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Test your basic knowledge |
Film Directing Exam
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Why should you not tell an actor what to feel?
moves and sets the direction of DOP.
Director
Result direction
Repetition is the death of creativity
2. Who should ideally say 'Action' and 'Cut' on set? Why
Keys
Director
They Need to observe
In visioning a result
3. Why should give compliments or suggestions to the actors on a set?
Repetition is the death of creativity
Director
Their tactic verbs - you set up the situation for the actor.
Show commitment show ability to perform
4. What is the benefit of a written story bored over a drawn storyboard?
5. Directors Dramatic Breakdown
Show commitment show ability to perform
Keys
When the director and explains what they need to project. Through needs and wants.
They Need to observe
6. Why should give compliments or suggestions to the actors on a set?
B-Roll
Eye contact
Director
moves and sets the direction of DOP.
7. Should you demonstrate how a line should be said to an actor? Why or why not?
8. Why shouldn't a director read with the actors during the casting?
Repetition is the death of creativity
So the editor doesn't have to look through footage
Yes cross out so they can focus more
They Need to observe
9. Why is it not a good idea to tell an actor after a take to 'do exactly what you just did?
Their tactic verbs - you set up the situation for the actor.
What they gain.
Result direction
Repetition is the death of creativity
10. What is result direction?
In visioning a result
the shot list is a list that obtains storyboard and additional coverage
Director
So the editor doesn't have to look through footage
11. A documentary is created in the...
Who's scene is it
You want to be there not looking at a screen.
edit suite
Report to the 1st AD
12. What is the directors ultimate duty to an actor?
To be a mirror
Conversion
Why not - b roll helps tell the story
What do they want - what they want from each other - and how can they get it.
13. What in documentary shooting terms - is meant by a sequence.
Because a hungry crew is a angry crew.
the shot list is a list that obtains storyboard and additional coverage
Repetition is the death of creativity
B-Roll
14. Why is it important to pre-interview your documentary subject?
To have an idea of how they talk
Result direction
Why not - b roll helps tell the story
To be a mirror
15. Give an example of using blocking to enhance the dramatic content of a scene between two people?
Call sheets
Their tactic verbs - you set up the situation for the actor.
To have an idea of how they talk
Sitting and standing is more powerful
16. What is the point of a director on fiction and doc.
To be a mirror
Tell a story
makes running a set more efficient
Director
17. Why is it important to do a paper edit for a documentary?
18. What is the importance of close-ups?
Emotions and emphasis
makes running a set more efficient
Sitting and standing is more powerful
Report to the 1st AD
19. What does a drawn storyboard give you information about that a written storyboard will not?
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
Conversion
Director
Camera movement
20. What does a drawn storyboard give you information about that a written storyboard will not?
Camera movement
Result direction
Eye contact
Their tactic verbs - you set up the situation for the actor.
21. What is a pitch in one world?
Yes cross out so they can focus more
Sitting and standing is more powerful
Conversion
Yes cross out so they can focus more
22. What is meant by 'crossing the axis' by 'coverage?'
Why not - b roll helps tell the story
Pictorial representation of the film
Emotions and emphasis
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
23. In pre production who others that actors should the director hold meetings with?
They Need to observe
When the director and explains what they need to project. Through needs and wants.
Tell a story
Keys
24. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?
Director
Director
You want to be there not looking at a screen.
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
25. Why do you do a callback?
Call sheets
What they gain.
Show commitment show ability to perform
Why not - b roll helps tell the story
26. Give an example of using blocking to enhance the dramatic content of a scene between two people?
Yes cross out so they can focus more
Sitting and standing is more powerful
Repetition is the death of creativity
Keys
27. Why is craft services important?
Because a hungry crew is a angry crew.
When the director and explains what they need to project. Through needs and wants.
Result direction
To have an idea of how they talk
28. What is the role of the assistant director in both pre-production and production?
Call sheets
Issue of power and sex
Camera movement
Repetition is the death of creativity
29. What does gaffer do?
Repetition is the death of creativity
moves and sets the direction of DOP.
To be a mirror
Issue of power and sex
30. Name an important aspect of conducting an interview in a documentary.
Camera movement
Pictorial representation of the film
To be a mirror
Eye contact
31. What is result direction?
Because that's result direction.
In visioning a result
moves and sets the direction of DOP.
Director
32. What is meant in 'actors language' by the word action - how is it expressed?
Director
When the director and explains what they need to project. Through needs and wants.
Their tactic verbs - you set up the situation for the actor.
Yes cross out so they can focus more
33. In pre production who others that actors should the director hold meetings with?
B-Roll
What they gain.
Why not - b roll helps tell the story
Keys
34. Directors Dramatic Breakdown
Keys
They Need to observe
When the director and explains what they need to project. Through needs and wants.
Issue of power and sex
35. What does gaffer do?
Yes cross out so they can focus more
Report to the 1st AD
moves and sets the direction of DOP.
Camera movement
36. Name two of the most frequent central conflicts of scenes.
Result direction
Issue of power and sex
moves and sets the direction of DOP.
Who's scene is it
37. What is the relationship of the storyboard to the shot list?
Yes cross out so they can focus more
the shot list is a list that obtains storyboard and additional coverage
What do they want - what they want from each other - and how can they get it.
So that you can per pare for the set up with camera movements and lenses.
38. What is the role of the assistant director in both pre-production and production?
Call sheets
the shot list is a list that obtains storyboard and additional coverage
What do they want - what they want from each other - and how can they get it.
edit suite
39. Why is crew hierarchy important on a set?
makes running a set more efficient
Result direction
So the editor doesn't have to look through footage
it's portable
40. Why should you not tell an actor what to feel?
So the editor doesn't have to look through footage
Result direction
In visioning a result
Eye contact
41. If as a PA on a set you notice a boom reflection in a toaster on the set - who should you talk to?
Conversion
What they gain.
Report to the 1st AD
Result direction
42. What does 'raising the stakes' mean in terms of directing actors?
Issue of power and sex
So that you can per pare for the set up with camera movements and lenses.
Tell a story
What they gain.
43. What does 'raising the stakes' mean in terms of directing actors?
To be a mirror
the shot list is a list that obtains storyboard and additional coverage
Emotions and emphasis
What they gain.
44. What is the importance of close-ups?
Repetition is the death of creativity
Emotions and emphasis
the shot list is a list that obtains storyboard and additional coverage
Because that's result direction.
45. A documentary is created in the...
Camera movement
Repetition is the death of creativity
edit suite
Their tactic verbs - you set up the situation for the actor.
46. Do you shoot b-roll with a subject or interview them first? Why or why not?
Pictorial representation of the film
Why not - b roll helps tell the story
Conversion
What do they want - what they want from each other - and how can they get it.
47. What is the benefit of a written story bored over a drawn storyboard?
48. What is the point of a director on fiction and doc.
Tell a story
it's portable
In visioning a result
Call sheets
49. What is the relationship of the storyboard to the shot list?
Keys
So the editor doesn't have to look through footage
the shot list is a list that obtains storyboard and additional coverage
What do they want - what they want from each other - and how can they get it.
50. Three important direction to give an actor.
What do they want - what they want from each other - and how can they get it.
Result direction
When the director and explains what they need to project. Through needs and wants.
Eye contact