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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Hertz (Hz)
Foley
Depth of Field
The greater the size of the aperture opening...
Frequency Measurement
2. Record all the music in a control room
Daylight
Timing Sheet
Frequency
Score Mixers
3. Small image - long focal length
Match Cut
focal length of a close up lens
Cut-in
Performance Continuity
4. Small image - long focal length
Stand-up
Parallel Editing
focal length of a close up lens
Reverb
5. The range of quietness to loudness
Timbre
Technical Pictorial Continuity
Dynamic Range
Parallel Editing
6. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Server
Light is a form of...
Three point lighting
Master Scene Shooting Method
7. Middle point of the haystack
Turn-over Frequency
Aspect Ratio
Room Tone
Classic Hollywood Editing
8. Disrupt the arrangement of air molecules
Amplitude
Sound Waves
Absolute Zero
Formula for figuring the f-stop
9. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Frequency
Technical Pictorial Continuity
Room Tone
DAT
10. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Atmospheric Continuity
slating an audition
3 Pickup Patterns
Audio Mixers
11. Another name for ambient sound
Cut-in
wild sound
Nats
The cheapest part of movie making
12. Middle point of the haystack
Overlapping Action
Technical Pictorial Continuity
Condenser Microphone
Turn-over Frequency
13. Picking up from two sides
Bidirectional Microphone
slating an audition
Shorter focal length =
Classic Hollywood Editing
14. Electro-magnetic radiation
Directional Microphone
Reverb
Light is a form of...
Cutting-on-Action
15. Decibels (dB)
Parallel Editing
Timbre
Loudness measurement
Jump Cut
16. Lighting instrument that has a lens on the front
fresnel
Shorter focal length =
Bidirectional Microphone
wild sound
17. Random footage in the package
Voice-Overs
Foley Setup Sheet
B-Roll
Color Temperature of Daylight
18. An obvious jarring break in continuity from one shot to the next
Bidirectional Microphone
B-Roll
Overlapping Action
Jump Cut
19. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Nats
Depth of Field
Amplitude
slating an audition
20. 800 mph or 1000ft per second or 1 foot per millisecond
speed of sound in air
Medium Shot
focal length of a close up lens
Female end
21. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
AGC
Jump Cut
Color temperature of Tungsten light
RCA Connector
22. tinted orange - 3200 degrees Kelvin - Studio lighting
Parallel Editing
Aperture
Track
Tungsten Light
23. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
slating an audition
Master Scene Shooting Method
incident and reflected
Match Cut
24. 3200 degrees K
Color temperature of Tungsten light
Cutting-on-Action
AGC
Sound Waves
25. Attaches to the recorder
Reverb
Audio Mixers
Male end
Turn-over Frequency
26. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Timbre
Jump Cut
Proximity Effect
Physical Continuity
27. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Match Cut
Condenser Microphone
Close-up
slating an audition
28. The more light reaches film
Spatial Continuity
The greater the size of the aperture opening...
Amplitude
Technical Pictorial Continuity
29. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Parallel Editing
How do you fix Room Tone?
Audio Mixers
slating an audition
30. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Smaller Wavelength =
a shot marked OS to Sally
Flat
How do you fix Room Tone?
31. Sound must appear to be coming from the picture
a shot marked OS to Sally
Cutaway
Sound Presence
RCA Connector
32. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Nats
Establishing Shot
Distortion
Directional Microphone
33. The width of the band of frequencies as specified by the frequencies at each end
Band Width
Frequency Measurement
Technical Pictorial Continuity
ADR (Automatic Dialogue Replacement)
34. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
wild sound
a shot marked OS to Sally
XLR Connector
F-stop
35. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Frequency
Match Cut
Logical Continuity
Timbre
36. 3200 degrees K
Color temperature of Tungsten light
Sound Waves
Omnidirectional Microphone
Overlapping Action
37. Ratio of the width of a frame to its height - HDTV = 16:9
Aspect Ratio
Sound Presence
Condenser Microphone
f-stop vs. depth of field
38. Manipulating frequencies. - Important to radio and musical recording - not film.
Aspect Ratio
Spotting Sheet
Proximity Effect
Color temperature of Tungsten light
39. Focal length divided by aperture
3 Pickup Patterns
The greater the size of the aperture opening...
Formula for figuring the f-stop
Temporal Continuity
40. Big image - short focal length
Sound Waves
focal length of a wide angle lens
OMF - Open Medium Framework
Sweetening
41. Something that has already happened in one shot should not happen again in the next
DAT
Timbre
Sound Waves
Activity Continuity
42. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Classic Hollywood Editing
Band Width
Distortion
slating an audition
43. Shot of something that did not appear in the previous shot
focal length of a close up lens
DAT
a shot marked OS to Sally
Cutaway
44. Source microphones go into - Has up to 4 channels
Establishing Shot
F-stop
Zoom Recorder
Absolute Zero
45. An actors performance should be consistent from shot to shot
Color Temperature of Daylight
Frequency Measurement
Technical Pictorial Continuity
Performance Continuity
46. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Foley
Frequency Measurement
Timbre
Turn-over Frequency
47. The width of the band of frequencies as specified by the frequencies at each end
Distortion
Band Width
Omnidirectional Microphone
Condenser Microphone
48. tinted blue - 5500 degrees Kelvin - outside lighting
Bidirectional Microphone
Spatial Continuity
Nats
Daylight
49. The equivalent of quotes in a story - Person speaking on the screen
Light is a form of...
Performance Continuity
Shorter focal length =
Bites (Sound Bite)
50. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
Jump Cut
Focal length
Foley Setup Sheet
Nats
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