SUBJECTS
|
BROWSE
|
CAREER CENTER
|
POPULAR
|
JOIN
|
LOGIN
Business Skills
|
Soft Skills
|
Basic Literacy
|
Certifications
About
|
Help
|
Privacy
|
Terms
|
Email
Search
Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Where a master device transmits (or sends) MIDI data; Only the master is plugged into this port
MIDI Clock
OUT Port
Bit Depth
5-Pin DIN Protocol
2. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
Dedicated Sequencer
Pitch
Note Mode
Attack Time
3. Used as a modulation source; Usually below 20Hz (.01 - 10Hz); Most common waveform is the sine - though there is often a choice; Defines vibrato - tremolo - and wah; Allows periodic changes to sound
MIDI Data Transmission Rate
Output Assignment
Low Frequency Oscillator (LFO)
OMNI (Off) MONO
4. Most commonly used MIDI receive mode; Device receives only on an assigned selectable data; Ability to play MORE than one note at a time
OMNI (Off) POLY
Granular Synthesis
Envelope Generator Parameters
IN Port
5. Connects computer to MIDI device; All MIDI routing and communication is handled by the computer
MIDI Interface Setup
Channel Pressure
MIDI Cable Specs
Graintable Synthesis
6. .PST & .EXS
Sawtooth Wave
Ultrabeat Import File Types
Notes OFF MIDI
Velocity Mapping
7. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
MIDI Data Transmission Rate
Akai MPC 60
Bob Moog
Ultrabeat Import File Types
8. Advantages: Higher memory (RAM) & samples are saved and recalled with the session; Disadvantage: Lower stability
3 Main MIDI Circuits
Data Train
Zero Crossing Point
Software Sampler
9. Windows only based digital audio workstation platform
Cakewalk Sonar
Samples
Attack Time
Key Range
10. Conveys the amount of overall (average) pressure on ALL the keys at a given point
Channel Pressure
LFO Parameters
Dual Serial Connection
E- Mu Emulator
11. Program Change + Channel (S) => Patch # (D1) => N/A
MIDI Program Change
Program Change Data Train
Sample Looping
MIDI Module
12. Changes the sound envelope based on how high or low the pitch of the note
Quantization Values
Vibrato...
Dynamic Allocation
Key Tracking
13. Basic Waveform; Source vibrates with simple harmonic motion
Sine Wave
Tempest
Phase Distortion Synthesis
MIDI Octaves
14. High Resolution; 14- bit parameter; (Coarse Tune X Fine Tune = 16 -384 Steps of resolution
Pitch Bend
MIDI Interface Setup
Phase Distortion Synthesis
SCSI
15. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
Warning
: Invalid argument supplied for foreach() in
/var/www/html/basicversity.com/show_quiz.php
on line
183
16. A curve or surface
Phase Distortion Synthesis
Quantization Values
Rx (Abbv.)
Envelope
17. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
PPQN
msb
Notes OFF MIDI
OUT Port
18. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Velocity Mapping
Filter Parameters
MONO Pressure Data Train
Roland Fantom X6
19. Determines how much effect an envelope generator has on a particular circuit
Receive Modes
Depth/Amount Parameter
Key Note
Disk Streaming
20. Pitch bend parameter that sets the range in semitones
Output Assignment
OUT Port
Key Range
Coarse Tuning
21. Enables the subtraction of frequencies from a basic waveform allowing shaping of desired content
Amplitude Modulation
Master Tracks Pro
Filter
Polyphony
22. The transmission of an audio signal by using it to vary a carrier wave (amplitude of frequency)
Modulation
Destructive Quantize
Channel Mode Message
Filter Parameters
23. The industry benchmark for beat production; Features a 32- voice drum/phrase sampler with up to 128MB RAM and extensive editing capabilities; 100 -000- note - 64- track sequencer; 4 MIDI Outputs; Internal sounds reside in flash memory and can easily
EXS
5-Pin DIN Protocol
Akai MPC2500
Modulates Pitch
24. Record with highest input level possible - without clipping; Record more than you need; Adjust sample start and end times; Truncate unwanted material
Modulation
Akai MPC 60
Timbre Assignment
Recording Samples (Guidelines)
25. Audio interface that includes 8 mic preamps - a sophisticated DSP cue mixer - and a comprehensive array of digital I/O; Allows one to record 24- bit audio at up to 192kHz.
M-Audio ProFire 2626 Audio Interface
Resonance
Resolution
Receive Modes
26. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
Serial Port
Additive Synthesis
Synclavier
Basic Sequencer Signal Flow
27. MIDI Note #60 (Roland Standard)
AMS
Square Wave
C4
Volume
28. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
Hardware Sampler
Granular Synthesis
EMagic AMT-8 MIDI Interface
MIDI
29. Determines the point at which a filter begins altering harmonics or frequencies
Portamento...
Sample Rate
Modulates Pitch
Cutoff Frequency
30. Very popular and affordable 8- bit sampler
Roland Fantom X6
Manufacturer Terms for Multitimbral Mode
Ensoniq Mirage
Beats
31. Contains only the fundamental frequency and all of its odd- numbered harmonics
Square Wave
PCM
RAM (Memory)
Preset/Patch/Instrument/Bank
32. Using an envelope generator on an oscillator does this...
Modulates Pitch
Square Wave
Multitimbral Mode
Envelope
33. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Data Byte Breakdown for MIDI
Sequencer
Recording Samples (Guidelines)
Patch Mapping
34. Added subtractive synthesis to the E- Mu Emulator
Pulse Code Modulation
OMNI (Off) POLY
Output Assignment
E- Mu Emulator II
35. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
Multitimbral Module
OMNI (Off) POLY
Ultrabeat
Sampler
36. Sampler that comes packaged with Logic Pro
System Messages
Click Track
LFO Parameters
EXS
37. Permanent; Original placement of notes is lost and only the quantized version remains
Destructive Quantize
Aftertouch
Channel Assignment
VCO
38. Sample Dump Standard; Signal starts to degrade
DIN Pin 2
SDS
Max MIDI Cable Length
OMNI (On) POLY
39. Ability of audio equipment to reproduce fast changes in amplitude; Measured in volts per microsecond; Low slew rate 'softens' the attack of a signal; High frequencies change in amplitude the fastest so slew rate is critical
MIDI Protocol Type
Slew Rate
Multitimbral Module
Note Mode
40. Data
Dedicated Sequencer
DIN Pin 5
Software Sampler
Depth/Amount Parameter
41. Used in the Reason software package; Combination of the features of Wavetable and Granular synthesis; Allows selection of particular wavetables that have been broken down into grain clouds for further manipulation
Destructive Quantize
Graintable Synthesis
Manufacturer Terms for Multitimbral Mode
A/D Converter
42. Rackmount version of the Triton used as a sound module rather than a complete workstation; Able to store up to eight EXB boards containing additional sounds; Features a built- in S/PDIF digital output
Zone/Key Group/Multi-Sample
Subtractive Synthesis...
Envelope Generator
KORG Triton Rack
43. 12 notes; Change between B & C
Roland Fantom X6
Graintable Synthesis
MIDI Octaves
DIN Pin 5
44. The first drum machine to use digital samples of acoustic drums
Pitch
Non - Dedicated Sequencer
Linn LM-1
Receive Modes
45. Digital audio workstation platform for Mac OS X and Windows operating systems; Developed and manufactured by Avid Technology
Controller Editor
ProTools
Ticks
Sample Rate
46. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Handshake Wiring
Sample Looping
Dynamic Allocation
Decay Time
47. Operating system made sense to most musicians; Became very popular because of its accessibility
Akai S900
Polyphony
Pan
Cutoff Frequency
48. Software; Computer- based MIDI recorders that can be used for other functions (word processing - web browsing - etc.); Offers high resolution (480+ PPQN) and expanded editing facilities - but have lower stability and lack portability
Non - Dedicated Sequencer
DIN Pin 4
Sampler
JMSC
49. Determines which note on the MIDI keyboard will play the sample at its original pitch and speed; Almost always set to Middle C
Key Note
Byte
Velocity Mapping
Data Byte Breakdown for MIDI
50. Digital recordings triggered by MIDI
Low Frequency Oscillator (LFO)
Click Track
Linn LM-1
Samples