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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Determines the layout of MIDI channels for each of the multitimbral parts
MIDI Cable Specs
Channel Assignment
Ground Loop
Output Assignment
2. 31.25 Kilobaud (31 -250 baud)
Phase Distortion Synthesis
Local OFF
Data Byte Breakdown for MIDI
MIDI Data Transmission Rate
3. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
Analog Modeling Synthesis...
Step Record
Audio Samples
Mellotron
4. Value = 0 - 127 (Variations of the last 7 numbers)
Data Byte Breakdown for MIDI
Envelope Generator
Channel Assignment
Multitimbral Mode
5. Where a master device transmits (or sends) MIDI data; Only the master is plugged into this port
Elisha Gray
Sawtooth Wave
OUT Port
Vibrato...
6. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Release Time
Ensoniq Mirage
Midi Thru Box
Fairlight CMI
7. How long it takes for volume of sound to drop to Sustain Level
Dynamic Allocation
Monophonic
Decay Time
Note Ranges
8. Maximum number of notes an instrument can play at once; Most modern MIDI instruments have 128 notes of polyphony
Polyphony
Generator
Ableton Live
Pitch Bend Data Train
9. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
Synthesizer Audio Flow
DIN Pin 4
Subtractive Synthesis...
Zero Crossing Point
10. Data
Note ON MIDI
Oscillator
MIDI Data Transmission Rate
DIN Pin 5
11. CMD+S
Ring Modulation
SDS
Save
Non - Dedicated Sequencer
12. Advantages: Higher memory (RAM) & samples are saved and recalled with the session; Disadvantage: Lower stability
Sample Looping
Software Sampler
Timbre
Data Train
13. Individual edit window to alter MIDI parameters such as pitch bend and volume
Controller Editor
Modulates Cutoff Frequency
Bars
Accessibility
14. Main file loaded into sampler; Contains all settings used to create the instrument; Usually DOES NOT contain the audio files themselves but references them while they are stored somewhere else
Preset/Patch/Instrument/Bank
Filter Parameters
Ableton Live
Graintable Synthesis
15. Tells how to interpret data that is coming up; 'note number is following'; Defines what we want the MIDI device to do; Represented by msb = 1
Tremolo
Master Tracks Pro
Portamento...
Status Byte
16. Level at which sound remains until key is released
Notes OFF MIDI
Sustain Level
Ticks
Physical Modeling Synthesis
17. Hardware; Stand alone hardware MIDI sequencers designed to record - edit - and playback MIDI data only; Offer high stability and portability - but have low resolution (24-96 PPQN) and a lack of editing facilities
Ticks
Master Tracks Pro
Dedicated Sequencer
MIDI Program Change
18. The first drum machine to use digital samples of acoustic drums
VCO
Linn LM-1
Modulates Cutoff Frequency
Layer
19. Bits/Second
MIDI Interface Setup
Baud
Key Tracking
Channel Pressure
20. SCSI Musical Data Interchange; Better option than SDS
Quantization Values
Analog Modeling Synthesis...
SMDI
E- mu Proteus 2000
21. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
Piano Roll
Key Tracking
Daisy Chain Limitations
Elisha Gray
22. Deal with the set- up and operating parameters for a MIDI device - Acknowledged by all devices in a MIDI system
System Messages
Accessibility
E- Mu Emulator II
Channel Messages
23. Pitch Bend + Channel (S) => Coarse Tune (D1) => Fine Tune (D2)
Ring Modulation
Pitch Bend Data Train
Sample Looping
IN Port
24. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
5-Pin DIN Protocol
Note Ranges
THRU Port
MIDI Program Change
25. Sound generating device with no integral keyboard
Max MIDI Cable Length
Synclavier
Aftertouch
MIDI Module
26. Specifically designed to emulate the nuances and characteristics of analog synthesizers; AKA => Virtual Analogs; Reduced cost over real analog - zero maintenance - and tuning stability; Increasing in popularity
Noise
Analog Modeling Synthesis...
Output Assignment
Key Range
27. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
AMS
KORG Triton Rack
Daisy Chain Limitations
Piano Roll
28. Basic Waveform; Source vibrates with simple harmonic motion
Velocity Mapping
Tempest
Tremolo
Sine Wave
29. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
Piano Roll
Trill
Low Frequency Oscillator (LFO)
Recording with MIDI Sequencer
30. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
DIN Pin 4
Piano Roll
DIN Pin 2
Resolution
31. Smooth gliding from one note to another (as in singing or string playing)
MIDI Interface Setup
Portamento...
OMNI (On) POLY
Ableton Live
32. Chooses which channels a multitimbral MIDI device will respond
Cutoff Frequency
Data Byte
Channel Enable/Disable
Trill
33. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Basic Sequencer Signal Flow
Graintable Synthesis
Roland Fantom X6
Baud
34. Used in the Reason software package; Combination of the features of Wavetable and Granular synthesis; Allows selection of particular wavetables that have been broken down into grain clouds for further manipulation
E- mu Proteus 2000
OMNI (On) POLY
Graintable Synthesis
MIDI Clock
35. Least Significant Bit - the right- most bit in a binary whole number or code
Volume
Modulates Pitch
lsb
Step Record
36. Dum machine that featured 12- bit sampling; 99- track sequencer with a 60 -000 note capacity; Debuted the familiar 4 x 4 grid of drum pads
SCSI
Channel Messages
Ultrabeat Import File Types
Akai MPC 60
37. How long it takes for sound to fade to silence
Ring Modulation
OMNI (Off) POLY
Ground Loop
Release Time
38. Devices that transmit MIDI data (usually has keys or pads)
Master Devices
MIDI Acronym
KORG Triton Rack
MIDI Connection Ports
39. Receive
DIN Pin 2
Layer
Rx (Abbv.)
Zone/Key Group/Multi-Sample
40. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
Pitch Bend
MMA
SCSI
Multitimbral Mode
41. Ability of audio equipment to reproduce fast changes in amplitude; Measured in volts per microsecond; Low slew rate 'softens' the attack of a signal; High frequencies change in amplitude the fastest so slew rate is critical
Granular Synthesis
Slew Rate
OMNI (Off) POLY
Ground Loop
42. Poly Mode; Patch or Program (Prog) Mode
Patch Mapping
msb
SMDI
Manufacturer Terms for Mode 3
43. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Sampler
Receive Modes
Cakewalk Sonar
OMNI (Off) MONO
44. Ability to change the overall pitch or octave range of an individual part; Used for fine tuning
Tuning
POLY Pressure Data Train
Filter Parameters
Wah Wah
45. Allows bidirectional communication between MIDI device and computer
Channel Enable/Disable
Layer
Key Range
Dual Serial Connection
46. Attack Time; Decay Time; Sustain Level; Release Time
'Note Off' Data Train
Note ON MIDI
Envelope Generator Parameters
Modulates Cutoff Frequency
47. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
EXS
Sawtooth Wave
Static
lsb
48. Enables the subtraction of frequencies from a basic waveform allowing shaping of desired content
Wavetable Synthesis
Zones
FM Synthesis
Filter
49. Keys transmit directly to the internal sound engine of a keyboard (and usually to the MIDI OUT Port as well)
Local ON
Data Byte Breakdown for MIDI
Ensoniq Mirage
Amplitude
50. Define the attenuation of high pass and low pass filters; Sound will slowly dissipate in a filter at a predetermined interval (usually 12 or 24dB)
Tremolo
Key Tracking
Sustain Level
Filter Slopes