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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Screen darkens
axis of action
dissolve
overlapping editing
fade-out
2. Another name for continuity editing
alienation effects
cutaway
invisible editing
insert
3. Follows a predetermined structure
verisimilitude
nondiegetic insert
structural film
continuity editing
4. Multiple shots of the same action; disrupts continuity
overlapping editing
continuity editing
fade-out
nondiegetic insert
5. Tempo at which the film seems to move
continuity editing
pace
reestablishing shot
nondiegetic insert
6. Film interrupts the action to 'cut away' to another image or action
cutaway
verisimilitude
overlapping editing
sequence shot
7. Fragmentation of time and space
modernism
match on action
structural film
jump cut
8. Shown through a character's eyes
continuity editing
Point-of-view shot
alienation effects
modernism
9. Temporal relation of shots and scenes to the amount of time that passes in the story
crosscutting
overlapping editing
long takes
duration
10. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
two-shot
intercut
180-degree rule
analytical editing
11. One or more shots that describe a continuous space - time - and action
pace
long takes
scene
analytical editing
12. Distance the viewer from material
Point-of-view shot
alienation effects
eyeline match
shot/reverse-shot
13. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
long takes
insert
axis of action
nondiegetic insert
14. Shots of relatively long duration
sequence
jump cut
establishing shot
long takes
15. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
graphic editing
dissolve
30-degree rule
montage
16. Dividing up the narrative into large units
segmentation
visible editing
movement editing
overlapping editing
17. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
graphic editing
eyeline match
crosscutting
reaction shot
18. Organization of editing according to different paces or tempos determined by how quickly cuts are made
modernism
dissolve
rhythmic editing
nondiegetic insert
19. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
sequence shot
insert
invisible editing
cutaway
20. Edits that intentionally create gaps in action
wipes
jump cut
graphic match
axis of action
21. Entire scene in one take
sequence
pace
wipes
sequence shot
22. Temporal relation of shots and scenes to the amount of time that passes in the story
axis of action
scene
duration
dissolve
23. Any number of shots that are unified as a coherent action - regardless of space and time
structural film
scene
sequence
fade-in
24. Appearance of truth
two-shot
verisimilitude
cutaway
fade-in
25. Follows a predetermined structure
eyeline match
intercut
structural film
match on action
26. Entire scene in one take
crosscutting
sequence shot
fade-out
graphic match
27. Insert that breaks continuity
intercut
analytical editing
insert
nondiegetic insert
28. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
analytical editing
graphic match
reestablishing shot
movement editing
29. Organization of editing according to different paces or tempos determined by how quickly cuts are made
graphic match
rhythmic editing
nondiegetic insert
continuity editing
30. Shots of relatively long duration
fade-out
two-shot
long takes
chronology
31. Abridgment in time of the narrative implied by editing
ellipsis
nondiegetic insert
30-degree rule
invisible editing
32. Insert that breaks continuity
30-degree rule
nondiegetic insert
duration
dissolve
33. Direction of an action is edited to a shot depicting the continuation of that action
chronology
Point-of-view shot
match on action
visible editing
34. Screen lightens
fade-in
graphic editing
pace
eyeline match
35. Screen darkens
jump cut
fade-in
fade-out
sequence
36. Another name for disjunctive editing
visible editing
modernism
30-degree rule
shot/reverse-shot
37. Interspersed
intercut
dissolve
reestablishing shot
montage
38. Alternating between two or more strands of simultaneous action
graphic editing
crosscutting
wipes
fade-out
39. Edits that intentionally create gaps in action
jump cut
modernism
scene
structural film
40. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
long takes
cutaway
graphic match
montage
41. Interspersed
dissolve
Point-of-view shot
intercut
ellipsis
42. Another name for continuity editing
disjunctive editing
invisible editing
establishing shot
movement editing
43. Film interrupts the action to 'cut away' to another image or action
fade-out
match on action
cutaway
chronology
44. Imaginary line bisecting a scene corresponding to the 180-degree rule
axis of action
dissolve
reestablishing shot
invisible editing
45. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
visible editing
rhythmic editing
30-degree rule
movement editing
46. Direction of an action is edited to a shot depicting the continuation of that action
analytical editing
graphic editing
match on action
intercut
47. Dividing up the narrative into large units
reestablishing shot
scene
Point-of-view shot
segmentation
48. Screen lightens
30-degree rule
pace
two-shot
fade-in
49. The order according to which shots or scenes convey the temporal sequence of the story's events
sequence
chronology
30-degree rule
montage
50. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
sequence shot
two-shot
disjunctive editing
movement editing