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Test your basic knowledge |
Film Directing Exam
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. What is the directors ultimate duty to an actor?
Tell a story
Director
Call sheets
To be a mirror
2. What is result direction?
Result direction
In visioning a result
Repetition is the death of creativity
Conversion
3. Give an example of using blocking to enhance the dramatic content of a scene between two people?
Sitting and standing is more powerful
Because that's result direction.
edit suite
Issue of power and sex
4. Who should ideally say 'Action' and 'Cut' on set? Why
Issue of power and sex
Director
So the editor doesn't have to look through footage
Yes cross out so they can focus more
5. Why do you do a callback?
makes running a set more efficient
Who's scene is it
Tell a story
Show commitment show ability to perform
6. What is the role of the assistant director in both pre-production and production?
Call sheets
Issue of power and sex
Show commitment show ability to perform
To be a mirror
7. Why is it a good idea to cross out scene/stage direction from a script once you have begun rehearsing it? What should not be crossed out?
Sitting and standing is more powerful
Yes cross out so they can focus more
Tell a story
Who's scene is it
8. What is a story bored
To be a mirror
You want to be there not looking at a screen.
Pictorial representation of the film
Keys
9. What is result direction?
When the director and explains what they need to project. Through needs and wants.
In visioning a result
it's portable
Call sheets
10. Why is it important to mark a script with camera setups?
What they gain.
So that you can per pare for the set up with camera movements and lenses.
it's portable
Tell a story
11. Should you demonstrate how a line should be said to an actor? Why or why not?
12. In pre production who others that actors should the director hold meetings with?
the shot list is a list that obtains storyboard and additional coverage
To eyes of the audience.
Keys
Call sheets
13. In directing a film - what is a director's primary goal?
To eyes of the audience.
When the director and explains what they need to project. Through needs and wants.
To be a mirror
Yes cross out so they can focus more
14. What does gaffer do?
Because that's result direction.
To be a mirror
moves and sets the direction of DOP.
B-Roll
15. Directors Dramatic Breakdown
Pictorial representation of the film
Director
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
When the director and explains what they need to project. Through needs and wants.
16. Why is it not a good idea to tell an actor after a take to 'do exactly what you just did?
What do they want - what they want from each other - and how can they get it.
Director
B-Roll
Repetition is the death of creativity
17. Why is it important to do a paper edit for a documentary?
18. Why should you not tell an actor what to feel?
edit suite
Result direction
Because a hungry crew is a angry crew.
Show commitment show ability to perform
19. In directing a film - what is a director's primary goal?
Why not - b roll helps tell the story
Because a hungry crew is a angry crew.
Conversion
To eyes of the audience.
20. A documentary is created in the...
Because that's result direction.
So the editor doesn't have to look through footage
In visioning a result
edit suite
21. What is meant in 'actors language' by the word action - how is it expressed?
Camera movement
Conversion
Their tactic verbs - you set up the situation for the actor.
In visioning a result
22. What does a drawn storyboard give you information about that a written storyboard will not?
So that you can per pare for the set up with camera movements and lenses.
Result direction
the shot list is a list that obtains storyboard and additional coverage
Camera movement
23. Why should you not tell an actor what to feel?
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
Result direction
Call sheets
To eyes of the audience.
24. What is a pitch in one world?
So the editor doesn't have to look through footage
Conversion
Repetition is the death of creativity
Result direction
25. Directors Dramatic Breakdown
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
moves and sets the direction of DOP.
When the director and explains what they need to project. Through needs and wants.
To eyes of the audience.
26. What is the point of a director on fiction and doc.
What they gain.
Tell a story
They Need to observe
B-Roll
27. Name an important aspect of conducting an interview in a documentary.
Issue of power and sex
Eye contact
Pictorial representation of the film
Sitting and standing is more powerful
28. If as a PA on a set you notice a boom reflection in a toaster on the set - who should you talk to?
Who's scene is it
Report to the 1st AD
moves and sets the direction of DOP.
To be a mirror
29. What is meant by 'crossing the axis' by 'coverage?'
Keys
Their tactic verbs - you set up the situation for the actor.
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
Call sheets
30. What is the directors ultimate duty to an actor?
To be a mirror
So that you can per pare for the set up with camera movements and lenses.
Why not - b roll helps tell the story
Sitting and standing is more powerful
31. What does gaffer do?
What do they want - what they want from each other - and how can they get it.
makes running a set more efficient
Director
moves and sets the direction of DOP.
32. What is the relationship of the storyboard to the shot list?
So that you can per pare for the set up with camera movements and lenses.
Because that's result direction.
it's portable
the shot list is a list that obtains storyboard and additional coverage
33. A documentary is created in the...
Report to the 1st AD
Call sheets
edit suite
You want to be there not looking at a screen.
34. Why is it important to pre-interview your documentary subject?
Result direction
Pictorial representation of the film
To have an idea of how they talk
B-Roll
35. What is the relationship of the storyboard to the shot list?
Show commitment show ability to perform
Yes cross out so they can focus more
the shot list is a list that obtains storyboard and additional coverage
Tell a story
36. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?
Their tactic verbs - you set up the situation for the actor.
Keys
it's portable
You want to be there not looking at a screen.
37. What is the benefit of a written story bored over a drawn storyboard?
38. Why is craft services important?
Who's scene is it
Issue of power and sex
Because a hungry crew is a angry crew.
Show commitment show ability to perform
39. Why do you do a callback?
Conversion
So the editor doesn't have to look through footage
edit suite
Show commitment show ability to perform
40. What is the benefit of a written story bored over a drawn storyboard?
41. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?
You want to be there not looking at a screen.
Because that's result direction.
They Need to observe
Pictorial representation of the film
42. In pre production who others that actors should the director hold meetings with?
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
Keys
Eye contact
To have an idea of how they talk
43. Why is it important to pre-interview your documentary subject?
So the editor doesn't have to look through footage
Show commitment show ability to perform
To have an idea of how they talk
To eyes of the audience.
44. Why shouldn't a director read with the actors during the casting?
They Need to observe
Because a hungry crew is a angry crew.
Issue of power and sex
Because that's result direction.
45. What is a story bored
Pictorial representation of the film
moves and sets the direction of DOP.
B-Roll
Repetition is the death of creativity
46. Do you shoot b-roll with a subject or interview them first? Why or why not?
Why not - b roll helps tell the story
Director
Tell a story
Their tactic verbs - you set up the situation for the actor.
47. What is the role of the assistant director in both pre-production and production?
Show commitment show ability to perform
So the editor doesn't have to look through footage
Call sheets
makes running a set more efficient
48. What in documentary shooting terms - is meant by a sequence.
Repetition is the death of creativity
Their tactic verbs - you set up the situation for the actor.
You want to be there not looking at a screen.
B-Roll
49. Three important direction to give an actor.
To be a mirror
Repetition is the death of creativity
What do they want - what they want from each other - and how can they get it.
Pictorial representation of the film
50. What does a drawn storyboard give you information about that a written storyboard will not?
Issue of power and sex
When the director and explains what they need to project. Through needs and wants.
Camera movement
Because that's result direction.