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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. All points of view are equally valid. Opinion trumps diligent study and practice.
Biographical Fallacy
Relativist Fallacy
Frigidity
Climaxes
2. Refers to where the inciting event occurs in relation to the entirety of the play
Climaxes
Point of Attack
Imitative fallacy
Simple and Complex Plots
3. Everyday reality is irrelevant to understanding a play as an artistic experience.
Primary Event
Literal-Mindedness
Biographical Fallacy
Conflicts
4. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Fallacy of Illicit Process
Frigidity
Climaxes
Fallacy of the Half-Truth
5. Seeing the play as only a reflection of the life of the author
Biographical Fallacy
Over-reliance on Stage Directions
Recognitions - Reversals - and Catastrophe
Primary Event
6. The most dramatic and memorable moments of the play
Imitative fallacy
Frigidity
Climaxes
Conflicts
7. Using the same explanation for everything.
Fallacy of the Half-Truth
Over-reliance on Stage Directions
Relativist Fallacy
Literal-Mindedness
8. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Relativist Fallacy
Fallacy of the Half-Truth
Conflicts
Genetic Fallacy
9. The opposition the characters face as they try to reach their goals and objectives
Conflicts
Frigidity
Literal-Mindedness
Resolution
10. Aspects of the play that modify its climaxes
Inciting Action
Biographical Fallacy
Over-reliance on Stage Directions
Recognitions - Reversals - and Catastrophe
11. Referring to whether or not a play utilizes recognitions and reversals
Climaxes
Simple and Complex Plots
Imitative fallacy
Primary Event
12. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Fallacy of Faulty Generalization
Conflicts
Relativist Fallacy
Primary Event
13. Seeking only to imitate rather than illuminate.
Over-reliance on Stage Directions
Fallacy of the Half-Truth
Imitative fallacy
Frigidity
14. Lacking empathy. Not understanding the real human cost explored in the play.
Fallacy of Faulty Generalization
Frigidity
Point of Attack
Relativist Fallacy
15. Focusing on what the play reminds you of rather than what the play says
Affective Fallacy
Resolution
Genetic Fallacy
Recognitions - Reversals - and Catastrophe
16. The event that disrupts forever the normal lives of the characters in the play.
Inciting Action
Primary Event
Fallacy of the Half-Truth
Point of Attack
17. The most important event that happened in the background story
Relativist Fallacy
Fallacy of Faulty Generalization
Primary Event
Conflicts
18. Trusting too much in the opinions of others.
Secondhand Thinking
Recognitions - Reversals - and Catastrophe
Literal-Mindedness
Genetic Fallacy
19. Envisioning the play only as it has been done before.
Over-reliance on Stage Directions
Primary Event
Intentional Fallacy
Secondhand Thinking
20. Seeking only to determine what the playwright meant.
Frigidity
Over-reliance on Stage Directions
Recognitions - Reversals - and Catastrophe
Intentional Fallacy
21. The events that follow the main climax of the play
Fallacy of Faulty Generalization
Resolution
Genetic Fallacy
Point of Attack