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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
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study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. An obvious jarring break in continuity from one shot to the next
Jump Cut
F-stop
Establishing Shot
focal length of a close up lens
2. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Match Cut
Track
Nats
Audio Mixers
3. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
MIDI
Depth of Field
Track
Physical Continuity
4. Natural sound - Must be attached to all B-Roll
Nats
Balance
Sound Presence
Cutting-on-Action
5. Want boom coming down not out - Can add a track to cover it (Fill Grit - Glue Fill) - Can add other noises
Omnidirectional Microphone
How do you fix Room Tone?
Focal length
Audio Mixers
6. Random footage in the package
B-Roll
Frequency Measurement
AGC
Cutaway
7. Higher pitch and frequency
Aspect Ratio
The greater the size of the aperture opening...
Smaller Wavelength =
Band Width
8. Lighting instrument that has a lens on the front
Flat
Spotting Sheet
The greater the size of the aperture opening...
fresnel
9. Hertz (Hz)
Condenser Microphone
Frequency Measurement
Sound Waves
fresnel
10. 800 mph or 1000ft per second or 1 foot per millisecond
The cheapest part of movie making
Room Tone
speed of sound in air
Dynamic Range
11. The equivalent of quotes in a story - Person speaking on the screen
Establishing Shot
Bites (Sound Bite)
How do you fix Room Tone?
incident and reflected
12. Disrupt the arrangement of air molecules
Sound Waves
Room Tone
Technical Pictorial Continuity
OMF - Open Medium Framework
13. 3200 degrees K
RCA Connector
Match Cut
Color temperature of Tungsten light
fresnel
14. The height of the sound wave. As the this increases - the sound wave gets louder
Three-to-one Rule
Amplitude
ADR (Automatic Dialogue Replacement)
RCA Connector
15. Key - fill - back
Three point lighting
Range of human hearing
Balance
Double system sound
16. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Depth of Field
Cutting-on-Action
ADR (Automatic Dialogue Replacement)
Cutaway
17. Disrupt the arrangement of air molecules
Spotting Sheet
Sound Waves
Cutaway
wild sound
18. An actors performance should be consistent from shot to shot
Balance
Activity Continuity
f-stop vs. depth of field
Performance Continuity
19. The range of frequencies that a microphone will pick up - 20 Hz - 20000 Hz
Directional Microphone
focal length of a wide angle lens
Medium Shot
Frequency Response
20. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Sound Perspective
Cutting-on-Action
Stand-up
Depth of Field
21. F-stop selection effects depth of field
The greater the size of the aperture opening...
f-stop vs. depth of field
Depth of Field
Close-up
22. Picking up from two sides
Focal length
CCD
Bidirectional Microphone
Aspect Ratio
23. The opening in the lens that allows light to pass
CCD
Aperture
Nats
Amplitude
24. Hertz (Hz)
Atmospheric Continuity
Physical Continuity
Technical Pictorial Continuity
Frequency Measurement
25. Sound must appear to be coming from the picture
Color Temperature of Daylight
Sound Presence
Activity Continuity
CCD
26. Record all the music in a control room
XLR Connector
Flat
Dynamic Microphone
Score Mixers
27. When you hear a bounce off a very close wall - quicker response than an echo
Room Tone
wild sound
Color Temperature of Daylight
Reverb
28. Lighting instrument that has a lens on the front
fresnel
Temporal Continuity
Focal length
Tungsten Light
29. Microphones and recorders that pick up all frequencies equally well
Zoom Recorder
Flat
Foley Setup Sheet
Ambient Sounds
30. Greater depth of field
Direct Sound
Shorter focal length =
Foley Setup Sheet
XLR Connector
31. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
F-stop
Pitch
a shot marked OS to Sally
Physical Continuity
32. The relative volume of sounds - Important sounds should be louder than unimportant sounds
OMF - Open Medium Framework
How do you fix Room Tone?
Sound Waves
Balance
33. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Cut-in
Close-up
Master Scene Shooting Method
Score Mixers
34. Attaches to the recorder
Bidirectional Microphone
Male end
Distortion
Close-up
35. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Stand-up
Dynamic Range
Range of human hearing
AGC
36. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Sound Perspective
Score Mixers
Voice-Overs
ADR (Automatic Dialogue Replacement)
37. Recording picture on one machine and sound on another
Female end
RCA Connector
Double system sound
focal length of a close up lens
38. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
Dynamic Range
Female end
Omnidirectional Microphone
Overlapping Action
39. Name - agency - and role
Male end
Close-up
Loudness measurement
slating an audition
40. Electro-magnetic radiation
Light is a form of...
Sound Perspective
fresnel
focal length of a close up lens
41. Picking up from two sides
Voice-Overs
Bidirectional Microphone
Turn-over Frequency
Sound Perspective
42. Greater depth of field
Room Tone
Shorter focal length =
slating an audition
Logical Continuity
43. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Parallel Editing
Directional Microphone
Amplitude
Color Temperature of Daylight
44. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
F-stop
Clipping
Timbre
Activity Continuity
45. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Light is a form of...
Dynamic Range
Cutting-on-Action
Master Scene Shooting Method
46. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Logical Continuity
Aperture
Loudness measurement
Flat
47. Two basic systems of light metering used in cinematography
incident and reflected
Three point lighting
Ambient Sounds
focal length of a close up lens
48. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
F-stop
Band Width
XLR Connector
Non-linear Editing
49. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
Pitch
Condenser Microphone
Technical Pictorial Continuity
Sound Waves
50. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Timing Sheet
Male end
Sound Presence
Proximity Effect
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