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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Direction of an action is edited to a shot depicting the continuation of that action
jump cut
reaction shot
disjunctive editing
match on action
2. Periodic return to an initial establishing view
reestablishing shot
duration
duration
continuity editing
3. Organization of editing according to different paces or tempos determined by how quickly cuts are made
graphic match
rhythmic editing
fade-out
ellipsis
4. Style emphasizing the breaks and contrasts between images joined by a cut
disjunctive editing
match on action
two-shot
montage
5. Join two images by moving a line across one image to replace it with the next
jump cut
wipes
visible editing
30-degree rule
6. Any number of shots that are unified as a coherent action - regardless of space and time
sequence
two-shot
invisible editing
eyeline match
7. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
sequence
insert
match on action
Point-of-view shot
8. Entire scene in one take
sequence shot
30-degree rule
modernism
duration
9. Depicts a character's response to something the viewers have just been shown
reestablishing shot
reaction shot
overlapping editing
chronology
10. Dividing up the narrative into large units
match on action
segmentation
scene
insert
11. Fragmentation of time and space
modernism
reestablishing shot
scene
verisimilitude
12. Abridgment in time of the narrative implied by editing
ellipsis
analytical editing
rhythmic editing
two-shot
13. Film interrupts the action to 'cut away' to another image or action
graphic editing
cutaway
shot/reverse-shot
graphic match
14. Fragmentation of time and space
graphic editing
continuity editing
insert
modernism
15. Any number of shots that are unified as a coherent action - regardless of space and time
sequence
movement editing
nondiegetic insert
continuity editing
16. Edits that intentionally create gaps in action
jump cut
match on action
analytical editing
verisimilitude
17. Edits that intentionally create gaps in action
jump cut
continuity editing
structural film
segmentation
18. Another name for disjunctive editing
visible editing
montage
chronology
two-shot
19. Screen darkens
30-degree rule
fade-out
reestablishing shot
eyeline match
20. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
alienation effects
dissolve
axis of action
30-degree rule
21. Multiple shots of the same action; disrupts continuity
fade-out
reestablishing shot
overlapping editing
dissolve
22. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
continuity editing
two-shot
shot/reverse-shot
sequence
23. Direction of an action is edited to a shot depicting the continuation of that action
overlapping editing
match on action
ellipsis
eyeline match
24. A relatively close shot of two characters
Point-of-view shot
two-shot
chronology
disjunctive editing
25. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
fade-out
overlapping editing
reaction shot
analytical editing
26. Multiple shots of the same action; disrupts continuity
scene
two-shot
movement editing
overlapping editing
27. Another name for continuity editing
shot/reverse-shot
reestablishing shot
invisible editing
analytical editing
28. Another name for disjunctive editing
eyeline match
reaction shot
visible editing
Point-of-view shot
29. Shown through a character's eyes
eyeline match
ellipsis
Point-of-view shot
visible editing
30. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
structural film
alienation effects
shot/reverse-shot
sequence
31. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
alienation effects
180-degree rule
eyeline match
insert
32. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
segmentation
match on action
match on action
graphic editing
33. Interspersed
modernism
intercut
sequence
continuity editing
34. Shown through a character's eyes
jump cut
match on action
ellipsis
Point-of-view shot
35. Interspersed
establishing shot
intercut
alienation effects
chronology
36. Insert that breaks continuity
movement editing
nondiegetic insert
chronology
eyeline match
37. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
overlapping editing
establishing shot
graphic match
structural film
38. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
verisimilitude
rhythmic editing
30-degree rule
scene
39. Screen lightens
cutaway
crosscutting
fade-in
duration
40. Dividing up the narrative into large units
alienation effects
30-degree rule
Point-of-view shot
segmentation
41. Imaginary line bisecting a scene corresponding to the 180-degree rule
reestablishing shot
duration
jump cut
axis of action
42. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
180-degree rule
overlapping editing
crosscutting
match on action
43. One or more shots that describe a continuous space - time - and action
structural film
montage
axis of action
scene
44. One or more shots that describe a continuous space - time - and action
nondiegetic insert
scene
fade-in
nondiegetic insert
45. Superimposes one shot over the next
match on action
dissolve
reestablishing shot
scene
46. The order according to which shots or scenes convey the temporal sequence of the story's events
visible editing
chronology
180-degree rule
invisible editing
47. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
movement editing
scene
chronology
alienation effects
48. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
modernism
duration
jump cut
eyeline match
49. Abridgment in time of the narrative implied by editing
invisible editing
modernism
alienation effects
ellipsis
50. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
two-shot
match on action
structural film
analytical editing