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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Emulator containing sounds that may be layered - filtered - modulated by low frequency oscillation - and shaped by envelopes; Does not allow the user to record sounds but instead offer a range of factory sounds suitable for any given use
Resynthesis
8-Bit Breakdown of MIDI Code
MIDI Connection Ports
E- mu Proteus 2000
2. Deal with the set- up and operating parameters for a MIDI device - Acknowledged by all devices in a MIDI system
'Note On' Data Train
System Messages
Channel Assignment
Manufacturer Terms for Multitimbral Mode
3. Transmit
Tx (Abbv.)
Pulse Code Modulation
Polyphonic
Bob Moog
4. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
Granular Synthesis
Pulse Code Modulation
PPQN
E- Mu Emulator
5. Where a master device transmits (or sends) MIDI data; Only the master is plugged into this port
Pitch Bend Data Train
Trill
OUT Port
Filter
6. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
Synthesizer Audio Flow
Additive Synthesis
Sustain Level
Pulse Code Modulation
7. Two or more instruments with note ranges that do not overlap
OMNI (Off) POLY
Split
Volume
Wavetable Synthesis
8. Wave that consists of a single traveling pulse
Pitch
Pulse Wave
MIDI Octaves
Polyphonic
9. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
Note ON MIDI
Playback Quantizing
Akai S900
MMA
10. Defines the lowest and highest note on a keyboard that an individual part is active
Note Ranges
Master Tracks Pro
Polyphonic
Zones
11. Note that alternates rapidly with another note a semitone above it
Sine Wave
Subtractive Synthesis...
Filter Parameters
Trill
12. Physical sound waveform system that has repeating cycles
S/PDif...
Oscillator
Polyphony
Destructive Quantize
13. Message sent when note is played (key pressed)
Note ON MIDI
Akai MPC2500
Velocity Mapping
Max MIDI Cable Length
14. Conveys the amount of overall (average) pressure on ALL the keys at a given point
Output Assignment
OUT Port
Channel Pressure
Local ON
15. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Pulse Code Modulation
Granular Synthesis
Velocity Switching
Envelope Generator
16. Individual edit window to alter MIDI parameters such as pitch bend and volume
Ableton Live
Pitch Bend Data Train
Filter Parameters
Controller Editor
17. Digital recordings triggered by MIDI
Samples
Local ON
Software Sampler
Filter Slopes
18. Determines how much effect an envelope generator has on a particular circuit
Dynamic Allocation
DSP
Depth/Amount Parameter
Ground Loop
19. Determined by time signature; Added together to form the full bar
Program Change Data Train
Serial Port
Beats
MOTU Digital Performer
20. Poly Mode; Patch or Program (Prog) Mode
S/PDif...
Notes OFF MIDI
Manufacturer Terms for Mode 3
Modulation
21. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Software Sampler
SDS
JMSC
C-Lab Notator
22. Alters the phase angle of a waveform 'bending' the shape to create a unique character or tone
Phase Distortion Synthesis
S/PDif...
Manufacturer Terms for Mode 3
Sustain Level
23. Place sounds in the stereo field within the device
Pan
Additive Synthesis
Sampler
OUT Port
24. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
OMNI (Off) MONO
Receive Modes
Elisha Gray
Pitch Bend
25. Least Significant Bit - the right- most bit in a binary whole number or code
Low Frequency Oscillator (LFO)
Synthesizer Audio Flow
Handshake Wiring
lsb
26. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
Playback Quantizing
SMDI
Daisy Chain Limitations
DSP
27. Allows assignment of a different SOUND to each of the multitimbral parts
Timbre Assignment
Note Mode
Samples
Play
28. Main file loaded into sampler; Contains all settings used to create the instrument; Usually DOES NOT contain the audio files themselves but references them while they are stored somewhere else
Circle Machine
Beats
Preset/Patch/Instrument/Bank
Vibrato...
29. Starts from 1 at the very beginning of a sequence
Square Wave
Bars
Bit Depth
Samples
30. Maximum number of notes an instrument can play at once; Most modern MIDI instruments have 128 notes of polyphony
Polyphony
Cutoff Frequency
Power Conditioner
M-Audio ProFire 2626 Audio Interface
31. Method of connecting several devices along a bus and managing the signals for each device; The most basic MIDI connection; Plays multiple sounds with same MIDI data
lsb
8-Bit Breakdown of MIDI Code
Channel Voice Message
Daisy Chaining
32. The first sequencer developed for custom- built electronic instruments; Developed by Raymond Scott in 1950's
Ticks
OMNI (On) MONO
Circle Machine
Analog Modeling Synthesis...
33. Where a slave device receives MIDI data; Can receive data from an OUT or THRU port
IN Port
Phase Distortion Synthesis
Pulse Code Modulation
Wavetable Synthesis
34. Note ON; Note OFF; Program Change; MONO Pressure; POLY Pressure; Pitch Bend; Control Change
Types of Channel Voice Messages
'Note Off' Data Train
Synthesizer Audio Flow
Velocity Mapping
35. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
MIDI
Key Note
Channel Pressure
Timbre Assignment
36. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
Resynthesis
Status Byte
Rx (Abbv.)
DIN Pin 2
37. Allows for the routing of output from individual parts to secondary (auxiliary) audio outputs rather than the main stereo outputs; EQ effects can be changed from those on main stereo outputs
Ground Loop
OUT Port
Output Assignment
MONO Pressure Data Train
38. Multi Mode; Performance (Perf) Mode; Sequence Mode
Manufacturer Terms for Multitimbral Mode
JMSC
E- mu Proteus 2000
Binary
39. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Sawtooth Wave
Tuning
Bob Moog
VCA
40. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
Sawtooth Wave
Power Conditioner
Oscillator
MMA
41. Modulation technique in which the amplitude of the carrier signal is modified by the application of a data signal
Synthesizer Audio Flow
List Editor
Amplitude Modulation
Ensoniq Mirage
42. Changes an analog audio signal to a digital format (binary data) that can be stored or manipulated on a computer
Pitch
ProTools
SMDI
A/D Converter
43. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
EMagic AMT-8 MIDI Interface
MIDI Interface Setup
Multitimbral Module
Pitch
44. Smallest increments between beats; Coincide with the resolution in PPQN; MIDI data locks to these for start
Envelope Generator
Slave Devices
Ticks
M-Audio ProFire 2626 Audio Interface
45. Digital audio workstation platform for Mac OS X and Windows operating systems; Developed and manufactured by Avid Technology
MIDI
MIDI Acronym
Multitimbral Mode
ProTools
46. Each pass will combine new MIDI data with old MIDI data already recorded onto track; Most commonly used; Allows looping and the ability to work at desired pace
Mix - Merge - or Overdub Mode
Mellotron
Note ON MIDI
THRU Port
47. How accurate the timing of a MIDI performance is recorded;
Mellotron
Resolution
Local OFF
VCO
48. How long it takes for sound to fade to silence
Release Time
PCM
M-Audio ProFire 2626 Audio Interface
Pitch
49. Changes the sound envelope based on how high or low the pitch of the note
Pitch
DIN Pin 5
Tremolo
Key Tracking
50. Device receives only on an assigned selectable data; Ability to play ONLY one note at a time
OMNI (Off) MONO
KORG Triton Rack
Akai MPC 60
SDS
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