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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Space
Ensoniq Mirage
Akai MPC2500
MIDI Octaves
Play
2. Basic Waveform; Source vibrates with simple harmonic motion
Tx (Abbv.)
Sine Wave
SDS
System Messages
3. 50'
OMNI (On) POLY
Types of Channel Voice Messages
Dedicated Sequencer
Max MIDI Cable Length
4. Actual data; 'Note #'; Provides information and data the status byte uses to do its job; Uses an 8- bit system; Represented by msb = 0
Channel Messages
Sample Looping
Data Byte
OUT Port
5. MIDI Message sent when key is released
Streaming
FM Synthesis
Notes OFF MIDI
Note Mode
6. Allows you to capture anything you play on keys while sequencer is playing back (but not actively recording); Exclusive to Logic Pro
Ensoniq Mirage
Capture Last Take as Recording
Static
Synthesis Types
7. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Channel Voice Message
Sustain Level
C-Lab Notator
Disk Streaming
8. Note events edited on a staff - similar to composing music on sheets.
Preset/Patch/Instrument/Bank
Decay Time
Score Editor
Power Conditioner
9. Attack Time; Decay Time; Sustain Level; Release Time
A/D Converter
Synclavier
Envelope
Envelope Generator Parameters
10. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
Channel Voice Message
Master Devices
PPQN
Wah Wah
11. Contains only the fundamental frequency and all of its odd- numbered harmonics
Streaming
Polyphony
Square Wave
Resolution
12. Combination of layers and splits (Ex. => Assigning a piano sound across the entire length of the keyboard - but adding a string part only on upper octaves)
Dynamic Allocation
Zones
Samples
Sample Rate
13. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Zero Crossing Point
Synclavier
THRU Port
Key Range
14. Message sent when note is played (key pressed)
Manufacturer Terms for Mode 3
Master Tracks Pro
Pan
Note ON MIDI
15. Modulation technique in which the amplitude of the carrier signal is modified by the application of a data signal
Replace - Overwrite - or Destructive Record Mode
Controller Editor
Hardware Sampler
Amplitude Modulation
16. Simple waveform is changed by modulating it with another waveform creating a new - more complex waveform with a different tone and character; Used in Yamaha DX & TX series in 1980's
Playback Quantizing
FM Synthesis
MIDI Acronym
Amplitude Modulation
17. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
Piano Roll
Pulse Wave
Daisy Chain Limitations
OMNI (Off) POLY
18. CMD+S
Rx (Abbv.)
Polyphonic
Save
KORG Triton Rack
19. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
Step Record
Synclavier
E- Mu Emulator
Channel Pressure
20. Audio MIDI Setup; Utility designed to tell the computer what MIDI Interface and hardware is being used - as well as audio connections; Built into System Software of Mac OS 10.1 and up; Sequencers communicate with AMS for audio and MIDI routing and se
Note Mode
C-Lab Notator
AMS
'Note Off' Data Train
21. Used in the Reason software package; Combination of the features of Wavetable and Granular synthesis; Allows selection of particular wavetables that have been broken down into grain clouds for further manipulation
Envelope
Graintable Synthesis
Pulse Code Modulation
Ensoniq Mirage
22. Pitch - Amplitude - Timbre
3 Main MIDI Circuits
Bit Depth
MOTU Digital Performer
Zone/Key Group/Multi-Sample
23. How long it takes for sound to fade to silence
'Note Off' Data Train
Release Time
C4
Bob Moog
24. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
Additive Synthesis
Binary
Tuning
Pulse Code Modulation
25. Digital Signal Processing; Provides for the ability to adjust levels - do equalization - dynamic processing - create special effects - and mix digital audio data
DSP
PCM
Pitch
S/PDif...
26. Multi Mode; Performance (Perf) Mode; Sequence Mode
Byte
MONO Pressure Data Train
Manufacturer Terms for Multitimbral Mode
Multitimbral Mode
27. Data
Amplitude Modulation
DIN Pin 5
Ticks
Byte
28. Initial few hundred milliseconds of samples are loaded into RAM & remaining sample length is streamed from the hard drive
Linn LM-1
VCF
OMNI (On) POLY
Streaming
29. Uses sound of a single note which is sampled and stored as an oscillator waveform; Allow for more complex sounds which produces richer - more realistic tones; Allow one to crossfade between different waveforms over time
Wavetable Synthesis
ProTools
Key Note
Depth/Amount Parameter
30. Height (or loudness) of a waveform
Trill
Amplitude
Baud
Channel Messages
31. Allows for the routing of output from individual parts to secondary (auxiliary) audio outputs rather than the main stereo outputs; EQ effects can be changed from those on main stereo outputs
E- Mu Emulator II
Output Assignment
Patch Mapping
'Note Off' Data Train
32. How accurate the timing of a MIDI performance is recorded;
OMNI (Off) POLY
Resolution
MIDI Cable Specs
Amplitude Modulation
33. Controls an instruments voices or 'sounds'
Fairlight CMI
Channel Voice Message
Volume
VCA
34. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
Filter Parameters
Circle Machine
Daisy Chain Limitations
MIDI Program Change
35. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
E- Mu Emulator
Daisy Chain Limitations
Note ON MIDI
Portamento...
36. Circuits on a synth that determine the character of the attack and release of a tone can be controlled; Controls how sound changes over time; Most commonly on amplifier circuit
Handshake Wiring
Envelope Generator
Local ON
E- Mu Emulator
37. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
Ensoniq Mirage
Tempest
Pulse Wave
Byte
38. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
SCSI
Handshake Wiring
Recording with MIDI Sequencer
Channel Pressure
39. Record with highest input level possible - without clipping; Record more than you need; Adjust sample start and end times; Truncate unwanted material
Noise
FM Synthesis
Recording Samples (Guidelines)
VCF
40. Filter Type & Slope; Cutoff Frequency; Resonance (Emphasis); Key Tracking
Filter Parameters
Trill
VCO
Sawtooth Wave
41. Permanent; Original placement of notes is lost and only the quantized version remains
DIN Pin 4
Destructive Quantize
Amplitude
MIDI Data Transmission Rate
42. Method of connecting several devices along a bus and managing the signals for each device; The most basic MIDI connection; Plays multiple sounds with same MIDI data
Physical Modeling Synthesis
Akai S900
Grid Editor
Daisy Chaining
43. Operating system made sense to most musicians; Became very popular because of its accessibility
JMSC
Synthesis Types
Akai S900
PPQN
44. Note that alternates rapidly with another note a semitone above it
Trill
SDS
Status Byte
Dynamic Allocation
45. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Dual Serial Connection
E- Mu Emulator
Phase Distortion Synthesis
Replace - Overwrite - or Destructive Record Mode
46. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
Monophonic
MIDI
Disk Streaming
Data Byte
47. Using an envelope generator on a filter does this...
Linn LM-1
Volume
Status Byte
Modulates Cutoff Frequency
48. Metronome; Prerecorded track of electronic metronomic clicks used to ensure proper timing of music to be recorded; Essential in music scoring sessions; Sets composition tempo
Ticks
Click Track
Low Frequency Oscillator (LFO)
Bit Depth
49. Music production software that offers a great array of tools for mashup production - including tempo beatmapping and real time manipulation
Ableton Live
PCM
Playback Quantizing
Release Time
50. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
Master Devices
Graintable Synthesis
Modulation
EMagic AMT-8 MIDI Interface