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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Self contained computerized synthesizer developed in 1975; Playback system records patterns that you play on keyboard
Synclavier
Ring Modulation
Synthesizer Audio Flow
LFO Parameters
2. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
POLY Pressure Data Train
'Note On' Data Train
Channel Assignment
Oscillator
3. Metronome; Prerecorded track of electronic metronomic clicks used to ensure proper timing of music to be recorded; Essential in music scoring sessions; Sets composition tempo
Click Track
M-Audio ProFire 2626 Audio Interface
Tremolo
Receive Modes
4. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
E- mu Proteus 2000
Generator
MIDI Program Change
Status Byte
5. Note that alternates rapidly with another note a semitone above it
Midi Thru Box
Trill
Sequencer
Velocity Mapping
6. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
Circle Machine
Filter
Static
Ground Loop
7. Circuits on a synth that determine the character of the attack and release of a tone can be controlled; Controls how sound changes over time; Most commonly on amplifier circuit
Envelope Generator
Channel Voice Message
Akai MPC 60
Capture Last Take as Recording
8. Conveys the amount of overall (average) pressure on ALL the keys at a given point
Quantization Values
Channel Voice Message
Power Conditioner
Channel Pressure
9. Audio interface that includes 8 mic preamps - a sophisticated DSP cue mixer - and a comprehensive array of digital I/O; Allows one to record 24- bit audio at up to 192kHz.
Depth/Amount Parameter
Attack Time
Preset/Patch/Instrument/Bank
M-Audio ProFire 2626 Audio Interface
10. Defines the lowest and highest note on a keyboard that an individual part is active
Velocity Switching
Aftertouch
Note Ranges
Disk Streaming
11. Advantages: Higher memory (RAM) & samples are saved and recalled with the session; Disadvantage: Lower stability
Types of Channel Voice Messages
Channel Messages
Software Sampler
Click Track
12. +5 Bias Voltage; Provides +5V to 1's in binary code data
E- Mu Emulator
Baud
SCSI
DIN Pin 4
13. Rackmount version of the Triton used as a sound module rather than a complete workstation; Able to store up to eight EXB boards containing additional sounds; Features a built- in S/PDIF digital output
KORG Triton Rack
Note ON MIDI
Layer
Local OFF
14. Using an envelope generator on a filter does this...
Granular Synthesis
Modulates Cutoff Frequency
Rx (Abbv.)
Key Tracking
15. A device that 'conditions' the electrical supply to take out spikes and surges.
Power Conditioner
Noise
Filter
DIN Pin 5
16. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
Granular Synthesis
Dynamic Allocation
Physical Modeling Synthesis
OMNI (Off) MONO
17. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Tuning
Audio Samples
Filter
Envelope Generator Parameters
18. Software; Computer- based MIDI recorders that can be used for other functions (word processing - web browsing - etc.); Offers high resolution (480+ PPQN) and expanded editing facilities - but have lower stability and lack portability
Akai S900
Coarse Tuning
Master Tracks Pro
Non - Dedicated Sequencer
19. Data
Local OFF
Timbre Assignment
DSP
DIN Pin 5
20. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
RAM (Memory)
Monophonic
Data Byte
MIDI Clock
21. Determines the layout of MIDI channels for each of the multitimbral parts
'Note Off' Data Train
M-Audio ProFire 2626 Audio Interface
Channel Assignment
Binary
22. Another term for 'Channel Enable/Disable'
Multitimbral Module
MMA
Receive Switch
VCA
23. Device receives only on an assigned selectable data; Ability to play ONLY one note at a time
Cutoff Frequency
OMNI (Off) MONO
8-Bit Breakdown of MIDI Code
Amplitude
24. Ability of audio equipment to reproduce fast changes in amplitude; Measured in volts per microsecond; Low slew rate 'softens' the attack of a signal; High frequencies change in amplitude the fastest so slew rate is critical
Phase Distortion Synthesis
Subtractive Synthesis...
Slew Rate
Byte
25. Determines the highest frequency to be captured
Samples
Sample Rate
Bars
RAM (Memory)
26. Space
IN Port
Play
VCA
Recording with MIDI Sequencer
27. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
Polyphonic
OMNI (On) POLY
Local ON
Bit Depth
28. Least Significant Bit - the right- most bit in a binary whole number or code
lsb
Envelope Generator Parameters
C-Lab Notator
Resynthesis
29. Digital recordings triggered by MIDI
ProTools
Pan
Modulation
Samples
30. Controls an instruments voices or 'sounds'
Channel Voice Message
Static
Daisy Chain Limitations
Data Byte
31. Positional numbering system represents numerical values using only two symbols - 0 and 1
Binary
OMNI (Off) MONO
Piano Roll
Ticks
32. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
Envelope Generator Parameters
PPQN
Key Range
Pan
33. Message sent when note is played (key pressed)
Bob Moog
Envelope Generator
PCM
Note ON MIDI
34. Define the attenuation of high pass and low pass filters; Sound will slowly dissipate in a filter at a predetermined interval (usually 12 or 24dB)
Binary
Trill
Filter Slopes
Notes OFF MIDI
35. Smooth gliding from one note to another (as in singing or string playing)
Polyphonic
Master Tracks Pro
FM Synthesis
Portamento...
36. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
Ensoniq Mirage
Fairlight CMI
Modulates Pitch
Byte
37. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
C4
Synthesis Types
Triangle Wave
Split
38. Digital Signal Processing; Provides for the ability to adjust levels - do equalization - dynamic processing - create special effects - and mix digital audio data
Quantization
DSP
'Note On' Data Train
Dual Serial Connection
39. Uses powerful digital signal processing algorithms and equations to simulate the properties of a natural instrument; Very customizable
VCF
Physical Modeling Synthesis
MOTU Digital Performer
Synthesizer Audio Flow
40. Voltage Controlled Amplifier; Controls Amplitude
Phase Distortion Synthesis
VCA
Quantization Values
Physical Modeling Synthesis
41. Determines the point at which a filter begins altering harmonics or frequencies
Cakewalk Sonar
Cutoff Frequency
PCM
Save
42. Two or more instruments with note ranges that do not overlap
RAM (Memory)
Split
Envelope Generator Parameters
Noise
43. High Resolution; 14- bit parameter; (Coarse Tune X Fine Tune = 16 -384 Steps of resolution
Baud
Pitch Bend
Resynthesis
Data Train
44. Permanent; Original placement of notes is lost and only the quantized version remains
Synthesis Types
Destructive Quantize
IN Port
Recording Samples (Guidelines)
45. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
Elisha Gray
Circle Machine
Data Byte
Vibrato...
46. Sony-Philips digital interface format
Envelope Generator
S/PDif...
Pitch Bend
Pitch
47. The first drum machine to use digital samples of acoustic drums
Portamento...
Layer
OMNI (Off) MONO
Linn LM-1
48. The industry benchmark for beat production; Features a 32- voice drum/phrase sampler with up to 128MB RAM and extensive editing capabilities; 100 -000- note - 64- track sequencer; 4 MIDI Outputs; Internal sounds reside in flash memory and can easily
Envelope Generator Parameters
POLY Pressure Data Train
MIDI
Akai MPC2500
49. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
E- Mu Emulator
Resonance
Audio Samples
Multitimbral Mode
50. Operating system made sense to most musicians; Became very popular because of its accessibility
Akai S900
'Note Off' Data Train
POLY Pressure Data Train
Click Track