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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. One or more shots that describe a continuous space - time - and action
scene
graphic editing
cutaway
continuity editing
2. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
wipes
scene
intercut
disjunctive editing
3. Organization of editing according to different paces or tempos determined by how quickly cuts are made
long takes
rhythmic editing
continuity editing
graphic match
4. Multiple shots of the same action; disrupts continuity
segmentation
long takes
overlapping editing
reaction shot
5. Abridgment in time of the narrative implied by editing
disjunctive editing
alienation effects
intercut
ellipsis
6. Screen darkens
segmentation
shot/reverse-shot
fade-out
eyeline match
7. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
sequence
fade-in
establishing shot
analytical editing
8. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
segmentation
movement editing
180-degree rule
two-shot
9. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
modernism
montage
shot/reverse-shot
match on action
10. Edits that intentionally create gaps in action
insert
long takes
verisimilitude
jump cut
11. Shots of relatively long duration
axis of action
long takes
dissolve
reestablishing shot
12. Entire scene in one take
sequence shot
cutaway
jump cut
rhythmic editing
13. Follows a predetermined structure
structural film
alienation effects
30-degree rule
rhythmic editing
14. Organization of editing according to different paces or tempos determined by how quickly cuts are made
fade-in
rhythmic editing
eyeline match
segmentation
15. Another name for disjunctive editing
crosscutting
movement editing
long takes
visible editing
16. Tempo at which the film seems to move
pace
chronology
jump cut
intercut
17. Screen lightens
wipes
long takes
duration
fade-in
18. Fragmentation of time and space
chronology
reaction shot
fade-in
modernism
19. Imaginary line bisecting a scene corresponding to the 180-degree rule
structural film
jump cut
sequence shot
axis of action
20. Edits that intentionally create gaps in action
establishing shot
jump cut
sequence
shot/reverse-shot
21. The order according to which shots or scenes convey the temporal sequence of the story's events
invisible editing
segmentation
duration
chronology
22. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
modernism
alienation effects
montage
movement editing
23. Shown through a character's eyes
30-degree rule
crosscutting
30-degree rule
Point-of-view shot
24. Film interrupts the action to 'cut away' to another image or action
Point-of-view shot
structural film
wipes
cutaway
25. A relatively close shot of two characters
two-shot
intercut
analytical editing
movement editing
26. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
graphic editing
30-degree rule
duration
30-degree rule
27. Screen darkens
fade-out
montage
visible editing
wipes
28. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
analytical editing
ellipsis
structural film
eyeline match
29. Join two images by moving a line across one image to replace it with the next
crosscutting
sequence
insert
wipes
30. Entire scene in one take
reestablishing shot
long takes
intercut
sequence shot
31. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
two-shot
graphic editing
segmentation
cutaway
32. Temporal relation of shots and scenes to the amount of time that passes in the story
pace
disjunctive editing
duration
two-shot
33. Interspersed
intercut
jump cut
long takes
structural film
34. Direction of an action is edited to a shot depicting the continuation of that action
montage
180-degree rule
analytical editing
match on action
35. Distance the viewer from material
eyeline match
sequence
alienation effects
scene
36. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
sequence
continuity editing
alienation effects
scene
37. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
180-degree rule
graphic editing
visible editing
chronology
38. Direction of an action is edited to a shot depicting the continuation of that action
invisible editing
modernism
match on action
segmentation
39. Tempo at which the film seems to move
Point-of-view shot
duration
disjunctive editing
pace
40. Depicts a character's response to something the viewers have just been shown
fade-out
graphic match
reaction shot
nondiegetic insert
41. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
montage
insert
long takes
overlapping editing
42. Style emphasizing the breaks and contrasts between images joined by a cut
continuity editing
match on action
montage
continuity editing
43. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
graphic match
continuity editing
wipes
chronology
44. Abridgment in time of the narrative implied by editing
ellipsis
crosscutting
disjunctive editing
intercut
45. Another name for continuity editing
pace
invisible editing
movement editing
establishing shot
46. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
montage
visible editing
sequence
establishing shot
47. A relatively close shot of two characters
two-shot
wipes
30-degree rule
analytical editing
48. Film interrupts the action to 'cut away' to another image or action
continuity editing
cutaway
crosscutting
match on action
49. Multiple shots of the same action; disrupts continuity
overlapping editing
alienation effects
reaction shot
crosscutting
50. Interspersed
reaction shot
intercut
segmentation
structural film