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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
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study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Bites (Sound Bite)
Logical Continuity
Parallel Editing
Timing Sheet
2. The more light reaches film
Foley Setup Sheet
Amplitude
Tungsten Light
The greater the size of the aperture opening...
3. F-stop selection effects depth of field
f-stop vs. depth of field
Condenser Microphone
Cutting-on-Action
Cut-in
4. Ratio of the width of a frame to its height - HDTV = 16:9
CCD
Distortion
Bites (Sound Bite)
Aspect Ratio
5. 800 mph or 1000ft per second or 1 foot per millisecond
Timbre
Temporal Continuity
Aspect Ratio
speed of sound in air
6. 3200 degrees K
B-Roll
Zoom Recorder
Track
Color temperature of Tungsten light
7. You can control your depth of field
advantages of DSLR
Clipping
Non-linear Editing
Smaller Wavelength =
8. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Band Width
Cut-in
RCA Connector
Logical Continuity
9. Name - agency - and role
B-Roll
3 Pickup Patterns
Light is a form of...
slating an audition
10. Ratio of the width of a frame to its height - HDTV = 16:9
Bidirectional Microphone
Temporal Continuity
Aspect Ratio
MIDI
11. tinted orange - 3200 degrees Kelvin - Studio lighting
Tungsten Light
MIDI
Frequency Measurement
Overlapping Action
12. Electro-magnetic radiation
Light is a form of...
Logical Continuity
Zoom Recorder
Aspect Ratio
13. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Stand-up
DAT
Aperture
Depth of Field
14. 20 HZ to 20000 HZ
Formula for figuring the f-stop
Light is a form of...
Range of human hearing
Aperture
15. Distance from the center of a lens to the place where the parallel light will be focused
Bidirectional Microphone
Focal length
focal length of a close up lens
Sound Waves
16. Attaches to the recorder
Three-to-one Rule
Loudness measurement
Male end
a shot marked OS to Sally
17. 3200 degrees K
Close-up
Color temperature of Tungsten light
Cut-in
focal length of a close up lens
18. The height of the sound wave. As the this increases - the sound wave gets louder
Amplitude
Track
Color Temperature of Daylight
Direct Sound
19. tinted orange - 3200 degrees Kelvin - Studio lighting
Shorter focal length =
Non-linear Editing
Timing Sheet
Tungsten Light
20. The equivalent of quotes in a story - Person speaking on the screen
Bites (Sound Bite)
RCA Connector
Depth of Field
Female end
21. No two microphones should be closer together than three times the distance between them and the subject.
Three-to-one Rule
Proximity Effect
Jump Cut
Distortion
22. Electro-magnetic radiation
Sound Perspective
Light is a form of...
Sweetening
Timbre
23. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Flat
Frequency Measurement
Female end
focal length of a wide angle lens
24. Another name for ambient sound
Directional Microphone
wild sound
Score Mixers
Smaller Wavelength =
25. Disrupt the arrangement of air molecules
Sound Waves
Timbre
Classic Hollywood Editing
Daylight
26. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
speed of sound in air
Pitch
Sound Presence
Clipping
27. The relative volume of sounds - Important sounds should be louder than unimportant sounds
Flat
Balance
Aperture
Light is a form of...
28. Sound must appear to be coming from the picture
Sound Presence
focal length of a close up lens
Timing Sheet
ADR (Automatic Dialogue Replacement)
29. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Turn-over Frequency
Light is a form of...
Ambient Sounds
Parallel Editing
30. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Frequency Measurement
F-stop
Spotting Sheet
ADR (Automatic Dialogue Replacement)
31. 800 mph or 1000ft per second or 1 foot per millisecond
speed of sound in air
Dynamic Microphone
advantages of DSLR
Frequency
32. Random footage in the package
Spotting Sheet
B-Roll
Color temperature of Tungsten light
RCA Connector
33. Natural sound - Must be attached to all B-Roll
Room Tone
Nats
Match Cut
Sound Waves
34. Isolates a particular character or action
Technical Pictorial Continuity
Daylight
Close-up
Cut-in
35. The width of the band of frequencies as specified by the frequencies at each end
Three-to-one Rule
Amplitude
Aspect Ratio
Band Width
36. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Flat
Double system sound
Jump Cut
RCA Connector
37. The re-recording process - AKA looping - Actors are brought back to a soundproof room - where they watch short segments of themselves on a screen and listen through earphones to the audio that needs to be replaced - Feed and deliver the lines that ne
Non-linear Editing
ADR (Automatic Dialogue Replacement)
Timbre
Focal length
38. Big image - short focal length
Cut-in
Cutaway
focal length of a wide angle lens
Atmospheric Continuity
39. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Sound Perspective
Audio Mixers
Jump Cut
Balance
40. An obvious jarring break in continuity from one shot to the next
Cut-in
Foley Setup Sheet
Jump Cut
Three-to-one Rule
41. Two basic systems of light metering used in cinematography
Timbre
Zoom Recorder
incident and reflected
advantages of DSLR
42. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Spatial Continuity
Double system sound
Color Temperature of Daylight
Flat
43. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
Tungsten Light
Omnidirectional Microphone
Shorter focal length =
Track
44. Hertz (Hz)
speed of sound in air
Three point lighting
Spotting Sheet
Frequency Measurement
45. The opening in the lens that allows light to pass
Ambient Sounds
Turn-over Frequency
Directional Microphone
Aperture
46. Key - fill - back
How do you fix Room Tone?
Master Scene Shooting Method
Smaller Wavelength =
Three point lighting
47. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
slating an audition
fresnel
Sound Waves
Female end
48. 20 HZ to 20000 HZ
MIDI
Aperture
Range of human hearing
Technical Pictorial Continuity
49. A recording of the general ambience of the place where the dialogue is being recorded
Room Tone
How do you fix Room Tone?
focal length of a wide angle lens
Light is a form of...
50. tinted blue - 5500 degrees Kelvin - outside lighting
Medium Shot
Female end
Daylight
Spatial Continuity
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