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Test your basic knowledge |
Microphones Theory
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Microphone with 4 large diaphragm condenser capsules; 3 bidirectional and 1 omni; Can be combined to make any polar pattern.
Soundfield
Electret Condenser
Ribbon Mic Characteristics
Diaphragm
2. Modeled to mimic a human head for extremely good spatialization; Shaped like a human head.
Piezoelectric Effect
Binaural Mic
Wind Screens
Faulkner
3. Coincident pairing that is at 90
Stereosonic
Jecklin Disk
Percussion Mic Placement
Dual Mono
4. Dynamic; Cardioid; End Address; Manufactured by Shure; Considered the industry standard for live vocal performance microphones; One of the best- selling microphones in the world.
Types of Pre-Amps for Condenser Mics
Trombone Mic Placement
Carbon Microphone
Shure SM58
5. Rotating speaker cabinet design featuring separate treble and bass drivers that can switch speeds; Speaker rotate from front to back creating a Doppler effect; Resulted in new spatial perception for each note. Stereo miked up top and single miked at
Rudolf Goerike & Ernest Pless
On -Axis
Leslie Cabinet
Shure KSM-353
6. The lowest - and usually most intense - frequency of a complex sound; Most often perceived as the sound's basic pitch.
Fundamental Frequency
Carbon Microphone Uses
Altec/Western Electric 639
Pickup
7. Device used to measure sound loudness; Often used to measure and balance the loudness of each speaker in a home - studio - or live venue or theater system.
MSM
Snare Drum Mic Placement
SPL Meter
Phasing
8. Omnidirectional: 0 - Cardioid: 8 - Supercardioid: 12 dB - Hypercardioid: 6 dB - Bidirectional: 0
Backplate
Altec/Western Electric 639
Rear Sensitivity (Relative to Front)
Stereo Bar
9. Will yield a 6dB increase in output - but will cause a loss of high frequency response.
Georg Neumann
M/S Stereo
Doubling Ribbon Length
RFI
10. 4800 ft/sec
Shure KSM-353
X/Y
Speed of Sound Underwater
Ribbon Mic Characteristics
11. Basket/grille made out of a specific type of copper wire to block protect the mic from physical damage and to protect the mic from stray RFI
Jecklin Disk
Reverse Polarity
Speed of Sound Underwater
Faraday Cage
12. Tube with ports down the side with the mic capsule at the bottom; Sounds entering the tube from on - axis interact inside the tube with the sounds coming in through the side ports - an interfere with each other in such a way as to partially cancel of
Dual Mono
Omnidirectional
Interference Tube...
Neumann U87
13. Condenser; Cardioid; Side Address; 48V Required; Large Diaphragm; Manufactured by AudioTechnica; Transformerless circuitry virtually eliminates low- frequency distortion.
AudioTechnica AT4040
Ambient Sound Sensitivity
Transient Response
Lowpass Filter
14. The combination of the ribbon and magnet in a ribbon microphone.
Magnetic Induction Voltage
Microphone Storage
Supercardioid
Motor
15. 2 - 4 ft. from player; Placed below the line of sight of the bell - rotated at about 30 degrees off axis - and tilted upward.
X/Y
Pierre Curie
End Address
Trombone Mic Placement
16. Sensitive in a narrower pattern in the front than a cardioid and has a prominent/pronounced lobe at rear; Rejects most signals from 110
SASS-P
Binaural Mic
Subcardioid
Hypercardioid
17. Increasing magnetic field strength is the only practical means of increasing output voltage; Conductor movement is limited due to tension of the ribbon; and ribbon length increases lead to a loss of high frequency response.
3 Voltages for Phantom Power
Phasing
Crystal and Ceramic Mic Use
Increasing Output Voltage in Ribbon Mics
18. Configured to simulate the spacing and directivity of human hearing; Box shape with two 'ears' on each side.
Motor
SASS-P
Nuvistor Tube
Capacitor Microphone
19. Mounts on a single stand to provide for adjustable spacing and angling between mics.
Dual Mono
Proximity Effect
Stereo Bar
AudioTechnica AT4040
20. Often look like large diaphragm studio mics; Talk or sing into the side of the microphone.
Increasing Output Voltage in Ribbon Mics
Percussion Mic Placement
Side Address
Hydrophone
21. Bell Labs scientist that was an innovator of many spaced pair and arrayed miking techniques.
Shure Unidyne Series
Crystal & Ceramic Microphones
SASS-P
Harvey Fletcher
22. The measure of how quickly a mic's diaphragm will react when it is hit by an acoustic sound wave.
3:1 Rule
Pascals (Pa)
Ribbon Mic Characteristics
Transient Response
23. Device used to calibrate sound pressure measurement devices; Emits a single 1 kHz frequency over a sustained period of time.
Fukada Tree
Goals of Sound Effects
Pistonphone
Kick Tunnel
24. The tuning machines of a guitar; Part of the tuning key that strings are threaded through and twisted.
Machine Head
Capacitor Microphone
Shure KSM-353
Protractor & Ruler
25. Delicate and require extreme care; NO PHANTOM POWER; Becoming more popular than ever because of highly efficient magnets - lower manufacturing costs - and great fidelity.
Ribbon Mic Characteristics
Electret Condenser
Over/Over
Shure SM57
26. Used in production sound for multiple perspectives on the set; Used in Audio Post to record a number of mics into a recorder with minimal set- up & tear down.
Roll-Off
Rudolf Goerike & Ernest Pless
Field Mixer
Motor
27. Condenser; Cardioid; Side Address; 48V Required; Manufactured by AudioTechnica; Ideal for project/home- studio applications; Low price; Remains the low cost performance standard in side- address condenser mics.
Microphone (Definition)
Protractor & Ruler
AudioTechnica AT2020
Shure Unidyne Series
28. Occupying the same space and time.
Baffle
Coincident (Definition)
Snare Drum Mic Placement
M/S Stereo
29. Condenser; Cardioid/Hypercardioid; End Address; 48V Required; Manufactured by AKG; Can be powered by internal 9 V battery for field recording; Improves clarity of speech with the PB 1000 Presence Boost Adapter.
Tuning Keys
Headstock
Leslie Cabinet
AKG C1000S
30. E = Blv - e - Electromotive Force (in volts) - B - is the magnetic field strength - l - is the length of the conductor - v - is the velocity of the conductor moving through the magnetic field
Shure KSM-353
Magnetic Induction Formula
Legs
Harvey Fletcher
31. Used to make sure you have accurate angles & capsule spacing when miking in stereo.
Protractor & Ruler
Spherical Mic
Pop Filter
Null Angle
32. The first cardioid pattern dynamic microphone.
Harvey Fletcher
3:1 Rule
AKG D12
Spaced Pairs
33. Close mic placement can help guard again bleed from other instruments and takes advantage of proximity effect; Center of cone = Brighter; Outside of cone = Darker; Reflections can create phase issues (can be reduced by putting the cabinet at an angle
Dynamic Microphone
Vintage Tube Mic Precautions
Guitar Amp Mic Placement
Harvey Fletcher
34. Dynamic; Cardioid; End Address; Manufactured by Sennheiser; Unique mic clip with quick- release button; Large diaphragm dynamic element handles high SPL's - making it great for recording guitars and drums.
Sennheiser MD421
Dynamic Mic Characteristics
Binaural Mic
AKG D36
35. Digital device used to Fourier Forms; Used to measure the specific number of sine waves in a specific frequency in a specific setting.
FFT Analyzer
Goals of Sound Effects
Fingerboard
Packing
36. Big + & - (More front with less opposite rear)
Stereo Bar
Vintage Tube Mic Precautions
Body
Hypercardioid/Supercardioid (Electrical Polar Pattern)
37. Founded AKG at the end of WWII in Austria.
Subkick
AudioTechnica AT4040
Shotgun
Rudolf Goerike & Ernest Pless
38. Bioacoustic Research; Documentary Journalism; Radio; Film/TV Production; Audio Post Production.
AKG C12
Roll-Off
Types of Field Recording
Microphone Storage
39. Used to filter heating current in certain mics; Invented by Georg Neumann.
Real Time Analyzer (RTA)
Distance Factor (DSF)
Transient Response
Sealed Ni-Cad Battery
40. 12V DC; 24V DC; 48V DC
3 Voltages for Phantom Power
Over/Under
Shure SM81
Subcardioid
41. Flat plate that controls or directs the flow of sound energy in a crystal/ceramic mic.
Baffle
Wind Screens
RCA 44BX
Neumann KM-84
42. Sounds that may be broadcast over the radio or internet.
Noise
Pressure Capsules
Mono
Leslie Cabinet
43. 4 to 6 ft. from the player; Mic should be placed below the line of sight of the bell - rotated at about 40 degrees off- axis - and tilted upward.
Trumpet Mic Placement
Pressure Capsules
Fukada Tree
Sealed Ni-Cad Battery
44. Best signal- to- noise ratio; Minimal phase cancellation; Quality representation of what is being recorded; Attempt to ignore unwanted external noise.
Near Coincident Pair
Harvey Fletcher
Headstock
Goals of Sound Effects
45. Derived from two words; 'electr' from electrostatic and 'et' from magnet.
RCA 44BX
Electret (Word Etymology)
Pop Filter
Georg Neumann
46. Microphone consisting of two parallel metal plates - each holding an opposing charge (+ or -) and thus creating a capacitor to induce an electrical charge as sound waves move the diaphragm; Require a solid- state or tube preamplifier.
Boom Placement Rule
Carbon Microphone
Counterbalance
Condenser Microphone
47. Sub- frequency (below 100Hz) capture device designed for use with kick drums and floor toms as an alternative or supplement to a traditional microphone.
Georg Neumann
Fukada Tree
Headstock
Subkick
48. Shows the max sound pressure level possible with a certain amount of distortion; Measured in dB (decibels).
3:1 Rule
Roswellite
Stereo Bar
Max SPL
49. Cable wrapping method that keeps every coil on top of the next; May cause interference and tiny curls or tangles.
Casing
Over/Over
Microphone (Definition)
Over/Under
50. Dynamic; Cardioid; End Address; Manufactured by Electro Voice; Large Diaphragm; Humbucking Coil; Bass Roll Off Switch; Minimizes proximity effect; Ideal for broadcasting and sound engineering techniques.
Electro Voice RE20
Sennheiser MD421
Increasing Output Voltage in Ribbon Mics
Alan Blumlein