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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Sawtooth Wave
Roland Fantom X6
Channel Voice Message
Channel Enable/Disable
2. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
Serial Port
Note Mode
Channel Pressure
Elisha Gray
3. Voltage Controlled Oscillator; Controls pitch
VCO
Preset/Patch/Instrument/Bank
MIDI Clock
Polyphony
4. Used as a modulation source; Usually below 20Hz (.01 - 10Hz); Most common waveform is the sine - though there is often a choice; Defines vibrato - tremolo - and wah; Allows periodic changes to sound
Low Frequency Oscillator (LFO)
Resynthesis
Wavetable Synthesis
E- Mu Emulator
5. LFO is routed to low pass filter
Baud
Wah Wah
Quantization
Power Conditioner
6. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
FM Synthesis
Local ON
Pitch
Filter
7. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
C-Lab Notator
Types of Channel Voice Messages
Filter
THRU Port
8. The first sequencer developed for custom- built electronic instruments; Developed by Raymond Scott in 1950's
Circle Machine
Velocity Switching
Click Track
VCO
9. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
PCM
Sequencer
Granular Synthesis
Cutoff Frequency
10. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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11. Changes the sound envelope based on how high or low the pitch of the note
Square Wave
Local ON
Key Tracking
Key Note
12. Permanent; Original placement of notes is lost and only the quantized version remains
Analog Modeling Synthesis...
Oscillator
lsb
Destructive Quantize
13. 50'
Filter
Max MIDI Cable Length
Channel Voice Message
Manufacturer Terms for Multitimbral Mode
14. MIDI Message sent when key is released
Graintable Synthesis
Additive Synthesis
Notes OFF MIDI
Akai MPC2500
15. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
POLY Pressure Data Train
Byte
EMagic AMT-8 MIDI Interface
Analog Modeling Synthesis...
16. Rate (Speed) & Depth (Intensity)
Hardware Sampler
Tremolo
LFO Parameters
Resynthesis
17. Determines which note on the MIDI keyboard will play the sample at its original pitch and speed; Almost always set to Middle C
Ring Modulation
Tempest
Key Note
Pitch Bend
18. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
Recording with MIDI Sequencer
ProTools
Multitimbral Module
Local OFF
19. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
Synthesis Types
Disk Streaming
Mellotron
Key Note
20. Defines the instrument's response to voice messages
Pitch Bend Data Train
List Editor
Channel Mode Message
Score Editor
21. Device receives only on an assigned selectable data; Ability to play ONLY one note at a time
Note Ranges
Preset/Patch/Instrument/Bank
Polyphonic
OMNI (Off) MONO
22. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
Daisy Chain Limitations
OMNI (On) MONO
EMagic AMT-8 MIDI Interface
Zones
23. L ->R === msb (1) - MIDI Message (3) - MIDI Channel (4)
Destructive Quantize
Synthesis Types
8-Bit Breakdown of MIDI Code
MIDI Module
24. Attack Time; Decay Time; Sustain Level; Release Time
Channel Voice Message
Master Devices
Non - Dedicated Sequencer
Envelope Generator Parameters
25. Audio interface that includes 8 mic preamps - a sophisticated DSP cue mixer - and a comprehensive array of digital I/O; Allows one to record 24- bit audio at up to 192kHz.
Receive Switch
Ensoniq Mirage
M-Audio ProFire 2626 Audio Interface
Static
26. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
Piano Roll
Controller Editor
Bars
Wavetable Synthesis
27. Conveys the amount of overall (average) pressure on ALL the keys at a given point
Channel Pressure
Channel Assignment
Handshake Wiring
RAM (Memory)
28. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
msb
DIN Pin 5
Sawtooth Wave
MIDI Interface Setup
29. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
Pitch Bend
5-Pin DIN Protocol
Phase Distortion Synthesis
Handshake Wiring
30. A curve or surface
Envelope
Channel Voice Message
Tempest
AMS
31. The industry benchmark for beat production; Features a 32- voice drum/phrase sampler with up to 128MB RAM and extensive editing capabilities; 100 -000- note - 64- track sequencer; 4 MIDI Outputs; Internal sounds reside in flash memory and can easily
8-Bit Breakdown of MIDI Code
Akai MPC2500
Master Tracks Pro
Pulse Wave
32. Devices that transmit MIDI data (usually has keys or pads)
Master Devices
Max MIDI Cable Length
Sawtooth Wave
Ableton Live
33. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
Patch Mapping
Ground Loop
MMA
Envelope
34. Message sent when note is played (key pressed)
List Editor
Note ON MIDI
Preset/Patch/Instrument/Bank
Fairlight CMI
35. Digital Signal Processing; Provides for the ability to adjust levels - do equalization - dynamic processing - create special effects - and mix digital audio data
DSP
LFO Parameters
OMNI (Off) POLY
Replace - Overwrite - or Destructive Record Mode
36. Two or more instruments with note ranges that do not overlap
Synthesizer Audio Flow
Split
Tuning
Akai MPC 60
37. How quickly sound reaches its peak volume when key is pressed
Filter Parameters
Attack Time
Ring Modulation
Tempest
38. Voltage Controlled Filter; Voltage amount changes harmonic content
VCF
Square Wave
Graintable Synthesis
MIDI Clock
39. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Cakewalk Sonar
Pitch
Channel Voice Message
C-Lab Notator
40. Actual data; 'Note #'; Provides information and data the status byte uses to do its job; Uses an 8- bit system; Represented by msb = 0
Akai MPC2500
Bit Depth
Ground Loop
Data Byte
41. Define the attenuation of high pass and low pass filters; Sound will slowly dissipate in a filter at a predetermined interval (usually 12 or 24dB)
Note Ranges
Filter Slopes
Coarse Tuning
Wavetable Synthesis
42. Determines how much effect an envelope generator has on a particular circuit
Channel Assignment
E- mu Proteus 2000
Depth/Amount Parameter
lsb
43. Measurement of how fast a note was pressed that enables samplers to be more dynamically expressive; Incoming note velocities are the player's variations in dynamics and they trigger different sets of samples
Program Change Data Train
DIN Pin 5
Velocity Mapping
Polyphonic
44. Using an envelope generator on an oscillator does this...
Analog Modeling Synthesis...
Modulates Pitch
Master Tracks Pro
Envelope Generator
45. How long it takes for volume of sound to drop to Sustain Level
SDS
Decay Time
Generator
Quantization Values
46. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Ultrabeat Import File Types
Channel Pressure
Midi Thru Box
Zero Crossing Point
47. MIDI Out (Master) --> MIDI In (MIDI Interface) --> Travels via Dual Serial (USB) both to and from interface --> MIDI Out (MIDI Interface) --> MIDI In (Slave) --> Audio Out (Slave) --> Audio In (Mixer or Audio Interface) --> Audio Out (Speakers)
Basic Sequencer Signal Flow
Mellotron
Destructive Quantize
Program Change Data Train
48. MONO Pressure + Channel (S) => Amount (D1) => N/A
Amplitude Modulation
Channel Voice Message
Mix - Merge - or Overdub Mode
MONO Pressure Data Train
49. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Tuning
Envelope
Dynamic Allocation
Key Range
50. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
Ensoniq Mirage
MOTU Digital Performer
Daisy Chain Limitations
Sequencer