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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Superimposes one shot over the next
Point-of-view shot
shot/reverse-shot
graphic match
dissolve
2. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
wipes
continuity editing
dissolve
modernism
3. Shown through a character's eyes
Point-of-view shot
crosscutting
long takes
match on action
4. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
reaction shot
30-degree rule
reestablishing shot
modernism
5. Interspersed
movement editing
establishing shot
intercut
dissolve
6. Organization of editing according to different paces or tempos determined by how quickly cuts are made
modernism
rhythmic editing
verisimilitude
analytical editing
7. Edits that intentionally create gaps in action
eyeline match
axis of action
30-degree rule
jump cut
8. Dividing up the narrative into large units
continuity editing
modernism
segmentation
visible editing
9. Fragmentation of time and space
nondiegetic insert
long takes
reaction shot
modernism
10. Appearance of truth
verisimilitude
graphic match
jump cut
rhythmic editing
11. Dividing up the narrative into large units
segmentation
alienation effects
shot/reverse-shot
sequence shot
12. Style emphasizing the breaks and contrasts between images joined by a cut
nondiegetic insert
segmentation
structural film
montage
13. The order according to which shots or scenes convey the temporal sequence of the story's events
alienation effects
30-degree rule
axis of action
chronology
14. Abridgment in time of the narrative implied by editing
ellipsis
graphic match
jump cut
analytical editing
15. Insert that breaks continuity
crosscutting
nondiegetic insert
movement editing
establishing shot
16. Entire scene in one take
crosscutting
sequence shot
30-degree rule
montage
17. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
pace
intercut
180-degree rule
Point-of-view shot
18. Alternating between two or more strands of simultaneous action
crosscutting
invisible editing
fade-out
overlapping editing
19. Alternating between two or more strands of simultaneous action
scene
rhythmic editing
crosscutting
shot/reverse-shot
20. Style emphasizing the breaks and contrasts between images joined by a cut
montage
eyeline match
modernism
long takes
21. Multiple shots of the same action; disrupts continuity
sequence
overlapping editing
invisible editing
dissolve
22. Fragmentation of time and space
duration
modernism
Point-of-view shot
overlapping editing
23. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
30-degree rule
visible editing
30-degree rule
establishing shot
24. Any number of shots that are unified as a coherent action - regardless of space and time
sequence
Point-of-view shot
alienation effects
match on action
25. Temporal relation of shots and scenes to the amount of time that passes in the story
ellipsis
duration
chronology
overlapping editing
26. Temporal relation of shots and scenes to the amount of time that passes in the story
alienation effects
graphic match
duration
chronology
27. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
pace
establishing shot
intercut
shot/reverse-shot
28. Follows a predetermined structure
structural film
crosscutting
intercut
axis of action
29. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
segmentation
establishing shot
continuity editing
30. Appearance of truth
structural film
verisimilitude
shot/reverse-shot
overlapping editing
31. Abridgment in time of the narrative implied by editing
ellipsis
intercut
sequence
chronology
32. Shown through a character's eyes
verisimilitude
sequence
Point-of-view shot
structural film
33. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
fade-in
nondiegetic insert
dissolve
34. One or more shots that describe a continuous space - time - and action
scene
montage
jump cut
Point-of-view shot
35. Screen lightens
continuity editing
disjunctive editing
fade-in
wipes
36. Film interrupts the action to 'cut away' to another image or action
long takes
cutaway
match on action
movement editing
37. Screen lightens
fade-in
rhythmic editing
30-degree rule
scene
38. One or more shots that describe a continuous space - time - and action
rhythmic editing
overlapping editing
fade-out
scene
39. Distance the viewer from material
alienation effects
crosscutting
montage
fade-in
40. Depicts a character's response to something the viewers have just been shown
two-shot
reaction shot
movement editing
long takes
41. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
crosscutting
Point-of-view shot
180-degree rule
graphic match
42. Film interrupts the action to 'cut away' to another image or action
cutaway
axis of action
fade-in
wipes
43. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
reestablishing shot
modernism
180-degree rule
graphic editing
44. Direction of an action is edited to a shot depicting the continuation of that action
match on action
rhythmic editing
insert
cutaway
45. Imaginary line bisecting a scene corresponding to the 180-degree rule
match on action
fade-out
axis of action
wipes
46. Another name for disjunctive editing
chronology
visible editing
invisible editing
disjunctive editing
47. Interspersed
sequence shot
eyeline match
axis of action
intercut
48. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
chronology
segmentation
cutaway
insert
49. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
duration
eyeline match
movement editing
scene
50. Distance the viewer from material
shot/reverse-shot
visible editing
ellipsis
alienation effects
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