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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Directional (Cardiod) - Omnidirectional - Bidirectional
CCD
3 Pickup Patterns
Cutting-on-Action
Spotting Sheet
2. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Three point lighting
Cutting-on-Action
Female end
Track
3. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Condenser Microphone
Depth of Field
Activity Continuity
Non-linear Editing
4. Natural sound - Must be attached to all B-Roll
Frequency
ADR (Automatic Dialogue Replacement)
Nats
Focal length
5. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Depth of Field
ADR (Automatic Dialogue Replacement)
Timbre
Non-linear Editing
6. Isolates a particular character or action
Master Scene Shooting Method
Tungsten Light
Close-up
Aperture
7. The sound made by the differing frequencies
Pitch
Establishing Shot
Flat
Classic Hollywood Editing
8. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
Sound Perspective
MIDI
Shorter focal length =
Depth of Field
9. When you hear a bounce off a very close wall - quicker response than an echo
Non-linear Editing
Logical Continuity
Reverb
ADR (Automatic Dialogue Replacement)
10. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
Establishing Shot
Three-to-one Rule
Light is a form of...
a shot marked OS to Sally
11. The opening in the lens that allows light to pass
Server
incident and reflected
slating an audition
Aperture
12. Uses a diaphragm - Robust - NO power required - Not so efficient
Dynamic Microphone
a shot marked OS to Sally
wild sound
fresnel
13. Ratio of the width of a frame to its height - HDTV = 16:9
CCD
Aspect Ratio
Proximity Effect
Overlapping Action
14. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Spotting Sheet
Loudness measurement
Nats
Range of human hearing
15. 800 mph or 1000ft per second or 1 foot per millisecond
Absolute Zero
Sweetening
Jump Cut
speed of sound in air
16. 3200 degrees K
Color temperature of Tungsten light
Light is a form of...
CCD
The cheapest part of movie making
17. Place were sounds are stored that allows them to be accessed and worked on from various places
Cutting-on-Action
Male end
Timbre
Server
18. Something that has already happened in one shot should not happen again in the next
Aperture
incident and reflected
Depth of Field
Activity Continuity
19. Attaches to the recorder
RCA Connector
Male end
Room Tone
Sweetening
20. Directional (Cardiod) - Omnidirectional - Bidirectional
3 Pickup Patterns
f-stop vs. depth of field
incident and reflected
Flat
21. Hertz (Hz)
Sound Waves
Frequency Measurement
Aperture
Dynamic Microphone
22. Decibels (dB)
speed of sound in air
Tungsten Light
3 Pickup Patterns
Loudness measurement
23. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
RCA Connector
Distortion
XLR Connector
Depth of Field
24. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Smaller Wavelength =
Shorter focal length =
Flat
Frequency
25. Manipulating frequencies. - Important to radio and musical recording - not film.
Proximity Effect
Server
Color temperature of Tungsten light
f-stop vs. depth of field
26. Want boom coming down not out - Can add a track to cover it (Fill Grit - Glue Fill) - Can add other noises
How do you fix Room Tone?
Sweetening
Daylight
Omnidirectional Microphone
27. Attaches to the microphone
Female end
Shorter focal length =
a shot marked OS to Sally
RCA Connector
28. Random footage in the package
Three point lighting
B-Roll
Audio Mixers
Timing Sheet
29. Recording picture on one machine and sound on another
Pitch
Double system sound
Cutting-on-Action
Atmospheric Continuity
30. Small image - long focal length
Focal length
Spotting Sheet
incident and reflected
focal length of a close up lens
31. Distance from the center of a lens to the place where the parallel light will be focused
MIDI
fresnel
Focal length
Frequency Response
32. Asynchronous noised mixed in during post production to give a scene authenticity - Sometimes called Wild Sounds
Dynamic Range
Sound Presence
Frequency
Ambient Sounds
33. Decibels (dB)
MIDI
Ambient Sounds
DAT
Loudness measurement
34. Asynchronous noised mixed in during post production to give a scene authenticity - Sometimes called Wild Sounds
f-stop vs. depth of field
Pitch
Ambient Sounds
Reverb
35. The re-recording process - AKA looping - Actors are brought back to a soundproof room - where they watch short segments of themselves on a screen and listen through earphones to the audio that needs to be replaced - Feed and deliver the lines that ne
Female end
ADR (Automatic Dialogue Replacement)
B-Roll
advantages of DSLR
36. Recording picture on one machine and sound on another
focal length of a wide angle lens
Foley Setup Sheet
Frequency Measurement
Double system sound
37. Place were sounds are stored that allows them to be accessed and worked on from various places
Aperture
Stand-up
Server
Turn-over Frequency
38. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Dynamic Microphone
Classic Hollywood Editing
Stand-up
Shorter focal length =
39. Picking up mainly from one side in a heart shaped pattern
How do you fix Room Tone?
Directional Microphone
Proximity Effect
Omnidirectional Microphone
40. Charged Coupled Device
Stand-up
Classic Hollywood Editing
CCD
DAT
41. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
focal length of a close up lens
Sound Presence
Proximity Effect
Non-linear Editing
42. Overlapping action - Match cut - Jump cut
RCA Connector
3 Pickup Patterns
Server
Logical Continuity
43. The degree to which the aperture opens
Logical Continuity
Color temperature of Tungsten light
F-stop
slating an audition
44. The opening in the lens that allows light to pass
The cheapest part of movie making
Aperture
Daylight
Technical Pictorial Continuity
45. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
RCA Connector
Master Scene Shooting Method
AGC
Clipping
46. Source microphones go into - Has up to 4 channels
Zoom Recorder
Frequency Response
Dynamic Microphone
Track
47. Record all the music in a control room
Non-linear Editing
Flat
Score Mixers
Amplitude
48. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
Cutting-on-Action
Clipping
incident and reflected
OMF - Open Medium Framework
49. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Shorter focal length =
Spatial Continuity
Female end
Foley
50. Key - fill - back
Color temperature of Tungsten light
Score Mixers
Three point lighting
Dynamic Microphone