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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
montage
segmentation
establishing shot
180-degree rule
2. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
long takes
disjunctive editing
montage
nondiegetic insert
3. Film interrupts the action to 'cut away' to another image or action
cutaway
alienation effects
wipes
insert
4. Screen lightens
jump cut
fade-in
establishing shot
wipes
5. Entire scene in one take
sequence shot
nondiegetic insert
dissolve
alienation effects
6. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
reaction shot
eyeline match
30-degree rule
sequence shot
7. Shown through a character's eyes
Point-of-view shot
rhythmic editing
cutaway
scene
8. Shots of relatively long duration
chronology
crosscutting
long takes
visible editing
9. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
fade-out
establishing shot
dissolve
graphic match
10. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
graphic editing
cutaway
analytical editing
two-shot
11. Fragmentation of time and space
scene
invisible editing
chronology
modernism
12. Superimposes one shot over the next
sequence shot
pace
dissolve
nondiegetic insert
13. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
graphic match
establishing shot
Point-of-view shot
pace
14. Shown through a character's eyes
axis of action
shot/reverse-shot
nondiegetic insert
Point-of-view shot
15. A relatively close shot of two characters
long takes
disjunctive editing
180-degree rule
two-shot
16. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
Point-of-view shot
segmentation
insert
graphic match
17. Shots of relatively long duration
long takes
verisimilitude
reaction shot
overlapping editing
18. Organization of editing according to different paces or tempos determined by how quickly cuts are made
axis of action
rhythmic editing
180-degree rule
intercut
19. Another name for continuity editing
continuity editing
invisible editing
long takes
movement editing
20. Multiple shots of the same action; disrupts continuity
shot/reverse-shot
alienation effects
overlapping editing
180-degree rule
21. Fragmentation of time and space
reaction shot
sequence
fade-out
modernism
22. Screen darkens
movement editing
segmentation
sequence
fade-out
23. Abridgment in time of the narrative implied by editing
reestablishing shot
montage
continuity editing
ellipsis
24. Distance the viewer from material
sequence shot
invisible editing
alienation effects
continuity editing
25. Direction of an action is edited to a shot depicting the continuation of that action
jump cut
graphic editing
intercut
match on action
26. Appearance of truth
verisimilitude
cutaway
intercut
fade-out
27. Film interrupts the action to 'cut away' to another image or action
long takes
reaction shot
30-degree rule
cutaway
28. Alternating between two or more strands of simultaneous action
crosscutting
chronology
ellipsis
reaction shot
29. Periodic return to an initial establishing view
reestablishing shot
sequence shot
wipes
rhythmic editing
30. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
sequence shot
eyeline match
axis of action
verisimilitude
31. Interspersed
intercut
modernism
axis of action
reestablishing shot
32. Distance the viewer from material
graphic editing
alienation effects
long takes
eyeline match
33. Another name for continuity editing
alienation effects
graphic match
invisible editing
nondiegetic insert
34. Imaginary line bisecting a scene corresponding to the 180-degree rule
cutaway
axis of action
long takes
nondiegetic insert
35. Screen lightens
montage
180-degree rule
structural film
fade-in
36. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
reestablishing shot
invisible editing
movement editing
crosscutting
37. Style emphasizing the breaks and contrasts between images joined by a cut
montage
long takes
fade-out
structural film
38. The order according to which shots or scenes convey the temporal sequence of the story's events
chronology
wipes
duration
Point-of-view shot
39. Join two images by moving a line across one image to replace it with the next
wipes
overlapping editing
30-degree rule
sequence shot
40. Follows a predetermined structure
overlapping editing
30-degree rule
sequence
structural film
41. Appearance of truth
verisimilitude
visible editing
sequence shot
axis of action
42. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
intercut
pace
analytical editing
disjunctive editing
43. Insert that breaks continuity
nondiegetic insert
invisible editing
segmentation
scene
44. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
montage
modernism
insert
rhythmic editing
45. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
sequence
fade-out
shot/reverse-shot
46. One or more shots that describe a continuous space - time - and action
scene
invisible editing
alienation effects
structural film
47. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
long takes
sequence
modernism
analytical editing
48. Direction of an action is edited to a shot depicting the continuation of that action
reaction shot
sequence shot
match on action
scene
49. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
analytical editing
shot/reverse-shot
graphic editing
ellipsis
50. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
30-degree rule
graphic match
structural film
insert