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Test your basic knowledge |
Film Directing Exam
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Should you demonstrate how a line should be said to an actor? Why or why not?
2. What is result direction?
In visioning a result
Yes cross out so they can focus more
Director
Result direction
3. What does gaffer do?
Emotions and emphasis
In visioning a result
They Need to observe
moves and sets the direction of DOP.
4. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?
5. In directing a film - what is a director's primary goal?
To eyes of the audience.
makes running a set more efficient
Result direction
Conversion
6. What is the directors ultimate duty to an actor?
So the editor doesn't have to look through footage
To be a mirror
Show commitment show ability to perform
B-Roll
7. What is the first question to ask yourself when deciding where to put the camera in shooting a scene?
8. Directors Dramatic Breakdown
When the director and explains what they need to project. Through needs and wants.
They Need to observe
Camera movement
Director
9. What is the directors ultimate duty to an actor?
To eyes of the audience.
Repetition is the death of creativity
You want to be there not looking at a screen.
To be a mirror
10. In directing a film - what is a director's primary goal?
Because that's result direction.
To eyes of the audience.
Camera movement
Tell a story
11. Why should you not tell an actor what to feel?
Result direction
Director
Conversion
Why not - b roll helps tell the story
12. Do you shoot b-roll with a subject or interview them first? Why or why not?
Why not - b roll helps tell the story
Eye contact
Yes cross out so they can focus more
To eyes of the audience.
13. What in documentary shooting terms - is meant by a sequence.
Keys
B-Roll
Emotions and emphasis
Sitting and standing is more powerful
14. Why is it important to do a paper edit for a documentary?
15. What does 'raising the stakes' mean in terms of directing actors?
Conversion
edit suite
What they gain.
To eyes of the audience.
16. Do you shoot b-roll with a subject or interview them first? Why or why not?
Eye contact
Because that's result direction.
Why not - b roll helps tell the story
Director
17. Why shouldn't a director read with the actors during the casting?
it's portable
To be a mirror
They Need to observe
To have an idea of how they talk
18. Why is it a good idea to cross out scene/stage direction from a script once you have begun rehearsing it? What should not be crossed out?
Sitting and standing is more powerful
Eye contact
Yes cross out so they can focus more
So the editor doesn't have to look through footage
19. Why should give compliments or suggestions to the actors on a set?
Result direction
Show commitment show ability to perform
Who's scene is it
Director
20. A documentary is created in the...
Report to the 1st AD
edit suite
Director
Show commitment show ability to perform
21. Why is crew hierarchy important on a set?
makes running a set more efficient
edit suite
Pictorial representation of the film
Director
22. Why should give compliments or suggestions to the actors on a set?
Their tactic verbs - you set up the situation for the actor.
makes running a set more efficient
Result direction
Director
23. In pre production who others that actors should the director hold meetings with?
What do they want - what they want from each other - and how can they get it.
Keys
Call sheets
To eyes of the audience.
24. Why is it important to mark a script with camera setups?
What they gain.
moves and sets the direction of DOP.
So that you can per pare for the set up with camera movements and lenses.
So the editor doesn't have to look through footage
25. Should you demonstrate how a line should be said to an actor? Why or why not?
26. What does gaffer do?
moves and sets the direction of DOP.
Result direction
Sitting and standing is more powerful
Conversion
27. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?
In visioning a result
They Need to observe
Keys
You want to be there not looking at a screen.
28. Why should you not tell an actor what to feel?
Repetition is the death of creativity
Eye contact
Because that's result direction.
Result direction
29. In pre production who others that actors should the director hold meetings with?
Keys
When the director and explains what they need to project. Through needs and wants.
Yes cross out so they can focus more
edit suite
30. What does 'raising the stakes' mean in terms of directing actors?
To have an idea of how they talk
What they gain.
Camera movement
B-Roll
31. What does a drawn storyboard give you information about that a written storyboard will not?
In visioning a result
Director
In visioning a result
Camera movement
32. Name an important aspect of conducting an interview in a documentary.
Sitting and standing is more powerful
You want to be there not looking at a screen.
Eye contact
Camera movement
33. What is the relationship of the storyboard to the shot list?
Pictorial representation of the film
the shot list is a list that obtains storyboard and additional coverage
What they gain.
Call sheets
34. Name two of the most frequent central conflicts of scenes.
Because a hungry crew is a angry crew.
Issue of power and sex
it's portable
Emotions and emphasis
35. What is the point of a director on fiction and doc.
Sitting and standing is more powerful
Tell a story
Result direction
Keys
36. What is a pitch in one world?
moves and sets the direction of DOP.
What do they want - what they want from each other - and how can they get it.
To be a mirror
Conversion
37. What is a story bored
Pictorial representation of the film
Why not - b roll helps tell the story
Emotions and emphasis
Who's scene is it
38. Why do you do a callback?
Show commitment show ability to perform
To eyes of the audience.
Sitting and standing is more powerful
Report to the 1st AD
39. What is the role of the assistant director in both pre-production and production?
makes running a set more efficient
Eye contact
the shot list is a list that obtains storyboard and additional coverage
Call sheets
40. What is result direction?
In visioning a result
Director
What they gain.
Eye contact
41. Why is not a good idea for a director to only look at the video assist monitor while shooting a scene?
B-Roll
To eyes of the audience.
Tell a story
You want to be there not looking at a screen.
42. What is meant by 'crossing the axis' by 'coverage?'
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
Director
Tell a story
So that you can per pare for the set up with camera movements and lenses.
43. What is the benefit of a written story bored over a drawn storyboard?
44. What is meant by 'crossing the axis' by 'coverage?'
Crossing the axis=Going beyond 180 degrees - Coverage=Shooting additional footage.
Because that's result direction.
Keys
Emotions and emphasis
45. Why is crew hierarchy important on a set?
So the editor doesn't have to look through footage
moves and sets the direction of DOP.
They Need to observe
makes running a set more efficient
46. Why is it not a good idea to tell an actor after a take to 'do exactly what you just did?
Camera movement
Why not - b roll helps tell the story
Repetition is the death of creativity
You want to be there not looking at a screen.
47. Name two of the most frequent central conflicts of scenes.
Keys
So that you can per pare for the set up with camera movements and lenses.
Issue of power and sex
Call sheets
48. Who should ideally say 'Action' and 'Cut' on set? Why
In visioning a result
edit suite
Director
They Need to observe
49. Why is it not a good idea to tell an actor after a take to 'do exactly what you just did?
Keys
Conversion
Repetition is the death of creativity
What do they want - what they want from each other - and how can they get it.
50. What is a pitch in one world?
Conversion
They Need to observe
You want to be there not looking at a screen.
Director