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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Value = 0 - 127 (Variations of the last 7 numbers)
Manufacturer Terms for Mode 3
FM Synthesis
Analog Modeling Synthesis...
Data Byte Breakdown for MIDI
2. A male 9- pin or 25- pin port on a computer system used by slower I/O devices such as a mouse or modem; Data travels serially - one bit at a time - through the port
Binary
Recording with MIDI Sequencer
System Messages
Serial Port
3. The transmission of an audio signal by using it to vary a carrier wave (amplitude of frequency)
Modulation
lsb
Fairlight CMI
Velocity Switching
4. The first drum machine to use digital samples of acoustic drums
'Note On' Data Train
M-Audio ProFire 2626 Audio Interface
Linn LM-1
MIDI Interface Setup
5. Positional numbering system represents numerical values using only two symbols - 0 and 1
Binary
Depth/Amount Parameter
Non - Dedicated Sequencer
Granular Synthesis
6. Digital recordings triggered by MIDI
E- mu Proteus 2000
Samples
MIDI Clock
Ableton Live
7. Allows for the routing of output from individual parts to secondary (auxiliary) audio outputs rather than the main stereo outputs; EQ effects can be changed from those on main stereo outputs
PPQN
Vibrato...
'Note On' Data Train
Output Assignment
8. The most commonly accepted means of encoding digital audio data so it can be stored within a digital medium with a maximum degree of data density
Tuning
Polyphony
Play
PCM
9. 12 notes; Change between B & C
MIDI Octaves
Timbre Assignment
Ultrabeat Import File Types
Akai S900
10. The process of combining waveforms with their own respective amplitude envelopes to create a sound that changes over time; Adding multiple tones to one sound
Additive Synthesis
Daisy Chaining
Attack Time
Portamento...
11. How long it takes for sound to fade to silence
Key Range
Square Wave
Release Time
Modulates Pitch
12. Incomprehensibility resulting from irrelevant harmonic information
Synthesizer Audio Flow
Replace - Overwrite - or Destructive Record Mode
Generator
Noise
13. Mark of the Unicorn; Runs on Mac only; Used for film scoring or sound design
S/PDif...
Quantization Values
Controller Editor
MOTU Digital Performer
14. High Resolution; 14- bit parameter; (Coarse Tune X Fine Tune = 16 -384 Steps of resolution
THRU Port
Pitch Bend
3 Main MIDI Circuits
Ground Loop
15. (Deutsche Industrie Norm) ~ Cable standard that transfers MIDI data; Uses only pins 2 - 4 - & 5
Wavetable Synthesis
5-Pin DIN Protocol
Ring Modulation
OMNI (On) MONO
16. Data
DIN Pin 5
Sine Wave
Bit Depth
Disk Streaming
17. 'Father of the Synthesizer'; Created a voltage controlled music synthesizer (Moog Modular Synth); Used by Stevie Wonder in 70's
Bob Moog
MIDI Octaves
Analog Modeling Synthesis...
POLY Pressure Data Train
18. Determines dynamic range and signal- to- noise ratio
Ring Modulation
Bit Depth
Controller Editor
Circle Machine
19. Device receives only on an assigned selectable data; Ability to play ONLY one note at a time
Akai MPC2500
lsb
Sequencer
OMNI (Off) MONO
20. Level at which sound remains until key is released
Cakewalk Sonar
A/D Converter
Layer
Sustain Level
21. SCSI Musical Data Interchange; Better option than SDS
Roland Fantom X6
Click Track
SMDI
C4
22. Actual data; 'Note #'; Provides information and data the status byte uses to do its job; Uses an 8- bit system; Represented by msb = 0
Data Byte
Polyphonic
Mellotron
Local ON
23. Multi Mode; Performance (Perf) Mode; Sequence Mode
Manufacturer Terms for Multitimbral Mode
Zones
Akai S900
VCO
24. Changes the sound envelope based on how high or low the pitch of the note
Physical Modeling Synthesis
MIDI Data Transmission Rate
Key Tracking
Ultrabeat
25. Another term for 'Channel Enable/Disable'
Receive Switch
Portamento...
Channel Enable/Disable
Envelope Generator Parameters
26. MIDI interface designed to work with the USB protocol - as well as both Mac and PC serial ports; 8-Input & 8-Output; Uses a clever look- ahead buffering system to improve the timing of MIDI signals at the interface ports.
Resolution
Modulation
EMagic AMT-8 MIDI Interface
Recording with MIDI Sequencer
27. Rackmount version of the Triton used as a sound module rather than a complete workstation; Able to store up to eight EXB boards containing additional sounds; Features a built- in S/PDIF digital output
POLY Pressure Data Train
Sine Wave
KORG Triton Rack
DSP
28. Contains harmoics and all odd and even harmonics; 6dB roll off between octaves; Same starting phases
Baud
Multitimbral Module
Capture Last Take as Recording
Sawtooth Wave
29. Metronome; Prerecorded track of electronic metronomic clicks used to ensure proper timing of music to be recorded; Essential in music scoring sessions; Sets composition tempo
MIDI Clock
Dual Serial Connection
Click Track
Release Time
30. To create or shape
Generator
VCO
MIDI Octaves
Cutoff Frequency
31. Advantages: Higher memory (RAM) & samples are saved and recalled with the session; Disadvantage: Lower stability
Mellotron
Serial Port
Software Sampler
Streaming
32. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Multitimbral Module
Pulse Code Modulation
Quantization
Aftertouch
33. Connects computer to MIDI device; All MIDI routing and communication is handled by the computer
Sawtooth Wave
MIDI Interface Setup
Aftertouch
Portamento...
34. Pitch - Amplitude - Timbre
3 Main MIDI Circuits
Polyphonic
Basic Sequencer Signal Flow
PPQN
35. Defines the instrument's response to voice messages
POLY Pressure Data Train
8-Bit Breakdown of MIDI Code
Channel Mode Message
Pulse Code Modulation
36. How long it takes for volume of sound to drop to Sustain Level
Sine Wave
Decay Time
Slew Rate
Channel Enable/Disable
37. Digital sampling but sounds are divided into small pieces of sound lasting from 1 to 50 milliseconds; Sounds are layered on top of one another and can be adjusted by speed - phase angle - and volume
Granular Synthesis
Master Devices
Triangle Wave
Notes OFF MIDI
38. Music production software that offers a great array of tools for mashup production - including tempo beatmapping and real time manipulation
Ableton Live
Bit Depth
RAM (Memory)
Serial Port
39. Determined by dividing PPQN into common note values (1/8th - 1/16th - 1/32nd - 1/64th - 1/128th - etc.)
Dual Serial Connection
Quantization Values
E- Mu Emulator II
Tempest
40. Most Significant Bit; the left- most bit in a binary whole number or code
Controller Editor
Filter Slopes
Pitch Bend Data Train
msb
41. Ground
SMDI
Baud
Ultrabeat
DIN Pin 2
42. Determines the point at which a filter begins altering harmonics or frequencies
Ableton Live
C4
Cutoff Frequency
MIDI Connection Ports
43. Starts from 1 at the very beginning of a sequence
Data Byte
Recording with MIDI Sequencer
Rx (Abbv.)
Bars
44. The extent to which schemas and concepts are at the forefront of people's minds and are therefore likely to be used
Fairlight CMI
Multitimbral Module
MOTU Digital Performer
Accessibility
45. Complete sample(s) are loaded into RAM
Envelope
Static
Granular Synthesis
Additive Synthesis
46. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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47. MIDI Note #60 (Roland Standard)
Filter Slopes
C4
Tremolo
Wah Wah
48. LFO is routed to low pass filter
Polyphonic
Wah Wah
VCF
Output Assignment
49. Determines the layout of MIDI channels for each of the multitimbral parts
DIN Pin 4
Channel Assignment
Quantization
OMNI (Off) POLY
50. Ability to play MORE than one note at a time; Often used for drums; sections
KORG Triton Rack
Coarse Tuning
Multitimbral Mode
Polyphonic