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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
Destructive Quantize
THRU Port
MIDI
Accessibility
2. How long it takes for volume of sound to drop to Sustain Level
OMNI (Off) MONO
THRU Port
Amplitude
Decay Time
3. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
Coarse Tuning
PCM
Low Frequency Oscillator (LFO)
Triangle Wave
4. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
Monophonic
PCM
MMA
Linn LM-1
5. Transmit
MONO Pressure Data Train
Analog Modeling Synthesis...
Additive Synthesis
Tx (Abbv.)
6. SCSI Musical Data Interchange; Better option than SDS
SMDI
KORG Triton Rack
Synthesizer Audio Flow
Disk Streaming
7. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
Ensoniq Mirage
System Messages
Graintable Synthesis
List Editor
8. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
Accessibility
Synthesizer Audio Flow
Channel Mode Message
OUT Port
9. Incomprehensibility resulting from irrelevant harmonic information
Layer
Noise
MIDI
AMS
10. Multi Mode; Performance (Perf) Mode; Sequence Mode
Streaming
MIDI Cable Specs
AMS
Manufacturer Terms for Multitimbral Mode
11. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
E- Mu Emulator
Local OFF
Graintable Synthesis
MMA
12. Operating system made sense to most musicians; Became very popular because of its accessibility
Sustain Level
Akai S900
Akai MPC 60
Byte
13. Musical Instrument Digital Interface
Status Byte
Zone/Key Group/Multi-Sample
MIDI Acronym
Channel Voice Message
14. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; Advances one step each 1/24 of a beat
Envelope Generator Parameters
Tempest
Graintable Synthesis
MIDI Clock
15. Conveys the amount of overall (average) pressure on ALL the keys at a given point
OMNI (Off) MONO
Pan
Channel Pressure
Tremolo
16. Very popular and affordable 8- bit sampler
Key Tracking
Ensoniq Mirage
Phase Distortion Synthesis
Key Note
17. CMD+S
Linn LM-1
Save
MIDI Interface Setup
Circle Machine
18. Starts from 1 at the very beginning of a sequence
EMagic AMT-8 MIDI Interface
Disk Streaming
Phase Distortion Synthesis
Bars
19. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
Synthesis Types
EMagic AMT-8 MIDI Interface
Amplitude
Byte
20. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
POLY Pressure Data Train
Attack Time
Low Frequency Oscillator (LFO)
Circle Machine
21. Ability of a musical instrument to play more than one note at a time
Polyphonic
Pan
Ground Loop
SDS
22. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
Granular Synthesis
Byte
Fairlight CMI
Channel Messages
23. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
Resynthesis
C4
Pulse Wave
Subtractive Synthesis...
24. Most common type; Oscillators generate all of harmonic content and filters are used to subtract overtones from the sound; Think sculpture reference (from block to statue)
Subtractive Synthesis...
C-Lab Notator
Accessibility
Bob Moog
25. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Ultrabeat
C-Lab Notator
Polyphonic
Monophonic
26. Note that alternates rapidly with another note a semitone above it
Filter Parameters
Ensoniq Mirage
Hardware Sampler
Trill
27. Sample Dump Standard; Signal starts to degrade
Envelope Generator Parameters
OMNI (On) MONO
lsb
SDS
28. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
Recording with MIDI Sequencer
Controller Editor
System Messages
Local OFF
29. Main file loaded into sampler; Contains all settings used to create the instrument; Usually DOES NOT contain the audio files themselves but references them while they are stored somewhere else
System Messages
Hardware Sampler
Play
Preset/Patch/Instrument/Bank
30. Where a slave device receives MIDI data; Can receive data from an OUT or THRU port
Channel Pressure
Sampler
Ground Loop
IN Port
31. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
DIN Pin 5
MOTU Digital Performer
Hardware Sampler
Cakewalk Sonar
32. Allows you to capture anything you play on keys while sequencer is playing back (but not actively recording); Exclusive to Logic Pro
Handshake Wiring
IN Port
Local OFF
Capture Last Take as Recording
33. In; Out; Thru
MIDI Connection Ports
SMDI
System Messages
Zero Crossing Point
34. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
THRU Port
Cutoff Frequency
3 Main MIDI Circuits
MONO Pressure Data Train
35. Windows only based digital audio workstation platform
E- Mu Emulator
Volume
MIDI Module
Cakewalk Sonar
36. Sampler that comes packaged with Logic Pro
Notes OFF MIDI
Tempest
EXS
5-Pin DIN Protocol
37. To create or shape
Sampler
Attack Time
Fairlight CMI
Generator
38. Maximum number of notes an instrument can play at once; Most modern MIDI instruments have 128 notes of polyphony
Non - Dedicated Sequencer
Wah Wah
Polyphony
3 Main MIDI Circuits
39. Space
Handshake Wiring
Serial Port
Play
MIDI Connection Ports
40. Value = 0 - 127 (Variations of the last 7 numbers)
Amplitude
Vibrato...
Data Byte Breakdown for MIDI
Pulse Code Modulation
41. Speed of a waveform (cycles per second)
OMNI (On) POLY
Channel Pressure
Sample Looping
Pitch
42. Receive
Key Note
Rx (Abbv.)
Depth/Amount Parameter
Sine Wave
43. Uses powerful digital signal processing algorithms and equations to simulate the properties of a natural instrument; Very customizable
Physical Modeling Synthesis
5-Pin DIN Protocol
Recording Samples (Guidelines)
Ensoniq Mirage
44. Poly Mode; Patch or Program (Prog) Mode
Square Wave
Capture Last Take as Recording
Manufacturer Terms for Mode 3
Layer
45. Smallest increments between beats; Coincide with the resolution in PPQN; MIDI data locks to these for start
OMNI (Off) MONO
Ticks
Output Assignment
Pulse Code Modulation
46. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Aftertouch
8-Bit Breakdown of MIDI Code
Quantization Values
OUT Port
47. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
Multitimbral Module
VCF
Piano Roll
Graintable Synthesis
48. Actual data; 'Note #'; Provides information and data the status byte uses to do its job; Uses an 8- bit system; Represented by msb = 0
Data Byte
Master Devices
Sample Looping
PPQN
49. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Key Range
Portamento...
Audio Samples
Channel Assignment
50. Specifically designed to emulate the nuances and characteristics of analog synthesizers; AKA => Virtual Analogs; Reduced cost over real analog - zero maintenance - and tuning stability; Increasing in popularity
Patch Mapping
E- Mu Emulator
Analog Modeling Synthesis...
Static