Test your basic knowledge |

Film Directing Exam

Subjects : performing-arts, film
Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What does a drawn storyboard give you information about that a written storyboard will not?






2. Why is crew hierarchy important on a set?






3. Should you demonstrate how a line should be said to an actor? Why or why not?

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4. What is a story bored






5. What is a pitch in one world?






6. What is a story bored






7. Why shouldn't a director read with the actors during the casting?






8. What in documentary shooting terms - is meant by a sequence.






9. What is the relationship of the storyboard to the shot list?






10. Why is it important to do a paper edit for a documentary?

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11. Why shouldn't a director read with the actors during the casting?






12. Three important direction to give an actor.






13. Who should ideally say 'Action' and 'Cut' on set? Why






14. Why is craft services important?






15. Why should give compliments or suggestions to the actors on a set?






16. Three important direction to give an actor.






17. Do you shoot b-roll with a subject or interview them first? Why or why not?






18. Why is it important to mark a script with camera setups?






19. Why is it important to pre-interview your documentary subject?






20. If as a PA on a set you notice a boom reflection in a toaster on the set - who should you talk to?






21. Why is it a good idea to cross out scene/stage direction from a script once you have begun rehearsing it? What should not be crossed out?






22. In directing a film - what is a director's primary goal?






23. Why do you do a callback?






24. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?






25. Why is craft services important?






26. What is meant in 'actors language' by the word action - how is it expressed?






27. What does gaffer do?






28. What is the directors ultimate duty to an actor?






29. Directors Dramatic Breakdown






30. What in documentary shooting terms - is meant by a sequence.






31. What is the importance of close-ups?






32. In pre production who others that actors should the director hold meetings with?






33. What does a drawn storyboard give you information about that a written storyboard will not?






34. Why should you not tell an actor what to feel?






35. Why is it important to mark a script with camera setups?






36. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?

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37. What is a pitch in one world?






38. What is result direction?






39. What is the point of a director on fiction and doc.






40. Do you shoot b-roll with a subject or interview them first? Why or why not?






41. What is the benefit of a written story bored over a drawn storyboard?

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42. Why do you do a callback?






43. What is meant in 'actors language' by the word action - how is it expressed?






44. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?

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45. Why is it a good idea to cross out scene/stage direction from a script once you have begun rehearsing it? What should not be crossed out?






46. A documentary is created in the...






47. Should you demonstrate how a line should be said to an actor? Why or why not?

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48. What is result direction?






49. Directors Dramatic Breakdown






50. What is the relationship of the storyboard to the shot list?