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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Referring to whether or not a play utilizes recognitions and reversals
Genetic Fallacy
Primary Event
Simple and Complex Plots
Biographical Fallacy
2. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Affective Fallacy
Point of Attack
Genetic Fallacy
Primary Event
3. Seeing the play as only a reflection of the life of the author
Biographical Fallacy
Secondhand Thinking
Imitative fallacy
Genetic Fallacy
4. The opposition the characters face as they try to reach their goals and objectives
Inciting Action
Point of Attack
Conflicts
Resolution
5. Refers to where the inciting event occurs in relation to the entirety of the play
Fallacy of Illicit Process
Climaxes
Inciting Action
Point of Attack
6. Trusting too much in the opinions of others.
Secondhand Thinking
Frigidity
Literal-Mindedness
Recognitions - Reversals - and Catastrophe
7. Lacking empathy. Not understanding the real human cost explored in the play.
Conflicts
Frigidity
Recognitions - Reversals - and Catastrophe
Simple and Complex Plots
8. Seeking only to determine what the playwright meant.
Intentional Fallacy
Conflicts
Fallacy of Faulty Generalization
Biographical Fallacy
9. All points of view are equally valid. Opinion trumps diligent study and practice.
Fallacy of the Half-Truth
Literal-Mindedness
Biographical Fallacy
Relativist Fallacy
10. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Point of Attack
Relativist Fallacy
Over-reliance on Stage Directions
Fallacy of Illicit Process
11. The most important event that happened in the background story
Frigidity
Point of Attack
Primary Event
Over-reliance on Stage Directions
12. The most dramatic and memorable moments of the play
Climaxes
Resolution
Over-reliance on Stage Directions
Fallacy of the Half-Truth
13. Envisioning the play only as it has been done before.
Over-reliance on Stage Directions
Imitative fallacy
Affective Fallacy
Fallacy of Faulty Generalization
14. Using the same explanation for everything.
Relativist Fallacy
Simple and Complex Plots
Fallacy of the Half-Truth
Fallacy of Illicit Process
15. Seeking only to imitate rather than illuminate.
Point of Attack
Primary Event
Literal-Mindedness
Imitative fallacy
16. Aspects of the play that modify its climaxes
Secondhand Thinking
Recognitions - Reversals - and Catastrophe
Biographical Fallacy
Fallacy of Faulty Generalization
17. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Affective Fallacy
Fallacy of Faulty Generalization
Relativist Fallacy
Inciting Action
18. The events that follow the main climax of the play
Resolution
Biographical Fallacy
Recognitions - Reversals - and Catastrophe
Conflicts
19. Focusing on what the play reminds you of rather than what the play says
Affective Fallacy
Over-reliance on Stage Directions
Resolution
Point of Attack
20. Everyday reality is irrelevant to understanding a play as an artistic experience.
Fallacy of the Half-Truth
Imitative fallacy
Literal-Mindedness
Resolution
21. The event that disrupts forever the normal lives of the characters in the play.
Genetic Fallacy
Frigidity
Literal-Mindedness
Inciting Action