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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
MIDI
a shot marked OS to Sally
Focal length
DAT
2. The opening in the lens that allows light to pass
Aperture
speed of sound in air
Timing Sheet
XLR Connector
3. Uses a diaphragm - Robust - NO power required - Not so efficient
Bidirectional Microphone
Condenser Microphone
Dynamic Microphone
Zoom Recorder
4. Picking up mainly from one side in a heart shaped pattern
Loudness measurement
Directional Microphone
Overlapping Action
Amplitude
5. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
Directional Microphone
Shorter focal length =
Dynamic Range
Condenser Microphone
6. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Cutaway
Medium Shot
Depth of Field
AGC
7. No two microphones should be closer together than three times the distance between them and the subject.
ADR (Automatic Dialogue Replacement)
Range of human hearing
Three-to-one Rule
Frequency Response
8. Electro-magnetic radiation
Light is a form of...
Non-linear Editing
Condenser Microphone
Jump Cut
9. There should be time for actions to take place - EX: burning candle
Temporal Continuity
Dynamic Range
Cut-in
speed of sound in air
10. Uses a diaphragm - Robust - NO power required - Not so efficient
Frequency Measurement
Dynamic Microphone
Establishing Shot
Room Tone
11. Source microphones go into - Has up to 4 channels
Light is a form of...
Male end
Zoom Recorder
focal length of a wide angle lens
12. Name - agency - and role
slating an audition
Match Cut
Flat
Smaller Wavelength =
13. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Timing Sheet
Distortion
Clipping
Dynamic Microphone
14. F-stop selection effects depth of field
Formula for figuring the f-stop
f-stop vs. depth of field
CCD
Spotting Sheet
15. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
Sound Perspective
Range of human hearing
Tungsten Light
MIDI
16. Picking up from two sides
Bidirectional Microphone
Depth of Field
Classic Hollywood Editing
Tungsten Light
17. Attaches to the microphone
Female end
Flat
XLR Connector
Sound Waves
18. Actors should look the same from one shot to another
The greater the size of the aperture opening...
Cut-in
Parallel Editing
Physical Continuity
19. The range of frequencies that a microphone will pick up - 20 Hz - 20000 Hz
Focal length
Turn-over Frequency
Frequency Response
Turn-over Frequency
20. Record all the music in a control room
Bidirectional Microphone
Sweetening
Activity Continuity
Score Mixers
21. Name - agency - and role
Bites (Sound Bite)
Band Width
slating an audition
ADR (Automatic Dialogue Replacement)
22. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Track
Room Tone
Tungsten Light
Reverb
23. Distance from the center of a lens to the place where the parallel light will be focused
Focal length
Dynamic Microphone
Formula for figuring the f-stop
Room Tone
24. 5 -500 degrees K
Condenser Microphone
XLR Connector
Track
Color Temperature of Daylight
25. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
Male end
The cheapest part of movie making
Sound Waves
Cutting-on-Action
26. Another name for ambient sound
Timbre
Server
Master Scene Shooting Method
wild sound
27. Background sounds such as footsteps - clothes rustling - and branches waving in the wind - Named after Jack Foley
Pitch
Ambient Sounds
Foley
Spotting Sheet
28. Microphones and recorders that pick up all frequencies equally well
Proximity Effect
Flat
Female end
The cheapest part of movie making
29. An actors performance should be consistent from shot to shot
Performance Continuity
Atmospheric Continuity
Medium Shot
Timbre
30. After the music is recorded its put onto this in the same way a picture is recorded on a DVD
DAT
Flat
Ambient Sounds
Amplitude
31. Electro-magnetic radiation
Light is a form of...
Cutting-on-Action
Directional Microphone
ADR (Automatic Dialogue Replacement)
32. tinted blue - 5500 degrees Kelvin - outside lighting
Daylight
Sweetening
Match Cut
Omnidirectional Microphone
33. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Depth of Field
Directional Microphone
Aspect Ratio
Flat
34. Middle point of the haystack
Bites (Sound Bite)
Turn-over Frequency
Omnidirectional Microphone
Range of human hearing
35. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
Spotting Sheet
Medium Shot
Foley Setup Sheet
Classic Hollywood Editing
36. Middle point of the haystack
Proximity Effect
focal length of a close up lens
Turn-over Frequency
Pitch
37. tinted orange - 3200 degrees Kelvin - Studio lighting
Balance
Flat
speed of sound in air
Tungsten Light
38. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Sound Perspective
Master Scene Shooting Method
Establishing Shot
Frequency
39. Key - fill - back
Three point lighting
Cutting-on-Action
Ambient Sounds
Spatial Continuity
40. Involves the main action
Foley Setup Sheet
Medium Shot
Aspect Ratio
Technical Pictorial Continuity
41. Overlapping action - Match cut - Jump cut
Amplitude
Bites (Sound Bite)
f-stop vs. depth of field
Logical Continuity
42. You can control your depth of field
advantages of DSLR
Clipping
AGC
Bites (Sound Bite)
43. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Medium Shot
Sweetening
Server
Absolute Zero
44. Raw sound that was recorded on the day
OMF - Open Medium Framework
Shorter focal length =
Atmospheric Continuity
Bites (Sound Bite)
45. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
CCD
f-stop vs. depth of field
Non-linear Editing
focal length of a wide angle lens
46. The range of frequencies that a microphone will pick up - 20 Hz - 20000 Hz
How do you fix Room Tone?
Color Temperature of Daylight
Loudness measurement
Frequency Response
47. When you hear a bounce off a very close wall - quicker response than an echo
Proximity Effect
Atmospheric Continuity
Double system sound
Reverb
48. tinted blue - 5500 degrees Kelvin - outside lighting
Daylight
Parallel Editing
Three-to-one Rule
fresnel
49. Directional (Cardiod) - Omnidirectional - Bidirectional
3 Pickup Patterns
CCD
Depth of Field
Three-to-one Rule
50. Another name for ambient sound
Foley
3 Pickup Patterns
Formula for figuring the f-stop
wild sound