Test your basic knowledge |

Body Language

Subject : soft-skills
Instructions:
  • Answer 42 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Head and neck extended toward object - ears forward - focused eyes - sniffing - held up






2. Cues listeners use to signal that we decline our turn to speak. Ie sustaining a relaxed posture - while remaining silent slow and frequent positive head nods - and positive vocal utterences to signal speaker to keep going.






3. Ending conversations; eye contact/body language. Given by speakers who wish to discontinue talking and givve the listener the opportunity to take the speaking role. May include direct body orientation - a forward lean - a beckoning gesture with the h






4. Head up and tense - flicking ears - darting eyes - quivering nostrils - frozen or moving around maybe sweating






5. Head down - half mast ears - droopy eyes - slack muzzle - inactive feet - low and still tail






6. With Alexander Technique - there are several rules.1) __/__: so you can understand ticks. 2) __: inhibit your old habits. Constant. Must choose not to respond habitually - break out of old habits - and set new ones. 3) ___: 4 concepts of good body us






7. Head and neck stretched up and out - moving slowly back and forth - ears extremely active - eyes focused - nostrils are flared - lipping - chewing - prancing - tail is held high swishing






8. Head is steady - ears are neutral - cocked foot - casual tail






9. The amount of twisting and swaying that the lower part of the body does






10. Open to anyone and is seldom under the constant control of any one person or group. Subject to temporary ownership and often protected with as much vigor as personal property. Most difficult of all territories to maintain






11. How open you are - available for communication. Shown through direct body leaning - anything not symmetrical.






12. Length of your stride.






13. SADFISH - Sadness - Anger - Disgust - Fear - Interest - Surprise - Happiness - love SADFISH






14. Meeting of the eyes between two individuals






15. Open posture






16. Shakes head - darting ears - attentive eyes - nostrils quivering - pawing - vocalizing -






17. Head/neck stretched -'snaky' - ears pinned - eyes closed to slits - muzzle pursed - swishing tail - kicking - stomping






18. Movements; nonverbal message in which visable body actions communicate a particular message either in place of speech or together with speech. Can be formed with any part of body - even face.






19. Opposite of immediacy. Can also take you away from people - or show you're 'right there' like leaning back but can show status too if you did that like in an interview






20. The amount of twisting and swaying that the upper part of body (chest and arms too) does.






21. Voluntary and involuntary movements of eyes






22. __ status people tend to take up max space - are incredibly still - and don't make noise - hold eye contact.






23. Form of non-verbal communication which consists of body posture - gestures - facial expressions - and eye movements. Humans send and interpret such signals subconsciously.






24. Way to live in your body most efficiently. not wasting energy - but channeling it to most efficient ways. Minimizes tension. Gives your body a center/balance - helps vocal cords. Also helps mind-body connection. Helps you gain height






25. Head low and averted - half mast ears - eyes averted - chewing and smaking lips






26. Fluctuation and variation of movements marked by natural flow of body or regular occurance (like people who walk on their toes). Usually relatd to music..the musicality of your body.






27. Territory considered to be the exclusive domain of its owner; if the territory is used by its owner virtually every day






28. How you hold yourself. Habitually or intentionally chosen posture.






29. Any kind of posture that can be used to cut people out.






30. Used by speakers who want to continue talking. They are especially observant when listener is trying to interrupt. Ie: keeping eye contact to a minimum increasing the rate and loudness of speech - indirect body orientation - filled pauses - and halti






31. When two people imitate or share a similar posture. May symbolize agreement - equality - and liking between them.






32. Not under the owner's exclusive control; generally associated with a particular person or group frequently seen in and around it. Think of a popular meeting place. More vulnerable to invasion and takeover by others






33. Rate at which you move. How fast or slow you just do things in general






34. Personal space. Portable - carry it with us everywhere we go.






35. __ status people tend to make themselves seem invisible






36. Type of posture usually when two people are engaging in a conversation. Could be a sign of more formal relationship (boss employee) - someone needing monitoring - more active interaction.






37. Develop wherever people congregate for social exchange. Two people standing in the middle of a hallway carrying on a conversation and how passerbyers go a great length to avoid intruding.






38. No wasted movements-only uses energy that's necessary and appropriate to accomplish a task.






39. Shows difference between people because of differences in status because of body language.






40. Regular patrons. Represents groups who have taken a public place and made it their own. Claimants have a sense of freedom in terms of their behavior and their control over the territory is somewhat continuous.






41. Ears fixed on source - wide open eyes - flared and snorting - standing frozen or fleeing -






42. Used by the listener to signal the speaker that he or she would like to talk. Ie raising the hand - audible intake or breath - tensing and straightening of posture -