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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Film interrupts the action to 'cut away' to another image or action
rhythmic editing
movement editing
cutaway
crosscutting
2. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
visible editing
intercut
eyeline match
180-degree rule
3. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
long takes
jump cut
segmentation
4. Appearance of truth
180-degree rule
analytical editing
verisimilitude
disjunctive editing
5. Join two images by moving a line across one image to replace it with the next
dissolve
movement editing
wipes
montage
6. Another name for continuity editing
intercut
invisible editing
segmentation
long takes
7. Screen lightens
reestablishing shot
fade-in
invisible editing
180-degree rule
8. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
overlapping editing
30-degree rule
movement editing
long takes
9. A relatively close shot of two characters
analytical editing
axis of action
rhythmic editing
two-shot
10. Temporal relation of shots and scenes to the amount of time that passes in the story
shot/reverse-shot
chronology
jump cut
duration
11. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
wipes
graphic match
crosscutting
12. Style emphasizing the breaks and contrasts between images joined by a cut
rhythmic editing
pace
analytical editing
montage
13. Dividing up the narrative into large units
wipes
sequence shot
segmentation
continuity editing
14. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
nondiegetic insert
movement editing
establishing shot
180-degree rule
15. Fragmentation of time and space
180-degree rule
modernism
wipes
30-degree rule
16. Distance the viewer from material
alienation effects
match on action
crosscutting
duration
17. Any number of shots that are unified as a coherent action - regardless of space and time
montage
overlapping editing
sequence
rhythmic editing
18. One or more shots that describe a continuous space - time - and action
scene
invisible editing
30-degree rule
segmentation
19. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
graphic editing
segmentation
analytical editing
crosscutting
20. Abridgment in time of the narrative implied by editing
ellipsis
pace
graphic editing
reaction shot
21. The order according to which shots or scenes convey the temporal sequence of the story's events
eyeline match
180-degree rule
shot/reverse-shot
chronology
22. Another name for disjunctive editing
modernism
reaction shot
visible editing
disjunctive editing
23. Interspersed
montage
fade-out
intercut
reestablishing shot
24. The order according to which shots or scenes convey the temporal sequence of the story's events
invisible editing
30-degree rule
structural film
chronology
25. Dividing up the narrative into large units
Point-of-view shot
two-shot
segmentation
jump cut
26. Insert that breaks continuity
sequence
nondiegetic insert
montage
modernism
27. Any number of shots that are unified as a coherent action - regardless of space and time
intercut
180-degree rule
sequence
rhythmic editing
28. Imaginary line bisecting a scene corresponding to the 180-degree rule
modernism
180-degree rule
axis of action
overlapping editing
29. Follows a predetermined structure
structural film
visible editing
cutaway
shot/reverse-shot
30. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
fade-in
graphic match
graphic match
establishing shot
31. A relatively close shot of two characters
two-shot
pace
long takes
invisible editing
32. Multiple shots of the same action; disrupts continuity
analytical editing
reestablishing shot
overlapping editing
match on action
33. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
fade-in
insert
visible editing
34. Tempo at which the film seems to move
chronology
eyeline match
rhythmic editing
pace
35. Film interrupts the action to 'cut away' to another image or action
graphic match
cutaway
continuity editing
shot/reverse-shot
36. Fragmentation of time and space
reaction shot
modernism
match on action
intercut
37. Distance the viewer from material
two-shot
two-shot
montage
alienation effects
38. Organization of editing according to different paces or tempos determined by how quickly cuts are made
sequence
fade-in
visible editing
rhythmic editing
39. Superimposes one shot over the next
invisible editing
dissolve
reaction shot
Point-of-view shot
40. Appearance of truth
insert
verisimilitude
cutaway
analytical editing
41. Direction of an action is edited to a shot depicting the continuation of that action
cutaway
Point-of-view shot
two-shot
match on action
42. Tempo at which the film seems to move
analytical editing
axis of action
wipes
pace
43. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
shot/reverse-shot
180-degree rule
axis of action
fade-in
44. Insert that breaks continuity
axis of action
disjunctive editing
nondiegetic insert
graphic match
45. Interspersed
wipes
fade-out
180-degree rule
intercut
46. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
crosscutting
graphic match
alienation effects
shot/reverse-shot
47. Temporal relation of shots and scenes to the amount of time that passes in the story
modernism
match on action
duration
dissolve
48. Join two images by moving a line across one image to replace it with the next
ellipsis
continuity editing
wipes
scene
49. Shown through a character's eyes
Point-of-view shot
invisible editing
montage
eyeline match
50. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
visible editing
reaction shot
reestablishing shot
insert