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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. One or more shots that describe a continuous space - time - and action
overlapping editing
axis of action
scene
crosscutting
2. Insert that breaks continuity
sequence shot
reaction shot
montage
nondiegetic insert
3. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
insert
axis of action
ellipsis
eyeline match
4. Shots of relatively long duration
dissolve
structural film
match on action
long takes
5. Fragmentation of time and space
modernism
analytical editing
movement editing
long takes
6. Direction of an action is edited to a shot depicting the continuation of that action
180-degree rule
insert
alienation effects
match on action
7. Imaginary line bisecting a scene corresponding to the 180-degree rule
eyeline match
pace
match on action
axis of action
8. Tempo at which the film seems to move
reaction shot
pace
shot/reverse-shot
overlapping editing
9. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
analytical editing
modernism
graphic editing
verisimilitude
10. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
disjunctive editing
continuity editing
invisible editing
11. Screen lightens
visible editing
30-degree rule
ellipsis
fade-in
12. Depicts a character's response to something the viewers have just been shown
shot/reverse-shot
axis of action
reaction shot
30-degree rule
13. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
shot/reverse-shot
analytical editing
establishing shot
continuity editing
14. One or more shots that describe a continuous space - time - and action
axis of action
scene
montage
reestablishing shot
15. Shown through a character's eyes
duration
graphic match
invisible editing
Point-of-view shot
16. Multiple shots of the same action; disrupts continuity
establishing shot
verisimilitude
overlapping editing
invisible editing
17. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
insert
chronology
continuity editing
movement editing
18. Screen lightens
verisimilitude
fade-in
montage
dissolve
19. Follows a predetermined structure
insert
reaction shot
structural film
montage
20. Organization of editing according to different paces or tempos determined by how quickly cuts are made
insert
Point-of-view shot
disjunctive editing
rhythmic editing
21. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
alienation effects
structural film
180-degree rule
fade-out
22. Any number of shots that are unified as a coherent action - regardless of space and time
sequence
shot/reverse-shot
montage
sequence shot
23. Superimposes one shot over the next
dissolve
rhythmic editing
alienation effects
structural film
24. Abridgment in time of the narrative implied by editing
ellipsis
Point-of-view shot
alienation effects
segmentation
25. Another name for disjunctive editing
scene
two-shot
visible editing
jump cut
26. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
fade-in
reaction shot
match on action
continuity editing
27. Screen darkens
insert
pace
fade-out
duration
28. Periodic return to an initial establishing view
two-shot
reestablishing shot
graphic match
analytical editing
29. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
match on action
movement editing
eyeline match
two-shot
30. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
structural film
jump cut
reaction shot
disjunctive editing
31. Alternating between two or more strands of simultaneous action
two-shot
establishing shot
wipes
crosscutting
32. Dividing up the narrative into large units
movement editing
segmentation
insert
reaction shot
33. Temporal relation of shots and scenes to the amount of time that passes in the story
movement editing
duration
segmentation
modernism
34. Follows a predetermined structure
visible editing
structural film
dissolve
insert
35. Join two images by moving a line across one image to replace it with the next
long takes
eyeline match
wipes
analytical editing
36. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
continuity editing
graphic editing
ellipsis
verisimilitude
37. The order according to which shots or scenes convey the temporal sequence of the story's events
modernism
structural film
chronology
wipes
38. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
cutaway
analytical editing
30-degree rule
movement editing
39. Another name for continuity editing
verisimilitude
dissolve
invisible editing
reestablishing shot
40. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
sequence
establishing shot
pace
180-degree rule
41. Periodic return to an initial establishing view
nondiegetic insert
montage
reestablishing shot
movement editing
42. Another name for disjunctive editing
crosscutting
visible editing
long takes
ellipsis
43. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
sequence
cutaway
axis of action
insert
44. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
chronology
shot/reverse-shot
disjunctive editing
two-shot
45. Distance the viewer from material
nondiegetic insert
alienation effects
dissolve
structural film
46. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
intercut
sequence
graphic editing
intercut
47. Style emphasizing the breaks and contrasts between images joined by a cut
shot/reverse-shot
continuity editing
graphic match
montage
48. Fragmentation of time and space
graphic match
structural film
alienation effects
modernism
49. Interspersed
reaction shot
intercut
dissolve
visible editing
50. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
establishing shot
wipes
fade-out
disjunctive editing