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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Level at which sound remains until key is released
Tuning
Synclavier
System Messages
Sustain Level
2. Using an envelope generator on an oscillator does this...
Modulates Pitch
Ring Modulation
Serial Port
Receive Switch
3. Sound generating device with no integral keyboard
MIDI Module
Multitimbral Module
PCM
MIDI Interface Setup
4. Complete sample(s) are loaded into RAM
Key Range
Master Tracks Pro
Portamento...
Static
5. Keys transmit directly to the internal sound engine of a keyboard (and usually to the MIDI OUT Port as well)
Local ON
Analog Modeling Synthesis...
Capture Last Take as Recording
Grid Editor
6. Sample Dump Standard; Signal starts to degrade
Filter Parameters
SDS
SCSI
Zones
7. Drum sequencer that comes packaged with Logic Pro
DIN Pin 4
Audio Samples
Ultrabeat
lsb
8. Allows you to capture anything you play on keys while sequencer is playing back (but not actively recording); Exclusive to Logic Pro
Synthesis Types
OMNI (Off) MONO
Envelope
Capture Last Take as Recording
9. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
Filter Parameters
Channel Pressure
MIDI Connection Ports
Hardware Sampler
10. Attack Time; Decay Time; Sustain Level; Release Time
Sustain Level
THRU Port
Envelope Generator Parameters
Tx (Abbv.)
11. Method of connecting several devices along a bus and managing the signals for each device; The most basic MIDI connection; Plays multiple sounds with same MIDI data
Receive Modes
Resolution
MIDI Protocol Type
Daisy Chaining
12. Advantages: Higher memory (RAM) & samples are saved and recalled with the session; Disadvantage: Lower stability
MIDI Clock
Notes OFF MIDI
Ground Loop
Software Sampler
13. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
Sawtooth Wave
Akai S900
MIDI Data Transmission Rate
Sine Wave
14. Each pass will combine new MIDI data with old MIDI data already recorded onto track; Most commonly used; Allows looping and the ability to work at desired pace
Square Wave
OMNI (Off) MONO
Channel Voice Message
Mix - Merge - or Overdub Mode
15. A curve or surface
Handshake Wiring
Pitch Bend
PPQN
Envelope
16. In; Out; Thru
MIDI Interface Setup
Receive Modes
E- Mu Emulator II
MIDI Connection Ports
17. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
Note Mode
Recording with MIDI Sequencer
Receive Switch
Trill
18. Note ON; Note OFF; Program Change; MONO Pressure; POLY Pressure; Pitch Bend; Control Change
Daisy Chaining
Types of Channel Voice Messages
Multitimbral Module
Non - Dedicated Sequencer
19. Devices that transmit MIDI data (usually has keys or pads)
Timbre Assignment
lsb
Master Devices
System Messages
20. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
Tx (Abbv.)
Receive Modes
MIDI Octaves
Sequencer
21. How accurate the timing of a MIDI performance is recorded;
Analog Modeling Synthesis...
Binary
Save
Resolution
22. Where a master device transmits (or sends) MIDI data; Only the master is plugged into this port
Generator
OUT Port
PPQN
'Note On' Data Train
23. Both the IN Port and OUT Port of two devices are connected together; Allows total communication between devices (BIDIRECTIONAL); Smartest MIDI wiring procedure
Handshake Wiring
Wah Wah
Note ON MIDI
Channel Messages
24. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
IN Port
Note Mode
Pitch Bend Data Train
POLY Pressure Data Train
25. The first drum machine to use digital samples of acoustic drums
Envelope Generator
Coarse Tuning
Linn LM-1
Monophonic
26. Defines the lowest and highest note on a keyboard that an individual part is active
IN Port
Manufacturer Terms for Mode 3
Velocity Mapping
Note Ranges
27. Value = 0 - 127 (Variations of the last 7 numbers)
Data Byte Breakdown for MIDI
MIDI
Channel Assignment
DIN Pin 5
28. Poly Mode; Patch or Program (Prog) Mode
Channel Enable/Disable
Manufacturer Terms for Mode 3
E- Mu Emulator
Attack Time
29. Using an envelope generator on a filter does this...
Vibrato...
Synthesis Types
Modulates Cutoff Frequency
Ring Modulation
30. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
Beats
Playback Quantizing
FM Synthesis
Resynthesis
31. Starts from 1 at the very beginning of a sequence
Serial Port
Bars
EMagic AMT-8 MIDI Interface
Recording Samples (Guidelines)
32. Allows using a pencil tool to input notes - define note value - and manually enter notes; Useful for parts too complex to play at desired tempo or due to a lack of performance ability
Step Record
Controller Editor
Akai S900
Slew Rate
33. How quickly sound reaches its peak volume when key is pressed
Master Devices
Ultrabeat Import File Types
Bit Depth
Attack Time
34. Message sent when note is played (key pressed)
Note ON MIDI
Data Train
Recording with MIDI Sequencer
Tx (Abbv.)
35. Uses powerful digital signal processing algorithms and equations to simulate the properties of a natural instrument; Very customizable
Physical Modeling Synthesis
EMagic AMT-8 MIDI Interface
Ableton Live
Circle Machine
36. Most Significant Bit; the left- most bit in a binary whole number or code
OMNI (On) POLY
Tempest
msb
Cakewalk Sonar
37. Debuted in 1980; First sampling based instrument by Small Australian company
Master Tracks Pro
Polyphony
Channel Assignment
Fairlight CMI
38. Basic Waveform; Source vibrates with simple harmonic motion
MONO Pressure Data Train
Binary
Sine Wave
Samples
39. Digital recordings triggered by MIDI
M-Audio ProFire 2626 Audio Interface
Samples
Zones
Hardware Sampler
40. Drum- style pattern recording in grid format with each horizontal line representing a different tone and each vertical line representing a beat of a predetermined bar
Zero Crossing Point
Recording with MIDI Sequencer
Grid Editor
Layer
41. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
Sine Wave
ProTools
Preset/Patch/Instrument/Bank
RAM (Memory)
42. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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43. Allows bidirectional communication between MIDI device and computer
Daisy Chain Limitations
Dual Serial Connection
EXS
Channel Enable/Disable
44. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Local OFF
Patch Mapping
Controller Editor
Depth/Amount Parameter
45. Rackmount version of the Triton used as a sound module rather than a complete workstation; Able to store up to eight EXB boards containing additional sounds; Features a built- in S/PDIF digital output
Polyphonic
Binary
KORG Triton Rack
Akai S900
46. Note that alternates rapidly with another note a semitone above it
Trill
5-Pin DIN Protocol
Oscillator
Dedicated Sequencer
47. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
SCSI
Rx (Abbv.)
Roland Fantom X6
MIDI Connection Ports
48. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
Score Editor
Vibrato...
Pitch
EMagic AMT-8 MIDI Interface
49. Windows only based digital audio workstation platform
Cakewalk Sonar
Velocity Switching
Synclavier
Output Assignment
50. 16 Independent Channel; Serial Transmission Protocol; One- Directional
MIDI Cable Specs
MIDI
Envelope Generator Parameters
EMagic AMT-8 MIDI Interface