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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Sound generating device with no integral keyboard
Note Mode
Grid Editor
MIDI Module
Zones
2. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
Key Tracking
Slave Devices
Polyphonic
DIN Pin 2
3. SCSI Musical Data Interchange; Better option than SDS
C4
Oscillator
SMDI
Analog Modeling Synthesis...
4. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Generator
E- Mu Emulator
Envelope
Amplitude Modulation
5. Overall sound quality defined by harmonic content
Timbre
Pitch
E- Mu Emulator
List Editor
6. Keys transmit directly to the internal sound engine of a keyboard (and usually to the MIDI OUT Port as well)
MIDI Module
Manufacturer Terms for Mode 3
Local ON
Phase Distortion Synthesis
7. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
3 Main MIDI Circuits
Channel Mode Message
Accessibility
Modulates Pitch
8. To create or shape
5-Pin DIN Protocol
Key Note
Manufacturer Terms for Mode 3
Generator
9. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
DSP
Patch Mapping
Aftertouch
Elisha Gray
10. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
OUT Port
Byte
Circle Machine
Zones
11. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
Physical Modeling Synthesis
Channel Messages
Pitch Bend
Destructive Quantize
12. A device that 'conditions' the electrical supply to take out spikes and surges.
Audio Samples
Daisy Chain Limitations
Power Conditioner
DIN Pin 4
13. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Envelope Generator Parameters
Recording with MIDI Sequencer
Binary
Bob Moog
14. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
Playback Quantizing
Graintable Synthesis
Resonance
Physical Modeling Synthesis
15. Permanent; Original placement of notes is lost and only the quantized version remains
Sampler
DSP
Destructive Quantize
Sawtooth Wave
16. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Audio Samples
Additive Synthesis
Fairlight CMI
Note Mode
17. Program Change + Channel (S) => Patch # (D1) => N/A
Program Change Data Train
Controller Editor
Recording with MIDI Sequencer
OMNI (Off) POLY
18. Allows you to capture anything you play on keys while sequencer is playing back (but not actively recording); Exclusive to Logic Pro
Amplitude
Capture Last Take as Recording
Depth/Amount Parameter
M-Audio ProFire 2626 Audio Interface
19. Another term for 'Channel Enable/Disable'
Receive Switch
Ultrabeat
Ensoniq Mirage
Note Mode
20. Limits the playback of a certain sample to a certain range on the MIDI keyboard; May sample multiple notes per octave to maintain realism of sampled instruments
Key Range
IN Port
Sawtooth Wave
A/D Converter
21. Basic Waveform; Source vibrates with simple harmonic motion
SMDI
PPQN
Trill
Sine Wave
22. Contains only the fundamental frequency and all of its odd- numbered harmonics
Square Wave
VCF
MIDI Data Transmission Rate
Sustain Level
23. Both the IN Port and OUT Port of two devices are connected together; Allows total communication between devices (BIDIRECTIONAL); Smartest MIDI wiring procedure
Sawtooth Wave
Handshake Wiring
Synthesis Types
SMDI
24. How long it takes for sound to fade to silence
Key Tracking
PPQN
DIN Pin 4
Release Time
25. Height (or loudness) of a waveform
Modulates Pitch
Amplitude
Trill
Envelope
26. Filter Type & Slope; Cutoff Frequency; Resonance (Emphasis); Key Tracking
Step Record
Filter Parameters
OMNI (On) MONO
Zone/Key Group/Multi-Sample
27. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
Synthesizer Audio Flow
KORG Triton Rack
FM Synthesis
E- Mu Emulator
28. Status Byte (S) => Data 1 (D1) => Data 2 (D2)
Modulates Cutoff Frequency
Data Train
Midi Thru Box
Coarse Tuning
29. MIDI Note #60 (Roland Standard)
MIDI Data Transmission Rate
Data Byte
C4
Sawtooth Wave
30. Pre- mixes sound levels within the device
Volume
3 Main MIDI Circuits
Ensoniq Mirage
Recording Samples (Guidelines)
31. Note that alternates rapidly with another note a semitone above it
Dynamic Allocation
Trill
Akai MPC2500
Resonance
32. Operating system made sense to most musicians; Became very popular because of its accessibility
MONO Pressure Data Train
Master Tracks Pro
Pulse Code Modulation
Akai S900
33. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Aftertouch
Physical Modeling Synthesis
Wah Wah
Streaming
34. Rise and fall of pitch created when LFO is routed to the oscillator
EXS
MIDI Acronym
Vibrato...
'Note Off' Data Train
35. Sony-Philips digital interface format
Pitch
S/PDif...
Zero Crossing Point
Modulation
36. Controls an instruments voices or 'sounds'
Low Frequency Oscillator (LFO)
Channel Voice Message
Subtractive Synthesis...
Daisy Chain Limitations
37. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
Analog Modeling Synthesis...
System Messages
Daisy Chain Limitations
Split
38. Physical sound waveform system that has repeating cycles
Oscillator
Local ON
Capture Last Take as Recording
Modulation
39. Defines the lowest and highest note on a keyboard that an individual part is active
POLY Pressure Data Train
Channel Messages
Note Ranges
Volume
40. Very popular and affordable 8- bit sampler
Envelope
PPQN
Ensoniq Mirage
Bob Moog
41. Standard for transferring data between devices on internal and external computer; Most commonly used for tape storage devices and hard disks
Sawtooth Wave
Ground Loop
LFO Parameters
SCSI
42. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
E- Mu Emulator
Step Record
Bit Depth
lsb
43. Used as a modulation source; Usually below 20Hz (.01 - 10Hz); Most common waveform is the sine - though there is often a choice; Defines vibrato - tremolo - and wah; Allows periodic changes to sound
Replace - Overwrite - or Destructive Record Mode
Dual Serial Connection
Low Frequency Oscillator (LFO)
OMNI (On) MONO
44. Poly Mode; Patch or Program (Prog) Mode
Channel Voice Message
Manufacturer Terms for Mode 3
Save
Binary
45. How accurate the timing of a MIDI performance is recorded;
POLY Pressure Data Train
Additive Synthesis
Resolution
Envelope
46. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Zero Crossing Point
Grid Editor
Step Record
Receive Modes
47. Musical Instrument Digital Interface
Output Assignment
PCM
Channel Mode Message
MIDI Acronym
48. Ability of a musical instrument to play more than one note at a time
MONO Pressure Data Train
Pitch
A/D Converter
Polyphonic
49. Positional numbering system represents numerical values using only two symbols - 0 and 1
Channel Pressure
List Editor
Binary
Square Wave
50. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
MMA
Cutoff Frequency
KORG Triton Rack
Sampler