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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Poly Mode; Patch or Program (Prog) Mode
Manufacturer Terms for Mode 3
Ground Loop
Dedicated Sequencer
Pitch Bend
2. 50'
Notes OFF MIDI
lsb
Max MIDI Cable Length
Resolution
3. Changes an analog audio signal to a digital format (binary data) that can be stored or manipulated on a computer
A/D Converter
Graintable Synthesis
PPQN
Playback Quantizing
4. Pitch bend parameter that sets the range in semitones
Coarse Tuning
Controller Editor
OMNI (Off) POLY
Roland Fantom X6
5. High Resolution; 14- bit parameter; (Coarse Tune X Fine Tune = 16 -384 Steps of resolution
Note Mode
C-Lab Notator
Pitch Bend
'Note On' Data Train
6. .PST & .EXS
Wavetable Synthesis
Quantization Values
Ultrabeat Import File Types
MIDI Acronym
7. Level at which sound remains until key is released
MIDI Octaves
Sustain Level
'Note On' Data Train
Roland Fantom X6
8. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
RAM (Memory)
Quantization Values
Quantization
Beats
9. Space
Master Tracks Pro
Play
Replace - Overwrite - or Destructive Record Mode
Trill
10. Defines the instrument's response to voice messages
Pitch
Attack Time
Channel Mode Message
PPQN
11. The first sequencer developed for custom- built electronic instruments; Developed by Raymond Scott in 1950's
Patch Mapping
Granular Synthesis
Aftertouch
Circle Machine
12. Limits the playback of a certain sample to a certain range on the MIDI keyboard; May sample multiple notes per octave to maintain realism of sampled instruments
Channel Pressure
Key Range
Akai S900
Portamento...
13. Allows assignment of a different SOUND to each of the multitimbral parts
PCM
Timbre Assignment
Synthesis Types
E- mu Proteus 2000
14. Where a master device transmits (or sends) MIDI data; Only the master is plugged into this port
Aftertouch
C-Lab Notator
OUT Port
Envelope Generator
15. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
MMA
Synclavier
Dedicated Sequencer
Vibrato...
16. Device which splits the MIDI Out signal of a master instrument or sequencer to avoid daisy chaining; Has special powered circuitry that routes MIDI data arriving at its IN Ports to ALL of the OUT (THRU) Ports simultaneously; Often seen as a 'mode' an
Akai MPC 60
Master Devices
Midi Thru Box
DIN Pin 2
17. Most Significant Bit; the left- most bit in a binary whole number or code
msb
Ensoniq Mirage
Coarse Tuning
OMNI (On) MONO
18. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
Quantization Values
THRU Port
Pitch
C4
19. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Graintable Synthesis
Attack Time
Rx (Abbv.)
Dynamic Allocation
20. The transmission of an audio signal by using it to vary a carrier wave (amplitude of frequency)
Manufacturer Terms for Mode 3
Multitimbral Module
Attack Time
Modulation
21. Changes the sound envelope based on how high or low the pitch of the note
Key Tracking
Analog Modeling Synthesis...
Receive Modes
DIN Pin 2
22. Inputs 2 frequencies; Outputs only the sum of and difference of the frequencies; Usually used with one simple - fixed oscillator tone - and a more complex sound like speech or singing to create 'talk box' effect
Ring Modulation
Score Editor
Samples
Midi Thru Box
23. Transmit
Output Assignment
Bars
Data Byte
Tx (Abbv.)
24. Serial
Sampler
Daisy Chain Limitations
MIDI Protocol Type
Resonance
25. MIDI Note #60 (Roland Standard)
Bars
Accessibility
C4
MONO Pressure Data Train
26. Only error corrected on playback; Data remains the same as one records it
Envelope Generator Parameters
Playback Quantizing
Slew Rate
Key Range
27. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
Elisha Gray
Phase Distortion Synthesis
Modulates Cutoff Frequency
Ensoniq Mirage
28. Note events edited on a staff - similar to composing music on sheets.
KORG Triton Rack
Score Editor
LFO Parameters
MIDI Module
29. Musical Instrument Digital Interface
Velocity Mapping
Mix - Merge - or Overdub Mode
Step Record
MIDI Acronym
30. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
OMNI (On) POLY
3 Main MIDI Circuits
Notes OFF MIDI
Granular Synthesis
31. A curve or surface
Envelope
Playback Quantizing
Types of Channel Voice Messages
Mellotron
32. Two or more instruments with note ranges that do not overlap
Sample Looping
Phase Distortion Synthesis
Split
Oscillator
33. Added subtractive synthesis to the E- Mu Emulator
E- Mu Emulator II
MIDI Module
Mix - Merge - or Overdub Mode
E- Mu Emulator
34. Pre- mixes sound levels within the device
Sample Rate
IN Port
Volume
Ring Modulation
35. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
Modulates Pitch
Data Byte Breakdown for MIDI
Tx (Abbv.)
Additive Synthesis
36. Determines dynamic range and signal- to- noise ratio
Bit Depth
Click Track
MIDI
Receive Switch
37. Standard for transferring data between devices on internal and external computer; Most commonly used for tape storage devices and hard disks
Polyphony
Pitch Bend
SCSI
MMA
38. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Zero Crossing Point
Ableton Live
RAM (Memory)
Timbre Assignment
39. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
RAM (Memory)
PPQN
Aftertouch
Resonance
40. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
Sustain Level
Receive Switch
Resynthesis
Notes OFF MIDI
41. Incomprehensibility resulting from irrelevant harmonic information
Noise
SCSI
Aftertouch
Disk Streaming
42. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
MMA
Bob Moog
Tuning
Sample Looping
43. Technology advanced allowing for multiple tone generators in one keyboard or module; Revolutionized MIDI and sequencing; First appeared in 1985; Each channel is independent of the others; Equivalent to Omni Poly Off (x 16 channels)
Key Note
Pitch
Ultrabeat Import File Types
Multitimbral Mode
44. Enables the subtraction of frequencies from a basic waveform allowing shaping of desired content
VCA
Filter
Pitch Bend Data Train
Note Mode
45. Sampler that comes packaged with Logic Pro
Click Track
EXS
Sustain Level
Timbre
46. Electronic tape- based keyboard instrument featuring prerecorded sounds; Tape bank could be removed and loaded with different sounds
MIDI
Max MIDI Cable Length
Granular Synthesis
Mellotron
47. Emulator containing sounds that may be layered - filtered - modulated by low frequency oscillation - and shaped by envelopes; Does not allow the user to record sounds but instead offer a range of factory sounds suitable for any given use
Vibrato...
E- mu Proteus 2000
8-Bit Breakdown of MIDI Code
OMNI (On) MONO
48. Rise and fall of amplitude generated by LFO being routed to amplifier
Tremolo
Zero Crossing Point
MMA
Synthesis Types
49. Determines the layout of MIDI channels for each of the multitimbral parts
Channel Assignment
Data Byte
List Editor
VCF
50. Device allowing for the capture of sound and allowing it to be played back using MIDI messages; Hardware and software modules available
Filter Slopes
Bit Depth
DIN Pin 2
Sampler