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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Periodic return to an initial establishing view
invisible editing
alienation effects
reestablishing shot
alienation effects
2. Fragmentation of time and space
Point-of-view shot
axis of action
modernism
structural film
3. Insert that breaks continuity
rhythmic editing
nondiegetic insert
disjunctive editing
alienation effects
4. The order according to which shots or scenes convey the temporal sequence of the story's events
dissolve
wipes
long takes
chronology
5. Another name for continuity editing
invisible editing
180-degree rule
alienation effects
reaction shot
6. Follows a predetermined structure
30-degree rule
shot/reverse-shot
structural film
reaction shot
7. Entire scene in one take
sequence shot
eyeline match
180-degree rule
crosscutting
8. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
establishing shot
match on action
sequence
9. Tempo at which the film seems to move
dissolve
graphic editing
crosscutting
pace
10. Multiple shots of the same action; disrupts continuity
overlapping editing
visible editing
verisimilitude
analytical editing
11. Direction of an action is edited to a shot depicting the continuation of that action
fade-out
long takes
axis of action
match on action
12. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
reaction shot
180-degree rule
overlapping editing
graphic match
13. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
intercut
visible editing
continuity editing
movement editing
14. Depicts a character's response to something the viewers have just been shown
insert
wipes
reaction shot
alienation effects
15. One or more shots that describe a continuous space - time - and action
scene
jump cut
cutaway
wipes
16. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
ellipsis
rhythmic editing
invisible editing
shot/reverse-shot
17. Alternating between two or more strands of simultaneous action
wipes
ellipsis
crosscutting
montage
18. A relatively close shot of two characters
two-shot
long takes
reaction shot
scene
19. Screen lightens
fade-in
modernism
crosscutting
graphic editing
20. Distance the viewer from material
alienation effects
sequence shot
structural film
rhythmic editing
21. Shots of relatively long duration
modernism
montage
sequence shot
long takes
22. Screen darkens
modernism
match on action
sequence shot
fade-out
23. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
pace
sequence shot
movement editing
24. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
dissolve
reaction shot
reaction shot
continuity editing
25. Join two images by moving a line across one image to replace it with the next
modernism
wipes
modernism
axis of action
26. Superimposes one shot over the next
eyeline match
match on action
modernism
dissolve
27. Screen darkens
shot/reverse-shot
sequence shot
180-degree rule
fade-out
28. Screen lightens
analytical editing
fade-in
chronology
visible editing
29. Film interrupts the action to 'cut away' to another image or action
Point-of-view shot
cutaway
continuity editing
wipes
30. Temporal relation of shots and scenes to the amount of time that passes in the story
alienation effects
duration
movement editing
chronology
31. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
pace
verisimilitude
analytical editing
two-shot
32. Interspersed
axis of action
fade-in
rhythmic editing
intercut
33. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
visible editing
jump cut
graphic match
dissolve
34. Temporal relation of shots and scenes to the amount of time that passes in the story
establishing shot
cutaway
duration
sequence
35. Shots of relatively long duration
scene
chronology
cutaway
long takes
36. Imaginary line bisecting a scene corresponding to the 180-degree rule
pace
invisible editing
jump cut
axis of action
37. Another name for disjunctive editing
fade-in
sequence shot
visible editing
axis of action
38. Periodic return to an initial establishing view
reestablishing shot
insert
scene
movement editing
39. Edits that intentionally create gaps in action
dissolve
jump cut
nondiegetic insert
establishing shot
40. Distance the viewer from material
disjunctive editing
alienation effects
sequence
two-shot
41. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
ellipsis
insert
ellipsis
invisible editing
42. Abridgment in time of the narrative implied by editing
movement editing
pace
fade-in
ellipsis
43. Any number of shots that are unified as a coherent action - regardless of space and time
insert
movement editing
sequence
nondiegetic insert
44. Organization of editing according to different paces or tempos determined by how quickly cuts are made
wipes
movement editing
rhythmic editing
180-degree rule
45. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
axis of action
pace
two-shot
analytical editing
46. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
modernism
movement editing
cutaway
long takes
47. Depicts a character's response to something the viewers have just been shown
overlapping editing
analytical editing
reaction shot
disjunctive editing
48. Style emphasizing the breaks and contrasts between images joined by a cut
insert
180-degree rule
long takes
montage
49. Imaginary line bisecting a scene corresponding to the 180-degree rule
modernism
axis of action
eyeline match
crosscutting
50. One or more shots that describe a continuous space - time - and action
scene
pace
verisimilitude
chronology
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