SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Referring to whether or not a play utilizes recognitions and reversals
Simple and Complex Plots
Fallacy of Illicit Process
Resolution
Relativist Fallacy
2. Using the same explanation for everything.
Frigidity
Over-reliance on Stage Directions
Genetic Fallacy
Fallacy of the Half-Truth
3. Seeking only to imitate rather than illuminate.
Literal-Mindedness
Frigidity
Relativist Fallacy
Imitative fallacy
4. The events that follow the main climax of the play
Recognitions - Reversals - and Catastrophe
Inciting Action
Resolution
Literal-Mindedness
5. Everyday reality is irrelevant to understanding a play as an artistic experience.
Secondhand Thinking
Literal-Mindedness
Biographical Fallacy
Affective Fallacy
6. Lacking empathy. Not understanding the real human cost explored in the play.
Inciting Action
Literal-Mindedness
Affective Fallacy
Frigidity
7. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Secondhand Thinking
Literal-Mindedness
Genetic Fallacy
Affective Fallacy
8. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Imitative fallacy
Fallacy of the Half-Truth
Frigidity
Fallacy of Faulty Generalization
9. The most important event that happened in the background story
Primary Event
Imitative fallacy
Inciting Action
Frigidity
10. Trusting too much in the opinions of others.
Conflicts
Recognitions - Reversals - and Catastrophe
Fallacy of Faulty Generalization
Secondhand Thinking
11. Focusing on what the play reminds you of rather than what the play says
Affective Fallacy
Over-reliance on Stage Directions
Genetic Fallacy
Fallacy of Faulty Generalization
12. The event that disrupts forever the normal lives of the characters in the play.
Fallacy of Faulty Generalization
Inciting Action
Primary Event
Affective Fallacy
13. The opposition the characters face as they try to reach their goals and objectives
Conflicts
Relativist Fallacy
Primary Event
Fallacy of Faulty Generalization
14. Seeking only to determine what the playwright meant.
Literal-Mindedness
Intentional Fallacy
Imitative fallacy
Relativist Fallacy
15. Seeing the play as only a reflection of the life of the author
Biographical Fallacy
Climaxes
Simple and Complex Plots
Conflicts
16. Envisioning the play only as it has been done before.
Secondhand Thinking
Fallacy of Illicit Process
Genetic Fallacy
Over-reliance on Stage Directions
17. The most dramatic and memorable moments of the play
Climaxes
Fallacy of Illicit Process
Fallacy of the Half-Truth
Fallacy of Faulty Generalization
18. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Intentional Fallacy
Recognitions - Reversals - and Catastrophe
Fallacy of Illicit Process
Resolution
19. Aspects of the play that modify its climaxes
Secondhand Thinking
Conflicts
Recognitions - Reversals - and Catastrophe
Resolution
20. Refers to where the inciting event occurs in relation to the entirety of the play
Genetic Fallacy
Point of Attack
Biographical Fallacy
Relativist Fallacy
21. All points of view are equally valid. Opinion trumps diligent study and practice.
Relativist Fallacy
Conflicts
Genetic Fallacy
Climaxes