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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Attaches to the microphone
Logical Continuity
Flat
Tungsten Light
Female end
2. Higher pitch and frequency
Smaller Wavelength =
Timbre
F-stop
wild sound
3. Sound must appear to be coming from the picture
Sound Presence
CCD
Voice-Overs
Foley Setup Sheet
4. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Parallel Editing
3 Pickup Patterns
Atmospheric Continuity
Jump Cut
5. A recording of the general ambience of the place where the dialogue is being recorded
Room Tone
Nats
Overlapping Action
Score Mixers
6. Isolates a particular character or action
Sound Presence
Stand-up
Non-linear Editing
Close-up
7. Big image - short focal length
focal length of a wide angle lens
F-stop
Reverb
Clipping
8. The range of quietness to loudness
Timing Sheet
Timbre
Dynamic Range
Aspect Ratio
9. Asynchronous noised mixed in during post production to give a scene authenticity - Sometimes called Wild Sounds
a shot marked OS to Sally
Balance
Parallel Editing
Ambient Sounds
10. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Ambient Sounds
Stand-up
Shorter focal length =
RCA Connector
11. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
Classic Hollywood Editing
Turn-over Frequency
Range of human hearing
Amplitude
12. The more light reaches film
Direct Sound
Directional Microphone
The greater the size of the aperture opening...
Performance Continuity
13. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Band Width
Activity Continuity
Technical Pictorial Continuity
Absolute Zero
14. Involves the main action
Dynamic Microphone
Pitch
AGC
Medium Shot
15. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Daylight
Timbre
Flat
Omnidirectional Microphone
16. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
wild sound
Omnidirectional Microphone
Master Scene Shooting Method
Cutaway
17. Sound that doesn't bounce - Dead sound
Timbre
Stand-up
Direct Sound
Track
18. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Nats
Color temperature of Tungsten light
focal length of a wide angle lens
RCA Connector
19. F-stop selection effects depth of field
Pitch
Smaller Wavelength =
Direct Sound
f-stop vs. depth of field
20. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
XLR Connector
Spatial Continuity
Room Tone
Voice-Overs
21. Uses a diaphragm - Robust - NO power required - Not so efficient
Sound Waves
Double system sound
Logical Continuity
Dynamic Microphone
22. Raw sound that was recorded on the day
Band Width
focal length of a wide angle lens
OMF - Open Medium Framework
Score Mixers
23. Another name for ambient sound
CCD
wild sound
Foley
3 Pickup Patterns
24. You can control your depth of field
Ambient Sounds
Male end
Frequency Response
advantages of DSLR
25. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Distortion
Frequency Response
Timing Sheet
Bidirectional Microphone
26. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Technical Pictorial Continuity
Sound Waves
Non-linear Editing
slating an audition
27. The degree to which the aperture opens
DAT
F-stop
Close-up
OMF - Open Medium Framework
28. Natural sound - Must be attached to all B-Roll
Bidirectional Microphone
Female end
Focal length
Nats
29. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Spatial Continuity
Physical Continuity
Turn-over Frequency
Focal length
30. Directional (Cardiod) - Omnidirectional - Bidirectional
Loudness measurement
Female end
F-stop
3 Pickup Patterns
31. 800 mph or 1000ft per second or 1 foot per millisecond
Flat
Establishing Shot
Sweetening
speed of sound in air
32. Uses a diaphragm - Robust - NO power required - Not so efficient
Clipping
Dynamic Microphone
Band Width
Foley Setup Sheet
33. The height of the sound wave. As the this increases - the sound wave gets louder
Amplitude
Temporal Continuity
Bites (Sound Bite)
Three point lighting
34. Source microphones go into - Has up to 4 channels
Zoom Recorder
advantages of DSLR
Timbre
Master Scene Shooting Method
35. tinted blue - 5500 degrees Kelvin - outside lighting
Aperture
Daylight
focal length of a close up lens
Dynamic Range
36. Attaches to the recorder
Establishing Shot
Male end
Server
Tungsten Light
37. The equivalent of quotes in a story - Person speaking on the screen
Bites (Sound Bite)
Proximity Effect
ADR (Automatic Dialogue Replacement)
How do you fix Room Tone?
38. Shot of something that did not appear in the previous shot
Temporal Continuity
Cutaway
Ambient Sounds
Balance
39. Microphones and recorders that pick up all frequencies equally well
Flat
Bites (Sound Bite)
f-stop vs. depth of field
Sound Waves
40. Small image - long focal length
Bites (Sound Bite)
Light is a form of...
focal length of a close up lens
Dynamic Range
41. The height of the sound wave. As the this increases - the sound wave gets louder
Amplitude
Bites (Sound Bite)
Shorter focal length =
speed of sound in air
42. Record all the music in a control room
focal length of a wide angle lens
Technical Pictorial Continuity
Loudness measurement
Score Mixers
43. -273.15 degrees celcius 0 degrees Kelvin
Physical Continuity
a shot marked OS to Sally
Absolute Zero
Turn-over Frequency
44. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
advantages of DSLR
Logical Continuity
Sound Waves
Stand-up
45. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
MIDI
Performance Continuity
Male end
Absolute Zero
46. Overlapping action - Match cut - Jump cut
Sweetening
Zoom Recorder
Nats
Logical Continuity
47. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
The greater the size of the aperture opening...
Female end
Sound Waves
Proximity Effect
48. Attaches to the microphone
Focal length
Room Tone
Female end
Foley Setup Sheet
49. Overlapping action - Match cut - Jump cut
Light is a form of...
Tungsten Light
The greater the size of the aperture opening...
Logical Continuity
50. Sound that doesn't bounce - Dead sound
The cheapest part of movie making
Physical Continuity
speed of sound in air
Direct Sound