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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Something that has already happened in one shot should not happen again in the next
Zoom Recorder
Pitch
Activity Continuity
Close-up
2. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Match Cut
Cutaway
Audio Mixers
Voice-Overs
3. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Frequency Response
XLR Connector
Sound Perspective
Loudness measurement
4. Small image - long focal length
Zoom Recorder
Female end
focal length of a close up lens
focal length of a wide angle lens
5. Directional (Cardiod) - Omnidirectional - Bidirectional
Logical Continuity
focal length of a close up lens
3 Pickup Patterns
Turn-over Frequency
6. Source microphones go into - Has up to 4 channels
Zoom Recorder
Cutting-on-Action
Distortion
Double system sound
7. Another name for ambient sound
XLR Connector
Directional Microphone
wild sound
Foley
8. The range of quietness to loudness
Dynamic Range
Timing Sheet
Proximity Effect
3 Pickup Patterns
9. The opening in the lens that allows light to pass
Jump Cut
Sound Perspective
Temporal Continuity
Aperture
10. Decibels (dB)
Omnidirectional Microphone
Loudness measurement
Sound Perspective
Master Scene Shooting Method
11. Shot before the long shot that establishes where the action is taking place
Balance
Establishing Shot
Band Width
Color temperature of Tungsten light
12. -273.15 degrees celcius 0 degrees Kelvin
Absolute Zero
The cheapest part of movie making
focal length of a close up lens
AGC
13. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
OMF - Open Medium Framework
Stand-up
Timbre
Logical Continuity
14. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Sound Perspective
Directional Microphone
B-Roll
Spotting Sheet
15. Focuses on an element that appeared in the previous shot
speed of sound in air
incident and reflected
Cut-in
Turn-over Frequency
16. Shot before the long shot that establishes where the action is taking place
Cutaway
Audio Mixers
Establishing Shot
Ambient Sounds
17. Recording picture on one machine and sound on another
Flat
Double system sound
AGC
fresnel
18. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Voice-Overs
Spatial Continuity
F-stop
Timbre
19. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Match Cut
Non-linear Editing
Timbre
Color temperature of Tungsten light
20. The range of frequencies that a microphone will pick up - 20 Hz - 20000 Hz
wild sound
Frequency Response
Timbre
Sound Perspective
21. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Technical Pictorial Continuity
Color temperature of Tungsten light
Server
RCA Connector
22. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
B-Roll
Cutting-on-Action
Color temperature of Tungsten light
Aperture
23. The width of the band of frequencies as specified by the frequencies at each end
Band Width
a shot marked OS to Sally
Sound Perspective
Atmospheric Continuity
24. Random footage in the package
Foley Setup Sheet
B-Roll
Depth of Field
Frequency
25. The height of the sound wave. As the this increases - the sound wave gets louder
a shot marked OS to Sally
Amplitude
3 Pickup Patterns
Classic Hollywood Editing
26. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
Omnidirectional Microphone
Band Width
Parallel Editing
AGC
27. Lighting instrument that has a lens on the front
fresnel
Bidirectional Microphone
Aspect Ratio
Dynamic Range
28. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Cut-in
f-stop vs. depth of field
Sweetening
Distortion
29. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
advantages of DSLR
MIDI
Timing Sheet
Server
30. Shot of something that did not appear in the previous shot
Cutaway
Sound Waves
Flat
Ambient Sounds
31. Ratio of the width of a frame to its height - HDTV = 16:9
Bites (Sound Bite)
Aspect Ratio
Daylight
How do you fix Room Tone?
32. Directional (Cardiod) - Omnidirectional - Bidirectional
Cutting-on-Action
3 Pickup Patterns
MIDI
Sweetening
33. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Tungsten Light
Frequency
incident and reflected
Establishing Shot
34. 800 mph or 1000ft per second or 1 foot per millisecond
Timbre
Aperture
Cut-in
speed of sound in air
35. tinted blue - 5500 degrees Kelvin - outside lighting
Frequency Measurement
Frequency Response
Daylight
Reverb
36. Big image - short focal length
Performance Continuity
Nats
focal length of a wide angle lens
Frequency
37. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
a shot marked OS to Sally
AGC
CCD
Color Temperature of Daylight
38. A recording of the general ambience of the place where the dialogue is being recorded
Dynamic Range
Room Tone
Classic Hollywood Editing
a shot marked OS to Sally
39. Middle point of the haystack
Absolute Zero
Establishing Shot
Turn-over Frequency
Amplitude
40. Record all the music in a control room
Score Mixers
Cutaway
Female end
Performance Continuity
41. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Sound Waves
Depth of Field
Tungsten Light
Pitch
42. Another name for ambient sound
Directional Microphone
wild sound
Male end
Atmospheric Continuity
43. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
advantages of DSLR
Sound Perspective
Foley Setup Sheet
Clipping
44. After the music is recorded its put onto this in the same way a picture is recorded on a DVD
Physical Continuity
DAT
slating an audition
Performance Continuity
45. 5 -500 degrees K
Match Cut
Band Width
Color Temperature of Daylight
Clipping
46. Director make sure that action in one shot is repeated in the shot that may follow it
Server
The greater the size of the aperture opening...
Close-up
Overlapping Action
47. Charged Coupled Device
CCD
Master Scene Shooting Method
Amplitude
Clipping
48. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Focal length
Nats
Establishing Shot
XLR Connector
49. When you hear a bounce off a very close wall - quicker response than an echo
Ambient Sounds
Stand-up
Track
Reverb
50. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Technical Pictorial Continuity
Logical Continuity
Performance Continuity
slating an audition
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