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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Attack Time; Decay Time; Sustain Level; Release Time
Envelope Generator Parameters
VCF
Pitch Bend
Dedicated Sequencer
2. Defines the lowest and highest note on a keyboard that an individual part is active
Status Byte
Audio Samples
Note Ranges
Ableton Live
3. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
OMNI (Off) MONO
Mellotron
Coarse Tuning
Additive Synthesis
4. Categorically grouping of samples; Grouped by instrument type or dynamics; Provides for easier programming when multiple instrument are involved
Master Devices
Zone/Key Group/Multi-Sample
MIDI Octaves
Playback Quantizing
5. Most commonly used MIDI receive mode; Device receives only on an assigned selectable data; Ability to play MORE than one note at a time
Channel Assignment
Static
Cakewalk Sonar
OMNI (Off) POLY
6. Status Byte (S) => Data 1 (D1) => Data 2 (D2)
Receive Modes
Velocity Mapping
Data Train
List Editor
7. Actual audio files (.WAV - .AIFF - etc.) that we hear when playing a sampled instrument
Attack Time
Audio Samples
DSP
Aftertouch
8. Used with very large sampled instruments on a software based system; Initial transient of a sample loaded into RAM and audio file is streamed from hard drive in real time
Sustain Level
Granular Synthesis
Basic Sequencer Signal Flow
Disk Streaming
9. Music workstation/synthesizer that features a 128- voice PCM- based synthesizer with 6 effects processors & dynamic pads; Infrared D-Beam; Stereo sampler and full on - screen editing; Allows for 8 stereo audio tracks integrated with the internal MIDI
E- Mu Emulator II
Note ON MIDI
Roland Fantom X6
Low Frequency Oscillator (LFO)
10. How long it takes for sound to fade to silence
Cakewalk Sonar
Release Time
Audio Samples
Patch Mapping
11. Defines the instrument's response to voice messages
Ultrabeat
Sampler
Channel Mode Message
Modulation
12. Program Change + Channel (S) => Patch # (D1) => N/A
Local ON
Program Change Data Train
Samples
Channel Mode Message
13. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
EMagic AMT-8 MIDI Interface
Sawtooth Wave
Sequencer
MIDI
14. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
Polyphonic
SCSI
Data Train
MIDI Program Change
15. Digital audio workstation platform for Mac OS X and Windows operating systems; Developed and manufactured by Avid Technology
Serial Port
ProTools
SDS
Timbre
16. Pre- mixes sound levels within the device
Volume
LFO Parameters
Handshake Wiring
SCSI
17. Device receives on any and all channels but merges all the data together to one specific channel and then plays all notes received as the one sound assigned to that channel; Ability to play MORE than one note at a time
Filter Slopes
Grid Editor
OMNI (On) POLY
Sawtooth Wave
18. MIDI Out (Master) --> MIDI In (MIDI Interface) --> Travels via Dual Serial (USB) both to and from interface --> MIDI Out (MIDI Interface) --> MIDI In (Slave) --> Audio Out (Slave) --> Audio In (Mixer or Audio Interface) --> Audio Out (Speakers)
SMDI
Basic Sequencer Signal Flow
Akai S900
Granular Synthesis
19. Determines dynamic range and signal- to- noise ratio
Recording with MIDI Sequencer
Bit Depth
Receive Switch
Replace - Overwrite - or Destructive Record Mode
20. Devices that receive MIDI data (must be capable of making sounds and have audio outs)
Playback Quantizing
MIDI Acronym
Slave Devices
Data Byte Breakdown for MIDI
21. Overall sound quality defined by harmonic content
Pulse Code Modulation
Sample Rate
Timbre
MIDI Program Change
22. Connects computer to MIDI device; All MIDI routing and communication is handled by the computer
Triangle Wave
Timbre
Power Conditioner
MIDI Interface Setup
23. Used as a modulation source; Usually below 20Hz (.01 - 10Hz); Most common waveform is the sine - though there is often a choice; Defines vibrato - tremolo - and wah; Allows periodic changes to sound
Polyphonic
Low Frequency Oscillator (LFO)
Replace - Overwrite - or Destructive Record Mode
C4
24. Drum sequencer that comes packaged with Logic Pro
Ultrabeat
SCSI
5-Pin DIN Protocol
THRU Port
25. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
Recording Samples (Guidelines)
Decay Time
THRU Port
Local OFF
26. Message sent when note is played (key pressed)
Piano Roll
MIDI Protocol Type
Program Change Data Train
Note ON MIDI
27. Metronome; Prerecorded track of electronic metronomic clicks used to ensure proper timing of music to be recorded; Essential in music scoring sessions; Sets composition tempo
C4
Volume
Static
Click Track
28. Incomprehensibility resulting from irrelevant harmonic information
Controller Editor
List Editor
Basic Sequencer Signal Flow
Noise
29. Positional numbering system represents numerical values using only two symbols - 0 and 1
Binary
Sample Rate
Roland Fantom X6
Multitimbral Mode
30. Sound generating device with no integral keyboard
Master Devices
MIDI Module
Tx (Abbv.)
Pulse Code Modulation
31. Only recording the performance and not the actual sounds; Completely editable and changeable post- recording
VCO
JMSC
Zero Crossing Point
Recording with MIDI Sequencer
32. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
JMSC
List Editor
Tremolo
MIDI Protocol Type
33. Operating system made sense to most musicians; Became very popular because of its accessibility
Akai S900
'Note On' Data Train
Tremolo
JMSC
34. Sample Dump Standard; Signal starts to degrade
SDS
VCA
Key Range
Sine Wave
35. Allows bidirectional communication between MIDI device and computer
Dual Serial Connection
Analog Modeling Synthesis...
8-Bit Breakdown of MIDI Code
E- mu Proteus 2000
36. Parts Per Quarter Note; Measurement of timing resolution of a sequencer; Points on a sequencer grid that lie between quarter notes; Higher the PPQN the better its timing; Referred to as ticks
Manufacturer Terms for Multitimbral Mode
DIN Pin 2
PPQN
Generator
37. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
Elisha Gray
Score Editor
Envelope
Recording Samples (Guidelines)
38. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
MOTU Digital Performer
Mellotron
EXS
Linn LM-1
39. Voltage Controlled Filter; Voltage amount changes harmonic content
Wah Wah
DSP
VCF
Play
40. Determines the highest frequency to be captured
Sample Rate
Replace - Overwrite - or Destructive Record Mode
LFO Parameters
Envelope Generator
41. Windows only based digital audio workstation platform
FM Synthesis
Binary
Cakewalk Sonar
Analog Modeling Synthesis...
42. Using an envelope generator on an oscillator does this...
Local OFF
Modulates Pitch
Tremolo
Channel Pressure
43. How long it takes for volume of sound to drop to Sustain Level
5-Pin DIN Protocol
Multitimbral Mode
Decay Time
Accessibility
44. Standard for transferring data between devices on internal and external computer; Most commonly used for tape storage devices and hard disks
Modulates Cutoff Frequency
POLY Pressure Data Train
SCSI
PPQN
45. Used in the Reason software package; Combination of the features of Wavetable and Granular synthesis; Allows selection of particular wavetables that have been broken down into grain clouds for further manipulation
Square Wave
Graintable Synthesis
Additive Synthesis
Mix - Merge - or Overdub Mode
46. High Resolution; 14- bit parameter; (Coarse Tune X Fine Tune = 16 -384 Steps of resolution
Polyphony
Pitch Bend
Bit Depth
OMNI (On) MONO
47. Each pass will combine new MIDI data with old MIDI data already recorded onto track; Most commonly used; Allows looping and the ability to work at desired pace
FM Synthesis
Filter
Mix - Merge - or Overdub Mode
Modulation
48. MIDI Manufacturers Association; Defines MIDI specifications & coordinates with manufacturers and users in Americas & Europe
Quantization
MMA
'Note Off' Data Train
MIDI Data Transmission Rate
49. Same as square; Odd numbered multiples of harmonics - but the amplitude is decreasing more rapidly
Velocity Switching
Polyphonic
Triangle Wave
Synclavier
50. Value = 0 - 127 (Variations of the last 7 numbers)
Modulates Cutoff Frequency
Step Record
Data Byte Breakdown for MIDI
MIDI Connection Ports