SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
Film Editing
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Restricts possible camera setups to the 180-degree area on one side of an imaginary line drawn between the characters or figures of a scene
structural film
long takes
verisimilitude
180-degree rule
2. Screen darkens
fade-out
jump cut
movement editing
structural film
3. Periodic return to an initial establishing view
reestablishing shot
modernism
ellipsis
cutaway
4. Distance the viewer from material
dissolve
two-shot
ellipsis
alienation effects
5. Appearance of truth
ellipsis
verisimilitude
duration
180-degree rule
6. One or more shots that describe a continuous space - time - and action
scene
graphic editing
modernism
cutaway
7. Another name for continuity editing
montage
disjunctive editing
continuity editing
invisible editing
8. One shot must be followed by another shot taken from at least 30 degrees from that of the first. A transition between two shots less than 30 degrees apart is perceived as unnecessary.
30-degree rule
wipes
two-shot
axis of action
9. Superimposes one shot over the next
continuity editing
overlapping editing
analytical editing
dissolve
10. Another name for disjunctive editing
wipes
dissolve
visible editing
shot/reverse-shot
11. Shots of relatively long duration
pace
duration
long takes
scene
12. Screen lightens
fade-in
axis of action
segmentation
fade-out
13. Film interrupts the action to 'cut away' to another image or action
cutaway
two-shot
montage
verisimilitude
14. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
match on action
insert
fade-in
30-degree rule
15. Style emphasizing the breaks and contrasts between images joined by a cut
wipes
montage
dissolve
segmentation
16. Depicts a character's response to something the viewers have just been shown
analytical editing
dissolve
alienation effects
reaction shot
17. Abridgment in time of the narrative implied by editing
sequence
insert
ellipsis
reestablishing shot
18. Fragmentation of time and space
crosscutting
insert
modernism
overlapping editing
19. Entire scene in one take
disjunctive editing
fade-in
jump cut
sequence shot
20. The direction and pace of actions - gestures - and other movements are linked with corresponding or contrasting movements in one or more other shots
movement editing
30-degree rule
insert
intercut
21. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
long takes
crosscutting
eyeline match
continuity editing
22. Appearance of truth
segmentation
chronology
verisimilitude
cutaway
23. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
eyeline match
dissolve
disjunctive editing
dissolve
24. A variety of alternative practices that call attention to the cut through spatial tension - temporal jumps - or rhythmic or graphic pattern so as to affect viscerally - disorient - or intellectually engage the viewer.
cutaway
fade-out
duration
disjunctive editing
25. Screen lightens
long takes
analytical editing
alienation effects
fade-in
26. Style emphasizing the breaks and contrasts between images joined by a cut
modernism
duration
chronology
montage
27. Organization of editing according to different paces or tempos determined by how quickly cuts are made
rhythmic editing
Point-of-view shot
30-degree rule
pace
28. Style of editing creating formal patterns of shapes - masses - colors - lines - and lighting patterns through links between shots
Point-of-view shot
graphic editing
movement editing
two-shot
29. Tempo at which the film seems to move
overlapping editing
continuity editing
pace
shot/reverse-shot
30. Film interrupts the action to 'cut away' to another image or action
shot/reverse-shot
axis of action
cutaway
graphic editing
31. Another name for continuity editing
invisible editing
rhythmic editing
structural film
fade-out
32. One or more shots that describe a continuous space - time - and action
eyeline match
analytical editing
scene
invisible editing
33. If a character looks offscreen - the next shot will likely show the character or object that the character is looking at in a screen position that matches the gaze
eyeline match
shot/reverse-shot
fade-in
structural film
34. And edit through which a dominant shape or line in one shot provides a visual transition to a similar shape or line in the next shot
establishing shot
30-degree rule
graphic match
graphic editing
35. Establishes verisimilitude - constructs a coherent time - tells stories clearly and efficiently
chronology
graphic editing
continuity editing
two-shot
36. Another name for disjunctive editing
alienation effects
establishing shot
visible editing
30-degree rule
37. Initial long shot that establishes setting and orients the viewer in space to a clear view of the action
verisimilitude
jump cut
establishing shot
long takes
38. Follows a predetermined structure
180-degree rule
structural film
montage
graphic match
39. Shown through a character's eyes
Point-of-view shot
reestablishing shot
chronology
continuity editing
40. The order according to which shots or scenes convey the temporal sequence of the story's events
establishing shot
crosscutting
invisible editing
chronology
41. Shown through a character's eyes
insert
Point-of-view shot
graphic match
structural film
42. Insert that breaks continuity
insert
intercut
nondiegetic insert
continuity editing
43. Begins with the shot of one character taken from an angle at one of the axis of action - continues with a shot of the second character from the reverse angle at the other end of the axis - and proceeds back and forth.
180-degree rule
axis of action
pace
shot/reverse-shot
44. Temporal relation of shots and scenes to the amount of time that passes in the story
establishing shot
structural film
rhythmic editing
duration
45. Multiple shots of the same action; disrupts continuity
reaction shot
overlapping editing
two-shot
movement editing
46. Fragmentation of time and space
dissolve
axis of action
modernism
movement editing
47. Temporal relation of shots and scenes to the amount of time that passes in the story
duration
overlapping editing
jump cut
scene
48. Alternating between two or more strands of simultaneous action
modernism
cutaway
chronology
crosscutting
49. Continuity editing that establishes spatial and temporal clarity by breaking down a scene - often using progressively tighter framings that remain consistent spatial relations
fade-in
montage
visible editing
analytical editing
50. Brief shot filmed separately from a scene and inserted during editing...points out details significant to the action
insert
jump cut
wipes
ellipsis