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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Isolates a particular character or action
How do you fix Room Tone?
Close-up
Clipping
focal length of a close up lens
2. Involves the main action
Medium Shot
speed of sound in air
Formula for figuring the f-stop
Depth of Field
3. tinted blue - 5500 degrees Kelvin - outside lighting
Daylight
Temporal Continuity
Flat
Score Mixers
4. The range of quietness to loudness
Balance
Timing Sheet
Dynamic Range
Bidirectional Microphone
5. Big image - short focal length
fresnel
focal length of a wide angle lens
Tungsten Light
Overlapping Action
6. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Sound Perspective
Timbre
3 Pickup Patterns
DAT
7. Recording picture on one machine and sound on another
Logical Continuity
Double system sound
F-stop
The greater the size of the aperture opening...
8. Middle point of the haystack
Daylight
Room Tone
Turn-over Frequency
Timbre
9. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Distortion
Female end
Depth of Field
Amplitude
10. Sound must appear to be coming from the picture
Spotting Sheet
Sound Presence
Room Tone
Bidirectional Microphone
11. F-stop selection effects depth of field
Three point lighting
Zoom Recorder
The greater the size of the aperture opening...
f-stop vs. depth of field
12. Pre-production
Double system sound
f-stop vs. depth of field
Omnidirectional Microphone
The cheapest part of movie making
13. -273.15 degrees celcius 0 degrees Kelvin
Absolute Zero
F-stop
incident and reflected
Ambient Sounds
14. Focal length divided by aperture
Foley
Directional Microphone
Pitch
Formula for figuring the f-stop
15. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Absolute Zero
Spatial Continuity
wild sound
Omnidirectional Microphone
16. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Distortion
Shorter focal length =
Nats
MIDI
17. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Timing Sheet
a shot marked OS to Sally
Loudness measurement
Cutaway
18. The equivalent of quotes in a story - Person speaking on the screen
Bites (Sound Bite)
Performance Continuity
Establishing Shot
Temporal Continuity
19. Greater depth of field
Timing Sheet
Shorter focal length =
Three point lighting
F-stop
20. 800 mph or 1000ft per second or 1 foot per millisecond
Foley
Foley Setup Sheet
speed of sound in air
How do you fix Room Tone?
21. Shot before the long shot that establishes where the action is taking place
Atmospheric Continuity
Flat
Sound Perspective
Establishing Shot
22. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Aspect Ratio
Sound Perspective
Timing Sheet
Sound Waves
23. Attaches to the recorder
Smaller Wavelength =
Male end
OMF - Open Medium Framework
Frequency Response
24. Directional (Cardiod) - Omnidirectional - Bidirectional
Omnidirectional Microphone
3 Pickup Patterns
Foley Setup Sheet
Logical Continuity
25. Attaches to the recorder
Absolute Zero
Male end
fresnel
focal length of a wide angle lens
26. The height of the sound wave. As the this increases - the sound wave gets louder
Amplitude
3 Pickup Patterns
Bidirectional Microphone
Direct Sound
27. Something that has already happened in one shot should not happen again in the next
Score Mixers
Activity Continuity
focal length of a wide angle lens
Omnidirectional Microphone
28. Higher pitch and frequency
Smaller Wavelength =
MIDI
RCA Connector
Ambient Sounds
29. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
Turn-over Frequency
Sound Waves
Sound Presence
a shot marked OS to Sally
30. Ratio of the width of a frame to its height - HDTV = 16:9
Sound Presence
Score Mixers
Proximity Effect
Aspect Ratio
31. Random footage in the package
Sound Waves
Sweetening
B-Roll
Double system sound
32. Isolates a particular character or action
Overlapping Action
Close-up
Foley
Cutting-on-Action
33. Two basic systems of light metering used in cinematography
Smaller Wavelength =
Flat
incident and reflected
advantages of DSLR
34. Distance from the center of a lens to the place where the parallel light will be focused
MIDI
Sound Waves
Focal length
Establishing Shot
35. F-stop selection effects depth of field
Direct Sound
f-stop vs. depth of field
advantages of DSLR
Audio Mixers
36. 20 HZ to 20000 HZ
Range of human hearing
OMF - Open Medium Framework
Sound Waves
CCD
37. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
incident and reflected
wild sound
AGC
Technical Pictorial Continuity
38. Disrupt the arrangement of air molecules
Sound Waves
Distortion
Nats
Nats
39. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Atmospheric Continuity
incident and reflected
Distortion
Spotting Sheet
40. The width of the band of frequencies as specified by the frequencies at each end
Band Width
3 Pickup Patterns
Shorter focal length =
Track
41. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Logical Continuity
Activity Continuity
How do you fix Room Tone?
Cutting-on-Action
42. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
Cut-in
Loudness measurement
AGC
a shot marked OS to Sally
43. Name - agency - and role
slating an audition
RCA Connector
Audio Mixers
Parallel Editing
44. Picking up from two sides
Classic Hollywood Editing
Bidirectional Microphone
Timbre
Male end
45. 3200 degrees K
Physical Continuity
Band Width
Color temperature of Tungsten light
Technical Pictorial Continuity
46. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
The greater the size of the aperture opening...
Atmospheric Continuity
Stand-up
Focal length
47. Distance from the center of a lens to the place where the parallel light will be focused
Jump Cut
Voice-Overs
Focal length
Track
48. Small image - long focal length
focal length of a close up lens
The cheapest part of movie making
incident and reflected
Cut-in
49. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Foley
Clipping
Flat
Audio Mixers
50. Record all the music in a control room
Track
Score Mixers
Absolute Zero
Dynamic Range
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