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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. CMD+S
Ground Loop
Save
Oscillator
SDS
2. Rise and fall of amplitude generated by LFO being routed to amplifier
'Note On' Data Train
PCM
Pulse Code Modulation
Tremolo
3. Another term for 'Channel Enable/Disable'
Key Range
E- mu Proteus 2000
Receive Switch
Pan
4. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
Pitch
Hardware Sampler
5-Pin DIN Protocol
Max MIDI Cable Length
5. Uses sound of a single note which is sampled and stored as an oscillator waveform; Allow for more complex sounds which produces richer - more realistic tones; Allow one to crossfade between different waveforms over time
Sample Looping
Piano Roll
Pulse Code Modulation
Wavetable Synthesis
6. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Channel Enable/Disable
Zero Crossing Point
SDS
Channel Messages
7. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
Receive Modes
Pitch
DIN Pin 2
Modulates Cutoff Frequency
8. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
Sampler
Filter Parameters
Noise
MIDI Program Change
9. Chooses which channels a multitimbral MIDI device will respond
Save
Ableton Live
Channel Enable/Disable
Manufacturer Terms for Mode 3
10. Defines the instrument's response to voice messages
Channel Mode Message
Layer
DIN Pin 2
Quantization
11. Operating system made sense to most musicians; Became very popular because of its accessibility
Click Track
Handshake Wiring
Data Byte Breakdown for MIDI
Akai S900
12. Allows you to capture anything you play on keys while sequencer is playing back (but not actively recording); Exclusive to Logic Pro
Disk Streaming
VCF
Graintable Synthesis
Capture Last Take as Recording
13. Voltage Controlled Filter; Voltage amount changes harmonic content
Non - Dedicated Sequencer
Sawtooth Wave
E- Mu Emulator
VCF
14. Speed of a waveform (cycles per second)
Pitch
5-Pin DIN Protocol
Status Byte
Quantization Values
15. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Audio Samples
Manufacturer Terms for Multitimbral Mode
Physical Modeling Synthesis
Synthesizer Audio Flow
16. Poly Mode; Patch or Program (Prog) Mode
Akai MPC 60
Manufacturer Terms for Mode 3
Key Note
Tx (Abbv.)
17. Specifically designed to emulate the nuances and characteristics of analog synthesizers; AKA => Virtual Analogs; Reduced cost over real analog - zero maintenance - and tuning stability; Increasing in popularity
Decay Time
Analog Modeling Synthesis...
Cutoff Frequency
Midi Thru Box
18. Combination of layers and splits (Ex. => Assigning a piano sound across the entire length of the keyboard - but adding a string part only on upper octaves)
Note Ranges
Zones
Roland Fantom X6
Audio Samples
19. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
VCF
Split
Bob Moog
EMagic AMT-8 MIDI Interface
20. Ground
Channel Enable/Disable
DIN Pin 2
Channel Mode Message
Split
21. LFO is routed to low pass filter
Wah Wah
Binary
Channel Assignment
EMagic AMT-8 MIDI Interface
22. Advantages: Higher memory (RAM) & samples are saved and recalled with the session; Disadvantage: Lower stability
Serial Port
Software Sampler
Modulates Cutoff Frequency
A/D Converter
23. Two or more instruments with note ranges that do not overlap
MMA
Split
Generator
System Messages
24. Digital recordings triggered by MIDI
Samples
MIDI Octaves
S/PDif...
OMNI (Off) MONO
25. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
Quantization Values
Basic Sequencer Signal Flow
EXS
MIDI Interface Setup
26. Most commonly used MIDI receive mode; Device receives only on an assigned selectable data; Ability to play MORE than one note at a time
OMNI (Off) POLY
Samples
Wavetable Synthesis
Receive Modes
27. Using an envelope generator on an oscillator does this...
THRU Port
S/PDif...
Modulates Pitch
Ultrabeat
28. +5 Bias Voltage; Provides +5V to 1's in binary code data
Fairlight CMI
DIN Pin 4
Tremolo
Score Editor
29. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Layer
Notes OFF MIDI
Aftertouch
Software Sampler
30. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Akai S900
Program Change Data Train
Pulse Code Modulation
Filter
31. In; Out; Thru
msb
MIDI Connection Ports
Step Record
E- Mu Emulator II
32. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Patch Mapping
Modulates Pitch
JMSC
5-Pin DIN Protocol
33. Drum machine that generates its sounds using six powerful analog synthesis voices; Runs an innovative - performance- oriented operating system that manipulates beats and sounds in real time without ever stopping play
Tempest
Timbre
ProTools
Pitch Bend
34. Sample Dump Standard; Signal starts to degrade
KORG Triton Rack
OMNI (Off) POLY
SDS
Ring Modulation
35. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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36. Very popular and affordable 8- bit sampler
Score Editor
Note Ranges
Software Sampler
Ensoniq Mirage
37. Circuits on a synth that determine the character of the attack and release of a tone can be controlled; Controls how sound changes over time; Most commonly on amplifier circuit
Zone/Key Group/Multi-Sample
Ticks
Envelope Generator
Slave Devices
38. Storage device that can memorize and playback (often in loops) the sequence of MIDI events generated by the master device.
Multitimbral Module
Sequencer
M-Audio ProFire 2626 Audio Interface
Graintable Synthesis
39. How long it takes for sound to fade to silence
Additive Synthesis
Ultrabeat Import File Types
Release Time
A/D Converter
40. L ->R === msb (1) - MIDI Message (3) - MIDI Channel (4)
Samples
8-Bit Breakdown of MIDI Code
JMSC
Master Tracks Pro
41. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
MIDI Program Change
Dedicated Sequencer
msb
Quantization
42. Technology advanced allowing for multiple tone generators in one keyboard or module; Revolutionized MIDI and sequencing; First appeared in 1985; Each channel is independent of the others; Equivalent to Omni Poly Off (x 16 channels)
Noise
Daisy Chaining
Multitimbral Mode
PPQN
43. Physical sound waveform system that has repeating cycles
Oscillator
VCA
msb
EXS
44. Value = 0 - 127 (Variations of the last 7 numbers)
Data Byte Breakdown for MIDI
Pitch
DIN Pin 2
PPQN
45. Drum- style pattern recording in grid format with each horizontal line representing a different tone and each vertical line representing a beat of a predetermined bar
Oscillator
Synthesis Types
Aftertouch
Grid Editor
46. Method of connecting several devices along a bus and managing the signals for each device; The most basic MIDI connection; Plays multiple sounds with same MIDI data
'Note Off' Data Train
Daisy Chaining
Modulates Pitch
Max MIDI Cable Length
47. Determines dynamic range and signal- to- noise ratio
Slave Devices
Bit Depth
Binary
Multitimbral Module
48. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
AMS
PPQN
MIDI Module
Akai S900
49. Least Significant Bit - the right- most bit in a binary whole number or code
Tempest
MIDI
lsb
Notes OFF MIDI
50. Allows bidirectional communication between MIDI device and computer
Dual Serial Connection
Generator
Fairlight CMI
Audio Samples
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