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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Simple and Complex Plots
Fallacy of Faulty Generalization
Affective Fallacy
Secondhand Thinking
2. The opposition the characters face as they try to reach their goals and objectives
Fallacy of the Half-Truth
Conflicts
Over-reliance on Stage Directions
Primary Event
3. Seeing the play as only a reflection of the life of the author
Fallacy of the Half-Truth
Biographical Fallacy
Point of Attack
Genetic Fallacy
4. Using the same explanation for everything.
Affective Fallacy
Inciting Action
Point of Attack
Fallacy of the Half-Truth
5. Refers to where the inciting event occurs in relation to the entirety of the play
Recognitions - Reversals - and Catastrophe
Point of Attack
Fallacy of Illicit Process
Genetic Fallacy
6. The event that disrupts forever the normal lives of the characters in the play.
Inciting Action
Conflicts
Recognitions - Reversals - and Catastrophe
Primary Event
7. Focusing on what the play reminds you of rather than what the play says
Primary Event
Inciting Action
Over-reliance on Stage Directions
Affective Fallacy
8. Seeking only to imitate rather than illuminate.
Imitative fallacy
Simple and Complex Plots
Fallacy of the Half-Truth
Genetic Fallacy
9. Aspects of the play that modify its climaxes
Recognitions - Reversals - and Catastrophe
Resolution
Point of Attack
Imitative fallacy
10. Trusting too much in the opinions of others.
Secondhand Thinking
Primary Event
Frigidity
Fallacy of Illicit Process
11. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Fallacy of Faulty Generalization
Resolution
Genetic Fallacy
Intentional Fallacy
12. The events that follow the main climax of the play
Genetic Fallacy
Inciting Action
Resolution
Point of Attack
13. Envisioning the play only as it has been done before.
Genetic Fallacy
Over-reliance on Stage Directions
Biographical Fallacy
Recognitions - Reversals - and Catastrophe
14. The most dramatic and memorable moments of the play
Imitative fallacy
Climaxes
Conflicts
Literal-Mindedness
15. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Point of Attack
Fallacy of Illicit Process
Resolution
Primary Event
16. Everyday reality is irrelevant to understanding a play as an artistic experience.
Secondhand Thinking
Literal-Mindedness
Point of Attack
Over-reliance on Stage Directions
17. The most important event that happened in the background story
Affective Fallacy
Relativist Fallacy
Fallacy of the Half-Truth
Primary Event
18. Lacking empathy. Not understanding the real human cost explored in the play.
Frigidity
Resolution
Secondhand Thinking
Fallacy of Illicit Process
19. Referring to whether or not a play utilizes recognitions and reversals
Recognitions - Reversals - and Catastrophe
Intentional Fallacy
Simple and Complex Plots
Conflicts
20. All points of view are equally valid. Opinion trumps diligent study and practice.
Climaxes
Relativist Fallacy
Affective Fallacy
Frigidity
21. Seeking only to determine what the playwright meant.
Intentional Fallacy
Fallacy of the Half-Truth
Affective Fallacy
Inciting Action