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Test your basic knowledge |
Directing Plays
Start Test
Study First
Subject
:
performing-arts
Instructions:
Answer 21 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The event that disrupts forever the normal lives of the characters in the play.
Simple and Complex Plots
Over-reliance on Stage Directions
Conflicts
Inciting Action
2. Everyday reality is irrelevant to understanding a play as an artistic experience.
Secondhand Thinking
Affective Fallacy
Primary Event
Literal-Mindedness
3. Using the same explanation for everything.
Imitative fallacy
Over-reliance on Stage Directions
Recognitions - Reversals - and Catastrophe
Fallacy of the Half-Truth
4. Using the words 'all' or 'never' to explain a play. Jumping to a conclusion without examining all the supporting evidence.
Climaxes
Recognitions - Reversals - and Catastrophe
Affective Fallacy
Fallacy of Faulty Generalization
5. Envisioning the play only as it has been done before.
Frigidity
Resolution
Over-reliance on Stage Directions
Recognitions - Reversals - and Catastrophe
6. Seeking only to imitate rather than illuminate.
Literal-Mindedness
Affective Fallacy
Relativist Fallacy
Imitative fallacy
7. Seeking only to determine what the playwright meant.
Conflicts
Secondhand Thinking
Biographical Fallacy
Intentional Fallacy
8. Aspects of the play that modify its climaxes
Recognitions - Reversals - and Catastrophe
Genetic Fallacy
Imitative fallacy
Inciting Action
9. Lacking empathy. Not understanding the real human cost explored in the play.
Affective Fallacy
Frigidity
Genetic Fallacy
Fallacy of Illicit Process
10. The events that follow the main climax of the play
Fallacy of Faulty Generalization
Literal-Mindedness
Genetic Fallacy
Resolution
11. Refers to where the inciting event occurs in relation to the entirety of the play
Point of Attack
Inciting Action
Over-reliance on Stage Directions
Fallacy of the Half-Truth
12. All points of view are equally valid. Opinion trumps diligent study and practice.
Point of Attack
Over-reliance on Stage Directions
Recognitions - Reversals - and Catastrophe
Relativist Fallacy
13. The most dramatic and memorable moments of the play
Climaxes
Inciting Action
Point of Attack
Recognitions - Reversals - and Catastrophe
14. Referring to whether or not a play utilizes recognitions and reversals
Climaxes
Simple and Complex Plots
Imitative fallacy
Fallacy of Faulty Generalization
15. Seeing the play as only a reflection of the life of the author
Relativist Fallacy
Inciting Action
Secondhand Thinking
Biographical Fallacy
16. Trusting too much in the opinions of others.
Imitative fallacy
Recognitions - Reversals - and Catastrophe
Secondhand Thinking
Climaxes
17. Reducing complex issues down to one thing. The use of statments like - 'This play is nothing but a...'
Frigidity
Resolution
Fallacy of the Half-Truth
Fallacy of Illicit Process
18. The opposition the characters face as they try to reach their goals and objectives
Conflicts
Relativist Fallacy
Imitative fallacy
Recognitions - Reversals - and Catastrophe
19. Focusing on what the play reminds you of rather than what the play says
Simple and Complex Plots
Affective Fallacy
Relativist Fallacy
Over-reliance on Stage Directions
20. The most important event that happened in the background story
Imitative fallacy
Over-reliance on Stage Directions
Primary Event
Fallacy of Faulty Generalization
21. Worrying more about the origins of a play - its place in history - or the world of the playwright than what the play says about itself.
Affective Fallacy
Genetic Fallacy
Point of Attack
Relativist Fallacy