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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
fade-out
disjunctive editing
30-degree rule
graphic match
2. Join two images by moving a line across one image to replace it with the next
match on action
jump cut
reestablishing shot
wipes
3. Fragmentation of time and space
segmentation
pace
ellipsis
modernism
4. One or more shots that describe a continuous space - time - and action
reestablishing shot
scene
visible editing
structural film
5. Edits that intentionally create gaps in action
two-shot
insert
axis of action
jump cut
6. Multiple shots of the same action; disrupts continuity
verisimilitude
overlapping editing
rhythmic editing
rhythmic editing
7. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
movement editing
overlapping editing
wipes
graphic editing
8. Distance the viewer from material
axis of action
alienation effects
nondiegetic insert
reestablishing shot
9. A relatively close shot of two characters
two-shot
sequence
shot/reverse-shot
pace
10. Film interrupts the action to 'cut away' to another image or action
alienation effects
analytical editing
modernism
cutaway
11. Style emphasizing the breaks and contrasts between images joined by a cut
visible editing
long takes
analytical editing
montage
12. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
intercut
fade-out
movement editing
reaction shot
13. Another name for continuity editing
nondiegetic insert
shot/reverse-shot
shot/reverse-shot
invisible editing
14. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
disjunctive editing
two-shot
establishing shot
duration
15. Fragmentation of time and space
structural film
Point-of-view shot
modernism
fade-in
16. Another name for disjunctive editing
graphic editing
disjunctive editing
invisible editing
visible editing
17. Abridgment in time of the narrative implied by editing
analytical editing
ellipsis
invisible editing
reestablishing shot
18. Alternating between two or more strands of simultaneous action
Point-of-view shot
insert
crosscutting
eyeline match
19. Interspersed
intercut
fade-in
30-degree rule
overlapping editing
20. Dividing up the narrative into large units
dissolve
crosscutting
reestablishing shot
segmentation
21. Depicts a character's response to something the viewers have just been shown
reaction shot
graphic match
axis of action
alienation effects
22. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
graphic match
visible editing
overlapping editing
establishing shot
23. Appearance of truth
fade-in
analytical editing
eyeline match
verisimilitude
24. Direction of an action is edited to a shot depicting the continuation of that action
intercut
invisible editing
sequence shot
match on action
25. Follows a predetermined structure
match on action
long takes
structural film
reestablishing shot
26. One or more shots that describe a continuous space - time - and action
rhythmic editing
scene
nondiegetic insert
jump cut
27. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
nondiegetic insert
fade-in
analytical editing
segmentation
28. Dividing up the narrative into large units
segmentation
wipes
continuity editing
graphic match
29. Any number of shots that are unified as a coherent action - regardless of space and time
verisimilitude
alienation effects
sequence
two-shot
30. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
continuity editing
axis of action
duration
shot/reverse-shot
31. Join two images by moving a line across one image to replace it with the next
sequence
insert
wipes
scene
32. Edits that intentionally create gaps in action
intercut
movement editing
Point-of-view shot
jump cut
33. Organization of editing according to different paces or tempos determined by how quickly cuts are made
reestablishing shot
rhythmic editing
graphic match
match on action
34. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
jump cut
axis of action
match on action
30-degree rule
35. Insert that breaks continuity
analytical editing
two-shot
nondiegetic insert
reestablishing shot
36. Shown through a character's eyes
jump cut
Point-of-view shot
wipes
graphic editing
37. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
sequence
establishing shot
intercut
180-degree rule
38. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
reaction shot
reestablishing shot
shot/reverse-shot
visible editing
39. A relatively close shot of two characters
movement editing
segmentation
two-shot
disjunctive editing
40. Entire scene in one take
wipes
sequence shot
overlapping editing
structural film
41. Depicts a character's response to something the viewers have just been shown
sequence
reaction shot
segmentation
reestablishing shot
42. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
rhythmic editing
insert
wipes
pace
43. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
jump cut
movement editing
modernism
eyeline match
44. Screen lightens
eyeline match
fade-in
match on action
nondiegetic insert
45. Multiple shots of the same action; disrupts continuity
overlapping editing
shot/reverse-shot
reaction shot
invisible editing
46. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
fade-in
scene
modernism
47. Shots of relatively long duration
modernism
nondiegetic insert
long takes
reestablishing shot
48. Screen darkens
fade-out
eyeline match
two-shot
Point-of-view shot
49. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
Point-of-view shot
analytical editing
segmentation
eyeline match
50. Film interrupts the action to 'cut away' to another image or action
Point-of-view shot
cutaway
segmentation
pace