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Test your basic knowledge |
Film Directing Exam
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Why is it not a good idea to tell an actor after a take to 'do exactly what you just did?
Call sheets
Repetition is the death of creativity
You want to be there not looking at a screen.
Their tactic verbs - you set up the situation for the actor.
2. What does 'raising the stakes' mean in terms of directing actors?
They Need to observe
What they gain.
To be a mirror
When the director and explains what they need to project. Through needs and wants.
3. Why is crew hierarchy important on a set?
it's portable
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
makes running a set more efficient
edit suite
4. Three important direction to give an actor.
So the editor doesn't have to look through footage
Repetition is the death of creativity
What do they want - what they want from each other - and how can they get it.
Director
5. If as a PA on a set you notice a boom reflection in a toaster on the set - who should you talk to?
So that you can per pare for the set up with camera movements and lenses.
In visioning a result
Why not - b roll helps tell the story
Report to the 1st AD
6. Why is craft services important?
it's portable
In visioning a result
Because a hungry crew is a angry crew.
Camera movement
7. Three important direction to give an actor.
To eyes of the audience.
moves and sets the direction of DOP.
So the editor doesn't have to look through footage
What do they want - what they want from each other - and how can they get it.
8. In directing a film - what is a director's primary goal?
Because a hungry crew is a angry crew.
To eyes of the audience.
So that you can per pare for the set up with camera movements and lenses.
Call sheets
9. Name an important aspect of conducting an interview in a documentary.
makes running a set more efficient
Who's scene is it
Camera movement
Eye contact
10. Why is it important to pre-interview your documentary subject?
What do they want - what they want from each other - and how can they get it.
Director
What they gain.
To have an idea of how they talk
11. If as a PA on a set you notice a boom reflection in a toaster on the set - who should you talk to?
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
Their tactic verbs - you set up the situation for the actor.
Report to the 1st AD
it's portable
12. What is the importance of close-ups?
Conversion
Who's scene is it
Emotions and emphasis
Call sheets
13. Why shouldn't a director read with the actors during the casting?
Why not - b roll helps tell the story
They Need to observe
Their tactic verbs - you set up the situation for the actor.
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
14. Why is it a good idea to cross out scene/stage direction from a script once you have begun rehearsing it? What should not be crossed out?
Yes cross out so they can focus more
Because that's result direction.
Eye contact
Report to the 1st AD
15. Who should ideally say 'Action' and 'Cut' on set? Why
In visioning a result
What do they want - what they want from each other - and how can they get it.
Director
Issue of power and sex
16. What is meant by 'crossing the axis' by 'coverage?'
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
Emotions and emphasis
They Need to observe
Because a hungry crew is a angry crew.
17. Why should give compliments or suggestions to the actors on a set?
Issue of power and sex
Director
Their tactic verbs - you set up the situation for the actor.
Because that's result direction.
18. What is the directors ultimate duty to an actor?
Report to the 1st AD
Keys
To be a mirror
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
19. Why is it important to mark a script with camera setups?
Repetition is the death of creativity
So that you can per pare for the set up with camera movements and lenses.
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
moves and sets the direction of DOP.
20. What does a drawn storyboard give you information about that a written storyboard will not?
Eye contact
Director
Because a hungry crew is a angry crew.
Camera movement
21. What is meant by 'crossing the axis' by 'coverage?'
Pictorial representation of the film
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
Eye contact
B-Roll
22. What is the relationship of the storyboard to the shot list?
Tell a story
To eyes of the audience.
Pictorial representation of the film
the shot list is a list that obtains storyboard and additional coverage
23. Name an important aspect of conducting an interview in a documentary.
Issue of power and sex
it's portable
Eye contact
Show commitment show ability to perform
24. What does a drawn storyboard give you information about that a written storyboard will not?
Camera movement
To eyes of the audience.
Yes cross out so they can focus more
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
25. A documentary is created in the...
So that you can per pare for the set up with camera movements and lenses.
edit suite
They Need to observe
the shot list is a list that obtains storyboard and additional coverage
26. Name two of the most frequent central conflicts of scenes.
Director
Issue of power and sex
edit suite
Camera movement
27. What is the role of the assistant director in both pre-production and production?
To eyes of the audience.
Call sheets
Their tactic verbs - you set up the situation for the actor.
Tell a story
28. In pre production who others that actors should the director hold meetings with?
Yes cross out so they can focus more
Keys
What they gain.
B-Roll
29. Why do you do a callback?
You want to be there not looking at a screen.
Show commitment show ability to perform
Because that's result direction.
Call sheets
30. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?
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31. Why is it important to do a paper edit for a documentary?
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32. Why is craft services important?
B-Roll
makes running a set more efficient
Because a hungry crew is a angry crew.
So the editor doesn't have to look through footage
33. Why should give compliments or suggestions to the actors on a set?
Who's scene is it
Director
To have an idea of how they talk
moves and sets the direction of DOP.
34. Why is it not a good idea to tell an actor after a take to 'do exactly what you just did?
Repetition is the death of creativity
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
What do they want - what they want from each other - and how can they get it.
Because a hungry crew is a angry crew.
35. What is meant in 'actors language' by the word action - how is it expressed?
Their tactic verbs - you set up the situation for the actor.
What they gain.
moves and sets the direction of DOP.
edit suite
36. What is the relationship of the storyboard to the shot list?
the shot list is a list that obtains storyboard and additional coverage
In visioning a result
Result direction
Conversion
37. Name two of the most frequent central conflicts of scenes.
Result direction
Conversion
Issue of power and sex
Report to the 1st AD
38. Should you demonstrate how a line should be said to an actor? Why or why not?
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39. What is a story bored
Pictorial representation of the film
Issue of power and sex
To be a mirror
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
40. What does gaffer do?
Camera movement
They Need to observe
moves and sets the direction of DOP.
edit suite
41. What is the role of the assistant director in both pre-production and production?
Keys
Call sheets
When the director and explains what they need to project. Through needs and wants.
B-Roll
42. What is a story bored
the shot list is a list that obtains storyboard and additional coverage
Report to the 1st AD
Pictorial representation of the film
What do they want - what they want from each other - and how can they get it.
43. In directing a film - what is a director's primary goal?
Report to the 1st AD
Show commitment show ability to perform
To eyes of the audience.
What they gain.
44. In pre production who others that actors should the director hold meetings with?
To have an idea of how they talk
Keys
B-Roll
Result direction
45. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?
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46. What in documentary shooting terms - is meant by a sequence.
To eyes of the audience.
B-Roll
Emotions and emphasis
edit suite
47. Do you shoot b-roll with a subject or interview them first? Why or why not?
What do they want - what they want from each other - and how can they get it.
edit suite
Result direction
Why not - b roll helps tell the story
48. Why is it important to do a paper edit for a documentary?
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49. Why is it important to mark a script with camera setups?
it's portable
Issue of power and sex
Because a hungry crew is a angry crew.
So that you can per pare for the set up with camera movements and lenses.
50. What is the importance of close-ups?
Sitting and standing is more powerful
it's portable
Emotions and emphasis
Issue of power and sex