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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
two-shot
long takes
insert
long takes
2. Interspersed
two-shot
intercut
chronology
sequence
3. Multiple shots of the same action; disrupts continuity
continuity editing
sequence
fade-out
overlapping editing
4. Join two images by moving a line across one image to replace it with the next
rhythmic editing
analytical editing
disjunctive editing
wipes
5. Another name for continuity editing
invisible editing
two-shot
verisimilitude
wipes
6. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
pace
montage
jump cut
establishing shot
7. Entire scene in one take
rhythmic editing
sequence shot
wipes
long takes
8. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
180-degree rule
dissolve
duration
nondiegetic insert
9. Entire scene in one take
fade-in
sequence shot
graphic editing
jump cut
10. Appearance of truth
overlapping editing
180-degree rule
verisimilitude
graphic editing
11. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
scene
scene
cutaway
12. One or more shots that describe a continuous space - time - and action
montage
scene
intercut
long takes
13. Shown through a character's eyes
disjunctive editing
establishing shot
Point-of-view shot
jump cut
14. Style emphasizing the breaks and contrasts between images joined by a cut
chronology
continuity editing
chronology
montage
15. Interspersed
intercut
sequence
cutaway
match on action
16. Temporal relation of shots and scenes to the amount of time that passes in the story
two-shot
graphic editing
duration
long takes
17. Depicts a character's response to something the viewers have just been shown
ellipsis
reaction shot
sequence
30-degree rule
18. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
continuity editing
structural film
reestablishing shot
shot/reverse-shot
19. Depicts a character's response to something the viewers have just been shown
axis of action
establishing shot
sequence shot
reaction shot
20. Any number of shots that are unified as a coherent action - regardless of space and time
sequence
crosscutting
disjunctive editing
ellipsis
21. Insert that breaks continuity
jump cut
axis of action
alienation effects
nondiegetic insert
22. Screen lightens
intercut
visible editing
alienation effects
fade-in
23. Periodic return to an initial establishing view
continuity editing
analytical editing
reestablishing shot
scene
24. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
reestablishing shot
continuity editing
movement editing
intercut
25. A relatively close shot of two characters
Point-of-view shot
structural film
chronology
two-shot
26. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
disjunctive editing
overlapping editing
visible editing
overlapping editing
27. Another name for disjunctive editing
modernism
visible editing
two-shot
movement editing
28. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
montage
reaction shot
establishing shot
visible editing
29. Abridgment in time of the narrative implied by editing
cutaway
graphic match
invisible editing
ellipsis
30. Distance the viewer from material
alienation effects
axis of action
fade-out
scene
31. Another name for continuity editing
duration
wipes
insert
invisible editing
32. Distance the viewer from material
alienation effects
movement editing
continuity editing
pace
33. Follows a predetermined structure
structural film
fade-out
analytical editing
sequence
34. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
intercut
shot/reverse-shot
duration
analytical editing
35. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
segmentation
Point-of-view shot
graphic match
continuity editing
36. The order according to which shots or scenes convey the temporal sequence of the story's events
chronology
sequence
graphic match
shot/reverse-shot
37. Dividing up the narrative into large units
Point-of-view shot
segmentation
180-degree rule
structural film
38. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
duration
analytical editing
30-degree rule
graphic editing
39. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
cutaway
fade-in
180-degree rule
shot/reverse-shot
40. A relatively close shot of two characters
two-shot
cutaway
reestablishing shot
visible editing
41. Another name for disjunctive editing
analytical editing
wipes
visible editing
reaction shot
42. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
180-degree rule
segmentation
fade-out
graphic editing
43. Screen darkens
rhythmic editing
fade-out
two-shot
dissolve
44. Any number of shots that are unified as a coherent action - regardless of space and time
analytical editing
sequence shot
overlapping editing
sequence
45. Fragmentation of time and space
modernism
180-degree rule
30-degree rule
montage
46. Screen darkens
scene
duration
pace
fade-out
47. Appearance of truth
visible editing
match on action
verisimilitude
fade-out
48. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
intercut
continuity editing
two-shot
shot/reverse-shot
49. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
rhythmic editing
reestablishing shot
eyeline match
alienation effects
50. Abridgment in time of the narrative implied by editing
analytical editing
ellipsis
axis of action
match on action
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