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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. When sounds are mixed live - each mic feeds into a different input of one or more audio mixers
Track
XLR Connector
Audio Mixers
Establishing Shot
2. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
RCA Connector
Frequency Measurement
Voice-Overs
Flat
3. The degree to which the aperture opens
Color temperature of Tungsten light
F-stop
Timing Sheet
Light is a form of...
4. Shot before the long shot that establishes where the action is taking place
CCD
OMF - Open Medium Framework
Establishing Shot
Close-up
5. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Timbre
Foley Setup Sheet
Balance
Reverb
6. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Cutting-on-Action
MIDI
Frequency
Timbre
7. Key - fill - back
Overlapping Action
Condenser Microphone
Three point lighting
Atmospheric Continuity
8. Pre-production
RCA Connector
speed of sound in air
The cheapest part of movie making
Cutting-on-Action
9. Key - fill - back
Frequency Response
Three point lighting
Male end
Foley
10. Raw sound that was recorded on the day
Color Temperature of Daylight
OMF - Open Medium Framework
Medium Shot
speed of sound in air
11. Director make sure that action in one shot is repeated in the shot that may follow it
Flat
Atmospheric Continuity
Overlapping Action
Band Width
12. Place were sounds are stored that allows them to be accessed and worked on from various places
Server
Cutaway
a shot marked OS to Sally
Foley Setup Sheet
13. Directional (Cardiod) - Omnidirectional - Bidirectional
Balance
Double system sound
Smaller Wavelength =
3 Pickup Patterns
14. Focal length divided by aperture
Formula for figuring the f-stop
Aspect Ratio
Daylight
Bites (Sound Bite)
15. Natural sound - Must be attached to all B-Roll
RCA Connector
Nats
Timbre
How do you fix Room Tone?
16. Pre-production
Three point lighting
The cheapest part of movie making
Male end
wild sound
17. The relative volume of sounds - Important sounds should be louder than unimportant sounds
Balance
Bites (Sound Bite)
Spatial Continuity
XLR Connector
18. Another name for ambient sound
a shot marked OS to Sally
wild sound
Omnidirectional Microphone
Flat
19. Two basic systems of light metering used in cinematography
Nats
Light is a form of...
incident and reflected
focal length of a close up lens
20. Sound that doesn't bounce - Dead sound
Direct Sound
Three point lighting
Voice-Overs
speed of sound in air
21. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Spatial Continuity
Cutting-on-Action
Track
Direct Sound
22. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Amplitude
Omnidirectional Microphone
XLR Connector
Spatial Continuity
23. Picking up from two sides
Timbre
Condenser Microphone
Bidirectional Microphone
Activity Continuity
24. An obvious jarring break in continuity from one shot to the next
f-stop vs. depth of field
AGC
Jump Cut
Sweetening
25. Distance from the center of a lens to the place where the parallel light will be focused
DAT
Focal length
Foley Setup Sheet
Timbre
26. F-stop selection effects depth of field
Match Cut
Server
f-stop vs. depth of field
Track
27. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
Bidirectional Microphone
Atmospheric Continuity
fresnel
Classic Hollywood Editing
28. Raw sound that was recorded on the day
Shorter focal length =
OMF - Open Medium Framework
a shot marked OS to Sally
Server
29. 3200 degrees K
Color temperature of Tungsten light
Range of human hearing
The greater the size of the aperture opening...
Overlapping Action
30. Hertz (Hz)
Cutting-on-Action
Absolute Zero
Jump Cut
Frequency Measurement
31. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Parallel Editing
Pitch
Range of human hearing
Spotting Sheet
32. Director make sure that action in one shot is repeated in the shot that may follow it
Three point lighting
Male end
Overlapping Action
speed of sound in air
33. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Non-linear Editing
Proximity Effect
How do you fix Room Tone?
Temporal Continuity
34. Sound will disappear or turn into pops. Can only be amplified in a specific range of softness and loudness - Digital equipment
Turn-over Frequency
Aspect Ratio
Clipping
MIDI
35. Background sounds such as footsteps - clothes rustling - and branches waving in the wind - Named after Jack Foley
Foley
Spatial Continuity
Dynamic Range
Physical Continuity
36. Shot of something that did not appear in the previous shot
Dynamic Microphone
Cutaway
Establishing Shot
Match Cut
37. An obvious jarring break in continuity from one shot to the next
Depth of Field
MIDI
Jump Cut
Foley Setup Sheet
38. No two microphones should be closer together than three times the distance between them and the subject.
Female end
Bidirectional Microphone
Three-to-one Rule
Non-linear Editing
39. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
MIDI
B-Roll
Sweetening
slating an audition
40. Source microphones go into - Has up to 4 channels
Frequency
Performance Continuity
Zoom Recorder
Timbre
41. 20 HZ to 20000 HZ
Reverb
XLR Connector
Range of human hearing
Directional Microphone
42. The opening in the lens that allows light to pass
Aperture
Reverb
Temporal Continuity
Cutting-on-Action
43. The range of frequencies that a microphone will pick up - 20 Hz - 20000 Hz
Flat
Frequency Response
CCD
Foley Setup Sheet
44. Uses a diaphragm - Robust - NO power required - Not so efficient
focal length of a wide angle lens
Overlapping Action
Dynamic Microphone
Room Tone
45. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
DAT
Voice-Overs
Track
The greater the size of the aperture opening...
46. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Physical Continuity
Voice-Overs
Sweetening
Bites (Sound Bite)
47. Picking up from two sides
Sweetening
Cutaway
Band Width
Bidirectional Microphone
48. The editor can try an entire group of shots in one position - move it to another - and then return it to it's original position
Aperture
Balance
Sound Perspective
Non-linear Editing
49. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Timbre
Condenser Microphone
speed of sound in air
Bites (Sound Bite)
50. Ratio of the width of a frame to its height - HDTV = 16:9
Band Width
Distortion
Daylight
Aspect Ratio