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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Musical Instrument Digital Interface
DIN Pin 5
MIDI Acronym
Modulates Cutoff Frequency
Additive Synthesis
2. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Attack Time
Sample Looping
Accessibility
Pulse Code Modulation
3. Determines how much effect an envelope generator has on a particular circuit
KORG Triton Rack
Depth/Amount Parameter
Receive Modes
Sample Rate
4. Note that alternates rapidly with another note a semitone above it
Modulates Pitch
Zones
Trill
Ableton Live
5. Overall sound quality defined by harmonic content
Timbre
E- Mu Emulator
Disk Streaming
'Note Off' Data Train
6. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
Ground Loop
Baud
Destructive Quantize
Elisha Gray
7. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Note Mode
Serial Port
Midi Thru Box
Patch Mapping
8. Rackmount version of the Triton used as a sound module rather than a complete workstation; Able to store up to eight EXB boards containing additional sounds; Features a built- in S/PDIF digital output
Additive Synthesis
KORG Triton Rack
Modulation
Modulates Pitch
9. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
MIDI Data Transmission Rate
Additive Synthesis
Granular Synthesis
Trill
10. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
Sawtooth Wave
Ultrabeat Import File Types
Subtractive Synthesis...
Recording Samples (Guidelines)
11. Sampler that comes packaged with Logic Pro
Software Sampler
Synclavier
Dedicated Sequencer
EXS
12. A curve or surface
Depth/Amount Parameter
Note ON MIDI
MIDI Cable Specs
Envelope
13. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
3 Main MIDI Circuits
RAM (Memory)
C-Lab Notator
Piano Roll
14. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Audio Samples
AMS
Quantization Values
Max MIDI Cable Length
15. Ability to play ONLY one note at a time; Often used for solo instruments (horns) - bass - portamento - slides - and trills
MIDI Module
DIN Pin 5
Monophonic
Score Editor
16. Receive
Dual Serial Connection
Key Range
Save
Rx (Abbv.)
17. Where a slave device receives MIDI data; Can receive data from an OUT or THRU port
MIDI
IN Port
Resonance
Filter Slopes
18. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
MIDI
List Editor
Serial Port
Envelope
19. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
Generator
Serial Port
Envelope Generator Parameters
Controller Editor
20. Both the IN Port and OUT Port of two devices are connected together; Allows total communication between devices (BIDIRECTIONAL); Smartest MIDI wiring procedure
OMNI (On) POLY
Handshake Wiring
Roland Fantom X6
Slave Devices
21. Positional numbering system represents numerical values using only two symbols - 0 and 1
Resonance
Quantization Values
Subtractive Synthesis...
Binary
22. Chooses which channels a multitimbral MIDI device will respond
Coarse Tuning
VCA
Channel Enable/Disable
MIDI Protocol Type
23. Music production software that offers a great array of tools for mashup production - including tempo beatmapping and real time manipulation
Sequencer
Ableton Live
LFO Parameters
Multitimbral Mode
24. Very common technique; Utilizes initial attack and loops a small part of remaining audio file
Sample Looping
Playback Quantizing
Daisy Chain Limitations
SDS
25. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
VCF
Patch Mapping
Channel Enable/Disable
THRU Port
26. Determines the highest frequency to be captured
Sample Rate
MIDI Program Change
Modulates Pitch
Fairlight CMI
27. Serial
lsb
MIDI Protocol Type
Piano Roll
Non - Dedicated Sequencer
28. Connects computer to MIDI device; All MIDI routing and communication is handled by the computer
Data Train
Replace - Overwrite - or Destructive Record Mode
MIDI Interface Setup
Trill
29. Multi Mode; Performance (Perf) Mode; Sequence Mode
SCSI
JMSC
Oscillator
Manufacturer Terms for Multitimbral Mode
30. Measurement of how fast a note was pressed that enables samplers to be more dynamically expressive; Incoming note velocities are the player's variations in dynamics and they trigger different sets of samples
Note Mode
Velocity Mapping
THRU Port
DIN Pin 4
31. Ground
VCA
Tx (Abbv.)
DIN Pin 2
AMS
32. Transmit
Tx (Abbv.)
RAM (Memory)
PCM
Quantization
33. Determines the layout of MIDI channels for each of the multitimbral parts
THRU Port
Channel Assignment
Dual Serial Connection
EMagic AMT-8 MIDI Interface
34. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
Cutoff Frequency
SMDI
Disk Streaming
Bit Depth
35. Voltage Controlled Filter; Voltage amount changes harmonic content
Oscillator
VCF
Data Byte
Binary
36. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
Synthesizer Audio Flow
Tx (Abbv.)
Sawtooth Wave
Portamento...
37. Enables the subtraction of frequencies from a basic waveform allowing shaping of desired content
Filter
Sampler
Manufacturer Terms for Mode 3
Pulse Code Modulation
38. MIDI sound source capable of producing several different sounds at the same time - controlled on different MIDI channels
AMS
Dual Serial Connection
Multitimbral Module
Capture Last Take as Recording
39. Added subtractive synthesis to the E- Mu Emulator
Ultrabeat Import File Types
DIN Pin 4
E- Mu Emulator II
Pitch
40. Most Significant Bit; the left- most bit in a binary whole number or code
Midi Thru Box
msb
Aftertouch
Zone/Key Group/Multi-Sample
41. Changes an analog audio signal to a digital format (binary data) that can be stored or manipulated on a computer
Envelope Generator Parameters
Resolution
A/D Converter
Sample Rate
42. Subtractive; Additive; Resynthesis; Frequency Modulation; Phase Distortion; Wavetable; Pulse Code Modulation; Granular; Graintable Synthesis; Physical Modeling; Analog Modeling
Types of Channel Voice Messages
Synthesis Types
Tuning
Data Train
43. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
M-Audio ProFire 2626 Audio Interface
VCO
Recording with MIDI Sequencer
MOTU Digital Performer
44. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
Ground Loop
PPQN
Wavetable Synthesis
Analog Modeling Synthesis...
45. Self contained computerized synthesizer developed in 1975; Playback system records patterns that you play on keyboard
Play
Filter Slopes
Step Record
Synclavier
46. Two or more sounds play simultaneously on the same channel
Modulates Cutoff Frequency
Quantization
Recording Samples (Guidelines)
Layer
47. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Vibrato...
SDS
Types of Channel Voice Messages
Zone/Key Group/Multi-Sample
48. Software; Computer- based MIDI recorders that can be used for other functions (word processing - web browsing - etc.); Offers high resolution (480+ PPQN) and expanded editing facilities - but have lower stability and lack portability
Square Wave
Ultrabeat Import File Types
Timbre Assignment
Non - Dedicated Sequencer
49. Least Significant Bit - the right- most bit in a binary whole number or code
Note Ranges
lsb
Subtractive Synthesis...
Envelope
50. Initial few hundred milliseconds of samples are loaded into RAM & remaining sample length is streamed from the hard drive
Streaming
Receive Modes
Software Sampler
Channel Mode Message