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Test your basic knowledge |
Film Directing Exam
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A documentary is created in the...
B-Roll
Director
edit suite
Pictorial representation of the film
2. What is result direction?
In visioning a result
Conversion
Result direction
Report to the 1st AD
3. Why should you not tell an actor what to feel?
Conversion
Director
Result direction
Why not - b roll helps tell the story
4. What is the point of a director on fiction and doc.
Because that's result direction.
Call sheets
Tell a story
Because a hungry crew is a angry crew.
5. A documentary is created in the...
You want to be there not looking at a screen.
Show commitment show ability to perform
edit suite
Who's scene is it
6. Why do you do a callback?
Show commitment show ability to perform
So that you can per pare for the set up with camera movements and lenses.
Eye contact
Camera movement
7. Name an important aspect of conducting an interview in a documentary.
In visioning a result
Why not - b roll helps tell the story
Eye contact
When the director and explains what they need to project. Through needs and wants.
8. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?
9. What is the benefit of a written story bored over a drawn storyboard?
10. What is the importance of close-ups?
Eye contact
So that you can per pare for the set up with camera movements and lenses.
it's portable
Emotions and emphasis
11. In directing a film - what is a director's primary goal?
Keys
Emotions and emphasis
Pictorial representation of the film
To eyes of the audience.
12. Name two of the most frequent central conflicts of scenes.
Eye contact
B-Roll
Keys
Issue of power and sex
13. Why do you do a callback?
When the director and explains what they need to project. Through needs and wants.
edit suite
Show commitment show ability to perform
moves and sets the direction of DOP.
14. Directors Dramatic Breakdown
When the director and explains what they need to project. Through needs and wants.
Director
Eye contact
B-Roll
15. What is the relationship of the storyboard to the shot list?
What they gain.
the shot list is a list that obtains storyboard and additional coverage
Tell a story
Report to the 1st AD
16. Do you shoot b-roll with a subject or interview them first? Why or why not?
Show commitment show ability to perform
Why not - b roll helps tell the story
Report to the 1st AD
Eye contact
17. Why should give compliments or suggestions to the actors on a set?
Director
Conversion
Who's scene is it
Result direction
18. Who should ideally say 'Action' and 'Cut' on set? Why
They Need to observe
Keys
Repetition is the death of creativity
Director
19. If as a PA on a set you notice a boom reflection in a toaster on the set - who should you talk to?
Director
Report to the 1st AD
To be a mirror
it's portable
20. What is meant in 'actors language' by the word action - how is it expressed?
edit suite
the shot list is a list that obtains storyboard and additional coverage
Their tactic verbs - you set up the situation for the actor.
B-Roll
21. Give an example of using blocking to enhance the dramatic content of a scene between two people?
To be a mirror
Sitting and standing is more powerful
Pictorial representation of the film
So the editor doesn't have to look through footage
22. Should you demonstrate how a line should be said to an actor? Why or why not?
23. What is a story bored
Emotions and emphasis
Pictorial representation of the film
Issue of power and sex
In visioning a result
24. What is the point of a director on fiction and doc.
Tell a story
You want to be there not looking at a screen.
To be a mirror
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
25. What does a drawn storyboard give you information about that a written storyboard will not?
B-Roll
the shot list is a list that obtains storyboard and additional coverage
Who's scene is it
Camera movement
26. Name an important aspect of conducting an interview in a documentary.
the shot list is a list that obtains storyboard and additional coverage
Tell a story
Eye contact
In visioning a result
27. Why is it not a good idea to tell an actor after a take to 'do exactly what you just did?
To eyes of the audience.
Repetition is the death of creativity
So the editor doesn't have to look through footage
the shot list is a list that obtains storyboard and additional coverage
28. Why is craft services important?
Because a hungry crew is a angry crew.
Camera movement
Issue of power and sex
Emotions and emphasis
29. Directors Dramatic Breakdown
moves and sets the direction of DOP.
the shot list is a list that obtains storyboard and additional coverage
Because a hungry crew is a angry crew.
When the director and explains what they need to project. Through needs and wants.
30. Why is it important to do a paper edit for a documentary?
31. Why is craft services important?
Sitting and standing is more powerful
Emotions and emphasis
Because a hungry crew is a angry crew.
They Need to observe
32. What is meant by 'crossing the axis' by 'coverage?'
Issue of power and sex
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
In visioning a result
Pictorial representation of the film
33. Why is it important to do a paper edit for a documentary?
34. What is a story bored
To be a mirror
What do they want - what they want from each other - and how can they get it.
Pictorial representation of the film
To eyes of the audience.
35. What is result direction?
So the editor doesn't have to look through footage
So that you can per pare for the set up with camera movements and lenses.
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
In visioning a result
36. What is the role of the assistant director in both pre-production and production?
Call sheets
To eyes of the audience.
To have an idea of how they talk
Report to the 1st AD
37. Why should give compliments or suggestions to the actors on a set?
Pictorial representation of the film
Report to the 1st AD
Director
What do they want - what they want from each other - and how can they get it.
38. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?
39. What does gaffer do?
Why not - b roll helps tell the story
moves and sets the direction of DOP.
Issue of power and sex
Director
40. Give an example of using blocking to enhance the dramatic content of a scene between two people?
In visioning a result
B-Roll
Call sheets
Sitting and standing is more powerful
41. What is the directors ultimate duty to an actor?
Result direction
To be a mirror
Show commitment show ability to perform
Why not - b roll helps tell the story
42. What does 'raising the stakes' mean in terms of directing actors?
You want to be there not looking at a screen.
makes running a set more efficient
What they gain.
Because a hungry crew is a angry crew.
43. Why is it important to pre-interview your documentary subject?
Call sheets
moves and sets the direction of DOP.
To have an idea of how they talk
makes running a set more efficient
44. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?
Repetition is the death of creativity
When the director and explains what they need to project. Through needs and wants.
You want to be there not looking at a screen.
Conversion
45. Who should ideally say 'Action' and 'Cut' on set? Why
You want to be there not looking at a screen.
What do they want - what they want from each other - and how can they get it.
Director
So that you can per pare for the set up with camera movements and lenses.
46. Why is it important to mark a script with camera setups?
Conversion
Pictorial representation of the film
So that you can per pare for the set up with camera movements and lenses.
Show commitment show ability to perform
47. Should you demonstrate how a line should be said to an actor? Why or why not?
48. Why is crew hierarchy important on a set?
Keys
Sitting and standing is more powerful
To be a mirror
makes running a set more efficient
49. What does 'raising the stakes' mean in terms of directing actors?
Who's scene is it
makes running a set more efficient
Report to the 1st AD
What they gain.
50. What in documentary shooting terms - is meant by a sequence.
moves and sets the direction of DOP.
B-Roll
In visioning a result
Their tactic verbs - you set up the situation for the actor.