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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. MIDI Message sent when key is released
MIDI Octaves
Receive Modes
Notes OFF MIDI
Quantization Values
2. Determines the point at which a filter begins altering harmonics or frequencies
Ensoniq Mirage
OMNI (Off) POLY
Cutoff Frequency
Release Time
3. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
Byte
Pan
Channel Assignment
E- Mu Emulator II
4. Controls an instruments voices or 'sounds'
Generator
Bob Moog
Channel Voice Message
Synthesis Types
5. Rate (Speed) & Depth (Intensity)
LFO Parameters
MIDI Connection Ports
OMNI (Off) POLY
Modulation
6. MIDI Out (Master) --> MIDI In (MIDI Interface) --> Travels via Dual Serial (USB) both to and from interface --> MIDI Out (MIDI Interface) --> MIDI In (Slave) --> Audio Out (Slave) --> Audio In (Mixer or Audio Interface) --> Audio Out (Speakers)
Basic Sequencer Signal Flow
'Note On' Data Train
Step Record
Daisy Chain Limitations
7. Software; Computer- based MIDI recorders that can be used for other functions (word processing - web browsing - etc.); Offers high resolution (480+ PPQN) and expanded editing facilities - but have lower stability and lack portability
SDS
Non - Dedicated Sequencer
Triangle Wave
SMDI
8. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
'Note Off' Data Train
Split
Modulation
Disk Streaming
9. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
VCA
Sampler
Disk Streaming
Master Tracks Pro
10. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
Mellotron
MIDI Clock
Master Devices
JMSC
11. Uses sound of a single note which is sampled and stored as an oscillator waveform; Allow for more complex sounds which produces richer - more realistic tones; Allow one to crossfade between different waveforms over time
Wah Wah
OMNI (On) MONO
Wavetable Synthesis
Replace - Overwrite - or Destructive Record Mode
12. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
Elisha Gray
Multitimbral Module
Synthesis Types
SCSI
13. Both the IN Port and OUT Port of two devices are connected together; Allows total communication between devices (BIDIRECTIONAL); Smartest MIDI wiring procedure
Filter Parameters
Dynamic Allocation
Envelope Generator
Handshake Wiring
14. Allows assignment of a different SOUND to each of the multitimbral parts
Click Track
Oscillator
Timbre Assignment
PPQN
15. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
VCO
Handshake Wiring
5-Pin DIN Protocol
Analog Modeling Synthesis...
16. Audio interface that includes 8 mic preamps - a sophisticated DSP cue mixer - and a comprehensive array of digital I/O; Allows one to record 24- bit audio at up to 192kHz.
M-Audio ProFire 2626 Audio Interface
Pitch
MIDI Octaves
Tuning
17. The first drum machine to use digital samples of acoustic drums
Linn LM-1
Circle Machine
THRU Port
Multitimbral Module
18. Program Change + Channel (S) => Patch # (D1) => N/A
Program Change Data Train
Mellotron
Notes OFF MIDI
Granular Synthesis
19. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
MIDI Acronym
Multitimbral Module
Granular Synthesis
Portamento...
20. Physical sound waveform system that has repeating cycles
Pitch Bend Data Train
OMNI (On) POLY
Oscillator
Recording with MIDI Sequencer
21. Specifically designed to emulate the nuances and characteristics of analog synthesizers; AKA => Virtual Analogs; Reduced cost over real analog - zero maintenance - and tuning stability; Increasing in popularity
MIDI Clock
Step Record
Analog Modeling Synthesis...
MIDI Data Transmission Rate
22. Each pass will overwrite the pass before it permanently erasing previous MIDI data
MIDI Program Change
Local ON
5-Pin DIN Protocol
Replace - Overwrite - or Destructive Record Mode
23. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Attack Time
DSP
E- Mu Emulator
Synthesizer Audio Flow
24. Limits the playback of a certain sample to a certain range on the MIDI keyboard; May sample multiple notes per octave to maintain realism of sampled instruments
Channel Pressure
Key Range
MIDI Connection Ports
Amplitude Modulation
25. Used in the Reason software package; Combination of the features of Wavetable and Granular synthesis; Allows selection of particular wavetables that have been broken down into grain clouds for further manipulation
Graintable Synthesis
Byte
DIN Pin 5
PCM
26. Simple waveform is changed by modulating it with another waveform creating a new - more complex waveform with a different tone and character; Used in Yamaha DX & TX series in 1980's
FM Synthesis
MIDI Data Transmission Rate
Channel Voice Message
Synthesizer Audio Flow
27. The first sequencer developed for custom- built electronic instruments; Developed by Raymond Scott in 1950's
Envelope
Noise
Circle Machine
Additive Synthesis
28. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
EXS
Channel Messages
List Editor
Notes OFF MIDI
29. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Zero Crossing Point
Roland Fantom X6
Sample Looping
JMSC
30. Very common technique; Utilizes initial attack and loops a small part of remaining audio file
Dynamic Allocation
Envelope Generator Parameters
Depth/Amount Parameter
Sample Looping
31. Wave that consists of a single traveling pulse
Envelope Generator Parameters
Status Byte
Key Note
Pulse Wave
32. Enables the subtraction of frequencies from a basic waveform allowing shaping of desired content
Tempest
MIDI Cable Specs
C4
Filter
33. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
Volume
List Editor
DSP
Master Devices
34. Music production software that offers a great array of tools for mashup production - including tempo beatmapping and real time manipulation
Akai MPC 60
Ableton Live
Disk Streaming
Binary
35. Serial
Analog Modeling Synthesis...
MIDI Protocol Type
Portamento...
Trill
36. Changes some aspect of sound depending on how FAST you strike the keys; Commonly called 'Velocity Sensitivity;' Volume - Filter & Layers are typical examples
Master Tracks Pro
Monophonic
List Editor
Velocity Switching
37. Metronome; Prerecorded track of electronic metronomic clicks used to ensure proper timing of music to be recorded; Essential in music scoring sessions; Sets composition tempo
Click Track
Pulse Code Modulation
Local OFF
Filter Slopes
38. Standard for transferring data between devices on internal and external computer; Most commonly used for tape storage devices and hard disks
SCSI
Local ON
Bit Depth
Quantization Values
39. In; Out; Thru
C4
Aftertouch
Quantization Values
MIDI Connection Ports
40. How long it takes for volume of sound to drop to Sustain Level
Pulse Wave
E- Mu Emulator
SMDI
Decay Time
41. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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42. Dum machine that featured 12- bit sampling; 99- track sequencer with a 60 -000 note capacity; Debuted the familiar 4 x 4 grid of drum pads
MIDI Cable Specs
Akai MPC 60
Streaming
Granular Synthesis
43. Actual data; 'Note #'; Provides information and data the status byte uses to do its job; Uses an 8- bit system; Represented by msb = 0
Data Byte
List Editor
C4
Dynamic Allocation
44. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
Tremolo
MOTU Digital Performer
Ground Loop
Grid Editor
45. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received on the one sound assigned to that channel; Ability to play ONLY one note at a time
'Note Off' Data Train
OMNI (On) MONO
Key Note
Filter Slopes
46. Determines which note on the MIDI keyboard will play the sample at its original pitch and speed; Almost always set to Middle C
Receive Switch
Pitch Bend
Akai S900
Key Note
47. Method of connecting several devices along a bus and managing the signals for each device; The most basic MIDI connection; Plays multiple sounds with same MIDI data
Ultrabeat
Pitch
Granular Synthesis
Daisy Chaining
48. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
Timbre
OMNI (On) POLY
A/D Converter
EMagic AMT-8 MIDI Interface
49. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
Tuning
Daisy Chain Limitations
Channel Messages
Pulse Wave
50. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Polyphonic
Manufacturer Terms for Multitimbral Mode
Bob Moog
Max MIDI Cable Length