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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Ability of audio equipment to reproduce fast changes in amplitude; Measured in volts per microsecond; Low slew rate 'softens' the attack of a signal; High frequencies change in amplitude the fastest so slew rate is critical
EXS
OUT Port
Status Byte
Slew Rate
2. 12 notes; Change between B & C
MIDI Octaves
C4
Dynamic Allocation
OMNI (On) MONO
3. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Step Record
Synclavier
Zone/Key Group/Multi-Sample
Pitch
4. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
msb
Granular Synthesis
Elisha Gray
Linn LM-1
5. Combination of layers and splits (Ex. => Assigning a piano sound across the entire length of the keyboard - but adding a string part only on upper octaves)
LFO Parameters
Zones
Triangle Wave
Rx (Abbv.)
6. LFO is routed to low pass filter
Wah Wah
Score Editor
Types of Channel Voice Messages
SDS
7. Sampler that comes packaged with Logic Pro
Synclavier
EXS
Graintable Synthesis
Channel Assignment
8. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
Notes OFF MIDI
Master Devices
Slave Devices
Daisy Chaining
9. Determines the layout of MIDI channels for each of the multitimbral parts
Baud
Channel Assignment
Byte
SDS
10. MONO Pressure + Channel (S) => Amount (D1) => N/A
Pan
MONO Pressure Data Train
THRU Port
Basic Sequencer Signal Flow
11. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
Data Train
Ring Modulation
Layer
Channel Messages
12. Physical sound waveform system that has repeating cycles
Oscillator
Synthesizer Audio Flow
Vibrato...
SMDI
13. Define the attenuation of high pass and low pass filters; Sound will slowly dissipate in a filter at a predetermined interval (usually 12 or 24dB)
'Note Off' Data Train
C-Lab Notator
E- Mu Emulator II
Filter Slopes
14. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
Envelope
Resonance
Sustain Level
E- mu Proteus 2000
15. Maximum number of notes an instrument can play at once; Most modern MIDI instruments have 128 notes of polyphony
Polyphony
Quantization
Key Tracking
8-Bit Breakdown of MIDI Code
16. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
msb
Receive Switch
Synthesizer Audio Flow
Midi Thru Box
17. Most Significant Bit; the left- most bit in a binary whole number or code
msb
Ground Loop
Static
M-Audio ProFire 2626 Audio Interface
18. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
Sampler
Ground Loop
SMDI
KORG Triton Rack
19. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Velocity Mapping
Oscillator
C-Lab Notator
Depth/Amount Parameter
20. The industry benchmark for beat production; Features a 32- voice drum/phrase sampler with up to 128MB RAM and extensive editing capabilities; 100 -000- note - 64- track sequencer; 4 MIDI Outputs; Internal sounds reside in flash memory and can easily
EXS
Amplitude
Synthesis Types
Akai MPC2500
21. Chooses which channels a multitimbral MIDI device will respond
Timbre Assignment
SCSI
Synthesis Types
Channel Enable/Disable
22. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
RAM (Memory)
msb
Amplitude
Split
23. Dum machine that featured 12- bit sampling; 99- track sequencer with a 60 -000 note capacity; Debuted the familiar 4 x 4 grid of drum pads
LFO Parameters
Akai MPC 60
OUT Port
Zones
24. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Program Change Data Train
Linn LM-1
Pulse Code Modulation
Midi Thru Box
25. Used as a modulation source; Usually below 20Hz (.01 - 10Hz); Most common waveform is the sine - though there is often a choice; Defines vibrato - tremolo - and wah; Allows periodic changes to sound
Slew Rate
IN Port
RAM (Memory)
Low Frequency Oscillator (LFO)
26. L ->R === msb (1) - MIDI Message (3) - MIDI Channel (4)
Circle Machine
8-Bit Breakdown of MIDI Code
Wavetable Synthesis
msb
27. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
OMNI (On) POLY
Physical Modeling Synthesis
Software Sampler
Data Train
28. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
Program Change Data Train
Layer
8-Bit Breakdown of MIDI Code
THRU Port
29. Defines the instrument's response to voice messages
Pitch Bend
Channel Mode Message
E- Mu Emulator
Aftertouch
30. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
Note Mode
Piano Roll
Step Record
Channel Messages
31. The most commonly accepted means of encoding digital audio data so it can be stored within a digital medium with a maximum degree of data density
Wah Wah
Timbre Assignment
PCM
MIDI
32. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
MMA
Filter
Zero Crossing Point
Tempest
33. High Resolution; 14- bit parameter; (Coarse Tune X Fine Tune = 16 -384 Steps of resolution
Decay Time
Vibrato...
'Note Off' Data Train
Pitch Bend
34. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
Additive Synthesis
System Messages
Byte
MIDI Module
35. Poly Mode; Patch or Program (Prog) Mode
PCM
Dynamic Allocation
Zone/Key Group/Multi-Sample
Manufacturer Terms for Mode 3
36. Drum- style pattern recording in grid format with each horizontal line representing a different tone and each vertical line representing a beat of a predetermined bar
Wah Wah
Grid Editor
Ticks
Power Conditioner
37. Pitch bend parameter that sets the range in semitones
Filter
Sample Looping
Coarse Tuning
Tuning
38. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
POLY Pressure Data Train
DSP
Sawtooth Wave
Hardware Sampler
39. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
Bars
Pitch
Cutoff Frequency
Resynthesis
40. Added subtractive synthesis to the E- Mu Emulator
C-Lab Notator
Save
E- Mu Emulator II
Data Train
41. Bits/Second
Synthesizer Audio Flow
Baud
Ensoniq Mirage
Key Range
42. Devices that transmit MIDI data (usually has keys or pads)
Step Record
Hardware Sampler
Master Devices
Grid Editor
43. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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44. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Pitch
OMNI (Off) MONO
E- Mu Emulator
Output Assignment
45. Ground
Triangle Wave
Timbre Assignment
DIN Pin 2
Dual Serial Connection
46. Complete sample(s) are loaded into RAM
Slew Rate
Static
OMNI (Off) POLY
PCM
47. Record with highest input level possible - without clipping; Record more than you need; Adjust sample start and end times; Truncate unwanted material
Ticks
Recording Samples (Guidelines)
Click Track
Additive Synthesis
48. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
DIN Pin 4
Disk Streaming
A/D Converter
Sine Wave
49. Transmit
Polyphonic
Cakewalk Sonar
Binary
Tx (Abbv.)
50. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Akai S900
Aftertouch
Grid Editor
Ensoniq Mirage
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