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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. How long it takes for sound to fade to silence
Release Time
Channel Enable/Disable
Note Ranges
Velocity Mapping
2. Stack the next pass as a new region over the previous data; Multiple regions on one track
Quantization Values
Note Mode
Beats
Triangle Wave
3. Voltage Controlled Oscillator; Controls pitch
8-Bit Breakdown of MIDI Code
Modulates Cutoff Frequency
Multitimbral Mode
VCO
4. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Note Mode
C-Lab Notator
Daisy Chain Limitations
5-Pin DIN Protocol
5. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
Piano Roll
Streaming
Envelope Generator Parameters
RAM (Memory)
6. Most common type; Oscillators generate all of harmonic content and filters are used to subtract overtones from the sound; Think sculpture reference (from block to statue)
Pan
Mix - Merge - or Overdub Mode
Play
Subtractive Synthesis...
7. 12 notes; Change between B & C
Modulates Cutoff Frequency
MIDI Octaves
MIDI Program Change
VCF
8. Rate (Speed) & Depth (Intensity)
LFO Parameters
Slave Devices
POLY Pressure Data Train
Dynamic Allocation
9. Determines the highest frequency to be captured
Sample Rate
Velocity Mapping
Data Train
lsb
10. Drum sequencer that comes packaged with Logic Pro
Envelope
Ultrabeat
Volume
MIDI
11. MONO Pressure + Channel (S) => Amount (D1) => N/A
MONO Pressure Data Train
Disk Streaming
SMDI
MMA
12. SCSI Musical Data Interchange; Better option than SDS
SMDI
Key Tracking
Elisha Gray
Binary
13. The most commonly accepted means of encoding digital audio data so it can be stored within a digital medium with a maximum degree of data density
PCM
Quantization Values
MIDI Data Transmission Rate
EXS
14. Ability of a musical instrument to play more than one note at a time
ProTools
Polyphonic
Daisy Chain Limitations
OMNI (On) MONO
15. A device that 'conditions' the electrical supply to take out spikes and surges.
Power Conditioner
Sustain Level
Bars
MIDI Clock
16. Changes some aspect of sound depending on how FAST you strike the keys; Commonly called 'Velocity Sensitivity;' Volume - Filter & Layers are typical examples
Velocity Switching
Sampler
C4
Roland Fantom X6
17. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
Accessibility
MMA
Key Range
Pitch
18. Used as a modulation source; Usually below 20Hz (.01 - 10Hz); Most common waveform is the sine - though there is often a choice; Defines vibrato - tremolo - and wah; Allows periodic changes to sound
Elisha Gray
Low Frequency Oscillator (LFO)
Velocity Mapping
Pitch
19. Data
Channel Enable/Disable
Rx (Abbv.)
DIN Pin 5
Handshake Wiring
20. Receive
Split
Destructive Quantize
Pitch Bend Data Train
Rx (Abbv.)
21. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Channel Pressure
Key Tracking
Roland Fantom X6
EXS
22. Voltage Controlled Amplifier; Controls Amplitude
VCA
Data Train
Timbre Assignment
MIDI Protocol Type
23. Serial
MIDI Protocol Type
A/D Converter
Timbre
Static
24. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; Advances one step each 1/24 of a beat
Physical Modeling Synthesis
Non - Dedicated Sequencer
MIDI Clock
Ground Loop
25. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
Dual Serial Connection
S/PDif...
Filter
MIDI
26. Complete sample(s) are loaded into RAM
Subtractive Synthesis...
Capture Last Take as Recording
Static
Zones
27. +5 Bias Voltage; Provides +5V to 1's in binary code data
Pitch Bend
Notes OFF MIDI
Release Time
DIN Pin 4
28. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
Modulates Pitch
FM Synthesis
Mellotron
JMSC
29. Self contained computerized synthesizer developed in 1975; Playback system records patterns that you play on keyboard
Synclavier
Quantization Values
Velocity Mapping
Noise
30. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
Akai MPC 60
M-Audio ProFire 2626 Audio Interface
Quantization Values
Split
31. Where a slave device receives MIDI data; Can receive data from an OUT or THRU port
Tremolo
Recording with MIDI Sequencer
Velocity Switching
IN Port
32. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
Recording with MIDI Sequencer
Resolution
8-Bit Breakdown of MIDI Code
Types of Channel Voice Messages
33. Storage device that can memorize and playback (often in loops) the sequence of MIDI events generated by the master device.
Sequencer
Tuning
Binary
'Note Off' Data Train
34. Both the IN Port and OUT Port of two devices are connected together; Allows total communication between devices (BIDIRECTIONAL); Smartest MIDI wiring procedure
'Note Off' Data Train
OMNI (On) MONO
Preset/Patch/Instrument/Bank
Handshake Wiring
35. Controls an instruments voices or 'sounds'
Graintable Synthesis
Baud
Cutoff Frequency
Channel Voice Message
36. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Bob Moog
Linn LM-1
Sample Rate
Replace - Overwrite - or Destructive Record Mode
37. L ->R === msb (1) - MIDI Message (3) - MIDI Channel (4)
Wavetable Synthesis
Piano Roll
8-Bit Breakdown of MIDI Code
VCA
38. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
Monophonic
MIDI Octaves
MOTU Digital Performer
Synclavier
39. Keys transmit to MIDI OUT Port ONLY bypassing any internal sounds; Internal sound engine receives MIDI via the MIDI IN Port allowing both a Master Device and Slave Device in one unit.
Local OFF
Software Sampler
Triangle Wave
Replace - Overwrite - or Destructive Record Mode
40. Determines how much effect an envelope generator has on a particular circuit
Wah Wah
Square Wave
E- Mu Emulator
Depth/Amount Parameter
41. Chooses which channels a multitimbral MIDI device will respond
Channel Enable/Disable
MIDI Acronym
Square Wave
Sample Looping
42. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
VCF
Patch Mapping
Manufacturer Terms for Multitimbral Mode
C4
43. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
Types of Channel Voice Messages
Hardware Sampler
Generator
EXS
44. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Zone/Key Group/Multi-Sample
Zero Crossing Point
PCM
Release Time
45. Determines the point at which a filter begins altering harmonics or frequencies
Cutoff Frequency
Envelope
OUT Port
Manufacturer Terms for Mode 3
46. Digital recordings triggered by MIDI
Play
Samples
DSP
Score Editor
47. Define the attenuation of high pass and low pass filters; Sound will slowly dissipate in a filter at a predetermined interval (usually 12 or 24dB)
Resynthesis
Filter Slopes
List Editor
Sustain Level
48. Measurement of how fast a note was pressed that enables samplers to be more dynamically expressive; Incoming note velocities are the player's variations in dynamics and they trigger different sets of samples
Sampler
IN Port
Sample Rate
Velocity Mapping
49. To create or shape
Master Tracks Pro
Tx (Abbv.)
Generator
Sustain Level
50. Note that alternates rapidly with another note a semitone above it
Velocity Mapping
VCF
Trill
Vibrato...
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