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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. 31.25 Kilobaud (31 -250 baud)
Pitch Bend Data Train
Replace - Overwrite - or Destructive Record Mode
MIDI Data Transmission Rate
Note ON MIDI
2. Modulation technique in which the amplitude of the carrier signal is modified by the application of a data signal
C4
Controller Editor
DIN Pin 5
Amplitude Modulation
3. Starts from 1 at the very beginning of a sequence
Sine Wave
Bars
MIDI Octaves
Sample Rate
4. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
C4
Resonance
Additive Synthesis
Byte
5. Circuits on a synth that determine the character of the attack and release of a tone can be controlled; Controls how sound changes over time; Most commonly on amplifier circuit
PPQN
Dedicated Sequencer
Envelope Generator
Static
6. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
8-Bit Breakdown of MIDI Code
Multitimbral Module
Graintable Synthesis
Layer
7. How accurate the timing of a MIDI performance is recorded;
Patch Mapping
Pitch Bend Data Train
Resolution
Elisha Gray
8. Subtractive; Additive; Resynthesis; Frequency Modulation; Phase Distortion; Wavetable; Pulse Code Modulation; Granular; Graintable Synthesis; Physical Modeling; Analog Modeling
Synthesis Types
MIDI Module
Note Ranges
Akai S900
9. Connects computer to MIDI device; All MIDI routing and communication is handled by the computer
MIDI Interface Setup
Midi Thru Box
Synthesis Types
Pitch
10. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
Amplitude Modulation
Output Assignment
Quantization Values
Wavetable Synthesis
11. Hardware; Stand alone hardware MIDI sequencers designed to record - edit - and playback MIDI data only; Offer high stability and portability - but have low resolution (24-96 PPQN) and a lack of editing facilities
Score Editor
List Editor
Samples
Dedicated Sequencer
12. Program Change + Channel (S) => Patch # (D1) => N/A
EXS
Save
Program Change Data Train
Sample Rate
13. Wave that consists of a single traveling pulse
Piano Roll
Grid Editor
Pulse Wave
Midi Thru Box
14. Sony-Philips digital interface format
S/PDif...
Synthesizer Audio Flow
Key Note
Zone/Key Group/Multi-Sample
15. Drum sequencer that comes packaged with Logic Pro
Wavetable Synthesis
Step Record
Ultrabeat
Bob Moog
16. Pitch bend parameter that sets the range in semitones
Save
Coarse Tuning
Baud
Polyphony
17. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
Preset/Patch/Instrument/Bank
5-Pin DIN Protocol
MIDI Data Transmission Rate
Local OFF
18. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
Envelope
List Editor
Receive Modes
Low Frequency Oscillator (LFO)
19. Multi Mode; Performance (Perf) Mode; Sequence Mode
Manufacturer Terms for Multitimbral Mode
System Messages
Quantization Values
Wah Wah
20. Sampler that comes packaged with Logic Pro
JMSC
EXS
THRU Port
Modulation
21. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
OMNI (On) POLY
PCM
VCF
Triangle Wave
22. 12 notes; Change between B & C
MIDI Octaves
Timbre
Sine Wave
E- mu Proteus 2000
23. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
Roland Fantom X6
Dedicated Sequencer
POLY Pressure Data Train
DSP
24. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received on the one sound assigned to that channel; Ability to play ONLY one note at a time
OMNI (On) MONO
Vibrato...
Dedicated Sequencer
Roland Fantom X6
25. .PST & .EXS
Ultrabeat Import File Types
Multitimbral Module
AMS
Baud
26. SCSI Musical Data Interchange; Better option than SDS
SMDI
Audio Samples
Key Range
lsb
27. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
Types of Channel Voice Messages
MOTU Digital Performer
Roland Fantom X6
System Messages
28. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Ensoniq Mirage
Cakewalk Sonar
Max MIDI Cable Length
Receive Modes
29. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Synclavier
EXS
Receive Modes
Zero Crossing Point
30. Individual edit window to alter MIDI parameters such as pitch bend and volume
Static
Synclavier
Streaming
Controller Editor
31. Determines the point at which a filter begins altering harmonics or frequencies
Cutoff Frequency
Daisy Chaining
Pulse Code Modulation
Static
32. Using an envelope generator on a filter does this...
Layer
Modulates Cutoff Frequency
Manufacturer Terms for Mode 3
Disk Streaming
33. Another term for 'Channel Enable/Disable'
Streaming
Velocity Mapping
Byte
Receive Switch
34. Debuted in 1980; First sampling based instrument by Small Australian company
Trill
Fairlight CMI
EMagic AMT-8 MIDI Interface
Akai MPC2500
35. Drum machine that generates its sounds using six powerful analog synthesis voices; Runs an innovative - performance- oriented operating system that manipulates beats and sounds in real time without ever stopping play
Additive Synthesis
Notes OFF MIDI
Tempest
Velocity Switching
36. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
POLY Pressure Data Train
ProTools
Manufacturer Terms for Multitimbral Mode
Bob Moog
37. Drum- style pattern recording in grid format with each horizontal line representing a different tone and each vertical line representing a beat of a predetermined bar
Basic Sequencer Signal Flow
Grid Editor
S/PDif...
THRU Port
38. Specifically designed to emulate the nuances and characteristics of analog synthesizers; AKA => Virtual Analogs; Reduced cost over real analog - zero maintenance - and tuning stability; Increasing in popularity
Filter Slopes
MIDI Module
EXS
Analog Modeling Synthesis...
39. Value = 0 - 127 (Variations of the last 7 numbers)
Tempest
Beats
Data Byte Breakdown for MIDI
Zones
40. The transmission of an audio signal by using it to vary a carrier wave (amplitude of frequency)
Modulation
MIDI Clock
Sample Looping
Timbre
41. Windows only based digital audio workstation platform
Byte
Multitimbral Mode
Cakewalk Sonar
Slave Devices
42. Positional numbering system represents numerical values using only two symbols - 0 and 1
MIDI Module
Trill
Binary
Timbre
43. Using an envelope generator on an oscillator does this...
Pitch
Ultrabeat Import File Types
SDS
Modulates Pitch
44. Overall sound quality defined by harmonic content
VCO
Roland Fantom X6
Timbre
Resonance
45. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
Beats
C4
Accessibility
MIDI Cable Specs
46. Dum machine that featured 12- bit sampling; 99- track sequencer with a 60 -000 note capacity; Debuted the familiar 4 x 4 grid of drum pads
VCA
Akai MPC 60
KORG Triton Rack
SDS
47. Audio MIDI Setup; Utility designed to tell the computer what MIDI Interface and hardware is being used - as well as audio connections; Built into System Software of Mac OS 10.1 and up; Sequencers communicate with AMS for audio and MIDI routing and se
AMS
Fairlight CMI
DSP
3 Main MIDI Circuits
48. Most commonly used MIDI receive mode; Device receives only on an assigned selectable data; Ability to play MORE than one note at a time
Vibrato...
OMNI (Off) POLY
Bob Moog
VCF
49. Actual data; 'Note #'; Provides information and data the status byte uses to do its job; Uses an 8- bit system; Represented by msb = 0
Akai S900
Preset/Patch/Instrument/Bank
Hardware Sampler
Data Byte
50. Rate (Speed) & Depth (Intensity)
LFO Parameters
Ring Modulation
8-Bit Breakdown of MIDI Code
IN Port