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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
EMagic AMT-8 MIDI Interface
Binary
Channel Voice Message
Aftertouch
2. 12 notes; Change between B & C
Roland Fantom X6
MIDI Octaves
Click Track
Note ON MIDI
3. Determines which note on the MIDI keyboard will play the sample at its original pitch and speed; Almost always set to Middle C
Key Note
Tuning
Zones
VCA
4. Determines the point at which a filter begins altering harmonics or frequencies
Cutoff Frequency
Sampler
Split
Tuning
5. Pitch Bend + Channel (S) => Coarse Tune (D1) => Fine Tune (D2)
Pitch Bend Data Train
Channel Voice Message
Timbre
EMagic AMT-8 MIDI Interface
6. MIDI Note #60 (Roland Standard)
Ultrabeat
C4
Daisy Chain Limitations
Max MIDI Cable Length
7. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
Akai MPC2500
System Messages
EMagic AMT-8 MIDI Interface
Pitch
8. Dum machine that featured 12- bit sampling; 99- track sequencer with a 60 -000 note capacity; Debuted the familiar 4 x 4 grid of drum pads
Envelope Generator Parameters
Akai MPC 60
Ultrabeat Import File Types
Tx (Abbv.)
9. Smallest increments between beats; Coincide with the resolution in PPQN; MIDI data locks to these for start
Filter Slopes
Pitch
Ticks
OMNI (Off) POLY
10. Note Off + Channel (S) => Note # (D1) => Release Velocity (D2)
11. Each pass will combine new MIDI data with old MIDI data already recorded onto track; Most commonly used; Allows looping and the ability to work at desired pace
Status Byte
Timbre Assignment
Note Ranges
Mix - Merge - or Overdub Mode
12. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
Piano Roll
Daisy Chaining
Pulse Code Modulation
Manufacturer Terms for Multitimbral Mode
13. Most commonly used MIDI receive mode; Device receives only on an assigned selectable data; Ability to play MORE than one note at a time
Circle Machine
Analog Modeling Synthesis...
OMNI (Off) POLY
VCA
14. Sony-Philips digital interface format
Manufacturer Terms for Multitimbral Mode
MIDI Octaves
MIDI Connection Ports
S/PDif...
15. How long it takes for volume of sound to drop to Sustain Level
Decay Time
DIN Pin 4
OMNI (Off) POLY
Non - Dedicated Sequencer
16. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
5-Pin DIN Protocol
Zero Crossing Point
Resolution
MIDI Module
17. LFO is routed to low pass filter
Wah Wah
C-Lab Notator
Receive Modes
Akai S900
18. Uses powerful digital signal processing algorithms and equations to simulate the properties of a natural instrument; Very customizable
Physical Modeling Synthesis
Data Train
Channel Pressure
Receive Modes
19. Digital audio workstation platform for Mac OS X and Windows operating systems; Developed and manufactured by Avid Technology
Ultrabeat Import File Types
Channel Mode Message
Key Tracking
ProTools
20. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
E- Mu Emulator
Handshake Wiring
Binary
Quantization Values
21. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
Data Train
Serial Port
Preset/Patch/Instrument/Bank
Ensoniq Mirage
22. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
Non - Dedicated Sequencer
Daisy Chain Limitations
Oscillator
Fairlight CMI
23. Overall sound quality defined by harmonic content
Timbre
MIDI Protocol Type
Channel Enable/Disable
Binary
24. Ability of a musical instrument to play more than one note at a time
Channel Mode Message
Sustain Level
Noise
Polyphonic
25. Limits the playback of a certain sample to a certain range on the MIDI keyboard; May sample multiple notes per octave to maintain realism of sampled instruments
Sample Rate
Daisy Chain Limitations
System Messages
Key Range
26. Sample Dump Standard; Signal starts to degrade
Midi Thru Box
SDS
Pitch Bend
Pitch
27. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
Recording with MIDI Sequencer
Trill
Zone/Key Group/Multi-Sample
Velocity Mapping
28. SCSI Musical Data Interchange; Better option than SDS
3 Main MIDI Circuits
Physical Modeling Synthesis
Manufacturer Terms for Multitimbral Mode
SMDI
29. Simple waveform is changed by modulating it with another waveform creating a new - more complex waveform with a different tone and character; Used in Yamaha DX & TX series in 1980's
Byte
SCSI
Hardware Sampler
FM Synthesis
30. Defines the instrument's response to voice messages
Wavetable Synthesis
Channel Mode Message
Click Track
Additive Synthesis
31. Software; Computer- based MIDI recorders that can be used for other functions (word processing - web browsing - etc.); Offers high resolution (480+ PPQN) and expanded editing facilities - but have lower stability and lack portability
Non - Dedicated Sequencer
Piano Roll
Samples
Tx (Abbv.)
32. How long it takes for sound to fade to silence
SDS
Key Tracking
Hardware Sampler
Release Time
33. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
Volume
Filter Slopes
Capture Last Take as Recording
RAM (Memory)
34. A curve or surface
Bars
Envelope
DIN Pin 2
E- Mu Emulator
35. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
Note Ranges
Polyphonic
Linn LM-1
Resonance
36. A device that 'conditions' the electrical supply to take out spikes and surges.
OMNI (Off) MONO
Power Conditioner
Data Byte
lsb
37. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
Filter Slopes
THRU Port
Bars
PCM
38. Combination of layers and splits (Ex. => Assigning a piano sound across the entire length of the keyboard - but adding a string part only on upper octaves)
Zones
Multitimbral Mode
MOTU Digital Performer
Dedicated Sequencer
39. Smooth gliding from one note to another (as in singing or string playing)
OMNI (On) POLY
MIDI Data Transmission Rate
Tremolo
Portamento...
40. The first drum machine to use digital samples of acoustic drums
Linn LM-1
Playback Quantizing
lsb
Receive Switch
41. Using an envelope generator on an oscillator does this...
M-Audio ProFire 2626 Audio Interface
Channel Enable/Disable
Modulates Pitch
Tuning
42. Audio MIDI Setup; Utility designed to tell the computer what MIDI Interface and hardware is being used - as well as audio connections; Built into System Software of Mac OS 10.1 and up; Sequencers communicate with AMS for audio and MIDI routing and se
Tempest
Cutoff Frequency
Pitch
AMS
43. Determines how much effect an envelope generator has on a particular circuit
PPQN
Elisha Gray
Depth/Amount Parameter
VCA
44. Pitch - Amplitude - Timbre
Streaming
3 Main MIDI Circuits
Audio Samples
Ableton Live
45. CMD+S
MIDI Protocol Type
Save
ProTools
Triangle Wave
46. L ->R === msb (1) - MIDI Message (3) - MIDI Channel (4)
8-Bit Breakdown of MIDI Code
Key Note
Aftertouch
Generator
47. Rackmount version of the Triton used as a sound module rather than a complete workstation; Able to store up to eight EXB boards containing additional sounds; Features a built- in S/PDIF digital output
KORG Triton Rack
Recording Samples (Guidelines)
Channel Mode Message
FM Synthesis
48. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Linn LM-1
Key Tracking
C-Lab Notator
Release Time
49. Receive
Rx (Abbv.)
Software Sampler
Timbre Assignment
OMNI (Off) MONO
50. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
Modulates Pitch
Pitch
Serial Port
Pulse Wave