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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Envisioning the play only as it has been done before.
Resolution
Over-reliance on Stage Directions
Imitative fallacy
Relativist Fallacy
2. Refers to where the inciting event occurs in relation to the entirety of the play
Point of Attack
Intentional Fallacy
Resolution
Over-reliance on Stage Directions
3. Trusting too much in the opinions of others.
Fallacy of Illicit Process
Resolution
Secondhand Thinking
Affective Fallacy
4. Referring to whether or not a play utilizes recognitions and reversals
Affective Fallacy
Relativist Fallacy
Primary Event
Simple and Complex Plots
5. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Point of Attack
Secondhand Thinking
Affective Fallacy
Fallacy of Illicit Process
6. Seeking only to imitate rather than illuminate.
Simple and Complex Plots
Imitative fallacy
Literal-Mindedness
Biographical Fallacy
7. Aspects of the play that modify its climaxes
Biographical Fallacy
Imitative fallacy
Resolution
Recognitions - Reversals - and Catastrophe
8. The event that disrupts forever the normal lives of the characters in the play.
Imitative fallacy
Inciting Action
Resolution
Fallacy of the Half-Truth
9. All points of view are equally valid. Opinion trumps diligent study and practice.
Relativist Fallacy
Literal-Mindedness
Point of Attack
Simple and Complex Plots
10. Using the same explanation for everything.
Affective Fallacy
Genetic Fallacy
Biographical Fallacy
Fallacy of the Half-Truth
11. The opposition the characters face as they try to reach their goals and objectives
Biographical Fallacy
Over-reliance on Stage Directions
Resolution
Conflicts
12. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Fallacy of Faulty Generalization
Fallacy of Illicit Process
Recognitions - Reversals - and Catastrophe
Intentional Fallacy
13. Lacking empathy. Not understanding the real human cost explored in the play.
Frigidity
Secondhand Thinking
Fallacy of Faulty Generalization
Fallacy of Illicit Process
14. The most dramatic and memorable moments of the play
Primary Event
Climaxes
Literal-Mindedness
Intentional Fallacy
15. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Imitative fallacy
Genetic Fallacy
Affective Fallacy
Over-reliance on Stage Directions
16. The events that follow the main climax of the play
Conflicts
Genetic Fallacy
Resolution
Biographical Fallacy
17. Seeking only to determine what the playwright meant.
Intentional Fallacy
Inciting Action
Primary Event
Genetic Fallacy
18. Seeing the play as only a reflection of the life of the author
Inciting Action
Fallacy of the Half-Truth
Biographical Fallacy
Primary Event
19. The most important event that happened in the background story
Fallacy of Illicit Process
Imitative fallacy
Recognitions - Reversals - and Catastrophe
Primary Event
20. Focusing on what the play reminds you of rather than what the play says
Recognitions - Reversals - and Catastrophe
Affective Fallacy
Literal-Mindedness
Biographical Fallacy
21. Everyday reality is irrelevant to understanding a play as an artistic experience.
Climaxes
Conflicts
Secondhand Thinking
Literal-Mindedness