SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Insert that breaks continuity
nondiegetic insert
modernism
rhythmic editing
insert
2. Shown through a character's eyes
structural film
crosscutting
nondiegetic insert
Point-of-view shot
3. Screen lightens
fade-in
duration
chronology
structural film
4. Entire scene in one take
sequence
sequence shot
establishing shot
long takes
5. Insert that breaks continuity
crosscutting
Point-of-view shot
nondiegetic insert
eyeline match
6. Alternating between two or more strands of simultaneous action
cutaway
crosscutting
nondiegetic insert
fade-in
7. Temporal relation of shots and scenes to the amount of time that passes in the story
structural film
rhythmic editing
duration
analytical editing
8. Interspersed
sequence shot
intercut
overlapping editing
axis of action
9. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
establishing shot
disjunctive editing
visible editing
long takes
10. Alternating between two or more strands of simultaneous action
crosscutting
two-shot
fade-out
disjunctive editing
11. Another name for continuity editing
invisible editing
reestablishing shot
rhythmic editing
fade-in
12. Tempo at which the film seems to move
disjunctive editing
rhythmic editing
30-degree rule
pace
13. Fragmentation of time and space
modernism
cutaway
sequence
wipes
14. Join two images by moving a line across one image to replace it with the next
match on action
wipes
crosscutting
chronology
15. Depicts a character's response to something the viewers have just been shown
scene
intercut
sequence
reaction shot
16. Dividing up the narrative into large units
analytical editing
structural film
segmentation
ellipsis
17. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
nondiegetic insert
modernism
30-degree rule
eyeline match
18. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
scene
verisimilitude
movement editing
nondiegetic insert
19. Edits that intentionally create gaps in action
duration
match on action
chronology
jump cut
20. Imaginary line bisecting a scene corresponding to the 180-degree rule
graphic editing
180-degree rule
axis of action
analytical editing
21. Depicts a character's response to something the viewers have just been shown
axis of action
reaction shot
match on action
scene
22. Screen darkens
scene
visible editing
fade-out
chronology
23. Film interrupts the action to 'cut away' to another image or action
cutaway
30-degree rule
scene
duration
24. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
shot/reverse-shot
disjunctive editing
wipes
reestablishing shot
25. Interspersed
long takes
insert
intercut
reaction shot
26. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
analytical editing
reestablishing shot
180-degree rule
fade-out
27. Tempo at which the film seems to move
verisimilitude
pace
eyeline match
segmentation
28. Entire scene in one take
graphic match
sequence shot
establishing shot
shot/reverse-shot
29. The order according to which shots or scenes convey the temporal sequence of the story's events
reaction shot
duration
Point-of-view shot
chronology
30. Dividing up the narrative into large units
establishing shot
segmentation
graphic editing
modernism
31. Imaginary line bisecting a scene corresponding to the 180-degree rule
reestablishing shot
alienation effects
Point-of-view shot
axis of action
32. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
chronology
30-degree rule
insert
cutaway
33. Follows a predetermined structure
crosscutting
overlapping editing
visible editing
structural film
34. A relatively close shot of two characters
axis of action
analytical editing
eyeline match
two-shot
35. Any number of shots that are unified as a coherent action - regardless of space and time
wipes
overlapping editing
intercut
sequence
36. Shots of relatively long duration
verisimilitude
intercut
long takes
reestablishing shot
37. Shots of relatively long duration
reaction shot
long takes
alienation effects
montage
38. Organization of editing according to different paces or tempos determined by how quickly cuts are made
movement editing
cutaway
nondiegetic insert
rhythmic editing
39. A relatively close shot of two characters
sequence
two-shot
modernism
continuity editing
40. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
long takes
structural film
graphic match
axis of action
41. Superimposes one shot over the next
dissolve
reestablishing shot
wipes
nondiegetic insert
42. Film interrupts the action to 'cut away' to another image or action
intercut
cutaway
180-degree rule
fade-in
43. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
modernism
scene
cutaway
180-degree rule
44. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
visible editing
structural film
graphic match
establishing shot
45. One or more shots that describe a continuous space - time - and action
insert
scene
segmentation
Point-of-view shot
46. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
two-shot
continuity editing
invisible editing
47. Temporal relation of shots and scenes to the amount of time that passes in the story
fade-out
alienation effects
duration
wipes
48. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
pace
insert
establishing shot
continuity editing
49. Periodic return to an initial establishing view
continuity editing
axis of action
reestablishing shot
analytical editing
50. Appearance of truth
movement editing
verisimilitude
wipes
30-degree rule