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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Abridgment in time of the narrative implied by editing
rhythmic editing
ellipsis
intercut
modernism
2. Screen lightens
graphic editing
wipes
long takes
fade-in
3. Imaginary line bisecting a scene corresponding to the 180-degree rule
montage
reaction shot
establishing shot
axis of action
4. Screen darkens
fade-out
long takes
180-degree rule
structural film
5. Dividing up the narrative into large units
dissolve
structural film
verisimilitude
segmentation
6. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
reestablishing shot
sequence
disjunctive editing
fade-out
7. Join two images by moving a line across one image to replace it with the next
wipes
sequence
fade-out
crosscutting
8. Fragmentation of time and space
graphic match
modernism
structural film
long takes
9. Alternating between two or more strands of simultaneous action
verisimilitude
crosscutting
rhythmic editing
segmentation
10. Organization of editing according to different paces or tempos determined by how quickly cuts are made
rhythmic editing
axis of action
ellipsis
nondiegetic insert
11. One or more shots that describe a continuous space - time - and action
scene
fade-in
insert
long takes
12. Periodic return to an initial establishing view
segmentation
reestablishing shot
chronology
insert
13. Distance the viewer from material
continuity editing
30-degree rule
alienation effects
modernism
14. Follows a predetermined structure
two-shot
structural film
intercut
graphic match
15. Abridgment in time of the narrative implied by editing
dissolve
establishing shot
ellipsis
shot/reverse-shot
16. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
long takes
180-degree rule
crosscutting
visible editing
17. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
verisimilitude
shot/reverse-shot
disjunctive editing
graphic match
18. Depicts a character's response to something the viewers have just been shown
axis of action
jump cut
two-shot
reaction shot
19. Join two images by moving a line across one image to replace it with the next
disjunctive editing
fade-in
wipes
segmentation
20. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
graphic editing
chronology
fade-out
analytical editing
21. Temporal relation of shots and scenes to the amount of time that passes in the story
continuity editing
duration
disjunctive editing
long takes
22. Multiple shots of the same action; disrupts continuity
overlapping editing
graphic match
disjunctive editing
fade-in
23. Any number of shots that are unified as a coherent action - regardless of space and time
jump cut
sequence
fade-out
180-degree rule
24. Interspersed
30-degree rule
intercut
two-shot
graphic match
25. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
ellipsis
graphic match
match on action
invisible editing
26. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
establishing shot
graphic editing
movement editing
analytical editing
27. Depicts a character's response to something the viewers have just been shown
eyeline match
axis of action
verisimilitude
reaction shot
28. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
graphic editing
insert
modernism
eyeline match
29. Style emphasizing the breaks and contrasts between images joined by a cut
montage
overlapping editing
verisimilitude
invisible editing
30. Organization of editing according to different paces or tempos determined by how quickly cuts are made
rhythmic editing
invisible editing
fade-out
continuity editing
31. Interspersed
graphic editing
Point-of-view shot
insert
intercut
32. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
wipes
continuity editing
reaction shot
overlapping editing
33. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
verisimilitude
insert
dissolve
180-degree rule
34. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
structural film
180-degree rule
graphic editing
montage
35. Tempo at which the film seems to move
pace
insert
reaction shot
chronology
36. Appearance of truth
cutaway
chronology
sequence
verisimilitude
37. A relatively close shot of two characters
two-shot
match on action
invisible editing
reaction shot
38. Fragmentation of time and space
overlapping editing
modernism
nondiegetic insert
disjunctive editing
39. Imaginary line bisecting a scene corresponding to the 180-degree rule
chronology
modernism
continuity editing
axis of action
40. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
reaction shot
axis of action
ellipsis
analytical editing
41. Superimposes one shot over the next
intercut
alienation effects
sequence shot
dissolve
42. Insert that breaks continuity
scene
overlapping editing
nondiegetic insert
graphic match
43. The order according to which shots or scenes convey the temporal sequence of the story's events
verisimilitude
jump cut
movement editing
chronology
44. Another name for disjunctive editing
visible editing
wipes
analytical editing
movement editing
45. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
establishing shot
long takes
ellipsis
modernism
46. Tempo at which the film seems to move
pace
overlapping editing
scene
fade-out
47. Screen darkens
fade-out
insert
structural film
two-shot
48. Shots of relatively long duration
scene
eyeline match
chronology
long takes
49. Film interrupts the action to 'cut away' to another image or action
chronology
reestablishing shot
cutaway
dissolve
50. One or more shots that describe a continuous space - time - and action
shot/reverse-shot
scene
rhythmic editing
axis of action
Can you answer 50 questions in 15 minutes?
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