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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Place sounds in the stereo field within the device
Synthesis Types
Square Wave
EXS
Pan
2. Tells how to interpret data that is coming up; 'note number is following'; Defines what we want the MIDI device to do; Represented by msb = 1
Wah Wah
Status Byte
Cakewalk Sonar
MIDI Cable Specs
3. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
Amplitude Modulation
Accessibility
Handshake Wiring
Hardware Sampler
4. How long it takes for volume of sound to drop to Sustain Level
Audio Samples
Square Wave
Wavetable Synthesis
Decay Time
5. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Serial Port
Audio Samples
Sample Rate
Recording with MIDI Sequencer
6. Alters the phase angle of a waveform 'bending' the shape to create a unique character or tone
Static
A/D Converter
Modulation
Phase Distortion Synthesis
7. Connects computer to MIDI device; All MIDI routing and communication is handled by the computer
MIDI Interface Setup
Replace - Overwrite - or Destructive Record Mode
Click Track
Piano Roll
8. Pitch - Amplitude - Timbre
Daisy Chain Limitations
3 Main MIDI Circuits
Envelope
VCA
9. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
Recording with MIDI Sequencer
Sine Wave
MIDI Cable Specs
VCF
10. Conveys the amount of overall (average) pressure on ALL the keys at a given point
Dynamic Allocation
Baud
Channel Pressure
VCF
11. Determined by time signature; Added together to form the full bar
Piano Roll
Beats
Channel Mode Message
msb
12. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Zone/Key Group/Multi-Sample
Sawtooth Wave
Oscillator
Note Ranges
13. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
Ultrabeat Import File Types
Mix - Merge - or Overdub Mode
VCF
Elisha Gray
14. CMD+S
POLY Pressure Data Train
Save
Fairlight CMI
5-Pin DIN Protocol
15. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
AMS
Velocity Mapping
Envelope
Pitch
16. Smooth gliding from one note to another (as in singing or string playing)
Portamento...
Sequencer
Key Tracking
AMS
17. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
MOTU Digital Performer
Velocity Switching
M-Audio ProFire 2626 Audio Interface
Elisha Gray
18. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
Quantization Values
Controller Editor
Sustain Level
Data Byte
19. Contains only the fundamental frequency and all of its odd- numbered harmonics
Square Wave
Output Assignment
Zone/Key Group/Multi-Sample
Handshake Wiring
20. Actual data; 'Note #'; Provides information and data the status byte uses to do its job; Uses an 8- bit system; Represented by msb = 0
C4
Data Byte
Multitimbral Module
Non - Dedicated Sequencer
21. To create or shape
Generator
Coarse Tuning
Byte
Monophonic
22. Rise and fall of pitch created when LFO is routed to the oscillator
Midi Thru Box
Envelope
Local ON
Vibrato...
23. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Ableton Live
Velocity Switching
Envelope
Pulse Code Modulation
24. Message sent when note is played (key pressed)
Note ON MIDI
M-Audio ProFire 2626 Audio Interface
Master Tracks Pro
Channel Messages
25. Both the IN Port and OUT Port of two devices are connected together; Allows total communication between devices (BIDIRECTIONAL); Smartest MIDI wiring procedure
Filter Slopes
Dual Serial Connection
lsb
Handshake Wiring
26. The transmission of an audio signal by using it to vary a carrier wave (amplitude of frequency)
lsb
Modulation
Note ON MIDI
Ground Loop
27. LFO is routed to low pass filter
Tempest
Wah Wah
Playback Quantizing
Basic Sequencer Signal Flow
28. Using an envelope generator on a filter does this...
3 Main MIDI Circuits
Zones
Pitch Bend Data Train
Modulates Cutoff Frequency
29. Receive
Synclavier
Rx (Abbv.)
Akai S900
msb
30. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
Zone/Key Group/Multi-Sample
Resonance
Notes OFF MIDI
Tempest
31. Audio interface that includes 8 mic preamps - a sophisticated DSP cue mixer - and a comprehensive array of digital I/O; Allows one to record 24- bit audio at up to 192kHz.
E- mu Proteus 2000
M-Audio ProFire 2626 Audio Interface
Synclavier
Channel Enable/Disable
32. Ability of audio equipment to reproduce fast changes in amplitude; Measured in volts per microsecond; Low slew rate 'softens' the attack of a signal; High frequencies change in amplitude the fastest so slew rate is critical
Sample Looping
Slew Rate
Velocity Mapping
Pitch
33. The first sequencer developed for custom- built electronic instruments; Developed by Raymond Scott in 1950's
PPQN
OMNI (On) MONO
Triangle Wave
Circle Machine
34. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
5-Pin DIN Protocol
Phase Distortion Synthesis
Disk Streaming
Local OFF
35. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Tempest
Byte
Bob Moog
Aftertouch
36. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
THRU Port
Disk Streaming
M-Audio ProFire 2626 Audio Interface
Amplitude
37. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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38. Controls an instruments voices or 'sounds'
Dedicated Sequencer
OUT Port
MIDI
Channel Voice Message
39. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
lsb
Phase Distortion Synthesis
C-Lab Notator
Slave Devices
40. Sound generating device with no integral keyboard
MIDI Connection Ports
Types of Channel Voice Messages
MIDI Module
Local OFF
41. Self contained computerized synthesizer developed in 1975; Playback system records patterns that you play on keyboard
Master Devices
Playback Quantizing
Synclavier
Data Byte
42. Basic Waveform; Source vibrates with simple harmonic motion
msb
Sine Wave
JMSC
Ultrabeat
43. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
Synclavier
MIDI
Piano Roll
Daisy Chaining
44. Allows assignment of a different SOUND to each of the multitimbral parts
Timbre Assignment
Depth/Amount Parameter
Data Byte
POLY Pressure Data Train
45. Advantages: Higher memory (RAM) & samples are saved and recalled with the session; Disadvantage: Lower stability
'Note On' Data Train
THRU Port
Software Sampler
Sine Wave
46. Maximum number of notes an instrument can play at once; Most modern MIDI instruments have 128 notes of polyphony
Rx (Abbv.)
THRU Port
Note Mode
Polyphony
47. Defines the lowest and highest note on a keyboard that an individual part is active
OMNI (Off) MONO
Note Ranges
Depth/Amount Parameter
Portamento...
48. Positional numbering system represents numerical values using only two symbols - 0 and 1
Notes OFF MIDI
Binary
Bars
Recording with MIDI Sequencer
49. A device that 'conditions' the electrical supply to take out spikes and surges.
Synclavier
System Messages
Sawtooth Wave
Power Conditioner
50. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
Granular Synthesis
Modulates Cutoff Frequency
Filter Slopes
IN Port
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