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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Close-up
Overlapping Action
AGC
RCA Connector
2. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Distortion
3 Pickup Patterns
XLR Connector
Sound Waves
3. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Activity Continuity
Focal length
Nats
Distortion
4. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Zoom Recorder
Condenser Microphone
Timbre
Voice-Overs
5. Hertz (Hz)
f-stop vs. depth of field
Reverb
Frequency Measurement
Omnidirectional Microphone
6. Sound must appear to be coming from the picture
Server
Sound Presence
How do you fix Room Tone?
DAT
7. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Track
Technical Pictorial Continuity
Flat
Match Cut
8. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
Foley Setup Sheet
Match Cut
Distortion
Male end
9. Key - fill - back
Bites (Sound Bite)
Sound Waves
Three point lighting
Activity Continuity
10. Involves the main action
Room Tone
Score Mixers
Medium Shot
How do you fix Room Tone?
11. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Master Scene Shooting Method
Sound Waves
Sound Presence
Color temperature of Tungsten light
12. Attaches to the recorder
Jump Cut
Male end
How do you fix Room Tone?
Band Width
13. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
advantages of DSLR
Cut-in
Sound Waves
speed of sound in air
14. F-stop selection effects depth of field
CCD
Color temperature of Tungsten light
Stand-up
f-stop vs. depth of field
15. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Sweetening
Medium Shot
Flat
Timbre
16. tinted blue - 5500 degrees Kelvin - outside lighting
Performance Continuity
Sound Presence
Daylight
a shot marked OS to Sally
17. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
RCA Connector
Establishing Shot
Direct Sound
ADR (Automatic Dialogue Replacement)
18. Isolates a particular character or action
Close-up
Master Scene Shooting Method
Bidirectional Microphone
Reverb
19. Asynchronous noised mixed in during post production to give a scene authenticity - Sometimes called Wild Sounds
Three-to-one Rule
Audio Mixers
Balance
Ambient Sounds
20. A recording of the general ambience of the place where the dialogue is being recorded
Room Tone
speed of sound in air
Clipping
Color temperature of Tungsten light
21. Involves the main action
CCD
Server
Flat
Medium Shot
22. Sound that doesn't bounce - Dead sound
Depth of Field
Timbre
Frequency Response
Direct Sound
23. Disrupt the arrangement of air molecules
Light is a form of...
Frequency Response
Classic Hollywood Editing
Sound Waves
24. 800 mph or 1000ft per second or 1 foot per millisecond
Timing Sheet
Zoom Recorder
speed of sound in air
Double system sound
25. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Aspect Ratio
Voice-Overs
Non-linear Editing
Atmospheric Continuity
26. Lighting instrument that has a lens on the front
fresnel
Technical Pictorial Continuity
Technical Pictorial Continuity
F-stop
27. Focal length divided by aperture
Turn-over Frequency
Formula for figuring the f-stop
Performance Continuity
Temporal Continuity
28. Natural sound - Must be attached to all B-Roll
Score Mixers
Match Cut
Nats
Sweetening
29. Pre-production
AGC
The cheapest part of movie making
advantages of DSLR
Daylight
30. You can control your depth of field
advantages of DSLR
Technical Pictorial Continuity
Three-to-one Rule
focal length of a wide angle lens
31. The range of quietness to loudness
Cutaway
wild sound
Range of human hearing
Dynamic Range
32. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Depth of Field
a shot marked OS to Sally
Condenser Microphone
Activity Continuity
33. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Cutting-on-Action
Cut-in
speed of sound in air
Sound Perspective
34. The sound made by the differing frequencies
Dynamic Microphone
Frequency Response
Pitch
Male end
35. After the music is recorded its put onto this in the same way a picture is recorded on a DVD
wild sound
Distortion
Female end
DAT
36. Overlapping action - Match cut - Jump cut
Track
Aperture
Focal length
Logical Continuity
37. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
incident and reflected
Close-up
ADR (Automatic Dialogue Replacement)
Sweetening
38. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
Stand-up
Sound Waves
Frequency
Parallel Editing
39. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Non-linear Editing
Server
focal length of a close up lens
Absolute Zero
40. 3200 degrees K
The greater the size of the aperture opening...
Frequency
The greater the size of the aperture opening...
Color temperature of Tungsten light
41. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Loudness measurement
speed of sound in air
Distortion
Range of human hearing
42. You can control your depth of field
advantages of DSLR
Frequency Response
Activity Continuity
Proximity Effect
43. Uses a diaphragm - Robust - NO power required - Not so efficient
Pitch
Proximity Effect
Balance
Dynamic Microphone
44. Two basic systems of light metering used in cinematography
Audio Mixers
OMF - Open Medium Framework
Establishing Shot
incident and reflected
45. There should be time for actions to take place - EX: burning candle
Temporal Continuity
Foley Setup Sheet
Spatial Continuity
Aspect Ratio
46. Middle point of the haystack
F-stop
Performance Continuity
Turn-over Frequency
Condenser Microphone
47. The width of the band of frequencies as specified by the frequencies at each end
Spotting Sheet
Band Width
RCA Connector
Match Cut
48. Higher pitch and frequency
Jump Cut
f-stop vs. depth of field
Female end
Smaller Wavelength =
49. Greater depth of field
Omnidirectional Microphone
Depth of Field
Shorter focal length =
Nats
50. Pre-production
Color temperature of Tungsten light
Timing Sheet
Frequency Response
The cheapest part of movie making