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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Join two images by moving a line across one image to replace it with the next
fade-out
match on action
wipes
segmentation
2. Organization of editing according to different paces or tempos determined by how quickly cuts are made
rhythmic editing
fade-out
insert
graphic editing
3. The order according to which shots or scenes convey the temporal sequence of the story's events
jump cut
chronology
reestablishing shot
modernism
4. Screen lightens
segmentation
shot/reverse-shot
sequence shot
fade-in
5. Abridgment in time of the narrative implied by editing
ellipsis
jump cut
nondiegetic insert
180-degree rule
6. Another name for disjunctive editing
two-shot
visible editing
scene
chronology
7. Edits that intentionally create gaps in action
duration
jump cut
structural film
duration
8. Superimposes one shot over the next
alienation effects
analytical editing
ellipsis
dissolve
9. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
nondiegetic insert
visible editing
two-shot
eyeline match
10. Direction of an action is edited to a shot depicting the continuation of that action
match on action
segmentation
chronology
crosscutting
11. Direction of an action is edited to a shot depicting the continuation of that action
rhythmic editing
match on action
eyeline match
jump cut
12. Entire scene in one take
sequence shot
30-degree rule
sequence
nondiegetic insert
13. The order according to which shots or scenes convey the temporal sequence of the story's events
chronology
continuity editing
sequence shot
insert
14. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
sequence shot
wipes
graphic match
establishing shot
15. Dividing up the narrative into large units
segmentation
montage
graphic editing
30-degree rule
16. Abridgment in time of the narrative implied by editing
modernism
ellipsis
shot/reverse-shot
segmentation
17. Insert that breaks continuity
nondiegetic insert
reaction shot
overlapping editing
ellipsis
18. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
jump cut
eyeline match
insert
19. Interspersed
crosscutting
match on action
alienation effects
intercut
20. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
wipes
30-degree rule
long takes
overlapping editing
21. Any number of shots that are unified as a coherent action - regardless of space and time
sequence
movement editing
ellipsis
dissolve
22. Depicts a character's response to something the viewers have just been shown
nondiegetic insert
structural film
reaction shot
sequence
23. Dividing up the narrative into large units
invisible editing
dissolve
segmentation
jump cut
24. Entire scene in one take
sequence shot
cutaway
graphic match
verisimilitude
25. Appearance of truth
intercut
verisimilitude
graphic editing
modernism
26. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
match on action
fade-out
establishing shot
pace
27. Multiple shots of the same action; disrupts continuity
match on action
overlapping editing
structural film
sequence
28. A relatively close shot of two characters
overlapping editing
two-shot
duration
shot/reverse-shot
29. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
establishing shot
chronology
shot/reverse-shot
graphic match
30. Interspersed
intercut
shot/reverse-shot
verisimilitude
axis of action
31. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
fade-out
duration
verisimilitude
insert
32. Distance the viewer from material
alienation effects
structural film
pace
30-degree rule
33. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
30-degree rule
chronology
180-degree rule
axis of action
34. Style emphasizing the breaks and contrasts between images joined by a cut
180-degree rule
intercut
montage
continuity editing
35. Screen darkens
fade-out
movement editing
graphic editing
segmentation
36. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
invisible editing
180-degree rule
30-degree rule
eyeline match
37. Any number of shots that are unified as a coherent action - regardless of space and time
shot/reverse-shot
sequence
long takes
movement editing
38. Another name for disjunctive editing
wipes
30-degree rule
visible editing
continuity editing
39. Edits that intentionally create gaps in action
structural film
wipes
reaction shot
jump cut
40. Alternating between two or more strands of simultaneous action
jump cut
reaction shot
crosscutting
graphic match
41. Screen lightens
wipes
disjunctive editing
fade-in
fade-out
42. Imaginary line bisecting a scene corresponding to the 180-degree rule
structural film
graphic match
axis of action
invisible editing
43. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
continuity editing
analytical editing
30-degree rule
wipes
44. Follows a predetermined structure
cutaway
two-shot
pace
structural film
45. A relatively close shot of two characters
nondiegetic insert
scene
visible editing
two-shot
46. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
cutaway
wipes
shot/reverse-shot
analytical editing
47. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
structural film
alienation effects
match on action
48. Tempo at which the film seems to move
pace
modernism
shot/reverse-shot
wipes
49. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
chronology
analytical editing
scene
insert
50. Appearance of truth
invisible editing
verisimilitude
eyeline match
scene