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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. LFO is routed to low pass filter
Wah Wah
Synthesis Types
Sequencer
Playback Quantizing
2. Music production software that offers a great array of tools for mashup production - including tempo beatmapping and real time manipulation
Ableton Live
Save
OMNI (On) POLY
Channel Messages
3. Specifically designed to emulate the nuances and characteristics of analog synthesizers; AKA => Virtual Analogs; Reduced cost over real analog - zero maintenance - and tuning stability; Increasing in popularity
MMA
Piano Roll
Slave Devices
Analog Modeling Synthesis...
4. Maximum number of notes an instrument can play at once; Most modern MIDI instruments have 128 notes of polyphony
Modulation
8-Bit Breakdown of MIDI Code
Dual Serial Connection
Polyphony
5. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
JMSC
FM Synthesis
Daisy Chaining
Pitch
6. Using an envelope generator on an oscillator does this...
Modulates Pitch
E- Mu Emulator II
Zone/Key Group/Multi-Sample
Roland Fantom X6
7. .PST & .EXS
C-Lab Notator
Timbre Assignment
Sawtooth Wave
Ultrabeat Import File Types
8. Conveys the amount of overall (average) pressure on ALL the keys at a given point
Channel Pressure
Rx (Abbv.)
Polyphonic
Synthesizer Audio Flow
9. MONO Pressure + Channel (S) => Amount (D1) => N/A
JMSC
MONO Pressure Data Train
Envelope Generator
Channel Assignment
10. Rise and fall of amplitude generated by LFO being routed to amplifier
Capture Last Take as Recording
Zero Crossing Point
Tremolo
MIDI
11. A curve or surface
Envelope
Preset/Patch/Instrument/Bank
Basic Sequencer Signal Flow
Bit Depth
12. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
MIDI Acronym
RAM (Memory)
Granular Synthesis
EXS
13. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
Quantization Values
A/D Converter
Channel Messages
Zero Crossing Point
14. Keys transmit to MIDI OUT Port ONLY bypassing any internal sounds; Internal sound engine receives MIDI via the MIDI IN Port allowing both a Master Device and Slave Device in one unit.
Akai S900
Release Time
S/PDif...
Local OFF
15. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
8-Bit Breakdown of MIDI Code
Master Tracks Pro
Daisy Chain Limitations
Slave Devices
16. Starts from 1 at the very beginning of a sequence
Play
Bars
Generator
Elisha Gray
17. How long it takes for volume of sound to drop to Sustain Level
Recording Samples (Guidelines)
Decay Time
Beats
Volume
18. Receive
Program Change Data Train
Channel Voice Message
Rx (Abbv.)
Cutoff Frequency
19. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
MMA
Pitch Bend
Disk Streaming
Power Conditioner
20. Emulator containing sounds that may be layered - filtered - modulated by low frequency oscillation - and shaped by envelopes; Does not allow the user to record sounds but instead offer a range of factory sounds suitable for any given use
E- mu Proteus 2000
Daisy Chaining
Physical Modeling Synthesis
Dynamic Allocation
21. Using an envelope generator on a filter does this...
Playback Quantizing
MIDI Octaves
Additive Synthesis
Modulates Cutoff Frequency
22. Speed of a waveform (cycles per second)
Recording Samples (Guidelines)
Note Mode
Pitch
Depth/Amount Parameter
23. Status Byte (S) => Data 1 (D1) => Data 2 (D2)
Sequencer
Data Train
Phase Distortion Synthesis
Resonance
24. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
Serial Port
Fairlight CMI
Pulse Wave
Bit Depth
25. Value = 0 - 127 (Variations of the last 7 numbers)
Ultrabeat
Filter Parameters
Save
Data Byte Breakdown for MIDI
26. Modulation technique in which the amplitude of the carrier signal is modified by the application of a data signal
Amplitude Modulation
JMSC
Bob Moog
List Editor
27. Poly Mode; Patch or Program (Prog) Mode
Types of Channel Voice Messages
Manufacturer Terms for Mode 3
Step Record
EMagic AMT-8 MIDI Interface
28. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
A/D Converter
SMDI
Layer
Disk Streaming
29. Pitch - Amplitude - Timbre
3 Main MIDI Circuits
AMS
Score Editor
Pitch Bend Data Train
30. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
Portamento...
MONO Pressure Data Train
Sequencer
MOTU Digital Performer
31. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Granular Synthesis
Handshake Wiring
E- Mu Emulator
Bit Depth
32. Pitch bend parameter that sets the range in semitones
Synthesis Types
Sample Rate
Coarse Tuning
List Editor
33. Two or more sounds play simultaneously on the same channel
Additive Synthesis
Accessibility
Layer
MIDI Protocol Type
34. Height (or loudness) of a waveform
Slew Rate
Release Time
MOTU Digital Performer
Amplitude
35. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
Multitimbral Module
OMNI (On) MONO
Sampler
Zone/Key Group/Multi-Sample
36. Program Change + Channel (S) => Patch # (D1) => N/A
Midi Thru Box
Channel Assignment
Program Change Data Train
Note Ranges
37. +5 Bias Voltage; Provides +5V to 1's in binary code data
SDS
DIN Pin 4
RAM (Memory)
Phase Distortion Synthesis
38. 31.25 Kilobaud (31 -250 baud)
SCSI
C4
Zone/Key Group/Multi-Sample
MIDI Data Transmission Rate
39. Voltage Controlled Oscillator; Controls pitch
Program Change Data Train
Akai MPC 60
VCO
MIDI Connection Ports
40. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Sequencer
Roland Fantom X6
Monophonic
MMA
41. 16 Independent Channel; Serial Transmission Protocol; One- Directional
Ultrabeat Import File Types
THRU Port
MOTU Digital Performer
MIDI Cable Specs
42. The transmission of an audio signal by using it to vary a carrier wave (amplitude of frequency)
Modulation
Velocity Mapping
Ableton Live
Sawtooth Wave
43. Powerful feature of MIDI editing that fixes timing issues; Moves notes to a predetermined grid by dividing the PPQN into common note value divisions
Quantization
Release Time
Sequencer
Envelope Generator
44. Rate (Speed) & Depth (Intensity)
Cakewalk Sonar
Attack Time
Bit Depth
LFO Parameters
45. Ability of audio equipment to reproduce fast changes in amplitude; Measured in volts per microsecond; Low slew rate 'softens' the attack of a signal; High frequencies change in amplitude the fastest so slew rate is critical
Ensoniq Mirage
Slew Rate
OMNI (Off) MONO
Channel Mode Message
46. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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47. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received on the one sound assigned to that channel; Ability to play ONLY one note at a time
OMNI (On) MONO
Playback Quantizing
Pulse Wave
Synclavier
48. Changes an analog audio signal to a digital format (binary data) that can be stored or manipulated on a computer
A/D Converter
Channel Assignment
Receive Switch
Modulation
49. Basic Waveform; Source vibrates with simple harmonic motion
M-Audio ProFire 2626 Audio Interface
Sine Wave
Velocity Switching
Volume
50. Audio MIDI Setup; Utility designed to tell the computer what MIDI Interface and hardware is being used - as well as audio connections; Built into System Software of Mac OS 10.1 and up; Sequencers communicate with AMS for audio and MIDI routing and se
Polyphonic
Pan
AMS
Data Byte