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Hair Design Certification

Instructions:

Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can study here.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.

1. For design purposes - the three zones of the face are forehead eyebrows - end of the nose to bottom of the chin - and...
Less volume
Concave
A round head shape
Eyebrows to end of nose

2. The oval face shape is about _____ times longer than its across the bow.
Convex
Analyzing the whole person
Inverted Triangle
1.5

3. The foundation of all artistic applications is...
symmetrical
Design
Create the illusion of width at the forehead
Extremely curly and mediun

4. When consulting with male client - recommend stles that are...
Oval face
Space
Create the illusion of lenght
Flattering and appropriate

5. Curly and overly curly hair does not reflect much light and could be _______ to the touch.
Convex
Proportion -balance -rhythum -emhasis -harmony
Coarse
Form

6. A harmontations style creates a look that is...
Concave
Use bangs with no volume
proportionate
Slightly darker at the sides than top

7. A recurrent pattern of movement in design is referred to as...
Rhythm
Unity
Closely groomed beard and mustache
Unusual

8. Finger waves are exmple of a style using what type of lines?
Horizontal
Hard to curl
Parallel lines
close-set eyes

9. The mass or silhouette of the hairstyle is known as which element of design?
Diagonal
Volume
Form
A full beard and mustache

10. To give height to round or square face and width to a long - thin face - use what type of part?
Extremely curly and mediun
A single line of color
Style hair away from the forehead
Diagonal

11. In hair that is too long - separation can occur and reveal too much scalp if the hair is...
Symmetrical balance
Space
1.5
Curly and fine

12. The widest silhouette is found in...
Oval
Extremely curly and mediun
Harmony
Rhythm

13. When stlyling hair for a wide face with a round hairline and round chin - the aim is to...
Proportion
Analyzing the whole person
Create the illusion of lenght
Emphasis

14. Illusions of dimension or depth are created when lighter and warmer colors are alternated with colors that are...
Analyzing the whole person
Horizontal
Hard to curl
Darker and cooler

15. Smooth wave patterns accent the face and can be used to narrow...
Overall outline of a hairstyle
Relationship between hair - face - and body type
Warm
A round head shape

16. The generally recognized ideal facial type is considered to be...
Horizontal
Use bangs with no volume
Design
Oval

17. If your client has a narrow forehead - it is recommended that you...
Line
Style hair away from the forehead
Analyzing the whole person
Flattering and appropriate

18. The use of repeating lines - whether straight or curved...
Creates more interest in the design
Chemicals
Rhythm
Emphasis

19. Straight coarse hair has some volume but is...
Position and prominence of facial bones
Hard to curl
The client's skin tone
Wavy - medium

20. The there-dimensional mass or general outline of a hairstyle is referred to as its...
Proportion -balance -rhythum -emhasis -harmony
Style hair away from the forehead
Form
side view

21. The terms straight - wavy - and curl describe...
Asymmetrical balance
Play up strengths and minimize weaknesses
Form
Wave pattern

22. Dark and cool colors recede or move in toward the head - creating the illusion of...
Diagonal
Play up strengths and minimize weaknesses
Extremely curly
Less volume

23. Hair texture changes can be created or changed temporarily with styling tools and permanently with...
Curl -fine
Chemicals
Curly and fine
Bang area

24. In the hair design process - when deciding to take calculated risks - it is important to have a strong foundation in...
Techniques and skills
Wave pattern
Overly busy
Form

25. When both sides of a hair style are the same distance from the center - the same length - and have the same volume when viewed from the front - it is known to have...
Volume
curved-line style
Use bangs with no volume
Symmetrical balance

26. If not properly shaped - a very wide silhouette could appear with hair that is...
Diagonal lines
Play up strengths and minimize weaknesses
Wavy and coarse
Longer and fuller

27. In the principles of design - line defines...
Triangular
Form and space
Design
Texture and lines

28. Facial shape is determined by the...
Extremely curly
creat volume between the temples and jaw
Around the ears
Position and prominence of facial bones

29. The element of form describes...
symmetry
Develop height on top
Overall outline of a hairstyle
Diagonal

30. Balance is described as creating equal or appropriate proportions to create...
Form
Rhythm
side view
symmetry

31. The area of a design where the eye is drawn to first before traveling to the rest of the design is called the...
Emphasis
Closely groomed beard and mustache
Unusual
Diagonal

32. The most important art principle that holds a design together is...
Harmony
Creates more interest in the design
Horizontal
Design

33. In the principles of art and dsign - the comparative relationship of one thing to another is called...
Proportion
Relationship between hair - face - and body type
Unity
Volume

34. In hair design - with every movement - the relationship of form and what other design element chenge?
Diagonal lines
Space
Wavy and coarse
A single line of color

35. The area surrounding the mass or general outline of a style is...
proportionate
Volume
Closely groomed beard and mustache
Space

36. For a client with gold skin tones - a flattering hair color tone would be...
Symmetrical balance
Wavy - medium
The client's skin tone
Warm

37. When choosing a now haircolor - one of the considerations is...

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38. Lines poitioned between horizontal and vertical - used to emphasize or minmize facial features - are...
Overly busy
Concave
Diagonal lines
A single line of color

39. An example of a hairstyle created using a single line is a...
A round head shape
Bang area
curved-line style
Rhythm

40. The comparative relationship between object relative to their size is know as...
Warm
Flattering and appropriate
Proportion
Design

41. When you analyze your client's features - you can style your design to...
Play up strengths and minimize weaknesses
Inverted Triangle
Position and prominence of facial bones
Techniques and skills

42. Horizontal and vertical lines that meet at a 90-degree angle are called...
Form
Move forward
Contrasting lines
symmetry

43. The face profile with a receding forehead and chin is generally referred to as...
Form
Analyzing the whole person
Convex
Unity

44. In hairstyling - the area that surrounds the form is the...
Position and prominence of facial bones
Space
Contrasting lines
Creates more interest in the design

45. Among the face shapes is...
side view
emphasis
Inverted Triangle
Create the illusion of width at the forehead

46. In designing - when opposite side have different lenghts or different volume and appear to have equal weight - it is referred to as ...
emphasis
asymmetrical balance
Emphasis
Analyzing the whole person

47. When styling for a client with a large forehead...
Use bangs with no volume
Volume
Extremely curly
Full and falls below the jaw

48. When clients wears glasses - it will affect how you design the hair...
Around the ears
Soften a design
small and narrow
Play up strengths and minimize weaknesses

49. There are three basic profile types: straight - convex - and...
Form and space
Concave
Receding forehead
Warm

50. The triangular section that begins at the apex or high point of the head and ends at the front corners is called the...
Curved
Bang area
Rhythm
Wavy - medium