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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. A device that 'conditions' the electrical supply to take out spikes and surges.
Sawtooth Wave
Pitch
Wavetable Synthesis
Power Conditioner
2. Self contained computerized synthesizer developed in 1975; Playback system records patterns that you play on keyboard
Ultrabeat
Synclavier
Capture Last Take as Recording
Baud
3. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Aftertouch
THRU Port
Playback Quantizing
Tx (Abbv.)
4. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
5-Pin DIN Protocol
Pulse Code Modulation
Akai MPC2500
Dynamic Allocation
5. Simple waveform is changed by modulating it with another waveform creating a new - more complex waveform with a different tone and character; Used in Yamaha DX & TX series in 1980's
Resynthesis
FM Synthesis
System Messages
Recording Samples (Guidelines)
6. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
POLY Pressure Data Train
SMDI
Additive Synthesis
Sample Looping
7. Deal with the set- up and operating parameters for a MIDI device - Acknowledged by all devices in a MIDI system
'Note Off' Data Train
Patch Mapping
Additive Synthesis
System Messages
8. Most commonly used MIDI receive mode; Device receives only on an assigned selectable data; Ability to play MORE than one note at a time
Amplitude Modulation
OMNI (Off) POLY
Granular Synthesis
Master Tracks Pro
9. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
C4
Slave Devices
MIDI Program Change
Roland Fantom X6
10. Windows only based digital audio workstation platform
PPQN
Cakewalk Sonar
Sampler
Decay Time
11. Pitch Bend + Channel (S) => Coarse Tune (D1) => Fine Tune (D2)
Slave Devices
Pitch Bend Data Train
JMSC
Low Frequency Oscillator (LFO)
12. Ability to play MORE than one note at a time; Often used for drums; sections
MIDI
Granular Synthesis
Polyphonic
Channel Messages
13. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Note ON MIDI
Envelope
E- Mu Emulator
Master Devices
14. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
Subtractive Synthesis...
Accessibility
Release Time
Filter Slopes
15. To create or shape
Ableton Live
'Note Off' Data Train
Generator
Amplitude
16. Using an envelope generator on a filter does this...
MIDI Data Transmission Rate
Modulates Cutoff Frequency
Elisha Gray
Key Note
17. Keys transmit directly to the internal sound engine of a keyboard (and usually to the MIDI OUT Port as well)
Local ON
Channel Mode Message
Filter
5-Pin DIN Protocol
18. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Zone/Key Group/Multi-Sample
Physical Modeling Synthesis
IN Port
KORG Triton Rack
19. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
SMDI
C-Lab Notator
SCSI
Resynthesis
20. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
SDS
Synthesizer Audio Flow
Basic Sequencer Signal Flow
Program Change Data Train
21. Each pass will combine new MIDI data with old MIDI data already recorded onto track; Most commonly used; Allows looping and the ability to work at desired pace
Subtractive Synthesis...
Data Byte
MIDI Clock
Mix - Merge - or Overdub Mode
22. Drum sequencer that comes packaged with Logic Pro
Ultrabeat
PPQN
Power Conditioner
Bit Depth
23. Complete sample(s) are loaded into RAM
Play
Modulates Cutoff Frequency
Static
MMA
24. 50'
THRU Port
Bit Depth
Max MIDI Cable Length
Accessibility
25. MONO Pressure + Channel (S) => Amount (D1) => N/A
OMNI (On) POLY
MONO Pressure Data Train
Destructive Quantize
Handshake Wiring
26. MIDI Note #60 (Roland Standard)
Tempest
C4
OMNI (Off) POLY
Local OFF
27. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
Tempest
Recording with MIDI Sequencer
JMSC
Ring Modulation
28. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
MOTU Digital Performer
Aftertouch
MIDI Clock
8-Bit Breakdown of MIDI Code
29. Where a master device transmits (or sends) MIDI data; Only the master is plugged into this port
Quantization
Data Byte Breakdown for MIDI
OUT Port
Channel Assignment
30. How accurate the timing of a MIDI performance is recorded;
Ring Modulation
Portamento...
Resolution
Rx (Abbv.)
31. Determined by time signature; Added together to form the full bar
Ticks
Beats
Controller Editor
Data Byte Breakdown for MIDI
32. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Mellotron
Recording Samples (Guidelines)
Sample Rate
Midi Thru Box
33. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
Sequencer
Rx (Abbv.)
Polyphonic
Hardware Sampler
34. Audio interface that includes 8 mic preamps - a sophisticated DSP cue mixer - and a comprehensive array of digital I/O; Allows one to record 24- bit audio at up to 192kHz.
M-Audio ProFire 2626 Audio Interface
Slave Devices
MONO Pressure Data Train
DSP
35. Rise and fall of pitch created when LFO is routed to the oscillator
Vibrato...
Fairlight CMI
Modulates Pitch
Tuning
36. Program Change + Channel (S) => Patch # (D1) => N/A
Sawtooth Wave
Quantization
Program Change Data Train
Ring Modulation
37. Least Significant Bit - the right- most bit in a binary whole number or code
Disk Streaming
Tuning
'Note Off' Data Train
lsb
38. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
Synthesis Types
Data Byte
Playback Quantizing
MIDI Program Change
39. Wave that consists of a single traveling pulse
Bars
Patch Mapping
Pulse Wave
Daisy Chain Limitations
40. Ability of audio equipment to reproduce fast changes in amplitude; Measured in volts per microsecond; Low slew rate 'softens' the attack of a signal; High frequencies change in amplitude the fastest so slew rate is critical
Sampler
Slew Rate
Triangle Wave
Recording with MIDI Sequencer
41. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
Quantization
SDS
EXS
Serial Port
42. Serial
Key Note
Pulse Code Modulation
MIDI Protocol Type
Modulation
43. Powerful feature of MIDI editing that fixes timing issues; Moves notes to a predetermined grid by dividing the PPQN into common note value divisions
Score Editor
Sustain Level
Quantization
Polyphonic
44. Contains only the fundamental frequency and all of its odd- numbered harmonics
Square Wave
SMDI
RAM (Memory)
Akai MPC2500
45. MIDI Out (Master) --> MIDI In (MIDI Interface) --> Travels via Dual Serial (USB) both to and from interface --> MIDI Out (MIDI Interface) --> MIDI In (Slave) --> Audio Out (Slave) --> Audio In (Mixer or Audio Interface) --> Audio Out (Speakers)
Analog Modeling Synthesis...
Basic Sequencer Signal Flow
THRU Port
SCSI
46. Musical Instrument Digital Interface
Ultrabeat Import File Types
RAM (Memory)
MIDI Acronym
Quantization
47. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
Fairlight CMI
Channel Enable/Disable
MMA
Triangle Wave
48. Connects computer to MIDI device; All MIDI routing and communication is handled by the computer
Velocity Mapping
Ground Loop
Dedicated Sequencer
MIDI Interface Setup
49. Uses sound of a single note which is sampled and stored as an oscillator waveform; Allow for more complex sounds which produces richer - more realistic tones; Allow one to crossfade between different waveforms over time
Destructive Quantize
E- mu Proteus 2000
Ground Loop
Wavetable Synthesis
50. The transmission of an audio signal by using it to vary a carrier wave (amplitude of frequency)
Modulation
Phase Distortion Synthesis
Recording with MIDI Sequencer
Software Sampler