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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Dynamic Allocation
Akai MPC2500
MIDI Clock
Volume
2. Define the attenuation of high pass and low pass filters; Sound will slowly dissipate in a filter at a predetermined interval (usually 12 or 24dB)
JMSC
Zones
Filter Slopes
Bob Moog
3. Filter Type & Slope; Cutoff Frequency; Resonance (Emphasis); Key Tracking
Physical Modeling Synthesis
Filter Parameters
DIN Pin 4
Dynamic Allocation
4. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
OMNI (On) POLY
Phase Distortion Synthesis
Tuning
Patch Mapping
5. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
Byte
Recording with MIDI Sequencer
Triangle Wave
MMA
6. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
Status Byte
Save
Accessibility
Bob Moog
7. Sound generating device with no integral keyboard
MIDI Module
Roland Fantom X6
MIDI Acronym
Key Range
8. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
Ultrabeat
List Editor
5-Pin DIN Protocol
'Note On' Data Train
9. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
Bars
Synthesizer Audio Flow
Channel Assignment
A/D Converter
10. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
Capture Last Take as Recording
JMSC
Akai S900
Byte
11. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
S/PDif...
M-Audio ProFire 2626 Audio Interface
THRU Port
Samples
12. Drum- style pattern recording in grid format with each horizontal line representing a different tone and each vertical line representing a beat of a predetermined bar
Low Frequency Oscillator (LFO)
Sustain Level
Grid Editor
Local OFF
13. Measurement of how fast a note was pressed that enables samplers to be more dynamically expressive; Incoming note velocities are the player's variations in dynamics and they trigger different sets of samples
OMNI (On) POLY
Streaming
Velocity Mapping
EMagic AMT-8 MIDI Interface
14. Specifically designed to emulate the nuances and characteristics of analog synthesizers; AKA => Virtual Analogs; Reduced cost over real analog - zero maintenance - and tuning stability; Increasing in popularity
Release Time
Split
Envelope Generator
Analog Modeling Synthesis...
15. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
Rx (Abbv.)
msb
Non - Dedicated Sequencer
Channel Messages
16. Voltage Controlled Filter; Voltage amount changes harmonic content
VCF
SMDI
Square Wave
Cutoff Frequency
17. Individual edit window to alter MIDI parameters such as pitch bend and volume
Sampler
Split
Akai MPC2500
Controller Editor
18. Pitch - Amplitude - Timbre
System Messages
3 Main MIDI Circuits
Physical Modeling Synthesis
Local ON
19. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
Serial Port
Zone/Key Group/Multi-Sample
Byte
Accessibility
20. A device that 'conditions' the electrical supply to take out spikes and surges.
Mix - Merge - or Overdub Mode
Power Conditioner
Key Range
Note Mode
21. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
Subtractive Synthesis...
MIDI Program Change
Resonance
Daisy Chaining
22. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
EMagic AMT-8 MIDI Interface
VCO
Velocity Switching
Quantization Values
23. Only error corrected on playback; Data remains the same as one records it
Program Change Data Train
Polyphonic
Destructive Quantize
Playback Quantizing
24. Note Off + Channel (S) => Note # (D1) => Release Velocity (D2)
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25. Where a master device transmits (or sends) MIDI data; Only the master is plugged into this port
Rx (Abbv.)
Sampler
OUT Port
Ground Loop
26. Defines the instrument's response to voice messages
Channel Mode Message
Polyphonic
Receive Modes
Piano Roll
27. Value = 0 - 127 (Variations of the last 7 numbers)
C4
Cutoff Frequency
Data Byte Breakdown for MIDI
OUT Port
28. Changes some aspect of sound depending on how FAST you strike the keys; Commonly called 'Velocity Sensitivity;' Volume - Filter & Layers are typical examples
M-Audio ProFire 2626 Audio Interface
Velocity Switching
Layer
Channel Pressure
29. Message sent when note is played (key pressed)
Note ON MIDI
Rx (Abbv.)
Score Editor
Dynamic Allocation
30. Most commonly used MIDI receive mode; Device receives only on an assigned selectable data; Ability to play MORE than one note at a time
Click Track
Triangle Wave
OMNI (Off) POLY
Monophonic
31. Keys transmit directly to the internal sound engine of a keyboard (and usually to the MIDI OUT Port as well)
Ring Modulation
DIN Pin 2
Local ON
Pitch
32. Self contained computerized synthesizer developed in 1975; Playback system records patterns that you play on keyboard
ProTools
Synclavier
Layer
OMNI (Off) POLY
33. Overall sound quality defined by harmonic content
Key Range
Synthesis Types
Timbre
Replace - Overwrite - or Destructive Record Mode
34. Using an envelope generator on a filter does this...
Modulates Cutoff Frequency
OMNI (Off) MONO
Envelope Generator Parameters
Receive Switch
35. Initial few hundred milliseconds of samples are loaded into RAM & remaining sample length is streamed from the hard drive
Wavetable Synthesis
MIDI Program Change
Software Sampler
Streaming
36. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
E- Mu Emulator
Bob Moog
Ultrabeat Import File Types
Square Wave
37. Ground
DIN Pin 2
Daisy Chain Limitations
Byte
Key Note
38. Starts from 1 at the very beginning of a sequence
Bars
Channel Messages
E- mu Proteus 2000
Slew Rate
39. A curve or surface
Bars
DIN Pin 5
Envelope
Velocity Mapping
40. Another term for 'Channel Enable/Disable'
LFO Parameters
Quantization
MIDI Program Change
Receive Switch
41. Positional numbering system represents numerical values using only two symbols - 0 and 1
Coarse Tuning
DSP
Destructive Quantize
Binary
42. Sony-Philips digital interface format
OMNI (On) MONO
THRU Port
S/PDif...
Channel Enable/Disable
43. Note ON; Note OFF; Program Change; MONO Pressure; POLY Pressure; Pitch Bend; Control Change
MIDI Cable Specs
Replace - Overwrite - or Destructive Record Mode
Resonance
Types of Channel Voice Messages
44. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
Recording with MIDI Sequencer
Sampler
Accessibility
Velocity Mapping
45. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
Grid Editor
lsb
RAM (Memory)
Key Note
46. How long it takes for volume of sound to drop to Sustain Level
Note Ranges
Max MIDI Cable Length
Decay Time
Slew Rate
47. The first sequencer developed for custom- built electronic instruments; Developed by Raymond Scott in 1950's
Sampler
Envelope Generator
Ultrabeat Import File Types
Circle Machine
48. Ability of a musical instrument to play more than one note at a time
Byte
Multitimbral Mode
3 Main MIDI Circuits
Polyphonic
49. Attack Time; Decay Time; Sustain Level; Release Time
THRU Port
Data Train
Bit Depth
Envelope Generator Parameters
50. Uses sound of a single note which is sampled and stored as an oscillator waveform; Allow for more complex sounds which produces richer - more realistic tones; Allow one to crossfade between different waveforms over time
Program Change Data Train
Output Assignment
Wavetable Synthesis
MIDI Cable Specs
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