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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The order according to which shots or scenes convey the temporal sequence of the story's events
visible editing
long takes
two-shot
chronology
2. Direction of an action is edited to a shot depicting the continuation of that action
intercut
rhythmic editing
match on action
structural film
3. Follows a predetermined structure
rhythmic editing
continuity editing
rhythmic editing
structural film
4. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
analytical editing
dissolve
ellipsis
rhythmic editing
5. Superimposes one shot over the next
fade-in
dissolve
ellipsis
fade-out
6. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
180-degree rule
disjunctive editing
duration
graphic editing
7. Follows a predetermined structure
insert
structural film
fade-in
intercut
8. Interspersed
intercut
alienation effects
segmentation
continuity editing
9. Alternating between two or more strands of simultaneous action
dissolve
long takes
crosscutting
ellipsis
10. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
180-degree rule
visible editing
segmentation
shot/reverse-shot
11. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
fade-in
graphic match
duration
intercut
12. One or more shots that describe a continuous space - time - and action
scene
graphic match
reestablishing shot
match on action
13. Edits that intentionally create gaps in action
sequence shot
overlapping editing
jump cut
match on action
14. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
ellipsis
Point-of-view shot
match on action
insert
15. Any number of shots that are unified as a coherent action - regardless of space and time
sequence
shot/reverse-shot
insert
cutaway
16. Appearance of truth
shot/reverse-shot
eyeline match
Point-of-view shot
verisimilitude
17. Shots of relatively long duration
axis of action
rhythmic editing
long takes
montage
18. Shown through a character's eyes
30-degree rule
ellipsis
shot/reverse-shot
Point-of-view shot
19. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
Point-of-view shot
graphic editing
analytical editing
two-shot
20. Temporal relation of shots and scenes to the amount of time that passes in the story
disjunctive editing
disjunctive editing
duration
30-degree rule
21. A relatively close shot of two characters
duration
eyeline match
dissolve
two-shot
22. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
wipes
visible editing
insert
movement editing
23. Depicts a character's response to something the viewers have just been shown
reaction shot
jump cut
reestablishing shot
visible editing
24. Depicts a character's response to something the viewers have just been shown
ellipsis
continuity editing
long takes
reaction shot
25. Screen darkens
fade-in
ellipsis
graphic match
fade-out
26. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
match on action
insert
sequence shot
two-shot
27. A relatively close shot of two characters
two-shot
intercut
fade-out
ellipsis
28. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
shot/reverse-shot
rhythmic editing
chronology
movement editing
29. Style emphasizing the breaks and contrasts between images joined by a cut
verisimilitude
montage
Point-of-view shot
analytical editing
30. Multiple shots of the same action; disrupts continuity
cutaway
modernism
shot/reverse-shot
overlapping editing
31. Appearance of truth
jump cut
eyeline match
verisimilitude
fade-in
32. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
invisible editing
structural film
modernism
establishing shot
33. Tempo at which the film seems to move
reestablishing shot
pace
two-shot
shot/reverse-shot
34. Dividing up the narrative into large units
verisimilitude
segmentation
crosscutting
modernism
35. Abridgment in time of the narrative implied by editing
nondiegetic insert
ellipsis
invisible editing
establishing shot
36. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
sequence shot
graphic match
intercut
30-degree rule
37. Abridgment in time of the narrative implied by editing
continuity editing
ellipsis
graphic editing
continuity editing
38. Insert that breaks continuity
nondiegetic insert
intercut
two-shot
establishing shot
39. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
establishing shot
fade-in
invisible editing
dissolve
40. Periodic return to an initial establishing view
sequence
reestablishing shot
sequence shot
analytical editing
41. Any number of shots that are unified as a coherent action - regardless of space and time
shot/reverse-shot
sequence
reaction shot
cutaway
42. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
intercut
crosscutting
fade-in
graphic editing
43. Shown through a character's eyes
overlapping editing
ellipsis
nondiegetic insert
Point-of-view shot
44. Join two images by moving a line across one image to replace it with the next
axis of action
fade-out
dissolve
wipes
45. Dividing up the narrative into large units
30-degree rule
duration
segmentation
fade-out
46. Another name for continuity editing
match on action
invisible editing
graphic match
dissolve
47. Imaginary line bisecting a scene corresponding to the 180-degree rule
duration
disjunctive editing
sequence
axis of action
48. Multiple shots of the same action; disrupts continuity
ellipsis
overlapping editing
two-shot
segmentation
49. One or more shots that describe a continuous space - time - and action
segmentation
insert
scene
jump cut
50. Direction of an action is edited to a shot depicting the continuation of that action
pace
match on action
Point-of-view shot
continuity editing