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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Follows a predetermined structure
segmentation
nondiegetic insert
dissolve
structural film
2. Temporal relation of shots and scenes to the amount of time that passes in the story
duration
continuity editing
verisimilitude
sequence
3. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
dissolve
continuity editing
visible editing
shot/reverse-shot
4. Film interrupts the action to 'cut away' to another image or action
eyeline match
pace
cutaway
continuity editing
5. Direction of an action is edited to a shot depicting the continuation of that action
visible editing
30-degree rule
180-degree rule
match on action
6. Join two images by moving a line across one image to replace it with the next
wipes
disjunctive editing
alienation effects
overlapping editing
7. Superimposes one shot over the next
cutaway
crosscutting
structural film
dissolve
8. Insert that breaks continuity
reestablishing shot
fade-in
eyeline match
nondiegetic insert
9. Distance the viewer from material
graphic editing
analytical editing
alienation effects
chronology
10. The order according to which shots or scenes convey the temporal sequence of the story's events
30-degree rule
jump cut
wipes
chronology
11. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
duration
30-degree rule
sequence shot
graphic editing
12. Appearance of truth
overlapping editing
intercut
verisimilitude
visible editing
13. Temporal relation of shots and scenes to the amount of time that passes in the story
analytical editing
graphic editing
continuity editing
duration
14. Another name for continuity editing
intercut
establishing shot
structural film
invisible editing
15. Distance the viewer from material
alienation effects
graphic match
disjunctive editing
30-degree rule
16. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
graphic editing
jump cut
scene
establishing shot
17. Join two images by moving a line across one image to replace it with the next
alienation effects
pace
wipes
sequence
18. Dividing up the narrative into large units
analytical editing
cutaway
segmentation
alienation effects
19. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
pace
axis of action
graphic match
20. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
reestablishing shot
sequence shot
montage
analytical editing
21. Any number of shots that are unified as a coherent action - regardless of space and time
nondiegetic insert
sequence
180-degree rule
insert
22. Film interrupts the action to 'cut away' to another image or action
180-degree rule
scene
movement editing
cutaway
23. Tempo at which the film seems to move
segmentation
pace
axis of action
montage
24. Edits that intentionally create gaps in action
continuity editing
jump cut
Point-of-view shot
graphic match
25. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
fade-in
30-degree rule
pace
rhythmic editing
26. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
rhythmic editing
segmentation
graphic editing
montage
27. A relatively close shot of two characters
two-shot
cutaway
dissolve
dissolve
28. Organization of editing according to different paces or tempos determined by how quickly cuts are made
reestablishing shot
rhythmic editing
continuity editing
cutaway
29. Shots of relatively long duration
scene
dissolve
rhythmic editing
long takes
30. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
sequence shot
movement editing
structural film
pace
31. Shots of relatively long duration
long takes
pace
insert
alienation effects
32. Style emphasizing the breaks and contrasts between images joined by a cut
montage
two-shot
movement editing
disjunctive editing
33. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
analytical editing
continuity editing
match on action
continuity editing
34. Entire scene in one take
sequence shot
intercut
graphic match
montage
35. Abridgment in time of the narrative implied by editing
rhythmic editing
duration
ellipsis
verisimilitude
36. Tempo at which the film seems to move
invisible editing
shot/reverse-shot
fade-in
pace
37. Screen lightens
ellipsis
overlapping editing
fade-in
alienation effects
38. Another name for disjunctive editing
continuity editing
reaction shot
reaction shot
visible editing
39. A relatively close shot of two characters
nondiegetic insert
duration
Point-of-view shot
two-shot
40. Periodic return to an initial establishing view
intercut
reestablishing shot
verisimilitude
ellipsis
41. Style emphasizing the breaks and contrasts between images joined by a cut
pace
montage
scene
rhythmic editing
42. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
graphic editing
structural film
establishing shot
43. Interspersed
continuity editing
180-degree rule
visible editing
intercut
44. Screen lightens
cutaway
insert
fade-in
segmentation
45. Another name for continuity editing
crosscutting
structural film
invisible editing
rhythmic editing
46. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
wipes
structural film
180-degree rule
establishing shot
47. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
wipes
chronology
match on action
continuity editing
48. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
fade-in
disjunctive editing
structural film
nondiegetic insert
49. One or more shots that describe a continuous space - time - and action
invisible editing
establishing shot
duration
scene
50. Screen darkens
Point-of-view shot
reestablishing shot
structural film
fade-out