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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Superimposes one shot over the next
visible editing
dissolve
modernism
30-degree rule
2. Multiple shots of the same action; disrupts continuity
overlapping editing
verisimilitude
dissolve
sequence
3. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
reaction shot
sequence shot
insert
rhythmic editing
4. Another name for continuity editing
invisible editing
match on action
verisimilitude
dissolve
5. Any number of shots that are unified as a coherent action - regardless of space and time
ellipsis
fade-in
sequence
wipes
6. A relatively close shot of two characters
establishing shot
modernism
30-degree rule
two-shot
7. Organization of editing according to different paces or tempos determined by how quickly cuts are made
insert
rhythmic editing
cutaway
scene
8. Distance the viewer from material
insert
alienation effects
segmentation
dissolve
9. A relatively close shot of two characters
two-shot
cutaway
dissolve
dissolve
10. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
graphic match
segmentation
two-shot
cutaway
11. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
30-degree rule
continuity editing
fade-out
pace
12. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
two-shot
graphic match
30-degree rule
13. Direction of an action is edited to a shot depicting the continuation of that action
structural film
match on action
graphic editing
verisimilitude
14. Fragmentation of time and space
modernism
sequence shot
continuity editing
graphic match
15. Interspersed
graphic match
intercut
two-shot
modernism
16. Another name for disjunctive editing
visible editing
180-degree rule
crosscutting
invisible editing
17. One or more shots that describe a continuous space - time - and action
movement editing
cutaway
disjunctive editing
scene
18. Edits that intentionally create gaps in action
fade-out
cutaway
jump cut
Point-of-view shot
19. Direction of an action is edited to a shot depicting the continuation of that action
movement editing
match on action
jump cut
crosscutting
20. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
segmentation
match on action
visible editing
graphic match
21. Fragmentation of time and space
two-shot
movement editing
modernism
invisible editing
22. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
fade-in
insert
establishing shot
fade-out
23. Temporal relation of shots and scenes to the amount of time that passes in the story
duration
axis of action
eyeline match
structural film
24. Join two images by moving a line across one image to replace it with the next
overlapping editing
analytical editing
wipes
pace
25. Alternating between two or more strands of simultaneous action
analytical editing
sequence
crosscutting
reestablishing shot
26. Interspersed
intercut
fade-in
sequence
180-degree rule
27. Periodic return to an initial establishing view
dissolve
insert
graphic match
reestablishing shot
28. Another name for continuity editing
analytical editing
invisible editing
dissolve
modernism
29. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
shot/reverse-shot
alienation effects
intercut
chronology
30. Distance the viewer from material
alienation effects
intercut
graphic editing
disjunctive editing
31. Appearance of truth
insert
cutaway
crosscutting
verisimilitude
32. Insert that breaks continuity
overlapping editing
sequence
nondiegetic insert
rhythmic editing
33. Shots of relatively long duration
continuity editing
long takes
reestablishing shot
continuity editing
34. Shown through a character's eyes
invisible editing
Point-of-view shot
establishing shot
axis of action
35. Depicts a character's response to something the viewers have just been shown
structural film
reaction shot
30-degree rule
disjunctive editing
36. The order according to which shots or scenes convey the temporal sequence of the story's events
establishing shot
establishing shot
invisible editing
chronology
37. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
rhythmic editing
analytical editing
graphic match
30-degree rule
38. Abridgment in time of the narrative implied by editing
pace
analytical editing
visible editing
ellipsis
39. Abridgment in time of the narrative implied by editing
duration
ellipsis
intercut
cutaway
40. Film interrupts the action to 'cut away' to another image or action
cutaway
pace
analytical editing
intercut
41. Multiple shots of the same action; disrupts continuity
visible editing
crosscutting
modernism
overlapping editing
42. Dividing up the narrative into large units
segmentation
insert
shot/reverse-shot
montage
43. Imaginary line bisecting a scene corresponding to the 180-degree rule
pace
montage
dissolve
axis of action
44. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
movement editing
pace
continuity editing
reaction shot
45. Screen lightens
graphic match
invisible editing
fade-in
wipes
46. Screen lightens
duration
fade-in
chronology
overlapping editing
47. Depicts a character's response to something the viewers have just been shown
reaction shot
invisible editing
verisimilitude
fade-out
48. Appearance of truth
verisimilitude
visible editing
duration
ellipsis
49. Dividing up the narrative into large units
Point-of-view shot
establishing shot
180-degree rule
segmentation
50. Style emphasizing the breaks and contrasts between images joined by a cut
reestablishing shot
insert
cutaway
montage