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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Tempo at which the film seems to move
segmentation
verisimilitude
pace
visible editing
2. Edits that intentionally create gaps in action
graphic editing
structural film
jump cut
30-degree rule
3. Film interrupts the action to 'cut away' to another image or action
ellipsis
cutaway
reaction shot
graphic match
4. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
two-shot
continuity editing
pace
180-degree rule
5. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
30-degree rule
pace
establishing shot
ellipsis
6. Dividing up the narrative into large units
insert
segmentation
disjunctive editing
overlapping editing
7. Organization of editing according to different paces or tempos determined by how quickly cuts are made
establishing shot
reaction shot
rhythmic editing
jump cut
8. Interspersed
continuity editing
two-shot
intercut
graphic editing
9. Temporal relation of shots and scenes to the amount of time that passes in the story
reaction shot
pace
graphic match
duration
10. Distance the viewer from material
rhythmic editing
alienation effects
graphic match
shot/reverse-shot
11. Shown through a character's eyes
nondiegetic insert
Point-of-view shot
ellipsis
graphic match
12. Edits that intentionally create gaps in action
fade-in
axis of action
jump cut
sequence
13. Multiple shots of the same action; disrupts continuity
crosscutting
reaction shot
shot/reverse-shot
overlapping editing
14. One or more shots that describe a continuous space - time - and action
reaction shot
alienation effects
scene
fade-out
15. Periodic return to an initial establishing view
crosscutting
reestablishing shot
wipes
verisimilitude
16. Abridgment in time of the narrative implied by editing
graphic editing
analytical editing
establishing shot
ellipsis
17. Interspersed
visible editing
Point-of-view shot
nondiegetic insert
intercut
18. Follows a predetermined structure
continuity editing
structural film
modernism
sequence
19. Shown through a character's eyes
Point-of-view shot
montage
graphic match
long takes
20. Shots of relatively long duration
structural film
reestablishing shot
long takes
180-degree rule
21. Dividing up the narrative into large units
scene
segmentation
nondiegetic insert
shot/reverse-shot
22. Appearance of truth
verisimilitude
insert
graphic editing
reestablishing shot
23. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
graphic editing
reaction shot
graphic match
match on action
24. Imaginary line bisecting a scene corresponding to the 180-degree rule
reestablishing shot
axis of action
structural film
graphic match
25. Screen darkens
pace
intercut
visible editing
fade-out
26. Organization of editing according to different paces or tempos determined by how quickly cuts are made
rhythmic editing
montage
wipes
wipes
27. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
montage
montage
reaction shot
28. Another name for disjunctive editing
visible editing
fade-in
180-degree rule
scene
29. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
jump cut
alienation effects
graphic match
30-degree rule
30. Style emphasizing the breaks and contrasts between images joined by a cut
montage
long takes
invisible editing
nondiegetic insert
31. Insert that breaks continuity
crosscutting
nondiegetic insert
dissolve
shot/reverse-shot
32. Screen darkens
eyeline match
cutaway
scene
fade-out
33. A relatively close shot of two characters
dissolve
scene
modernism
two-shot
34. Direction of an action is edited to a shot depicting the continuation of that action
rhythmic editing
match on action
segmentation
verisimilitude
35. Follows a predetermined structure
structural film
intercut
intercut
shot/reverse-shot
36. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
eyeline match
rhythmic editing
continuity editing
nondiegetic insert
37. Any number of shots that are unified as a coherent action - regardless of space and time
invisible editing
alienation effects
sequence
pace
38. Another name for continuity editing
alienation effects
jump cut
long takes
invisible editing
39. Depicts a character's response to something the viewers have just been shown
establishing shot
eyeline match
reaction shot
crosscutting
40. Periodic return to an initial establishing view
duration
montage
reestablishing shot
wipes
41. Join two images by moving a line across one image to replace it with the next
dissolve
chronology
wipes
fade-in
42. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
two-shot
eyeline match
180-degree rule
graphic editing
43. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
shot/reverse-shot
ellipsis
sequence
analytical editing
44. Shots of relatively long duration
long takes
continuity editing
rhythmic editing
crosscutting
45. Direction of an action is edited to a shot depicting the continuation of that action
sequence
establishing shot
intercut
match on action
46. Appearance of truth
verisimilitude
crosscutting
match on action
eyeline match
47. Another name for disjunctive editing
modernism
duration
30-degree rule
visible editing
48. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
establishing shot
axis of action
insert
visible editing
49. Distance the viewer from material
alienation effects
shot/reverse-shot
30-degree rule
structural film
50. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
shot/reverse-shot
movement editing
wipes
graphic editing