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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Imitative fallacy
Simple and Complex Plots
Fallacy of Faulty Generalization
Conflicts
2. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Fallacy of Illicit Process
Fallacy of Faulty Generalization
Affective Fallacy
Relativist Fallacy
3. Seeking only to determine what the playwright meant.
Affective Fallacy
Intentional Fallacy
Recognitions - Reversals - and Catastrophe
Frigidity
4. Refers to where the inciting event occurs in relation to the entirety of the play
Over-reliance on Stage Directions
Secondhand Thinking
Point of Attack
Conflicts
5. All points of view are equally valid. Opinion trumps diligent study and practice.
Inciting Action
Relativist Fallacy
Affective Fallacy
Literal-Mindedness
6. Envisioning the play only as it has been done before.
Over-reliance on Stage Directions
Frigidity
Genetic Fallacy
Inciting Action
7. Seeing the play as only a reflection of the life of the author
Biographical Fallacy
Primary Event
Fallacy of Illicit Process
Fallacy of the Half-Truth
8. The event that disrupts forever the normal lives of the characters in the play.
Affective Fallacy
Resolution
Point of Attack
Inciting Action
9. Aspects of the play that modify its climaxes
Conflicts
Primary Event
Over-reliance on Stage Directions
Recognitions - Reversals - and Catastrophe
10. Focusing on what the play reminds you of rather than what the play says
Affective Fallacy
Fallacy of Faulty Generalization
Secondhand Thinking
Simple and Complex Plots
11. Using the same explanation for everything.
Primary Event
Fallacy of the Half-Truth
Climaxes
Literal-Mindedness
12. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Literal-Mindedness
Simple and Complex Plots
Genetic Fallacy
Recognitions - Reversals - and Catastrophe
13. Everyday reality is irrelevant to understanding a play as an artistic experience.
Conflicts
Point of Attack
Literal-Mindedness
Climaxes
14. Seeking only to imitate rather than illuminate.
Imitative fallacy
Fallacy of Illicit Process
Affective Fallacy
Literal-Mindedness
15. Trusting too much in the opinions of others.
Frigidity
Affective Fallacy
Relativist Fallacy
Secondhand Thinking
16. The most dramatic and memorable moments of the play
Imitative fallacy
Intentional Fallacy
Climaxes
Fallacy of Faulty Generalization
17. Lacking empathy. Not understanding the real human cost explored in the play.
Imitative fallacy
Primary Event
Frigidity
Conflicts
18. Referring to whether or not a play utilizes recognitions and reversals
Literal-Mindedness
Fallacy of Illicit Process
Relativist Fallacy
Simple and Complex Plots
19. The events that follow the main climax of the play
Conflicts
Resolution
Simple and Complex Plots
Affective Fallacy
20. The most important event that happened in the background story
Fallacy of Faulty Generalization
Literal-Mindedness
Primary Event
Relativist Fallacy
21. The opposition the characters face as they try to reach their goals and objectives
Resolution
Conflicts
Primary Event
Intentional Fallacy