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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Envisioning the play only as it has been done before.
Imitative fallacy
Primary Event
Over-reliance on Stage Directions
Point of Attack
2. The most important event that happened in the background story
Resolution
Imitative fallacy
Conflicts
Primary Event
3. The opposition the characters face as they try to reach their goals and objectives
Conflicts
Literal-Mindedness
Fallacy of Faulty Generalization
Imitative fallacy
4. Lacking empathy. Not understanding the real human cost explored in the play.
Frigidity
Fallacy of Faulty Generalization
Point of Attack
Affective Fallacy
5. All points of view are equally valid. Opinion trumps diligent study and practice.
Relativist Fallacy
Inciting Action
Primary Event
Affective Fallacy
6. Focusing on what the play reminds you of rather than what the play says
Primary Event
Secondhand Thinking
Affective Fallacy
Simple and Complex Plots
7. Using the same explanation for everything.
Fallacy of Faulty Generalization
Fallacy of the Half-Truth
Biographical Fallacy
Imitative fallacy
8. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Fallacy of Faulty Generalization
Frigidity
Relativist Fallacy
Fallacy of the Half-Truth
9. Refers to where the inciting event occurs in relation to the entirety of the play
Genetic Fallacy
Point of Attack
Over-reliance on Stage Directions
Conflicts
10. Aspects of the play that modify its climaxes
Frigidity
Fallacy of Illicit Process
Affective Fallacy
Recognitions - Reversals - and Catastrophe
11. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Biographical Fallacy
Secondhand Thinking
Genetic Fallacy
Frigidity
12. Trusting too much in the opinions of others.
Secondhand Thinking
Frigidity
Affective Fallacy
Primary Event
13. The event that disrupts forever the normal lives of the characters in the play.
Simple and Complex Plots
Fallacy of the Half-Truth
Inciting Action
Point of Attack
14. The events that follow the main climax of the play
Fallacy of Illicit Process
Literal-Mindedness
Fallacy of the Half-Truth
Resolution
15. Referring to whether or not a play utilizes recognitions and reversals
Primary Event
Intentional Fallacy
Simple and Complex Plots
Imitative fallacy
16. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Simple and Complex Plots
Secondhand Thinking
Fallacy of Illicit Process
Inciting Action
17. Seeking only to imitate rather than illuminate.
Point of Attack
Intentional Fallacy
Frigidity
Imitative fallacy
18. Everyday reality is irrelevant to understanding a play as an artistic experience.
Literal-Mindedness
Recognitions - Reversals - and Catastrophe
Inciting Action
Affective Fallacy
19. Seeking only to determine what the playwright meant.
Resolution
Intentional Fallacy
Relativist Fallacy
Secondhand Thinking
20. The most dramatic and memorable moments of the play
Climaxes
Simple and Complex Plots
Imitative fallacy
Recognitions - Reversals - and Catastrophe
21. Seeing the play as only a reflection of the life of the author
Affective Fallacy
Resolution
Imitative fallacy
Biographical Fallacy