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Film Directing Exam

Subjects : performing-arts, film
Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A documentary is created in the...






2. Directors Dramatic Breakdown






3. What is the role of the assistant director in both pre-production and production?






4. Why is it a good idea to cross out scene/stage direction from a script once you have begun rehearsing it? What should not be crossed out?






5. Why is crew hierarchy important on a set?






6. What is the directors ultimate duty to an actor?






7. Name two of the most frequent central conflicts of scenes.






8. Three important direction to give an actor.






9. In pre production who others that actors should the director hold meetings with?






10. What is result direction?






11. Give an example of using blocking to enhance the dramatic content of a scene between two people?






12. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?






13. Name two of the most frequent central conflicts of scenes.






14. Why should you not tell an actor what to feel?






15. What in documentary shooting terms - is meant by a sequence.






16. Three important direction to give an actor.






17. Why should you not tell an actor what to feel?






18. In directing a film - what is a director's primary goal?






19. Why is crew hierarchy important on a set?






20. Why is it not a good idea to tell an actor after a take to 'do exactly what you just did?






21. What is the role of the assistant director in both pre-production and production?






22. Why should give compliments or suggestions to the actors on a set?






23. What is meant in 'actors language' by the word action - how is it expressed?






24. Why is it important to mark a script with camera setups?






25. What does 'raising the stakes' mean in terms of directing actors?






26. Do you shoot b-roll with a subject or interview them first? Why or why not?






27. Who should ideally say 'Action' and 'Cut' on set? Why






28. Should you demonstrate how a line should be said to an actor? Why or why not?


29. Why do you do a callback?






30. What is the importance of close-ups?






31. What is the relationship of the storyboard to the shot list?






32. Why is craft services important?






33. What does gaffer do?






34. Why is craft services important?






35. Why is it important to do a paper edit for a documentary?


36. Who should ideally say 'Action' and 'Cut' on set? Why






37. What is meant in 'actors language' by the word action - how is it expressed?






38. If as a PA on a set you notice a boom reflection in a toaster on the set - who should you talk to?






39. What is a story bored






40. What does a drawn storyboard give you information about that a written storyboard will not?






41. Why is it a good idea to cross out scene/stage direction from a script once you have begun rehearsing it? What should not be crossed out?






42. What is the importance of close-ups?






43. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?


44. In directing a film - what is a director's primary goal?






45. Give an example of using blocking to enhance the dramatic content of a scene between two people?






46. What is the benefit of a written story bored over a drawn storyboard?


47. What is meant by 'crossing the axis' by 'coverage?'






48. What does a drawn storyboard give you information about that a written storyboard will not?






49. What is the benefit of a written story bored over a drawn storyboard?


50. Why is it important to do a paper edit for a documentary?