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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Trusting too much in the opinions of others.
Secondhand Thinking
Fallacy of Faulty Generalization
Fallacy of the Half-Truth
Over-reliance on Stage Directions
2. Lacking empathy. Not understanding the real human cost explored in the play.
Biographical Fallacy
Secondhand Thinking
Frigidity
Point of Attack
3. Referring to whether or not a play utilizes recognitions and reversals
Biographical Fallacy
Relativist Fallacy
Simple and Complex Plots
Over-reliance on Stage Directions
4. The most important event that happened in the background story
Literal-Mindedness
Intentional Fallacy
Primary Event
Simple and Complex Plots
5. Seeing the play as only a reflection of the life of the author
Simple and Complex Plots
Affective Fallacy
Biographical Fallacy
Recognitions - Reversals - and Catastrophe
6. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Fallacy of Faulty Generalization
Biographical Fallacy
Conflicts
Relativist Fallacy
7. Refers to where the inciting event occurs in relation to the entirety of the play
Frigidity
Inciting Action
Point of Attack
Affective Fallacy
8. Aspects of the play that modify its climaxes
Secondhand Thinking
Recognitions - Reversals - and Catastrophe
Fallacy of Illicit Process
Affective Fallacy
9. Envisioning the play only as it has been done before.
Biographical Fallacy
Over-reliance on Stage Directions
Conflicts
Intentional Fallacy
10. Everyday reality is irrelevant to understanding a play as an artistic experience.
Relativist Fallacy
Resolution
Inciting Action
Literal-Mindedness
11. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Fallacy of the Half-Truth
Imitative fallacy
Fallacy of Illicit Process
Fallacy of Faulty Generalization
12. The event that disrupts forever the normal lives of the characters in the play.
Primary Event
Fallacy of Illicit Process
Inciting Action
Relativist Fallacy
13. The opposition the characters face as they try to reach their goals and objectives
Conflicts
Secondhand Thinking
Primary Event
Simple and Complex Plots
14. The events that follow the main climax of the play
Conflicts
Resolution
Climaxes
Over-reliance on Stage Directions
15. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Frigidity
Genetic Fallacy
Imitative fallacy
Over-reliance on Stage Directions
16. The most dramatic and memorable moments of the play
Fallacy of the Half-Truth
Simple and Complex Plots
Climaxes
Over-reliance on Stage Directions
17. Seeking only to imitate rather than illuminate.
Simple and Complex Plots
Imitative fallacy
Inciting Action
Point of Attack
18. Using the same explanation for everything.
Genetic Fallacy
Fallacy of the Half-Truth
Secondhand Thinking
Relativist Fallacy
19. All points of view are equally valid. Opinion trumps diligent study and practice.
Relativist Fallacy
Simple and Complex Plots
Over-reliance on Stage Directions
Biographical Fallacy
20. Seeking only to determine what the playwright meant.
Recognitions - Reversals - and Catastrophe
Conflicts
Biographical Fallacy
Intentional Fallacy
21. Focusing on what the play reminds you of rather than what the play says
Point of Attack
Intentional Fallacy
Literal-Mindedness
Affective Fallacy
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