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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The first sequencer developed for custom- built electronic instruments; Developed by Raymond Scott in 1950's
Circle Machine
Tx (Abbv.)
3 Main MIDI Circuits
Timbre
2. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; Advances one step each 1/24 of a beat
PCM
Ultrabeat
Master Devices
MIDI Clock
3. Overall sound quality defined by harmonic content
Envelope Generator Parameters
Rx (Abbv.)
Timbre
Dual Serial Connection
4. Sampler that comes packaged with Logic Pro
Daisy Chain Limitations
EXS
3 Main MIDI Circuits
Fairlight CMI
5. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
Zero Crossing Point
5-Pin DIN Protocol
Manufacturer Terms for Mode 3
MOTU Digital Performer
6. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Channel Messages
Multitimbral Mode
C-Lab Notator
Key Range
7. 16 Independent Channel; Serial Transmission Protocol; One- Directional
Note Mode
OMNI (Off) POLY
MIDI Module
MIDI Cable Specs
8. Debuted in 1980; First sampling based instrument by Small Australian company
MIDI Clock
Coarse Tuning
VCA
Fairlight CMI
9. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
Basic Sequencer Signal Flow
DIN Pin 5
Hardware Sampler
Envelope Generator
10. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
Mellotron
Piano Roll
Cakewalk Sonar
Amplitude
11. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
Physical Modeling Synthesis
Piano Roll
Cakewalk Sonar
Elisha Gray
12. Method of connecting several devices along a bus and managing the signals for each device; The most basic MIDI connection; Plays multiple sounds with same MIDI data
Capture Last Take as Recording
Daisy Chaining
Resonance
Amplitude
13. Stack the next pass as a new region over the previous data; Multiple regions on one track
Replace - Overwrite - or Destructive Record Mode
S/PDif...
Note Mode
SDS
14. How long it takes for volume of sound to drop to Sustain Level
Decay Time
Bob Moog
IN Port
Triangle Wave
15. Permanent; Original placement of notes is lost and only the quantized version remains
MIDI Module
Polyphonic
Capture Last Take as Recording
Destructive Quantize
16. Metronome; Prerecorded track of electronic metronomic clicks used to ensure proper timing of music to be recorded; Essential in music scoring sessions; Sets composition tempo
Click Track
Sustain Level
KORG Triton Rack
Velocity Mapping
17. Technology advanced allowing for multiple tone generators in one keyboard or module; Revolutionized MIDI and sequencing; First appeared in 1985; Each channel is independent of the others; Equivalent to Omni Poly Off (x 16 channels)
Multitimbral Mode
OMNI (Off) MONO
Local ON
Output Assignment
18. Ability to change the overall pitch or octave range of an individual part; Used for fine tuning
Tuning
Filter Parameters
Pulse Wave
Noise
19. Inputs 2 frequencies; Outputs only the sum of and difference of the frequencies; Usually used with one simple - fixed oscillator tone - and a more complex sound like speech or singing to create 'talk box' effect
Ring Modulation
lsb
M-Audio ProFire 2626 Audio Interface
Pitch
20. Determines the point at which a filter begins altering harmonics or frequencies
Vibrato...
Cutoff Frequency
Multitimbral Module
E- Mu Emulator II
21. Enables the subtraction of frequencies from a basic waveform allowing shaping of desired content
Polyphonic
Pitch
DIN Pin 2
Filter
22. Individual edit window to alter MIDI parameters such as pitch bend and volume
Akai MPC2500
Basic Sequencer Signal Flow
Score Editor
Controller Editor
23. Height (or loudness) of a waveform
Score Editor
Amplitude
Release Time
Sine Wave
24. Least Significant Bit - the right- most bit in a binary whole number or code
Recording with MIDI Sequencer
lsb
Pan
Accessibility
25. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Pitch
Physical Modeling Synthesis
Byte
Zone/Key Group/Multi-Sample
26. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
OMNI (On) POLY
Decay Time
Capture Last Take as Recording
Resonance
27. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
Ultrabeat Import File Types
THRU Port
Pitch
Dedicated Sequencer
28. Positional numbering system represents numerical values using only two symbols - 0 and 1
Zone/Key Group/Multi-Sample
ProTools
Binary
OMNI (On) POLY
29. Data
Split
C4
DIN Pin 5
Filter Parameters
30. Smooth gliding from one note to another (as in singing or string playing)
Slave Devices
Dynamic Allocation
Portamento...
Aftertouch
31. The industry benchmark for beat production; Features a 32- voice drum/phrase sampler with up to 128MB RAM and extensive editing capabilities; 100 -000- note - 64- track sequencer; 4 MIDI Outputs; Internal sounds reside in flash memory and can easily
Monophonic
A/D Converter
Akai MPC2500
Release Time
32. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received on the one sound assigned to that channel; Ability to play ONLY one note at a time
OMNI (On) MONO
Note Ranges
Receive Switch
Binary
33. Contains only the fundamental frequency and all of its odd- numbered harmonics
ProTools
Square Wave
Bars
Ground Loop
34. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Data Train
E- Mu Emulator II
Decay Time
Receive Modes
35. 50'
EXS
Decay Time
C-Lab Notator
Max MIDI Cable Length
36. Filter Type & Slope; Cutoff Frequency; Resonance (Emphasis); Key Tracking
Binary
Pulse Wave
Filter Parameters
Pulse Code Modulation
37. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
PPQN
Timbre Assignment
Envelope Generator
Pulse Code Modulation
38. Changes an analog audio signal to a digital format (binary data) that can be stored or manipulated on a computer
Max MIDI Cable Length
Analog Modeling Synthesis...
A/D Converter
Resolution
39. Sony-Philips digital interface format
S/PDif...
Synthesizer Audio Flow
E- Mu Emulator II
OMNI (On) MONO
40. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
8-Bit Breakdown of MIDI Code
MIDI Clock
Master Devices
MIDI Program Change
41. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
Daisy Chain Limitations
Byte
Types of Channel Voice Messages
Master Devices
42. Determines the layout of MIDI channels for each of the multitimbral parts
Oscillator
Channel Assignment
Circle Machine
SMDI
43. Very common technique; Utilizes initial attack and loops a small part of remaining audio file
Beats
Mellotron
Sample Looping
Ableton Live
44. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
Audio Samples
Program Change Data Train
Sampler
Sustain Level
45. How quickly sound reaches its peak volume when key is pressed
OUT Port
Attack Time
JMSC
Synthesizer Audio Flow
46. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
Aftertouch
Resonance
Vibrato...
IN Port
47. Controls an instruments voices or 'sounds'
MIDI Data Transmission Rate
Channel Enable/Disable
Channel Voice Message
Cakewalk Sonar
48. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
EMagic AMT-8 MIDI Interface
Resolution
Akai MPC 60
Ticks
49. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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50. Space
Sample Rate
POLY Pressure Data Train
Master Tracks Pro
Play