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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Name - agency - and role
slating an audition
Distortion
Band Width
Double system sound
2. Microphones and recorders that pick up all frequencies equally well
CCD
Foley Setup Sheet
How do you fix Room Tone?
Flat
3. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Turn-over Frequency
Male end
Match Cut
Flat
4. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Sound Perspective
The cheapest part of movie making
Female end
Timing Sheet
5. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
Three point lighting
Color Temperature of Daylight
OMF - Open Medium Framework
Foley Setup Sheet
6. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
Proximity Effect
Depth of Field
Classic Hollywood Editing
The greater the size of the aperture opening...
7. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
Close-up
Flat
Condenser Microphone
Pitch
8. 20 HZ to 20000 HZ
Range of human hearing
F-stop
Female end
Reverb
9. An obvious jarring break in continuity from one shot to the next
focal length of a wide angle lens
DAT
Jump Cut
Server
10. Record all the music in a control room
Score Mixers
Spotting Sheet
Frequency
B-Roll
11. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
Foley Setup Sheet
wild sound
Color temperature of Tungsten light
Track
12. Random footage in the package
Non-linear Editing
Turn-over Frequency
B-Roll
Clipping
13. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Timbre
focal length of a wide angle lens
incident and reflected
Technical Pictorial Continuity
14. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
Close-up
AGC
Atmospheric Continuity
Color temperature of Tungsten light
15. Middle point of the haystack
XLR Connector
Jump Cut
Flat
Turn-over Frequency
16. 3200 degrees K
Flat
Band Width
Shorter focal length =
Color temperature of Tungsten light
17. An actors performance should be consistent from shot to shot
Classic Hollywood Editing
Spotting Sheet
Performance Continuity
Turn-over Frequency
18. tinted blue - 5500 degrees Kelvin - outside lighting
Daylight
Loudness measurement
Frequency
Medium Shot
19. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
RCA Connector
fresnel
Absolute Zero
AGC
20. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Band Width
Stand-up
Cutting-on-Action
Color temperature of Tungsten light
21. Source microphones go into - Has up to 4 channels
Zoom Recorder
a shot marked OS to Sally
Sound Presence
Timbre
22. Uses a diaphragm - Robust - NO power required - Not so efficient
Dynamic Microphone
Balance
B-Roll
Pitch
23. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Parallel Editing
Proximity Effect
Spatial Continuity
Spatial Continuity
24. F-stop selection effects depth of field
Three point lighting
Bites (Sound Bite)
Reverb
f-stop vs. depth of field
25. An obvious jarring break in continuity from one shot to the next
Jump Cut
ADR (Automatic Dialogue Replacement)
focal length of a wide angle lens
Dynamic Microphone
26. Attaches to the microphone
Band Width
f-stop vs. depth of field
Establishing Shot
Female end
27. The relative volume of sounds - Important sounds should be louder than unimportant sounds
Balance
Performance Continuity
Frequency Measurement
f-stop vs. depth of field
28. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
Master Scene Shooting Method
How do you fix Room Tone?
MIDI
Track
29. Higher pitch and frequency
Room Tone
Depth of Field
3 Pickup Patterns
Smaller Wavelength =
30. Involves the main action
Medium Shot
speed of sound in air
Sound Waves
Bites (Sound Bite)
31. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Stand-up
Tungsten Light
Jump Cut
Sound Presence
32. Picking up mainly from one side in a heart shaped pattern
Clipping
Double system sound
Directional Microphone
Establishing Shot
33. Electro-magnetic radiation
Light is a form of...
focal length of a close up lens
Three-to-one Rule
Cutting-on-Action
34. The sound made by the differing frequencies
incident and reflected
slating an audition
Pitch
Direct Sound
35. Source microphones go into - Has up to 4 channels
Technical Pictorial Continuity
Activity Continuity
Zoom Recorder
Sweetening
36. Uses a diaphragm - Robust - NO power required - Not so efficient
Sound Presence
Dynamic Microphone
Clipping
The greater the size of the aperture opening...
37. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Directional Microphone
Spatial Continuity
Distortion
Non-linear Editing
38. The height of the sound wave. As the this increases - the sound wave gets louder
Reverb
Sound Waves
MIDI
Amplitude
39. The range of frequencies that a microphone will pick up - 20 Hz - 20000 Hz
Reverb
Frequency Response
Depth of Field
Spotting Sheet
40. When you hear a bounce off a very close wall - quicker response than an echo
Formula for figuring the f-stop
Omnidirectional Microphone
The cheapest part of movie making
Reverb
41. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Match Cut
Activity Continuity
Cutting-on-Action
Master Scene Shooting Method
42. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Sweetening
Frequency
Performance Continuity
Technical Pictorial Continuity
43. Small image - long focal length
Male end
Smaller Wavelength =
focal length of a close up lens
Technical Pictorial Continuity
44. There should be time for actions to take place - EX: burning candle
Aspect Ratio
Sound Presence
Timing Sheet
Temporal Continuity
45. -273.15 degrees celcius 0 degrees Kelvin
Absolute Zero
Dynamic Microphone
ADR (Automatic Dialogue Replacement)
Focal length
46. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Timbre
Flat
Non-linear Editing
advantages of DSLR
47. Picking up mainly from one side in a heart shaped pattern
Cutaway
Technical Pictorial Continuity
Formula for figuring the f-stop
Directional Microphone
48. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Track
Parallel Editing
Double system sound
Smaller Wavelength =
49. Decibels (dB)
Flat
Loudness measurement
Nats
Sound Waves
50. The relative volume of sounds - Important sounds should be louder than unimportant sounds
Track
Frequency Response
Aperture
Balance