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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Drum sequencer that comes packaged with Logic Pro
Aftertouch
Ultrabeat
Modulation
Channel Voice Message
2. Pitch bend parameter that sets the range in semitones
Timbre Assignment
RAM (Memory)
Note Ranges
Coarse Tuning
3. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
Polyphonic
MMA
Akai MPC2500
8-Bit Breakdown of MIDI Code
4. Note ON; Note OFF; Program Change; MONO Pressure; POLY Pressure; Pitch Bend; Control Change
Types of Channel Voice Messages
Tx (Abbv.)
Key Tracking
Mix - Merge - or Overdub Mode
5. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Filter Parameters
MONO Pressure Data Train
Play
Aftertouch
6. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
Ground Loop
Envelope Generator
Beats
Rx (Abbv.)
7. Changes some aspect of sound depending on how FAST you strike the keys; Commonly called 'Velocity Sensitivity;' Volume - Filter & Layers are typical examples
Bit Depth
Pulse Wave
Velocity Switching
Ticks
8. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
Byte
PPQN
Step Record
Data Byte
9. 16 Independent Channel; Serial Transmission Protocol; One- Directional
Step Record
MIDI Cable Specs
VCF
Akai MPC 60
10. Transmit
Channel Enable/Disable
Master Devices
Tx (Abbv.)
RAM (Memory)
11. Alters the phase angle of a waveform 'bending' the shape to create a unique character or tone
MOTU Digital Performer
OMNI (Off) MONO
Samples
Phase Distortion Synthesis
12. Actual data; 'Note #'; Provides information and data the status byte uses to do its job; Uses an 8- bit system; Represented by msb = 0
EMagic AMT-8 MIDI Interface
Square Wave
3 Main MIDI Circuits
Data Byte
13. Both the IN Port and OUT Port of two devices are connected together; Allows total communication between devices (BIDIRECTIONAL); Smartest MIDI wiring procedure
Handshake Wiring
Recording with MIDI Sequencer
Filter Parameters
Streaming
14. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
Serial Port
Sustain Level
OMNI (Off) POLY
DIN Pin 4
15. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Audio Samples
Portamento...
Akai MPC 60
MIDI Module
16. Positional numbering system represents numerical values using only two symbols - 0 and 1
Binary
Envelope Generator
Granular Synthesis
Tuning
17. Tells how to interpret data that is coming up; 'note number is following'; Defines what we want the MIDI device to do; Represented by msb = 1
Channel Pressure
Binary
Status Byte
Modulation
18. The first drum machine to use digital samples of acoustic drums
Linn LM-1
Ableton Live
IN Port
Synclavier
19. Hardware; Stand alone hardware MIDI sequencers designed to record - edit - and playback MIDI data only; Offer high stability and portability - but have low resolution (24-96 PPQN) and a lack of editing facilities
MIDI Data Transmission Rate
Ensoniq Mirage
DIN Pin 5
Dedicated Sequencer
20. Height (or loudness) of a waveform
Coarse Tuning
Cakewalk Sonar
Amplitude
Daisy Chain Limitations
21. Allows you to capture anything you play on keys while sequencer is playing back (but not actively recording); Exclusive to Logic Pro
Sampler
Capture Last Take as Recording
Cutoff Frequency
Ultrabeat Import File Types
22. Place sounds in the stereo field within the device
Pan
Resolution
Timbre
Tuning
23. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
Dual Serial Connection
Wah Wah
OMNI (On) POLY
Channel Messages
24. Pre- mixes sound levels within the device
Channel Enable/Disable
Rx (Abbv.)
Step Record
Volume
25. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Tx (Abbv.)
'Note On' Data Train
Pulse Code Modulation
List Editor
26. How long it takes for volume of sound to drop to Sustain Level
Coarse Tuning
Timbre
Decay Time
Sawtooth Wave
27. Combination of layers and splits (Ex. => Assigning a piano sound across the entire length of the keyboard - but adding a string part only on upper octaves)
Note ON MIDI
Audio Samples
Zones
Volume
28. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received on the one sound assigned to that channel; Ability to play ONLY one note at a time
Baud
Triangle Wave
Coarse Tuning
OMNI (On) MONO
29. Specifically designed to emulate the nuances and characteristics of analog synthesizers; AKA => Virtual Analogs; Reduced cost over real analog - zero maintenance - and tuning stability; Increasing in popularity
Grid Editor
Analog Modeling Synthesis...
Velocity Mapping
KORG Triton Rack
30. Poly Mode; Patch or Program (Prog) Mode
Serial Port
Manufacturer Terms for Mode 3
MIDI Clock
Program Change Data Train
31. Where a slave device receives MIDI data; Can receive data from an OUT or THRU port
IN Port
Key Tracking
Channel Messages
Low Frequency Oscillator (LFO)
32. SCSI Musical Data Interchange; Better option than SDS
Handshake Wiring
SMDI
Output Assignment
Data Byte Breakdown for MIDI
33. Complete sample(s) are loaded into RAM
PCM
MMA
Static
Synthesizer Audio Flow
34. Audio interface that includes 8 mic preamps - a sophisticated DSP cue mixer - and a comprehensive array of digital I/O; Allows one to record 24- bit audio at up to 192kHz.
Playback Quantizing
Resolution
M-Audio ProFire 2626 Audio Interface
Software Sampler
35. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
Depth/Amount Parameter
Ultrabeat Import File Types
OMNI (On) POLY
KORG Triton Rack
36. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Quantization Values
Pitch
Patch Mapping
Save
37. Sound generating device with no integral keyboard
OUT Port
MIDI Module
Recording with MIDI Sequencer
3 Main MIDI Circuits
38. Another term for 'Channel Enable/Disable'
Amplitude Modulation
Subtractive Synthesis...
Samples
Receive Switch
39. Devices that transmit MIDI data (usually has keys or pads)
Master Devices
IN Port
Volume
OMNI (Off) POLY
40. Most commonly used MIDI receive mode; Device receives only on an assigned selectable data; Ability to play MORE than one note at a time
Channel Enable/Disable
KORG Triton Rack
Polyphonic
OMNI (Off) POLY
41. Modulation technique in which the amplitude of the carrier signal is modified by the application of a data signal
Controller Editor
Resynthesis
Phase Distortion Synthesis
Amplitude Modulation
42. Pitch - Amplitude - Timbre
Timbre Assignment
S/PDif...
3 Main MIDI Circuits
Bars
43. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
'Note On' Data Train
Disk Streaming
Dedicated Sequencer
Multitimbral Mode
44. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
Sine Wave
MIDI Acronym
Granular Synthesis
E- mu Proteus 2000
45. Ability to change the overall pitch or octave range of an individual part; Used for fine tuning
MIDI Connection Ports
MIDI Acronym
Channel Enable/Disable
Tuning
46. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Graintable Synthesis
Dynamic Allocation
Ring Modulation
Pulse Code Modulation
47. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
Accessibility
Fairlight CMI
Binary
RAM (Memory)
48. Data
Tx (Abbv.)
ProTools
Graintable Synthesis
DIN Pin 5
49. Operating system made sense to most musicians; Became very popular because of its accessibility
Output Assignment
Subtractive Synthesis...
Akai S900
Quantization Values
50. Sampler that comes packaged with Logic Pro
EXS
Circle Machine
Quantization
Destructive Quantize