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Test your basic knowledge |
MIDI
Start Test
Study First
Subject
:
engineering
Instructions:
Answer 50 questions in 15 minutes.
If you are not ready to take this test, you can
study here
.
Match each statement with the correct term.
Don't refresh. All questions and answers are randomly picked and ordered every time you load a test.
This is a study tool. The 3 wrong answers for each question are randomly chosen from answers to other questions. So, you might find at times the answers obvious, but you will see it re-enforces your understanding as you take the test each time.
1. Voltage Controlled Amplifier; Controls Amplitude
A/D Converter
MIDI Acronym
VCA
Static
2. Resembles a large hardware sequencer- type display - but shows all MIDI data that has been recorded on a single page
Quantization Values
List Editor
E- Mu Emulator
Receive Switch
3. Storage device that can memorize and playback (often in loops) the sequence of MIDI events generated by the master device.
Coarse Tuning
Sequencer
Ultrabeat
Release Time
4. Change internally to a program number that is different than the one received; ONLY a function of a slave device; Programmable slave device responses (loading presets for MIDI program changes)
Midi Thru Box
Elisha Gray
Patch Mapping
System Messages
5. Value = 0 - 127 (Variations of the last 7 numbers)
Data Byte Breakdown for MIDI
Dual Serial Connection
Monophonic
Tremolo
6. Note that alternates rapidly with another note a semitone above it
Vibrato...
Channel Voice Message
Akai MPC2500
Trill
7. Note ON; Note OFF; Program Change; MONO Pressure; POLY Pressure; Pitch Bend; Control Change
Physical Modeling Synthesis
Timbre Assignment
Types of Channel Voice Messages
8-Bit Breakdown of MIDI Code
8. Note On + Channel (S) => Note # (D1) => On Velocity (D2)
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9. Allows for the routing of output from individual parts to secondary (auxiliary) audio outputs rather than the main stereo outputs; EQ effects can be changed from those on main stereo outputs
Recording with MIDI Sequencer
MIDI Program Change
Output Assignment
Dynamic Allocation
10. Overall sound quality defined by harmonic content
Timbre
Multitimbral Mode
MIDI Octaves
Pulse Code Modulation
11. Hardware; Stand alone hardware MIDI sequencers designed to record - edit - and playback MIDI data only; Offer high stability and portability - but have low resolution (24-96 PPQN) and a lack of editing facilities
Subtractive Synthesis...
Linn LM-1
Dedicated Sequencer
Sample Looping
12. Determines the point at which a filter begins altering harmonics or frequencies
Pitch Bend
Additive Synthesis
Cutoff Frequency
VCF
13. Starts from 1 at the very beginning of a sequence
Circle Machine
Bars
Power Conditioner
VCO
14. Enables the subtraction of frequencies from a basic waveform allowing shaping of desired content
MIDI Cable Specs
Piano Roll
Filter
Quantization
15. Controller message sent by pressure on an INDIVIDUAL key after initial touch (release PRESSURE measurement)
Aftertouch
Key Tracking
DIN Pin 2
Daisy Chaining
16. Bits/Second
MIDI Connection Ports
Envelope Generator
Baud
Generator
17. Metronome; Prerecorded track of electronic metronomic clicks used to ensure proper timing of music to be recorded; Essential in music scoring sessions; Sets composition tempo
Program Change Data Train
Attack Time
E- Mu Emulator II
Click Track
18. MIDI message used to change sound patches on a remote module or the effects patch on a MIDI effects unit
msb
MIDI Program Change
Phase Distortion Synthesis
MIDI Protocol Type
19. Most common type; Oscillators generate all of harmonic content and filters are used to subtract overtones from the sound; Think sculpture reference (from block to statue)
Subtractive Synthesis...
Output Assignment
Binary
Master Tracks Pro
20. Determines dynamic range and signal- to- noise ratio
Ultrabeat
Bit Depth
Cutoff Frequency
Sustain Level
21. Chooses which channels a multitimbral MIDI device will respond
Ultrabeat
Note Ranges
Channel Enable/Disable
Synclavier
22. Incomprehensibility resulting from irrelevant harmonic information
Noise
Serial Port
VCO
Linn LM-1
23. CRedited with being the first to create and transmit music electronically; 'Singing Telegraph' (1867)
Streaming
Capture Last Take as Recording
Elisha Gray
Synthesizer Audio Flow
24. Software; Computer- based MIDI recorders that can be used for other functions (word processing - web browsing - etc.); Offers high resolution (480+ PPQN) and expanded editing facilities - but have lower stability and lack portability
Replace - Overwrite - or Destructive Record Mode
Baud
THRU Port
Non - Dedicated Sequencer
25. Combination of layers and splits (Ex. => Assigning a piano sound across the entire length of the keyboard - but adding a string part only on upper octaves)
Accessibility
Pitch Bend Data Train
Zones
'Note Off' Data Train
26. Deal with the set- up and operating parameters for a MIDI device - Acknowledged by all devices in a MIDI system
THRU Port
Sample Rate
Step Record
System Messages
27. MONO Pressure + Channel (S) => Amount (D1) => N/A
Amplitude
MONO Pressure Data Train
'Note On' Data Train
Pulse Code Modulation
28. Electronic tape- based keyboard instrument featuring prerecorded sounds; Tape bank could be removed and loaded with different sounds
Piano Roll
Mellotron
Layer
Beats
29. Each pass will overwrite the pass before it permanently erasing previous MIDI data
Binary
Zero Crossing Point
Timbre Assignment
Replace - Overwrite - or Destructive Record Mode
30. Boosts frequencies at and around the cutoff frequency; Emphasizes effect of filter
Resonance
MIDI Clock
Low Frequency Oscillator (LFO)
E- Mu Emulator II
31. Another term for 'Channel Enable/Disable'
Local OFF
Receive Switch
MIDI Interface Setup
Grid Editor
32. Wave that consists of a single traveling pulse
Pulse Wave
Ground Loop
VCO
Polyphonic
33. Changes an analog audio signal to a digital format (binary data) that can be stored or manipulated on a computer
Streaming
Data Byte Breakdown for MIDI
Ultrabeat
A/D Converter
34. Pitch Bend + Channel (S) => Coarse Tune (D1) => Fine Tune (D2)
Multitimbral Mode
Sawtooth Wave
JMSC
Pitch Bend Data Train
35. .PST & .EXS
Filter Parameters
Patch Mapping
Ultrabeat Import File Types
DIN Pin 2
36. Poly Mode; Patch or Program (Prog) Mode
Sequencer
Polyphonic
Multitimbral Mode
Manufacturer Terms for Mode 3
37. Powerful feature of MIDI editing that fixes timing issues; Moves notes to a predetermined grid by dividing the PPQN into common note value divisions
Quantization
Wah Wah
EXS
Program Change Data Train
38. Direct copy of any MIDI data arriving at the MIDI IN Port; Device without a MIDI thru connector must be placed at the end of a MIDI chain
Samples
THRU Port
VCF
Sine Wave
39. Define whether an instrument will respond to one or more channels and how many notes it will play back at once
PPQN
Receive Modes
Subtractive Synthesis...
Patch Mapping
40. Channel messages are common messages controlling note - timbre - & expressive data; System messages control inter- machine parameters
Status Byte
Bars
MONO Pressure Data Train
Channel Messages
41. Inputs 2 frequencies; Outputs only the sum of and difference of the frequencies; Usually used with one simple - fixed oscillator tone - and a more complex sound like speech or singing to create 'talk box' effect
Save
Ring Modulation
Receive Switch
SCSI
42. The most commonly accepted means of encoding digital audio data so it can be stored within a digital medium with a maximum degree of data density
IN Port
Slew Rate
Accessibility
PCM
43. Data
Portamento...
Square Wave
DIN Pin 5
Channel Pressure
44. Emulator containing sounds that may be layered - filtered - modulated by low frequency oscillation - and shaped by envelopes; Does not allow the user to record sounds but instead offer a range of factory sounds suitable for any given use
Receive Switch
Envelope
E- mu Proteus 2000
SDS
45. Rise and fall of pitch created when LFO is routed to the oscillator
Resynthesis
MIDI Connection Ports
Sustain Level
Vibrato...
46. Basic Waveform; Source vibrates with simple harmonic motion
Types of Channel Voice Messages
Program Change Data Train
Sine Wave
DSP
47. The point at which the voltage level from a signal waveform crosses from being positive to negative or vice versa
Channel Mode Message
Zero Crossing Point
Recording with MIDI Sequencer
Piano Roll
48. Multitimbral device that automatically assigns notes of polyphony to individual parts as they are required in real time; Helps to eliminate lost notes or 'note stealing' during playback
THRU Port
VCO
Key Range
Dynamic Allocation
49. Sony-Philips digital interface format
Sample Looping
S/PDif...
Polyphonic
Cutoff Frequency
50. How quickly sound reaches its peak volume when key is pressed
Attack Time
Sustain Level
Bit Depth
DIN Pin 2