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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
8-Bit Breakdown of MIDI Code
Additive Synthesis
Pitch Bend
Recording with MIDI Sequencer
2. Using an envelope generator on a filter does this...
Ultrabeat
Modulates Cutoff Frequency
Amplitude
Daisy Chain Limitations
3. Tells how to interpret data that is coming up; 'note number is following'; Defines what we want the MIDI device to do; Represented by msb = 1
Status Byte
MIDI Program Change
Monophonic
Ableton Live
4. Transmit
Tx (Abbv.)
Circle Machine
Manufacturer Terms for Multitimbral Mode
Channel Enable/Disable
5. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Receive Switch
Monophonic
Midi Thru Box
MIDI Octaves
6. Measurement of how fast a note was pressed that enables samplers to be more dynamically expressive; Incoming note velocities are the player's variations in dynamics and they trigger different sets of samples
Preset/Patch/Instrument/Bank
Mellotron
EMagic AMT-8 MIDI Interface
Velocity Mapping
7. Contains only the fundamental frequency and all of its odd- numbered harmonics
Synclavier
Square Wave
Roland Fantom X6
Baud
8. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
Portamento...
Synthesizer Audio Flow
Tremolo
OMNI (On) MONO
9. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
Hardware Sampler
Pitch
Circle Machine
Coarse Tuning
10. Powerful feature of MIDI editing that fixes timing issues; Moves notes to a predetermined grid by dividing the PPQN into common note value divisions
Pitch
Elisha Gray
VCO
Quantization
11. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Audio Samples
Output Assignment
Data Byte Breakdown for MIDI
Streaming
12. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
THRU Port
PPQN
Akai MPC2500
Notes OFF MIDI
13. Voltage Controlled Oscillator; Controls pitch
Power Conditioner
VCO
C4
Roland Fantom X6
14. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
MONO Pressure Data Train
C-Lab Notator
OMNI (On) POLY
Replace - Overwrite - or Destructive Record Mode
15. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
MIDI Octaves
Channel Enable/Disable
MMA
Receive Modes
16. Voltage Controlled Amplifier; Controls Amplitude
VCA
Controller Editor
Manufacturer Terms for Mode 3
Sequencer
17. Determines which note on the MIDI keyboard will play the sample at its original pitch and speed; Almost always set to Middle C
Types of Channel Voice Messages
Ticks
E- Mu Emulator
Key Note
18. Bits/Second
MIDI Connection Ports
Release Time
Baud
A/D Converter
19. Overall sound quality defined by harmonic content
Sample Rate
Timbre
Akai S900
Manufacturer Terms for Multitimbral Mode
20. Changes an analog audio signal to a digital format (binary data) that can be stored or manipulated on a computer
Status Byte
Local ON
A/D Converter
Quantization
21. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Score Editor
Receive Modes
Physical Modeling Synthesis
E- Mu Emulator
22. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
DIN Pin 5
Save
Step Record
Granular Synthesis
23. Sample Dump Standard; Signal starts to degrade
DSP
Ultrabeat
SDS
lsb
24. Added subtractive synthesis to the E- Mu Emulator
Click Track
OMNI (On) POLY
Amplitude
E- Mu Emulator II
25. Stack the next pass as a new region over the previous data; Multiple regions on one track
Score Editor
Noise
EXS
Note Mode
26. Determines the highest frequency to be captured
Midi Thru Box
Audio Samples
Sample Rate
Power Conditioner
27. Where a master device transmits (or sends) MIDI data; Only the master is plugged into this port
OUT Port
Noise
Data Train
MMA
28. Pitch bend parameter that sets the range in semitones
Sawtooth Wave
OMNI (Off) MONO
Coarse Tuning
Data Train
29. Digital recordings triggered by MIDI
IN Port
Analog Modeling Synthesis...
Channel Mode Message
Samples
30. Poly Mode; Patch or Program (Prog) Mode
Byte
Ground Loop
Vibrato...
Manufacturer Terms for Mode 3
31. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Roland Fantom X6
S/PDif...
Receive Modes
Analog Modeling Synthesis...
32. Ability to change the overall pitch or octave range of an individual part; Used for fine tuning
Master Tracks Pro
Dynamic Allocation
Synclavier
Tuning
33. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
Multitimbral Mode
MIDI Protocol Type
MIDI Program Change
Capture Last Take as Recording
34. To create or shape
MIDI Program Change
Daisy Chaining
Generator
Daisy Chain Limitations
35. Filter Type & Slope; Cutoff Frequency; Resonance (Emphasis); Key Tracking
Byte
Ticks
Channel Messages
Filter Parameters
36. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
MIDI
MIDI Octaves
Click Track
Oscillator
37. How long it takes for volume of sound to drop to Sustain Level
E- mu Proteus 2000
Decay Time
Recording with MIDI Sequencer
Key Tracking
38. MONO Pressure + Channel (S) => Amount (D1) => N/A
E- Mu Emulator
MONO Pressure Data Train
Notes OFF MIDI
KORG Triton Rack
39. Voltage Controlled Filter; Voltage amount changes harmonic content
VCF
EMagic AMT-8 MIDI Interface
Envelope Generator Parameters
Tremolo
40. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
THRU Port
RAM (Memory)
Sampler
Binary
41. MIDI Out (Master) --> MIDI In (MIDI Interface) --> Travels via Dual Serial (USB) both to and from interface --> MIDI Out (MIDI Interface) --> MIDI In (Slave) --> Audio Out (Slave) --> Audio In (Mixer or Audio Interface) --> Audio Out (Speakers)
Modulates Cutoff Frequency
Tx (Abbv.)
Basic Sequencer Signal Flow
Receive Switch
42. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received on the one sound assigned to that channel; Ability to play ONLY one note at a time
Synthesis Types
3 Main MIDI Circuits
OMNI (On) MONO
Decay Time
43. Complete sample(s) are loaded into RAM
Wah Wah
Circle Machine
Subtractive Synthesis...
Static
44. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
PPQN
Noise
DIN Pin 5
Key Tracking
45. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
Layer
C4
Recording with MIDI Sequencer
Dedicated Sequencer
46. Very popular and affordable 8- bit sampler
E- Mu Emulator II
Rx (Abbv.)
MIDI Octaves
Ensoniq Mirage
47. A curve or surface
Click Track
Note Mode
Envelope
KORG Triton Rack
48. Inputs 2 frequencies; Outputs only the sum of and difference of the frequencies; Usually used with one simple - fixed oscillator tone - and a more complex sound like speech or singing to create 'talk box' effect
Ring Modulation
Multitimbral Mode
Portamento...
C4
49. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
PCM
Binary
Granular Synthesis
Decay Time
50. Starts from 1 at the very beginning of a sequence
Midi Thru Box
Receive Switch
Grid Editor
Bars