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Test your basic knowledge |
Microphones Theory
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. This is what is measured to produce an electrical signal in condenser mics; This changes as sound waves strike the diaphragm causing the distance to the back plate to change.
Capacitance
Shure SM58
Sennheiser e604
Neumann U47
2. Measurement similar to how our hearing works in frequency response charts.
A-Weighting
Side Address
Rode NT1A
Lowpass Filter
3. Shows the max sound pressure level possible with a certain amount of distortion; Measured in dB (decibels).
Counterbalance
Sensitivity
Nuvistor Tube
Max SPL
4. To oppose with equal weight or force as in the length of the boom arm versus the weight of the microphone.
Counterbalance
Parabolic Systems
Neumann U47
Rudolf Goerike & Ernest Pless
5. One of the world's greatest condenser microphones prized for the CK12 capsule.
AB Stereo
AKG C12
Pascals (Pa)
Wind Screens
6. + (only); (Front capsule alone)
Cardioid (Electrical Polar Pattern)
Omnidirectional
Parabolic Systems
OSHA Exposure Table
7. Close mic placement can help guard again bleed from other instruments and takes advantage of proximity effect; Center of cone = Brighter; Outside of cone = Darker; Reflections can create phase issues (can be reduced by putting the cabinet at an angle
Condenser Diaphragm
Pascals (Pa)
MSM
Guitar Amp Mic Placement
8. Overall measurement close to the overall sound level in frequency response charts.
C-Weighting
Neumann KM 184
Spaced Pairs
Electro Voice RE20
9. Aluminum Ribbon - Bi-Polar (Figure 8); Side Address; Manufactured by Shiny Box; Buttery mid- range improves digital recordings and smooths out modern treble; Best on drums - piano - overheads - and vocals where treble is focused.
Shiny Box 46MXL
Georg Neumann
Dynamic Mic Characteristics
Null Angle
10. Consumers can listen to live broadcasts over telephone lines; Individual one- way experience that required a subscription service to listen to performances.
Crystal Mic Damage
Dynamic Microphone
Theatrophone
Shure SM81
11. Condenser; Cardioid; End Address; 48V Required; Manufactured by Neumann; Consists of three compact miniature microphones; Has a gentle rise at about 9 kHz that provides tonal balance that is fresher and livelier.
Microphone Storage
5 Common Microphone Transducers
M/S Stereo
Neumann KM 184
12. Used in adverse conditions to protect from elements like sand - or dust.
Sennheiser MD421
Capacitor
Pascals (Pa)
Wind Screens
13. Configured to simulate the spacing and directivity of human hearing; Box shape with two 'ears' on each side.
Transient Response
Shure SM58
Mono
SASS-P
14. Allows all high frequencies to pass; Blocks the lower frequencies from being processed.
Matched Pairs
Highpass Filter
Measurement Mics
Ribbon Microphone
15. Verify that the boom is placed over a microphone leg prior to use to provide added balance and stability.
Condenser Diaphragm
Nuvistor Tube
Parabolic Systems
Boom Placement Rule
16. Condenser; Cardioid; Side Address; 48V Required; Manufactured by AudioTechnica; Ideal for project/home- studio applications; Low price; Remains the low cost performance standard in side- address condenser mics.
Coincident (Definition)
AudioTechnica AT2020
AKG D12
Cardioid (Electrical Polar Pattern)
17. Phenomenon causing carbon microphones to lose sensitivity as granules become packed together over extended use; To remedy problem mic is gently rapped on hard surface.
Types of Pre-Amps for Condenser Mics
Carbon Microphone Uses
Shockmount
Packing
18. First to mass produce the condenser microphone in 1929; Improved cutting lathe technology by developing direct drive turntables; Invents 48V Phantom Power to power the new condenser microphone for Norwegian State Television.
Neumann U67
Matched Pairs
Boom Placement Rule
Georg Neumann
19. Cable wrapping method that keeps every coil on top of the next; May cause interference and tiny curls or tangles.
RFI
Alan Blumlein
Over/Over
Stereo
20. A stereo miking technique similar to coincident pair - where the mics are set up with some distance between them; Distance and angle of microphones may differ; Creates a more defined stereo image; Produces very sharp images; Provides more 'air'.
Nuvistor Tube
Boom
Pop Filter
Near Coincident Pair
21. Tube microphone capable of SPL's over 140dB.
Neumann U67
Electret (Word Etymology)
Jecklin Disk
Coincident Pair
22. An electrical device characterized by its capacity to store an electric charge;
AudioTechnica AT2020
Packing
Capacitor
Highpass Filter
23. Solid State and Tube.
Types of Pre-Amps for Condenser Mics
Over/Over
Coincident Pair
Electro Voice RE20
24. + & - (Front & rear in opposite equal amounts)
Bidirectional (Electrical Polar Pattern)
Phase Ports
Sennheiser e604
Blumlein Pairing
25. Never store mic in a damp place; Keep dirt & dust away from the mic; Never 'pop' test the mic; Check if a mic is working by lightly scratching the grill.
Microphone Care...
Machine Head
Legs
Dynamic Mic Characteristics
26. The attachment that holds a microphone in place on the mic stand; Comes in various shapes - sizes - and applications.
Rode NT1A
Subkick
Distance Factor
Clip
27. Small Diaphragm Electret condensers; Extremely flat frequency response; Omnidirectional pattern.
Striking
A-Weighting
Measurement Mics
Voice Coil
28. Three or more microphones working together to capture a stereo or surround image of the sound source.
Arrays
Piezoelectric Effect
Stereo Bar
Boom Placement Rule
29. Dynamic; Cardioid; End Address; Manufactured by Shure; Considered the industry standard for live vocal performance microphones; One of the best- selling microphones in the world.
Shure SM58
Null Angle
Over/Over
Distance Factor (DSF)
30. Raises the body of the microphone increasing height.
Shotgun
Clutch
Trombone Mic Placement
Baffle
31. Determined by: Ribbon Thickness (about 3 to 6 microns); Corrugations/Inch; Tension of the Ribbon.
Diaphragm
Ribbon Microphone Sensitivity
Alan Blumlein
Dynamic Range
32. Changes in air pressure from the front or the back can cause polarity cancellation; Sides have good rejection; Natural polar pattern is bidirectional.
Backplate
Pressure Gradient Capsules
RCA 44BX
Over/Under
33. Very robust and durable; Used in telephones until 1990's; Currently finds applications for military use.
Wind Screens
Carbon Microphone Uses
Cardioid
Neumann U47
34. Quartz; Barium Titaniate - Tourmaline; Rochelle Salt - and even cane sugar.
Examples of Piezoelectric Material
Wind Screens
Highpass Filter
Arrays
35. Pair of omni mic elements mounted on opposite sides of a spherical shaped capsule.
Spherical Mic
Over/Over
Distance Factor (DSF)
Georg Neumann
36. Demonstrated the first stereophonic transmissions via the Theatrophone in 1881.
Neumann U87
Stereo Bar
Neumann CMV3
Clement Ader
37. Part of a mic stand that the mic stands on.
Spherical Mic
Legs
Neumann U47
Distance Factor (DSF)
38. Increasing magnetic field strength is the only practical means of increasing output voltage; Conductor movement is limited due to tension of the ribbon; and ribbon length increases lead to a loss of high frequency response.
DIN
Shiny Box 46MXL
Increasing Output Voltage in Ribbon Mics
Ribbon Microphone
39. The tuning machines of a guitar; Part of the tuning key that strings are threaded through and twisted.
Ribbon Microphone Sensitivity
Pressure Gradient Capsules
Trombone Mic Placement
Machine Head
40. Timing difference between two waves; Waves interfere cancelling each other out and altering frequency response; Measured in degrees; Can be caused by reflections of sound waves; Can be reduced by putting cabinet or amp at an angle.
Capacitance
Phasing
Supercardioid
Electret (Word Etymology)
41. Extremely narrow area of sensitivity in front with extended reach; Also has multiple lobes which vary in position with frequency; Not made from combining pure patterns - but created by using an interference tube.
Spherical Mic
Shotgun
Bidirectional (Electrical Polar Pattern)
Pierre Curie
42. Forward facing bipolar mics spaced 20cm apart.
C-Weighting
Legs
Faulkner
DIN
43. Omnidirectional: N/ - Cardioid: 180
Angle of Max Rejection
Capacitor
Diaphragm
Fukada Tree
44. Developed the condenser microphone in 1916 at Bell Labs.
E.C. Wente
Altec/Western Electric 639
Dynamic Microphone
3 Voltages for Phantom Power
45. Will yield a 6dB increase in output - but will cause a loss of high frequency response.
Doubling Ribbon Length
Crystal & Ceramic Microphones
Pascals (Pa)
AudioTechnica AT4051
46. The first dynamic microphone with changeable polar patterns.
Parabolic Systems
AKG D36
Soundfield
FFT Analyzer
47. 4 coincident mics each positioned at 90
Omnidirectional (Electrical Polar Pattern)
LRFB
Highpass Filter
SPL Meter
48. Magnetic field opposite to that which presently exists; Do this on the bottom mic when miking a snare with two mics.
Rear Sensitivity (Relative to Front)
Altec/Western Electric 639
Reverse Polarity
Pistonphone
49. Older ribbon microphone weighing 8.5 lbs. nearly all of it the large magnet!
Voice Coil
Types of Field Recording
RCA 44BX
Wind Screens
50. Proportional to: Magnetic field strength; Length of the conductor; Velocity of conductor moving through the magnetic field.
Trombone Mic Placement
Voice Coil
Carbon Microphone
Magnetic Induction Voltage