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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Level at which sound remains until key is released
Envelope
Sustain Level
Synclavier
OMNI (Off) MONO
2. Sampler that comes packaged with Logic Pro
VCO
DSP
Software Sampler
EXS
3. Deal with the set- up and operating parameters for a MIDI device - Acknowledged by all devices in a MIDI system
Volume
Polyphony
System Messages
DIN Pin 4
4. Record with highest input level possible - without clipping; Record more than you need; Adjust sample start and end times; Truncate unwanted material
Aftertouch
Recording Samples (Guidelines)
Mellotron
Click Track
5. Determines how much effect an envelope generator has on a particular circuit
Synclavier
Accessibility
Depth/Amount Parameter
Pitch Bend Data Train
6. Serial
Modulation
MIDI Protocol Type
Pitch Bend
PCM
7. Attack Time; Decay Time; Sustain Level; Release Time
Envelope Generator Parameters
Resonance
Wavetable Synthesis
Playback Quantizing
8. Note events edited on a staff - similar to composing music on sheets.
Sequencer
EMagic AMT-8 MIDI Interface
Score Editor
System Messages
9. Most Significant Bit; the left- most bit in a binary whole number or code
Pitch Bend Data Train
msb
Controller Editor
Multitimbral Mode
10. Storage device that can memorize and playback (often in loops) the sequence of MIDI events generated by the master device.
Data Byte Breakdown for MIDI
Sequencer
Pitch
Key Note
11. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Zero Crossing Point
Polyphony
Master Tracks Pro
Zones
12. Positional numbering system represents numerical values using only two symbols - 0 and 1
Binary
List Editor
IN Port
Notes OFF MIDI
13. Contains only the fundamental frequency and all of its odd- numbered harmonics
Square Wave
Filter
Polyphonic
Tremolo
14. Where a master device transmits (or sends) MIDI data; Only the master is plugged into this port
Synthesizer Audio Flow
OUT Port
List Editor
Pitch Bend Data Train
15. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
Pitch Bend
Wah Wah
Triangle Wave
Hardware Sampler
16. Inputs 2 frequencies; Outputs only the sum of and difference of the frequencies; Usually used with one simple - fixed oscillator tone - and a more complex sound like speech or singing to create 'talk box' effect
Ring Modulation
Receive Modes
Baud
Audio Samples
17. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Ableton Live
S/PDif...
Dynamic Allocation
Tx (Abbv.)
18. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
PPQN
MIDI Program Change
Additive Synthesis
SMDI
19. Voltage Controlled Amplifier; Controls Amplitude
FM Synthesis
VCA
A/D Converter
PCM
20. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
Multitimbral Mode
SMDI
Slave Devices
Binary
21. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Coarse Tuning
'Note Off' Data Train
Patch Mapping
msb
22. Basic Waveform; Source vibrates with simple harmonic motion
Sine Wave
Byte
Static
Accessibility
23. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
Sawtooth Wave
Generator
Destructive Quantize
SCSI
24. Program Change + Channel (S) => Patch # (D1) => N/A
Program Change Data Train
Trill
Graintable Synthesis
Ring Modulation
25. Rate (Speed) & Depth (Intensity)
DIN Pin 4
LFO Parameters
Bob Moog
MIDI Acronym
26. Ability to play MORE than one note at a time; Often used for drums; sections
Slave Devices
DSP
Rx (Abbv.)
Polyphonic
27. .PST & .EXS
Pitch
Ultrabeat Import File Types
Baud
Envelope Generator
28. MIDI Note #60 (Roland Standard)
Slew Rate
C4
Data Byte
Roland Fantom X6
29. Digital Signal Processing; Provides for the ability to adjust levels - do equalization - dynamic processing - create special effects - and mix digital audio data
3 Main MIDI Circuits
DSP
Pulse Wave
MIDI Connection Ports
30. Allows bidirectional communication between MIDI device and computer
Dual Serial Connection
Envelope
Master Tracks Pro
Channel Enable/Disable
31. MONO Pressure + Channel (S) => Amount (D1) => N/A
Non - Dedicated Sequencer
Timbre
Roland Fantom X6
MONO Pressure Data Train
32. Each pass will combine new MIDI data with old MIDI data already recorded onto track; Most commonly used; Allows looping and the ability to work at desired pace
DSP
Mix - Merge - or Overdub Mode
Ring Modulation
Sample Rate
33. Height (or loudness) of a waveform
5-Pin DIN Protocol
Ground Loop
Amplitude
Mellotron
34. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
E- Mu Emulator
Sampler
PCM
C4
35. Most common type; Oscillators generate all of harmonic content and filters are used to subtract overtones from the sound; Think sculpture reference (from block to statue)
Rx (Abbv.)
Filter Parameters
Note Ranges
Subtractive Synthesis...
36. Ability of a musical instrument to play more than one note at a time
MIDI Protocol Type
OMNI (On) POLY
Polyphonic
Recording with MIDI Sequencer
37. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
E- Mu Emulator
Ring Modulation
Bars
EXS
38. Incomprehensibility resulting from irrelevant harmonic information
Synthesizer Audio Flow
Noise
Streaming
Slave Devices
39. +5 Bias Voltage; Provides +5V to 1's in binary code data
Note Mode
POLY Pressure Data Train
DIN Pin 4
MMA
40. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Receive Modes
Baud
VCO
Velocity Mapping
41. CMD+S
Pitch
Layer
Note ON MIDI
Save
42. Determines the layout of MIDI channels for each of the multitimbral parts
Patch Mapping
Basic Sequencer Signal Flow
Channel Assignment
Ground Loop
43. Pitch - Amplitude - Timbre
OMNI (Off) POLY
Multitimbral Module
3 Main MIDI Circuits
Pitch Bend
44. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
FM Synthesis
5-Pin DIN Protocol
Channel Messages
Local OFF
45. Message sent when note is played (key pressed)
OMNI (Off) POLY
MIDI Cable Specs
Accessibility
Note ON MIDI
46. Using an envelope generator on an oscillator does this...
Modulates Pitch
MIDI Program Change
OMNI (Off) MONO
Quantization Values
47. Controls an instruments voices or 'sounds'
Modulates Pitch
Filter Slopes
Channel Voice Message
Release Time
48. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
Pitch Bend
msb
Baud
Resynthesis
49. Individual edit window to alter MIDI parameters such as pitch bend and volume
Dual Serial Connection
Controller Editor
MIDI Data Transmission Rate
Key Range
50. Powerful feature of MIDI editing that fixes timing issues; Moves notes to a predetermined grid by dividing the PPQN into common note value divisions
Layer
Zone/Key Group/Multi-Sample
Quantization
VCF