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Test your basic knowledge |
Microphones Theory
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. To capture two perspectives on the same sound.
Dual Mono
Reisz Marble Mic
Faraday's Law of Magnetic Induction
Sennheiser MD441
2. Extremely narrow area of sensitivity in front with extended reach; Also has multiple lobes which vary in position with frequency; Not made from combining pure patterns - but created by using an interference tube.
Shotgun
Proximity Effect
Fundamental Frequency
Microphone (Definition)
3. Best signal- to- noise ratio; Minimal phase cancellation; Quality representation of what is being recorded; Attempt to ignore unwanted external noise.
Goals of Sound Effects
Spaced Pairs
Binaural Mic
Electro Voice RE20
4. Shure's ribbon microphone that utilizes Roswellite to prevent ribbon damage.
Shure KSM-353
Shockmount
Cone
Shure KSM Series
5. The first phantom powered condenser microphone designed for use by Georg Neumann for Norwegian State Television.
Examples of Piezoelectric Material
Neumann KM-84
Sennheiser e604
DIN
6. Device used to measure sound loudness; Often used to measure and balance the loudness of each speaker in a home - studio - or live venue or theater system.
SPL Meter
Stereo
Examples of Piezoelectric Material
Fukada Tree
7. Timing difference between two waves; Waves interfere cancelling each other out and altering frequency response; Measured in degrees; Can be caused by reflections of sound waves; Can be reduced by putting cabinet or amp at an angle.
Subcardioid
Shure SM57
Shotgun
Phasing
8. When using two microphones reverse the polarity of the bottom mic.
Faraday Cage
X/Y
Snare Drum Mic Placement
AKG DYN60
9. Utilized primarily on condenser and ribbon mics to isolate it from vibrations that might otherwise be transmitted to the microphone through the mic stand.
Condenser Diaphragm
Ribbon Microphone Sensitivity
Shockmount
Matched Pairs
10. Tube manufactured for the new version of the AKG C12 (called the C12-A); Powered by Norelco.
Arrays
Pistonphone
Dual Mono
Nuvistor Tube
11. 4800 ft/sec
3 Voltages for Phantom Power
Subcardioid (Electrical Polar Pattern)
Neumann U47
Speed of Sound Underwater
12. Part of a mic stand that the mic stands on.
Terry Bozzio
Damping
Legs
Blumlein Pairing
13. An electromagnetic microphone - in which a thin - corrugated ribbon is suspended within a high magnetic flux field; Excellent transient response due to the small amount of acoustic energy required to move diaphragm.
Motor
Dynamic Microphone
Ribbon Microphone
X/Y
14. Sensitive in a narrower pattern in the front than a cardioid and has a prominent/pronounced lobe at rear; Rejects most signals from 110
Powering Condenser Microphones
SPL Meter
Hypercardioid
Stereo Bar
15. Derived from two words; 'electr' from electrostatic and 'et' from magnet.
Decca Tree
Electret (Word Etymology)
FFT Analyzer
Capacitance
16. A gradual - continuous decrease in low frequency response.
Crystal Mic Damage
Mid/Side
Roll-Off
Clip
17. First microphone invented by Georg Neumann
Reisz Marble Mic
Carbon Microphone
Clement Ader
Off-Axis
18. Used for stereo miking to ensure correct balance and imaging.
Omnidirectional
AKG C1000S
Matched Pairs
Dynamic Mic Characteristics
19. Mics placed in front of an instrument or ensemble (in a left/right fashion) to obtain an overall stereo image; Sound more open and natural; Weaker center image than X/Y; Great for creating background sounds that will blend in with foreground sounds.
Max SPL
Microphone Storage
Spaced Pairs
On -Axis
20. 4 coincident mics each positioned at 90
Ribbon Microphone
Striking
AKG D12
LRFB
21. Condenser; Cardioid; Side Address; 48V Required; Manufactured by AudioTechnica; Ideal for project/home- studio applications; Low price; Remains the low cost performance standard in side- address condenser mics.
Cardioid
Subcardioid (Electrical Polar Pattern)
Distance Factor
AudioTechnica AT2020
22. Sensitive in a slightly narrower pattern in the front than cardioid and has a small lobe at rear; Rejects most signals arriving from 125
Supercardioid
Bidirectional (Electrical Polar Pattern)
Types of Pre-Amps for Condenser Mics
Capacitor Microphone
23. Mics in which sound waves vibrate a piezoelectric crystal that generates a varying voltage.
Pad
Clutch
Diaphragm
Crystal & Ceramic Microphones
24. The attachment that holds a microphone in place on the mic stand; Comes in various shapes - sizes - and applications.
NOS
Clip
Subcardioid
SPL Meter
25. Modeled to mimic a human head for extremely good spatialization; Shaped like a human head.
Binaural Mic
Electro Voice RE20
Spherical Mic
Ambient Sound Sensitivity
26. Basket/grille made out of a specific type of copper wire to block protect the mic from physical damage and to protect the mic from stray RFI
Roll-Off
Voice Coil
Bidirectional
Faraday Cage
27. Pure polar pattern that receives sound from both the front and back; Also known as a 'Figure 8' pattern; More proximity effect that Cardioid or Hyper Cardioid; Often found in ribbon mics.
Proximity Effect
Bidirectional
Shiny Box 46MXL
Trumpet Mic Placement
28. Device or transducer used for converting sound waves or acoustical energy into electrical energy
Packing
Angle of Max Rejection
Microphone (Definition)
Condenser Microphone
29. The head or top of the guitar where the tuning pegs are located.
Headstock
Protractor & Ruler
LRFB
Dual Mono
30. - Omnidirectional: 100% - Cardioid: 33% - Supercardioid: 27% - Hypercardioid: 25% - Bidirectional: 33%
Ambient Sound Sensitivity
AKG D12
Shure Unidyne Series
Magnetic Microphone
31. Dynamic; Cardioid; End Address; Manufactured by Shure; Considered the industry standard for live vocal performance microphones; One of the best- selling microphones in the world.
Shure SM58
Ribbon Mic Characteristics
Tube Condenser Microphone
Ambient Sound Sensitivity
32. + & + (Front & rear in equal positive amounts)
Omnidirectional (Electrical Polar Pattern)
Shiny Box 46MXL
C-Weighting
AB Stereo
33. Stereo configuration using a spaced pair 3-10 feet apart.
Lowpass Filter
Wind Screens
End Address
AB Stereo
34. Demonstrated the first stereophonic transmissions via the Theatrophone in 1881.
SPL Meter
Clutch
Boom Placement Rule
Clement Ader
35. Known as 'The Bottle' this was the first mass - produced condenser mic.
On -Axis
Legs
Diaphragm
Neumann CMV3
36. An extremely strong acoustic nano- film designed to replace the foil ribbon in ribbon microphones.
Fingerboard
Angle of Max Rejection
Carbon Microphone
Roswellite
37. Shows the max sound pressure level possible with a certain amount of distortion; Measured in dB (decibels).
Max SPL
Arrays
Dynamic Range
Interference Tube...
38. Phenomenon causing carbon microphones to lose sensitivity as granules become packed together over extended use; To remedy problem mic is gently rapped on hard surface.
3 Voltages for Phantom Power
Sennheiser MD421
NOS
Packing
39. The outer covering of a microphone.
Pop Filter
Casing
On -Axis
Types of Field Recording
40. Electro- acoustic device attached to a transducer that vibrates to receive or produce sound waves which put the device into motion.
Proximity Effect
Diaphragm
Sennheiser MD421
Ribbon Microphone Sensitivity
41. Considered to be the best mic ever made; VF14 Tube.
3:1 Rule
Georg Neumann
Stereosonic
Neumann U47
42. Condenser; Cardioid; End Address; Manufactured by Shure; Small condenser design that is great for instrument recording.
Harvey Fletcher
Shure SM81
AB Stereo
Stereo Bar
43. Mounts on a single stand to provide for adjustable spacing and angling between mics.
Electro Voice RE20
Pickup
Stereo Bar
Null Angle
44. Polar pattern produced when you add a little bit of bidirectional to the omni pattern.
Subcardioid
Pressure Capsules
Bidirectional (Electrical Polar Pattern)
Side Address
45. Small Diaphragm Electret condensers; Extremely flat frequency response; Omnidirectional pattern.
Real Time Analyzer (RTA)
Alan Blumlein
Counterbalance
Measurement Mics
46. To break down or disassemble any portion of a set or stage set- up.
Pierre Curie
ORTF
Striking
Electret Condenser
47. To oppose with equal weight or force as in the length of the boom arm versus the weight of the microphone.
Shure SM57
Counterbalance
Capacitance
Leslie Cabinet
48. DC Voltage Req'd for capsule polarizing voltage and internal mic preamps; 3 sources: External Power Supply Unit (PSU); Phantom Power; Battery.
Crystal and Ceramic Mic Use
Powering Condenser Microphones
Angle of Max Rejection
End Address
49. Keep in proper case; Never disassemble shockmounts
Microphone Storage
Phase Ports
Electret (Word Etymology)
Capacitance
50. The first AKG dynamic microphone.
AudioTechnica AT4051
Shure Unidyne Series
AKG DYN60
Jecklin Disk