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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Color Temperature of Daylight
Sweetening
How do you fix Room Tone?
The cheapest part of movie making
2. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Master Scene Shooting Method
Server
f-stop vs. depth of field
Jump Cut
3. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Logical Continuity
XLR Connector
incident and reflected
Audio Mixers
4. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Tungsten Light
Master Scene Shooting Method
Flat
Audio Mixers
5. An actors performance should be consistent from shot to shot
Clipping
Aspect Ratio
CCD
Performance Continuity
6. Background sounds such as footsteps - clothes rustling - and branches waving in the wind - Named after Jack Foley
speed of sound in air
Room Tone
Classic Hollywood Editing
Foley
7. Decibels (dB)
Loudness measurement
Female end
Amplitude
Activity Continuity
8. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Activity Continuity
Overlapping Action
Band Width
Timing Sheet
9. Background sounds such as footsteps - clothes rustling - and branches waving in the wind - Named after Jack Foley
Technical Pictorial Continuity
Foley
Audio Mixers
Activity Continuity
10. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Frequency Measurement
Range of human hearing
Ambient Sounds
Spatial Continuity
11. Name - agency - and role
Reverb
slating an audition
Timbre
Smaller Wavelength =
12. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
slating an audition
Amplitude
Foley Setup Sheet
Jump Cut
13. Higher pitch and frequency
Omnidirectional Microphone
Frequency Response
F-stop
Smaller Wavelength =
14. tinted orange - 3200 degrees Kelvin - Studio lighting
Parallel Editing
Color temperature of Tungsten light
Overlapping Action
Tungsten Light
15. 20 HZ to 20000 HZ
Range of human hearing
Aspect Ratio
RCA Connector
Color temperature of Tungsten light
16. Distance from the center of a lens to the place where the parallel light will be focused
B-Roll
Focal length
incident and reflected
Cutting-on-Action
17. The degree to which the aperture opens
F-stop
Turn-over Frequency
Reverb
Proximity Effect
18. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
f-stop vs. depth of field
Overlapping Action
Clipping
XLR Connector
19. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Track
Sound Waves
Flat
focal length of a wide angle lens
20. Natural sound - Must be attached to all B-Roll
Temporal Continuity
Aperture
Male end
Nats
21. Greater depth of field
Stand-up
Shorter focal length =
Performance Continuity
Jump Cut
22. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
CCD
Distortion
Directional Microphone
3 Pickup Patterns
23. tinted blue - 5500 degrees Kelvin - outside lighting
Daylight
Three point lighting
Spotting Sheet
f-stop vs. depth of field
24. Asynchronous noised mixed in during post production to give a scene authenticity - Sometimes called Wild Sounds
CCD
Audio Mixers
Ambient Sounds
Depth of Field
25. -273.15 degrees celcius 0 degrees Kelvin
Atmospheric Continuity
Double system sound
RCA Connector
Absolute Zero
26. A recording of the general ambience of the place where the dialogue is being recorded
Cutting-on-Action
Sound Waves
Flat
Room Tone
27. Lighting instrument that has a lens on the front
fresnel
Server
Classic Hollywood Editing
Focal length
28. After the music is recorded its put onto this in the same way a picture is recorded on a DVD
B-Roll
Performance Continuity
Dynamic Microphone
DAT
29. Source microphones go into - Has up to 4 channels
Ambient Sounds
Zoom Recorder
Foley
B-Roll
30. Manipulating frequencies. - Important to radio and musical recording - not film.
Overlapping Action
Proximity Effect
The cheapest part of movie making
speed of sound in air
31. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
OMF - Open Medium Framework
OMF - Open Medium Framework
Track
Voice-Overs
32. Hertz (Hz)
Turn-over Frequency
Frequency Measurement
Sound Presence
f-stop vs. depth of field
33. Isolates a particular character or action
Close-up
Logical Continuity
Track
Nats
34. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
ADR (Automatic Dialogue Replacement)
CCD
Focal length
AGC
35. The more light reaches film
The greater the size of the aperture opening...
XLR Connector
Timing Sheet
Depth of Field
36. Focal length divided by aperture
advantages of DSLR
Formula for figuring the f-stop
Double system sound
3 Pickup Patterns
37. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Proximity Effect
Absolute Zero
Spotting Sheet
Depth of Field
38. Shot before the long shot that establishes where the action is taking place
Establishing Shot
Omnidirectional Microphone
How do you fix Room Tone?
Temporal Continuity
39. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
Female end
Frequency Response
Sound Waves
Overlapping Action
40. The width of the band of frequencies as specified by the frequencies at each end
Daylight
Depth of Field
Flat
Band Width
41. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Tungsten Light
Audio Mixers
B-Roll
XLR Connector
42. Actors should look the same from one shot to another
Dynamic Range
Zoom Recorder
Shorter focal length =
Physical Continuity
43. The equivalent of quotes in a story - Person speaking on the screen
Non-linear Editing
Bites (Sound Bite)
Direct Sound
Foley Setup Sheet
44. The re-recording process - AKA looping - Actors are brought back to a soundproof room - where they watch short segments of themselves on a screen and listen through earphones to the audio that needs to be replaced - Feed and deliver the lines that ne
ADR (Automatic Dialogue Replacement)
focal length of a close up lens
Nats
Timbre
45. Pre-production
Spatial Continuity
The cheapest part of movie making
Spatial Continuity
Male end
46. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Technical Pictorial Continuity
Cut-in
Omnidirectional Microphone
Sound Waves
47. An obvious jarring break in continuity from one shot to the next
Light is a form of...
Voice-Overs
ADR (Automatic Dialogue Replacement)
Jump Cut
48. Recording picture on one machine and sound on another
Double system sound
Band Width
Three-to-one Rule
Classic Hollywood Editing
49. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Smaller Wavelength =
Stand-up
Bidirectional Microphone
Frequency
50. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
Frequency Response
MIDI
Sound Presence
focal length of a wide angle lens