SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Parallel Editing
Three point lighting
focal length of a close up lens
Sound Perspective
2. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Bidirectional Microphone
Spotting Sheet
Aspect Ratio
Foley
3. Small image - long focal length
incident and reflected
MIDI
Frequency Measurement
focal length of a close up lens
4. Source microphones go into - Has up to 4 channels
Bidirectional Microphone
Zoom Recorder
Male end
slating an audition
5. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Atmospheric Continuity
3 Pickup Patterns
Technical Pictorial Continuity
speed of sound in air
6. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Zoom Recorder
Timing Sheet
AGC
Sound Perspective
7. Background sounds such as footsteps - clothes rustling - and branches waving in the wind - Named after Jack Foley
Flat
Range of human hearing
Foley
Bites (Sound Bite)
8. Isolates a particular character or action
MIDI
Omnidirectional Microphone
Close-up
Cut-in
9. Charged Coupled Device
CCD
wild sound
Stand-up
The greater the size of the aperture opening...
10. When you hear a bounce off a very close wall - quicker response than an echo
Reverb
Three-to-one Rule
Frequency
The cheapest part of movie making
11. Higher pitch and frequency
Smaller Wavelength =
Light is a form of...
Tungsten Light
Parallel Editing
12. Distance from the center of a lens to the place where the parallel light will be focused
focal length of a wide angle lens
Smaller Wavelength =
Focal length
The cheapest part of movie making
13. Involves the main action
Medium Shot
Female end
B-Roll
Cutting-on-Action
14. A recording of the general ambience of the place where the dialogue is being recorded
Cutaway
Room Tone
B-Roll
Band Width
15. Small image - long focal length
focal length of a close up lens
Activity Continuity
Spatial Continuity
Logical Continuity
16. Natural sound - Must be attached to all B-Roll
Nats
slating an audition
Logical Continuity
The cheapest part of movie making
17. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
OMF - Open Medium Framework
AGC
Timbre
Score Mixers
18. There should be time for actions to take place - EX: burning candle
Server
ADR (Automatic Dialogue Replacement)
Color temperature of Tungsten light
Temporal Continuity
19. -273.15 degrees celcius 0 degrees Kelvin
RCA Connector
Spotting Sheet
Absolute Zero
Sound Waves
20. Picking up mainly from one side in a heart shaped pattern
Three point lighting
Directional Microphone
Establishing Shot
Depth of Field
21. Overlapping action - Match cut - Jump cut
Voice-Overs
Logical Continuity
3 Pickup Patterns
Frequency
22. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Timbre
Master Scene Shooting Method
Reverb
advantages of DSLR
23. Raw sound that was recorded on the day
Timbre
Zoom Recorder
OMF - Open Medium Framework
Distortion
24. After the music is recorded its put onto this in the same way a picture is recorded on a DVD
focal length of a close up lens
Cut-in
Timing Sheet
DAT
25. F-stop selection effects depth of field
f-stop vs. depth of field
Formula for figuring the f-stop
Light is a form of...
Timbre
26. Decibels (dB)
Loudness measurement
The cheapest part of movie making
Spatial Continuity
Jump Cut
27. The sound made by the differing frequencies
Logical Continuity
Turn-over Frequency
Pitch
Three-to-one Rule
28. Key - fill - back
ADR (Automatic Dialogue Replacement)
Three point lighting
Sound Waves
Audio Mixers
29. The relative volume of sounds - Important sounds should be louder than unimportant sounds
How do you fix Room Tone?
speed of sound in air
Frequency Measurement
Balance
30. Disrupt the arrangement of air molecules
Range of human hearing
Condenser Microphone
Sound Waves
Sound Perspective
31. Two basic systems of light metering used in cinematography
RCA Connector
incident and reflected
DAT
Light is a form of...
32. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Color Temperature of Daylight
Sweetening
f-stop vs. depth of field
The cheapest part of movie making
33. The picture should look the same from shot to shot if the assumption is that the shots are in the same time and space
Foley Setup Sheet
MIDI
Technical Pictorial Continuity
Cutting-on-Action
34. Uses a diaphragm - Robust - NO power required - Not so efficient
Direct Sound
Dynamic Microphone
Band Width
Logical Continuity
35. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
XLR Connector
Condenser Microphone
speed of sound in air
Cut-in
36. There should be time for actions to take place - EX: burning candle
B-Roll
Audio Mixers
Stand-up
Temporal Continuity
37. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
speed of sound in air
RCA Connector
Range of human hearing
Distortion
38. Middle point of the haystack
Female end
Turn-over Frequency
Sound Presence
Foley Setup Sheet
39. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
F-stop
Match Cut
Reverb
Foley Setup Sheet
40. 5 -500 degrees K
Reverb
Frequency
The cheapest part of movie making
Color Temperature of Daylight
41. An actors performance should be consistent from shot to shot
Cutaway
Cutting-on-Action
Zoom Recorder
Performance Continuity
42. 3200 degrees K
Timbre
RCA Connector
Color temperature of Tungsten light
Activity Continuity
43. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Foley
Balance
Depth of Field
Loudness measurement
44. The most important part of the package - The voice of the reporter describing and telling the story - Recording of the reporter's voice
Shorter focal length =
Dynamic Microphone
Track
slating an audition
45. Decibels (dB)
Direct Sound
Pitch
Zoom Recorder
Loudness measurement
46. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Sound Waves
Master Scene Shooting Method
Three point lighting
Temporal Continuity
47. When you hear a bounce off a very close wall - quicker response than an echo
Three point lighting
focal length of a wide angle lens
Foley
Reverb
48. Natural sound - Must be attached to all B-Roll
Frequency Measurement
Condenser Microphone
Sound Presence
Nats
49. Sound must appear to be coming from the picture
Female end
slating an audition
Atmospheric Continuity
Sound Presence
50. Source microphones go into - Has up to 4 channels
Temporal Continuity
advantages of DSLR
Classic Hollywood Editing
Zoom Recorder