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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Focusing on what the play reminds you of rather than what the play says
Resolution
Inciting Action
Genetic Fallacy
Affective Fallacy
2. Referring to whether or not a play utilizes recognitions and reversals
Simple and Complex Plots
Secondhand Thinking
Recognitions - Reversals - and Catastrophe
Inciting Action
3. The event that disrupts forever the normal lives of the characters in the play.
Secondhand Thinking
Inciting Action
Climaxes
Simple and Complex Plots
4. Seeking only to imitate rather than illuminate.
Fallacy of Faulty Generalization
Imitative fallacy
Simple and Complex Plots
Climaxes
5. Seeing the play as only a reflection of the life of the author
Biographical Fallacy
Climaxes
Fallacy of Illicit Process
Intentional Fallacy
6. Trusting too much in the opinions of others.
Fallacy of Illicit Process
Secondhand Thinking
Relativist Fallacy
Climaxes
7. Envisioning the play only as it has been done before.
Imitative fallacy
Genetic Fallacy
Conflicts
Over-reliance on Stage Directions
8. The events that follow the main climax of the play
Climaxes
Biographical Fallacy
Literal-Mindedness
Resolution
9. Refers to where the inciting event occurs in relation to the entirety of the play
Point of Attack
Literal-Mindedness
Resolution
Frigidity
10. Everyday reality is irrelevant to understanding a play as an artistic experience.
Affective Fallacy
Climaxes
Literal-Mindedness
Fallacy of the Half-Truth
11. The most dramatic and memorable moments of the play
Climaxes
Inciting Action
Fallacy of the Half-Truth
Fallacy of Faulty Generalization
12. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Fallacy of Faulty Generalization
Intentional Fallacy
Secondhand Thinking
Biographical Fallacy
13. The most important event that happened in the background story
Biographical Fallacy
Affective Fallacy
Primary Event
Fallacy of Illicit Process
14. The opposition the characters face as they try to reach their goals and objectives
Conflicts
Secondhand Thinking
Inciting Action
Fallacy of Faulty Generalization
15. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Frigidity
Biographical Fallacy
Fallacy of the Half-Truth
Fallacy of Illicit Process
16. Using the same explanation for everything.
Secondhand Thinking
Biographical Fallacy
Recognitions - Reversals - and Catastrophe
Fallacy of the Half-Truth
17. Aspects of the play that modify its climaxes
Simple and Complex Plots
Recognitions - Reversals - and Catastrophe
Biographical Fallacy
Intentional Fallacy
18. Lacking empathy. Not understanding the real human cost explored in the play.
Affective Fallacy
Relativist Fallacy
Frigidity
Biographical Fallacy
19. Seeking only to determine what the playwright meant.
Climaxes
Intentional Fallacy
Fallacy of the Half-Truth
Inciting Action
20. All points of view are equally valid. Opinion trumps diligent study and practice.
Over-reliance on Stage Directions
Simple and Complex Plots
Climaxes
Relativist Fallacy
21. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Relativist Fallacy
Fallacy of Faulty Generalization
Genetic Fallacy
Literal-Mindedness