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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Abridgment in time of the narrative implied by editing
fade-out
rhythmic editing
pace
ellipsis
2. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
two-shot
eyeline match
duration
modernism
3. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
wipes
reaction shot
nondiegetic insert
establishing shot
4. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
graphic editing
continuity editing
wipes
180-degree rule
5. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
segmentation
crosscutting
graphic match
reestablishing shot
6. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
30-degree rule
verisimilitude
visible editing
long takes
7. Film interrupts the action to 'cut away' to another image or action
cutaway
axis of action
180-degree rule
fade-out
8. One or more shots that describe a continuous space - time - and action
invisible editing
ellipsis
continuity editing
scene
9. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
montage
jump cut
movement editing
shot/reverse-shot
10. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
reaction shot
reestablishing shot
continuity editing
movement editing
11. Direction of an action is edited to a shot depicting the continuation of that action
duration
visible editing
match on action
movement editing
12. Alternating between two or more strands of simultaneous action
crosscutting
analytical editing
montage
Point-of-view shot
13. Depicts a character's response to something the viewers have just been shown
fade-in
dissolve
insert
reaction shot
14. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
180-degree rule
verisimilitude
montage
overlapping editing
15. Superimposes one shot over the next
establishing shot
wipes
overlapping editing
dissolve
16. Multiple shots of the same action; disrupts continuity
axis of action
long takes
fade-out
overlapping editing
17. Style emphasizing the breaks and contrasts between images joined by a cut
segmentation
reaction shot
sequence shot
montage
18. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
reestablishing shot
180-degree rule
insert
dissolve
19. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
graphic match
segmentation
verisimilitude
pace
20. Interspersed
intercut
jump cut
axis of action
chronology
21. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
segmentation
structural film
shot/reverse-shot
reaction shot
22. Multiple shots of the same action; disrupts continuity
structural film
dissolve
overlapping editing
shot/reverse-shot
23. Film interrupts the action to 'cut away' to another image or action
cutaway
eyeline match
dissolve
scene
24. Join two images by moving a line across one image to replace it with the next
eyeline match
wipes
fade-out
segmentation
25. Dividing up the narrative into large units
graphic match
segmentation
insert
jump cut
26. Imaginary line bisecting a scene corresponding to the 180-degree rule
rhythmic editing
shot/reverse-shot
alienation effects
axis of action
27. Dividing up the narrative into large units
ellipsis
segmentation
graphic editing
reaction shot
28. Shown through a character's eyes
verisimilitude
Point-of-view shot
modernism
wipes
29. Any number of shots that are unified as a coherent action - regardless of space and time
sequence
eyeline match
match on action
shot/reverse-shot
30. Appearance of truth
verisimilitude
establishing shot
180-degree rule
analytical editing
31. Follows a predetermined structure
nondiegetic insert
structural film
30-degree rule
ellipsis
32. Insert that breaks continuity
nondiegetic insert
intercut
sequence shot
structural film
33. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
modernism
wipes
shot/reverse-shot
match on action
34. Appearance of truth
establishing shot
overlapping editing
verisimilitude
chronology
35. Join two images by moving a line across one image to replace it with the next
jump cut
duration
wipes
reaction shot
36. Edits that intentionally create gaps in action
crosscutting
axis of action
graphic editing
jump cut
37. Screen lightens
dissolve
30-degree rule
sequence shot
fade-in
38. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
long takes
insert
cutaway
ellipsis
39. Another name for disjunctive editing
rhythmic editing
alienation effects
rhythmic editing
visible editing
40. One or more shots that describe a continuous space - time - and action
invisible editing
reaction shot
scene
chronology
41. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
fade-out
30-degree rule
cutaway
establishing shot
42. The order according to which shots or scenes convey the temporal sequence of the story's events
modernism
chronology
reaction shot
verisimilitude
43. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
30-degree rule
verisimilitude
dissolve
modernism
44. Style emphasizing the breaks and contrasts between images joined by a cut
rhythmic editing
montage
dissolve
intercut
45. Insert that breaks continuity
nondiegetic insert
long takes
disjunctive editing
establishing shot
46. Depicts a character's response to something the viewers have just been shown
chronology
alienation effects
sequence
reaction shot
47. Organization of editing according to different paces or tempos determined by how quickly cuts are made
rhythmic editing
30-degree rule
dissolve
fade-out
48. Temporal relation of shots and scenes to the amount of time that passes in the story
duration
analytical editing
sequence shot
wipes
49. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
graphic editing
nondiegetic insert
sequence
chronology
50. Periodic return to an initial establishing view
duration
jump cut
graphic editing
reestablishing shot