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Microphones Theory

Subject : engineering
Instructions:
  • Answer 50 questions in 15 minutes.
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  • Match each statement with the correct term.
  • Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.

This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 4 to 6 ft. from the player; Mic should be placed below the line of sight of the bell - rotated at about 40 degrees off- axis - and tilted upward.






2. Dynamic; Cardioid; End Address; Manufactured by Sennheiser; Very small and compact; Especially suitable for use with drums and brass instruments; Includes a clip to mount directly on drums.






3. Sub- frequency (below 100Hz) capture device designed for use with kick drums and floor toms as an alternative or supplement to a traditional microphone.






4. Determined by: Ribbon Thickness (about 3 to 6 microns); Corrugations/Inch; Tension of the Ribbon.






5. One of the oldest mics; Diaphragm mounted on & compresses cup of tiny granules of carbon (100 microns big) that increase current flow when compressed by sound waves and vary electrical current; Also called Resistance Mics;






6. Part of a mic stand that the mic stands on.






7. Pair of cardioids facing to the front and rear - plus a sideways - facing figure 8; Mid- sides pair plus another rear- facing cardioid which is combined with the same Figure 8 mic for the surrounds.






8. The world's first single element cardioid mics.






9. A stereo miking technique similar to coincident pair - where the mics are set up with some distance between them; Distance and angle of microphones may differ; Creates a more defined stereo image; Produces very sharp images; Provides more 'air'.






10. The measure of how quickly a mic's diaphragm will react when it is hit by an acoustic sound wave.






11. Condenser; Cardioid; Side Address; 48V Required; Manufactured by AudioTechnica; Ideal for project/home- studio applications; Low price; Remains the low cost performance standard in side- address condenser mics.






12. Coincident stereo miking techniques that has two microphone diaphragms occupying (as near as possible) the same space; Capsules often on top of each other; Not good for noisy locations.






13. Changes in air pressure from the front or the back can cause polarity cancellation; Sides have good rejection; Natural polar pattern is bidirectional.






14. Shows the level of self- noise from a microphone's internal electronics; Measured in dB (decibels).






15. Founded AKG at the end of WWII in Austria.






16. Phenomenon causing carbon microphones to lose sensitivity as granules become packed together over extended use; To remedy problem mic is gently rapped on hard surface.






17. Shure's ribbon microphone that utilizes Roswellite to prevent ribbon damage.






18. Device used to calibrate sound pressure measurement devices; Emits a single 1 kHz frequency over a sustained period of time.






19. Dynamic; Cardioid; End Address; Manufactured by Shure; Considered the industry standard for live vocal performance microphones; One of the best- selling microphones in the world.






20. Omnidirectional: 360






21. Radio Frequency Interference






22. The moving plate of a condenser capacitor; Constructed of a thin piece of metal or thin plastic - such as Mylar - coated with gold or nickel; .05 - 10 microns thick.






23. First to mass produce the condenser microphone in 1929; Improved cutting lathe technology by developing direct drive turntables; Invents 48V Phantom Power to power the new condenser microphone for Norwegian State Television.






24. Overall measurement close to the overall sound level in frequency response charts.






25. The first cardioid pattern dynamic microphone.






26. The arm of the mic stand; Includes the angle adjust & telescopic adjust.






27. The outer covering of a microphone.






28. Use coincident or near coincident pairings; Too many microphones will cause phasing issues.






29. Rotating speaker cabinet design featuring separate treble and bass drivers that can switch speeds; Speaker rotate from front to back creating a Doppler effect; Resulted in new spatial perception for each note. Stereo miked up top and single miked at






30. + & + (Front & rear in equal positive amounts)






31. Tough & rugged; Can work in extremely high SPL environments; Less responsive to transient frequencies b/c of diaphragm mass is heavier than sound waves.






32. Voltage applied to piezoelectric material will cause it to deform or change shape; NO PHANTOM POWER!






33. Mic in which the diaphragm moves in response to sound waves and an attached pin/rod moves; Coil attached to pin/rod moves alone with the diaphragm.






34. Using omnidirectional as a reference of 1 - this is a measurement of how much farther you can be from a mic to achieve equal output level in other polar pattern microphones.






35. More compelling sound - giving both depth and perspective.






36. Omnidirectional: 0 - Cardioid: 8 - Supercardioid: 12 dB - Hypercardioid: 6 dB - Bidirectional: 0






37. Most sensitive to sounds arriving from the front while rejecting sounds from rear; Shaped like a heart; Rejects most signals from 180






38. Delicate and require extreme care; NO PHANTOM POWER; Becoming more popular than ever because of highly efficient magnets - lower manufacturing costs - and great fidelity.






39. Condenser; Cardioid/Hypercardioid; End Address; 48V Required; Manufactured by AKG; Can be powered by internal 9 V battery for field recording; Improves clarity of speech with the PB 1000 Presence Boost Adapter.






40. 1 Bidirectional & 1 Cardioid placed coincidentally; Bidirectional faces left and right and cardioid faces the sound; Gives control of the focus and size of the stereo image;






41. The lowest - and usually most intense - frequency of a complex sound; Most often perceived as the sound's basic pitch.






42. One of the world's greatest condenser microphones prized for the CK12 capsule.






43. The head or top of the guitar where the tuning pegs are located.






44. An extremely strong acoustic nano- film designed to replace the foil ribbon in ribbon microphones.






45. Dynamic; Super-Cardioid; End Address; Humbucking Coil; Brilliance Switch; Manufactured by Sennheiser; Acknowledged as the most accurate and versatile dynamic mic available.






46. + (only); (Front capsule alone)






47. Tough & rugged microphone that contains an element consisting of a dome- shaped diaphragm and a moving 'voice coil'; Operates on principles of magnetic induction.






48. When miking an amp placing it near the center of this will make it sound brighter; Miking near the outer edge of this will make it sound darker and more mellow in tone.






49. Coincident pairing of two bidirectional mics that make a pattern of crossing Figure 8's.






50. Small microphone attached to the bridge of a string bass or to an acoustic guitar to amplify its sound.






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