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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
Envelope
Playback Quantizing
Samples
5-Pin DIN Protocol
2. Rise and fall of pitch created when LFO is routed to the oscillator
OMNI (Off) MONO
Bit Depth
Coarse Tuning
Vibrato...
3. SCSI Musical Data Interchange; Better option than SDS
MIDI Cable Specs
Decay Time
Coarse Tuning
SMDI
4. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
IN Port
EMagic AMT-8 MIDI Interface
Output Assignment
MIDI Program Change
5. The first drum machine to use digital samples of acoustic drums
Akai MPC 60
Linn LM-1
MIDI Module
Monophonic
6. How quickly sound reaches its peak volume when key is pressed
Serial Port
Manufacturer Terms for Multitimbral Mode
MIDI Module
Attack Time
7. Advantages: Higher memory (RAM) & samples are saved and recalled with the session; Disadvantage: Lower stability
Ground Loop
Roland Fantom X6
Software Sampler
Destructive Quantize
8. Attack Time; Decay Time; Sustain Level; Release Time
Low Frequency Oscillator (LFO)
MIDI Data Transmission Rate
Envelope Generator Parameters
Channel Pressure
9. Drum sequencer that comes packaged with Logic Pro
Max MIDI Cable Length
Ring Modulation
POLY Pressure Data Train
Ultrabeat
10. Advantage: Higher stability; Disadvantages: Lower memory (RAM) amount & separate media for samples
POLY Pressure Data Train
Circle Machine
Hardware Sampler
Tempest
11. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
Mix - Merge - or Overdub Mode
Channel Messages
Wah Wah
POLY Pressure Data Train
12. Determines the point at which a filter begins altering harmonics or frequencies
Zero Crossing Point
Capture Last Take as Recording
Score Editor
Cutoff Frequency
13. Where samples are recorded or loaded when playing back from within a sampler; Erased when sampler is turned off so sounds must be stored on removable media; Static/
Wah Wah
Sine Wave
RAM (Memory)
Granular Synthesis
14. VCO -> VCF -> VCA -> Speakers; (LFO and Envelope Generator run to all of the 3 circuits)
Synthesizer Audio Flow
Ultrabeat
Low Frequency Oscillator (LFO)
Piano Roll
15. Most common type; Oscillators generate all of harmonic content and filters are used to subtract overtones from the sound; Think sculpture reference (from block to statue)
Subtractive Synthesis...
EMagic AMT-8 MIDI Interface
Quantization Values
Circle Machine
16. Sample Dump Standard; Signal starts to degrade
Static
SDS
Ground Loop
Step Record
17. Defines the instrument's response to voice messages
Handshake Wiring
Noise
Channel Mode Message
Subtractive Synthesis...
18. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
PPQN
Elisha Gray
Envelope Generator
Split
19. POLY Pressure + Channel (S) => Note # (D1) => Amount (D2)
MIDI Interface Setup
Bars
Amplitude Modulation
POLY Pressure Data Train
20. Multi Mode; Performance (Perf) Mode; Sequence Mode
Beats
Manufacturer Terms for Multitimbral Mode
Phase Distortion Synthesis
Key Note
21. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
Dual Serial Connection
Accessibility
Triangle Wave
MMA
22. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
Multitimbral Mode
Polyphonic
PPQN
Pitch Bend Data Train
23. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
Play
Additive Synthesis
Pitch Bend Data Train
Dynamic Allocation
24. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
Disk Streaming
MMA
Dynamic Allocation
Multitimbral Mode
25. Determined by time signature; Added together to form the full bar
Basic Sequencer Signal Flow
Beats
MONO Pressure Data Train
OMNI (Off) POLY
26. Recreating a natural sound by using additive synthesis techniques; Requires powerful and expensive hardware; Replaced with the advent of digital sampling
Fairlight CMI
Resynthesis
Channel Enable/Disable
Streaming
27. Starts from 1 at the very beginning of a sequence
Non - Dedicated Sequencer
Bars
RAM (Memory)
Sample Looping
28. Determines dynamic range and signal- to- noise ratio
Receive Modes
VCF
Bit Depth
M-Audio ProFire 2626 Audio Interface
29. Subtractive; Additive; Resynthesis; Frequency Modulation; Phase Distortion; Wavetable; Pulse Code Modulation; Granular; Graintable Synthesis; Physical Modeling; Analog Modeling
Tuning
POLY Pressure Data Train
Synthesis Types
Wavetable Synthesis
30. MONO Pressure + Channel (S) => Amount (D1) => N/A
Step Record
Manufacturer Terms for Multitimbral Mode
Ticks
MONO Pressure Data Train
31. Debuted in 1980; First sampling based instrument by Small Australian company
Fairlight CMI
Sample Rate
Modulates Cutoff Frequency
Note ON MIDI
32. Dum machine that featured 12- bit sampling; 99- track sequencer with a 60 -000 note capacity; Debuted the familiar 4 x 4 grid of drum pads
Modulation
Cakewalk Sonar
Akai MPC 60
MIDI Acronym
33. 50'
Coarse Tuning
POLY Pressure Data Train
Max MIDI Cable Length
Pitch
34. How long it takes for volume of sound to drop to Sustain Level
Decay Time
Note Mode
List Editor
Triangle Wave
35. Defines the lowest and highest note on a keyboard that an individual part is active
Note Ranges
Graintable Synthesis
A/D Converter
OMNI (On) POLY
36. Using an envelope generator on an oscillator does this...
Additive Synthesis
Modulates Pitch
DIN Pin 5
EXS
37. Devices that transmit MIDI data (usually has keys or pads)
Analog Modeling Synthesis...
Master Devices
THRU Port
Modulates Cutoff Frequency
38. Keys transmit directly to the internal sound engine of a keyboard (and usually to the MIDI OUT Port as well)
Static
'Note Off' Data Train
Channel Enable/Disable
Local ON
39. Device receives only on an assigned selectable data; Ability to play ONLY one note at a time
Phase Distortion Synthesis
Channel Assignment
Graintable Synthesis
OMNI (Off) MONO
40. Smallest increments between beats; Coincide with the resolution in PPQN; MIDI data locks to these for start
Ticks
Data Byte Breakdown for MIDI
Multitimbral Mode
MIDI Clock
41. Method of connecting several devices along a bus and managing the signals for each device; The most basic MIDI connection; Plays multiple sounds with same MIDI data
Sampler
Destructive Quantize
Daisy Chaining
Ensoniq Mirage
42. Program Change + Channel (S) => Patch # (D1) => N/A
Multitimbral Mode
Bob Moog
Receive Switch
Program Change Data Train
43. Measurement of how fast a note was pressed that enables samplers to be more dynamically expressive; Incoming note velocities are the player's variations in dynamics and they trigger different sets of samples
DSP
Velocity Mapping
Analog Modeling Synthesis...
Zone/Key Group/Multi-Sample
44. 31.25 Kilobaud (31 -250 baud)
Power Conditioner
Volume
MIDI Data Transmission Rate
Monophonic
45. Operating system made sense to most musicians; Became very popular because of its accessibility
Akai S900
Split
Ticks
Baud
46. Main file loaded into sampler; Contains all settings used to create the instrument; Usually DOES NOT contain the audio files themselves but references them while they are stored somewhere else
Preset/Patch/Instrument/Bank
Controller Editor
Pulse Wave
E- Mu Emulator II
47. Voltage Controlled Amplifier; Controls Amplitude
VCA
KORG Triton Rack
Split
Audio Samples
48. One of the first affordable samplers; Contained only 2 samples; Very limited functionality
Multitimbral Module
Mellotron
E- Mu Emulator
Pitch
49. Software sequencer that eventually developed into Apple's Logic Pro; Released in 1988
Serial Port
Data Byte Breakdown for MIDI
C-Lab Notator
Ground Loop
50. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
THRU Port
DIN Pin 4
Bob Moog
Ring Modulation