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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Periodic return to an initial establishing view
reestablishing shot
rhythmic editing
movement editing
graphic editing
2. Appearance of truth
visible editing
wipes
fade-in
verisimilitude
3. Temporal relation of shots and scenes to the amount of time that passes in the story
verisimilitude
duration
verisimilitude
montage
4. Periodic return to an initial establishing view
modernism
reestablishing shot
graphic match
crosscutting
5. Film interrupts the action to 'cut away' to another image or action
dissolve
axis of action
cutaway
invisible editing
6. Direction of an action is edited to a shot depicting the continuation of that action
scene
sequence
match on action
disjunctive editing
7. Abridgment in time of the narrative implied by editing
ellipsis
visible editing
180-degree rule
segmentation
8. Interspersed
intercut
ellipsis
two-shot
nondiegetic insert
9. Appearance of truth
verisimilitude
modernism
disjunctive editing
segmentation
10. Edits that intentionally create gaps in action
chronology
sequence
reaction shot
jump cut
11. Insert that breaks continuity
nondiegetic insert
graphic match
shot/reverse-shot
long takes
12. Screen darkens
segmentation
scene
invisible editing
fade-out
13. Abridgment in time of the narrative implied by editing
30-degree rule
eyeline match
ellipsis
graphic editing
14. Screen lightens
180-degree rule
shot/reverse-shot
fade-in
analytical editing
15. Screen darkens
verisimilitude
long takes
fade-out
long takes
16. Style emphasizing the breaks and contrasts between images joined by a cut
long takes
montage
reestablishing shot
eyeline match
17. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
eyeline match
duration
alienation effects
shot/reverse-shot
18. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
montage
analytical editing
disjunctive editing
visible editing
19. Alternating between two or more strands of simultaneous action
disjunctive editing
visible editing
crosscutting
nondiegetic insert
20. Another name for disjunctive editing
visible editing
wipes
chronology
graphic match
21. Another name for continuity editing
crosscutting
fade-in
invisible editing
structural film
22. Alternating between two or more strands of simultaneous action
reestablishing shot
crosscutting
nondiegetic insert
match on action
23. One or more shots that describe a continuous space - time - and action
graphic editing
scene
sequence shot
pace
24. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
30-degree rule
verisimilitude
180-degree rule
scene
25. Entire scene in one take
sequence shot
fade-out
long takes
fade-in
26. Interspersed
analytical editing
intercut
sequence
Point-of-view shot
27. Superimposes one shot over the next
30-degree rule
dissolve
wipes
long takes
28. Temporal relation of shots and scenes to the amount of time that passes in the story
match on action
duration
crosscutting
fade-out
29. One or more shots that describe a continuous space - time - and action
scene
180-degree rule
two-shot
pace
30. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
cutaway
scene
ellipsis
insert
31. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
modernism
intercut
establishing shot
reestablishing shot
32. Another name for continuity editing
shot/reverse-shot
duration
invisible editing
fade-in
33. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
graphic editing
movement editing
30-degree rule
eyeline match
34. Dividing up the narrative into large units
insert
segmentation
duration
graphic match
35. Distance the viewer from material
alienation effects
verisimilitude
reaction shot
visible editing
36. Fragmentation of time and space
fade-in
scene
overlapping editing
modernism
37. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
180-degree rule
30-degree rule
establishing shot
segmentation
38. Screen lightens
fade-in
montage
verisimilitude
intercut
39. Insert that breaks continuity
shot/reverse-shot
pace
eyeline match
nondiegetic insert
40. Film interrupts the action to 'cut away' to another image or action
cutaway
overlapping editing
sequence shot
Point-of-view shot
41. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
structural film
montage
alienation effects
eyeline match
42. Edits that intentionally create gaps in action
fade-in
reestablishing shot
reaction shot
jump cut
43. Depicts a character's response to something the viewers have just been shown
scene
reestablishing shot
reaction shot
eyeline match
44. Organization of editing according to different paces or tempos determined by how quickly cuts are made
rhythmic editing
two-shot
fade-out
jump cut
45. A relatively close shot of two characters
two-shot
wipes
180-degree rule
establishing shot
46. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
graphic editing
crosscutting
sequence
intercut
47. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
visible editing
pace
reestablishing shot
48. Style emphasizing the breaks and contrasts between images joined by a cut
axis of action
montage
overlapping editing
cutaway
49. Shots of relatively long duration
continuity editing
movement editing
long takes
graphic editing
50. Shown through a character's eyes
ellipsis
establishing shot
intercut
Point-of-view shot
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