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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
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Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
Channel Enable/Disable
POLY Pressure Data Train
MMA
Sampler
2. Changes some aspect of sound depending on how FAST you strike the keys; Commonly called 'Velocity Sensitivity;' Volume - Filter & Layers are typical examples
MOTU Digital Performer
Velocity Switching
Synclavier
Bit Depth
3. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Cakewalk Sonar
Playback Quantizing
Midi Thru Box
Portamento...
4. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
Roland Fantom X6
Accessibility
THRU Port
Local OFF
5. Tells how to interpret data that is coming up; 'note number is following'; Defines what we want the MIDI device to do; Represented by msb = 1
Data Byte
Beats
'Note Off' Data Train
Status Byte
6. Serial
MIDI Protocol Type
Resolution
Daisy Chain Limitations
Pitch
7. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Note Ranges
Channel Mode Message
Channel Pressure
Dynamic Allocation
8. +5 Bias Voltage; Provides +5V to 1's in binary code data
Dedicated Sequencer
DIN Pin 4
Save
Static
9. Level at which sound remains until key is released
Binary
'Note Off' Data Train
Sustain Level
Pan
10. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
POLY Pressure Data Train
Mellotron
Granular Synthesis
Byte
11. Pitch Bend + Channel (S) => Coarse Tune (D1) => Fine Tune (D2)
Controller Editor
Channel Enable/Disable
Pitch Bend Data Train
Disk Streaming
12. Modulation technique in which the amplitude of the carrier signal is modified by the application of a data signal
Filter Parameters
DIN Pin 4
DSP
Amplitude Modulation
13. Basic Waveform; Source vibrates with simple harmonic motion
MIDI Protocol Type
Note Mode
Square Wave
Sine Wave
14. Ability of a musical instrument to play more than one note at a time
Bars
Note Ranges
DSP
Polyphonic
15. Uses sound of a single note which is sampled and stored as an oscillator waveform; Allow for more complex sounds which produces richer - more realistic tones; Allow one to crossfade between different waveforms over time
OMNI (On) MONO
Phase Distortion Synthesis
Key Range
Wavetable Synthesis
16. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Pulse Code Modulation
Beats
5-Pin DIN Protocol
Byte
17. Rise and fall of pitch created when LFO is routed to the oscillator
Amplitude
MIDI
Vibrato...
Pitch Bend
18. LFO is routed to low pass filter
E- mu Proteus 2000
Square Wave
Wah Wah
MIDI Connection Ports
19. Alters the phase angle of a waveform 'bending' the shape to create a unique character or tone
Audio Samples
Pitch Bend Data Train
Filter
Phase Distortion Synthesis
20. The first drum machine to use digital samples of acoustic drums
Sustain Level
Portamento...
OMNI (Off) MONO
Linn LM-1
21. Where a slave device receives MIDI data; Can receive data from an OUT or THRU port
Mellotron
Save
IN Port
Disk Streaming
22. Voltage Controlled Filter; Voltage amount changes harmonic content
Ensoniq Mirage
POLY Pressure Data Train
Bob Moog
VCF
23. Specifically designed to emulate the nuances and characteristics of analog synthesizers; AKA => Virtual Analogs; Reduced cost over real analog - zero maintenance - and tuning stability; Increasing in popularity
Data Byte
Polyphonic
Analog Modeling Synthesis...
A/D Converter
24. Powerful feature of MIDI editing that fixes timing issues; Moves notes to a predetermined grid by dividing the PPQN into common note value divisions
Akai MPC 60
Local ON
E- Mu Emulator
Quantization
25. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Key Range
Static
Power Conditioner
Audio Samples
26. Most Significant Bit; the left- most bit in a binary whole number or code
Velocity Switching
Non - Dedicated Sequencer
msb
Pitch
27. Contains only the fundamental frequency and all of its odd- numbered harmonics
Mellotron
Square Wave
Filter
Release Time
28. Determines the highest frequency to be captured
Sample Rate
List Editor
Basic Sequencer Signal Flow
Recording with MIDI Sequencer
29. Changes the sound envelope based on how high or low the pitch of the note
Key Tracking
Tuning
Sustain Level
Capture Last Take as Recording
30. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Aftertouch
LFO Parameters
Preset/Patch/Instrument/Bank
Channel Enable/Disable
31. Data
VCA
Byte
MIDI Data Transmission Rate
DIN Pin 5
32. Main file loaded into sampler; Contains all settings used to create the instrument; Usually DOES NOT contain the audio files themselves but references them while they are stored somewhere else
Cutoff Frequency
MIDI Clock
Preset/Patch/Instrument/Bank
DIN Pin 2
33. Defines the lowest and highest note on a keyboard that an individual part is active
Note Ranges
Oscillator
OMNI (Off) MONO
Volume
34. Technology advanced allowing for multiple tone generators in one keyboard or module; Revolutionized MIDI and sequencing; First appeared in 1985; Each channel is independent of the others; Equivalent to Omni Poly Off (x 16 channels)
Multitimbral Mode
Data Train
Receive Switch
Synthesizer Audio Flow
35. Software ran on Atari; One of the first software based MIDI synthesizers
Master Tracks Pro
msb
Recording with MIDI Sequencer
Channel Assignment
36. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
EXS
Granular Synthesis
Modulation
Bit Depth
37. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Channel Messages
Subtractive Synthesis...
Binary
Zero Crossing Point
38. Digital audio workstation platform for Mac OS X and Windows operating systems; Developed and manufactured by Avid Technology
Granular Synthesis
Resolution
Filter Slopes
ProTools
39. Determines dynamic range and signal- to- noise ratio
SMDI
Bob Moog
Notes OFF MIDI
Bit Depth
40. MONO Pressure + Channel (S) => Amount (D1) => N/A
Phase Distortion Synthesis
Slave Devices
MONO Pressure Data Train
Local ON
41. Device receives only on an assigned selectable data; Ability to play ONLY one note at a time
Filter Parameters
OMNI (Off) MONO
Akai MPC 60
DSP
42. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
Hardware Sampler
Cutoff Frequency
Software Sampler
MIDI Octaves
43. Self contained computerized synthesizer developed in 1975; Playback system records patterns that you play on keyboard
Synclavier
Channel Assignment
Master Devices
Envelope Generator Parameters
44. MIDI Message sent when key is released
MIDI Protocol Type
Note Ranges
Notes OFF MIDI
MONO Pressure Data Train
45. Only error corrected on playback; Data remains the same as one records it
Master Tracks Pro
Channel Mode Message
Key Note
Playback Quantizing
46. Communications language based on the Master Device/Slave Device protocol used in synchronization systems; MIDI is NOT audio...it is performance data only
Velocity Switching
Destructive Quantize
MIDI
Hardware Sampler
47. Buzz in audio or hum bar in video signal caused by slightly different grounds that are interconnected by a wire (interconnecting equipment that's plugged into different power sources)
Amplitude
EMagic AMT-8 MIDI Interface
Monophonic
Ground Loop
48. Pitch bend parameter that sets the range in semitones
Basic Sequencer Signal Flow
Sampler
Coarse Tuning
Channel Messages
49. Pre- mixes sound levels within the device
Key Note
Volume
Aftertouch
Midi Thru Box
50. Space
Key Range
Ground Loop
Play
MIDI Acronym
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