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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Basic Waveform; Source vibrates with simple harmonic motion
Phase Distortion Synthesis
Zone/Key Group/Multi-Sample
Sine Wave
Receive Modes
2. Audio MIDI Setup; Utility designed to tell the computer what MIDI Interface and hardware is being used - as well as audio connections; Built into System Software of Mac OS 10.1 and up; Sequencers communicate with AMS for audio and MIDI routing and se
Fairlight CMI
AMS
Multitimbral Mode
Slew Rate
3. Speed of a waveform (cycles per second)
E- Mu Emulator II
Pitch
8-Bit Breakdown of MIDI Code
Velocity Switching
4. Multi Mode; Performance (Perf) Mode; Sequence Mode
MIDI Acronym
EXS
Resolution
Manufacturer Terms for Multitimbral Mode
5. Digital sample playback; Natural waveform is digitally recorded and stored as a series of binary code; Near perfect reproduction of original sound; More realistic starting point for the sound
Save
5-Pin DIN Protocol
Accessibility
Pulse Code Modulation
6. Least Significant Bit - the right- most bit in a binary whole number or code
lsb
S/PDif...
Square Wave
Akai MPC2500
7. Main file loaded into sampler; Contains all settings used to create the instrument; Usually DOES NOT contain the audio files themselves but references them while they are stored somewhere else
Audio Samples
Rx (Abbv.)
OUT Port
Preset/Patch/Instrument/Bank
8. Ability to play MORE than one note at a time; Often used for drums; sections
Akai S900
Polyphonic
Replace - Overwrite - or Destructive Record Mode
Data Byte Breakdown for MIDI
9. Wave that consists of a single traveling pulse
Daisy Chaining
Tuning
Pulse Wave
OMNI (Off) POLY
10. Keys transmit to MIDI OUT Port ONLY bypassing any internal sounds; Internal sound engine receives MIDI via the MIDI IN Port allowing both a Master Device and Slave Device in one unit.
Polyphonic
Program Change Data Train
Timbre
Local OFF
11. Allows for the routing of output from individual parts to secondary (auxiliary) audio outputs rather than the main stereo outputs; EQ effects can be changed from those on main stereo outputs
Play
Ring Modulation
Output Assignment
Volume
12. Limits the playback of a certain sample to a certain range on the MIDI keyboard; May sample multiple notes per octave to maintain realism of sampled instruments
Hardware Sampler
Physical Modeling Synthesis
Sequencer
Key Range
13. Deal with the set- up and operating parameters for a MIDI device - Acknowledged by all devices in a MIDI system
Velocity Mapping
System Messages
Oscillator
Channel Enable/Disable
14. Windows only based digital audio workstation platform
Akai S900
Serial Port
MIDI Clock
Cakewalk Sonar
15. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
List Editor
VCA
Phase Distortion Synthesis
5-Pin DIN Protocol
16. In MIDI - a sequence of 8 bits (enough to represent one character of alphanumeric data) processed as a single unit of information
Byte
VCA
Key Range
THRU Port
17. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
msb
E- Mu Emulator
Slew Rate
Patch Mapping
18. Actual data; 'Note #'; Provides information and data the status byte uses to do its job; Uses an 8- bit system; Represented by msb = 0
Data Byte
Serial Port
Tremolo
Ultrabeat
19. Voltage Controlled Amplifier; Controls Amplitude
DSP
VCA
'Note Off' Data Train
Program Change Data Train
20. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
Polyphonic
OMNI (Off) POLY
Resonance
Serial Port
21. Record with highest input level possible - without clipping; Record more than you need; Adjust sample start and end times; Truncate unwanted material
Recording Samples (Guidelines)
Channel Pressure
KORG Triton Rack
Data Train
22. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
Resonance
Data Train
EXS
Volume
23. Pre- mixes sound levels within the device
Click Track
Recording with MIDI Sequencer
Volume
Samples
24. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
msb
Disk Streaming
Mellotron
Noise
25. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
Ticks
Binary
Sample Looping
Triangle Wave
26. Maximum of 3 MIDI Slave Devices can be wired past the Master Device according to the MMA; All MIDI IN Ports are optically isolated to prevent hum - buzz - ground looping - and RF interference.
Daisy Chain Limitations
Recording with MIDI Sequencer
Master Devices
Oscillator
27. Complete sample(s) are loaded into RAM
Triangle Wave
Local OFF
Mellotron
Static
28. Controls an instruments voices or 'sounds'
Synclavier
Channel Voice Message
DIN Pin 5
Hardware Sampler
29. Alters the phase angle of a waveform 'bending' the shape to create a unique character or tone
Phase Distortion Synthesis
List Editor
msb
AMS
30. In; Out; Thru
Phase Distortion Synthesis
DSP
Envelope Generator Parameters
MIDI Connection Ports
31. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Akai MPC 60
Cutoff Frequency
MIDI Program Change
Receive Modes
32. Defines the instrument's response to voice messages
Tremolo
Channel Mode Message
JMSC
Data Byte
33. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
SDS
Channel Mode Message
Hardware Sampler
IN Port
34. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
E- Mu Emulator
Key Tracking
Data Byte Breakdown for MIDI
Beats
35. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
Channel Enable/Disable
Circle Machine
Additive Synthesis
Modulates Pitch
36. Metronome; Prerecorded track of electronic metronomic clicks used to ensure proper timing of music to be recorded; Essential in music scoring sessions; Sets composition tempo
Click Track
Sampler
DIN Pin 2
Zone/Key Group/Multi-Sample
37. Note that alternates rapidly with another note a semitone above it
Additive Synthesis
Trill
POLY Pressure Data Train
Modulates Pitch
38. Operating system made sense to most musicians; Became very popular because of its accessibility
Ground Loop
Pan
Akai S900
Patch Mapping
39. +5 Bias Voltage; Provides +5V to 1's in binary code data
DIN Pin 4
E- mu Proteus 2000
Split
KORG Triton Rack
40. .PST & .EXS
Daisy Chain Limitations
Serial Port
Pulse Code Modulation
Ultrabeat Import File Types
41. Ability of a musical instrument to play more than one note at a time
Pulse Wave
OMNI (Off) MONO
Key Note
Polyphonic
42. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
JMSC
Synthesizer Audio Flow
Note ON MIDI
E- mu Proteus 2000
43. Very popular and affordable 8- bit sampler
Channel Enable/Disable
Manufacturer Terms for Multitimbral Mode
Ensoniq Mirage
Multitimbral Mode
44. Visual editor for MIDI notes with a piano keyboard running low to high on the left; Also called a Key Editor
Release Time
Channel Voice Message
Piano Roll
MIDI Module
45. Sony-Philips digital interface format
S/PDif...
Roland Fantom X6
Replace - Overwrite - or Destructive Record Mode
5-Pin DIN Protocol
46. The most commonly accepted means of encoding digital audio data so it can be stored within a digital medium with a maximum degree of data density
Save
PCM
KORG Triton Rack
Receive Modes
47. Inputs 2 frequencies; Outputs only the sum of and difference of the frequencies; Usually used with one simple - fixed oscillator tone - and a more complex sound like speech or singing to create 'talk box' effect
Velocity Switching
Zero Crossing Point
Ring Modulation
Pitch Bend
48. Uses powerful digital signal processing algorithms and equations to simulate the properties of a natural instrument; Very customizable
Rx (Abbv.)
Physical Modeling Synthesis
OMNI (Off) POLY
Save
49. Program Change + Channel (S) => Patch # (D1) => N/A
Phase Distortion Synthesis
Program Change Data Train
Accessibility
Streaming
50. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
M-Audio ProFire 2626 Audio Interface
THRU Port
Accessibility
Quantization Values
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