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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Edits that intentionally create gaps in action
jump cut
wipes
rhythmic editing
nondiegetic insert
2. Imaginary line bisecting a scene corresponding to the 180-degree rule
axis of action
sequence
match on action
wipes
3. Fragmentation of time and space
modernism
invisible editing
disjunctive editing
montage
4. Style emphasizing the breaks and contrasts between images joined by a cut
visible editing
wipes
long takes
montage
5. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
shot/reverse-shot
dissolve
jump cut
invisible editing
6. Distance the viewer from material
intercut
alienation effects
pace
reaction shot
7. Alternating between two or more strands of simultaneous action
movement editing
insert
crosscutting
nondiegetic insert
8. Film interrupts the action to 'cut away' to another image or action
shot/reverse-shot
cutaway
insert
verisimilitude
9. Organization of editing according to different paces or tempos determined by how quickly cuts are made
scene
rhythmic editing
insert
wipes
10. Multiple shots of the same action; disrupts continuity
segmentation
overlapping editing
30-degree rule
crosscutting
11. Follows a predetermined structure
structural film
nondiegetic insert
axis of action
nondiegetic insert
12. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
graphic match
rhythmic editing
modernism
sequence
13. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
movement editing
invisible editing
modernism
alienation effects
14. Shots of relatively long duration
shot/reverse-shot
sequence
long takes
analytical editing
15. Depicts a character's response to something the viewers have just been shown
sequence shot
reaction shot
analytical editing
fade-in
16. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
reestablishing shot
establishing shot
insert
Point-of-view shot
17. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
wipes
graphic match
two-shot
establishing shot
18. Depicts a character's response to something the viewers have just been shown
insert
chronology
reaction shot
continuity editing
19. The order according to which shots or scenes convey the temporal sequence of the story's events
invisible editing
cutaway
chronology
insert
20. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
visible editing
Point-of-view shot
modernism
graphic match
21. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
jump cut
intercut
invisible editing
22. Style emphasizing the breaks and contrasts between images joined by a cut
montage
continuity editing
cutaway
wipes
23. Appearance of truth
verisimilitude
rhythmic editing
duration
sequence shot
24. Another name for disjunctive editing
visible editing
modernism
long takes
shot/reverse-shot
25. Shown through a character's eyes
axis of action
Point-of-view shot
graphic match
fade-out
26. Periodic return to an initial establishing view
Point-of-view shot
overlapping editing
reaction shot
reestablishing shot
27. Any number of shots that are unified as a coherent action - regardless of space and time
duration
insert
sequence
establishing shot
28. Appearance of truth
movement editing
two-shot
disjunctive editing
verisimilitude
29. Tempo at which the film seems to move
chronology
reaction shot
pace
long takes
30. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
match on action
segmentation
shot/reverse-shot
180-degree rule
31. Abridgment in time of the narrative implied by editing
reaction shot
graphic editing
ellipsis
crosscutting
32. Dividing up the narrative into large units
axis of action
segmentation
Point-of-view shot
alienation effects
33. Insert that breaks continuity
axis of action
segmentation
shot/reverse-shot
nondiegetic insert
34. Alternating between two or more strands of simultaneous action
crosscutting
establishing shot
montage
visible editing
35. Direction of an action is edited to a shot depicting the continuation of that action
reestablishing shot
insert
reaction shot
match on action
36. A relatively close shot of two characters
analytical editing
two-shot
match on action
verisimilitude
37. Interspersed
dissolve
Point-of-view shot
intercut
eyeline match
38. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
crosscutting
verisimilitude
reestablishing shot
39. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
montage
30-degree rule
disjunctive editing
rhythmic editing
40. Join two images by moving a line across one image to replace it with the next
wipes
continuity editing
long takes
verisimilitude
41. Distance the viewer from material
ellipsis
alienation effects
segmentation
fade-out
42. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
sequence
axis of action
sequence shot
43. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
analytical editing
montage
reaction shot
nondiegetic insert
44. Tempo at which the film seems to move
reaction shot
pace
fade-out
match on action
45. Insert that breaks continuity
insert
duration
rhythmic editing
nondiegetic insert
46. One or more shots that describe a continuous space - time - and action
reestablishing shot
scene
graphic editing
overlapping editing
47. Organization of editing according to different paces or tempos determined by how quickly cuts are made
long takes
jump cut
visible editing
rhythmic editing
48. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
continuity editing
establishing shot
pace
jump cut
49. One or more shots that describe a continuous space - time - and action
pace
scene
chronology
chronology
50. Follows a predetermined structure
graphic match
analytical editing
structural film
reestablishing shot
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