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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
The greater the size of the aperture opening...
Sound Waves
Condenser Microphone
Temporal Continuity
2. Key - fill - back
Three-to-one Rule
f-stop vs. depth of field
Sound Waves
Three point lighting
3. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
Pitch
Absolute Zero
AGC
Formula for figuring the f-stop
4. Uses a diaphragm - Robust - NO power required - Not so efficient
Turn-over Frequency
DAT
Sweetening
Dynamic Microphone
5. A recording of the general ambience of the place where the dialogue is being recorded
Room Tone
Double system sound
Tungsten Light
XLR Connector
6. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Stand-up
Band Width
Flat
Color temperature of Tungsten light
7. 5 -500 degrees K
Bites (Sound Bite)
Color Temperature of Daylight
Non-linear Editing
Frequency
8. The relative volume of sounds - Important sounds should be louder than unimportant sounds
Audio Mixers
Score Mixers
Balance
Aperture
9. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Color Temperature of Daylight
Sound Presence
Audio Mixers
Absolute Zero
10. Decibels (dB)
RCA Connector
Timbre
Loudness measurement
Sound Waves
11. Big image - short focal length
Shorter focal length =
Server
Color temperature of Tungsten light
focal length of a wide angle lens
12. Ratio of the width of a frame to its height - HDTV = 16:9
Medium Shot
Aspect Ratio
Room Tone
Daylight
13. Ratio of the width of a frame to its height - HDTV = 16:9
Spotting Sheet
f-stop vs. depth of field
Aspect Ratio
Flat
14. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Timbre
Female end
Close-up
Color Temperature of Daylight
15. Focal length divided by aperture
B-Roll
Cutaway
Formula for figuring the f-stop
Zoom Recorder
16. Focuses on an element that appeared in the previous shot
Cut-in
AGC
Non-linear Editing
Foley Setup Sheet
17. The opening in the lens that allows light to pass
DAT
Bites (Sound Bite)
Aperture
ADR (Automatic Dialogue Replacement)
18. The more light reaches film
Three-to-one Rule
Audio Mixers
The greater the size of the aperture opening...
Bidirectional Microphone
19. tinted blue - 5500 degrees Kelvin - outside lighting
Color temperature of Tungsten light
Timbre
Parallel Editing
Daylight
20. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
focal length of a close up lens
Close-up
Light is a form of...
Match Cut
21. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Sweetening
How do you fix Room Tone?
Foley
Spatial Continuity
22. Two basic systems of light metering used in cinematography
Server
Overlapping Action
Focal length
incident and reflected
23. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Flat
How do you fix Room Tone?
Frequency Response
Non-linear Editing
24. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Score Mixers
Non-linear Editing
Cutting-on-Action
Aperture
25. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
a shot marked OS to Sally
Server
Atmospheric Continuity
Sweetening
26. tinted blue - 5500 degrees Kelvin - outside lighting
Condenser Microphone
Overlapping Action
Daylight
Shorter focal length =
27. Random footage in the package
B-Roll
a shot marked OS to Sally
Zoom Recorder
F-stop
28. Middle point of the haystack
The greater the size of the aperture opening...
speed of sound in air
focal length of a close up lens
Turn-over Frequency
29. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
Sound Waves
a shot marked OS to Sally
Spatial Continuity
Frequency Response
30. Shot before the long shot that establishes where the action is taking place
Zoom Recorder
Proximity Effect
Direct Sound
Establishing Shot
31. You can control your depth of field
Condenser Microphone
Dynamic Microphone
advantages of DSLR
Score Mixers
32. Want boom coming down not out - Can add a track to cover it (Fill Grit - Glue Fill) - Can add other noises
How do you fix Room Tone?
Absolute Zero
Amplitude
Cutaway
33. Microphones and recorders that pick up all frequencies equally well
Double system sound
Flat
How do you fix Room Tone?
F-stop
34. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Track
Depth of Field
Double system sound
Match Cut
35. The width of the band of frequencies as specified by the frequencies at each end
Nats
Technical Pictorial Continuity
Parallel Editing
Band Width
36. The sound made by the differing frequencies
Aspect Ratio
Pitch
Master Scene Shooting Method
Dynamic Microphone
37. Focal length divided by aperture
Condenser Microphone
Stand-up
Formula for figuring the f-stop
Smaller Wavelength =
38. Something that has already happened in one shot should not happen again in the next
slating an audition
focal length of a close up lens
How do you fix Room Tone?
Activity Continuity
39. F-stop selection effects depth of field
f-stop vs. depth of field
Clipping
Sound Waves
Stand-up
40. An actors performance should be consistent from shot to shot
Omnidirectional Microphone
Performance Continuity
Three-to-one Rule
Logical Continuity
41. tinted orange - 3200 degrees Kelvin - Studio lighting
Frequency
Shorter focal length =
Distortion
Tungsten Light
42. Isolates a particular character or action
Close-up
slating an audition
Jump Cut
focal length of a wide angle lens
43. Pre-production
Dynamic Range
Three-to-one Rule
Formula for figuring the f-stop
The cheapest part of movie making
44. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Master Scene Shooting Method
Three-to-one Rule
OMF - Open Medium Framework
Cutting-on-Action
45. Two basic systems of light metering used in cinematography
Nats
Cutaway
incident and reflected
Flat
46. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Distortion
Focal length
slating an audition
CCD
47. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
slating an audition
Three-to-one Rule
Sweetening
Technical Pictorial Continuity
48. Charged Coupled Device
3 Pickup Patterns
CCD
XLR Connector
Bidirectional Microphone
49. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
AGC
Cut-in
RCA Connector
Direct Sound
50. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
Temporal Continuity
Omnidirectional Microphone
Timing Sheet
a shot marked OS to Sally