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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Distortion
ADR (Automatic Dialogue Replacement)
AGC
Frequency Response
2. Another name for ambient sound
ADR (Automatic Dialogue Replacement)
XLR Connector
Non-linear Editing
wild sound
3. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Non-linear Editing
Activity Continuity
Cutting-on-Action
Distortion
4. Decibels (dB)
Loudness measurement
Absolute Zero
Foley
advantages of DSLR
5. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
CCD
F-stop
Match Cut
Medium Shot
6. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Ambient Sounds
Spatial Continuity
Formula for figuring the f-stop
Voice-Overs
7. Ratio of the width of a frame to its height - HDTV = 16:9
DAT
advantages of DSLR
Aspect Ratio
Audio Mixers
8. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Frequency
OMF - Open Medium Framework
Close-up
Score Mixers
9. Actors should look the same from one shot to another
DAT
Physical Continuity
Timbre
Clipping
10. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Flat
Sweetening
Establishing Shot
Master Scene Shooting Method
11. The equivalent of quotes in a story - Person speaking on the screen
Foley
Range of human hearing
3 Pickup Patterns
Bites (Sound Bite)
12. Manipulating frequencies. - Important to radio and musical recording - not film.
Proximity Effect
Nats
RCA Connector
OMF - Open Medium Framework
13. Middle point of the haystack
Spotting Sheet
Timbre
Performance Continuity
Turn-over Frequency
14. Distance from the center of a lens to the place where the parallel light will be focused
Loudness measurement
slating an audition
Focal length
Pitch
15. tinted orange - 3200 degrees Kelvin - Studio lighting
Absolute Zero
Sound Presence
The cheapest part of movie making
Tungsten Light
16. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Stand-up
Sweetening
Aperture
Technical Pictorial Continuity
17. Director make sure that action in one shot is repeated in the shot that may follow it
Foley Setup Sheet
Sweetening
Overlapping Action
Audio Mixers
18. The degree to which the aperture opens
Timing Sheet
Distortion
Room Tone
F-stop
19. Charged Coupled Device
Server
Voice-Overs
Male end
CCD
20. When you hear a bounce off a very close wall - quicker response than an echo
Flat
F-stop
Overlapping Action
Reverb
21. 3200 degrees K
Light is a form of...
Tungsten Light
Audio Mixers
Color temperature of Tungsten light
22. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Three point lighting
Light is a form of...
RCA Connector
Match Cut
23. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
XLR Connector
Frequency Response
Timbre
MIDI
24. A recording of the general ambience of the place where the dialogue is being recorded
DAT
Room Tone
Track
Range of human hearing
25. Shot of something that did not appear in the previous shot
Parallel Editing
Cutaway
Aperture
Absolute Zero
26. Record all the music in a control room
Score Mixers
Shorter focal length =
Timbre
Aspect Ratio
27. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Flat
advantages of DSLR
Spotting Sheet
How do you fix Room Tone?
28. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
Parallel Editing
slating an audition
Nats
AGC
29. The more light reaches film
Three point lighting
The greater the size of the aperture opening...
Ambient Sounds
incident and reflected
30. The range of quietness to loudness
Room Tone
Timing Sheet
Clipping
Dynamic Range
31. Higher pitch and frequency
Clipping
a shot marked OS to Sally
Smaller Wavelength =
Condenser Microphone
32. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Cutting-on-Action
Frequency Response
Timbre
speed of sound in air
33. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
RCA Connector
Depth of Field
Non-linear Editing
speed of sound in air
34. Record all the music in a control room
Flat
Turn-over Frequency
Score Mixers
Spatial Continuity
35. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Track
Flat
Medium Shot
Omnidirectional Microphone
36. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Atmospheric Continuity
Establishing Shot
Cut-in
Frequency Response
37. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Light is a form of...
Establishing Shot
Voice-Overs
Spatial Continuity
38. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Audio Mixers
OMF - Open Medium Framework
Directional Microphone
Condenser Microphone
39. Actors should look the same from one shot to another
fresnel
Shorter focal length =
Physical Continuity
Balance
40. Sound must appear to be coming from the picture
Sound Presence
Technical Pictorial Continuity
wild sound
Non-linear Editing
41. Big image - short focal length
focal length of a wide angle lens
Non-linear Editing
Stand-up
The cheapest part of movie making
42. Microphones and recorders that pick up all frequencies equally well
Condenser Microphone
Shorter focal length =
Flat
Timbre
43. The sound made by the differing frequencies
Sound Waves
Score Mixers
Pitch
Timbre
44. The range of quietness to loudness
Dynamic Range
Distortion
Clipping
Stand-up
45. The range of frequencies that a microphone will pick up - 20 Hz - 20000 Hz
Stand-up
Logical Continuity
Frequency Response
Sound Waves
46. Greater depth of field
Shorter focal length =
Cutaway
Sound Waves
Temporal Continuity
47. Picking up mainly from one side in a heart shaped pattern
Directional Microphone
Master Scene Shooting Method
Color temperature of Tungsten light
speed of sound in air
48. Electro-magnetic radiation
Light is a form of...
Color Temperature of Daylight
Foley Setup Sheet
Absolute Zero
49. You can control your depth of field
advantages of DSLR
Server
How do you fix Room Tone?
Clipping
50. Directional (Cardiod) - Omnidirectional - Bidirectional
Distortion
Daylight
3 Pickup Patterns
speed of sound in air