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Test your basic knowledge |
Microphones Theory
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Close mic placement can help guard again bleed from other instruments and takes advantage of proximity effect; Center of cone = Brighter; Outside of cone = Darker; Reflections can create phase issues (can be reduced by putting the cabinet at an angle
Guitar Amp Mic Placement
Pickup
Ribbon Microphone Sensitivity
Stereo
2. Microphone with 4 large diaphragm condenser capsules; 3 bidirectional and 1 omni; Can be combined to make any polar pattern.
Damping
Shure SM81
Angle of Max Rejection
Soundfield
3. Adds two outer right and left rear facing mics to a Decca tree for surround sound depth.
Machine Head
Crystal & Ceramic Microphones
Model 3B Carbon Microphone
Fukada Tree
4. Utilized primarily on condenser and ribbon mics to isolate it from vibrations that might otherwise be transmitted to the microphone through the mic stand.
Model 3B Carbon Microphone
Rode NT1A
Shockmount
3 Voltages for Phantom Power
5. Never store mic in a damp place; Keep dirt & dust away from the mic; Never 'pop' test the mic; Check if a mic is working by lightly scratching the grill.
C-Weighting
Reisz Marble Mic
Shure KSM Series
Microphone Care...
6. Cable wrapping method that reduces interference and makes it easier to unravel the cable.
Bandpass
Rudolf Goerike & Ernest Pless
Over/Under
Diaphragm
7. Used by government agencies to determine safe sound exposure levels (in dB) over a period of time; 85 - 90 dB = 16 hrs. of safe exposure time at 85 dB; Decreases to 8 hrs. of safe exposure time at 90 dB.
OSHA Exposure Table
NOS
Piezoelectric Effect
Packing
8. Mics in which sound waves vibrate a piezoelectric crystal that generates a varying voltage.
Crystal & Ceramic Microphones
Cone
Powering Condenser Microphones
Magnetic Induction Voltage
9. A gradual - continuous decrease in low frequency response.
SASS-P
Roll-Off
Highpass Filter
AKG D12
10. Microphone consisting of two parallel metal plates - each holding an opposing charge (+ or -) and thus creating a capacitor to induce an electrical charge as sound waves move the diaphragm; Require a solid- state or tube preamplifier.
Condenser Microphone
Proximity Effect
Clutch
FFT Analyzer
11. Overall measurement close to the overall sound level in frequency response charts.
Body
C-Weighting
Ribbon Mic Characteristics
Piezoelectric Effect
12. Voltage applied to piezoelectric material will cause it to deform or change shape; NO PHANTOM POWER!
Crystal Mic Damage
Bandpass
Shotgun
Real Time Analyzer (RTA)
13. The first cardioid pattern dynamic microphone.
Trumpet Mic Placement
AKG D12
Crystal & Ceramic Microphones
Measurement Mics
14. Commonly utilize large diaphragm dynamic mics.
Diaphragm
Powering Condenser Microphones
Transducer Type
Bass Amp Mic Placement
15. Pure polar pattern with which the microphone is equally sensitive in all directions; Great for capturing ambiance or room reverb.
Omnidirectional
Condenser Microphone
Coincident Pair
Hypercardioid
16. One of the oldest mics; Diaphragm mounted on & compresses cup of tiny granules of carbon (100 microns big) that increase current flow when compressed by sound waves and vary electrical current; Also called Resistance Mics;
Max SPL
Capacitance
Carbon Microphone
Coincident (Definition)
17. Tube with ports down the side with the mic capsule at the bottom; Sounds entering the tube from on - axis interact inside the tube with the sounds coming in through the side ports - an interfere with each other in such a way as to partially cancel of
Shotgun
Interference Tube...
3:1 Rule
Goals of Sound Effects
18. Part of a mic stand that the mic stands on.
Shotgun
Trombone Mic Placement
Carbon Microphone
Legs
19. The measuring device used for loudspeaker room response testing.
Real Time Analyzer (RTA)
Neumann U67
Backplate
FFT Analyzer
20. Often look like large diaphragm studio mics; Talk or sing into the side of the microphone.
X/Y
Dynamic Mic Characteristics
Side Address
AKG D12
21. Mounts on a single stand to provide for adjustable spacing and angling between mics.
Coincident (Definition)
Stereosonic
Spherical Mic
Stereo Bar
22. A 3- mic array using omni mics with left - right and center placement; Center is placed about 5 ft. closer to the source to eliminate 'holes' in the middle and the center levels are reduced for an even sound; Forms a triangle.
Roswellite
Magnetic Induction Formula
C-Weighting
Decca Tree
23. Keep in proper case; Never disassemble shockmounts
Matched Pairs
Microphone Storage
Coincident Pair
Off-Axis
24. An instrument for detecting sound transmitted through water commonly manufactured using ceramic piezoelectric material.
Hydrophone
Crystal Mic Damage
AKG C414
Bass Amp Mic Placement
25. Condenser; Cardioid; End Address; 48V Required; Manufactured by AudioTechnica; Switchable 80 Hz Hi-Pass Filter; Ideal for professional recording and critical applications in broadcast.
Harvey Fletcher
Near Coincident Pair
Neumann KM-84
AudioTechnica AT4051
26. An electromagnetic microphone - in which a thin - corrugated ribbon is suspended within a high magnetic flux field; Excellent transient response due to the small amount of acoustic energy required to move diaphragm.
Supercardioid
Soundfield
Measurement Mics
Ribbon Microphone
27. Configured to simulate the spacing and directivity of human hearing; Box shape with two 'ears' on each side.
Alan Blumlein
Doubling Ribbon Length
SASS-P
Capacitor
28. The lowest - and usually most intense - frequency of a complex sound; Most often perceived as the sound's basic pitch.
Matched Pairs
Clutch
Rear Sensitivity (Relative to Front)
Fundamental Frequency
29. Big + & - (More front with less opposite rear)
E.C. Wente
Hydrophone
Roswellite
Hypercardioid/Supercardioid (Electrical Polar Pattern)
30. Digital device used to Fourier Forms; Used to measure the specific number of sine waves in a specific frequency in a specific setting.
Microphone (Word Etymology)
Pierre Curie
FFT Analyzer
AKG C12
31. Tube microphone capable of SPL's over 140dB.
Neumann U67
Bidirectional (Electrical Polar Pattern)
Shure KSM-353
Magnetic Microphone
32. Condenser; Cardioid; End Address; 48V Required; Manufactured by Neumann; Consists of three compact miniature microphones; Has a gentle rise at about 9 kHz that provides tonal balance that is fresher and livelier.
Legs
Neumann KM 184
Subcardioid
MSM
33. Timing difference between two waves; Waves interfere cancelling each other out and altering frequency response; Measured in degrees; Can be caused by reflections of sound waves; Can be reduced by putting cabinet or amp at an angle.
Neumann U67
Phasing
Carbon Microphone Uses
Georg Neumann
34. Three or more microphones working together to capture a stereo or surround image of the sound source.
Bass Amp Mic Placement
Arrays
Microphone Care...
Transient Response
35. E = Blv - e - Electromotive Force (in volts) - B - is the magnetic field strength - l - is the length of the conductor - v - is the velocity of the conductor moving through the magnetic field
Proximity Effect
Motor
Hypercardioid
Magnetic Induction Formula
36. Causes an increase in low frequency response as one gets closer to the source.
5 Common Microphone Transducers
Proximity Effect
Neumann KM 184
Subkick
37. The attachment that holds a microphone in place on the mic stand; Comes in various shapes - sizes - and applications.
Neumann CMV3
Real Time Analyzer (RTA)
Clip
Ambient Sound Sensitivity
38. - Omnidirectional: 1 - Cardioid: 1.7 - Supercardioid: 1.9 - Hypercardioid: 2 - Bidirectional: 1.7
Types of Field Recording
Distance Factor (DSF)
Roll-Off
Terry Bozzio
39. Small coil of wire wrapped around the plastic or aluminum diaphragm of a dynamic microphone.
Mid/Side
Interference Tube...
Neumann KM 184
Voice Coil
40. Demonstrated the first stereophonic transmissions via the Theatrophone in 1881.
Clement Ader
Shure SM57
Sennheiser MD421
Ribbon Microphone Sensitivity
41. Changes in air pressure from the front or the back can cause polarity cancellation; Sides have good rejection; Natural polar pattern is bidirectional.
Pressure Gradient Capsules
Model 3B Carbon Microphone
3 Voltages for Phantom Power
Reisz Marble Mic
42. Mics placed in front of an instrument or ensemble (in a left/right fashion) to obtain an overall stereo image; Sound more open and natural; Weaker center image than X/Y; Great for creating background sounds that will blend in with foreground sounds.
Spaced Pairs
Near Coincident Pair
Fukada Tree
Doubling Ribbon Length
43. Determined by: Ribbon Thickness (about 3 to 6 microns); Corrugations/Inch; Tension of the Ribbon.
Ribbon Microphone Sensitivity
Sennheiser MD441
Pad
Voice Coil
44. Extremely narrow area of sensitivity in front with extended reach; Also has multiple lobes which vary in position with frequency; Not made from combining pure patterns - but created by using an interference tube.
Increasing Output Voltage in Ribbon Mics
Ambient Sound Sensitivity
Legs
Shotgun
45. Dynamic; Cardioid; End Address; Manufactured by Shure; Popular musicians' choice due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels.
Shure SM57
Capacitance
Diaphragm
Dual Mono
46. Very robust and durable; Used in telephones until 1990's; Currently finds applications for military use.
Subcardioid (Electrical Polar Pattern)
Bidirectional (Electrical Polar Pattern)
Binaural Mic
Carbon Microphone Uses
47. Proportional to: Magnetic field strength; Length of the conductor; Velocity of conductor moving through the magnetic field.
Magnetic Induction Voltage
Percussion Mic Placement
Fundamental Frequency
Boom Placement Rule
48. Coincident pairing of two bidirectional mics that make a pattern of crossing Figure 8's.
Clutch
Boom
Binaural Mic
Blumlein Pairing
49. First microphone invented by Georg Neumann
Reisz Marble Mic
Percussion Mic Placement
Shure SM58
Neumann U67
50. The head or top of the guitar where the tuning pegs are located.
Supercardioid
Rear Sensitivity (Relative to Front)
Diaphragm
Headstock