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Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
modernism
reestablishing shot
scene
establishing shot
2. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
movement editing
reestablishing shot
graphic match
continuity editing
3. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
scene
30-degree rule
verisimilitude
axis of action
4. Temporal relation of shots and scenes to the amount of time that passes in the story
dissolve
structural film
duration
fade-in
5. A relatively close shot of two characters
two-shot
montage
disjunctive editing
insert
6. One or more shots that describe a continuous space - time - and action
structural film
long takes
movement editing
scene
7. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
shot/reverse-shot
graphic editing
nondiegetic insert
reaction shot
8. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
modernism
graphic editing
verisimilitude
180-degree rule
9. Film interrupts the action to 'cut away' to another image or action
alienation effects
cutaway
chronology
reestablishing shot
10. Screen lightens
fade-in
alienation effects
alienation effects
pace
11. Follows a predetermined structure
structural film
insert
fade-out
duration
12. The order according to which shots or scenes convey the temporal sequence of the story's events
crosscutting
chronology
Point-of-view shot
modernism
13. A relatively close shot of two characters
30-degree rule
two-shot
invisible editing
chronology
14. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
establishing shot
dissolve
intercut
30-degree rule
15. Fragmentation of time and space
180-degree rule
reestablishing shot
fade-in
modernism
16. The order according to which shots or scenes convey the temporal sequence of the story's events
segmentation
scene
continuity editing
chronology
17. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
30-degree rule
segmentation
sequence shot
chronology
18. Superimposes one shot over the next
eyeline match
dissolve
scene
crosscutting
19. Alternating between two or more strands of simultaneous action
graphic match
analytical editing
pace
crosscutting
20. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
establishing shot
movement editing
rhythmic editing
disjunctive editing
21. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
overlapping editing
analytical editing
insert
nondiegetic insert
22. Style emphasizing the breaks and contrasts between images joined by a cut
montage
30-degree rule
two-shot
sequence shot
23. Another name for continuity editing
scene
invisible editing
180-degree rule
ellipsis
24. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
shot/reverse-shot
continuity editing
wipes
establishing shot
25. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
shot/reverse-shot
disjunctive editing
cutaway
fade-in
26. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
movement editing
crosscutting
scene
sequence
27. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
intercut
two-shot
modernism
analytical editing
28. Abridgment in time of the narrative implied by editing
30-degree rule
ellipsis
insert
disjunctive editing
29. Abridgment in time of the narrative implied by editing
ellipsis
overlapping editing
visible editing
graphic editing
30. Insert that breaks continuity
duration
Point-of-view shot
rhythmic editing
nondiegetic insert
31. One or more shots that describe a continuous space - time - and action
segmentation
eyeline match
duration
scene
32. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
invisible editing
sequence shot
shot/reverse-shot
movement editing
33. Shown through a character's eyes
montage
dissolve
axis of action
Point-of-view shot
34. Style emphasizing the breaks and contrasts between images joined by a cut
montage
sequence shot
two-shot
axis of action
35. Superimposes one shot over the next
dissolve
intercut
verisimilitude
analytical editing
36. Direction of an action is edited to a shot depicting the continuation of that action
movement editing
wipes
intercut
match on action
37. Alternating between two or more strands of simultaneous action
continuity editing
crosscutting
fade-out
dissolve
38. Depicts a character's response to something the viewers have just been shown
reaction shot
montage
ellipsis
analytical editing
39. Tempo at which the film seems to move
pace
movement editing
verisimilitude
dissolve
40. Entire scene in one take
sequence shot
shot/reverse-shot
crosscutting
graphic editing
41. Distance the viewer from material
alienation effects
intercut
disjunctive editing
pace
42. Depicts a character's response to something the viewers have just been shown
graphic match
intercut
reaction shot
eyeline match
43. Join two images by moving a line across one image to replace it with the next
invisible editing
sequence shot
crosscutting
wipes
44. Interspersed
30-degree rule
reestablishing shot
chronology
intercut
45. Edits that intentionally create gaps in action
disjunctive editing
jump cut
sequence shot
intercut
46. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
chronology
montage
continuity editing
47. Imaginary line bisecting a scene corresponding to the 180-degree rule
two-shot
sequence shot
axis of action
cutaway
48. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
intercut
establishing shot
30-degree rule
49. Periodic return to an initial establishing view
montage
pace
reaction shot
reestablishing shot
50. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
dissolve
180-degree rule
180-degree rule