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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Local ON
Filter Parameters
Ticks
Midi Thru Box
2. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
Key Range
Polyphony
IN Port
JMSC
3. Wave that consists of a single traveling pulse
E- Mu Emulator
lsb
Pulse Wave
Save
4. Receive
Controller Editor
Rx (Abbv.)
MIDI Acronym
Phase Distortion Synthesis
5. Only error corrected on playback; Data remains the same as one records it
Playback Quantizing
Ring Modulation
Channel Pressure
Byte
6. Ability to play ONLY one note at a time; Often used for solo instruments (horns) - bass - portamento - slides - and trills
Tx (Abbv.)
Attack Time
Monophonic
Baud
7. MIDI Note #60 (Roland Standard)
Sawtooth Wave
Tuning
Baud
C4
8. Voltage Controlled Amplifier; Controls Amplitude
msb
Envelope
Polyphonic
VCA
9. Digital recordings triggered by MIDI
Depth/Amount Parameter
Tuning
Streaming
Samples
10. Limits the playback of a certain sample to a certain range on the MIDI keyboard; May sample multiple notes per octave to maintain realism of sampled instruments
Attack Time
Key Range
Square Wave
'Note On' Data Train
11. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
MIDI Interface Setup
E- Mu Emulator
Ring Modulation
Output Assignment
12. Each pass will overwrite the pass before it permanently erasing previous MIDI data
Tempest
Dual Serial Connection
Depth/Amount Parameter
Replace - Overwrite - or Destructive Record Mode
13. Using an envelope generator on an oscillator does this...
Local ON
Pulse Wave
Modulates Pitch
Daisy Chaining
14. Note Off + Channel (S) => Note # (D1) => Release Velocity (D2)
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15. Smooth gliding from one note to another (as in singing or string playing)
Notes OFF MIDI
Additive Synthesis
Note Mode
Portamento...
16. Conveys the amount of overall (average) pressure on ALL the keys at a given point
Key Tracking
E- Mu Emulator
Wah Wah
Channel Pressure
17. Another term for 'Channel Enable/Disable'
Manufacturer Terms for Mode 3
System Messages
Receive Switch
Slave Devices
18. MONO Pressure + Channel (S) => Amount (D1) => N/A
MONO Pressure Data Train
Manufacturer Terms for Multitimbral Mode
Cakewalk Sonar
Sine Wave
19. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Timbre
Envelope Generator
Trill
Roland Fantom X6
20. Place sounds in the stereo field within the device
List Editor
Daisy Chain Limitations
Pan
Status Byte
21. Smallest increments between beats; Coincide with the resolution in PPQN; MIDI data locks to these for start
Modulates Cutoff Frequency
MOTU Digital Performer
Ticks
Channel Messages
22. Least Significant Bit - the right- most bit in a binary whole number or code
Audio Samples
Filter Slopes
C-Lab Notator
lsb
23. Program Change + Channel (S) => Patch # (D1) => N/A
Bob Moog
PPQN
Program Change Data Train
Manufacturer Terms for Mode 3
24. Positional numbering system represents numerical values using only two symbols - 0 and 1
Binary
Physical Modeling Synthesis
C4
Sample Looping
25. Connects computer to MIDI device; All MIDI routing and communication is handled by the computer
MIDI Interface Setup
AMS
Pitch
Ring Modulation
26. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
POLY Pressure Data Train
Byte
Receive Switch
Daisy Chaining
27. Drum machine that generates its sounds using six powerful analog synthesis voices; Runs an innovative - performance- oriented operating system that manipulates beats and sounds in real time without ever stopping play
8-Bit Breakdown of MIDI Code
MIDI Protocol Type
Tempest
Akai MPC 60
28. Used in the Reason software package; Combination of the features of Wavetable and Granular synthesis; Allows selection of particular wavetables that have been broken down into grain clouds for further manipulation
Data Train
Graintable Synthesis
MIDI Data Transmission Rate
Handshake Wiring
29. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
Granular Synthesis
Byte
Local OFF
Aftertouch
30. Advantages: Higher memory (RAM) & samples are saved and recalled with the session; Disadvantage: Lower stability
Local ON
Software Sampler
C-Lab Notator
Ticks
31. Multi Mode; Performance (Perf) Mode; Sequence Mode
KORG Triton Rack
Granular Synthesis
Manufacturer Terms for Multitimbral Mode
Modulates Pitch
32. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
List Editor
5-Pin DIN Protocol
Daisy Chain Limitations
Graintable Synthesis
33. Determines the layout of MIDI channels for each of the multitimbral parts
'Note Off' Data Train
Circle Machine
Channel Assignment
Non - Dedicated Sequencer
34. Pitch Bend + Channel (S) => Coarse Tune (D1) => Fine Tune (D2)
Notes OFF MIDI
Step Record
Attack Time
Pitch Bend Data Train
35. Ability to change the overall pitch or octave range of an individual part; Used for fine tuning
Volume
Playback Quantizing
VCF
Tuning
36. Technology advanced allowing for multiple tone generators in one keyboard or module; Revolutionized MIDI and sequencing; First appeared in 1985; Each channel is independent of the others; Equivalent to Omni Poly Off (x 16 channels)
Timbre
FM Synthesis
Multitimbral Mode
IN Port
37. SCSI Musical Data Interchange; Better option than SDS
Ultrabeat
Dual Serial Connection
lsb
SMDI
38. Complete sample(s) are loaded into RAM
Static
Quantization
Ticks
FM Synthesis
39. Modulation technique in which the amplitude of the carrier signal is modified by the application of a data signal
Cakewalk Sonar
Modulates Cutoff Frequency
Amplitude Modulation
OMNI (On) POLY
40. Changes the sound envelope based on how high or low the pitch of the note
Akai MPC 60
DSP
JMSC
Key Tracking
41. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
Split
Pitch
Noise
Slew Rate
42. Define the attenuation of high pass and low pass filters; Sound will slowly dissipate in a filter at a predetermined interval (usually 12 or 24dB)
Filter Slopes
Zero Crossing Point
Triangle Wave
Monophonic
43. Determined by time signature; Added together to form the full bar
Beats
Rx (Abbv.)
Manufacturer Terms for Multitimbral Mode
Disk Streaming
44. Rackmount version of the Triton used as a sound module rather than a complete workstation; Able to store up to eight EXB boards containing additional sounds; Features a built- in S/PDIF digital output
Additive Synthesis
Score Editor
KORG Triton Rack
M-Audio ProFire 2626 Audio Interface
45. Transmit
EMagic AMT-8 MIDI Interface
Granular Synthesis
Tx (Abbv.)
Midi Thru Box
46. Attack Time; Decay Time; Sustain Level; Release Time
Sequencer
Cakewalk Sonar
Max MIDI Cable Length
Envelope Generator Parameters
47. Filter Type & Slope; Cutoff Frequency; Resonance (Emphasis); Key Tracking
Filter Parameters
E- Mu Emulator II
Pitch
Mix - Merge - or Overdub Mode
48. Powerful feature of MIDI editing that fixes timing issues; Moves notes to a predetermined grid by dividing the PPQN into common note value divisions
Elisha Gray
Bars
Quantization
Amplitude
49. Audio MIDI Setup; Utility designed to tell the computer what MIDI Interface and hardware is being used - as well as audio connections; Built into System Software of Mac OS 10.1 and up; Sequencers communicate with AMS for audio and MIDI routing and se
E- mu Proteus 2000
AMS
Dedicated Sequencer
Static
50. Music production software that offers a great array of tools for mashup production - including tempo beatmapping and real time manipulation
Ableton Live
Slave Devices
LFO Parameters
Basic Sequencer Signal Flow