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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Voltage Controlled Oscillator; Controls pitch
Midi Thru Box
Linn LM-1
MIDI Module
VCO
2. Using an envelope generator on a filter does this...
Modulates Cutoff Frequency
MIDI Clock
Recording Samples (Guidelines)
Channel Enable/Disable
3. Combination of layers and splits (Ex. => Assigning a piano sound across the entire length of the keyboard - but adding a string part only on upper octaves)
Zones
Tremolo
Daisy Chain Limitations
Quantization Values
4. Message sent when note is played (key pressed)
Capture Last Take as Recording
Mix - Merge - or Overdub Mode
Multitimbral Module
Note ON MIDI
5. Note that alternates rapidly with another note a semitone above it
MIDI Module
Receive Switch
Oscillator
Trill
6. MONO Pressure + Channel (S) => Amount (D1) => N/A
Data Byte
Software Sampler
MONO Pressure Data Train
Timbre
7. Ability of audio equipment to reproduce fast changes in amplitude; Measured in volts per microsecond; Low slew rate 'softens' the attack of a signal; High frequencies change in amplitude the fastest so slew rate is critical
Slew Rate
Receive Modes
IN Port
MIDI Cable Specs
8. Digital audio workstation platform for Mac OS X and Windows operating systems; Developed and manufactured by Avid Technology
Manufacturer Terms for Multitimbral Mode
Sequencer
ProTools
M-Audio ProFire 2626 Audio Interface
9. Each pass will overwrite the pass before it permanently erasing previous MIDI data
Fairlight CMI
Slew Rate
Attack Time
Replace - Overwrite - or Destructive Record Mode
10. Receive
Rx (Abbv.)
Piano Roll
Ticks
Amplitude
11. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
MIDI Interface Setup
Aftertouch
Vibrato...
Non - Dedicated Sequencer
12. MIDI Note #60 (Roland Standard)
Decay Time
Data Train
Synclavier
C4
13. Sony-Philips digital interface format
Layer
lsb
ProTools
S/PDif...
14. How quickly sound reaches its peak volume when key is pressed
OUT Port
Attack Time
Score Editor
MIDI Acronym
15. Transmit
Oscillator
DIN Pin 5
MOTU Digital Performer
Tx (Abbv.)
16. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
MIDI Data Transmission Rate
Quantization Values
Zone/Key Group/Multi-Sample
Status Byte
17. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Slew Rate
Zero Crossing Point
MIDI Cable Specs
Replace - Overwrite - or Destructive Record Mode
18. Standard for transferring data between devices on internal and external computer; Most commonly used for tape storage devices and hard disks
Analog Modeling Synthesis...
SCSI
Capture Last Take as Recording
Decay Time
19. Uses powerful digital signal processing algorithms and equations to simulate the properties of a natural instrument; Very customizable
Power Conditioner
Tuning
Physical Modeling Synthesis
IN Port
20. Determined by time signature; Added together to form the full bar
Beats
Synthesizer Audio Flow
OMNI (On) MONO
Daisy Chaining
21. Serial
Noise
Mellotron
MIDI Protocol Type
OUT Port
22. Complete sample(s) are loaded into RAM
Preset/Patch/Instrument/Bank
Polyphonic
Replace - Overwrite - or Destructive Record Mode
Static
23. Drum sequencer that comes packaged with Logic Pro
Ultrabeat
8-Bit Breakdown of MIDI Code
Local OFF
Power Conditioner
24. Individual edit window to alter MIDI parameters such as pitch bend and volume
Depth/Amount Parameter
Controller Editor
Modulation
Timbre Assignment
25. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
Recording with MIDI Sequencer
Program Change Data Train
MIDI Connection Ports
Resonance
26. Changes some aspect of sound depending on how FAST you strike the keys; Commonly called 'Velocity Sensitivity;' Volume - Filter & Layers are typical examples
Static
Elisha Gray
Velocity Switching
Midi Thru Box
27. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
28. Data
Noise
DIN Pin 5
Roland Fantom X6
Multitimbral Mode
29. Rise and fall of amplitude generated by LFO being routed to amplifier
Tremolo
Dual Serial Connection
MIDI Program Change
DIN Pin 5
30. Filter Type & Slope; Cutoff Frequency; Resonance (Emphasis); Key Tracking
Filter Parameters
MIDI Acronym
Mix - Merge - or Overdub Mode
Tempest
31. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Filter Parameters
Pulse Code Modulation
KORG Triton Rack
Status Byte
32. The first sequencer developed for custom- built electronic instruments; Developed by Raymond Scott in 1950's
Circle Machine
VCF
Amplitude
Graintable Synthesis
33. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
Multitimbral Module
JMSC
msb
Hardware Sampler
34. Chooses which channels a multitimbral MIDI device will respond
MIDI Program Change
Phase Distortion Synthesis
Key Note
Channel Enable/Disable
35. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Dedicated Sequencer
Akai S900
System Messages
Receive Modes
36. Determines the layout of MIDI channels for each of the multitimbral parts
MONO Pressure Data Train
Channel Assignment
Wah Wah
Handshake Wiring
37. Defines the lowest and highest note on a keyboard that an individual part is active
SDS
Modulates Cutoff Frequency
Note Ranges
Multitimbral Module
38. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
SCSI
EMagic AMT-8 MIDI Interface
E- mu Proteus 2000
Local OFF
39. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
Decay Time
5-Pin DIN Protocol
Accessibility
Wavetable Synthesis
40. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
Pitch Bend
OMNI (On) MONO
Granular Synthesis
RAM (Memory)
41. Debuted in 1980; First sampling based instrument by Small Australian company
E- Mu Emulator II
Serial Port
Fairlight CMI
Physical Modeling Synthesis
42. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
Piano Roll
Noise
Polyphonic
Phase Distortion Synthesis
43. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
Ring Modulation
Sawtooth Wave
System Messages
MOTU Digital Performer
44. Ability of a musical instrument to play more than one note at a time
Max MIDI Cable Length
Polyphonic
Score Editor
Multitimbral Module
45. Least Significant Bit - the right- most bit in a binary whole number or code
Channel Pressure
Vibrato...
Physical Modeling Synthesis
lsb
46. Basic Waveform; Source vibrates with simple harmonic motion
Quantization
Sine Wave
Save
Local OFF
47. Using an envelope generator on an oscillator does this...
Ultrabeat Import File Types
Modulates Pitch
MIDI Module
Max MIDI Cable Length
48. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Modulates Cutoff Frequency
Bob Moog
Midi Thru Box
Dedicated Sequencer
49. Pitch - Amplitude - Timbre
Key Note
3 Main MIDI Circuits
Dual Serial Connection
A/D Converter
50. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Polyphony
Hardware Sampler
Dynamic Allocation
Modulation