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Test your basic knowledge |
Florist Certification
Start Test
Study First
Subject
:
certifications
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Number 3 ribbon is the appropriate size for a corsage bow. The appropriate gauge of wire for corsages is number 24- 28 depending on the weight of the flower. Construct a corsage so it is as light-weight as possible.
Waterf All Desisgn
Corsages
Tint
Hydrating Solution
2. A purpose of foliage is to hide the mechanics in a flower arrangement.
Foliages
Interpretive Design
'Stair Step Manner' Design Placement
Parallel Design
3. Firmly wrapping or tying similar materials together to form a larger - individual unit.
Dry Pack
Bundling
Retail Florist
Balance
4. A hue darkened by the addition of black forms a shade of the hue.
Line Flowers
Bundling
Shade
Balance
5. Are usually single stem with large rounded heads used inside or along the arrangement to fill in.
Mass Flowers
Asymmetrical Design
Formal-Linear Design
Focal Point
6. Bride's bouquet - Bridesmaid's bouquet - Corsages - Boutonnieres - Alter flowers - Pew Flowers - on the candelabra - Bride's Throw bouquet - table decorations and on the wedding cake.
Framing
Transpiration
Wire
Wedding Flowers
7. A formal - equilateral triangular design.
Symmetrical Design
Pave Arrangements
Wire
Wedding Flowers
8. Corsage wiring technique in which a wire is inserted through the calyx and bent downward along the stem.
Piercing Method
Framing
Round Designs
Interpretive Design
9. Contain more than one single focal point.
Filler
Abstract Designs
Symmetrical Design
Proportion
10. Re-cutting stems of fresh product helps prevent stem blockage - increase water uptake - maximize the freshness of the product and keeps the stem from sealing to the bottom of the container - if the cut is slanted.
Respiration
Form Flowers
Filler Flower
Re-cutting Stems
11. A type of flower used to complete a design.
Bent Neck in Flowers
Filler Flower
Vase Life
Color
12. A Citric acid solution that causes flowers to take up water rapidly to prevent dehydration after flowers being dry packed.
Balance
Hydrating Solution
Proportion
Interpretive Design
13. Cell process in which stored food reserves are converted into useful energy for the plant.
Bacterial Growth
Re-cutting Stems
Terracing and Layering
Respiration
14. A chemical consisting of a mixture of ingredients that when added to water extends the vase life of cut flowers by lowering the water PH.
Floral Preserative
Skeleton Flowers
Abstract Designs
Line Element
15. The relationship between the completed arrangement and its location.
Retail Florist
Color
Scale
Dry Pack
16. Primary or line flowers used in a design to establish the outline of the arrangement.
Hydrating Solution
Skeleton Flowers
Bent Neck in Flowers
Terracing and Layering
17. The measure of color intensity when gray is added to a hue.
Tone
Bacterial Growth
Refridgeration of Fresh Product
Shade
18. Flower arrangement heights should not vary in pave arrangements. The Pave Design is a technique characterized by parallel or surface contoured insertions that create a uniform area with little or no variation in depth.
Pave Arrangements
Bundling
Intensity
Mechanics
19. The design consists of several layers of materials - varying in size and texture to create a flowering effect.
Bundling
Cascade Design
Round Designs
Pave Arrangements
20. The process in which cut flowers & foliages have been tested to extend their freshness.
Cascade Design
Conditioning
Re-cutting Stems
Intensity
21. The tight positioning of flower clusters at the base of an arrangement forming rounded hills.
Hairpin Method
Processing
Pillowing
Intermediate Colors
22. Is due to the inability of water to enter the stem.
Terracing and Layering
Intensity
Bent Neck in Flowers
Processing
23. The process of plants losing water through stomata in their leaves.
Round Designs
Transpiration
Processing Flowers
Primary Colors
24. The Storage or shipment of flowers out of water.
Bacterial Growth
Dry Pack
Conditioning
Bundling
25. The Japanese style of floral arrangements characterized by their linear forms.
Ikebana
Intensity
Parallel Design
Form Flowers
26. Refrigeration of fresh product with a combination of low temperature and high humidity helps slow down respiration - reduce water lost by transpiration - slows down maturity and reduces microbial growth and development. An ideal temperature range to
Refridgeration of Fresh Product
Filler Flower
Pave Arrangements
Processing Flowers
27. The impression of the design being stable and self-supported.
Waterf All Desisgn
Form Flowers
Balance
Terracing and Layering
28. Do not require a focal point.
Asymmetrical Design
Round Designs
Pave Arrangements
Intensity
29. Cutting flowers stems properly and providing proper treatment at any stage of the distribution process.
Transpiration
Waterf All Desisgn
Processing
Line Element
30. Two primary colors combined in equal amounts.
Vase Life
Vegetative Design
Customer Education
Secondary Colors
31. Corsage wiring technique in which the wire is shaped into a hairpin.
Hairpin Method
Form Flowers
Asymmetrical Design
Bent Neck in Flowers
32. The Color Spectrum is made up of twelve major colors. Using color properly is just one important design element essential in creating a well-designed floral arrangement.
Vase Life
Interpretive Design
Color
Customer Education
33. The length of useful life of cut floral materials after being received by the customer.
Filler Flower
Interpretive Design
Vase Life
Value
34. Florists must educate the customer in order to help them enjoy their flowers to the fullest extent.
Form
Mechanics
Scale
Customer Education
35. Combination of equal amounts of primary color and adjacent secondary color.
Round Designs
Processing
Intermediate Colors
Proportion
36. A design technique in which branches of flowers are used around the perimeter of a floral arrangement to direct attention to the materials in the center of the arrangement.
Balance
Intermediate Colors
Pillowing
Framing
37. The relationship between the flowers - foliage and container.
Tone
Symmetrical Design
Proportion
Formal-Linear Design
38. Wiring technique in which the wire is inserted through the flower and a small hook is formed in the wire before it is pulled back into the flower.
Tint
Formal-Linear Design
Foliages
Hook Method
39. Growers - Wholesalers and Retail Florist must process their flowers.
Re-cutting Stems
Customer Education
Processing Flowers
Interpretive Design
40. Shorter stems of mass flowers provide a color & focal point near the rim of the container.
Pillowing
Waterf All Desisgn
Dry Pack
Intensity
41. Sells floral goods and services to the consumer.
Line Element
Light Intensity
Retail Florist
Tint
42. Form is the geometric shape or line design that forms the outline of the flower arrangement.
Foliages
Dry Pack
Form
Tint
43. A triangular pattern with a strong 'L-Line'.
Transpiration
Asymmetrical Design
Hook Method
Wedding Flowers
44. Floral Material that has an 'airy' look to create the finishing touch.
Vegetative Design
Filler
Hook Method
Cascade Design
45. The level of light received on a plant surface.
Refridgeration of Fresh Product
Conditioning
Light Intensity
Retail Florist
46. Adding white to a color lightens its tint.
Customer Education
Abstract Designs
Hook Method
Tint
47. Red - yellow and blue are primary colors.
Floral Preserative
Primary Colors
Wedding Flowers
Interpretive Design
48. Describes the lightness or darkness of a hue.
Wire
Bundling
Vase Life
Value
49. #28 wire is a finer wire than #16 gauge wire. #20 and #22 gauge wire is best suited to support roses - carnations and chrysanthemums.
Mass Flowers
Parallel Design
Wire
'Stair Step Manner' Design Placement
50. Is the placement of cut material in a parallel design in each group in order to create depth.