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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Ability to play MORE than one note at a time; Often used for drums; sections
Patch Mapping
Polyphonic
Pitch
Audio Samples
2. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
C4
Disk Streaming
C-Lab Notator
Bars
3. Place sounds in the stereo field within the device
Tuning
Pan
Polyphony
Physical Modeling Synthesis
4. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
3 Main MIDI Circuits
SMDI
Polyphonic
Step Record
5. Defines the instrument's response to voice messages
Channel Mode Message
Power Conditioner
Master Devices
S/PDif...
6. Voltage Controlled Filter; Voltage amount changes harmonic content
Modulation
DSP
VCF
Pulse Code Modulation
7. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
Step Record
Sawtooth Wave
Manufacturer Terms for Multitimbral Mode
Modulation
8. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
E- Mu Emulator
MMA
Master Devices
Ensoniq Mirage
9. Dum machine that featured 12- bit sampling; 99- track sequencer with a 60 -000 note capacity; Debuted the familiar 4 x 4 grid of drum pads
Cakewalk Sonar
Bit Depth
Patch Mapping
Akai MPC 60
10. A device that 'conditions' the electrical supply to take out spikes and surges.
Max MIDI Cable Length
Power Conditioner
OMNI (Off) POLY
EXS
11. Multi Mode; Performance (Perf) Mode; Sequence Mode
Manufacturer Terms for Multitimbral Mode
Channel Voice Message
Max MIDI Cable Length
Note Mode
12. Rise and fall of pitch created when LFO is routed to the oscillator
Physical Modeling Synthesis
Vibrato...
Graintable Synthesis
VCF
13. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received on the one sound assigned to that channel; Ability to play ONLY one note at a time
Low Frequency Oscillator (LFO)
Square Wave
OMNI (On) MONO
Graintable Synthesis
14. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Akai MPC 60
LFO Parameters
MMA
Midi Thru Box
15. Contains only the fundamental frequency and all of its odd- numbered harmonics
Additive Synthesis
Square Wave
Resolution
Channel Pressure
16. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Bob Moog
'Note On' Data Train
Rx (Abbv.)
MIDI Octaves
17. Operating system made sense to most musicians; Became very popular because of its accessibility
KORG Triton Rack
Circle Machine
IN Port
Akai S900
18. Used as a modulation source; Usually below 20Hz (.01 - 10Hz); Most common waveform is the sine - though there is often a choice; Defines vibrato - tremolo - and wah; Allows periodic changes to sound
Channel Pressure
Ableton Live
Amplitude Modulation
Low Frequency Oscillator (LFO)
19. Deal with the set- up and operating parameters for a MIDI device - Acknowledged by all devices in a MIDI system
Bars
Volume
MIDI Program Change
System Messages
20. Determines which note on the MIDI keyboard will play the sample at its original pitch and speed; Almost always set to Middle C
Key Note
THRU Port
Coarse Tuning
Modulation
21. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
Velocity Mapping
Midi Thru Box
Data Byte Breakdown for MIDI
Pitch
22. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
Ticks
AMS
Ground Loop
Vibrato...
23. Smooth gliding from one note to another (as in singing or string playing)
Portamento...
Attack Time
Master Devices
Piano Roll
24. Smallest increments between beats; Coincide with the resolution in PPQN; MIDI data locks to these for start
LFO Parameters
Ticks
Manufacturer Terms for Multitimbral Mode
Daisy Chain Limitations
25. In; Out; Thru
Velocity Mapping
MIDI Connection Ports
MIDI Interface Setup
MIDI Protocol Type
26. Debuted in 1980; First sampling based instrument by Small Australian company
Click Track
Data Byte Breakdown for MIDI
Step Record
Fairlight CMI
27. How long it takes for volume of sound to drop to Sustain Level
Basic Sequencer Signal Flow
Decay Time
Mix - Merge - or Overdub Mode
Polyphony
28. The first sequencer developed for custom- built electronic instruments; Developed by Raymond Scott in 1950's
MOTU Digital Performer
Circle Machine
Trill
Generator
29. Pitch bend parameter that sets the range in semitones
Manufacturer Terms for Multitimbral Mode
Coarse Tuning
Note Mode
Beats
30. Series of tempo- related electronic timing markers embedded in the MIDI data stream; Revolves around BPM; Advances one step each 1/24 of a beat
Filter Parameters
Decay Time
MIDI Clock
Pitch
31. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
Resynthesis
Coarse Tuning
Daisy Chaining
System Messages
32. Sony-Philips digital interface format
Bars
Non - Dedicated Sequencer
Envelope
S/PDif...
33. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
Fairlight CMI
Channel Messages
Sample Looping
POLY Pressure Data Train
34. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
JMSC
Max MIDI Cable Length
Monophonic
Low Frequency Oscillator (LFO)
35. Changes an analog audio signal to a digital format (binary data) that can be stored or manipulated on a computer
Sequencer
Accessibility
A/D Converter
SCSI
36. Pre- mixes sound levels within the device
MIDI Octaves
Volume
Software Sampler
MMA
37. Voltage Controlled Amplifier; Controls Amplitude
Mix - Merge - or Overdub Mode
msb
VCA
MIDI Octaves
38. 12 notes; Change between B & C
MIDI Interface Setup
Velocity Mapping
MIDI Octaves
Software Sampler
39. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
Depth/Amount Parameter
SCSI
Serial Port
Modulation
40. Enables the subtraction of frequencies from a basic waveform allowing shaping of desired content
Channel Voice Message
Filter
Analog Modeling Synthesis...
Split
41. 16 Independent Channel; Serial Transmission Protocol; One- Directional
Zones
S/PDif...
MIDI Cable Specs
Playback Quantizing
42. Bits/Second
Beats
Quantization
Tuning
Baud
43. Permanent; Original placement of notes is lost and only the quantized version remains
Destructive Quantize
Types of Channel Voice Messages
MOTU Digital Performer
Synthesis Types
44. Pitch - Amplitude - Timbre
Timbre Assignment
Quantization Values
3 Main MIDI Circuits
Receive Modes
45. Determines dynamic range and signal- to- noise ratio
Bit Depth
MIDI Data Transmission Rate
Vibrato...
Local ON
46. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
OUT Port
List Editor
Elisha Gray
Envelope Generator Parameters
47. Data
Note Mode
DIN Pin 5
List Editor
OMNI (On) MONO
48. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
Synclavier
Note Mode
5-Pin DIN Protocol
Key Tracking
49. Alters the phase angle of a waveform 'bending' the shape to create a unique character or tone
lsb
M-Audio ProFire 2626 Audio Interface
Receive Switch
Phase Distortion Synthesis
50. How quickly sound reaches its peak volume when key is pressed
Channel Voice Message
Output Assignment
Mix - Merge - or Overdub Mode
Attack Time