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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
crosscutting
verisimilitude
establishing shot
segmentation
2. Film interrupts the action to 'cut away' to another image or action
analytical editing
cutaway
sequence shot
two-shot
3. Another name for continuity editing
invisible editing
intercut
verisimilitude
disjunctive editing
4. Abridgment in time of the narrative implied by editing
ellipsis
invisible editing
crosscutting
movement editing
5. A relatively close shot of two characters
nondiegetic insert
two-shot
ellipsis
segmentation
6. Any number of shots that are unified as a coherent action - regardless of space and time
reestablishing shot
jump cut
structural film
sequence
7. Screen lightens
eyeline match
axis of action
Point-of-view shot
fade-in
8. Interspersed
two-shot
30-degree rule
intercut
duration
9. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
rhythmic editing
chronology
disjunctive editing
graphic editing
10. Organization of editing according to different paces or tempos determined by how quickly cuts are made
wipes
fade-in
insert
rhythmic editing
11. Edits that intentionally create gaps in action
verisimilitude
jump cut
rhythmic editing
wipes
12. Edits that intentionally create gaps in action
scene
jump cut
30-degree rule
disjunctive editing
13. Shown through a character's eyes
disjunctive editing
graphic editing
Point-of-view shot
long takes
14. Direction of an action is edited to a shot depicting the continuation of that action
establishing shot
rhythmic editing
crosscutting
match on action
15. Insert that breaks continuity
dissolve
fade-out
nondiegetic insert
eyeline match
16. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
analytical editing
30-degree rule
verisimilitude
wipes
17. Imaginary line bisecting a scene corresponding to the 180-degree rule
axis of action
shot/reverse-shot
reaction shot
modernism
18. Entire scene in one take
sequence
sequence shot
visible editing
cutaway
19. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
scene
crosscutting
insert
graphic match
20. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
movement editing
graphic editing
establishing shot
invisible editing
21. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
30-degree rule
two-shot
180-degree rule
graphic match
22. Shots of relatively long duration
long takes
visible editing
movement editing
dissolve
23. Alternating between two or more strands of simultaneous action
eyeline match
jump cut
crosscutting
shot/reverse-shot
24. Temporal relation of shots and scenes to the amount of time that passes in the story
axis of action
duration
disjunctive editing
sequence shot
25. Distance the viewer from material
invisible editing
dissolve
intercut
alienation effects
26. One or more shots that describe a continuous space - time - and action
cutaway
scene
modernism
rhythmic editing
27. Screen darkens
segmentation
fade-out
crosscutting
match on action
28. Fragmentation of time and space
modernism
long takes
180-degree rule
pace
29. A relatively close shot of two characters
movement editing
long takes
match on action
two-shot
30. Fragmentation of time and space
two-shot
intercut
segmentation
modernism
31. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
modernism
graphic editing
jump cut
alienation effects
32. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
two-shot
movement editing
establishing shot
cutaway
33. Imaginary line bisecting a scene corresponding to the 180-degree rule
axis of action
disjunctive editing
eyeline match
movement editing
34. Style emphasizing the breaks and contrasts between images joined by a cut
pace
insert
ellipsis
montage
35. Interspersed
modernism
modernism
graphic editing
intercut
36. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
reestablishing shot
ellipsis
intercut
37. Dividing up the narrative into large units
30-degree rule
segmentation
rhythmic editing
crosscutting
38. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
duration
nondiegetic insert
insert
chronology
39. Screen darkens
modernism
insert
fade-out
duration
40. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
alienation effects
Point-of-view shot
structural film
graphic match
41. Any number of shots that are unified as a coherent action - regardless of space and time
analytical editing
sequence
invisible editing
continuity editing
42. Join two images by moving a line across one image to replace it with the next
alienation effects
wipes
overlapping editing
modernism
43. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
continuity editing
jump cut
graphic editing
fade-in
44. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
establishing shot
graphic editing
verisimilitude
180-degree rule
45. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
montage
invisible editing
continuity editing
180-degree rule
46. Entire scene in one take
crosscutting
graphic match
30-degree rule
sequence shot
47. Insert that breaks continuity
sequence
nondiegetic insert
cutaway
chronology
48. Film interrupts the action to 'cut away' to another image or action
cutaway
continuity editing
dissolve
segmentation
49. Another name for disjunctive editing
visible editing
chronology
two-shot
two-shot
50. Superimposes one shot over the next
crosscutting
verisimilitude
dissolve
montage