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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Rate (Speed) & Depth (Intensity)
LFO Parameters
MIDI Acronym
PCM
Key Tracking
2. A device that 'conditions' the electrical supply to take out spikes and surges.
Power Conditioner
Key Note
Bit Depth
Program Change Data Train
3. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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4. Ability to play MORE than one note at a time; Often used for drums; sections
Beats
Tx (Abbv.)
Recording Samples (Guidelines)
Polyphonic
5. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
PPQN
System Messages
DIN Pin 5
Release Time
6. This changes when keys are pressed above or below the key note; Alters the playback speed of the sample
Play
Pitch
Replace - Overwrite - or Destructive Record Mode
MIDI Octaves
7. Determines dynamic range and signal- to- noise ratio
Step Record
Bit Depth
SCSI
Tx (Abbv.)
8. Tells how to interpret data that is coming up; 'note number is following'; Defines what we want the MIDI device to do; Represented by msb = 1
Status Byte
Channel Voice Message
Hardware Sampler
Key Tracking
9. Changes the sound envelope based on how high or low the pitch of the note
Key Tracking
EXS
Master Devices
Synthesizer Audio Flow
10. Drum sequencer that comes packaged with Logic Pro
Channel Messages
Portamento...
Audio Samples
Ultrabeat
11. Method of connecting several devices along a bus and managing the signals for each device; The most basic MIDI connection; Plays multiple sounds with same MIDI data
Binary
Channel Enable/Disable
Beats
Daisy Chaining
12. MIDI Out (Master) --> MIDI In (MIDI Interface) --> Travels via Dual Serial (USB) both to and from interface --> MIDI Out (MIDI Interface) --> MIDI In (Slave) --> Audio Out (Slave) --> Audio In (Mixer or Audio Interface) --> Audio Out (Speakers)
Basic Sequencer Signal Flow
AMS
Resonance
Ultrabeat
13. Another term for 'Channel Enable/Disable'
Receive Switch
Pan
Resonance
Cutoff Frequency
14. Bits/Second
Beats
MIDI Protocol Type
Baud
Grid Editor
15. MIDI Message sent when key is released
VCA
Additive Synthesis
Tempest
Notes OFF MIDI
16. 50'
Max MIDI Cable Length
Note Ranges
Binary
Volume
17. Sound generating device with no integral keyboard
MIDI Module
Coarse Tuning
OMNI (On) POLY
Byte
18. Changes an analog audio signal to a digital format (binary data) that can be stored or manipulated on a computer
Receive Modes
Max MIDI Cable Length
A/D Converter
Pulse Wave
19. Determines the layout of MIDI channels for each of the multitimbral parts
Beats
Modulation
Channel Assignment
Local OFF
20. Sample Dump Standard; Signal starts to degrade
Cutoff Frequency
SDS
Polyphonic
Playback Quantizing
21. Level at which sound remains until key is released
Hardware Sampler
Sustain Level
Modulation
Attack Time
22. Wave that consists of a single traveling pulse
Sampler
E- mu Proteus 2000
Pulse Wave
Hardware Sampler
23. 12 notes; Change between B & C
MIDI Octaves
AMS
Roland Fantom X6
Sampler
24. Audio interface that includes 8 mic preamps - a sophisticated DSP cue mixer - and a comprehensive array of digital I/O; Allows one to record 24- bit audio at up to 192kHz.
Volume
Channel Enable/Disable
Master Devices
M-Audio ProFire 2626 Audio Interface
25. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Additive Synthesis
Patch Mapping
Handshake Wiring
Multitimbral Mode
26. Voltage Controlled Filter; Voltage amount changes harmonic content
THRU Port
Layer
VCF
Destructive Quantize
27. Dum machine that featured 12- bit sampling; 99- track sequencer with a 60 -000 note capacity; Debuted the familiar 4 x 4 grid of drum pads
Polyphonic
Ultrabeat
lsb
Akai MPC 60
28. Japanese MIDI Standards Committee; Defines MIDI specifications & coordinates with manufacturers and users in the Asian and Pacific Rim regions
Polyphony
Velocity Switching
JMSC
Portamento...
29. Ground
Receive Modes
Triangle Wave
Bit Depth
DIN Pin 2
30. Positional numbering system represents numerical values using only two symbols - 0 and 1
OMNI (On) POLY
Serial Port
Filter
Binary
31. CMD+S
Capture Last Take as Recording
Preset/Patch/Instrument/Bank
VCO
Save
32. Chooses which channels a multitimbral MIDI device will respond
Channel Enable/Disable
Rx (Abbv.)
Slave Devices
MIDI Interface Setup
33. Where a slave device receives MIDI data; Can receive data from an OUT or THRU port
MIDI Program Change
IN Port
Power Conditioner
Channel Pressure
34. Determines which note on the MIDI keyboard will play the sample at its original pitch and speed; Almost always set to Middle C
M-Audio ProFire 2626 Audio Interface
Key Note
Master Tracks Pro
Software Sampler
35. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
Filter Slopes
Resonance
OMNI (On) POLY
Ultrabeat Import File Types
36. Circuits on a synth that determine the character of the attack and release of a tone can be controlled; Controls how sound changes over time; Most commonly on amplifier circuit
Envelope Generator
MIDI Octaves
Timbre
Layer
37. Smallest increments between beats; Coincide with the resolution in PPQN; MIDI data locks to these for start
Quantization Values
Ticks
MIDI Module
Resolution
38. Permanent; Original placement of notes is lost and only the quantized version remains
Dual Serial Connection
Destructive Quantize
Max MIDI Cable Length
Status Byte
39. Digital recordings triggered by MIDI
Ableton Live
Quantization
Samples
E- mu Proteus 2000
40. Incomprehensibility resulting from irrelevant harmonic information
Noise
Sample Looping
Generator
Vibrato...
41. .PST & .EXS
Ultrabeat Import File Types
Modulates Cutoff Frequency
Bars
Timbre
42. Two or more sounds play simultaneously on the same channel
MIDI
Layer
Zero Crossing Point
Pulse Code Modulation
43. MONO Pressure + Channel (S) => Amount (D1) => N/A
MONO Pressure Data Train
Max MIDI Cable Length
Filter Slopes
Note ON MIDI
44. To create or shape
EXS
Generator
Dual Serial Connection
Decay Time
45. Storage device that can memorize and playback (often in loops) the sequence of MIDI events generated by the master device.
Amplitude Modulation
Play
Pitch Bend Data Train
Sequencer
46. Allows assignment of a different SOUND to each of the multitimbral parts
Timbre Assignment
Physical Modeling Synthesis
Zones
THRU Port
47. How quickly sound reaches its peak volume when key is pressed
Mix - Merge - or Overdub Mode
Sine Wave
Attack Time
Generator
48. Most Significant Bit; the left- most bit in a binary whole number or code
Akai S900
msb
FM Synthesis
Beats
49. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
Granular Synthesis
DIN Pin 2
Pulse Wave
Master Tracks Pro
50. Two or more instruments with note ranges that do not overlap
LFO Parameters
Split
Hardware Sampler
Beats