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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The event that disrupts forever the normal lives of the characters in the play.
Inciting Action
Fallacy of the Half-Truth
Relativist Fallacy
Resolution
2. The events that follow the main climax of the play
Climaxes
Primary Event
Resolution
Affective Fallacy
3. Seeing the play as only a reflection of the life of the author
Biographical Fallacy
Literal-Mindedness
Fallacy of Illicit Process
Primary Event
4. The most important event that happened in the background story
Primary Event
Fallacy of the Half-Truth
Affective Fallacy
Conflicts
5. Aspects of the play that modify its climaxes
Recognitions - Reversals - and Catastrophe
Climaxes
Relativist Fallacy
Imitative fallacy
6. Using the same explanation for everything.
Over-reliance on Stage Directions
Recognitions - Reversals - and Catastrophe
Fallacy of the Half-Truth
Affective Fallacy
7. Lacking empathy. Not understanding the real human cost explored in the play.
Frigidity
Fallacy of Faulty Generalization
Conflicts
Intentional Fallacy
8. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Conflicts
Simple and Complex Plots
Fallacy of Faulty Generalization
Genetic Fallacy
9. Seeking only to determine what the playwright meant.
Primary Event
Intentional Fallacy
Point of Attack
Fallacy of the Half-Truth
10. Referring to whether or not a play utilizes recognitions and reversals
Frigidity
Simple and Complex Plots
Biographical Fallacy
Climaxes
11. Trusting too much in the opinions of others.
Genetic Fallacy
Secondhand Thinking
Over-reliance on Stage Directions
Relativist Fallacy
12. Refers to where the inciting event occurs in relation to the entirety of the play
Point of Attack
Literal-Mindedness
Recognitions - Reversals - and Catastrophe
Secondhand Thinking
13. Everyday reality is irrelevant to understanding a play as an artistic experience.
Literal-Mindedness
Affective Fallacy
Fallacy of Illicit Process
Over-reliance on Stage Directions
14. Focusing on what the play reminds you of rather than what the play says
Affective Fallacy
Fallacy of the Half-Truth
Primary Event
Literal-Mindedness
15. All points of view are equally valid. Opinion trumps diligent study and practice.
Recognitions - Reversals - and Catastrophe
Over-reliance on Stage Directions
Relativist Fallacy
Primary Event
16. Seeking only to imitate rather than illuminate.
Biographical Fallacy
Genetic Fallacy
Imitative fallacy
Point of Attack
17. Envisioning the play only as it has been done before.
Frigidity
Intentional Fallacy
Over-reliance on Stage Directions
Point of Attack
18. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Secondhand Thinking
Frigidity
Imitative fallacy
Genetic Fallacy
19. The most dramatic and memorable moments of the play
Imitative fallacy
Resolution
Climaxes
Frigidity
20. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Fallacy of Illicit Process
Secondhand Thinking
Affective Fallacy
Biographical Fallacy
21. The opposition the characters face as they try to reach their goals and objectives
Conflicts
Genetic Fallacy
Affective Fallacy
Frigidity