Test your basic knowledge |

Film Directing Exam

Subjects : performing-arts, film
Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Give an example of using blocking to enhance the dramatic content of a scene between two people?






2. Why should give compliments or suggestions to the actors on a set?






3. Name two of the most frequent central conflicts of scenes.






4. What is the directors ultimate duty to an actor?






5. What is the role of the assistant director in both pre-production and production?






6. In pre production who others that actors should the director hold meetings with?






7. A documentary is created in the...






8. Do you shoot b-roll with a subject or interview them first? Why or why not?






9. Why is it important to pre-interview your documentary subject?






10. What in documentary shooting terms - is meant by a sequence.






11. Why shouldn't a director read with the actors during the casting?






12. Name an important aspect of conducting an interview in a documentary.






13. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?

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14. What does 'raising the stakes' mean in terms of directing actors?






15. What is the role of the assistant director in both pre-production and production?






16. Why is it not a good idea to tell an actor after a take to 'do exactly what you just did?






17. Who should ideally say 'Action' and 'Cut' on set? Why






18. Why is it important to mark a script with camera setups?






19. Why is it a good idea to cross out scene/stage direction from a script once you have begun rehearsing it? What should not be crossed out?






20. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?






21. Give an example of using blocking to enhance the dramatic content of a scene between two people?






22. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?

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23. What in documentary shooting terms - is meant by a sequence.






24. What is result direction?






25. What does gaffer do?






26. What is a story bored






27. If as a PA on a set you notice a boom reflection in a toaster on the set - who should you talk to?






28. Why should you not tell an actor what to feel?






29. In pre production who others that actors should the director hold meetings with?






30. What is meant by 'crossing the axis' by 'coverage?'






31. Should you demonstrate how a line should be said to an actor? Why or why not?

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32. What is the benefit of a written story bored over a drawn storyboard?

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33. Why is crew hierarchy important on a set?






34. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?






35. What is the point of a director on fiction and doc.






36. What is a pitch in one world?






37. What is the importance of close-ups?






38. What is meant in 'actors language' by the word action - how is it expressed?






39. What is a story bored






40. What is a pitch in one world?






41. Name an important aspect of conducting an interview in a documentary.






42. What does a drawn storyboard give you information about that a written storyboard will not?






43. In directing a film - what is a director's primary goal?






44. What is the directors ultimate duty to an actor?






45. Why is it important to do a paper edit for a documentary?

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46. Why do you do a callback?






47. What is the importance of close-ups?






48. In directing a film - what is a director's primary goal?






49. What is the relationship of the storyboard to the shot list?






50. Why is it important to do a paper edit for a documentary?

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