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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Seeking only to imitate rather than illuminate.
Imitative fallacy
Fallacy of the Half-Truth
Frigidity
Climaxes
2. The events that follow the main climax of the play
Fallacy of the Half-Truth
Imitative fallacy
Primary Event
Resolution
3. The event that disrupts forever the normal lives of the characters in the play.
Affective Fallacy
Over-reliance on Stage Directions
Inciting Action
Conflicts
4. Lacking empathy. Not understanding the real human cost explored in the play.
Imitative fallacy
Climaxes
Frigidity
Over-reliance on Stage Directions
5. The opposition the characters face as they try to reach their goals and objectives
Biographical Fallacy
Secondhand Thinking
Conflicts
Simple and Complex Plots
6. The most important event that happened in the background story
Simple and Complex Plots
Recognitions - Reversals - and Catastrophe
Primary Event
Fallacy of Faulty Generalization
7. Refers to where the inciting event occurs in relation to the entirety of the play
Relativist Fallacy
Intentional Fallacy
Biographical Fallacy
Point of Attack
8. Referring to whether or not a play utilizes recognitions and reversals
Primary Event
Genetic Fallacy
Simple and Complex Plots
Affective Fallacy
9. Trusting too much in the opinions of others.
Biographical Fallacy
Simple and Complex Plots
Secondhand Thinking
Primary Event
10. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Frigidity
Fallacy of Illicit Process
Affective Fallacy
Resolution
11. Everyday reality is irrelevant to understanding a play as an artistic experience.
Resolution
Over-reliance on Stage Directions
Literal-Mindedness
Fallacy of Illicit Process
12. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Fallacy of Faulty Generalization
Simple and Complex Plots
Climaxes
Intentional Fallacy
13. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Genetic Fallacy
Recognitions - Reversals - and Catastrophe
Fallacy of Faulty Generalization
Fallacy of Illicit Process
14. Envisioning the play only as it has been done before.
Over-reliance on Stage Directions
Fallacy of Faulty Generalization
Imitative fallacy
Frigidity
15. All points of view are equally valid. Opinion trumps diligent study and practice.
Recognitions - Reversals - and Catastrophe
Fallacy of the Half-Truth
Relativist Fallacy
Imitative fallacy
16. Focusing on what the play reminds you of rather than what the play says
Simple and Complex Plots
Affective Fallacy
Resolution
Fallacy of Faulty Generalization
17. Using the same explanation for everything.
Fallacy of the Half-Truth
Resolution
Relativist Fallacy
Affective Fallacy
18. Seeking only to determine what the playwright meant.
Fallacy of the Half-Truth
Genetic Fallacy
Intentional Fallacy
Frigidity
19. The most dramatic and memorable moments of the play
Primary Event
Climaxes
Frigidity
Inciting Action
20. Aspects of the play that modify its climaxes
Recognitions - Reversals - and Catastrophe
Intentional Fallacy
Resolution
Conflicts
21. Seeing the play as only a reflection of the life of the author
Biographical Fallacy
Affective Fallacy
Literal-Mindedness
Fallacy of Faulty Generalization