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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Temporal relation of shots and scenes to the amount of time that passes in the story
jump cut
continuity editing
duration
rhythmic editing
2. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
graphic editing
overlapping editing
two-shot
graphic match
3. Abridgment in time of the narrative implied by editing
alienation effects
ellipsis
graphic match
analytical editing
4. Superimposes one shot over the next
chronology
dissolve
movement editing
intercut
5. Dividing up the narrative into large units
establishing shot
reaction shot
segmentation
fade-out
6. Fragmentation of time and space
long takes
modernism
cutaway
eyeline match
7. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
duration
180-degree rule
montage
30-degree rule
8. Tempo at which the film seems to move
scene
sequence
alienation effects
pace
9. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
invisible editing
nondiegetic insert
shot/reverse-shot
duration
10. Periodic return to an initial establishing view
reestablishing shot
chronology
scene
segmentation
11. Organization of editing according to different paces or tempos determined by how quickly cuts are made
rhythmic editing
match on action
30-degree rule
overlapping editing
12. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
Point-of-view shot
analytical editing
chronology
shot/reverse-shot
13. Any number of shots that are unified as a coherent action - regardless of space and time
establishing shot
sequence
rhythmic editing
eyeline match
14. Multiple shots of the same action; disrupts continuity
insert
analytical editing
axis of action
overlapping editing
15. Screen lightens
fade-in
crosscutting
shot/reverse-shot
shot/reverse-shot
16. Follows a predetermined structure
analytical editing
two-shot
structural film
insert
17. Film interrupts the action to 'cut away' to another image or action
segmentation
fade-in
cutaway
chronology
18. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
structural film
insert
pace
pace
19. Superimposes one shot over the next
graphic match
insert
visible editing
dissolve
20. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
scene
eyeline match
graphic editing
axis of action
21. Screen darkens
alienation effects
wipes
fade-out
pace
22. Shots of relatively long duration
long takes
graphic match
scene
intercut
23. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
graphic editing
eyeline match
disjunctive editing
insert
24. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
30-degree rule
duration
fade-out
montage
25. Another name for continuity editing
disjunctive editing
chronology
shot/reverse-shot
invisible editing
26. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
sequence
shot/reverse-shot
establishing shot
visible editing
27. Alternating between two or more strands of simultaneous action
fade-out
crosscutting
invisible editing
overlapping editing
28. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
180-degree rule
30-degree rule
continuity editing
fade-out
29. Distance the viewer from material
alienation effects
disjunctive editing
nondiegetic insert
two-shot
30. Shown through a character's eyes
pace
shot/reverse-shot
Point-of-view shot
nondiegetic insert
31. Insert that breaks continuity
scene
rhythmic editing
Point-of-view shot
nondiegetic insert
32. Shown through a character's eyes
sequence
Point-of-view shot
180-degree rule
wipes
33. Organization of editing according to different paces or tempos determined by how quickly cuts are made
pace
cutaway
rhythmic editing
sequence
34. Imaginary line bisecting a scene corresponding to the 180-degree rule
scene
axis of action
movement editing
shot/reverse-shot
35. One or more shots that describe a continuous space - time - and action
scene
long takes
segmentation
structural film
36. Join two images by moving a line across one image to replace it with the next
wipes
structural film
continuity editing
Point-of-view shot
37. The order according to which shots or scenes convey the temporal sequence of the story's events
movement editing
chronology
ellipsis
montage
38. Direction of an action is edited to a shot depicting the continuation of that action
sequence
match on action
graphic match
jump cut
39. Style emphasizing the breaks and contrasts between images joined by a cut
cutaway
structural film
disjunctive editing
montage
40. Depicts a character's response to something the viewers have just been shown
match on action
nondiegetic insert
intercut
reaction shot
41. The order according to which shots or scenes convey the temporal sequence of the story's events
two-shot
continuity editing
chronology
match on action
42. Insert that breaks continuity
fade-out
sequence
cutaway
nondiegetic insert
43. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
structural film
crosscutting
overlapping editing
graphic match
44. Screen lightens
rhythmic editing
graphic editing
fade-in
chronology
45. Direction of an action is edited to a shot depicting the continuation of that action
insert
reestablishing shot
reaction shot
match on action
46. Fragmentation of time and space
disjunctive editing
modernism
montage
match on action
47. Join two images by moving a line across one image to replace it with the next
wipes
modernism
insert
reestablishing shot
48. Dividing up the narrative into large units
wipes
Point-of-view shot
reestablishing shot
segmentation
49. Edits that intentionally create gaps in action
jump cut
nondiegetic insert
overlapping editing
analytical editing
50. Edits that intentionally create gaps in action
Point-of-view shot
jump cut
alienation effects
analytical editing