Test your basic knowledge |

Hair Design Certification

Instructions:

Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can study here.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.

1. Designing the right hairstyle for your client begins with...
Analyzing the whole person
proportionate
Eyebrows to end of nose
Curly and fine

2. The principle of design which holds all the elements of design togather is know as...
Rhythm
A full beard and mustache
Diagonal
Harmony

3. In the hair design process - when deciding to take calculated risks - it is important to have a strong foundation in...
Less volume
Harmony
Techniques and skills
Line

4. The widest silhouette is found in...
close-set eyes
Extremely curly and mediun
Eyebrows to end of nose
A single line of color

5. When stlyling hair for a wide face with a round hairline and round chin - the aim is to...
creat volume between the temples and jaw
Create the illusion of lenght
Concave
Convex

6. There are three basic profile types: straight - convex - and...
Design
Unity
Use bangs with no volume
Concave

7. Color can be used to make all or part of a hair design appear...
Parallel lines
Volume
asymmetrical balance
Longer and fuller

8. One of the principles of hair design - proportion - refers to the...
Move forward
Proportion -balance -rhythum -emhasis -harmony
Relationship between hair - face - and body type
A lighter color

9. If your client has a convex profile - the hair in the chin area should...
Move forward
Analyzing the whole person
close-set eyes
Form

10. Horizontal and vertical lines that meet at a 90-degree angle are called...
Take calculated risks
Asymmetrical balance
Contrasting lines
Curly and fine

11. The area surrounding the mass or general outline of a style is...
Contrasting lines
Space
Unity
Curly and fine

12. For design purposes - the three zones of the face are forehead eyebrows - end of the nose to bottom of the chin - and...
Around the ears
close-set eyes
Eyebrows to end of nose
Transitional lines

13. The facial type that is about one and a half times longer than its width across the brow is the...
Relationship between hair - face - and body type
Oval face
Warm
Play up strengths and minimize weaknesses

14. When styling for a client with a large forehead...
Harmony
Use bangs with no volume
symmetry
Create the illusion of lenght

15. The use of curved lines in a hair design can be used to...
symmetrical
Soften a design
Horizontal
Proportion -balance -rhythum -emhasis -harmony

16. Curly and overly curly hair does not reflect much light and could be _______ to the touch.
A round head shape
Coarse
Play up strengths and minimize weaknesses
Texture and lines

17. Using too many wavey-pattern combinations together could creat a look that is...
symmetry
Soften a design
Volume
Overly busy

18. A slight lighttening of the hair at the corner of the eye will give the illusion of width for...
Chemicals
Line
Creates more interest in the design
close-set eyes

19. A balding male client may look good with a...
Diagonal
Closely groomed beard and mustache
Coarse
Space

20. When both sides of a hair style are the same distance from the center - the same length - and have the same volume when viewed from the front - it is known to have...
Use bangs with no volume
Symmetrical balance
A round head shape
symmetry

21. If _______ hair is left to long - it could separate and reveal too much of the client's scalp unless the hair is thick
Around the ears
Curl -fine
asymmetrical balance
Horizontal

22. Lines that are parallel to the floor are called...
Wavy and coarse
Horizontal
Harmony
A full beard and mustache

23. The terms straight - wavy - and curl describe...
Contrasting lines
Take calculated risks
Wave pattern
Chemicals

24. For a client with gold skin tones - a flattering hair color tone would be...
Rhythm
Warm
Overly busy
Oval

25. When you analyze your client's features - you can style your design to...
Parallel lines
Play up strengths and minimize weaknesses
Emphasis
creat volume between the temples and jaw

26. The three basic part for bangs are triangular - curved - and...
symmetrical
Warm
Flattering and appropriate
Diagonal

27. A harmontations style creates a look that is...
proportionate
The client's skin tone
Relationship between hair - face - and body type
Inverted Triangle

28. The place that eyes sees first in a hair style is known is...
Chemicals
Relationship between hair - face - and body type
Emphasis
Receding forehead

29. Natural waves patterns are described as straight - wavy - curly - and...
Extremely curly
Line
proportionate
Overly busy

30. In hair that is too long - separation can occur and reveal too much scalp if the hair is...
Enhance positive features
Chemicals
Parallel lines
Curly and fine

31. In designing - when opposite side have different lenghts or different volume and appear to have equal weight - it is referred to as ...
Convex
creat volume between the temples and jaw
Above or below the chin line
asymmetrical balance

32. Ornamentation is an exciting method of creating...
emphasis
Hair texture
Space
Chemicals

33. The most versatile hair type for styling is...
Wavy - medium
A single line
Volume
A strong visual sense

34. Fine - straight hair creates a silhouette that is...
Hard to curl
Straight
small and narrow
Oval

35. The there-dimensional mass or general outline of a hairstyle is referred to as its...
A single line
Form
emphasis
Position and prominence of facial bones

36. When styling for a client with a long jaw - the hair should be...
Transitional lines
Curved
Receding forehead
Full and falls below the jaw

37. To give the illusion of proportional eyes to a client with wide-set eyes - the hair should be...
Line
Slightly darker at the sides than top
Convex
Horizontal

38. Designing the right hairstyle for your client begins with...
Symmetrical balance
Analyzing the whole person
Above or below the chin line
A lighter color

39. Waven patterns can be altered by the use of...
Chemicals
A full beard and mustache
Convex
Hard to curl

40. In hair design - with every movement - the relationship of form and what other design element chenge?
Space
Move forward
Analyzing the whole person
Creates more interest in the design

41. The face profile with a receding forehead and chin is generally referred to as...
Convex
asymmetrical balance
Straight
Wave pattern

42. The use of repeating lines - whether straight or curved...
Creates more interest in the design
Space
Soften a design
Harmony

43. Facial shape is determined by the...
Volume
Position and prominence of facial bones
Bang area
Form

44. You can draw a line in a hairstyle in the direction you want the eye to travel by using...
A lighter color
Develop height on top
Oval
Bang area

45. If your client has a large chin - be sure the hair is...
Above or below the chin line
Line
Chemicals
Wave pattern

46. Directing the bangs over the forehead with an outwardly directed volume will benfit a...
Hair texture
Symmetrical balance
Receding forehead
curved-line style

47. The comparative relationship between object relative to their size is know as...
A round head shape
Chemicals
Diagonal
Proportion

48. Fine - medium and coarse are qualities that refer to...
Hair texture
Closely groomed beard and mustache
asymmetrical balance
Form and space

49. If your client has a narrow forehead - it is recommended that you...
Symmetrical balance
Proportion
proportionate
Style hair away from the forehead

50. Through the use of color in design - you can create...
The illusion of more or less volume
Diagonal
Oval
Horizontal