SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Periodic return to an initial establishing view
chronology
reestablishing shot
pace
disjunctive editing
2. Screen darkens
scene
match on action
fade-out
graphic editing
3. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
movement editing
segmentation
shot/reverse-shot
axis of action
4. Distance the viewer from material
alienation effects
sequence
cutaway
montage
5. Follows a predetermined structure
structural film
movement editing
segmentation
graphic match
6. Style emphasizing the breaks and contrasts between images joined by a cut
chronology
establishing shot
analytical editing
montage
7. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
pace
structural film
long takes
30-degree rule
8. Another name for disjunctive editing
visible editing
montage
sequence
verisimilitude
9. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
wipes
duration
pace
10. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
fade-out
establishing shot
structural film
180-degree rule
11. Insert that breaks continuity
movement editing
nondiegetic insert
invisible editing
dissolve
12. Temporal relation of shots and scenes to the amount of time that passes in the story
duration
continuity editing
reestablishing shot
insert
13. Organization of editing according to different paces or tempos determined by how quickly cuts are made
long takes
modernism
axis of action
rhythmic editing
14. Shown through a character's eyes
Point-of-view shot
30-degree rule
alienation effects
wipes
15. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
invisible editing
180-degree rule
match on action
visible editing
16. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
disjunctive editing
two-shot
graphic editing
reaction shot
17. Film interrupts the action to 'cut away' to another image or action
fade-out
cutaway
analytical editing
analytical editing
18. Another name for continuity editing
sequence
invisible editing
movement editing
fade-in
19. A relatively close shot of two characters
crosscutting
structural film
modernism
two-shot
20. Abridgment in time of the narrative implied by editing
jump cut
ellipsis
crosscutting
30-degree rule
21. Edits that intentionally create gaps in action
continuity editing
jump cut
alienation effects
graphic match
22. Screen lightens
establishing shot
cutaway
dissolve
fade-in
23. Edits that intentionally create gaps in action
reaction shot
jump cut
ellipsis
180-degree rule
24. Another name for continuity editing
invisible editing
shot/reverse-shot
180-degree rule
modernism
25. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
graphic editing
alienation effects
fade-out
180-degree rule
26. Superimposes one shot over the next
dissolve
sequence
disjunctive editing
shot/reverse-shot
27. Multiple shots of the same action; disrupts continuity
structural film
sequence shot
eyeline match
overlapping editing
28. Organization of editing according to different paces or tempos determined by how quickly cuts are made
sequence
Point-of-view shot
insert
rhythmic editing
29. Film interrupts the action to 'cut away' to another image or action
scene
cutaway
intercut
invisible editing
30. The order according to which shots or scenes convey the temporal sequence of the story's events
sequence
segmentation
long takes
chronology
31. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
dissolve
establishing shot
wipes
eyeline match
32. Multiple shots of the same action; disrupts continuity
overlapping editing
chronology
establishing shot
reaction shot
33. One or more shots that describe a continuous space - time - and action
scene
sequence shot
180-degree rule
pace
34. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
continuity editing
graphic match
analytical editing
segmentation
35. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
establishing shot
continuity editing
long takes
alienation effects
36. Entire scene in one take
sequence shot
graphic match
wipes
movement editing
37. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
eyeline match
30-degree rule
Point-of-view shot
shot/reverse-shot
38. Depicts a character's response to something the viewers have just been shown
Point-of-view shot
overlapping editing
reaction shot
continuity editing
39. Direction of an action is edited to a shot depicting the continuation of that action
dissolve
sequence
crosscutting
match on action
40. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
jump cut
pace
graphic match
180-degree rule
41. Depicts a character's response to something the viewers have just been shown
Point-of-view shot
sequence shot
reaction shot
alienation effects
42. Another name for disjunctive editing
ellipsis
cutaway
duration
visible editing
43. Dividing up the narrative into large units
scene
duration
segmentation
wipes
44. Imaginary line bisecting a scene corresponding to the 180-degree rule
180-degree rule
jump cut
axis of action
sequence
45. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
disjunctive editing
structural film
reestablishing shot
movement editing
46. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
montage
alienation effects
intercut
insert
47. Screen darkens
modernism
modernism
fade-out
axis of action
48. Direction of an action is edited to a shot depicting the continuation of that action
intercut
match on action
fade-out
duration
49. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
jump cut
eyeline match
sequence shot
analytical editing
50. Distance the viewer from material
alienation effects
modernism
reestablishing shot
rhythmic editing