Test your basic knowledge |

Film Directing Exam

Subjects : performing-arts, film
Instructions:
  • Answer 50 questions in 15 minutes.
  • If you are not ready to take this test, you can study here.
  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What does a drawn storyboard give you information about that a written storyboard will not?






2. In directing a film - what is a director's primary goal?






3. If as a PA on a set you notice a boom reflection in a toaster on the set - who should you talk to?






4. Why is craft services important?






5. Should you demonstrate how a line should be said to an actor? Why or why not?

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6. Why should give compliments or suggestions to the actors on a set?






7. Directors Dramatic Breakdown






8. What is result direction?






9. What does 'raising the stakes' mean in terms of directing actors?






10. Do you shoot b-roll with a subject or interview them first? Why or why not?






11. Three important direction to give an actor.






12. Why is it important to pre-interview your documentary subject?






13. What is meant by 'crossing the axis' by 'coverage?'






14. A documentary is created in the...






15. Who should ideally say 'Action' and 'Cut' on set? Why






16. Should you demonstrate how a line should be said to an actor? Why or why not?

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17. What does 'raising the stakes' mean in terms of directing actors?






18. Name two of the most frequent central conflicts of scenes.






19. What is the relationship of the storyboard to the shot list?






20. Why is craft services important?






21. Why is it a good idea to cross out scene/stage direction from a script once you have begun rehearsing it? What should not be crossed out?






22. What is the benefit of a written story bored over a drawn storyboard?

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23. Why shouldn't a director read with the actors during the casting?






24. What is the point of a director on fiction and doc.






25. In directing a film - what is a director's primary goal?






26. Why shouldn't a director read with the actors during the casting?






27. Give an example of using blocking to enhance the dramatic content of a scene between two people?






28. Why should give compliments or suggestions to the actors on a set?






29. Why is it important to mark a script with camera setups?






30. What is the point of a director on fiction and doc.






31. Why is it important to do a paper edit for a documentary?

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32. Why is crew hierarchy important on a set?






33. Give an example of using blocking to enhance the dramatic content of a scene between two people?






34. What is the directors ultimate duty to an actor?






35. Do you shoot b-roll with a subject or interview them first? Why or why not?






36. What is a story bored






37. Three important direction to give an actor.






38. What is a story bored






39. Why do you do a callback?






40. Why is it important to pre-interview your documentary subject?






41. What is meant in 'actors language' by the word action - how is it expressed?






42. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?






43. What is a pitch in one world?






44. Why is it important to mark a script with camera setups?






45. Directors Dramatic Breakdown






46. Why do you do a callback?






47. Why should you not tell an actor what to feel?






48. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?

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49. What in documentary shooting terms - is meant by a sequence.






50. Why should you not tell an actor what to feel?