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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
Pitch
MIDI Connection Ports
OMNI (On) MONO
Master Devices
2. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
Pitch
Binary
Status Byte
JMSC
3. Defines the instrument's response to voice messages
MIDI Acronym
Channel Mode Message
Sampler
Accessibility
4. LFO is routed to low pass filter
Types of Channel Voice Messages
Output Assignment
Wah Wah
Vibrato...
5. Using an envelope generator on a filter does this...
Modulates Cutoff Frequency
Software Sampler
Pitch
Byte
6. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
DIN Pin 4
Synthesizer Audio Flow
Daisy Chaining
Oscillator
7. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
A/D Converter
Channel Messages
Portamento...
Dynamic Allocation
8. MONO Pressure + Channel (S) => Amount (D1) => N/A
DIN Pin 4
MONO Pressure Data Train
Oscillator
Piano Roll
9. Sampler that comes packaged with Logic Pro
Midi Thru Box
MONO Pressure Data Train
EXS
Pulse Code Modulation
10. Emulator containing sounds that may be layered - filtered - modulated by low frequency oscillation - and shaped by envelopes; Does not allow the user to record sounds but instead offer a range of factory sounds suitable for any given use
Resolution
E- mu Proteus 2000
Save
Grid Editor
11. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Amplitude Modulation
Midi Thru Box
Serial Port
RAM (Memory)
12. Determines the point at which a filter begins altering harmonics or frequencies
5-Pin DIN Protocol
Ground Loop
Ultrabeat Import File Types
Cutoff Frequency
13. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
8-Bit Breakdown of MIDI Code
Daisy Chaining
MMA
MIDI Acronym
14. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Filter Parameters
Cutoff Frequency
C-Lab Notator
Sampler
15. Program Change + Channel (S) => Patch # (D1) => N/A
Channel Mode Message
Program Change Data Train
MOTU Digital Performer
Tx (Abbv.)
16. Smooth gliding from one note to another (as in singing or string playing)
Manufacturer Terms for Multitimbral Mode
Portamento...
S/PDif...
MIDI Program Change
17. Value = 0 - 127 (Variations of the last 7 numbers)
Data Train
Data Byte Breakdown for MIDI
DIN Pin 5
Synthesis Types
18. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
Cakewalk Sonar
MIDI Cable Specs
Ticks
Granular Synthesis
19. Windows only based digital audio workstation platform
Split
'Note Off' Data Train
Cakewalk Sonar
Trill
20. The first drum machine to use digital samples of acoustic drums
Envelope Generator Parameters
Tuning
Resonance
Linn LM-1
21. Another term for 'Channel Enable/Disable'
FM Synthesis
Receive Switch
Grid Editor
List Editor
22. Pitch bend parameter that sets the range in semitones
msb
Sample Rate
Coarse Tuning
Ultrabeat Import File Types
23. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Depth/Amount Parameter
OMNI (On) MONO
Bob Moog
MMA
24. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
E- Mu Emulator
MIDI Program Change
SCSI
Multitimbral Module
25. High Resolution; 14- bit parameter; (Coarse Tune X Fine Tune = 16 -384 Steps of resolution
Synthesizer Audio Flow
MIDI Cable Specs
Pitch Bend
Amplitude
26. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
5-Pin DIN Protocol
Quantization
Resolution
Dual Serial Connection
27. MIDI Note #60 (Roland Standard)
C4
E- mu Proteus 2000
Step Record
Streaming
28. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
Channel Messages
ProTools
MOTU Digital Performer
Layer
29. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
Ultrabeat
Quantization
MIDI
Cakewalk Sonar
30. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
Zone/Key Group/Multi-Sample
Slave Devices
Hardware Sampler
Destructive Quantize
31. The most commonly accepted means of encoding digital audio data so it can be stored within a digital medium with a maximum degree of data density
Static
PCM
ProTools
Patch Mapping
32. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Roland Fantom X6
Tremolo
Ring Modulation
Daisy Chaining
33. Powerful feature of MIDI editing that fixes timing issues; Moves notes to a predetermined grid by dividing the PPQN into common note value divisions
Piano Roll
Quantization
Quantization Values
Daisy Chaining
34. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Zone/Key Group/Multi-Sample
Click Track
Grid Editor
Amplitude Modulation
35. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
EMagic AMT-8 MIDI Interface
EXS
Ground Loop
OMNI (Off) MONO
36. Positional numbering system represents numerical values using only two symbols - 0 and 1
E- Mu Emulator
Binary
AMS
Phase Distortion Synthesis
37. MIDI Out (Master) --> MIDI In (MIDI Interface) --> Travels via Dual Serial (USB) both to and from interface --> MIDI Out (MIDI Interface) --> MIDI In (Slave) --> Audio Out (Slave) --> Audio In (Mixer or Audio Interface) --> Audio Out (Speakers)
Basic Sequencer Signal Flow
Bit Depth
Square Wave
Manufacturer Terms for Multitimbral Mode
38. Each pass will overwrite the pass before it permanently erasing previous MIDI data
Replace - Overwrite - or Destructive Record Mode
Phase Distortion Synthesis
E- Mu Emulator
C-Lab Notator
39. Pitch - Amplitude - Timbre
3 Main MIDI Circuits
Resonance
OMNI (Off) MONO
Preset/Patch/Instrument/Bank
40. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
RAM (Memory)
'Note On' Data Train
Ground Loop
KORG Triton Rack
41. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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42. In; Out; Thru
'Note On' Data Train
Recording Samples (Guidelines)
MIDI Connection Ports
Pan
43. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
Graintable Synthesis
Hardware Sampler
Multitimbral Module
Sawtooth Wave
44. Determines the highest frequency to be captured
Zero Crossing Point
Sample Rate
Preset/Patch/Instrument/Bank
Daisy Chaining
45. Musical Instrument Digital Interface
Key Note
VCO
MIDI Acronym
Additive Synthesis
46. Allows for the routing of output from individual parts to secondary (auxiliary) audio outputs rather than the main stereo outputs; EQ effects can be changed from those on main stereo outputs
Software Sampler
Sine Wave
Master Devices
Output Assignment
47. Measurement of how fast a note was pressed that enables samplers to be more dynamically expressive; Incoming note velocities are the player's variations in dynamics and they trigger different sets of samples
Synthesizer Audio Flow
Velocity Mapping
OMNI (On) POLY
Byte
48. Wave that consists of a single traveling pulse
Data Byte Breakdown for MIDI
MIDI Cable Specs
MIDI Protocol Type
Pulse Wave
49. Filter Type & Slope; Cutoff Frequency; Resonance (Emphasis); Key Tracking
Filter Parameters
Subtractive Synthesis...
E- Mu Emulator
S/PDif...
50. Determines which note on the MIDI keyboard will play the sample at its original pitch and speed; Almost always set to Middle C
Key Note
Resynthesis
Ensoniq Mirage
List Editor
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