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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The most dramatic and memorable moments of the play
Fallacy of Faulty Generalization
Climaxes
Simple and Complex Plots
Intentional Fallacy
2. The event that disrupts forever the normal lives of the characters in the play.
Relativist Fallacy
Secondhand Thinking
Inciting Action
Fallacy of Illicit Process
3. Refers to where the inciting event occurs in relation to the entirety of the play
Point of Attack
Fallacy of Illicit Process
Resolution
Simple and Complex Plots
4. Using the same explanation for everything.
Fallacy of the Half-Truth
Intentional Fallacy
Affective Fallacy
Simple and Complex Plots
5. Everyday reality is irrelevant to understanding a play as an artistic experience.
Relativist Fallacy
Literal-Mindedness
Over-reliance on Stage Directions
Intentional Fallacy
6. All points of view are equally valid. Opinion trumps diligent study and practice.
Genetic Fallacy
Biographical Fallacy
Relativist Fallacy
Fallacy of Faulty Generalization
7. Aspects of the play that modify its climaxes
Primary Event
Recognitions - Reversals - and Catastrophe
Point of Attack
Resolution
8. Focusing on what the play reminds you of rather than what the play says
Conflicts
Climaxes
Inciting Action
Affective Fallacy
9. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Frigidity
Recognitions - Reversals - and Catastrophe
Over-reliance on Stage Directions
Fallacy of Illicit Process
10. Seeking only to determine what the playwright meant.
Secondhand Thinking
Genetic Fallacy
Intentional Fallacy
Inciting Action
11. Trusting too much in the opinions of others.
Secondhand Thinking
Inciting Action
Simple and Complex Plots
Point of Attack
12. Lacking empathy. Not understanding the real human cost explored in the play.
Frigidity
Literal-Mindedness
Resolution
Simple and Complex Plots
13. Referring to whether or not a play utilizes recognitions and reversals
Affective Fallacy
Secondhand Thinking
Simple and Complex Plots
Point of Attack
14. Envisioning the play only as it has been done before.
Over-reliance on Stage Directions
Fallacy of Faulty Generalization
Point of Attack
Recognitions - Reversals - and Catastrophe
15. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Fallacy of Faulty Generalization
Recognitions - Reversals - and Catastrophe
Over-reliance on Stage Directions
Primary Event
16. Seeking only to imitate rather than illuminate.
Imitative fallacy
Fallacy of Faulty Generalization
Primary Event
Affective Fallacy
17. The most important event that happened in the background story
Fallacy of Faulty Generalization
Point of Attack
Over-reliance on Stage Directions
Primary Event
18. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Frigidity
Genetic Fallacy
Over-reliance on Stage Directions
Biographical Fallacy
19. The opposition the characters face as they try to reach their goals and objectives
Conflicts
Secondhand Thinking
Over-reliance on Stage Directions
Fallacy of Illicit Process
20. The events that follow the main climax of the play
Genetic Fallacy
Affective Fallacy
Intentional Fallacy
Resolution
21. Seeing the play as only a reflection of the life of the author
Biographical Fallacy
Frigidity
Literal-Mindedness
Point of Attack