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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Attaches to the microphone
Female end
a shot marked OS to Sally
Dynamic Range
focal length of a wide angle lens
2. An obvious jarring break in continuity from one shot to the next
Master Scene Shooting Method
Jump Cut
Turn-over Frequency
Zoom Recorder
3. 5 -500 degrees K
Classic Hollywood Editing
fresnel
Color Temperature of Daylight
Turn-over Frequency
4. F-stop selection effects depth of field
OMF - Open Medium Framework
f-stop vs. depth of field
advantages of DSLR
Aperture
5. Ratio of the width of a frame to its height - HDTV = 16:9
Frequency Measurement
Aspect Ratio
Medium Shot
Close-up
6. Random footage in the package
Dynamic Microphone
MIDI
B-Roll
F-stop
7. After the music is recorded its put onto this in the same way a picture is recorded on a DVD
Overlapping Action
DAT
Condenser Microphone
Reverb
8. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Daylight
Zoom Recorder
Sound Perspective
Audio Mixers
9. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
Room Tone
Loudness measurement
Flat
Classic Hollywood Editing
10. Big image - short focal length
focal length of a wide angle lens
Spotting Sheet
Physical Continuity
Formula for figuring the f-stop
11. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Master Scene Shooting Method
Performance Continuity
Band Width
Timing Sheet
12. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
The greater the size of the aperture opening...
fresnel
Frequency Measurement
XLR Connector
13. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
wild sound
Distortion
RCA Connector
XLR Connector
14. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
Non-linear Editing
AGC
Band Width
slating an audition
15. Isolates a particular character or action
Close-up
OMF - Open Medium Framework
Server
Non-linear Editing
16. The width of the band of frequencies as specified by the frequencies at each end
f-stop vs. depth of field
Band Width
Master Scene Shooting Method
Temporal Continuity
17. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Flat
Bidirectional Microphone
F-stop
Band Width
18. The relative volume of sounds - Important sounds should be louder than unimportant sounds
Balance
a shot marked OS to Sally
Timbre
Direct Sound
19. Higher pitch and frequency
Technical Pictorial Continuity
Smaller Wavelength =
a shot marked OS to Sally
The cheapest part of movie making
20. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
Room Tone
Temporal Continuity
Balance
Clipping
21. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Flat
Logical Continuity
Match Cut
Tungsten Light
22. Involves the main action
Sound Perspective
Bites (Sound Bite)
Medium Shot
Proximity Effect
23. Isolates a particular character or action
Close-up
Establishing Shot
Loudness measurement
Timbre
24. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Formula for figuring the f-stop
Range of human hearing
Pitch
Depth of Field
25. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
a shot marked OS to Sally
Parallel Editing
Overlapping Action
ADR (Automatic Dialogue Replacement)
26. The opening in the lens that allows light to pass
Dynamic Microphone
Absolute Zero
Timbre
Aperture
27. The opening in the lens that allows light to pass
Three point lighting
Aperture
Dynamic Microphone
Master Scene Shooting Method
28. Sound must appear to be coming from the picture
Range of human hearing
3 Pickup Patterns
How do you fix Room Tone?
Sound Presence
29. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
DAT
a shot marked OS to Sally
Spotting Sheet
Audio Mixers
30. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Stand-up
Parallel Editing
Voice-Overs
a shot marked OS to Sally
31. tinted orange - 3200 degrees Kelvin - Studio lighting
Cut-in
Tungsten Light
F-stop
Proximity Effect
32. 3200 degrees K
f-stop vs. depth of field
Smaller Wavelength =
Voice-Overs
Color temperature of Tungsten light
33. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Atmospheric Continuity
Absolute Zero
3 Pickup Patterns
speed of sound in air
34. Charged Coupled Device
Pitch
Frequency Measurement
CCD
Direct Sound
35. Raw sound that was recorded on the day
OMF - Open Medium Framework
Ambient Sounds
Direct Sound
Logical Continuity
36. An actors performance should be consistent from shot to shot
Distortion
Performance Continuity
Pitch
DAT
37. There should be time for actions to take place - EX: burning candle
Temporal Continuity
Smaller Wavelength =
Medium Shot
Master Scene Shooting Method
38. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Parallel Editing
RCA Connector
Cutting-on-Action
Establishing Shot
39. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
Physical Continuity
MIDI
Spatial Continuity
Double system sound
40. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Daylight
Daylight
Distortion
Performance Continuity
41. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Performance Continuity
Room Tone
Non-linear Editing
CCD
42. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Spatial Continuity
Performance Continuity
Stand-up
wild sound
43. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Reverb
Track
OMF - Open Medium Framework
Technical Pictorial Continuity
44. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Sweetening
Flat
Dynamic Range
Loudness measurement
45. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
AGC
Bites (Sound Bite)
Light is a form of...
Timbre
46. Place were sounds are stored that allows them to be accessed and worked on from various places
Performance Continuity
Server
incident and reflected
Bidirectional Microphone
47. Shot before the long shot that establishes where the action is taking place
Score Mixers
Establishing Shot
AGC
Stand-up
48. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
MIDI
Aperture
AGC
Jump Cut
49. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Parallel Editing
Depth of Field
Zoom Recorder
Three point lighting
50. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
Three-to-one Rule
Distortion
Bidirectional Microphone
Omnidirectional Microphone