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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Director make sure that action in one shot is repeated in the shot that may follow it
Voice-Overs
incident and reflected
CCD
Overlapping Action
2. Natural sound - Must be attached to all B-Roll
Smaller Wavelength =
Nats
F-stop
Sweetening
3. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Technical Pictorial Continuity
Establishing Shot
Voice-Overs
Frequency Measurement
4. The relative volume of sounds - Important sounds should be louder than unimportant sounds
Flat
Balance
Male end
Track
5. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
3 Pickup Patterns
Parallel Editing
Directional Microphone
Activity Continuity
6. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
The greater the size of the aperture opening...
Distortion
Voice-Overs
Jump Cut
7. Sound that doesn't bounce - Dead sound
Clipping
Spotting Sheet
Bidirectional Microphone
Direct Sound
8. A recording of the general ambience of the place where the dialogue is being recorded
Technical Pictorial Continuity
Aperture
Room Tone
Sweetening
9. The equivalent of quotes in a story - Person speaking on the screen
Bites (Sound Bite)
Timbre
AGC
Aperture
10. Big image - short focal length
focal length of a wide angle lens
Three-to-one Rule
Sound Presence
Frequency Response
11. Two basic systems of light metering used in cinematography
Sound Perspective
Directional Microphone
fresnel
incident and reflected
12. Disrupt the arrangement of air molecules
Male end
Timbre
Sound Waves
Aspect Ratio
13. Hertz (Hz)
Physical Continuity
Frequency Measurement
Reverb
Balance
14. Electro-magnetic radiation
Score Mixers
Nats
Parallel Editing
Light is a form of...
15. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
Timbre
Aperture
AGC
Turn-over Frequency
16. There should be time for actions to take place - EX: burning candle
Temporal Continuity
Jump Cut
focal length of a close up lens
RCA Connector
17. 20 HZ to 20000 HZ
Sound Waves
Proximity Effect
Range of human hearing
Shorter focal length =
18. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Distortion
Range of human hearing
Loudness measurement
Audio Mixers
19. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
Balance
How do you fix Room Tone?
Foley Setup Sheet
AGC
20. Middle point of the haystack
Turn-over Frequency
Timbre
f-stop vs. depth of field
The greater the size of the aperture opening...
21. 3200 degrees K
Female end
Score Mixers
Color temperature of Tungsten light
Smaller Wavelength =
22. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Classic Hollywood Editing
Non-linear Editing
Match Cut
Voice-Overs
23. Higher pitch and frequency
The cheapest part of movie making
Medium Shot
focal length of a close up lens
Smaller Wavelength =
24. Focuses on an element that appeared in the previous shot
Establishing Shot
Frequency
Cut-in
Directional Microphone
25. You can control your depth of field
Zoom Recorder
Absolute Zero
Tungsten Light
advantages of DSLR
26. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Sound Waves
Range of human hearing
Flat
Sweetening
27. Another name for ambient sound
fresnel
slating an audition
Zoom Recorder
wild sound
28. The degree to which the aperture opens
Cut-in
Color temperature of Tungsten light
Absolute Zero
F-stop
29. Uses a diaphragm - Robust - NO power required - Not so efficient
Dynamic Microphone
Flat
Timbre
Room Tone
30. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Ambient Sounds
Performance Continuity
Timing Sheet
Cutting-on-Action
31. Pre-production
Atmospheric Continuity
The cheapest part of movie making
Classic Hollywood Editing
Directional Microphone
32. Disrupt the arrangement of air molecules
Color Temperature of Daylight
Zoom Recorder
Technical Pictorial Continuity
Sound Waves
33. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Timbre
Clipping
focal length of a close up lens
Temporal Continuity
34. tinted blue - 5500 degrees Kelvin - outside lighting
Daylight
Smaller Wavelength =
Spatial Continuity
Condenser Microphone
35. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Zoom Recorder
Timbre
Temporal Continuity
Condenser Microphone
36. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Frequency Measurement
Directional Microphone
Timbre
ADR (Automatic Dialogue Replacement)
37. F-stop selection effects depth of field
f-stop vs. depth of field
speed of sound in air
Spotting Sheet
Absolute Zero
38. When you hear a bounce off a very close wall - quicker response than an echo
Master Scene Shooting Method
Reverb
Overlapping Action
DAT
39. Attaches to the microphone
Double system sound
Female end
Cut-in
Server
40. Raw sound that was recorded on the day
Timing Sheet
Three-to-one Rule
focal length of a wide angle lens
OMF - Open Medium Framework
41. The more light reaches film
Cut-in
Clipping
Overlapping Action
The greater the size of the aperture opening...
42. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Atmospheric Continuity
Classic Hollywood Editing
Turn-over Frequency
Match Cut
43. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Parallel Editing
Zoom Recorder
The cheapest part of movie making
Distortion
44. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
Close-up
Condenser Microphone
a shot marked OS to Sally
Dynamic Microphone
45. Lighting instrument that has a lens on the front
Female end
Sound Waves
Dynamic Microphone
fresnel
46. Name - agency - and role
slating an audition
Technical Pictorial Continuity
Frequency Response
Distortion
47. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
Activity Continuity
Stand-up
Classic Hollywood Editing
Aperture
48. 5 -500 degrees K
advantages of DSLR
Male end
Color Temperature of Daylight
Daylight
49. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
Smaller Wavelength =
Master Scene Shooting Method
Color Temperature of Daylight
Clipping
50. F-stop selection effects depth of field
f-stop vs. depth of field
Loudness measurement
Room Tone
Amplitude