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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Ability to change the overall pitch or octave range of an individual part; Used for fine tuning
Tuning
Note Mode
Ultrabeat Import File Types
Sample Rate
2. MIDI Out (Master) --> MIDI In (MIDI Interface) --> Travels via Dual Serial (USB) both to and from interface --> MIDI Out (MIDI Interface) --> MIDI In (Slave) --> Audio Out (Slave) --> Audio In (Mixer or Audio Interface) --> Audio Out (Speakers)
MMA
Accessibility
DIN Pin 5
Basic Sequencer Signal Flow
3. Maximum number of notes an instrument can play at once; Most modern MIDI instruments have 128 notes of polyphony
Basic Sequencer Signal Flow
Polyphony
Receive Switch
System Messages
4. Least Significant Bit - the right- most bit in a binary whole number or code
DIN Pin 2
lsb
Modulates Pitch
Manufacturer Terms for Mode 3
5. Sony-Philips digital interface format
Polyphonic
Ground Loop
Square Wave
S/PDif...
6. Determines dynamic range and signal- to- noise ratio
PCM
JMSC
Pitch Bend
Bit Depth
7. Record with highest input level possible - without clipping; Record more than you need; Adjust sample start and end times; Truncate unwanted material
Polyphony
Roland Fantom X6
Amplitude
Recording Samples (Guidelines)
8. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; Advances one step each 1/24 of a beat
Preset/Patch/Instrument/Bank
Zones
Pulse Code Modulation
MIDI Clock
9. Rise and fall of amplitude generated by LFO being routed to amplifier
Ultrabeat Import File Types
Channel Messages
Tremolo
Ableton Live
10. How accurate the timing of a MIDI performance is recorded;
Tempest
List Editor
Local OFF
Resolution
11. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
Accessibility
Daisy Chaining
JMSC
OMNI (Off) MONO
12. Digital Signal Processing; Provides for the ability to adjust levels - do equalization - dynamic processing - create special effects - and mix digital audio data
C-Lab Notator
Synclavier
Subtractive Synthesis...
DSP
13. Very popular and affordable 8- bit sampler
Dedicated Sequencer
Local ON
Trill
Ensoniq Mirage
14. Basic Waveform; Source vibrates with simple harmonic motion
Grid Editor
Key Note
Recording Samples (Guidelines)
Sine Wave
15. Contains only the fundamental frequency and all of its odd- numbered harmonics
FM Synthesis
PCM
Preset/Patch/Instrument/Bank
Square Wave
16. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
Capture Last Take as Recording
Binary
Daisy Chain Limitations
lsb
17. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
Basic Sequencer Signal Flow
MIDI
EMagic AMT-8 MIDI Interface
Daisy Chain Limitations
18. Each pass will combine new MIDI data with old MIDI data already recorded onto track; Most commonly used; Allows looping and the ability to work at desired pace
Slew Rate
Channel Mode Message
Granular Synthesis
Mix - Merge - or Overdub Mode
19. Used in the Reason software package; Combination of the features of Wavetable and Granular synthesis; Allows selection of particular wavetables that have been broken down into grain clouds for further manipulation
Slave Devices
Graintable Synthesis
Polyphonic
Data Train
20. Attack Time; Decay Time; Sustain Level; Release Time
Data Byte Breakdown for MIDI
Additive Synthesis
KORG Triton Rack
Envelope Generator Parameters
21. Note ON; Note OFF; Program Change; MONO Pressure; POLY Pressure; Pitch Bend; Control Change
Types of Channel Voice Messages
Pitch Bend
DIN Pin 2
Key Note
22. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Attack Time
C-Lab Notator
Recording with MIDI Sequencer
Step Record
23. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
Streaming
Playback Quantizing
Channel Messages
Pitch
24. Subtractive; Additive; Resynthesis; Frequency Modulation; Phase Distortion; Wavetable; Pulse Code Modulation; Granular; Graintable Synthesis; Physical Modeling; Analog Modeling
OUT Port
Timbre Assignment
Synthesis Types
Receive Switch
25. Measurement of how fast a note was pressed that enables samplers to be more dynamically expressive; Incoming note velocities are the player's variations in dynamics and they trigger different sets of samples
AMS
Velocity Mapping
Destructive Quantize
Program Change Data Train
26. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
Multitimbral Mode
Static
Receive Modes
Accessibility
27. Using an envelope generator on a filter does this...
Ring Modulation
Note Ranges
AMS
Modulates Cutoff Frequency
28. MIDI Message sent when key is released
Envelope
DIN Pin 5
Notes OFF MIDI
Ring Modulation
29. Controls an instruments voices or 'sounds'
Master Devices
Channel Voice Message
Ableton Live
Graintable Synthesis
30. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
OMNI (On) MONO
Split
MIDI Program Change
Ground Loop
31. Modulation technique in which the amplitude of the carrier signal is modified by the application of a data signal
Sequencer
DIN Pin 5
Amplitude Modulation
Ensoniq Mirage
32. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
SCSI
Step Record
Amplitude
THRU Port
33. +5 Bias Voltage; Provides +5V to 1's in binary code data
DIN Pin 4
Static
Byte
Analog Modeling Synthesis...
34. Complete sample(s) are loaded into RAM
Key Range
Static
Key Tracking
C4
35. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
DIN Pin 5
Ring Modulation
IN Port
MOTU Digital Performer
36. Sound generating device with no integral keyboard
SCSI
Envelope
MIDI Module
Score Editor
37. CMD+S
MMA
MIDI Data Transmission Rate
FM Synthesis
Save
38. Two or more instruments with note ranges that do not overlap
Split
Envelope Generator Parameters
Portamento...
Modulates Pitch
39. Most common type; Oscillators generate all of harmonic content and filters are used to subtract overtones from the sound; Think sculpture reference (from block to statue)
Envelope
LFO Parameters
Subtractive Synthesis...
Filter Slopes
40. Allows bidirectional communication between MIDI device and computer
Filter Slopes
Ground Loop
Dual Serial Connection
Key Range
41. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
OMNI (Off) MONO
Subtractive Synthesis...
Pitch
Velocity Mapping
42. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Step Record
SMDI
Zone/Key Group/Multi-Sample
Output Assignment
43. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Attack Time
Patch Mapping
Aftertouch
Trill
44. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
Basic Sequencer Signal Flow
Replace - Overwrite - or Destructive Record Mode
Pitch Bend
EMagic AMT-8 MIDI Interface
45. The transmission of an audio signal by using it to vary a carrier wave (amplitude of frequency)
Modulation
EXS
MIDI
Tempest
46. Pitch bend parameter that sets the range in semitones
Note Mode
Channel Messages
Coarse Tuning
Noise
47. 50'
AMS
Max MIDI Cable Length
Pulse Code Modulation
MIDI Connection Ports
48. Program Change + Channel (S) => Patch # (D1) => N/A
Step Record
Program Change Data Train
msb
Attack Time
49. Electronic tape- based keyboard instrument featuring prerecorded sounds; Tape bank could be removed and loaded with different sounds
Tuning
Pitch Bend Data Train
Mellotron
Dynamic Allocation
50. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
List Editor
EXS
Daisy Chaining
C-Lab Notator
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