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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Combination of layers and splits (Ex. => Assigning a piano sound across the entire length of the keyboard - but adding a string part only on upper octaves)
Akai MPC 60
Click Track
Zones
Ticks
2. Stack the next pass as a new region over the previous data; Multiple regions on one track
Zone/Key Group/Multi-Sample
Circle Machine
MIDI Module
Note Mode
3. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Vibrato...
C-Lab Notator
VCF
MIDI Clock
4. Data
Portamento...
MIDI Protocol Type
DIN Pin 5
MIDI Module
5. Rise and fall of amplitude generated by LFO being routed to amplifier
Channel Voice Message
Tremolo
DSP
FM Synthesis
6. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
OMNI (On) POLY
Status Byte
Pitch
Bit Depth
7. Circuits on a synth that determine the character of the attack and release of a tone can be controlled; Controls how sound changes over time; Most commonly on amplifier circuit
SDS
Tempest
Envelope Generator
Patch Mapping
8. MONO Pressure + Channel (S) => Amount (D1) => N/A
Save
MONO Pressure Data Train
5-Pin DIN Protocol
Coarse Tuning
9. Each pass will combine new MIDI data with old MIDI data already recorded onto track; Most commonly used; Allows looping and the ability to work at desired pace
Mix - Merge - or Overdub Mode
Dual Serial Connection
Static
Slave Devices
10. The first drum machine to use digital samples of acoustic drums
Aftertouch
Score Editor
Ground Loop
Linn LM-1
11. Filter Type & Slope; Cutoff Frequency; Resonance (Emphasis); Key Tracking
Notes OFF MIDI
Local ON
RAM (Memory)
Filter Parameters
12. Alters the phase angle of a waveform 'bending' the shape to create a unique character or tone
Split
Phase Distortion Synthesis
lsb
Notes OFF MIDI
13. Least Significant Bit - the right- most bit in a binary whole number or code
E- mu Proteus 2000
OMNI (On) MONO
RAM (Memory)
lsb
14. Drum machine that generates its sounds using six powerful analog synthesis voices; Runs an innovative - performance- oriented operating system that manipulates beats and sounds in real time without ever stopping play
Note ON MIDI
Tempest
Linn LM-1
MIDI Octaves
15. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
MIDI
Recording with MIDI Sequencer
List Editor
Channel Pressure
16. A curve or surface
Piano Roll
Envelope
Zero Crossing Point
Monophonic
17. Allows bidirectional communication between MIDI device and computer
Dual Serial Connection
Cutoff Frequency
MIDI Data Transmission Rate
Binary
18. Software ran on Atari; One of the first software based MIDI synthesizers
Channel Mode Message
Linn LM-1
Recording with MIDI Sequencer
Master Tracks Pro
19. Pre- mixes sound levels within the device
Volume
Noise
VCF
Release Time
20. Positional numbering system represents numerical values using only two symbols - 0 and 1
System Messages
Tx (Abbv.)
Binary
Zero Crossing Point
21. Note that alternates rapidly with another note a semitone above it
Envelope Generator Parameters
Portamento...
Trill
Basic Sequencer Signal Flow
22. Operating system made sense to most musicians; Became very popular because of its accessibility
Channel Pressure
Pulse Code Modulation
Akai S900
SDS
23. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
Channel Messages
Mix - Merge - or Overdub Mode
Ring Modulation
Manufacturer Terms for Mode 3
24. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Channel Pressure
SMDI
Aftertouch
Velocity Mapping
25. Overall sound quality defined by harmonic content
Dedicated Sequencer
Score Editor
msb
Timbre
26. Allows you to capture anything you play on keys while sequencer is playing back (but not actively recording); Exclusive to Logic Pro
DIN Pin 5
SCSI
Capture Last Take as Recording
ProTools
27. Subtractive; Additive; Resynthesis; Frequency Modulation; Phase Distortion; Wavetable; Pulse Code Modulation; Granular; Graintable Synthesis; Physical Modeling; Analog Modeling
Synthesis Types
Dynamic Allocation
Additive Synthesis
Key Tracking
28. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received on the one sound assigned to that channel; Ability to play ONLY one note at a time
OMNI (On) MONO
Oscillator
Physical Modeling Synthesis
SMDI
29. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
Cutoff Frequency
Quantization Values
Software Sampler
Zero Crossing Point
30. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Monophonic
Audio Samples
Software Sampler
Zone/Key Group/Multi-Sample
31. Note events edited on a staff - similar to composing music on sheets.
'Note Off' Data Train
Generator
Score Editor
Trill
32. Keys transmit directly to the internal sound engine of a keyboard (and usually to the MIDI OUT Port as well)
Tuning
Key Range
Local ON
Max MIDI Cable Length
33. Determines dynamic range and signal- to- noise ratio
Filter Slopes
Bit Depth
Polyphonic
3 Main MIDI Circuits
34. Program Change + Channel (S) => Patch # (D1) => N/A
Sampler
Generator
Analog Modeling Synthesis...
Program Change Data Train
35. Modulation technique in which the amplitude of the carrier signal is modified by the application of a data signal
Pan
Pulse Code Modulation
Amplitude Modulation
Mellotron
36. Used as a modulation source; Usually below 20Hz (.01 - 10Hz); Most common waveform is the sine - though there is often a choice; Defines vibrato - tremolo - and wah; Allows periodic changes to sound
Key Range
Static
Channel Mode Message
Low Frequency Oscillator (LFO)
37. Pitch - Amplitude - Timbre
Save
Dynamic Allocation
3 Main MIDI Circuits
OMNI (On) MONO
38. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Pulse Code Modulation
Coarse Tuning
PPQN
KORG Triton Rack
39. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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40. Determines the point at which a filter begins altering harmonics or frequencies
Synthesis Types
MIDI Octaves
Cutoff Frequency
MIDI Data Transmission Rate
41. Smooth gliding from one note to another (as in singing or string playing)
Portamento...
Quantization
Sequencer
E- mu Proteus 2000
42. Music production software that offers a great array of tools for mashup production - including tempo beatmapping and real time manipulation
Polyphonic
Bob Moog
Ableton Live
S/PDif...
43. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
Sampler
Basic Sequencer Signal Flow
Zero Crossing Point
JMSC
44. Very popular and affordable 8- bit sampler
Ensoniq Mirage
Roland Fantom X6
System Messages
MIDI Module
45. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
RAM (Memory)
Master Tracks Pro
Program Change Data Train
Resynthesis
46. Status Byte (S) => Data 1 (D1) => Data 2 (D2)
THRU Port
Note ON MIDI
Data Train
Analog Modeling Synthesis...
47. Changes some aspect of sound depending on how FAST you strike the keys; Commonly called 'Velocity Sensitivity;' Volume - Filter & Layers are typical examples
Notes OFF MIDI
Velocity Switching
AMS
Sequencer
48. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
PCM
Resonance
Sample Looping
Controller Editor
49. Initial few hundred milliseconds of samples are loaded into RAM & remaining sample length is streamed from the hard drive
SCSI
Streaming
Aftertouch
Envelope Generator
50. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
MIDI Program Change
SMDI
JMSC
Tempest
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