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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Big image - short focal length
Omnidirectional Microphone
Cutaway
Omnidirectional Microphone
focal length of a wide angle lens
2. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Timing Sheet
Frequency Response
Dynamic Microphone
The cheapest part of movie making
3. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Physical Continuity
Foley Setup Sheet
Frequency Measurement
Depth of Field
4. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Tungsten Light
a shot marked OS to Sally
Match Cut
Logical Continuity
5. Place were sounds are stored that allows them to be accessed and worked on from various places
Server
Zoom Recorder
Female end
Tungsten Light
6. Middle point of the haystack
Turn-over Frequency
Sweetening
Technical Pictorial Continuity
Female end
7. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
CCD
Audio Mixers
Master Scene Shooting Method
Distortion
8. An obvious jarring break in continuity from one shot to the next
incident and reflected
Jump Cut
CCD
Light is a form of...
9. Middle point of the haystack
Turn-over Frequency
Direct Sound
XLR Connector
ADR (Automatic Dialogue Replacement)
10. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Omnidirectional Microphone
focal length of a close up lens
Flat
Track
11. Picking up mainly from one side in a heart shaped pattern
CCD
RCA Connector
Directional Microphone
Technical Pictorial Continuity
12. The sound made by the differing frequencies
Non-linear Editing
Focal length
Pitch
ADR (Automatic Dialogue Replacement)
13. Actors should look the same from one shot to another
Balance
Match Cut
Physical Continuity
Overlapping Action
14. tinted blue - 5500 degrees Kelvin - outside lighting
Temporal Continuity
Non-linear Editing
Daylight
Frequency Measurement
15. A recording of the general ambience of the place where the dialogue is being recorded
Room Tone
Focal length
Spotting Sheet
wild sound
16. Higher pitch and frequency
Cut-in
Color temperature of Tungsten light
Smaller Wavelength =
a shot marked OS to Sally
17. An obvious jarring break in continuity from one shot to the next
Jump Cut
Zoom Recorder
Frequency
Performance Continuity
18. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Pitch
f-stop vs. depth of field
Non-linear Editing
Formula for figuring the f-stop
19. Source microphones go into - Has up to 4 channels
AGC
Frequency
Absolute Zero
Zoom Recorder
20. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Distortion
Female end
Spotting Sheet
Spatial Continuity
21. The height of the sound wave. As the this increases - the sound wave gets louder
Daylight
Stand-up
Amplitude
MIDI
22. When you hear a bounce off a very close wall - quicker response than an echo
Reverb
Flat
Temporal Continuity
Frequency
23. Uses a diaphragm - Robust - NO power required - Not so efficient
Cutaway
Dynamic Microphone
Room Tone
ADR (Automatic Dialogue Replacement)
24. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Classic Hollywood Editing
Dynamic Microphone
Establishing Shot
Audio Mixers
25. The more light reaches film
incident and reflected
Medium Shot
The greater the size of the aperture opening...
Color Temperature of Daylight
26. Shot of something that did not appear in the previous shot
Sweetening
The cheapest part of movie making
Cutaway
Aperture
27. Isolates a particular character or action
Female end
Foley
Close-up
Spatial Continuity
28. An actors performance should be consistent from shot to shot
B-Roll
Clipping
Shorter focal length =
Performance Continuity
29. 800 mph or 1000ft per second or 1 foot per millisecond
Jump Cut
speed of sound in air
Sound Waves
How do you fix Room Tone?
30. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
focal length of a close up lens
DAT
Sound Waves
XLR Connector
31. The opening in the lens that allows light to pass
Timing Sheet
F-stop
slating an audition
Aperture
32. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
Temporal Continuity
MIDI
Color temperature of Tungsten light
Atmospheric Continuity
33. The degree to which the aperture opens
Color temperature of Tungsten light
F-stop
Pitch
advantages of DSLR
34. Source microphones go into - Has up to 4 channels
Flat
Flat
Zoom Recorder
speed of sound in air
35. Focal length divided by aperture
Frequency
Reverb
Formula for figuring the f-stop
speed of sound in air
36. Decibels (dB)
Match Cut
Cutaway
Loudness measurement
Server
37. Record all the music in a control room
OMF - Open Medium Framework
Score Mixers
Audio Mixers
Light is a form of...
38. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Physical Continuity
Distortion
Proximity Effect
Band Width
39. Charged Coupled Device
CCD
Flat
Foley
Aspect Ratio
40. Pre-production
The cheapest part of movie making
Bites (Sound Bite)
AGC
Bidirectional Microphone
41. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Amplitude
Atmospheric Continuity
Condenser Microphone
MIDI
42. The more light reaches film
ADR (Automatic Dialogue Replacement)
Omnidirectional Microphone
Directional Microphone
The greater the size of the aperture opening...
43. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
Focal length
Condenser Microphone
Room Tone
fresnel
44. Big image - short focal length
3 Pickup Patterns
advantages of DSLR
focal length of a wide angle lens
Band Width
45. Recording picture on one machine and sound on another
Smaller Wavelength =
ADR (Automatic Dialogue Replacement)
Direct Sound
Double system sound
46. Directional (Cardiod) - Omnidirectional - Bidirectional
Cutting-on-Action
focal length of a wide angle lens
Foley Setup Sheet
3 Pickup Patterns
47. Lighting instrument that has a lens on the front
Activity Continuity
Depth of Field
Sweetening
fresnel
48. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
Physical Continuity
Three point lighting
AGC
Atmospheric Continuity
49. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Zoom Recorder
speed of sound in air
Sweetening
The cheapest part of movie making
50. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Three-to-one Rule
Directional Microphone
Technical Pictorial Continuity
3 Pickup Patterns