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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
SMDI
Tempest
Graintable Synthesis
Additive Synthesis
2. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
Multitimbral Module
List Editor
Release Time
PPQN
3. Musical Instrument Digital Interface
MIDI Acronym
Step Record
Multitimbral Mode
Master Tracks Pro
4. Added subtractive synthesis to the E- Mu Emulator
Polyphony
E- Mu Emulator II
Samples
Sample Looping
5. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
Slew Rate
Data Train
Bob Moog
EMagic AMT-8 MIDI Interface
6. To create or shape
Tx (Abbv.)
Bars
Data Byte Breakdown for MIDI
Generator
7. Drum sequencer that comes packaged with Logic Pro
Cutoff Frequency
Quantization Values
Trill
Ultrabeat
8. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
Filter Parameters
Akai S900
Multitimbral Module
Channel Mode Message
9. Value = 0 - 127 (Variations of the last 7 numbers)
Click Track
Data Byte Breakdown for MIDI
Controller Editor
C-Lab Notator
10. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
JMSC
Mix - Merge - or Overdub Mode
Play
Patch Mapping
11. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
S/PDif...
Play
POLY Pressure Data Train
Dual Serial Connection
12. Wave that consists of a single traveling pulse
OMNI (On) POLY
Receive Switch
Pulse Wave
MIDI
13. A curve or surface
Dynamic Allocation
Polyphonic
Recording with MIDI Sequencer
Envelope
14. Note ON; Note OFF; Program Change; MONO Pressure; POLY Pressure; Pitch Bend; Control Change
Channel Messages
Envelope
Synthesis Types
Types of Channel Voice Messages
15. Tells how to interpret data that is coming up; 'note number is following'; Defines what we want the MIDI device to do; Represented by msb = 1
Quantization
Status Byte
Power Conditioner
Phase Distortion Synthesis
16. Limits the playback of a certain sample to a certain range on the MIDI keyboard; May sample multiple notes per octave to maintain realism of sampled instruments
Key Range
Mix - Merge - or Overdub Mode
Types of Channel Voice Messages
Tempest
17. Controls an instruments voices or 'sounds'
Synthesizer Audio Flow
Cakewalk Sonar
Channel Voice Message
Types of Channel Voice Messages
18. Each pass will combine new MIDI data with old MIDI data already recorded onto track; Most commonly used; Allows looping and the ability to work at desired pace
lsb
Mix - Merge - or Overdub Mode
MOTU Digital Performer
Sine Wave
19. Determines the layout of MIDI channels for each of the multitimbral parts
Layer
Trill
Channel Assignment
lsb
20. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
Key Note
Monophonic
Noise
Daisy Chain Limitations
21. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
Portamento...
Release Time
Disk Streaming
PCM
22. Standard for transferring data between devices on internal and external computer; Most commonly used for tape storage devices and hard disks
Program Change Data Train
SCSI
Binary
Physical Modeling Synthesis
23. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Tremolo
RAM (Memory)
Sampler
Midi Thru Box
24. Digital Signal Processing; Provides for the ability to adjust levels - do equalization - dynamic processing - create special effects - and mix digital audio data
Power Conditioner
Noise
Portamento...
DSP
25. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Bob Moog
Akai MPC 60
Types of Channel Voice Messages
Additive Synthesis
26. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
Quantization Values
Byte
Midi Thru Box
List Editor
27. Conveys the amount of overall (average) pressure on ALL the keys at a given point
Channel Pressure
OMNI (On) POLY
Attack Time
Piano Roll
28. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Trill
Split
Dynamic Allocation
Master Devices
29. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
OMNI (On) MONO
RAM (Memory)
Slave Devices
Channel Messages
30. Complete sample(s) are loaded into RAM
Physical Modeling Synthesis
Recording Samples (Guidelines)
Static
Polyphonic
31. Individual edit window to alter MIDI parameters such as pitch bend and volume
Monophonic
Slave Devices
E- Mu Emulator II
Controller Editor
32. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
Software Sampler
MIDI
Sample Looping
Resolution
33. Transmit
Pitch Bend Data Train
Preset/Patch/Instrument/Bank
Polyphony
Tx (Abbv.)
34. Poly Mode; Patch or Program (Prog) Mode
Manufacturer Terms for Mode 3
Serial Port
Decay Time
MIDI Module
35. Simple waveform is changed by modulating it with another waveform creating a new - more complex waveform with a different tone and character; Used in Yamaha DX & TX series in 1980's
Master Devices
FM Synthesis
Linn LM-1
MONO Pressure Data Train
36. Most commonly used MIDI receive mode; Device receives only on an assigned selectable data; Ability to play MORE than one note at a time
OMNI (Off) POLY
Local OFF
Types of Channel Voice Messages
Volume
37. Using an envelope generator on an oscillator does this...
Zone/Key Group/Multi-Sample
Modulates Pitch
Output Assignment
Filter
38. Voltage Controlled Oscillator; Controls pitch
Slew Rate
Baud
Tempest
VCO
39. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Note ON MIDI
Noise
Note Ranges
Zero Crossing Point
40. Overall sound quality defined by harmonic content
Attack Time
Preset/Patch/Instrument/Bank
Key Range
Timbre
41. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
MIDI Protocol Type
Modulation
Triangle Wave
S/PDif...
42. Both the IN Port and OUT Port of two devices are connected together; Allows total communication between devices (BIDIRECTIONAL); Smartest MIDI wiring procedure
'Note On' Data Train
Linn LM-1
Pitch Bend Data Train
Handshake Wiring
43. Very common technique; Utilizes initial attack and loops a small part of remaining audio file
Sample Looping
A/D Converter
IN Port
Click Track
44. In; Out; Thru
MIDI Connection Ports
Byte
Pulse Code Modulation
Hardware Sampler
45. .PST & .EXS
Modulation
Ultrabeat Import File Types
MONO Pressure Data Train
E- Mu Emulator
46. L ->R === msb (1) - MIDI Message (3) - MIDI Channel (4)
Ultrabeat Import File Types
Destructive Quantize
8-Bit Breakdown of MIDI Code
OMNI (Off) MONO
47. Contains only the fundamental frequency and all of its odd- numbered harmonics
Square Wave
Baud
Master Devices
Recording Samples (Guidelines)
48. Ability of audio equipment to reproduce fast changes in amplitude; Measured in volts per microsecond; Low slew rate 'softens' the attack of a signal; High frequencies change in amplitude the fastest so slew rate is critical
Replace - Overwrite - or Destructive Record Mode
Timbre Assignment
Slew Rate
Bars
49. MIDI Out (Master) --> MIDI In (MIDI Interface) --> Travels via Dual Serial (USB) both to and from interface --> MIDI Out (MIDI Interface) --> MIDI In (Slave) --> Audio Out (Slave) --> Audio In (Mixer or Audio Interface) --> Audio Out (Speakers)
Mellotron
Baud
Basic Sequencer Signal Flow
Sample Rate
50. How accurate the timing of a MIDI performance is recorded;
MIDI Clock
JMSC
3 Main MIDI Circuits
Resolution