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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Film interrupts the action to 'cut away' to another image or action
cutaway
duration
continuity editing
180-degree rule
2. Temporal relation of shots and scenes to the amount of time that passes in the story
continuity editing
fade-out
insert
duration
3. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
continuity editing
fade-in
fade-in
cutaway
4. Another name for disjunctive editing
reestablishing shot
fade-out
visible editing
dissolve
5. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
sequence shot
shot/reverse-shot
reaction shot
chronology
6. Shots of relatively long duration
invisible editing
scene
overlapping editing
long takes
7. Periodic return to an initial establishing view
shot/reverse-shot
reestablishing shot
graphic match
cutaway
8. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
30-degree rule
analytical editing
fade-in
axis of action
9. Film interrupts the action to 'cut away' to another image or action
movement editing
wipes
cutaway
intercut
10. Another name for continuity editing
two-shot
Point-of-view shot
invisible editing
montage
11. Interspersed
intercut
axis of action
ellipsis
structural film
12. Distance the viewer from material
sequence shot
alienation effects
montage
two-shot
13. Imaginary line bisecting a scene corresponding to the 180-degree rule
fade-out
reaction shot
match on action
axis of action
14. Periodic return to an initial establishing view
reestablishing shot
insert
cutaway
axis of action
15. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
graphic match
long takes
match on action
analytical editing
16. Depicts a character's response to something the viewers have just been shown
reaction shot
graphic match
pace
cutaway
17. Screen darkens
graphic editing
chronology
eyeline match
fade-out
18. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
scene
graphic editing
montage
fade-in
19. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
fade-out
eyeline match
match on action
match on action
20. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
chronology
ellipsis
graphic editing
graphic match
21. Fragmentation of time and space
establishing shot
modernism
verisimilitude
intercut
22. Dividing up the narrative into large units
sequence
alienation effects
wipes
segmentation
23. Direction of an action is edited to a shot depicting the continuation of that action
match on action
long takes
montage
insert
24. Another name for continuity editing
cutaway
invisible editing
long takes
wipes
25. Screen lightens
fade-in
cutaway
reaction shot
segmentation
26. Any number of shots that are unified as a coherent action - regardless of space and time
visible editing
long takes
30-degree rule
sequence
27. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
Point-of-view shot
shot/reverse-shot
movement editing
180-degree rule
28. Alternating between two or more strands of simultaneous action
sequence
crosscutting
chronology
graphic match
29. Multiple shots of the same action; disrupts continuity
verisimilitude
intercut
overlapping editing
fade-out
30. Fragmentation of time and space
modernism
180-degree rule
sequence
disjunctive editing
31. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
modernism
continuity editing
alienation effects
disjunctive editing
32. A relatively close shot of two characters
axis of action
two-shot
crosscutting
chronology
33. Tempo at which the film seems to move
cutaway
pace
two-shot
shot/reverse-shot
34. One or more shots that describe a continuous space - time - and action
scene
Point-of-view shot
verisimilitude
rhythmic editing
35. Entire scene in one take
sequence shot
axis of action
two-shot
axis of action
36. Shown through a character's eyes
rhythmic editing
graphic editing
Point-of-view shot
scene
37. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
cutaway
establishing shot
graphic match
analytical editing
38. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
segmentation
continuity editing
analytical editing
alienation effects
39. Alternating between two or more strands of simultaneous action
crosscutting
insert
jump cut
structural film
40. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
movement editing
dissolve
axis of action
eyeline match
41. Another name for disjunctive editing
shot/reverse-shot
invisible editing
modernism
visible editing
42. A relatively close shot of two characters
nondiegetic insert
match on action
graphic editing
two-shot
43. The order according to which shots or scenes convey the temporal sequence of the story's events
30-degree rule
cutaway
graphic match
chronology
44. Join two images by moving a line across one image to replace it with the next
eyeline match
jump cut
wipes
structural film
45. Follows a predetermined structure
chronology
structural film
overlapping editing
shot/reverse-shot
46. Imaginary line bisecting a scene corresponding to the 180-degree rule
two-shot
cutaway
rhythmic editing
axis of action
47. Appearance of truth
verisimilitude
establishing shot
modernism
180-degree rule
48. Direction of an action is edited to a shot depicting the continuation of that action
cutaway
ellipsis
match on action
long takes
49. Join two images by moving a line across one image to replace it with the next
long takes
cutaway
wipes
long takes
50. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
dissolve
180-degree rule
establishing shot
disjunctive editing