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Test your basic knowledge |
Film Techniques
Start Test
Study First
Subjects
:
performing-arts
,
film
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Often a long shot or a series of shots that sets the scene
Cut
Low Key
Extreme Close Up
Establishing Shot
2. The camera is above the subject
High Angle
Establishing Shot
Long Shot
Bottom or Side Lighting
3. Direct lighting from below or the side
Extreme Close Up
Dolly/Tracking
High Angle
Bottom or Side Lighting
4. Soft lighting on the actor's face or from behind
Front or Back Lighting
Close Up
Establishing Shot
Zoom
5. The scene is flooded with shadows and darkness - creating suspense or suspicion
High Key
Bottom or Side Lighting
Low Key
Extreme Close Up
6. The camera is on a crane over the action
Wipe
Cross Cutting
Zoom
Boom/Crane
7. The scene is flooded with shadows and darkness - creating suspense or suspicion
Wipe
Low Key
Tilt
Wipe
8. The most common shot
Eye Level
Front or Back Lighting
Diegetic
Medium Shot
9. The image being shot as part of a whole
Diegetic
Extreme Close Up
High Key
Low Angle
10. A kind of fade in which one image is slowly replaced by another
Two Shot
Dissolve
Pan
Pan
11. Sound that could logically be heard by the characters in the film
Close Up
Diegetic
Low Angle
Medium Shot
12. A stationary camera where the lens moves to make an object seem to move closer to or further away from the camera
Non Diegetic
Zoom
Two Shot
Cut
13. A shot taken from a normal height or at the character's eye level
Close Up
Eye Line Match
Dissolve
Eye Level
14. The image being shot as part of a whole
Shot
Front or Back Lighting
Extreme Close Up
Eye Line Match
15. Most common editing technique
Cut
Establishing Shot
Non Diegetic
Shot
16. Often a long shot or a series of shots that sets the scene
Establishing Shot
Eye Line Match
Zoom
Fade
17. The camera is on a track that allows it to move with the action
Low Key
Flashback
Dissolve
Dolly/Tracking
18. The camera films subjects from below
Wipe
Low Angle
Establishing Shot
High Angle
19. A scene between two people shot exclusively from an angle that includes both characters more or less equally
Eye Line Match
Boom/Crane
Two Shot
Non Diegetic
20. A new image wipes off the previous image
Pan
Wipe
Establishing Shot
Shot Reverse Shot
21. A shot of one subject - then another - then back to the first
Cut
Dolly/Tracking
Cross Cutting
Shot Reverse Shot
22. The scene is flooded with light - creating a bright and open looking scene
High Key
Wipe
Close Up
Cut
23. A single piece of film uninterrupted by cuts
Dissolve
Wipe
Pan
Shot
24. A scene between two people shot exclusively from an angle that includes both characters more or less equally
Fade
Eye Line Match
Tilt
Two Shot
25. The camera is above the subject
Shot
High Angle
Low Key
Zoom
26. Cut or dissolve to action that happened in the past
Wipe
Shot
Low Key
Flashback
27. The camera is on a track that allows it to move with the action
Long Shot
Dolly/Tracking
High Key
Non Diegetic
28. A shot from some distance
High Angle
Fade
Low Angle
Long Shot
29. Can be to or from black or white
Non Diegetic
Bottom or Side Lighting
Eye Line Match
Fade
30. A shot taken from a normal height or at the character's eye level
Bottom or Side Lighting
Low Angle
Eye Level
Diegetic
31. Cut into action that is happening simultaneously
Cross Cutting
Low Key
Dissolve
Pan
32. The image takes up at least 80 percent of the frame
Dolly/Tracking
Shot
Low Angle
Close Up
33. Cut into action that is happening simultaneously
Long Shot
Long Shot
Dissolve
Cross Cutting
34. Direct lighting from below or the side
Zoom
Bottom or Side Lighting
High Key
Shot Reverse Shot
35. Cut or dissolve to action that happened in the past
High Angle
Flashback
Tilt
Fade
36. Sound that cannot be heard by the characters but is designed for audience reaction only
Bottom or Side Lighting
Bottom or Side Lighting
Two Shot
Non Diegetic
37. Sound that could logically be heard by the characters in the film
Low Angle
Fade
Eye Level
Diegetic
38. Most common editing technique
Dolly/Tracking
Cut
Fade
Eye Line Match
39. A stationary camera moves up or down along a vertical axis
Front or Back Lighting
Long Shot
Cross Cutting
Tilt
40. A shot of one subject - then another - then back to the first
Extreme Close Up
Close Up
Shot
Shot Reverse Shot
41. A stationary camera moves from side to side on a horizontal axis
Medium Shot
Pan
Extreme Close Up
Establishing Shot
42. Can be to or from black or white
Dolly/Tracking
Fade
Cross Cutting
Shot
43. The most common shot
Medium Shot
Flashback
Extreme Close Up
Cut
44. Cut to an object - then to a person
Cross Cutting
Eye Line Match
Bottom or Side Lighting
Shot Reverse Shot
45. Sound that cannot be heard by the characters but is designed for audience reaction only
Non Diegetic
Tilt
Front or Back Lighting
Boom/Crane
46. A stationary camera moves from side to side on a horizontal axis
Extreme Close Up
Fade
High Key
Pan
47. A new image wipes off the previous image
Eye Line Match
Wipe
Fade
Front or Back Lighting
48. Cut to an object - then to a person
Two Shot
Eye Level
Low Angle
Eye Line Match
49. A stationary camera where the lens moves to make an object seem to move closer to or further away from the camera
Low Key
Shot Reverse Shot
Two Shot
Zoom
50. The camera films subjects from below
High Angle
Diegetic
Wipe
Low Angle