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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Attaches to the recorder
Dynamic Range
Absolute Zero
Cut-in
Male end
2. Another name for ambient sound
Aperture
3 Pickup Patterns
wild sound
Activity Continuity
3. Key - fill - back
Three point lighting
Medium Shot
Cutaway
Frequency Response
4. Random footage in the package
How do you fix Room Tone?
Room Tone
Foley Setup Sheet
B-Roll
5. There should be time for actions to take place - EX: burning candle
Aperture
Temporal Continuity
Non-linear Editing
Omnidirectional Microphone
6. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Foley Setup Sheet
Male end
Distortion
advantages of DSLR
7. There should be time for actions to take place - EX: burning candle
Temporal Continuity
Proximity Effect
Establishing Shot
Aspect Ratio
8. Focal length divided by aperture
Formula for figuring the f-stop
Sound Waves
Temporal Continuity
Cut-in
9. Picking up from two sides
Establishing Shot
Bidirectional Microphone
Temporal Continuity
3 Pickup Patterns
10. Directional (Cardiod) - Omnidirectional - Bidirectional
Color Temperature of Daylight
3 Pickup Patterns
Classic Hollywood Editing
a shot marked OS to Sally
11. Two basic systems of light metering used in cinematography
Aspect Ratio
Medium Shot
The greater the size of the aperture opening...
incident and reflected
12. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Three-to-one Rule
F-stop
Condenser Microphone
Distortion
13. Decibels (dB)
The cheapest part of movie making
Sweetening
Physical Continuity
Loudness measurement
14. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
MIDI
Audio Mixers
RCA Connector
Absolute Zero
15. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Spatial Continuity
Double system sound
Stand-up
AGC
16. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Sound Perspective
Non-linear Editing
fresnel
Color Temperature of Daylight
17. Manipulating frequencies. - Important to radio and musical recording - not film.
Proximity Effect
Turn-over Frequency
Focal length
advantages of DSLR
18. Greater depth of field
Flat
MIDI
Male end
Shorter focal length =
19. Place were sounds are stored that allows them to be accessed and worked on from various places
Server
Jump Cut
Temporal Continuity
Close-up
20. Overlapping action - Match cut - Jump cut
The greater the size of the aperture opening...
Logical Continuity
incident and reflected
XLR Connector
21. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Frequency
Atmospheric Continuity
Daylight
XLR Connector
22. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Cutting-on-Action
RCA Connector
Light is a form of...
Pitch
23. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
AGC
Proximity Effect
Flat
Reverb
24. tinted orange - 3200 degrees Kelvin - Studio lighting
Daylight
Tungsten Light
Activity Continuity
Master Scene Shooting Method
25. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Three-to-one Rule
Color Temperature of Daylight
Timbre
Medium Shot
26. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
Cutting-on-Action
a shot marked OS to Sally
Foley
Cutaway
27. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Zoom Recorder
AGC
Sweetening
Track
28. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Track
Timbre
Tungsten Light
slating an audition
29. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Focal length
Spatial Continuity
How do you fix Room Tone?
Absolute Zero
30. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
advantages of DSLR
Voice-Overs
Range of human hearing
fresnel
31. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Omnidirectional Microphone
Parallel Editing
Three point lighting
Medium Shot
32. F-stop selection effects depth of field
Loudness measurement
Dynamic Range
ADR (Automatic Dialogue Replacement)
f-stop vs. depth of field
33. The more light reaches film
Voice-Overs
The greater the size of the aperture opening...
Jump Cut
Performance Continuity
34. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
CCD
focal length of a wide angle lens
Parallel Editing
Frequency
35. An obvious jarring break in continuity from one shot to the next
XLR Connector
ADR (Automatic Dialogue Replacement)
Jump Cut
Three point lighting
36. No two microphones should be closer together than three times the distance between them and the subject.
Sound Waves
Three-to-one Rule
focal length of a wide angle lens
Daylight
37. Shot of something that did not appear in the previous shot
Loudness measurement
Spatial Continuity
Reverb
Cutaway
38. 800 mph or 1000ft per second or 1 foot per millisecond
Proximity Effect
Bites (Sound Bite)
speed of sound in air
Direct Sound
39. Shot before the long shot that establishes where the action is taking place
Spatial Continuity
Room Tone
Establishing Shot
Cut-in
40. tinted blue - 5500 degrees Kelvin - outside lighting
Dynamic Microphone
Daylight
Track
Reverb
41. You can control your depth of field
Absolute Zero
Directional Microphone
Establishing Shot
advantages of DSLR
42. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
slating an audition
XLR Connector
Absolute Zero
Master Scene Shooting Method
43. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
Sound Presence
Condenser Microphone
Master Scene Shooting Method
Three point lighting
44. Actors should look the same from one shot to another
OMF - Open Medium Framework
Physical Continuity
Condenser Microphone
3 Pickup Patterns
45. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
ADR (Automatic Dialogue Replacement)
XLR Connector
Master Scene Shooting Method
Match Cut
46. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Condenser Microphone
Aspect Ratio
Spotting Sheet
Sweetening
47. Natural sound - Must be attached to all B-Roll
Turn-over Frequency
Light is a form of...
Nats
Sound Perspective
48. Director make sure that action in one shot is repeated in the shot that may follow it
Frequency Response
f-stop vs. depth of field
Overlapping Action
Proximity Effect
49. Middle point of the haystack
Depth of Field
Turn-over Frequency
Overlapping Action
DAT
50. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Voice-Overs
Logical Continuity
Omnidirectional Microphone
Technical Pictorial Continuity