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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
structural film
180-degree rule
visible editing
analytical editing
2. Interspersed
intercut
scene
rhythmic editing
axis of action
3. Another name for continuity editing
invisible editing
long takes
graphic editing
analytical editing
4. One or more shots that describe a continuous space - time - and action
insert
scene
chronology
chronology
5. Depicts a character's response to something the viewers have just been shown
establishing shot
graphic match
insert
reaction shot
6. Join two images by moving a line across one image to replace it with the next
wipes
insert
analytical editing
rhythmic editing
7. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
wipes
disjunctive editing
continuity editing
modernism
8. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
two-shot
reaction shot
sequence shot
9. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
nondiegetic insert
Point-of-view shot
30-degree rule
graphic editing
10. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
segmentation
verisimilitude
crosscutting
establishing shot
11. A relatively close shot of two characters
match on action
two-shot
visible editing
disjunctive editing
12. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
wipes
establishing shot
duration
dissolve
13. Superimposes one shot over the next
dissolve
modernism
pace
analytical editing
14. Screen lightens
overlapping editing
dissolve
fade-in
modernism
15. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
wipes
insert
graphic match
reaction shot
16. Insert that breaks continuity
wipes
nondiegetic insert
cutaway
establishing shot
17. Another name for disjunctive editing
chronology
visible editing
eyeline match
eyeline match
18. Another name for continuity editing
scene
reaction shot
invisible editing
modernism
19. Periodic return to an initial establishing view
reestablishing shot
visible editing
duration
crosscutting
20. Screen darkens
fade-out
dissolve
scene
sequence shot
21. Edits that intentionally create gaps in action
30-degree rule
jump cut
invisible editing
shot/reverse-shot
22. Screen darkens
chronology
axis of action
dissolve
fade-out
23. Multiple shots of the same action; disrupts continuity
scene
cutaway
overlapping editing
match on action
24. Direction of an action is edited to a shot depicting the continuation of that action
intercut
jump cut
fade-in
match on action
25. Distance the viewer from material
pace
shot/reverse-shot
nondiegetic insert
alienation effects
26. One or more shots that describe a continuous space - time - and action
overlapping editing
invisible editing
scene
crosscutting
27. Fragmentation of time and space
30-degree rule
modernism
dissolve
cutaway
28. Alternating between two or more strands of simultaneous action
30-degree rule
crosscutting
scene
continuity editing
29. Film interrupts the action to 'cut away' to another image or action
disjunctive editing
two-shot
cutaway
axis of action
30. Join two images by moving a line across one image to replace it with the next
shot/reverse-shot
chronology
wipes
movement editing
31. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
analytical editing
reestablishing shot
shot/reverse-shot
intercut
32. Appearance of truth
eyeline match
verisimilitude
movement editing
dissolve
33. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
movement editing
axis of action
Point-of-view shot
180-degree rule
34. Edits that intentionally create gaps in action
jump cut
crosscutting
nondiegetic insert
reestablishing shot
35. Abridgment in time of the narrative implied by editing
180-degree rule
chronology
ellipsis
two-shot
36. Multiple shots of the same action; disrupts continuity
30-degree rule
establishing shot
shot/reverse-shot
overlapping editing
37. Any number of shots that are unified as a coherent action - regardless of space and time
insert
sequence
dissolve
ellipsis
38. Follows a predetermined structure
pace
structural film
ellipsis
graphic match
39. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
30-degree rule
fade-out
wipes
graphic match
40. Style emphasizing the breaks and contrasts between images joined by a cut
montage
structural film
match on action
jump cut
41. Tempo at which the film seems to move
structural film
structural film
continuity editing
pace
42. Screen lightens
fade-in
pace
axis of action
disjunctive editing
43. The order according to which shots or scenes convey the temporal sequence of the story's events
fade-in
nondiegetic insert
chronology
pace
44. Imaginary line bisecting a scene corresponding to the 180-degree rule
ellipsis
analytical editing
axis of action
fade-in
45. Style emphasizing the breaks and contrasts between images joined by a cut
montage
nondiegetic insert
overlapping editing
invisible editing
46. Entire scene in one take
cutaway
sequence shot
continuity editing
duration
47. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
sequence
analytical editing
verisimilitude
nondiegetic insert
48. Entire scene in one take
sequence shot
continuity editing
30-degree rule
insert
49. Organization of editing according to different paces or tempos determined by how quickly cuts are made
jump cut
verisimilitude
intercut
rhythmic editing
50. Periodic return to an initial establishing view
fade-out
overlapping editing
scene
reestablishing shot