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Test your basic knowledge |
Microphones Theory
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Never store mic in a damp place; Keep dirt & dust away from the mic; Never 'pop' test the mic; Check if a mic is working by lightly scratching the grill.
Harvey Fletcher
Microphone Care...
Ribbon Microphone
OSHA Exposure Table
2. + & - (Front & rear in opposite equal amounts)
Bidirectional (Electrical Polar Pattern)
Neumann CMV3
Fingerboard
Crystal and Ceramic Mic Use
3. Pair of omni mic elements mounted on opposite sides of a spherical shaped capsule.
Magnetic Induction Voltage
Transient Response
Mono
Spherical Mic
4. Omnidirectional: N/ - Cardioid: 180
Angle of Max Rejection
Dynamic Mic Characteristics
Phase Ports
Tube Condenser Microphone
5. Sounds that arrive from angles other than the 0
Transient Response
OSHA Exposure Table
AKG C12
Off-Axis
6. Tough & rugged; Can work in extremely high SPL environments; Less responsive to transient frequencies b/c of diaphragm mass is heavier than sound waves.
Ambient Sound Sensitivity
Dynamic Mic Characteristics
Leslie Cabinet
Clip
7. Shows the level of self- noise from a microphone's internal electronics; Measured in dB (decibels).
Noise
Altec/Western Electric 639
Theatrophone
Cardioid (Electrical Polar Pattern)
8. Commonly found in acoustic guitar pickups; Ceramic piezoelectric material is used in hydrophones (underwater mics) because of durability.
Crystal and Ceramic Mic Use
AKG D36
Shure SM58
Alan Blumlein
9. The first phantom powered condenser microphone designed for use by Georg Neumann for Norwegian State Television.
AKG D12
Electret (Word Etymology)
Neumann KM-84
Spherical Mic
10. This is what is measured to produce an electrical signal in condenser mics; This changes as sound waves strike the diaphragm causing the distance to the back plate to change.
Clip
FFT Analyzer
Arrays
Capacitance
11. Increasing magnetic field strength is the only practical means of increasing output voltage; Conductor movement is limited due to tension of the ribbon; and ribbon length increases lead to a loss of high frequency response.
3:1 Rule
Sennheiser MD421
OSHA Exposure Table
Increasing Output Voltage in Ribbon Mics
12. Big + & - (More front with less opposite rear)
Hypercardioid/Supercardioid (Electrical Polar Pattern)
Microphone Care...
5 Common Microphone Transducers
Pressure Gradient Capsules
13. Term coined by Sir Charles Wheatstone derived from the Greek words 'micro' (small) & 'phon' (sound).
Microphone (Word Etymology)
Clement Ader
Bandpass
OSHA Exposure Table
14. Dynamic; Cardioid; End Address; Manufactured by Shure; Considered the industry standard for live vocal performance microphones; One of the best- selling microphones in the world.
Interference Tube...
Diaphragm
Dynamic Range
Shure SM58
15. 2 - 4 ft. from player; Placed below the line of sight of the bell - rotated at about 30 degrees off axis - and tilted upward.
Trombone Mic Placement
Crystal Mic Damage
5 Common Microphone Transducers
C-Weighting
16. + & + (Front & rear in equal positive amounts)
Omnidirectional (Electrical Polar Pattern)
Bidirectional
Hydrophone
3 Voltages for Phantom Power
17. When using multiple microphones - the distance between microphones should be at least 3 times the distance from each microphone to its intended sound source.
Body
3:1 Rule
Rode NT1A
Stereosonic
18. When miking an amp placing it near the center of this will make it sound brighter; Miking near the outer edge of this will make it sound darker and more mellow in tone.
Subkick
Trumpet Mic Placement
Cone
Boom
19. Pair of cardioids facing to the front and rear - plus a sideways - facing figure 8; Mid- sides pair plus another rear- facing cardioid which is combined with the same Figure 8 mic for the surrounds.
Transient Response
MSM
Boom Placement Rule
SPL Meter
20. Device used to measure sound loudness; Often used to measure and balance the loudness of each speaker in a home - studio - or live venue or theater system.
Headstock
SPL Meter
Real Time Analyzer (RTA)
Pascals (Pa)
21. Omnidirectional: 360
Coverage Angle
Sennheiser MD421
Sealed Ni-Cad Battery
Dynamic Microphone
22. Allows all high frequencies to pass; Blocks the lower frequencies from being processed.
5 Common Microphone Transducers
Pascals (Pa)
Highpass Filter
Shotgun
23. Consumers can listen to live broadcasts over telephone lines; Individual one- way experience that required a subscription service to listen to performances.
NOS
ORTF
Increasing Output Voltage in Ribbon Mics
Theatrophone
24. E = Blv - e - Electromotive Force (in volts) - B - is the magnetic field strength - l - is the length of the conductor - v - is the velocity of the conductor moving through the magnetic field
Real Time Analyzer (RTA)
Bidirectional
Boom Placement Rule
Magnetic Induction Formula
25. To oppose with equal weight or force as in the length of the boom arm versus the weight of the microphone.
Counterbalance
Proximity Effect
Rudolf Goerike & Ernest Pless
Blumlein Pairing
26. Best signal- to- noise ratio; Minimal phase cancellation; Quality representation of what is being recorded; Attempt to ignore unwanted external noise.
Goals of Sound Effects
Rear Sensitivity (Relative to Front)
Boom
DIN
27. Used in adverse conditions to protect from elements like sand - or dust.
Bidirectional (Electrical Polar Pattern)
AudioTechnica AT4051
Wind Screens
FFT Analyzer
28. Vintage Tube Mics hold voltage after being unplugged; Be sure grounds are connected to power cord and that the charge has left microphone prior to striking.
Capacitance
Vintage Tube Mic Precautions
AB Stereo
Rode NT1A
29. The part of the guitar you turn to tune the strings in order to get the right sound out of the guitar when one plays.
Fundamental Frequency
Tuning Keys
Theatrophone
5 Common Microphone Transducers
30. Magnetic field opposite to that which presently exists; Do this on the bottom mic when miking a snare with two mics.
Noise
Reverse Polarity
Bass Amp Mic Placement
Pad
31. DC Voltage Req'd for capsule polarizing voltage and internal mic preamps; 3 sources: External Power Supply Unit (PSU); Phantom Power; Battery.
Harvey Fletcher
Faraday Cage
Noise
Powering Condenser Microphones
32. Three or more microphones working together to capture a stereo or surround image of the sound source.
Arrays
Hypercardioid/Supercardioid (Electrical Polar Pattern)
Highpass Filter
Speed of Sound Underwater
33. Small coil of wire wrapped around the plastic or aluminum diaphragm of a dynamic microphone.
Percussion Mic Placement
Snare Drum Mic Placement
Voice Coil
Near Coincident Pair
34. Dynamic; Super-Cardioid; End Address; Humbucking Coil; Brilliance Switch; Manufactured by Sennheiser; Acknowledged as the most accurate and versatile dynamic mic available.
Body
Omnidirectional
Spaced Pairs
Sennheiser MD441
35. Condenser; Cardioid; Side Address; 48V Required; Large Diaphragm; Manufactured by AudioTechnica; Transformerless circuitry virtually eliminates low- frequency distortion.
Baffle
AudioTechnica AT4040
Stereosonic
Matched Pairs
36. Often look like large diaphragm studio mics; Talk or sing into the side of the microphone.
Leslie Cabinet
Side Address
Condenser Diaphragm
Shure KSM-353
37. Using omnidirectional as a reference of 1 - this is a measurement of how much farther you can be from a mic to achieve equal output level in other polar pattern microphones.
Binaural Mic
Hypercardioid/Supercardioid (Electrical Polar Pattern)
Clement Ader
Distance Factor
38. Another name for condenser microphone.
Reisz Marble Mic
Tuning Keys
Bass Amp Mic Placement
Capacitor Microphone
39. Quartz; Barium Titaniate - Tourmaline; Rochelle Salt - and even cane sugar.
Dual Mono
Examples of Piezoelectric Material
Boom Placement Rule
OSHA Exposure Table
40. French broadcasting stereo mic technique; An X-Y type with the mics 17cm apart and at a 110
Microphone Care...
Trombone Mic Placement
Capacitor Microphone
ORTF
41. Barrier made of shaped wire covered with a piece of nylon that is placed between a sensitive mic and the talent to avoid damage to the diaphragm of the mic.
Omnidirectional (Electrical Polar Pattern)
Pop Filter
Alan Blumlein
AudioTechnica AT2020
42. Mounts on a single stand to provide for adjustable spacing and angling between mics.
Dynamic Range
Crystal Mic Damage
Stereo Bar
Boom Placement Rule
43. Solid state version of the U67.
Phase Ports
Damping
Capacitance
Neumann U87
44. Solid State and Tube.
Casing
Reverse Polarity
Types of Pre-Amps for Condenser Mics
Near Coincident Pair
45. One of the oldest mics; Diaphragm mounted on & compresses cup of tiny granules of carbon (100 microns big) that increase current flow when compressed by sound waves and vary electrical current; Also called Resistance Mics;
Guitar Amp Mic Placement
Microphone Storage
Carbon Microphone
Hypercardioid/Supercardioid (Electrical Polar Pattern)
46. Shows the total range of the mic's internal pre- amp; Measured in dB (decibels).
Clutch
Dynamic Range
Faraday Cage
Body
47. Utilized primarily on condenser and ribbon mics to isolate it from vibrations that might otherwise be transmitted to the microphone through the mic stand.
Pistonphone
Shockmount
Interference Tube...
Microphone (Word Etymology)
48. Electro- acoustic device attached to a transducer that vibrates to receive or produce sound waves which put the device into motion.
Neumann CMV3
Microphone Storage
Highpass Filter
Diaphragm
49. Responds to air pressure variations outside of the capsule; Not selective of direction; Natural polar pattern is omnidirectional.
RCA 44BX
Pressure Capsules
Harvey Fletcher
RFI
50. Measurement of Sound Pressure; stated as being N/m2 with a Newton being a measurement of force equal to about 9.8 lbs; Equal to 94dB SPL
Microphone (Word Etymology)
3:1 Rule
Dynamic Microphone
Pascals (Pa)