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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sound must appear to be coming from the picture
Sound Presence
Range of human hearing
speed of sound in air
Temporal Continuity
2. tinted blue - 5500 degrees Kelvin - outside lighting
wild sound
Daylight
Jump Cut
Atmospheric Continuity
3. The opening in the lens that allows light to pass
Shorter focal length =
Aperture
Audio Mixers
Jump Cut
4. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
Condenser Microphone
Female end
Physical Continuity
Depth of Field
5. Notes will become a muddy jumble and the frequencies will not come out of the equipment with the same clarity with which they went in - Analog equipment
Band Width
The cheapest part of movie making
Cutting-on-Action
Distortion
6. No two microphones should be closer together than three times the distance between them and the subject.
Absolute Zero
slating an audition
B-Roll
Three-to-one Rule
7. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Three point lighting
OMF - Open Medium Framework
Voice-Overs
Formula for figuring the f-stop
8. Electro-magnetic radiation
Bites (Sound Bite)
Light is a form of...
Sound Waves
Zoom Recorder
9. Random footage in the package
Bidirectional Microphone
Omnidirectional Microphone
Dynamic Microphone
B-Roll
10. The sound made by the differing frequencies
Pitch
Reverb
Temporal Continuity
Sound Perspective
11. Greater depth of field
Three point lighting
Shorter focal length =
Sound Waves
f-stop vs. depth of field
12. There should be time for actions to take place - EX: burning candle
Depth of Field
Temporal Continuity
Sweetening
3 Pickup Patterns
13. Focuses on an element that appeared in the previous shot
Color temperature of Tungsten light
Activity Continuity
Flat
Cut-in
14. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Sweetening
Amplitude
OMF - Open Medium Framework
Male end
15. tinted orange - 3200 degrees Kelvin - Studio lighting
Cutaway
Focal length
Establishing Shot
Tungsten Light
16. Background sounds such as footsteps - clothes rustling - and branches waving in the wind - Named after Jack Foley
wild sound
Turn-over Frequency
Foley
Stand-up
17. Has three prongs and an outer covering - Has a guide pin and lock so that it remains firmly in place - Profession standard
XLR Connector
Directional Microphone
RCA Connector
Omnidirectional Microphone
18. Picking up from all sides - Best for picking up a large number of people and are excellent for gathering background noise - Don't pick up distance sounds as well
Cutaway
AGC
Omnidirectional Microphone
CCD
19. If there is a background noise in one shot - there should be the same background noise in the next - if they are in the same time and place
Technical Pictorial Continuity
Omnidirectional Microphone
Sweetening
Atmospheric Continuity
20. The re-recording process - AKA looping - Actors are brought back to a soundproof room - where they watch short segments of themselves on a screen and listen through earphones to the audio that needs to be replaced - Feed and deliver the lines that ne
Technical Pictorial Continuity
The greater the size of the aperture opening...
Clipping
ADR (Automatic Dialogue Replacement)
21. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
focal length of a wide angle lens
Foley Setup Sheet
Tungsten Light
Dynamic Range
22. Another name for ambient sound
Loudness measurement
Master Scene Shooting Method
wild sound
Temporal Continuity
23. Hertz (Hz)
Cutting-on-Action
Frequency Measurement
F-stop
B-Roll
24. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Color Temperature of Daylight
Timbre
Sweetening
Match Cut
25. The re-recording process - AKA looping - Actors are brought back to a soundproof room - where they watch short segments of themselves on a screen and listen through earphones to the audio that needs to be replaced - Feed and deliver the lines that ne
Sound Perspective
f-stop vs. depth of field
Band Width
ADR (Automatic Dialogue Replacement)
26. An 'over the shoulder' shot (of an actor) with the camera pointed at Sally
Proximity Effect
Sound Waves
a shot marked OS to Sally
Cutaway
27. The range of frequencies that a microphone will pick up - 20 Hz - 20000 Hz
OMF - Open Medium Framework
Frequency Response
Distortion
Sweetening
28. 5 -500 degrees K
Color Temperature of Daylight
Pitch
wild sound
Performance Continuity
29. A recording of the general ambience of the place where the dialogue is being recorded
Smaller Wavelength =
Room Tone
Omnidirectional Microphone
Absolute Zero
30. Ratio of the width of a frame to its height - HDTV = 16:9
Dynamic Range
Aperture
Female end
Aspect Ratio
31. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
Depth of Field
Sound Waves
Dynamic Range
Spotting Sheet
32. Sound that doesn't bounce - Dead sound
advantages of DSLR
Color Temperature of Daylight
Direct Sound
Frequency
33. Electro-magnetic radiation
Band Width
Clipping
Light is a form of...
DAT
34. 20 HZ to 20000 HZ
Turn-over Frequency
Three-to-one Rule
Omnidirectional Microphone
Range of human hearing
35. Disrupt the arrangement of air molecules
focal length of a close up lens
Daylight
Frequency
Sound Waves
36. Ratio of the width of a frame to its height - HDTV = 16:9
Master Scene Shooting Method
Range of human hearing
Stand-up
Aspect Ratio
37. The distance through with objects will appear in sharp focus in front of and behind the point at which the camera is actually focused
Smaller Wavelength =
Depth of Field
3 Pickup Patterns
Timing Sheet
38. The more light reaches film
Bites (Sound Bite)
Sound Waves
The greater the size of the aperture opening...
Non-linear Editing
39. Involves keeping the audience from getting lost - If you cut from a wide shot of a building to a medium shot - the medium shot should be of something that is recognizable in the wide shot
Omnidirectional Microphone
Aperture
The greater the size of the aperture opening...
Spatial Continuity
40. It is what distinguishes a violin from a clarinet when both are playing the same pitch at the same loudness
fresnel
Three point lighting
Turn-over Frequency
Timbre
41. Made up by the sound effects editor - Indicates a what point in the movie each effect should be placed
Absolute Zero
XLR Connector
Spotting Sheet
Overlapping Action
42. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
Overlapping Action
Stand-up
Three point lighting
Classic Hollywood Editing
43. The range of quietness to loudness
Dynamic Range
Spotting Sheet
AGC
Range of human hearing
44. The height of the sound wave. As the this increases - the sound wave gets louder
focal length of a close up lens
Amplitude
Medium Shot
Double system sound
45. You can control your depth of field
Depth of Field
The greater the size of the aperture opening...
advantages of DSLR
Bites (Sound Bite)
46. Best known editing style - Involves narrative clarity and dramatic pacing - Attempts to make the cut from one shot to the net flow as smoothly as possible - The story unfolds scene by scene
Double system sound
Stand-up
focal length of a close up lens
Classic Hollywood Editing
47. The equivalent of quotes in a story - Person speaking on the screen
Pitch
advantages of DSLR
Bites (Sound Bite)
Ambient Sounds
48. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
Distortion
Sound Perspective
Medium Shot
XLR Connector
49. Picking up mainly from one side in a heart shaped pattern
Directional Microphone
Band Width
Omnidirectional Microphone
advantages of DSLR
50. Recording picture on one machine and sound on another
speed of sound in air
Nats
Double system sound
Zoom Recorder