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Test your basic knowledge |
Microphones Theory
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Used for stereo miking to ensure correct balance and imaging.
AudioTechnica AT2020
Faraday's Law of Magnetic Induction
Matched Pairs
Magnetic Microphone
2. Mounts on a single stand to provide for adjustable spacing and angling between mics.
Stereo Bar
Reisz Marble Mic
Goals of Sound Effects
Pickup
3. This is what is measured to produce an electrical signal in condenser mics; This changes as sound waves strike the diaphragm causing the distance to the back plate to change.
AKG C1000S
Capacitance
Vintage Tube Mic Precautions
ORTF
4. A 3- mic array using omni mics with left - right and center placement; Center is placed about 5 ft. closer to the source to eliminate 'holes' in the middle and the center levels are reduced for an even sound; Forms a triangle.
AudioTechnica AT4051
Decca Tree
Dynamic Range
Trombone Mic Placement
5. The lowest - and usually most intense - frequency of a complex sound; Most often perceived as the sound's basic pitch.
SASS-P
AKG C12
Transducer Type
Fundamental Frequency
6. Voltage applied to piezoelectric material will cause it to deform or change shape; NO PHANTOM POWER!
Off-Axis
Crystal Mic Damage
Neumann U67
Hypercardioid
7. Using omnidirectional as a reference of 1 - this is a measurement of how much farther you can be from a mic to achieve equal output level in other polar pattern microphones.
Examples of Piezoelectric Material
Capacitance
Goals of Sound Effects
Distance Factor
8. Dynamic; Cardioid; End Address; Manufactured by Sennheiser; Very small and compact; Especially suitable for use with drums and brass instruments; Includes a clip to mount directly on drums.
Machine Head
Over/Over
Binaural Mic
Sennheiser e604
9. Method of creating low end effects from a bass drum by creating a tunnel at the mic end thus trapping sound and amplifying low end boost.
Kick Tunnel
Neumann KM-84
Striking
Machine Head
10. Cable wrapping method that reduces interference and makes it easier to unravel the cable.
MSM
Over/Under
Guitar Amp Mic Placement
Noise
11. When using two microphones reverse the polarity of the bottom mic.
3:1 Rule
Snare Drum Mic Placement
Noise
Omnidirectional (Electrical Polar Pattern)
12. Forward facing bipolar mics spaced 20cm apart.
Types of Pre-Amps for Condenser Mics
Measurement Mics
Faulkner
Headstock
13. French physicist who pioneered piezoelectricity.
AKG D36
Pierre Curie
Bidirectional (Electrical Polar Pattern)
Capacitance
14. Bioacoustic Research; Documentary Journalism; Radio; Film/TV Production; Audio Post Production.
Casing
Ribbon Mic Characteristics
Frets
Types of Field Recording
15. Sensitive in a narrower pattern in the front than a cardioid and has a prominent/pronounced lobe at rear; Rejects most signals from 110
Diaphragm
DIN
Reverse Polarity
Hypercardioid
16. An instrument for detecting sound transmitted through water commonly manufactured using ceramic piezoelectric material.
Hydrophone
Counterbalance
Arrays
A-Weighting
17. One of the oldest mics; Diaphragm mounted on & compresses cup of tiny granules of carbon (100 microns big) that increase current flow when compressed by sound waves and vary electrical current; Also called Resistance Mics;
Carbon Microphone
Transducer Type
Machine Head
3:1 Rule
18. The graphic representation plot of the sensitivity of a microphone from any direction over a 360
Field Mixer
Pascals (Pa)
Polar Pattern
Damping
19. Vintage Tube Mics hold voltage after being unplugged; Be sure grounds are connected to power cord and that the charge has left microphone prior to striking.
Goals of Sound Effects
Bandpass
Vintage Tube Mic Precautions
Guitar Amp Mic Placement
20. Derived from two words; 'electr' from electrostatic and 'et' from magnet.
Coverage Angle
Baffle
Electret (Word Etymology)
Crystal Mic Damage
21. Omnidirectional: 360
Coverage Angle
Telefunken ELA- M251
Vintage Tube Mic Precautions
Spherical Mic
22. German broadcasting stereo mic technique; An X-Y type with the mics 20cm apart and at a 90
Shure KSM Series
DIN
Alan Blumlein
Microphone Care...
23. The tuning machines of a guitar; Part of the tuning key that strings are threaded through and twisted.
Rode NT1A
Machine Head
Wind Screens
Clement Ader
24. Keep in proper case; Never disassemble shockmounts
Polar Pattern
Body
Pascals (Pa)
Microphone Storage
25. - Omnidirectional: 1 - Cardioid: 1.7 - Supercardioid: 1.9 - Hypercardioid: 2 - Bidirectional: 1.7
Baffle
Distance Factor (DSF)
LRFB
Alan Blumlein
26. Delicate and require extreme care; NO PHANTOM POWER; Becoming more popular than ever because of highly efficient magnets - lower manufacturing costs - and great fidelity.
Goals of Sound Effects
Pascals (Pa)
Subcardioid (Electrical Polar Pattern)
Ribbon Mic Characteristics
27. Term coined by Sir Charles Wheatstone derived from the Greek words 'micro' (small) & 'phon' (sound).
Stereosonic
X/Y
Shotgun
Microphone (Word Etymology)
28. E = Blv - e - Electromotive Force (in volts) - B - is the magnetic field strength - l - is the length of the conductor - v - is the velocity of the conductor moving through the magnetic field
Magnetic Induction Formula
Counterbalance
Decca Tree
Nuvistor Tube
29. Sounds that may be broadcast over the radio or internet.
Frets
X/Y
Pressure Capsules
Mono
30. Solid state version of the U67.
Neumann U87
Pressure Capsules
Piezoelectric Effect
Subkick
31. Shows the total range of the mic's internal pre- amp; Measured in dB (decibels).
Dynamic Range
Field Mixer
Examples of Piezoelectric Material
Damping
32. To capture two perspectives on the same sound.
Shure SM57
Capacitor
Dual Mono
Cardioid (Electrical Polar Pattern)
33. The measure of how quickly a mic's diaphragm will react when it is hit by an acoustic sound wave.
SPL Meter
Transient Response
3:1 Rule
Hydrophone
34. Dutch broadcasting stereo mic technique; An X-Y type with the mics 30cm apart and at a 90
Pierre Curie
Over/Over
X/Y
NOS
35. Early example of switchable polar patterns; Had both a dynamic and a ribbon capsule inside of it which when combined produced other polar patterns.
Clutch
Altec/Western Electric 639
On -Axis
RCA 44BX
36. Allow sound to reach the rear of the capsule/diaphragm - to create cardioid - supercardioid - and hypercardioid patterns In single capsule pressure gradient microphones.
Phase Ports
Neumann KM 184
Over/Under
Shure KSM-353
37. The method by which microphones are classified.
Transient Response
Terry Bozzio
Transducer Type
Condenser Microphone
38. Solid State and Tube.
Backplate
Over/Under
Types of Pre-Amps for Condenser Mics
Crystal and Ceramic Mic Use
39. Three or more microphones working together to capture a stereo or surround image of the sound source.
Arrays
Powering Condenser Microphones
Measurement Mics
Supercardioid
40. Condenser; Cardioid/Hypercardioid; End Address; 48V Required; Manufactured by AKG; Can be powered by internal 9 V battery for field recording; Improves clarity of speech with the PB 1000 Presence Boost Adapter.
AKG C1000S
On -Axis
Transient Response
Tuning Keys
41. Part of a mic stand that the mic stands on.
Hypercardioid/Supercardioid (Electrical Polar Pattern)
Rear Sensitivity (Relative to Front)
Legs
Fundamental Frequency
42. Founded AKG at the end of WWII in Austria.
Types of Field Recording
Rudolf Goerike & Ernest Pless
Condenser Microphone
Carbon Microphone
43. Mics in which sound waves vibrate a piezoelectric crystal that generates a varying voltage.
Harvey Fletcher
Vintage Tube Mic Precautions
Transient Response
Crystal & Ceramic Microphones
44. The first AKG dynamic microphone.
Mid/Side
On -Axis
Shure SM57
AKG DYN60
45. Filters only the bandwidth of frequencies that are supposed to (or allowed) to pass through; High and Low Pass are examples.
Bandpass
Fingerboard
Max SPL
Faraday Cage
46. The combination of the ribbon and magnet in a ribbon microphone.
Frets
Motor
Fundamental Frequency
Hypercardioid/Supercardioid (Electrical Polar Pattern)
47. Built by AKG for Telefunken and regarded as one of the best vintage condenser microphones ever.
Dynamic Range
Spherical Mic
Telefunken ELA- M251
Phasing
48. The arm of the mic stand; Includes the angle adjust & telescopic adjust.
Rode NT1A
Dual Mono
Pistonphone
Boom
49. Angle of maximum signal rejection in a microphone polar pattern.
Null Angle
AB Stereo
Subkick
Vintage Tube Mic Precautions
50. Pair of omni mic elements mounted on opposite sides of a spherical shaped capsule.
Subcardioid
Snare Drum Mic Placement
Electret Condenser
Spherical Mic