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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer
21
questions in
15 minutes
.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The most dramatic and memorable moments of the play
Climaxes
Resolution
Literal-Mindedness
Biographical Fallacy
2. Everyday reality is irrelevant to understanding a play as an artistic experience.
Literal-Mindedness
Fallacy of Illicit Process
Conflicts
Imitative fallacy
3. Envisioning the play only as it has been done before.
Affective Fallacy
Climaxes
Over-reliance on Stage Directions
Literal-Mindedness
4. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Intentional Fallacy
Over-reliance on Stage Directions
Imitative fallacy
Fallacy of Illicit Process
5. Using the same explanation for everything.
Recognitions - Reversals - and Catastrophe
Fallacy of the Half-Truth
Literal-Mindedness
Fallacy of Faulty Generalization
6. The events that follow the main climax of the play
Resolution
Inciting Action
Literal-Mindedness
Primary Event
7. Lacking empathy. Not understanding the real human cost explored in the play.
Over-reliance on Stage Directions
Genetic Fallacy
Frigidity
Recognitions - Reversals - and Catastrophe
8. Seeing the play as only a reflection of the life of the author
Primary Event
Over-reliance on Stage Directions
Intentional Fallacy
Biographical Fallacy
9. The most important event that happened in the background story
Fallacy of the Half-Truth
Fallacy of Illicit Process
Over-reliance on Stage Directions
Primary Event
10. Referring to whether or not a play utilizes recognitions and reversals
Conflicts
Simple and Complex Plots
Frigidity
Imitative fallacy
11. Aspects of the play that modify its climaxes
Recognitions - Reversals - and Catastrophe
Frigidity
Fallacy of Illicit Process
Point of Attack
12. Trusting too much in the opinions of others.
Over-reliance on Stage Directions
Conflicts
Resolution
Secondhand Thinking
13. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Inciting Action
Genetic Fallacy
Imitative fallacy
Frigidity
14. Refers to where the inciting event occurs in relation to the entirety of the play
Fallacy of the Half-Truth
Imitative fallacy
Over-reliance on Stage Directions
Point of Attack
15. The opposition the characters face as they try to reach their goals and objectives
Point of Attack
Conflicts
Literal-Mindedness
Intentional Fallacy
16. Seeking only to imitate rather than illuminate.
Imitative fallacy
Intentional Fallacy
Point of Attack
Conflicts
17. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Frigidity
Fallacy of the Half-Truth
Biographical Fallacy
Fallacy of Faulty Generalization
18. The event that disrupts forever the normal lives of the characters in the play.
Conflicts
Inciting Action
Climaxes
Relativist Fallacy
19. Focusing on what the play reminds you of rather than what the play says
Simple and Complex Plots
Affective Fallacy
Resolution
Genetic Fallacy
20. All points of view are equally valid. Opinion trumps diligent study and practice.
Relativist Fallacy
Fallacy of Illicit Process
Over-reliance on Stage Directions
Climaxes
21. Seeking only to determine what the playwright meant.
Affective Fallacy
Imitative fallacy
Fallacy of Illicit Process
Intentional Fallacy