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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Electro-magnetic radiation
Light is a form of...
Technical Pictorial Continuity
Reverb
Distortion
2. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Track
Ambient Sounds
The greater the size of the aperture opening...
Sound Perspective
3. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Balance
Sound Waves
Match Cut
Spatial Continuity
4. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Sound Waves
Balance
Performance Continuity
Match Cut
5. Natural sound - Must be attached to all B-Roll
Nats
Performance Continuity
Distortion
Cutting-on-Action
6. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
fresnel
Formula for figuring the f-stop
Sweetening
Timing Sheet
7. Middle point of the haystack
The greater the size of the aperture opening...
Logical Continuity
Three-to-one Rule
Turn-over Frequency
8. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
How do you fix Room Tone?
Cut-in
Flat
Color Temperature of Daylight
9. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Cutting-on-Action
Daylight
Timbre
Jump Cut
10. Two basic systems of light metering used in cinematography
incident and reflected
OMF - Open Medium Framework
Direct Sound
Cutting-on-Action
11. Place were sounds are stored that allows them to be accessed and worked on from various places
Audio Mixers
Three-to-one Rule
Condenser Microphone
Server
12. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
Ambient Sounds
Smaller Wavelength =
Spotting Sheet
Clipping
13. Raw sound that was recorded on the day
Smaller Wavelength =
OMF - Open Medium Framework
Bites (Sound Bite)
Nats
14. Manipulating frequencies. - Important to radio and musical recording - not film.
speed of sound in air
Proximity Effect
Temporal Continuity
focal length of a wide angle lens
15. Attaches to the microphone
advantages of DSLR
Sound Presence
Female end
Cut-in
16. Musical Instrument Digital Interface - A technical standard that allows electronic instruments to interact with each other
MIDI
Shorter focal length =
Room Tone
Cutaway
17. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Timing Sheet
Atmospheric Continuity
Aspect Ratio
Sound Perspective
18. After the music is recorded its put onto this in the same way a picture is recorded on a DVD
Sound Presence
Formula for figuring the f-stop
DAT
Dynamic Range
19. Sound that doesn't bounce - Dead sound
Track
B-Roll
Nats
Direct Sound
20. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
The cheapest part of movie making
Track
Frequency Response
Condenser Microphone
21. No two microphones should be closer together than three times the distance between them and the subject.
Distortion
Spatial Continuity
Stand-up
Three-to-one Rule
22. Focuses on an element that appeared in the previous shot
Physical Continuity
Nats
Cut-in
Classic Hollywood Editing
23. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
a shot marked OS to Sally
Sound Waves
ADR (Automatic Dialogue Replacement)
Timbre
24. An actors performance should be consistent from shot to shot
Performance Continuity
Foley
AGC
Establishing Shot
25. Key - fill - back
Establishing Shot
Depth of Field
Three point lighting
Foley
26. Decibels (dB)
Classic Hollywood Editing
Direct Sound
Loudness measurement
Spatial Continuity
27. Isolates a particular character or action
The greater the size of the aperture opening...
Close-up
Reverb
Cutaway
28. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
a shot marked OS to Sally
Timing Sheet
Physical Continuity
How do you fix Room Tone?
29. Focal length divided by aperture
focal length of a wide angle lens
Nats
Formula for figuring the f-stop
Close-up
30. Middle point of the haystack
Turn-over Frequency
Timbre
Zoom Recorder
focal length of a close up lens
31. Shot before the long shot that establishes where the action is taking place
Establishing Shot
Sound Waves
Flat
Frequency
32. Small image - long focal length
Sound Perspective
Depth of Field
focal length of a close up lens
Logical Continuity
33. The more light reaches film
The greater the size of the aperture opening...
MIDI
Room Tone
Bidirectional Microphone
34. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Server
Focal length
RCA Connector
Non-linear Editing
35. Involves the main action
Flat
Focal length
Medium Shot
Absolute Zero
36. Higher pitch and frequency
RCA Connector
Dynamic Microphone
Smaller Wavelength =
Clipping
37. Lighting instrument that has a lens on the front
Amplitude
B-Roll
slating an audition
fresnel
38. Recording picture on one machine and sound on another
ADR (Automatic Dialogue Replacement)
Double system sound
Physical Continuity
Formula for figuring the f-stop
39. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
Shorter focal length =
Timing Sheet
Sound Waves
f-stop vs. depth of field
40. There should be time for actions to take place - EX: burning candle
a shot marked OS to Sally
F-stop
Amplitude
Temporal Continuity
41. Manipulating frequencies. - Important to radio and musical recording - not film.
Physical Continuity
Cutting-on-Action
Frequency Response
Proximity Effect
42. The sound made by the differing frequencies
Directional Microphone
Turn-over Frequency
Pitch
Flat
43. Charged Coupled Device
ADR (Automatic Dialogue Replacement)
ADR (Automatic Dialogue Replacement)
Sound Presence
CCD
44. 20 HZ to 20000 HZ
Range of human hearing
Tungsten Light
Activity Continuity
Physical Continuity
45. 3200 degrees K
Frequency Response
Color Temperature of Daylight
Non-linear Editing
Color temperature of Tungsten light
46. Name - agency - and role
slating an audition
Foley Setup Sheet
Frequency Measurement
Spatial Continuity
47. The degree to which the aperture opens
Double system sound
F-stop
Stand-up
Jump Cut
48. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
Balance
Classic Hollywood Editing
Zoom Recorder
Foley
49. Attaches to the recorder
Three-to-one Rule
Sound Presence
Male end
Sound Perspective
50. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Stand-up
Three point lighting
Foley Setup Sheet
XLR Connector