Test your basic knowledge |

Directing Plays

Subject : performing-arts
Instructions:
  • Answer 21 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. All points of view are equally valid. Opinion trumps diligent study and practice.






2. The most important event that happened in the background story






3. Seeking only to imitate rather than illuminate.






4. Everyday reality is irrelevant to understanding a play as an artistic experience.






5. Envisioning the play only as it has been done before.






6. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.






7. Seeing the play as only a reflection of the life of the author






8. The event that disrupts forever the normal lives of the characters in the play.






9. Focusing on what the play reminds you of rather than what the play says






10. Lacking empathy. Not understanding the real human cost explored in the play.






11. Using the same explanation for everything.






12. The opposition the characters face as they try to reach their goals and objectives






13. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.






14. Trusting too much in the opinions of others.






15. The most dramatic and memorable moments of the play






16. Seeking only to determine what the playwright meant.






17. The events that follow the main climax of the play






18. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'






19. Refers to where the inciting event occurs in relation to the entirety of the play






20. Aspects of the play that modify its climaxes






21. Referring to whether or not a play utilizes recognitions and reversals