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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The number of times per second that the wave travels from the beginning of one cycle to the beginning of the next
Directional Microphone
Atmospheric Continuity
Dynamic Range
Frequency
2. Random footage in the package
Audio Mixers
B-Roll
Shorter focal length =
Amplitude
3. Middle point of the haystack
Three-to-one Rule
advantages of DSLR
B-Roll
Turn-over Frequency
4. Name - agency - and role
focal length of a wide angle lens
Condenser Microphone
Sound Presence
slating an audition
5. Something that has already happened in one shot should not happen again in the next
Server
Match Cut
Activity Continuity
Bites (Sound Bite)
6. Greater depth of field
Cutting-on-Action
fresnel
Physical Continuity
Shorter focal length =
7. Natural sound - Must be attached to all B-Roll
Clipping
Nats
Omnidirectional Microphone
f-stop vs. depth of field
8. tinted orange - 3200 degrees Kelvin - Studio lighting
Cutting-on-Action
Match Cut
Close-up
Tungsten Light
9. The opening in the lens that allows light to pass
Aperture
Reverb
focal length of a wide angle lens
Medium Shot
10. Decibels (dB)
Loudness measurement
Smaller Wavelength =
Physical Continuity
Sound Waves
11. The sound made by the differing frequencies
Nats
Pitch
Spatial Continuity
Smaller Wavelength =
12. An actors performance should be consistent from shot to shot
Foley Setup Sheet
Nats
Aperture
Performance Continuity
13. Manipulating frequencies. - Important to radio and musical recording - not film.
Proximity Effect
Jump Cut
OMF - Open Medium Framework
Distortion
14. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Focal length
Bites (Sound Bite)
Timbre
XLR Connector
15. Aids in the composition process - Gives Time Code numbers for places where music is to be heard - Tells the length of time the music is to run - Gives a description of What is happening in the scene
Timing Sheet
Three point lighting
incident and reflected
Stand-up
16. Want boom coming down not out - Can add a track to cover it (Fill Grit - Glue Fill) - Can add other noises
Turn-over Frequency
Color Temperature of Daylight
Focal length
How do you fix Room Tone?
17. 3200 degrees K
Classic Hollywood Editing
Color temperature of Tungsten light
Bites (Sound Bite)
Direct Sound
18. Charged Coupled Device
Condenser Microphone
DAT
How do you fix Room Tone?
CCD
19. Shot before the long shot that establishes where the action is taking place
How do you fix Room Tone?
Establishing Shot
Amplitude
Jump Cut
20. Involves the main action
Medium Shot
Voice-Overs
Frequency Measurement
Cut-in
21. The range of frequencies that a microphone will pick up - 20 Hz - 20000 Hz
Frequency Response
Timbre
Physical Continuity
Cutaway
22. Microphones and recorders that pick up all frequencies equally well
Flat
The cheapest part of movie making
How do you fix Room Tone?
Bites (Sound Bite)
23. tinted blue - 5500 degrees Kelvin - outside lighting
Double system sound
speed of sound in air
Double system sound
Daylight
24. Disrupt the arrangement of air molecules
F-stop
XLR Connector
Ambient Sounds
Sound Waves
25. Electro-magnetic radiation
Male end
Sound Waves
Timbre
Light is a form of...
26. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Logical Continuity
Depth of Field
focal length of a wide angle lens
Absolute Zero
27. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
Timbre
Overlapping Action
Bidirectional Microphone
How do you fix Room Tone?
28. Directional (Cardiod) - Omnidirectional - Bidirectional
The greater the size of the aperture opening...
3 Pickup Patterns
Proximity Effect
Double system sound
29. Two basic systems of light metering used in cinematography
incident and reflected
Pitch
Band Width
Dynamic Microphone
30. Decibels (dB)
Physical Continuity
The greater the size of the aperture opening...
Omnidirectional Microphone
Loudness measurement
31. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
RCA Connector
OMF - Open Medium Framework
Depth of Field
XLR Connector
32. Focal length divided by aperture
How do you fix Room Tone?
Formula for figuring the f-stop
Bites (Sound Bite)
Cutting-on-Action
33. The degree to which the aperture opens
wild sound
Color Temperature of Daylight
Logical Continuity
F-stop
34. Electro-magnetic radiation
Light is a form of...
Flat
a shot marked OS to Sally
Logical Continuity
35. Involves the main action
Pitch
AGC
Medium Shot
OMF - Open Medium Framework
36. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Establishing Shot
Flat
Master Scene Shooting Method
How do you fix Room Tone?
37. Recording picture on one machine and sound on another
Dynamic Range
Distortion
a shot marked OS to Sally
Double system sound
38. Actors should look the same from one shot to another
Proximity Effect
Balance
Technical Pictorial Continuity
Physical Continuity
39. Focal length divided by aperture
Condenser Microphone
Audio Mixers
Formula for figuring the f-stop
Directional Microphone
40. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
Track
RCA Connector
XLR Connector
Establishing Shot
41. Something that has already happened in one shot should not happen again in the next
Match Cut
Distortion
Amplitude
Activity Continuity
42. Shoot a master shot of the whole scene and then break it up into little parts - such as close ups - reaction shots - cut ins - and cutaways - Classic Hollywood method
Ambient Sounds
Shorter focal length =
Master Scene Shooting Method
F-stop
43. After the music is recorded its put onto this in the same way a picture is recorded on a DVD
Timing Sheet
Activity Continuity
DAT
Spatial Continuity
44. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Nats
Spotting Sheet
Dynamic Range
Timing Sheet
45. 800 mph or 1000ft per second or 1 foot per millisecond
Bites (Sound Bite)
The greater the size of the aperture opening...
speed of sound in air
Cutaway
46. tinted blue - 5500 degrees Kelvin - outside lighting
Dynamic Range
Daylight
Female end
Technical Pictorial Continuity
47. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
The cheapest part of movie making
Sound Perspective
Sound Waves
focal length of a wide angle lens
48. Tonal quality of a sound and is the thing that helps us distinguish between the sound of a martin guitar and bagpipes
Loudness measurement
Timbre
incident and reflected
Stand-up
49. Middle point of the haystack
Turn-over Frequency
Classic Hollywood Editing
Pitch
Range of human hearing
50. Uses a diaphragm - Robust - NO power required - Not so efficient
Dynamic Microphone
Directional Microphone
Female end
Close-up