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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
OMNI (On) POLY
MMA
Bit Depth
Controller Editor
2. Stack the next pass as a new region over the previous data; Multiple regions on one track
Aftertouch
Channel Enable/Disable
MIDI Clock
Note Mode
3. Uses powerful digital signal processing algorithms and equations to simulate the properties of a natural instrument; Very customizable
DIN Pin 2
Rx (Abbv.)
MIDI Module
Physical Modeling Synthesis
4. Defines the lowest and highest note on a keyboard that an individual part is active
DIN Pin 5
SCSI
Note Ranges
Cakewalk Sonar
5. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
DSP
Elisha Gray
C-Lab Notator
Timbre Assignment
6. Keys transmit to MIDI OUT Port ONLY bypassing any internal sounds; Internal sound engine receives MIDI via the MIDI IN Port allowing both a Master Device and Slave Device in one unit.
Depth/Amount Parameter
Local OFF
Play
Coarse Tuning
7. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Patch Mapping
Key Note
Non - Dedicated Sequencer
Zones
8. Pitch Bend + Channel (S) => Coarse Tune (D1) => Fine Tune (D2)
Receive Modes
Channel Assignment
Pitch Bend Data Train
Elisha Gray
9. Transmit
Local ON
Graintable Synthesis
Trill
Tx (Abbv.)
10. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
Synthesis Types
Baud
Multitimbral Module
Slew Rate
11. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
POLY Pressure Data Train
OMNI (Off) MONO
Resolution
Granular Synthesis
12. Using an envelope generator on a filter does this...
ProTools
Timbre
Modulates Cutoff Frequency
Recording Samples (Guidelines)
13. How accurate the timing of a MIDI performance is recorded;
Resolution
Channel Assignment
Cutoff Frequency
Accessibility
14. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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15. MONO Pressure + Channel (S) => Amount (D1) => N/A
Polyphonic
SDS
Sine Wave
MONO Pressure Data Train
16. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
Step Record
Cutoff Frequency
Key Range
Amplitude
17. Device receives only on an assigned selectable data; Ability to play ONLY one note at a time
Audio Samples
Receive Modes
OMNI (Off) MONO
Pitch
18. High Resolution; 14- bit parameter; (Coarse Tune X Fine Tune = 16 -384 Steps of resolution
Pitch Bend
MIDI Octaves
Output Assignment
Physical Modeling Synthesis
19. Level at which sound remains until key is released
DIN Pin 4
MONO Pressure Data Train
Akai MPC2500
Sustain Level
20. Program Change + Channel (S) => Patch # (D1) => N/A
Program Change Data Train
Resolution
Beats
PCM
21. +5 Bias Voltage; Provides +5V to 1's in binary code data
Attack Time
Envelope Generator Parameters
DIN Pin 4
Channel Assignment
22. Voltage Controlled Oscillator; Controls pitch
Channel Voice Message
SCSI
VCO
DIN Pin 2
23. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
Additive Synthesis
MIDI Cable Specs
Channel Mode Message
Zero Crossing Point
24. Used in the Reason software package; Combination of the features of Wavetable and Granular synthesis; Allows selection of particular wavetables that have been broken down into grain clouds for further manipulation
Velocity Switching
DIN Pin 4
Graintable Synthesis
ProTools
25. MIDI Message sent when key is released
C-Lab Notator
Notes OFF MIDI
AMS
Disk Streaming
26. Main file loaded into sampler; Contains all settings used to create the instrument; Usually DOES NOT contain the audio files themselves but references them while they are stored somewhere else
Local ON
Vibrato...
5-Pin DIN Protocol
Preset/Patch/Instrument/Bank
27. Define the attenuation of high pass and low pass filters; Sound will slowly dissipate in a filter at a predetermined interval (usually 12 or 24dB)
OMNI (On) POLY
Play
Accessibility
Filter Slopes
28. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
Split
THRU Port
Ensoniq Mirage
Release Time
29. Note that alternates rapidly with another note a semitone above it
Trill
Non - Dedicated Sequencer
Envelope Generator Parameters
SDS
30. Drum- style pattern recording in grid format with each horizontal line representing a different tone and each vertical line representing a beat of a predetermined bar
Linn LM-1
Grid Editor
Dynamic Allocation
Manufacturer Terms for Mode 3
31. Operating system made sense to most musicians; Became very popular because of its accessibility
MIDI Cable Specs
Recording with MIDI Sequencer
Sampler
Akai S900
32. Sony-Philips digital interface format
Data Byte
FM Synthesis
S/PDif...
Pulse Code Modulation
33. Audio MIDI Setup; Utility designed to tell the computer what MIDI Interface and hardware is being used - as well as audio connections; Built into System Software of Mac OS 10.1 and up; Sequencers communicate with AMS for audio and MIDI routing and se
Playback Quantizing
List Editor
Quantization Values
AMS
34. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
Elisha Gray
Basic Sequencer Signal Flow
Receive Switch
List Editor
35. Basic Waveform; Source vibrates with simple harmonic motion
Replace - Overwrite - or Destructive Record Mode
Channel Mode Message
Sine Wave
Granular Synthesis
36. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
Data Byte
3 Main MIDI Circuits
EMagic AMT-8 MIDI Interface
Dual Serial Connection
37. Powerful feature of MIDI editing that fixes timing issues; Moves notes to a predetermined grid by dividing the PPQN into common note value divisions
Click Track
Pitch Bend
Receive Modes
Quantization
38. Speed of a waveform (cycles per second)
SDS
Pitch
Receive Modes
Recording with MIDI Sequencer
39. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Cakewalk Sonar
A/D Converter
Aftertouch
OUT Port
40. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
C-Lab Notator
Channel Mode Message
Ensoniq Mirage
Vibrato...
41. Ground
Elisha Gray
Key Tracking
DIN Pin 2
Accessibility
42. Subtractive; Additive; Resynthesis; Frequency Modulation; Phase Distortion; Wavetable; Pulse Code Modulation; Granular; Graintable Synthesis; Physical Modeling; Analog Modeling
Synthesis Types
Note ON MIDI
Data Byte Breakdown for MIDI
Audio Samples
43. The industry benchmark for beat production; Features a 32- voice drum/phrase sampler with up to 128MB RAM and extensive editing capabilities; 100 -000- note - 64- track sequencer; 4 MIDI Outputs; Internal sounds reside in flash memory and can easily
Serial Port
Akai MPC2500
Modulation
Pulse Code Modulation
44. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
Circle Machine
Sampler
Audio Samples
Multitimbral Module
45. Note ON; Note OFF; Program Change; MONO Pressure; POLY Pressure; Pitch Bend; Control Change
Step Record
Volume
Types of Channel Voice Messages
Piano Roll
46. Note events edited on a staff - similar to composing music on sheets.
MIDI Data Transmission Rate
Sequencer
Output Assignment
Score Editor
47. Added subtractive synthesis to the E- Mu Emulator
Receive Modes
Master Devices
E- Mu Emulator II
Synthesizer Audio Flow
48. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Receive Modes
Manufacturer Terms for Multitimbral Mode
JMSC
Ticks
49. Pre- mixes sound levels within the device
THRU Port
C-Lab Notator
Aftertouch
Volume
50. 16 Independent Channel; Serial Transmission Protocol; One- Directional
MIDI Cable Specs
MMA
Note Ranges
Beats