - Robust - NO power required - Not so efficient
Audio Mixers
Dynamic Microphone
Jump Cut
Physical Continuity
14. Higher pitch and frequency
Dynamic Range
Spatial Continuity
f-stop vs. depth of field
Smaller Wavelength =
15. 5 -500 degrees K
Color Temperature of Daylight
ADR (Automatic Dialogue Replacement)
advantages of DSLR
Double system sound
16. The opening in the lens that allows light to pass
focal length of a wide angle lens
Depth of Field
Aperture
Direct Sound
17. Attaches to the recorder
Track
Medium Shot
Sound Waves
Male end
18. -273.15 degrees celcius 0 degrees Kelvin
Medium Shot
Performance Continuity
Audio Mixers
Absolute Zero
19. Shot of something that did not appear in the previous shot
speed of sound in air
Depth of Field
Cutaway
Parallel Editing
20. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
Balance
Stand-up
Condenser Microphone
3 Pickup Patterns
21. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Color Temperature of Daylight
MIDI
wild sound
Spotting Sheet
22. The re-recording process - AKA looping - Actors are brought back to a soundproof room - where they watch short segments of themselves on a screen and listen through earphones to the audio that needs to be replaced - Feed and deliver the lines that ne
DAT
Close-up
Stand-up
ADR (Automatic Dialogue Replacement)
23. tinted blue - 5500 degrees Kelvin - outside lighting
ADR (Automatic Dialogue Replacement)
MIDI
Daylight
Ambient Sounds
24. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Voice-Overs
Light is a form of...
F-stop
Close-up
25. tinted blue - 5500 degrees Kelvin - outside lighting
Daylight
Dynamic Microphone
The cheapest part of movie making
Male end
26. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
XLR Connector
Audio Mixers
Sound Presence
Shorter focal length =
27. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Ambient Sounds
Parallel Editing
Clipping
Atmospheric Continuity
28. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Directional Microphone
Condenser Microphone
Flat
XLR Connector
29. Middle point of the haystack
Sound Perspective
Room Tone
Reverb
Turn-over Frequency
30. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Performance Continuity
Light is a form of...
Focal length
Cutting-on-Action
31. Place were sounds are stored that allows them to be accessed and worked on from various places
The cheapest part of movie making
Server
a shot marked OS to Sally
Classic Hollywood Editing
32. Charged Coupled Device
Timbre
Daylight
Turn-over Frequency
CCD
33. Distance from the center of a lens to the place where the parallel light will be focused
Sound Perspective
Distortion
Color Temperature of Daylight
Focal length
34. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Stand-up
XLR Connector
Direct Sound
Turn-over Frequency
35. Another name for ambient sound
Classic Hollywood Editing
Dynamic Microphone
Parallel Editing
wild sound
36. Director make sure that action in one shot is repeated in the shot that may follow it
Dynamic Microphone
Zoom Recorder
DAT
Overlapping Action
37. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Stand-up
Frequency
Close-up
Omnidirectional Microphone
38. Focal length divided by aperture
Formula for figuring the f-stop
Flat
Light is a form of...
Nats
39. Picking up from two sides
Bidirectional Microphone
Medium Shot
Timbre
Logical Continuity
40. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
Foley Setup Sheet
Turn-over Frequency
Spatial Continuity
Reverb
41. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Stand-up
Double system sound
Sound Presence
Bidirectional Microphone
42. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Color Temperature of Daylight
Sweetening
Track
Aspect Ratio
43. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
Technical Pictorial Continuity
Omnidirectional Microphone
Ambient Sounds
Performance Continuity
44. Involves the main action
Aspect Ratio
MIDI
Close-up
Medium Shot
45. Hertz (Hz)
Omnidirectional Microphone
Frequency Measurement
Spatial Continuity
F-stop
46. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
The cheapest part of movie making
slating an audition
Distortion
focal length of a wide angle lens
47. Manipulating frequencies. - Important to radio and musical recording - not film.
Stand-up
wild sound
Close-up
Proximity Effect
48. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Shorter focal length =
Track
Master Scene Shooting Method
Close-up
49. The height of the sound wave. As the this increases - the sound wave gets louder
Color temperature of Tungsten light
Activity Continuity
Zoom Recorder
Amplitude
50. Background sounds such as footsteps - clothes rustling - and branches waving in the wind - Named after Jack Foley
wild sound
Range of human hearing
Atmospheric Continuity
Foley
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