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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Isolates a particular character or action
Shorter focal length =
Match Cut
Close-up
Color Temperature of Daylight
2. Distance from the center of a lens to the place where the parallel light will be focused
Shorter focal length =
Double system sound
Balance
Focal length
3. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Audio Mixers
Frequency
F-stop
Shorter focal length =
4. Something that has already happened in one shot should not happen again in the next
The cheapest part of movie making
Balance
Activity Continuity
Frequency Measurement
5. Directional (Cardiod) - Omnidirectional - Bidirectional
Clipping
3 Pickup Patterns
Directional Microphone
Frequency
6. Shot of something that did not appear in the previous shot
ADR (Automatic Dialogue Replacement)
Cutaway
Sound Perspective
Nats
7. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Classic Hollywood Editing
Cut-in
Timbre
Turn-over Frequency
8. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
The greater the size of the aperture opening...
Dynamic Range
Aperture
Classic Hollywood Editing
9. Sound must appear to be coming from the picture
Balance
3 Pickup Patterns
Sound Presence
Light is a form of...
10. The range of quietness to loudness
Depth of Field
a shot marked OS to Sally
Dynamic Range
Cut-in
11. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Color temperature of Tungsten light
Directional Microphone
RCA Connector
Logical Continuity
12. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
RCA Connector
Non-linear Editing
Medium Shot
slating an audition
13. Director make sure that action in one shot is repeated in the shot that may follow it
Directional Microphone
Overlapping Action
Male end
Directional Microphone
14. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Stand-up
Cutting-on-Action
Depth of Field
Performance Continuity
15. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
fresnel
slating an audition
Technical Pictorial Continuity
slating an audition
16. Attaches to the recorder
Reverb
Male end
Close-up
advantages of DSLR
17. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Female end
Technical Pictorial Continuity
Focal length
Stand-up
18. Random footage in the package
Activity Continuity
B-Roll
focal length of a close up lens
RCA Connector
19. Something that has already happened in one shot should not happen again in the next
How do you fix Room Tone?
Activity Continuity
Nats
Zoom Recorder
20. Another name for ambient sound
Zoom Recorder
F-stop
Physical Continuity
wild sound
21. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
f-stop vs. depth of field
Smaller Wavelength =
Omnidirectional Microphone
Flat
22. Charged Coupled Device
Depth of Field
CCD
incident and reflected
Stand-up
23. tinted blue - 5500 degrees Kelvin - outside lighting
Daylight
Establishing Shot
Parallel Editing
Tungsten Light
24. After the music is recorded its put onto this in the same way a picture is recorded on a DVD
Dynamic Range
DAT
slating an audition
Overlapping Action
25. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Stand-up
Logical Continuity
Proximity Effect
Ambient Sounds
26. -273.15 degrees celcius 0 degrees Kelvin
Sound Presence
Color Temperature of Daylight
Cutaway
Absolute Zero
27. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Cutting-on-Action
Sound Perspective
The cheapest part of movie making
Stand-up
28. Record all the music in a control room
Directional Microphone
incident and reflected
Score Mixers
Foley
29. Picking up mainly from one side in a heart shaped pattern
AGC
incident and reflected
Directional Microphone
Tungsten Light
30. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Medium Shot
Atmospheric Continuity
Shorter focal length =
Three point lighting
31. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
a shot marked OS to Sally
Cut-in
Band Width
Establishing Shot
32. The sound made by the differing frequencies
Pitch
Smaller Wavelength =
Turn-over Frequency
Depth of Field
33. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
Male end
Focal length
AGC
Timing Sheet
34. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
focal length of a wide angle lens
Turn-over Frequency
Daylight
Timbre
35. The degree to which the aperture opens
Audio Mixers
F-stop
Sound Waves
Score Mixers
36. Big image - short focal length
wild sound
Clipping
focal length of a wide angle lens
Bidirectional Microphone
37. Asynchronous noised mixed in during post production to give a scene authenticity - Sometimes called Wild Sounds
Turn-over Frequency
MIDI
Flat
Ambient Sounds
38. F-stop selection effects depth of field
Medium Shot
Light is a form of...
OMF - Open Medium Framework
f-stop vs. depth of field
39. Source microphones go into - Has up to 4 channels
Close-up
Zoom Recorder
Classic Hollywood Editing
Timing Sheet
40. You can control your depth of field
advantages of DSLR
Shorter focal length =
RCA Connector
Parallel Editing
41. Random footage in the package
Direct Sound
Frequency Measurement
focal length of a close up lens
B-Roll
42. Attaches to the microphone
Direct Sound
Frequency Response
Color temperature of Tungsten light
Female end
43. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Flat
Parallel Editing
Bites (Sound Bite)
Master Scene Shooting Method
44. The equivalent of quotes in a story - Person speaking on the screen
Bites (Sound Bite)
Proximity Effect
Formula for figuring the f-stop
RCA Connector
45. Want boom coming down not out - Can add a track to cover it (Fill Grit - Glue Fill) - Can add other noises
Band Width
B-Roll
Sound Waves
How do you fix Room Tone?
46. An actors performance should be consistent from shot to shot
Jump Cut
Shorter focal length =
Light is a form of...
Performance Continuity
47. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Dynamic Range
Smaller Wavelength =
Absolute Zero
Track
48. The re-recording process - AKA looping - Actors are brought back to a soundproof room - where they watch short segments of themselves on a screen and listen through earphones to the audio that needs to be replaced - Feed and deliver the lines that ne
wild sound
ADR (Automatic Dialogue Replacement)
Flat
Physical Continuity
49. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Cutaway
MIDI
Atmospheric Continuity
F-stop
50. The relative volume of sounds - Important sounds should be louder than unimportant sounds
Dynamic Range
Balance
Sound Waves
MIDI