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Test your basic knowledge |
Basic Video Production
Start Test
Study First
Subject
:
engineeering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Isolates a particular character or action
Shorter focal length =
advantages of DSLR
f-stop vs. depth of field
Close-up
2. Picking up from two sides
Three point lighting
Track
Bidirectional Microphone
Three point lighting
3. Microphones and recorders that pick up all frequencies equally well
Flat
Establishing Shot
Loudness measurement
Medium Shot
4. Source microphones go into - Has up to 4 channels
Close-up
Stand-up
Zoom Recorder
Depth of Field
5. AKA Cross Cutting - Alternating shots from one line of action to another - Implies that the two actions are occurring at the same time
Audio Mixers
F-stop
Parallel Editing
Atmospheric Continuity
6. The sound made by the differing frequencies
Pitch
Score Mixers
Smaller Wavelength =
Flat
7. Attaches to the microphone
Female end
Proximity Effect
wild sound
f-stop vs. depth of field
8. tinted orange - 3200 degrees Kelvin - Studio lighting
Color Temperature of Daylight
Logical Continuity
Tungsten Light
Technical Pictorial Continuity
9. Directional (Cardiod) - Omnidirectional - Bidirectional
Classic Hollywood Editing
Stand-up
3 Pickup Patterns
Zoom Recorder
10. Another name for ambient sound
Server
wild sound
Color temperature of Tungsten light
Technical Pictorial Continuity
11. Actors should look the same from one shot to another
Color temperature of Tungsten light
Cutting-on-Action
Physical Continuity
Sound Perspective
12. 3200 degrees K
Ambient Sounds
Color temperature of Tungsten light
AGC
The cheapest part of movie making
13. Asynchronous noised mixed in during post production to give a scene authenticity - Sometimes called Wild Sounds
Absolute Zero
Ambient Sounds
Temporal Continuity
Non-linear Editing
14. Microphones and recorders that pick up all frequencies equally well
Sound Presence
Flat
incident and reflected
F-stop
15. Picking up from two sides
Bidirectional Microphone
Voice-Overs
CCD
Formula for figuring the f-stop
16. Record all the music in a control room
Score Mixers
The cheapest part of movie making
Dynamic Microphone
Track
17. Raw sound that was recorded on the day
OMF - Open Medium Framework
Color temperature of Tungsten light
Technical Pictorial Continuity
Range of human hearing
18. Automatic Gain Control - Prevents the signal from being recorded at too low or too high a level
Three point lighting
AGC
Master Scene Shooting Method
Technical Pictorial Continuity
19. Isolates a particular character or action
a shot marked OS to Sally
Non-linear Editing
Clipping
Close-up
20. The more light reaches film
Score Mixers
The greater the size of the aperture opening...
Female end
Server
21. The range of quietness to loudness
Master Scene Shooting Method
Foley
Dynamic Range
Audio Mixers
22. Technique to make two shots flow together - Rather than letting an actor complete an action in one shot and cutting to the next - the action begins in the first shot and ends in the second
Audio Mixers
speed of sound in air
Cutting-on-Action
How do you fix Room Tone?
23. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Cutting-on-Action
XLR Connector
Three point lighting
Match Cut
24. Refers to making the audio sound better - You may fix sound of some dialogue by bringing in the sound from another shot that wasn't used in the film or replacing a word through ADR
Flat
Sweetening
Flat
Formula for figuring the f-stop
25. A cut in which the character's movement and position are perfectly aligned in time and space from one shot to the next
Match Cut
Reverb
The greater the size of the aperture opening...
Server
26. Has a diaphragm plus and electronic component called a capacitor - Delicate - Power supply needed - Efficient
wild sound
Aperture
Distortion
Condenser Microphone
27. Big image - short focal length
Aspect Ratio
focal length of a wide angle lens
Balance
Double system sound
28. Make the volume of every scene - every person - and every sound effect more or less the same - One way to achieve balance
Foley Setup Sheet
CCD
Flat
Tungsten Light
29. The voice of a person in the distance should sound different from the voice of a person when shown in a close-up
f-stop vs. depth of field
Sound Perspective
Loudness measurement
Reverb
30. Charged Coupled Device
CCD
Overlapping Action
XLR Connector
Foley Setup Sheet
31. F-stop selection effects depth of field
Dynamic Range
Directional Microphone
f-stop vs. depth of field
Reverb
32. When you hear a bounce off a very close wall - quicker response than an echo
Temporal Continuity
B-Roll
Reverb
Cut-in
33. Electro-magnetic radiation
Score Mixers
Light is a form of...
focal length of a close up lens
Match Cut
34. A recording of the general ambience of the place where the dialogue is being recorded
Timbre
Loudness measurement
Audio Mixers
Room Tone
35. The sound made by the differing frequencies
fresnel
Pitch
Flat
Absolute Zero
36. Background sounds such as footsteps - clothes rustling - and branches waving in the wind - Named after Jack Foley
ADR (Automatic Dialogue Replacement)
Foley
Stand-up
Track
37. A recording of the general ambience of the place where the dialogue is being recorded
Room Tone
Daylight
Spotting Sheet
advantages of DSLR
38. Recorded in a similar way to ADR - Help explain complicated processes - indicate What a person is thinking - represent someone's conscience - or comment on What is occurring in the picture
Dynamic Range
Voice-Overs
Zoom Recorder
Three-to-one Rule
39. Involves the main action
Medium Shot
Timbre
Formula for figuring the f-stop
Foley Setup Sheet
40. Disrupt the arrangement of air molecules
Shorter focal length =
Sound Waves
advantages of DSLR
Spotting Sheet
41. Lists all the actions the Foley Walkers need to perform to give aural realism to the movie scenes
Loudness measurement
Frequency Response
Foley Setup Sheet
Cut-in
42. AKA: Phone plug - Has a short prong and outer covering - Consumer standard
Bites (Sound Bite)
Temporal Continuity
Proximity Effect
RCA Connector
43. Low pressure areas against high pressure areas create the waves. - Waves are just pictures or graphs of the measures of air pressure
Timing Sheet
The greater the size of the aperture opening...
Sound Waves
Amplitude
44. Sound must appear to be coming from the picture
Timbre
The greater the size of the aperture opening...
Parallel Editing
Sound Presence
45. Greater depth of field
Male end
Shorter focal length =
wild sound
Sound Perspective
46. Shot of something that did not appear in the previous shot
Sound Waves
Cutaway
Daylight
Dynamic Microphone
47. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Tungsten Light
Room Tone
Stand-up
Spatial Continuity
48. The reporter holding a microphone on the screen - Pre-recorded - essentially a sound bite
Audio Mixers
Male end
Stand-up
Ambient Sounds
49. Recording picture on one machine and sound on another
Double system sound
Flat
Direct Sound
Medium Shot
50. Picking up mainly from one side in a heart shaped pattern
Directional Microphone
B-Roll
Voice-Overs
Sound Waves