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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
disjunctive editing
cutaway
movement editing
30-degree rule
2. Fragmentation of time and space
sequence shot
modernism
structural film
invisible editing
3. Dividing up the narrative into large units
sequence
structural film
segmentation
movement editing
4. Another name for continuity editing
invisible editing
visible editing
sequence shot
match on action
5. Follows a predetermined structure
dissolve
structural film
movement editing
long takes
6. Edits that intentionally create gaps in action
disjunctive editing
graphic editing
eyeline match
jump cut
7. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
wipes
eyeline match
modernism
analytical editing
8. Another name for continuity editing
invisible editing
crosscutting
180-degree rule
eyeline match
9. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
segmentation
establishing shot
eyeline match
long takes
10. Direction of an action is edited to a shot depicting the continuation of that action
match on action
establishing shot
analytical editing
cutaway
11. Periodic return to an initial establishing view
reestablishing shot
chronology
shot/reverse-shot
segmentation
12. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
eyeline match
establishing shot
reaction shot
graphic editing
13. Distance the viewer from material
alienation effects
scene
reaction shot
ellipsis
14. The order according to which shots or scenes convey the temporal sequence of the story's events
duration
chronology
180-degree rule
fade-in
15. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
disjunctive editing
graphic editing
movement editing
pace
16. Film interrupts the action to 'cut away' to another image or action
reaction shot
graphic match
cutaway
graphic editing
17. Imaginary line bisecting a scene corresponding to the 180-degree rule
establishing shot
match on action
axis of action
duration
18. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
movement editing
Point-of-view shot
jump cut
disjunctive editing
19. Shown through a character's eyes
eyeline match
shot/reverse-shot
Point-of-view shot
modernism
20. Screen lightens
disjunctive editing
fade-out
cutaway
fade-in
21. Abridgment in time of the narrative implied by editing
crosscutting
ellipsis
visible editing
match on action
22. Any number of shots that are unified as a coherent action - regardless of space and time
scene
establishing shot
sequence
movement editing
23. Multiple shots of the same action; disrupts continuity
overlapping editing
eyeline match
structural film
jump cut
24. Join two images by moving a line across one image to replace it with the next
rhythmic editing
analytical editing
visible editing
wipes
25. Interspersed
intercut
reestablishing shot
long takes
sequence shot
26. Screen lightens
reestablishing shot
fade-in
nondiegetic insert
cutaway
27. One or more shots that describe a continuous space - time - and action
scene
graphic editing
wipes
two-shot
28. Entire scene in one take
eyeline match
sequence shot
nondiegetic insert
disjunctive editing
29. Depicts a character's response to something the viewers have just been shown
cutaway
disjunctive editing
overlapping editing
reaction shot
30. Alternating between two or more strands of simultaneous action
insert
fade-out
crosscutting
shot/reverse-shot
31. Shown through a character's eyes
montage
ellipsis
axis of action
Point-of-view shot
32. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
wipes
two-shot
180-degree rule
disjunctive editing
33. Insert that breaks continuity
reestablishing shot
nondiegetic insert
180-degree rule
eyeline match
34. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
establishing shot
overlapping editing
shot/reverse-shot
insert
35. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
sequence shot
chronology
alienation effects
insert
36. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
nondiegetic insert
montage
overlapping editing
analytical editing
37. Distance the viewer from material
wipes
ellipsis
alienation effects
cutaway
38. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
180-degree rule
shot/reverse-shot
30-degree rule
modernism
39. Temporal relation of shots and scenes to the amount of time that passes in the story
overlapping editing
match on action
duration
verisimilitude
40. Screen darkens
dissolve
rhythmic editing
fade-in
fade-out
41. A relatively close shot of two characters
two-shot
30-degree rule
continuity editing
invisible editing
42. Join two images by moving a line across one image to replace it with the next
wipes
sequence
continuity editing
duration
43. Style emphasizing the breaks and contrasts between images joined by a cut
dissolve
segmentation
montage
eyeline match
44. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
scene
axis of action
pace
continuity editing
45. Dividing up the narrative into large units
segmentation
crosscutting
montage
sequence shot
46. Film interrupts the action to 'cut away' to another image or action
ellipsis
insert
cutaway
analytical editing
47. Screen darkens
invisible editing
fade-out
reestablishing shot
sequence
48. Periodic return to an initial establishing view
cutaway
sequence shot
axis of action
reestablishing shot
49. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
analytical editing
establishing shot
match on action
movement editing
50. Follows a predetermined structure
long takes
jump cut
structural film
insert