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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Record all the music in a control room
3 Pickup Patterns
Cutaway
Foley Setup Sheet
Score Mixers
2. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Focal length
Bidirectional Microphone
Spotting Sheet
Condenser Microphone
3. The equivalent of quotes in a story - Person speaking on the screen
Three-to-one Rule
The cheapest part of movie making
Flat
Bites (Sound Bite)
4. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
RCA Connector
Aperture
f-stop vs. depth of field
B-Roll
5. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
MIDI
Jump Cut
Absolute Zero
Frequency Measurement
6. Overlapping action - Match cut - Jump cut
Cutaway
OMF - Open Medium Framework
Logical Continuity
Bites (Sound Bite)
7. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
Sound Waves
Flat
Timbre
incident and reflected
8. The sound made by the differing frequencies
Pitch
Foley
Establishing Shot
Score Mixers
9. No two microphones should be closer together than three times the distance between them and the subject.
Aperture
Three-to-one Rule
3 Pickup Patterns
focal length of a close up lens
10. Natural sound - Must be attached to all B-Roll
Nats
AGC
Absolute Zero
Cut-in
11. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Timing Sheet
AGC
AGC
Bites (Sound Bite)
12. Place were sounds are stored that allows them to be accessed and worked on from various places
Flat
Frequency
Parallel Editing
Server
13. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Cutting-on-Action
3 Pickup Patterns
Timing Sheet
Cut-in
14. Key - fill - back
Light is a form of...
Three point lighting
Double system sound
Directional Microphone
15. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Non-linear Editing
Spatial Continuity
focal length of a wide angle lens
Track
16. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Parallel Editing
incident and reflected
The greater the size of the aperture opening...
Frequency Response
17. Background sounds such as footsteps - clothes rustling - and branches waving in the wind - Named after Jack Foley
Balance
fresnel
Foley
Performance Continuity
18. The equivalent of quotes in a story - Person speaking on the screen
Bites (Sound Bite)
Match Cut
Timbre
Condenser Microphone
19. Key - fill - back
Overlapping Action
Three point lighting
Close-up
Depth of Field
20. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Jump Cut
Cutting-on-Action
Three-to-one Rule
Cut-in
21. The more light reaches film
Reverb
Dynamic Microphone
Aperture
The greater the size of the aperture opening...
22. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
Bites (Sound Bite)
Frequency Measurement
Formula for figuring the f-stop
Clipping
23. Two basic systems of light metering used in cinematography
Shorter focal length =
incident and reflected
Frequency
Bidirectional Microphone
24. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
Smaller Wavelength =
Range of human hearing
MIDI
speed of sound in air
25. Big image - short focal length
OMF - Open Medium Framework
focal length of a wide angle lens
Absolute Zero
Cutaway
26. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Reverb
Turn-over Frequency
Absolute Zero
Atmospheric Continuity
27. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Technical Pictorial Continuity
Amplitude
Depth of Field
3 Pickup Patterns
28. Lighting instrument that has a lens on the front
The cheapest part of movie making
focal length of a wide angle lens
Flat
fresnel
29. Want boom coming down not out - Can add a track to cover it (Fill Grit - Glue Fill) - Can add other noises
How do you fix Room Tone?
Color Temperature of Daylight
a shot marked OS to Sally
Tungsten Light
30. Isolates a particular character or action
Turn-over Frequency
Color Temperature of Daylight
Close-up
Dynamic Range
31. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
Nats
Technical Pictorial Continuity
Dynamic Range
Condenser Microphone
32. Greater depth of field
Nats
a shot marked OS to Sally
Medium Shot
Shorter focal length =
33. The more light reaches film
The greater the size of the aperture opening...
Color Temperature of Daylight
Shorter focal length =
Stand-up
34. Another name for ambient sound
Spotting Sheet
Sweetening
wild sound
Directional Microphone
35. The opening in the lens that allows light to pass
Aperture
slating an audition
Absolute Zero
Bidirectional Microphone
36. 3200 degrees K
Flat
Male end
Color temperature of Tungsten light
Activity Continuity
37. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Technical Pictorial Continuity
Parallel Editing
Flat
Frequency Measurement
38. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Distortion
Logical Continuity
OMF - Open Medium Framework
slating an audition
39. There should be time for actions to take place - EX: burning candle
a shot marked OS to Sally
Flat
Formula for figuring the f-stop
Temporal Continuity
40. There should be time for actions to take place - EX: burning candle
Timbre
focal length of a close up lens
Sweetening
Temporal Continuity
41. -273.15 degrees celcius 0 degrees Kelvin
f-stop vs. depth of field
Absolute Zero
slating an audition
F-stop
42. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
Audio Mixers
XLR Connector
Sound Waves
Omnidirectional Microphone
43. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Cutting-on-Action
Non-linear Editing
Condenser Microphone
Classic Hollywood Editing
44. A recording of the general ambience of the place where the dialogue is being recorded
Amplitude
Room Tone
RCA Connector
Double system sound
45. Sound that doesn't bounce - Dead sound
Direct Sound
Overlapping Action
Shorter focal length =
Directional Microphone
46. Sound must appear to be coming from the picture
How do you fix Room Tone?
Sound Presence
Sweetening
Bidirectional Microphone
47. 5 -500 degrees K
Color Temperature of Daylight
B-Roll
Physical Continuity
MIDI
48. Uses a diaphragm - Robust - NO power required - Not so efficient
Dynamic Microphone
Parallel Editing
Sound Presence
Atmospheric Continuity
49. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
a shot marked OS to Sally
RCA Connector
Stand-up
Distortion
50. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Dynamic Range
Spotting Sheet
Timbre
Sweetening