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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Added subtractive synthesis to the E- Mu Emulator
Envelope Generator Parameters
JMSC
E- Mu Emulator II
Roland Fantom X6
2. The first drum machine to use digital samples of acoustic drums
Dual Serial Connection
E- Mu Emulator
Multitimbral Module
Linn LM-1
3. Pre- mixes sound levels within the device
Pitch Bend
Volume
Output Assignment
Hardware Sampler
4. Software; Computer- based MIDI recorders that can be used for other functions (word processing - web browsing - etc.); Offers high resolution (480+ PPQN) and expanded editing facilities - but have lower stability and lack portability
Non - Dedicated Sequencer
Bars
OMNI (On) POLY
Timbre
5. Most common type; Oscillators generate all of harmonic content and filters are used to subtract overtones from the sound; Think sculpture reference (from block to statue)
Cutoff Frequency
Slave Devices
Polyphonic
Subtractive Synthesis...
6. Smallest increments between beats; Coincide with the resolution in PPQN; MIDI data locks to these for start
Physical Modeling Synthesis
Channel Mode Message
Ticks
Note Mode
7. Transmit
Sustain Level
Rx (Abbv.)
Tx (Abbv.)
DIN Pin 4
8. Ability to play MORE than one note at a time; Often used for drums; sections
Aftertouch
Polyphonic
Pulse Wave
Cutoff Frequency
9. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
Multitimbral Module
Triangle Wave
IN Port
Decay Time
10. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
Key Note
Sawtooth Wave
Step Record
Timbre
11. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
Additive Synthesis
Filter Slopes
Receive Modes
Max MIDI Cable Length
12. The industry benchmark for beat production; Features a 32- voice drum/phrase sampler with up to 128MB RAM and extensive editing capabilities; 100 -000- note - 64- track sequencer; 4 MIDI Outputs; Internal sounds reside in flash memory and can easily
Amplitude Modulation
Slew Rate
MMA
Akai MPC2500
13. Least Significant Bit - the right- most bit in a binary whole number or code
lsb
Resynthesis
Square Wave
Envelope Generator Parameters
14. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
Quantization Values
Roland Fantom X6
Note ON MIDI
Sustain Level
15. Note Off + Channel (S) => Note # (D1) => Release Velocity (D2)
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16. Level at which sound remains until key is released
Modulates Pitch
Sustain Level
Non - Dedicated Sequencer
Amplitude Modulation
17. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
Coarse Tuning
Polyphonic
Granular Synthesis
Recording with MIDI Sequencer
18. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
Granular Synthesis
Fairlight CMI
Synclavier
Filter
19. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Timbre Assignment
Patch Mapping
Sampler
Receive Switch
20. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
S/PDif...
E- Mu Emulator
Multitimbral Mode
Daisy Chain Limitations
21. Limits the playback of a certain sample to a certain range on the MIDI keyboard; May sample multiple notes per octave to maintain realism of sampled instruments
Envelope Generator
'Note Off' Data Train
Key Range
Basic Sequencer Signal Flow
22. Voltage Controlled Amplifier; Controls Amplitude
Sawtooth Wave
Patch Mapping
VCA
Local ON
23. Complete sample(s) are loaded into RAM
PCM
Static
Note Mode
MIDI
24. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
'Note Off' Data Train
SDS
Slave Devices
Master Tracks Pro
25. Determined by time signature; Added together to form the full bar
MIDI Acronym
Beats
Midi Thru Box
Pitch
26. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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27. Program Change + Channel (S) => Patch # (D1) => N/A
Depth/Amount Parameter
Modulates Cutoff Frequency
Velocity Switching
Program Change Data Train
28. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
Monophonic
Filter Parameters
Synthesizer Audio Flow
MOTU Digital Performer
29. Using an envelope generator on an oscillator does this...
Modulates Pitch
Resynthesis
Ticks
EXS
30. Windows only based digital audio workstation platform
Piano Roll
Key Note
Coarse Tuning
Cakewalk Sonar
31. Sampler that comes packaged with Logic Pro
Notes OFF MIDI
Midi Thru Box
List Editor
EXS
32. Subtractive; Additive; Resynthesis; Frequency Modulation; Phase Distortion; Wavetable; Pulse Code Modulation; Granular; Graintable Synthesis; Physical Modeling; Analog Modeling
Synthesis Types
Daisy Chaining
Ultrabeat
Master Devices
33. Ability of a musical instrument to play more than one note at a time
Polyphonic
Ground Loop
Software Sampler
MIDI Protocol Type
34. Main file loaded into sampler; Contains all settings used to create the instrument; Usually DOES NOT contain the audio files themselves but references them while they are stored somewhere else
Portamento...
Preset/Patch/Instrument/Bank
Ableton Live
Dynamic Allocation
35. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Program Change Data Train
Zone/Key Group/Multi-Sample
Wah Wah
Triangle Wave
36. To create or shape
Generator
Amplitude
Velocity Mapping
Linn LM-1
37. L ->R === msb (1) - MIDI Message (3) - MIDI Channel (4)
Volume
Dual Serial Connection
Daisy Chain Limitations
8-Bit Breakdown of MIDI Code
38. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
Envelope Generator
Sampler
Pitch Bend Data Train
Preset/Patch/Instrument/Bank
39. Digital recordings triggered by MIDI
Samples
Handshake Wiring
Zones
Tremolo
40. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
MIDI Cable Specs
Program Change Data Train
Roland Fantom X6
Wavetable Synthesis
41. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Coarse Tuning
Master Devices
Amplitude
Pulse Code Modulation
42. Controls an instruments voices or 'sounds'
OMNI (On) POLY
Baud
Channel Voice Message
OMNI (On) MONO
43. SCSI Musical Data Interchange; Better option than SDS
SMDI
Monophonic
MMA
Modulates Pitch
44. Allows assignment of a different SOUND to each of the multitimbral parts
EMagic AMT-8 MIDI Interface
Timbre Assignment
Additive Synthesis
MONO Pressure Data Train
45. Maximum number of notes an instrument can play at once; Most modern MIDI instruments have 128 notes of polyphony
RAM (Memory)
Synthesizer Audio Flow
Polyphony
Save
46. Both the IN Port and OUT Port of two devices are connected together; Allows total communication between devices (BIDIRECTIONAL); Smartest MIDI wiring procedure
KORG Triton Rack
Handshake Wiring
Square Wave
MIDI Clock
47. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
Roland Fantom X6
Pitch
'Note Off' Data Train
5-Pin DIN Protocol
48. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
Pitch
Score Editor
Ground Loop
VCF
49. LFO is routed to low pass filter
MIDI Program Change
Wah Wah
Synthesizer Audio Flow
ProTools
50. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
Play
Basic Sequencer Signal Flow
List Editor
Midi Thru Box