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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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study here
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
MIDI
Ultrabeat Import File Types
Software Sampler
Velocity Mapping
2. To create or shape
MMA
Master Tracks Pro
Channel Mode Message
Generator
3. Musical Instrument Digital Interface
MIDI Program Change
Piano Roll
MIDI Acronym
Handshake Wiring
4. Digital audio workstation platform for Mac OS X and Windows operating systems; Developed and manufactured by Avid Technology
POLY Pressure Data Train
Ultrabeat Import File Types
ProTools
S/PDif...
5. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Ticks
Play
E- Mu Emulator
Dynamic Allocation
6. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Note Mode
Slew Rate
Split
Dynamic Allocation
7. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
Pulse Code Modulation
OMNI (On) POLY
Ground Loop
Envelope
8. Debuted in 1980; First sampling based instrument by Small Australian company
Piano Roll
Recording with MIDI Sequencer
Fairlight CMI
Resynthesis
9. Ground
DIN Pin 2
Channel Pressure
MIDI Protocol Type
Coarse Tuning
10. Voltage Controlled Amplifier; Controls Amplitude
E- mu Proteus 2000
Ultrabeat
Power Conditioner
VCA
11. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
Sample Rate
Daisy Chain Limitations
Samples
Roland Fantom X6
12. Software; Computer- based MIDI recorders that can be used for other functions (word processing - web browsing - etc.); Offers high resolution (480+ PPQN) and expanded editing facilities - but have lower stability and lack portability
Linn LM-1
OMNI (On) POLY
Non - Dedicated Sequencer
Receive Switch
13. Inputs 2 frequencies; Outputs only the sum of and difference of the frequencies; Usually used with one simple - fixed oscillator tone - and a more complex sound like speech or singing to create 'talk box' effect
Resynthesis
Daisy Chain Limitations
OMNI (On) MONO
Ring Modulation
14. Record with highest input level possible - without clipping; Record more than you need; Adjust sample start and end times; Truncate unwanted material
lsb
Baud
Recording Samples (Guidelines)
Envelope Generator
15. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
POLY Pressure Data Train
5-Pin DIN Protocol
Resolution
lsb
16. In; Out; Thru
MIDI Protocol Type
MIDI Connection Ports
Release Time
Split
17. Keys transmit directly to the internal sound engine of a keyboard (and usually to the MIDI OUT Port as well)
Local ON
Timbre Assignment
ProTools
Amplitude
18. Another term for 'Channel Enable/Disable'
Preset/Patch/Instrument/Bank
Receive Switch
Byte
Receive Modes
19. SCSI Musical Data Interchange; Better option than SDS
Polyphonic
AMS
Binary
SMDI
20. Pre- mixes sound levels within the device
Volume
MONO Pressure Data Train
MMA
DIN Pin 4
21. Complete sample(s) are loaded into RAM
Hardware Sampler
OMNI (Off) MONO
Aftertouch
Static
22. Voltage Controlled Filter; Voltage amount changes harmonic content
Save
Channel Messages
Static
VCF
23. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
C-Lab Notator
Play
SDS
Triangle Wave
24. Controls an instruments voices or 'sounds'
Channel Voice Message
Cutoff Frequency
Tuning
lsb
25. Multi Mode; Performance (Perf) Mode; Sequence Mode
Sawtooth Wave
Zones
Manufacturer Terms for Multitimbral Mode
Local OFF
26. Used as a modulation source; Usually below 20Hz (.01 - 10Hz); Most common waveform is the sine - though there is often a choice; Defines vibrato - tremolo - and wah; Allows periodic changes to sound
Triangle Wave
Low Frequency Oscillator (LFO)
Filter Parameters
Receive Switch
27. How long it takes for sound to fade to silence
MIDI Cable Specs
Akai S900
EMagic AMT-8 MIDI Interface
Release Time
28. 12 notes; Change between B & C
Synthesis Types
Ultrabeat
MIDI Octaves
Filter
29. Rate (Speed) & Depth (Intensity)
MIDI Protocol Type
LFO Parameters
Envelope Generator
Patch Mapping
30. Enables the subtraction of frequencies from a basic waveform allowing shaping of desired content
Max MIDI Cable Length
Filter
Modulates Cutoff Frequency
Dynamic Allocation
31. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
THRU Port
Midi Thru Box
POLY Pressure Data Train
MMA
32. Drum- style pattern recording in grid format with each horizontal line representing a different tone and each vertical line representing a beat of a predetermined bar
Grid Editor
Portamento...
Key Note
Sine Wave
33. Changes some aspect of sound depending on how FAST you strike the keys; Commonly called 'Velocity Sensitivity;' Volume - Filter & Layers are typical examples
Power Conditioner
Note Mode
Velocity Switching
Accessibility
34. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Patch Mapping
Zone/Key Group/Multi-Sample
Max MIDI Cable Length
Filter Slopes
35. MIDI Note #60 (Roland Standard)
C4
Coarse Tuning
PPQN
Midi Thru Box
36. Ability to change the overall pitch or octave range of an individual part; Used for fine tuning
MIDI Protocol Type
Tuning
Wah Wah
Attack Time
37. Device receives only on an assigned selectable data; Ability to play ONLY one note at a time
Amplitude
OMNI (Off) MONO
Note ON MIDI
FM Synthesis
38. Conveys the amount of overall (average) pressure on ALL the keys at a given point
Receive Modes
EXS
Channel Pressure
Samples
39. Very common technique; Utilizes initial attack and loops a small part of remaining audio file
JMSC
Modulates Pitch
SCSI
Sample Looping
40. Drum sequencer that comes packaged with Logic Pro
Non - Dedicated Sequencer
Synthesizer Audio Flow
Layer
Ultrabeat
41. Determines the highest frequency to be captured
Sample Rate
Generator
Bob Moog
Local OFF
42. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
Controller Editor
Amplitude Modulation
Channel Messages
POLY Pressure Data Train
43. Receive
Rx (Abbv.)
MIDI Connection Ports
DIN Pin 4
Play
44. Attack Time; Decay Time; Sustain Level; Release Time
Sine Wave
Envelope Generator Parameters
Static
Quantization Values
45. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
Master Devices
MIDI Program Change
Save
Audio Samples
46. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Bob Moog
Binary
Ultrabeat Import File Types
Receive Modes
47. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
C-Lab Notator
Slave Devices
Note ON MIDI
OMNI (Off) MONO
48. Rackmount version of the Triton used as a sound module rather than a complete workstation; Able to store up to eight EXB boards containing additional sounds; Features a built- in S/PDIF digital output
Audio Samples
KORG Triton Rack
Noise
Tremolo
49. Ability to play ONLY one note at a time; Often used for solo instruments (horns) - bass - portamento - slides - and trills
Synthesis Types
Zone/Key Group/Multi-Sample
Monophonic
EMagic AMT-8 MIDI Interface
50. Circuits on a synth that determine the character of the attack and release of a tone can be controlled; Controls how sound changes over time; Most commonly on amplifier circuit
Handshake Wiring
Ground Loop
Triangle Wave
Envelope Generator
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