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Hair Design Certification

Instructions:

Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
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This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.

1. To give height to round or square face and width to a long - thin face - use what type of part?
Diagonal
Rhythm
symmetry
Closely groomed beard and mustache

2. There are three basic profile types: straight - convex - and...
Eyebrows to end of nose
symmetry
Use bangs with no volume
Concave

3. Designing the right hairstyle for your client begins with...
Harmony
Create the illusion of lenght
Analyzing the whole person
Horizontal

4. The foundation of all artistic applications is...
proportionate
Design
Curl -fine
Emphasis

5. Illusions of dimension or depth are created when lighter and warmer colors are alternated with colors that are...
Use bangs with no volume
Analyzing the whole person
Eyebrows to end of nose
Darker and cooler

6. In hair that is too long - separation can occur and reveal too much scalp if the hair is...
Warm
Oval
Curly and fine
Develop height on top

7. A profile is the outline of a face or figure as seen in a...
Eyebrows to end of nose
Hard to curl
side view
Wavy and coarse

8. The generally recognized ideal facial type is considered to be...
Oval
Creates more interest in the design
Proportion
Slightly darker at the sides than top

9. Designing the right hairstyle for your client begins with...
Space
creat volume between the temples and jaw
Analyzing the whole person
Diagonal

10. Horizontal and vertical lines that meet at a 90-degree angle are called...
Create the illusion of lenght
Contrasting lines
Position and prominence of facial bones
Form

11. In designing for clients with large or broad shoulders - the stylist would create styles with...
Volume
Oval face
Soften a design
creat volume between the temples and jaw

12. Straight coarse hair has some volume but is...
emphasis
Hard to curl
Flattering and appropriate
Full and falls below the jaw

13. Curly and overly curly hair does not reflect much light and could be _______ to the touch.
Coarse
Oval face
Use bangs with no volume
Eyebrows to end of nose

14. The use of repeating lines - whether straight or curved...
Emphasis
Design
Horizontal
Creates more interest in the design

15. In the principles of art and dsign - the comparative relationship of one thing to another is called...
Proportion
Unusual
Contrasting lines
The client's skin tone

16. Among the face shapes is...
proportionate
Inverted Triangle
Analyzing the whole person
close-set eyes

17. Balance is described as creating equal or appropriate proportions to create...
symmetry
Longer and fuller
Convex
Chemicals

18. The mass or silhouette of the hairstyle is known as which element of design?
Techniques and skills
Curved
Triangular
Form

19. An example of a hairstyle created using a single line is a...
curved-line style
Wave pattern
Extremely curly and mediun
Triangular

20. The degins by analyzing the entire person and using the design elements and principles to...
Enhance positive features
Space
Analyzing the whole person
Soften a design

21. When styling for a client with a large forehead...
Use bangs with no volume
Techniques and skills
Curly and fine
The illusion of more or less volume

22. Natural waves patterns are described as straight - wavy - curly - and...
Extremely curly
Full and falls below the jaw
Warm
small and narrow

23. Hairstyles using _______are best on clients who require the minimum of care when styling their hair
A single line
Darker and cooler
Form
Position and prominence of facial bones

24. The term space in hair design refers to...
Take calculated risks
The client's skin tone
Line
Volume

25. What are the five art princples import for hair design?
Proportion -balance -rhythum -emhasis -harmony
Chemicals
Warm
Oval face

26. If your client has a large chin - be sure the hair is...
Form
Curved
Above or below the chin line
Diagonal lines

27. The fast or slow pattern that creates movement a hairstyle is called...
Space
Emphasis
Rhythm
Unity

28. The facial type that is about one and a half times longer than its width across the brow is the...
Oval face
Overall outline of a hairstyle
A single line
Wave pattern

29. When consulting with male client - recommend stles that are...
Analyzing the whole person
Flattering and appropriate
Unusual
Emphasis

30. When stlyling for a triangular-shape face - the aim is to...
Wavy and coarse
proportionate
Create the illusion of width at the forehead
Line

31. Color can be used to make all or part of a hair design appear...
Emphasis
Longer and fuller
Harmony
Contrasting lines

32. Directing the bangs over the forehead with an outwardly directed volume will benfit a...
Space
Receding forehead
Extremely curly
Space

33. Dark and cool colors recede or move in toward the head - creating the illusion of...
Bang area
Inverted Triangle
Less volume
Parallel lines

34. To give the illusion of proportional eyes to a client with wide-set eyes - the hair should be...
Use bangs with no volume
Full and falls below the jaw
Straight
Slightly darker at the sides than top

35. A slight lighttening of the hair at the corner of the eye will give the illusion of width for...
Soften a design
Proportion
Harmony
close-set eyes

36. When both sides of a hair style are the same distance from the center - the same length - and have the same volume when viewed from the front - it is known to have...
Less volume
Symmetrical balance
Receding forehead
Form and space

37. When stlyling hair for a wide face with a round hairline and round chin - the aim is to...
A lighter color
Coarse
Create the illusion of lenght
Creates more interest in the design

38. In designing - when the two sides are the same distance from the center - have the same length and volume - the balance is considered to be...
Line
close-set eyes
Diagonal
symmetrical

39. In designing - when opposite side have different lenghts or different volume and appear to have equal weight - it is referred to as ...
Straight
asymmetrical balance
Overall outline of a hairstyle
Warm

40. Using too many wavey-pattern combinations together could creat a look that is...
Asymmetrical balance
Overall outline of a hairstyle
Overly busy
The client's skin tone

41. The element of form describes...
side view
Overall outline of a hairstyle
Less volume
Use bangs with no volume

42. Through the use of color in design - you can create...
The illusion of more or less volume
Diagonal
Harmony
Creates more interest in the design

43. Waven patterns can be altered by the use of...
Convex
The illusion of more or less volume
symmetrical
Chemicals

44. The area of a design where the eye is drawn to first before traveling to the rest of the design is called the...
Space
Emphasis
1.5
Hair texture

45. Lines that extend in the same direction and maintain a constant distance apart are...
Horizontal lines
Straight
Space
Move forward

46. If _______ hair is left to long - it could separate and reveal too much of the client's scalp unless the hair is thick
Full and falls below the jaw
Curl -fine
Relationship between hair - face - and body type
Move forward

47. You can comouflage a receding chin in a male client - with...
Proportion
Rhythm
A full beard and mustache
Triangular

48. Fine - medium and coarse are qualities that refer to...
Position and prominence of facial bones
symmetrical
Hair texture
Texture and lines

49. The there-dimensional mass or general outline of a hairstyle is referred to as its...
A full beard and mustache
proportionate
The illusion of more or less volume
Form

50. If not properly shaped - a very wide silhouette could appear with hair that is...
Wavy and coarse
Above or below the chin line
Rhythm
Eyebrows to end of nose

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Hair Design Certification

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