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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Periodic return to an initial establishing view
ellipsis
montage
intercut
reestablishing shot
2. Fragmentation of time and space
shot/reverse-shot
chronology
modernism
visible editing
3. Abridgment in time of the narrative implied by editing
graphic editing
axis of action
180-degree rule
ellipsis
4. Appearance of truth
match on action
sequence
verisimilitude
visible editing
5. A relatively close shot of two characters
montage
graphic editing
two-shot
cutaway
6. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
two-shot
alienation effects
ellipsis
insert
7. Join two images by moving a line across one image to replace it with the next
segmentation
visible editing
wipes
alienation effects
8. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
intercut
visible editing
establishing shot
graphic editing
9. Screen darkens
fade-out
two-shot
axis of action
fade-in
10. Tempo at which the film seems to move
long takes
two-shot
pace
crosscutting
11. Screen darkens
alienation effects
fade-out
ellipsis
ellipsis
12. The order according to which shots or scenes convey the temporal sequence of the story's events
alienation effects
180-degree rule
long takes
chronology
13. Organization of editing according to different paces or tempos determined by how quickly cuts are made
ellipsis
modernism
rhythmic editing
sequence shot
14. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
montage
continuity editing
graphic match
graphic editing
15. Depicts a character's response to something the viewers have just been shown
reaction shot
Point-of-view shot
cutaway
modernism
16. A relatively close shot of two characters
verisimilitude
graphic editing
two-shot
overlapping editing
17. Multiple shots of the same action; disrupts continuity
sequence
continuity editing
overlapping editing
scene
18. Multiple shots of the same action; disrupts continuity
cutaway
movement editing
overlapping editing
two-shot
19. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
reaction shot
continuity editing
180-degree rule
disjunctive editing
20. Screen lightens
movement editing
fade-in
scene
sequence shot
21. Direction of an action is edited to a shot depicting the continuation of that action
overlapping editing
scene
match on action
insert
22. Dividing up the narrative into large units
scene
segmentation
alienation effects
modernism
23. Distance the viewer from material
duration
alienation effects
scene
180-degree rule
24. One or more shots that describe a continuous space - time - and action
rhythmic editing
scene
montage
cutaway
25. Direction of an action is edited to a shot depicting the continuation of that action
invisible editing
nondiegetic insert
match on action
montage
26. Follows a predetermined structure
fade-out
continuity editing
duration
structural film
27. Temporal relation of shots and scenes to the amount of time that passes in the story
jump cut
duration
180-degree rule
30-degree rule
28. Film interrupts the action to 'cut away' to another image or action
cutaway
axis of action
reaction shot
movement editing
29. Style emphasizing the breaks and contrasts between images joined by a cut
montage
jump cut
30-degree rule
visible editing
30. Join two images by moving a line across one image to replace it with the next
wipes
verisimilitude
continuity editing
sequence shot
31. The order according to which shots or scenes convey the temporal sequence of the story's events
cutaway
nondiegetic insert
pace
chronology
32. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
graphic match
verisimilitude
reestablishing shot
jump cut
33. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
movement editing
sequence
fade-in
alienation effects
34. Entire scene in one take
sequence shot
180-degree rule
fade-in
invisible editing
35. Style emphasizing the breaks and contrasts between images joined by a cut
pace
montage
invisible editing
jump cut
36. Alternating between two or more strands of simultaneous action
sequence shot
montage
pace
crosscutting
37. Another name for continuity editing
chronology
invisible editing
wipes
visible editing
38. Interspersed
shot/reverse-shot
disjunctive editing
intercut
graphic match
39. Abridgment in time of the narrative implied by editing
invisible editing
analytical editing
overlapping editing
ellipsis
40. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
duration
shot/reverse-shot
cutaway
duration
41. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
wipes
rhythmic editing
eyeline match
Point-of-view shot
42. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
match on action
alienation effects
30-degree rule
chronology
43. Follows a predetermined structure
structural film
continuity editing
duration
shot/reverse-shot
44. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
two-shot
montage
modernism
graphic editing
45. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
180-degree rule
jump cut
montage
nondiegetic insert
46. Shown through a character's eyes
jump cut
Point-of-view shot
crosscutting
montage
47. Another name for disjunctive editing
match on action
modernism
continuity editing
visible editing
48. Insert that breaks continuity
nondiegetic insert
sequence
wipes
match on action
49. Any number of shots that are unified as a coherent action - regardless of space and time
reaction shot
establishing shot
montage
sequence
50. Insert that breaks continuity
overlapping editing
nondiegetic insert
sequence shot
alienation effects