SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The sound made by the differing frequencies
Flat
Establishing Shot
Match Cut
Pitch
2. -273.15 degrees celcius 0 degrees Kelvin
Absolute Zero
Zoom Recorder
speed of sound in air
fresnel
3. Attaches to the recorder
Foley Setup Sheet
Male end
RCA Connector
Bidirectional Microphone
4. Random footage in the package
B-Roll
Timbre
Score Mixers
Atmospheric Continuity
5. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Dynamic Range
Overlapping Action
Sweetening
Dynamic Microphone
6. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Activity Continuity
Timing Sheet
Amplitude
Frequency
7. Picking up from two sides
Nats
The greater the size of the aperture opening...
Frequency Response
Bidirectional Microphone
8. -273.15 degrees celcius 0 degrees Kelvin
Absolute Zero
Three point lighting
Daylight
incident and reflected
9. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
MIDI
Master Scene Shooting Method
MIDI
Timbre
10. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
RCA Connector
Close-up
incident and reflected
Room Tone
11. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Timbre
Cutting-on-Action
a shot marked OS to Sally
Condenser Microphone
12. Record all the music in a control room
Foley
Timbre
a shot marked OS to Sally
Score Mixers
13. 20 HZ to 20000 HZ
Frequency Measurement
Non-linear Editing
CCD
Range of human hearing
14. The height of the sound wave. As the this increases - the sound wave gets louder
Pitch
Ambient Sounds
Atmospheric Continuity
Amplitude
15. Directional (Cardiod) - Omnidirectional - Bidirectional
OMF - Open Medium Framework
3 Pickup Patterns
Female end
Directional Microphone
16. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Zoom Recorder
focal length of a wide angle lens
Non-linear Editing
Master Scene Shooting Method
17. Charged Coupled Device
Voice-Overs
Color Temperature of Daylight
CCD
Cutting-on-Action
18. The equivalent of quotes in a story - Person speaking on the screen
Color Temperature of Daylight
Sound Presence
Male end
Bites (Sound Bite)
19. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Stand-up
Voice-Overs
The greater the size of the aperture opening...
DAT
20. Distance from the center of a lens to the place where the parallel light will be focused
F-stop
Bites (Sound Bite)
f-stop vs. depth of field
Focal length
21. Focal length divided by aperture
focal length of a close up lens
Formula for figuring the f-stop
Shorter focal length =
Pitch
22. Small image - long focal length
Classic Hollywood Editing
focal length of a close up lens
Balance
Shorter focal length =
23. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Dynamic Microphone
Frequency Response
Track
Frequency Measurement
24. tinted orange - 3200 degrees Kelvin - Studio lighting
Audio Mixers
Smaller Wavelength =
Tungsten Light
Daylight
25. Director make sure that action in one shot is repeated in the shot that may follow it
Dynamic Microphone
Depth of Field
Overlapping Action
Timbre
26. Source microphones go into - Has up to 4 channels
Classic Hollywood Editing
Spotting Sheet
XLR Connector
Zoom Recorder
27. Focal length divided by aperture
Formula for figuring the f-stop
MIDI
B-Roll
Master Scene Shooting Method
28. Shot of something that did not appear in the previous shot
Temporal Continuity
Cutaway
Sound Waves
Match Cut
29. Isolates a particular character or action
Cut-in
Close-up
DAT
Proximity Effect
30. The relative volume of sounds - Important sounds should be louder than unimportant sounds
Absolute Zero
CCD
The cheapest part of movie making
Balance
31. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Sound Waves
Flat
B-Roll
Voice-Overs
32. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Distortion
RCA Connector
fresnel
3 Pickup Patterns
33. When you hear a bounce off a very close wall - quicker response than an echo
Technical Pictorial Continuity
Reverb
Sound Waves
MIDI
34. Middle point of the haystack
Turn-over Frequency
Bidirectional Microphone
Distortion
a shot marked OS to Sally
35. Attaches to the microphone
Performance Continuity
Sound Presence
Female end
Clipping
36. Recording picture on one machine and sound on another
Nats
Female end
Double system sound
Match Cut
37. Name - agency - and role
Band Width
Foley Setup Sheet
slating an audition
Male end
38. Another name for ambient sound
Aspect Ratio
wild sound
3 Pickup Patterns
Directional Microphone
39. Something that has already happened in one shot should not happen again in the next
MIDI
Activity Continuity
Spotting Sheet
F-stop
40. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Timbre
Server
Light is a form of...
Male end
41. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Flat
Timbre
f-stop vs. depth of field
focal length of a wide angle lens
42. Overlapping action - Match cut - Jump cut
Flat
Logical Continuity
Activity Continuity
Sound Presence
43. Picking up mainly from one side in a heart shaped pattern
f-stop vs. depth of field
Directional Microphone
Color temperature of Tungsten light
Turn-over Frequency
44. Electro-magnetic radiation
Light is a form of...
Smaller Wavelength =
Overlapping Action
Physical Continuity
45. Decibels (dB)
Loudness measurement
Flat
wild sound
Classic Hollywood Editing
46. The more light reaches film
OMF - Open Medium Framework
Frequency Measurement
Proximity Effect
The greater the size of the aperture opening...
47. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
Non-linear Editing
Daylight
Omnidirectional Microphone
Condenser Microphone
48. Focuses on an element that appeared in the previous shot
Male end
Cut-in
slating an audition
advantages of DSLR
49. 800 mph or 1000ft per second or 1 foot per millisecond
Medium Shot
Cutting-on-Action
speed of sound in air
Focal length
50. The range of quietness to loudness
Physical Continuity
Zoom Recorder
Dynamic Range
Proximity Effect