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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Transmit
Disk Streaming
A/D Converter
Tx (Abbv.)
Audio Samples
2. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
Tempest
Trill
PPQN
ProTools
3. Allows assignment of a different SOUND to each of the multitimbral parts
Aftertouch
Basic Sequencer Signal Flow
Timbre Assignment
Akai MPC 60
4. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
Ground Loop
Analog Modeling Synthesis...
Portamento...
E- Mu Emulator II
5. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
Wah Wah
Cutoff Frequency
Quantization
MMA
6. The industry benchmark for beat production; Features a 32- voice drum/phrase sampler with up to 128MB RAM and extensive editing capabilities; 100 -000- note - 64- track sequencer; 4 MIDI Outputs; Internal sounds reside in flash memory and can easily
Handshake Wiring
Types of Channel Voice Messages
Cutoff Frequency
Akai MPC2500
7. Voltage Controlled Amplifier; Controls Amplitude
VCA
Low Frequency Oscillator (LFO)
Note Mode
Fairlight CMI
8. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
Piano Roll
MIDI
Multitimbral Module
Mellotron
9. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
Data Train
Triangle Wave
Sustain Level
Wah Wah
10. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
Sawtooth Wave
Timbre Assignment
Accessibility
SCSI
11. Used in the Reason software package; Combination of the features of Wavetable and Granular synthesis; Allows selection of particular wavetables that have been broken down into grain clouds for further manipulation
SDS
Manufacturer Terms for Multitimbral Mode
Data Byte Breakdown for MIDI
Graintable Synthesis
12. CMD+S
MOTU Digital Performer
Channel Mode Message
Save
Synclavier
13. Measurement of how fast a note was pressed that enables samplers to be more dynamically expressive; Incoming note velocities are the player's variations in dynamics and they trigger different sets of samples
Velocity Mapping
C4
E- mu Proteus 2000
Generator
14. Determines the highest frequency to be captured
Phase Distortion Synthesis
Sample Rate
Channel Voice Message
Oscillator
15. +5 Bias Voltage; Provides +5V to 1's in binary code data
Square Wave
Streaming
System Messages
DIN Pin 4
16. Uses sound of a single note which is sampled and stored as an oscillator waveform; Allow for more complex sounds which produces richer - more realistic tones; Allow one to crossfade between different waveforms over time
MOTU Digital Performer
Filter
Wavetable Synthesis
SDS
17. Pitch Bend + Channel (S) => Coarse Tune (D1) => Fine Tune (D2)
Types of Channel Voice Messages
Decay Time
MONO Pressure Data Train
Pitch Bend Data Train
18. Controls an instruments voices or 'sounds'
Monophonic
Envelope Generator
Channel Voice Message
Daisy Chaining
19. Multi Mode; Performance (Perf) Mode; Sequence Mode
Velocity Mapping
Manufacturer Terms for Multitimbral Mode
Depth/Amount Parameter
Channel Assignment
20. Windows only based digital audio workstation platform
EMagic AMT-8 MIDI Interface
Dynamic Allocation
Cakewalk Sonar
Sawtooth Wave
21. Device receives only on an assigned selectable data; Ability to play ONLY one note at a time
OMNI (Off) MONO
Audio Samples
Handshake Wiring
EMagic AMT-8 MIDI Interface
22. Note events edited on a staff - similar to composing music on sheets.
Data Train
Multitimbral Module
Dedicated Sequencer
Score Editor
23. Software; Computer- based MIDI recorders that can be used for other functions (word processing - web browsing - etc.); Offers high resolution (480+ PPQN) and expanded editing facilities - but have lower stability and lack portability
Non - Dedicated Sequencer
Pitch
Dedicated Sequencer
EMagic AMT-8 MIDI Interface
24. Two or more instruments with note ranges that do not overlap
Sampler
Envelope Generator
Split
Audio Samples
25. How long it takes for sound to fade to silence
Tuning
Release Time
Ticks
Filter Parameters
26. Space
Key Range
AMS
Play
Ensoniq Mirage
27. Receive
Rx (Abbv.)
Multitimbral Module
Samples
Cutoff Frequency
28. Operating system made sense to most musicians; Became very popular because of its accessibility
Attack Time
Sustain Level
SDS
Akai S900
29. Message sent when note is played (key pressed)
Mellotron
Ground Loop
Filter Slopes
Note ON MIDI
30. Changes some aspect of sound depending on how FAST you strike the keys; Commonly called 'Velocity Sensitivity;' Volume - Filter & Layers are typical examples
Score Editor
Low Frequency Oscillator (LFO)
Velocity Switching
Bars
31. Initial few hundred milliseconds of samples are loaded into RAM & remaining sample length is streamed from the hard drive
Resonance
Streaming
Key Range
msb
32. Each pass will overwrite the pass before it permanently erasing previous MIDI data
Low Frequency Oscillator (LFO)
Sustain Level
Replace - Overwrite - or Destructive Record Mode
Portamento...
33. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
M-Audio ProFire 2626 Audio Interface
Serial Port
Manufacturer Terms for Multitimbral Mode
Mellotron
34. LFO is routed to low pass filter
Destructive Quantize
msb
Wah Wah
Basic Sequencer Signal Flow
35. Starts from 1 at the very beginning of a sequence
Sample Rate
Filter Parameters
FM Synthesis
Bars
36. The most commonly accepted means of encoding digital audio data so it can be stored within a digital medium with a maximum degree of data density
PCM
Synclavier
Channel Enable/Disable
Ensoniq Mirage
37. Devices that transmit MIDI data (usually has keys or pads)
Dynamic Allocation
Sequencer
Envelope Generator Parameters
Master Devices
38. Complete sample(s) are loaded into RAM
Static
5-Pin DIN Protocol
VCA
FM Synthesis
39. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
Controller Editor
Multitimbral Mode
msb
POLY Pressure Data Train
40. Subtractive; Additive; Resynthesis; Frequency Modulation; Phase Distortion; Wavetable; Pulse Code Modulation; Granular; Graintable Synthesis; Physical Modeling; Analog Modeling
Synthesis Types
Binary
Replace - Overwrite - or Destructive Record Mode
Filter Slopes
41. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
Mellotron
MOTU Digital Performer
Sample Rate
Tremolo
42. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
A/D Converter
Audio Samples
Aftertouch
Quantization Values
43. In; Out; Thru
Channel Pressure
Noise
Pitch Bend
MIDI Connection Ports
44. Ground
Multitimbral Module
Data Byte Breakdown for MIDI
Bars
DIN Pin 2
45. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
Disk Streaming
Aftertouch
E- mu Proteus 2000
OMNI (Off) MONO
46. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Release Time
E- Mu Emulator
Low Frequency Oscillator (LFO)
SMDI
47. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
DIN Pin 2
Mellotron
Pitch
Additive Synthesis
48. Main file loaded into sampler; Contains all settings used to create the instrument; Usually DOES NOT contain the audio files themselves but references them while they are stored somewhere else
Preset/Patch/Instrument/Bank
Multitimbral Mode
Subtractive Synthesis...
FM Synthesis
49. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
Slave Devices
Circle Machine
Note Mode
5-Pin DIN Protocol
50. Record with highest input level possible - without clipping; Record more than you need; Adjust sample start and end times; Truncate unwanted material
Recording Samples (Guidelines)
Patch Mapping
Linn LM-1
Analog Modeling Synthesis...
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