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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
chronology
invisible editing
analytical editing
2. Edits that intentionally create gaps in action
jump cut
scene
rhythmic editing
long takes
3. Imaginary line bisecting a scene corresponding to the 180-degree rule
scene
axis of action
segmentation
ellipsis
4. Periodic return to an initial establishing view
reestablishing shot
modernism
ellipsis
structural film
5. Insert that breaks continuity
nondiegetic insert
reestablishing shot
invisible editing
movement editing
6. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
match on action
analytical editing
reaction shot
180-degree rule
7. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
30-degree rule
cutaway
chronology
insert
8. Periodic return to an initial establishing view
axis of action
sequence
invisible editing
reestablishing shot
9. One or more shots that describe a continuous space - time - and action
visible editing
cutaway
establishing shot
scene
10. Edits that intentionally create gaps in action
fade-in
jump cut
long takes
pace
11. Imaginary line bisecting a scene corresponding to the 180-degree rule
continuity editing
axis of action
segmentation
match on action
12. Alternating between two or more strands of simultaneous action
crosscutting
30-degree rule
graphic match
invisible editing
13. Follows a predetermined structure
rhythmic editing
graphic editing
fade-in
structural film
14. Shown through a character's eyes
Point-of-view shot
invisible editing
montage
movement editing
15. Direction of an action is edited to a shot depicting the continuation of that action
match on action
continuity editing
movement editing
nondiegetic insert
16. Direction of an action is edited to a shot depicting the continuation of that action
scene
reestablishing shot
reaction shot
match on action
17. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
shot/reverse-shot
analytical editing
alienation effects
wipes
18. Superimposes one shot over the next
shot/reverse-shot
dissolve
fade-in
establishing shot
19. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
sequence
disjunctive editing
two-shot
movement editing
20. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
segmentation
shot/reverse-shot
long takes
30-degree rule
21. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
graphic editing
disjunctive editing
shot/reverse-shot
pace
22. Multiple shots of the same action; disrupts continuity
reestablishing shot
overlapping editing
insert
pace
23. Style emphasizing the breaks and contrasts between images joined by a cut
continuity editing
montage
180-degree rule
verisimilitude
24. Another name for continuity editing
scene
modernism
reestablishing shot
invisible editing
25. Abridgment in time of the narrative implied by editing
fade-out
ellipsis
crosscutting
shot/reverse-shot
26. Dividing up the narrative into large units
segmentation
invisible editing
overlapping editing
invisible editing
27. Screen lightens
long takes
graphic editing
fade-in
modernism
28. Organization of editing according to different paces or tempos determined by how quickly cuts are made
overlapping editing
rhythmic editing
insert
sequence
29. Join two images by moving a line across one image to replace it with the next
180-degree rule
wipes
cutaway
long takes
30. Distance the viewer from material
crosscutting
fade-in
reaction shot
alienation effects
31. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
movement editing
30-degree rule
long takes
wipes
32. Superimposes one shot over the next
dissolve
graphic editing
segmentation
duration
33. Follows a predetermined structure
fade-in
structural film
30-degree rule
Point-of-view shot
34. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
insert
dissolve
analytical editing
disjunctive editing
35. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
nondiegetic insert
establishing shot
30-degree rule
verisimilitude
36. Any number of shots that are unified as a coherent action - regardless of space and time
verisimilitude
cutaway
sequence
pace
37. Screen darkens
fade-out
match on action
reestablishing shot
long takes
38. The order according to which shots or scenes convey the temporal sequence of the story's events
establishing shot
analytical editing
chronology
modernism
39. Screen lightens
cutaway
establishing shot
fade-in
intercut
40. Distance the viewer from material
graphic editing
reestablishing shot
invisible editing
alienation effects
41. Another name for continuity editing
invisible editing
fade-out
180-degree rule
continuity editing
42. Shown through a character's eyes
overlapping editing
graphic editing
chronology
Point-of-view shot
43. Alternating between two or more strands of simultaneous action
intercut
crosscutting
30-degree rule
ellipsis
44. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
chronology
180-degree rule
verisimilitude
45. Fragmentation of time and space
graphic match
movement editing
structural film
modernism
46. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
establishing shot
match on action
continuity editing
reaction shot
47. Shots of relatively long duration
30-degree rule
long takes
two-shot
ellipsis
48. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
movement editing
analytical editing
graphic editing
cutaway
49. Dividing up the narrative into large units
duration
sequence
fade-in
segmentation
50. A relatively close shot of two characters
two-shot
match on action
30-degree rule
alienation effects