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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Fallacy of Illicit Process
Frigidity
Biographical Fallacy
Intentional Fallacy
2. Seeking only to imitate rather than illuminate.
Genetic Fallacy
Fallacy of Illicit Process
Biographical Fallacy
Imitative fallacy
3. The most dramatic and memorable moments of the play
Fallacy of Faulty Generalization
Point of Attack
Climaxes
Inciting Action
4. The most important event that happened in the background story
Over-reliance on Stage Directions
Frigidity
Biographical Fallacy
Primary Event
5. Aspects of the play that modify its climaxes
Fallacy of Faulty Generalization
Conflicts
Recognitions - Reversals - and Catastrophe
Biographical Fallacy
6. Everyday reality is irrelevant to understanding a play as an artistic experience.
Imitative fallacy
Intentional Fallacy
Point of Attack
Literal-Mindedness
7. Focusing on what the play reminds you of rather than what the play says
Fallacy of Illicit Process
Affective Fallacy
Imitative fallacy
Frigidity
8. The event that disrupts forever the normal lives of the characters in the play.
Inciting Action
Intentional Fallacy
Climaxes
Resolution
9. The opposition the characters face as they try to reach their goals and objectives
Conflicts
Simple and Complex Plots
Inciting Action
Imitative fallacy
10. Trusting too much in the opinions of others.
Recognitions - Reversals - and Catastrophe
Over-reliance on Stage Directions
Secondhand Thinking
Relativist Fallacy
11. Lacking empathy. Not understanding the real human cost explored in the play.
Simple and Complex Plots
Intentional Fallacy
Genetic Fallacy
Frigidity
12. Referring to whether or not a play utilizes recognitions and reversals
Fallacy of Illicit Process
Fallacy of Faulty Generalization
Simple and Complex Plots
Inciting Action
13. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Secondhand Thinking
Recognitions - Reversals - and Catastrophe
Genetic Fallacy
Resolution
14. Refers to where the inciting event occurs in relation to the entirety of the play
Secondhand Thinking
Imitative fallacy
Biographical Fallacy
Point of Attack
15. All points of view are equally valid. Opinion trumps diligent study and practice.
Fallacy of the Half-Truth
Over-reliance on Stage Directions
Relativist Fallacy
Intentional Fallacy
16. Envisioning the play only as it has been done before.
Over-reliance on Stage Directions
Fallacy of Illicit Process
Inciting Action
Intentional Fallacy
17. Seeking only to determine what the playwright meant.
Literal-Mindedness
Climaxes
Affective Fallacy
Intentional Fallacy
18. Using the same explanation for everything.
Climaxes
Relativist Fallacy
Primary Event
Fallacy of the Half-Truth
19. The events that follow the main climax of the play
Secondhand Thinking
Resolution
Over-reliance on Stage Directions
Inciting Action
20. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Point of Attack
Fallacy of Faulty Generalization
Relativist Fallacy
Resolution
21. Seeing the play as only a reflection of the life of the author
Fallacy of Illicit Process
Climaxes
Inciting Action
Biographical Fallacy