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Test your basic knowledge |
Microphones Theory
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Quartz; Barium Titaniate - Tourmaline; Rochelle Salt - and even cane sugar.
NOS
Examples of Piezoelectric Material
Neumann KM-84
C-Weighting
2. Filters only the bandwidth of frequencies that are supposed to (or allowed) to pass through; High and Low Pass are examples.
Kick Tunnel
Shure KSM Series
Types of Pre-Amps for Condenser Mics
Bandpass
3. Sounds that arrive from angles other than the 0
Capacitor
M/S Stereo
Shure KSM-353
Off-Axis
4. One of the world's greatest condenser microphones prized for the CK12 capsule.
AKG C12
3 Voltages for Phantom Power
Lowpass Filter
Ribbon Mic Characteristics
5. Using omnidirectional as a reference of 1 - this is a measurement of how much farther you can be from a mic to achieve equal output level in other polar pattern microphones.
Ribbon Mic Characteristics
Shure SM57
Piezoelectric Effect
Distance Factor
6. Shows the level of self- noise from a microphone's internal electronics; Measured in dB (decibels).
Spaced Pairs
Hydrophone
Noise
Over/Under
7. Term coined by Sir Charles Wheatstone derived from the Greek words 'micro' (small) & 'phon' (sound).
Coincident (Definition)
Microphone (Word Etymology)
Wind Screens
Damping
8. Used for stereo miking to ensure correct balance and imaging.
C-Weighting
Vintage Tube Mic Precautions
Transient Response
Matched Pairs
9. Vintage Tube Mics hold voltage after being unplugged; Be sure grounds are connected to power cord and that the charge has left microphone prior to striking.
Shure KSM-353
Boom
Ribbon Mic Characteristics
Vintage Tube Mic Precautions
10. - Omnidirectional: 1 - Cardioid: 1.7 - Supercardioid: 1.9 - Hypercardioid: 2 - Bidirectional: 1.7
Backplate
Distance Factor (DSF)
Trombone Mic Placement
Pickup
11. When using multiple microphones - the distance between microphones should be at least 3 times the distance from each microphone to its intended sound source.
3:1 Rule
SPL Meter
Ambient Sound Sensitivity
Trumpet Mic Placement
12. The first AKG dynamic microphone.
AKG DYN60
Bass Amp Mic Placement
Transient Response
Fukada Tree
13. Raises the body of the microphone increasing height.
Clutch
Vintage Tube Mic Precautions
Types of Pre-Amps for Condenser Mics
Angle of Max Rejection
14. Timing difference between two waves; Waves interfere cancelling each other out and altering frequency response; Measured in degrees; Can be caused by reflections of sound waves; Can be reduced by putting cabinet or amp at an angle.
Pressure Gradient Capsules
Phasing
Arrays
Faulkner
15. Polar pattern produced when you add a little bit of bidirectional to the omni pattern.
Trombone Mic Placement
Vintage Tube Mic Precautions
Subcardioid
Faraday's Law of Magnetic Induction
16. Occupying the same space and time.
Coincident (Definition)
Soundfield
Voice Coil
Interference Tube...
17. Pair of omni mic separated by a circular absorptive baffle.
Piezoelectric Effect
Shotgun
Shockmount
Jecklin Disk
18. Used in adverse conditions to protect from elements like sand - or dust.
Georg Neumann
X/Y
Wind Screens
Ribbon Microphone
19. Utilized primarily on condenser and ribbon mics to isolate it from vibrations that might otherwise be transmitted to the microphone through the mic stand.
Shockmount
Types of Field Recording
Increasing Output Voltage in Ribbon Mics
AKG DYN60
20. Verify that the boom is placed over a microphone leg prior to use to provide added balance and stability.
Rudolf Goerike & Ernest Pless
Boom Placement Rule
Shure SM57
Pascals (Pa)
21. Tube manufactured for the new version of the AKG C12 (called the C12-A); Powered by Norelco.
Nuvistor Tube
Max SPL
Spaced Pairs
Blumlein Pairing
22. Small microphone attached to the bridge of a string bass or to an acoustic guitar to amplify its sound.
Pickup
Microphone Storage
Matched Pairs
Electret Condenser
23. Tough & rugged; Can work in extremely high SPL environments; Less responsive to transient frequencies b/c of diaphragm mass is heavier than sound waves.
Dynamic Mic Characteristics
Condenser Diaphragm
Crystal & Ceramic Microphones
Over/Over
24. French broadcasting stereo mic technique; An X-Y type with the mics 17cm apart and at a 110
Bandpass
Pascals (Pa)
Baffle
ORTF
25. Tough & rugged microphone that contains an element consisting of a dome- shaped diaphragm and a moving 'voice coil'; Operates on principles of magnetic induction.
Crystal and Ceramic Mic Use
Dynamic Microphone
Pascals (Pa)
Increasing Output Voltage in Ribbon Mics
26. The outer covering of a microphone.
Transducer Type
Distance Factor
Casing
Real Time Analyzer (RTA)
27. Founded AKG at the end of WWII in Austria.
Rudolf Goerike & Ernest Pless
Neumann U87
Phasing
Omnidirectional
28. Phenomenon causing carbon microphones to lose sensitivity as granules become packed together over extended use; To remedy problem mic is gently rapped on hard surface.
AudioTechnica AT4040
Protractor & Ruler
Leslie Cabinet
Packing
29. Sub- frequency (below 100Hz) capture device designed for use with kick drums and floor toms as an alternative or supplement to a traditional microphone.
Faraday Cage
AKG C12
Subkick
Stereo
30. German broadcasting stereo mic technique; An X-Y type with the mics 20cm apart and at a 90
Bidirectional
Crystal & Ceramic Microphones
Capacitor
DIN
31. Best signal- to- noise ratio; Minimal phase cancellation; Quality representation of what is being recorded; Attempt to ignore unwanted external noise.
Goals of Sound Effects
Stereo
AudioTechnica AT2020
Examples of Piezoelectric Material
32. An electromagnetic microphone - in which a thin - corrugated ribbon is suspended within a high magnetic flux field; Excellent transient response due to the small amount of acoustic energy required to move diaphragm.
Stereosonic
Sennheiser e604
M/S Stereo
Ribbon Microphone
33. Condenser; Cardioid; End Address; 48V Required; Manufactured by Neumann; Consists of three compact miniature microphones; Has a gentle rise at about 9 kHz that provides tonal balance that is fresher and livelier.
Over/Under
Wind Screens
Neumann KM 184
Coincident (Definition)
34. Dynamic; Cardioid; End Address; Manufactured by Shure; Considered the industry standard for live vocal performance microphones; One of the best- selling microphones in the world.
Shure SM58
Real Time Analyzer (RTA)
Faulkner
Angle of Max Rejection
35. Modeled to mimic a human head for extremely good spatialization; Shaped like a human head.
Measurement Mics
Subkick
Binaural Mic
Pressure Gradient Capsules
36. Dynamic; Cardioid; End Address; Manufactured by Electro Voice; Large Diaphragm; Humbucking Coil; Bass Roll Off Switch; Minimizes proximity effect; Ideal for broadcasting and sound engineering techniques.
Carbon Microphone Uses
Electro Voice RE20
Reverse Polarity
Subkick
37. Use coincident or near coincident pairings; Too many microphones will cause phasing issues.
3:1 Rule
Clement Ader
Tuning Keys
Percussion Mic Placement
38. An electrical device characterized by its capacity to store an electric charge;
Hydrophone
Counterbalance
Capacitor
Faraday Cage
39. Allow sound to reach the rear of the capsule/diaphragm - to create cardioid - supercardioid - and hypercardioid patterns In single capsule pressure gradient microphones.
Phase Ports
Doubling Ribbon Length
Nuvistor Tube
Pierre Curie
40. + (only); (Front capsule alone)
Clement Ader
Cardioid (Electrical Polar Pattern)
End Address
Coverage Angle
41. Commonly found in acoustic guitar pickups; Ceramic piezoelectric material is used in hydrophones (underwater mics) because of durability.
Nuvistor Tube
Crystal and Ceramic Mic Use
Stereo
Rode NT1A
42. To break down or disassemble any portion of a set or stage set- up.
Striking
Null Angle
Backplate
Max SPL
43. A 3- mic array using omni mics with left - right and center placement; Center is placed about 5 ft. closer to the source to eliminate 'holes' in the middle and the center levels are reduced for an even sound; Forms a triangle.
AKG C12
Crystal Mic Damage
Leslie Cabinet
Decca Tree
44. Modern drummer who has created a large kit and innovated several ways of capturing the sound from his massive kit.
Phasing
Terry Bozzio
Real Time Analyzer (RTA)
A-Weighting
45. Bioacoustic Research; Documentary Journalism; Radio; Film/TV Production; Audio Post Production.
Types of Field Recording
Ribbon Microphone Sensitivity
Roll-Off
Georg Neumann
46. Pair of omni mic elements mounted on opposite sides of a spherical shaped capsule.
Spherical Mic
Wind Screens
Guitar Amp Mic Placement
Electret (Word Etymology)
47. Barrier made of shaped wire covered with a piece of nylon that is placed between a sensitive mic and the talent to avoid damage to the diaphragm of the mic.
Magnetic Microphone
Roll-Off
Pop Filter
Harvey Fletcher
48. Radio Frequency Interference
Leslie Cabinet
Pad
RFI
AKG C414
49. Voltage applied to piezoelectric material will cause it to deform or change shape; NO PHANTOM POWER!
Clutch
Crystal Mic Damage
Pistonphone
AKG C1000S
50. 12V DC; 24V DC; 48V DC
Georg Neumann
Dual Mono
Diaphragm
3 Voltages for Phantom Power